Born To Watch - A Movie Podcast – Details, episodes & analysis

When it comes to films that have left a lasting mark on the horror genre, few can rival the terrifying power of The Exorcist (1973). Directed by William Friedkin and adapted from William Peter Blatty’s 1971 novel, The Exorcist shattered boundaries with its unflinching portrayal of demonic possession and the battle between good and evil. Released in December 1973, the film captivated audiences and sparked controversy for its graphic content and shocking themes. This review will explore why The Exorcist (1973) remains a pinnacle of horror cinema, from its groundbreaking storytelling to its cultural and cinematic significance.

A Simple Story Elevated by Complex Themes

At its core, The Exorcist (1973) tells a simple yet profoundly disturbing story. It revolves around the possession of a young girl, Regan MacNeil (played by Linda Blair), and the desperate efforts of her mother, Chris (Ellen Burstyn), to save her. The family’s only hope rests with two priests, Father Karras (Jason Miller) and the seasoned exorcist, Father Merrin (Max von Sydow). While the premise seems straightforward—a child in peril, religious figures battling a supernatural force—the film digs deeper into themes of faith, guilt, and the fragility of human existence.

One of the key elements that makes The Exorcist so unsettling is its exploration of faith, or rather, the loss of it. Father Karras is a man wracked by doubt. He’s a priest who has lost his mother, a psychiatrist struggling to reconcile his beliefs with the suffering he sees in the world. His personal crisis mirrors the larger question the film asks: what do we do when confronted with something truly evil? This is the tension at the heart of The Exorcist, elevating the film from mere shock value to something far more existential and terrifying.

Unforgettable Performances

The performances in The Exorcist (1973) are nothing short of iconic, particularly that of Linda Blair as the possessed Regan. Blair’s transformation from a sweet, innocent child to a terrifying vessel for a demon is astonishing. It’s a performance that pushes the limits of what was previously expected from child actors, and it’s still regarded as one of the most chilling portrayals in horror history. Her physical and emotional range—enhanced by the groundbreaking makeup effects of Dick Smith—leaves a lasting impact. Every contorted expression every guttural sound that emerges from her during the possession sequences is haunting.

Ellen Burstyn’s portrayal of a desperate mother is equally powerful. Chris MacNeil’s descent from a successful actress to a mother on the verge of breakdown is heart-wrenching. The film builds up her growing terror and helplessness as Regan worsens, creating a harrowing portrait of maternal despair.

Jason Miller’s conflicted Father Karras is a revelation. His nuanced performance of a man wrestling with his faith adds emotional depth to the film’s supernatural elements. Meanwhile, Max von Sydow’s Father Merrin is the stoic, wise counterpoint to Karras’ inner turmoil. Although Merrin’s character is more of a traditional hero, von Sydow brings gravitas and world-weariness to the role, making the final confrontation all the more gripping.

Pushing the Boundaries of Special Effects

In 1973, audiences had never seen anything quite like The Exorcist. The special effects, many of which were practical, broke new ground in horror filmmaking. From Regan’s spider-walk down the stairs to the levitation scenes, the film’s visual shocks have become legendary. The makeup that transforms Blair’s face into something grotesque, the vomit spewing, the rotating head—these effects still hold up today and remain unsettling even in a world where digital effects dominate.

But it’s not just the visual effects that make The Exorcist so memorable. The sound design plays a crucial role in heightening the terror. The eerie soundscape, from the unnatural voices Regan speaks to, to the house's creaking, creates a sensory overload that gets under your skin. And who could forget Mike Oldfield’s Tubular Bells? While not initially composed for the film, the track has become synonymous with The Exorcist, its hypnotic rhythm forever tied to the creeping sense of dread the movie invokes.

Cultural Impact and Controversy

The release of The Exorcist (1973) sparked widespread debate and controversy. Audiences were reportedly fainting, vomiting, and fleeing theatres in panic due to the intensity of the film. In fact, the film was banned in several countries and faced resistance from religious groups who considered it blasphemous. The stark depiction of exorcism and the visceral horrors it presented hit a nerve with the public. It challenged not just what could be shown on screen but how far filmmakers could push the boundaries of audience tolerance.

Despite—or perhaps because of—its controversy, The Exorcist was a massive commercial success. It became the first horror film nominated for Best Picture at the Academy Awards, ultimately taking home two Oscars for Best Adapted Screenplay and Best Sound. More importantly, it shifted the landscape of horror cinema. The film proved that horror could be more than just campy monster flicks or psychological thrillers; it could be raw, visceral, and deeply disturbing. It opened the door for a more sophisticated brand of horror, one that wasn’t afraid to tackle profound themes alongside graphic imagery.

