Old Fangs for a New Monster: Terrence Fisher's Dracula aka Horror of Dracula 

October continues to roll along. This week Mr. Chavez & I dive into the world of English Horror with 1958's Dracula aka Horror of Dracula. Although a flawed film that feels lazily directed, Terrence Fisher's film is our introduction to one of the great Dracula's of the Silver Screen - The Brilliant and Mesmerizing Christopher Lee. Lee would appear as Dracula nine times and is probably the most recognized Dracula after Bela Lugosi. Dracula (1958) would create a different kind of menace and a defiantly sexier Dracula. Lee is ably assisted by his on-screen nemesis and acting partner, Peter Cushing, as Van Helsing. The two of these men taking on such iconic roles is more than enough reason to look into this film.

We hope you enjoy our talk. As always, we can be reached at gondoramos@yahoo.com - Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Phantoms of the Field: Kaneto Shindō's Onibaba

From time to time, Mr. Chavez & I stumble on what can lovingly be referred to as "hidden cinematic gems". A few weeks ago we discovered (for ourselves, at least) a rarely seen "cult classic" - Herk Harvey's Carnival of Souls. As we continue our look into the Horror genre we discover another film that deserves much greater attention. In 1964 Japanese director, Kaneto Shindō directed a disturbing and rather compelling look into relationships strained by the struggles and horrors of war and the power and drive for survival. Onibaba is Shindo's examination of three people (two women - mother-in-law and daughter - and a man) living, suffering, and fighting for survival through a war-ravaged 14th Century Kyoto.

Filmed in beautiful widescreen (2.35:1) Black & White, Shindō's film beautifully captures the war-ravaged countryside (overwhelmingly tall plant stalks) and the people who will murder samurai to survive one day at a time. The talk focuses on the movie, and - as always - steers into a discussion of emotion, humanity, fear, paranoia, and violence. Take a listen . . . it's a fun talk. We can be reached at gondoramos@yahoo.com - Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Conspiracies & Things to Come

Take a listen as we continue our deep dive into a decade of WatchThis W/RickRamos. We're having a great time . . . We hope you're feeling the same. Best Wishes. As always, we can be reached at gondoramos@yahoo.com. Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Old, New, and Everything In-Between

Neither Mr. Chavez nor I are sure how long this will take, but we are having a great time remembering these last ten years. We hope that we are stirring memories and giving you an idea of the enjoyment we have in recording these shows and the importance that each episode means to us. Take a listen . . . we think you'll enjoy yourselves. As always, we can be reached at gondoramos@yahoo.com - Many Thanks!

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Down a Darker Path 

The memories continue to flow. Take a listen as we remember, argue, laugh, and double-down. This is proving to be a great time for the two of us . . . We can only hope you're enjoying it in the same manner. As always, we can be reached at gondoramos@yahoo.com. Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

A Never-Ending Talk . . . 

We're just having too much fun remembering the last decade and the 500 episodes that have come with it. Take a listen as we amuse ourselves and - hopefully - you. No End in Sight. Just enjoy the ride. 

As always we can be reached at gondoramos@yahoo.com - Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

And the Band Plays On . . . 

What can I say . . . ? This week Mr. Chavez & I continue our leap into the past with a look at 500 episodes and a decade of memories. It's a fun time and we'd love to share our memories, thoughts, thanks, and promises for the future. Take a listen . . . we think you'll enjoy it. 

As always, we can be reached at gondoramos@yahoo.com. Many Thanks!

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

More to Say: A Continuing Reminiscence on 500 Episodes

Take a listen as Ibrahim & I continue to look back on the decade of episodes we have done. This continues to be a great time for two old friends and our look back at the show, why we do it, how it still excites us, and what it has meant to us as a whole. Take a listen . . . We don't think you'll be dissapointed. As always, we can be reached at gondoramos@yahoo.com - Many Continued Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos    - Anything and Everything is appreciated, You Cheap Bastards.

Because It's In 'Em And It's Got To Come Out: Reminiscing on 500 Episodes

A whole lot of what we do is the thrill of (hopefully, thoughtful/intelligent) conversation. WatchThis W/RickRamos has afforded your two hosts the opportunity to maintain, grow, and strengthen our friendship. The fact that there exists an audience interested in where these ideas, thoughts, and opinions are platformed only emboldens our belief that criticism and conversation can be a welcomed and fascinating artform. We thank you for your nearly decade-long dedication to this show. We put a great deal of heart and soul into each episode. Take a listen as we go back to reminisce on our favorite episodes, the origins of the show, and the development into a platform for intelligent conversation. Many Thanks - We can be reached at gondoramos@yahoo.com

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos   - Anything and Everything is appreciated, You Cheap Bastards.

Nature Finds a Way: Steven Spielberg's Jurassic Park

This week Ibrahim & I close out the month with a fan favorite, a ground-breaking special effects extravaganza, the emergence of a new cinematic tool, and a hint at the cinematic world to come. This week we close out our look at blockbusters bookending Steven Spielberg's 1975 Jaws with his 1993 look at Jaws on land - Jurassic Park. This was a fun time looking back on a classic and examining how it changed the face of filmmaking. There's a whole lot to cover here - Mr. Chavez's fascination with the film, its role in Spielberg's filmography, the relationship to Jaws, and the ushering in of CGI as a mainstay of filmmaking. We discuss all of this as well as the performances of Sam Neill, Laura Dern, Sir Richard Attenborough, Wayne Kramer, Samuel L. Jackson, and - of course - Jeff Goldblum. It's a fun talk. Take a listen. As always, we can be reached at gondoramos@yahoo.com. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards.

