Pop Screen – Details, episodes & analysis

Bow before the mighty Thor! That's Jon Mikl Thor, obviously, the musclebound Canadian hard rocker whose mix of riffs and strongman stunts never quite led him to rock Valhalla. Not that it stopped him trying, and Rock 'n' Roll Nightmare was his biggest swing at the big leagues. On paper, it's a canonical hard rock horror movie, right down to the not-exactly-a-stretch casting of Thor as the frontman of a rock band. In practice, it is far, far stranger than that.

Join Graham and Jeff as they discuss the film's alarmingly phallic puppets, its inexplicably long driving sequences and the insane third-act twist that seals its cult movie legend. We also discuss the twisty career of Thor himself, not least the time when he got a new manager who wanted to reshape his career path based on the channelled wisdom of the New Age entity "Seth". The '70s, everyone!

If you want to hear us talking about rock - rock! Rock! - as well as several other musical genres, you'll find a monthly bonus episode of this show on our Patreon, as well as our monthly movie round-up Last Night..., weekly reviews of The X-Files and Red Dwarf, articles on classic Asian genre cinema and much, much more. Follow us on Twitter, Facebook and Instagram to keep up!

Phoebe Bridgers! Snail Mail! Fred Durst?! The list of Pop Screen-qualifying cast members is only the beginning of the weirdness in Jane Schoenbrun's sophomore film I Saw the TV Glow. Released in the UK after a wait almost as punishing as the film's devastating time-jumps, it's the story of two kids who really, really like a TV show. That is, if you're satisfied with a surface-level reading.

If you're not, allow Graham and Robyn to take you through the film's multitude of trans and queer readings, its nods to 1990s telefantasy classics from Buffy to Twin Peaks, its use of - and critique of the abuses of - nostalgia, its subtle coding of each time period it's set in, and of course its soundtrack, whose mix of modern artists and '90s vibes has already made it a cult classic independent of the film it's soundtracking. We also discuss Harmony Korine's short films, the weirdness of early internet video and so much more. It's for the ladies, the fellas and the people who don't give a [censored] - which, we now realise, is an acknowledgement of nonbinary identity. Who knew?

If your heart is like a claw machine, grab a subscription to our Patreon where we release an exclusive episode of this podcast every month, plus lots of other DVD bonus features: written reviews of The X-Files and Red Dwarf, classic Asian genre cinema under the microscope and even more. Follow us on Facebook, Twitter and Instagram to find out more.

Back with a vengeance! Yes, ahead of the release of Furiosa, we're looking at the Mad Max movie that features the most legendary pop star in the whole series (well, apart from the Doof Warrior): Mad Max Beyond Thunderdome. Initially reviled for its lighter tone and child sidekicks, the film now feels like a stepping stone to the operatic excesses George Miller has taken the franchise to in the 21st century - and Tina Turner as Aunty Entity is a piece of stunt-casting that truly works.

This week, Producer Rob rejoins the show to talk about all things Mad Max, including the series's fascinatingly improvisatory attitude towards continuity, the extent to which Max Rockatansky obeys Joseph Campbell's laws of heroism, and the absolute goldmine of memorable quotes this movie contains. It's two podcasters enter, and, er, two podcasters leave - but not before revealing this film's unexpected place in hip-hop history...

Come to our Barter Town over at Patreon, where you can exchange your money for a monthly bonus episode of the show - we've just covered every single pop star appearance on Doctor Who, from the Beatles to Billie Piper - plus written articles on classic Asian cinema, The X-Files and red Dwarf. Backers also get two bonus podcasts: the unclassifiable miscellany of Last Night... and the methodical run-through of cult franchises that is From the Video Aisle. Follow us on Twitter, Facebook or Instagram to find out more

There's always been a steady stream of British acts trying to make it in America, but the American acts trying to make it over here are a more rarefied bunch. Along with Sparks, one of the few US artists to try their hand at the notably Brit-centric early '70s glam rock scene was Suzi Quatro, who arrived with an unforgettable image, a massive bass guitar and some songs you'll know even if you don't know her name.

She's still touring today, and Liam Firmager's documentary Suzi Q tracks her from the messy dissolution of her early band The Pleasure Seekers into the 21st century. Join Graham and Mick as they discuss this, as well as the film's many parallels with another documentary about a female solo artist we covered earlier in the year. We also reveal Suzi Quatro's family connection to one of Graham and Mick's favourite TV shows. It's not Doctor Who. Not this week, at least.

That said, if you want two in-depth Doctor Who reviews from Graham every week, you could always donate to our Patreon, where you also get a monthly bonus episode of this podcast, and exclusive access to our other movie podcast Directors Lottery. Find out more by following us on Instagram, Facebook and Twitter.

#moviereview #popscreen #suziq #suziquatro #documentary #liamfirmager #glamrock

We're doing a Madonna movie! No, come back! This week, Graham and Sarah go back to the Material Girl's breakthrough moment, when her Nile Rogers-produced sophomore album Like a Virgin proved she wasn't a fluke, and Desperately Seeking Susan became one of the top five highest grossing films of 1985. But don't think this is a safe choice for a young pop star: it's a screwball comedy, a tough genre to get right, by Susan Seidelman, a director with only one, punk-inflected, previous film. And wait until you find out what film inspired Seidelman...

It was, in short, a huge gamble that paid off. On this week's show, Graham and Sarah discuss the home-made appeal of Madonna's early image, and why the desperately sought Susan was a better fit for Madonna than most of her later roles. We also discuss her directorial effort W.E., an early indicator that Oscar Isaac's talent and charisma would strongly outpace his ability to choose a good script.

If you've recently received a windfall from going through the pockets of your dead gangster boyfriend, you might consider donating to our Patreon, where you can get access to a monthly bonus episode of Pop Screen, Graham's Doctor Who reviews, a whole exclusive movie podcast - Director's Lottery - and more. Stay tuned to our Instagram, Twitter and Facebook to find out what we've got planned for the future!

#popscreen #moviereview #desperatelyseekingsusan #madonna #rosannaarquette #johnturturro #giancarloesposito #susanseidelman

A biopic of Brian Wilson had been mooted ever since the late 1980s, but it wasn't until 2014 that Bill Pohlad's Love & Mercy was released, with its bold time-hopping structure that allowed both Paul Dano and John Cusack to play the Beach Boys' chief songwriter. The former played Wilson as he recorded Pet Sounds and his legendary unrealised Smile project, the latter played him as he struggled to escape the control of his abusive quack therapist Eugene Landy. It sounds a bit heavy - and it is - but the soundtrack is full of the most beautiful music ever made.

On this week's episode of Pop Screen, Graham is joined by fellow Beach Boys fan Ewan to discuss the film and its clutch of impressive performances, including Bill Camp, Elizabeth Banks and Paul Giamatti as the monstrous Landy. We also discuss the strange circumstances which led to Pet Sounds becoming the definitive Beach Boys album despite having almost no band members play instruments on it, what the best Beach Boys song is, and why Graham's answer to that question is the correct one.

Over and over the crow cries uncover our Patreon, where you'll get a monthly bonus episode of this show - this month's involves Louis Theroux! - as well as access to our other movie podcast Director's Lottery, Graham's Doctor Who reviews and more. Follow us on Instagram, Facebook and Twitter to find out more about our new shows, videos and articles.

#popscreen #moviereview #loveandmercy #thebeachboys #brianwilson #pauldano #billpohlad #johncusack #elizabethbanks #paulgiamatti #billcamp #biopic #petsounds

Could the King of Pop have become the King of Cinema? Not, perhaps, on the evidence of 1988's Moonwalker, a curious, personal but deeply overbudgeted melange of music videos, live performance, claymation and a bewildering plot-line where Jackson fights back against Joe Pesci's not exactly Scorsese-worthy drug dealer by turning into a car. Critics at the time found it bizarre, self-indulgent and incoherent, and while that's not exactly wrong, its frequent songs and dance routines do remind you what an extraordinary performer Jackson was.

This week on Pop Screen, lifelong MJ fan Archaeon joins us to discuss the album - Bad - that the film was designed to promote, argue that the Smooth Criminal video is a dark-horse candidate for Jackson's best ever, and try to work out what the hell Pesci's haircut is. Other topics of discussion include possible inspirations for Spike the Rabbit, the tragic history of the Noid, the very '80s child performances and the status of Pesci's character as a back-handed 'tribute' to Jackson's then-manager Frank DiLeo.

