The artists and artisans of the fiber world come to you in The Long Thread Podcast. Each episode features interviews with your favorite spinners, weavers, needleworkers, and fiber artists from across the globe. Get the inspiration, practical advice, and personal stories of experts as we follow the long thread.
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Embrace the potential of your phone’s camera, choose indirect lighting (not a flash) to show texture, and get your knits off the ground—these are just a few pieces of Gale Zucker’s advice for how to take knitting photos you love. Whether she’s shooting in a studio or a barnyard, Gale uses her camera to bring her subjects to life.
Gale grew up in a family where everyone learned to knit, and the craft has been a constant since childhood. With a love for the storytelling potential of photography, she studied photojournalism, becoming a stringer for The New York Times and shooting for national publications. Her subjects ranged from intensely serious, even grim, to lighthearted and quirky.
Occasionally she found herself on the sheep beat, sent to farms to photograph stories for lifestyle publications. During the knitting-blog boom, she started a website and called it “She Shoots Sheep Shots,” all while continuing her photojournalism and commercial photography work. Invited to propose an idea for a book, she surprised her agent by suggesting a series of photos and profiles of fiber farms across the country, which became the book Shear Spirit. Her work has grown to include more knitting and fiber projects—subjects in which she shares her knowledge in this episode.
Although she still photographs a range of commercial and lifestyle projects, Gale finds her lifelong love of knitting thoroughly intertwined with her professional work. And when she’s lucky, she still gets to shoot sheep shots.
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
Yarn Barn of Kansas
Learning how to weave but need the right shuttle? Hooked on knitting and in search of a lofty yarn? Yarn Barn of Kansas has been your partner in fiber since 1971. Whether you are around the corner from the Yarn Barn of Kansas, or around the country, they are truly your "local yarn store" with an experienced staff to answer all your fiber questions. Visit yarnbarn-ks.com to shop, learn, and explore.
Shaniko Wool Company
Sustainability and regenerative ranching have been a way of life for the ranches of Shaniko Wool Company for decades. They are the first “farm group” in the U.S. to achieve certification to the rigorous international Responsible Wool Standard and NATIVA Regenerative. Shaniko ranches raise Merino/Rambouillet sheep in the Western United States, delivering a fully traceable wool supply that gives back to the Earth and its ecosystems. To learn more, and discover Shaniko’s yarn partners, visit ShanikoWoolCompany.com.
Adirondack Wool and Arts Festival
The Adirondack Wool and Arts Festival is the perfect way to spend a weekend surrounded by over 150 craft vendors in Greenwich, New York. Discover a curated group of vendors featuring the best of wool and artisan crafters. Throughout the weekend enjoy workshops, free horse drawn wagon rides, free kids’ crafts, a fiber sheep show, and a sanctioned cashmere goat show. Join us September 21 & 22, 2024, and every fall! For more information visit adkwoolandarts.com.
Emily Lymm, Wool & Palette
Season 10
Sunday, August 11, 2024 • Duration 58:08
Have you ever opened a book or seen a photograph and thought to yourself, “I have to learn to do that”?
When Emily Lymm first fell in love with knitting, she wondered casually if she could turn her passion for fiber arts into a profession. Not seeing many successful pathways to a career in knitting, she continued as a graphic designer. She loved the visual problem-solving of her job, but as time went by, she wished that she could do more to live her values of conservation and environmental responsibility.
Then one day, she picked up a copy of Rebecca Burgess’s book Fibershed and was immediately captivated with the idea of natural dyeing. She was so certain that she had found her path that she invested in dyepots and equipment, and she set out to learn the nuanced skills to create the colors of her dreams in yarn.
She initially experimented with processing her own fiber and having it milled into yarn but quickly realized that she would need to find a millspun option. Responsibly raised non-superwash wool yarns were difficult to find in the variety of weights that she would need to rely on, so she resorted to cold-calling farms in her home state of Oregon. One of her calls reached the perfect partner: Jeanne Carver, owner of Imperial Stock Ranch, produced just the kind of wool that Emily was hoping for—and her new project, Shaniko Wool Company, was beginning to produce the first fully traceable, RWS-certified yarn in the United States. Emily could base her business on yarn that is demonstrated to sequester carbon in the soil, milled within the United States.