Lady War Rig: George Miller's Furiosa: A Mad Max Saga 

This week we focus on a soon to be classic prequel to - arguably - the best action film of the 21st Century . . . the continuing George Miller saga - Furiosa: A Mad Max Saga. Featuring an incredible Ana Taylor-Joy, taking over the Imperator Furiosa role originated by Charlize Theron in Miller's 2015 Mad Max: Fury Road, Taylor-Joy (and as the much younger Furiosa, Alyla Browne) and Chris Hemsworth as the Warlord Leader Dementus. This is a truly incredible cinematic feat that has been pulled off by the 79 year old Australian filmmaker. Little can be said in this description and all should be left to listening to the episode. Take a listen to one of the best times that Mr. Chavez and I have had doing WatchThis W/RickRamos. Thanks for the continued love and supprot. We can still be reached at gondoramos@yahoo.com. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards.

Yippee-Ki-Yay, M*#^%$F@!^!#: John McTiernan's Die Hard 

This week a 1980s Action Classic . . . John McTiernan's Die Hard (1988). A huge gamble for 20th Century Fox in the late 1980s, Die Hard remains the standard for "everyman" action films. Before the character would become a superhero, impervious to any and all pain, John McClane was a New York cop, visiting Los Angeles, and struggling to keep his ego, anger, and jealousy in check in a Christmas Eve attempt to win back his estranged wife. We all know the story . . . Terrorists (?) take over Nakatomi Plaza and all that stands between their nefarious plans, freedom and (spoiler alert) $650 million is John McClane. What could have been an obvious and forgettable action film chooses to go against the grain and - thus - creates the archetype for the "everyman" hero. There are moments throughout McTiernan's film that would set the template and move away from the indestructible and introduce a relatable and vulnerable hero. 

With a great supporting cast including: Bonnie Bedelia (Holly Gennaro McClane), Reginald VelJohnson (Sgt. Al Powell), Alexander Godunov (Karl), William Atherton (Thornburg), and in a star-making turn, Alan Rickman as Hans Gruber. This is a great action relic and one that we were thrilled to re-visit. Take a listen and remember a great time. Thanks for the continued love and support. You can reach us at gondoramos@yahoo.com

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards. 

Seven Bloody Schoolgirls: Nobuhiko Obayashi's House

There are times when reputation precedes a viewing yet nothing can really prepare you for what you are about to see. Recently Mr. Chavez & I continued our dive into the Halloween Holiday Season with a search for new, frightening, strange, and acclaimed films. This week we stumbled on Nobuhiko Obayashi's 1977 Japanese Cult Classic House. As is often the case, your two favorite movie talkers are at odds with what we take from this film. Mr. Chavez enjoyed the film's inventiveness and originality, while I found it ponderous, boring, and without any kind of interesting focus. Take a listen as eacxh of us argue our points regarding this difficult and surprising film. We can always be reached at gondoramos@yahoo.com - Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Like Looking in the Mirror, Only Not: John Woo's Face/Off

This week Mr. Chavez and I continue our look at blockbusters with this 1997 John 
Woo Classic of stylized violence, ridiculous plotting, and unbridled overacting . . . we are - of course - talking about Woo's Face/Off. There's no way to really get into how utterly ridiculous this film is for an episode synopsis, but I will say that it was a fun utterly moronic ride into the past. John Travolta (riding the waves of Pulp Fiction that would carry him through to the end of the century) and Nicolas Cage unrestrained and without any sense of shame . . . Cage at His Most Cagiest.

Through all of the fun, Ibrahim and I also discuss Woo's foray into Hollywood filmmaking and the troubles he would find translating his sense of heroic honor to a culture that would find it campy (essentially why do none of Woo's signature cinematic touches work in  Face/Off, but are so incredible and beautifully realized in such masterpieces as The Killer, Hard-Boiled, and Bullet in the Head?). Join us as we devote more discussion than this film deserves and still recognize it as a great fun time at a bad movie. Let us know what you think - gondoramos@yahoo.com

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards.

Like a Doll's Eyes: Steven Spielberg's JAWS

This week, a classic . . . in 1975 Steven Spielberg changed the face of cinema with his adaptation of Peter Benchley's 1974 novel Jaws.  The story of a man-eating shark terrorizing a small island community, Jaws would usher in a new era of moviegoing. There's little that should be written in this episode synopsis; the history and legacy of Spielberg's film is well known. But conversation is always a good time, and we would love for you to join us as we break down this classic. From casting (Schreider/Dreyfuss/Shaw), shotting on the ocean, a mechanical shark - constantly breaking down, and that iconic Indianapolis speech, we cover the impact and our love for this masterpiece. Take a listen and let us know what you think at gondoramos@yahoo.com 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards.

Make a Move and the Bunny Gets It: Simon West's Con Air  

This week Mr. Chavez & I celebrate bad cinema with a look at the 1997 Simon West Action/Comedy/Prison/B-Movie Character Actor Extravaganza Con Air. Based on a real-life judicial system prison transport program, Con Air is an embarassing and exaggerated look at 1990s Hollywood Action Cinema. Featuring a slew of character actors (M.C. Gainey - Swamp Thing, Danny Trejo - Johnny 23, Mykelti Williamson - Baby-O), a future star (Dave Chappelle - Pinball Parker), and respected stars slumming: (Ving Rhames - Diamond Dog, John Cusack - U.S. Marshall Vince Larkin, Steve Buscemi - Garland The Marietta Mangler Greene, John Malkovich - Cyrus the Virus, and - rounding it all out with a ridiculous mullet and equally embarassing Alabama accent, Nicolas Cage - Cameron Poe). An incredible production of 90s excess, pyrotechnics, and ridiculousness - Con Air is the definition of a film that is so bad in so many ways that it becomes endearing. This is a fun conversation where we defend our low-brow enjoyment of pointless and simplistic entertainment. Let us know what you think. As always we can be reached at gondoramos@yahoo.com - Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos   - Anything and Everything is appreciated, You Cheap Bastards. 

