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Emily bonds over TONE, Pete Townshend and Andy Summers in this fun-filled chirping bird session with singer-songwriter and home recording enthusiast Britta Pejic.
https://www.youtube.com/@Riffindots
https://brittapejic.bandcamp.com/
https://riffindots.com/home

"Britta Pejic decided it was time for a metamorphic journey of nomenclature. With a twinkle in her eye and a dash of daydreaming, she stepped through the shimmering pages of a mystical tome and emerged as RiFFiNDoTs!
Gone were the days of predictable tea parties and familiar strolls down cobblestone paths. RiFFiNDoTs brought with her a sense of wonder that hung in the air like a question mark, inviting adventures yet to be written, and tales yet to be told.
Britta is a Musician. Songwriter. Artist. Foreign Language Teacher. Grew up in Maine. Lived in France. Came back to Maine. Went back to France. Basque Country. Enjoys getting lost. "

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It's not easy becoming a legend in NYC but Brooklyn-born Rob Mastrianni has managed to do it as both a Park Ranger and a Guitarist. Birdwatching and music all come together with insightful talk about ecological SUSTAINability and Rob's history with Masonite guitars with Lipstick Pickups.

More on Rob:
https://robmastrianni.hearnow.com/airwaves
   • Nearly extinct in NYC, bald eagles re... 
https://www.nycgovparks.org/parks/inw...
https://robmastrianni.bandcamp.com/al...
https://en.wikipedia.org/wiki/Rob_Mas...

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On this episode of The Lipstick Pickup Podcast, I ask Nashville-based Blues guitarist Patrick Sweany to talk to me about the guitar stylings of Bukka White and we hope it RESONATES with music history lovers.

From www.patricksweany.com

Whether it's the ones he records on his albums, the ones he lays down with his band on the stage, or the ones that define his days writing songs and living life in his E. Nashville neighborhood, the Grooves are what have propelled Sweany through 20+ years of performing and recording across 8 studio albums and dozens of countries around the world. Being in the Groove is Sweany's recipe for success.

To say 2020 has disrupted these Grooves, is a severe understatement. The cancellation of live music in the U.S. for the past several months initially ground Sweany's Groove to a halt. However, it hasn't all been bad. The time away from the road and away from the studio has forced some introspection and reflection.

Serendipitously, Sweany had begun a new experiment in 2019 teaming up with Andrew Trube and Anthony Farrell (the Austin duo known as Greyhounds) to rework and re-record some of his oldest compositions. Taking songs from his first two records, Sweany headed into Bud's recording Services, Greyhounds' studio while on tour in Texas.

Together with his touring band, Sweany reworked about a dozen older songs, and even tracked a cover and a never-released tune. The experience was rewarding and fun, but with tour dates pending, the rough tracks sat on the shelf for several more months. Once back in Nashville, Sweany began working with local producer Dexter Green at 3 Sirens Studio. Dex began meticulously shaping and mixing them, and Get That Feeling was born.

Nine Mile Records is releasing two batches of these recordings (volumes I & II) in 2020 and 2021 while Sweany writes and records another full-length album of new compositions.

The songs represent both a look back over Sweany's long career, and new collaborations that showcase some sides of Patrick's songs you might find surprising.

​It's never too late to find a new Groove.

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Austin's David Grissom has worked with some of the greatest names in contemporary music, and Emily gets to talk to him about his formative years with Joe Ely and guitar manufacturer Paul Reed Smith.  Also discussed are his selection of guitars with Lipstick Pickups including a double-neck that was custom made by luthier Jerry Jones.

https://www.facebook.com/davidgrissommusicpage
https://www.instagram.com/davidgrissomguitar/

More from www.davidgrissom.com:
David Grissom has toured and recorded with artists such as Buddy Guy, John Mellencamp, Joe Ely, Storyville, The Allman Brothers Band, The Dixie Chicks, Chris Isaak, Robben Ford, John Mayall, and Ringo Starr. His songs have been recorded by John Mayall, Rita Coolidge, Trisha Yearwood, Lee Ann Womack, and Storyville among others.  