The path to developing her color range has led her to develop colors using with extracts, home-grown dyestuffs, and a variety of other dye materials. She has found old methods for creating richly saturated colors that coax unexpected colors out of familiar dye materials. She has learned to use time and temperature in her dye chemistry.
In this episode, learn how one woman has creates a hand-dyed yarn business—sustainably.
Links
Wool & Palette’s website and online shop
Emily sources her non-superwash Merino/Rambouillet wool from Learn more about the company from founder Jeanne Carver in her episode of the .
offers natural dye supplies.
Jenny Balfour-Paul, Dominique Cardon, and Anita Quye wrote about the Crutchfield Archive, a collection of natural-dye manuals dating to the 18th century, in
Rebecca Burgess’s books [], () and
by Victoria Finlay (Random House, 2004)
This episode is brought to you by:
Annie MacHale, Inkle Artist
Season 9
Saturday, April 20, 2024 • Duration 53:55
The call of complexity draws some weavers to more shafts, more structures, more hand-manipulated techniques. For Annie MacHale, refining the techniques and celebrating the artistry of very simple bands has been a lifelong fascination. Starting when she first picked up a shuttle and inkle loom in her teens, Annie has worked in wool, cotton, and hemp, creating practical cloth that’s just a few inches wide.
Any bandweaver has heard the question more times than they can count: “But what can you do with it?” Annie replies, “The uses are limited only by your imagination.” Her work has found an avid audience and market among guitarists and reenactors. The simplicity of an inkle band is its key to versatility as a strap or ribbon. “A woven band can be so many things to so many people, and in the world of weaving, it’s very simple, but it’s also very useful,” she says. “That’s what attracted me to inkle weaving.” (She has a list of uses on her website for anyone who weaves more bands than they currently have a use for.)
Although Annie describes her own approach to design as spontaneous, her first book contains an extensive directory of patterns and palettes for weaving inkle bands. In Celebration of Plain Weave can be read as a response to the idea that making plain bands isn’t real weaving. “It seemed to me there was this general sense that plain weave wasn’t all that interesting, that if you wanted to do something cool, you either had to learn some pickup technique or do card weaving. And I disagree with that,” she says.
Plain weave holds plenty to keep her engaged and exploring, but Annie also plays with pick-up in her work. Her second book focuses on an unusual and complex Baltic technique using three warp colors. She also loves finding connections between her bandweaving and traditional weaving techniques from around the world, from banded Chimayo designs to Scandinavian backstrap bands to Andean pickup.
Besides weaving miles of inkle bands on her own, Annie enjoys teaching inkle weaving, including basic skills, color and design, and several methods of pickup. “Have loom, will travel,” she says, referring to her upcoming classes across the country (listed on her website).
Links
Annie MacHale’s
Upcoming class
(free class on Taproot Video)
Annie’s
Annie’s woven
This episode is brought to you by:
Alissa Allen, Mycopigments
Season 9
Saturday, April 6, 2024 • Duration 54:31
“Rule number one: Never drink the dye bath.”
Indigo and cochineal may be the most widely recognized natural dyes for many fiber artists, and there’s little temptation of sampling an indigo vat or pot of ground insects. But a simmering kettle of dye mushrooms or lichens? That might smell delicious, but if you’re in a class with Alissa Allen, it’s not soup you’re making—it’s an amazing range of colors. Depending on the species you find and the methods of extraction, you may get not only earthy browns and yellows but vivid purple, magenta, green, and more.
“Mycopigments,” the term that Alissa coined to talk about her work, draws from the word “mycology,” or the study of fungi. From her background as an ecologist with an interest in foraging, she has become an expert and sought-after teacher on the art of extracting pigments from mushrooms and lichens. As interest in mushroom dyeing has grown, the Facebook group she founded on the subject has become a popular international resource for aspiring color foragers.
One of the most intriguing elements of mushroom dyeing is the regional variation, not only in the mushrooms and lichens available but what influences come from the local biology. To make sure that her students have a good experience in a particular region, Alissa gathers and dries samples in preparation for classes. Having taught from coast to coast, and with a series of classes in Oaxaca, Mexico this fall, her library of mushroom samples is substantial. She sometimes ventures out mushroom-hunting with a small kit to test potential dye sources in the field.
