Explore every episode of the podcast Trumpet Dynamics
| Title | Pub. Date | Duration | |
|---|---|---|---|
| Musical Mind Mastery: Strategies for Awareness of and Overcoming Focal Dystonia feat. Greg Spence and Julie Baxes | 04 Sep 2024 | 01:09:33 | |
**Please be sure to catch the link to a powerful testimonial about Greg's practice below! JN In this episode, Greg Spence of Mystery to Mastery and Denver-based amateur trumpeter Julie Baxes discuss experiences and strategies for overcoming focal dystonia. Recorded at the recent ITG conference in Anaheim, Julie shares her near-recovery journey from dystonia, while Greg explains how his Mystery to Mastery program unintentionally became a beacon for dystonia sufferers. Julie candidly describes her initial focal dystonia symptoms, her reconnection with Greg during COVID, and the intensive process of understanding and managing the condition. She recounts her personal struggles, including a misinterpretation of feedback from a conductor,which led to a great deal of personal shame. Ultimately this led to a loss of control of her physical abilities, and even a sense of isolation from the music community. Listen to Julie recount her determined comeback into the ranks of performing artists through patience, a conscientious mindset re: music and finding her place in her local scene given her experiences. Emphasized throughout the interview is the importance of stillness, error detection, and a step-by-step approach to remapping neural pathways. Julie and Greg both stress the need for open conversations about focal dystonia in the musician community and the importance of catching early signs. The episode closes with advice for those potentially facing the condition and a call to action for orchestras and universities to support affected musicians. Episode highlights 01:46 Julie's Journey with Focal Dystonia 02:07 Greg's Teaching Approach 04:00 The Mystery to Mastery Program 05:50 Understanding Stillness and Anxiety 14:00 Julie's Personal Struggles 34:23 The Challenge of Achieving Stillness 35:35 The Importance of Closing Your Eyes 37:16 Understanding Focal Dystonia 39:47 The Error Trilogy: Detection, Rejection, Correction 40:40 Personal Experiences and Techniques 41:52 The Role of Psychological Factors 43:22 The Journey to Recovery 49:12 The Importance of Open Communication 53:59 Distinguishing Focal Dystonia from Performance Anxiety 56:07 Advice for Musicians to Prevent Focal Dystonia 01:04:39 Final Thoughts and Encouragement Resources mentioned: "Greg Spence Changed My Life" video About the guests: Julie Baxes is an amateur trumpet player who began her music journey as a pianist, performing with church choirs, in small ensembles and for weddings and other special occasions. She picked up trumpet in her mid 40s and has studied with a variety of teachers over the years, most recently working exclusively with Greg Spence for the past 4 years. Julie has performed with the Jeffco Community Band, Jeffco Brass (for wedding receptions, civic events, church services and retirement communities), university jazz and concert bands, and the Rocky Mountain Brassworks, a British-style brass band that performs in Denver metro area venues. Julie has worked in the marketing communications and public affairs field for more than 30 years as a writer, editor, public speaker, staff manager, marketing and public affairs strategist, and special events manager. She holds a BA in journalism and a marketing minor from Arizona State University. ___ Greg Spence From a... | |||
| The Inside Story of Jason Harrelson’s Health Battles and How They Shaped His Trumpet-Making Mastery | 08 Aug 2024 | 00:40:44 | |
Jason Harrelson is the founder of Harrelson Trumpets, and has been universally reviled by professional trumpet players the world over as a peddler of snake oil, overrated, garbage, and much more. But he's been at it a long time, and so there's got to be some method to the madness! Jason and I first met in the early 2000's in the fledgling days of his now-successful trumpet-making business. He modified old trumpets into things that looked like spaceships. Did it make them play better? It's been so long, I honestly don't remember. But it sure looked cool! At any rate, Jason and I reconnected at the recent ITG conference in Anaheim, CA and he was game to record a podcast. I've now shared with you what you likely already knew about Jason. What you likely did NOT know is that Jason has suffered from mild heart attacks and mini-strokes his entire life due to a birth defect. In fact, around 2012, Jason nearly succumbed to a massive heart attack and stroke which left him alive, yet completely without memory of any part of his past. In this episode, Jason will share about his condition, his medical "event" as the doctors say, and the long road to recovery to form as not only a great trumpet maker, but as an exceptional human being. Episode Highlights: 00:30 Early Days and Unique Trumpet Designs 01:56 Personalization and Client Reactions 05:11 Health Challenges and Musical Passion 08:03 Living with a Hidden Disability 09:11 Experiencing Heart Attacks and Strokes 12:46 The Major Health Event of 2012 18:32 Seeking Medical Help: Finding the Right Doctor 19:54 Understanding PFO and Aura Migraines 22:30 The Role of Trumpet Playing in Health 24:54 The Road to Recovery: Overcoming Strokes 30:25 Relearning Life Skills Post-Stroke 36:20 Future Aspirations and Final Thoughts Resources mentioned: About the Guest: Jason Harrelson, founder of Harrelson Trumpets, was playing a 60's Bach Stradivarius in 1992. When asked to trade horns for a few minutes, he took his friend's brand new Bach Strad 37 into a practice room and was promptly blown away. The new Bach played circles around his own horn! And his friend returned the vintage Bach complaining that it didn't play very well. This was the beginning of what has become the world's most comprehensive resource for the advancement of brass instrument technology. Jason began experimenting with trumpet design and the tedious work of dispelling hundreds of unfounded brass playing myths. Three years later, he began formally exploring the physics of sound and brass instrument design in the physics lab under the supervision of an accomplished acoustician. His mentor was the lead physicist working with Yamaha to re-design their line of acoustic guitars. Needless to say, Jason listened, learned and eventually dropped out of college to pursue his passion designing, building and performing a new breed of brass instruments. Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more. It's a FREE download available right now on brassmastery.com! Mentioned in this episode: CTA Look us up on the web... | |||
| Rex Richardson Discusses True Virtuosity, Emoting v. Expressing, Maximizing Efficiency as a Trumpeter and More! | 24 Nov 2023 | 00:35:39 | |
In this podcast featuring the great Rex Richardson, various facets of his life and career are explored, providing insights into his journey and philosophy as a musician:
Resources mentioned: Trumpet Dynamics episode with Paul Merkelo Trumpet Dynamics episode with Chris Botti About the Guest: "A startling display of virtuosity...This was something very different, played by a performer of rare gifts indeed." -- 4barsRest.com, in a review of Rex Richardson's performance at the 2013 World Music Championship in Kerkrade, Netherlands Renowned as champion of new, genre-busting music featuring the trumpet as a solo voice, Yamaha Performing Artist Rex Richardson was named the 2008 Brass Herald International Personality of the Year, has been called “One of the finest virtuosos of our time” (Brass Herald, 2018). A veteran of the acclaimed chamber ensemble Rhythm & Brass, jazz legend Joe Henderson's Quintet and Sextet, William Russo's Chicago Jazz Ensemble, and the world-renowned Brass Band of Battle Creek, his hundreds of soloist appearances include festivals and ensembles on six continents, such as the Phoenix Symphony and Thailand Philharmonic Orchestras, the U.S. Army Field Band and Tokyo Symphonic Winds, England's Fodens Brass Band, and the U.S. Air Force's Airmen of Note Jazz Ensemble. His latest CD Freedom of Movement: 21st Century Trumpet Concertos was released to critical and public acclaim, and named... | |||
| Vinnie Ciesielski and Mike Haynes Geek Out on Nashville Music Scene, the Spirituality of Music, “Overuse Syndrome” and More! | 27 Oct 2023 | 00:59:10 | |
You may recall that a few weeks ago, I played a couple of interviews with the great Vinny Ciesielski. He's a wonderful person and has been a mainstay for years in the Nashville music scene. Vinnie really acquitted himself well in the podcast, so much so that I thought it would be interesting to see what would happen if I were to give him the reins for an interview on this podcast! What you'll hear in this episode: -Mike shares his founding origins on trumpet in the Nashville area...04:30 -Successes and pitfalls breaking into the Nashville scene in the late 1970's...09:45 -Mike and Vinnie discuss equipment for varying situations...19:05 -The worst things often lead to the best things...22:30 -How "overuse syndrome" nearly derailed a boatload of "natural talent"...29:15 -Serve the music, and remember just because you have it doesn't mean you need it...37:00 -The spirituality of the practice of music within and without...41:30 -What Mike would teach his teenage self...52:00 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: Trumpet Dynamics podcast episodes with Vinnie Ciesielski The Way of the Peaceful Warrior About the Guest: Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet, which he has played professionally for over 50 years. Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Kirk Franklin, Queen Latifah, Yolanda Adams, Donnie McClurkin, Israel Houghton, Demi Lovato, Grace Potter, Delbert McClinton, Alison Krauss, Taylor Swift, The Clark Sisters, Thomas Rhett, Nuno Betencort, Marcus Scott (Tower of Power) Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was, Zac Brown Band, and many more. He has performed live with artists such as Bruce Springsteen, Gladys Knight, Kid Rock, Keith Richards, Jimmy Buffett, Paul Simon, Sting, Tony Bennett, Glenn Frey, Don Henley, Kenny Rogers, Shelby Lynne, The Temptations, The Four Tops, The O’Jays, Aretha Franklin, Percy Sledge, Shawn Colvin, Eddie Floyd, Booker T. and the MGs, Vince Gill, Amy Grant, Bob Hope, Frankie Valli, Sheryl Crow, Adrian Belew, Bruce Hornsby, Michael McDonald, Carrie Underwood, Jennifer Nettles and The Beach Boys. He has also appeared on The Tonight Show with Jay Leno,, Late Night with David Letterman, Conan O’Brien, Jimmy Kimmel, Good Morning America, The Today Show, The Tonight Show with Jimmy Fallon, CBS New Years Eve Bash, The Road, SoundStage, Disney and Universal TV specials, Nashville Now, Music City Tonight, Austin City Limits, Grand Old Opry, Rosie O’Donnell, Ellen’s Really Big Show, Crossroads, The Dove Awards and The Stellar Awards. Vinnie has performed on numerous Radio, Internet, TV and Movie soundtracks and Trailers. He has also performed with the Nashville Symphony, Chattanooga Symphony, Orchestra Kentucky, Nashville and Knoxville Jazz Orchestras. Well known in the performance and recording community, Vinnie’s resume includes work on over 6,000 recording sessions, 50 Grammy-nominated and 25 Grammy-winning recordingsand dozens of Stellar and Dove Award nominated and winning recordings. Vinnie has also been the horn arranger on multiple Grammy, Dove and Stellar nominated and winning recordings. Thank you for joining us on "Trumpet Dynamics" – telling the story of the trumpet, in the words of those who play it.... | |||
| The Serendipitous and Hallucinogenic Manner In Which God (or whatever Richard Dawkins calls God) Called Nathaniel Mayfield Back to The Little Pond Called Trumpet. | 20 Oct 2023 | 01:12:06 | |
