Ranking The Beatles – Details, episodes & analysis

As a songwriter, I could never imagine at this point in my life, putting out song a wrote at 16 or 17. I don't ever want anyone to hear that. But then again, I'm not the Beatles, who were able to resurrect one of the earliest songs in their repertoire, from well before they were even The Beatles. Though the song was in their early setlists for a long time, it never found a home on a Beatles record, even after taking a shot at recording it in 1963. But when nostalgia reared it's head during the Let It Be sessions, this song came back to the fore, and with Billy Preston in tow, it found a new life a scorching little rock song that fit the bill for the Get Back project perfectly. It's the most rocking moment of the whole month, and in their performance on the rooftop that day, for a couple of minutes, you see these world-weary men return back to the young, hopeful, driven boys they were when they first started. Even if the song has no real meaning, it's a fantastic moment with real electricity to it.

Joining us this week are Allison and Erika from BC The Beatles, one of our favorite Beatles podcasts. We chat about their own Beatles journeys, the Beatles' invention of meta-nostalgia, Paul's sock game, Cruisin' Classics, and much more! If you're not listening to BC The Beatles, I dunno what you're waiting for, get on it! Listen here, or anywhere you get podcasts, and follow them on Facebook, Twitter, or Instagram.

What do you think about "One After 909" at #85? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

Though the Lennon & McCartney songwriting team found it harder and harder to truly write songs together from scratch as they got busier and busier, with "Baby's In Black," they were able to get "nose-to-nose" and write something truly different from what was expected at the time. A 3/4 time waltz with a melancholy lyric (possibly inspired by Astrid Kirchherr's mourning for Stu Sutcliffe), the first song they recorded for the Beatles For Sale album was a far cry from the uptempo Beatlemania rave ups of A Hard Day's Night or the Cavern-era screamers on their first two LPs. The song shows tremendous growth and bravery for daring to do the unexpected, and gives a brilliant example of John and Paul's best Everly Brothers-esque harmonies. It's a song they were very proud of, as evidenced by the fact that that once it was out, it stayed in their live show until the end of their touring days. Even in the jaded-slugging-it-out-un-enthusiastically shows of 1966, John and Paul seem to genuinely delight in being so close on one mic and singing in harmony for the entire song. It's a real gem that likely doesn't get it's due since it's a waltz in the 3rd song slot on what some consider their "worst" album.

This week, we close the circle on the RTB X 2Legs meet up by welcoming Andy Nicholes to the show! After having his co-host Tom Hunyady on the last episode, it only seemed appropriate to have Andy on as well. We love 2 Legs, and Andy was great on the panels we saw him on at the Fest for Beatles Fans, so we're big fans. He joins us to talk about bootlegs, solo fandom, growing up as fans in the 90s, and so much more! Be sure to check out 2Legs anywhere you get podcasts and follow them on Facebook!

For you Julia stans, she's not with us this week unfortunately. She'll be back we promise. To make it up to you, be sure to listen through to the end of the episode for a little bonus treat.

What do you think about "Baby's In Black" at #86? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

Some 25 years after the Beatles' break up, new music from the band emerged via a cosmic combination of technology and enduring love...and the career-spanning Anthology project. Using a solo John piano demo, the remaining Threetles completed "Free As A Bird," a stately and beautiful track, complete with the still gorgeous Beatle harmony, brilliant lead guitar, some new lyrics by Paul and George, a bit of that trademark Beatle cheekiness...it was them, all over again. In my opinon, the song holds up incredibly well within the catalogue. Of course there were/are naysayers, but wasn't this song bound to be the victim of unreal expectations? Despite that, it's a track that makes me feel a real sense of warmth and love and happiness, which is everything I want out of a Beatles song, and it's all the more amazing that they were able to provide that some 25 years after they initially broke up.

We're so happy to be back! We're also so happy to have our first guest for this season be the absolutely wonderful Skylar Moody! If you're on social media and a fan of the Beatles, you've likely seen Skylar's content out there. She handles social media content for the Fest for Beatles Fans, and is partnering with the Brooklyn Museum as a consultant and content creator for the Paul McCartney "Eyes of the Storm" photo exhibition. It's good to know that with people like Skylar at the helm, Beatles fandom will continue to grow and spread to new generations of fans. Follow Skylar on Twitter, Instagram, TikTok, and Facebook, or at skylarmoody.com.

