The Next Movement – Details, episodes & analysis

Bruiser Brigade's J.U.S recently dropped "3rd Shift" produced entirely by Squadda B. We talked with J.U.S about how the album came together, his progression as a writer, the inspiration behind his previous project "Lord of the Streams Pt. 1: Greed in the Kingdom" and his album pick for this episode - "XXX" by Danny Brown.

Download "3rd Shift" here:

https://music.apple.com/us/album/3rd-shift/1760963511

"No Options: Hip Hop in Appalachia" is a new compilation of original music by artists specifically from Appalachia. The project aims to break the stereotypes typically associated with an overlooked and misunderstood region of the country while also shedding a light on some of its rising and veteran artists. Producers Ted Olson and William H. Turner, executive producer JK Turner, and rapper/producer Monstalung talked with us about putting this project together, the history of Black music in the region and their album pick for this episode - "People's Instinctive Travels and the Paths of Rhythm" by A Tribe Called Quest.

Stream and purchase "No Options" here:

https://juneappalrecordings.bandcamp.com/album/no-options-hip-hop-in-appalachia-2

We’re joined by Cakes Da Killa to talk about his new project “Black Sheep” which features Cakes rhyming over a diverse array of sound. We asked Cakes about the influence and inspiration that house music provided for the album, the freedom that he’s found in not giving a fuck, the comfortable creative relationship he has with producer Sam Katz and much more. Then we discuss his album pick for this episode - “Extinction Level Event: The Final World Front” by Busta Rhymes. Stream and purchase "Black Sheep" here: ⁠https://cakesdakilla.bandcamp.com/album/black-sheep

Extensive sit down with Detroit legend House Shoes who provides his customary no bullshit perspective on beer, politics, beat flips, ownership, Street Corner Music, Danny Brown, 8 Mile, and much much more including thoughts on his favorite album of any genre - Mobb Deep’s classic sophomore effort.

L.A. based producer Kenny Segal has contributed to some of the most unique and creative projects in the “art rap” scene, including recent albums Purple Moonlight Pages with R.A.P. Ferreira, Ajai with Serengeti, and Hiding Places with billy woods. Kenny tells us about his intro to Project Blowed, his work with Team Supreme, honing the craft of building intricate soundscapes for dense lyricism, and much more. And we ask Kenny to educate us about his album of choice - the omid produced Project Blowed comp Beneath the Surface. If you’re into L.A.’s underground scene at all then this is the episode for you.

Filmmaker Darby Wheeler is best known stateside for his directing on the most excellent Netflix series Hip-Hop Evolution. He drops some jewels about his experience creating the show, gives us a preview of the in-progress D&D Studios documentary, and chats a bit about Scenario Media and their upcoming projects. And, of course, we all swap stories about Darby’s album of choice - Outkast’s ATLiens.

The second installment in a two-part collab with Nate and Demone from Dad Bod Rap Pod. The first part of the discussion takes place on their pod, where we talked about the soundtrack to the film Juice. Here the four of us discuss music from the motion picture Boyz N The Hood. Does Compton’s Most Wanted have the best cut? Has Tony Toni Tone’s “Me and You” aged better than Nate wants to admit? Is this the last lap for Ice Cube’s militant gangster persona? Listen for our thoughts and more. And be sure to check out both episodes!!

By 1999 Mos Def had already made a name for himself as a freestyle wizard in New York, a gifted MC that held crowds captive with Lyricist Lounge, and as one half of Black Star. Still he crafted a solo debut that seemed to ignore the hype yet managed to blow us away with its genre bending optimism at a time when hip hop was losing its golden luster. Black On Both Sides delivered a love letter to Blackness that is just as excellent and relevant 20 years later.

The poet/singer/activist/recording artist Ursula Rucker brings us needed inspiration as she shares how she is meeting the current reckoning for our country (and our city). True to form, she also challenges us to “do the work” and create the nation that we long to live in. And for the first time on the show we discuss an album from a singer, Frank Ocean, in our attempts to follow Ursula’s mandate - “Don’t limit hip hop...ever”

In 1991 Main Source dropped some game changing science in the form of Breaking Atoms. Yes, it gave us the first recorded verse from Nas (and one of the illest posse cuts of all time). Yes, it featured ground breaking sample-based production. But it also touched on just about every aspect of the life of young Black men including the still relevant and infinitely clever take on police brutality Just a Friendly Game of Baseball. We’re gonna talk about it all but give that track and our current perspective on recent racial injustice a long look.