What are the many mirrors of the Shakespearean stage really showing us?
In this episode of The Scholar’s Armchair, I speak with literary scholar Dr. Valentina Finger of LMU Munich about her new book Mirrors in Shakespeare and Early Modern English Drama: Power, Gender and the Magic of the Theatre. Together, we explore how mirrors in plays like Richard II, Macbeth, The Duchess of Malfi, and The Alchemist do far more than reflect reality—they expose it, distort it, and sometimes shatter it completely.
We discuss how mirrors on the early modern stage were used to explore:
• The fragility of kingship and political power
• The construction of identity and the “two bodies” of the king
• Gender, cosmetics, and female agency in Jacobean drama
• Magic, science, and theatrical illusion in the Renaissance
Drawing on history, philosophy, and close reading, this conversation reveals how Shakespeare and his contemporaries used mirrors to turn theatre itself into a space of reflection, inversion, and revelation.
If you’re interested in Shakespeare, early modern drama, literary theory, gender studies, or the history of theatre, this episode offers a fresh way of seeing familiar plays.
📖Read Valentina’s book for FREE: https://www.bloomsburycollections.com/monograph?docid=b-9781350535381
🙋♀️ Valentina’s profile at LMU: https://www.anglistik.uni-muenchen.de/personen/wiss_ma/finger/index.htm