Have you ever heard the saying, "Love is what drives the world"? It’s a phrase we encounter often, but have you ever connected its essence to something you're deeply passionate about? In this episode featuring the great Nathaniel Mayfield, we'll dive deep into this concept, and what we uncover might surprise you! A trumpet is nothing more than a simple piece of plumbing. But when we breathe life into it, it becomes intimately personal, a vessel for our emotions, a conduit through which we pour out the deepest sentiments of our heart. When you play or engage in your craft, whatever it may be, it’s not just about the technicalities; it's about the love and soul you invest into it. Every note, every brushstroke, every word – they become extensions of your essence, speaking your unique language of love. So, ask yourself: when you delve into your passion, are you truly connecting with it? Are you letting it be a bridge to something larger, something divine? Can you feel that energy, that love, coursing through you, making every act of creation a testament to your connection with the universe? Your journey as a trumpeter, or whatever craft you may pursue, is filled with challenges. But imagine facing every intricate detail, every hurdle you overcome with an overwhelming embrace of love. Not just as a fleeting emotion, but as a driving force that propels you to evolve, learn, and express in ways you might not have thought possible before. Isn’t that the beauty of love? In every aspect of your life, when you let love be the guide, your experiences transform. You discover resilience in tough times, glean wisdom from setbacks, and above all, unearth the profound purpose behind your passions. So I ask you to ponder this: are you allowing love to navigate your journey? Is it truly your guiding star? When we allow love to influence our choices, shape our experiences, and redefine your reality, it could very well be the secret to unlocking your ultimate potential. Here are a few highlights you'll hear in this episode with Nathaniel Mayfield: -Music is a spiritual journey, and it doesn't matter how much we're involved with it...04:10 -Nate's personal journey with trumpet, from young boy to the present...06:00 -"I don't care about winning competitions; I just want to enjoy music"...10:30 -"You feel like a part of you is missing"...14:10 -Everything we do as it pertains to music is done out of love...17:50 -Serendipitous callings back to trumpet...20:45 -The love of trumpet was dissipated by The Grind of competing and touring...24:30 -Maturity leads to how you self-identify as it pertains to music and trumpet...31:50 -Nate describes in detail his recent psychedelic journey in Tijuana...36:00 -Reconciled previous destructive behavior from trumpet playing...01:01:00 -What might a Nate Mayfield "trumpet comeback" look like?...01:02:30 -Trumpet is our first love, which is why so many feel disillusioned by it...01:06:30 -Plus whatever your discerning ears deem worthy of your time and interest... Thank you for joining us on "Trumpet Dynamics" – telling the story of the trumpet, in the words of those who play it. For more captivating episodes and exclusive content, visit our official website at trumpetdynamics.com. There you can dive deeper into the interviews, discover additional resources, and connect with your fellow trumpeters. Also be sure to subscribe to the podcast on your favorite podcast platform, and even leave a rating and review. It really helps with the visibility of the show. Until we meet again, may your fingers be fluid, your breath unimpeded, and your chops ever fresh. Play hard! **Many thanks to the great | |||
| Transcending Musical Borders & the Process of Birthing, Preparing For and Premiering Wynton Marsalis’ New Concerto for Trumpet with Paul Merkelo! | 13 Oct 2023 | 00:49:32 | |
What are borders but mere lines imagined by politicians to separate and divide human beings? And just as borders between states and countries are rather arbitrary, so are the borders we put on certain instruments, even entire genres of music. Paul Merkelo stopped in to the Trumpet Dynamics Central Headquarters to discuss his collaboration with the great Wynton Marsalis on a brand new concerto written for trumpet that is making waves in the trumpet world and beyond. Wynton's new concerto not only pushes the finest players to their utmost limits as performers, but it transcends many of the arbitrary boundaries that have been placed upon the trumpet, and even ethnic and national identities related to music. Paul was honored by being asked to help bring this piece into the public consciousness, and in this episode, he shares his experience of being included in the esteemed group of trumpeters who are premiering the piece around the world. The interview includes a detailed description of the process of preparing and allowing to see the light of day a piece of music that we expect will be part of the standard trumpet repertoire, regularly called upon by orchestras the world over, in due time. We even managed to sneak in a hat tip to elephant sounds and horse whinnies, so you're going to want to hang out until the very end of the episode! What you'll hear in this episode: -How Paul was chosen to premiere Wynton's concerto in Canada...03:30 -The moment Paul stepped on stage to premiere the piece...06:30 -"Like jumping out of an airplane"...13:20 -We've got to build the repertoire by crossing musical borders...15:45 -You can't simply play with technical precision; you must play musically...18:30 -The "perfect" performance redefined...23:25 -The very long process of preparing for The Day of the performance...28:10 -Balancing the prep and practice with family and obligations to the day job...36:45 -Efforts to get the word out about the concerto...40:30 -How to make an elephant call with a trumpet...46:30 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: Gershwin's World on Medici TV featuring Paul Merkelo A Conversation with Rafael Payare, Wynton Marsalis and Paul Merkelo Trumpet Dynamics episode with Scott "Horse Whinny Maestro" Moore of the Memphis Symphony About the Guest: Paul Merkelo has been hailed as ‘the new Maurice André’ by the Australian Broadcasting Corporation, and is recognized as ‘a spectacular soloist... a most impressive master of his instrument’ (Montreal Gazette) who ‘knows no limits’ (Der Spiegel online - Germany) with ‘unusual lyrical gifts’ (Gramophone). Principal trumpet with the Orchestre symphonique de Montréal since 1995, he has been featured frequently with the OSM, including tours to South America and at the Lincoln Center in New York, and is the first member of the orchestra to be invited to record a debut solo album with the orchestra (French Trumpet Concertos - Kent Nagano). In 1999, he was appointed Canadian musical ambassador to China for the inauguration of the Montreal Park in Shanghai, and as soloist with the Shanghai Symphony Orchestra in a national telecast. Merkelo made his New York... | |||
| Trumpet Endurance, and All About the New Compression Measurement Tool That’s Taking The Brass World by Storm with Larry Meregillano | 07 Oct 2023 | 00:45:09 | |
Larry Meregillano has been performing on the trumpet professionally since he was 15 years old. In that time, he has performed all over the world, performing in the background, in the foreground, and everywhere in between. As you can imagine, he needed to develop a great deal of endurance in order to meet the demands of his profession, playing lead in the Disneyland Band, leading cruise ship bands, and much more. His experience and knowledge led to him creating the The Compression Training System (CTS), a tool that is taking the brass world by storm, and changing the way thousands of players approach their craft and improving their range and endurance. I wanted to get Larry on the show to discuss the CTS, its founding origins, how it works, how it benefits any type of player. And while this might sound like an infomercial, I humbly suggest the info shared in this episode favors the "info" more than the "mercial". Enjoy the episode! What you'll hear in this episode: -Larry shares some of his travel and performing adventures!...01:45 -Why major stars wear a "mask" when among the public vs. their private selves...04:15 -The trumpet has somehow managed to remain relevant in pop culture over time...06:15 -The greats don't need to mimic or compare themselves to other great players...09:45 -Fear of success, and why we're terrified of creating something truly unique...11:55 -The basic science behind the The Compression Training System (CTS)...16:45 -Compression described as it relates to playing trumpet...20:30 -What's going on inside the mouth is the "missing link" when it comes to trumpet pedagogy...26:40 -How the CTS enables trumpeters to utilize "progressive overload training" as incorporated by professional weight lifters...31:00 -How the CTS works in improving ranger, power and endurance...36:20 -Plus whatever your discerning ears deem worthy of your time and interest... Episode sponsor: Odd-Meter Technical Exercises by Michael Hengst: Original exercises and adaptations of your favorite exercises, all in 5/8 and 7/8 time. Resources mentioned: The Compression Training System (CTS) About the Guest: Larry Meregillano is a Eclipse artist/clinician. He started his professional career playing in big bands in San Diego in the early 1970’s. In 1976, he was hired to play in Tom Ranier’s Show band at Disneyland. A year later, Mr. Meregillano joined the gospel group Truth and soon after went on to perform and tour with The Bill Gaither Trio. While traveling and recording with The Bill Gaither Trio, he also recorded with Sandi Patti, David T, Clydsdale, Ron Huff, Don Marsh and many others. In 1980, Larry returned to California and became the lead trumpet player for the world-famous Disneyland Band. In the late 1980’s, Larry was hired to play in the PTL Television Orchestra with Jim and Tammy Faye Baker. From there he joined Princess Cruise lines as Musical Director. After many years, Mr. Meregillano moved to Orlando, Florida, where he performed with many bands at Walt Disney World, MGM Studios, Epcot Center, Universal Studios and Pleasure Island. He has also been the Musical Director and performer for many cruise lines including the world-famous Queen Elizabeth 2. Larry has toured with the Temptations and The Four Tops, and has been a sideman for Rosemary Clooney, Joe Williams, Jack Jones, Bob... | |||
| Gestalt Theory for Trumpeters, the Profound Qualities of the Cornet vs. Trumpet, Memories From the Premier Brass Band in America and More with John Daniel | 29 Sep 2023 | 01:05:38 | |
John Daniel's ears must have been ringing throughout the month of September as several guests, including Del Lyren, Bobby Medina, Vinnie Ciesielski and others mentioned him on the podcast in this last month. So I decided it was time to reach out and see if we could schedule a podcast! John was game, and we ended up having a terrific discussion on Gestalt theory as it pertains to trumpet (a first on the podcast), the unique qualities of the cornet vs. the trumpet, recollections of the early days of the amazing Brass Band of Battle Creek and much more. Enjoy the interview, and be sure to check out John's book Special Studies for Trumpet! What you'll hear in this episode: -John's beginning struggles on trumpet as a kid...03:00 -What is "gestalt" theory as it pertains to trumpet?...05:45 -About John's upcoming album featuring Bb and soprano cornet...08:30 -Unique characteristics of playing Bb vs. soprano cornet vs. trumpet...12:00 -Memories playing alongside the great Peter Roberts!...15:40 -There's no "right way" to play and teach a brass instrument...20:00 -A rare discussion on pedagogy here on the podcast lol...25:00 -Memories of the early days of the Brass Band of Battle Creek...33:20 -Cultural differences in cornet v. trumpet and how the BBBC has helped popularize the genre...38:45 -Moving on from a top-flight academia gig and preparing for the new album release!...41:10 -A profoundly different experience playing trumpet v. cornet...49:00 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: John's website and "Special Studies for Trumpet" book Trumpet Dynamics Facebook group About the Guest: John Daniel is the Professor of Trumpet at Lawrence University. He received the Specialist in Music degree from the University of Michigan, Master of Arts in Music from the University of Iowa, and Bachelor of Music from Ball State University. His primary teachers were David Greenhoe, Richard Giangiulio, and Armando Ghitalla. Mr. Daniel previously held tenured positions at Penn State University and Abilene Christian University. While attending the University of Michigan on full scholarship, he won the graduate concerto award and was principal trumpet of orchestras in Ann Arbor and Saginaw, Michigan. Mr. Daniel served as principal trumpet with the San Angelo Symphony Orchestra and Abilene Philharmonic Orchestra for nine years and has performed with the San Antonio Symphony, Pennsylvania Ballet Orchestra, Palm Beach Opera, New Jersey Symphony Orchestra, and Music at Penn’s Woods Orchestra, as well as on Broadway for revivals of Annie Get Your Gun and Gypsy. He has played recitals in Carnegie Hall, the Kennedy Center, throughout South Korea, the Eastman School of music, the Julliard School, and throughout the United States. As a jazz musician he has appeared with Lionel Hampton, Bill Watrous, Wycliff Gordon, Marvin Stamm, Vinnie DiMartino, Phil Woods, Ernie Watts, the Nelson Riddle Orchestra and many others. Mr. Daniel released A Calling in 2004, a jazz CD featuring his compositions and is featured on a 2006 Mark Masters release, Karel Husa Trumpet Concertos. The Husa CD was on the entry list to be nominated for a Grammy Award in the category “Best solo with orchestra” and “Best classical recording”. He has been a member of North America’s finest brass band, the Brass Band of Battle Creek, since 1993. He plays Schilke trumpets, flugelhorn and cornets exclusively. Thank you for joining us on "Trumpet Dynamics" – telling | |||
| Chris Botti Shares His Thoughts On the “New” Music Business, and Trumpet Q&A from Fellow Players! | 22 Sep 2023 | 00:56:24 | |
