The Trombone Corner – Details, episodes & analysis

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Conrad Herwig, commercial and jazz trombonist from New York City.

About Conrad:

New York jazz artist CONRAD HERWIG has recorded nearly 30 albums as a leader, receiving four GRAMMY®-nominations for his own projects.

His latest CD release is The Latin Side of McCoy Tyner (Savant; 2024). This albums marks 27+ years of the “Latin Side . . .” series, and is a follow-up project to The “Latin Side of ...” tributes to Charles Mingus (Savant 2022), Horace Silver (Savant; 2020), Joe Henderson (Half Note; 2014), Herbie Hancock (Half Note;2010) Wayne Shorter (Half Note; 2008), Miles Davis (Half Note; 2004), and John Coltrane (Astor Place; 1996). These exciting and individualized projects feature an array of special guests including Randy Brecker, Ruben Blades, Michel Camilo, Joe Lovano, Eddie Palmieri, Paquito D’Rivera, Dave Valentin and many of the hottest players on the international scene.

Herwig is equally facile in a non-Latin arena. He has been voted #1 Jazz Trombonist in DownBeat Magazine “Jazz Critic’s Poll” and nominated for “Trombonist of the Year” by the JazzJournalists Association on numerous occasions. In constant demand as a sideman, Herwig has performed with Joe Henderson, Horace Silver, McCoy Tyner, and Joe Lovano (featured as a soloist on Lovano’s GRAMMY® Award winning 52nd St. Themes CD).

In the Afro-Caribbean genre he has toured with legends such as Eddie Palmieri, Tito Puente, Paquito D’Rivera, and Michel Camilo. He is a longtime member of the the Mingus Big Band (where he has served as musical director and arranger including on the 2011 GRAMMY®-winning “Live at the Jazz Standard”). In other big band settings Herwig has also performed and recorded with Clark Terry, Buddy Rich, Frank Sinatra, Miles Davis & Quincy Jones, and the Gil Evans Orchestra. All told Herwig has appeared on more than 200+ albums in what is now a 40 year career.

In 2006 Herwig received the Paul Acket Award (formerly the “Bird Award”). The prize, presented at the North Sea Jazz Festival, is intended for an artist who, according to the international jury, deserves the attention of a broader audience. Herwig is also a recipient of performance and teaching grants from the National Endowment for the Arts. Conrad was elected to the Board of Advisors of the International Trombone Association and has taught at Mason Gross School of the Arts in the prestigious jazz program at Rutgers University in New Brunswick, N.J. where he currently serves as Artistic Director and Chair of Jazz Studies.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Ed Neumeister, commercial and jazz trombonist from Oakland, California.

About Ed:

As a trombonist, composer-arranger and bandleader, Ed Neumeister is a musician’s musician. Saxophone star Joe Lovano has valued Neumeister as a colleague for some four decades, praising him as a conductor of “infectious flair” as well as “a soloist of deep expressive passion.” Another renowned saxophonist, Dave Leibman, simply dubbed him “one of the best trombonists in the business.” Neumeister has five decades of experience on both sides of the Atlantic as an artist and an educator. Raised in the Bay Area, he was professional musician by his mid-teens. He backed such iconic vocal stars as Frank Sinatra and Sarah Vaughan there, performed in various symphony orchestras, and collaborated with Grateful Dead leader Jerry Garcia as well as such jazz notables as Jerry Granelli. Moving to New York City in 1980, Neumeister worked in the Duke Ellington Orchestra as both player and arranger for 15 years; he was simultaneously playing in the Mel Lewis Jazz Orchestra, earning a Grammy nomination in 1992 for his arrangement of “A Nightingale Sang in Berkeley Square.” In 2000, Neumeister moved to Austria to serve as a professor for 17 years at the University of Music in Graz. He wrote for various jazz bands while in Europe and performed extensively, along with composing classical chamber pieces and largescale concert works. Following a stint scoring films in Los Angeles, Neumeister returned to the New York area where he has been active as an educator, currently teaching at the School of Jazz and Contemporary Music at The New School, New York University and City College of New York, as well as William Paterson University in New Jersey. As a leader, Neumeister has recorded nine albums, ranging from large ensembles to small groups to solo trombone. He has released many of them via his own label, MeisteroMusic, including his latest: 3 for the Road, presenting his trio with vocalist Jay Clayton and the late pianist Fritz Pauer. The current version of that trio includes Gary Versace on piano. Another Neumeister gem is Suite Ellington, an album showcasing his arrangements for an all-star sextet of works by Duke Ellington and Billy Strayhorn; recorded in 2010 for Austrian Radio, Suite Ellington was hailed by Jazz Weekly as “a great tribute and intro to the world of Ellingtonia.” Neumeister’s new working small band is a New York quartet featuring the trombonist alongside Versace, bassist Drew Gress and drummer Tom Rainey. 

