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02/08/2026
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Yoshiko Nakano and Georgina Challen, "Meiji Graves in Happy Valley: Stories of Early Japanese Residents in Hong Kong" (Hong Kong UP, 2024)
Wednesday, June 17, 2026 • Duration 55:13
The connections between Hong Kong and Japan began far earlier than many realise. Yet only recently has Hong Kong’s historic Japanese community received the attention it deserves through Meiji Graves in Happy Valley: Stories of Early Japanese Residents in Hong Kong (Hong Kong UP, 2024). In this compelling book, Dr Yoshiko Nakano and Georgina Challen guide readers into the Meiji era, reconstructing history through the lives of ordinary people whose stories have long been overlooked. During our interview, Yoshio explained her desire to place this research within a broader East-West framework, a cross-cultural perspective reflected in her own collaboration and long-term friendship with Georgina.
Perhaps the book’s most moving aspect is the authors’ compassion for Kiya Saki, a karayuki-san (sex worker) from Nagasaki who migrated to Hong Kong and later died by suicide. Yoshiko and Georgina spoke movingly about discovering her story. Like Saki, both have experienced life far from home and understand the challenges of building a life as a sojourner. Her tragic fate inspired them to investigate the lives of early Japanese residents through the meticulous study of 470 graves in Happy Valley.
Beyond individual tragedies, the book reveals a diaspora divided by deep social tensions. While the Meiji state sought to project the image of a modern, civilised nation, the Japanese community in Hong Kong was effectively a ‘community of two halves’. Elite business figures, including Mitsubishi managers, existed alongside marginalised karayuki-san and boarding-house operators.
Yet from this division emerged a remarkable story of solidarity. Through institutions, wealthier members of the community funded healthcare, financial assistance, and dignified burials for those in need. Driven by the necessity of mutual support in a foreign colonial port, they transformed a fragmented group of migrants into a resilient and organised community.
This dynamic resonates with Michel Foucault’s concept of heterotopia, which views the cemetery as a counter-site where distinctions of class, gender, and status dissolve. The Meiji graves vividly illustrate this reality. In death, social divisions that shaped everyday life become impossible to conceal: the graves of marginalised karayuki-san lie alongside those of the community’s elite. Together, they offer a unique window into a history shaped by colonialism, human trafficking, global trade, and Japan’s transformation into a world power.
Richly narrated and grounded in extensive archival research, Meiji Graves in Happy Valley fills an important gap in the histories of both Hong Kong and Japan. By recovering the experiences of ordinary migrants, merchants, workers and sojourners, it reveals the human stories behind larger processes of migration, empire, and modernisation, offering a fresh perspective on the intertwined histories of Hong Kong and Japan.
Yoshiko Nakano is a professor in the Department of International Design Management at Tokyo University of Science. She previously taught Japanese studies at the University of Hong Kong.
Georgina Challen holds an MA in literary and cultural studies from the University of Hong Kong. Born in England, she grew up in Switzerland and has called Hong Kong home since 1990.
Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator.
Ruth Mandujano López, "Steamships Across the Pacific: Maritime Journeys between Mexico, China, and Japan, 1867–1914" (U Hong Kong Press, 2025)
Thursday, April 9, 2026 • Duration 01:20:34
How did the movement of people, goods, and ships reshape connections between Latin America and Asia in the late nineteenth and early twentieth centuries?
In Steamships Across the Pacific: Maritime Journeys between Mexico, China, and Japan, 1867–1914 (U Hong Kong Press, 2025), Ruth Mandujano López examines this question through the lens of maritime travel. Focusing on Mexico’s participation in emerging steamship networks linking it to China and Japan, the book traces how these routes facilitated new forms of mobility, exchange, and encounter across the Pacific world.
Steamships Across the Pacific is organized around specific voyages. Each chapter centers on a particular steamship journey and follows the people who traveled on the ships and observed the locations around them, including scientific voyages and chartered steamers filled with would-be immigrants. This structure allows Mandujano López to foreground the lived experience of transpacific travel, showing how these journeys were shaped by — and also shaped — larger processes of imperialism, mobility, and modernization. As such, this book will appeal to readers interested in global history, Pacific worlds, and the history of migration and mobility.
Gary Bettinson, "The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance" (Hong Kong UP, 2014)
Episode 96
Friday, October 22, 2021 • Duration 01:27:38
The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong’s filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong’s films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong’s filmmaking. The book also discusses Wong’s influence on other filmmakers in Hong Kong and around the world.
The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong’s films in particular.
Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates.
Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.