David moved to Austin in 1983 and quickly became a stalwart on the vibrant local scene. He joined Texas legend Joe Ely’s band in 1985 and toured and recorded nonstop until 1991 when he joined John Mellencamp’s band. David made 3 records with John and toured extensively from 1991 through 1993. After, Mellencamp, David went back to Texas to form Storyville, the band that included the Double Trouble rhythm section of Chris Layton and Tommy Shannon, and powerhouse vocalist Malford Milligan. Since 2000, David has divided his time between recording sessions, including four Buddy Guy records, and scores of Americana releases, along with touring with the Dixie Chicks from 2003-2007, and playing hundreds of live gigs, designing signature guitars and amps with PRS Guitars, and producing his solo CD’s. He just released his 5th solo CD Trio Live 2020.

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On this episode of The Lipstick Pickup Podcast, Emily And Matthew Paige get historic with a recording made on the morning of the 2024 Presidential Election. If you want to know our results, you have to turn the news on and watch it.

MORE ON MATTHEW AND HIS BAND DeeOhGee:

https://deeohgee.org

#freedom #danarmstrong #ampeg #keithrichards #matthewpaige #deeohgee #therollingstones #nashville #sustain #guitar #rickbeato #ericambel #justinandthecosmics #nashville #sustain #guitartone

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Nashville's Wade Cofer is a multi-instrumentalist and luthier who talked to The Lipstick Pickup Podcast back in June and the episode SUSTAINS...

More on Wade his Tone Authority can be found here:

https://www.instagram.com/wadecofer/

https://reverb.com/item/67487571-cofer-fender-telecaster-deluxe-2018-black

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It's January 20th, 2025 and we're dropping the mic and the ball on a new and improved Lipstick Pickup Podcast with Nashville's Ray Duncan. She's a committed Danelectro Tone Ambassador with a brand new single called Used To It and Emily get's to help her "swear it in" on Inauguration Day. Enjoy...Lipstick Pickup Citizens of The World!

More on Ray on her forthcoming EP Laundromat can be found here:

https://rayduncan.bandcamp.com
https://rayduncanmusic.com
  / rayduncanmusic 
https://distrokid.com/hyperfollow/ray...

Born in Cambria, California, Ray has been performing all her life. Playing her first shows at only 13 years old, by 16 she had formed the duo Ranchers for Peace with her father, songwriter Charles Duncan. In 2019 Ray moved to Nashville to find new inroads for her career, where she now works as a background singer and freelance composer, in addition to performing as a solo artist. Ray also co-hosts podcast “Book of Jude,” which is a series of interviews with her mother, hit songwriter Jude Johnstone, that tells the story of Johnstone’s career in the music business.

Since moving to Nashville, Ray has recorded and released several projects, including her 2022 single “Don’t Let It Get To You,” co-written with Johnstone and featuring performances from legendary musicians such as drummer Vinnie Colaiuta, guitarist David Keary, and bass player Nick Scott.

After 2 crowd funding campaigns, Ray is now preparing for the 2025 release of her long anticipated Laundromat EP, recorded at Starbird Sound with producer Mike Fahey (Phish, Chris Stapleton).

Composing work: Twelfth Night (Workshop at Mercury Store, 2024;) Two Noble Kinsman (Workshop at The Public Theater, in collaboration with HVSF, 2023;) Romeo and Juliet (HVSF Spring Tour, 2023;) Much Ado About Nothing (Opera House Arts, 2022;) A Midsummer Night’s Dream (Connecticut Shakespeare Festival 2021;) As You Like It (Scranton Shakespeare Festival;) Much Ado About Nothing (Easy Leap Theatre Company/The Brick;) Othello (Easy Leap Theatre Co/The Underground Lounge.) Musical arrangements: Henry IV (Scranton Shakespeare Radio Plays, 2020.)

