What makes a song a smash? Talent? Luck? Timing? All thatβand more. Chris Molanphy, pop-chart analyst and author of Slateβs βWhy Is This Song No. 1?β series, tells tales from a half-century of chart history. Through storytelling, trivia and song snippets, Chris dissects how that song you loveβor hateβdominated the airwaves, made its way to the top of the charts and shaped your memories forever.
Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.
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For decadesβliterally since Woodstockβfemale musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the β90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott.
Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to β99 affirmed womenβs clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding βwomenβs musicβ as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the roadβhow its performers, attendees and musical descendants are helping to ensure the future is female.
Podcast production by Benjamin Frisch and Kevin Bendis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Building a Herstory Edition Part 1
Saturday, August 10, 2024 β’ Duration 49:31
For decadesβliterally since Woodstockβfemale musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the β90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott.
Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to β99 affirmed womenβs clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding βwomenβs musicβ as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the roadβhow its performers, attendees and musical descendants are helping to ensure the future is female.
Podcast production by Benjamin Frisch and Kevin Bendis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Gotcha Covered Edition Part 2
Friday, March 29, 2024 β’ Duration 46:19
Cover songs once had a simple playbook: Artists would faithfully rerecord a songβnote for note and word for word. They might modernize the instrumentation. If they were feeling radical, theyβd punch up the vocals a bit.
Now itβs hard to say what a cover is anymore. If Ariana Grande turns βMy Favorite Thingsβ into β7 Rings,β does that qualify? When Drake says heβs βWay 2 Sexy,β is he covering Right Said Fred?
The recent chart success of βFast Carββcountry star Luke Combsβ very traditional take on Tracy Chapmanβs folk classicβhas reinvigorated interest in cover songs. Sometimes, isnβt just remaking the song as-is enough?
Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. Weβre long past the days of βTwist and Shout,β βVenusβ and βIβll Be There.β
Podcast production by Olivia Briley.
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The Bridge: Yacht Or Nyacht?
Friday, August 28, 2020 β’ Duration 50:04
First, we have a few announcements about the future of Hit Paradeβand itβs good news for both Slate Plus members and non-Plus listeners. While the economic challenges of COVID-19 certainly havenβt abated, Hit Parade has attracted enough new Plus members to allow us to take some episodes out from behind Slateβs paywall starting in September.
Starting next month, full-length Hit Parade episodes will debut in the middle of the month, not the end (our next full-length episode drops on Friday, September 18). If you are a Plus member, youβll hear the whole show all at once, the day it drops. If you are not a Plus member, you will receive the first half of the episode mid-month, with ads, and youβll have to wait a couple of weeks to hear the second half of the show, at monthβs end. Finally, Hit ParadeββThe Bridgeβ episodes will remain Plus-only.
IAgain, thanks to many of you who signed up for Slate Plus just to hear Hit Parade, and of course the thousands of longtime Plus members. We plan to keep giving you the bonus content you expect. And a hearty welcome back to non-Plus listenersβwe hope youβll consider joining Slate Plus in the future, but you can also support Hit Parade by spreading the word about our episodes. And to sign up for Slate Plus to support the show, head over toΒ slate.com/hitparadeplus.
In this mini-episode of Hit Parade, host Chris Molanphy is joined by J.D. Ryznar, βHollywoodβ Steve Huey, and Dave Lyons, creators of the web series Yacht Rock and follow-up podcast Beyond Yacht Rock. Not only did they invent the very term that inspired the latest episode of Hit Parade, they have kept the fire alive by refining what the genre means.
The Yacht Rockers and Chris discuss the enduring legacy of the term they createdβfrom why the name stuck, to how it was perceived by the various artists whose music it defined. (Boz Scaggs is reportedly not happy.) They also reveal songs theyβd re-rate against their signature Yachtski scale, songs commonly tagged Yacht that are actually βNyacht,β and how they curate the boundaries of the genre. They even offer a Hit Paradeβexclusive announcement about whatβs next for their smooth creation.
Finally, Chris quizzes a Slate Plus listener with some music trivia, gives her a chance to turn the tables on him, and previews next monthβs full-length episode.
