In this continuation of their non-linear journey through the tarot, Phil and JF discuss the ninth Arcanum: the Hermit. Walking through darkness with his lantern and staff, the Hermit invites us to break from the collective and seek a direct relationship with the Real. This is the card of the seeker, the misfit, the sage, and the wanderer. As tends to happen in these tarot episodes, the hosts take the opportunity to range across many topics, connecting the Hermit to Jung’s Red Book, the Desert Fathers, angels and demons, the I Ching, contemporary politics, and more. Support us on Patreon Order Christian Bunyan's Weird Studies poster here. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast,Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau REFERENCES Carl Jung, The Red Book Stanley Kubrick, American filmmaker Samuel Beckett, Irish writer Emily Dickinson, American poet Temptation of Saint Anthony Our Known Friend, Meditations on the Tarot Weird Studies, Episode 103 on the Tower card The Gnostic Tarot Nigel Richmond, Language of the Lines Star Wars: The Empire Strikes Back John Minford, The I Ching: The Essential Translation of the Ancient Chinese Oracle and Book of Wisdom William Butler Yeats, "The Second Coming" Alejandro Jodorowsky, The Way of the Tarot Wolfgang Petersen (dir.), The Neverending Story Learn more about your ad choices. Visit megaphone.fm/adchoices

John Crowley’s Little, Big is, at once, a family saga, a fairy tale, an occult thriller, an idyll, a dystopia, as well as a meditation on myth and history, the real and the fantasy, memory and imagination. Little, Big is also a book that JF and Phil have been planning to discuss for as long as Weird Studies has existed. In this episode, they are joined by writer and scholar Erik Davis to explore the enduring charms and mysteries of one of the greatest—and most underrated—American novels of the late twentieth century. Order Christian Bunyan's Weird Studies poster here. Visit Weirdosphere for more details on Erik Davis's ongoing course, The Three Stigmata of Philip K. Dick. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES John Crowley, Little, Big Roald Dahl, Charlie and the Chocolate Factory Thomas Mann, The Magic Mountain Eric Davis, interview with Neil Gaiman and Rachel Pollack David Lynch (dir.), Lost Highway America, “The Last Unicorn” John Cooper Powys, A Glastonbury Romance J. R. R. Tolkein, The Lord of the Rings Patrick Harpur, Daimonic Reality Lord Dunsany, Irish novelist Special Guest: Erik Davis. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Magician card likely graces more front covers of books on the tarot than any of the other major arcana. In many ways, it symbolizes the tarot itself, or the individual who has mastered the art of manipulating the cards to divine their meanings. Yet, the Magician is a profoundly ambiguous figure. From one perspective, he is the Magus, piercing through the illusions of ceaseless becoming to glimpse the hidden depths of reality. From another, he is all surface without depth, a carnival huckster ready to empty your coin purse while you’re transfixed by his crystal ball. In this episode, JF and Phil continue their on-again, off-again journey through the major trumps with a discussion of the card that—deservedly or not—proudly calls itself Number One. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Our Known Friend, Meditations on the Tarot Weird Studies, Episode 24 on “The Charlatan and the Magus” Weird Studies, Episode 109 and Episode 110 on The Glass Bead Game Weird Studies, Episode 179 with Lionel Snell Friedrich Nietzsche, On the Geneology of Morals Louis Sass, Modernism and Madness Gilles Deleuze, Pure Immanence Richard Wagner, Parsifal William Irwin Thompson, The Time Falling Bodies Take to Light Participation mystique Aleister Crowley, The Book of Thoth Leigh Mccloskey, Tarot Re-visioned Learn more about your ad choices. Visit megaphone.fm/adchoices

Jean Cocteau's visionary rendition of Madame de Beaumont's fairy tale "Beauty and the Beast," itself the retelling of a story that may be several millennia old, is the topic of this Weird Studies episode, which proposes a journey down lunar paths to the crossroads where love and death intersect. Drawing on Surrealism, myth, and the occult, Cocteau's 1946 film transcends the limitations of media to become a living poem, a thing that is also a place, a place that is also a mind. This conversation touches on the genius of the child, the mysteries of Eros, the monstrosity of consciousness, and the sorcery of cinema. Photo by Ivan Jevtic on Unsplash Click here to register for JF's upcoming course on art. REFERENCES Jean Cocteau (dir.), La Belle et la Bête Jaques Maritain, Creative Intuition in Art and Poetry Sergei Diaghilev, Russian impresario Gary Trousdale and Kirk Wise (dir.), Beauty and the Beast David Thomson, Have You Seen? Bram Stoker, Dracula Johannes Vermeer, Dutch painter Philip Glass, La Belle et la Bête (opera) Game of Thrones, Television series Weird Studies, Episode 84 on the Empress Card Weird Studies, Episode 94 on the Moon Card Learn more about your ad choices. Visit megaphone.fm/adchoices

Doris Lessing's uncategorizable oeuvre reached strange new heights in 1988 with the publication of her short novel The Fifth Child. The story couldn't be simpler. In the England of the 1970s, a couple determined to live out a dream that many of their generation have rejected -- the big family in the old house with the pretty garden -- conceive a child that may or may not be human. From that moment on, the boy, their fifth, becomes the alien force that will tear their dream to pieces. Profoundly ambiguous and unsettling, The Fifth Child is a weird novel that raises questions about parenthood, family, and the impenetrable depths of nature. Header Image: The Changeling by Henry Fuseli (1780) Additional music: "Fast Bossa Nova: Falling Stars" by Dee Yan-Key REFERENCES Doris Lessing, The Fifth Child Doris Lessing, Shikasta M. R. James, weird fiction author Anne Rice, Interview with the Vampire Weird Studies, Episode 67 on “Hellier” Victoria Nelson, The Secret Life of Puppets David Icke, conspiracy theorist Deros, underground beings from the fiction of Richard Sharpe Shaver Hieronymus Bosch, Dutch Renaissance painter Weird Studies, Episode 86 on “The Sandman” Slavoj Žižek, The Puppet and the Dwarf Louis Sass, “The Land of Unreality: On the Phenomenology of the Schizophrenic Break” Louis Sass, Madness and Modernism Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life Richard Thorpe (dir.), The Wizard of Oz Frank L. Baum, The Wizard of Oz Weird Studies, bonus episode on Adventure Time James Hillman, The Soul’s Code Doris Lessing, Ben in the World Roman Polanski (dir.), Rosemary’s Baby Richard Donner (dir.), The Omen Donald Cammell (dir.), Demon Seed Learn more about your ad choices. Visit megaphone.fm/adchoices

"Here is a weird, deceptive life." Thus does Aleister Crowley describe the meaning of one of the most sinister and spectral cards in the tarot. In this episode, Phil and JF continue their ongoing series on the twenty-two major trumps with a deep dive into the hopelessly enigmatic world of Arcanum XVIII: The Moon. After a brief chat about Voltron and professional wrestling, your hosts start on the lunar path beset by traps and illusions, in hopes that their half-blind perambulation will lead to startling insights. Image by Damien Deltenre via Wikimedia Commons. References Roland Barthes, Mythologies Anonymous, Meditations on the Tarot Colin Wilson, The Occult Eliphas Levi,_ French esotericist Ishmael Reed, Mumbo Jumbo Weird Studies, [Episode 86 on The Sandman](weirdstudies.com/86) Plato, Republic Antoine Faivre, scholar of esoteric studies Wouter Hanegraaff, historian of philosophy Alastair Crowley, Book of Thoth Henri Bergson, Creative Evolution Carl Jung, Mysterium Coniunctionis Peter Kingsley, historian of philosophy St. John of the Cross, The Dark Night of the Soul J.R.R Tolkien, The Lord of the Rings Weird Studies, Episode 93 on Charles Taylor Algis Uždavinys, Philosophy as a Rite of Rebirth Learn more about your ad choices. Visit megaphone.fm/adchoices

In A Secular Age, the Canadian philosopher Charles Taylor tries to come to grips with the seismic development that transformed the world after the Renaissance, namely the secularization of the society and soul of Western humanity. What does it mean to live in an age where religion, once the very matrix of social existence, is relegated to the realm of private and personal choice? What defines secularity? Are modern people really as "irrelegious" as we make them out to be? In this episode, JF and Phil squarely train their sights on a question that continues to haunt them, with Taylor as their Virgil in what amounts to a descent into the ordinary inferno of modern unknowing. Header Image by Pahudson, via Wikimedia Commons REFERENCES Pierre-Yves Martel's Bandcamp page Charles Taylor, A Secular Age Charles Taylor, The Malaise of Modernity Weird Studies, ep 71: The Medium is the Message Penn & Teller, Bullshit René Descartes, Meditations Theodore Roszak, The Making of a Counter-Culture Thomas Aquinas, Summa Theologica Jacques Ellul, The New Demons David Foster Wallace's essay on David Letterman Richard Dawkins, The Selfish Gene Eric Voegelin, The New Science of Politics Karl Jaspers, The Origin and Goal of History Learn more about your ad choices. Visit megaphone.fm/adchoices

With his latest film, a meditation on what it means to believe we live in a computer simulation, Rodney Ascher has once again placed himself among the most innovative and visionary filmmakers working in the documentary form today. While the "Simulation Hypothesis" has been a hot topic ever since The Matrix came out in 1997, it is Ascher's ability to suspend judgement, training his camera on the experience of believers rather than the value of their beliefs, that makes A Glitch in the Matrix such a unique and significant exploration, a strange work of "phantom phenomenology." Weird Studies listeners will recall that Phil and JF devoted an episode to Ascher's films -- most notably Room 237 and The Nightmare -- back in the early days of the podcast. In this episode, Rodney Ascher joins them to discuss his cinematic vision, his take on the weird, and his thoughts on what is real and why it matters. REFERENCES [Rodney Ascher](www.rodneyascher.com), American filmmaker -- [A Glitch in the Matrix](www.aglitchinthematrixfilm.com) Jay Weidner's theories on Kubrick Buddhist idea of the the Arising and Passing Away [Dungeons & Dragons](https://en.wikipedia.org/wiki/Dungeons%26_Dragons), tabletop roleplaying game James Machin, _Weird Fiction in Britain 1880-1939 Magic Eye pictures Parmenides, Greek philosopher Wachowskis, The Matrix Alan Moore, "Superman: For the Man Who Has Everything" Conway's Game of Life Joshua Clover, The Matrix (BFI Film Classics) Jonathan Snipes, American composer Clipping, experimental hip hop band "Shining" romantic comedy recut Michael Curtiz (dir.), Casblanca John Boorman (dir.), [Point Blank](https://www.imdb.com/title/tt0062138/?ref=fn_al_tt_2)_ Louis Sass, Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought Special Guest: Rodney Ascher. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Phil and JF explore the vast palatial halls of Susanna Clarke's novel Piranesi. Set in an otherworld consisting of endless galleries filled with enigmatic statues, Piranesi is the story of a man who lives alone -- or nearly alone -- in a dream labyrinth. As usual, our discussion leads to unexpected places every bit as strange as Clarke's setting, from Borge's infinite library and Lovecraft's alien cities to Renaissance Europe, where the art of memory was synonymous with wisdom and magic. SHOW NOTES Susanna Clarke, Piranesi Joshua Clover, 1989: Dylan Didn't Have This to Sing About , The Matrix (BFI Modern Classics John Crowley, Little, Big Christopher Priest, The Prestige (+Christopher Nolan's screen adaptation) Susanna Clarke, Jonathan Strange & Mr. Norrell JF Martel, "The Real as Sacrament" (forthcoming?) Frances Yates, The Art of Memory Mary Carruthers, The Book of Memory: A Study of Memory in Medieval Culture Plato, Phaedrus Henri Bergson, Matter and Memory Jorge Luis Borges, "The Library of Babel" Giovanni Battista Piranesi, Carceri d'invenzione Maurits Cornelis Escher, Duch artist H. P. Lovecraft, At the Mountains of Madness Gaston Bachelard, The Poetics of Space Gyrus, North: The Rise and Fall of the Polar Cosmos Emerald Tablet, foundational Hermetic text Joshua Foer, Moonwalking with Einstein: The Art and Science of Remembering Everything Weird Studies ep. 42 - On Pauline Oliveros, with Kerry O'Brien Giovanni colleague? Allen Ginsberg, "America" Rodney Ascher, A Glitch in the Matrix Walter J. Ong, American philosopher Weird Studies ep. 71: The Medium is the Message Thomas Ligotti, "The Night School" Thomas Aquinas, Christian philosopher and theologian Erasmus, Christian philosopher Marsilio Ficino, Christian philosopher Learn more about your ad choices. Visit megaphone.fm/adchoices

Weird Studies has so far devoted just one show to Philip K. Dick, and that was way back in April 2018, with episode 10, "Adrift in the Multiverse." Last fall, as another foray into Dickland began to feel urgent, Phil and JF talked about which of his books they should tackle. The answer that seemed obvious was VALIS, the semi/pseudo-autobiographical masterpiece that constitutes PKD's most explicit attempt to make sense of the theophanic experiences that altererd his life in 1974. But then Phil suggested The Owl in Daylight, a novel on which PKD worked feverishly in the last years of his life but left unwritten. And sure enough, reviewing and analyzing a book that doesn't exist proved to be the best way of getting to the heart of Dick's incomparable oeuvre. SHOW NOTES Gwen Lee, What if Our World is Their Heaven? The Final Conversations of Philip K. Dick The Selected Letters of Philip K. Dick, volume 6 Philip K. Dick, The Exegesis Anonymous, Meditations on the Tarot Secondary qualities, philosophical concept Samuel Barber, Adagio for Strings Burt Bacharach, American musician Philip K. Dick, "The Preserving Machine" Jorge Borges, "The Approach to Al-Mu'tasim" The Good Place, American television series Philip K. Dick, Valis Weird Studies, Episode 78 on John Keel's 'Mothman Prophesies' Richard Wagner, Parsifal Weird Studies, Episode 73 on Carl Jung Learn more about your ad choices. Visit megaphone.fm/adchoices

Ishmael Reed's 1972 novel Mumbo Jumbo is a conspiracy thriller, a postmodern experiment, a revolutionary tract, a celebration, and a magical working. It is a novel that, over and above prophetically describing the world we live in, creates a whole new world and invites us to move in. For Phil and JF, Mumbo Jumbo exemplifies art's creative power to generate new possibilities for life. It is also the perfect occasion for pinpointing the difference between the kind of magical thinking that fuels virulent conspiricism, and the more profound magical thinking which alone can save us from it. **Image: **Albrecht Dürer, Two Pairs of Hands with Book REFERENCES Ishmael Reed, Mumbo Jumbo Harold Bloom, The Western Canon For more on Colin Wilson's concept of lunar religion, see The Occult Weird Studies, episode 36: "On Hyperstition" William S. Burroughs, Naked Lunch Carl Van Vechten, American writer Robert Anton Wilson and Robert Shea, Illuminatus! MC5, "Kick Out the Jams" Karl Pfeiffer (dir.), Hellier, webseries Jasun Horsley, 16 Maps of Hell Ramsey Dukes (Lionel Snell), SSOTBME Anonymous, Meditations on the Tarot Fats Waller, American jazz musician Owen Barfield, Saving the Appearances: A Study in Idolatry Weird Studies, episode 57 - "Box of Gods: On Raiders of the Lost Ark" Hans Jonas, The Gnostic Religion: The Message of the Alien God and the Beginnings of Christianity Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature Learn more about your ad choices. Visit megaphone.fm/adchoices

Weird Studies will launch its fourth season on January 6th, 2021. But to celebtrate the end of very strange year, we thought we'd release a conversation which until now was available only to our top-tier Patreon backers. Therein we discuss the philosophical underpinnings of "Puhoy," memorable episode of the brilliant animated series Adventure Time. This was JF's introduction to a show that Phil has often recommended for its novel treatment of complex ideas and downright weirdness. Watch "Puhoy" on YouTube: Part 1 Part 2 Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Coraline, before American Gods, in the early days of the Sandman series, Neil Gaiman collaborated with Dave McKean on some truly groundbreaking graphic novels: Violent Cases (1987), Signal to Noise (1989), and the work discussed in this Weird Studies episode. The Tragical Comedy or Comical Tragedy of Mr Punch (1994) is the story of a boy whose initiation into the dark realities of life, death, and family plays out in the shadow of the (in)famous Punch & Judy puppet show. Unlike some of Gaiman's more overtly marvellous offerings, Mr Punch is a subtle fantasy whose weirdness hides in the gaps and folds of lost time. It is in Dave McKean's brilliant art that the magic shines through, letting us know that the narrative is only part of a vaster, hidden thing. In this episode, Phil and JF discuss the themes, ideas, and mysteries of an unparalleled piece of comics art. REFERENCES Watch Aaron Poole's 9-minute short film "Oracle" Neil Gaiman and Dave McKean, _The Tragical Comedy or Comical Tragedy of Mr. Punch "That's the Way to Do It! A History of Punch and Judy", Victoria Albert Museum _ Ronald Briggs, Father Christmas Clement Greenberg, American art critic Marcel Proust, In Search of Lost Time Scott McCloud, Understanding Comics J. F. Martel, Patreon Post on The Untimely Weird Studies, Episodes 20 and 21 on the Trash Stratum Weird Studies, Episode 72 on the Castrati Samuel Pepys, English administrator and diarist Nick Lowe, The Beast in Me Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the great rewards of "weirding" the world is learning that boredom may be a kind of ethical transgression—the world is simply too strange to allow for it, and if you're bored, you're at least partly to blame. Few have put this notion to the test as rigorously as Lionel Snell, whose work as a magician celebrates the wonders of everyday events, from a walk in the park to a moment of car trouble. Unlike the pursuit of the extraordinary that often defines occult practice, Snell's approach reminds us of the magic in the mundane. In this episode, Snell, also known as Ramsey Dukes, shares the insights he's gained over his decades-long career as one of the leading figures in contemporary magical theory and practice. For an exclusive Vimeo link to Aaron Poole's film Dada mentioned in the intro, go to Instagram and send @aaronsghost the direct message "movie link please". REFERENCES Ramsey Dukes, Thundersqueak Weird Studies, Episode 141 on “SSOTBME Weird Studies, Episode 24 with Lionel Snell John Crowley, Little, Big Arthur Machen, “A Fragment of Life” David Foster Wallace, The Pale King Max Picard, The Flight from God Lionel Snell, My Years of Magical Thinking Robert Anton Wilson, Prometheus Rising Henry Bergson, Matter and Memory Russell’s Paradox Special Guest: Lionel Snell [Ramsey Dukes]. Learn more about your ad choices. Visit megaphone.fm/adchoices