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The New Lipstick Pickup Podcast gets off to a bang with a pilot episode with guitarist/creator Michael Weber Jr. It's an episode that's packed with action and all the guitars that he used on our snappy new intro. Enjoy, Lipstick Pickup Fans!

More on Michael Weber Jr from www.themichaelwebershow.com:


The Michael Weber Show is an explosive rock group fronted by guitar phenom, Michael Weber. He was the winner of MTV's “Amazingness” television talent/variety show hosted by Rob Dyrdek and has performed on stage with numerous Grammy winners and Rock Hall inductees, including Counting Crows, Nils Lofgren (E-Street Band), Jim Peterik (The Ides of March), and regularly with garage rock legends, The Shadows of Knight (“Gloria”).
​
A record Weber wrote, played on, and produced for The Shadows of Knight entitled “Wild Man” was released on Little Steven Van Zandt’s Wicked Cool Records, came in 4th place on Sirius XM 21’s Coolest Song of the Year listener’s poll, and received a glowing review on-air from Iggy Pop during his BBC radio program.
​
Amongst Weber’s hundreds of concerts, he has shared the bill with Ace Frehley, Gin Blossoms, Lita Ford, The Wallflowers, Mark Farner, and numerous others.  In addition to his own musical project, he currently plays lead guitar alongside late Cleveland rocker Michael Stanley’s Resonators and MSB bandmates in the “The Michael Stanley Songbook” concerts promoted by Live Nation.  
​
In addition to his 2 albums and 2 EPs released under his own name, Weber composes film scores. His two most recent works include My Name is Lopez, a documentary on ‘60s pop star Trini Lopez (now available on Amazon Prime and the Roku Channel) and Satanic Hispanics, a Latin horror anthology in which he composed the entire score for the section directed by Eduardo Sánchez (of The Blair Witch Project fame).
​

Transcript

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Emily calls Jake Rynearson at Rio Grande Pickups to learn about the their new "Wide Boy" lipsticks for Silvertone and get's a TEXAS-sized portion of Houston guitar tone history.

More from www.riograndepickups.com: 

"Rio Grande Pickups was founded by two legendary characters of Lone Star history, David Wintz and Bart Wittrock.  In 1972 they opened one of the South's first and finest vintage guitar stores, ⁠Rockin' Robin⁠, in Houston.  A vintage guitar scene barely existed in those days.  By 1982 David and Bart expanded the shop to introduce their own line of Texas-toned electric guitars, known to folks around the world as ⁠Robin Guitars⁠.  In addition to wanting fiery and more toneful pickups for their own guitars, the boys saw a need for a different kind of pickup to go in the guitars they'd been selling and repairing for years.

Both wondered "why aren't we getting enough out of these old Teles and Strats? What's with all this low output bullshit?" 

By the end of the arena rock era breakout bands like Nirvana, Soundgarden, Pearl Jam and so many others embraced vintage guitars, bringing them back into vogue.  Dave and Bart realized what was missing in these 'old' instruments was that hot sound players of the '90s wanted. 

So, in 1993 Rio Grande was born to deliver Hot Texas Tone for the masses.

Now, some 30 years later, Rio Grande continues to make well over 100 different models for all kinds of guitars, basses, playing styles and attitudes.  Our hot Texas sound still reaches into every corner of the globe, bringing that Texas heat everywhere they go to the delight of countless players.  And while we like it HOT, HOTTER, or HOTTEST around here, we have plenty of models for subtlety too. "

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Emily calls Matthew Caws in Cambridge, England to congratulate him on the success of Nada Surf's Moon Mirror and talk gear!  

From www.nadasurf.com

“Moon Mirror,” the band’s new album, and first for New West Records, is out today. You can also watch the new video for “Second Skin” directed by Spencer Gentz.