We have the great Chris Botti on the show today. I'm really excited about this one to both record and share it with you. On a whim I checked out Chris' website and happened to see that he was going to be in my neck of the woods, which these days is Virginia Beach, Virginia. This interview that you're about to hear is not like the definitive explanation of Chris's philosophy, his approach to technique and pedagogy, his full history as a trumpeter. I simply went on to some Facebook groups and just said, "Hey, I'm interviewing Chris Botti, what should I ask him?" A few people responded with some really good questions, and that's basically the meat and potatoes of the interview. Enjoy! What you'll hear in this episode: -Why Trumpet is Chris' "calling card" in this new music business...04:20 -The paradigm shift of the music business explained from the perspective of one at the top...08:00 -One door closes, another opens for the little guy...14:40 -Chris' inspirations and influences as a trumpeter...19:45 -Why record making and gigging need to be approached radically differently...26:00 -Chris' recording and performing sound equipment...30:20 -Chris' daily routine and maintenance of the chops while touring...36:15 -Why Chris can't bear to part ways with his Martin Committee...37:30 -Why Sergei Nakariakov rarely tours in the U.S....42:00 -Reflections from host James Newcomb on the interview...44:55 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: Other Side of the Bell podcast with Chris Botti About the Guest: GRAMMY-winning trumpeter Chris Botti has been one of the most popular instrumentalists in the world for nearly three decades; he’s collaborated with some of the biggest superstars on the planet, including Sting, Paul Simon, Barbra Streisand, Lady Gaga, Tony Bennett, Frank Sinatra, Aretha Franklin, Bette Midler, Joni Mitchell, Steven Tyler, Andrea Bocelli, Herbie Hancock, Yo-Yo Ma, and others; he’s topped the jazz charts with numerous albums, earned multiple Gold and Platinum records, performed with symphony orchestras and on prestigious stages from Carnegie Hall to the Hollywood Bowl to the Sydney Opera House. In short, Chris Botti really needs no introduction. Yet with his Blue Note Records debut, he’s offering one anyway. Vol.1 is in many ways a fresh start for the trumpeter. Having successfully crossed over from jazz renown to pop stardom, Botti’s first album in more than a decade finds him crossing back, with a small group project focused on acoustic jazz and classic standards. “I turned 60 in 2022, at a time that seemed like a restart for so many things in the world,” Botti says. “I wanted to strip away all the orchestral arrangements and special guests and focus more on my playing, the playing of my band, and these jazz classics that we always love playing on stage.” While Botti could boast of the major names with whom he’s shared stages, this project allows him to share his enthusiasm for the jazz greats past and present that excite him – his conversation is peppered with references to everyone from Miles Davis to Keith Jarrett to Pat Metheny to Brad Mehldau. He points to landmark albums like Davis’ Kind of Blue, John Coltrane and Johnny Hartman, or Metheny’s duo outing with Charlie Haden, Beyond the Missouri Sky as models for the kind of “lifestyle” music he set out to make – music that is exquisite on its own but can also set the scene for a coffee shop or hotel lounge, instantly generating a sophisticated... | |||
| Playing With Feeling While You Can’t Feel Anything, Wasted Emotions, and Trumpet as a Higher Calling with Vinnie Ciesielski! [Part 2 of 2] | 16 Sep 2023 | 01:13:10 | |
Welcome to Part 2 of my interview with Vinnie Ciesielski! Before I say anything else, let me point out that the link I share to access the show notes during the episode is incorrect. The show notes for this episode are https://trumpetdynamics.com/trumpetvinnie2. I believe I left out the number 2 during the interview because I initially planned to have this be one giant episode, but wisely chose to break it into two parts. And what a part this is. Vinnie and I dove deep into the "why" of playing trumpet. The "How" tends to be rather superficial, which is why I don't have much interest in podcasts like that. But the "why" is what gets me excited, and Vinnie surely did not disappoint with his insightful comments in this one. Enjoy! What you'll hear in this episode: -More in-depth dialogue on the "good day and great day" concept...05:05 -The need for healthy lifestyle for success on trumpet and overall quality of life...08:30 -Self-loathing equates to loathing your environment...13:30 -Why and how Vinnie has played with a rare condition that causes loss of feeling on the left side of his body...17:20 -If you can feel your face, you're ahead of the game!...25:00 -Shame is a wasted emotion...32:00 -Keeping things real regarding the importance of trumpet...36:00 -Adapting to radically changed physicality, and thoughtfully losing weight so it stays off...43:30 -Music a salve for tremendous joy and intense loss...53:45 -Are we "called" to trumpet?...58:45 -A father's offhand comment while watching TV proves prophetic...01:03:30 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: Trumpet Dynamics podcast with Beth Peroutka About the Guest: Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet, which he has played professionally for over 50 years. Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Kirk Franklin, Queen Latifah, Yolanda Adams, Donnie McClurkin, Israel Houghton, Demi Lovato, Grace Potter, Delbert McClinton, Alison Krauss, Taylor Swift, The Clark Sisters, Thomas Rhett, Nuno Betencort, Marcus Scott (Tower of Power) Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was, Zac Brown Band, and many more. He has performed live with artists such as Bruce Springsteen, Gladys Knight, Kid Rock, Keith Richards, Jimmy Buffett, Paul Simon, Sting, Tony Bennett, Glenn Frey, Don Henley, Kenny Rogers, Shelby Lynne, The Temptations, The Four Tops, The O’Jays, Aretha Franklin, Percy Sledge, Shawn Colvin, Eddie Floyd, Booker T. and the MGs, Vince Gill, Amy Grant, Bob Hope, Frankie Valli, Sheryl Crow, Adrian Belew, Bruce Hornsby, Michael McDonald, Carrie Underwood, Jennifer Nettles and The Beach Boys. He has also appeared on The Tonight Show with Jay Leno,, Late Night with David Letterman, Conan O’Brien, Jimmy Kimmel, Good Morning America, The Today Show, The Tonight Show with Jimmy Fallon, CBS New Years Eve Bash, The Road, SoundStage, Disney and Universal TV specials, Nashville Now, Music City Tonight, Austin City Limits, Grand Old Opry, Rosie O’Donnell, Ellen’s Really Big Show, Crossroads, The Dove Awards and The Stellar... | |||
| Good Days and Great Days, The Importance of Pop Music Mastery, Why Movies are Keeping Orchestras Alive and More with Vinnie Ciesielski [Part 1 of 2] | 15 Sep 2023 | 00:56:41 | |
I want to give a special thanks to previous podcast guest Del Lyren for introducing me to our guest today, Vinnie Ciesielski. Vinnie is a longtime stalwart of the Nashville music scene. His playing can be heard on countless recordings, commercials, soundtracks, symphony concerts, and the list goes on and on. Vinnie is also founder of a group called Vinnie And the Hitmen, of whom you can hear some samples on his website. In this episode, Vinnie talked a good deal about his founding origins as a trumpeter, and has some poignant insights into the importance of pop music, even for those of us who maybe have a tendency to thumb our noses at it while salivating over the likes of Mahler and Strauss. You've got be able to put food on the table at the end of the day, and sometimes mastering the art of pop music is what is necessary if you expect to put some of that food on the table with your musical skills. Our time went by so fast, which meant as usual we were just warming up to each other by the time we had to part ways. So we went ahead and scheduled another recording session! This Part 1 is great in many respects, and Part 2 is great as well, and deeply personal. So I highly recommend you listen to that one as well. Probably best to listen to them in order as you get to hear host and guest establish rapport before diving deep into the "why" of doing music, and how it relates to the deep needs within all of us. That's all I'll share about Part 2, for now enjoy Part 1! What you'll hear in this episode: -Ciesielski is spelled how it sounds...06:00 -How to find your way into a local scene, and play what you really want to play...11:30 -Vinnie's founding origins as a trumpeter...16:15 -Good days and great days...19:00 -A solid foundation on the mental element of trumpet playing...23:00 -Pop music pays the bills...30:00 -What we call "classical" music was at one time "pop" music...33:00 -Why do we thumb our noses at "pop" music?...38:45 -Movie soundtracks and classical music finding its niche in modern culture...42:00 -The need for a pleasing personality in keeping the gig...48:00 -There are no bad days; there are only good days and great days...53:00 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: Check out James Newcomb's new book: PinPoint Persuasion Trumpet Dynamics podcast with Paul Baron and Bobby Medina About the Guest: Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet, which he has played professionally for over 50 years. Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Kirk Franklin, Queen Latifah, Yolanda Adams, Donnie McClurkin, Israel Houghton, Demi Lovato, Grace Potter, Delbert McClinton, Alison Krauss, Taylor Swift, The Clark Sisters, Thomas Rhett, Nuno Betencort, Marcus Scott (Tower of Power) Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was, Zac Brown Band, and many more. He has performed live with artists such... | |||
| “Trumpet for Old Guys.” Two Seasoned Veterans Introduce New Training Regimen Focused on the Physiology of Age featuring Paul Baron and Bobby Medina | 08 Sep 2023 | 00:41:10 | |
It's no secret that our bodies, our minds, our perspectives in life change as we age. Yet we often believe that what we learned about playing trumpet while we were in our teens and early twenties will continue to work as we get older. Maybe it's because we heard something in a masterclass and decided this is the way to do it. Or we attended a certain school where certain dogmas regarding trumpet playing prevailed, even overshadowing individual needs of the player. This was more or less the impetus of Paul Baron and Bobby Medina beginning first a Facebook targeted at older players, and then eventually becoming a full-fledged training regimen called Trumpet Diagnostics. I wanted to pick the brains of the founders of the program about their experiences working with older players, and what they aim to achieve with their program. Thankfully we were able to get all three of us on a Zoom call from various parts of the U.S. and talk about their program. Enjoy the interview! What you'll hear in this episode: -The founding origins of the Trumpet Diagnostics program...02:30 -The Facebook group becomes a webinar, which becomes the program...05:30 -What does "Body Mechanics Mastery" mean?...06:30 -Why certain methods we swear by are sometimes limited in their efficacy in teaching us how to play efficiently...08:40 -Learning "the method of no method"; becoming our own teachers...13:00 -Why have we moved beyond the various "schools" of thought regarding trumpet playing?...14:15 -Martial arts lessons applied to the physicality of trumpet...18:30 -Efficiency (i.e. minimal playing) is key to longevity as a trumpeter...23:00 -Don't worry about aesthetics based on showmanship, worry about what works for you...27:30 -What is the biggest hurdles Paul and Bobby's students need to overcome?...29:00 -Neuroplasticity and repetition over a long period of time is key to improving your playing...34:30 -What you'll experience with the Trumpet Diagnostics program...38:05 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: Tips for Trumpeters 50 and Beyond! Facebook group About the Guests: Bobby Medina Four solo recordings under his name along with world tours and live performances with legendary musical artists including Ray Charles, Frankie Valli, Wayne Newton, Mel Torme, Temptations, National Touring Broadway shows and more. Student of legendary teachers including James Stamp, Bobby Shew, Carmine Caruso, Charley Davis. Medina's 40+ years experience has been presented at masterclasses in the USA, Europe, South America and Asia helping players of all levels overcome their playing deficiencies and frustrations through specialized mental and mechanical techniques. Paul Baron Paul's professional career began 40 years ago. His lead trumpet can be heard on over 1,000 jingles, hundreds of albums, dozens of movie scores and he's played, recorded and toured with Aerosmith, Lynrd Skynrd, Barry Manilow, Bob Hope, Wayne Newton, nearly twenty Broadway shows including Disney's Newsies, Aladdin, Frozen and many more. Paul's teaching has led him to give nearly 100 masterclasses and decades of private instruction teaching players how to repair and reprogram their playing to be the most efficient possible. Thank you for joining us on "Trumpet Dynamics" – telling the story of the trumpet, in the words of those who play it.... | |||
| David Vining’s Focal Dystonia Recovery, and Efforts to Elevate Consciousness Among Brass Players | 02 Jul 2024 | 00:51:23 | |
