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Explore every episode of the podcast Writing Excuses

Dive into the complete episode list for Writing Excuses. Each episode is cataloged with detailed descriptions, making it easy to find and explore specific topics. Keep track of all episodes from your favorite podcast and never miss a moment of insightful content.

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TitlePub. DateDuration
19.35: A Close Reading on Tension: An Overview and Why Ring Shout01 Sep 202400:18:53

Compared to This is How You Lose The Time War, which we read earlier this year, Ring Shout deals with a very real world. This discordance, where authors make their audience uncomfortable by creating things that shouldn’t go together, is part of the power of this novella, and part of the reason we chose to dive into tension! Our favorite metaphor about tension from this episode comes from Howard: potential movement (imagine a rock at the top of a hill). 


Note: this novella uses tools from the horror genre to add tension, and this can be intense for some readers! 


Thing of the Week: Blue Eye Samurai (Netflix) 


Homework: Take a movie or a book you've read that you find highly suspenseful and write an outline covering the major plot beats. Look at where tension is created and where it is released, and build a map of how it evolves over the course of the story


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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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19.34: Grants and Fellowships25 Aug 202400:28:52

Today we have a wildcard episode for you! We are talking about all the different ways you can sustain your writing career. Our host, Erin Roberts, has done an incredible job of applying for grants, fellowships, and residencies. So, we put her on the spot and got her to dole out advice and insights to help you sustain and develop your writing. 


Thing of the Week: “Extreme Economies: What Life at the World's Margins Can Teach Us about Our Own Future” by Richard Davies 


Homework: Write a one-paragraph personal artistic statement.


Close Reading Series: Texts & Timeline

Next up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers! 


Liner Notes: 

Resources related to grants and fellowships:  

Creative Capital's monthly list of Artist Opportunities: https://creative-capital.org/category/artist-opportunities/

Philanthropy News Digest's lists of RFPs, which can be filtered to just those for Arts & Culture: https://philanthropynewsdigest.org/rfps 

→ Link to the filtered list here: https://philanthropynewsdigest.org/rfps/(search)/?tags_interest[]=arts+%2F+culture

The Create Daily's Opportunity Roundup Newsletter (requires a sign up at the link below):  https://www.thecreatedaily.com/community

For residency opportunities, the Open Calls list from Artist Communities Alliance: https://artistcommunities.org/directory/open-calls

Profellow list of fellowships:

https://www.profellow.com


Sign up for our newsletter: 

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

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YouTube

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Twitter



Our Sponsors:
* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com
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19.25: From the Classroom to the Page23 Jun 202400:25:50

Learning is great, but how do you translate it into doing without getting overwhelmed? What is the difference between learning in the classroom and executing when you're on your own?

Marshall, our incredible recording engineer, just finished an MFA program. Congrats, Marshall!! On today’s episode, we gril Marshall in order to understand his takeaways from the program. Specifically, we are interested in how he takes everything he learned in the classroom and turns it into actionable things he’s doing on the page. We talk community, motivation, and how to consistently make time for your writing. 


Thing of the Week: The Fall of the House of Usher, TV show created by Mike Flanagan


Homework: Take a turn being the teacher– how would you teach a group of people about a concept you’re struggling with in your own work, and what homework would you give them to better understand it? 



Close Reading Series: Texts & Timeline

Next up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine. 


Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7) 


And a sneak peak on the rest of the year… 


Tension: Ring Shout by P. Djèlí Clark (starting September 1) 

Structure: The Fifth Season by N.K. Jemisin (starting October 13)

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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

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17.41: Picture Books are Books Too, with Special Guest Seth Fishman09 Oct 202200:18:36

Your Hosts: Mary Robinette Kowal, Dan Wells, Brandon Sanderson, and Howard Tayler, with special guest Seth Fishman Seth Fishman, author of seven picture books (as well as lots of longer-form stuff), joins us to talk about writing picture books, including some of the business and publication aspects. No-Context Pull Quote: "Your art is so bad we're going to hire someone to draw badly for you." Credits: This episode was recorded live by Marshall Carr, Jr., and mastered by Alex Jackson



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17.40: Questions & Answers About Structure, with Special Guest Peng Shepherd02 Oct 202200:24:29

Your Hosts: Mary Robinette Kowal, Dan Wells, Brandon Sanderson, and Howard Tayler, with special guest Peng Shepherd Peng Shepherd joined us aboard Liberty of the Seas for WXR 2022, and returned with us to the topic of story structures. In this episode we answer questions from our live audience. The questions include: How do you make sure you've got the right number of plot threads? How do you spread the structure of a given plot line across multiple books? How do you avoiding having subplots distract readers from the main plot? What are some strategies you can use to better align character goals with the overall problem of the story? Are there clear dos and don'ts with regard to story structure? How do you prepare or color-code bits for running a role-playing game? More broadly: what organizational tools do you use for story structure? For the answers, you'll have to give the episode a listen... Credits: This episode was recorded live by Marshall Carr, Jr., and mastered by Alex Jackson



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17.39: Writing Bodies and Intimacy, with K.M. Szpara25 Sep 202200:19:20

Your Hosts: Mary Robinette Kowal, Dongwon Song, Piper J. Drake, & Howard Tayler, with special guest K. M. Szpara CONTENT WARNING: this episode is about adult acts and adult bodies, and we won't be using euphemisms. K.M. Szpara joined us at WXR 2022 for this discussion of writing bodies and intimacy, with a particular focus on which kinds of words to use for things. Credits: This episode was recorded by Marshall Carr, Jr. before a live audience aboard Liberty of the Seas. It was mastered by Alex Jackson. 



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17.38: Oh No I Lost The Thread18 Sep 202200:19:08

Your Hosts: Howard Tayler, C.L. Polk, Marshall Carr, Jr., and Mary Robinette Kowal Oh no! You've put the project down for long enough that you've lost your place in it! Whatever will you do? For starters, you can listen to this episode. We've been there, and one of us is there right now. We talk about the different problems you're likely facing, and how to overcome them in order to find the thread and get moving again. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.



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17.37: Science and Fiction—It’s Not Just Science Fiction11 Sep 202200:19:21

Your Hosts: Dan Wells, Mary Robinette Kowal, and Cady Coleman The fictional side of science and the scientific side of fiction are part of the discipline of science communication, often called SciComm. In this episode Cady Coleman joins us to talk about how science fiction fits into the field of SciComm, and how the stories we tell can affect the people who read them. Credits: This episode was recorded before a live audience by Rob Kowal, and mastered by Alex Jackson.



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17.36: Space for Everyone04 Sep 202200:19:50

Your Hosts: Dan Wells, Mary Robinette Kowal, and Cady Coleman Chemist, USAF Colonel, and NASA Astronaut Cady Coleman joins us to talk about actual travel to actual space, and how that's a thing which is increasingly available to people who are not in the employ of government space agencies. Also, we discuss how the demographics of space travelers are changing, and how this is creating safer space travel for everyone. Credits: This episode was recorded before a live audience by Rob Kowal, and mastered by Alex Jackson.



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17.35: Nuances of Dialog28 Aug 202200:19:31

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We wrap up our eight-episode dialog master class with a discussion of nuance, which is difficult to describe in a blurb because it's... well, nuanced. That may sound a bit recursive, but our discussion dives deep into the meta. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.



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17.34: Developing Subtext21 Aug 202200:19:24

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We begin this episode with a quick exploration of the terminology, and what we mean when we say "text," "context," and "subtext." Subtext exists between text and context. It's the information which isn't actually in the text, but which we are able to divine based on the context. And in this episode we talk about how to use context and text to provide subtext to the reader. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.



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17.33: Building Tension14 Aug 202200:18:44

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Tension! In this episode we discuss the ways dialog can build and/or maintain tension, especially when placed in context with the rest of the scene. Liner Notes: A great article about tension for those who (like Howard) may need a solid working definition -Toward a general psychological model of tension and suspense Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.



Our Sponsors:
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17.32: Everything is About Conflict07 Aug 202200:17:41

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Everything is about conflict? Really? Well, yes. Maybe not in the action-movie sense, but conflict is everywhere, even among people whose goals, objectives, and methodologies are in alignment. This, of course, means that it exists among your cast of characters, and it will inform the way the talk to one another. Liner Notes: We mentioned this famous Monty Python sketch about wanting to have an argument. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.