Rolling Stone said “Moon Mirror is one of their best…” calling it “Nada Surf’s most musically and emotionally passionate album in years, on the level of gems like Let Go, The Weight Is A Gift, and The Stars Are Indifferent to Astronomy… a sterling tribute to the kind of inspiration that endures and deepens over the long haul.” Uncut Magazine called it “Masterful power pop with a cerebral core… the band’s deepest and most accomplished effort yet.” MOJO called it “Wonderful” in their 4 Star review, while No Depression said “Moon Mirror represents a step forward for the band… one of the best albums of their long career.”

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Emily telephones Rick Taylor of Silvertone to discuss the Roots of Rock and how they are modernizing the brand with new and re-designed products. If you like thoughtfully-made, affordably-priced instruments, the future is bright!

More from www.silvertoneguitars.com

"As early as 1905, Sears, Roebuck & Company was selling musical instruments – mainly ukuleles – built by the Harmony Company. In 1916, Harmony was bought by Sears, continuing to make instruments for Sears and other customers. In 1940, Sears sold the Harmony brand to an investment group and adopted the Silvertone brand name for all musical instruments By then, Sears was buying instruments from many other U.S. builders as well as Harmony.
The country was still very rural prior to World War II with the population spread out over wide areas. The big “catalog houses” such as Sears, Montgomery Ward and Spiegel served customers around the country from their big city headquarters. These companies sold nearly everything that you needed, and some would even ship you the house to put it all in.

The 1940s market the introduction of Silvertone electric guitars. The late ’30s had seen plenty of ‘Hawaiian’ lap steel instruments and amps, but 1941 marked the first year you could get an electric six-string in the Sears catalog. The selections were limited, but the funky, eclectic styling and easy affordability made them popular with players.

Silvertone guitars were inexpensive and readily available by mail order. Struggling blues musicians of the 1940s found them roadworthy and replaceable, with legends such as Muddy Waters and Arthur “Big Boy” Crudup among those who chose Silvertones.
Changes were coming fast and furious in the post-war period. Musical tastes were changing, the suburbs were exploding and there was a cultural energy waiting to be unleashed.
The electric guitar went solid in the 1950s, and Silvertone was right there at the beginning."

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On this episode of the Lipstick Pickup Podcast, Emily mixes business with pleasure with a Saturday night hang with Guitar Center staffer and musician Sean Dunoon. Emily and Sean discuss the history of Guitar Center, the business of buying and selling instruments, and the thrill of your first double-neck guitar acquisition. Once they wrap up their sales pitch, Sean gives Emily several demos – first, on Emily’s Jerry Jones electric sitar, then on his own silverburst Danelectro double neck, and, finally, his favorite guitar, a 1964 Guild. The stairway to heaven and the heart of Saturday night goes straight through the Lipstick Pickup Podcast!

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Emily telephones Matthew Paige in Nashville for a TONAL review of his vintage Danelectro amp, Chuck Prophet's '64 shorthorn, and The City Of Nashville Police Department. 

Teaser: Matthew tried to fight the law with an amplifer and the law won...

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Nashville guitarist and Lipstick Pickup Podcast Tone Ambassador Matthew Paige returns to spend Silvertone Sunday with Emily preaching the gospel of the legendary amp-in-case and his early days in Nashville. Emily and Matthew explore the unique features of these guitars, their durability, affordability, and how they have shaped Matthew's performances. They also touch on the challenges of traveling with instruments, the sentimental value of guitars, and the evolution of Matthew's musical career in Nashville. Pull up a pew, clap your hands, and say a prayer to Silvertone guitars!

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On this episode of The Lipstick Pickup Podcast, Emily calls Classic Rock historian Angie Moon in Coventry, England to talk about her new book The Crime of The Century and the subject of her blog, The Diversity of Classic Rock. She discusses her personal journey through music, the healing power of sound, and the importance of accurate music history. Angie also touches on her future writing projects, including a focus on celebrity trials, and reflects on the cultural narratives that shape our understanding of music. In this engaging conversation, they delve into the intricate connections between personal history, music, and cultural identity. They explore the legacy of Oscar Wilde, The Kinks and how The Great Migration shaped American Music. The discussion also touches on the role of storytelling in history, the influence of Sitar in music of the British Invasion, and the significance of personal style in creative expression. 