Essential to Alissa’s work is careful and respectful foraging practice—not, as you might think, to avoid toxic mushrooms but to leave enough fungi and lichens to fulfill their roles in the ecosystem. Collecting only a portion of the specimens she finds and never purchasing dyestuffs gives her enough to dye and teach.
And the whole process is a source of wonder: What do these chemical compounds do for the mushrooms and fungi that they’re found in? Why did the first person decide to try extracting color from them in the first place? Why do the dyed products so often come out different colors from the original mushrooms? Listen as Alissa Allen shares some of the natural delights that she finds in unexpected places.
Links
This episode is brought to you by:
Sally Fox, Colored Cotton Breeder
Season 8
Saturday, March 23, 2024 • Duration 57:41
In a period when agriculture moved toward chemicals, genetic engineering, and monoculture, Sally Fox decided to explore what could happen if she collaborated with nature instead of fighting it. With an academic background in entomology, she studied ways to minimize the amount of pesticides needed to grow crops, and the more she saw the effects of those chemicals, the more she wanted to steer clear. Looking to avoid synthetic dyes, she was intrigued when she came across a few seeds of naturally colored brown cotton, which is naturally pest-resistant.
According to conventional wisdom, brown cotton couldn’t be bred to have a staple long enough for textile mills to process it commercially. Only easily dyed, longer stapled white cotton was suitable for large-scale use, the thinking went. But Sally decided to try anyway, breeding a few plants on the side as she continued working in agricultural research. Over time, she saw interesting results, including a range of green and brown hues; more washfast and lightfast color; longer staples; memory; even improved flame resistance.
As a spinner and weaver, Sally had a unique advantage as she developed her cotton lines: the help of skilled spinners who tried her samples and put them through a variety of tests. It was the handspinners who introduced the idea of boiling the cotton yarn, which weakened some colors and strengthened others that she brought forward. The support of handspinners and weavers helped sustain Sally through challenging decades when conventional agriculture threatened her work and her livelihood. Her cotton proved naysayers wrong: organic and naturally colored cotton could be spun at industrial scale and provide similar or better results to conventional cotton.
Today, Sally’s textile work is recognized not only for creating beautiful fiber and minimizing avoiding chemical pesticides and dyes but also fixing carbon in the soil. On her farm, she raises naturally colored finewool sheep and heirloom wheat in rotation with cotton. Like the fibers she has cultivated, her farm expands our ideas of what’s possible in organic agriculture.
This episode is brought to you by:
Treenway Silks
Yarn Barn of Kansas
Brown Sheep Company
Spotlight Episode: Yarn Barn of Kansas
Season 8
Saturday, March 16, 2024 • Duration 59:37
When Susan Bateman first opened Yarn Barn of Kansas in 1971, a woman starting a small business couldn’t get a credit card in her own name. Weavers like her had a hard time finding yarns, tools, and other supplies, some of which were only available from overseas, and she thought there must be an opportunity to bring fiber artists more of what they needed.
Susan and her husband, Jim, have spent decades building the kind of store she wanted to see when she was learning to weave and hoping to grow her fiber skills: one with a wide selection of yarns, a lively education program, and lots and lots of books. Yarn Barn of Kansas occupies thousands of square feet with a storefront, classroom, and a massive warehouse stacked with boxes of yarn. (Jim says that he can easily prove that they have ten tons of inventory, and the stock room has a directory to help staff find just the right box.)
Although the shop has Kansas right in the name, many of the store’s customers never set foot in the Lawrence, Kansas storefront. Susan and Jim make regular trips to fiber arts conferences from coast to coast, some years as many as one per month, always with that extensive (and heavy) selection of books that are difficult to find elsewhere. But many customers will never meet them or their staff in person anywhere. Beginning with printed catalogs and continuing with their website, Yarn Barn of Kansas meets many fiber artists where they are—literally, shipping to nearly all of the 50 United States every month.
That doesn’t mean they’re strangers, though. Customers across the country call the shop for advice, troubleshooting, and some quick how-to in addition to placing orders. The shop has a full roster of classes in a variety of crafts, but much of the teaching that the staff does every day is unscheduled help by phone or in person. Between answering customers’ questions and taking orders, Susan and other staff design projects and create samples to help customers use the yarns and techniques on offer.