Today's episode features an interview with trombonist/publisher David Vining, recorded at the 2024 ITG Conference in Anaheim, California. David was diagnosed with focal dystonia in 2003. In our interview, he discusses his struggles, eventual recovery through holistic movement therapies such as Feldenkrais, Alexander Technique, and body mapping and exposing the vastly understudied diagnoses and treatment of focal dystonia. Perhaps the biggest misconception about focal dystonia is that it is a physical problem. While the symptoms manifest in the physical realm, it is a distinctly neurological issue which disrupts musicians' fine motor skills. David's diagnosis and eventual recovery inspired him to establish Mountain Peak Music, which offers resources and materials aimed at promoting healthy playing and living habits, as well as taking a preventative approach to issues like dystonia. Episode Highlights: 01:25 David Vining's Musical Journey 04:37 The Onset of Focal Dystonia 05:43 Diagnosis and Initial Struggles 09:24 Exploring Treatment Options 18:34 Movement Therapies and Recovery 25:29 Redefining Embouchure and Global Awareness 26:46 Rafael Mendez a Model of Overcoming Adversity 27:54 Recovering from Focal Dystonia 29:33 Founding Mountain Peak Music 30:19 The Breathing Book and Body Mapping 32:32 Innovative Learning Materials 36:49 Success Stories and Cross Training 45:02 Challenges with High Brass Players 46:42 Final Thoughts and Advice Resources mentioned: About the Guest: Trombonist David Vining is the founder of Mountain Peak Music, a publishing company devoted to offering innovative, healthy teaching methods for all musicians. Mountain Peak Music represents Mr. Vining’s personal mission, combining his extensive performing and teaching background with insights learned through his remarkable recovery from embouchure dystonia. His Mountain Peak Music publications include the Breathing Book series, Flow Studies, Daily Routines, Long Tone Duets, Trombone Intonation Mastery, Dueling Fundamentals for Trombones, Cross Training for Musicians, The Big Book of Sight Reading Duets, Teaching Brass, and Rangesongs. Currently Professor of Trombone at Northern Arizona University in Flagstaff, Arizona, Mr. Vining has also served on the faculties of the University of Cincinnati’s College-Conservatory of Music and the University of Kansas. Professor Vining’s teaching transcends his trombone specialty, covering a wide range of topics appealing to musicians of every discipline. He is equally at home teaching trombone technique, helping instrumentalists and vocalists become more efficient, and helping musicians cope with injuries, among other topics. Mr. Vining is a dynamic performer who has delivered hundreds of recitals nationwide. As trombonist with the Chestnut Brass Company, he recorded several CD’s and toured the United States and Europe performing recitals, masterclasses, and concerts with orchestras. Currently a member of the Flagstaff Symphony, he has performed with the Cincinnati Symphony, Kansas City Symphony and the Philadelphia Orchestra. Mr. Vining has appeared on college campuses coast-to-coast in recital and as a guest soloist with ensembles, and recorded a solo CD, Arrows of Time. Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular... | |||
| Music Is All About the Personal Connections, and What Music Schools SHOULD Be Teaching with Del Lyren! | 01 Sep 2023 | 00:56:10 | |
Beginning in September 2023, I will be hosting a monthly masterclass on personal branding. It's 100% free, and I guarantee you'll learn something new about boosting your online or offline presence. If you don't, I'll give you your money back! To get the time and date, and register for the next masterclass, visit my own website, https://jamesdnewcomb.com. I also invite you to the brand new Trumpet Dynamics Facebook group. It's of course free to join, and is a great way to connect with your fellow listeners of the show and trumpet enthusiasts. Here's the link for the Facebook group: https://www.facebook.com/groups/trumpetdynamics I'm really glad to welcome to the show Del Lyren, currently on faculty at the University of Minnesota Twin Cities. I got to know Del while he was teaching at Bemidji State University, which I have a personal connection to as my grandfather went to BSU way back in the 1940's! It turns out that it seems everyone has some sort of connection to Bemidji, even if it's just a photo at the famous statues of Paul Bunyan and Babe the Blue Ox right there on the lake. I was able to meet Del in person while visiting family in Minnesota, and we talked about the value of community in music, what it was like hosting an ITG conference, why the small town gigs are sometimes the most profitable, and much more. Enjoy this episode! What you'll hear in this episode: -Everything is better in person, but how do you manage in light of a global pandemic?...07:00 -How Rafael Mendez indirectly inspired Del's trumpet career!...12:30 -When will the machines finally overcome our natural craving for community?...18:18 -The understated small town college prof that made a major impact in Del's development as a person and musician...26:30 -The draws and drawbacks of small town life and teaching...34:00 -What it's like to host an ITG conference...38:00 -What triggered the move to the bigger cities?...46:00 -The challenge of channeling creative energy into a paying career...47:50 -How music university-level curricula should be crafted...52:00 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: Trumpet Dynamics podcast featuring David Hickman About the Guest: Originally from Brookings, South Dakota, Del Lyren has presented lectures and recitals throughout the world, including recitals at the Euro-ITG conferences in Bad Sackingen, Germany, Kiev, Ukraine, and a month-long residency in China. Other guest artist appearances have taken him to England, Scotland, Sweden, Canada, and Mexico. Lyren co-hosted the 2011 conference of the International Trumpet Guild held in Minneapolis and attended by over 1400 trumpet players from throughout the world. In addition to numerous clinics throughout the region, Lyren has appeared on Prairie Home Companion with Garrison Keillor. Additionally, Lyren serves as the Assistant Festival Director for the JENerations Jazz Festival at the Jazz Education Network Conference each January. Students of Dr. Lyren have achieved success in nearly every arena of the music world. With acceptance to nearly every major graduate program in the United States, many have completed doctoral degrees and teach at the university level. His former students have performed with major popular artists such as Adele, The Temptations, and Boyz II... | |||
| Lips Buzzing and Mind Humming: How to Write a New Method Book Based on Established Standards with Michael Hengst | 14 Jun 2023 | 00:36:52 | |
trumpetdynamics.com/hengst2 I first featured Michael Hengst in 2021, a time in which no one had anything better to do than podcasts ;) Well, here we are in 2023, we're all thankfully busy once again, and I was grateful to hear from Mike and work out another interview to talk about what's been up in his world in the intervening time! We talked about his new method book, a recent trip to Bulgaria, his "dream gig" and much more. Enjoy! What you'll hear in this episode: -The genus and founding origins of Michael's new method book...02:30 -"The book was borne of laziness"...08:30 -Recounting an amazing teaching experience in Bulgaria...15:00 -Why the Gregson Concerto is special for Mr. Hengst...19:00 -The importance of feeling "connected" to a piece of music in order for a successful performance...22:30 -Mike's priorities in selecting rep for a performance...25:00 -What's up next for Michael in the next 3-5 years...30:05 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: | |||
| Echoes of Ancestry: Indigenous Canadian Invents New Sound by Retracing Ancestral Roots feat. Chuck Copenace | 31 May 2023 | 00:49:05 | |
Chuck Copenace is our featured guest on today's episode. In this episode, Chuck will share some of his experiences - some not all that pleasant by the way - growing up as an indigenous person in Ontario. Music was the one thing that Chuck was good at, and it's probably what has allowed him to amount to anything of significance. Today Chuck is just a few days away from releasing a brand new album titled Oshki Manitou, a blend of modern tech with ancient sweat lodge melodies, and featuring all indigenous musicians. What a great thing! That's the host's synopsis of this episode anyway. To get the full story, you should listen to the man himself! What you'll hear in this episode: -Chuck’s trumpet origin story…01:30 -Trumpet becomes more than a passing hobby…08:49 -“That’s pretty good for an Indian”…11:25 -Confronting “reverse racism” within the heart…19:30 -How music “validated” Chuck, ie made him a person of value irregardless of the color of the skin…21:45 -Attending university, in spite of magnificent efforts to sabotage the effort…25:30 -The Great Lightbulb of Self-Awareness turns on as music takes a more prominent role…30:30 -How reconnecting with ethnic roots cultivated a unique blend of music…36:30 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: About the guest: ‘Oshki Manitou’ finds the Winnipeg-based, Ojibway musician expanding dramatically on his previous work as a trumpet player, arranger, and composer, fusing contemporary interpretations of sweat-lodge melodies with jazz and elements of dance and electronica. Copenace’s distinctive voice and approach allow him to unify a wide range of styles beautifully in a way that’s honest and innovative in equal measure. “I shy away from traditionalists,” he explains. “When someone says, ‘this isn’t how music should be done’ or ‘if you’re playing this genre of music, this shouldn’t be there.’ That’s always bothered me.” The result is a collection of eminently groovy, haunting, and, at times, ethereal songs that display Chuck Copenace’s signature voice and substantial skills as an interpreter, composer, and performer as never before. But that’s only part of the equation, he says, citing a larger purpose behind his efforts, for which ‘Oshki Manitou’ is just a starting point. “I’m committed to sharing my story to help heal and offer support to people, and I want to introduce young people to jazz, but I also want to bring indigenous musicians together. And I think my music can be a platform to further that mission.” | |||
| Coming of Age Under the Spotlight, Does an Orchestra Gig Crush the Entrepreneurial Soul?, The True Universal Language, and Much more with Chris Coletti! | 29 May 2023 | 00:37:32 | |
Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more. It's a FREE download available right now on brassmastery.com! The great Chris Coletti joined me for a chat on the Trumpet Dynamics podcast way back in 2021. We talked about his maturing as a musician and as an individual while under the white hot lights of the Canadian Brass. It's interesting how our maturity as people affects our maturity as musicians. That really is the essence of what this podcast is about. At any rate, I realized I didn't take many notes when this episode was released years ago, so this will have to do. Enjoy it! | |||
| No Compromise: Sergei Nakariakov Discusses His Practice Habits and Mindsets, Timofei Dokschizer’s Legacy and Much More. | 29 May 2023 | 00:40:12 | |
Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more. It's a FREE download available right now on brassmastery.com! I had the honor of interviewing the great Sergei Nakariakov a few years back, and enjoyed it so much I wanted to play it again on the Brass Mastery™ podcast for the benefit of new listeners who may not have heard it the first time around. It's also for the benefit of the older listeners who can learn a thing or two from one of the all-time greats. Enjoy! In my conversation with Sergei Nakariakov, you'll hear:-The influence of Timofei Dokshizer on Sergei's career...07:37-How Sergei's career began and quickly advanced...13:34-Sergei's process for making the impossible possible...18:47-Why Sergei isn't thinking about the audience when he performs...25:20-Some of the impressive younger players that we should know...29:44-Sergei's thoughts on the current repertoire available to trumpeters...31:56-Why Sergei doesn't warm up with long tones and other practice fundamentals...36:08-How Miles Davis influenced Sergei's perspectives on music...44:23 -How an older Sergei is different from a younger Sergei...47:15Resources mentioned: -Videos of Timofei Dokshizer mentioned:
-Albums by Sergei Nakariakov:
-Jörg Widmann: ad absurdum – Concerto for Trumpet & Small Orchestra -Floris Onstwedder (listen to Floris' interview on this podcast here) -Albums by Miles Davis: | |||
| How Musicians “Make Rain” (even on cloudless days) with Phil Snedecor | 11 May 2023 | 00:33:09 | |
Phil Snedecor is the author of Making Rain and Other Adventures on the Trumpet, a highly personable and oftentimes entertaining glimpse into the career of a musician who's "done it right". Of course, there have been some pitfalls and mistakes along the way, and Phil doesn't pull any punches about those. But at the end of the day, the short book delivers a ton of value and sage advice for anyone who is looking to "make rain", be it as a musician or in any field. I've featured Phil several times on my Trumpet Dynamics podcast, and now I'm thrilled to be able to share this brand new interview with you! In this interview with Phil Snedecor, you'll discover: -What is a "rainmaker" pertaining to musicians?...03:35 -How Phil cut his teeth as a rainmaker by founding the Washington Symphonic Brass...06:10 -You won't have a great connection with your audience unless you have a connection among the personnel...11:00 -Phil explains the mantra, "The only gig you own, is the gig you own"...16:20 -"Mental choreography" and tips on succeeding in high-stress performance situations...21:10 -Finish what you start, even when everyone around you thinks you're nuts to do so!...25:30 -And much more!