Follow Angie here:

https://www.instagram.com/angiemichellemoon

https://crazyonclassicrock.com/

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Dean Farley, a seasoned string designer, returns to The Lipstick Pickup Podcast to discuss the life and legacy of Hartley Peavey, a pivotal figure in the music industry. They explore Peavey's innovative spirit, his business acumen, and the impact he had on the music world, particularly through Peavey Electronics. The discussion highlights Peavey's unique personality, his approach to business, and the lasting influence he has had on musicians and the industry as a whole.

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In this episode of the Lipstick Pickup Podcast, Emily talks to Nashville-based, Mississippi native drummer Allen Jones. They discuss their mutual connections in Hattiesburg, Mississippi, and delve into Allen's musical history, from his early influences growing up in a remote town to thriving in the vibrant Hattiesburg music scene. They discuss the importance of community in music, the challenges of touring, and the creative growth that comes from DIY collaboration and recording.  They cover the historical significance of the Pine Belt region and its impact on music, as well as his influential experience of working at the Peavey Leakesville plant, where he gained insights into guitar manufacturing and setup. We hope you enjoy this trip into Mississippi music culture and free-enterprise.

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On this episode of The Lipstick Pickup podcast, Emily gets 411 help from Nathan Daniel's son Howard about the myth of the Lipstick Pickup and the importance of getting the Danelectro record straight. Please visit https://pen4rent.com/ for more from Howard Daniel.

 "I've learned so much from you and I should have been keeping better notes, but this time we're going to have it for the record. And I hope to add this sort of approach to future episodes in my podcast where I just simply call somebody like you, 411-INFORMATION. The best approach and one of the inspirations for my podcast is the power of the telephone. I'm calling Howard to introduce him to my listeners and give some service to some great work that he's done, keeping the world informed about his father, Nat Daniel, and the world of Danelectro. They can all be found on his website, which is www.pen4, the number 4. It's pen4rent.com. which is how I met you. And then when I first started publishing the podcast, I heard from you, and we've had an occasional phone call ever since, and this one we're going to record. "

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On this episode of The Lipstick Pickup Podcast, Emily gets a primer on the career of The String King, Dean Farley of Cape Cod, Massachusetts. 

More on Dean from https://pyramid-saiten.de/de/direct/

"Dean Farley began his journey with guitar strings during the summer of 1970 at age 16. Little did he know at the time that this period would radically change his life’s direction. Between the months of July and August, guitar strings in America were going through a major change in their basic sound. Previously, the strings Dean played were very rich in their tone and had a much more soulful sound! That was early July. However, by a week into August, things had changed drastically. This “new” (rather foreign) sound of the sets he bought a few hours before his weekly jam session were noticeably brighter in character, yet strangely, lacked the sweet midrange and full bass response from the sets he had bought only several weeks before. Simply put, Dean couldn’t get that wonderful original sound from his Telecaster/ Fender Super Reverb amplifier combination—despite even after fooling around with the amp’s various controls for far too long. This was a very frustrating and confusing dilemma.

At this point, Dean’s curiosity completely took over and he was hell-bent to find strings that sounded “right” to his critical ears. A few years down the timeline, he had several opportunities to learn about the incredible variety of metals used in the manufacturing of silicon wafers in the semiconductor industry. In Silicon Valley, Dean was lucky he had access to extremely high tech equipment which would benefit him as a string designer in the near future. It might be noted here that Dean Farley is the only individual in the string business who actually has a solid connection to the semiconductor industry in a very real sense; his father happened to be the one who, originally, came up with the now famous nickname of “Silicon Valley” long before it finally stuck as the formal name of the Santa Clara Valley, CA area around 1971.

As the early to mid 1980s came along, Dean finally got into the string business for himself. He recognized from the start that the only way that he could make any success with this was to think in very different terms. Indeed, he literally had to pretend like he had no competitors if he was going to create anything truly special.