Obvious Action, Patriotic Porn: Michael Bay's The Rock

This week Mr. Chavez & I dive into the world of 1990s Big Budget, Over-Hyped & Underwritten, Garbage Cinema with one of the best that would come out of the Don Simpson/Jerry Bruckheimer Machine, Michael Bay's 1996 opus The RockFeaturing Nicholas Cage (in the first of a series of big-budgeted, ridiculous films), Sir Sean Connery, David Morse, and Ed Harris (in a performance out of touch with this particular film), along with a who's who of 90s  character actors inclluding: John Spencer, Phillip Baker Hall, Claire Forlani, Bokeem Woodbine, Tony Todd, Michael Biehn, and William Forsyth. This is absolutely the definition of "so bad it's good" with Michael Bay leading his cast into battle, while building on a Bruckheimer aesthetic that would overwhelm every following Bruckheimer release. It's a fun talk. Take a listen and judge for yourself. As always, we can be reached at gondoramos@yahoo.com.  

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards..

The Bailey Effect: Frank Capra's It's a Wonderful Life

This week Ibrahim & I re-watch a classic (Thank You - Anonymous Donor, Someone), Frank Capra's 1946 Jimmy Stewart/Donna Reed Classic It's a Wonderful Life. Few films have captured the public's hearts and imaginations like Capra's look at the life of Bedford Falls' George Bailey - A man with big dreams hobbled by the responsibilties and challenges of life. A kind of Christmas Carol re-telling from the Bob Cratchett point of view, Capra's look at pre-war thru World War II Small Town America, is a film that has been honored, cribbed from, parodied, and beloved by American audiences and audiences throughout the world. A financial failure upon it's 1946 theatrical release, Wonderful Life was re-discovered in the late 1970s when it's copyright expired and it was gobbled up by UHF and other public television stations, airing nearly round the clock during the holiday season. A paint-by-numbers story of goodness and American values, Capra's "little story" of one man's life and the effects it has had throughout his community is magical, touching, and - ultimately - inspiring. 

Thank you for your continued support. As always we can be reached at gondoramos@yahoo.com. 

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

A Fighter's Journey: The Rocky Saga & Legacy

This week Mr. Chavez & I continue our look at Sylvester Stallone's 1976 Oscar-Winning creation, Rocky Balboa. For nearly five decades Stallone's Balboa has captured the hearts of the American public. An underdog character that has appeared seven times on the big screen, Balboa's story has run the gamut of emotions featuring deaths, births, disappointments and success. It's a paint by numbers story that the public continues to eagerly swallow. Why is this the case? On this week's episode Mr. Chavez & I attempt to understand and answer this question. There's a great deal to unpack in this episode . . . we hope that your are interested in joining us in finding the answers. 

As always we can be reached at gondoramos@yahoo.com. You're comments and questions are always appreciated.

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

America's Underdog: John G. Avildsen's Rocky & Sylvester Stallone's Rocky II

Jumping into the world of underdogs (last week's Popeye), Mr. Chavez & I look at one of the great American Cinematic creations - Rocky Balboa. The Balboa character's screenplay origin rivals that of the character's struggle in the film(s). From a real life adaptation of the 70s Muhammad Ali/Chuck Wepner bout, Stallone is legendary for having written Rocky and forcing studios to accept him as the lead in order to produce the film. It was an incredible gamble that paid of beautifully for Stallone. This week we look at the character, the role of the hero, Rocky's place in 70s Cinema, and the beginning of the legacy of the original film - and character - that would continue for close to fifty years. Take a listen as we look at these first two films and their importance in and for the American public. You can reach us at gondoramos@yahoo.com. Many Thanks. 

 For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Comic Strip Underdog: Robert Altman's Popeye

This week we look to the fans with a special episode dedicated to WatchThis supporter, Jorge Saucedo. Mr. Saucedo asked that we take a look at the much-maligned 1980 Robert Altman comic strip adaptation, Popeye. This was a great time re-visiting a classic of my youth and, although Popeye is not Mr. Chavez's type of film - good guy hero, comic strip adaptation, musical - there is a great deal that he admired in this 80s Classic. Featuring Robin Williams (in his debut role) as the famed Sailor Man, a supporting cast including: Ray Walston (Poopdeck Pappy) Paul Dooley (Wimpy), Paul L. Smith (Bluto), Bill Irwin (Ham Gravy), Richad LIbertini (George W. Geezil), and - in perfect casting - Shelley Duvall as Olive Oyl, Popeye is a film that is remembered fondly. For too long it  has been unfairly labeled a "disaster", but the truth is it is a charming, beautiful, and light-hearted adaptation of the E.C. Segar comic strips of the 1930s. This was a fun time remembering a classic of the 1980s. We hope you like what we have to say. Thanks for the continued support. We can be reached at gondoramos@yahoo.com.

 For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards.