About the guest: Phil Snedecor attended the Eastman School of Music in Rochester, New York, where he received the prestigious Performers Certificate and was a member of the premiere brass quintet, the Canterbury Brass. While earning his degrees in trumpet performance and literature, he also studied arranging and composition with Professor Rayburn Wright, formerly arranger for Radio City Music Hall. Mr. Snedecor is a former member of the Baltimore Symphony Orchestra and has held one-year positions with the National Symphony, the Kennedy Center Opera House Orchestra and the Baltimore Opera. Mr. Snedecor has performed and toured throughout the United States, Europe and Asia, and has appeared as guest principal trumpet with the St. Petersburg (Russia) “Tschaikowski” Orchestra, joining them on their 2012 US Tour. Recently Mr. Snedecor has been in demand as a guest principal with the Pittsburgh Ballet Orchestra and the Louisville Orchestra, and as guest trumpeter for the Boston Pops and Boston Symphony, both at Symphony Hall in Boston and at Tanglewood in Lenox, MA. As a show player, he has performed in the touring productions of Guys & Dolls, Phantom of the Opera, Beauty and the Beast, Peter Pan, Evita and West Side Story. He has recorded under the RCA, CBS, Gothic, Koss, and Summit labels. Phil’s solo CDs, The Lyrical Trumpet I and II are also available on the Summit Label. In 1993 Mr. Snedecor and National Symphony Principal Trombonist Milton Stevens co- founded The Washington Symphonic Brass, a 17-piece professional brass ensemble. They perform regularly for the Washington National Cathedral, St. Matthew’s Cathedral, the Basilica at the Shrine of the Immaculate Conception, and with the Washington Choral Arts Society at the Kennedy Center. They were the official instrumental ensemble for the Papals visit of 2008 and 2015 in Washington DC and are heard regularly in | |||
| “Give Credit to Your Gift”, Trumpet as Hot Sauce to Music, and the Basics of the Jazz Mindset with Alexis Baro | 22 Jan 2023 | 00:43:08 | |
Toronto-based trumpeter Alexis Baro joins us in this installment of the podcast. In our discussion, we discuss the move from Havana, Cuba to Toronto, how a teacher saved his career before it even began, what it's like to play a trumpet that bears your name, and much more! What you'll hear in this episode: -The music scene in Havana vs. Toronto...01:30 -The biggest difference between the jazz and classical mindset...08:01 -How our realities (for better or worse) inform our musical tastes and creative impulses...11:00 -How a teacher in Cuba saved Alexis' trumpet career before it even began...15:00 -Handling the pressure of the "do or die" situation as a student vs. as a professional...21:50 -The process of getting established as a pro musician in Toronto...25:50 -Alexis describes his customized equipment made by Carol Brass...28:55 -How much of our success as a player is in our mind, vs. the equipment?...35:30 -What Alexis would share with his 19 year old self...40:05 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: About the guest: Alexis Baro was born into a musical family in Havana, Cuba. Classically trained, he took up the trumpet at the age of age 8 and completed his musical education receiving a teaching certification at the prestigious Amadeo Roldán Music Conservatory in Havana. While in school he became a member of the Buena Vista Social Club super star Omara Portuondo's band, and later at the age of 19 played lead trumpet for the National Radio and Television Orchestra.After moving to Toronto, Canada in 2001, he was discovered by iconic Canadian jazz drummer Archie Alleyne where he florished as a writer and performer for eight years as a member of the Canadian award winning 'hard-bop" band Kollage. As a band member he was nominated for “Best Jazz Trumpeter” by the Canadian National Jazz Awards in the years 2006, 2007, and 2008. Baro has participated in more than 80 albums and can be heard as a feature solist on some of the most transcendent Latin albums made in Canada such as Hilario Duran’s Grammy Award nominated album “From The Heart”. He has performed with such artists as Nikky Yanofsky, David Foster, Michael Bubble, Paul Anka, Danilo Perez, John Patitucci, Brian Blade, Paquito d' Rivera, Jimmy Bosch, Miguel Zenon, Hilario Duran, Robi Botos, Jesus Alemaney & Cubanismo, David Virelles, Andrea Boccelli, Gino Vanelli, Esthero, David Rudder, Juan de Marco & The Afro-Cuban All Stars, and Horacio "el negro" Hernandez. Highlights in his solo career include opening for Herbie Hancock, and tours of South America and the West Indies. He’s released six albums as a solo artist “Havana Banana”, “From the Other Side”, “Blue Skin”, the Gold Medal “Global Music Award winner in the jazz category “Guilty Pleasure” , "Sugar Rush" and "Sandstorm". his Juno Awards Nominated 2018 release. *Opening theme music: "Come Together" recorded by Alexis Baro Closing theme music: "Sonata in A Major" recorded by Joe Burgstaller | |||
| From German Polka Bands to the Philadelphia Orchestra (by way of Houston) featuring Tony Prisk. | 15 Jan 2023 | 00:43:49 | |
Tony Prisk is in his eleventh season playing second trumpet with the Philadelphia Orchestra. Prior to taking the job in Philly, Tony played second trumpet with the Houston Symphony. See a pattern developing? It's not an accident, and it's not because Tony doesn't have what it takes to be "the man". In this episode, we discuss the value of specializing in a niche, such as playing second trumpet in a major symphony, (and why some people feel like they're "settling" for their position in the Philadelphia Orchestra), an exhortation on Charlier's Etude #2, why our ego often gets in the way of finding our purpose as musicians and as human beings, and much more. Here's a bit of what you'll hear in this episode: -Tony describes life in a top 5 orchestra...01:15 -Putting the ego aside, and embracing the role you've been given...06:20 -Tony's personal trumpet journey...08:15 -How you "tell a story" with written music notes on a page...16:30 -Is self-expression or "blending" the ideal in an orchestra?...23:50 -The value of specializing in a role such as second trumpet in an orchestra...33:45 -The advice Tony Prisk would tell his younger self...41:15 -Plus whatever your discerning ears deem worthy of your time and interest... About the Guest: Anthony Prisk joined The Philadelphia Orchestra as second trumpet in August 2013. He came from the Houston Symphony, where he was second trumpet for 11 seasons, and the New World Symphony, where he was a trumpet fellow for four seasons. In the past 20 years he has played internationally with several orchestras and music festivals, including the Los Angeles Philharmonic, the Grant Park Festival Orchestra, the Montreal Symphony, the Boston Symphony, the Moscow Philharmonic, and many others. He has participated in several music festivals, including Classical Tahoe, the Cabrillo Music Festival, the Spoleto Festival USA, the Tanglewood Music Center, the Pacific Music Festival, the Music Academy of the West, and the Aspen Music Festival. Mr. Prisk won two international trumpet competitions through the International Trumpet Guild and Second Prize in the National Trumpet Competition. He was a soloist with the New World Symphony, the Temple Wind Symphony, the Texas Medical Center Orchestra, and several youth orchestras. He can be heard on numerous recordings with The Philadelphia Orchestra, the Houston Symphony, the New World Symphony, the Spoleto Festival Orchestra, and the McGill Symphony. Teaching is a passion for Mr. Prisk. He is currently on the faculty at Temple University and the Peabody Institute in Baltimore. He can also be found teaching at summer music festivals including the Philadelphia International Music Festival, the Luzerne Music Center, and the Monteux School and Music Festival. He is also involved with the All City program sponsored by The Philadelphia Orchestra. Mr. Prisk received his bachelor’s degree from the University of Illinois, where he studied with Ray Sasaki and Michael Ewald, and his master’s degree from McGill University, where he studied with Paul Merkelo. His other main influences were John Hagstrom, Michael Sachs, and David Bilger. Mr. Prisk is originally from Lombard, IL, in the suburbs of Chicago and currently resides in South Philadelphia. | |||
| “Don’t Be A Professional Musician Unless You Have To”, Plus A Deep Dive Into the Kinetic Transference of Energy Into Trumpets with Ken Larson! | 27 Dec 2022 | 00:57:49 | |
"Half of trumpet playing is 92% mental." That Berra-esque butchering of a common refrain of trumpeters is brought to you by Ken Larson's Brasswerks, and today we're honored to feature the one and only Ken Larson on the podcast. This interview was a long time in the planning as it took quite a bit of time for our schedule's to align (see what I did there?), but we finally made it work and my goodness, it didn't disappoint! Ken is one of a kind, and as you'll hear in this interview, a trove of knowledge regarding the physics and physicality of playing, and a very practical, no-nonsense approach to whether or not one should pursue the profession of music-making. I enjoyed this one, and know you will too. (As a gentle reminder, true listeners listen to the podcast at 1x speed, just saying ;) What you'll hear in this episode: -Using orchestral auditions to test out new horns lol...03:15 -Success as a musician is 92% mental...05:30 -Ken shares his founding origins as a trumpeter....09:05 -Learning to play efficiently after a major car accident...16:30 -We all have the ingredients; it's up to you to make it happen!...20:30 -How Ken cut his teeth in modifying horns, and working for Bob Malone...23:10 -Why your horn will break into you, not the other way around...27:15 -How the energy of one player is "captured" in the metal of a particular instrument....31:00 -How Ken defines himself as a trumpet player and builder...37:15 -How to tell a client what they need vs. what they think they want...39:30 -How your physiology, fitness, state of mind, even the time of the month can affect your music-making...42:30 -How Ken simplifies things for his trumpet students...48:40 -Music a means of preserving community...52:30 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: | |||
| Find the Zen in Trumpet Playing with Maynard Ferguson Devotee Lynn Nicholson. | 20 Dec 2022 | 00:44:24 | |
The horn is 1%; the mouthpiece is 9%; and the rest of the 90% is in your head, says our guest on today's episode. High note specialist Lynn Nicholson joins us on the show to discuss how Maynard Ferguson was able to did what he did physically, the Human Element of live music (that has been lost to some degree in the modern era), the search for the perfect mouthpiece and much more! What you'll hear in this episode with Lynn: -Trying to figure out how Zen Master Maynard Ferguson did what he did...03:11 -How Lynn got his start on trumpet and diving headlong into the professional scene...10:44 -Making it with Bill Chase's band and beyond...19:30 -Do you really need to be a "well-rounded" player?...22:00 -What is the proper balance between getting the right equipment and knowing what we want to sound like in our head?...27:00 -Stepping away from full-time music and getting back into it to a limited extent...32:10 -The difference between being irreverent and flippant while spoofing "legit" music...37:30 -Advice from a grizzled veteran to the youngins looking to make their mark in the musical world...41:45 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: | |||
| Master Your Playing Self Under the White Hot Audition Lights feat. Micah Wilkinson | 16 Jun 2024 | 00:49:41 | |
Welcome to the show. Today we’re tackling a topic that sends chills down the spines of many: mastering auditions. Whether you’re aiming for a spot in an orchestra, prepping for a college jury, or even gearing up for that pivotal job interview, the anxiety and fear of auditions is a universal experience. Auditions can feel like stepping into the unknown, a daunting challenge that tests not only your skills but also your nerves. But here's the good news: just like any other challenge, the more you familiarize yourself with the process, the less intimidating it becomes. Remember the first time you rode a bike or spoke in public? The fear melted away with practice and preparation, and auditions are no different. Our guest on this episode is Micah Wilkinson, principal trumpet with the Pittsburgh Symphony Orchestra. Micah has been on both sides of the audition table and understands the nuances that can make or break a performance. Our hope is that by the end of this episode, you’ll feel more confident and equipped to tackle your next big opportunity with ease. Let’s turn those audition fears into triumphs! Episode Highlights: -Micah shares his musical background in the Atlanta area...02:25 -"You have what it takes to be a principal player"; a mentor spurs on a promising career...06:06 -Micah's personal experience with auditions (what worked, what didn't)...12:05 -Success in certain roles requires a certain amount of "healthy arrogance"...17:25 -Focus on the music vs. YOU and no one hardly notices the mistakes...23:19 -How do you play "consistently"; and what does "consistency" even mean?...28:35 -How a giant whiteboard and recording device can help you track progress on audition prep...32:00 -"There's no doubt in my mind the person who won [the recent PSO audition] was more prepared than anyone else"...35:00 -View articulation more as properly expressing the language of the music vs. tonguing or fingering with a certain technique...43:00 -Plus whatever your discerning ears deem worthy of your time and interest... Episode Sponsor: About the Guest: Micah Wilkinson has enjoyed a varied career as an orchestral musician, soloist, chamber artist, and teacher. He was appointed Principal Trumpet of the Pittsburgh Symphony Orchestra by Music Director Manfred Honeck in September 2017. Wilkinson came to the Pittsburgh Symphony from the San Diego Symphony, where he served as Principal Trumpet for three years. He previously held positions with the Houston Symphony, the San Francisco Symphony, the Oregon Symphony, and the Tucson Symphony. He recently performed in subscription programs as Guest Principal Trumpet with the New York Philharmonic, Chicago Symphony Orchestra, St. Louis Symphony, and the Seoul Philharmonic. In the summers, he performs as Principal Trumpet of the Chautauqua Symphony Orchestra. As an educator, he strives to help the next generation of brass players to find their own unique voices as musical artists. He is quickly becoming one of the most sought-after instructors for trumpet in the United States and enjoys working privately with students at his home studio in Pittsburgh and online through virtual platforms. He is currently on the faculty at Duquesne University in Pittsburgh and at the Chautauqua Institution School of Music. He has also taught at the Aspen Music Festival, Eastman Summer Music Institute, Round Top Festival Hill Institute, and the Brevard Music Center. He previously served on the faculties of the University of Houston and Portland State University, and has presented master classes and clinics for colleges and universities all over the United States, as well as Europe and Asia. Wilkinson grew up in Norcross, Georgia. A... | |||
| The Vast Differences in Listening to v. Playing Trumpet with Bob Reeves | 14 Dec 2022 | 00:34:18 | |
I had the privilege of interviewing the great Bob Reeves during the ITG conference in Anaheim in 2016. Bob has been around since rocks were still soft and knows everyone and everything about trumpet, particularly in the Los Angeles area. Bob also had the foresight and extraordinary wisdom to use the podcasting medium as a means of adding value to the trumpet community, and promote the Bob Reeves brand with the hugely popular The Other Side of the Bell podcast. (BTW, if you're thinking of getting into podcasting, then check out what I have to offer at whataboutapodcast.com.) There's also an interesting tie-in between the Reeves podcast and this one, which I share in the opening moments of this episode. Enjoy! What you'll hear in this episode: -How Bob initially got involved with trumpet playing in his late 20's...05:00 -Tough love while learning the craft of trumpet playing...10:00 -How a kidney stone led Bob to manufacturing rather than playing trumpets...12:00 -Transitioning to owning a business vs. working for The Man...16:00 -Essential elements of a proper valve alignment...19:30 -What skills are developed by listening to vs. playing trumpet...24:00 -How important is a mouthpiece to making real music?...27:00 -The process of making a custom mouthpiece for a specific player...29:00 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: | |||
| Competitive Trumpeting is A Young Man’s Game, and What REALLY Defines Success as a Musician with Scott Moore. | 12 Dec 2022 | 00:38:08 | |
"I like the two people on my left and my right...what else is there to life?" Says my guest on today's episode, Scott Moore. Although he has firmly ensconced himself in the lore of greatness with the horse whinny in Sleigh Ride, Mr. Moore, long time principal trumpet with the Memphis Symphony Orchestra, has been in the trenches long enough to know that the grass aint always greener with the "elite" orchestras of America. Indeed, happiness as a musician is oftentimes found in the overlooked parts of the world, away from the busyness of fame and prestige. In this interview, Scott takes us through his journey as a trumpeter, from the small towns of Mississippi, to the New England Conservatory (where he found true mentorship in unlikely places) to his position in Memphis and beyond. Here's what you'll hear in this episode: -How a challenge from a peer in school was motivation to perfect the horse whinny...02:00 -Scott's founding origins on trumpet...06:15 -A "dirty jobs" type opportunity leads to invaluable on the job orchestral training...12:30 -What's wrong with the typical audition process for orchestras?...19:45 -What to do when the conductor says "You're too loud!"...23:00 -Forays into competitive trumpeting...25:45 -Scott's real mentors at the New England Conservatory...31:35 -What Scott would tell his twenty something year old self...33:30 -Scott's "dream gig" described...35:15 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: Scott's horse whinny tutorial on YouTube About the guest: Scott Moore is Principal Trumpet in the Memphis Symphony Orchestra and the leader of the MSO Big Band. He has also performed with the Chicago Symphony, the St. Louis Symphony, the Baltimore Symphony, the National Symphony, and as guest principal with the symphony orchestras of Atlanta, Toronto, and Jacksonville. He has recorded and performed with the Nashville Chamber Orchestra, and with I Fiamminghi, the Orchestra of Flanders. Mr. Moore is also the Assistant Principal Trumpet in the Arizona MusicFest Orchestra. As a soloist, Mr. Moore has appeared with the San Antonio Symphony, the Nashville Chamber Orchestra, the Tennessee Summer Symphony, the Chattanooga Symphony, and on numerous occasions with the Memphis Symphony. He has also been a featured Guest Artist at the International Trumpet Guild Conference. Scott Moore has a Master of Music degree from the New England Conservatory of Music, and a Bachelor of Arts degree from McNeese State University. His teachers have included Charles Schlueter, Robert Nagel, Arnold Jacobs, and Michael Ewald. | |||
| Rex Richardson on High Notes, Finding Your Niche, Commissioning New Pieces and Much More! | 07 Dec 2022 | 00:43:12 | |
Going back to the archives for you, this time featuring an interview with the great Rex Richardson! What you'll hear in this episode: -How childhood asthma caused Rex to "stumble" into playing trumpet...03:45 -The #1 influence in Rex's development as a trumpeter...09:40 -How playing in the extreme high register at a young age affected Rex's playing on a physiological level...14:30 -A degree in anthropology is about as useful as a degree in music performance...18:00 -Previous non-musical experiences suddenly become relevant when you find your groove...21:00 -The importance of cultivating a niche in your success as a performer (who gets paid)...33:00 -How you know when you've done your job as a musician...38:40 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: Trumpet Dynamics episode w/ Denny Edelbrock, Rex's first teacher | |||
| Fred Radke Reminisces on His Time Playing With the Great Harry James | 28 Nov 2022 | 00:26:32 | |
Are you a True Listener? Visit trumpetdynamics.com to learn how you can be notified each time a new episode is published. And if you really like what you hear on this podcast, the best way to support me and the show is to subscribe to my daily email newsletter where I share what I learn and observe in an “infotaining” way. Many folks have told me they enjoy the emails, and I think you will too! | |||
| What Keeps Vince Dimartino Motivated to Get Better at Trumpet? | 02 Nov 2022 | 01:00:37 | |
Welcome to the show! Today we return to the podcast archives and feature the great Vince Dimartino. What you'll hear in this episode: -James recounts an unfortunate experience podcast interview, and have something positive came of it.…01:30 -What keeps Vince Dimartino motivated to get better on trumpet?…17:30 -Why the trumpet is not musical; the instrument is in our head…21:14 -Why Vince believes reading music notes inhibits great trumpet playing…26:00 -Vince recounts his time playing with Clark Terry…29:15 -Founding origins of the Great American Brass Band Festival…34:40 -Favorite memories as a brass band organizer and longtime educator… 43:52 -And much more! -Plus whatever your discerning ears deem worthy of your time and interest... Are you a True Listener? Visit trumpetdynamics.com to learn how you can be notified each time a new episode is published. And if you really like what you hear on this podcast, the best way to support me and the show is to subscribe to my daily email newsletter where I share what I learn and observe in an “infotaining” way. Many folks have told me they enjoy the emails, and I think you will too! | |||
| Bernie Adelstein Recounts His Beginnings on Trumpet and Boots on the Ground Experience with the Cleveland Orchestra! | 03 Oct 2022 | 01:10:57 | |
Today we hear from the late, great Bernard Adelstein, former principal trumpet with the Cleveland Symphony Orchestra. Recorded in 2016, this is one of the highlights of my first days producing the podcast. I'm sure you'll love it, and glean much from it! What you'll hear in this episode: -"One of the marvels of the world..."...01:15 -Welcome to the show...04:45 -How Mr. Adelstein got started on trumpet...08:50 -Inspiration to make trumpet a career...11:50 -First gig with the Pittsburgh Symphony at age 16...14:10 -What made Fritz Reiner so special?...19:10 -From "mating season for moose" to "the Rolls Royce of Orchestras"...27:00 -Life in the Cleveland Orchestra in the 1960's thru 80's...32:35 -Plus whatever your discerning ears deem worthy of your time and interest... | |||
| A Brief History of the Shofar and Its Use in Biblical and Modern Liturgy with Jeremy Montagu. [Podcast Archive] | 26 Sep 2022 | 00:26:24 | |
The...shofar shall sound? It wasn't the cylindrical thing of beauty we call a trumpet today that the great apostle was speaking of in his famous line to the church in Corinth. It was most likely a shofar, a horn made from the horn of a ram, or a goat, or an antelope, or a kudu. Really anything but a bull, because of a notorious incident involving a golden calf. Today I replay an interview I played on the podcast during the early days of the show in 2016 featuring the author of a quite authoritative book on the shofar (see link below). Seeing how the date of publishing this episode is the first day of Rosh Hashanah, the Jewish new year, it seemed apropos! What you'll hear in this episode: -Great poetry from Rumi...00:45 -Intro to the episode...01:15 -The three shofar calls...05:55 -When did the shofar first mentioned in the Bible?...06:15 -Who blew the first trumpet mentioned in Exodus ch. 19?...09:10 -About those trumpets sounding at the walls of Jericho and with Gideon's small army chasing off the Midianites...11:15 -The use of the shofar in daily Jewish life in old testament days...15:12 -The story behind the three major shofar calls: tekiah, shevarim, teruah...18:03 -Why are cow horns never used as shofars?...19:55 -The only book to read on the shofar, written by our guest (see link below)...22:05 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: | |||
| “The Last of the Great Masters”: Zig Kanstul Remembered by Biographer R. Dale Olson. [Podcast Archive] | 19 Sep 2022 | 00:47:20 | |
Opening with one of my favorite poems of all time, The Cremation of Sam McGee, this episode is devoted to the relentless pursuit of excellence, even when especially when the going gets tough. This is a replay from 2016 of my interview with R. Dale Olson, biographer of the late, great Zig Kanstul, founder of the Kanstul musical instrument company. (Kanstul has since been bought out by Michael Corrigan's company, The Horn Doctors, listen to my chat with Michael on the podcast here.) What you'll hear in this episode: -The Cremation of Sam McGee, recited by James Newcomb...00:07 -2016 interview with R. Dale Olson, in remembrance of Zig Kanstul...10:12 Resources mentioned: Zig Kanstul: Last of the Great Masters, by R. Dale Olson Trumpet Dynamics interview with Michael Corrigan of The Horn Doctors | |||
| Freak Lip Injury Forces Change in Career, Perspective on Trumpet’s Role in Finding Our Calling in Life. | 12 Sep 2022 | 00:46:09 | |
"Let yourself be silently drawn by the strange pull of what you really love. It will not lead you astray." --Rumi Beth Peroutka had a seemingly unlimited future in front of her. Blessed with a musical upbringing, and an indomitable desire to succeed in whatever she did, she appeared to be on an unstoppable course to her dream gig with the "Pershing's Own" military band in Washington, D.C. Of course, everyone feels unstoppable when they're young... Beth played trumpet - a lot. Through high school, undergrad at the University of North Texas, graduate studies at Baylor University, and in her doctoral studies again at North Texas. It's what she did. And if you asked her, she probably would have told you it's who she was. The pain in the lip began during the first year of doctoral studies. It would come and go intermittently, then gradually with more frequency and intensity in pain. Then one day during a symphony rehearsal, the pain seared through her face, going as far as underneath her eye. Her lip was the size of a golf ball; the bruising was extensive. Beth's days as a trumpet player were effectively over. Anyone in that situation would ask themselves, "What could I have done differently?" Obviously not play so much. Maybe not play while teaching lessons; maybe pass on a few gig opportunities so you can get proper rest. It's easy to be critical in hindsight, or from the sidelines. What's not easy is to move on when everything you've done, everything that makes up your identity is no longer there. Perhaps it was a quest to learn the precise physical issue behind her injury (to this day, its cause is unknown). Perhaps it was a means of finding closure, of seeking a life full of the joy and fulfillment she once knew as a musician. Whatever the case, Beth began a journey into the realm of nutrition, fitness and biochemistry. She eventually became a certified personal trainer, working out of her garage, helping her clients discover balance in their bodies, and in turn their lives. Beth no longer mourns the abrupt end to her musical career. She's realized that whether she's playing a trumpet, or helping someone relieve pain in their lower back, she's on a big stage. The reward for performing on this stage is not the praise and adulation of paying patrons, nor from positive client testimonials. It's being in sync with her Creator in body, mind and spirit, living her life in a way that He gives the thumbs up and says, "Well done, good and faithful servant." In this conversation with Beth Peroutka, you'll hear:-Beth's start on the trumpet...05:20 -Passionate, highly motivated and dedicated musician...09:00 -How the injury manifested itself to the point Beth could no longer play...14:00 -Coming to terms with the new reality...19:30 -Realizing what brings true fulfillment as a professional...26:45 -Practical fitness tips for musicians...29:35 -What makes a successful life?...38:30 And much more... Resources mentioned in this episode:Prevent and Reverse Heart Disease by Caldwell Esselstyn 549 Health and Wellness - Beth's personal training website Are you a True Listener? Visit trumpetdynamics.com to learn how you can be notified each time a new episode is published. And if you really like what you hear on this podcast, the best way to support me and the show is to subscribe to my daily email newsletter where I share what I learn and observe in an “infotaining” way. Many folks have told me they enjoy the emails, and I think you will too! | |||
| Small Town Trumpet Prof Shares Personal Injury Experience, and Why We’re So Afraid to Talk Openly About Musical Injuries. | 07 Sep 2022 | 00:52:23 | |
In this episode, Javian goes in-depth regarding some of the challenges he's faced on the mental side of the horn, and why a change of scenery was exactly what the doctor ordered when it came to successful music making! In this conversation with Javian Brabham, you'll discover: -The arts scene in southern Georgia, northern Florida Panhandle area...02:30 -Javian's trumpet backstory...04:30 -Viewing ourselves as athletes in making changes to our playing setup, physically and equipment wise...17:50 -Injuries to musicians are not talked about enough...23:20 -Getting out of a dark place emotionally, physically and spiritually...32:44 -Shifting perspectives re: the trumpet's role in our lives as we age...40:05 -Plus whatever your discerning ears deem worthy of your time and interest... About the guest: Dr. Javian Brabham serves as Assistant Professor of Trumpet at Valdosta State University and principal trumpet of the Valdosta Symphony Orchestra. He holds a Doctor of Music from Florida State University in Trumpet Performance, with a certification in college teaching. He completed a Master of Music in Trumpet Performance from the University of New Mexico and a Bachelor of Music Education from Florida State University. He has taught on the faculty at Young Harris College as the Assistant Director of Bands, the South Carolina Governor’s School for the Arts and Humanities Summer Music Academy. | |||
| From “Musical Purgatory” to Leading Advocate for Embouchure Health and Focal Dystonia Recovery feat. Marcus Reynolds | 08 Jun 2024 | 01:01:17 | |
