Movies We Like – Details, episodes & analysis

“When my father passed, I wanted nothing more than my mother's happiness. For what kind of man would I be if I did not help my mother?”

Production designer Andrew McAlpine joins hosts Andy Nelson and Pete Wright to discuss Jane Campion's The Power of the Dog. Drawing from his extensive career including work on The Piano with Campion herself, McAlpine offers unique insights into the film's exploration of isolation, masculinity, and the psychological complexity of its characters. His perspective as both a fellow New Zealander and previous Campion collaborator brings fresh depth to this haunting Western drama.

McAlpine's journey from aspiring surgeon to art school graduate led him through theater, holography, and eventually to production design. His work spans diverse projects including Sid and Nancy, Clockers, The Beach, and Aeon Flux. McAlpine approaches each film with an emphasis on authentic period detail while avoiding heavy-handed historical recreation, allowing the environment to serve the emotional truth of the story rather than mere accuracy.

The conversation explores how The Power of the Dog examines masculine isolation through Phil's character, drawing parallels to McAlpine's work on The Piano. He highlights the film's masterful use of landscape and architecture to amplify psychological tension, particularly through the imposing ranch house. The discussion delves into Peter's character complexity and the film's careful build toward its devastating conclusion. McAlpine offers fascinating insights into how Campion's direction creates space for both brutality and vulnerability in her characters.

🎬 Watch & Discover

• 🎥 Watch our conversation on YouTube!
• 👤 Meet production designer Andrew McAlpine: IMDb | Website
• 👼 Check out ArtAngel
• 🍿 Watch the Film: Apple TV | Amazon | Letterboxd
• 📽️ Original Theatrical Trailer
• 📚 Adapted from The Power of the Dog by Thomas Savage

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“When you're scared all the time, you reach a point when you wish you were dead.”
https://www.youtube.com/watch?v=mFKaftsfDgkTalking About Takeshi Kitano’s Sonatine with our guest, Production Designer Liz Bischof
Production designer Liz Bischof joins Movies We Like to discuss Sonatine, Beat Takeshi's 1993 meditative yakuza film that masterfully blends moments of shocking violence with poetic contemplation. As a special guest who has worked on projects ranging from Broadway's Aladdin to Apple TV+'s See, Bischof brings unique insights into the film's visual language and thoughtful approach to production design.
In our wide-ranging conversation, Bischof shares her journey from props maker for international opera companies to production designer for film and television. She discusses her recent work on A Nice Indian Boy and upcoming thriller Getaway starring Jason Biggs in his directorial debut, before diving deep into why Takeshi Kitano's Sonatine left such a lasting impression on her when she first saw it at the Rotterdam Film Festival. The film's minimalist aesthetic, strategic use of color (particularly in the red and blue motifs), and carefully composed shots that often feel like still life paintings exemplify what draws her to this unique take on the yakuza genre.
The discussion explores how Kitano, primarily known as a comedian in Japan at the time, crafted this deliberately paced crime drama about a tired gangster (played by Kitano himself) sent to Okinawa. The film's remarkable middle section, where the characters retreat to a beach and briefly recapture moments of childhood play, provides a stark contrast to the inevitable violence that bookends the story. Bischof particularly appreciates how the film's production design reinforces themes through its use of gritty, fluorescent-lit spaces in the city scenes versus the poetic beauty of the beach sequences.
Sonatine remains a masterpiece of 90s Japanese cinema that rewards patient viewers with its unique blend of violence, humor, and existential meditation. Our conversation with Liz Bischof illuminates how the film's thoughtful design choices and visual poetry continue to influence and inspire filmmakers and designers nearly 30 years after its release.
Film Sundries

• Watch this episode on YouTube!
• Find Liz on her website, her Instagram, or on IMDb
• Watch this on Apple or Amazon, or find other places at Letterboxd
• Theatrical trailer

“I always said that you resemble my mother.”

