Explore every episode of the podcast The Inline G Flute Podcast

Guess who’s back; back again? Inline G Fan Favourite, Zofia Neugebauer, has joined me for the final episode in the Paris 2024 mini-series, to answer all your questions. 

We cover everything from performance nerves, trash TV, naked cats and technique advice, all whilst sipping on some Guinness and flicking through your messages.

Also keep an eye out for a VERY special (and unexpected) guest in the shape of Paris Opera Principal Flutist, Iris Daverio, who popped along for the last few minutes.

Where else would you get it!?

Inline G Merch 😎

Inlineg.myshopify.com

Inline G Patreon ⭐️

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

0:00:00 - An Introduction

0:03:31 - Getting Gigs, Generating Sound and Managing Time

0:25:10 - Embouchure, Eye Muscles and Trash TV

0:39:22 - Women in Music and Performance Nerves

1:01:18 - Iris Daverio Cameo

Hosted on Acast. See acast.com/privacy for more information.

After months of exchanging tips on Pokemon cards, I finally found myself in the same city at the same time as the multi-faceted, multi-instrumental and multi-talented Daniela Mars.

From dealing with online social media bullying, to exciting news on her brand new album, this episode (coming live from Paris) covered the lot. I’ve wanted Daniela on the podcast for AGES, and she lived up to every expectation (and then some.)

It’s a high energy episode and I couldn’t have enjoyed it more, so fill your boots x

Inline G Merch 😎

Inlineg.myshopify.com

Inline G Patreon ⭐️

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

00:00 - An Intro

03:38 - Touring with Daniela

07:17 - A Brand Spanking New Vinyl 

25:52 - Dealing with Social Media Trolls

35:08 - Lowest of the Low

43:06 - Building Your Own Career

55:38 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

Coming straight from Paris’ finest Irish pub, this week’s episode has one half of the Electro-Chic pop duo RoSaWay, Rachel Ombredane, joining me for a Guinness and a chat. 

From her classical music training, to social media stardom and a sexy new debut album, Rachel’s career has been fascinating, and she walks us through it all here. The flute never looked so cool.

Inline G Merch 😎

Inlineg.myshopify.com

Inline G Patreon ⭐️

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

00:00 - Back to Paris

03:36 - Rachel and LA

11:15 - Classical Music or High Heels?

27:20 - GIRL(S)

43:53 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

Paris-Based traverso superstar, conservatoire professor and flute mastermind Sebastijan Bereta joined me on the podcast this week, live from The City of Lights herself, to chat all things flute. 

Sebastijan gives us his tips to embrace the true French Flute School as well an insight into the (cooler?) world of period instruments, before the pair of us wax lyrical about Sir James Galway for 7 minutes.

Bisous x

Inline G Merch:

Inlineg.myshopify.com

Inline G Patreon:

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

00:00 - Monsieur Bereta 

10:32 - The French Flute School

27:28 - Love the Artistic You

30:28 - Kindness of the Traverso World

43:05 - A Love Letter to Sir James

48:52 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

The Curse of the 9th Symphony, Verdi’s Huanted Opera and the Principal Flutist Eaten by The Orchestra Board; just a few of the spooky stories on this week’s Halloween Special as I dress up as a haunted Rudi Völler and sip on a cocktail.

Happy Samhain everyone, go practice your scales x

Inline G Merch:

Inlineg.myshopify.com

Inline G Patreon:

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

00:00 - Halloween’s Irish Roots

09:40 - MacBeth to Forza

18:24 - The Tritone and The Devil

21:42 - The Curse of the 9th

27:12 - Baker’s Vibrato and ChatGPT

31:06 - Flute Cannibalism

Hosted on Acast. See acast.com/privacy for more information.

Paris Syndrome doesn’t just hit Japanese tourists; flute players also get struck down with it. You’re all ready for the world capital of fluting, only to be welcomed by a mouldy baguette and 180 euro opera tickets.

But don’t worry; I’ve got you. Wether you’re planning a visit to Gay Paree, or just fancying some knowledge for bragging rights at a party; This week’s Inline G tells is a guide for the climate flute tourist trip to the City of Lights. 

Bisous x

Inline G Merch:

Inlineg.myshopify.com

Inline G Patreon:

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters: 

0:00 - Paris Syndrome and Japanese Tourists

8:15 -Intermittent du Spectacle

12:25 - A List of Orchestras and Venues 

17:25 - Orchestre de Paris, Ile de France and Chambre

26:25 - The Opera and Radio France

38:32 - Other Flutey Fun in Paris

Hosted on Acast. See acast.com/privacy for more information.

Punk Rock has the leather jackets, Glam Rock has the capes, Britpop has the parka’s and Heavy Metal has the body odour; but what does Classical Music have?

From what started as Victorian style garments, we look at the historical reasons for Classical Music’s fashion aesthetic, and why it hasn’t really moved on. We’ll chat how Yuja, Khatia, Kennedy and co (including some flutes) are bucking the trend, and why you maybe should too.

Inline G Merch:

Inlineg.myshopify.com

Inline G Patreon:

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters: 

0:00 - Hot Goose Autumn

5:55 - 17th Century Origins

13:43 - Fancying Musicians

24:10 - Yuja, Khatia, Nigel et al

33:30 - Stylish Flutists

36:50 - Gold Old Fashioned Sexism

Hosted on Acast. See acast.com/privacy for more information.

Following the latest developments in the Middle East, I’ve had to make this ad hoc episode to get some things off my chest. 

From Classical Music’s tabloid shite “Slipped Disc”, to a 13 year old scandal involving the LPO; I look at some of the industries moral failings over the past years.

Inline G Patreon:

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - The trigger for this week’s episode

6:37 - Context from the Middle East

13:45 - Anti-Semitism’s Rise

18:45 - Active v Passive Media Voices

22:25 - Slipped Disc

40:00 - The LPO4

Hosted on Acast. See acast.com/privacy for more information.