Podcast production by Asha Saluja.Β
Learn more about your ad choices. Visit megaphone.fm/adchoices
Wednesday Night Live: Music Trivia
Friday, August 14, 2020 β’ Duration 04:27
Hey,Β Hit ParadeΒ listenersβweβve got an unusual schedule for August. Todayβs show is a recording of last weekβs installment ofΒ Slateβs Wednesday Night Live, which was aΒ liveΒ Hit ParadeΒ trivia edition. I was the host, and I got to quizΒ several Slate luminaries onΒ BillboardΒ chart brainteasers. We had a blast.Β
Then, later this month, in the place where we would normally bring you a full-length story, weβll instead be doing a super-sized edition of our regularΒ Hit ParadeββThe Bridgeβ show. Weβll be following up last monthβs Yacht Rock episode with someΒ veryΒ special guests. You wonβt want to miss it.
Like many media organizations at the moment, Slate is getting hit pretty hard by what's going on with the economy in the wake of the COVID-19 pandemic. We want to continue doing our work, providing you with all our great podcasts, news and reporting, and we simply cannot do that without your support. So we're asking you to sign up for Slate Plus, our membership program. It's just $35 for the first year, and it goes a long way to supporting us in this crucial moment.
Learn more about your ad choices. Visit megaphone.fm/adchoices
What a Fool Believes Edition
Friday, July 31, 2020 β’ Duration 08:46
Like many media organizations at the moment, Slate is getting hit pretty hard by what's going on with the economy in the wake of the COVID-19 pandemic. We want to continue doing our work, providing you with all our great podcasts, news and reporting, and we simply cannot do that without your support. So we're asking you to sign up for Slate Plus, our membership program. It's just $35 for the first year, and it goes a long way to supporting us in this crucial moment.
In the late β70s and early β80s, a scene and a sound cropped up on the West Coast: polished, perfectionist studio musicians who generated sleek, jazzy, R&B-flavored music. About a quarter-century later, this sound was given a name: YachtΒ Rock. The inventors of the genre name werenβt thinking about boatsβ¦well, unless the song was Christopher Crossβs βSailing.β Yacht Rock was meant to signify deluxe, yuppified, βsmoothβ music suitable for playing on luxury nautical craft.
Whatever you call it, this music really did command the charts at the turn of the β80s: from Steely Dan to George Benson, Michael McDonald to Kenny Loggins, Toto toβ¦Michael Jackson?! Believe it: even Thriller is partially a Yacht Rock album. This month, Hit Parade breaks down what Yacht Rock was and how it took over the charts four decades agoβfrom the perfectionism of βPeg,β to the bounce of βWhat a Fool Believes,β to the epic smoothness of βAfrica.β
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The Bridge: Lilithβs Winding Road
Friday, July 17, 2020 β’ Duration 07:31
In this mini-episode of Hit Parade, host Chris Molanphy is joined by Jessica Hopper, acclaimed critic for publications like Rolling Stone, The New York Times Magazine, GQ, The Guardian, Elle and Bookforum, and author of the books The Girlsβ Guide to Rocking, The First Collection of Criticism by a Living Female Rock Critic and Night Moves. Her deeply researched September 2019 piece for Vanity Fair, βBuilding a Mystery: An Oral History of Lilith Fair,β informed and helped inspire the latest episode of Hit Parade. Jessica and Chris discuss the reasons for the festivalβs success against the odds, the legacy of its acts big and small, and what a future evolution of a Lilith Fair could look like.
Next, Chris quizzes a very special Slate Plus listener with some music trivia: TJ Raphael, founding co-host and producer of βThe Bridge.β TJ originally conceived of the Lilith Fair episode as she departed βThe Bridgeββso Chris has invited her back to talk about her earliest memories of woman-fronted alt-rock. Then Chris finally puts TJ in the trivia hot seat.
Β
Podcast production by Asha Saluja.Β
A special Hit Parade announcement: Like many media organizations at the moment, Slate is getting hit pretty hard by what's going on with the economy in the wake of the COVID-19 pandemic. We want to continue doing our work, providing you with all our great podcasts, news and reporting, and we simply cannot do that without your support. So we're asking you to sign up for Slate Plus, our membership program. It's just $35 for the first year, and it goes a long way to supporting us in this crucial moment.
Β
As part of this effort, as of April 2020, Hit Parade episodes are available to Slate Plus members only. To listen to future episodes in full, you'll need to become a Slate Plus member. This is the best way to support our show and our work, and we hope you will pitch in if you can. Your membership will also give access to everything on Slate.com, you'll get ad-free versions of this and other shows, and you'll get bonus segments and bonus episodes of other Slate podcasts. Plus, once you become a member, you can sign up to do trivia with Chris Molanphy on Hit ParadeββThe Bridgeβ episodes.