We welcome to the podcast Marcus Reynolds, who with his Stratos Brass device has provided a beacon of hope for the thousands of brass players across the globe who struggle with embouchure issues. Like many great triumphs in life, Marcus' journey to becoming a tireless promoter of safer and healthier brass playing began with a tragedy. A major lip injury completely derailed Marcus' successful playing career. In an instant his sole source of income and personal identity was gone. In this episode, Marcus shares in-depth the painful - both physical and psychological - road to recovery, and how a mysterious "nocturnal hieroglyphic" ultimately became the inspiration for a device that is changing lives for the better. Indeed it is no exaggeration to say that Marcus' tireless efforts have even extended playing careers that once appeared to have reached their end. Enjoy the episode! Episode highlights: -Belief in the mission compels a tireless promotion of the solution for the problem...01:55 -A catastrophic lip injury set Marcus through the extreme depths and heights of human emotion...03:50 -The psychological damage was just as profound as the physical...09:35 -A "nocturnal hieroglyphic" circa 2008 is ultimately the genesis of the Stratos Brass device....11:05 -You become a self-psychologist when your identity is taken away from you...18:10 -Clarifying the "upstream" and "downstream" of air flow...24:40 -Success stories from high-profile musicians who've worked with Marcus and his invention...27:30 -The basic physiology of what's going on with your body when you use the Stratos device...33:00 -How Marcus' personality and self-perception has changed after becoming a quasi-celebrity in the brass world...45:05 -"It's very possible that you've had a greater impact in light of that accident than you ever would have had you stayed perfectly healthy"... 54:50 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned:Stratos BrassBrass Mastery podcast w/ Larry Meregillano About the Guest:" I am a brass instrument tutor of over 40 years experience in both the private and local government sectors. As well as general brass teaching, I also specialise in embouchure development and rescue for brass players. Building on my experience as a teacher and professional musician I am also the creator of the unique STRATOS Embouchure System. I am also an author of ‘Range without Resistance’. Stratos Encore Pro is an adaptable and adjustable embouchure system that can be fitted to virtually all brass instruments to help players adapt and improve their embouchure. I have also written a series of articles on the brass embouchure which have been published in Brass Band World, Brass Herald and British Trombone Society Magazine. As a professional musician I have over 30 years experience of recording music and performing live, both as a lead trombonist and a solo artist. I also have many years experience in the role of musical director for several big bands and brass ensembles. I currently play a Rath R12 trombone which I co-developed with Michael Rath Trombones." Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more. It's a FREE download available right now on brassmastery.com! Mentioned in this... | |||
| James Ackley Shares How Enthusiasm Trumps Inexperience, Why Happiness is Within, and Tips for Peak Musical Performance! | 22 Aug 2022 | 00:59:11 | |
While visiting family in Columbia, SC recently, I was able to connect with James Ackley, trumpet professor at the U. of South Carolina, and a highly sought-after player in the local region. It's always a treat to do an interview in-person, rare as they are, and this one didn't disappoint. I know you'll enjoy hearing what James has to share related to trumpet, life, and how the two often intersect! Here's what you'll hear in this episode: -James Ackley's plans for retiring from trumpet?...01:23 -There are scary players out there you'll never hear of...06:23 (that's part of why this podcast exists, fyi) -Founding origins on the trumpet...09:35 -Shortcomings in commonly accepted education methods...16:23 -Why a major conservatory took a chance on a green James Ackley with just over 2 years of playing experience...23:30 -Why returning to the United States wasn't necessarily essential to raise happy children...31:07 -Non-musician wife bears the burden of life with a pro trumpeter...38:42 -The music scene in Columbia, SC...41:25 -Rapid fire questions pertaining to peak musical performance...45:08 -The virtue of putting out an album that won't go platinum with sales...56:00 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: -Within the Sphere of the Master by Tim Kent, narrated by James Newcomb | |||
| Trumpet Chops, Business Chops, and Political Commentary on the Side (just to keep things interesting) with Returning Podcast Veteran Steve Baker! | 15 Aug 2022 | 01:26:18 | |
Raleigh, NC based trumpeter and band leader Steve Baker returns to the show to talk about the ongoing recovery from the Coronapocalypse that musicians are dealing with. We also go in-depth on his beginnings on trumpet, how he got involved with the business side of music, along with tips on how not to go the entrepreneurial route. Toward the end is a quite contrarian topic to the show, but one on which Steve is a subject matter expert so I decided it's worth getting his thoughts on it while I had him on the line. You won't regret pressing play on this episode! What you'll hear in this episode: -What the music business looks like in the post-covid aftermath...05:55 -Face mask compliance affected by tribal identity...13:00 -Money scarcity affects how many musicians are employed...16:25 -Steve's founding origins as a trumpeter and entrepreneur...19:00 -Working with the underground resistance in the Soviet Union...27:34 -Guilt dreams lead to picking up the trumpet again at age 39, after a ten-year layoff...31:23 -How you come to "own" a band...34:20 -The biggest mistake musicians make when they take the entrepreneurial leap...40:20 -Finding motivation to persevere when the money runs out...45:41 -Chasing the storm, and pursuing your passion to find success as a musicpreneur...52:41 -A first-hand account of the January 6 event at the U.S. Capitol building you won't hear on Fox News...58:46 -Plus whatever your discerning ears deem worthy of your time and interest... Resources mentioned: -Living Sound - the band Steve played in right after high school -Pakhmutova trumpet concerto, performed by Timofei Dokschitzer (great listen!) -Paid the Cost to Be the Boss, James Brown song -thepragmaticconstitutionalist.locals.com Are you a True Listener? Visit trumpetdynamics.com to learn how you can be notified each time a new episode is published. And if you really like what you hear on this podcast, the best way to support me and the show is to subscribe to my daily email newsletter where I share what I learn and observe in an “infotaining” way. Many folks have told me they enjoy the emails, and I think you will too! | |||
| How to Make the Impossible Effortless, Nerves v. Confidence, Recording Carnaval with Wynton Marsalis and Much More with Phil Snedecor | 28 Mar 2022 | 00:51:36 | |
I was going to wait a couple of weeks to publish this episode with Phil Snedecor, but I thought I just played his episode from five years ago last week on the feed, why not just put it up this week? So here we go. In this episode, we dove deep into a lot of really interesting topics, including a continuation on what it means to be nervous versus confident, and how the two intersect in an ideal world. We also talked about how to teach students how to teach themselves to be the best player that they can be, how to know when is enough air to say what we want to communicate with our horn, how to make the difficult things effortless, and much more. We were also treated to my wife Sana being on the call with Phil and myself, and she asked some very poignant questions as well. So enjoy it! In this conversation with Phil Snedecor, you will hear: -Phil gets us up to speed on his whereabouts trumpet wise... -What does it mean when we get nervous?... -When to teach, and when to teach how to teach... -Arnold Jacobs and "singing air"... -More vibration, not more air... -How to make the difficult things easy... -What personalities are naturally attracted to trumpet?... -What it was like to record the Carnaval album with Wynton Marsalis... -And much more! Resources mentioned:Video: "Gone but Not Forgotten" Here are the pics Phil mentioned of the recording session w/ Wynton: About the guest: Phil Snedecor is Associate Professor of Trumpet at the Hartt School (of the University of Hartford) in Hartford, CT, and a former faculty member at The Peabody Conservatory, George Mason University and at Towson University. He has written a series of brass etude books that are required repertoire at many colleges and conservatories. His arrangements and compositions have been performed throughout the United States, Europe, Asia and Australia. Phil attended the Eastman School of Music in Rochester, New York, where he received the prestigious Performers Certificate and was a member of the premiere brass quintet, the Canterbury Brass. While earning his degrees in trumpet performance and literature, he also studied arranging and composition with Professor Rayburn Wright, formerly arranger for Radio City Music Hall. Mr. Snedecor is a former member of the Baltimore Symphony Orchestra and has held one-year positions with the National Symphony, the Kennedy Center Opera House Orchestra and the Baltimore Opera. He is Principal Trumpet in the Harrisburg (PA) Symphony Orchestra and former Co-Principal Trumpet in the Concert Artists of Baltimore. Mr. Snedecor has performed and toured throughout the United States, Europe and Asia. In 1993 Mr. Snedecor and National Symphony Principal Trombonist Milton Stevens co-founded The Washington Symphonic Brass, a 17-piece professional brass ensemble. They perform regularly for the Washington National Cathedral, St. Matthew’s Cathedral, the Basilica at the Shrine of the Immaculate Conception, and with the Washington Choral Arts Society at the Kennedy Center. They were the official instrumental ensemble for the Papal visit of 2008 in Washington DC and are heard regularly in their own concert series in DC, Maryland and Virginia. Their critically acclaimed CDs are available on the Summit and Warner Classics labels. Phil’s... | |||
| When Good Enough is Preferable to Great, Golden Rules for Getting (and Keeping) Gigs, Expression v. Criticism, and Much More with David Dash! | 13 Mar 2022 | 00:44:45 | |
David Dash is an instructor at the North Carolina School for the Arts, and is currently on a one-year assignment with the North Carolina Symphony. In James’ interview with David, you’ll hear tips on balancing self-criticism with music-making, dealing with performance anxiety, effective practice strategies and much more! As a reminder, we invite you to subscribe to our email newsletter. It is what is called “infotaining”. It contains valuable information related to your music/business career, in a fun, digestible format. Kind of like eating a hot dog and getting the nourishment of broccoli. At any rate, type in trumpetdynamics.com into your browser to subscribe to James’ newsletter, and to subscribe to the show on your favorite podcast player. In this episode, you'll discover: -When "good enough" is better than great...02:54 -David's start and early influences on trumpet...09:57 -What's the root cause of "performance anxiety"?...18:55 -Expression vs. criticism...22:47 -Effective practice strategies...26:55 -The two golden rules to getting and keeping the gig...35:41 -How the Apex Trumpet Symposium came about...39:34 -And much more! © 2022 JNS Media, LLC | |||
| Justin Bland Returns to Discuss Baroque v. Classical, Finding the Right Teacher, Directing Music Festivals, and Much More. | 13 Feb 2022 | 00:50:49 | |
What a privilege it is to welcome back to the show Justin Bland! I got to chat with Justin in the summer of '21 and was excited to book him for another interview. Justin is a truly world-class performer and teacher in all things trumpet, particularly baroque trumpet. I encourage you to give our previous interview a listen when you're finished with this one: https://trumpetdynamics.live/bland1 In this episode with Justin, you'll discover: -Why James Newcomb conscientiously objects to the use of the word "podcast" to describe this show -Justin Bland's most influential teachers -Tales of arranging for trumpet ensembles -"Misshapen pearls": An impromptu masterclass on trumpet history -How Justin vets potential participants for a music festival he directs in Denmark -And much more... About the guest: Applauded for his “gleaming trumpet work” (Hyde Park Herald) and “dazzling virtuosity” (Grunion Gazette), the American trumpeter Justin Bland is a versatile musician, performing on both historical and modern trumpets. He specializes in early music, most notably in difficult high-register music for Baroque trumpet; for example, he has played Bach’s Brandenburg Concerto No. 2 with groups in Denmark, Germany, Portugal, Sweden, Spain, the USA, Canada, Serbia, and Colombia. Before formally studying Baroque trumpet, Justin won first prize in multiple historical instruments divisions of the National Trumpet Competition. As a highly sought-after solo/principal Baroque trumpeter, Dr. Bland has performed with several leading early music ensembles throughout North America including American Bach Soloists, Apollo’s Fire, Washington Bach Consort, Tempesta di Mare, Musica Angelica, Scaramella, Bach Collegium San Diego, Lyra Baroque Orchestra, and many others. He has also played in South America with Ensamble Barroco de Bogotá. Now living in Denmark, Justin continues to perform as both a soloist and ensemble musician, combining ongoing North American engagements with new collaborations with leading Baroque ensembles in Denmark as well as in the rest of Scandinavia and Europe. In Europe he has played with Akademie für Alte Musik Berlin, Les Arts Florissants, Camerata Øresund, Barokksolistene, Arte dei Suonatori, Göteborg Baroque, ensemble Paulus Barokk, Orkester Nord (previously known as Trondheim Barokk), Göttinger Barockorchester, TSO Tidlig (the early music band of the Trondheim Symphony Orchestra & Opera), Wrocław Baroque Ensemble, New Trinity Baroque, Höör Barock, Enghave Barok, BaroqueAros, Copenhagen Soloists, the Næstved Early Music Festival, Ensemble Hven, and several others. As a modern trumpeter, Justin has experience performing in orchestras, wind ensembles, jazz ensembles, pit orchestras for opera and musical theater, British brass bands, and numerous chamber ensembles. Before beginning his college career, he was principal trumpeter of the DC Youth Orchestra and had the opportunity to tour Japan as a trumpet soloist. He also performed regularly with the Prince George’s Philharmonic while in high school. More recently, he as appeared as a soloist with the South Dakota Symphony, the Firelands Symphony, and the Las Vegas Sinfonietta. In addition to being a trumpeter, Justin is also a countertenor and has sung with Apollo’s Fire and Opera Cleveland. While in Ohio working on his Master’s degree, he was an alto section leader in the chamber and chancel choirs at Trinity Cathedral in downtown Cleveland and was the countertenor with Cantores Cleveland (now Contrapunctus). Justin also plays recorder. Justin earned his DMA in trumpet performance from the University of Nevada, Las Vegas. He received his MA in early music performance practices from Case Western and his BM in trumpet performance from the University of... | |||