Guess who’s back, back again? Schocker’s back; tell your friends.

In the first ever returning guest episode, Gary Shocker is here this week to do a LIVE composition for flute and piano, on air, to completion.

Ever fancied seeing how the world's most published living flute composer goes about writing a piece from scratch? It's your lucky day.

You really are spoiled rotten.

Stick around to the end for a recording too of “Sunday in Cologne” a piece for flute and piano JUST for The Inline G Flute Podcast.

(Also try to spot the moment where Gary and I talk about how not demure brat summer was in NYC)

Find the score here:

https://drive.google.com/drive/folders/1Z4a6lQlve3wpsFj_JANaUNqpTTeHqpoI?usp=sharing

Inline G Merch: 


Inlineg.myshopify.com

Inline G Patreon:

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

0:00 - He’s Back, Baby

5:40 - Let’s compose

11:26 - Let’s analyse beauty

31:36 - Cologne and Brat Summer

56:04 - Sunday in Cologne by Gary Schocker

Hosted on Acast. See acast.com/privacy for more information.

Coming from Belfast’s (and Ireland’s?) finest pub, I went for a few pints with Irish traditional flute player Múlú in Maddens this week to chat about everything from her career, to the artistic movement in aid of Palestine to paganism and international toot your flute day.

Múlú also chats about her various projects including Tradtronica group Huartan, all-female Trad Supergroup BIIRD and THE Afro Celt Sound System. You’s are spoiled rotten with this episode x

Madden’s Bar in Belfast will also have a very special evening planned on Friday 4th October for International Toot Your Flute Day for anyone around there. 

Inline G Merch:

Inlineg.myshopify.com

Inline G Patreon:

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters: 

0:00 - A Rushed Intro

4:38 - Breton Flute Playing

15:13 - Toot Your Flute Day

25:18 - Huartan

32:48 - Irish Support for Palestine

43:06 - Afro Celt Sound System

52:15 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

A slightly more rambling episode than usual this week as a recent Blindboy Podcast episode made me reevaluate the role of artistry in interpretation. 

Using World Champion Boxer Anto Cacace, and the Irish storytelling tradition of a Seanchaí, I explore how “just” interpreting really is an art after all.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

0:00 - Nice to see you again

4:05 - Boxing and Fluting

12:30 - Blindboy and Clare Murphy

17:05 - An Appeal

18:45 - A History of Irish Storytelling 

30:20 - A Musical Seanchaí

Hosted on Acast. See acast.com/privacy for more information.

t’s the end of the NFA Bootleg Series 2024, and what an ending it is, dearest listeners. In what you might say saving the best for last (I couldn’t possibly comment), my guest this week is Flute Center CEO Julian Rose.

I was like a child in a sweetshop in this one, as I got to pick the brains of a business and flute encyclopaedia in Julian. We chat about his own journey and new part ownership in Flute Center, before letting me ask the questions burning inside me. Has Chris Martin ever bought a flute? What’s the most expensive flute in the shop? Has Emmanuel Pahud ever tested flutes with an NBA star?

You’ll find it all out in here, you lucky wee ducks.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters: 

0:00 - An Excitable Intro

3:35 - The Flute Problem Solver

5:46 - Co-Owning Flute Center and Flute Cocktails

16:10 - The Next Big Flute Thing

22:25 - World’s Most Expensive Flutes

37:36 - Quick Fire Questions (and Flute Buying Celebrities)

Hosted on Acast. See acast.com/privacy for more information.

Do not adjust your television sets; you’re reading that name in the title correctly. My guest this week is beatbox flutist Greg Patillo.

A man that needs no further introduction; just let me add that having watched Greg’s videos and listened to PROJECT Trio’s albums on loop throughout my teen years, this was a special one for me personally.

This was the most fun I’ve had on an episode in a very long time, and it’s a little longer than usual for that reason. Indugle me; I couldn’t cut anything. I’m only human x

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

0:00 - An apology

3:25 - Early Days in Frasier’s Seattle

8:03 - Jamming and French Fluting

16:40 - Sankyo Very Much

25:46 - Inspector Gadget and Leo DiCaprio

37:05 - PROJECT Trio

54:48 - Quickfire Questions and James Bond’s Rum

Hosted on Acast. See acast.com/privacy for more information.

We’re over the halfway point of the 2024 NFA Bootleg Series, today coming from the 31st floor of a very fancy San Antonio hotel as I sit down with Iranian flute (and history) expert; Mehrdad Gholami.

Mehrdad and I have been chatting for years online, so to finally get to meet was a blast. This episode felt like two mates chatting away, and there happened to be a camera. Pure Inline G Core. 

We chatted everything the American Flute School and Mehrdad’s brand new record, to our shared love of Sankyo and contemporary music. 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

00:00 - A short intro

03:19 - Iranian Culture, A History

08:10 - Teaching in the US (Part 1)

15:15 - The American Flute School and Vibrato

21:23 - Teaching in the US (Part 2)

32:49 - Performance Practices from Bach to Today

33:35 - This Vast Sky

41:10 - Sankyo Very Much

48:32 - Teaching in the Trenches

54:35 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

The second instalment of the NFA Convention Series is out and I am spoiling you all rotten!

This week’s guest is soloist, University of Iowa professor, recording artist and all-round flute superstar; Nicole Esposito.

I’ve been a fan of Nicole’s for 13 (!) years and I finally got to meet her and record a wee episode together. She chats about everything from how she judges competitions and her impressive NFA stats to her two recent flute and harp albums and studying with some of the greatest female flutists in US music history (amongst many other things).