It would be wrong to describe Arthur Machen's Hieroglyphics: A Note Upon Ecstasy in Literature (1902) as a work of nonfiction, since the book features a narrative frame that is as moody and irreal as the best tales penned by this luminary of weird fiction. But if the eccentric recluse at the centre Hieroglyphics is a fictional philosopher, he is one who, in Phil and JF's opinion, rivals most aesthetic thinkers in the history of philosophy. The significance of this text lies in its willingness to disclose a function of art that few before Machen had dared to touch, namely its capacity to generate ecstasy by confronting us with the mystery that beats the heart of existence. In this episode, your hosts discuss a work which, in their opinion, comes as close to scripture as the nonexistent field of Weird Studies is likely to get. REFERENCES Arthur Machen, Hieroglyphics: A Note Upon Ecstasy in Literature Thomas Ligotti, Songs of a Dead Dreamer Weird Studies, Episode 3 on the White People J.F. Martel, Reclaiming Art in the Age of Artifice Weird Studies, Episode 63 on Colin Wilson’s 'The Occult' William Shakespeare, Hamlet Indra’s Net, philosophical concept James Machin, Weird Fiction in Britain, 1880 – 1939 Weird Studies, Episode 5 on Lisa Ruddick's 'When Nothing is Cool' Oscar Wilde, The Soul of Man Under Socialism Rudolph Otto, German theologian Learn more about your ad choices. Visit megaphone.fm/adchoices

The German polymath E. T. A. Hoffmann is one of the founding figures of what we now call weird literature. In this episode, JF and Phil discuss one of his most memorable tales, "Der Sandmann." Originally published in 1816, it is the story of a young German student whose fate is sealed by a terrifying encounter with the eponymous figure during his youth. The story packs several tropes that would later become staples of the weird: the protean monster, the double, the automaton... Your hosts discuss how Hoffmann uses these tropes without letting any of them coalesce into a stable thing in the reader's mind, thereby effecting a slowbuild of ambiguity upon ambiguity that culminates in a true paroxysm of dread. The argument is made that Freud does essentially the same thing in his famous essay "The Uncanny," wherein Hoffmann's story plays an important role. REFERENCES E. T. A. Hoffmann, The Sandman Horace Walpole, The Castle of Otranto Edgar Allan Poe, American writer Sunn o))), American metal band La Monte Young,, American composer Stuart Davis, Aliens and Artists Sigmund Freud, The Uncanny Neil Gaiman, Mr. Punch Jaques Offenbach, Tales of Hoffmann Frank Zappa, American musician Ernst Jentsch,, German psychiatrist E. T. A. Hoffmann, The Life and Opinions of the Tomcat Murr Weird Studies, episodes 73 and 74 on Carl Jung Learn more about your ad choices. Visit megaphone.fm/adchoices

Since its release in 1973, Robin Hardy's The Wicker Man has exerted a profound influence on the development of horror cinema, a rich vein of folk music, and the modern pagan revival more generally. Anthony Shaffer's ingenious screenplay gives us a thrilling yarn that is also a meditation on the nature of religious belief and practice. Just in time for Halloween, Phil and JF discuss the philosophical ideas that undergird this folk horror classic, focusing on the perennial role of sacrifice in religious thought. REFERENCES Robin Hardy (director), The Wicker Man Stanley Kubrick (director), The Shining Terence Fisher (director), The Devil Rides Out Piers Haggard (director), Blood on Satan’s Claw John Boorman (director), Deliverance Rob Young, Electric Eden Gerald Gardner, English wiccan Margaret Murray, English anthropologist Cecil Sharp, English ethnomusicologist Phil Ford, "Taboo: Time and Belief in Exotica" Friedrich Nietzsche, Untimely Meditations Learn more about your ad choices. Visit megaphone.fm/adchoices

This second instalment in our series on the major trumps of the traditional tarot deck features the Empress. As Aleister Crowley writes in The Book of Thoth, this card is probably the most difficult to decipher, since it is inherently "omniform," changing shapes continuously. In a sense, the Empress is variation itself. Her card becomes the occasion for a conversation about the less knowable side of reality, the one that tradition associates with the Yin, nature, potential, and -- controversially -- the feminine. This in turn leads to a discussion of white versus black magic, and how the two may not always be as diametrically opposed as we might believe. REFERENCES P.D. Ouspensky, The Symbolism of the Tarot Anonymous, Meditations on the Tarot: A Journey into Christian Hermeticism Weird Studies episode 82 on the I Ching Patrick Harper, The Secret Tradition of the Soul Aleister Crowley, The Book of Thoth Simon Magus, religious figure Henri Gamache, The Mystery of the Long Lost 8th, 9th, and 10th Books of Moses Solomon grimoires Lionel Snell/Ramsay Dukes, English magician Weird Studies episode 3 on Arthur Machen's "The White People" Joséphin Péladan, French magician Susanna Clarke Piranesi Shawshank Redemption, film Franz Liszt, musician Twin Peaks: The Missing Pieces Learn more about your ad choices. Visit megaphone.fm/adchoices

David Lynch's Lost Highway was released in 1997, five years after Twin Peaks: Fire Walk With Me elicited a fusillade of boos and hisses at Cannes. The Twin Peaks prequel's poor reception allegedly sent its American auteur spiralling into something of an existential crisis, and Lost Highway has often been interpreted as a response to -- or result of -- that crisis. Certainly, the film is among Lynch's darkest, boldest, and most enigmatic. But of course, we do the film an injustice by reducing it to the psychological state of its director. Indeed, one of the contentions of this episode is that all artistic interpretation constitutes a kind of injustice. But as you will hear, that doesn't stop Phil and JF from interpreting the hell out of the film. Just or unjust, fair or unfair, interpretation may well be necessary in aesthetic matters. It may be the means by which we grow through the experience of art, the way by which art makes us something new, strange, and other. Perhaps the trick is to remember that no mode of interpretation is, to borrow Freud's phrase, the one and only via regia, but that every one is just another highway at night... REFERENCES David Lynch (dir.), Lost Highway Alfred Hitchcock (dir.), Vertigo Arnold Schoenberg, Three Keyboard Pieces, op. 11 James Joyce, Finnegan’s Wake Weird Studies, Episode 81 on The Course of the Heart Jacques Lacan, French psychoanalyst Slavoj Žižek, Slovenian philosopher Arnold Schoenberg, Pierrot Lunaire Cabinet of Dr. Caligari David Foster Wallace, "David Lynch Keeps his Head" in A Supposedly Fun Thing I'll Never do Again Leonard Bernstein, West Side Story Patreon audio extra on Penderecki's "Threnody" Trent Reznor, American musician David Bowie, "Deranged" Brian Eno and Peter Schmidt, "Oblique Strategies" Tim Powers, Last Call Manuel DeLanda, Mexican-American philosopher Learn more about your ad choices. Visit megaphone.fm/adchoices

The Book of Changes, or I Ching, is more than an ancient text. It's a metaphysical guide, a fun game, and -- to your hosts at least -- a lifelong, steadfast friend. The I Ching has come up more than once on the show, and now is the time for JF and Phil to face it head on, discussing the role it has played in their lives while delving into some of its mysteries. REFERENCES I Ching, Wilhelm-Baynes translation I Ching, Stephen Karcher translation Game of Thrones, HBO series George R. R. Martin, A Song of Ice and Fire George R. R. Martin, “Sandkings” in: Ann and Jeff VanderMeer, The Weird: A Compendium of Strange and Dark Stories H. P. Lovecraft, American writer Graham Harman, Weird Realism: Lovecraft and Philosophy Aleister Crowley, “777” Eduardo Viveiros de Castro, Cannibal Metaphysics Joel Biroco, Calling Crane in the Shade (website) Philip K. Dick, American novelist Lionel Snell, a.k.a. Ramsey Dukes, British occultist Richard Rutt, _Zhouyi: A New Translation with Commentary _ Mervyn Peake, Gormenghast Redmond and Hon, Teaching the I Ching Weird Studies, episode 72, On the castrati Weird Studies, episode 77, On the fool tarot card Anonymous, Meditations on the Tarot The Usual Suspects (movie) Colin Wilson, The Occult Learn more about your ad choices. Visit megaphone.fm/adchoices

The British writer M. John Harrison is responsible for some of the most significant incursions of the Weird into the literary imagination of the last several decades. His 1992 novel The Course of the Heart is a masterful exercise in erasing whatever boundary you care to mention, from the one between reality and mind to the one between love and horror. Recounting the lives of three friends as they play out the fateful aftermath of a magical operation that went horribly wrong, Harrison's novel gives Phil and JF the chance to talk contemporary literature, metaphysics, Gnosticism, zones (see episodes 13 & 14), myth, transcendence, history, and arachnology. Together, they weave a fragile web of ideas centered on that imperceptible something that forever trembles at the edge of our perception, beckoning us to step into its world, and out of ours. REFERENCES M. John Harrison, The Course of the Heart M. John Harrison, "The Great God Pan" Arthur Machen, The Great God Pan Philip K. Dick, Ubik Philip K. Dick, The Three Stigmata of Palmer Eldritch Weird Studies, Episode 14 on Stalker Jonathan Carrol, American novelist Robert Aickman, British writer Magic Realism, literary genre Phil Ford, “An Essay on Fortuna, parts 1 and 2,” Weird Studies Patreon John Crowley, Ægypt Jorge Borges," The Approach to Al-Mu'tasim" Strange Horizons, Interview with M. John Harrison M. John Harrison on worldbuilding Thomas Ligotti, American horror writer Weird Studies subreddit Albert Camus, French philosopher David Abram, The Spell of the Sensuous Spiders’ nervous systems Valentinus, gnostic theologian Simon Magus, religious figure Wiccan goddess and god Bruno Schulz, The Street of Crocodiles Weird Studies, Episode 37 with Stuart Davis Learn more about your ad choices. Visit megaphone.fm/adchoices

Your hosts' exploration of mysticism and vision in pop music continues with two powerful pieces of popular music: Radiohead's "Pyramid Song" from the 2001 album Amnesiac, and Fran Landesman and Tommy Wolf's "Ballad of the Sad Young Men," from the 1959 Broadway musical The Nervous Set. Synchronicity rears its head as the dialogue reveals how these two gems, selected by JF and Phil with no expectation that they might form a set, begin to glow when placed side by side, amplifying and focussing each other's eldritch light. This episode touches on Neoplatonic myths of spiritual ascent, African-American spirituals, Plato's realm of Forms, Gnosticism, dream visitations by the dearly departed, the travails of the Beat generation, the objectivity of hope, the implosion of America, and that particularly modern condition of the soul which Phil calls the "Philosopher's Blues." REFERENCES Radiohead, "Pyramid Song" Fran Landesman and Tommy Wolf, "The Ballad of the Sad Young Men" Edgar Allan Poe, "The Pit and the Pendulum" Charles Mingus, Mingus Mingus Mingus Mingus Mingus Plato, Phaedrus Plato, Republic Plato's Unwritten Doctrines The Secret History of Western Esotericism Podcast, episode 69: "Plutarch's Myths of Cosmic Ascent" William James, The Varieties of Religious Experience Pierre Hadot, French philosopher Algis Uzdavynis, Philosophy as a Rite of Rebirth: From Ancient Egypt to Neoplatonism Charles Taylor, Canadian philosopher Phil Ford, "The Philosopher’s Blues" (Weird Studies Patreon exclusive) Peter Sloterdijk, German philosopher Ferdinand de Saussure, French linguist JF Martel, Reclaiming Art in the Age of Artifice JF Martel, "Stay With Mystery: Hiroshima Mon Amour, Melancholia, and the Truth of Extinction" in Canadian Notes & Queries, issue 106: Winter 2020, edited by Sharon English and Patricia Robertson Ray Brassier, Nihil Unbound: Enlightenment and Extinction Jay Landesman and Theodore J. Flicker, The Nervous Set, musical Phil Ford, Dig: Sound and Music in Hip Culture Jay Landesman, American publisher and writer Marshall McLuhan, "The Psychopathology of 'Time & Life'" Marshall McLuhan, The Mechanical Bride: Folklore of Industrial Man William Butler Yeats, "Sailing to Byzantium" Joel and Ethan Coen, No Country For Old Men Mike Duncan (Twitter) Jeff Chang, Can’t Stop Won’t Stop: A History of the Hip-Hop Generation Karl Marx, Capital: Volume I Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Weird Studies, an improvised analysis of two pop songs -- Nina Simone's version of James Shelton's "Lilac Wine" and Ghostface Killah's visionary "Underwater" -- becomes the occasion for a deep dive to the weird wellspring of artistic creation. In trying to understand these songs and why they love them so much, your hosts touch on themes such as necromancy, decadence, liebestod, visionary experience, the Muslim image of paradise, the necessity of rifts, Norman Mailer's concept of "dream life," and the magical operation that is sampling. Header image: Boris Kasimov, Wikimedia Commons REFERENCES James Shelton, "Lilac Wine" Nina Simone, "Lilac Wine" from the album WIld is the Wind (1966) Ghostface Killah, "Underwater, from the album Fishscale (2006) MF Doom, "Orange Blossoms," from the album Special Herbs, Volume 4, 5 & 6 Richard Strauss, [Salome](https://en.wikipedia.org/wiki/Salome(opera))_ Weird Studies, episode 25: David Cronenberg's Naked Lunch C. G. Jung's practice of active imagination JF Martel, Reclaiming Art in the Age of Artifice Thomas Mann, Death in Venice Paul Horn, Visions Alexander Mackendrick (dir.), The Sweet Smell of Success Les Baxter, American composer Les Baxter, "Papagayo" Debussy, [Nocturnes](https://en.wikipedia.org/wiki/Nocturnes(Debussy))_ Rebecca Leydon, music scholar Weird Studies episodes 73 and 74, on C. G. Jung's aesthetic vision Alexander Courage, Theme from Star Trek ("Where No Man Has Gone Before") Richard Dawkins, The Selfish Gene Norman Mailer, “Superman Comes to the Supermarket" James Joyce, Ulysses and Finnegans Wake Learn more about your ad choices. Visit megaphone.fm/adchoices

At the time The Mothman Prophecies' was released in 1975, and again when he penned an afterword for the 2001 edition, John Keel appeared to have made up his mind about the "ultraterrestrials" that he had tracked and hunted for most of his adult life. They were unconcerned about the welfare of the people whose lives they threw into disarray, he said. They were liars, cheats, and frauds who refused to play fair. They saw good and evil as synonymous and they were dangerous. Like many other explorers of reality's uncharted waters, John Keel returned to port knowing less than he did (or thought he did) when he set out. And this led him to ponder the possibility that only thing to know about such matters is that there is nothing to know -- that the universal mind, as Charles Fort had suggested before him, was insane. In this episode of Weird Studies, JF and Phil share their thoughts on The Mothman Prophecies, focusing less on the creatures and events that haunted Point Pleasant in 1966-67 than on how these things affected the brilliant writer who was chosen to be their baffled chronicler. REFERENCES John A. Keel, The Mothman Prophecies: A True Story William S. Burroughs, Naked Lunch Stephanie Quick's blog Weird Studies talks to Jeffrey J. Kripal: episode 39 and episode 45 H. P. Lovecraft, "The Call of Cthulhu" Neil Gaiman, American Gods Jeffrey J. Kripal, Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal David Lynch's Twin Peaks David Lynch, Twin Peaks: Fire Walk With Me Bob Lazar, American engineer (?) William James, American philosopher Learn more about your ad choices. Visit megaphone.fm/adchoices

Earlier this month, Phil and JF recorded a live episode at Indiana University Cinema in Bloomington following a screening of John Carpenter's film In the Mouth of Madness. Carpenter’s cult classic obliterates the boundary between reality and fiction, madness and revelation—an ideal subject for a Weird Studies conversation. In this episode, recorded before a live audience, the hosts explore the film’s Lovecraftian themes, the porous nature of storytelling, and how art can function as a conduit to unsettling truths. Special thanks to Dr. Alicia Kozma and the IU Cinema team for hosting and recording the event. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES John Carpenter, In the Mouth of Madness John Carpenter, Prince of Darkness* John Carpenter, The Thing Joshua Clover, BFI Film Classics: The Matrix Philip K. Dick, Time Out of Joint David Cronenberg, Videodrome Louis Althusser, "Ideology and Ideological State Apparatuses (Notes towards an Investigation)" Giorgio Agamben, Homo Sacer Nick Land, English philosopher H. P. Lovecraft, "The Call of Cthulhu" Jonathan Carroll, The Land of Laughs Learn more about your ad choices. Visit megaphone.fm/adchoices

"What a fool believes he sees, no wise man can reason away." This line from a Doobie Brothers song is probably one of the most profound in the history of rock-'n'-roll. It is profound for all the reasons (or unreasons) explored in this discussion, which lasers in on just one of the major trumps of the traditional tarot deck, that of the Fool. The Fool is integral to the world, yet stands outside it. The Fool is an idiot but also a sage. The Fool does not know; s/he intuits, improvises a path through the brambles of existence. We intend this episode on the Fool to be the first in an occasional series covering all twenty-two of the major trumps of the Tarot of Marseilles. REFERENCES The Fool in the tarot St. Paul's First Epistle to the Corinthians Meditations on the Tarot: A Journey Into Christian Hermeticism Aleister Crowley, The Book of Thoth Plato, Phaedrus Weird Studies episode 60 - Space is the Place: On Sun Ra, Gnosticism, and the Tarot Till Eulenspiegel, folk figure Aleister Crowley, Magick Without Tears Weird Studies episode 75 - Our Old Friend the Monolith: On Stanley Kubrick's 2001: A Space Odyssey Weird Studies episode 76 - Below the Abyss: On Bergson's Metaphysics Rider-Waite Tarot Deck Richard Wagner, Parsifal G. W. F. Hegel, German philosopher Ramsey Dukes, Words Made Flesh: Information in Formation George Spencer Brown, Laws of Form Alain Badiou, Deleuze: The Clamor of Being Punch and Judy, British puppet show George P. Hansen, The Trickster and the Paranormal Lin Yutang, The Importance of Living Thomas Mann, Death in Venice Phil Ford's lecture on Death in Venice (Patreon exclusive!) Fyodor Dostoevsky, The Idiot Hal Ashby (dir.), Being There Alejandro Jodorowsky and Marianne Costa, The Way of the Tarot Frank Pavich (dir.), Jodorowsky’s Dune Tarot of Marseilles André Breton, French surrealist artist Learn more about your ad choices. Visit megaphone.fm/adchoices

According to the French philosopher Henri Bergson, there are two ways of knowing the world: through analysis or through intuition. Analysis is our normal mode of apprehension. It involves knowing what's out there through the accumulation and comparison of concepts. Intuition is a direct engagement with the absolute, with the world as it exists before we starting tinkering with it conceptually. Bergson believed that Western metaphysics erred from the get-go when it gave in to the all-too-human urge to take the concepts by which we know things for the things themselves. His entire oeuvre was an attempt to snap us out of that spell and plug us directly into the flow of pure duration, that primordial time that is the real Real. In this episode, JF and Phil discuss the genius -- and possible limitations -- of his metaphysics. REFERENCES Henri Bergson, "Introduction to Metaphysics" Weird Studies episode 13 -- The Obscure: On the Philosophy of Heraclitus Weird Studies episode 16: On Dogen Zenji's 'Genjokoan' Bertrand Russel's critique of Bergson's philosophy Dōgen Zenji, Shōbōgenzō Wiliam James, Principles of Psychology Plato, Theaetetus Meillassoux, After Finitude: An Essay on the Necessity of Contingency Aleister Crowley, British occultist Graham Harman, "The Third Table" Weird Studies episode 8 - On Graham Harman's "The Third Table" Bergson, Laughter: An Essay on the Meaning of the Comic Wittgenstein, Tractatus Logico-Philosophicus Learn more about your ad choices. Visit megaphone.fm/adchoices

When the quarantine began, professors around the world raced to put their classes online, and for the Jacobs School's big undergraduate music history course (M402 represent!) Phil created a series of solo podcasts, many of which have been appearing on the Weird Studies Patreon site. Our patrons seem to be enjoying them, so we thought we'd publish the first one ("The Duke of Ellington") as an off-week bonus for all our listeners, partly as a teaser for the subscriber-only stuff on Patreon and partly because Duke Ellington is cool. There's a bit of technical music talk in this, but you can ignore it and still get the main point: Ellington's early short film Symphony in Black and his subsequent orchestral suite Black Brown and Beige represent his lifelong project of using his "beyond category" music to articulate a vision of African American past and future. Please note: this was Phil's first attempt at doing a solo podcast in far-from-ideal circumstances, and the sound is pretty unpolished in places. He got his act together for the later ones; go check them out at https://www.patreon.com/weirdstudies. REFERENCES Fred Waller (dir.), Symphony In Black - A Rhapsody of Negro Life Duke Ellington, Black, Brown, and Beige Dudley Murphy (dir.), Black and Tan Fantasy John Howland, Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz Learn more about your ad choices. Visit megaphone.fm/adchoices

"You don't find reality only in your own backyard, you know," Stanley Kubrick once told an interviewer. "In fact, sometimes that's the last place you'll find it." Oddly, this episode of Weird Studies begins with Phil Ford hatching the idea of putting a replica of the monolith from 2001 in his backyard. As the ensuing discussion suggests, this would amount to putting reality -- or the Real, as we like to call it -- in the place where it may be least apparent. Perhaps that is what Kubrick did when he planted his monolithic film in thousands of movie theatres back in 1968. Moviegoers went in expecting a Kubrickian twist on Buck Rogers; they came out changed by the experience, much like the hominids of great veld in the "Dawn of Man" sequence that opens the film. This is what all great art does, and if you look closely, maybe 2001 can tell you something about how it does it. Because in the end, the film is the monolith, and the monolith is all art. REFERENCES Stanley Kubrick (dir.), 2001: A Space Odyssey Arthur C. Clarke, "The Sentinel" Arthur C. Clarke, 2001: A Space Odyssey (novel) Clement Greenberg, American art critic Stanley Kubrick (dir.), The Shining Sergei Eisenstein, Film Form: Essays in Film Theory Weird Studies episode 62: It's Like "The Shining," But With Nuns: On "Black Narcissus" Ligeti, Atmosphères Gerard Loughlin, Alien Sex: The Body and Desire in Cinema and Theology Jay Weidner, Kubrick's Odyssey: Secrets Hidden in the Films of Stanley Kubrick Rob Ager's analysis of 2001 (Ager was criticized for not citing Loughlin above) Eric Norton's Playboy interview with Stanley Kubrick J. F. Martel, "The Kubrick Gaze" in Daniel Pinchbeck & Ken Jordan (eds.), Toward 2012: Perspectives on the Next Age J. F. Martel, "The Future is Immanent: Speculations on a Possible World" Henri Bergson, The Two Sources of Morality and Religion Sid Meier's Civilization V Stanley Kubrick (dir.), Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb Stanley Kubrick (dir.), A Clockwork Orange Dziga Vertov, Kino-Eye: The Writings of Dziga Vertov Marshall McLuhan, Understanding Media Martin Heidegger, "The Question Concerning Technology" Gilbert Ryle, "Improvisation" Learn more about your ad choices. Visit megaphone.fm/adchoices

In this second part of their exploration of C. G. Jung's essay "On the Relation of Analytical Psychology to Poetry," JF and Phil try to discern the psychological and metaphysical implications of the great Swiss psychologist's theory of art. For one, this involves discussing what Jung meant by archetypes, and how these relate to the artists who bring them forth in artistic works. This in turn leads to a discussion of the emergent artwork as an "autonomous complex," that is, as a self-moving spirit that requires the artist merely as a conduit for its manifestation in human -- and cosmic -- history. REFERENCES Carl Gustav Jung, "On the Relation of Analytical Psychology to Poetry" Arthur Machen, "Hieroglyphics: A Note Upon Ecstasy" Rick Riordan, [Percy Jackson & the Olympians](https://en.wikipedia.org/wiki/Percy_Jackson%26_the_Olympians)_ series of novels Robert Altman (director), Nashville Homer, The Odyssey Jacques Offenbach, The Tales of Hoffmann E. T. A. Hoffmann, "The Sandman" David Lynch, American filmmaker (the Dionysian!) Stanley Kubrick, American filmmaker (the Apollonian!) Richard Wagner's idea of Gesamtkunstwerk William S. Burroughs, Naked Lunch Johannes Vermeer, Woman Holding a Balance, and JF's analysis thereof Lisa Ruddick, "When Nothing is Cool" Weird Studies episode 5: Reading Lisa Ruddick's "When Nothing is Cool" Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the first of two conversations that Phil and JF are devoting to C. G. Jung's seminal essay, "On the Relation of Analytical Psychology to Poetry," first delivered in a 1922 lecture. It was in this text that Jung most clearly distilled his thoughts on the power and function of art. In this first part, your hosts focus their energies on Jung's puralistic style, opposing it not just to Freud's monism (which Jung critiques in the paper) but also to the monism of those other two "masters of suspicion," Marx and Nietzsche. For Jung, art is not a branch of psychology, economics, philosophy, or science. It constitutes its own sphere, and non-artists who would investigate the nature of art would do well to respect the line that art has drawn in the sand. Weird Studies listenters will know this line as the boundary between the general and the specific, the common and the singular, the mundane and the mystical... REFERENCES C. G. Jung, "On the Relation of Analytical Psychology to Poetry" Joshua Gunn, Modern Occult Rhetoric: Mass Media and the Drama of Secrecy in the Twentieth Century Peter Kingsley, Catafalque: Carl Jung and the End of Humanity Sigmund Freud, Austrian psychologist Kinka Usher (director), Mystery Men Theodor Adorno, “Bach Defended Against his Devotees” Aleister Crowley, English magician C. G. Jung, The Red Book: Liber Novus Bill Moyers and Joseph Campbell, The Power of Myth C. G. Jung, Memories, Dreams, Reflections C. G. Jung, The Portable Jung Friedrich Nietzsche, "On the Use and Abuse of History for Life" in: Untimely Meditations Weird Studies, episode 49: Nietzsche on History Weird Studies, episode 70: Masks All the Way Down, with James Curcio Christian Kerslake, Deleuze and the Unconscious Joshua Ramey, The Hermetic Deleuze: Philosophy and Spiritual Ordeal Paul Ricoeur, French philosopher Rudolph Steiner, Austrian esotericist Learn more about your ad choices. Visit megaphone.fm/adchoices

For over two centuries in early modern Italy, boys were selected for their singing talent castrated before the onset of puberty. The goal was to preserve the qualities of their voice even as they grew into manhood. The procedure resulted in other physiological changes which, combined with an unnaturally high voice, made the castrati the most prodigious singers on the continent. As Martha Feldman shows in her book The Castrato, a masterpiece of cultural history, the castrated singer was such a singular figure that he invited comparisons with angels, animals, and kings, attracting adoration and ridicule in equal measures. The castrato was a true liminal being, and as JF and Phil discover in this episode of Weird Studies, an unlikely herald of the present age. REFERENCES Martha Feldman, The Castrato: Reflections on Natures and Kinds Stanley Kubrick, American filmmaker Alessandro Moreschi, the last castrato, singing "Ave Maria" Baruch Spinoza, Ethics X-Men Gabriel Garcia Marquez, "A Very Old Man with Enormous Wings" Thomas Ligotti, "Mrs Ligotti's Angel", read by horror writer Jon Padgett Weird Studies, Episode 48: Thomas Ligotti's Angel Thomas Aquinas, Summa Theologica Genesis P-Orridge, American musician and occultist Learn more about your ad choices. Visit megaphone.fm/adchoices