If this podcast gave you fever like you've never, ever known, you may be interested to know you can get a bonus episode every month by donating to our Patreon, which also gives you access to our other movie podcast Director's Lottery, Graham's Doctor Who reviews, and more. Check out our Instagram, Facebook and Twitter for the latest news on what we've got coming up.

#popscreen #moviereview #moonwalker #michaeljackson #joepesci #1980s #claymation #noid #smoothcriminal

The director of Deliverance made a film starring the Dave Clark Five? It happened! This week, We Are Cult's Mark Cunliffe rejoins the podcast to talk about John Boorman's very uncharacteristic debut Catch Us If You Can, starring Clark as a stuntman who goes on the run with Barbara Ferris's frustrated advertising spokeswoman. Made in the shadow of A Hard Day's Night, its unsettling satire on the PR industry and strikingly direct drug references make it a precursor to the more pessimistic counterculture cinema that would emerge later in the 1960s.

Aside from discussing this prescient, underseen gem, we also talk about the Dave Clark Five's music, and how they went from being rivals to the Beatles to their current place in the popular memory. There's also space to consider the great career of John Boorman, and recommend his excellent autobiography (which contains the best Lew Grade anecdote you'll ever hear). Other burning issues include the cross-generational appeal of Yootha Joyce, the problematic wigs of Boorman's latest film Queen & Country, and whether or not Ronald Lacey ever looked young.

If you enjoyed this podcast and don't want to see us reduced to advertising Ian Meat's wares, donate to our Patreon for a monthly bonus episode, a whole extra film podcast - Director's Lottery - and much more. Stay informed about what we're doing next by following us on Twitter, Facebook and Instagram.

#popscreen #moviereview #catchusifyoucan #daveclarkfive #1960s #yoothajoyce #ronaldlacey #johnboorman #roadmovies #rockandroll

There aren't many pop movies of the 2010s that won an Oscar, but then there aren't many pop movies as well-crafted and emotionally devastating as Asif Kapadia's 2015 documentary Amy. A bruising look at the rise and fall of Amy Winehouse told with intimate archive footage, it's both a celebration of a unique talent and an excoriation of the culture that led to her death.

On this week's Pop Screen, Aidan joins Graham to discuss who, if anyone, the villain of the movie is, what it says about 2000s Britain that it killed its one true pop icon, and who added those wretched synth strings to Take the Box. We also celebrate Winehouse's pointed, sometimes shocking lyrics and unmistakable voice, and pour cold water on the "27 Club" mythology - without noticing the episode number for this very show...

If you'd like to help us buy a better pair of glasses so we don't make this mistake again, you can donate to our Patreon where you get a whole bonus podcast - Director's Lottery - as well as exclusive Pop Screen episodes, Graham's Doctor Who reviews, and more. Don't forget to follow us on Twitter, Instagram and Facebook to find out the full details of what we're up to next.

#popscreen #moviereviews #asifkapadia #amywinehouse #documentary #backtoblack #amy

The long-awaited biopic of Sir Elton Hercules John - wait, Hercules? Yes, Hercules - was always going to be a flamboyant affair, but no-one suspected it would be a full-scale, dancing-in-the-streets musical. Yet that is exactly what director Dexter Fletcher and screenwriter Lee Hall delivered in 2019's Rocketman. This week, the Ben, the Ben, the Ben is back to help Graham make sense of the extraordinary results.

Along the way, we discuss the many names attached to the lead role before Taron Egerton came along, the film's fought-for R rating - and its somewhat shorter Russian cut - and the best bits from Elton's riotous autobiography. We also talk about Fletcher's salvage job on a certain other 1970s rock biopic, and wonder relatedly if Bryan Singer has ever actually been on a film set.

If you want to help us afford electric boots and a mohair suit, you can donate to our Patreon, where backers will get a bonus episode every month, as well as access to our other movie podcast Director's Lottery, Graham's Doctor Who reviews and much more stuff that isn't available anywhere else. Don't forget to follow us on Facebook, Twitter and Instagram either.

#popscreen #moviereview #rocketman #eltonjohn #taronegerton #dexterfletcher #jamiebell #brycedallashoward #biopics #lgbt #richardmadden #glamrock