 It’s a brilliant episode, I enjoyed this so much and I know you lot will too, you lucky wee ducks.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters: 

00:00 - Intro

03:15 - Judging Competitions

09:35 - Teaching the Post-COVID Generation

15:25 - Intersections, Turkish music and Beyond

24:21 - Dancing in Dreams

29:55 - Fluting Queens

40:15 - Social Media and it’s Developments

51:10 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

From jägerbombs to secret parties, and stellar guests to plastic babies; this week’s podcast reflects on my time at the NFA Annual Flute Convention in San Antonio, Texas.

I look at all the things the NFA got right, my own personal scandals, the cultural differences in the US, a hot take that will kill all my sponsorship chances and finally; why you should join me next year in Atlanta.

(There’s also a wee rant against Woodify and other related snake-oil products, sorry I got carried away x)

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

0:00 - Sneaky Snakey Oil 

5:09 - Fables from the Exhibitor Hall 

15:58 - Big up Flute Center

18:18 - What NFA nailed

20:40 - Stereotypes and Secret Parties

30:51 - Help

32:44 - A Complaint

36:15 - Atlanta (Atlantic City?)

Hosted on Acast. See acast.com/privacy for more information.

Fresh off the plane from the US, this week’s episode is one of several recorded at the NFA Convention in sickly humid San Antonio, Texas. Kicking us off from across the pond is my friend and yours, Scottish flute superstar Stephen Clark. 

I haven’t seen Stephen in near 10 years, so this was just a lovely wee catch up that happened to be filmed where we chatted about cultural differences between the US and UK flute worlds, daily challenges for gigging musicians, keeping your trousers on whilst bowing and the musical stylings of Cyndi Lauper.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters: 

0:00 - A sickly intro

3:47 - USA vs UK

18:22 - Teaching in the US

27:53 - Gigging and Stage Fright

43:28 - The Waistcoat Revolution

52:05 - Fun Questions

Hosted on Acast. See acast.com/privacy for more information.

Is there truly an American School of Flute Playing, similar to that of France, or is it purely said French School with an American accent?

I haven’t got the answer yet, but come join me as I trace the origins of American Flute Playing back to a Frenchman, which then passed through William Kincaid, Joseph Mariano and Julius Baker, to a potential tradition of American Flute Playing. 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

00:00 - The Ghost of Christmas Past

03:29 - French, German and English Cultures

06:45 - What is American Culture?

10:15 - Georges Barrère to USA

19:45 - Dear Listener

23:45 - Billy Kincaid and a Hot Take

35:41 - Joseph Mariano and St Patrick

38:39 - Julius and Julia Baker

41:39 - What is the American School then?

Hosted on Acast. See acast.com/privacy for more information.

Two weeks in a row, Inline G is bringing you former winners of the Kobe International Flute Competition; with this week welcoming Spanish-Filipino flutist Rafael Adobas Bayog.

Rafael and I chatted about the unique musical education he got in Ibiza, his compositional style, the Nielsen and Kobe competitions and how channelling your inner lion may be the key to success.

We also chat about our shared love of Steve Aoki and try to name as many Taylor Swift hits as we can.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

00:00 - A quick hello from just me

04:04 - Rafael Adobas on Ibiza and Vicens Prats

11:38 - Nielsen and other flute competitions

21:48 - Kobe in the Times of Corona

25:15 - Composing

29:14 - Channelling Lions

37:35 - Baroque Flute 

43:08 - Orchestral Solos

48:48 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

This week’s episode comes fresh off the press from the Luxembourg Philharomie with orchestral flute superstar, former Kobe Flute Competition Winner, Jolivet aficionado and super-mom; Hélène Boulègue.

I’ve been a fan of Hélène for years now, so getting to sit down with her to chat about her career, social media and most strikingly, motherhood was a legit privilege.

If you only watch one part of this episode, skip ahead to the chapter on motherhood; especially if you’re a fella.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

0:00 - A Quick Intro

2:32 - Orchestral Auditions at 19

12:50 - Preparing for Kobe

26:28 - Principal Flute

34:28 - Motherhood

51:03 - Changing Artistic Priorities 

52:32 - Quickfire Questions

Hosted on Acast. See acast.com/privacy for more information.

All music is political; the fact it even exists is a political debate. So on the most political day of the year for the flute, join me as I discuss the role it plays as a symbol for both the Ulster Unionist and Catholic Nationalist communities across Ireland. 

I also chat about why music is inherently left-wing, and why classical music insists of being apolitical in an ever changing world. 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)

Chapters:

0:00 - Is Music Political?

4:02 - The Flute in both Irelands

22:22 - Comparing Rebel and Orange Songs

27:36 - Right Wing Music (and why it’s shite)

29:54 - Patreon and Flute Center

32:40 - Classical Music’s Apolitical Attempts

38:13 - Ireland and Palestine

Hosted on Acast. See acast.com/privacy for more information.

The Punk Ethos is defined by anti-authoritarian and anti-establishment views, carried out in a DIY fashion. Is there anyone in Classical Music truly doing this, or is elitism too deeply ingrained in the culture?

I explore the roots of punk, the differences between punk as a genre and as an ethos, and finally I give my 3 favourite classical music “punks.”

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters: 

0:00 - The Origins of Punk 

7:55 - Disco, LGBTQ+ and Kneecap

12:20 - Support your local Punk

14:40 - Why Classical Music ISN’T Punk

18:55 - Franz Liszt and Clevage

25:55 - Stockhausen and Polyamory

34:17 - Currentzis and Big Boots

Hosted on Acast. See acast.com/privacy for more information.

How a freak accident in 1930's Hungary led to Francis Poulenc writing the most played flute and piano piece in the world, as well as an opera about a set of flying female breasts. 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Summer and Healthy Practice 

2:35 - Who is Monsieur Poulenc?

12:15 - True Crime in Hungary

19:10 - Patreon Ad Read

21:08 - PostBestMateDecapitation Era

24:35 - Flying Breasts

26:50 - The Flute Sonata

Hosted on Acast. See acast.com/privacy for more information.

I tell the stories of an awful music school I worked for through the lens of Homer’s Odyssey. 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Making a balls of Homer AND Joyce

5:25 - I. Calypso and Coronavirus

11:00 - II. The Laestrygonians and Fake Reports

18:01 - III. The Sirens and Illegal Pay

22:22 - IV. The Sun God and Copyright Breaches

25:20 - V. Scylla and Cleaning Pish

33:25 - A Break, Dear Listener

36:09 - VI. The Cyclops and Manuel Labore

44:03 - VII. Ithaca’s King and Crocodile Tears

Disclaimer: This episode is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents in this podcast are either the product of the author's imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

Hosted on Acast. See acast.com/privacy for more information.

We did it, ladies and gents and all in-between. 50 episodes of Inline G. Join me as I had 5 pints of Guinness and a Strawberry Ice vape and rated my top 5 flute pop culture moments. I also had a wee chat about the importance of creativity as an artist and how it’s essential to your mental health. 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - How drunk am I?

2:50 - Creativity and Legitimacy as an Artist

7:50 - Loving Failure

12:05 - The Art of Podcasting

22:00 - 5th Place, Pies from America

26:00 - 4th Place, Yazz Flute

29:10 - 3rd Place, Morrison’s Van

33:25 - 2nd Place, Juicy

36:35 - 1st Place, Weird

Hosted on Acast. See acast.com/privacy for more information.

Looking back to Pythagorean Theorem, I explain the origins of musical notes, the difference between Just Intonation and Equal Temperament, and how as a result; to truly play in tune as a flutist. I also tried my hand at my best Jordan Peterson impression, and had a dig at the people of England. All in a day’s work.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Welcome, Potential New Listener

6:05 - Pythagoras and Sexy Maths Teachers

10:14 - The Harmonic Series on The Flute

15:23 - A Plea, Dear Listener

17:37 - Equal Temperament

22:58 - Audio Examples of Temperament Differences

31:00 - Practical Tips for True Tuning

33:51 - A Note on the Brits

39:59 - Why do we Tune to A at 440Hz?

Hosted on Acast. See acast.com/privacy for more information.

The flute podcasting world is a rapidly growing one, but there’s one podcast that’s stood the test of time; the reliable stalwart of consistent excellence that is Talking Flutes. I’ve been a fan since the early days, and without it, Inline G wouldn’t exist. So it brings me great pleasure to FINALLY twist the arm of host Jean-Paul Wright into coming on here and giving us the crossover younger Gareth dreamed of. 

Not only a podcaster, Jean-Paul is also the Managing Director of Trevor James Flutes, having previously worked with Sankyo and Miyazawa, as well as being a trailblazer in the field of musician’s mental health.

This is a lovely, positive episode talking about validity as musicians, what art means to us and how to look after ourselves. It also has some of the best anecdotes Inline G has ever seen; including the origin story of the red socks, told publicly for the first time ever. 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - An Intro from Beyond the Grave

3:21 - Red Sock Origin Story

7:20 - Flute Beginnings and Teenage Crushes

10:07 - Crozier, Dower, Wibb and Military Music

20:07 - Performance Anxiety and THAT BBC Story

24:46 - Musician’s Mental Health from the 80s to today

31:31 - Changes in the Flute Market 

39:17 - Flute Podcasts and Paolo Maldini

46:46 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

This week’s Inline G couldn’t have had a more serendipitous timing, as I sat down with the brand new (as in, 2 days brand new!) permanent Principal Flute of the WDR Funkhausorchester; Marianna Busslechner. 

Formerly at the Staatskapelle Dresden orchestral academy, Marianna chats about her experiences going directly from playing under Christian Thielemann to improvising jazz solos at the WDR. 

We also chatted about her now professional connections with Die Maus and Tatort, and I finally get to ask a guest their favourite Arctic Monkeys song.

You can find Marianna on social media @MariannaBusslechner 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Someonee check on old Inline G

3:23 - Experiences so far at the WDR Funkhausorchester

11:46 - What is the a Funkhausorchester?

18:02 - Die Maus

23:45 - Tatort

31:55 - Marianna’s incredibly special Muramatsu

39:10 Staatskapelle Dresden Academy

45:27 - Arctic Monkeys and Disco Tunes

51:22 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

Inline G return’s to it’s roots this week; hungover with a world-class flutist, sipping on a Spezi and chatting about all the big issues of the flute world.

One of my personal best mates, French superstar orchestral musician and soloist Alice Brie was in town, and after a long night of Guinness until 4am, we emerged at 11am for a podcast.

Alice chats about everything from her experiences as a child prodigy, studying at the CNSM as a teenager, her orchestral debut at l’Opéra de Paris at just 18, right through to French v German tonguing and the role kindness plays to becoming better musicians. 

This was a delight of an episode. I’m away for a nap and a kebab now x

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - An introduction 

3:32 - A Hungover Hello and Growing Up a Prodigy

11:42 - Orchestral Beginnings

15:23 - Gold Muramatsu’s

20:04 - Creating Safe Teaching Spaces

29:35 - The French Flute School

35:02 - The Police Orchestra

46:58 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

After I waxed lyrical on Episode 28 of this podcast about Julien Beaudiment’s latest album, “California Dreamin’”, it was an inevitability that I would coax him on here. He found himself in Sunny Köln whilst on tour with The London Symphony Orchestra recently, and thus here we are.

Julien and I chatted about his time in orchestras in The UK, France and The US, as well as his nervousness before concerts, a shared love of apfelschorle and inevitably; The French Flute School.

There’s also an incredibly special sneak peak of Julien’s upcoming solo album at the very end of the episode. I can’t stress how lucky you guys are to hear this first; a true Inline G exclusive.

Merci mes potes x

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Une petite introduction

3:23 - Julien Beaudiment with the LSO

10:04 - Pre-performance Nerves and why they’re useful

13:17 - London and Paul-Edmund Davies

20:34 - The French Flute School and Professor Beaudiment

31:39 - Two Gold Sankyos

38:55 - California Dreamin’

51:31 - Quick Fire Questions

59:04 - A very special exclusive

Hosted on Acast. See acast.com/privacy for more information.

On the 12th April of this year, Vulture magazine published an article entitled “A Hidden Sexual Assault Scandal at the New York Philharmonic.”

It details an alleged sexual misconduct case from 2010, and the various related ongoings since then.

I am delighted to welcome the author of this landmark piece, Sammy Sussman, on to Inline G to talk about it, the various reactions and the potential implications for the classical music world.

Please also be aware that this episode contains descriptions of abuse, which some may find triggering.

This was a landmark episode, and I am thrilled that guests of this calibre feel comfortable to tell their story on Inline G.

Slán

Chapters:

00:00 - An Exceptional Episode

02:53 - Sammy Sussman on Inline G

05:23 - The Vulture Article and A Timeline of Events

15:13 - The NY Phil’s Immediate Reaction and the Tenure System

21:58 - MeToo and 2018 Developments

28:23 - Gender Disparity in the Case

31:14 - 2020 - Current Day Developments

36:48 - Reactions, Statements and Further Questions

50:39 - Classical Music’s Culture of Abuse

56:13 - Why Sammy, Various Cultures and Further Thoughts

1:09:52 - Thank You

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Hosted on Acast. See acast.com/privacy for more information.

Coming to you fresh from the Emerald Isle herself, this week’s episode features the the Principal Flute of The National Symphony Orchestra of Ireland (and proud fellow owner of an Irish accent); Catriona Ryan.

After a few Instagram DMs, Catriona managed to squeeze me into her exceptionally busy schedule after a rehearsal to sit down together in the National Concerto Hall in Dublin and chat all things flute.

From platinum Brannens and the importance of Orchestral Blending to a shared admiration of irish trad players and String, this episode has a wee something for everyone.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - An Irish Hello

3:34 - Studying with Trevor Wye (amongst others)

12:45 - A word on the Piccolo

18:30 - Orchestral Firsts (and our Jimmy)

27:15 - Concertos and Blending

30:35 - Platinum head Brannens

34:42 - Classical Music in Ireland

44:20 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

This week I'm answering questions from you, dear listeners. From how to busk, non-institutional performance opportuniies, sexiest flute performances and my favourite American Flutists; I answered ALL of them.

I forgot to plug the Patreon this week but here; if you enjoyed this episode, consider subscribing to the podcast and leaving a thumbs up or five star review. It helps a huge amount keeping this podcast alive.

Cheers everyone x

Chapters:

0:00 - Why I'm doing this to myself

2:00 - The NY Phil Scandal

3:50 - Busking and GETTING PAID

13:42 - Favourite Flute Chamber Music

16:28 - Mainstream Flute (an embarassing Enter Shikari Story)

18:40 - Attractive Flute Performances

20:42 - Will Ferrell and why Celtic music is so good

23:55 - Debussy and The England B Team

26:53 - Favourite American Flutists

30:15 - Teaching Vibrato on Flute

34:00 - Canada and Female Composers

37:52 - My 5k Sankyo and favourite keys

Hosted on Acast. See acast.com/privacy for more information.

It’s the piece every flutist dreads; and I’m here to change the narrative. So grab your copy of Ibert’s Flute Concerto, pour yourself something tropical and join me as we analyse everything that makes this concerto a damn good time. 

From Ibert’s potential links to Elvis and 101 Dalmatians, to n analysis of the structure and practice tips; this episode will cover everything you might need to know about the flute repertoire’s crown jewel (certainly enough to impress your teacher or any juries you come up against.) 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - A Guinness Driven Intro

2:39 - Jacques Ibert: A History of

11:27 - Ibert’s Unique Style and The Structure

15:22 - 1st Movement Analysis

22:42 - Patreon Read

24:17 - 2nd Movement Analysis

29:21 - 3rd Movement Analysis

37:20 - Goodbye with Petri 

Hosted on Acast. See acast.com/privacy for more information.

Coming straight from the Tonhalle Zürich, this week’s guest is Italian superstar, former Nielsen Competition winner and Karajan Academy graduate; Alberto Navarra.

Alberto very kindly took some time out of his busy schedule to sit and chat all about this debut album on Orchid Classics, featuring three monster flute concertos; The Mozart Flute and Harp, Reinecke and Nielsen, all with the Odense Symphony Orchestra. 

We also chatted a bit about his experiences studying with Jacques Zoon, Emmanuel Pahud, Andrea Oliva etc and his surprising love for System of a Down. 

Alberto’s album is available on CD or streaming on all your usual platforms. 

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Welcome back, my wee mates

2:48 - Alberto Navarra on orchestral firsts

6:07 - The Album, recording and photoshoots

16:15 - The Berlin Philharmonic Karajan Academy

27:10 - Former teachers and the Italian Flute School

32:04 - Alberto’s gold Muramatsu

37:41 - Alberto as a teacher

40:07 - Winning Nielsen

46:18 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

Straight from Zürich, this week's episode features French Mezzo-Soprano (and my best mate) Jade Ghersi; along with her wee hairless cat Thérèse.

We chat about the difference between dog and cat people, and have a quiz guessing which composers were which (join in and send me your score!)

We then move onto the flute and our link to animals; birds.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Another week, another intro

3:15 - Differences between Cat and Dog owners

8:28 - Composer Quiz: Cats or Dogs?

