Explore every episode of the podcast Worst Songs Ever: Chart-Topping Disasters

In this episode of Worst Songs Ever, Andrew, Rob, and Brennan dive deep into the country classic "Friends in Low Places" by Garth Brooks. Rob, who selected this song, shares the psychological torment he endured during his first year at The Citadel, where a less-than-amicable roommate played the track on an endless loop. A psychological warfare campaign worthy of The Lords of Discipline, Rob discusses how this sonic assault led to his lasting disdain for the song.

Meanwhile, Andrew and Brennan take a different perspective. As they dissect the lyrics and melodies, they find themselves not only appreciating the song for what it is but even starting to like it. The trio debates Garth Brooks' intentions, his talents as a singer-songwriter, and his keen understanding of the country genre. They also draw comparisons to other legendary tracks like "Lord, It's Hard to Be Humble," "The Gambler," and "Family Tradition," exploring where "Friends in Low Places" fits within the pantheon of iconic country anthems.

While the consensus is clear—this song is a strong contender for the title—Andrew dares to defend the band's quirky charm and their polite, Canadian nature.

We'll break down the song's convoluted lyrics and catchy rhythm with a mix of humor and insight, delving into the visceral reactions it provokes. Along the way, we'll also compare Barenaked Ladies to their musical kin, from the laid-back grooves of Sugar Ray and the zany flair of the B52s to the boisterous anthems of Smash Mouth and the timeless harmonies of The Beach Boys.

Join us for a lively discussion filled with sharp debates, clever commentary, and a few unexpected revelations as we determine whether "One Week" truly deserves its place in the musical hall of shame or if it's simply an underrated oddity.

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In our first episode of "Worst Songs Ever," we dive into Phil Collins' 1990 hit "Something Happened on the Way to Heaven" and revel in the utter coasting going on with Phil Collins.

We discuss how, comfortable in his success, Collins began phoning it in with trite, empty confections like this. Rob and Andrew agree that Collins is an artist of wit, charm, and talent, but this track showcases him operating on auto-pilot.

Brennan, on the other hand, argues that all of Collins' music is pretty canned and boring. He also laments that he has been told he looks like Phil Collins, but as a fellow Irishman, he can live with it.

Tune in for a fun and contentious discussion on this puzzling hit.