John Brieger talks about some of the biggest mistakes he's made during the development process so we can all learn from them.

References:

• Brieger Creative - https://www.briegercreative.com/
• John Brieger on Twitter - https://twitter.com/DasBrieger

Learn why your game needs development help with professional developer, John Brieger.

References:

• Brieger Creative - https://www.briegercreative.com/
• John Brieger on Twitter - https://twitter.com/DasBrieger

When you're trying to build up a crowd for your game before Kickstarter or to build your resume for selling your game to a publisher, there are a lot of places to put your time and money, but some are better than others.

5. Create a Facebook page or group
4. Build/support your local gaming community
3. Use other's crowds by getting your game to reviewers and other influencers
2. Send infrequent newsletters
1. Create a landing page and funnel people to it through flyers, ads, social media, and everywhere

Jeremy and Brian give some tips for how you can better manage your day job and hobby board game business.

Resources:

• Multideck - https://itunes.apple.com/us/app/multideck/id1193399487?mt=12
• Compononent.Studio - https://component.studio/
• Paperize - https://beta.editor.paperize.io/#/
• Asana - https://app.asana.com/
• Trello - https://trello.com/en
• Jira - https://www.atlassian.com/software/jira
• Noun Project - https://thenounproject.com/
• Card Creatr - https://cardcreatr.sffc.xyz/

Edited by: Mark Edwards

Jeremy and Brian cover the top 5 things that are most commonly wrong with a pitch a game designer gives to a publisher. If you're a designer, you'll probably find something in here that you can use to improve your next pitch.

When you've been working on a design for a while and you're not sure if there's enough there to keep going with it, we have some signs that it might be time to give up on it. If you want a spoiler, the signs are:

5) No market opportunity
4) Design colleagues don't ask about the status or encourage you to keep working on it
3) Too long to play/too long to explain the rules
2) Not fun enough (playtesters don't ask to play again)
1) No hook or the hook is not good enough

We go over the top 5 reasons to theme your prototype and some discussion around them. If you want to have them spoiled, here are some of our notes on each one:

5) Theme makes it easier to learn your game. It drives cohesion, direction, and rules comprehension.

4) Some publishers really care about theme (like Brian) so you'll get more opportunities if your game has one. You'll get in the door. Theme sells better than math. Games are an experience, and theme tells your story.

3) A themed games is more interesting to players so you'll get more playtesters. It shows your playtesters that you respect their time and level of enjoyment.

2) Save the publisher time by showing them it is complete. A game with no theme isn't done yet and they would usually not do that work if they can avoid it. Once you're in the door, you're more likely to stay there.

1) Theme is part of the design. Why are we even talking about them as if they are independent parts?

Top 5 Tips for Getting Your Prototype Played at Small Conventions

5) Teach games and then ask if they want to try your own game afterwards. (know your audience and be respectful of time)

4) Setup in open gaming and grab drive bys and/or have good signage.

3) Setup an event with local designers there through meetup/facebook so you can all play each other games. (then anyone who is interested can go out to lunch/dinner afterwards)

2) Setup official events and offer prizes/bribes. (make sure you have a way for people to be notified when they can get it and/or get their name in the rulebook)

1) Find or create your own prototype room.

Today Brian interviews Erik Dahlman of Albino Dragon about the convention services he offers where his team will demo your game at his booth at various conventions throughout the year. You can get the exposure that conventions offer without the million headaches of actually doing it. To get more information from Erik about working with him, email CONVENTIONS@ALBINODRAGON.COM.

In this one, we cover different methods for setting your Kickstarter funding goal, your stretch goals, how many updates to send during the campaign, and we talk about Richard's holy grail Star Trek cat game.

Learn all about Jeremy's "7 Rules for Writing Rules" and what Richard and Brian think about them. We actually disagree on this on more than most episodes!

Jeremy's 7 Rules for Writing Rules

1. Force yourself to write your rules right away and have them ready for your first playtest with real people.
2. Start strong. Tell a story as you give the theme.
3. Use software to maintain your rules and keep them always up-to-date.
4. Add notes to add diagrams later.
5. Put a component list at the end of the rules use a component diagram with labels.
6. Use 2nd person to specify "you".
7. Use white space and formatted lists.