26:03 - Composers writing about Cats and Dogs

33:20 - Flutes and (sigh) birds

41:55 - Animal Stories and Cat Duets

45:50 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

I know I say this every week, but this episode was legitimately one of my favourite Inline G episodes. My guest is American flutist, professor, academic AND friend of the podcast; Dr Brianne Little.

Brianne came on at my request to chat about one thing; her Doctoral Thesis on the flute concerto “To Notice Such Things” by Rock and Roll Hall of Famer and founding member of Deep Purple; Jon Lord.

The piece itself is a stunning, cinematic masterpiece and Brianne has been working tirelessly for years to get it the recognition in the flute repertoire it deserves; and now I (and hopefully all of you) will join her in the good fight.

This episode also features the first EVER time I’ve had to beep out a swear word on Inline G; a landmark moment.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - An Excitable Intro

2:57 - Inline vs Offset and some background

9:55 - Who is Jon Lord?

13:28 - Concerto for Deep Purple (THAT Bleep)

21:00 - Who is John Mortimer?

25:25 - To Notice Such Things

50:29 - Quick Fire (ish) Questions

Hosted on Acast. See acast.com/privacy for more information.

Sandwiched in between all the flute superstar guests here on Inline G is the Irishman’s Christmas; St Patrick’s Day. So this week, we take a break from the flute intellectualism (and the flute in general) as I sat down with Niall from Sligo to curate a true Irish Person’s St Paddy’s Day playlist.

From The Dubliners and Pogues to Westlife and Boyzone, we go through everything that gets Irish people turnt on the big day (including the mythical Irish Lock-in.) Fair enough; it took us a wee while to get to the music. We’re Irish and we had a few pints: sue us x

The playlist is here:

https://open.spotify.com/playlist/0l85UE5gPAwQszG5UIY4NJ?si=d3e94c29b5cf4afa

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - An Intro

1:30 - Patreon with a Twist

4:00 - Qualifications and Mexico

6:10 - Irish Inventions and Irish News

14:38 - The Playlist: A Pair of Rovers

28:02 - Pints of Porter and Ex Girlfriends

36:00 - Christy Moore and Thin Lizzy

46:45 - Boy Bands: An Irish Tradition

57:10 - Ireland v Britain: A Musical History

Hosted on Acast. See acast.com/privacy for more information.

I continue to collect my personal favourite flutists on Inline G this week, with folk music expert, author, recording artist, multi-instrumentalist and all-round icon; Philippe Barnes.

Philippe's brand new record, The Clearwater Sessions, with Tom Phelan on piano comes out fittingly on St Patrick's Day (17th March 2024), so we sat down and had a chat about it, and the 18 year journey from the cult album The Madrid Sessions. We also discussed Philippe's varied career in television and recording, as well as his love for Boyz II Men.

The Clearwater Sessions is available on CD, Vinyl and Streaming, and you can get more info on Philippe's website over at www.PhilippeBarnes.com

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - An Intro from Philippe's Biggest Fan

3:33 - Philippe on Inline G, Seamed Tubes and other flutey things

10:05 - The Differences between Irish and Scottish Music (and weather)

22:00 - The V-Word

25:40 - The Madrid Sessions

35:08 - The Clearwater Sessions

50:50 - Brian Finnegan and Flook

56:21 - Dickson, Glass, Bowie and Prince

1:04:55 - Quick Fire (ish) Questions

Hosted on Acast. See acast.com/privacy for more information.

Toxic Masculinity has became a buzzword in modern society (and with good reason) so today, I’m here to firstly analyse the term itself, before looking at the relationship it has with abusive behaviour.

I then go into some examples from both the Classical Music and Flute Worlds, before ending with some possible antidotes to the toxicity. 

Warning: This isn’t the usual happy-go-lucky Inline G episode you might be used to. I talk about themes of abuse that some may find upsetting, so if you’re not in the right headspace for that, go check out another episode and I’ll see you next week x

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit. 

Smooches x

Chapters: 

0:00 - A wee catch-up and some disclaimers

3:25 - Defining Toxic Masculinity

7:08 - Support the Podcast

8:42 - My own (limited) experiences

15:00 - Toxic to Abuse

16:07 - Abuse in Classical Music

18:25 - Abuse in the Flute World

23:43 - Why am I doing this episode?

25:15 - Some antidotes to Toxic Masculinity

Resources if you’ve suffered from or witnessed abuse:

HelpMusicians..org.uk

Your Student’s Union

Your Local Musician’s Union (ie The ISM in The UK)

Hosted on Acast. See acast.com/privacy for more information.

Inline G ticks another country off the list, as I headed to Luxembourg to catch up with Polish flute superstar, former Karajan Academy Member, Orchestral Flutist, International Soloist and Recording Artist (and one of my personal favourite flutists); Zofia Neugebauer. 

We chatted about everything from her upcoming Mozart CD and the influence of period performance on it, to her teaching philosophy, her compositional life and how Beyoncé and Tokio Hotel play in to it all.

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. 

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit. 

Smooches x

Chapters:

0:00 - Intro

1:32 - Inline G Patreon

2:52 - Zofia Neugebauer on Inline G

6:25 - Zofia’s Flute: A Tragic Tale

8:15 - Reflecting on Success and Beyoncé

16:25 - Zofia’s new Mozart album

28:57 - Are we Technicians or Artists?

35:50 - Cool flute bags and football 

43:50 - Teaching and Composing

53:40 - Quick(ish) Fire Fun Questions

Hosted on Acast. See acast.com/privacy for more information.

This episode feels like the good old days of Inline G when I drank too much and said even more. Due to a last minute cancellation, I run you through the history of my adopted cities tradition of the World's Biggest Party, and drink way too much during it.