We'll Always Have Aqaba - David Lean's Lawrence of Arabia

Few films are able to live up to the label of "epic".  In 1962 David Lean created one of the great epic masterpieces of cinema, Lawrence of Arabia. Based on the life of British archaeologist, army officer, diplomat, and write, T.E. Lawrence, Lean's film chronicles Lawrence's involvement in the Arab Revolt (1916-1918), his life among his adopted tribal families and his struggles with loyalty to the Arab tribes, the dessert, and his ties to his British roots. Lean's film is an epic in every way; from beautiful 70mm cinematography (lensed by the great Freddie Young) majestic and engrossing music from Maurice Jarre, and the incredible editing of Anne V. Coates (all three Academy Award winners for the film). Introducing Peter O'Toole and Omar Shariff, Lean would help create two of the great international stars Cinema has known. It's a thrill for Mr. Chavez and I to sit down, watch, remember, and discuss this powerful, overwhelming, and life-changing film. Take a listen as we dig into the history of The Middle East, the reception and legacy of this film, and comparisons to other "White Saviour" stories. It's a damn good talk. We hope you'll enjoy. Let us know what you think - gondoramos@yahoo.com. 

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards.

Frank Herbert's Burden: Denis Villeneuve's Dune Part 2

This week Mr. Chavez & I return to Planet Arrakis for the conclusion (a lie) of Frank Herbert's Sci-Fi Classic, Dune. We partly imagined that this would be more of our previous look at this film (Episode #353), however we were able to find more to complain about. Take a listen as we fortify our stance in the minority opinion regarding this "WhiteSaviour" epic. It's an interesting talk with a lot to unpack. As always we can be reached at gondoramos@yahoo.com.

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards.

Ghost Dance for the Organ Girl: Herk Harvey's Carnival of Souls 

This week Mr. Chavez & I continue our celebration of the Halloween season with a little-seen and incredibly influential cult film from 1962, Herk Harvey's Carnival of Souls. This is truly discovering diamonds in the landfill. Herk Harvey - a director and producer of industrial and educational films based in Lawrence, Kansas - would create one of the most influential films in cinema that would, somehow, remain almost completely unknown.  Harvey's film would be dismissed upon its intitial 1962 release, but would find an audience through television screenings (it was in the public domain) and public arthouse screenings beginning in 1989. Watching the film, it is easy to see Harvey's influence on such varied directors as David Lynch and James Wan, however its strongest influence seems to be on George A. Romero's first zombie film, NIght of the Living Dead. Take a listen as I introduce this forgotten classic to Mr. Chavez and we dig into the power of its images, sound design, and story. It's a fun talk. As always, we can be reached at gondoramos@yahoo.com - Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Woman in Trouble; Audience Perplexed: David Lynch's Inland Empire 

Few filmmakers can live up to the title "auteur" . . . David Lynch almost requires the use of it. From daring soundtracks through troubling narratives and controversial story elements, fascinatingly over the top performances and strange journeys into the subconscious, Lynch has left audiences reeling with confusion and excitement for over forty years. On this week's episode Mr. Chavez and I take a look at his last theatrical release 2006s Inland Empire. It's as if everything that has come before has been building towards this strange and captivating three-hour long journey into the mind, fantasy, fears, reality, and imagination of an actress facing the role of her career . . . But is that what it's really about? Who knows. The fun is in the descent into Lynch's rabbit hole. Take a listen as we take a deep dive into the unknown. As always we can be reached at gondoramos@yahoo.com. Our continued love and thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated, You Cheap Bastards.

Broken Mirror: Darren Aronofsky's Black Swan

Fun talk . . . This week Mr. Chavez and I continue to look at the films of Darren Aronofsky with this discussion of his 2010, Five Time Oscar Nominated (Including Best Picture and Director, and Winner for Best Actress - Natalie Portman) look at the world of Ballet. Aronofsky's film is a tense and often brutal look at the world of artistic perfection featuring a dynamic and fearless performance from Natalie Portman as Nina Sayers, a young ballerina given the opportunity of a lifetime to lead a production of Tchaikovsky's Swan Lake. Questions of perfection, training, direction, maninpulation, and sexual harassment are tackled in this layered and frightening film. Take a listen as Mr. Chavez and I look at the film, the culture that spawns it, and the history of such art, lies, sacrifice, and abuse. It's a damn good talk. Let us know what you think - gondoramos@yahoo.com

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Souls Dead, Eyes Dilated: Darren Aronofsky's Requiem for a Dream

On this week's episode Mr. Chavez & I sit down for a re-watch of Darren Aronofsky's second feature, Requiem for a Dream, based on the 1978 novel by Hubert Selby Jr. Aronofsky's adaptation is a tragic and often times painful viewing of heroin addiction and the victims (Jared Leto, Marlon Wayans, and Jennifer Connelly) it leaves in its wake. Aronofsky and Selby contrast heroin addiction with the more "acceptable" and less recognized addiction of prescription diet pills embodied in the struggles of Ellen Burstyn's Sara Goldfarb character as she struggles to lose weight and slowly slips into madness.

With brutal and traumatizing imagery, Aronofsky's film is a chilling look into the world of addiction. This week Mr. Chavez & I are thrilled to discuss this difficult, painful, and enlightening film. Take a listen and let us know what you think. We continue to be open to messages - gondoramos@yahoo.com. Many Thanks for your continued love and support. 

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos   - Anything and Everything is appreciated from you Cheap Bastards.

Mima's Room: Satoshi Kon's Perfect Blue 

This week we thank long time listener and Buy Me a Coffee supporter, Cornelius Burroughs with a viewing and discussion of Satoshi Kon's Perfect Blue. Mr. Burroughs was kind enough to gift me a blu-ray copy of this Classic Japanese Anime many years ago . . . I have finally made the time to watch it and am eager for listeners to hear our admiring, problematic, and conflicted opinions of this film. This is a great discussion that has forced - at least this moviewatcher - an intense critical and psychological understanding of cinema, genre, format, and expectations. Mr. Chavez and I dive head first into this wonderfully telling and suprising (for us at least) experience. Take a listen and let us know what you think (gondoramos@yahoo.com), and - once again - thank you Mr. Burroughs, You Are Appreciated. 

