Explore every episode of the podcast What's in a Song
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Taylor Swift's "Father Figure" The break down with guest Forensic musicologist Joe Bennett
My guest today is New England based singer/songwriter Jesse Terry.
Before I introduce him I wanted to let you know that on Saturday Nov. 16th I am offering a virtual 3 hour songwriting workshop. There are a few spaces left and you can sign up through the show notes or on my website at scarletvkeys.com
This workshop will be very process oriented focused on lyric writing.
You will be doing a lot of small writing exercises to sharpen your lyric writing skills. We will work on metaphor, avoiding cliche’s and literary devices used by some of the best writers.
Today we will talk about his writing process, crowd funding an album with your super fans and some of the reasons he writes such beautiful melodies. He’s going to play a few song off of his new record Arcadia, released Oct. 4. And this might just be his best record yet.
It’s rooted in rhythmic rock & roll and sharp songwriting, Arcadia marks a turning point in Jesse Terry's career. It's the seventh original album from an award-winning musician who's spent much of the past decade on the move, playing 150 shows annually, bouncing between solo performances and full-band gigs. Arcadia captures both sides of that musical personality, finding room for amplified anthems one moment and intimate moments the next, showcasing just how wide Terry's reach can be. Arcadia is layered with dueling electric guitars, stacked vocal harmonies, and heartland hooks, all supplied by instrumentalists like Ethan Ballinger (Miranda Lambert, Lee Ann Womack), Ross McReynolds (Katie Pruitt, Becca Mancari), Sam Howard (Molly Tuttle, Joy Williams), Juan Solorzano (Ruston Kelly, Parker Millsap), and Danny Mitchell (Rodney Crowell, Anderson East). It's a big, bold sound — the sort of record that begs to be played in the car, windows rolled down, driving down the fast lane toward some new horizon. At the center of that sound is the craft Terry has been sharpening since his years in Nashville, back when he composed songs for others as a staff writer on Music Row. A grand-prize winner of the John Lennon Songwriting Contest, Terry established himself as a top-shelf.
Jesse's new record: https://open.spotify.com/album/5lpXAMZDC4hqAU0t2AV29Z?si=SpFXPTHsSL-BidKeOtVbgg
In this episode, I talk with singer/songwriter Kylie Rothfield.
She shares what she learned about singing and stage fright from Alicia Keys. We talk about what she learned from writing with some of the best writers in Nashville, song craft, process and so much more. This was a good one!
Pre save Kylie's single coming out Sept. 27th here:
When one hears Kylie Rothfield‘s voice, there is no denying the timeless, raw sense of emotion in her delivery. Crafting songs that combine elements of soul, blues and pop, Kylie’s music is unique, honest, and expressive. Although her vocal ability is undeniable, she is also an accomplished self-taught guitarist, sponsored by Epiphone guitars and fully capable of supporting her captivating live show as a solo acoustic performer or with a full band. It’s no wonder she caught the ears of Alicia Keys, who described her as “a blossoming, powerful flower with so much heart, so much talent, so much emotion and vocal power”.
In July of 2015, Kylie signed a publishing deal with Terrorbird Media and Elephant Lady Records/Kyle Andrews. Together, they had 5 placements on national television in their first year together (NBC, E!, ABC, MTV).
In September of 2016, Kylie was selected to be on The Voice (NBC). She was chosen by Alicia Keys, who coached her throughout the season, and carried her through to the Top 20 Live Shows in November. Her performance of "Hound Dog" in the knockout rounds garnered attention by many media outlets and was called the "dark-horse breakout performance of the season". Guest advisor Faith Hill said “Kylie absolutely blew me away. She interprets songs like a true artist and she could sing ANYTHING”
She has over 1 million combined streams on Spotify & Apple Music from recent independent releases and was recently featured on NBC's Songland S2 (06/08/2020), working with Ester Dean, Ryan Tedder, and Shane McAnally to pitch a song she wrote to Tony and Grammy-winning artist Ben Platt.
Most recently, in 2024 Kylie signed a management deal with Arianna Soto and a record deal with new label, DVG Records. She is currently in the process of recording a full-length album that is set to be released in spring 2025.
In this episode, singer/songwriter Michael McDermott talks about writing process, writing from your life and shares new songs off his two new albums dropping Sept 13th.
Today I have Berklee Professor Ben Camp on the show discussing AI We talk about where it is now and what it means for songwriters in the future. We talk ethics, creativity, originality, works that are derivative and Ben takes a song we wrote together years ago and puts it through AI to demonstrate some of the current possibilities AI offers creatives.
Ben Camp has taught songwriting to over 2,000 students at Berklee College of Music, and is a gold record awarded writer and producer. Ben's songs have amassed over 100 million streams, appeared in film and TV on networks like MTV, CBS, NBC, and more. They have written singles for Brice Fox, Tiesto, Victoria Justice, Sam Feldt, and others. Ben has been following the developments in AI for over a decade, and you can find their interviews about AI + Music on NPR, Al Jazeera, and others.
In this episode, Pat Pattison, author of "Writing Better Lyrics" walks us through step by step of how to find metaphors. This is the exercise I gave to writer Madi Diaz that she talked about in the previous episode.
Pat talks about the difference between simile and metaphor for songwriters, passing metaphors and central metaphors and takes us through a song by Eli and Fur and Gillian Welch.
My guest today is one of my former students singer/songwriter Madi Diaz
Madi grew up in Pennsylvania where she was homes schooled by her mother and took piano lessons from her father at the age of 5.
After high school, Madi was accepted to Berklee College of Music and met her first collaborator Kyle Ryan which led to her recording her first record skin and bones in Hawaii.
Later, Madi went on to tour with the civil ward and Landon Pig. She was featured in Paste magazine as on of teh top ten buzziest acts at SXSW and had songs featrured in ABC family’s Pretty little liars, Drop dead Diva, Army Wives, had her song “The End of the Day” featured on the television series Nashville performed by Connie Britton and Charles Esten.
Since then she had gone on to record several albums, was a guest on Last Call with Carson Daly, and went on to tour with Harry Styles band playing guitar and singing back up vocals and supported Kacey Musgraves on the UK and European legs of her Deeper Well World Tour.
Madi has released 6 studio albums and 4 EP’s
Today we will talk about so many things that are helpful for songwriters from the biz to inspiration to writing to a prompt for a film placement and listen to a few songs off of her most recent album “Weird Faith”. A case for co-writing and preparing to write.
If you sign up before July 15th, you will receive a free copy of my book "The Craft of Songwriting: Music, Meaning and Emotion" or some "What's in a Song" swag.
Link to song from band Corner Boy "Morning Morning": https://open.spotify.com/track/7wjyEuRd6pYN34BmVkOpa1?si=a25d393f73594a0b https://www.cornerboymusic.com/
In this Episode, Robert Ellis Orrall talks about writing with Taylor Swift. What she was like as a young writer, how he set up the showcase that got her a record deal and shares two songs her wrote with Swift along with an original from his latest record.
Upcoming workshop: Taylor Swift Master class this Tuesday May 28th: https://www.eventbrite.com/e/the-songwriting-of-taylor-swift-writing-great-melodies-tickets-907284772177
My guest today s an American singer-songwriter, multi-instrumentalist and producer Will Kimbrough.
As a producer, he has produced albums for Rodney Crowell, Todd Snider, Kim Richey, Garrison Star and Matthew Ryan to name a few.
His songs have been recorded by Jimmy Buffett, Little Fear, Jack Ingram, and he has collaborated with Rosanne Cash, Guy Clark, Steve Earle, Emmylou Harris, John Prine, and Mavis Staples just to name a few.
In 2004 he was recognized as the instrumentalist of the year by the Americana music association.
Will is a prolific writer and recording artist, a member of Willie Sugarcapps, DADDY and Emmylou Harris' Red Dirt Boys, has written extensively with Jimmy Buffet and he has released 10 solo alums.
In this minisode, I talk about the power of verbs and how they can do more than just their expected work but can help to tell your story, create characters and build metaphors.
In this Episode I talk with singer/songwriter/producer/actor Aidan Laprete about Voice lessons, finding your sound, and producing.
He walks us through writing melody takes - gibberish to find melodies, turning mumbles into words and making it make sense and shares guitar voicings to help you out of sonic ruts.
Aidan is from Hawaii and was first known for his ukulele playing at age 8. He has been in film and tv such as "Hawaii Five-O" and "The Wilds" and performs and dissects several of his newly released songs sharing his process.
Stuart Roslyn is a composer, producer and musician specializing in original music for motion pictures and their trailers. He also creates unique soundscapes for network tv and big brand commercials. His career spans more than 20 years composing and producing many genres of music for the biggest names in entertainment. He is either directing a full orchestra or writing and mixing in his studio.
Today, Stuart is here to talk about his approach to work and to life. This episode is packed with wonderful advice for working and living.
In this episode, I share a little peak into the craft and poetry of Taylor Swift's songwriting. We look at her choice of chord progressions and one way in to one of her epic bridge sections as well as her use of metaphor.
You will walk away with a few tools from the woman currently ruling the world that you can try in your own songs no matter what the genre.
David Wilcox is an award winning and highly acclaimed American singer songwriter from Asheville North Carolina.
His storytelling cuts deep into the soul and observes the human condition from both the nerve center and the outside looking in. He’s released more than 20 records and is famous for his thoughtful insights, humor and open tunings on guitar.
In this episode, David talks about process and prompts and writes a song on the spot.
David Wilcox is an award winning and highly acclaimed American singer songwriter from Asheville North Carolina.
His storytelling cuts deep into the soul and observes the human condition from both the nerve center and the outside looking in. He’s released more than 20 records and is famous for his thoughtful insights, humor and open tunings on guitar.
In this episode, David takes a deep dive into his writing process and will leave you totally inspired.
In this episode, we break down co-writing and talk about reflecting back on process and what can be learned from taking pause and observing what went well and what you wish had gone differently making you a better writer and co-writer going forward.
In this episode of a two part series, Berklee Professor and Grammy winning writer Mark Simos and I try out his unique approach to writing using different chord configurations in a writing exercise he calls Hank Williams in hell. This is a live co-write so if you are curious about how people write songs collaboratively or want to explore new ways to use the classic three chords, this episode is for you. The final song is shared at the end of this episode.
This is the first of a 12 episode series where Berklee College of music professor Scarlet Keys talks about each song off of the new Taylor Swift album "The Life of a Showgirl" searching for clues and signature moves that Swift uses as a writer to write songs that resonate with millions of listeners and pack stadiums.
They are listening for literary devices, chord progression, ear worm, melodic hooks and theme.
Scarlet wrote the course "The songwriting of Taylor Swift" for Berklee College and Berklee online.
Today she is joined by Forensic musicologist Joe Bennett.
Each episode ends with a song prompt based on each song that you can try in your own writing.
In this episode of a two part series, Berklee Professor and Grammy winning writer Mark Simos and I try out his unique approach to writing using different chord configurations in a writing exercise he calls Hank Williams in hell. This is a live co-write so if you are curious about how people write songs collaboratively or want to explore new ways to use the classic three chords, this episode is for you!
Sign up for keyboard class email scarlet@scarletkeys.com
Today’s guest is grammy winning songwriter and producer Rich Jaques. Rich has had over 1500 songs placed on film and t.v. and is going to share today about his musical journey.
Some key points:
Follow the point of enthusiasm (follow your bliss)
Finding your own path
Notice what makes you excited
Writing more impressionistically as not to impose a lyric on a scene
Don’t ask who you want to be but who are you
Getting over your emotional wall in the biz
What gets in your way to success
Figure out your blocks
To listen to Rich Jaques: https://open.spotify.com/album/39NM2EhS00PH1mQbdQbRCi?si=SPFutN-NQ5mpFSMkFRYKcQ
Today I have Susan Rogers who many of you know as Prince’s recording engineer. Today we talk about her new book “This is what it sounds like” and who we are as listeners, what Prince used to ask her to prepare for his writing sessions and insight into writing songs that appeal to a wider audience.
Some takeaways:
Ask a non musical person for feedback on your songs
Active listening
Getting your best vocal performance in the studio
Music from the neck up vs music from the neck down
Making music is an expression of life and you need to put your life into it
Balance between something common and something novel
Who you are as a listener
Taylor Swift workshop: https://www.eventbrite.com/e/650136163767
Grammy-winning artst Paula Cole has released seven solo albums of original songs. Cole has performed with icons in many genres of music, from Peter Gabriel to Dolly Parton, Herbie Hancock to Emmylou Harris, and Amy Lee of Evanescence to Burt Bacharach. Cole’s emotionally deep performances and her poetic, intelligent writing makes her stand out from the masses of contemporary music. Her compositions have been covered by a diverse range of artists—including Hancock, Annie Lennox, Katherine McPhee, and JoJo—and she has sold approximately 3 million albums. As the first woman in history to solely produce and receive the Best Producer Grammy nomination for her album This Fire, Cole has broken boundaries with a searcher’s spirit. From her top 10 hits of the 1990s to her more recent, critically acclaimed albums, Cole continues to write, produce, record, and perform heartfelt, meaningful, lasting music that defies categorization.
In this episode, Paula shares her writing process, prompts she gives her students and what she's learned from journaling and writing. She talks about how she found her sound as an artist and the artists who have inspired her. How walking helps her write.
Singer/songwriter Sam Robbins' song about his father from one of Paula's prompts: https://open.spotify.com/track/6R1NtDvc6i24t7pZROFaED?si=44837935583f449c
To hear a full version of "Little Big Sky", here is Susan Cattaneo's version: https://open.spotify.com/track/03g3yrMqmYHCoskJPeVdgS?si=b56beecfdadd4e4b
First, we talk about what constitutes copyright infringement from the point of view of a forensic musicologist.
Then, Joe dives into the analysis of "If I were a Fish" (pun intended) leaving everyone with some great new ideas to spark their songwriting.
Dr. Bennett has been analysing and transcribing popular music for international publication since 1994. He has written 30 books, including transcription, teaching and reference works (published worldwide by Music Sales Group), and more than 300 academic and media articles, relating to song analysis, guitar techniques, music similarity, music copyright law, and songwriting. He is currently a professor at Berklee College of Music in Boston USA, and the resident musicologist for TIDAL magazine.
As an academic Joe’s primary area of research expertise is the psychology of songwriting
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
Today I am so happy to have Corook and Olivia Barton on the show.
Corook is a multi-instrumentalist based in Nashville, Tennessee. they are signed to Atlantic Records, and thave toured with JP Saxe and Jukebox the Ghost.
Today share my conversation with Corook and their partner artist Olivia Barton. We talk about instant fame and it’s impact on an introvert, Corook talks about their path leading up to their first record deal and then they both talk about writing their magical viral song “If I were a fish” and a few tools they used in the process to capture joy in a jar.
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
Robert Gillies is a hit songwriter and artist living in Norway.
In this conversation we talk about finding the sweet spot of tempo for your song The 2 rules to start every cowrite with Working with Charlie Puth His fav microphone for home recording How our road to success can feel like a guided experience How to be in service of the work Opening for Andy Grammer
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
In this episode, I am talking with someone at the start of it all, Berklee student Kieran Rhodes.
He shares his favorite songwriting tools that he learned from Billy Joel and Randy Newman, why his friends nick named him the V/V, his experience on being on America's Got Talent and the two chords he won't leave home without.
He plays a song he wrote in his songwriting 1 class in the mixolydian mode and I give a mini lesson on how to write in mixolydian.
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
Roger Brown is an American businessman, philanthropist, and academic administrator and former president of Berklee College of Music. Brown is also the co-founder of Bright Horizons and founder and chairman of the Salt Lick Incubator. He is most recently a grammy nominated songwriter!!!
In this episode, Roger talks about becoming a songwriter later in life, writing the truth and retiring from Berklee and creating a company for emerging artists called The Salt Lick Incubator:
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
In this episode, I am talking to Prince Charles Alexander about the evolution of hip hop music, production and rap.
Prince Charles is a sought-after recording and mixing engineer whose clients include Mary J. Blige, Destiny's Child, Faith Evans, P. Diddy, the Notorious B.I.G., Usher, Boyz II Men, Brandy, Babyface, Sting, Aretha Franklin, Usher, Brian McKnight, and others. Alexander has garnered more than 40 Platinum and Gold certifications from the RIAA and has multiple Grammy Awards and nominations. He holds an adjunct instructor position at New York University's Clive Davis Department of Recorded Music, has taught audio technology at the Institute of Audio Research, and is a frequent lecturer at the City College of New York in Manhattan.
He teaches advanced production and mixing at Berklee. From the early to mid 80s, he produced, wrote, and recorded on Virgin Records with his group, Prince Charles and the City Beat Band. Alexander was an early innovator of wind synthesis and a part of the "punk-funk" generation that incorporated many of the devices that would propel rap music to the forefront of the American music scene.
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
In this episode, I talk with Grammy nominated composer and award winning pianist, educator and author of the best selling book “Effortless Mastery” and “Becoming the Instrument” in part two of a great conversation.
Find a place to sit and listen towards the end of the podcast for the meditation and then enjoy a live performance from Kenny.
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
In this episode, I talk with Grammy nominated composer and award winning pianist, educator and author of the best selling book “Effortless Mastery” and “Becoming the Instrument”.
Here are some episode takeaways:
You don’t move forward unless you practice
Let your arms defy gravity
Sate of presence of mind
The body is the instrument that plays the instrument
BE the instrument
Get your mind out of the way so the body can commit to muscle memory and motor skill
The need to sound good obscures the way the body would play it
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
Eric is a 2x Grammy Nominated Singer/Songwriter/Producer/Artist/Entrepreneur. Winner of the 2012 Soul Train Music Award For Independent Artist Of The Year. Widely regarded as the "King Of Independent Soul/R&B". He was on Jimmy Fallon's show "That's my Jam" and has a new book out "Lessons".
Here are some show takeaways:
Perception is a golden gift
Ideas are everywhere
Say no to doubt
When to say no
How to say no
When to say yes
When recording it’s not about how good you sound it’s about how true you sound.
Writing without agenda
Capture the moment and get out of the way
Remove doubt
Say thank you for the idea
Tell doubt to leave the room
To find out more about Eric Roberson and his music:
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
Today I have Grammy winner and producer Cliff Goldmacher. Cliff has a catalog of over 1,000 songs and writes with and for artists across multiple genres. He has written a #1 single on the jazz charts, a song on a GRAMMY-winning album and multiple songs featured in major movie releases and national advertising campaigns. Some of his songs have been recorded by Kesha, Keb Mo, and Lisa Loeb to name a few.
On today’s show, Cliff shares some writing tips from his book “The Reason for the Rhymes” and breaks down his songwriting process and career advice. The function of a chorus, metaphor, simplicity and being a good cowriter.
Show takeaways:
When trying to find a metaphor, ask the question "What is my concept like?"
If you are using one metaphor, stay with that metaphor. Stay in the ocean for example, keeping all of your imagery connected to your original metaphor
When in doubt say less
Try to have the maximum impact with the fewest words
The importance of staying organized
The chorus is the moment in the song when you stop and explain to your listener why you’ve been saying what you’ve been saying in the verse
The chorus should have the same lyric each time
Productivity supports creativity and creativity supports productivity
What assets are you bringing to a cowriter? production? great vocals? great instrumentalist?
The art of collaboration
The importance of listening to an artist and helping them translate what’s important to them
Be macro-patient and micro-impatient: Be impatient enough to get up every day and do the work
Cliff's book "The Reason for the Rhymes": https://www.amazon.com/Reason-Rhymes-Mastering-Essential-Innovation-ebook/dp/B089RSCLCV/ref=sr_1_1?crid=1B1FNTKHS2MF1&keywords=cliff+goldmacer&qid=1672445129&sprefix=cliff+goldmacer%2Caps%2C80&sr=8-1
For info on Otto Gross: The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
In this episode, I talk with award winning singer/songwriter Anna Wilson and Golden Globe and Country Music Hall of Fame nominee, hit songwriter and producer Monty Powell. This power duo have written songs for Keith Urban, Lady A., Reba McEntire, Rascal Flatts and too many more to mention.
This is a master class in lyric technique!
Take aways from today's episode:
Song maps
Lyrical flow
Alliteration to grab the listener’s ear
Internal rhyme
Technical writing
Image ladder
Creating a visual picture with words
Lead a narrative that you want your listener to perceive
Be detailed and exact and clear so the listener sees what you want them to see
Engineer: Peter Sykes https://www.petersykesmusic.com
The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
In this episode Berklee Professor and artist Susan Cattaneo shares the magic of songwriting and breaks it down offering some wonderful ideas on how to use metaphor.
With her powerful voice, captivating melodies and finely-crafted lyrics, Susan Cattaneo is one of Boston’s most respected singer/songwriters and educators.
Susan won the CT Folk Festival and is nominated for Singer Songwriter of the Year at this year’s Boston Music Awards. She has been a finalist or winner in the country’s most prestigious songwriting and music contests. An in-demand collaborator for a wide range of local and national artists, she is a three-time Kerrville New Folk finalist. Her double album The Hammer and The Heartcharted #1 on the Billboard Heatseekers chart and yielded a folk radio #1 single and top 10 album. Her latest work, All is Quiet has been featured as a top 10 folk radio album since its release in April.
In her 20 plus years teaching Songwriting at Berklee, Susan has helped students work on over 15,000 songs in all musical genres and styles and mentored over 2,000 artists.
Engineer: Peter Sykes https://www.petersykesmusic.com
The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
Tom Hambridge is an American rock, country, and blues, producer, songwriter, musician and vocalist. Hambridge has received two Grammy Awards, an ASCAP award, seven Grammy nominations, seven Boston Music Awards, and has been inducted into the Buffalo Hall of Fame.
In this episode, Tom talks about his influences, how being a drummer informs his writing, working with vocalists, what he learned from Chuck Berry, avoiding cliches and navigating a cowrite.
Engineer: Peter Sykes https://www.petersykesmusic.com
The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
Today, Ariel Hyatt introduces the concept of the Three Communities every artist must understand: - **Ambient Fans** who are aware of you - **Engaged Fans** who pay attention and interact - **Superfans** who support, advocate, and stick with you over the long term.
She talks about the power of the mailing list, gaining true fans and if you only have 10 min a day to market, how should you spend your time.
To sign up for Scarlet's virtual Metaphor class:
Monday Aug. 25th at 4:00 p.m. - 7:00 p.m. click here:
Matt has played on countless records for artists such as:
Wynonna Judd, Lyle Lovett, Shania Twain, Trisha Yearwood, Leonard Cohen, Mark Knofler, Dixie Chicks, Mary Chapin Carpenter, Billy Joel, Steve Martin, Bruce springsteen, Toy Story 4 Randy Newman and Christ Stapleton.