Our Sponsors:
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19.24: An Interview on Worldbuilding with Arkady Martine16 Jun 202400:35:43

We've spent the last month talking about "A Memory Called Empire, and now, we are so excited to welcome the author, Arkady Martine, to the show! On today's episode, we talk with Arkady about the origins of her novel, and dive into how she navigated the dense and intricate world-building. Arkady gives us advice on what not to do, where to look for your first ideas, and what her writing process looks like. 

Thing of the Week: 

“The Shamshine Blind” By Paz Pardo


Homework:

Using the character and the story you are currently working on, look at the nearest building you can see out your window, and describe it from their point of view. What does that say about the world that you are in and the world that they are in? 



Close Reading Series: Texts & Timeline

Next up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine. 


Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7) 


And a sneak peak on the rest of the year… 


Tension: Ring Shout by P. Djèlí Clark (starting September 1) 

Structure: The Fifth Season by N.K. Jemisin (starting October 13) 


Sign up for our newsletter: 

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Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community! 

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17.31: Everyone Has an Agenda31 Jul 202200:20:21

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We've mentioned "area of intention" earlier in this dialog master class, but now the concept gets the spotlight. If all of your characters have their own agendas, their own areas of intention, then the dialog between them should reflect that. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.



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17.30: Know Your Characters24 Jul 202200:19:47

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler How well do you know your characters? Sure, you might know their age, nationality, and perhaps wardrobe, but how well do you know their internal characteristics? Do you know them well enough that you can write dialog that sounds like them? In this episode we discuss how you might approach this problem. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.



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17.29: The Job of Dialogue17 Jul 202200:20:08

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We're back with Maurice Broaddus for the second in our eight-episode mini-master-class on writing dialogue. This time around we're addressing the question of dialogue's "job." What's it for? Why is this particular bit of dialogue in this scene, this chapter, this book? Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.



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17.28: Keys to Writing Dialog10 Jul 202200:18:01

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Writer, teacher, and community organizer Maurice Broaddus joins us for an eight-episode mini-master-class on writing dialogue. In this episode he walks us through his three keys: pay attention to how people speak, write in a way that evokes how they speak, and write dialogue that makes individual characters distinctive. Liner Notes: We mention Descript transcription software in this episode. Here's a link! Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson.



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17.27: Ensembles Behind the Scenes03 Jul 202200:19:56

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler In this, our final "ensemble masterclass" episode, we discuss the nuts-and-bolts, the tips and tricks, the tools of the trade. In short, we talk very specifically about how we do it. Color-coded sticky notes, index cards, spreadsheets, and more... Liner Notes: Howard's guest story for Dave Kellet's DRIVE compendium is now running online! It's called "History and Haberdashery." Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.



Our Sponsors:
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17.26: Hanging Separately26 Jun 202200:18:37

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Our episode title comes to us across two and a half centuries: "We must, indeed, all hang together or, most assuredly, we shall all hang separately." —Benjamin Franklin We've already established that you're planning to write an ensemble. This isn't an episode about the pros and cons of ensembles. No, we're here to talk about how an ensemble story can go wrong, leaving the characters to hang separately rather than hanging together. Liner Notes: It happened again! We referenced the Ty Franck/Daniel Abraham episode, which we recorded at GenCon Indy several years ago, and again we can't find a link to it. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.



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17.25: Archetypes, Ensembles, and Expectations19 Jun 202200:20:16

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler We've talked about making every member of the ensemble meaningful. In this episode we're discussing who, in archetype terms, everybody is. How can archetypes help us get started, how can they help us set reader expectations, and what are the archetype-related pitfalls we need to avoid? And finally, is 'archetype' even the correct term here? Liner Notes: Here's the "Black Superheroes with Electrical Powers" article. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.



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17.24: Ensembles and Genre12 Jun 202200:17:10

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler This week we're talking about how our genre choice influences the structure of our ensemble. How is a heist ensemble different from a superhero team? What happens when the superheroes need to do a heist? Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.



Our Sponsors:
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17.23: Are We Stronger Together?05 Jun 202200:21:28

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Sometimes we have to look at our ensemble of characters and ask ourselves what kind of story we're trying to tell? If the story works with a single protagonist and one POV, maybe this isn't an ensemble story after all. If, however, the plot requires a team effort from the heroes, then we need to make sure the necessary team members make it onto the page. Liner Notes: The "I'm the tin dog" moment is from Doctor Who, S2 E3, "School Reunion." Mickey is speaking. Howard couldn't remember Mickey's name because sometimes Howard is the tin dog. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.