Today we discuss designing around analysis paralysis:

• Is it a bad thing?
• Limiting your decision space
• Add more options/decisions as you go
• Allowing players to "mess up" the next player's carefully laid plans
• Companion app
• Reference cards to make decisions easier
• Usability in graphic design or component selection
• Simultaneous play
• Hidden actions
• Keep players engaged
• Walls of text
• Put longer decisions at the end of a players so other players can take their turns while the other player is thinking

We discuss the top 5 most common rough edges on a Kickstarter game so you can avoid them on yours!

• Dustin Schwartz Rules Editing: https://twitter.com/dustinbschwartz
• The Game Crafter Sanity Test: https://help.thegamecrafter.com/article/145-sanity-tests

Ed Baraf sits down with Brian Henk to discuss the history of experiments tried at Overworld Games, such as using IPs or releasing a game outside of Kickstarter -- and how games have done in terms of profitability and copies sold. Going through what went well and what didn't may give other creators some insight into what they should and should not do.

Video Version: https://youtu.be/xMkEDTgVk5w

Today we talk about how to figure out why your Kickstarter campaign is failing and how to fix it.

Brian's magic recipe for a successful campaign:

1. A page that converts visitors into backers
2. Get backers to your page

Converting: The video, explaining the hook, providing the content people really care about

Getting Visitors: Social media ads, building your crowd before launch, connecting with influencers, creating awareness during the campaign

Brian had the pleasure of interviewing Vincent Salzillo, President of Double Exposure, Inc. His company organizes Gen Con events such as First Exposure Playtest Hall and the new First Encounter Designer Showcase (publisher speed dating) events. They also organize conventions such as DEXCON, DREAMATION, and METATOPIA. Plus they run the Envoy programs. It's a lot! This is what we cover in 30 minutes:

• METATOPIA - A convention for game designers.
• First Exposure Playtest Hall - A Gen Con event for playtesting.
• First Encounter Designer Showcase - A Gen Con event where you pitch your game to publishers in a "speed dating format".

Resources

• First Exposure Playtest Hall - https://www.gencon.com/experience/feph2018
• First Encounter Designer Showcase - https://www.gencon.com/experience/2018feds
• Double Exposure Envoy Program - https://www.dexposure.com/envoy/
• Double Exposure - https://www.dexposure.com/home.html
• Vincent Salzillo's Email: - salvius@dexposure.com

Today we talk about ways to get people to play your ugly prototype! Some topics:

• Imaginary friends
• Design partners or other trusted designers
• Protospiel/Unpub
• Designer groups
• General playtesting groups
• Fostering an inviting community
• Print-and-plays
• Conventions at a free table
• Conventions as an event
• Other convention options
• Digital simulations
• Paid playtesting

Resources

• Game Krackers - https://www.facebook.com/GameKrackers/
• Shadowsong Industries - https://www.facebook.com/ShadowsongIndustries/
• First Exposure Playtest Hall - https://www.dexposure.com/firstexposure.html
• Protospiel - http://www.protospiel.org/
• Unpub - http://unpub.net/

Today our episode is more focused on behind-the-scenes of being a Kickstarter creator. We dig into how CrowdOx works and use it as a vehicle to discuss some topics on how a pledge manager can and should be used on a campaign.

Topics:

• Paypal processors and freezes (maybe)
• How is CrowdOx different than competitors
• Charging shipping through PM
• Selling old catalog of games
• Tip jars
• Customer data and security breeches

Reference:

• crowdox.com - Learn more about CrowdOx.

Today we talk about how randomness affects our enjoyment of games. It's slanted towards game design, but also has some publisher/indie creator perspectives as well.

• Low-randomness games
• High-randomness games
• Is randomness in games good or bad?
• How does it affect your target audience?
• Harnessing the power of randomness
  
  

This is the Golden Age of Tabletop Gaming Panel from Wondercon 2018 organized by High Voltage. It covers industry trends, game design basics, and how to find events and gamers in your area. The panelists are:

If you'd rather not listen to the questions and you just want to ask yourself some thought-provoking questions about your game, here is the list!