Talking About Mirror with our guest, cinematographer Florian Hoffmeister
In this captivating episode of Movies We Like, hosts Andy Nelson and Pete Wright are joined by renowned cinematographer Florian Hoffmeister to discuss his illustrious career and dive deep into Andrei Tarkovsky's cinematic masterpiece, Mirror. Hoffmeister, known for his work on projects such as TÁR, True Detective, and Antlers, shares his unique insights and experiences in the world of cinematography.
Throughout the conversation, Hoffmeister delves into his journey as a cinematographer, from his early days at the German Film and Television Academy to his recent collaborations with acclaimed directors like Todd Field and Jay Roach. He discusses the intricacies of his craft, using the visual elements to create a cohesive and impactful story.
The discussion also touches upon Hoffmeister's approach to different genres, from the constrained naturalism of TÁR to the visceral and atmospheric lighting in True Detective. He shares anecdotes from his time working on various projects, highlighting the importance of collaboration and the organic process of developing a film's visual language.
As the conversation shifts to Tarkovsky's Mirror, Hoffmeister expresses his profound admiration for the film, describing it as a deeply cinematic and existential experience. The hosts and their guest explore the film's themes, its intimate and enigmatic nature, and the confidence with which Tarkovsky conveys his vision.
Mirror is a film that demands contemplation and rewards repeated viewings. Hoffmeister's passion for the film is infectious, and his insights provide a deeper appreciation for Tarkovsky's masterful use of cinematography to convey emotion and meaning. This episode of Movies We Like is a must-listen for any cinephile or aspiring filmmaker, as it offers a rare glimpse into the mind of a talented cinematographer and celebrates the enduring power of Tarkovsky's timeless classic.
Film Sundries

• Watch this on Apple or Amazon, or find other places at JustWatch
• Theatrical trailer
• Letterboxd

“I could go at any time.”
https://letterboxd.com/film/whats-eating-gilbert-grape/
Talking About What’s Eating Gilbert Grape with our guest, Writer, Actor, and Producer Mandy Kaplan
In this delightful episode of Movies We Like, hosts Andy Nelson and Pete Wright are joined by the multi-talented Mandy Kaplan, a voiceover artist, writer, podcaster, actor, and producer of Miscast LA. Together, they dive into the beloved film What's Eating Gilbert Grape and explore Mandy's fascinating career in the entertainment industry. From her extensive work in audiobook narration to her experiences in writing, producing, and acting, Mandy shares insights into the challenges and joys of navigating the creative world.
Throughout the episode, Mandy discusses the intricacies of audiobook narration, including the preparation, recording, and editing processes. She also delves into her journey as a writer, focusing on her collaboration with partners and her foray into the horror-comedy genre. Mandy's experiences in creating the film 30 Nights and the challenges of deliverables and distribution are also explored, providing a glimpse into the behind-the-scenes world of independent filmmaking.
What's Eating Gilbert Grape is a film that resonates with audiences for its poignant portrayal of family dynamics and the struggles of small-town life. Mandy's passion for the movie and her unique perspective as a creative professional add depth to the discussion, making this episode a must-listen for fans of the film and those interested in the inner workings of the entertainment industry. With Mandy's wit, charm, and wealth of experience, this conversation is both entertaining and enlightening, reminding us of the power of storytelling and the resilience of the human spirit.
Film Sundries

• Find Mandy on Facebook or Instagram
• Visit Mandy’s website or her IMDb page
• Check out Mastered by Malone by Laylah Roberts, read by Mandy Kaplan
• Watch this on Apple or Amazon, or find other places at JustWatch
• Script Options
• Theatrical trailer
• Original Material
• Letterboxd

“Were you rushing or were you dragging?”
https://letterboxd.com/film/whiplash-2014/
Talking About Damien Chazelle’s Whiplash with our guest, hair and makeup designer Frances Hounsom
In this episode of Movies We Like, Pete Wright and Andy Nelson are joined by acclaimed hair and makeup designer Frances Hounsom to discuss her fascinating career journey and the award-winning film Whiplash. Frances shares captivating stories about her early love for cinema, the challenges of breaking into the film industry, and her experiences working on a diverse range of projects.
Throughout the conversation, Frances offers unique insights into the crucial role of a hair and makeup designer in bringing characters to life on screen. She discusses the collaborative process of working closely with actors, the importance of maintaining a positive energy on set, and the emotional impact of transforming performers for demanding roles. Frances also delves into the technical aspects of her craft, from creating prosthetics to the surprising power of hairstyles in defining a character's era.
The discussion touches on Frances' work on notable films such as Magic Mike's Last Dance and the upcoming Sonic the Hedgehog 3, along with the challenging miniseries The Tattooist of Auschwitz. She shares behind-the-scenes anecdotes about working with talented actors like Channing Tatum, Salma Hayek, Jim Carrey, and Harvey Keitel, showcasing the unique relationships that develop between actors and their hair and makeup team.
Damien Chazelle's intense drama Whiplash serves as a focal point for the conversation, with Frances expressing her admiration for the film's powerful performances and its exploration of the sacrifices demanded by the pursuit of artistic excellence. The movie's themes resonate with Frances' own experiences in the film industry, where passion, perseverance, and the willingness to push boundaries are essential for success.
Whiplash is a must-see film for anyone interested in the depths of human ambition and the price of greatness. With its electrifying performances and masterful storytelling, it's a movie that lingers long after the final frame. Talking with Frances Hounsom about her career and her love for this film was an absolute delight, offering listeners a fascinating glimpse into the world of a hair and makeup designer and the magic they bring to the screen.
Film Sundries

