Something almost magical happens when the right artists and creatives find each other. The Handmaid's Tale is evidence of that magic. This year’s explosive fourth season was nominated for a staggering 21 Emmy Awards. Listen in to hear how the team collaborated to make it, plus the emotional and intuitive impulses that informed the creative process. In this episode, we're joined by Handmaid's creator and EP Bruce Miller, lead actor and Director Elisabeth Moss, and DGC Ontario Picture Editors Wendy Hallam-Martin and Christopher Donaldson.
Show Notes
The first episode of WIDER LENS centres around Hulu’s wildly successful series The Handmaid’s Tale. Guests Bruce Miller (Creator & Executive Producer), Elisabeth Moss (Director/EP/Actor), DGC Ontario Picture Editors Wendy Hallam Martin and Christopher Donaldson, and host Annie Bradley deep-dive into how this team collaborated to create the show’s most explosive season yet, nominated for a staggering 21 Emmy Awards.
“The world is changing, and so much is uncertain...except for our thirst for storytelling,” says host Annie Bradley. “Production is trending upwards in meteoric fashion across the globe, and it’s our mission to champion the brilliant creative voices we represent. What better way to do that than to have deep, insightful conversations about their life’s work delivered straight to your headphones?”
To catch up with every episode of The Handmaid’s Tale, Seasons 1-4 are available now to watch on Hulu and Crave:
https://www.hulu.com/series/the-handmaids-tale-565d8976-9d26-4e63-866c-40f8a137ce5f
https://www.crave.ca/en/tv-shows/the-handmaids-tale
Also discussed in this episode is Elisabeth Moss’ directorial debut on The Handmaid’s Tale. The three episodes of Season 4 directed by Elisabeth Moss are "The Crossing", edited by Wendy Hallam Martin (who was nominated for a 2021 Editing Award for Outstanding Single-Camera Picture Editing For A Drama Series and previously won in this same category in 2018), "Testimony", edited by Wendy Hallam Martin, and "Progress", edited by Christopher Donaldson. Elisabeth previously spoke about stepping into the director’s chair for Season 4 in this New York Times interview: