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What are our favourite movies of 2026 so far? Listen in to Cheryl’s chat with special guest Faus to find out our highlights, what we’re looking forward to and the duds of 2026.

Episode was recorded at The Dean Street Podcast Studio in London, UK.

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Why is Werner Herzog such a famous documentarian? In this episode, we chat about Werner Herzog’s filmography (did you know he also acted in narrative films?) and how the breadth of his work has also brought him into mainstream culture. We also chat a bit more about Spiderman and for those who are interested, the Spiderman podcast that Cheryl references: https://www.npr.org/2023/06/07/1180778283/spider-man-sony-marvel-dispute

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When does self-taping work in documentaries? In this episode, we talk about Timothy Treadwell’s self-tapes and how they work in “Grizzly man”. We also chat about the controversy around whether Werner Herzog was the right documentarian to handle Timothy Treadwell’s footage.

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Was Timothy Treadwell ok? In this episode, we chat about what makes Timothy Treadwell such an interesting character, particularly how he fits into the “man vs wild” trope. We also chat about how his recklessness was a sign of his unstable mind.

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Welcome to our season of documentaries - starting with “Grizzly Man”! Oftentimes, when we think of documentaries, we think of animal and nature documentaries, like “Planet Earth”. In this episode, we talk about how animal documentaries can be different and how malleable this particular genre can be.

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With his latest films “Oppenheimer” and “The Odyssey”, has Christopher Nolan changed genres? In this episode, we chat about when directors change format and genre and whether this impacts how we enjoy Nolan’s films.

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What did we think about “The Odyssey”? Tune in to listen to our chat about the IMAX ticketing drama, what we thought about the performances and most crucially, how this film stacks up against the rest of Nolan’s filmography.

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It’s no secret “Tenet” is hard to follow, and in this episode, we chat about what is hard to understand and whether the fact that it’s a Christopher Nolan film has helped set and manage audiences’ expectations when trying to decipher what’s going on.

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What are boy movies? In this episode, we chat about the types of films that are considered “boy movies” and whether there are “girl movies”. More specifically, we chat about how Christopher Nolan’s films have all the hallmarks of a “boy movie”, and yet is able to appeal to a broad range of audiences.

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Welcome to Nolan month! In the lead up to “The Odyssey”, we are watching Lara’s favourite Nolan film, “Tenet”. We’re starting at the very beginning with the context in which Tenet was released, particularly speaking about the pandemic and how Nolan’s previous films may have impacted audiences’ perception and expectations of the film.

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It’s our cult classic wrap up! We chat about the unique perspectives of cult classics, including the fact that there are many cults featured in these films. We then question who the leader is in cult fandoms and whether these kinds of followings should be labelled as “cult”.

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We chat about how the combination of polarised reactions to the film, the existence of Dudeism and the rewatchability of the film makes “The Big Lebowski” the ultimate cult classic.

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What is Dudeism and is it really a religion? We chat about how the Dude inspired a religion (yes, it’s a real one!) and why the core philosophy of Dudeism matters. Our conversation also explores why bowling fits the film and philosophy of the Dude.

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We’re back with another Coen brothers film! We chat about the use of the stranger at the bar in the film and what the main lesson to learn from the Dude. In the podcast, we also explore the meandering, almost nonsensical structure of “The Big Lebowski”, and how that adds to the main feeling and takeaway from the film.

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Tim Burton is has such a recognisable visual style, but would that have happened if he had catered to a mainstream audience? In this episode, we chat about when a director is able to develop their own visual style and why style with substance doesn’t last long in the film industry. 

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With recent films like “Titane” and “The Substance”, are we entering a new wave of body horror films? In this episode, we chat about the creepiness of body horror and how how technology has changed the modern day “look” of the genre.

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Why are ghosts not taken seriously? It seems that ghosts are pretty harmless compared to other scary creatures. We chat about what makes a creature scary and how romanticising ghosts may have influenced our perception of them.

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We’ve decided to watch “Beetlejuice”, because Cheryl can’t stomach many horror films. There are many cult classic horror films, many of which are set in haunted houses. Why are haunted houses the perfect setting? And, what does Beetlejuice do differently with the haunted house?

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What makes a Kubrick film? In this episode, we chat about Stanley Kubrick, the undeniable quality of his films, and what makes his films so highly discussed. We also end the episode talking about the “Bait”, starring Riz Ahmed, and chat about who we want to be the next James Bond.

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What was real and what was a dream in “Eyes Wide Shut”? In this episode, we talk about the use of dreams in films and how it makes the audience feel. We also chat about the source material 1926 German novella ‘Dream Story’ by Austrian writer Arthur Schnitzler - and what a character he seemed to be!

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Will Alice and William’s marriage last after the events of “Eyes Wide Shut”? We chat about how jealousy is often the cause of miscommunication and drama in filmmaking. Our conversation ends with a discussion of our favourite real-life couples.

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Maybe the weirdest and most disturbing of the films we’ve watched on this podcast! We’re chatting about Kubrick’s “Eyes Wide Shut”, particularly about how sex is depicted on film and how it compares with the depiction and sexual themes across “Rocky Horror Picture Show” and “Being John Malkovich”.

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Why does Charlie Kaufman have a cult following? In this episode, we chat about our thoughts on Charlie Kaufman films, particularly what we remember from them and whether we enjoy them or not. We also discuss what makes surrealist films difficult to engage with, especially compared to other genres.

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Why did Charlie Kaufman choose to make the main character a puppet master? We chat about how puppets and the idea of being a “puppet master” is used throughout the story to symbolise power imbalances and identity.