1. Which feeling(s) am I trying to deliver?
2. Why would someone play or buy this game instead of others? What's the hook?
3. Which core element will keep people engaged in my game?
4. Which decisions am I giving players that will keep people playing?
5. Which types of players am I targeting for my game? And what is the weight and play time will it have?
6. How many high-level strategies can you win with?
7. What is the single core mechanic in my game? (everything else you can cut, if needed)
8. How much downtime do players have?
9. How do players interact with one another and does it fit with the theme?
10. What is confusing players when they play?
11. What player counts can this support? Can you expand that count?
12. What will the MSRP be?
13. Do players feel like they are in the universe/theme?
14. Where will people be playing this game?
15. What is my exit strategy for this game? Kickstarter? The Game Crafter? Selling direct? Pitch to a publisher?
16. Can I make changes to the game to tailor it to the publisher I think would want to publish it?
17. Is this game too similar to an existing game?

Richard interviews Juliana Patel and Ariel Rubin who created the extremely successful Escape Room in a Box: The Werewolf Experiment that is now being published by Mattel. He learns all their secrets about in their 2,000+ backer debut campaign! Some specific topics:

• Partnering with Mattel
• Escape room game opportunities
• Replaying escape room games
• Playtesting an escape room game
• Creating the puzzles
• Lessons learned from the Kickstarter campaign
• Finding your audience

References:
Escape Room in a Box: The Werewolf Experiment Kickstarter Campaign - https://www.kickstarter.com/projects/361817408/escape-room-in-a-box-the-werewolf-experiment

This episode provides some guidelines for the situation where multiple publishers want to sign your game and how you handle it, both from the designer and publisher perspective. Specifically, we cover:

• submitting your game to multiple publishers at the same time
• handshake deals
• bringing copies to a convention
• bigger publishers vs. smaller publishers
• asking for exclusivity
• doing your publisher homework
• changes to contracts
• should I have a lawyer look over my contract?

In this episode, we re-visit our list of top places to find art for your prototype.

Links:

• The Noun Project: http://www.thenounproject.com
• Nasa: https://www.nasa.gov/multimedia/imagegallery/index.html
• National Gallery of Art: https://www.nga.gov/collection/collection-search.html
• Public Domain Smithsonian: https://www.si.edu/search/
• Public Domain 
New York Public Libraries:
  • https://digitalcollections.nypl.org
  • https://www.nypl.org/research/collections/digital-collections/public-domain
• Pixabay: https://pixabay.com
• GameIcons.Net: http://game-icons.net
• Flicker:
  • https://www.flickr.com/photos/britishlibrary
  • https://www.flickr.com/photos/internetarchivebookimages/Major
• Patreon:
  • https://www.patreon.com/Arcknight
  • https://www.patreon.com/AlishaVolkman
  • https://www.patreon.com/satoshi_matsuura

We talk generally about publishing licensed games and specifically about the unsuccessful Total Recall Kickstarter campaign.

• Why didn't it fund?
• What did you do differently?
• Likeness rights 101
• Timing releases in a line of games
• Hidden costs of doing a licensed game
• Liability insurance
• The costs of agreeing to release dates
• Should you create a licensed game?
• Publishing outside of Kickstarter

References
Kickstarter Campaign - https://www.kickstarter.com/projects/overworldgames/total-recall-the-official-tabletop-game

This is a panel organized by High Voltage about how awesome games are and how to grow and build an inclusive gaming community. This took place on 10/28/2017 at Stan Lee's Los Angeles Comic Con, hosted by Will Pasquin with these panelists:

• John Clair - Mystic Vale, Downfall
• David Zuckman - Obscure Reference Games
• Ross Thompson - IDW and Kingdom Con
• Chris O'Neil - Brotherwise Games
• Brian Henk - Overworld Games
• Will Pasquin - High Voltage

Video Version: https://youtu.be/hI_26f73APw

We have another mailbag episode! These topics were suggested by listeners:

• Are environmental concerns a factor for publishers, manufacturers, and designers?
• How can I make my game more accessible and inclusive?
• What kind of support should publishers donate to charity?

Resources:
The Overworld Games policy on charities.

If you're listening to this podcast, there's a good chance you know someone personally who has launched a Kickstarter campaign. Did you feel obligated to back it? We try to break down this social etiquette around the subject in this episode.

Today we discuss how to use Amazon to sell your board game.