By the time I get round to the musical history, I'm on the moon, baby x

If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Intro - Sober

6:08 - My costume - Tipsy

8:55 - My Karneval 2024 - Tipsy Plus

10:25 - Kölsch Beer - Wee Bit Drunk

14:10 - Karnveal History - Bit Drunk

25:57 - The Triumvirate - Noticeable Effects

31:08 - Karneval Music Through The Years - Drunk

1:00:37 - Patreon - On the Merry Road to Windsor

1:02:04 - Karneval Quiz - You know yourself

Hosted on Acast. See acast.com/privacy for more information.

With the whole raft of new listeners rocking up to the podcast, I've taken the novel decision to ask myself all the questions I normally I ask myself. This week is wedged in between some monster episodes, so it's a little calm from the storm to come and know your Inline G host that little bit better.

It's also a chance to formally announce my brand new Patreon!

If you'd like to support the podcast, you can sign up to be a Patron at;

patreon.com/TheInlineGFlutePodcast

Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Welcome back and the audience numbers

08:45 - Starting the flute

12:35 - The Wales Years

18:00 - PATREON IS HERE!

23:48 - The Paris Years

34:45 - The Germany Years

38:02 - Current Teaching and Work

Hosted on Acast. See acast.com/privacy for more information.

The second episode from world flute capital Paris features another (very) special guest; this week I'm joined by Principal Flute of the Orchestre Philharmonique de Radio France, Sony Classical Recording Artist, award-winning Chamber Musician, former ARD Competition winner, CRR de Paris Professor and my former teacher; Magali Mosnier.

I sat down with Magali to chat everything from playing under the great Myung-Whun Chung and winning the ARD International Music Competition, to her teaching philosophies and favourite cocktails.

It's another milestone moment for this podcast to have a musician of Magali's stature on, and I'd like to thank each and every one of you for watching/listening over the last 7 months, it means the world to me x

If you'd like to support the podcast, you can buy me a beer or a Dr Pepper with my PayPal link below (also in my Instagram bio!)

Inline G will ALWAYS be free of charge, but small donations of a few euro/pounds/dollars help keep the lights on round here, if you can afford it x

www.paypal.me/garethhouston92

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00:00 - Introduction

0:03:35 - Interview with Magali Mosnier

0:04:45 - Franck Edouard and José-Daniel Castellon

0:11:30 - Playing under Myung-whun Chung

0:17:05 - First Tour with Radio France Philharmonic

0:19:25 - Debussy and Ravel flute solos

0:26:56 - Solo Career

0:38:99 - Contemporary Concertos

0:45:45 - The French Flute School

0:51:35 - The Future of Magali Mosnier

0:55:38 - Quick Fire Questions

Hosted on Acast. See acast.com/privacy for more information.

Coming at you from the world capital of the flute, Paris, my guest this week is soloist, chamber musician and personal mate; Thomaz Tavares.

I sat down with Thomaz in the Galway Irish Pub at Saint Michel to talk about everything from our shared studies at The École Normale de Musique de Paris, to his new solo ventures, Ensemble IMAGO, world premieres and musician drinking games.

If you'd like to support the podcast, you can buy me a beer or a Dr Pepper with my PayPal link below (also in my Instagram bio!)

Inline G will ALWAYS be free of charge, but small donations of a few euro/pounds/dollars help keep the lights on round here, if you can afford it x

www.paypal.me/garethhouston92

Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit.

Smooches x

Chapters:

0:00 - Intro

3:32 - Thomaz Tavares and Straubinger Flutes

6:22 - The Goldenrod Flute Sonata

8:12 - Ensemble I M A G O

13:14 - Studying in Paris and The French Flute School

17:00 - Fluting in Brazil

21:06 - The Rocky Horror Galway Show

25:02 - Studying with Thomas Robertello

29:50 - Meeting Jean Ferrandis

32:06 - French Flute Teaching System

37:17 - Redeveloping Sound and importance of singing

42:37 - Thomaz Tavares goes solo

46:40 - Wuhan, Jan 2020

48:32 - Can you feel the love tonight?

55:45 - Quick Fire Questions

1:02:04 - Musician Drinking Games

Hosted on Acast. See acast.com/privacy for more information.

Undoubtedly the best flute album of 2023, Julien Beaudiment's "California Dreamin" has became one of my all time favourites. I've had it on repeat for weeks, and I just had to share my enthusiasm with the world.

So sit back with me as I take you through each track, and why this is the new blueprint for great flute albums (excluding 2 minor points.)

If you enjoyed this week's episode, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - Intro

3:55 - The Album Cover

8:38 - Track 1: La La Land

10:30 - Track 2: Angela's Theme

11:40 - Track 3: An American in Paris

14:50 - Track 4: Speedy Gonzales

16:00 - Track 5: La Californienne

17:06 - Track 6: L'automne californien

17:35 - Track 7: Hollywood

18:42 - Track 8: Die Heimkehr

19:47 - Track 9: Lujon

21:55 - Track 10: Mahnung

23:50 - Track 11: Korngold Serenade

25:35 - Track 12: Rhapsody on Paganini

26:47 - Track 13: No word from Tom

28:36 - Track 14: Star Spangled Banner

30:55 - Track 15: California Dreamin'

36:05 - Supporting the podcast (for free!)

Hosted on Acast. See acast.com/privacy for more information.

The Great school of French flute playing started way back in the 1800s, and continues to be the gold standard to this day. However, why did it start in Paris? Who are the big players? What make's it so unique?

This week's episode is the definitive guide, covering everything from it's political origins through to the modern day conservatoire system. Along the way, I'll also explain all those French terms like concours and premier prix with their true translations and meanings (relying on my own studies in the French capital a few years ago). So sit back, pour yourself a vin rouge, and enjoy x

If you enjoyed this week's episode, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x

Chapters:

0:00 - 2024 on the Inline G train

2:13 - The French Flute School - Why me?