On the surface, the phrase "the medium is the message," prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the content of any medium is less important than its form. The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of McLuhan's has the ring of an utterance of the Delphic Oracle. As Phil proposes in this episode of Weird Studies, it is an example of what Zen practitioners call a koan, a statement that occludes and illumines in equal measures, a jewel whose shining surface is an invitation to descend into dark depths. Join JF and Phil as they discuss the mystical and cosmic implications of McLuhan's oracular vision. REFERENCES McLuhan, Understanding Media The Playboy interview McLuhan and Quentin Fiore, The Medium is the Massage: An Inventory of Effects Graham Harman, American philosopher Clement Greenberg, American critic Dale Pendell, Pharmako/Poeia: Plant Powers, Poisons, and Herbcraft Brian Eno, British composer Marshall and Eric McLuhan, The Laws of Media: The New Science _ Jonathan Sterne, _The Audible Past: Cultural Origins of Sound Reproduction Eric McLuhan and Frank Zingrone (editors), The Essential McLuhan Charles A. Reich, The Greening of America David Fincher (director), The Social Network _ Gilles Deleuze, _Cinema I _and _Cinema II Jean Gebser, The Ever-Present Origin Eric Havelock,_ Preface to Plato_ Walter J. Ong, American theorist Plato, [Republic](https://en.wikipedia.org/wiki/Republic(Plato))_ Learn more about your ad choices. Visit megaphone.fm/adchoices

James Curcio is an American multidisciplinary artist and nonfiction writer whose works include the novels Join My Cult, The Party at the World's End, and the upcoming Tales from When I Had a Face. Recently, Curcio edited Masks: Bowie and Artists of Artifice, an anthology of essays by various thinkers and artists on the complex interplay of fact and fiction, self and other, in the life of the modern creator of artistic works. David Bowie's career, from the early experimentations to the great working that was his final album Blackstar, provides the book's gravitational field. In his effort to better plumb the mysteries of the aesthetic universe, Curcio penned the anthology's opening essay, "Masks All the Way Down," and it is on that piece that this conversation focuses. Join James, Phil and JF as they discuss the terrifying and liberating idea of an aesthetic cosmos as seen from the vantage point of the artist who learns that with new each work comes a new face, an amalgam of symbols and forces drawn from a depth of surfaces, a paper-thin dream that goes ever so deep... REFERENCES James Curcio (editor), [Masks: Bowie and Artists of Artifice](www.intellectbooks/masks) James Curcio's website: https://www.jamescurcio.com James Curcio's new novel, [Tales from When I Had a Face](www.TalesFromWhenIHadAFace.com) David Bowie, Blackstar Judith Butler, Bodies that Matter: On the Discursive Limits of Sex Poppy, American singer Anatta, the Buddhist concept of no-self Nagarjuna, Indian philosopher Yukio Mishima, Japanese writer Hunter S. Thompson, American writer Lewis A. Sass, Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought Friedrich Nietzsche, "On the Use and Abuse of History for Life" in Untimely Meditations Ornette Coleman, Change of the Century Thomas Merton, The Way of Chuang Tzu Vladimir Nabokov, Russian novelist Nicholas Roeg (director), The Man Who Fell to Earth Raphael Bob-Waksberg (creator), BoJack Horseman Richard Dyer, Heavenly Bodies: Film Stars and Society Euripides, The Bacchae Special Guest: James Curcio. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is there to say about the COVID-19 virus that hasn't already been said, over and over again, all around the world, in quaratined houses and on TV and social media and countless Zoom chats ... what can we say that you haven't heard? Well, probably nothing. But we are now at the point where we realize that the real importance of the things we say is not their content, but the mere fact of saying them. As Marshall McLuhan said, the medium is the message, and at a time when we have been driven into separate solitudes, we are discovering that the real meaning of our utterances might be something like "hello, are you there?" and "I am here, talking to you." In that spirit, Phil and JF have a conversation about William James's essay "On Some Mental Effects of the Earthquake," partly to discuss the ways that it's relevant to our present circumstances and the ways it's not, but mostly to make human connections, both with each other and with Weird Studies listeners. As JF says, stay close, but keep your distance. REFERENCES William James, "On Some Mental Effects of the Earthquake" William James, Writings 1902-1910 Noel Black (director), "To See the Invisible Man", 2nd segment of episode 16 of The Twilight Zone (1985-86) Weird Studies no. 29, “On Lovecraft” Weird Studies no. 64, “Dreams and Shadows: On Ursula Le Guin's A Wizard of Earthsea” Weird Studies no. 67, “Goblins, Goat-Gods and Gates: On Hellier” Martin Heidegger, “‘Only a God Can Save Us’: The Spiegel Interview" Bruno Latour, "An Inquiry Into Modes of Existence: An Anthropology of the Moderns" H.P. Lovecraft, “Nyarlathotep” Learn more about your ad choices. Visit megaphone.fm/adchoices

Fairy tales are among the most familiar cultural objects, so familiar that we let our kids play with them unsupervised. At the same time, they are also the most mysterious of artifacts, their heimlich giving way to unheimlich as soon as we give them a closer look and ask ourselves what they are really about. Indeed, these imaginal nomads, which seem to evade all cultural and historical capture, existing in various forms in every time and place, can become so strange as to make us wonder if they are cultural at all, and not some unexplained force of nature — the dreaming of the world. In this episode, JF and Phil use "Rapunzel" as a case study to explore the weirdness of fairy tales, illustrating how they demand interpretation without ever allowing themselves to be explained. Sign up for the upcoming course "Writing at the Wellspring" October 22-December 1 with Dr. Matt Cardin on Weirdosphere.org Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! SHOW NOTES Walter Benjamin, "The Storyteller" in Illuminations (Hannah Arendt, ed.; Harryn Zohn, trans.). Novalis, Philosophical Writings. (Margaret Mahony Stoljar, trans.). Cristina Campo, The Unforgivable and Other Writings (Alex Andriesse, trans.) William Irwin Thompson, Imaginary Landscape Bruno Bettelheim, The Uses of Enchantment Marie-Louise von Franz,, Swiss Jungian psychologist Sesame Street, “Rapunzel Rescue” Disney’s Tangled The Annotated Brothers Grimm Aarne-Thompson-Uther Index Marina Warner, Once Upon a Time W. A. Mozart, The Magic Flute Dante Alighieri, Il Convito Panspermia hypothesis Gregory Bateson, Mind and Nature John Mitchell, Confessions of a Radical Traditionalist Clint Eastwood (dir.) The Unforgiven Learn more about your ad choices. Visit megaphone.fm/adchoices

In preparation for an upcoming special episode on living in the early days of the Covid-19 Pandemic, here's Phil Ford reading an essay William James wrote on his experience of the 1906 San Francisco Earthquake. REFERENCES William James, "On Some Mental Effects of the Earthquake" Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1979, the American psychologist James Hillman published The Dream and the Underworld, a polemical meditation on the nature of dreams. Rejecting the orthodoxies of both Freud and Jung, Hillman argued that the the "nightworld" of dream should not play second fiddle to the "dayworld" of waking life, because in the soul as on earth, day and night are equally essential, and equally real. To reduce a dream to a message or interpretation is to fail the dream. In order for dreams to do their work on us, says Hillman, we must cease to regard them as hallucinations, mere metaphors, epiphenomena, or illusions, and instead see them as the imaginal other life we all must live. Every night, for Hillman, each of us descends into the underworld to encounter those forces that shape us and our surroundings. The way down is the way up. REFERENCES James Hillman, The Dream and the Underworld T. S. Eliot, "The Hollow Men" Walter Pater, The Renaissance: Studies in Art and Poetry George Steiner, Real Presences Hakim Bey, Orgies of the Hemp Eaters: Cuisine, Slang, Literature and Ritual of Cannabis Culture Erik Davis, High Strangeness: Drugs, Esoterica, and Visionary Experience in the Seventies Brad Warner on drugs and Buddhism Aldous Huxley, The Doors of Perception Jonathan Crary, 24/7: Late Capitalism and the Ends of Sleep Christopher Nolan (dir.), Inception Jorge Luis Borges, "Nightmares" in Seven Nights Henri Bergson, Dreams Learn more about your ad choices. Visit megaphone.fm/adchoices

On the night before this episode of Weird Studies was released, a bunch of folks on the Internet performed a collective magickal working. Prompted by the paranormal investigator Greg Newkirk, they watched the final episode of the documentary series Hellier at the same time -- 10:48 PM EST -- in order to see what would happen. Listeners who are familiar with this series, of which Newkirk is both a protagonist and a producer, will recall that the last episode features an elaborate attempt at gate opening involving no less than Pan, the Ancient Greek god of nature. If we weren't so cautious (and humble) in our imaginings, we at Weird Studies might consider the possibility that this episode is a retrocausal effect of that operation. In it, we discuss the show that took the weirdosphere by storm last year, touching on topics such as subterranean humanoids, the existence of "Ascended Masters," Aleister Crowley's secret cipher, the Great God Pan, and the potential dangers of opening gates to other worlds ... or of leaving them closed. REFERENCES Karl Pfeiffer (director), Hellier Philip K. Dick, Valis Weird Studies episode 12 - The Dark Eye: On the Films of Rodney Ascher John Benson Brooks, American musician Phil Ford, Dig: Sound and Music in Hip Culture Thelema Allen H. Greenfield, The Complete Secret Cipher of the Ufonauts Secret cipher online tool Aleister Crowley, The Book of the Law Gematria John Keel, The Mothman Prophecies Eric Wargo, Time Loops: Precognition, Retrocausation, and the Unconscious Grant Morrison, The Invisibles Genesis P. Orridge, American artist Alex Reed, Assimilate: A Critical History of Industrial Music Helena Blavatsky, Russian theosophist Annie Besant, British theosophist Peter J. Carroll, British occultist Kenneth Grant, British occultist C. G. Jung, The Red Book Alan Chapman and Duncan Barford, "Chinese Whispers: The Origin of LAM" in The Blood of the Saints Richard Sharpe Shaver, American writer and contactee James Hillman, Pan and the Nightmare Occultist Paul Weston's blog post on Hellier John Keel, The Mothman Prophecies Peter Kingsley, Catafalque Eric Voegeln, The New Science of Politics: An Introduction and Science, Politics, and Gnosticism Auguste Comte, French philosopher Colin Wilson, The Occult: A History Learn more about your ad choices. Visit megaphone.fm/adchoices