- Fulfillment by Amazon
- Amazon Marketplace
- Vendor Express
- Amazon Launchpad
- Getting Burned Stories
- Amazon Marketing Services
- Improving your search rankings
- Sales on Amazon
- Pricing on Amazon
- A+ Content
- VINE Reviews
- Ads on Amazon

Today we talk about social media and how we should use this in the board game industry. Specifically, here are some of the questions and topics:

• How should a game designer use social media?
• Which social media platforms should a game designer be using?
• How should a game publisher use social media?
• Which platforms should they use?
• Using social media as a phone book or for ease of contacting.
• What's the wrong way to use social media?
• Are there other less traditional social media platforms we should be using?
• Are there any tools that help you more easily manage your social media accounts?

Resources:

• Us on Twitter: Jeremy, Richard, Brian
• Us on Facebook: Overworld Games
• Us on Instagram: Jeremy, Overworld Games
• Meetup
• If This Then That
• Buffer
• Hootsuite

Our Blog: boardgame.business

We attempt to define what a reference card is, which isn't as easy as you may think, and then we pull them apart and figure out which games need them and how to design them clearly. Then we end with a Top 5 list of tips to make your reference card better. Here are some questions and topics we discuss:

• Which games do we wish had them that do not?
• Which games have them but don't need them?
• Do we need one for each player?
• The psychological effect of having a reference card.
• Can a game be too simple to have a reference card?
• The cost of a reference card.

Top 5 Tips for Designing a Reference Card:
#5) No Walls of Text
#4) Use 1 Double-Sided Reference Card
#3) Whitespace is Your Friend
#2) Make Them Visually Distinct
#1) Use Symbols

Today we talk about designing and publishing games for a particular market. Here are some of the topics/questions we cover:

• What's a target market?
• Which markets are commonly considered in the board game industry?
• Identifying the market that's right for your game.
• Should I use elements to my game to fit a particular group of consumers?
• Do publishers have a specific market in mind when they are scouting games?
• How do things like ease of play and length of play factor into a market segment?
• Should I design a game for a specific market?
• Should designers put their target market on their sell sheet?
• Are there specific conventions where you'll find publishers for specific markets?

Here are our top 7 ways to improve your playtest feedback quality. If you want a spoiler, here's the list!

1. Ask negative leading questions. Trash/talk down your own game
2. Stay focused and interested in every word play testers say. Don’t defend anything. Don’t break their flow.
3. Focus on problems and steer away from solutions.
4. Ask about feelings.
5. Explain what type of feedback you're looking for.
6. Record Audio
7. Get anonymous feedback at least once and late in the process.

Resources:

• Unpub Feedback Form - http://unpub.net/feedback/

How-to-play videos are used more and more by designers to show potential publishers or playtesters their game and by publishers after a game has been released to teach customers how to play them. In honor of April Fool's Day, we give tips on how NOT to make a how-to-play video. I know, we're not supposed to tell you, but we really don't want people actually taking our advice. Here's the gist of the tips we cover, but backwards:

• Prepare so you can keep it concise.
• Keep it short. You don't need to say every corner case, but make sure to cover any confusing ones.
• Use consistent terminology.
• Use at least two camera angles so it's not just a talking head.
• Layer in photos to help make your point and show examples.
• Lighting is important! Light up your face with multiple lights at different angles so there are no shadows. (3-point lighting)
• Light up your components to show them too, but with not glare. Don't use sleeves if they add glare.
• Use a microphone close to you for clear and consistent audio. Clean the audio afterwards.
• Make it easy to find the video online.

Jeremy and Brian discuss how we think the board game industry will be impacted by COVID-19. This was recorded in early April of 2020.

Resources:

• Good Cop Bad Cop Online - https://gcbc.arantius.com/
• Tabletopia - https://tabletopia.com/
• Tabletop Simulator - https://www.tabletopsimulator.com/
• Board Game Arena - BoardGameArena.com
• Roll20 - https://roll20.net/
• BoardSpace - boardspace.net

Today we go through a quick overview of each iteration of our design process from a tool perspective. We discuss which of these tools work well and which ones we've used in the past. We also cover some of the software we use to stay connected to our designer partners. See the list below of everything we mention!