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Why did Charlie Kaufman choose John Malkovich? In this episode, we chat about John Malkovich and the various versions of himself in the film. We also chat about actors playing themselves or playing each other, particularly talking about the types of actors that get chosen to play themselves.

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Laura joins Lara in our annual Oscars special, where they share thoughts on this year’s film, their hot takes and predictions for this year’s Academy Awards.

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Welcome to the brain of John Malkovich! So far, in 2026, we have watched some pretty weird films, but while weird, they weren’t as surrealist as “Being John Malkovich”. In this episode, we chat about what makes a film surrealist and discuss the uncomfortable and creepy nature of this genre of film.

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While Rocky Horror might not be as shocking now, it was definitely shocking and controversial when it first came out in the 70s. In this episode, we chat about the bravery of the filmmakers in creating such a bold film that deals with topics that audiences might not be ready to watch. We also postulate what kinds of topics future cult classics might focus on.

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What makes something camp? In this episode, we talk about how camp Rocky Horror Picture is and how its camp aesthetic and sensibility makes it timeless. 

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What is eventising and how does Rocky Horror use events to keep its fans engaged in the fandom? We chat about the experiential element of Rocky Horror Picture Show, particularly the sense of expression and belonging that cult followers feel when they participate in a midnight screening of the film.

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Let’s do the time warp again! We couldn’t resist watching the most popular cult classic of all cult classics - Rocky Horror Picture Show! This episode, we chat about how we first got introduced to the film, it’s stage origins and how it became popular.

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What are musical fantasies and what are the common tropes within them? In this episode, we chat about the musical fantasy genre, comparing “Labyrinth” with other famous musical fantasies, such as The Wizard of Oz, Into the Woods and Shrek. We also chat about what works and doesn’t work for us in this genre.

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Has Labyrinth turned us into David Bowie fans? In this episode, we chat about what makes David Bowie special, including his music, Ziggy Stardust, his style and his legacy. We also chat about the concept album and use of storytelling, comparing David Bowie to Lady Gaga and Taylor Swift.

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Where have all the puppets gone? In this episode, we chat about the use of puppets in Labyrinth and how puppetry has become a lost art. We also touch on whether VFX is the new puppeteering and whether the use of physical props and effects (such as puppets and explosions) could help with realism in filmmaking.

Corridor Crew VFX Artists React: https://www.youtube.com/watch?v=M4nGxX2mHOs&t=379s

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To celebrate its 40th anniversary, we are starting 2026 with the very strange “Labyrinth”! In this episode, we chat about who the film was made for and how it achieved its cult following.

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To start of the second half of the 2020’s, we invited Faus back to the podcast to chat about our top 3 films of the last 5 years. What were your favourites of the decade so far? Let us know on X: https://twitter.com/WTF_WithUs

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What were our top 5 five films of 2025? Listen into our annual wrap up episode where we chat about our favourite films of the year and what we are looking forward to in 2026!

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Are we watching more comedy than ever before? In this episode, we chat about other forms of sketch comedy, including SNL and sketches on social media. We also postulate whether we have come back full circle to a more wholesome and “backyard” style of comedy that is more similar to Monty Python.

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We chat about the core hallmarks of Monty Python, particularly the comedy troupe’s history and the entirety of their franchise. We also postulate why they became so popular and how they have made their intellectual perspectives accessible to all audiences.

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Why is “Monty Python and The Holy Grail” a cult classic? In this episode, we chat about sketch comedy and how its niche and polarising qualities help form cult followings. We also chat about our history with Monty Python and how it’s changed from our childhood to now.

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What makes a film a cult classic? We chat about the key characteristics of a cult classic film, and how film criticism may or may not have shaped our top 100 lists. The episode ends with a chat about our own personal favourite cult classics.

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How does “But I’m a Cheerleader” use humour to show a different perspective on conversion therapy? In this episode, we chat about the use of satire in storytelling and recent examples of satirical films. We also chat about whether satire is effective and compare it to other genres.

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In this episode, we chat about the gendered themes within “But I’m a Cheerleader”, particularly how the film treats and satirises conversion therapy. We also chat about gender and the performative element of “fitting into your gender stereotype”. 

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Welcome to the Cult Classic genre! In this episode, we chat about the enemies to lovers trope, and discuss how this cult classic follows the general structure of a romcom. To wrap up the female friendship genre, we also compare Megan and Graham to Needy and Jennifer.

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Why do bad films make such good cult classics? In this episode, we chat about how many films get “rediscovered” years later and form cult followings. We chat about why that might have happened with “Jennifer’s Body” and talk about how cult followings may differ from the film’s original fans.

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Is the film just misunderstood? In this episode, we chat about what makes “Jennifer’s Body” a feminist film, particularly exploring how the film was marketed and the filmmaker’s intent. Our conversation also touches on film and literary analysis, and whether sometimes we might just be reading too much into it.

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Was Jennifer in love with Needy? We’re chatting about the infamous kiss scene in this ep, and how it sets up a love triangle in this story. In this episode, we chat about whether we agree with this take on Jennifer’s Body and how it changes the entire narrative of the film.

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Happy Spooky Season, where we’re watching “Jennifer’s Body”! In this episode, we chat about overall impressions of the film and compare Jennifer and Needy’s friendship to the other onscreen friendships we’ve watched over the last few weeks.

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Lara is joined by special guest Amreen to discuss TIFF 2025. They talk about their different approaches to navigating film festivals and chat about some of the biggest films of the year.

Amreen’s Podcast “Influx” https://podcasts.apple.com/gb/podcast/influx/id1542461102

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Despite being set in high school, we discuss how Booksmart isn’t a “teen movie” and how the comedy steals the show. We also chat about how films that are set in high school don’t automatically make the film a teen film.

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