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated from you Cheap Bastards.

From Cute & Cuddly to Killer: Joe Dante's Gremlins and Gremlins 2: The New Batch

This week Mr. Chavez & I continue our stroll through the 1980s with a look at a stange kind of Comedy/Puppetry/Action/Horror hybrid, Joe Dante's Gremlins (1984). Dante - a graduate of the Roger Corman School of Low-Budget Filmmaking - is one of the most criminally underappreciated directors of the 1980s and 1990s. The Howling, Explorers, The 'Burbs, Matinee, Innerspace, and Looney Tunes: Back in Action . . . Joe Dante has been a reliable, solid, and inventive filmmaker. Gremlins is what he calls, "the movie I'm going to be remembered for. If I get hit by a bus tomorrow, the headline is going to be 'Gremlins Director Hit By Bus'. I'll never do something that'll outlast that in terms of the public image of who I am – which is fine with me." Dante shouldn't be limited to this, but I will say that the both Gremlins films are exceptional and it was a thrill to return to them and have one of our wonderfully insightful talks. Take a listen and let us know what you think. As always, you can reach us at gondoramos@yahoo.com. 

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos  - Anything and Everything is appreciated from you Cheap Bastards.

What's Out There: Ridley Scott's Alien and John Carpenter's The Thing

This week we take a look at two of the greatest Science-Fiction/Horror films in the History of Cinema: Ridley Scott's Alien (1979) and John Carpenter's The Thing (1982) We've talked about both of these films throughout the history of the podcast, however on this go-around we take a slightly different approach, looking at the similarities between the films, the differences, the influences, and how each film has adhered to and expanded the genres. Take a listen as we go back to a well that never seems to go dry. It's a fun talk that we think you'll enjoy. You can reach us at gondoramos@yahoo.com with your comments. Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated from you cheap bastards. 

A Safe Alien for the Box Office: Steven Spielberg's E.T. The Extra Terrestrial

This week Mr. Chavez & I shift our focus from the dangers of extra terrestrial life to the cute and cuddly alien that captivated audiences in 1982 - Steven Spielberg's E.T. The Extra Terrestrial. At the time, the biggest box office hit in the history of cinema (a title it would hold until Spielberg's own Jurassic Park eleven years later), E.T. The Extra Terrestrial, is a film that has stayed in the public consciousness for the better part of four decades . . . But is it really as good as we remember? This week we look back and answer that question with an examination of the film, the time in which it was made, and its standing among other films of the genre, year, and culture. Take a listen - it's a fun discussion. Hit us up at gondoramos@yahoo.com to let us know what you think. Many Thanks.

We continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. 2024 is promising to be an incredible year filled with great discussions. Help us make this possible. We appreciate anything You Cheap Bastards can give. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos 

Paradise Lost - Ridley Scott's Alien: Covenant

This week brings us to the end of our look into the Alien franchise with a discussion of Ridley Scott's final journey into the world he introduced audiences to in 1979. 2017's Alien: Covenant did a great deal to explain the origin of the xenomorphs and the space jockey, however an equal number of questions arose. As we await the release of Alien: Romulus in the summer of 2024 it's our duty to look at Ridley Scott's conclusion and discuss this multi-layered and beautifully textured film. From the production design through the cinematography and performances, Alien: Covenant is a wonderful coda to Ridley Scott's direction in this series. Take a listen as we dig deep into this film, Scott's previous film - Prometheus - and our theories on the final film and the series as a whole. It's a good talk. Let us know what you think at gondoramos@yahoo.com. Many Thanks. 

We continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. 2024 is promising to be an incredible year filled with great discussions. Help us make this possible. We appreciate anything You Cheap Bastards can give. Follow the link below to contribute.  Our Continued Thanks.

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F*cked Around and Found Out: Ridley Scott's Prometheus 

It's rare that a director can tell a story, go on to fabulous critical and commercial success, and return to his origins, answering questions that have hovered around a franchise for decades, while doing so in an exciting and innovative way. Ridley Scott's Alien introduced one of the great Science Fiction/Horror creatures. In 2012 Scott would return to the world he created in 1979 with his prequel Prometheus. A film that confused and angered a great many audiences for taking an unexpected direction in storytelling, Scott's prequel would focus on the origin of the "Space Jockey" first seen in the original film. From that jumping point Scott would fashion an exciting and  action-packed narrative rare (for a major studio release) in the questions it would ask regarding human origins and purpose. Take a listen as Mr. Chavez and I go back and forth with our impressions of the film. It's a good talk that we're sure you'll enjoy. As always, we can be reached at gondoramos@yahoo.com. Our Continued Thanks. 

We continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. 2024 is promising to be an incredible year filled with great discussions. Help us make this possible. We appreciate anything You Cheap Bastards can give. Follow the link below to contribute.  Our Continued Thanks.

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Dead on Arrival: John-Pierre Jeunet's Alien Resurrection

Closing in on the end of the month brings us to the end of the original Alien franchise. 1997s Alien Resurrection is a ridiculous mess of a film that is a final disappointing period to one of the greatest Horror/Sci-Fi franchises in the history of cinema. From a script by Joss Whedon and direction from Jean-Pierre Jeunet, Alien Ressurrection badly fumbles the beauty, intensity, and  legacy of the first two films and the potential of what the third film should (and could) have been. There's a whole lot to get out in this discussion. We hope that you listen with an open mind and an understanding of our mutual disappointment in the final curtain call of Lieutenant First Class, Ellen Louise Ripley. She deserved better. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com.

We continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. 2024 is promising to be an incredible year filled with great discussions. Help us make this possible. We appreciate anything You Cheap Bastards can give. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

The Beggar, The Blonde, and The Button: Sam Raimi's Drag Me to Hell

Take a listen as Mr. Chavez & I continue our annual exploration of Horror for this Halloween Season. This week my podcast partner & I take a look at Sam Raimi's 2009 return to the Horror/Comedy genre. A modest hit when initially released, Raimi's film has developed somewhat of a cult following. Herein lies part of the problem . . . on this week's episode Mr. Chavez & I discuss the importance of the audience experience in enjoying a film of this type. It's a changing movie-watching world. Take a listen to see if you agree with our assessment of how an audience can affect the experience. As always, we can be reached at gondoramos@yahoo.com - Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Dragon, Mother, Queen: Not David Fincher’s Alien 3 

Continuing our descent into the world created in 1979's Alien and continued with 1986's Aliens, this week Mr. Chavez & I find ourselves crash landing on Fiorina "Fury" 161 - a foundry and maximum-security planet prison. David Fincher (in his feature directorial debut) takes the helm for 1992's Alien 3. Arguably the most beautifully photographed and intricately detailed entry (production design wise) in the Alien series, Fincher's work in commercials and music videos greatly influenced the look of this film. There's a whole lot going on here and therein lies the problem. Alien 3 is a troubled result of studio interference, Fincher's in-experience as a first-time director, budgetary problems, and a lack of a finished and complete script. There are ideas that are not clearly realized, storylines that are problematically resolved, a theatrical cut and an "assembly cut" (note: not a "director's cut"), cut scenes, and re-shoots that hinder and deviate from Fincher's original vision for the film. It's a film with a troubled history and, yet, one that has developed a following and hinted at the genius that would evolve in Fincher's later films. It's a thrill for Ibrahim & myself to sit down and re-visit this film. Take a listen and let us know what you think. We can be reached at gondoramos@yahoo.com. Thanks for the continued love. 

A New Year brings with it The Same Old Needs . . . We continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. 2024 is promising to be an incredible year filled with great discussions. Help us make this possible. We appreciate anything You Cheap Bastards can give. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Unfinished Business: James Cameron's Aliens 

This week Ibrahim & I return to LV-426. 57 years later - but feeling more like seven - James Cameron takes over the reins for the masterpiece created by Sir Ridley Scott. 1979's Alien would change the Sci-Fi genre. An incredibly influential work of cinema, the film would influence any number of directors, with James Cameron springboarding off of the world created by Scott and moving the genre from Horror/Sci-Fi to Military/Sci-Fi. Analogous to the Vietnam War, Cameron's film is a brutal and unrelenting rollercoaster ride that -although not surpassing the original film - is nonetheless an incredible piece of practical filmmaking, utilizing miniature work, puppetry, animatronics, forced perspective, and rear projection. Thirty-eight years later Aliens continues to captivate, compel, frighten, and entertain. Mr. Chavez and I are thrilled to continue diving into this great Science Fiction series. Tell us what you think - We can be reached at gondoramos@yahoo.com. 

A New Year brings with it The Same Old Needs . . . We continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. 2024 is promising to be an incredible year filled with great discussions. Help us make this possible. We appreciate anything You Cheap Bastards can give. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Crew Expendable: Ridley Scott's Alien 

Might as well not screw around and start 2024 with a bang . . . This month Mr. Chavez and I dive into the world of Ellen Ripley and the Xenomorphs. At this point it's been nearly 45 years since we were first introduced to the crew of the Nostromo: Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, Ian Holm, John Hurt, Yaphet Kotto, and - in her film debut - Sigourney Weaver. Scott (in his second feature) created a science fiction world unlike anything seen before and rarely equaled since. Taking a Horror staple (monster/haunted house) that could have easily been a cliché-ridden embarassment, Scott crafted a new vision that leaned heavily on the practical and portrayed a future that we could realistically expect. Take a listen as Mr. Chavez and I dive into this six film series (we will be ignoring the Alien vs. Predator embarrassments and any novelizations or comic books). As always, we can be reached at gondoramos@yahoo.com. Many Thanks.

A New Year brings with it The Same Old Needs . . . We continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. 2024 is promising to be an incredible year filled with great discussions. Help us make this possible. We appreciate anything You Cheap Bastards can give. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

L.A. After Midnight: Dan Gilroy's Nightcrawler

Finishing December and starting 2024. (Sorry, we're a bit late getting this one out.) A continuation and closing out of Ibrahim Chavez's Los Angeles. We've talked James Ellroy, Charles Bukowski, Thom Andersen, and Paul Schrader's Los Angeles. This week we filter the darkest, most cynical, and bleakest impressions of Los Angeles through the tabloid and exploitative lens of television news in Dan Gilroy's 2014 Nightcrawler. Featuring a powerful and disturbing performance from Jake Gyllenhaal, Nightcrawler is one of the great films of the 2010s. Take a listen as Mr. Chavez and I re-visit this film, looking at the role of news reporting in today's world and the power of the image in captivating, intriguing, and frightening audiences. Take a listen and let us know what you think. We can be reached at gondoramos@yahoo.com. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Bukowski's Drunken Streets: Marco Ferreri's Tales of Ordinary Madness