Recognized worldwide as a leading low brass performer, teacher, scholar, and author,
Douglas Yeo is Clinical Associate Professor of Trombone at University of Illinois at
Urbana-Champaign for the 2022–2024 academic years. From 1985-2012, he was bass
trombonist of the Boston Symphony Orchestra and before coming to Boston, he was a
member of the Baltimore Symphony Orchestra, a free-lance musician in New York City,
and a high school band director. He served as Professor of Trombone at Arizona State
University from 2012–2016 and has also been on the faculties of New England
Conservatory of Music and the Peabody Institute of Johns Hopkins University. Since
2019, he has been trombone professor at Wheaton College (Illinois). He received his
Bachelor of Music degree from Wheaton College (1976)—where he studied trombone
with Edward Kleinhammer (bass trombonist of the Chicago Symphony,
1940–1985)—and his master’s degree from New York University (1979).
In 2014, Douglas Yeo was the recipient of the International Trombone Association’s
highest honor, the ITA Award, given to him “in recognition of his distinguished career
and in acknowledgement of his impact on the world of trombone performance.” He has
written dozens of book chapters and articles for many publications including the
International Trombone Association Journal, the Historic Brass Society Journal, the
International Tuba Euphonium Association Journal, and the Galpin Society Journal, and
is the author of The One Hundred: Essential Works for the Symphonic Bass Trombonist
(Encore Music Publishers), Serpents, Bass Horns and Ophicleides at the Bate Collection
(University of Oxford Press), and co-author (with Edward Kleinhammer) of Mastering
the Trombone (Ensemble Publications). His most recently published books are Homer
Rodeheaver and the Rise of the Gospel Music Industry (2021, co-authored with Kevin
Mungons, University of Illinois Press), and An Illustrated Dictionary for the Modern
Trombone, Tuba, and Euphonium Player (2021, Rowman & Littlefield). His instructional
DVD and seven solo recordings have received critical acclaim as have his 12 music
arrangements that are published by G. Schirmer, International Music, Southern Music,
and De Haske Music.
As a teacher, Douglas Yeo has given master classes and recitals on five continents and
has held residencies around the world including the International Trombone Festival
(seven times), the Banff Center (Canada), the Hamamatsu International Wind Instrument
Academy and Festival (nine times) and the Nagoya Trombone Festival (Japan), the
International Trombone and Tuba Festival (Beijing), and the Dutch Bass Trombone Open
(Holland). His website, yeodoug.com (1996), was the first site on the Internet devoted to
the trombone, and his blog, thelasttrombone.com—Occasional thoughts on Life, Faith,
and the Trombone—was launched in 2016. He is a Yamaha performing artist.

Video links (three links):
Elizabeth Raum, Turning Point https://youtu.be/yzHZW0zF_K4

Girolomo Frescobaldi, recomposed by Eddie Koopman, Canzone
https://youtu.be/Sk2BiD2FUYM

John Stevens, The Chief; Steven Verhelst, A Song for Japan
https://youtu.be/pPVxhmcMJ8g

Bill Reichenbach grew up in the Washington, D.C. suburb of Takoma Park, Maryland where he studied trombone with Gene Brusiloff and Robert Isele. After high school, Bill was accepted to the Eastman School of Music in Rochester, New York. There, he studied with the great Emory Remington. While still a student, Bill began his recording career by playing lead trombone on several Chuck Mangione albums, a couple of albums with the Eastman Wind Ensemble (one on bass trombone and another one on euphonium), and the first recording of Leonard Bernstein’s “Mass” (on bass trombone) which was composed for the opening of the Kennedy Center in Washington, D.C. 

After graduation, Bill toured for while with the Buddy Rich Big Band on bass trombone. During this time, the band recorded an album called “Stick It” which featured Bill on an arrangement of Jobim’s “Wave”. 