What do you think about "Free As A Bird" at #94? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

Even though the Fabs had shown some affinity for country, it's on the White Album where they dive headfirst. Paul's turn at spinning a country story comes via "Rocky Raccoon," one of the numerous songs written by the band in India early in 1968. Leaning on a cheeky, twangy vocal, the tale of Rocky, Dan, and Lil has a bit of everything: a love triangle, a shootout, a drunk doctor who doesn't appear to actually help Rocky with his gunshot wound. Thankfully, he finds a Bible in his room and then....we don't know! Does he ride of into the sunset? Does he die? TELL US PAUL!

This week, we're taking everyone to school, and keeping in it in the fam. We're joined by Celeste Faia, a PhD candidate studying microbiology and immunology, a budding casual singer and painter, and also, Julia's cousin, and one of our closest people. We thought it'd be fun to shine a light on science for a change, and boy do we. We discuss everything from the science of the Covid vaccine, the chemical results of the Beatles' drug use, entering the Beatles' catalog via the Anthology, a history of the Gideons, whether or not Rocky Raccoon is a cowboy dude, or a human-sized Raccoon-man hybrid. Also, Julia's tired all the time, and one time Jonathan was attacked by a raccoon. It's a wild time.

What do you think? Too high? To low? Just right? Be sure to follow along, leave your comments, and join in on the discussion on the rankings at Facebook (facebook.com/rankingthebeatles), on Twitter at @rankingbeatles, and on Instagram @rankingthebeatles. Enjoying the show and want to show your support? Check out https://anchor.fm/rankingthebeatles/support!

As the opening track on Rubber Soul, "Drive My Car" represents the line in the sand in which The Beatles shake off their beat-group roots, and firmly enter a smokey, hazy world, influenced by the world they've conquered and toured, and made in their image. Their continuing love of R&B manifests itself in the bass driven tune, propelling a story of a would-be star persuading the narrator to be her "chauffeur" (nudge nudge wink wink say no more) before she even has a car. A great example of a fascinating and clever story in song. It's a great song for sure, and it's an important song in their oeuvre, but I've never really LOVED it. 

To help me figure out why, we're joined by Sean Nelson, the singer behind the beloved band Harvey Danger, who's late 90s hit "Flagpole Sitta" has grown to be one of the most enduring songs of that decade, with its sharp wit and singalong hooks. In addition to the 3 albums his band released,  his own solo work, collaborations with other artists like Robyn Hitchcock and Death Cab for Cutie, he's also been the editor of Seattle's The Stranger newspaper, written a 33 1/3 series book on Joni Mitchell, acted in indie films, ran a record label, and, oh yeah, he's a HUGE Beatles fan. His most recent album is an absolutely fantastic collection of Harry Nilsson songs called Nelson Sings Nilsson, which we recommend you download/stream/buy as soon as you're done listening to this episode. Topics explored in this episode range from the adventures of starting a band, doing music on your own terms, working for pay versus being paid for your work, The Beatles being the blueprint for what a band should be,  ugly crying at Paul shows, to a shared love of the Monkees, and all points in between. 

Non-Beatles songs included in this episode:

Harvey Danger - “Flagpole Sitta” from Where Have All The Merrymakers Gone?

Paul & Linda McCartney - “Backseat of My Car” from Ram

Archie Bell & The Drells - “Tighten Up” from Tighten Up

Harvey Danger - “Little Round Mirrors” from Little By Little

Sean Nelson & Seattle Rock Orchestra - “Helter Skelter” (live)

Sean Nelson - “Gotta Get Up” from Nelson Sings Nilsson

What do you think? Too high? To low? Just right? Be sure to follow along, leave your comments, and join in on the discussion on the rankings at Facebook (facebook.com/rankingthebeatles), on Twitter at @rankingbeatles, and on Instagram @rankingthebeatles. Enjoying the show and want to show your support? Check out https://anchor.fm/rankingthebeatles/support!

To finish the break-neck recording sessions for Rubber Soul, the band dug back into the archives for the song "Wait," originally recorded and shelved during the Help! album soundtrack. A new overdubs, and voila! A fine album track, it's a great performance from all parties, but it also has a hint of the beat-group that the band had outgrown by this album, so it's got an interesting vibe of being a Help song in a Rubber Soul costume. One wonders if late 65 Beatles would've recorded this in the same style as early 65 Beatles, considering the growth they'd made personally, professionally, and musically in that year.