Continuing our exploration of The City of Angels, Mr. Chavez & I dive into the great Los Angeles novelist, short story writer, poet, and "Dirty Old Man" Henry Charles Bukowski (1920 - 1994). Bukowski holds a special place in my heart and memories; Beginning with Notes of a Dirty Old Man and continuing through novels (Women, Ham on Rye), a screenplay (Barfly), and numerous poetry collections (War All the Time: Poems 1981-1984, Septuagenerian Stew: Stories and Poems, The Last Night of the Earth Poems), I have been a fan of Bukowski's work for the better part of three and a half decades. Bukowski's writings depict Los Angeles in a way that few wrtiers are able to match. This week we look at "Bukowski's Los Angeles" as depicted in Marco Ferreri's 1981 adaptation of the short story collection, Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness as Tales of Ordinary Madness featuring Ben Gazarra as Bukowski's alter ego, Henry Chinaski (in the film Charles Serking). A not altogether successful adaptation of Bukowski's work, there is still a great deal to discuss in the failure of Ferreri to capture Bukowski's words, actions, life, and city. Take a listen and let us know what you think. We can be reached at gondoramos@yahoo.com. Many Thanks. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Down These Dark Streets: James Ellroy - Feast of Death

Continuing our travels through Los Angeles, Mr. Chavez & I focus our discussion on the great LA Crime (Historical Crime) Novelist, James Ellroy. Famous for his LA Quartet - including The Black Dahlia, L.A. Confidential, The Big Nowhere, and White Jazz, as well as the autobiographical My Dark Places, Ellroy has written some of the most celebrated and polariizing Los Angeles based novels of the last century. His examination of the L.A. Police Department, criminals, murders, and (fictionalized) historical characters is unlike anything else in modern day fiction. It's a thrill to sit down and discuss this bold, brazen, and difficult writer. Take a listen and let us know what you think. We can still be reached at gondoramos@yahoo.com 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Another Lost Angel: Paul Schrader's Hardcore

This week we continue our descent into Ibrahim Chavez's Los Angeles with a look at Taxi Driver screenwriter, Paul Schrader's blunt and brutal examination of the Los Angeles/San Diego/San Francisco sex trade of the late 1970s. Schrader's upbringing in a strict Calvinist environment would shape his social outlook and influence his abandonment of religion and drive towards sexual and cultural freedoms. Much like his screenplay for Taxi Driver, Schrader's Hardcore would take inspiration from John Ford's classic The Searchers, replacing the racism of that film with a difficult and controversial look at the world of pornography and the restrictive worlds that feed into it. Featuring George C. Scott in a powerful - at times sad and other times unlikable - performance of a man searching for his lost (runaway?) daughter, Season Hubley as a sex worker  he employs to lead him into this foreign world, and Peter Boyle as a smarmy, degenerate and exceptionally effective private detective. Schrader's sophomore directorial effort is a wondrous relic of California in the 1970s. Take a listen and give the film a watch. You can always reach us at gondoramos@yahoo.com. We look forward to hearing from you. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

At Night and From a Distance: Thom Andersen's Los Angeles Plays Itself

We're starting the month of December (and ending 2023) with a dive into Los Angeles in a month of programming curated by our own Ibrahim Chavez. Our first episode of December is a look at film critic and teacher, Thom Andersen's "video essay" Los Angeles Plays Itself (2003). A legend in the world of documentary filmmaking, Andersen's film was seen sporadically in screenings set up by Andersen, showings at the American Cinematheque in Los Angeles (Hollywood), and filesharings through film lovers. In 2014 the film film was finally released on DVD through Cinema Guild and can also be seen (for free) on YouTube. 

Examining the city of Los Angeles in three distinctive categories (Background/Character/Subject), Andersen's film is a love letter to the city and cinema itself. Questions are asked and Answers are forwarded. Take a listen and see if you agree with our thoughts on this wonderfully entertaining look at one of the world's great cities. You can reach us at gondoramos@yahoo.com to give us your thoughts.

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos 

Beyond Laughter: Richard Pryor - Live in Concert & Live on the Sunset Strip 

This week Mr. Chavez & I close out November with a look at - arguably - the greatest stand-up comic the craft has ever produced, Richard Franklin Lennox Thomas Pryor, Sr. I have been an admirer of Mr. Pryor for nearly five decades now and am unable to remember a time when I was not aware and was not in total awe of him. On this episode, Ibrahim & I look at the legacy of this great artist as well as the brilliance in both his material, delivery, and stage presence. We look at his two greatest artistic achievements, 1979s Richard Pryor: Live in Concert  and 1982s Richard Pryor: Live on the Sunset Strip. There is a whole lot to break down and we give it our all. Take a listen and let us know what you think - gondoramos@yahoo.com

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Ransom: Akira Kurosawa's High & Low

There are no shortage of names that define our undersrtanding and foster our enjoyment of Cinema. Scorsese, Fellini, Bergman, Leone, Eisenstein, Spielberg, Chaplin, Keaton, Lumet, Ford, Hawks . . . the list could run for pages (and fortunately for us it does). There is a name that cannot be left off . . . Best known for his Jidaigeki - Historical (Action) Dramas - including Seven Samurai, Yojimbo, Rashomon, Throne of Blood, and The Hidden Fortress (to name a few), Kurosawa was a master at the modern drama, as well. Ikiru, The Bad Sleep Well, Drunken Angel, Stray Dog are a few of his modern explorations of Japanese life after the war. A masterpiece (rarely discussed and criminally underseen) is 1963's High & Low. Adapted from Ed McBain's 87th Precinct series of crime novels, High & Low is a beautiflly nuanced and brilliantly tension-guided police procedural. Re-teaming in their fifteenth (of sixteen) collaborations, Kurosawa and Toshiro Mifune come together to tell one of the greatest films in both mens' filmographies. This is an incredible film that Mr. Chavez and I are thrilled to bring to you. Take a listen and let us introduce you (or remind you if you are already familiar with) this wonderul film. 