• Frances on IMDb, Instagram, Twitter, and her website
• Stream The Tattooist of Auschwitz on Peacock
• Watch Whiplash on Apple or Amazon, or find other places at JustWatch
• Script Options
• Theatrical trailer
• Original Material
• Letterboxd

“Oh, what interesting china. It looks like young men playing leap frog.”
https://letterboxd.com/film/the-birdcage/
Talking About The Birdcage with our guest, voiceover actor JP Karliak
Get ready to fly away with laughter on this episode of Movies We Like! This week, we're joined by the incredibly talented JP Karliak, the voice behind beloved animated characters like Morph from X-Men '97 and Boss Baby in, you know, Boss Baby. But today, we're stepping away from the world of animation to discuss one of JP's all-time favorite films: the uproarious comedy classic, The Birdcage, directed by the brilliant Mike Nichols.
JP shares his personal connection to this heartwarming and hilarious story about a gay couple, Armand and Albert, who run a drag club in Miami. When Armand's son announces his engagement to a conservative senator's daughter, comedic chaos ensues as they try to navigate their differences and create a "normal" family facade for the sake of the wedding.
We dive deep into the film's hilarious premise, its message of acceptance, and the unforgettable performances by Robin Williams, Nathan Lane, Gene Hackman, and Dianne Wiest. JP shares what draws him to the film's themes of family, identity, and the importance of staying true to yourself, even when it's messy and unconventional.
Of course, we couldn't have JP on without getting a glimpse into his impressive career in voice acting! He gives us a behind-the-scenes look at the process of bringing animated characters to life, the challenges and rewards of the job, and the unique joys of working in such a creative and collaborative industry.
So grab your feather boas and get ready for a delightful conversation about a timeless comedy classic! The Birdcage is a film that reminds us to embrace our true selves, find humor in the most unexpected places, and celebrate the power of love and acceptance. We had an absolute blast discussing it with JP, and we know you'll love hearing his insights and experiences.
Film Sundries

• Find JP on his website and Instagram
• JP on IMDb
• Queer Vox
• Nerds Vote
• Watch this on Apple or Amazon, or find other places at JustWatch
• Script Options
• Theatrical trailer
• Original Material
• Letterboxd

“Playing piano is making you flip.”
Talking About Jacques Audiard’s The Beat That My Heart Skipped with our guest, director John Patton FordIn this delightful episode of Movies We Like, we have the pleasure of welcoming director John Patton Ford to join us – Andy Nelson and Pete Wright – for an engaging discussion about his career journey and one of his all-time favorite films, Jacques Audiard's The Beat That My Heart Skipped. The conversation kicks off with John sharing a fascinating anecdote about how his appearance on our podcast The Next Reel a decade ago unexpectedly played a role in a legal situation involving one of his scripts. The discussion then shifts to John's experiences as a writer trying to break into the industry and his bold decision to transition into directing, which ultimately led to the creation of his critically acclaimed debut feature, Emily the Criminal.
John shares the challenges he faced as a first-time director, from his successful short film playing well at Sundance to getting his script for Emily the Criminal into the hands of the talented Aubrey Plaza. He shares how their mutual desire to showcase their talents in a gritty, compelling thriller helped bring the project to life. The conversation then takes a passionate turn as John reminisces about discovering The Beat That My Heart Skipped during his early days of filmmaking and how the film left an indelible mark on his creative journey. He effusively praises the movie's raw authenticity, captivating storytelling, and unforgettable ending.
The Beat That My Heart Skipped is a film that beautifully captures the complexity of the human experience, as the protagonist navigates the gritty world of the underground real estate market while rediscovering his long-lost passion for piano performance. We explore with John the parallels between this film and Emily the Criminal, noting how both movies brilliantly capture the idea of characters pushing their boundaries and expanding their sense of self. While The Beat That My Heart Skipped may be a lesser-known work in Audiard's impressive filmography, it remains a powerful and influential piece of cinema that continues to resonate with aspiring filmmakers and audiences alike. John's infectious enthusiasm for the film makes for a great conversation, leading to a truly captivating episode that is sure to inspire listeners to seek out this hidden gem and experience its magic for themselves. So sit back, relax, and join us on this delightful journey as we celebrate the enduring power of great storytelling and the films that shape our lives.
Film Sundries

• Find John on Instagram
• John on IMDb
• Listen to our conversation with John on The Next Reel where we discuss his script Rothchild that was on the 2014 Black List, part of our Sir Alec Guinness series in which we discuss the film Kind Hearts and Coronets
• Watch this on YouTube, or find other places at JustWatch
• Theatrical trailer
• Original Material
• Letterboxd

JAPANESE VERSION
溝口健二監督の『雨月物語』について、ゲストの美術監督・種田陽平氏と語ります 「Movies We Like」今回のエピソードでは、美術監督の種田陽平氏にご参加いただき、彼 の魅力的な経歴と、彼のお気に入りの映画の 1 つである溝口健二監督の 1953 年の名作 『雨月物語』についてお話しいただきます。種田氏は、美術学生だったころから、キル・ ビル Vol. 1、ヘイトフル・エイト、モンスター・ハント シリーズ、金陵十三釵、思い出の マーニーなど、日本とアメリカの両方の映画で働いた経験まで、プロダクション・デザイ ンの世界への道のりを語ります。エピソード全体を通して、種田氏はプロダクション・デザインの世界について独自の洞察 を提供し、実写とアニメーションの両方の映画で没入感のある世界を作り出す複雑さにつ いて語ります。監督のビジョンと自身の芸術的感性とのバランスを取る難しさ、そして一 貫性のある視覚体験を生み出すために他の部門と協力することの重要性について掘り下げ ます。 会話が『雨月物語』に移ると、種田氏は映画の忘れがたい美学と、溝口監督の空間とデザ イン要素の使い方が幽霊のような雰囲気にどのように貢献しているかを探ります。彼は 『雨月物語』と当時の他の日本映画を比較し、水の象徴的な意味と映画のビジュアルスタ イルに対する能の影響を強調します。 『雨月物語』は時代を超えた傑作であり、溝口監督の芸術的ビジョンと観客を異世界に運 ぶ映画の力の証です。種田氏のこの映画への情熱とその作りに対する深い理解は、聴取者 のみなさんがこの忘れがたい古典をもう一度見たくなる魅力的な議論を生み出します。私 たちは『雨月物語』の芸術性を掘り下げ、種田氏の素晴らしい美術監督としてのキャリア を探る素晴らしい時間を過ごしました。 このエピソードの翻訳を担当してくれた冨永宏に心から感謝します！ 関連リンク 

• Find Yôhei on Instagram or visit his website
• Yôhei on IMDb
• Buy our Akira Kurosawa T-shirt!
• Watch this on Apple or Amazon, or find other places at JustWatch
• Theatrical trailer
• Original Material
• Letterboxd