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17.22: Establishing the Ensemble29 May 202200:17:40

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Every character in your ensemble needs to matter to the team, or they probably don't belong in the ensemble. Zoraida Cordova leads us into this discussion of how we build our ensembles, how we introduce the characters, and how we ensure that all of them are important to the group. Liner Notes: The article about Superman's very first line of dialog is here. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.



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19.23: Tying It All Together (A Close Reading on Worldbuilding)09 Jun 202400:22:29

Today, the gang talks about their final thoughts on Martine’s “A Memory Called Empire.” We conclude with some lessons we’ve learned through analyzing her work, and we share our favorite bits! 

Thing of the Week: Pasión de las Pasiones

Homework: Find a piece of world building that you love and come up with another way to use it in your work in progress. 


Close Reading Series: Texts & Timeline

Next up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine. 


Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7) 


And a sneak peak on the rest of the year… 


Tension: Ring Shout by P. Djèlí Clark (starting September 1) 

Structure: The Fifth Season by N.K. Jemisin (starting October 13) 


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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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17.21: Casting Your Story With Character Voice22 May 202200:21:27

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Every member of your ensemble has a reason to be there, but they also have their own voice. Zoraida Cordova joins us for a discussion of how we make our ensemble characters distinct from one another. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.



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17.20: Basics of Ensemble Characterization15 May 202200:15:59

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler What's the difference between an ensemble story, and a story the has a lot of characters in it? Zoraida Cordova joins us for this episode, kicking off an eight-episode mini-master-class about ensembles. In this episode we discuss what makes ensembles work, and how we distinguish the "pro-protagonist" from the "co-protagonist" as we create character arcs. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.



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17.19: Working in a Collaborative Environment08 May 202200:17:08

Your Hosts: Dan Wells, Brandon Sanderson, and Megan Lloyd Megan Lloyd returns to the podcast to talk us through the process of creating something in a collaborative environment, whether it's a pair of authors working together, or a dozen people working to write, storyboard, and animate a television series. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.18: How to be Funny, with Jody Lynn Nye01 May 202200:17:46

Your Hosts: Dan Wells and Brandon Sanderson, with special guest Jody Lynn Nye So, you've decided you want something to be funny. How do you go about making that happen? Jody Lynn Nye joined Dan and Brandon at LTUE, and pitched this topic to them. And yes, it's much more than just "delivery, delivery, delivery." Liner Notes: "It's always more funny when Howard's not here." —Brandon Sanderson at LTUE 2022 (posted here for posterity) Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. 



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17.17: Writing in the Public Domain24 Apr 202200:13:22

Your Hosts: Dan Wells, Brandon Sanderson, and Gama Martinez Did you know that there are some famous intellectual properties which have entered the public domain, and which you can therefore use to create your own stories? It's true! Gama Martinez (whose God of Neverland novel features Peter Pan) joined Dan and Brandon at LTUE to talk about how cool this is, and (more importantly) what kinds of things authors need to do in order to make sure they're only using the public domain bits of the properties in question. Liner Notes: Need a list of things that entered the public domain in 2022? Here you go! Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.16: Miscellaneous Structures17 Apr 202200:18:45

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Thus far we've attempted to organize our discussion of sub-, micro-, and other alternative structures with specific categories, but this domain is a lot larger than that. This final episode with our guest host Peng Shepherd has been titled "Miscellaneous Structures" because, y'know, sometimes the last bucket in your row of carefully, taxonomically-labeled buckets needs to be "miscellaneous." Liner Notes: Howard mentions "LTUE" during the episode. Hey, guess what! The next few episodes following this one were (will have been?) recorded at LTUE! Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.15: Storytelling in the Footnotes10 Apr 202200:21:20

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler You probably already know what footnotes are¹, but have you ever seen a story told through the footnotes²? It's similar to the story-within-a-story structure, but there's more to it than that. In this episode our guest host Peng Shepherd explores footnote storytelling³ with us. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson ——— ¹ This is an example of a footnote. ² This is not an example of footnote storytelling. ³ With the addition of a third footnote, maaaybe there's a beginning, middle, and end, and therefore a story?