Let us know what you think - gondoramos@yahoo.com

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Gen Z Xenomorph: Fede Alvarez's Alien: Romulus 

No Worries . . . Mr. Chavez & I will be returning to our Never-Ending 500 Episode Retrospective.  However, this week we continue our look into the Horror genre taking us into the Halloween Season, with Fede Alvarez's newest entry into the Alien Series, Alien: Romulus. This 7th film in the series - We Don't Count Those AlienVSPredator Embarassments - takes place between Ridley Scott's original 1979 Alien and James Cameron's 1986 sequel, Aliens. Your two favorite movie podcasters differ wildly on this entry. Take a listen to see which of us you agree with. Is this a tense and exciting entry into the series, or is it simply an attempt to milk blood from a stone. See the movie, take a listen, and let us know what you think. As always, we can be reached at gondoramos@yahoo.com. Many Thanks. 

For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

When a Promise Meant Something: Sean Penn's The Pledge 

November is the month of Rick Ramos and this week we continue - following Martin Scorsese's Killers of the Flower Moon and Walter Hill's Hard Times - with a look at Sean Penn's 2001 The Pledge. Featuring an underrated (and I would argue tragically underseen) Jack Nicholson performance that sidesteps all of the Nicholson tropes that we have become used to, Nicholson portrays Jerry Black, a police detective on the eve of his retirement who leaves his retirement party to investigate a young girl's rape and murder. He is quickly sucked into the horror of the crime and finds himself obsessed with discovering the truth and bringing the killer to justice. Penn's film takes all of the labored and tired tropes that have become standard for the genre and manipulates them in ways that make for a fresh directorial take. Featuring an all-star cast (that never screams of stunt casting) including: Sam Shepard, Helen Mirren, Aaron Eckhart, Patricia Clarkson, Michael O'Keefe, Vanessa Redgrave, Robin Wright Penn, Harry Dean Stanton, Benicio del Toro, Tom Noonan, and (an incredible) Mickey Rourke, the 2001 film is one that truly speaks to Penn's power and gifts behind the camera. Take a listen and let us know what you think. You can reach us at gondoramos@yahoo.com. Many Thanks. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos 

Oil & Blood: Martin Scorsese's Killers of the Flower Moon

Take a listen as Mr. Chavez & I kick off the month of November with a series of films curated by your host and producer, Rick Ramos. We begin with a discussion of Martin Scorsese's newest film - currently in theaters - Killers of the Flower Moon, a beautifully realized adaptation of David Grann's 2017 non-fiction best seller, Killers of the Flower Moon: The Osage Murders and the Birth of the FBI.  Featuring exceptional performances from Leonardo DiCaprio, new comer Lily Gladstone, Jesse Plemons, John Lithgow, Tantoo Cardinal, Brendan Fraser, and a powerfully restrained Robert DeNiro, Killers of the Flower Moon is a beautifully told and powerfully moving dramatization of the Osage murders of the early 1920s. Scorsese has crafted a nuanced and gripping film that only time will allow the revelation of its complete impact. It was a pleasure to begin November with this film. Comments can be directed to gondoramos@yahoo.com. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos 

1933 . . . Words Didn't Buy Much - Walter Hill's Hard Times 

On this week's episode, Mr. Ramos celebrates his 49th birthday looking at the purpose and drive of WatchThis W/RickRamos, some of his favorite films, why he loves them as he does, and culminating with a look at one of his favorite films, Walter Hill's directorial debut, Hard Times (1975). Why this films is a longstanding favorite is a mystery, however it is one that our illustrious host works to understand. Featuring wonderful performances from Charles Bronson as Chaney, James Coburn as Speed, Strother Martin as Poe, and exceptional supporting performances from Jill Ireland, Nick Dimitri, Robert Tessier, and Michael McGuire Hard Times continues to hold onto Ramos's imagination and soul. This was a fun episode. Hopefully you'll enjoy the reminiscing. If you have something to contribute you can correspond with Rick Ramos at gondoramos@yahoo.com. Many Thanks.

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos

Your #1 Fan: Rob Reiner & Stephen King's Misery

This week Mr. Chavez & I close out October and Halloween with one of the great Horror/Thrillers of the 1990s, Rob Reiner's adaptation of Stephen King's Misery. A tale of King's personal struggles with the writing medium, alcohol and drug abuse, and the perils of fame told through the life of the fictional author Paul Sheldon. With the creation of Annie Wilkes - a seemingly sweet, caring, and psychotic nurse, King gave life to an incredible character that embodied many of his personal demons. Realized through the performances of James Caan as King's alter ego, Paul Sheldon, and (a new discovery at the time) Kathy Bates as Annie Wilkes, King and Reiner created one of the more unsettling, disturbing, and beautifully tense thrillers in the history of the genre. With a wonderful supporting cast including Lauren Bacall, Frances Sternhagen, and - an exceptional - Richard Farnsworth, Misery, was a great film to re-visit. We are thrilled to end the month with this recommendation. Hit us up at gondoramos@yahoo.com if you'd like to let us know what you think. 

As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks.

https://www.buymeacoffee.com/watchrickramos