Enduring Legacy

What makes The Exorcist (1973) endure over fifty years later is not just its capacity to shock but its ability to ask timeless questions. The film doesn’t merely present a battle between good and evil; it challenges viewers to confront their own beliefs about the nature of evil, faith, and redemption. This is why The Exorcist still resonates with audiences today—it forces us to consider the fragility of the human condition and the possibility that something incomprehensible, something truly terrifying, may lurk in the shadows.

Moreover, The Exorcist set the bar for future horror films, influencing a generation of filmmakers. Its blend of psychological depth, religious horror, and disturbing imagery can be seen in countless horror classics that followed, from The Omen to Hereditary. The film also left its mark on pop culture, referencing Regan’s possession and the infamous exorcism scenes becoming staples in parody, tribute, and analysis.

Final Thoughts

The Exorcist (1973) remains one of the most important and influential films in horror history. Its stellar performances, groundbreaking special effects, and thought-provoking themes make it more than just a scary movie—it’s a cinematic experience that forces audiences to confront their deepest fears. Whether you’ve seen it once or a dozen times, The Exorcist never loses its power to horrify, disturb, and provoke. As a film that redefined the genre and pushed cinematic and cultural boundaries, it stands as a testament to what horror can achieve when it's done right.

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In this week's episode of Born to Watch, we're diving into a film that strikes the perfect balance between humor, heartbreak, and the hope that pulls us through life's darkest moments. Directed by David O. Russell and featuring a powerhouse cast, "Silver Linings Playbook" has left a lasting impression on audiences since its release in 2012. This film isn't just another romantic comedy—it's a deeply moving exploration of mental health, relationships, and the redemptive power of love.

"Silver Linings Playbook" tells the story of Pat Solitano (Bradley Cooper), struggling to rebuild his life after a stint in a mental institution. Diagnosed with bipolar disorder, Pat's world is in shambles: he's lost his job, his house, and his marriage. Despite these setbacks, Pat is determined to regain control of his life and win back his estranged wife, Nikki (Brea Bee). He moves back in with his parents, Pat Sr. (Robert De Niro) and Dolores (Jacki Weaver), whose quirks and struggles add complexity to the family dynamic.

From the very beginning, it's clear that "Silver Linings Playbook" is not your typical romantic comedy. The film deals with heavy themes such as mental illness and the challenges of recovery, but it does so with a light touch that never feels exploitative or disrespectful. David O. Russell's direction is sharp and empathetic, capturing the chaos and confusion of Pat's life without losing sight of the humour and humanity that make his story so compelling.

One of the film's greatest strengths is its ability to portray mental illness in a realistic yet hopeful way. Pat's journey is filled with setbacks and moments of despair, but the film never loses sight of the possibility of recovery. Bradley Cooper's portrayal of Pat is nothing short of remarkable—he brings a raw intensity to the role that is both heartbreaking and inspiring. Cooper’s ability to convey Pat’s vulnerability and determination makes him a character that is both relatable and deeply sympathetic. It's a performance that resonates long after the credits roll.

Jennifer Lawrence, who won an Academy Award for her role as Tiffany Maxwell, is equally captivating. Tiffany is a young widow who is dealing with her mental health struggles, and her unlikely friendship with Pat becomes the heart of the film. Lawrence brings a fiery energy to the role, making Tiffany both fierce and fragile, a perfect match for Pat’s more subdued but equally tumultuous personality. Their chemistry is electric, and their interactions blend sharp wit and genuine emotion, making their relationship one of the most memorable in recent cinema.

The supporting cast is just as impressive. Robert De Niro delivers a standout performance as Pat Sr., a father who is as complicated as his son. De Niro brings a mix of humour, frustration, and deep-seated love to the role, creating an endearing and exasperating character. Jacki Weaver, as Dolores, provides a softer, more nurturing presence, balancing the family's dynamics with her quiet strength. Together, they create a believable and touching portrayal of a family trying to navigate the challenges of mental illness and the impact it has on their lives.

"Silver Linings Playbook" is also notable for its depiction of sports fanaticism, particularly how it ties into the characters' lives and emotional states. Pat Sr.'s obsession with the Philadelphia Eagles is both a source of tension and a means of bonding within the family. This subplot adds another layer of authenticity to the film, grounding it in a specific cultural context while also highlighting how people use rituals and routines to cope with life's uncertainties.

