Contrabass Conversations – Details, episodes & analysis

In this engaging conversation, Mark Morton shares updates on his well-known educational series for bass, including revisions to his study books on scales, arpeggios, and technical exercises.

We reflect on the evolution of bass pedagogy, the influence of past mentors, and the importance of making instructional materials accessible.

We also delve into the bass community's rich history and the joys of attending festivals and playing music in beautiful locations like Costa Rica.

Check out Mark’s great books on DBHQ!

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• all things double bass
• double bass merch
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Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it's the best bass rosin available. It's appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance.  Learn more about Upton’s rosin, basses, and more at uptonbass.com.

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

• theme music by Eric Hochberg

Join Brendan Fitzgerald, Assistant Principal Double Bass for the St. Louis Symphony Orchestra, as he shares his comprehensive approach to preparing for and succeeding in orchestra auditions. From practicing at half tempo and balancing practice with a full-time job to managing nerves with beta-blockers, Brendan covers all aspects of his preparation process.

Learn how to handle the audition day, manage your workload, and ensure your best performance under pressure. Don’t miss his key takeaways for musicians looking to secure a professional orchestra position.

Check out Brendan’s past podcast appearance here as well as his appearance on Ryan Beach’s podcast.

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

• all things double bass
• double bass merch
• double bass sheet music

Thank you to our sponsors!

Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it's the best bass rosin available. It's appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance.  Learn more about Upton’s rosin, basses, and more at uptonbass.com.

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

• theme music by Eric Hochberg

Sam Suggs is the first solo bassist in 36 years to join the Concert Artists Guild roster, and was recently recognized with an award for Extraordinary Creativity at the 2017 Bradetich Foundation International Double Bass Competition.

We dig into his unique path from a strong piano background in Buffalo, through Northwestern University, where he studied both performance and theory, to his time at Yale focusing on contemporary music. We also explore Sam's philosophy on concert programming and the importance of engaging the audience.

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

• all things double bass
• double bass merch
• double bass sheet music

Thank you to our sponsor!

Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it's the best bass rosin available. It's appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance.  Learn more about Upton’s rosin, basses, and more at uptonbass.com.

• theme music by Eric Hochberg

It was such a pleasure to sit down with Rufus Reid and catch up on his recent activities!  Rufus was in San Francisco doing a residency at the San Francisco Conservatory of Music, and we got a chance to carve out some time to talk shop.

We dig into the origins of his revolutionary book The Evolving Bassist, his time at Northwestern, lessons learned on the gig, and much more.  Enjoy, and check out Rufus’ recent CD Celebration to hear some super-cool writing for jazz trio and string quartet!

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• all things double bass
• double bass merch
• double bass sheet music

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Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.

Thank you to our sponsors!

Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.

• theme music by Eric Hochberg

We’re wrapping up the interview with Pittsburgh Symphony Principal Bassist Jeff Turner that we began on episode 26 of the podcast, plus featuring music from U.K.-based bassist Leon Bosch’s new album titled The British Double Bass on this week’s episode of the podcast.

About Jeff Turner:

Principal Bass Jeffrey Turner joined the Pittsburgh Symphony Orchestra in 1987. He served as Principal Bass of the New American Chamber Orchestra from 1984 to 1986 and became a member of the Detroit Symphony Orchestra in 1986. Mr. Turner, a native of South Carolina, holds a Bachelor of Music degree from the Eastman School of Music of the University of Rochester. His teachers include James VanDemark, Lawrence Hurst and Robert Gladstone.

Mr. Turner serves on the faculties of Duquesne University and Carnegie Mellon University. He is the Artistic Director of the City Music Center’s Young Bassist Program, and gives annual seminars and master classes at universities and conservatories throughout the world. He has also served as Visiting Professor at the Eastman School of Music and Lecturer at the University of Maryland.

