Explore every episode of the podcast Warfare of Art & Law Podcast
| Title | Pub. Date | Duration | |
|---|---|---|---|
| AI & IP Panel Discussion: A Global Perspective Part III | 07 Dec 2025 | 00:59:43 | |
Photographer credit for Anja Neubauer: self-portrait created with an AI tool. Show Notes: 2:30 Prof. Tim McFarlin’s focus on copyright and authorship 3:30 Dr. Caterina Moruzzi’s philosophical/design perspective / focus on authenticity 5:00 Dr. Anja Neubauer's focus on global AI/copyright framework 5:50 Artist Lisa Lebofsky’s perspective on AI as a nomadic painter 8:45 “Authenticity Unmasked”–looking at the artistic process not the product 9:55 “Authenticity Unmasked” insight-centrality of human perspective 12:00 Neubauer–redefinition of terms like originality in light of emerging tech 13:30 Getty v. Stability finding outputs are not copies so not infringements 14:55 McFarland–genAI’s scale and redefining understanding of terms 17:05 US state and federal laws 19:00 need for unified global protection 19:50 Alan Robershaw – UK Getty decision’s technical focus on the process 21:40 Defining originality 22:10 Getty opinion at 601 v. AI models are memorizing/making copies 24:00 Robertshaw - one step away from judicial definition of consciousness 24:40 McFarland – scale is the concern 25:35 Lebofsky – how prior claims of infringement fit into AI/appropriation of artists’ works 26:20 McFarland – ‘substantially similar’ takings are prima facie infringement subject to fair use defense 27:10 consideration of outputs flooding the market harm 29:25 Lebofsky – use of AI through tools like AI Charm Lab app 31:00 Lebofsky’s view of threats to her style and her language 32:45 human requirement for ‘authorship’ and consumer trends 35:55 Moruzzi – human effort to value the process 37:15 Process visible in generative AI circa 2015 v. current genAI’s less visibility and thus less authenticity 38:30 Anthroprocentric – human need for authorship 40:20 Robershaw - Monkey-selfie case; animal versus machine personhood 43:15 McFarland – Arkansas statute on AI 44:40 Gould – UK Section 9(3) - limited copyright for output in person who organized the output 45:00 Neubauer – issue of term “equipment” for tools 46:50 Gould – current copyright legislation is not fit for purpose 48:35 Distinction between camera use and AI model training 49:05 Copyright Criminals documentary regarding music sampling 50:00 Sampling case involving Kraftwerk 51:35 Moruzzi – response to consultations 53:00 McFarland – extent of law v. parallel tracks to copyright or other alternatives to preserve and protect human creativity 54:00 Stefania Salles Bruins–solutions outside the law 54:40 Copyright not fit for purpose 55:20 Neubauer - Shift in definition of artwork 55:45 Lebofsky – how to establish boundaries 57:25 Lebofsky’s work Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| "Through Their Eyes" Exhibition - The Story of Kfar Azza Before, During and After 7 October 2023 | 23 Nov 2025 | 00:19:52 | |
Show Notes: 1:45 Lawrence Badzin - introduction of The Surviving Project 5:45 three parts of Through Their Eyes Exhibition 7:00 Wings of Hope messages 9:00 stories from the delegation 10:15 exhibition mission 11:30 future cities for the exhibition: Chicago, Atlanta, LA, NYC, Toronto 12:40 how the exhibition addresses theme of drawing strength from what’s lost 15:00 defining justice – the way of getting back is continuing on 16:30 legacy of the exhibition 18:00 Through Their Eyes Exhibition Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Jesuit Priest & Artist Father Jonathan Harmon on Art as a 'Work of Service', Defining Sacred Art and Seeking Justice Through Art | 13 Apr 2025 | 00:57:29 | |
To learn more, please visit Father Harmon's site. Show notes: 1:15 Harmon’s background and work as priest since 2008 2:10 teaching fine arts and being a pastoral resource at Loyola University 3:00 his work in the arts 8:20 history of art in Jesuit community 12:00 Daniel Segers, Jesuit Priest and artist 12:30 Harmon’s process as a painter in light of being a ‘work of service’ 16:00 Harmon’s painting from pilgrimage through Spain 17:30 students’ responses 19:15 his attendance at New York Academy of Art 23:30 Jerry Alonzo: how to communicate through your art 26:45 Pope Benedict XVI’s Encyclical Letter Caritas in Veritate 28:20 definition of ‘sacred art’ 30:30 seeking social justice through art 32:00 his work in Brownsville, TX connected to his art 33:00 his series of Catholic objects 35:30 his balance of time 37:25 Alan Robertshaw’s comments about all art being sacred 42:10 Tolkien and Flannery O’Connor on religious imagination 44:00 incorporating Catholic objects into his work 46:50 Emily Gould - spiritual impact of artwork/architecture/nature 49:15 Jarnick Vitters - importance of the physical objects to Harmon’s faith 51:00 Alan Robertshaw - subjective importance of objects 53:30 Yelena Khajekian - art as a sacred endeavor 54:40 Nnebundo Obi - interest in hearing about priest’s pursuit of other vocations Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| The Art & Law Program: Sergio Muñoz Sarmiento on Artists Rights, Culture & Justice, and the NBA & NFTs | 06 Feb 2022 | 00:59:24 | |
The featured image is titled Ahh...Youth! (2015 - ongoing), Sergio Muñoz Sarmiento. Ink jet print. Image: © and TM Sergio Muñoz Sarmiento. All rights reserved. For more information, please visit the websites for Sergio Muñoz Sarmiento and The Art & Law Program. 3:00 Sergio Sarmiento’s experience practicing art seriously since 1992, 3:45 global expansion of art law practice 4:10 former student in Seoul, Korea applying to law school there to do art law in Korea 5:00 artists’ reliance on the law 6:00 protecting artist's rights through contract, as opposed to encouraging federal legislation in relation to resale royalties. 7:25 NFTs denied definition as art. 9:10 reason for picking medium of NFT 10:25 1970s pet rock 13:00 1992 undergrad at the University of Texas at El Paso 14:30 1995 CalArts 15:25 teaching at University of Southern California 15:50 focus on the concept of private property and public property 16:15 originally applied to law school as an art project 16:50 springboard for creating The Art & Law Program occurred during law school 18:20 evolution of The Art & Law Program’s mission since 2010 22:35 skeptical now of art that that attempts or believes that it is critiquing the system 26:40 the necessity of the political mural 29:40 how his perspective has changed on what is art and its value 34:00 book project 36:20 National Basketball Association NFTs and terms of service 39:00 Art & Law Coloring Book 44:20 how culture and justice addressed in Program 45:35 justice shown by example through cases read 45:50 how justice is defined 46:10 is justice provisional and bridge 46:35 if justice is unachievable, is that why people are in a perpetual state of misery 47:00 diversity in Program 48:00 current cultural powers thwarting or facilitating justice 49:00 museums’ use of their cultural power with social projects 50:00 if art is everything, then art is nothing. If museums are everything, then museums are nothing. 50:30 lecturer of The Art & Law Program questioning artist's work about immigration 52:15 plumbing services as art 53:30 acceptance of other forms or types of artistic activity doing social good institutionalizes that practice 54:45 what he would do differently would go back to 1997 56:10 impact he hope that his work, including the work with the Program, makes 56:30 practice as artist without institutional affiliation Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| 2ND Saturday Art + Justice Bonus: Barrister Alan Robertshaw on UK Law Related To Art as Protest and Free Speech | 01 Feb 2022 | 00:05:58 | |
Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Terezín Music Foundation: Mark Ludwig on his new book Our Will To Live, Social Justice and the Holocaust | 21 Jan 2022 | 01:26:22 | |
To learn more, please visit the websites of Terezín Music Foundation and its project Our Will to Live. 00:06:30 Our Will To Live 00:08:30 Ullmann as guide through Terezin’s cultural community 00:09:35 Otto Weininger 00:12:20 Ullmann’s essays on Sigmund Schul included in Our Will To Live 00:13:30 Ullmann’s critiques of Carman and Verdi’s Requiem 00:14:45 Viktor Frankl 00:18:40 Council of Elders member Karel Herman 00:22:50 smuggling musical instruments 00:24:55 Ullmann’s critique of performance by Karel Švenk 00:26:05 knowledge of environment and history of creators enriches understanding of their work 00:26:10 George Horner 00:29:15 Yo-Yo Ma’s work with TMF 00:30:45 Yo-Yo Ma and George Horner’s performance at Boston’s Symphony Hall 00:32:45 Ludwig’s performance of Klein’s Lullabye for Dalai Lama at US Capital and in Sarajevo after seige 00:33:20 Our Will To Live as a work of historical justice 00:33:50 Primo Levy’s The Drowned and The Saved 00:35:00 How tracks for Our Will To Live were choosen 00:35:40 Karel Berman's performance of “A Sleepless Night” from Four Songs on Chinese poetry 00:36:00 cabaret works by Karel Svenk 00:37:15 Tracks of the month by OWTL 00:38:15 TMF’s ‘Finding A Voice’ program curriculum 00:39:55 enabling individuals to find their voice 00:40:50 social justice and the voice of society 00:41:20 voices of Ullmann, Hans Krása, Gideon Klein 00:42:05 Friedl Dicker-Brandeis 00:44:50 Pavel Haas’ “A Sleepless Night” from Four Songs on Chinese Poetry 00:46:20 Gideon Klein’s String Trio, Second movement 00:46:55 Ullmann’s Third String Quartet 00:47:40 Hans Krása’s children's opera Brundibar 00:48:10 Krása’s Passacaglia and Fugue for String Trio 00:48:50 Picasso’s Guernica 00:49:30 Ullmann’s Don Quixote Overture 00:51:10 TMF’s legacy 00:55:40 Track 27 Viktor Ullmann, Third String Quartet [13:38] (Terezín, 1943) 01:09:45 Track 11 Gideon Klein, String Trio, Movement II — Theme and Variations [07:17] (Terezín, 1944), performed by Ronan Lefkowitz, violin; Mark Ludwig, viola; Sato Knudsen, cello 01:17:45 Track 12 Gideon Klein, String Trio, Movement III — Molto Vivace [03:04] (Terezín, 1944) performed by Ronan Lefkowitz, violin; Mark Ludwig, viola; Sato Knudsen, cello 01:21:05 Track 16 Pavel Haas, Four Songs on Chinese Poetry (for Karel Berman) “A Sleepless Night” (Han Yu [14:11] (Terezín, 1944) performed by Karel Berman, baritone, and Přemsyl Charnát, piano, November 1991 Czech Radio broadcast of a concert featuring Terezín composers in the Jewish Town Hall, Prague. 01:25:10 Track 29 Karel Švenk, “Why Does the Black Man Sit at the Back of the Car?” [01:16] (Terezín, 1943) Arrangement by David L. Post; performed by Thomas Martin, clarinet, and Hawthorne String Quartet Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| The Whitworth and Manchester Art Galleries: Alistair Hudson on Social Justice, Economics and the Role of Museums | 09 Jan 2022 | 00:45:34 | |
Please visit the websites for Whitworth Art Gallery, Manchester Art Gallery, Decentralizing Political Economies, and Arte Útil to learn more. 4:30 Use of art as a process for social change 5:00 Manchester Art Gallery 5:45 Whitworth Gallery 6:50 Healthy mind, body and spirit agenda 7:50 Platt Hall redevelopment 12:00 Pub as art center in Cumbria 14:00 Museum 3.0 16:30 Arte Útil and Cuban Artist Tania Bruguera 18:10 Whitworth’s Office of Arte Útil 20:00 Aplicación Legal’s use of legal loopholes 20:58 Núria Güell’s Degenerate Art Protocol 22:00 Núria Güell’s project involving loophole that allowed occupation of Tower block in Spain after removing doors 23:30 Decentralizing Political Economies research platform 23:50 Joy Forever exhibition – based on Social Reformer John Ruskin’s 1857 two-day lecture on economy as making the right conditions for living 24:55 Interplay between art and economy is fundamental to the way we develop society - how to see the world truthfully and then act ethically 25:25 Art defined as what’s done with care and consideration 26:05 Economics the Blockbuster exhibition 26:35 Reclaiming art as the operating system for our living conditions, as good housekeeping 27:50 Decentralizing Political Economies platform 28:30 NFT of William Blake’s The Ancient of Days 30:40 Proceeds of Blake NFT to be used for social programmes 31:41 Story of NFT to be used in exhibition 33:15 U.S. Artist Suzanne Lacy’s current show at The Whitworth 34:05 SF MoMA’s version of a Suzanne Lacy retrospective 34:35 Lacy’s What Kind of City? A Manual for Social Change 36:10 Lacy’s Oakland Projects to be used for a new project in Manchester to give youths agency 37:55 Lacy’s Uncertain Futures project to be used for better working rights for women over 50 years old 39:10 Capacity for change with individuals involved in and benefiting from these projects 42:30 These projects are elegant demonstrations of why art matters 42:50 Art world individuals who have a vested interest in the status quo are sometimes the ones who criticize these types of projects 43:20 Social justice at the center of these projects 43:50 The Whitworth and Manchester Galleries’ design as social instruments 44:10 The beauty of ethics and equitable relationships 45:00 Use of museums’ cultural power Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| 2ND Saturday Art + Justice Bonus: Artist Nnebundo Obi on Painting and Social Responsibility | 03 Jan 2022 | 00:20:55 | |
The featured image is titled The Ascension of Yemoja, 2017, Nnebundo Obi. Image: © and TM Nnebundo Obi. All rights reserved. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - A Conversation with Art Historian and Author Dr. Laura Morelli on Historical Justice and Historical Fiction | 17 Dec 2021 | 00:53:39 | |
Please visit Laura Morelli's website to learn more. 3:00 academia to historical fiction 4:20 Dual timelines of The Night Portrait and The Stolen Lady 5:45 Characters in The Night Portrait set around da Vinci’s Lady With an Ermine in Italian Renaissance and its theft in Nazi-Occupied Poland 7:30 The Stolen Lady set around creation of Mona Lisa and efforts to save it during WWII 8:40 Conspiracies around Mona Lisa 9:40 16th and 17th Century copies of Mona Lisa 10:35 Theft of Mona Lisa in 1911 by Italian contractor who thought it had been stolen from Italy 11:45 Da Vinci’s work in Court of France; how Mona Lisa came to be in French Royal Collection and then Louvre 13:00 Use of protagonist Bellina’s agency as servant 15:45 Bonfire of the Vanities after Medici expelled from Florence, Italy 17:40 The Gondola Maker - 16th Century Venice 18:45 Gondola burning as a Venetian act of justice to punish gondolier 20:20 Characters in The Night Portrait 20:54 Cecilia Gallerani, subject of Lady with an Ermine 22:35 German art conservator Edith conscripted into looting 23:30 Scale of art looting during World War II 24:30 Hans Frank who served as Nazi General Governor of Nazi-occupied Poland and was known as the Butcher of Poland 25:50 Value of art versus value of life during war 26:45 Review of The Night Portrait compared character of Edith with character of Hannah in The Woman Who Heard Color by Kelly Jones 27:45 Complications of character with Edith 28:40 Outlining 31:20 Advice for historical fiction authors 32:05 Empowerment of writers 32:35 Read with eye of craftsperson to see skeleton of book 33:10 Foreshadowing in first chapters that will come to fruition later 34:00 recommendations of Tracy Chevalier and Geraldine Brooks 34:18 Author recommendation of Ken Follett, including his book The Pillars of the Earth about construction of a cathedral in Medieval England 35:20 Author recommendations of Umberto Eco; Maggie O’Farrell, including Hamnet; and Karen Maitland 35:50 LauraMorelli.com and Art History Academy under ‘Learn’ tab 37:40 Virtual visits to Italian museums and archeological sites 39:00 Using art as research resource 39:20 Books on daily life in era recommended as an aid for sensory details 40:25 Recommendations - craft of writing 42:35 Survivor bias 44:15 Da Vinci’s missing/destroyed hydraulic and engineering projects 45:25 Raphael’s missing Portrait of a Youth 47:30 Facilitating historical justice through books like The Night Portrait 48:50 Upcoming book on the evacuation of the Uffizi Gallery 50:20 Uffizi book inspired by ways art evacuated/managed in Italy than elsewhere during WWII 52:35 Historical justice theme in upcoming Uff Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Columbia Law School's Inaugural Artist-In-Residence: A Conversation with Bayeté Ross Smith on Social Justice, Racial Injustice and Virtual Reality (VR) | 12 Dec 2021 | 00:58:48 | |
Cover Photo from Bayeté Ross Smith's Our Kind of People: Campaign. 6:00 African American experience in America 9:00 Florida A&M University’s business school 12:25 Shift from corporate business to photography 14:20 Our Kind of People project 16:40 Columbia’s Artist-in-Residency program 30:00 How his audience has changed 34:30 U.S. government entities 36:40 State property exhibition related to state prisons 40:40 Continuing Legal Education 42:00 Red Summers series 49:20 Historians who have worked with him 55:25 Upcoming projects 56:20 Legacy of his work as a resource Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| 2ND Saturday Art + Justice Bonus: Artist & Retired Judge Jerry Alonzo on Sculpture and Social Justice | 10 Dec 2021 | 00:06:20 | |
Image: Arc, 2021, Jerry Alonzo Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - The Neumann Exhibition at Worcester Art Museum: Claire Whitner on Art Restitution, Nazi Looting and Historical Justice | 19 Nov 2021 | 00:50:47 | |
To learn more, please visit the Worcester Museum's webpage. 2:45 Richard Neumann’s grandson Tom Selldorff approached Worcester Museum to take Neumann collection of 16 recovered works on long term loan 3:45 exhibition is meant to tell the story of the Neumann collection and efforts to reconstitute it 4:25 Richard Neumann was a collector’s collector 5:10 two exceptional works by Alessandro Magnasco 5:50 Madonna and Child by Neri di Bicci 7:45 Maerten van Heemskerck Donor Panels 9:20 Donor panels held in the Künsthistorisches Museum 12:00 Neumann’s inventory 12:50 Neumann’s lecturing on art in Cuba 13:10 collection includes some works Neumann purchased from the Habsburg Dynasty holdings 13:45 Neumann’s primary advisors included Albertina Museum curator Otto Benesch and Italian drawings specialist Lili Fröhlich-Bume 14:25 Vienna was a city of Old Master and new artists when Neumann is collecting all while royal collections are also becoming available 16:05 Sophie Lillie’s role in restitution of works to Neumann family 17:40 di Bicci panel discovered in a Sotheby’s catalog by Lillie 18:00 materials incorporated into exhibition 18:30 verso of two paintings on pedestals 18:40 di Bicci’s verso 19:00 images in exhibition include French Ministry of Culture ceremony in 2013 for return of six works to Neumann family 19:30 Neumann family’s experience of looting speaks to larger narrative 20:00 Neumann family’s efforts to locate looted works 20:30 museum’s responsibility for looted works 20:50 Worcester Museum publishes all works with incomplete Nazi provenance online and is in the process of working with one family to determine if a work in the Worcester collection is the looted work that the family is seeking 21:40 exhibition design: recreation of works in the Neumann’s Vienna home and process of locating works post-war 1950s-2021 25:20 verso of works 26:50 forced sales / sales under duress 27:55 di Bicci’s Madonna and Child and Magnasco’s Monks at Mealtime appeared at auction 30:00 Sotheby’s Art Loss Register search for Magnasco’s Monks at Mealtime 31:20 1938 inventory of Neumann assets 32:20 1938 inventory includes paintings but not sculpture or works on paper 33:20 Linz Museum and works shipped to Paris 34:00 missing from Neumann inventory - van Dyck and Rubens 35:00 late 17th C / early 18th C Barogue / Rococo paintings for Linz Museum 35:30 oil sketches 37:30 visitor reactions 40:15 exhibitions that informed Whitner in preparation of Neumann exhibition 44:45 Sophie Lillie’s book Was Einmal War (What Once Was) 46:10 Stephanie Barron’s catalog of Degenerate art exhibition for LACM 47:15 French government website with images of looted works 48:30 Richard Neumann’s legacy is one of generosity and tenacity 50:00 escape from Vichy France to Cuba Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Art Crime & ARCA: Dr. Noah Charney About Art History, Art Recovery and Art Crime Education | 14 Nov 2021 | 00:43:04 | |
To learn more, please visit ARCA's website. SHOW NOTES: 03:00 Dr. Charney’s interest in being a playwright led to foundation of Association for Research into Crimes against Art (ARCA) 05:00 Charney’s first book 05:30 first conference to bring academics and art police together 06:30 criminalistics applied in Slovenia - a balanced policing system that merges the theories of criminology and practice of criminal investigation, forensics & police procedure 11:00 ARCA’s summer conference on art crime in central Italy 14:00 Italy’s Carabinieri Art Squad 17:50 ARCA’s CEO Linda Albertson 18:30 Albertson’s blog post about return of objects to Cambodia by Doug Latchford’s Estate 19:00 ARCA’s blog 21:30 recommendations on return of looted art or cultural heritage objects 24:00 Missing Masterpieces exhibition 25:35 thief of Van Gogh’s Parsonage arrested though painting is still missing 25:50 tip on whereabouts of Jean-Baptiste Oudry’s The White Duck 26:20 panel of Ghent Altarpiece stolen in 1934 is still missing and is an ongoing open case in Ghent, Belgium 27:45 a work is ‘extant’ if its location is known 28:25 Justice Cycle panels by Rogier van der Weyden referenced in Charney’s Museum of Lost Art 29:00 The Deposition in the Prado considered van der Weyden’s masterpiece 29:10 van der Weyden considered The Justice of Trajan and Herkinbald from the Justice cycle to be his masterpiece 29:45 the Justice cycle destroyed in a fire circa early 17th C. 29:55 survivor bias - 2018 book The Museum of Lost Art 31:10 The Devil in the Gallery: How Scandal, Shock, and Rivalry Made the Art World? also has a negative space approach 31:55 2017 book The Collector of Lives focuses on the life of Giorgio Vasari 33:00 rivalry of artists in Caravaggio’s 1599 The Calling of St. Matthew - used duplicate of Sistine Chapel’s hand of God by Michelangelo to paint hand of Jesus 34:15 Charney’s online discussion of Caravaggio’s 1599 The Calling of St. Matthew 34:50 Book of Drawings, twelve folios by Giorgio Vasari 36:05 Vinci’s Battle of Angiati; Vasari’s use of false walls to preserve works he valued like da Vinci’s Battle of Angiati 37:15 third work would be the Justice Cycle 37:30 Charney’s preference for work in situ 39:00 Vasari’s use of false walls to cover paintings 39:50 Vasari’s false wall in front of da Vinci’s Battle 40:50 Charney’s recommendations of books published by ARCA 41:10 Context Matters: Collating the Past by David W.J. Gill - essays on antiquities, looting and archaeology 41:20 Transnational Art Crime by ARCA academic director Edgar Telehouse 41:45 The Secret Collector: the Lost Art Collection of Erich Šlomovič by Leon Pogelick and Slavko Pregl 42:45 Charney’s The Art Thief’s Handbook Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| AI & IP Panel Discussion: A Global Perspective Part I | 02 Mar 2025 | 01:30:23 | |
Show notes: 3:00 David Newhoff - question of authorship 7:15 Peter Wasilko 9:00 Andres Guadamuz - blog post on AI copyright authorship 10:30 China’s focus on “intellectual achievement” 12:20 Section 9(3) of its Copyright, Designs and Patents Act 1988 13:00 Emily Gould - whether copyright is fit for purpose 13:30 UK joint evidence session on the future of AI and copyright law 17:15 Newhoff - use of an artist’s style 18:40 Wasilko - an artist’s training of a model with its own work 20:15 artist's post-stroke gen-AI recording from model training on his work 21:00 Salles Bruins' question on definition of intellect 25:40 - Ankit Sahni - China’s protection 28:30 Sahni - India’s position on creativity falls in the middle 29:00 Ankit Sahni - RAGHAV output “Suryast” 33:45 Ankit Sahni - protection of AI-assisted works by China’s courts 35:00 Wasilko - hypothetical of photographing sunsets on VR headsets 36:50 Ankit Sahni - USCO’s case by case basis 37:50 Newhoff - what is actually protectable against infringement 39:30 Sarony decision: looking at human choices used to create photos 41:00 Newhoff - ‘authorship by adoption’ is a “bridge too far” 42:15 Salles Bruins - question about training in Wasilko’s hypothetical 43:10 Wasilko - “bridge too far”-requiring license to “learn” from works 48:00 Stanford’s CodeX Group - talk on product JudgeAI 50:30 Andres - human creativity exists irrespective of copyright 52:00 Salles Bruins - copyright is a tool to enable artists to profit 53:30 Kritika Sahni - defining intellect dependent on AI context 54:50 Ankit Sahni - sui generis system of registration 58:45 Gould - applying a right like copyright to output "tough" to get right 1:02:00 Guadamuz - Ukraine’s sui generis right for AI works 1:03:45 Jason Jean - defining intellect 1:08:50 Newhoff - unconvinced that it’s a “sui generis question” 1:09:30 Wasilko - whether inputting human work makes model “assistive” 1:1 Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Curators Darsie Alexander & Sam Sackeroff Discuss the Jewish Museum's Afterlives Exhibition, Historical Justice, Art Restitution and the International Culture of Memory | 15 Oct 2021 | 01:14:24 | |
Cover Art from the Afterlives Exhibition by Kurt Schwitters, Opened by Customs, 1937 or 1938, Paper, printed paper, oil, and graphite collaged on paper Tate, London, purchased 1958 00:06:30 design of Afterlives 00:10:15 windows metaphor of seeing through to the history of works and events 00:11:20 August Sander’s portrait photos of persecuted Jews 00:13:00 Jeu de Paume’s “Room of the Martyrs” 00:13:40 1942 photograph of Room of the Martyrs includes images of work by Matisse, Picasso, Léger, and Derain who were defamed as degenerate 00:14:15 exhibition reunites large nude by Cezanne, small surrealist Picasso and post-cubist painting Composition by Fédor Löwenstein 00:14:52 Cezanne and Picasso looted from Alphonse Kann 00:15:00 Composition seizure 00:16:20 restution of Composition in process 00:17:45 works celebrate history of their creation and document their looting 00:18:00 artwork as documentation 00:19:30 Rose Valland 00:20:20 Dachau records in ‘Creativity Under Duress’ gallery 00:20:50 work by artists in exile 00:21:05 work by artists in camps and/or in hiding 00:22:00 Nuremberg trial excerpt 00:25:30 Judaica Room includes pieces from Jewish Museum’s collection affiliated with Jewish Cultural Reconstruction (JCR) and community of Danzig and installation by Maria Eichhorn 00:28:15 Jewish Museum as temporary storage depot for the JCR 1949-1952 00:32:00 JCR aluminum tags on objects 00:32:20 Hannah Arendt’s work at the core of Eichhorn’s commission 00:34:40 Eichhorn’s commission 00:37:50 Arendt’s documents 00:39:30 commissions by Lisa Oppenheim, Hadar Gad, Dor Guez and Eichhorn 00:41:30 international perspective from these artists 00:42:15 Oppenheim’s piece deals with work by Jean-Baptiste 00:46:00 historical justice 00:49:00 international culture of memory 00:50:00 symposium 00:52:00 Pechstein's 1912 Paysage and Löwenstein’s 1939 Composition 00:54:45 We Fight to Build a Free World: An Exhibition by Jonathan Horowitz; and upcoming exhibition related to Ephrussi family story 00:57:45 1940 charcoal portrait by Jacob Barosin while in French forced labor camp of fellow prisoner 01:00:15 Picasso’s 1929 Group of Characters 01:02:50 Pissarro’s 1872 Portrait of Minette 01:06:00 Portrait of Minette, Group of Characters and Cézanne’s Bather and Rocks 01:06:50 Kurt Schwitters’ Opened by Customs from 1937/38 01:09:35 Afterlives catalog 01:10:30 reactions of visitors Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Guest Work Agency: Alana Kushnir on Art Law, Legal Design & NFTs | 10 Oct 2021 | 01:17:26 | |