Although they have offered classes and supplies for crafts from basketry to needlepoint to lacemaking in the past, Yarn Barn of Kansas currently focuses on weaving, spinning, knitting, and crochet. The store may be best known nationally as a weaving supplier, but closer to home, most of their local customers come for knitting. Susan and Jim had that range of customers in mind when thinking of their newest venture, a 100% organic cotton yarn from fiber sourced in Texas and spun and dyed in North Carolina. The unmercerized 4/2 yarn in 45 colors is a versatile size for crochet, rigid-heddle and multishaft weaving, and knitting. They’ve called the yarn Ad Astra, in recognition of Kansas’s state motto).
Links
This episode is brought to you by:
Yarn Barn of Kansas
Rebecca Mezoff (classic)
Season 8
Saturday, March 9, 2024 • Duration 38:00
There may be no other type of textile that is more art and craft at the same time than tapestry weaving. Tapestry allows the weaver to create images with simple tools, but the skills and materials in tapestry are generally hard-wearing. You might find a tapestry on the floor as a rug as often as on a wall as a piece of art.
Rebecca Mezoff became a tapestry weaver after a career in occupational therapy, finding that it suited her artistically and let her use other skills she loved, such as teaching, dyeing, and spinning. She weaves very large pieces in her studio and very small pieces in outdoor spaces that she explores with a small handheld loom.
In addition to teaching in person and online, she is the author of two books.
Listen to our interview with Rebecca’s spinning teacher, Maggie Casey, on the Long Thread Podcast.
This episode is brought to you by:
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.
Keisha Cameron, High Hog Farm
Season 8
Saturday, February 10, 2024 • Duration 49:26
Although she grew up in the freezing winters of New York, Keisha Cameron and her husband decided to move their young family to a peri-urban spot outside Atlanta, Georgia, to set down roots and rebuild their connection to the land. They began with raising what their family needed for food and other daily necessities, but over the past decade, High Hog Farm has developed stocks of rare-breed sheep, angora rabbits, and chickens. In their gardens, the family cultivate produce as well as medicinal and dye plants. As returning-generation farmers, they not only love what they do, they also feel an obligation as stewards of their land.
Rediscovering the traditional ways of cultivating and using plants, Keisha has sampled different types of indigo, madder, marigolds, and a range of dyestuffs. The farm offers naturally dyed fibers as well as dyestuffs and classes in natural dyeing. As she grows attuned to her soil, she appreciates the multiple roles that a single plant can play. As a cultural seedkeeper, she focuses on not only preserving a diversity of plants but on reviving the knowledge of how they can serve a variety of needs.
Although High Hog has been home to a variety of different farm animals, Keisha fell in love with sheep. She felt an instant affinity for Gulf Coast Natives, a rare breed that can carry color genetics and are exceptionally well suited to her location. Her insistence on participating fully in the lives of her animals has led her to explore fiber arts—but also to learn the demanding skill of shearing. As a crucial part of her animals’ health, shearing is too important to leave undone if they can’t locate a shearer when needed.
For followers around the country, High Hog Farm is mainly accessible through their newly relaunched website and online store (as well as their enchanting social media accounts). For the community closer at hand, the farm has developed a variety of programs in fiber arts, photography, food preservation, and a variety of other agrarian arts. On being part of the grassroots fiber community, Keisha says, “I want to encourage everybody else, all the fiber artists and fiber and dye growers, to keep doing what you’re doing, because we are the people who are bringing color to the world.”
This episode is brought to you by:
Treenway Silks
Stewart Heritage Farm
Peters Valley School of Craft
Justin Squizzero, The Burroughs Garret
Season 8
Saturday, January 27, 2024 • Duration 42:08
Justin Squizzero loves exploring the frontiers of technology, seeing how he can tune a piece of equipment to produce a complex textile. The technology that fascinates him reached its peak before the 20th century. Weaving on an old loom doesn’t mean trying to turn back time, though—it means choosing the most refined technology to create the handwoven fabrics that he envisions. If a modern tool is better than the historic one (like the laser cutter that produced the small metal rings called mails, which were needed to to convert his loom from weaving coverlets to damask), that would be one thing. For all the supposed advances in technology in the last several hundred years, though, the best tool for weaving fine linen damask is still the one invented by Joseph-Marie Jacquard more than 200 years ago.