種田陽平（たねだ・ようへい）について 過去 20 年間、種田陽平は世界中の映画製作者とコラボレーションし、クエンティン・タ ランティーノ監督との「キル・ビル Vol. I」、チャン・イーモウ監督との「金陵十三釵」、 押井守監督とのアニメ「イノセンス」など、数々の賞賛とクレジットを獲得してきまし た。南京大虐殺を描いた壮大な映画「金陵十三釵」では、種田は南京において映画の時代 背景をセットで再現しました。70 か国で公開されたこの映画は、当時、中国映画史上最 高額の予算で最も成功した作品の 1 つでした。種田のその他の海外作品には、キアヌ・ リーブス監督の『ファイティング・タイガー』、ラマン・ホイ監督の『モンスター・ハン ト』、タランティーノ監督の西部劇『ヘイトフル・エイト』、ジョン・ウー監督の『マン ハント』、ウォッシュ・ウェストモアランド監督のNetflix作品『アースクエイク バード』 などがある。 種田の多くの注目すべき非英語作品には、岩井俊二監督の『スワロウテイル』、リー・チー ガイ監督の『不夜城』、三谷幸喜監督の『THE 有頂天ホテル』と『ザ・マジックア ワー』、李相日監督の『フラガール』と『悪人』などがある。種田の仕事は、三谷幸喜監 督の『ステキな金縛り』と、台湾金馬奨で最優秀作品賞を受賞したウェイ・ダーション監 督の台湾映画『セディック・バレ』の驚異的な成功に貢献した。 種田はスタジオジブリともコラボレーションをしており、アカデミー賞最優秀アニメ映画 賞ノミネートなど多くの賞やノミネートで高く評価された『思い出のマーニー』などのア ニメ映画を制作。また、スタジオジブリと共同で「借りぐらしのアリエッティ×種田陽平 展」を監修。東京都現代美術館が主催したこのイベントは「映画美術」を独立したプレゼ ンテーションとして鑑賞する機会を一般の人々に提供し、巡回中に70万人以上を動員し た。 『キル・ビル Vol.1』で米国美術監督協会・最優秀美術賞にノミネートされたほか、日本 では名誉ある紫綬褒章を受章、文化庁からは芸術選奨文部科学大臣賞を受賞。 種田の芸術活動は、膨大な数の映画作品に代表されるだけでなく、アート インスタレー ション、舞台美術、特殊映像、CD や DVD のジャケット デザイン、そして自らが執筆し た数冊の本など多岐にわたります。 

“You think I’m an enchantress, don’t you?”
Talking About Kenji Mizoguchi’s Ugetsu with our guest, production designer Yôhei Taneda
In this episode of Movies We Like, we are thrilled to have production designer Yôhei Taneda join us to discuss his fascinating career and one of his favorite films, Kenji Mizoguchi's 1953 classic, Ugetsu. Taneda shares his journey into the world of production design, from his early days as an art student to his experiences working on both Japanese and American films, such as Kill Bill: Volume 1, The Hateful Eight, the Monster Hunt films, The Flowers of War, and When Marnie Was There.
Throughout the episode, Taneda offers unique insights into the art of production design, discussing the intricacies of creating immersive worlds for both live-action and animated films. He delves into the challenges of balancing the director's vision with his own artistic sensibilities, and the importance of collaborating with other departments to create a cohesive visual experience.
As the conversation turns to Ugetsu, Taneda explores the film's haunting aesthetic and the ways in which Mizoguchi's use of space and design elements contribute to its ghostly atmosphere. He draws comparisons between Ugetsu and other Japanese films of the era, highlighting the symbolic significance of water and the influence of Noh theater on the film's visual style.
Ugetsu remains a timeless masterpiece, a testament to Mizoguchi's artistic vision and the power of cinema to transport audiences to otherworldly realms. Taneda's passion for the film and his deep appreciation for its craft make for a captivating discussion that will leave listeners eager to revisit this haunting classic. We had a wonderful time delving into the artistry behind Ugetsu and exploring Taneda's remarkable career in production design.
A very special thanks to Hiroshi Tominaga for being our translator for this episode!
Film Sundries

• Find Yôhei on Instagram or visit his website
• Yôhei on IMDb
• Buy our Akira Kurosawa T-shirt!
• Watch this on Apple or Amazon, or find other places at JustWatch
• Theatrical trailer
• Original Material
• Letterboxd

