War Movie Theatre – Details, episodes & analysis

Rob and Duncan watch 2024's Civil War with Helen Lewis of The Atlantic, whose forthcoming book The Genius Myth is dedicated to the film's director, Alex Garland. Is it really more of a road movie? How come Texas is in an alliance with California? And that's the guy without the camera doing there, anyway?

Next week: The Bridge on the River Kwai.

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This week Rob and Duncan pretend to be Duncan and Rob, in an elaborate plan to persuade the enemy that the podcast will actually be taking place in the Mediterranean. That's right, we're watching I Was Monty's Double, starring John Mills.

The true story of Operation Copperhead is told in Rob's book The Illusionist, out now in paperback.

Next week: Civil War (2024)

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Watching the war movies that made men* of us, with authors Rob Hutton and Duncan Weldon. This time: Is a work of art worth a life? All right, what about a podcast then? This week we’re watching The Train, John Frankenheimer’s intense 1964 epic of bravery and moral torment. Can the French Resistance stop the Nazis spiriting a trainload of looted art away from Paris? Has a black-and-white movie ever looked this good? Is it basically steam-train porn? Plus: Burt Lancaster, secret acrobat. On the train to hell with us, BBC Diplomatic Correspondent James Landale.

* also women

Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production. www.podmasters.co.uk

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Watching the war movies that stiffened our upper lips, with authors Rob Hutton and Duncan Weldon. This time: What do you mean, it’s not a war movie? It’s got Nazis in it. What more do you want? Our manly duo are tempted by political journalist Helen Lewis into watching the 1965 nuns, guns and arias extravaganza The Sound of Music. Will their emotionless exterior crack beneath Julie Andrews’ relentless sunniness, like “being hit over the head every day with a giant Valentine’s card”? Can you spot fake, painted Salzburg from the real thing? Is it really a war movie after all? The hills are alive with the sound of podcasts!

Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production

www.podmasters.co.uk

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Watching the war movies that stiffened our upper lips, with authors Rob Hutton and Duncan Weldon. This time: Jude Law is a young Russian sniper in the somewhat messy yet highly entertaining ‘Enemy At The Gates’ from 2001. Why does Kill Your Friends author John Niven love it despite its many shortcomings? Would anyone have time for a love triangle in the middle of a war, much less a knee-trembler in an icy tunnel? Can they swerve the ’Allo ’Allo Bad Accent Factor? Or is it all a terrible pain in the Urals? Note: anyone who attempts to retreat from this movie will be shot by the NKVD.

Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production.

www.podmasters.co.uk

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Suggestions? Comments? Drop us a line at warmovietheatre@gmail.com.

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Watching the war movies that made us the men* we are today, with authors Rob Hutton and Duncan Weldon. This time: “Broadsword calling Danny Boy!” It’s the big one as we skydive in on the Platonic ideal of the war-action pic, the 1968 classic Where Eagles Dare. Clint Eastwood and Richard Burton must break Allied asset General Carnaby out of Nazi prison the Schloß Adler with the pulchritudinous aid of Mary Ure. But is all what it seems? Sunday Times chief political commentator Tim Shipman joins us to let out the rallying cry: “Dad, they’re on the cable car!”

* and occasionally women

Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production

www.podmasters.co.uk

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Suggestions? Comments? Drop us a line at warmovietheatre@gmail.com.

Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter.

Hosted on Acast. See acast.com/privacy for more information.

We’re back with a brand new name but the same doughty, never-say-die attitude, to watch the war movies that made us the men* we are today. Every week authors Rob Hutton and Duncan Weldon gather under the blackout curtain to view a classic war film – and now they’re joined by equally battle-fixated chums too.

This time on the podcast formerly known as A Pod Too Far: Darryl F. Zanuck’s 1962 D-Day mega-epic The Longest Day with comedian, WWII buff and tank fan Al Murray. What are the best bits? Did your favourite moments really happen? Would you want to be commanded by ‘Pine Coffin’? And how much did John Wayne demand to appear in it? Up the Ox and Bucks!

* and occasionally women

Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production.

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Suggestions? Comments? Drop us a line at warmovietheatre@gmail.com.

Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter.

Hosted on Acast. See acast.com/privacy for more information.

If it’s December 1941 in the podcast, what time is it in New York? Rob Hutton sticks his neck out for no one. Duncan Weldon’s killed two German couriers in an effort to impress him. But of all the gin joints in all the world, who’s this walking into theirs?

For our Christmas special, we’re joined by the journalist and author Hadley Freeman as we watch Casablanca, a war movie disguised as a romance. But who’s Humphrey Bogart’s real love interest - Ingrid Bergman or Claude Rains? And what’s it like to see the film through the eyes of a refugee?

A Pod Too Far was written and presented by Robert Hutton and Duncan Weldon. Audio production by Robin Leeburn. Theme music by Simon Williams. Artwork by James Parret. Lead Producer is Anne-Marie Luff. Group Editor: Andrew Harrison. A Pod Too Far is a Podmasters production.

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Suggestions? Comments? Drop us a line at warmovietheatre@gmail.com.

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It’s Christmas 1944, and Rob Hutton and Duncan Weldon are in a muddy, frozen POW camp, dreaming of Betty Grable. But is one of them a rat?

We’re watching Billy Wilder’s Stalag 17, the film that won William Holden an Oscar and may have inspired the sitcom Hogan’s Heroes. Comedy? Drama? Escape movie? Or a mix of all three?

A Pod Too Far was written and presented by Robert Hutton and Duncan Weldon. Audio production by Robin Leeburn. Theme music by Simon Williams. Artwork by James Parret. Lead Producer is Anne-Marie Luff. Group Editor: Andrew Harrison. A Pod Too Far is a Podmasters production.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Suggestions? Comments? Drop us a line at warmovietheatre@gmail.com.

Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter.

Hosted on Acast. See acast.com/privacy for more information.

This week Rob Hutton and Duncan Weldon are fighting seasickness and dodging torpedoes as they take the podcast on a submarine hunt.

We’re watching the 1953 classic The Cruel Sea, a frank picture of the terror and exhaustion of convoy duty, and the toll it took on the men and women of the Navy. Was Donald Sinden ever better, and did Jack Hawkins organise the worst pub quiz ever?

A Pod Too Far was written and presented by Robert Hutton and Duncan Weldon. Audio production by Robin Leeburn. Theme music by Simon Williams. Artwork by James Parret. Lead Producer is Anne-Marie Luff. Group Editor: Andrew Harrison. A Pod Too Far is a Podmasters production.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Suggestions? Comments? Drop us a line at warmovietheatre@gmail.com.

Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter.

Hosted on Acast. See acast.com/privacy for more information.