The film's pacing is brisk, and its narrative keeps the audience engaged from start to finish. Russell’s script, adapted from Matthew Quick’s novel of the same name, is tight and witty, filled with dialogue that is as sharp as it is heartfelt. The story unfolds in a way that feels organic, with each scene building on the last to create a sense of momentum that mirrors Pat's journey towards healing and self-acceptance.

Cinematographically, "Silver Linings Playbook" uses a mix of close-ups and wide shots to create a sense of intimacy and immediacy. The handheld camera work gives the film a raw, almost documentary-like feel, drawing the audience into Pat's world and allowing them to experience his highs and lows firsthand. This visual style, combined with the film's vibrant colour palette, adds to the optimism that underpins the story, even in its darkest moments.

The soundtrack perfectly complements the film's tone, featuring a mix of classic rock and contemporary hits. Songs like "My Cherie Amour" by Stevie Wonder and "Girl from the North Country" by Bob Dylan and Johnny Cash provide a nostalgic backdrop that enhances the emotional resonance of key scenes. Danny Elfman's subtle score also adds to the film’s mood, underscoring the characters' emotional journeys without overwhelming the narrative.

One of the most remarkable aspects of "Silver Linings Playbook" is its ability to blend humour and drama so seamlessly. The film tackles serious issues—mental illness, loss, and the struggle to move forward—yet it does so with a lightness that never feels forced. The humour arises naturally from the characters and their interactions, providing moments of levity that make the film's more poignant moments all the more impactful.

As the film progresses, Pat and Tiffany’s relationship evolves unexpectedly. What begins as a tentative friendship rooted in shared pain gradually blossoms into something deeper. Their connection is not a fairy tale romance but a realistic portrayal of two people who find solace and strength in each other’s company. The dance competition they enter together becomes a metaphor for their journey—awkward, messy, but ultimately beautiful in its imperfection.

"Silver Linings Playbook" is a film that resonates on multiple levels. It’s a love story, but it’s also about family, healing, and the pursuit of happiness in the face of adversity. The film doesn’t offer easy answers or neat resolutions, but it does provide a sense of hope—a reminder that even in our darkest moments, there is the possibility of finding a silver lining.

In conclusion, "Silver Linings Playbook" is a must-watch for anyone who appreciates entertaining and thought-provoking films. With its exceptional performances, sharp writing, and sensitive portrayal of complex issues, it stays with you long after the credits roll.

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Bachelor Party, the 1984 comedy film directed by Neal Israel, is a quintessential representation of 80s excess, raunchy humor, and carefree fun. Starring a young Tom Hanks in one of his earlier comedic roles, the film dives headfirst into the chaotic world of pre-wedding festivities, delivering a non-stop barrage of laughs, absurd situations, and memorable characters. For the latest episode of the Born to Watch podcast, we’re diving deep into this cult classic to explore what makes Bachelor Party a standout in the realm of 80s comedies.

The Plot: A Recipe for Chaos

The premise of Bachelor Party is deceptively simple: Rick Gassko (Tom Hanks), a fun-loving school bus driver, is about to marry his sweetheart Debbie (Tawny Kitaen). His friends decide to throw him the ultimate bachelor party, complete with all the debauchery and mayhem one could imagine. However, the party spirals out of control as Rick’s friends, Debbie’s disapproving father, her ex-boyfriend, and other eccentric characters get involved.

What makes the plot work is its unabashed embrace of absurdity. The film doesn’t shy away from pushing boundaries, and its willingness to go all out results in some truly outrageous and unforgettable scenes. Whether it’s the appearance of a donkey, a hotel room full of prostitutes, or the inevitable clash with Debbie’s ex, Bachelor Party revels in its chaotic narrative.

Tom Hanks: The Heart of the Party

One of the most remarkable aspects of Bachelor Party is Tom Hanks’ performance. Known today for his dramatic roles and everyman charm, Hanks shows his early comedic chops in this film. His portrayal of Rick Gassko is endearing, capturing the character’s mischievous spirit and good-hearted nature. Hanks’ charisma anchors the film, making Rick a lovable protagonist amidst the madness.

Hanks’ comedic timing is impeccable, and his ability to navigate the film’s slapstick humour and over-the-top scenarios is a testament to his versatility as an actor. His chemistry with the ensemble cast, particularly with Tawny Kitaen, adds a layer of sweetness to the otherwise raucous narrative. Hanks manages to make Rick both the life of the party and a character worth rooting for, balancing the film’s wild energy with a touch of sincerity.