In 1975, Bill moved to L.A. where he started playing the jazz tenor trombone chair on Toshiko Akiyoshi’s big band. He made quite a few albums with the band over the next several years and was a featured soloist on all of them. At the same time, Bill was also the solo jazz trombone player on Don Menza’s big band and he recorded solos on an album with the band. Don put together a sextet out of the big band and featured Bill on tenor and bass trombone on a recording with that band. 

As a studio player, Bill has played on about 2000 records, 1000 motion pictures, and countless TV shows and jingles. 

Bill’s jazz quartet album "Special Edition" (Nothing But Bills Records) featuring Peter Erskine on drums, Jimmy Johnson on bass, and Biff Hannon on piano, reached number 10 on the national jazz radio play lists. 

New York trombonist Mike Davis and Bill have done 4 albums together - “Bonetown”, “Brass Nation”, "New Brass" and most recently, “Absolute Trombone II” and have played concerts all over the United States, Canada, and Europe. 

Bill has been a featured artist and clinician at several International Trombone Festivals including Utrecht (Holland), Nashville, Urbana (Illinois), North Texas State University, and most recently Las Vegas (2007), and Salt Lake City (2023). 

Some of the artists Bill has recorded with: 

Michael Buble, Harry Connick, Jr., The Jonas Brothers, Christine Aguilera, Seal, Mya, Quincy Jones, Barbra Streisand, Michael Jackson, Elton John, Toto, The Yellowjackets, Seawind, Frank Sinatra, Tony Bennett, David Foster, Aretha Franklin, Al Jarreau, Earth Wind and Fire, Dr. John, Arrowsmith, and Ray Charles. 

Some of the motion pictures which Bill has played on are: 

“Indiana Jones 5” 

"Wolverine"  

"Night in the Museum 2" 

“Indiana Jones and the Curse of the Crystal Skull” 

"Up" 

“Sex in the City” 

“Hancock” 

“Ratatouille” 

“Spiderman 3” 

“Hairspray”

“Dreamgirls” 

“Transformers” 

“American Gangster” “Wall-E” 

“I Am Legend” 

“Dreamcatcher” 

“X-men II” 

“Identity” 

“The Core” 

“Daredevil” 

“Red Dragon 

“Chicago” 

“Men in Black II” 

“XXX” 

“Training Day” 

“Spiderman” 

“Collateral Damage” “Black Hawk Down” “Planet of the Apes” “Monsters, Inc” 

“Don’t Say a Word” “Zoolander” 

“Princess Diaries” 

“American Pie 2” 

“Legally Blond” 

“Scary Movie 2” 

“The Mummy Returns” “Evolution” 

“What Women Want” “Proof of Life” 

"X-men"  

"Space Cowboys" 

"Remember the Titans"  "Meet the Parents" 

"Family Man"  

"Charlie’s Angels" 

“The Matrix” 

“The General’s Daughter” “The Green Mile” 

“South Park” 

“Sixth Sense’ 

“Deep Blue Sea” 

“Toy Story 2” 

“Magnolia” 

“Stuart Little” 

“Galaxy Quest’

“Reindeer Games” 

“U-571” 

“Godzilla” 

“Contact” 

“Conspiracy Theory” 

“The Jackal” 

“Alien Resurrection” 

“Men in Black” 

“Air Force One” 

“Batman and Robin” 

“Forrest Gump” 

“Independence Day” 

“Mars Attacks” 

“Hercules” 

“Mission Impossible” 

“Batman Returns” 

“Twister” 

“The Rock” 

“Starship Troupers” 

“The Frighteners” 

“Jurassic Park” 

“Nixon” 

Bill is an Artist-clinician for the Greenhoe/Shilke Co. He has given master classes and clinics throughout the United States, Europe, New Zealand and Australia. 

As a writer and arranger, Bill has worked on records for Michael Jackson, Quincy Jones, Aretha Franklin, Dr. John, Diana Ross and others. He has arranged many HBO Special Themes and composed the theme for the HBO “One Night Stand” comedy show. Bill also composed the theme for Fox’s animated series “Peter Pan & the Pirates” as well as much of the underscoring. He contributed to such films and shows as “Licorice Pizza”, “I Love Trouble”, “Frank’s Place”, “Baby Boom”, “Brand New Life”, “Snoops”, “Teen Wolf”, and the special “Cartoon All-Stars to the Rescue”. Bill composed the main title for a series of Kurt Vonnegut stories called “Welcome to the Monkey House” for Showtime. He composed a score for a documentary film about Frank Lloyd Wright called “A Very Proud House”. 

Bill has also composed pieces for Wind Ensemble including "Streets of Paris" which was recently premiered by trombone soloist Larry Zalkind and The Riverside City College Wind Ensemble conducted by Kevin Mayse, “Atlantic Crossing”, “Streets of Paris”, “The Improbable Journey”, “Fanfares, Questions and Answers”, and “An American Dream”. Bill and family now live near Asheville, NC. 

Bill plays the Greenhoe Bass Trombone

Trombonist/composer Michael Davis has enjoyed a diverse and acclaimed career over the past 40 years. Widely known as the trombonist for five world tours with the Rolling Stones, he toured and recorded extensively with Frank Sinatra, has released 14 CDs as a solo artist, composed over 150 works, authored a dozen books for brass players of all levels and appeared on over 500 CDs, television themes and motion picture soundtracks. He is the founder, creator and president of Hip-Bone Music, Inc. In 2011, the S.E. Shires Company released the Michael Davis signature model trombone and followed that in 2014 with the release of the Michael Davis+ trombone.

Born to a musical family in San Francisco, CA on August 13th, 1961, Michael’s early musical studies included the piano, drums, tuba, baritone horn and electric bass. Settling on the trombone in high school, he quickly found his stride and received principal chairs in many all-state honor groups. His collegiate career commenced at the Eastman School of Music in the fall of 1979.

In the spring of 1983, Davis received the break he had hoped for when the Buddy Rich Band called and asked him to sign on. His two-year stint with the band forged musical and personal friendships that continue to this day and presented him with “the best graduate degree anyone could possibly hope for.” Michael’s freelance career in New York City began in earnest in 1986 and before long he was one of the top trombonists around. As testimony to his versatility and wide regard, the list of jazz and pop luminaries he has worked with includes: James Taylor, Michael Jackson, Bob Dylan, Aerosmith, Tony Bennett, Jay Z, Sarah Vaughan, Sting, Beck, Branford Marsalis, Peter Gabriel, Sheryl Crow, Lyle Lovett, Bob Mintzer, Paul Simon, David Sanborn, Terence Blanchard and scores of others.

In the field of music education, Davis has served as a guest artist and clinician around the world, while also authoring a number of highly esteemed instructional books and arrangements for musicians of all ages and abilities. A multiple recipient of awards from the National Endowment for the Arts, he maintains his own jazz groups and projects through Hip-Bone Music. He has documented his efforts on 14 CDs as a leader, including his latest, Open City with the Hip-Bone Big Band featuring a star studded line-up of New York jazz and studio luminaries. Open City showcases a unique family alliance with Michael’s oldest son Cole penning three of the compositions, co-producing the entire project, and playing bass while his younger son Zaq brings his talents to the trumpet section.

Currently, Davis continues his busy schedule as an in demand New York freelance musician with a steady diet of Broadway shows, studio recording work and live concerts. He travels extensively as a solo artist guesting with professional, college and high school bands around the world, while also continuing to build his publishing company into one of the preeminent purveyors of the highest quality music for brass.

Kenneth Thompkins was appointed Principal Trombone of the Detroit Symphony Orchestra by Neeme Jarvi. Prior to this appointment he held positions in the Buffalo Philharmonic and The Florida Orchestra and New World Symphony Orchestra.  He has also performed with the New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and Chicago Symphony Orchestra.

Thompkins enjoys working with young musicians and has performed masterclasses and recitals at many universities including the Curtis Institute of Music, University of Michigan, and the Eastman School of Music. In 2017 Thompkins recorded Sonatas, Songs and Spirituals featuring the music of Alec Wilder, William Grant Still and Philip Wharton. Sonatas, Songs and Spirituals was the winner of The American Prize in Instrumental Performance for 2018-2019. He has performed as a soloist with the Detroit Symphony Orchestra, Chineke! Orchestra and New World Symphony.  He also premiered “Troubled Water” trombone concerto by Carlos Simon with the Detroit Symphony Orchestra in 2023.

Angel Subero is a Venezuelan trombonist who attended the Conservatorio Itinerante in Caracas, Venezuela, where he studied with the legendary Michel Becquet. After coming to the United States in 2001, he attended  Boston Conservatory, where he studied with Lawrence Isaacson, and New England Conservatory of Music, where he studied with Douglas Yeo. He also studied with John Rojak at the Aspen Music Festival.

Subero has performed with numerous orchestras, including the Boston Symphony Orchestra, Boston Pops Esplanade Orchestra, Boston Ballet, Pittsburgh Symphony, American Composers Orchestra, the Venezuela Symphony, Simon Bolivar Symphony, and the Boston Modern Orchestra Project, to name a few. He has worked with such conductors as John Williams, Seiji Ozawa, Kurt Masur, Sir Colin Davis, Christoph von Dohnanyi, Keith Lockhart, and Robert Spano, among many others.

In the realms of jazz, Latin and commercial music, Subero has appeared with artists such as Bob Brookmeyer, Aretha Franklin, Slide Hampton, Jim McNeely, Claudio Roditi, Danilo Perez, Chris Botti, and many more.

Trombonist, composer, arranger James Burton III has lent his sound to multiple Grammy Award-winning albums and Tony Award-winning Broadway productions. Born in Queens, now a resident of Harlem, Burton III is a Summa Cum Laude graduate of the Jackie McLean Institute at the Hartt School of Music. While earning his Master’s Degree and Artist Diploma from the Juilliard School, Burton held both the Morse and Gluck Fellowships and received the Schuman Prize, an award named for Juilliard’s founding president and given to one graduating Masters Degree candidate annually.

Burton got his professional start playing with many of the great large ensembles; the Illinois Jacquet Big Band, the Dizzy Gillespie All Stars, the Lincoln Center and Vanguard Jazz Orchestras etc. Additionally, the opportunity to perform/record with legends Jimmy Heath, Slide Hampton, Ron Carter and Christian McBride inspired Burton to co-found a 10-piece ensemble called the Uptown Jazz Tentet, which celebrated the release of a second album in late 2020, to much critical acclaim. Currently, Burton’s playing and original compositions can be heard alongside band mates Jeremy Pelt and Wayne Escoffery in a dynamic new ensemble; Black Art Jazz Collective. BAJC has released three albums since its inception, the latest two reaching the #1 position on the JazzWeek Charts for  international radio play.

In the model of jazz education pioneer Jackie McLean, Burton is an avid educator and has been a full time associate professor at both the Juilliard School and Manhattan School of Music as well as Director of Jazz Education at New Jersey Performing Arts Center. Burton continues to pass on the legacy of the music via master classes, ensemble coachings and workshops for arts education institutions across the globe.

View the show notes and a transcript for this episode at: https://bobreeves.com/blog/james-burton-trombone-interview/

The Trombone Corner Podcast is brought to you by The Brass Ark (brassark.com) and Bob Reeves Brass (bobreeves.com).

James Miller is the Associate Principal Trombone with the Los Angeles Philharmonic, a position he has held since 1999. His duties include performing on alto, tenor, and bass trombone; tenor tuba; and bass trumpet. His previous orchestral experience includes the North Carolina Symphony, the Long Island Philharmonic, the New York Philharmonic, and the Dallas Symphony. Miller earned his Bachelor of Music Education degree from the University of Northern Iowa and his Master of Music degree from The Juilliard School, where he was a scholarship student of Per Brevig.

His playing experience includes performances with the Silk Road Ensemble, the Paragon Ragtime Orchestra, Ensemble ST-X, the Michael Bublé Big Band, and a variety of jazz, rock, ska, and Latin ensembles. He has been a participant in the Mainly Mozart Festival, the Aspen Music Festival, and the Ojai Music Festival as well as performing as a soloist with the Los Angeles Philharmonic and on the Los Angeles Philharmonic’s Green Umbrella series. His solo career spans performing with orchestras and wind enssembles in the United States and Mexico. As a composer, he has had world premieres at New York’s Lincoln Center and continues to perform his own works in solo performances throughout the country. He serves on the faculty of the University of California Los Angeles (UCLA) and the Aspen Music Festival.

Miller is a Conn/Selmer and a Denis Wick clinician and has released three CDs on All Barks Dog records: From Coast to Coast, Trio for Voice, Trombone and Cello and Delays, delays.