Photography of Alana Kushnir by Justin Ridler. For more information about Guest Work Agency, please visit GWA's website. 2:30 Alana’s inspiration to merge curatorial and legal work into a single agency 5:50 Goldsmiths, University of London 9:30 curator and attorney Daniel McClean played a role in her creation of GWA 10:15 Daniel McClean’s books Dear Images: Art, Copyright and Culture and The Trials of Art 12:00 2017 exhibition Travelers: Stepping Into the Unknown at Osaka’s National Museum of Art 16:00 The Legal Bookshop 17:30 Traveler’s exhibition rose from exploration of how law is impacting contemporary art 19:00 book project Cooking Sections by Daniel Fernández Pascual and Alon Schwabe that celebrated their public installation in London titled The Empire Remains Book Store. 21:00 Cooking Sections' franchising heads of agreement 22:20 collaborations 24:00 Serpentine Legal Lab’s project 28:00 Victoria Ivanova developed Serpentine’s R&D platform circa 2018-2019 28:45 Serpentine’s arts technologies department 29:45 Serpentine’s legal lab, block chain lab, creative AI lab and science lab 31:00 Serpentine’s chief tech officer Ben Vickers 32:20 Serpentine’s 2019 summit 35:45 Marie Potel-Saville, Founder & CEO of Amurabi: Legal Innovation by Design 37:15 Three-prong research process for quantitative and qualitative research 42:00 Legal design defined as an approach to legal thinking and legal practice to promote access to justice 42:30 pioneer of legal design Margaret Hagen at Stanford Law School’s Legal Design Lab 44:00 Legal design’s user-oriented research and user’s pain points 48:00 Cross-disciplinary advisory panel to address action points raised in Legal Lab Report 1 50:45 Serpentine’s affiliation with University College London 54:20 Those interested in contributing can reach out via legallab@serpentinegalleries.org 54:50 Kushnir’s article The Legal Ambiguities of Art Collaborations and their Compatibility with NFTs 57:30 research of NFT platform’s website terms of use with GWA paralegal Mia Schaumann 59:20 The Mars House controversy 1:04:30 Advice to those pursuing art law 1:06:05 Guest Club 1:09:00 Transparency in collecting 1:12:20 Turkish Artist Rafik Anadol’s Quantum Memories series Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Paintings, Politics and the Monuments Men: Dr. Peter Bell on the Weisbaden Manifesto, Berlin Masterpieces and Provenance Research | 17 Sep 2021 | 00:47:20 | |
For more information about the Paintings, Politics and the Monuments Men exhibition, please visit the Cincinnati Art Museum's website. 05:15 How issues surrounding post-WWII exhibition of Berlin 202 are addressed 07:50 Prizes of war or protection mission for German patrimony per Truman Administration 11:30 Reasoning for Weisbaden Manifesto 12:00 “Art & Injustice” 15:30 Design process of the exhibition 18:00 Legacy of Weisbaden Collecting Point Director Captain Walter Farmer 18:30 Red background inspired by Army tour’s exhibition catalog 19:30 Oskar Kokoshka painting in 1937 Degenerate Art Exhibition and sent to Lucerne auction 20:30 Botticelli’s Ideal Portrait of a Woman 21:45 Self-Portrait by Moravian painter Martin Quadal 22:15 Madonna and Child from Jacques Goudstikker’s collection 24:20 Reactions of visitors 26:15 Message of the exhibition 28:50 why does it matter who takes care of artwork, where they travel and how they are used? 29:30 archival material in exhibition 31:10 The Berlin Masterpieces catalog 33:00 the fundamental importance of provenance research 35:25 Advice to those interested in a career as a provenance researcher and/or curator 37:20 ‘web of connections’ in art history 37:45 Book recommendation: Rape of Europa 39:15 Worcester Museum’s current exhibition as a case study on Nazi looted art 40:00 Symposium will include keynote speaker Dr. Richard Kurin, Under Secretary for History, Art, and Culture and Ambassador at large for the Smithsonian Institution Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Mosse Art Research Initiative: Dr. Meike Hoffmann on Provenance Research, International Cultural of Memory and Degenerate Artists | 12 Sep 2021 | 01:08:47 | |
To learn more, please visit MARI's website. 4:00 German culture of memory 5:00 MARI-first collaboration between German public institutions and Holocaust victims 7:00 Historical question addressed about Rudolph Mosse as art lover 8:50 location of objects related to politicians and individuals in culture scene of Mosse’s day 11:00 Hanns Fechner’s portrait of German writer Theodor Fontane held by daughter of Nazi finance Minister Hjalmar Schacht 16:00 Venus Chasing Cupid-sculpture localized during first phase of MARI 17:00 sculpture not included in Nazi arranged auction of Mosse collection 19:00 MARI contact with those believed to hold works from Mosse Collection 20:30 Tel Aviv Museum – tapastries and Jozef Israels’ From Darkness to Light 25:00 Historical justice achieved by making history visible 26:00 MARI’s impact-to prompt scrutiny of provenance of collections 27:30 size of Mosse’s collection 28:30 MARI’s first phase began in early 2017 31:00 MARI’s staff assignment 34:00 Hoffmann’s work on Gurlitt project as researcher and task force member 35:00 portal database for MARI – starts with resources not objects 40:00 Hoffmann began first academic training program for provenance research in 2011 41:30 Adolph Menzel painting – no trace since 1934 auction 43:15 expertize outside of MARI for Eyptian antiquities and Benin Bronzes 46:30 Gurlitt work 50:00 Frie University’s degenerate art program 52:30 Hoffman’s work as Brücke Museum curator 54:40 International Circle of Provenance Research member 59:50 exhibitions that show provenance research 1:02:00 Artist Maria Eichhorn 1:03:00 Hoffmann curated 2019 exhibition Escape Into Art? 1:06:00 future of degenerate artists Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - The Last Cyclist: Naomi Patz on the Holocaust, Terezín Concentration Camp and Karel Švenk | 20 Aug 2021 | 00:54:04 | |
To learn more, please visit The Last Cyclist's website. SHOW NOTES: 3:30 background in Holocaust studies 6:00 Jana Šedová’s essay referenced The Last Cyclist 9:00 Terezin March used in 1995 version of The Last Cyclist created by Patz 12:00 Svenk died in death march 14:00 title of The Last Cyclist rooted in bitter joke 16:30 Jana Šedová 21:00 The Last Cyclist underscored prisoners’ resilience and spiritual resistance 24:00 Holocaust was a shaky topic under Communists 27:30 The Lost Food Card 30:00 Verdi’s Requiem Mass brought to Terezin by Rafael Schächter 35:00 Emperor of Atlantis 36:45 Brundibar 39:00 Lullaby from The Last Cyclist survived but not in current version 40:45 4-part documentary is in process 42:45 The Last Cyclist is also a film 45:30 Director Edward Einhorn 46:25 Terezin Music Foundation 47:30 Composer Stephen Feigenbaum 48:00 Artwork by Mark Podwal 48:45 The Last Cyclist’s ongoing relevance to address bigotry and bullying 49:40 justice facilitated by The Last Cyclist Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Vertigo Graffiti: Camilo Fidelo Lopez on Bogotá, Colombia, Public Murals and Social Justice | 15 Aug 2021 | 01:04:51 | |