Mr. Turner has been a resident artist for many annual festivals including the Pacific Music Festival in Japan and the Korsholm Festival in Finland. He has been featured as a presenter at the conventions of The International Society of Bassists, and has served on the faculty of The Asian Youth Orchestra (Hong Kong) under the direction of Lord Yehudi Menuhin. Mr. Turner is a faculty member of the National Orchestral Institute. As winner of the Y Music Society’s Passamaneck Award, Jeffrey Turner appeared in a critically acclaimed recital at Carnegie Music Hall in 1989. He was also a winner of the 1990 Pittsburgh Concert Society’s Artist Award.

About Leon Bosch:

Leon had to overcome many difficult circumstances in the early years of his career. He was arrested by members of the Cape Town special branch when he was just 15 years old for demonstrating against the Apartheid government outside of parliament. He faced a month’s detention and torture, only to be found not guilty on all charges. This experience fired up his ambition to become a lawyer, but this field of study was forbidden to him by the regime at the time. He then chose to study a subject that would be the least likely to mark him out as subversive – music. Had Bosch been able to pursue his prime aspiration to become a lawyer, the cello/double bass debate might never have occurred. Born in Cape Town, South Africa in 1961, Bosch was forbidden by the repressive regime of the time to study law, so applied to the University’s music faculty instead `as a light-hearted prank.’ The `prank’ soon turned more serious. Once enrolled at the University, Bosch studied with Zoltan Kovats, principal double bassist of the Cape Town Symphony Orchestra at that time. A single year into his studies, the young student was invited to play in the Symphony Orchestra’s bass section alongside his mentor.

Only another 12 months passed before he was giving his first solo performance of Dittersdorf ’s concerto in E major. Completing his Batchelor of Music Performance degree at the University, he received the highest mark ever awarded there in a performance examination. Post-university, Bosch quickly realised that he would have to study abroad if he really wanted to further his performance career, but was thwarted once again by the apartheid laws which decreed that overseas scholarships could only be given to white performers. However, Bosch was undeterred. `I had a passionate commitment to the double bass and never enter- tained the idea that I would fail in my pursuit’, he asserts. Fortunately, a number of private individuals came forward to sponsor his travel to England where he was heard playing by Rodney Slatford, the former Head of School of Strings at the Royal Northern College of Music (RNCM), who offered to teach him. Bosch enrolled at the RNCM following a successful interview with Eleanor Warren to study with Slatford and Duncan McTier. He describes his time at RNCM as `extremely fruitful’. Bosch’s prestigious record of achievements also continued there, as he received the College’s PPRNCM (Professional Performer of the RNCM) with distinction, the first such award to a double bassist in the College’s history.

Studies completed, Bosch embarked on the varied professional orchestral and chamber career that continues to this day. His first assignment was with the Royal Scottish National Orchestra, moving onto The Manchester Camerata as principal in 1985. His playing career has also taken in the BBC Philharmonic, Hall, Royal Liverpool Philharmonic, Opera North and Scottish Chamber orchestras, plus the Moscow Virtuosi Chamber Orchestra, Brodsky Quartet and Goldberg Ensemble as a freelance performer, a career path that he chose to `give me greater variety in my playing.’ A decade after his first principal appointment, Bosch began his current association with the Academy of St Martin in the Fields, touring with the orchestra’s founder, Sir Neville Marriner. `Chamber music represents the most enjoyable part of my musical life,’ he enthuses, explaining why he has focused on this area through most of his professional career – which has taken in almost all of the major chamber orchestras in the UK.

This Contrabass Conversations special series highlights chamber music that includes the double bass.

We’d like to extend special thanks to both Brad Opland and the Chicago Chamber Musicians for making this series possible. Listen to all Exploring Chamber Music episodes here, and hear Brad Opland in a Contrabass Conversations interview here.

We will be featuring two pieces on the program today. The first is the Wind Serenade in D minor by Antonin Dvorak. This piece is scored for 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 3 horns, cello, and bass. It was recorded live on April 23rd, 2007 by the Chicago Chamber Musicians for their 20th Anniversary Season Finale and features:

• Michael Henoch and Alex Klein – oboe
• Larry Combs and Julie DeRoche – clarinet
• Dennis Michael and Lewis Kirk – bassoon
• Gail Williams, Jeremiah Frederick, Gabrielle Webster – horn
• Katinka Kleijn, cello
• Brad Opland, bass

The second piece on our program today is the String Quintet in C Major by Franz Schubert. This piece was recorded live in 2004.

Jason chats about the state of affairs for Contrabass Conversations after one year of podcasting and future goals.

Double bassist and early music specialist Jerry Fuller turns the tables and interviews Jason Heath in this brief and fun episode.

We’re speaking with Cincinnati Symphony principal bassist Owen Lee today on Contrabass Conversations. Owen played for the New World Symphony and the Houston Symphony prior to his appointment with the Cincinnati Symphony, and it was a real pleasure to do this interview along with Contrabass Conversations regular collaborator John Grillo.

Find Owen Lee on Twitter here. Enjoy! 

About Owen:

Described as “a true virtuoso” by legendary pianist Gary Graffman and praised by The New York Times for his “deft and virtuosic solo performance” at his New York debut at Alice Tully Hall, double bassist Owen Lee has earned acclaim as a soloist, chamber musician and since 1996, at the age of 26, as Principal Bass of the Cincinnati Symphony Orchestra.

Mr. Lee is heard regularly as a soloist with orchestras including the Cincinnati Symphony Orchestra under the direction of Paavo Järvi and Jesús López-Cobos, the Scottish Chamber Orchestra under John Harbison, and the New World Symphony under Michael Tilson-Thomas in Miami and on tour to New York’s Lincoln Center. During the 2006-07 season, Mr. Lee and the Cincinnati Symphony Orchestra, along with a consortium of other soloists and orchestras, will present the world premiere of John Harbison’s Concerto for Bass Viol and Orchestra.

Mr. Lee’s prizes in competitions include First Prize at the 1995 International Society of Bassists Competition and Fourth Prize at the 1992 Irving M. Klein International String Competition in San Francisco. He has been presented in recitals throughout the United States, and in Geneva.

For the Boston Records label, he has recorded the Misek Sonata No. 2 and Bach Unaccompanied Suites No. 3 and No. 5. American Record Guide praised this disc for its “tasteful phrasing, polish and verve” while The Strad wrote “Owen Lee is a fine player with strong musical ideas. A dark and austere sound is produced for Suite No. 5 and the architecture of each suite is carefully considered and shaped. I look forward to his next recording.”

Mr. Lee’s extensive international chamber music experience includes three summers as the bassist of the Marlboro Festival. While there, he performed extensively with such artists as Richard Stoltzman, Midori, Nobuko Imai, Bruno Canino, Pierre-Laurent Aimard, and members of the Beaux Arts Trio, Guarneri Quartet and Juilliard Quartet. He also collaborated with composers Gyorgy Kurtag, Leon Kirchner and Richard Danielpour preparing performances of those composers’ works.
Mr. Lee has also performed with the Tokyo String Quartet on tour to Mexico, John Browning, Anne-Marie McDermott, Jaime Laredo, Ida Kavafian, Steven Tenenbom, Peter Wiley, Eugenia Zukerman, the Bravo! Vail Valley Music Festival, San Diego’s Mainly Mozart Festival, Ojai California Festival, Chamber Music L.A. Festival, Tanglewood Festival, Texas Music Festival, and on tour throughout China. With the Rossetti String Quartet he performed the world premiere of Melinda Wagner’s Concertino at the 2005 Bravo! Vail Festival.

Mr. Lee was born in Berkeley, California in 1969 to Chinese parents. He began playing bass at age 15 after previous study of the piano. A graduate of the University of Southern California, Mr. Lee’s principal teachers were Dennis Trembly, Edwin Barker and Paul Ellison.