Β
Please sign up today at slate.com/hitparadeplus. We thank you for your support.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Building a Herstory Edition
Tuesday, June 30, 2020 β’ Duration 07:36
Like many media organizations at the moment, Slate is getting hit pretty hard by what's going on with the economy in the wake of the COVID-19 pandemic. We want to continue doing our work, providing you with all our great podcasts, news and reporting, and we simply cannot do that without your support. So we're asking you to sign up for Slate Plus, our membership program. It's just $35 for the first year, and it goes a long way to supporting us in this crucial moment.
For decadesβliterally since Woodstockβfemale musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the β90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott.
Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to β99 affirmed womenβs clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding βwomenβs musicβ as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the roadβhow its performers, attendees and musical descendants are helping to ensure the future is female.
Learn more about your ad choices. Visit megaphone.fm/adchoices
The Bridge: Many Ways to be OutKasted
Friday, June 12, 2020 β’ Duration 05:01
In this mini-episode of Hit Parade, host Chris Molanphy is joined by Dr. Regina Bradley, Assistant Professor of English and African Diaspora Studies at Kennesaw State University in Kennesaw, Georgia, She is the author of the forthcoming book Chronicling Stankonia: The Rise of the Hip Hop South; cohost of the southern hip-hop podcast Bottom of the Map on WABE and PRX; and host of the recent YouTube series OutKasted Conversations. Gina and Chris discuss the most recent full-length episode of Hit Parade, OutKastβs roots in Atlantaβs decades-long funk tradition, and what they meant to Southerners who felt alienated not just by bicoastal hip-hop but also by Atlantaβs unequal progress on the challenges faced by its black residents.
Next, Chris quizzes a Slate Plus listener with some music trivia, and the contestant turns the tables with a chance to try to stump Chris with a question of his own. Then, Chris teases the upcoming full-length episode of Hit Parade, which will look at Lilith Fair, the all-female festival tour in the late β90s, how it reflected womenβs role in alternative rock, and its legacy to this day.Β
A special Hit Parade announcement: Like many media organizations at the moment, Slate is getting hit pretty hard by what's going on with the economy in the wake of the COVID-19 pandemic. We want to continue doing our work, providing you with all our great podcasts, news and reporting, and we simply cannot do that without your support. So we're asking you to sign up for Slate Plus, our membership program. It's just $35 for the first year, and it goes a long way to supporting us in this crucial moment.
Β
As part of this effort, as of April 2020, Hit Parade episodes are available to Slate Plus members only. To listen to future episodes in full, you'll need to become a Slate Plus member. This is the best way to support our show and our work, and we hope you will pitch in if you can. Your membership will also give access to everything on Slate.com, you'll get ad-free versions of this and other shows, and you'll get bonus segments and bonus episodes of other Slate podcasts. Plus, once you become a member, you can sign up to do trivia with Chris Molanphy on Hit ParadeββThe Bridgeβ episodes.
Β
Please sign up today at slate.com/hitparadeplus. We thank you for your support.
Podcast production by Asha Saluja.Β
Learn more about your ad choices. Visit megaphone.fm/adchoices
Shake It Like a Polaroid Picture Edition
Friday, May 29, 2020 β’ Duration 07:58
A special Hit Parade announcement: Like many media organizations at the moment, Slate is getting hit pretty hard by what's going on with the economy in the wake of the COVID-19 pandemic. We want to continue doing our work, providing you with all our great podcasts, news and reporting, and we simply cannot do that without your support. So we're asking you to sign up for Slate Plus, our membership program. It's just $35 for the first year, and it goes a long way to supporting us in this crucial moment.
As part of this effort, we're going to be making Full Hit Parade episodes available to Slate Plus members only. To listen to the episode in full, and episodes in future months, you'll need to become a Slate Plus member. This is the best way to support our show and our work, and we hope you will pitch in if you can. Your membership will also give access to everything on Slate.com, you'll get ad-free versions of this and other shows, and you'll get bonus segments and bonus episodes of other Slate podcasts. Plus, once you become a member, you can sign up to do trivia with Chris Molanphy on Hit ParadeββThe Bridgeβ episodes. Please sign up today at slate.com/hitparadeplus. We thank you for your support.
On this preview episode: Outkast is inarguably one of the most important acts in hip hop and pop music history, but their impressive chart runs, and the brand of Atlanta hip hop they championed, was far from inevitable. This is the story of Outkast and how they established Atlanta as a major center of hip hop culture in the United States while racking up some of the most unexpected hits in the history of popular music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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