By the mid 90s, Dean’s string adventures had led him into a side gig as a journalist and this resulted in him starting to write monthly columns about guitar string history and design in Vintage Guitar magazine. It was right here where Dean wrote about Pyramid Strings’ history and their association with The Beatles.

Eventually, in 2006, Dean met Pyramid‘s director, Max Junger, at a trade show in Los Angeles. The two of them had an immediate connection and the rest of this story has been currently manifesting into a wonderful relationship that will leave some deep marks on the musical world. It’s great to be here at Pyramid! This is an absolute honor and pleasure to design thoughtful and unique concepts in guitar string designs that should inspire every musician of any style or background."

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The Lipstick Pickup Podcast calls former New Yorker Stu Snyder to discuss his migration to Tokyo, collectable guitar strings and his late friend session guitarist Vinnie Bell. The dialogue highlights the importance of recognizing lesser-known figures in the music industry and their impact on popular culture. In this segment, the conversation delves into the history and significance of the electric sitar, highlighting the contributions of Reggie Young and Vinnie Bell. Stu and Emily discuss the importance of oral history in preserving musical legacies, particularly in light of the passing of influential musicians. They also explore the intricacies of guitar strings, their impact on tone, and the evolution of string preferences among musicians, emphasizing the connection between string quality and sound. 

more on Stu can be found at:

https://stupendousmusic.com/

https://www.instagram.com/stupendousmusic/

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On this episode of The Lipstick Pickup Podcast, Nashville's Matthew Paige returns to talk to Emily about strings, threads, and what it means to be "Tailor-Made" in Nashville. Matthew imagines some Americana possibilities on a Jerry Jones Baby Sitar and discusses the recording of his new acoustic folk EP with Stager Microphones.  More on Matthew Paige and his upcoming European Tour:

🔥 Bobby Bare Jr. feat Matthew Paige – European Tour 2025 🔥

May 20: Medley, Malmö (SE)
May 21: Grisen & Draken, Kristianstad (SE)
May 22: Loppen, Copenhagen (DK)
May 24: Sofiehof, Jönköping (SE)
May 24: Vänna Gård, Bengtsfors (SE)
May 25: Vägs Ände, Larv (SE)
May 27: Hägerstensåsens Medborgarhus, Stockholm (SE)
May 28: Holännapaviljongen, Ljusdal (SE)
May 30: Hamnplan 1, Örebro (SE)
May 31: Folkets Park, Kramfors (SE)
June 3: Jazzköket, Östersund (SE)
June 4: Moskus, Trondheim (NO)
June 6: Pitstop Motor Week, Kongsvinger (NO)
June 7: The Bull Inn, Bø i Telemark (NO)
June 8: Dust of Daylight, Bergen (NO)
June 10: Revolver, Oslo (NO)
June 11: Nöjesfabriken, Karlstad (SE)
June 12: Monument, Gothenburg (SE)
June 14: Strandkompaniet, Löderup (SE)
June 17: The Dukes of Highgate, London (UK)
June 18: Sidney & Matilda, Sheffield (UK)
June 19: The Cluny, Newcastle  (UK)
June 20: Drygate Brewing Co, Glasgow (UK)
June 22: JT Soar, Nottingham (UK)
June 26: Hen & Chicken, Bristol (UK)
June 27: Le Pub, Newport (UK)
June 28: The Folklore Rooms, Brighton (UK)
June 29: Cowboy Up Revival, Waardamme (BE)

https://www.instagram.com/m.r.paige/
https://deeohgee.org/
https://www.instagram.com/matt.hatterr/?igsh=ZTN1M3htYTJ5azln

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This episode of The Lipstick Pickup Podcast returns to its humble origins with a flashback to a conversation from December 2023 between Emily and Bay Area guitarist (and her first "Sympathetic String") James DePrato. A longtime Bay Area resident and member of Chuck Prophet's Mission Express, James stays busy as an in-demand session player in addition to  gear development and endorsement projects. 