More About Yôhei Taneda
For the past two decades, Yôhei Taneda has collaborated with filmmakers from across the globe, amassing an impressive list of accolades and credits, including Kill Bill: Vol. I with Quentin Tarantino, Flowers of War with Zhang Yimou, and the animated Ghost in the Shell 2: Innocence with Mamoru Oshii.  For The Flowers of War, an epic film about the Nanjing Massacre, Taneda recreated the period sets for the film in Nanjing. Released in 70 countries, the film was at the time one of the highest budgeted and most successful Chinese films ever made. Taneda’s other international credits include the Keanu Reeves-directed Man of Tai Chi, Raman Hui’s Monster Hunt, Tarantino’s western The Hateful Eight, John Woo’s Manhunt, and Wash Westmoreland’s Netflix feature Earthquake Bird.
Among Taneda’s many notable non-English language productions are Swallowtail Butterfly, directed by Shunji Iwai; Sleepless Town, directed by Le Chi Ngai; The Wow–Choten Hotel and The Magic Hour, directed by Koki Mitani; and Hula Girls and Villain, directed by Sang-il Lee. Taneda’s work helped foster the remarkable success of Koki Mitani’s Ghost of a Chance (Suteki Na Kanashibari) and Wei Te-Sheng’s Taiwanese film Warriors of the Rainbow, which earned the Best Film Award at the Tapei Golden Horse Festival.
Taneda has also collaborated with Studio Ghibli on such animated films as the critically acclaimed When Marnie Was There, which earned among its many awards and nominations an Academy Award nomination for Best Animated Film.  With Studio Ghibli, he also curated Karigurashi no Arietty x Yohei Taneda, an art exhibition giving the public an opportunity to view “film art” as a stand-alone presentation. Hosted by the Tokyo Museum of Contemporary Art, the event attracted more than 700,000 people during its tour.
In addition to an Art Directors Guild Award nomination in the U.S. for his work on Kill Bill: Vol. 1, Taneda has been awarded the prestigious Purple Ribbon Medal in Japan and the Incentive Award from the Japanese Agency for Cultural Affairs.
Beyond representing a substantial body of cinematic work, Taneda’s artistic endeavors span art installations, stage art, special images, jacket designs for CDs and DVDs, and several books that he has authored.

“Wise up, folks. We're all alone out there and tomorrow we're going out there again.”
https://letterboxd.com/film/the-big-chill/Talking About The Big Chill with our guest, writer/director Mandy Fabian
In this episode of Movies We Like, hosts Andy Nelson and Pete Wright are joined by the multi-talented writer/director Mandy Fabian to discuss her fascinating career journey and the classic 1980s ensemble dramedy, The Big Chill. From her early days as a clown and sketch comedian to her path to becoming a filmmaker, Mandy shares the twists and turns that led her to direct her first feature film, Jess Plus None.
Throughout the conversation, Mandy provides insights into the challenges and joys of indie filmmaking, from the financial risks and creative compromises to the importance of assembling a supportive team and maintaining a sense of fun amidst the pressure. She also delves into the unique challenges of shooting Jess Plus None, with 90% of the film set outdoors, and how this serendipitously worked in her favor during the COVID-19 pandemic.
The discussion of The Big Chill, Lawrence Kasdan's seminal film about a group of college friends reuniting after the death of one of their own, touches on the movie's enduring themes of nostalgia, friendship, and the passage of time. Mandy and the hosts explore how the film's iconic soundtrack and stellar ensemble cast, including Kevin Kline, Glenn Close, and William Hurt, contribute to its status as a cinematic touchstone.
With Mandy Fabian's infectious enthusiasm and Andy and Pete's insightful commentary, this episode offers a delightful deep dive into the world of filmmaking and the lasting impact of The Big Chill. It's a must-listen for anyone interested in the creative process behind the camera or the power of a well-crafted ensemble piece to resonate with audiences decades after its release.
About Mandy
Mandy Fabian began her career in Austin, Texas as the youngest member of a professional sketch comedy troupe before attending Vassar College to major in film. (What? I know. Her parents thought that too.)
Since then, her focus has been writing female-driven stories with humor and heart. Mandy co-created and directed The Young Hillary Diaries, Lifetime's first digital series, was awarded a fellowship from the Sony Pictures Television Directing Program, and was named Best New Filmmaker of the Year by NewFilmmakers LA. Her screenplay, Late Bloomer was selected for the NYWIFT Meryl Streep/Oprah Winfrey Writers Lab, and in 2020 she was one of six directors chosen to lead an all-female crew for the Moonshot Initiative.
Mandy’s feature debut, Jess Plus None, an LGBTQ+ modern day The Big Chill meets Bridesmaids, had its World Premiere at the BFI Flare Festival in London, its US Premiere at Frameline Film Fest in San Francisco, and is set to be released Worldwide in Summer of 2024.
Mandy lives in London & Los Angeles with her husband Patrick Fabian, her daughters Abbey and Delilah, and a champion’s collection of reusable water bottles.
Film Sundries

• Find Mandy on her website, Instagram, Twitter, or IMDb
• Check out Jess Plus None’s website so you can get updates about release dates and more!
• Watch this on Apple or Amazon, or find other places at JustWatch
• Script Options
• Theatrical trailer
• Letterboxd