Resources

• Multideck (Mac) - $25
  http://multideck.blogspot.com
  
  
• Paperize (Web) - Closed Beta
  http://paperize.io
  
  
• How to use Concatenate
  http://www.gcflearnfree.org/excelformulas/using-concatenate-to-combine-names/1/
  
  
• Automator (Mac) - Free
  http://www.macosxautomation.com/automator/
  
  
• Pixelmator (Mac, iOS) - $30
  http://www.pixelmator.com/mac/
  
  
• Noun Project (Web) - $1 icons or $10 month
  http://www.macosxautomation.com/automator/
  
  
• Affinity Designer - $50
  https://affinity.serif.com/en-us/
  
  
• Pages (Mac, iOS) - $20
• Numbers (Mac, iOS) - $20
• Keynote (Mac, iOS) - $20
  
• Comic Life (Mac, iOS, Windows)- $30
  http://plasq.com/apps/comiclife/macwin/
  
  
• The Game Crafter (Web) - $1 - $100
  https://www.thegamecrafter.com/
  
  
• Photoshop (Windows) - $9.99+/month
  http://www.adobe.com/products/photoshop.html
  
  
• InDesign (Windows) - $19.99+/month
  http://www.adobe.com/products/indesign.html
  
  
• Illustrator (Windows) - $19.99+/month
  http://www.adobe.com/products/illustrator.html
  
  
• Affinity Designer (Mac) - $50
  https://affinity.serif.com/en-us/
  
• Dropbox (Web) - Free, pay monthly for more space
  https://www.dropbox.com/
  
• Google Sheets (Web) - Free
  https://www.google.com/sheets/about/

We discuss licensed games and the specific challenges associated with making a game from them. If you are granted the rights to make a card game based in the Star Wars universe, how do you make a game around it? Or should you make the game first and try to acquire the license later? Here are some questions we answer:

• Should I design a game for a license?
• How much does it cost to get an intellectual property?
• Do you pay up-front or are there royalties or both?
• What does the schedule/deadlines look like?
• What impact does this have on your cash flow?
• How do you learn enough about the chosen universe?
• What kind of help can you expect from the licensor?
• Can you add to the universe?
• Are there any conventions that you should go to related to licensing?

How do you find the right artist for the style of game you're making? Commence discussion! Topics:

• Finding artists to fit your target market.
• Identifying market segments.
• Examples of illustrations or graphic design not fitting the game.
• Selecting images for the Star Trek Trading Card Game.
• What should I look for when requesting quotes?
• What kind of budget should I expect?

Some predictions for what will happen in the board game industry in 2017.

• Legacy Games
• Quality Kickstarter Exodus
• • Otherwise, Kickstarter Growth Continues
  • Will Quality Go Up or Down?
• Company Mergers
• Component Diversification
• • “Meeples with a Twist”
  • Chipboard Constructs
  • Display Games
  • Unexpected Components
• Storytelling Games
• Deluxe Editions
• Game Exchange System
• Local Game Stores Evolve
• Increase in Import Games

Here are Jeremy and Brian's top 10 ways to build your network within the board game industry:

Jeremy

J10 – Participate in contests.

J9 – Be easy to find on social media.

J8 – Place encouragement above criticism.

J7 – Do your homework to avoid wasting publishers’ time.

J6 – Observe Publisher Speed Date.

J5 – Go to Protospiel and Unpub events.

J4 – Attend cons where industry experts have time to talk.

J3 – Don’t view community as a vending machine.

J2 – Offer service or resource to the community.

J1 – Play other designer games.

Brian

B10 – Volunteer at con booths.

B9 – Run local events.

B8 – Playtest other people’s games.

B7 – Comment on blogs and YouTube videos.

B6 – Create content.

B5 – Be active on social media.

B4 – Go to bigger cons to meet elites.

B3 – Go to smaller cons for local community.

B2 – Find your local game nights.

B1 – Help others in the industry.

This episode, we ground everyone with a discussion of reasons why you might not want to enter the board game industry.

• You will lose money.
• You will lose time, effort, and opportunities.
• Other people will be critical of your work, not publish, or not buy it.
• The work is not all fun.
• Your game is not special.
• Kickstarter campaigns and fulfillment are stressful.
• You’ll be away from home and have to spend money on travel.

Video Version: https://youtu.be/th7azVwzEcA

Today we discuss how to reach your core audience at a convention. We specifically hit on these points:

• Luring on the First Day
  • Promo Packs/Where to Sell Them
  • Coupon Books
• To Do Lists
• Banners/Advertisements
• Other Ideas
• Email Lists
• Playtesting Upcoming Kickstarter Games
• When to Send Con Updates
• Kickstarter Campaigns during Cons

Video Version: https://youtu.be/wy2_rHFReJY

This is the first episode we did after Brian moved to the Los Angeles area. We talk about tips for exhibiting at a major con. Here are some topics:

- When to pull the trigger?
   o Playtest Hall
   o Volunteer at another Booth
- Booth shape and layout
- Selling at a Con without a Booth
- Copies Sold
- Number of Volunteers Required
- Banners and Signage
- Gen Con Pickup

Tips for running your Kickstarter campaign in this condensed version of a Gen Con 2016 panel!

Panelists: JT Smith, Zachary Strebeck, Jeremy Commandeur, and Brian Henk

We discuss:

- #1 Mistakes
- Kickstarter as a Business
- Stretch Goals
- Crowd Building
- Page Layout
- Reward Levels
- Naming Something vs. Image in Game
- Rules on Page
- Setting Goals

Resources:

• The Game Crafter - thegamecrafter.com
• Game Crafter Podcast - thegamecrafter.libsyn.com
• Game Lawyer Blog - gamelawyerblog.com
• Legal Moves Podcast - legalmovespodcast.com
• Overworld Games - overworldgames.com
• Protospiel San Jose - boardgamebuilders.com

At Gen Con 2016, we were on a panel to talk about lots of publishing topics. These were the folks on the panel:

• JT Smith of The Game Crafter
• Zachary Strebeck, the Game Lawyer
• Jeremy Commandeur, Game Designer
• Brian Henk of Overworld Games
• things like:

Here are some topics we discussed:

• Forming your business
• Game manufacturing options (US, Europe, China, etc.)
• Different ways to sell your game
• Traditional and alternative distribution models
• Game awards and contests
• What should you do yourself? What should you pay others to do?
• Game publishing contract royalties

• Cardboard Edison Game Design Contract Terms - cardboardedison.tumblr.com/tagged/contract-terms
• Panda Game Manufacturing - pandagm.com
• AdMagic - admagic.com
• Delano - delanoservice.com

In this episode, we are going to cover a bunch of tips for you game designers to SAVE YOU TIME.

Resources Mentioned

• Google Drive - https://docs.google.com
• Dropbox - https://www.dropbox.com
• Card Creatr - https://cardcreatr.sffc.xyz/
• Component.Studio - https://component.studio/
• Paperize - https://beta.editor.paperize.io/#/
• Multideck - https://semicolon.com/multideck/multideck.html
• Pages - https://www.apple.com/pages/
• The Game Crafter Art Store - https://www.thegamecrafter.com/design-assets

This is our first mailbag episode where we dig into these questions:
- When do you give up on a game?
- How do you recover from mistakes and setbacks?
- How do you distinguish yourself from other games?

Video Version: https://youtu.be/ssIhzMMnQ4Y

How should you use print-and-plays as a designer, publisher, or indie creator? We discuss some options!

- Advantages

- Early Feedback

- Kickstarter

- Limited or Full Version?

- What do players use them for?

- Shopping Ahead

- Evaluating Gameplay

- Evaluating Art

- Why a P&P isn’t giving the game away.

- Translations

- Other components

- P&Ps at Cons

Video Version: https://youtu.be/0x0Jz9YVoug

Join us for a discussion on the tools you need to host your own game design convention, such as:

- Start small

   o Monthly meet-ups

   o Prototype night

- Location

   o Mom & Pop Restaurant

   o Game Store

- Getting Published Designers

- Travel and Experience

- Supporting and Nurturing Designers

- Getting Playtesters

- Publishers at Conventions

- First-time Designers at Conventions

- Untested Games at Conventions

Video Version: https://youtu.be/-ax6bUpVlv0

Video Version: https://youtu.be/TrAmYLu8TTQ

- Make sure design is finished

- The major steps include:

    o Art

    o Manufacturing and Proofing

    o Kickstarter Prep

    o Review Copies

    o Informing Retailers

    o Shipping and Fulfillment

- Art takes longer than expected

- Break down EVERY task and element

- The order of the tasks matters

- Run aspects by outside eyes

- Where can we find an in-depth description of the process?

- What task management tools are available?

- What is the overall timeline?