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17.14: Structuring for Disordered or Order-less Reading Order03 Apr 202200:21:19

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Guest host Peng Shepherd leads our discussion of "order-less reading order" (after we get past the business of "having too much fun with the episode title"). But what do we even mean by "order-less" or "disordered?" At one level, we mean you can just pick up the story anywhere and start reading. Kind of like TV series prior to the advent of the fully serial series. But kind of unlike it, because how does this work within just one book? Liner Notes: For good examples of non-order-dependent stories, consider schlockmercenary.com, The Lady Astronaut universe, DISCWORLD, Seventy Maxims (annotated), Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.13: Structuring Around a Thing27 Mar 202200:19:35

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Our exploration of sub- and micro-structures continues with guest host Peng Shepherd. This week we're talking about how a story can be structured around a "thing." The simplest explanatory example would be structuring around a map, which is where we start the episode... kind of like how The Lord of the Rings starts in The Shire. This episode does not end with even one of us climbing a volcano. Liner Notes: Tower of Babel, by Josiah Bancroft The Storyteller's Tarot Spread Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.12: Structuring a Story Within a Story20 Mar 202200:20:45

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler One common structure—both macro and micro—is the "story within a story," or "framing story" structure, and yet somehow we've never really explored it on Writing Excuses. Guest host Peng Shepherd is here to help us set things right. Liner Notes: Here are some examples of story-within-a-story structure... Canterbury Tales, by Geoffrey Chaucer Cloud Atlas, by David Mitchell Hyperion Cantos, by Dan Simmons Neverending Story, by Michael Ende One Thousand and One Nights Sun the Moon and the Stars, by Stephen Brust Ten Thousand Doors of January, by Alix E. Harrow Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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19.22: Technology and Identity (A Close Reading on Worldbuilding)02 Jun 202400:26:02

The imago technology lies at the heart of this novel thematically and narratively. How does this technology create a world, delineate Mahit's culture from Teixcalaan, and ask enormous questions about identity and empire?


Thing of the Week: “Rotten” (Documentary Series available on Netflix)


Homework: Come up with three technological or magical approaches that would raise questions about what it means to be you, to be an individual. Take one of these, and then write a scene wherein two characters argue about it.


For those of you just joining us, here's what our close reading series has covered, and what lays ahead!

Close Reading Series: Texts & Timeline

Voice: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar (March 17) 

Worldbuilding: A Memory Called Empire by Arkady Martine (May 12) 

Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (July 7) 

Tension: Ring Shout by P. Djèlí Clark (September 1) 

Structure: The Fifth Season by N.K. Jemisin (October 13)


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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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17.11: Structuring with Multiple Timelines13 Mar 202200:19:56

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Guest host Peng Shepherd continues to lead our exploration of sub- and micro-structures by taking us into the scaffolding of in media res, flashbacks, and other tools for structuring a story by telling it out of chronological order. We also cover how to do this without breaking the flow of the story. Liner Notes: The "trousers of time" book Howard referenced was Jingo, by Terry Pratchett. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.10: Structuring with Multiple POVs06 Mar 202200:18:13

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler In our second micro-structure episode, Peng Shepherd leads us into an exploration of the ways in which the use of multiple point-of-view characters can create a framework within the larger framework of the story. Liner Notes: In one example we contrasted the single POV Killing Floor, by Lee Childs with its multiple-POV TV adaptation in season 1 of Reacher. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.9: Let’s Talk About Structure27 Feb 202200:17:49

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler We're beginning another eight-episode deep-dive series, and this time it's a fresh approach to story structure, led by our guest host Peng Shepherd. Join us as we zoom right through the overarching frameworks defined via things like the Hero's Journey, Freytag’s Triangle, Save The Cat, and Seven Point Story Structure to look at the microstructures which both define and obscure these general narrative shapes. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.8: The Alchemy of Creativity20 Feb 202200:20:17

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd How do you translate things from the spark of inspiration into a work that someone else can consume? Like, instead of turning a movie into a book, you're trying to create a book out of the movie in your head. And what if your "spark" isn't a movie in your head, but instead a suite of emotions? In this episode we discuss how we do it. That might not answer the question for you, but hopefully it's a good start. Alchemy is pretty magical, after all. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.7: Dissecting Influence13 Feb 202200:19:40

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd What are your influences? What pieces of art, music, literature, or other media have inspired you? In this episode we'll talk about making that inspiration deliberate, and consciously learning from our influences. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.6: Hitting Reset Without Getting Hit Back06 Feb 202200:21:03

