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Titus pleads for his son’s lives but the Tribunes are unmoved. Lucius draws his sword to rescue his brothers but is overpowered and banished from Rome. Chiron and Demetrius mock Lavinia after assaulting and mutilating her, leaving her to wander the forest alone without hands or tongue. Marcus Andronicus finds her and brings her back to Titus. The family breaks down in overwhelming grief until Aaron the Moore arrives with a message from Saturninus: if Titus cuts off one of his own hands, the emperor will spare the lives of Martius and Quintus. Titus agrees but instead of getting what was promised, a messenger returns carrying Titus’s severed hand and the severed heads of his sons. His sanity cracking, Titus orders Lucius to raise an army of Goths to march against Rome. CREDITS: The PLAY ON PODCAST SERIES, “TITUS ANDRONICUS”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by DANNY SCHEIE. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   JAMES CARPTENER                          as    TITUS ANDRONICUS PATRICK KERR                                   as    MARCUS ANDRONICUS CAROLYN (“CARRIE”) KOZLOWSKI  as    TAMORA JORDAN BARBOUR                               as    BASSIANUS, AEMEILIUS and QUINTUS DANNY SCHEIE                                   as    SATURNINUS BRUCE YOUNG                                   as    AARON THE MOOR MARK H. DOLD                                    as    LUCIUS and YOUNG LUCIUS JAMIE ANN ROMERO                             as    LAVINIA and THE NURSE JOMAR TAGATAC                                  as    DEMETRIUS, MUTIUS and OTHERS DEAN LINNARD                                   as    CHIRON, MARTIUS and OTHERS MICHAEL GOODFRIEND                      as    PUBLIUS, ARBUS and OTHERS   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TITUS ANDRONICUS” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Revenge is a dish best served cold”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Please be advised: This episode contains graphic sounds of sexual violence and may be inappropriate or triggering for some listeners. Marcus, Titus and his remaining three sons assemble outside the Roman forest at dawn, preparing for the morning hunt. Titus warns them all to be careful around the new emperor, Saturninus, before he arrives with his newly-crowned Empress Tamora, Bassianus, Lavinia and Tamora’s sons (Chiron and Demetrius). As they depart into the woods, Chiron and Demetrius plan to use the chaos of the hunt to assault Lavinia. Deep in the forest, Aaron the Moor buries a bag of gold under a tree as part of a plot to frame Titus’s sons. Tamora finds him there and tries to seduce him but Aaron holds her off, telling her he is focused on revenge and death for Bassianus and Lavinia. He gives Tamora a letter he forged to help incriminate Titus’s sons. Bassianus and Lavinia stumble upon the couple and threaten to tell Saturninus about their affair. Chiron and Demetrius arrive and kill Bassianus, throwing his body into a nearby pit. The brothers then carry Lavinia away to rape and murder her. Shortly afterward, Aaorn tricks Titus’s youngest sons, Martius and Quintus, luring them to the pit where Bassianus’s body has been thrown. They fall in and discover the corpse. Aaron then leads Saturninus to the pit, where he finds his brother’s body along with the buried gold and the forged letter. Titus begs for a fair trial but Saturninus ignores him and orders Martius and Quintus arrested and imprisoned for execution. CREDITS: The PLAY ON PODCAST SERIES, “TITUS ANDRONICUS”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by DANNY SCHEIE. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   JAMES CARPTENER                          as    TITUS ANDRONICUS PATRICK KERR                                   as    MARCUS ANDRONICUS CAROLYN (“CARRIE”) KOZLOWSKI  as    TAMORA JORDAN BARBOUR                               as    BASSIANUS, AEMEILIUS and QUINTUS DANNY SCHEIE                                   as    SATURNINUS BRUCE YOUNG                                   as    AARON THE MOOR MARK H. DOLD                                    as    LUCIUS and YOUNG LUCIUS JAMIE ANN ROMERO                             as    LAVINIA and THE NURSE JOMAR TAGATAC                                  as    DEMETRIUS, MUTIUS and OTHERS DEAN LINNARD                                   as    CHIRON, MARTIUS and OTHERS MICHAEL GOODFRIEND                      as    PUBLIUS, ARBUS and OTHERS   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TITUS ANDRONICUS” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Revenge is a dish best served cold”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lucius berates his father for killing his own son, and Titus’s brother Marcus implores him to allow them to bury Mutius in the family tomb. Titus grudgingly agrees to it and tells Marcus that he hopes to prosper by Tamora’s sudden advancement, since he was the one who brought her to Rome. Assuming that Titus orchestrated her escape with Bassianus, Saturninus publicly rejects Lavinia before leaving to marry Tamora. After the wedding, Saturninus and Bassianus strike an uneasy peace. Bassianus tells Saturninus that Titus had no part in Lavinia’s abduction. Tamora also vouches for Titus’s innocence, then pulls Saturninus aside and tells him he must pardon Titus or risk the anger of the Roman people. She promises her new husband that she will find a way to get revenge on Titus and his family. Saturninus finally absolves Marcus, Titus and his remaining sons. Tamora reassures Bassianus and Lavinia that they need not fear punishment as long as they behave. As they leave to enjoy the double wedding feast, Titus invites Saturninus to a celebratory hunt the following morning. Outside the palace, Aaron the Moor walks alone during the festivities, ruminating on his love affair with Tamora. He revels in her new status as Empress, looking forward to the power he will wield through her. He comes across Tamora’s sons, Demetrius and Chiron, who are fighting each other over who gets dibs on Lavinia. Aaron breaks it up and tells them Lavinia has just married Bassianus. When he sees that the brothers don’t care and are determined to take Lavinia for themselves regardless, he encourages them to lure Lavinia away from the hunting party the next day and rape her together.  CREDITS: The PLAY ON PODCAST SERIES, “TITUS ANDRONICUS”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by DANNY SCHEIE. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   JAMES CARPTENER                          as    TITUS ANDRONICUS PATRICK KERR                                   as    MARCUS ANDRONICUS CAROLYN (“CARRIE”) KOZLOWSKI  as    TAMORA JORDAN BARBOUR                               as    BASSIANUS, AEMEILIUS and QUINTUS DANNY SCHEIE                                   as    SATURNINUS BRUCE YOUNG                                   as    AARON THE MOOR MARK H. DOLD                                    as    LUCIUS and YOUNG LUCIUS JAMIE ANN ROMERO                             as    LAVINIA and THE NURSE JOMAR TAGATAC                                  as    DEMETRIUS, MUTIUS and OTHERS DEAN LINNARD                                   as    CHIRON, MARTIUS and OTHERS MICHAEL GOODFRIEND                      as    PUBLIUS, ARBUS and OTHERS   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TITUS ANDRONICUS” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Revenge is a dish best served cold”. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the wake of the Emperor’s death, his two sons–Saturninus (the eldest) and Bassianus (the younger, more popular)--argue over who should rule Rome, as their armed supporters clash in the streets. The Tribune Marcus Andronicus (Titus’s brother) intervenes to stop the fight. He announces that the Roman people have chosen his brother, Titus Andronicus, to be the new Emperor because of his legendary military service. Titus enters in triumph with his four surviving sons, the bodies of his dead sons in coffins, and high-profile prisoners of war–including Tamora, Queen of the Goths, and her three sons. Titus refuses the crown due to his old age and instead endorses Saturninus, who becomes the new Emperor. Titus’s son, Lucius, demands that the eldest captive Goth prince, Alarbus, be sacrificed to appease the ghosts of Titus’s fallen sons. Tamora begs for her son’s life, but Titus insists on the brutal religious rite. Alarbus is dismembered and killed. Grieved and enraged, Tamora and her surviving sons swear revenge against Titus and his family. As a reward for his loyalty, Saturninus chooses to marry Titus’s daughter, Lavinia. However, Lavinia is already legally betrothed to Saturninus's rival brother, Bassianus. Saturninus abruptly changes course and decides to marry Tamora instead, making her the new Empress of Rome. With the help of Marcus and Titus’s sons, Bassianus escapes with Lavinia. Furious at what he views as family treason and disrespect toward the emperor, Titus kills his own son, Mutius, for letting Bassianus and Lavinia get away.  CREDITS: The PLAY ON PODCAST SERIES, “TITUS ANDRONICUS”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by DANNY SCHEIE. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   JAMES CARPTENER                          as    TITUS ANDRONICUS PATRICK KERR                                   as    MARCUS ANDRONICUS CAROLYN (“CARRIE”) KOZLOWSKI  as    TAMORA JORDAN BARBOUR                               as    BASSIANUS, AEMEILIUS and QUINTUS DANNY SCHEIE                                   as    SATURNINUS BRUCE YOUNG                                   as    AARON THE MOOR MARK H. DOLD                                    as    LUCIUS and YOUNG LUCIUS JAMIE ANN ROMERO                             as    LAVINIA and THE NURSE JOMAR TAGATAC                                  as    DEMETRIUS, MUTIUS and OTHERS DEAN LINNARD                                   as    CHIRON, MARTIUS and OTHERS MICHAEL GOODFRIEND                      as    PUBLIUS, ARBUS and OTHERS   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TITUS ANDRONICUS” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Revenge is a dish best served cold”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Next Chapter Podcasts presents Shakespeare’s bloodiest tragedy: a brutal revenge thriller that descends into a savage spiral of betrayal, mutilation and cannibalism, performed by an ensemble of America's most accomplished stage actors in a modern English verse translation by Amy Freed and directed by Danny Scheie. radio play by Catherine Eaton, with original sound design and composition by Lindsay Jones. “REVENGE IS A DISH BEST SERVED COLD.” CREDITS: The PLAY ON PODCAST SERIES, “TITUS ANDRONICUS”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by AMY FREED. All episodes were directed by DANNY SCHEIE. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   JAMES CARPTENER                          as    TITUS ANDRONICUS PATRICK KERR                                   as    MARCUS ANDRONICUS CAROLYN (“CARRIE”) KOZLOWSKI  as    TAMORA JORDAN BARBOUR                               as    BASSIANUS, AEMEILIUS and QUINTUS DANNY SCHEIE                                   as    SATURNINUS BRUCE YOUNG                                   as    AARON THE MOOR MARK H. DOLD                                    as    LUCIUS and YOUNG LUCIUS JAMIE ANN ROMERO                             as    LAVINIA and THE NURSE JOMAR TAGATAC                                  as    DEMETRIUS, MUTIUS and OTHERS DEAN LINNARD                                   as    CHIRON, MARTIUS and OTHERS MICHAEL GOODFRIEND                      as    PUBLIUS, ARBUS and OTHERS   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TITUS ANDRONICUS” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Revenge is a dish best served cold”. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Labor Day, Play On Podcasts presents the pilot episode from our 11th series "Love's Labour's Lost". Listen to the full series and learn more here. The King of Navarre gathers together with his best friends (Longaville, Dumaine and Berowne) in the library at Howard University where he gets them to agree that they will devote themselves entirely to their studies without dating or indulging in food, drink or sleep for three full years. Berowne protests and reminds the King that the Princess of France is going to arrive soon to plead a case on behalf of her ailing father. The King promises to handle the situation and Berowne agrees to stick with his vow despite his reservations. They decide they’ll amuse themselves during their downtime by laughing at the antics of Don Adriano de Armado, a visiting scholar from Spain who is hilariously full of himself. Almost as soon as the King’s proclamation is issued, Sir Anthony Dull delivers a letter from Armado accusing Costard, a groundskeeper at Howard, of having an affair with Jaquenetta, a young lady who lives nearby. The King punishes Costard with a week of fasting on bread and water. Meanwhile, Armado confesses privately to his young friend and confidante, a Custodial Assistant named Moth, that he is painfully in love with Jaquenetta and vows to win her affections. The Play On Podcast series, “LOVE’S LABOUR’S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE TEMPEST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by subscribing to Play On Premium at ncpodcasts.com, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are such stuff as Dreams are made on”. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re bringing you a preview of the new season of Death of An Artist. In February 2024, celebrated children’s book author and illustrator Petra Mathers and her husband, photographer Michael Mathers, mailed letters to dozens of friends and family members to let them know they had died by suicide. Petra and Michael were by all accounts healthy, happy, and in love. Why did they choose to die together? And what did that decision do to the people left to mourn them? Journalists Leon Neyfakh and Alice Gregory set out to interview everyone who got one of Petra and Michael’s letters—as one married couple trying to understand another. Through intimate conversations with Petra and Michael’s friends and family about their own relationships to aging, grief, death, and the friends they thought they knew, Death of an Artist weaves together a portrait of a community grappling with the Mathers’ deaths and the final words they left behind. Done entirely in recordings, Death of an Artist is as much a love story as one about death. Listen to Death of An Artist wherever you get podcasts. And if you want to hear the full story right now, ad-free, you can binge the entire season with a Pushkin+ subscription—sign up on the Death of an Artist show page on Apple Podcasts or at pushkin.fm/plus. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠ *** Next Chapter Podcasts presents the complete Play On Podcast series, Troilus and Cressida, in its entirety. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠NEXTCHAPTERPODCASTS.COM⁠ for more about the Play On Podcast Series. Visit ⁠PLAYONSHAKESPEARE.ORG⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *** Hector’s wife, Andromache, and his sister, Cassandra, beg him not to fight, sharing ominous dreams they’ve had foretelling his death. His father, King Priam, joins them, begging his son not to go into battle but Hector refuses to break his vows and is joined by his brother Troilus, who is eager for vengeance. Pandarus brings a letter from Cressida which Troilus reads and rips in fury. As the battle begins, Thersites stands on the sidelines mocking everyone in the fray until he is confronted by Hector and crumples at his feet. Troilus fights both Diomedes and Ajax and Hector fights Achilles but spares him in an act of chivalry. Patroclus is killed.  Achilles, heartbroken, gathers his group of mercenary soldiers (the Myrmidons) to hunt for Hector. Thersites mocks Menelaus and Paris as they fight until he’s confronted by Margarelon and runs away. Hector sits down to rest after killing a Greek soldier for his armor when Achilles and his Myrmidons arrive and surround him before slaughtering him in cold blood. Troilus, enraged, rallies the retreating Trojans before cursing and rejecting Pandarus, who is left alone to deliver a scathing epilogue. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *** Patroclus trades insults with Thersites until Achilles breaks it up with news that he will keep his oath with Queen Hecuba to make peace with the Trojans out of his love for her daughter, Polyxena. Hector, Troilus and the rest of the Trojan leaders arrive in the Greek camp to negotiate a possible truce. Diomedes leaves the gathering and Ulysses and Troilus secretly follow him to Calchas’s tent. Diomedes calls for Cressida, who comes out to meet him. Troilus and Ulysses watch as Diomedes flirts with Cressida, with Thersites mocking the whole scene from afar. Cressida tries to figure out a way to keep Diomedes satisfied without breaking her loyalty to Troilus. She offers him the bracelet Troilus gave her then tries to get it back but Diomedes won’t let her have it. She finally gives in and agrees to let Diomedes into her tent, bidding a sad farewell to Troilus, who has seen the whole thing from his hiding place. He rages in despair and disbelief as Ulysses tries to get him to leave. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *** As dawn breaks, the lovers bid each other a tearful farewell, exchanging love tokens: Troilus gives Cressida a silver bracelet and she gives him a necklace. Diomedes arrives to take Cressida to the Greek camp as Paris, Aeneas and Deiphobus speed off to the battlefield. Meanwhile, Ajax rouses the Grecian nobles in his excitement for the single combat with Hector. They humor him until Cressida arrives. One by one, each of the commanders try to force Cressida to kiss them. She uses her wit and sarcasm to keep them at bay. Ulysses ridicules her as a loose woman until Aeneas arrives to inform them that because Ajax and Hector are cousins, their duel cannot be to the death. The two combatants go at each other but settle for a draw. Hector is invited into the Greek camp to feast. All is well until Achilles arrives and vows to kill Hector in battle the next day. Troilus pulls Ulysses aside and asks him to take him to Calchas’s tent so that he can visit Cressida. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠⁠ *** Just as Troilus and Cressida finally unite, her father Calchas, a traitor who betrayed Troy to join the Greeks, petitions the Greek generals to trade for her so he can have her with him again. Agamemnon orders Diomedes to supervise the exchange. Ulysses then convinces the Greek commanders to rile up Achilles by walking past his tent without acknowledging him. When Achilles asks Ulysses what’s going on, Ulysses tells him Ajax is the new hero because he took up Hector’s challenge, but that if Achilles would break off his secret relationship with a Trojan princess and get back to fighting, his could restore his reputation. Thersites rubs it in by reporting that Ajax is strutting around the Greek camp completely full of himself. Achilles tells Thersites he wants to see Hector at his tent after the fight. Back in Troy, Diomedes arrives at Aeneas’s home to finalize the prisoner exchange for Cressida. Aeneas rushes to Troilus’s house to break the news to him. He gets there just as Pandarus is teasing the couple in their love nest. When Aeneas finally delivers the royal decree demanding that Cressida be handed over immediately, Troilus is devastated, and Cressida swears she will not leave. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠⁠ *** Thersites delights in insulting Patroclus, Achilles, Agamemnon and everyone they command. When Agamemnon arrives with his entourage, Achilles withdraws into his tent and refuses to meet with him. Agamemnon turns to Ajax and heaps praise on him, encouraging him to be their champion in single combat with Hector instead of Achilles. Back at the palace in Troy, Pandarus meets with Paris and Helen in their decadent love nest to make excuses for Troilus’s absence from their dinner. Helen persuades him to sing them a love song before sending him on his way. Pandarus finds Troilus anxiously awaiting Cressida in an orchard and finally brings the lovers together. They promise each other complete fidelity with Pandarus as their witness before hurrying into a bedroom to consummate their relationship. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠ *** As Agamemnon and his Generals argue in the Greek camp, the Trojan Aeneas arrives to deliver Hector’s challenge to a duel in single combat. When the brute Ajax hears about the proclamation, he beats the foul-mouthed slave Thersites for not telling him what it says. Achilles and Patroclus come to Thersites’ rescue and defend him from Ajax even though Thersites insists on insulting all of them. Back in the Royal Palace of Troy, Priam and his sons Hector, Paris and Troilus dine in the Trojan Council Chamber and debate whether to surrender Helen to end the war. Hector argues she isn’t worth the bloodshed and that it’s the honorable thing to do. They are interrupted by their mad sister, Cassandra, who enters and prophesies that if they do not let Helen go, Troy will burn. Troilus and Paris argue to keep her nonetheless, ultimately deciding to continue the fight. Back in the Greek camp, Ajax hopes to be picked as the champion to fight Hector. Thersites curses them all. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠NEXTCHAPTERPODCASTS.COM⁠ for more about the Play On Podcast Series. Visit ⁠PLAYONSHAKESPEARE.ORG⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠⁠ *** “There are no good guys.” Renowned theatremaker Lillian Groag explains why “Troilus and Cressida” is her favorite of all the plays Shakespeare ever wrote, but not without wondering out loud what happened to him along the way...  Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠⁠ *** The lovesick Trojan prince Troilus is so consumed by his infatuation with Cressida that he refuses to fight in the endless Trojan war with the Greeks, lamenting his woes to Cressida’s uncle, Pandarus, who serves as the go-between for the lovers. Aeneas arrives with news that Troilus’s brother, Paris, has been wounded by Menalaeus in battle, persuading Troilus to rejoin the fight. Inside the Trojan Citadel, Cressida gets the gossip from her friend Alexandra before Pandarus arrives to sing Troilus’s praises. Together, Pandarus and Cressida watch the Trojan warriors return from battle. Pandarus keeps heaping praise on Troilus as Cressida remains aloof, but once alone, she confesses she’s only playing “hard to get” in order to keep Troilus interested. Meanwhile, in the Greek encampment outside Troy, the Generals Agamemnon, Nestor and Ulysses lament that the war has dragged on for years without victory. Ulysses blames it on a breakdown of hierarchy and order brought on by Achilles’ mocking their leadership, whipping the Greeks into a frenzy of anger and frustration. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   BENJAMIN BONENFANT         as    TROILUS AWNI ABDI-BAHRI                       as    CRESSIDA JAMES UDOM                          as    ACHILLES GEOFFREY ALLEN MURPHY    as    AJAX STEVEN RATTAZZI                     as    PANDARUS and MENELAUS DAISUKE TSUJI                           as    THERSITES ANNA SUNDBERG                       as    ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN                       as    AENEAS, MARGARELON and HELENUS ROB NAGLE                                  as    AGAMEMNON LISA WOLPE                                 as    ULYSSES WAYNE T. CARR                          as    HECTOR and CALCHAS EDWARD GERO                           as    NESTOR and PRIAM EDDIE LOPEZ                               as    PATROCLUS and PARIS JOHNNY WU                                 as    DIOMEDES KIM MARTIN COTTON                as    ANDROMOCHE   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠⁠ *** NEXT CHAPTER PODCASTS PRESENTS THE PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”  SHAKESPEARE’S BITING COMEDY ABOUT THE ABSURDITY OF WAR AND THE UNDERBELLY OF LOVE. AN EPIC ANTI-LOVE STORY PERFORMED BY AN ENSEMBLE OF AMERICA’S MOST ACCOMPLISHED STAGE ACTORS IN A MODERN ENGLISH VERSE TRANSLATION BY LILLIAN GROAG.  DIRECTED BY KIM MARTIN COTTEN RADIO PLAY BY CATHERINE EATON WITH ORIGINAL SOUND DESIGN AND COMPOSITION BY LINDSAY JONES Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠⁠ *** “We Gave Everything We Had”: Actor Randall Duk Kim and Director Annie Occhiogrosso reflect on their lives as artists, creating American Players Theater, how much you can learn from studying “Hamlet” over fifty years, what it takes to be great, where to find the best audiences in the country, how strawberries and chocolate can make all the difference on Press Day, the importance of language, what Keanu Reeves reads between takes, how Laurence Fishburne found his way into “Othello”, why every actor should start a theater, being Asian on an island, how Edwin Booth, Walt Whitman and a slaughtered lamb all played a part in bringing world class productions to a town of 1,200 people in rural Wisconsin, why it’s important to plant the seeds of inspiration in young people if we want to have any hope for our future, and much, much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠⁠ *** “We Gave Everything We Had”: Actor Randall Duk Kim and Director Annie Occhiogrosso reflect on their lives as artists, creating American Players Theater, how much you can learn from studying “Hamlet” over fifty years, what it takes to be great, where to find the best audiences in the country, how strawberries and chocolate can make all the difference on Press Day, the importance of language, what Keanu Reeves reads between takes, how Laurence Fishburne found his way into “Othello”, why every actor should start a theater, being Asian on an island, how Edwin