Why Does the Wilhelm Scream? – Details, episodes & analysis

Another episode, another Altman film. This time, the forgotten/under seen, Images from 1972, starring Susannah York and Renee Auberjonois. We also talk two new films: The Smashing Machine (the first solo-Safdie), and the latest from Yorgos Lanthimos, Bugonia. And we touch on the QT vs. Paul Dano affair and which billionaire controls the future of movies.

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Artwork by @_mosla_

We're back with a double feature of Good Boys: Good Boy (2022) and Good Boy (2025). And we also continue our journey into the early-Alts with Robert Altman's McCabe and Mrs. Miller. Brock's dog, Marcy, asks the question: what about good girls? And was Ed Burns too good looking? 

Support Why Does the Wilhelm Scream

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Reel House screenings, and support the next generation of film lovers, at reelhousefoundation.org and on facebook/Instagram reelhousefoundation

Artwork by @_mosla_

It's our final Driving While Screaming for the 2025 Oak Cliff Film Festival. It was a good festival (it always is), good slate of films. Some real standouts that we can't wait to watch again. If you were in attendance, we'd love to hear your thoughts on the festival, and any films you were impressed with. Talk to you soon...

Check out OCFF 25

Support Why Does the Wilhelm Scream

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

It's double feature day! We've paired 'Infinity Pool' with 'Triangle of Sadness' and 'Women Talking' with the 80s classic '9 to 5.' We also dive into topics like feminism and its waves, as well as unfortunate trends by some comedians and what Jason wishes they would do instead. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

We wrap up our series on Elaine May by taking a look at her performances in 'Enter Laughing,' 'Luv,' 'California Suite,' 'In the Spirit, 'Small Time Crooks,' and the Amazon series 'Crisis in Six Scenes.' Some of these films are better than others, but Elaine May is always excellent, always Elaine May. We will always cherish this time together.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

It's more May Madness, Screamers. In this episode we take a look at May's screenplays for 'Such Good Friends,' 'Heaven Can Wait,' and two Micke Nichols' films: 'The Birdcage,' and 'Primary Colors.' A severe thunderstorm knocks out power, and we digress into a discussion surrounding bands of the 70s. Stick around for movie recommendations based on the discussed films. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

It's a packed episode, Screamers. We look at both 'Lost in Translation' and 'Her' as a kind of double feature. And we interrogate the false construct of cross-influence between their creators. We get lost in the murk and digital noise of lo-fi horror hit (?) 'Skinamarink.' There's also a melancholy-tinged, but impassioned, discussion of De La Soul, the influential hip hop group, after the passing of Trugoy the Dove. Stick around for some movie recommendations.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Welcome to May Madness Part Two, Screamers. In this episode we're talking "Mikey (not Mickey) and Nicky" and the much derided, but not as bad as you remember, "Ishtar." We also talk about the films screened at the recently held Reel House Foundation Mini Movie Marathon Six. Other unanswerable questions: does altruism exist? what would a remake of "Mikey and Nicky" look like? who really should've starred in "Ishtar"? Thanks for listening and keep screaming. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

It's May Madness! Our two-part series on the films of the underrated, under appreciated Elaine May. We discuss her creative partnership with Mike Nichols, and her influence on comedy. And we dig into her first two films: 'A New Leaf,' and 'The Heartbreak Kid.' We also discuss the new Brendan Fraser vehicle, 'The Whale.' Stick around for recommendations if you like Elaine May's first two films. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

It's imagination time, kids! In this episode we're talking 'Brazil' and Terry Gilliam's Trilogy of Imagination ('Time Bandits', and The 'Adventures of Baron Muchausen'). We also take a brief look at the late, great Pele's contribution to the John Huston film 'Victory.' And we review Beth de Araujo's one-take indie thriller about racist white women. Stick around for recommendations if you like 'Brazil.'

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_