To learn more, please visit Vertigo Graffiti's website. 4:00 nature of graffiti; Vertigo blog’s proposal to leave graffiti in Bogotá’s transit system 10:00 focus of Vertigo’s graffiti on universal issues of tolerance, acceptance and diversity 15:00 ‘Kiss of the Invisibles’ mural 23:00 graffiti’s ability to help create empathy for others 25:30 reaction to public murals 31:00 advise to graffiti artists to doubt everything 33:30 self-sensorship 39:00 ‘Shared Glance’ mural 47:30 legal spaces for graffiti 52:00 Grandmother series 1:04:00 thoughts for those who doubt the importance of graffiti Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Defiant Requiem: Maestro Murry Sidlin on Terezín Concentration Camp, Verdi's Requiem, the Arts & Social Justice | 16 Jul 2021 | 01:24:13 | |
For more information, please visit the Defiant Requiem Foundation's website. 6:00 Eizenstat’s contribution to formation of Defiant Requiem foundation 8:00 Rafael Schächter’s background and work before being interned at Terezín 10:40 Schächter’s decision to pack the Czech opera, Bedrich Smetana’s Bartered Bride 11:50 Schächter’s decision to pack Verdi’s Requiem Mass 14:30 Terezín Commandants, including SS First Lieutenant Karl Rahm 16:45 Terezín became a hotbed of arts and humanities 19:00 Schächter taught Verdi’s Requiem Mass 20:20 Edgar Krasa’s recollection of Schächter as “merciless” in rehearsals because they “could not afford for any minds to wander” 21:15 Verdi’s Requiem Mass was performed 16 times at Terezín 21:45 Edith Steiner Kraus’ recollection that the chorus led by Schächter in Terezín would make one proud “in any urban setting” and the singers were “so far inside the music that we’d returned to Verdi’s desk” 24:00 Edgar Krasa’s recollection about controversy between Jewish Council and Schächter over performing Verdi’s Requiem Mass 31:15 Jewish Council’s concern that Requiem Mass had Catholic origin 36:50 Sidlin’s one act “speculative history” drama Mass Appeal 1943 based on Schächter’s meeting with Jewish Council 38:00 Schächter’s use of Verdi’s Requiem as an act of defiance and to uplift prisoners 39:30 Jewish Council’s censorship of Ullmann’s Der Kaiser von Atlantis and Kael Švenk’s The Last Cyclist 44:00 Performance of Defiant Requiem at Terezín 48:30 composer Ilsa Weber at Terezín 49:55 Inspiration for Foundation’s concert, Hours of Freedom: The Story of the Terezín Composer that includes work by composers such as Victor Ullmann, Pavel Haas, Gideon Klein, Hans Krasa, James Simon, Zikmund Schul, Rudolf Karel and others 54:00 Pianist and Composer James Simon’s background and work 56:15 Simon’s colleague Violinist Alma Rosé 59:00 Pavel Haas and Karel Ančerl 1:00:20 Conductor Karel Ančerl 1:01:30 Phillip Silver’s contribution to Hours of Freedom 1:04:10 Hours of Freedom arranged by chapters that include Longing, Hope, etc. 1:05:00 Composer, Conductor, Pianist, Singer Karel Berman created Terezín Suite that includes Auschwitz Corpse Factory 1:06:20 10-minute memorial by Martinů 1:09:00 Maestro Sidlin’s challenge to a description of Ullmann as ‘finding his voice’ in Terezín and his thoughts on Ullmann’s critical essay that described his experience at Terezín 1:13:45 cloud over many composers was their background training in the law 1:16:10 misconception that Gideon Klein learned to compose at Terezín 1:16:50 Strauss’ unsuccessful efforts to have daughter-in-law’s grandmother released from Terezín 1:20:00 Maes Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Fighting Artist Arthur Szyk: Szyk Expert Irvin Ungar on Social Justice, Historical Justice and the Artist's Role | 11 Jul 2021 | 01:49:38 | |
Please visit the website devoted to Arthur Szyk to learn more. 3:00 Ungar’s introduction to Szyk 10:15 Byron Sherwin’s involvement with creating a solo show Justice Illuminated: The Art of Arthur Szyk in Chicago with the Spertus Institute of Jewish Studies 15:25 2000 Library of Congress exhibition, Artist for Freedom 21:00 2002 U.S. Holocaust Memorial Museum’s exhibition, The Art and Politics of Arthur Szyk 25:20 Exhibitions in Poland 32:45 2008 Deutshes Historiches museum exhibition 42:00 2017 New York Historical Society exhibition Soldier In Art 50:50 Bergson Group 55:50 McCarthyism & Szyk’s Thomas Jefferson’s Oath: “I have sworn upon the altar of God eternal hostility against every form of tyranny over the mind of man. 1:07:15 2017 Ungar’s book Arthur Szyk: Soldier In Art won 2017 National Jewish Book Award 1:13:20 Wagner 1:22:30 Comparison of Chagall’s White Crucifixion, Picasso’s Guernica and Szyk’s De Profundis 1:30:25 Japanese Historian Rinjiro Sodei’s book illustrated with Szyk’s work, Representing Hirohito in Wartime: The Art of Arthur Szyk 1:44:45 Book in progress to list the thirty institutions that hold Szyk’s work 1:46:35 Ungar’s memoir, Reviving An Artist’s Fame: My Life With Arthur Szyk 1:48:00 Short documentaries about Szyk Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Nelson-Atkins Museum's Provenance Specialist: MacKenzie Mallon on Nazi Looted Art, Restitution and Provenance Research | 18 Jun 2021 | 00:47:04 | |
The following is a link to the Nelson-Atkins Museum's Discriminating Thieves Exhibition. 6:20 Title of Discriminating Thieves exhibition came from correspondence by Nelson-Atkins’ first director Paul Gardner 7:30 One of the four works in the exhibition: painting by German Expressionist Emil Nolde titled Masks 8:50 Karl Buchholz held Masks for a decade until 1948 when he sent it to dealer Curt Valentin 15:00 Pitfalls of researching women 18:00 Marguerite Stern’s ownership of Jean – Francois Ducis’ 1779 Bust of Augustin Pajou 19:50 Pierre Bonnard’s Still life with Guelder Roses 21:30 Nicolas de Largillière’s Augustus the Strong – erroneously listed on property card as portrait of King Frederick of Denmark 25:00 2019 Collecting and Provenance: A Multidisciplinary Approach by Jane Milosch, Nick Pearce 25:50 German-American Provenance Research Exchange with the Smithsonian Provenance Research Initiative and Prussian Cultural Heritage Foundation was a “game changer” 35:35 Guest speaker for Discriminating Thieves Exhibition was Corine Wegener, Director of the Smithsonian Cultural Rescue Initiative 42:00 The process of provenance research is never finished as new resources become available 44:30 Importance of research in museum setting by individuals with specialized knowledge 46:30 Cincinnati Art Museum’s exhibition Paintings, Politics and the Monuments Men: The Berlin Masterpieces in America 47:30 Nelson-Atkins’ first curator of European Art Patrick Kelleher was one of the signatories of the Weisbaden Manifesto Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Victoria and Albert Museum's Provenance and Spoliation Curator: Dr. Jacques Schuhmacher on Provenance Research, Art Restitution and the Role of Museums | 13 Jun 2021 | 01:07:58 | |