Booth, Walt Whitman and a slaughtered lamb all played a part in bringing world class productions to a town of 1,200 people in rural Wisconsin, why it’s important to plant the seeds of inspiration in young people if we want to have any hope for our future, and much, much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠⁠ *** “I fell into Shakespeare!” Historian and podcaster Cassidy Cash describes how finding a copy of a play tucked between a Bible and a hymnal in her grandmother’s house in rural Alabama led her into a life of learning about the past, the present, engineering information, painting castles, making podcasts, playing Noddy and knowing what a Link Boy was! Check out her excellent show That Shakespeare Life wherever you listen to great podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠ *** There is no Orthodoxy”: Professor Richard Burt teaches us about the paratext, un-reading Shakespeare, Derrida and Plato in under an hour! With a soothing reminder that writing is both the poison and the remedy... Learn more about your ad choices. Visit megaphone.fm/adchoices

Holly Brown may have grown up right next to Hollywood, but her life was a world away from her 90s sitcom dreams. Instead, Holly’s childhood was filled with family secrets, immense loss, and heartbreaking grief. SO. What’s a girl to do? Create a genre-bending, dark comedy podcast, of course! Welcome to… Everybody Knows But Me: A dark comedy podcast about the secrets we inherit and the stories we tell to survive Holly revisits her dark, twisty past and proves that you actually can make your life into a 90s sitcom, if you only try hard enough. Grab your beanie babies and gushers, and strap in for a story that even Mr Feeny can’t resist. Learn more about your ad choices. Visit megaphone.fm/adchoices

***⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card! *** “That’s what you hear with Sinatra!” Larry Walsh describes how spending 25 years re-mastering the entirety of “Ol' Blue Eyes” recordings taught him  how to tune his ear to Shakespeare. Plus, why a mix engineer will never have a sharkskin suit. Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.***⁠⁠⁠⁠⁠ ⁠⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card!⁠ “Everybody Tells the Skinny Kid What To Do” - Sound and Mastering Engineer Larry Walsh reflects on the lifelong journey through audio that led him to Shakespeare.  Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.***⁠⁠⁠ ⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card! “There are no villains”: Actors Maria-Christina Oliveras and Christine Toy Johnson open up about the painfulness of trying to belong, the grace of finding forgiveness, and the joy of reinventing yourself through the epic storytelling of “Cymbeline”. Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.***⁠⁠⁠ ⁠Complete our⁠ listener survey⁠ for a chance to win a $50 gift card! “It’s a play about an incredibly broken world”: Playwright Andrea Thome and Director Stephen Brown-Fried reflect on the challenges, liberations, miracles and faith they had putting “Cymbeline” together. Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.***⁠ Complete our⁠ listener survey⁠ for a chance to win a $50 gift card! Next Chapter Podcasts presents the complete Play On Podcast series, CYMBELINE, in its entirety. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Complete our⁠ listener survey⁠ for a chance to win a $50 gift card! Caius Lucius asks Cymbeline to ransom his servant, a British boy (who is, of course, the disguised Imogen). Cymbeline does not recognize her but orders her freed and offers to give her any privilege within his power to grant. She speaks with him in private, and Belarius and his sons marvel at seeing the adopted brother they thought was dead. Cymbeline returns and asks Iachimo to step forward. Imogen demands to know where he got the ring on his finger. Iachimo confesses how he used trickery to win the bet with Posthumus. Posthumus emerges from the crowd and attacks Iachimo. When Imogen tries to intervene, Posthumus hits her, thinking she’s a boy. Pisanio scolds Posthumus. Imogen, revealing her true identity, turns on Pisanio for trying to poison her. The old doctor Cornelius intervenes, explaining how the Queen tricked Pisanio into thinking the poison was a healing potion and that he (Cornelius) secretly changed the ingredients to make it non-lethal. Posthumus embraces his wife. As everyone begins to piece it all together, Guiderius (Polydore) confesses that he killed Cloten. When Cymbeline orders that Guiderius be put to death for killing the prince, Belarius reveals himself as the banished courtier and tells the king that Guiderius and Arviragus are the sons that were stolen from him long ago. Cymbeline, overcome with happiness, forgives Belarius and welcomes him back to court. Meanwhile, Iachimo offers his life to Posthumus as payment for his sins, but Posthumus graciously forgives him. Together, everyone works to interpret the prophecy that Jupiter left in the book Posthumus found beside him that morning. The joyful king frees the Roman prisoners and vows to resume the tribute payments. Everyone goes to give thanks to the gods and to celebrate a lasting peace. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** The Queen is stricken with a wasting fever as she frets over the absence of her son, Cloten. Cymbeline threatens Pisanio with torture in an attempt to find out where Imogen has fled. The Romans invade Britain, and Belarius can’t keep his sons from joining the fight. Posthumus returns to Britain with the Roman soldiers, believing Imogen is dead. Overcome with remorse, he takes off his Roman uniform and dresses as a British peasant for the battle. He disarms Iachimo, who begins to regret lying about Imogen. Belarius, Guderius and Arviragus save Cymbeline from capture, turning the tide of war against the Romans. Posthumus, despondent with remorse, changes back into his Roman uniform in order to be captured and put to death. He’s thrown into prison and falls asleep in his cell, where he’s visited by the spirits of his dead ancestors who gather around him pleading for Jupiter to take pity on him and restore his fortunes. Jupiter agrees to bring happiness to Posthumus, leaving a book near his sleeping body. Posthumus wakes and begins to read from the book, trying to interpret its riddle until the jailer takes him to be hanged. A messenger intervenes, summoning Posthumus. Cymbeline knights Belarius and his boys for their valor, not knowing their true identity. Word arrives that before dying, the Queen confessed she never loved Cymbline and that she planned to poison him so the crown would go to Cloten. The Roman prisoners, including Caius Lucius, Iachimo, Posthumus and Imogen (still disguised as Fidele), are all brought to stand before the King. Imogen faints when she sees her father. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Belarius and his sons return to their cave to find Imogen feasting on their food. She apologizes and offers to pay for what she’s taken, introducing herself as “Fidele”. Guiderius and Arviragus (who go by the names Polydore and Cadwal) feel an immediate kinship with the stranger and take to calling Imogen their brother. Meanwhile, Cloten, dressed in Posthumus’s clothing, makes his way through the wilderness towards Milford Haven. Later, Belarius and his boys set out for another hunt. Imogen, feeling ill, stays behind and drinks the potion Pisanio gave her thinking it will make her feel better. Out on the hunt, Belarius and his sons see Cloten. Belarius and Arviragus run ahead to find out if he’s alone. When Guiderius comes forward, Cloten challenges him to a duel. Guiderius cuts off Cloten’s head and returns to his brother and father, who recognizes Cloten’s face and laments that they’re in big trouble. The boys disregard their father’s concern and go triumphantly to wake Fidele, only to find the disguised Imogen seemingly dead from the potion. Grief-stricken, Belarius and his sons sing a prayer as they lay Imogen in the woods next to Cloten’s headless body, covering them with flowers. Imogen awakens after they’ve departed and sees the headless corpse next to her, dressed in Posthumus’s clothes. Assuming it’s her husband, she realizes she drank a sleeping potion and thinks Pisanio slipped it to her in order to kill Posthumus. She collapses in grief and is later discovered by Caius Lucius and his men. Remembering her disguise, Imogen introduces herself as Fidele. Lucius is impressed and employs her as his page. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** In the wilderness, an old shepherd named Belarius wakes his two sons, Guiderius and Arviragus, telling them to get out of their cave and enjoy the wonders of nature. The boys complain about never being allowed to go to the city. Belarius tells them the city is nothing but treachery, recalling his days as a nobleman in Cymbeline’s court before he was banished for crimes he did not commit. It turns out the two boys are actually Cymbelines’ sons who Belarius kidnapped as babies in order to avenge his exile. Meanwhile, Imogen and Pisanio arrive in Milford Haven. Seeing no sign of her husband, Imogen gets upset. Finally, Pisanio shows her the letter from Posthumus ordering Imogen’s murder. Cursing her husband’s lack of trust in her, she begs Pisanio to follow Posthumus’s orders and kill her. Pisanio refuses, telling Imogen that they should fake her death instead to make Posthumus regret his actions. Imogen agrees, disguises herself as a boy and sets out to find Caius Lucius, who will soon be leaving for Rome from the port of Milford Haven. Pisanio sends her off with the potion the Queen gave him, believing it will soothe her if she becomes sick on the voyage. When Pisanio returns, Cloten confronts him, demanding to know the whereabouts of the Princess. The prince leaves the palace with Posthumus’s clothing, vowing to wear them when he rapes the Imogen. Meanwhile, Imogen gets lost in the wilderness, where she stumbles upon Belarius’s cave. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Cloten orders a group of hastily assembled musicians to play under Imogen’s window, hoping to win her heart. As they play, Cymbeline and the Queen pass by and tell Cloten to keep persisting with Imogen. A messenger brings word that ambassadors from Rome have arrived. The royal couple goes to greet the Romans, telling Cloten to join them after he leaves Imogen’s chambers. Cloten knocks on Imogen’s door and tries to bribe one of her ladies-in-waiting before Imogen appears. Imogen turns Cloten away so harshly that he vows to get revenge on Posthumus. As he rails, Imogen realizes that the bracelet Posthumus gave her is missing. She orders Pisanio to have her servants search for it. Meanwhile, Iachimo returns to Italy and goes to Philario’s house, where Philario and Posthumus are discussing the prospects of war between Rome and Britain over the tribute that Cymbeline owes Caesar. Iachimo claims to have won the bet, saying he slept with Imogen and describing her bedroom in detail. He shows off the bracelet he took from her wrist, then adds the detail of the mole on Imogen’s breast. Enraged, Posthumus turns over the ring he wagered. Back in Britain, Cymbeline refuses to pay the tribute Caius Lucius demands for Rome. Lucius says that can only mean war between the nations. Meanwhile, Pisanio receives a letter from Posthumus accusing Imogen of infidelity and ordering him to murder her. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s the final episode of A Walk In The Garden and that can only mean one thing: the broadcast of the entire audio presentation of Botanic Garden The Musical! You’ve heard all of the episodes that have taken you through the entire process of creating the show, now you can enjoy the final results and see how all of the collaborators worked together to make this timeless musical experience. Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** The Queen has her doctor, Cornelius, bring her a vial of poison. In an aside, Cornelius tells us he’s substituted it with a sleeping potion that will temporarily simulate death. The Queen tries to convince Pisanio to help make Imogen fall in love with her son Cloten, but Pisanio says nothing. She drops the poison, but when Pisanio tries to give it back to her, she tells him it’s medicine and he should keep it to use whenever he’s sick. Later, Iachimo arrives at the palace to win his bet with Posthumus. He tells Imogen that her husband has taken a prostitute and she believes him, but when he suggests she can get back at Posthumus by sleeping with him, Imogen realizes the story is a trick to get her into bed. She calls for Pisanio but Iachimo backtracks, pretending he was only testing Imogen’s fidelity to her husband. Imogen believes his story and agrees to keep a trunk with valuable jewels in her room that night while Posthumus stays at the castle. Meanwhile, Cloten complains that no one will fight him because he’s the Queen’s son. The Lord showers him with praise and encouragement but mocks him behind his back. That night, Imogen falls asleep while reading in her bed. Iachimo emerges from the trunk and steals Posthumus’s bracelet from her wrist. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** A writer describes the backstory of “Cymbeline” to her companion: King Cymbeline became the protector of Posthumus, the orphaned son of a valiant soldier. Cymbeline also had two sons of his own, Guiderius and Arviragus, and a daughter named Imogen. His two sons were kidnapped when they were young and have never been found. Cymbeline’s wife died and he married a new queen, who had a son named Cloten. He wants Imogen to marry Cloten but she defies him by marrying Posthumus instead. The couple secretly exchange a ring and bracelet before Cymbeline banishes Posthumus in fury. Cloten tries to pick a fight with Posthumus but Posthumus avoids the conflict, choosing to go to his father’s old friend Philario in Rome, and leaving his servant, Pisanio, behind with Imogen. Cloten boasts of his bravery as his servant ridicules him under his breath. Once in Rome, Posthumus meets a nobleman named Iachimo and a Frenchman who recalls Posthumus describing Imogen as fairer than the fairest ladies in France. Iachimo scoffs at this and wagers with Posthumus that he can seduce Imogen, betting against the ring that Imogen gave her husband. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

NEXT CHAPTER PODCASTS PRESENTS THE PLAY ON PODCAST SERIES, “CYMBELINE”  SHAKESPEARE’S ROMANTIC FAIRY TALE OF SECRET MARRIAGE,  BANISHMENT, FALSE ACCUSATIONS, MISTAKEN IDENTITIES, RECONCILIATION AND REUNION. PERFORMED BY AN ALL ASIAN AMERICAN, ALL-FEMME CAST, IN A MODERN ENGLISH VERSE TRANSLATION BY ANDREA THOME.  RADIO PLAY BY CATHERINE EATON.  DIRECTED BY RAKESH PALISETTY.  INSPIRED BY THE ACCLAIMED STAGE PRODUCTION PRESENTED BY THE NATIONAL ASIAN AMERICAN THEATRE COMPANY.    “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** “There is great reward and great risk in love”: Actors Reg Rogers and Tracie Lane talk about their relationships with the roles they play, the work they do, and the lives they lead in the every-shifting sands of showbiz. Learn more about your ad choices. Visit megaphone.fm/adchoices

Todd Logan invites Lindsay Jones to help adapt Todd’s play Botanic Garden into a musical and almost immediately Lindsay realizes he has no idea how to write a musical. Lindsay writes the perfect opening song which everyone loves until they all realize that perhaps it’s not the perfect opening song. Inspired by Stephen Sondheim’s struggle to write “Comedy Tonight”, Lindsay creates “Why Am I Here” which is actually becomes the perfect song to open the show. Lindsay then vows to write an entire musical using only a piano, then immediately breaks this vow by adding in a metronome as musical instrument on “An Honest Lie”. This journey may have more twists than we thought. Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** “It’s a perfect play”: Director Brendon Fox delves into the nooks and crannies of “Much Ado About Nothing,” shedding new light on a story he’s told five times (and counting!). Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠for free shipping on your order and 365-day returns.*** Next Chapter Podcasts presents the complete Play On Podcast series, MUCH ADO ABOUT NOTHING, in its entirety. Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Claudio performs his penance and is rewarded with a miraculous gift that brings everyone together again– this time, for good. The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** The Sexton enters the interrogation room of the Battleship Richelieu to record the accusation against Borachio and Conrade. When Borachio confesses everything, the Sexton tells him that Hero has died and Don John has fled. Meanwhile, Leonato and Antonia confront Don Pedro and Claudio on their way out the door of the villa. The men stand by their story but are shaken by the confrontation. Their spirits are lifted when Benedick arrives but it doesn’t take long for Claudio to realize that Benedick isn’t joking about challenging him to a duel. Finally, Dogberry and Verges bring Borachio and Conrade into the room to confess the truth of what happened in the orchard. Leonato and Antonia enter with a vengeance to punish the wrongdoers. When the devastated Claudio crumbles in remorse, Leonato tells him to clear his daughter’s name at her memorial and to sing an epitaph in her remembrance. The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Claudio shames Hero at the altar as Don Pedro and Don John back him up. Hero collapses and the guests are cleared out of the chapel. Leonato rages at his daughter until the Deacon intervenes, vouching for Hero’s honor. She makes a plan to keep Hero in hiding and spread word that she is dead in order to stir guilt and remorse in the conspirators that framed her. Leonato agrees and departs with the Deacon and Hero, leaving Benedick and Beatrice alone in the sanctuary. As Beatrice mourns her cousin’s misfortune, Benedick swears his love to her and she swears hers to him. But when she asks Benedick to prove his love by killing Claudio, he refuses. Beatrice, enraged, accuses him of being false. Benedick finally agrees to do as she says. The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠⁠NEXTCHAPTERPODCASTS.COM⁠⁠ for more about the Play On Podcast Series. Visit ⁠⁠PLAYONSHAKESPEARE.ORG⁠⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Benedick and Beatrice are teased mercilessly by their friends for the sudden changes they notice in their behavior. Don John plants the seed of Hero’s disloyalty in the ears of Don Pedro and Claudio, who vows to shame her at the altar if it’s proven true. Chief Constable Dogberry preps his Deputy Verges and officers Oatcake and Seacoal for the watch that night, telling them to pay close attention to Leonato’s villa in advance of the wedding that’s going to be there. The officers fall asleep on their watch but are awakened by rain just in time to overhear Borachio boast to Conrade that he made a bunch of money by getting Margaret to pretend she was Hero as he made love to her, within earshot of Claudio. The inept officers manage to arrest them both. The next morning, Margaret reassures an uneasy Hero as she prepares for her wedding. Dogberry and Verges bumble their way into delivering news of Borachio’s arrest to a distracted Leonato, who tells them to handle it themselves. The wedding begins… The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ⁠NEXTCHAPTERPODCASTS.COM⁠ for more about the Play On Podcast Series. Visit ⁠PLAYONSHAKESPEARE.ORG⁠ for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Borachio and Don John conspire to trick Claudio into thinking that Hero is unfaithful, while Don Pedro, Leonato and Claudio trick Benedick into thinking that Beatrice is in love with him and Margaret and Hero trick Beatrice into thinking that Benedick is in love with her. Borachio hatches a plan with Don John to trick Claudio into thinking Hero is unfaithful. Meanwhile, Don Pedro, Leonato and Claudio trick Benedick into thinking that Beatrice is in love with him, and Margaret and Hero trick Beatrice into thinking that Benedick is in love with her. The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠for free shipping on your order and 365-day returns.