Psyop Cinema – Details, episodes & analysis

In a new installment of their series on David Fincher, Thomas and Brett cover The Killer, Fincher's 2023 hitman thriller starring Michael Fassbender. They discuss Fincher's continued preoccupation with psychopathy and the dark self archetype, the film's hints concerning deep state conspiracies and the Thelemic religion of Hollywood, and its surprising thematic connections to Fincher's previous film, Mank.  Just as Oppenheimer confirmed the show's conclusions about Nolan, The Killer totally validates the Psyop Cinema reading of Fincher.

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Thomas and Steven continue their analysis of True Detective, this time joined by Jasun Horsley for a conversation about season two. Finding the season significantly underrated, they talk about its mixed reception and contrast its approach to that of season one. Resuming discussion of Pizzolatto's treatment of masculinity, family, and sexuality, they also find much worth considering in the season's depiction of the parapolitical dimensions of the California counterculture.

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A return to our series on Christopher Nolan, discussing how Oppenheimer makes explicit the globalist politics implied by the sci-fi transhumanism of some of his previous films. We analyze how the movie  treats standard Nolan themes, such as the master manipulator and the death of the soul (often symbolized by the death of women). Oppenheimer's depiction of the Promethean salesman of science gives us further confirmation of Nolan's significance as a cultural engineer.

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The final episode of our Christopher Nolan series. We reveal the shockingly positive and subversive messaging of his Batman trilogy. We also take stock of how his various films differently wrestle with his troubling career path, as well as the damage that the Nolan legacy has done to film culture.

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We discuss how the death of women in Nolan films symbolizes the death of the soul, the pros and cons of a Jungian approach to these symbols, and how Dunkirk secretly explains Nolan's whole worldview.

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Continuing our discussion of Nolan's use of the method, we reveal the dark truth about the messaging of Interstellar and Tenet, and conclude with a conversation about predictive programming.

Beginning our investigation into Christopher Nolan, we discuss the meaning of "the method," and use films like Memento and The Prestige to show how themes of mind control permeate his work.

Hosts Thomas Millary and Brett Carollo introduce the show, telling listeners what to expect on this journey into (and out of) the world of cinematic mind control.

In a discussion that much of our longrunning Joker analysis has built to, we do a deep dive into Martin Scorsese's Taxi Driver (1976). We explain the foundational place of Scorsese's film in the feedback loop between media and spectacular crime that we call the Joker Cycle. Looking at other relevant films and filmmakers, we speculate on the possible role of Brian de Palma in the Taxi Driver psy-op, discuss Peter Bogdanovich's Targets (1968) as an early entry into the feedback loop, and explain the over-the-top revelation of the method in The Last Horror Film (1982). Breaking down Taxi Driver, we talk about the manufactured profile of the lone wolf spectacular criminal, Travis Bickle as proto-incel, and how the movie is a paradigmatic example of MK-culture reality/fiction breakdown.

CORRECTION: The Terror was released in 1963 rather than 1968.

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Thomas joins Luemas on Chant It Down Radio, discussing the first three films in the Jason Bourne franchise. Starring the deeply sus Matt Damon, limited hangouts and revelation of the method abound in these movies. Discussing how Hollywood's political messaging has shifted over the last couple decades, Thomas and Luemas explain how the exceptionally spooked-up filmmakers behind this franchise blend sincere critique of CIA wrongdoing with disturbing fetishization of mind control.

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