James, who was Emily's very first guest, discusses how he views himself as a practitioner of music rather than a collector, how he's still chasing the feeling of being scared of music, and that a song doesn't have to make sense to be great. James also shares his love and reverence for Danelectro guitars and shows off a few from his collection including a Danelectro double neck, his homemade modified electric sitar, and his 12-string Jerry Jones. The jailbreak starts right here, right now with the Lipstick Pickup Podcast! 

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In this episode of the Lipstick Pickup Podcast, Emily welcomes back Stu Snyder to discuss various topics related to vintage instruments, music recording, and New York City and it's rare birds. They pickup where they left off with a discussion of his vintage guitar string collection and also get a look at his specimen lefty Rickenbacker, among other things. There's also Lipstick Pickup Merch on the way and Stu and Emily touch on the rock and roll legacy and costume history of the Bandana. 

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Writer, blogger and rock historian Angie Moon returns to The Lipstick Pickup Podcast to help Emily take the Sitar Electric and discuss a subject of her authority, Beyond The Sitar: Indian Influences in Classic rock. The conversation explores the concept of "Insomnia," the role of session musicians, and the impact of culture, fashion and style on rock culture, highlighting how these elements intertwine to shape artistic expression. 

More on Angie and the music discussed:

https://crazyonclassicrock.com/2017/01/10/indian-influences-in-classic-rock/

https://open.spotify.com/playlist/75UVBqXxCXo5HQKHuNCvAk?si=21916da5c6b54659 

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Guitarist Michael McAdam comes by The Lipstick Pickup Listening Lounge with an armful of interesting guitars and talks to Emily about playing professionally in Guitar Town for nearly 4 decades. It's a journey of a million miles and it all started on a Silvertone guitar and that's why he still loves the TONE of Masonite and Lipstick Pickups. 

More on Michael at :

https://michaelmcadam.com 

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On this episode, I take a trip through the Lone Star State with Steven Cooper, a native Texan and Nashville-based touring/session guitarist who has worked with a variety of artists including the Watson Twins, Patrick Sweany, Jessie Baylin, Nicole Atkins, and his own band Indianola. Steven's knowledge of lipstick Stratocasters can be traced back to his youth spent at Dallas' legendary Charley's Guitar Shop and two of Texas' favorite guitar-playing sons: Stevie Ray Vaughan and Charlie Sexton. In addition to discussing the Lipstick Stratocaster's rich history, we explore the importance of communication and professionalism, navigating Nashville's music culture, and the complexities of owning vintage guitars.

Chapters

00:00 Introduction to Stephen Cooper and the Lipstick Stratocaster
03:16 The Journey of a Young Guitarist
06:09 Charlie's Guitar Shop: A Hub of Musical Knowledge
09:16 The Evolution of Guitar Ownership
12:18 The Impact of Local Music Scenes
15:17 The Legacy of Charlie's Guitar Shop
17:56 The Influence of Stevie Ray Vaughan
20:52 The Importance of Small Amplifiers
23:53 The Role of Jazz in Guitar Playing
27:04 The Guitar Community and Its Evolution
29:45 The Value of Vintage Guitars
32:41 The Relationship Between Charlie and Stevie Ray Vaughan
38:33 The Supportive Role of Relationships in Music
41:11 The Evolution of the Lipstick Strat
47:34 The Legacy of Stevie Ray Vaughan
51:25 Charlie Sexton: A Multifaceted Artist
56:05 The Gear Behind the Sound
01:10:48 The Power of Instruments in Music
01:12:15 Guitar Acquisitions and Personal Preferences
01:14:15 Touring Experiences and Musical Connections
01:16:49 The Significance of Guitar Shops
01:20:17 The Journey of Giving and Receiving Guitars
01:22:35 Guitar Choices and Personal Comfort
01:24:30 Influences and Early Musical Inspirations
01:27:37 The Role of Communication in Music
01:31:15 Building Relationships in the Music Scene
01:33:24 The Economics of Vintage Guitars 

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On this episode of The Lipstick Pickup Podcast, I make a Scouting Trip to see Lipstick Pickup Community Cornerstone Jack Brunson of Jack's Guitarcheology in Lebanon, Tennessee. 