Prior to his appointment in Cincinnati, Mr. Lee was a member of the Houston Symphony under Christoph Eschenbach. In addition to his position with the Cincinnati Symphony Orchestra, Mr. Lee serves as Principal Bass of the Shanghai Festival Orchestra.

Owen is married to CiCi Lee. He enjoys bicycling, snowboarding, cigars, auto repair and playing drums and writing songs with his rock band Toe (Eric Bates, CSO 2nd Assistant Concertmaster is Toe’s guitarist and lead singer, and Ted Nelson, CSO cellist is Toe’s bassist).

This week we bring you a conversation with Chicagoland double bass luthier, teacher, and performer Steve Reinfranck. Steve runs SMR Double Basses in Evanston, Illinois, writes regularly for Bass World (the publication of the International Society of Bassists), and operates a double bass teaching studio. We also listen to a track from the Redd Holt Unlimited Quartet featuring Steve on bass, plus listener feedback, news and notes, a very fun holiday track from Jonathan Coulton, and much more. Enjoy!

About Steve: Steve has performed and taught on the Double Bass for over twenty-five years, principally in the Chicago Area, but in places as far away as New Zealand, Japan, Kenya, and Germany. He plays section bass with a variety of area symphonies, and plays jazz with Isaac "Redd" Holt, original drummer with the Ramsey Lewis Trio. Steve is also involved in Klezmer, Bluegrass, and other folk styles. Steve has presented at Midwest Band & Orchestra Clinic, Illinois Music Educators convention, the Kentucky Music Educators convention, and at many of the conventions of the International Society of Bassists. He was awarded a three-week study tour of Japan under the aegis of the Fulbright Memorial Fund, and was voted Outstanding Studio Teacher by the Illinois Chapter of ASTA, the American String Teachers Association. Steve runs the largest shop in the Chicago Area dedicated strictly to the needs of the Double Bassist. He maintains a private teaching studio of about 50 students, and edits the "Young Bassists' Page" for BASS WORLD, journal of the International Society of Bassists. Steve teaches most Summers at ISYM, Illinois Summer Youth Music, held at the University of Illinois in Champaign/Urbana. Steve enjoys playing hockey, ice skating, reading, cooking, and politics when he isn't making music. About SMR Double Basses: We are a Chicago-Area shop catering to the largest member of the String Family, the Double Bass. We sell basses from the least expensive [that meet our minimum quality requirements] to several select instruments that are valued at over $20,000.00. All of our instruments have new professional-level strings and almost all have an upgraded endpin – except in cases where a good one comes from the factory. Our "Special Niche" is to provide reasonably priced instruments and bows for professionals and the serious student, perhaps bound for conservatory studies in college. Over twenty instruments in the $4,000.00 - $12,000.00 range are presently available. Link of the week: Hundreds of free, Creative Commons holiday songs-lots of great stuff with a lot of humor thrown in: http://www.hermann-uwe.de/blog/10-100-creative-commons-christmas-songs Tracks played: From ‘Right Together' by the Redd Holt Unlimited Quartet

• Tenor Madness (Sonny Rollins)

Music Provided by:

• Steve Reinfranck - www.smrdoublebasses.com
• Eric Hochberg - www.erichochberg.com
• Fonkmasters
• Jonathan Coulton - www.jonathancoulton.com

Show Notes: Release Date: 12/22/07 Length: 1:08:40 listen by phone: +1 (360) 227-5632 call our comment line (24 hour voice mail): +1 (206) 666-6509 Website: www.contrabassconversations.com E-mail: [email protected] Blog: www.doublebassblog.org Theme song by Eric Hochberg: www.erichochberg.com This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc. Check out our jazz forums at JazzDoubleBass.com. Join our Facebook group and share videos, chat on discussion boards, leave ideas for the show, and interact with other bassists! To get Contrabass Conversations downloaded automatically to your computer (for free!), you can subscribe in iTunes: Click here to subscribe through e-mail or through another program besides iTunes