Studying with Norman Kennedy and Kate Smith at the Marshfield School of Weaving helped Justin deepen his understanding of and fascination with the tools and techniques of 18th- and 19th-century weaving. What began as a winter occupation between summers working in museums led to beginning a business as a traditional handweaver, becoming a regular teacher in School’s unique curriculum, and most recently taking on the role as its Director.
In Justin’s weaving practice, discovery and ingenuity are as vital looking to the past as to the future.
Visit the show notes page to see a photo of Justin's Jacquard loom.
This episode is brought to you by:
Treenway Silks
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
Yarn Barn of Kansas
You’re ready to start a new project but don’t have the right yarn. Or you have the yarn but not the right tool. Yarn Barn of Kansas can help! They stock a wide range of materials and equipment for knitting, weaving, spinning, and crochet. They ship all over the country, usually within a day or two of receiving the order.
Links
Kaffe Fassett, Artist & Color Master
Season 8
Saturday, January 13, 2024 • Duration 30:00
Kaffe Fassett doesn’t play favorites in his work—he doesn’t have a favorite medium, and he definitely doesn’t have a favorite color. What he has is a powerful delight in combining the simple elements of color, line, and image, and a passion for helping other people share in that joy.
For someone whose career is inextricably linked to stitching, his needlework techniques are surprisingly simple. “I’m never interested in technical acrobatics,” he says. “I think that color is what is fabulous, and you know, a beautiful image that has beautiful colors doesn’t need to go any further.” Some of his best-known work layers brightly colored cotton fabrics of his own design into patchwork quilts, which he takes to beautiful locations to photograph. Yet one of the textiles he’s excited about is a vintage patchwork quilt top worked in diamonds and squares, with striking contrasts placed next to soothing harmonies. Visit the show notes page at pieceworkmagazine.com to see a photo of the quilt.
Kaffe’s work has expanded into so many formats in part because of a series of remarkable collaborations, both with companies (including Rowan, FreeSpirit Fabrics, and Peruvian Connection) and other artists. When sharing ideas or teaching, particularly with partner Brandon Mably, the enjoyment of seeing the spark of creative understanding in someone else is part of the joy. “That's what I would say to people: you know, the first thing is, get friends who are sympathetic to your dream. Try to find somebody who’s going to encourage you rather than discourage you.”
As the first living textile artist to have a show at the Victoria & Albert Museum, Kaffe’s artwork is valued and renowned the world over—yet through books, patterns, and his own “paint box” of fabrics and materials, his work is accessible to every crafter.
This episode is brought to you by Treenway Silks
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
Links
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Discover shows related to The Long Thread Podcast, based on actual content similarities. Explore podcasts with similar topics, themes, and formats, backed by real data.
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
KnitPicks.com has been serving the knitting community for over 20 years and believes knitting is for everyone, which is why they work hard to make knitting accessible, affordable, and approachable. Knit Picks responsibly sources its fiber to create an extensive selection of affordable yarns like High Desert from Shaniko Wool Company in Oregon. Are you looking for an ethical, eco-friendly yarn to try? Look no further than Knit Picks’ Eco yarn line. Need needles? Knit Picks makes a selection for knitters right at their Vancouver, Washington headquarters.
The Adirondack Wool and Arts Festival is the perfect way to spend a weekend surrounded by over 150 craft vendors in Greenwich, New York. Discover a curated group of vendors featuring the best of wool and artisan crafters. Throughout the weekend enjoy workshops, free horse drawn wagon rides, free kids’ crafts, a fiber sheep show, and a sanctioned cashmere goat show. Join us September 21 & 22, 2024, and every fall! For more information visit adkwoolandarts.com.
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
Learning how to weave but need the right shuttle? Hooked on knitting and in search of a lofty yarn? Yarn Barn of Kansas has been your partner in fiber since 1971. Whether you are around the corner from the Yarn Barn of Kansas, or around the country, they are truly your “local yarn store” with an experienced staff to answer all your fiber questions. Visit yarnbarn-ks.com to shop, learn, and explore.
