Skreeonk! A Godzilla Movie Marathon – Details, episodes & analysis

Frankenstein's monster is a kaiju?! In one of the weirder entries in Toho's monster canon (localized as Frankenstein Conquers the World), the modern Prometheus is a regenerative caveman-like being born from the atomic bomb who grows to colossal size. Also, an adorable subterranean puppy comes from below to fight him. We talk about the very first collaboration between Toho and American producers, and the resulting conflict among Ishirō Honda's desire to honor the classic Frankenstein story, Toho's desire to make another giant monster movie, and America's desire to have a random octopus for some reason.

Cover art by: Walter Trush aka TrushToons

Instagram: @trushtoons | Twitter: @TrushWalter

Part of⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by by Steve Ryfle and Ed Godziszewski

Japan's Favorite Mon-Star: The Unauthorized Biography of "The Big G" by Steve Ryfle

Wikizilla

Hop into your time machine and pilot your Mecha, because Godzilla expert Jayce joins us for King Ghidorah's entrance into the Heisei era! This fantastical sci-fi romp is a response to America's blockbusters like Back to the Future and a celebration of Showa era monster fights, but it's also surprisingly wrapped up in Japanese/American economic relations (yes, we're talking about the economy again.) We also get into the complicated time travel that explores Godzilla's origins, Kawakita's special effects, the loveable and Terminator-esque M-11 Android, and of course, the time Godzilla cried.

Follow Jayce on Twitter: @jblacksomething

Absolutely KILLER episode cover art by: Doug!

Part of⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠ ⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

Vantage Points interview with Kazuki Ōmori

The Godzilla Comic on Wikizilla

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

Wikizilla

Godzilla does Y2K! The first installment of the Millennium era is an action-heavy sci-fi romp featuring aliens, technological fears, and a scrappy network of likeable Godzilla nerds... and it's very much a direct response to Roland Emmerich's 1998 American movie. We talk all about this amazing Godzilla design, all the Independence Day references, some unfortunate digital effects (and an even more unfortunate human villain), and much more!

Part of ⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠

⁠⁠⁠⁠Patreon⁠⁠⁠⁠ | ⁠⁠⁠⁠Discord⁠⁠⁠⁠

Email: ⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠

Theme song: ⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠

Sources include: Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

Godzilla gets rebooted for the 80s! The first film in the Heisei era is a lot of things: a sequel to the original, a bit of a remake, sometimes a horror movie with mummified corpses, sometimes a political Cold War drama, sometimes a disaster movie with a plucky journalist, sometimes a fantastical sci-fi with a hovering supership, and constantly an experiment in innovation and animatronics that doesn't always succeed, but is interesting nevertheless.

Part of ⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠

⁠⁠⁠Patreon⁠⁠⁠ | ⁠⁠⁠Discord⁠⁠⁠

Email: ⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠

Theme song: ⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠

Sources include: 30th Anniversary video with Teruyoshi Nakano | Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon | A Critical History and Filmography of Toho's Godzilla Series by David Kalat

The first attempt at a Godzilla sequel was rushed into production, resulting in an action-oriented movie that sort of explores themes of civilians in war, but doesn't go the full mile. Alongside a new director and composer, a new slim Godzilla, and our first new kaiju in Anguirus… we also get lesser repeats of the first movie and some disappointing special effects. Listen to us answer the questions: How SMOKING HOT is Tsukioka? Why are the monster fights in superspeed? Is Godzilla attracted to light or not? What the heck is Gigantis, the Fire Monster? And more!

Part of ⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠

⁠⁠Patreon⁠⁠ | ⁠⁠Discord⁠⁠

Email: ⁠⁠skreeonkpodcast@gmail.com⁠⁠

Theme song: ⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠

Sources include: Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon | A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Our kaiju journey begins, of course, with the very first—Ishirō Honda's influential classic, a harrowing horror film unlike any Godzilla movie that comes after. We dig into the historical context and the filmmakers' own experiences with war, the suit design and innovative effects that still hold up to this day, Akira Ifukube's legendary score, and the human characters who bring it all together.

Part of ⁠The Glitterjaw Queer Podcast Collective⁠

⁠Patreon⁠ | ⁠Discord⁠

Email: ⁠skreeonkpodcast@gmail.com⁠

Theme song: ⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠

Sources include: Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

In our introduction episode, we give the Skreeonk lowdown! We share our personal histories with the Big G, and for newcomers, we break down the basics of tokusatsu, kaiju movies, Godzilla's eras, and everything you'll want to know about the podcast going forward. Plus, Derek quizzes Doug on his (lack of) Godzilla knowledge.

Part of The Glitterjaw Queer Podcast Collective

Patreon | Discord

Email: skreeonkpodcast@gmail.com

Theme song: "BIO WARS - Synth Cover" by Kweer Kaiju

Sources include: Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

Godzilla goes to spaaaace! In a movie that's way more alien invasion space opera than kaiju, the hilariously-dressed Xiliens from Planet X introduce us to Monster Zero (aka Ghidorah) and get Earth wrapped in a convoluted plot involving trapping sleepy Godzilla and Rodan in bubbles. We talk the first American-Japanese co-production for Toho -- which includes a major role for Rebel Without a Cause's Nick Adams and a complex English/Japanese language shoot -- along with space lady clones, a backslide in character dynamics, and of course, Godzilla's famous little dance and its surprisingly important ramifications.

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Help us nominate The Mixed Reviews for a Film & TV Podcast Award! Go to ⁠podcastawards.com⁠.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Part of⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godziszewski

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

Wikizilla

It's Hot Ghidorah Summer, and the planet-destroying space dragon king has made his entrance! This is the movie where everything changes: it's cosmic, it's an Avengers-style team-up among Godzilla, Mothra, and Rodan, and perhaps most importantly, it's the moment Godzilla becomes a hero to cheer for. We talk about this film's shift in philosophy and Ishirō Honda's complicated feelings, along with a Biollante-esque plot that includes psychic prophecies, a Venusian spirit possessing a princess, assassins, and Hiroshi Koizumi being the hottest man to ever rock a yellow raincoat and bucket hat.

Episode cover art by: ⁠Carlos Daniel

Twitter: ⁠@Panciraptor⁠ | Instagram: ⁠@panciraptor⁠

Check out the full gallery of episode cover art on ⁠our Glitterjaw page⁠!

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Help us nominate The Mixed Reviews for a Film & TV Podcast Award! Go to podcastawards.com.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠

Part of⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godziszewski

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

Wikizilla

It's a bird, it's a plane... it's Rodan, the giant flying monster! But would you believe it's also a horror movie delving into the plight of the underclass through the lens of coal miners, a sci-fi movie with killer bugs, and that it has an absolutely unpredictable final act twist? We talk yet another fascinating enty from Ishirō Honda -- including what makes it so close to the original Godzilla, the advancements in Tsubaraya's miniatures, the gorgeous cinematography, gay dinosaurs, and more! Plus, we answer some listener mail.

Episode cover art by: John Snyder

YouTube: @henshinjohn | Twitter: @HenshinJohn | Instagram: @henshinjohn

Check out the full gallery of episode cover art on our Glitterjaw page!

⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠ ⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠

Part of⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godziszewski

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Wikizilla