Cinematography and Direction: Capturing the Chaos

Neal Israel’s direction in Bachelor Party complements the film’s frenetic energy. The pacing is brisk, with each scene flowing seamlessly into the next, constantly entertaining the audience. Israel’s ability to juggle multiple subplots and characters without losing the film’s core focus is commendable.

The cinematography by Hal Trussell captures the vibrant, often garish aesthetic of the 80s. The party scenes are particularly well-shot, immersing viewers in the chaotic atmosphere. Bright colours, dynamic camera angles, and quick cuts enhance the film’s comedic impact. Much like the film itself, the visuals are loud and exaggerated, perfectly encapsulating the era’s excess.

Character Development: Eccentric and Memorable

While Bachelor Party is primarily a comedy, the characters truly bring the film to life. Rick’s friends, each with distinct quirks, add depth to the narrative. From the womanising Jay (Adrian Zmed) to the hapless Brad (Bradford Bancroft), each character contributes to the film’s comedic tapestry.

The dynamic between the characters is a highlight, with their interactions providing some of the film’s funniest moments. The camaraderie and genuine affection among Rick’s friends make the outrageous scenarios believable. Tawny Kitaen’s Debbie, although somewhat underutilised, brings a grounded presence to the film, balancing the male-dominated cast.

The antagonistic forces add to the film's conflict and humour, including Debbie’s ex-boyfriend Cole (Robert Prescott) and her father (George Grizzard). Their exaggerated attempts to sabotage the wedding and the bachelor party provide a steady stream of laughs and obstacles for Rick and his friends to overcome.

Cultural and Historical Significance

Bachelor Party is a time capsule of 1980s culture, reflecting the era’s attitudes towards relationships, gender roles, and humour. The film’s unapologetic approach to raunchy comedy and its celebration of hedonism are emblematic of the decade’s cinematic trends. While some aspects of the humour may feel dated or politically incorrect by today’s standards, the film remains a fascinating artifact of its time.

The film also marks an important point in Tom Hanks’ career. As one of his early leading roles, Bachelor Party showcased his potential as a comedic actor and helped pave the way for his future success. For fans of Hanks, the film offers a glimpse into his development as an actor and his ability to elevate even the most outlandish material.

Pop Culture Impact

Over the years, Bachelor Party has achieved cult status, with its memorable scenes and quotable lines cementing its place in pop culture. The film’s influence can be seen in subsequent comedies exploring pre-wedding antics and male bonding themes, such as The Hangover series.

The film’s iconic status is also reflected in its enduring popularity among fans of 80s cinema. Its blend of outrageous humour, memorable performances, and nostalgic appeal continues to resonate with audiences. For the Born to Watch podcast, revisiting Bachelor Party is about celebrating a comedy classic and exploring its lasting legacy in the comedy genre.

A Wild Ride Worth Taking

Bachelor Party is not a film that aims for subtlety or profound messages. Instead, it embraces its role as a riotous comedy, delivering non-stop laughs and a glimpse into the hedonistic side of the 80s. With Tom Hanks leading the charge, the film balances its outrageous humour with genuine charm, making it a must-watch for fans of the era and the genre.

Bachelor Party offers a perfect blend of nostalgia, humour, and cultural insight for the Born to Watch podcast. It’s a film that reminds us of the joy of unrestrained comedy and the enduring appeal of a well-executed party movie. So grab some popcorn, gather your friends, and join us as we celebrate the wild ride that is the Bachelor Party.

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No one but the producers thought that Crocodile Dundee would be as successful as it was. Paul Hogan, an Australian icon wrote the screenplay and starred as the lead - Michael J "Crocodile" Dundee. 
A New York Journalist ventures to the Outback of Australia to find a man that has apparently survived a crocodile attack. Mick offers to take Sue to the scene of the attack and show her exactly how he survived to tell his tale. As much adventure as this is, it's when he joins Sue on her return to New York that this Australian bushman becomes the fish out of water and wins the hearts of every American he encounters.

The year was 1986 and all of the Born to Watch team saw this movie in the cinema, Dan evens recalls exactly when, where and who he was with when he saw Crocodile Dundee for the first time.