Brown Sheep Company is a four-generation family business bringing you high quality wool and natural fiber yarns. We spin and dye U.S.-grown wool into hundreds of vibrant colors at our mill in western Nebraska. Our mill has something to offer for every craft, from our well-known knitting and crochet yarns to wool roving for spinning and felting. We offer U.S-made needlepoint yarn as well as yarn on cones for weaving. Learn more about our company and products at BrownSheep.com.
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
At Stewart Heritage Farm in New Market, Tennessee, farm to fiber and yarn has been a part of their story for 20 years. Home to a small herd of alpacas, Stewart Heritage produces small-batch roving, yarn, and finished goods available in 100-percent alpaca and natural blends in natural tones and brilliant hand-dyed colors. Discover the fine quality, long-lasting comfort, and soft luxury of alpaca to wear and enjoy in your home. Explore and shop alpaca at stewartheritagefarm.com.
Brown Sheep Company is a four-generation family business bringing you high quality wool and natural fiber yarns. We spin and dye U.S.-grown wool into hundreds of vibrant colors at our mill in western Nebraska. Our mill has something to offer for every craft, from our well-known knitting and crochet yarns to wool roving for spinning and felting. We offer U.S-made needlepoint yarn as well as yarn on cones for weaving. Learn more about our company and products at BrownSheep.com.
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
You’re ready to start a new project but don’t have the right yarn. Or you have the yarn but not the right tool. Yarn Barn of Kansas can help! They stock a wide range of materials and equipment for knitting, weaving, spinning, and crochet. They ship all over the country, usually within a day or two of receiving the order.
Plan your project this week, start working on it next week! See yarnbarn-ks.com to get started.
Brown Sheep Company is a four-generation family business bringing you high quality wool and natural fiber yarns. We spin and dye U.S.-grown wool into hundreds of vibrant colors at our mill in western Nebraska. Our mill has something to offer for every craft, from our well-known knitting and crochet yarns to wool roving for spinning and felting. We offer U.S-made needlepoint yarn as well as yarn on cones for weaving. Learn more about our company and products at BrownSheep.com.
Read Susan Bateman and Melissa Parson’s series on weaving best practices for beginners and beyond at Handwoven
Yarn Barn of Kansas has been your partner in fiber since 1971. Whether you are around the corner from the Yarn Barn of Kansas, or around the country, they are truly your “local yarn store,” with an experienced staff to answer all your fiber questions. Visit yarnbarn-ks.com to shop, learn, and explore.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
At Stewart Heritage Farm in New Market, Tennessee, farm to fiber and yarn has been a part of their story for 20 years. Home to a small herd of alpacas, Stewart Heritage produces small-batch roving, yarn, and finished goods available in 100-percent alpaca and natural blends in natural tones and brilliant hand-dyed colors. Discover the fine quality, long-lasting comfort, and soft luxury of alpaca to wear and enjoy in your home. Explore and shop alpaca at stewartheritagefarm.com.
Peters Valley School of Craft enriches lives through the learning, appreciation and practice of fine craft. For more than 50 years, accomplished artists and students have come together in community at our craft school for powerful creativity and joyous life-long learning in the beautiful Delaware Water Gap National Recreation Area.
We are firmly dedicated to inclusion, diversity, equity, and access through all of our programs. We value and welcome the experienced professional artist, the new learner, the collector—and everyone in between who can be touched by the power of craft.
Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.
If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.
At Stewart Heritage Farm in New Market, Tennessee, farm to fiber and yarn has been a part of their story for 20 years. Home to a small herd of alpacas, Stewart Heritage produces small-batch roving, yarn, and finished goods available in 100-percent alpaca and natural blends in natural tones and brilliant hand-dyed colors. Discover the fine quality, long-lasting comfort, and soft luxury of alpaca to wear and enjoy in your home. Explore and shop alpaca at stewartheritagefarm.com.
Peters Valley School of Craft enriches lives through the learning, appreciation and practice of fine craft. For more than 50 years, accomplished artists and students have come together in community at our craft school for powerful creativity and joyous life-long learning in the beautiful Delaware Water Gap National Recreation Area.
We are firmly dedicated to inclusion, diversity, equity, and access through all of our programs. We value and welcome the experienced professional artist, the new learner, the collector—and everyone in between who can be touched by the power of craft.