7:20 - What is the French Flute School anyway?

9:10 - Why Paris? The Revolution, of course

16:15 - The role of the French language

17:30 - A plea from Inline G to you, listener

19:49 - All the teachers of the French School

25:10 - "Conservatoire" a mis-translation

33:25 - "Concours" explained (finally)

38:00 - The French system of 2024

Hosted on Acast. See acast.com/privacy for more information.

Ask and ye shall receive; this week whilst I'm home for Christmas, my Grandfather (and Flute Band legend) Brian Houston has found time in his schedule to make an appearance on the podcast (and even offered up his kitchen for the occasion.)

We chat about his decorated career as conductor and player of some of the finest flute bands in Northern Ireland, over a glittering 67 year career. From competitions with Jimmy Galway, to a titanic clash with Arthur Fleming for the World Championships, this episode is a real treat for flute band enthusiasts.

We also welcomed my Grandmother, Valerie Houston, for the first 10 minutes to comment as Inline G's biggest fan, and she finally addresses those bread knife threats.

I'd also recommend checking out episode 5, "Flute Bands of Northern Ireland" before watching this episode. It'll give you all the background information you need; we had too much to cover to go back to basics today.

If you'd like to support the podcast, you can buy me a beer or a Dr Pepper with my PayPal link below (also in my Instagram bio!)

Inline G will ALWAYS be free of charge, but small donations of a few euro/pounds/dollars help keep the lights on round here, if you can afford it x

www.paypal.me/garethhouston92

And, if you want to chat more, he's all my socials, I'd love to hear from you!

TikTok, Facebook and Instagram: @GarethHoustonFlute

Smooches x

Chapters:

00:00:00 - Introductions and accent warnings

00:02:33 - Valerie and Brian Houston talk Inline G

00:13:25 - 50 years service medal to Flute Bands

00:14:08 - The Old Woman in the Shoe (and kilts)

00:17:40 - Simple System Flutes of Belfast

00:20:25 - The Argyle Temperance Flute Band

00:28:22 - Both of us stopping the flute

00:30:00 - Solos and Small Ensembles Competition

00:34:18 - The Ballygowan Flute Band

00:44:15 - The glory days of Flute Bands

00:47:55 - Jimmy Galway and his Belfast Sound

00:53:10 - The playing of flute bands

00:56:55 - The Lisburn Flute Orchestra

00:59:53 - What Flute Bands offer

Hosted on Acast. See acast.com/privacy for more information.

Do you know absolutely nothing about Classical Music, but want to impress the girl/boy/person of your desires by showing off just how cultured and educated you are? Well you've came to the right place.

In just one 50 minute-ish episode, I'll teach you everything you need to know about the history of Western Classical Music from 1600 to present day. From all the fancy foreign words, to the 4 big eras of Western Classical Music; I've got the lot covered for you.

(And for those who are already musicians, enjoy taking off your artist glasses and rediscovering music history with the sparkly eyes that we all once had.)

If you'd like to support the podcast, you can buy me a beer or a Dr Pepper with my PayPal link below (also in my Instagram bio!)

Inline G will ALWAYS be free of charge, but small donations of a few euro/pounds/dollars help keep the lights on round here, if you can afford it x

www.paypal.me/garethhouston92

And, if you want to chat more, he's all my socials, I'd love to hear from you!

TikTok, Facebook and Instagram: @GarethHoustonFlute

Smooches x

Chapters:

00:00 - Why on Earth am I doing this?

06:35 - Symphony or Concerto, Arse or Elbow?

13:00 - Baroque and Roll

18:12 - Freiburg play Bach (recording)

18:54 - Classical Era of Classical Music

24:24 - Norrington conducts Mozart (recording)

25:07 - Donations

28:20 - Romance of the FA Cup (and Beethoven)

36:48 - Vogt plays Grieg (recording)

37:35 - Contemporary Era AKA Noise

43:15 - Boulez conducts Boulez (recording)

43:48 - Goodnight, Wembley

Hosted on Acast. See acast.com/privacy for more information.

Since day one of Inline G, Gill Derer has been on the hit list for guests; and 2 weeks before Christmas, evidently Santa has worked his magic.

The Queen of Flute Instagram, calling in all the way from Canada, chats everything from content creation, orchestral auditions and imposter syndrome, to performance anxiety and hypnosis (really.) Stick around 'til the end to find out who Gill would put alongside Harry Styles and Emily Beynon in her dream festival line-up.

The chapters are down below if you fancy skipping to the section that tickles your fancy most.

Chapters:

00:00:00 - Introductions and donations

00:02:53 - Gill Derer on Auditions and Vlogs

00:06:10 - Gareth's first orchestral audition

00:09:10 - Influencer or content creator?

00:10:48 - Early days of Gill Flutes

00:16:50 - Fears on social media

00:20:20 - New challenges of social media

00:23:43 - The small flute world

00:26:10 - Being an introvert AND a content creator

00:28:20 - Being recognised from social media

00:32:00 - Famous Social Media Followers

00:35:50 - Collabs

00:41:20 - TikTok

00:45:52 - Transferable skills of social media?

00:47:50 - Performance Anxiety and Imposter Syndrome

00:56:22 - Canada taking over Inline G

01:02:00 - Quick Fire Flute Questions

If you'd like to support the podcast, you can buy me a beer or a Dr Pepper with my PayPal link below (also in my Instagram bio!)

Inline G will ALWAYS be free of charge, but small donations of a few euro/pounds/dollars help keep the lights on round here, if you can afford it x

www.paypal.me/garethhouston92

And, if you want to chat more, he's all my socials, I'd love to hear from you!

TikTok, Facebook and Instagram: @GarethHoustonFlute

Smooches x

Hosted on Acast. See acast.com/privacy for more information.