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In 1979 a rag tag band of movie makers created an iconic Australian film that would change the face of the Australian film industry. George Miller and Byron Kennedy blessed the public with MAD MAX (1979), the first in a genre defining franchise that would spawn 3 sequels and another on the way.
With a cast fresh out of NIDA and willing to try anything, this is a revenge story where you can smell the fumes from minute one.
They just don't make movies like this anymore.

Whitey mentioned a doco on youtube  - https://www.youtube.com/watch?v=V2V1AUdo11I

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Gareth Evans helms the non stop martial arts blockbuster - The Raid. A lean 100 minutes of mayhem that never lets up, Evans squeezes every ounce of action and menace out of his cast of newcomers and martial arts experts.
A SWAT team assembles for what is supposed to be a surprise raid on a Jakarta slum apartment building, little do they know that this will be the last mission for many of them. 
The Boss who awaits at the top of his derelict palace offers a life of protection for anyone that helps to stop the SWAT team from achieving their goal.
This is martial arts movie making at its finest, with some of the best fight scenes ever seen on the big screen. The star Iko Uwais announces himself the world in this star turn as the hero Rama.
Who is at the head of the conspiracy and how many will survive to tell the tale.

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Back to a full compliment plus a special guest, the BTW team dive head first into the thriller Se7en (1995) and discover exactly what's in the box. 
David Fincher's second feature film, Se7en is a masterpiece in thriller film making that leaves you on the edge of your seat wanting more. Starring four actors that would go on to become Hollywood Royalty, Brad Pitt, Morgan Freeman, Gwyneth Paltrow and Kevin Spacey, Se7en is the movie that would catapult them into the stratosphere. 
Mills (Pitt) and Somerset (Freeman) are detectives thrown together to find a masterful serial killer that is using the seven deadly sins as a way to wreak havoc on an unsuspecting public.
Spooky October continues and Se7en doubles down where Silence of the Lambs left off last week. We hope you enjoy the Se7en episode as much as we enjoyed recording it.

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1991 was a great year for the Born to Watch team and a great year for movies. Whitey and Dan attack the Silence of the Lambs (1991) with the same ferocity as Hannibal Lector did some liver and fava beans. Silence of the Lambs is one of the greatest movies of the generation and scooped the four major awards at the 1992 Academy Awards.
Jodie Foster plays Clarice Starling and in doing so wins her second Oscar in four years but it's Anthony Hopkins as Hannibal the Cannibal that sets this movie apart. A career defining role and a character that tops many lists as the scariest to be seen in a film, this announced Anthony Hopkins to the world and he never looked back.

We speak in the episode about the rock band The Scorpions and a great podcast about the part they played in ending the cold war, the link to the show is below

https://crooked.com/podcast-series/wind-of-change/

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Ghostbusters (1984) was the movie that created a revolution, the song, the merchandise, it was just a complete juggernaut. Three scientists start the very first paranormal investigation agency, The Ghostbusters after being kicked out of their University. They proceed to take New York City by storm capturing ghosts as well as the hearts of the public, but something sinister is brewing and our heroes are the only people that can save the city.
With an all star cast including - Bill Murray, Dan Ackroyd, Harold Ramis, Sigourney Weaver and Rick Moranis this is ad lib film making at its finest.
The BTW team have been looking forward to discussing this movie since the start of the podcast and the boys don't hold back. Dan is back from his trip to the USA to push for admission to the Academy, will he have some travel stories that exactly no one will be excited to hear.
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A 20-year passion project for a BTW favourite director, James Cameron, AVATAR (2009) blew the world away with the beauty and danger of the moon of Pandora. AVATAR would take over from another Cameron blockbuster in TITANIC as the highest-grossing film of all time, and it sat on that perch for almost a decade.
Starring Sam Worthington, Zoe Saldana and Sigourney Weaver, they take a back seat to the world that James Cameron created. With air you can't breathe and danger around every corner, you must keep your wits about you or risk not getting out alive.
Jake Sully is an ex-marine enlisted to take his brother's place in the Avatar project. In this project, humans are attempting to infiltrate the indigenous race to gather intelligence to ultimately use against them. As Jake becomes more accepted, he starts to second-guess the corporation's motives and decides to change sides.
A marvel of modern cinema, the CGI and motion capture used in production changed the way movies were made forever. James Cameron waited for technology to catch up to his vision, and that patience ensured this movie's success.
The Born to Watch team are without a member, Dan is in the field in the USA, chasing his lifelong dream of joining the Academy and visiting GRACELAND. Damo Giles joins us again and brings a different energy, a welcome change in the Panic Room. Enjoy as we out the BTW spin on AVATAR.

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