| From Humble Midwestern Beginnings, to Founding the Largest Trumpet Competition in the World. In Person Interview with Denny Edelbrock! | 03 Jan 2022 | 01:00:38 | |
Dennis Edelbrock has performed with The United States Army Band and the Army Brass Quintet since 1975. The National Trumpet Competition, hosted at GMU, is the largest in the world and has provided performing opportunities for over 11,000 students since its inception in 1992. In exhibition concerts, it has featured such artists as Canadian Brass, Grammy Award winners Arturo Sandoval and Chris Botti as well as Doc Severinsen, Maynard Ferguson, Alan Vizzutti, Adolph Herseth, Tim Morrison, Jamey Aebersole Mnozil Brass, Philip Smith among many others. ts website hosts online masterclasses by some of the world’s greatest artists. NTC is supported, in part, by all the major trumpet manufacturers and has a budget of $80,000 per year. Contact Dr. Edelbrock: dedelbro@gmu.edu | |||
| That’s One Happy Orchestra! Why the Utah Symphony is Excelling, How Effective Leadership Affects An Ensemble’s Sound and Morale, What It’s Like Going Home as a Quasi-Celebrity and Much More with Travis Peterson. | 24 Nov 2021 | 00:45:14 | |
Today we welcome principal trumpeter with the Utah Symphony (aka the quarterback of the orchestra to folks in his hometown of Milaca, MN) Travis Peterson. Travis was mentioned often in the episode with Jeff Luke, which I highly recommend you listen to as well, and so it was a tremendous honor to have Travis on the show as well. Here's a little bit of what you'll hear in this episode: -Learning the fundamentals in drum corps... -Life in the Utah Symphony... -That's one happy orchestra!... -What it would take for the Utah Symphony to be an industry leader on par with Chicago, New York, etc... -How a new concertmaster brought in a new sound and energy to the entire ensemble... -What it's like to be regarded as a pseudo-celebrity when Travis visits home... -And much more! Episode sponsors: The Utah Symphony Audition Committee The State of Utah Department of Tourism and General Happiness | |||
| Jeff Luke Shares Earning His Bones on the Road With the Atlantic Brass, Finding Home in the Symphony, Mimicking Audition Conditions, and Much More! | 24 Nov 2021 | 00:46:34 | |
I had the pleasure of meeting Jeff Luke this past summer at a concert in Milaca, MN - hometown of Jeff's colleague in the Utah Symphony Travis Peterson (who's featured in the next episode of the show). He was down for scheduling a remote interview and I know share it with you for your listening pleasure. And if we're lucky, you might learn some thing too ;) Here's a bit of what you'll hear in this episode with Jeff: -A surprise Christmas gift... -What's the difference between a principal and associate principal player?... -Earning his bones on the road with the Atlantic Brass Quintet... -How Atlantic Brass set itself apart from other quintet's... -Why Jeff feels more at home in the orchestra - with another guy hogging the spotlight... -Unique audition preparation tips... -And much more... We also spoke into existence Jeff's website jefflukemusic.com. Jeff, we know it's a matter of time before we see that baby come to life! | |||
| How a Shy, Nerdy Sarah Herbert Found Her Calling With the Trumpet and Is Now Blazing New Trails for Future Generations of Musicians | 23 Nov 2021 | 00:45:57 | |
When Sarah Herbert auditioned for the Jacobs School of Music at Indiana University, she flat out neglected the inner voice reminding her of the magnitude of her environment. One of the finest music conservatories in the United States. Studying under the keen and discerning eye of top instructors. Pressure to maintain peak performance at all times. None of that registered with young Sarah. She blazed her way through that audition, with pure and reckless abandonment. Would that we all could play with that blissful ignorance. Then school began, and suddenly she became aware of the immense talent surrounding her - not to mention how far she had to go in her own development as a trumpet player. But she hung in there, and is now professor of trumpet at Western Kentucky University, and has been busy commissioning new works for trumpet and - wait for it - classical guitar quartet! What began as an experiment, just to see what will happen, has become in her words codified as a burgeoning genre from which new works will be written, and provide fresh opportunities for trumpeters near and far looking to leave their unique imprint on this sometimes busy and crowded world. In this Trailblazing episode, you'll discover: -The shy nerdy kid finds her voice playing trumpet...03:09 -Trumpet becomes Sarah's calling in life...10:00 -Sarah the Trailblazer: Getting commissioned to perform with a guitar quartet...18:50 -A new genre is codified for trumpeters - and guitarists - looking for a niche in which to excel...37:15 YouTube links to the two pieces featured in the episode: Concertino Principessa (Mark Anthony Cruz) https://youtu.be/KTM3eieJMyI Fin de Fiesta (John Truitt) https://youtu.be/C2O-BQMa918 Guest bio: Dr. Sarah Herbert is the Assistant Professor of Trumpet and Jazz at Western Kentucky University in Bowling Green, Kentucky. Dr. Herbert teaches applied trumpet, trumpet ensemble, and directs the WKU Jazz Band. She has previously held faculty positions at the University of Wyoming, the University of Cincinnati College-Conservatory of Music and Miami University Regionals in Hamilton, Ohio. Dr. Herbert’s performing career has been diverse and includes performances with professional jazz/commercial ensembles, orchestras and chamber groups including Orchestra Kentucky, Evansville Philharmonic, Wyoming Symphony Orchestra, and the University of Wyoming Faculty Brass Quintet. In the Cincinnati area she has performed with the Fillmore Brass Band and Wind Ensemble, Washington Ave Brass Quintet, The Belairs 1950’s Show Band, The Casino Players Ensemble, Bach Chorale Singers, and the Richmond Symphony Orchestra (Indiana). A native of Portland, Oregon, Herbert completed her Doctor of Music in Trumpet Performance from the University of Cincinnati College-Conservatory of Music in 2017. She also holds a Master of Music and Certification in Music Education from the University of New Mexico and a Bachelor of Music in Trumpet Performance from the Indiana University Jacobs School of Music. | |||
| Manny Laureano Explains the Attributes of a Successful Musician, Why Too Many Orchestras are Playing It Safe, Advice for Creatives Getting Their Start in Today’s Market and Much More! | 08 Nov 2021 | 01:08:11 | |
Today is a really special episode. Not only because it's with a fantastic guest, Manny Laureano, but it was one of those rare occasions where I was able to record a podcast in person.That does not happen often. Manny and I just dove deep into a lot of things. And anyone who knows Manny knows that he is just a very thought provoking, very well spoken, very articulate gentleman. And he did not disappoint in this interview. I'm just going to leave it at that. Everybody knows Manny. Longtime principal trumpeter with the Minnesota Orchestra, and was also featured on a previous episode of this show which was a tribute to the great William Vacchiano. So you get to hear the relaxing hypnotic wind chimes in the background, every now and then there might be a cool breeze, but that just made it all that more special and all the more enjoyable. And I think you'll really enjoy this one. Here's what you'll hear in today's episode: -Manny's "post-graduate" education, i.e. his first gig in Seattle...05:54 -The attributes of a successful musician in any field...10:03 -Factors that determine which equipment one should use...18:14 -Why Manny believes way too many orchestras are "playing it safe" today...27:45 -Why the great Roger Voisin would be unemployed in today's audition circuit...35:21 -What a creative might do if they find themselves disillusioned with the state of the "creative arts"...44:00 -Using gimmicks tastefully to make the serious stuff palatable to the audience...51:23 -What enables and motivates Manny to continually improve at the craft... -And much more! | |||
| How to Play Great Without Hurting Yourself + Insider Stories From the Hollywood Scene feat. the Great Malcolm McNab | 02 Jun 2024 | 01:22:47 | |
Malcolm McNab is quite possibly the greatest trumpeter in the world that you've never heard of. I recall a friend of mine back in 2008-09 timeframe putting in Malcolm's CD Exquisite, and being unable to believe what I was hearing. The range, the accuracy, the musicality. My friend said something along the lines of, "This is the guy who played the lead part on Jurassic Park." "Oh," was my reply. Why is it I've never heard of this guy?! One of this life's great injustices is that the musicians on those movies we've grown up with do not get proper credit for their work. The music makes or breaks the movie. Any director or producer will tell you that. The Hollywood scene is not one with which I have any familiarity, so I'll keep further judgment to myself. But suffice it to say I'm grateful to be able to share some of Malcolm's thoughts with y'all listening into the podcast. We began talking about the great Raphael Mendez, including an incredible story from his childhood that very well could have contributed to him being such a kind and generous person on and off the stage. And talking with a great master of his craft, the conversation naturally drifted into pedagogy, as well as some cool stories of Malcolm's interactions with some of the elite Hollywood directors and producers, including Steven Spielberg making a cameo appearance playing clarinet on Jaws. Yes, it's that kind of episode. Enjoy! BTW, I have an extremely limited number of Malcolm's CD's available FOR FREE. Yes, no cost. Malcolm had some of his CD's with him at the conference, and he told me to just give them out to people. So tune in to the very end of the episode to learn how you can get a copy of one of Malcolm's CD's for free (if you can pay for shipping, it's appreciated but not required.) Episode highlights: -The incredible story of Raphael Mendez being conscripted into Pancho Villa's army as a child...04:20 -Raphael's firing from a studio gig became the catalyst for his great solo career...08:30 -Raphael's story as told in an opera has sadly been lost to posterity...13:36 -How Malcolm continues his legacy by passing on his knowledge to others with lessons and camps...21:22 -Looking for the "sweet spot" with the tone and pitch...28:52 -If you can master the physical side of playing, it naturally has a positive effect on your mental and spiritual wellbeing...32:30 -Breaking into the Hollywood music scene and making connections with some of the great filmmakers...45:51 -The future of "Camp McNab" in wake of the pandemic's devastating effects...57:38 -Suffering in life comes full circle years later...1:05:48 -Plus whatever your discerning ears deem worthy of your time and interest... Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more. It's a FREE download available right now on brassmastery.com! About the Guest: Malcolm Boyd McNab was born in Cleveland, Ohio on March 25th 1943. That summer, his family moved out to California where he was raised in the San Gabriel Valley. He began studying the trumpet at the age of nine, with his father Boyd McNab as his first teacher. Later, he studied with Pasadena trumpet teacher Walter Laursen, and performed with the Pasadena Symphony at the age of fourteen while still a student at Mark Keppel High School in Alhambra. In 1958 at the age of 15, Malcolm began playing with the Young Musicians Foundation Debut Orchestra under conductors Dr. Miklos Rosza, Lawrence Foster, Gerhard Samuel and Henry Lewis. He soon became... | |||
| No Jazz at Juilliard, Getting a Gig While Working at a Print Shop, Becoming Prolific While Scratching One’s Own Itch and More with Chris Gekker! | 25 Oct 2021 | 00:47:34 | |
What can we say about Chris Gekker? -Terrific trumpet player and teacher -Prolific writer of method and exercise books -Pioneer in the realm of brass chamber music We could go on and on. But some things are best left unsaid - or unwritten in the show notes until you hear them said ;) Enjoy this episode! In my chat with Chris Gekker, you'll discover:-How he got along during the pandemic...-Chris' start and early career on trumpet...-Getting the call for the American Brass Quintet working at the print shop...-The most difficult skill on trumpet...-Creating exercises to scratch his own itch, which become multiple method books...-How the physicality of playing has changed over the years and decades...-Why Julliard once forbade the playing of jazz in its hallways...-When Chris will know it's time to hang up the spurs...-The process of recording and releasing a new recording...-How pop music supports more obscure, niche compositions...-The easy things are often the hardest things...-And much more! | |||
| Playing Lead Trumpet with Intention, and Dealing with Neurological Fatigue Brought on By Waaaay Too Much Trumpet Playing with James Blackwell | 20 Oct 2021 | 00:40:02 | |
Ever play so much it hurt?Probably?But have you ever played so much that the mere thought of touching a trumpet hurt? Where you get a burning sensation in your lips at the sight of a horn?That was James Blackwell's reality brought on by simply too much playing, and he opens up about it and shares practical advice on how to avoid it.Also listen in to some awesome advice on knowing how to play a high not musically, not simply pressing hard and hoping for the best! In this conversation with James, you'll learn:-James describes his lead trumpet transcription book...-It's not the tool, it's the character of the one using it...-Undergoing a major embouchure change while keeping a professional gigging schedule...-Neurological fatigue associated with physical fatigue...-Advice for avoiding catastrophic injury, both physically and neurologically...-How growing older changes the priority of music and trumpet in one's life... | |||
| Pictures on Acid, The 3 Simple Truths of Trumpet Playing, and Why Success Can be Terrifying with Tom Hooten | 12 Oct 2021 | 00:51:42 | |
Thomas Hooten, Principal Trumpet of the Los Angeles Philharmonic, is one of the world’s most prominent classical trumpeters today. Here's what you'll hear in this episode with Tom Hooten:-What has Tom fired up about trumpet, life, and how the two intersect...01:30-Why success can be terrifying...12:40-Discoveries made producing the album Trumpet Call...15:40-How one grows as a teacher as he grows as a person...21:44-Knowing when to teach, and when to let the student learn to teach themselves...30:51-Geeking out on the new concerto to be performed w/ the L.A. Phil...42:22-How a younger Tom Hooten would have responded to the challenges the present-day Tom Hooten embraces with fire in the eyes...45:15Resources mentioned: Time to Think and More Time to Think by Mary Klein | |||
| Why There Aren’t Superstar Trumpeters Today, How to Profit from Writing a Book In a Tiny Niche, Tongue Placement Relative to Range and Endurance and More with Jeff Purtle | 30 Sep 2021 | 00:35:38 | |
About my guest, Jeff Purtle:Author of Hit it Hard & Wish it Well:Claude Gordon’s Approach to Trumpet & Brass Playing A MultiTouch book available in the Apple Books Store (www.hitithardwishitwell.com) | |||