In the paper discussed in this episode, Phil Ford coins the term "diviner's time" to denote a particular feeling that will be familiar to anyone who has engaged in divinatory or magical practice, namely the feeling that it all means something, that the universe, with all its chaos and randomness, nevertheless contains -- or is itself -- a kind of music. This episode goes deep down the rabbit hole as Phil and JF try to wrap their heads around conceptions of time, causality, and meaning that are very different from our usual understanding of those terms. REFERENCES Phil Ford, "Diviner’s Time" (Patreon exclusive) Karl Pfeifer (director), Hellier Joshua Ramey, "Contingency Without Unreason: Speculation After Meillassoux" E. E. Evans-Pritchard, Witchcraft, Oracles, and Magic Among the Azande Jung, "On Synchronicity" Jung, Synchronicity: An Acausal Connecting Principle Bruno Latour, An Inquiry Into Modes of Existence: An Anthropology of the Moderns Grant Morrison on chaos magic, the occult, and sigil creation Austin Osman Spare's sigil theory Eric Wargo, Time Loops: Precognition, Retrocausation, and the Unconscious Alan Chapman, Advanced Magick for Beginners William James's essays in psychical research: bibliography Meillassoux, After Finitude: An Essay on the Necessity of Contingency Toronto World Youth Day 2002 Crowley, Magick Without Tears Leibniz's concept of pre-established harmony Matthew Segall on the Greek concepts of time, "Minding Time: Chronos, Kairos and Aion in an Archetypal Cosmos" Richard Lester (director), Hard Day's Night Freud, "The Uncanny" Rudolf Otto, The Idea of the Holy Eric Voegelin, The New Science of Politics: An Introduction Mircea Eliade, The Myth of the Eternal Return, or, Cosmos and History Charles Taylor, A Secular Age Learn more about your ad choices. Visit megaphone.fm/adchoices

B. W. Powe is a Canadian poet, novelist, essayist and professor at York University, in Toronto. His work, though it covers an immense range of topics from politics and poetics to magic and technology, proceeds from a mystical apprehension of the universe as the locus of magical operations, the site of experiments in cosmic becoming. In his various books and essays, Powe continues a uniquely Canadian form of the visionary tradition whose luminaries include his former teachers Marshall McLuhan and Northrop Frye. In this episode, he joins JF and Phil for an exploration of the meaning, potency, and danger of the visionary in art and literature. Header image: Detail of "Green Color" by Gausanchennai (Wikimedia Commons). REFERENCES B. W. Powe's website B. W. Powe, The Charge in the Global Membrane B. W. Powe, Marshall McLuhan and Northrop Frye: Apocalypse and Alchemy Frank Lentricchia, "Last Will and Testament of an Ex-Literary Critic" Lorca's concept of duende Hildegard of Bingen's concept of viriditas Gilles Deleuze, Cinema II Ernest Hemingway, The Old Man and the Sea Marshall McLuhan, Understanding Media Marshall McLuhan, The Gutenberg Galaxy Marshall McLuhan, "Notes on William Burroughs" Phil Ford, Dig: Sound and Music in Hip Culture John Clellon Holmes, beatnik Northrop Frye, Canadian literary critic Hildegard von Bingen, Ordo Virtutum Joni Mitchell, "Woodstock" Genesis 32, Jacob and the Angel R. D. Laing, Scottish psychologist Pierre Teilhard de Chardin, The Phenomenon of Man William James, The Varieties of Religious Experience Sylvia Plath, "Lady Lazarus" Sylvia Plath, "Daddy" Jack Kerouac, American writer Allen Ginsberg, American poet Lionel Snell, British philosopher and magician Special Guest: B. W. Powe. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her National Book Award acceptance speech in 2014, Ursula K. Le Guin intimated that, far from being superseded by digital technology, fantastic fiction has never been more important than it is about to become. Soon, she prophesied, "we will need writers who can remember freedom -- poets, visionaries, realists of a larger reality." In this episode, Phil and JF plumb the prophetic depths of one of her most famous books, A Wizard of Earthsea. A discussion of the novel's style and lore leads us into the politics and metaphysics of fantasy as developed by Le Guin and her predecessor, J. R. R. Tolkien. In the end, we realize that fantasy is not the literary ghetto it's been made out to be, but the sine qua non of all fiction. SHOW NOTES John Keats, "Ode on a Grecian Urn" Heidegger, "On the Origin of the Work of Art" Beowulf, An Anglo-Saxon epic poem Weird Studies, episode 41 -- On Speculative Fiction, with Matt Cardin Weird Studies, episode 61 -- Evil and Ecstasy: On 'The Silence of the Lambs' Weird Studies, episode 62: Like 'The Shining,' But With Nuns: On 'Black Narcissus' The Complete Romances of Chretien de Troyes (translated by J.F.'s mentor, David Staines) Sir Thomas Malory, La Morte d'Arthur Lewis Carroll, British fantasist Ursula K. Le Guin's acceptance speech at the National Book Awards, 2014 David Hume, An Enquiry Concerning Human Understanding and A Treatise of Human Nature Learn more about your ad choices. Visit megaphone.fm/adchoices

At its simplest, what Colin Wilson calls Faculty X is "simply that latent power in human beings possess to reach beyond the present." Yet its existence is evinced in all those phenomena that modernity files under "supernatural" or "occult." As difficult to explain as it is impossible to omit from any honest survey of human existence, the occult haunts the modern, not just as a vestige of the past but also, perhaps, as a promise from a time to come. For Wilson, magic isn't the living fossil the arch-rationalists would like it to be, but a "science of the future." Faculty X is an evolutionary power, innately positive, inseparable from the will to live and the unshakeable conviction that, somehow, this world has some real, ineffable meaning. In this episode, JF and Phil discuss Wilson's concept of Faculty X as elaborated in his monumental 1971 work, The Occult. REFERENCES Colin Wilson, The Occult: A History Rick and Morty, American sitcom Colin, Wilson, Dreaming to Some Purpose Colin Wilson, The Outsider Gary Lachman, Beyond the Robot Camus, The Myth of Sisyphus David Benatar, Better Never to Have Been: The Harm of Coming Into Existence Making Sense, episode 107: Is Life Actually Worth Living? Peter Wessel Zapffe, Norwegian philosopher Thomas Ligotti, The Conspiracy Against the Human Race Francisco Goya, The Sleep of Reason Produces Monsters Emil Cioran, Franco-Romanian essayist Arthur Schopenhauer, German philosopher At the Fights: American Writers on Boxing, Library of America collection Joe Frazier, American pugilist Henri Bergson, Matter and Memory Edouard Schuré, [The Great Initiates: A Study of the Secret History of Religions](Edouard Schuré, _The Great Initiates: A Study of the Secret History of Religion Weird Studies, episode 8: On Graham Harman's "The Third Table" Thomas Merton, American monk Gary Snyder, American poet Learn more about your ad choices. Visit megaphone.fm/adchoices

The 1947 British film Black Narcissus is many things: an allegory of the end of empire, a chilling ghost story with nary a spook in sight, a psychological romance, and a meditation on the nature of the divine. Its weirdness is as undeniable as it is difficult to locate. On the surface, the story is straightforward: five nuns are tasked with opening a convent in the former seraglio of a dead potentate in the Himalayas. But on a deeper level, there is a lot more going on, as Phil and JF discover in this conversation touching on the presence of the past, the monstrosity of God, the mystery of the singular, and the eroticism of prayer, among other strangenesses. REFERENCES Michael Powell and Emeric Pressburged (dirs.), Black Narcissus Rumer Godden, author of the original novel Stanley Kubrick, The Shining Gilles Deleuze, Difference and Repetition Tim Ingold, British anthropologist -- lecture: "One World Anthropology" Jonathan Demme (dir.), The Silence of the Lambs Pierre Bourdieu, French sociologist Bruno Latour, On the Modern Cult of the Factish Gods Don Barhelme, American short story writer Paul Ricoeur, French philosopher Weird Studies episode 16: On Dogen Zenji's Genjokoan The King and the Beggar Maid Gillo Pontecorvo, The Battle of Algiers “Painting with Light,” featurette on the Criterion Collection DVD of Black Narcissus Learn more about your ad choices. Visit megaphone.fm/adchoices

The Welsh writer Arthur Machen defined good and evil as "ecstasies." Each one is a "withdrawal from the common life." On this view, any artistic investigation into the nature of good and evil can't remain safely ensconced our modern, common-life construal of thinigs. It must become fantastic and incorporate aspects of "nature" that feel "supernatural" from a modern standpoint. Jonathan Demme's screen adaptation of The Silence of the Lambs is a powerful example. The film oscillates undecidably between a straightforward crime story and a work of supernatural horror. In this episode, JF and Phil cast Hannibal Lecter and Clarice Starling as figures in a myth that pits the individual against the institution, the singular against the type, and the forces of light against the forces of darkness. REFERENCES Jonathan Demme (dir.), The Silence of the Lambs Thomas Harris, The Silence of the Lambs (original novel) Carl Jung on the doctrine of Privatio Boni Johann Sebastian Bach, The Goldberg Variations William Gibson, Pattern Recognition Rolling Stones, "Sympathy for the Devil" Howard Shore, Canadian composer Arthur Machen, The White People Weird Studies, episode 3: Ecstasy, Sin, and "The White People" Machen, The White People Machen, Hieroglyphics: A Note Upon Ecstasy in Literature Learn more about your ad choices. Visit megaphone.fm/adchoices

Somebody once said, "No prophet is welcome in his own country." Whether this was true in the case of jazz musician and composer Sun Ra depends on whom you ask. With most, the dictum probably bears out. But there are those who can make out certain patterns in Ra's life and work, patterns that place him among the true mystics and prophets. Of course, these people already believe in mysticism and prophecy, but Sun Ra's total devotion to his myth does not leave much wiggle room on this front. He is asking us to choose: believe or disbelieve. And if you go with disbelief, you'll need to explain the sustained coherence and lucidity of his message, and the transformative power of his music. In this episode, Phil and JF take a look at Sun Ra's unforgettable film Space is the Place, interpreting it as a document in the history of esotericism, using gnostic thought and the tarotology as instruments to bring some of his secrets to light. REFERENCES Sun Ra, Space is the Place Sun Ra: Brother from Another Planet_ Deleuze and Guattari, A Thousand Plateaus and [Kafka](https://en.wikipedia.org/wiki/Minority(philosophy))_ (for the concept of minority) Antoine Faivre, French historian of esotericism Michel Foucault, The Order of Things: An Archaeology of the Human Sciences Eliphas Lévi, French occultist Edward O. Bland (director) The Cry of Jazz Mircea Eliade, The Myth of the Eternal Return, or, Cosmos and History Ingmar Bergman, The Seventh Seal Stanley Kubrick, Dr Strangelove, or, How I Learned to Stop Worrying and Love the Bomb Aleister Crowley, Magick in Theory and Practice Jackson Lears, Something for Nothing: Luck in America Learn more about your ad choices. Visit megaphone.fm/adchoices

Comics, like cinema, is an eminently modern medium. And as with cinema, looking closely at it can swiftly acquaint us with the profound weirdness of modernity. Do that in the context of a discussion on Charles Burns' comic masterpiece Black Hole, and you're guaranteed a memorable Weird Studies episode. Black Hole was serialized over ten years beginning in 1995, and first released as a single volume by Pantheon Books in 2005. Like all masterpieces, it shines both inside and out: it tells a captivating story, a "weirding" of the teenage romance genre, while also revealing something of the inner workings of comics as such. In this episode, Phil and JF explore the singular wonders of a medium that, thanks to artists like Burns, has rightfully ascended from the trash stratum to the coveted empyrean of artistic respectability—without losing its edge. BIG NEWS: • If you're planning to be in Bloomington, Indiana on October 9th, 2024, click here to purchase tickets to IU Cinema's screening of John Carpenter's In the Mouth of Madness, featuring a live Weird Studies recording with JF and Phil. • Go to Weirdosphere to sign up for Matt Cardin's upcoming course, MC101: Writing at the Wellspring, starting on 22 October 2024. • Visit https://www.shannontaggart.com/events and follow the links to learn more about Shannon's (online) Fall Symposium at the Last Tuesday Society. Featured speakers include Steven Intermill & Toni Rotonda, Shannon Taggart, JF Martel, Charles and Penelope Emmons, Doug Skinner, Michael W. Homer, Maria Molteni, and Emily Hauver. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! REFERENCES Charles Burns, Black Hole Clement Greenberg’s concept of “medium specificity” Terry Gilliam (dir.), The Fisher King Seth, comic artist Chris Ware, Building Stories “Graphic Novel Forms Today” in Critical Inquiry Raymond Knapp, The American Musical and the Performance of Personal Identity Vilhelm Hammershoi, Danish painter Ramsey Dukes, Words Made Flesh G. Spencer-Brown, Laws of Form Dave Hickey, “Formalism” Nelson Goodman, Languages of Art Chrysippus, Stoic philosopher Scott McCloud, Understanding Comics Learn more about your ad choices. Visit megaphone.fm/adchoices

"Perhaps the truth depends on a walk around a lake." This line from Wallace Stevens' "Notes Toward a Supreme Fiction" captures something of the mysteries of walking. It points to the undeniable yet baffling relationship between walking and thinking, between putting one foot in front of the other and uncovering the secret of the soul and world. In this episode, JF and Phil exchange ideas about the weirdness of this thing most humans did on most days for most of world history. The conversation ranges over a vast territory, with zen monks, novelists, Jesuits and more joining your hosts on what turns out to be a journey to wondrous places. Header image by Beatrice, Wikimedia Commons REFERENCES Dogen, The Mountains and Waters Sutra Weird Studies listener Stephanie Quick on the Conspirinormal podcast Weird Studies episode 51, Blind Seers: On Flannery O'Connor's 'Wise Blood' Lionel Snell, SSOTBME Henry David Thoreau, "Walking" Arthur Machen, "The White People" Herman Melville, Moby Dick Vladimir Horowitz, Russian panist Gregory Bateson, cybernetic theorist The myth of the Giant Antaeus Wallce Stevens, "Notes Toward a Supreme Fiction" Deleuze, Difference and Repetition Michel de Certeau, The Practice of Everyday Life John Cowper Powys, English novelist Will Self, English writer Guy Debord, The Society of the Spectacle Arcade Fire, “We Used to Wait” Paul Thomas Anderson (director), Punch Drunk Love Viktor Shklovsky, Russian formalist Patreon blog post on Phil’s dream David Lynch (director), Twin Peaks: Fire Walk With Me Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are supposed to think and feel in its presence. Cast in in this mold, the critic is an arbiter, not just of taste, but also of sense and meaning. The American art critic Dave Hickey categorically rejects this interpretation, which he says gives off a mild stench of fascism. For Hickey, the critic plays a weak role, and it's this weakness that makes it essential. In his essay "Air Guitar," published in 1997, Hickey argues that criticism can never really penetrate the mystery of any artwork. Criticism is rather a way to capture the "enigmatic whoosh" of art as one instance of the more pervasive "whoosh" of ordinary experience. So, no act of criticism can ever exhaust an artwork. The critic interprets a singular experience of art into words so that others might be encouraged to have their own, equally singular experiences. In this episode, Phil and JF discuss what criticism has to do with art, life, politics, and ordinary experience. Header image: Caravaggio, The Calling of Saint Matthew (1599-1600) REFERENCES Dave Hickey, Air Guitar: Essays on Art and Democracy Plato, Republic Oscar Wilde, "The Decay of Lying" Phil Ford, Dig: Sound and Music in Hip Culture Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature Deleuze and Félix Guattari, What is Philosophy? Dave Hickey, "Buying the World" Clinton e-mails exhibition at the Venice Biennale Oscar Wilde, The Portrait of Dorian Gray Learn more about your ad choices. Visit megaphone.fm/adchoices

Raiders of the Lost Ark is more than a Hollywood movie made in the summer blockbuster mold. As Phil says in his intro to this popping Weird Studies episode, the film is "a Trojan horse of the Weird, easy to let in but once inside, apt to take over." This conversation sees him and JF discuss a movie we dismiss at our own risk, a cinematic masterpiece replete with enigmas that reach back to the foundations of Western civilization. What does the Ark of the Covenant signify? What does it contain? What happens if you open that box of god(s)? And whose god is this, anyway? These are questions that have puzzled theologians and mystics for centuries, and Steven Spielberg's great work asks them anew for an age gone nuclear. Image by arsheffield REFERENCES Steven Spielberg, Raiders of the Lost Ark Steven Soderbergh’s version of Raiders with sound and color removed Weird Studies Patreon extra, “Weird Genius” Weird Studies episode 28, “Weird Music Part 2” Camille Saint-Saëns, Danse Macabre M. Night Shyamalan, Signs Buck Rogers, Flash Gordon Neil Jordan (dir.), The End of the Affair Weird Studies episode 29, “On Lovecraft” Nicholas Goodrick-Clarke, The Occult Roots of Nazism Howard Carter, British archaeologist Jorge Luis Borges, “The Library of Babel” Claude Levi Strauss, French anthropologist Clement Greenberg's concept of medium specificity D. W. Griffith, Birth of a Nation David Mamet, On Directing Film Dumbo (1941 film) H. P. Lovecraft, “The Strange High House in the Mist” Jan Fries, Helrunar: A Manual of Rune Magick Neil Gaiman, American Gods GIF of the soldier moving funny at the end of Raiders Weird Studies episode 2, “Garmonbozia” Aaron Leitch, occultist Austin Osman Spare, The Book of Pleasure Gene Wolfe, [Soldier of the Mist](https://en.wikipedia.org/wiki/SoldieroftheMist)_ Learn more about your ad choices. Visit megaphone.fm/adchoices