Jack shares his journey in the world of guitars, from his early days of fixing broken instruments to establishing https://www.jacksguitarcheology.com/ and brick-and-morter location on the Lebanon Town Square. Our discussion digs into the importance of preserving vintage guitar construction, the legacy of retailers like Sears and Roebuck on instrument accessibility, and the collaborative spirit within the sales and service network that he built to serve the Nashville Music Community. We also discuss our mutual admiration for Danelectro Re-creationist, luthier Ian Williams of Nepco Guitars and Jack helps me show off Ian's latest high flyin' creation, my Birdman electric sitar. 

Come get your vibration high with this fun visit!

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On the episode of The Lipstick Pickup Podcast, I call accomplished Blues Guitarist Johan Borgh of Stockholm, Sweden to discuss his new album Island Blues and the Danelectro Guitars that are a critical part of his sound. 

https://www.instagram.com/johanborgh/

Chapters

00:00 Introduction to Johan Borg
02:51 Johan's Musical Beginnings
05:32 Influences and Inspirations
08:32 The Journey to Guitar Mastery
11:28 The Role of Self-Teaching
14:21 Discovering Slide Guitar
17:31 Social Media and Musical Growth
20:12 The Making of Island Blues
31:22 Recording Process and Instrumentation
33:27 Cinematic Influences in Music
35:19 Collaboration and Guest Musicians
39:00 Listening Experience and Album Intent
40:17 Musical Inspirations and Composition Techniques
44:19 Gear Talk: Guitars and Equipment
59:56 Exploring Guitar Tones and Techniques
01:02:59 Live Performance Gear and Setup
01:03:37 Vintage Guitars and Their Stories
01:06:02 The Sparkly Berry Tone and Its Unique Sound
01:07:58 Songwriting and Creative Process
01:10:41 Valuable Guitars and Personal Connections
01:12:33 Merchandise and Community Engagement
01:18:26 Life in Stockholm and Future Aspirations
01:23:00 Lipstick Pickup_Outro_31sec.mp4

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On this episode of The Lipstick Pickup Podcast I go on location to my hometown of Jackson, Mississippi to having a very inspirational talk with audio engineer/producer Wolf Stephenson of Malaco Music Group.

Wolf helped found and build “The Last Soul Company" Malaco Records in 1967 and he and his partners have managed to outlast major record label competitors and remain independent for nearly six decades. The small, mostly unheard-of independent record label has been home to multiple recording artists and songwriters and has a catalog of original recordings and music copyrights, numbering into the thousands. The history of Malaco is one of the most enduring success stories in the history of recorded music and Wolf's personal history is just as phenomenal. He's a survivor with Gospel to spread and I hope you enjoy this visit to the one and only Malaco Music Group.

https://www.malaco.com/

https://www.youtube.com/@malacomg

"Malaco Records is an American independent record label based in Jackson, Mississippi, United States,[1] that has been the home of various major blues and gospel acts, such as Johnnie Taylor, Bobby Bland, Latimore, Z. Z. Hill, Denise LaSalle, Dorothy Moore, Little Milton, Shirley Brown, Tyrone Davis, Marvin Sease, and the Mississippi Mass Choir. It has received an historic marker issued by the Mississippi Blues Commission to commemorate its important place on the Mississippi Blues Trail.[2]

A tornado on April 15, 2011, destroyed much of the company's main building and studio at 3023 West Northside Drive in Jackson, Mississippi, which have since been re-built.[3]"

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Emily and DeeOhGee's Matthew Paige delve into the fascinating history of the Bellzouki, a unique 12-string electric guitar. They explore its history, cultural significance, and the impact it has had on various music genres. Matthew shares his personal experience with the instrument, discussing its features and the challenges of playing it. The conversation also touches on the broader context of 12-string guitars in music, the road life of musicians, and the joy of discovering and sharing musical instruments.