*** Beatrice jokes at dinner about the impossibility of finding the perfect man, swearing she’ll never marry. Once the masked ball begins, she dances with Benedick, pretending she doesn’t see through his disguise as she teases him mercilessly. Don Pedro dances with Hero and Borachio dances with Margaret. Later, Don John and Borachio spot Claudio outside, pretending to be Benedick. Don John tells him that Don Pedro is in love with Hero before going back inside with Borachio. Claudio is crestfallen and ditches Benedick, who stews over Beatrice’s insults until Don Pedro comes out. Benedick berates the prince for stealing Hero from Claudio. Don Pedro scolds Benedick for being rude to Beatrice. Benedick says Beatrice was far worse to him and jokes about how horrible she is until she arrives unseen and overhears his rant. As Benedick beats a hasty retreat, Don Pedro tries to get her to forgive him but she tells him he’s wronged her more than once. Having found Claudio, she pushes him to talk to Don Pedro, who informs him to his great surprise that he’s won Hero for him and that Leonato has agreed to the match. As Hero and Claudio revel in their joy, Don Pedro asks Beatrice if she’d take him as a husband. She laughs before realizing he’s not joking, then tells him she’ll never marry. Leonato joins them and sends Beatrice inside so he and Don Pedro can plan for the wedding, which will be in a week. As everyone celebrates, Don Pedro conspires with Leonato, Claudio and Hero to make Beatrice and Benedick fall in love with each other. The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠http://quince.com/playonpod ⁠⁠for free shipping on your order and 365-day returns.*** On a pier in Port De Toulon, France, not long after World War II, Leonato, the governor of Messina, awaits the arrival of the victorious Prince, Don Pedro of Aragon. He tells his daughter, Hero, that a distinguished young soldier named Claudio is accompanying the prince. Leonato’s niece, Beatrice, asks about a soldier named Benedick, with whom she has some history. Don Pedro arrives and steps off his ship with his brother, Don John, whose past transgressions he’s recently forgiven. Benedick and Claudio step off the ship with Borachio, who has a quick aside with his old flame, Margaret, Beatrice’s trusted servant. Beatrice and Benedick sling a few quick insults at each other before Don Pedro tells his soldiers that Leonato has invited them to stay for a month at his villa. As they leave the port, Claudio confides in Benedick that he’s in love with Hero. Benedick tells Don Pedro, who encourages the match. In the limousine on the way to Leonato’s villa, Don Pedro offers to help Claudio woo Hero at the upcoming masquerade ball. A few minutes later, in the kitchen of the villa where a feast is being prepared, Leonato’s sister, Antonia, tells him that her dresser told her that her driver overheard Don Pedro telling Claudio that he loves Hero. That evening, Don John broods in a guest house as his friend, Conrade, tries to cheer him up. When the drunken Borachio arrives to say he heard Don Pedro talking to Claudio about how to woo Hero, Don John seizes the opportunity to make some mischief. The PLAY ON PODCAST SERIES, “MUCH ADO ABOUT NOTHING”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by RANJIT BOLT. All episodes were directed by BRENDON FOX. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   TRACIE LANE                              as    BEATRICE REG ROGERS                              as    BENEDICK TÉA GUARINO                             as    HERO ZION JANG                                   as    CLAUDIO CARMAN MATTHEW LACIVITA as    DON PEDRO ALEJANDRA ESCALANTE        as    MARGARET and CONRADE DEMOSTHENES CHRYSAN      as    LEONATO DEE NELSON                               as    ANTONIA BRIAN OWEN                               as    DOGBERRY STEPHEN MICHAEL SPENCER as    BORACHIO EVAN ZES                                     as    NAVAL CADET, OATCAKE and SEACOAL LUIS MORENO                             as    DON JOHN and THE SEXTON MARY BACON                              as    DEACON FRANCIS and VERGES                           Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Vocal arrangement and music direction by STEPHEN MICHAEL SPENCER. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “MUCH ADO ABOUT NOTHING” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The world must be peopled!” Learn more about your ad choices. Visit megaphone.fm/adchoices

Set in the French Riviera at the height of post-war euphoria, Shakespeare’s romantic comedy about bantering rivals who become reluctant lovers and youthful sweethearts who are nearly thwarted by jealous scoundrels is a romp through a maze of relationships, gossip, passion, persecution and forgiveness. Translated into modern English verse by Ranjit Bolt and directed by Brendon Fox, with original music composition and sound design by Lindsay Jones. Learn more about your ad choices. Visit megaphone.fm/adchoices

“When you’re disabled you have to use underhanded means to get what you want”: Actor Mat Fraser talks about why the character of Richard III isn’t much of a leap for him, his career as a disabled actor, his encounters with Peter Farrelly, Ryan Murphy, punk rock, Sealo The Sealboy, Coney Island, and how he wooed his wife with a rear naked chokehold. All this and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to ⁠⁠http://quince.com/playonpod ⁠⁠for free shipping on your order and 365-day returns.*** Next Chapter Podcasts presents the complete Play On Podcast series, RICHARD III, in its entirety. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices