CRIMINAL LAW is part legal drama, part serial killer thriller. It’s high-sounding, operatic, it’s moralistic. And, yeah—at times, a little silly.
The premise is simple enough, a defence attorney with a conflict of conscience works to entrap his guilty, murderous client.
There’s a moral complexity to the killer’s motive—prescient, really—as important today as it was in the 1980s or as it has ever been. Themes that resonate with me, they’re all here:
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complicated, dysfunctional familial bonds;
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class and social mobility;
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multi-generational wealth, the patriarchy, and entitlement; and
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misogyny, bodily autonomy, and reproductive rights.
Oh, and—my absolute favourite:
If this all sounds a bit heavy, don’t be put off. At the end of the day, CRIMINAL LAW is a trashy, popcorny thriller. I love it.
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This week, Steven discusses director Martin Campbell’s underrated 1989 queer serial killer thriller CRIMINAL LAW.
Movies and TV series mentioned:
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American Psycho (2000)
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Hannibal (2013-2015)
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Primal Fear (1996)
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Psycho (1960)
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The Chamber (1996)
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The Firm (1993)
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The Pelican Brief (1993)
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Urban Legend (1998)
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WHAT MONSTER is written and narrated by Steven Gregor.
whatmonsterpodcast.com