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Oh no! You're in the middle of a thing (a novel, a series, a career) and you suddenly realize that the expectations you set early on are not the expectations you'll be meeting. What do you do now? , We're talking about how go about resetting audience expectations, whether mid-story, mid-series, or mid-career, including some strategies for communicating “everything is changing now, forget what you know” without making the audience feel like they've been betrayed. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.5: The Promise of the Brand30 Jan 202200:23:56

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Your brand—your name, the cover art for your book, and even the typeface for the title—set expectations for the book's contents. That advice about not judging a book by its cover? It's lovely in theory, but in practice, that's just not how it works. In this episode we'll talk about how your brand gets defined, and how you can work with those elements to correctly set expectations regarding your work. Liner Notes: We've done several episodes about branding. 14.34 is particularly good. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.4: The Gun on the Mantel is Actually a Fish23 Jan 202200:20:54

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd In the previous episode we discussed how to ensure that your surprise feels inevitable. In this episode we're covering how to make inevitability feel surprising. The title is a nod to the concept of the "red herring," which is arguably the most useful tool for setting up a good surprise. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.3: Chekov’s Surprising Yet Inevitable Inverted Gun16 Jan 202200:20:10

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd This week we're talking about giving inevitability to our intended surprise, and we open with a discussion of Chekov's Gun, which, as a writing rule, is mostly used in inversion. Next week we'll focus on making inevitable things surprising. Liner Notes: Art and Editing of Suicide Squad (YouTube) Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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17.2: It Was a Promise of Three Parts09 Jan 202200:20:33

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd The title of this episode comes to us from the first paragraph of The Name of the Wind, by Patrick Rothfuss—a novel which delights us with turns of phrase and evocative prose from beginning to end. We're continuing our exploration of "promises as a structure" by looking at the promises made by the prose of your first line, first paragraph, and first page. What does your first line say about the rest of your book? Did you mean for it to say that? Is your first line writing checks that your later chapters can actually cash? Liner Notes: We did an eight-episode master class on first lines, pages, and paragraphs with DongWon Song. It begins with 16.27. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson



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19.21: Language as a Tool (A Close Reading on Worldbuilding)26 May 202400:27:34

What cultural and worldbuilding information is embedded within the smallest of word choices? Today, we dive into three specific sections from throughout Martine’s “A Memory Called Empire”:  the word for empire, assimilation and naming, and learning the word for bomb. We unpack how Martine uses language to establish important principles of how the world works. 


Thing of the Week: 

The Gilded Age - Created and Written by Julian Fellowes  Julian Fellows (on HBO Max) 


Homework:

Write a scene that describes a fictional piece of literature— whether that's a poem, a song, or a story— that means something to the people in the story you’re telling.


Here’s a link to buy your copy of “A Memory Called Empire” if you haven’t already:

https://bookshop.org/lists/close-readings-season-19


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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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17.1: Genre and Media are Promises02 Jan 202200:19:08

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd The genre of your story is making promises to the reader, and the medium upon which your story is told makes promises too. In this episode we talk about the expectations set by various mediums and genres, and how we can leverage those to ensure that we deliver a satisfying story. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: The entirety of Season 11, The Elemental Genres, is a deep-dive on this stuff.



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16.52: Structure is a Promise26 Dec 202100:20:03

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd The structure you're using for your story isn't just helping you organize your plotting. It's telling the audience what's going to happen. Story structures make promises to audiences, and these audience expectations are, in large measure, outside of our control. In this episode we talk about the expectations set by various story structures, and how we can make sure we use our structures to satisfy our audiences. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: We've done episodes on the M.I.C.E. Quotient, Seven Point Story Structure, The Hollywood Formula, and many, many more of the structures mentioned in this episode. We haven't done any on Kishōtenketsu, but we probably should!



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16.51: Promises are a Structure19 Dec 202100:21:23

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Our next 8-episode intensive is all about promises and expectations. Our guest hosts are Kaela Rivera, Sandra Tayler, and Megan Lloyd. They're joining us to talk about how the promises we make to our audiences, and the expectations they bring with them, are a structural format. In this episode we introduce the topic, and talk about some apex examples of success and failure in this area. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: Here's the story of The Tropicana Packaging Redesign Failure



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