Below is the email for Dr. Jacques Schuhmacher: SHOW NOTES 3:30 importance of provenance research regarding potential for Nazi-looted art in collections outside of countries that had been occupied by the Nazis 7:35 provenance gaps in Gilbert Collection didn’t raise concerns when the Gilberts were acquiring the collection; 9:40 Nazi-looted art found in U.S. collections in the 1990s, making this an issue for the international art market 10:55 Unclear provenance of snuffbox from Gutmann Collection 15:50 massive red flags raised by some objects like the Louis XVI enameled gold snuffbox looted from Maximilian von Goldschmidt-Rothschild 18:30 Decisions about restitution of looted art are not made by UK museums but by a panel of experts 19:45 The only restitution to date by the V&A has been of Meissen pieces. 22:05 even after Monuments Men joined the museum, an unbroken chain in provenance was not necessary; acquisition protocol in the U.K. didn’t change until 1998 23:40 Deaccession laws in the UK under the Heritage Act were changed with the U.K.’s Holocaust Act 2009 35:30 no claims for works in the Gilbert Collection 37:35 Victoria & Albert Musuem’s Concealed Histories. 38:38 Magdala1868 exhibition of Ethiopian cultural objects inspired V&A’sConcealed Histories. 41:35 MacKenzie Mallon with the Nelson-Atkins Museum had put on the Discriminating Thieves exhibition, which was a huge inspiration for V&A’s Concealed Histories. 42:50 Provenance research into Nazi-looted art detached from other types of provenance research 44:45 Ethiopian Embassy negotiations for return of objects looted during Colonial era 45:00 Long-term loans used to return work that is subject to deaccession laws; example being long term loan of silver item stolen during church festival in Spain 46:45 In 1999, discovered that V&A had bought in 1950s a silver item without realizing it was stolen in the 1890s in Spain; object has been on long-term loan since 2005 48:25 Gilbert collection is on 100+ years long term loan 50:00 Museum Association guidelines for restitution claims being updated 51:15 Virtual loans 52:49 Notion of digital restitution 54:30 upcoming provenance research handbook for researchers in English-speaking countries 57:30 idea of a mega-website arose from the 1998 Washington Conference to allow cross-referencing to identify objects 58:35 no replacement for archival research 1:01:50 provenance research includes newly acquired objects, loaned objects and objects for which questions are raised 1:05:15 He studied history and did PhD in German/Allied war crimes then worked at London’s Commission for Looted Art 1:07:50 Student inquiries about provenance research welcome Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| AI, Copyright and Justice - A Conversation with Copyright Lawyer Anja Neubauer | 02 Feb 2025 | 00:42:23 | |
To learn more, please visit Anja Neubauer's site. 1:30 background in the law and tech 4:45 overview of global framework “AI and Authorship Redefined: Towards a Global Copyright Framework for Commerce and Human Originality - Exploring Ownership, Infringement, Moral Rights, and Human Originality” 12:35 question of authorship 19:35 moral rights 26:30 viability of global copyright 28:20 issues of injustice raised by AI 34:30 German study about developers’ infringement 38:00 public’s choice to lock up data 39:00 The Congress Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - The Holocaust in Modern Art: Professor Ziva Amishai-Maisels on Artists Picasso, Chagall, Rothko, Bacon and more | 21 May 2021 | 01:03:51 | |
To view available rewards for supporting the podcast, please visit Warfare's Patreon page. 3:55 Marc Chagall's Passion imagery led the way for other artists 8:00 Lea Grundig 9:30 Francis Bacon 12:20 Mark Rothko 15:15 Picasso 20:05 Robert Morris 22:55 Jean Fautrier 25:25 Naftali Bezem; Igael Tumarkin 27:35 Lea Grundig 32:25 Hans Grundig 32:50 Zoran Music 35:45 Artists in Terezin: Bedrich Fritta and Leo Hassin 44:00 Sculptors Jacques Lipschitz and Leonard Baskin 52:20 Artists not in Holocaust who integrated Holocaust iconography 55:45 Anselm Kiefer 56:55 Death Fugue by Holocaust survivor Paul Celan 58:00 Kiefer’s Margarethe and Shulamith series Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Institute of Art & Law: Alexander Herman & Emily Gould on Restitution, the Holocaust, Copyright, NFTs and Benin Bronzes | 16 May 2021 | 01:14:06 | |
The following are links for more information about the Institute of Art and Law and the LLM program. 3:05 Alexander Herman discusses the Institute of Art and Law’s beginning in 1995 4:40 IAL founded by Norman Palmer and Ruth Redmond-Cooper 5:15 IAL mission 7:15 Emily Gould discusses growth of art law 9:20 online courses 10:05 Diploma in Art Profession Law and Ethics; next beginning online 5 June 2021 11:45 Diploma in Law and Collections Management 12:15 Diploma in IP and Collections 13:25 Art as Security Seminar 13:50 Restitution Dialogues 16:30 Blog 16:50 Herman’s blog post on Copyright in America 18:10 Cariou v. Prince 20:55 Marano v Metropolitan Museum of Art 23:00 Herman’s transformation of cover art from Supertramp’s 1979 album 26:10 Gould's blog on Benin Bronzes 35:50 Museums and the Holocaust, Second Edition 37:35 UK Holocaust Act 46:14 Topics covered in Art Antiquity and Law Journal 51:05 Art, Business and Law LLM 57:45 Conflicts and compliments of art and law 1:00:45 NFTs 1:07:00 Smart contracts for NFTs 1:08:00 impact of art law and culture 1:12:15 IAL speaks to justice by informing the public of the complexities within art law matters Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Painter/Poet Marc Chagall | 14 May 2021 | 00:03:26 | |
The following are links to the Art History School's Chagall video and to the trailer for Flying Lovers. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - The Rothko Chapel | 07 May 2021 | 00:03:13 | |
Here are links for more information on The Rothko Chapel and for the film trailer on The Rothko Chapel. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Cocktails with a Curator's Discussion of Lady Meux | 30 Apr 2021 | 00:03:51 | |
Cocktails with a Curator's episode on Lady Meux can be viewed here. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - 2ND Saturday Art + Justice Online Gatherings Announcement | 23 Apr 2021 | 00:01:43 | |
Second Saturday Art + Justice is an offering from the non-profit Art Haus for Justice. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Toyland | 16 Apr 2021 | 00:01:57 | |
Link for Toyland. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Art Researcher Nathan Diament On the Legacy of Artist J.D. Kirszenbaum (1900-1954) | 11 Apr 2021 | 00:49:04 | |
To view the works of J.D. Kirszenbaum, please visit the website created by Mr. Diament and please follow this link to see a presentation from Nathan Diament on the life and work of Kirszenbaum. 04:30 Kirszenbaum’s work in Belgium after World War II 07:00 Israeli Museum Curator’s belief Kirszenbaum’s legacy should not die 07:40 Prof. Ziva Amishai-Maisels’ encouragement of Diament’s research 08:30 Art Loss Register and Kandinsky Library at Centre Pompidou 09:15 600 of Kirszenbaum’s works burned during World War II 10:30 Baroness Alix de Rothschild’s assistance 11:20 Tel Aviv Museum’s works by Kirszenbaum 12:00 Dutch Artist Paul Lindgreen, a student of Kirszenbaum’s 12:20 Frans Hals Museum in Holland 13:50 Approximately 200 of Kirszenbaum’s works located 14:20 Israeli Exhibition of Kirszenbaum’s work in 2013 16:30 Baroness Alix de Rothschild’s assistance 19:20 Book J.D. Kirszenbaum (1900-1954) The Lost Generation 21:00 Croatian exhibition of Kirszenbaum’s work 22:00 Dutch Artist Paul Lindgreen, a student of Kirszenbaum’s 23:30 German exhibition of Kirszenbaum’s work 24:00 French exhibition of Kirszenbaum’s work upcoming 25:00 Kirszenbaum’s works about the Messiah and the Prophets 26:00 Tel Aviv Museum; Kirszenbaum’s Self Portrait with Cubism 26:55 Kirszenbaum’s caricatures in Germany during the world wars 28:00 Kandinsky Library at the Pompidou Center 30:00 Baroness Alix de Rothschild’s assistance 34:45 Influences of Kandisky and Klee 35:55 Horseman of the Apocalypse 36:20 Kirszenbaum’s emancipation 37:00 Chagall’s life and sources similar to Kirszenbaum’s 42:40 Felix Nussbaum and Royal Museum of Belgium’s letter about Nussbaum 44:40 S.S. St. Louis 46:40 Baroness Alix de Rothschild commission of Prophets Triptych (Elias, Jeremiah, Moses) 50:00 Diament’s membership with Yad Vashem’s Commission of the Just Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - In Every Generation: Remaking The Szyk Haggadah | 09 Apr 2021 | 00:03:51 | |
The link to In Every Generation: Remaking the Szyk Haggadah is here. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Law 101 for Dealers in Art and Antiquities | 02 Apr 2021 | 00:02:21 | |
Here is the link to the Institute of Art & Law's Law 101 for Dealers in Art and Antiquities Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Art/Cultural Heritage/IP Law Attorney & Musician Leila Amineddoleh - a 2ND Saturday Conversation | 05 Jan 2025 | 01:08:35 | |
To learn more, please visit Amineddoleh & Associates LLC and view Leila Amineddoleh performing Chopin Polonaise, Op. 26, No. 1 and Liszt Liebestraum No. 3. 1:00 Amineddoleh’s background and work in music and law 4:00 Patty Gerstenblith 7:00 building Amineddoleh & Assoc. 8:45 Amineddoleh's work with Greece 10:00 perspective as musician aids in work as attorney to other artists 11:00 Amineddoleh's experience with plagiarism 14:20 Amineddoleh’s practice 15:45 Foreign Sovereign Immunities Act 19:50 artists’ perspectives in hiring an attorney 22:50 Jerry Alonzo: what brings artists to seek out Amineddoleh 26:00 return of golden coffin of Nedjemankh 31:45 use of AI 36:30 AI-assisted Beatles song 37:45 analogy of photography to AI outputs 38:20 Japanese photographer Hiroshi Sugimoto 39:45 suit over copyright of monkey selfie 41:45 Thaler v. USCO 44:30 Rupali Gujral: negotiating on a client’s behalf 48:30 Stefania Salles Bruins: history of art collecting 52:30 Bruins: Amineddoleh's balancing of legal and musical practices 54:00 Amineddoleh’s perspective on sharing her music and performing 56:30 Liszt’s Hungarian Rhapsody No. 2 played by Bugs Bunny 57:20 Amineddoleh’s performance of Chopin Polonaise, Op. 26, No. 1 and Liszt Liebestraum No. 3 59:00 under-appreciated composer Brahms 1:01:20 injustices in art law 1:04:30 Amineddoleh’s definition of justice - access 1:06:00 John Cage’s 4’33” Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Nuremberg Prosecutor Benjamin Ferencz | 26 Mar 2021 | 00:02:59 | |
To learn more, please visit the links to the documentary short featuring Mr. Ferencz and to the website for Mr. Ferencz. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - The $50 Million Art Swindle | 19 Mar 2021 | 00:03:51 | |
The following is a link for more on The $50 Million Art Swindle. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Artists' Rights, Heirs' Rights, Human Rights & Animal Rights: An Overview with Barrister Alan Robertshaw | 15 Mar 2021 | 00:58:32 | |
To view rewards available for support of the podcast, please visit Warfare's Patreon page. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Benin Bronzes | 12 Mar 2021 | 00:02:34 | |
The following are links to the Art Angle Podcast episodes' first and second episodes that feature Dan Hick's discussion of the Benin Bronzes and his book, The Brutish Museums: The Benin Bronzes, Colonial Violence, and Cultural Restitution. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Ghosts of the Third Reich | 05 Mar 2021 | 00:04:03 | |
The following is a link to a trailer for Ghosts of the Third Reich. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Guernica | 26 Feb 2021 | 00:03:25 | |
The following is a link to the Great Art Explained video about Guernica: Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Fireflies in the Dark: The Story of Friedl Dicker-Brandeis and the Children of Terezin | 19 Feb 2021 | 00:04:17 | |
Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Mosse Art Restitution Project: Director of Investigations J. Eric Bartko On the Washington Principles and Restitution Efforts In Poland, Israel, Russia and the Netherlands | 15 Feb 2021 | 01:42:31 | |
The following is a link to the Mosse Art Restitution Project. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Der Kaiser von Atlantis | 12 Feb 2021 | 00:03:25 | |
The following is a link to the opera Der Kaiser von Atlantis. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Phoenix | 05 Feb 2021 | 00:02:34 | |
Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Researcher, Writer & Advisor Frances Liddell on the Intersection of Emerging Tech, the Arts & Culture | 01 Dec 2024 | 00:53:45 | |
To learn more, please visit Frances Liddell's site. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - Brundibár | 29 Jan 2021 | 00:04:03 | |
The following is a link to the children's opera Brundibár performed in Czech. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - No Night So Dark One Family's Story of Memory Stolen and Regained | 22 Jan 2021 | 00:05:19 | |
The following is a link to the event scheduled to take place on the 25th of January 2021. Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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| Glance at Culture - the Hare with Amber Eyes | 15 Jan 2021 | 00:03:01 | |
Please share your comments and/or questions at stephanie@warfareofartandlaw.com This podcast and its content may not be used for training or developing AI systems without permission.
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