Matt has produced many artists such as: Keith Urban and Mellissa Manchester
He won a Grammy for Producing, arranging and playing on Willie Nelson’s record: Willie Nelson Singers Gershwin and Willie Nelson’s record Willie Nelson Sings Sinatra
Matt has toured extensively with Lyle Lovett and Allison Kraus and is here today to talk about songwriting and the elements of being a master player in service of the song or the singer.
Show takeaways:
The importance of feel and timing
Lean into the nervousness
Lead with your weakness
The importance of vulnerability
When playing: 80% attention on the singer who is performing and 20% read the chart, play the fills, adjust, play in time, remember the song and create the part
Voicing an F Major chord: CFA: F chord in second position. Take the F out of the middle and drop it an octave
When you play close voicing, all of the overtones bash into each other
When you don’t, it doesn’t ring the same way and you give the overtones room
Engineer: Peter Sykes https://www.petersykesmusic.com
The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
Hit Maker Justin Tranter - on writing with and for Imagine Dragons, Dua Lipa, Kelly Clarkson, Justing Bieber, and Lady Gaga, shares writing tips, technique and all the things!!
Ellen Britton is an amazing guitarist and songwriter who has toured with many huge acts and appeared on The Tonight Show with Jay Leno, Late Night with Conan O’Brien, The View, The Rosie O’Donnell Show, and The Today Show.
As a teacher, she has worked with Brandi Clark, Pam Tillis, Mickey Guyton, Carly Pearce, Little Big Town and so many more.
On this episode, Ellen talks about the importance of dynamics as a performer and guitar player and shares some voices, strumming patterns and power chords for anyone who would like to write on guitar!
Engineer: Peter Sykes https://www.petersykesmusic.com
The show's theme song "What's in a Song" was co-written with Otto Gross Recorded and performed by Otto Gross: @OttoGrossProduction (instagram) @OttoGrossMusic (Youtube, facebook, TikTok) https://biglink.to/ottogrossmusic
Chris DuBois is a songwriter and music publisher based out of Nashville. He is co-owner of Sea Gayle Music with business partners Brad Paisley and Frank Rogers.
Sea Gayle is one of the most successful independent publishing companies in all of music. In 2010 and 2011, Sea Gayle was named ASCAP Country Publisher of the Year. It was the first time since 1982 that an independent publishing company had won that award. In 2009, Sea Gayle Music launched Sea Gayle Records as an imprint of Sony Music Nashville.
They have some of Nashville’s most successful roster of staff writer’s one of which was Chris Stapleton.
As a songwriter, DuBois has had more than 30 Top 20 singles including 17 songs that have reached No. 1. DuBois has been the recipient of over 30 ASCAP awards and in 2004 was named ASCAP Country Songwriter of the Year.[3] DuBois was also named NSAI Songwriter of the Year for 2010 and 2011.[4]
A few of these songs include:
Mud on the Tires: Brad Paisley
Your Man: Josh Turner
Buy me a Boat: Chris Jansen
You should probably leave: Chris Stapleton
He has had songs recorded by artists such as:
Darius Rucker, George strait, Tim McGraw, Luke Bryan, Blake Shelton, Keith Urban, Chris Stapleton, Kenny Chesney, Adele, and Sheryl Crow to name a few.
In this episode Chris shares how he finds titles, inspiration, what he looks for in a writer to sign, we talk about revenue for writers, writing techniques, story songs, copywriting your songs and so much more!
Take aways:
Identify the songs that give you chills
Identify the moments in the songs that give you chills
Then study what’s going on there melodically or lyrically
Try to emulate what you’re hearing
Try to write a song that sounds like a song you love
Try the title game
Write from a piece of art with a 500 word narrative