Joining us to this week is singer/songwriter Micah McKee. Micah has been a fixture in the New Orleans scene for years, with the bands Little Maker, The Essentials, and on his own. He also hosts the American 100 podcast, a podcast that explores the music of America by way of the history of the Billboard Top 100 chart. On this episode, recorded on Inauguration Day, we discuss everything from the relief of welcoming in a new administration, getting into the Beatles via the right album at the right time, making an album on your own with total control, to Disco Duck and recording a podcast with a robot named Rando.

Micah's new album "Abundences" will be out Feb 16th, and our episode features the tracks "Your Favorite Beatle" and "Someone Lost The Map." You can check out Micah's music at https://micahmckee.bandcamp.com and pre-order "Abundences" at http://www.campersrule.com/artists/micahmckee.  Check out the American 100 podcast at Apple Podcasts, or anywhere you listen to podcasts.

What do you think? Too high? To low? Just right? Be sure to follow along, leave your comments, and join in on the discussion on the rankings at Facebook (facebook.com/rankingthebeatles), on Twitter at @rankingbeatles, and on Instagram @rankingthebeatles. Enjoying the show and want to show your support? Check out https://anchor.fm/rankingthebeatles/support!

This week's song is an "all-Paul" track (writing-wise, at least John says it is) that found a home on the Help! film and soundtrack. On celluloid, the boys craft "The Night Before" in a field, surrounded by tanks and assailed by wind. In real life, they knocked it out in 2 takes in Abbey Road in February of 65, the track marking the first time we hear Lennon on keys, and a key part that drives the entire song. It's a fun, upbeat song that gives Paul a place to shine in the film, while the latin-tinged bridge section shows their growth and willingness to change gears completely. And while they're growing by leaps and bounds, part of the song still feels steeped in early-Beatles-beat-group land...a land they were fast escaping on this album. On a record which delivers classics like "Help!," "Ticket To Ride," and the classic of classics, "Yesterday," the growing pains on this song kind of stand out. But then again, it's '65 Beatles, so it's still fantastic. 

Joining us this week is Louisiana-based singer/songwriter Ben Labat. When Covid shut down touring, Ben found a way to help other musicians pay their bills while continuing to record with his Bayou Fever Sessions project, and also found time to write, record and release a ton of other music. His latest single, "Rocket Heart," is out now, and the video was just premiered January 16th on Ditty TV. In our chat, we touch on everything from finding ways to adapt during pandemic times, the benefit of creators having a partner to impress and keep their bar high, to passing the Beatles down to your own kids. You can check out Ben on Facebook at https://www.facebook.com/benlabatmusic, his website http://www.benlabat.com/, and check out the video for "Rocket Heart".  

What do you think? Too high? To low? Just right? Be sure to follow along, leave your comments, and join in on the discussion on the rankings at Facebook (facebook.com/rankingthebeatles), on Twitter at @rankingbeatles, and on Instagram @rankingthebeatles. Enjoying the show and want to show your support? Check out https://anchor.fm/rankingthebeatles/support!

There's an old joke...What was the last thing the drummer said before getting fired? "I've written a song..." Ringo first brought "Don't Pass Me By" to the Beatles when he joined the band in 1962. Not until the free-for-all spirit of The White Album in 1968 did the band agree to take up his jolly country tune, and when we say the band, we mean just Paul. Dueling sources place both Beatles behind the drum kit, strangely, and we're frankly not sure who it is because while it's messy enough to be Paul, it's weird and groovy enough to be Ringo . The song is filled with Sir Rich's trademark charm, and certainly adds to the sonic journey of the band's sole double album. Speaking of the band, The Band, it was their favorite track on the record, apparently. 

To discuss this track, we've brought back two of New Orleans' premier drummers...Kyle Melanon (Dash Rip Rock, Imagination Movers) who loves the track, and Andre Bohren (Johnny Sketch & The Dirty Notes) who does NOT. In our first in-person podcast, we discuss the pros and cons of being not quite professional, the difference singing versus being able to truly deliver a vocal, the weight of charm, and importance of letting your fiddle player tune up and make more than 1 pass on a track, while Julia drops a bomb that just may be the one overarching rule when it comes to The Beatles....

What do you think? Too high? To low? Just right? Be sure to follow along, leave your comments, and join in on the discussion on the rankings at Facebook (facebook.com/rankingthebeatles), on Twitter at @rankingbeatles, and on Instagram @rankingthebeatles. Enjoying the show and want to show your support? Check out https://anchor.fm/rankingthebeatles/support!

The Beatles kicked off sessions for Rubber Soul with a song John wrote based off a lyric lifted from an Elvis song. It's an interesting case that on a record where they tap into the idea that "the word is 'Love'" but close that record out with "Run For Your Life," perhaps the most aggressive and threatening song Lennon ever wrote. The lyrical content being at odds with all things "fab," it's a shame that a band so known for bringing joy and happiness never took the time to second guess what they were singing about on this track. It's the angrier, scarier version of the possessive side of himself on display later in "Jealous Guy." Disowned by Lennon himself in the 70s, and named as the worst Beatles song by NME Magazine, "Run For Your Life" is the rare severe misstep in the band's catalog.  This week we're joined by Diana Erickson, co-host of The Beatles podcast "Another Kind of Mind," a podcast which presents a fresh, well-researched, irreverent, nuanced, and emotionally intelligent analyses of the Beatles’ story. It's one of our favorite Beatle podcasts. We dive deep into the roots of the causes that enable someone to write a song with this kind of message, looking at the the yin and yang of personality that was John Lennon. What of that possessive side? Where does that intense feeling come from for John? We discuss the pros and cons of putting your faults out in the public eye, while also being brave enough to own up to those faults and work to overcome them in that same public forum. We also discuss how the AKOM team decided to shine a new light on the well-worn tale of the band, the complications of relationships and the effects they have, and the mutual upbringing of having no other Beatle-centric friends as a kid. Do yourselves a favor and subscribe to Another Kind of Mind anywhere you listen to podcasts. Join in their deep discussions on their Facebook Discussion Group, FB page, Twitter, Instagram. and Tumblr. And be on the look out for new episodes coming soon! As for us, be sure to follow along, leave your comments, and join in on the discussion on the rankings at Facebook (facebook.com/rankingthebeatles) and on Instagram @rankingthebeatles. You can also now follow us on Twitter at @rankingbeatles! Enjoying the show and want to show your support? Check out https://anchor.fm/rankingthebeatles/support!

John & Paul often talk about some songs as being "work songs"....tunes they knocked out for other artists, or George and Ringo, or tracks to fill out the album. They often referred to #188, "Little Child," as one of those songs. It's a fairly simple, uptempo rocker intended for Ringo's vocal spotlight on With The Beatles, though John eventually handles  the vocal on it. Simple as it may be, it's part of a period where the band starts realizing they're not beholden to the standard pop song arrangement or instrumentation, starting to spread their wings while maintaining a foot steadily in their beat group phase. It's also a remnant of that strange time in music where women are always referred to like young children, which is...yeah, kinda weird. A rocking track though that does it's job on the record.

It takes a certain level of love for a band to devote oneself to a podcast, and we're kicking off season 2 by talking to James C., the host of one of our favs, The Oasis Podcast. Since 2017, James has been chatting with ex-Oasis members, musicians who worked with the band, art directors, video directors, a whole slew of of people who worked with the Britpop giants, while also discussing the on-going solo careers of the Gallaghers and co., giving a much-deserved spotlight to music that, whether we in the states realize or not, was an influential, cultural JUGGERNAUT. There's so much more than just "Wonderwall," folks! We touch of the perfect storm of Oasis coming to the alongside the Beatles Anthology, the joys of a shimmering coda, the pride and love of having YOUR band, and our half-hearted attempts to reach out to the brains behind the music that fuels our respective shows. Be sure to listen and subscribe to The Oasis Podcast at any podcast provider of your choice, and follow along with James on Twitter @oasispodcast. Additionally, he hosts the 1001 Albums podcast, based on the book "1001 Albums You Must Hear Before You Die." Check them out!

Be sure to follow along, leave your comments, and join in on the discussion on the rankings at Facebook (facebook.com/rankingthebeatles) and on Instagram @rankingthebeatles. You can also now follow us on Twitter at @rankingbeatles! Enjoying the show and want to show your support? Check out https://anchor.fm/rankingthebeatles/support!