Katie Cummer and Lynne D. DiStefano, "Asian Revitalization: Adaptive Reuse in Hong Kong, Shanghai, and Singapore" (Hong Kong UP, 2021)
Episode 42
Tuesday, August 3, 2021 • Duration 57:57
Adaptive reuse, or using a building for a new purpose, has become popular around the world, but discussion about adaptive reuse in Asia is relatively scarce. As a result, this architectural innovation in Asia, which includes redesigned institutional buildings, awards for cultural heritage conservation projects, and adapted reuse field studies, is overdue for consideration. Asian Revitalization’s review of adaptive reuse begins by comparing the global presence of adaptive reuse to its presence in Asia and evolves into a detailed examination of adaptive reuse’s relationship to urban development and sustainability, how adaptive reuse supports heritage buildings, and its connection to best practices in heritage conservation in Asia. The text grounds its analysis in essays, timelines, and case studies that focus on revitalization in Hong Kong, commercial development in Shanghai, and community building in Singapore in addition to analysis of government policy documents and extensive fieldwork. At a time when sustainable development is crucial, Asian Revitalization can provide classrooms and a professional readership with a valuable resource about Asia’s participation in this flourishing and creative architectural movement.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Eika Tai, "Comfort Women Activism: Critical Voices from the Perpetrator State" (Hong Kong UP, 2020)
Episode 381
Wednesday, February 17, 2021 • Duration 36:36
Eika Tai’s Comfort Women Activism: Critical Voices from the Perpetrator State (Hong Kong University Press, 2020) tackles the complex histories of Japanese “military sexual violence” and the activism by women in Japan, mostly since the 1990s.
Tai’s contribution to scholarship on the so-called “comfort women” issue begins with a helpful overview of both the comfort women movement and also the political and social context in which that movement arose and continues today.
Part 2: Activist Narratives, includes four chapters. Chapters 3-5 look at different ways that activists in Japan―primarily Japanese women responding directly or indirectly to the testimony of survivors―have approached the “comfort women” issue.
Tai tells the stories of two or three representative activists in each of these chapters, and demonstrates how they encapsulate a particular way of being “activists in the perpetrator state.” Chapter 6 follows the same structural approach, but ties together some of the threads from previous chapters in its analysis of the transnational feminism that led to the Women’s International War Crimes Tribunal in 2000.
The book’s conclusion contrasts this approach with the thought of feminist scholar Ōgoshi Aiko, and introduces the idea of “Feminism against Japan’s Military Sexual Violence,” the title of Chapter 7.
Because it breaks new ground in understanding not just the question of military sexual violence, but also the histories of philosophical and activist feminisms, Comfort Women Activism will be of interest to historians of East Asia, gender, social movements, and more.
Nathan Hopson is an associate professor of Japanese and East Asian history in the Graduate School of Humanities, Nagoya University.
John Wei, "Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes" (Hong Kong UP, 2020)
Episode 2
Tuesday, December 29, 2020 • Duration 33:41
John Wei’s book Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (Hong Kong University Press, 2020) studies queer cultures and social practices in China and Sinophone Asia. Young queer people in Asia struggle under the dual pressures of compulsory familism and compulsory development, that is, to marry and continue the family line and to participate successfully in the neoliberal development of Asia. Compulsory development often necessitates migration for education and work. Wei explores how queer people grapple with kinship, home, and developing queer communities under these conditions. Using his training in film and media studies, he analyzes films by queer Chinese-language filmmakers and discusses the creation of gay communities in cafes, queer film clubs, online social media platforms, and mobile social media. Thoroughly grounded in theory, Wei contributes new metaphors of stretched kinship and gated communities to understand movements of queer cultures and social practices.
Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer.
Elisheva A. Perelman, "American Evangelists and Tuberculosis in Modern Japan" (Hong Kong UP, 2020)
Episode 327
Friday, June 12, 2020 • Duration 01:32:14
Elisheva A. Perelman's new book American Evangelists and Tuberculosis in Modern Japan (Hong Kong University Press, 2020) examines the consequences of Japan’s decision not to tackle the tuberculosis epidemic that ravaged the country during the last quarter of the nineteenth century and the first quarter of the twentieth. TB was a plague of epic proportions in industrializing Japan, particularly affecting young women workers in the new textile factories. These marginalized laborers, many from rural villages, were not a priority for Japan’s first modern administrations, who focused their energies elsewhere and left the welfare of tuberculosis patients to the private sector. The opening left by this choice was filled by American evangelicals, who saw an opportunity to advance their missionary work in Japan.
Perelman identifies a kind of twinned moral entrepreneurship, arguing that a tacit agreement was hammered out between the two sides, with the government accepting the evangelical groups’ assistance with this public health emergency in exchange for noninterference in their efforts to spread Christianity. The history of TB in Japan is well studied and understood, but American Evangelists and Tuberculosis in Modern Japan breathes new life into this old story by its attention to different actors and dynamics. It will be of interest not only to scholars of Japanese and East Asian history and culture, but also to historians of science, medicine and public health, and Christianity.
Miriam Driessen, "Tales of Hope, Tastes of Bitterness: Chinese Road Builders in Ethiopia" (Hong Kong UP, 2019)
Episode 32
Friday, December 13, 2019 • Duration 30:41
I met Dr Miriam Driessen at Oxford University where she works at the China Centre. We spoke about her wonderful new book Tales of Hope, Tastes of Bitterness: Chinese Road Builders in Ethiopia (Hong Kong University Press, 2019). Through unprecedented ethnographic research among Chinese road builders in Ethiopia, Driessen finds that the hope of sharing China’s success with developing countries soon turns into bitterness, as Chinese workers perceive a lack of support and appreciation from Ethiopian laborers and local institutions. The bitterness is compounded by their position at the margins of Chinese society, suspended as they are between China and Africa and between a poor rural background and a precarious urban future. Workers’ aspirations and predicaments reflect back on a Chinese society in flux as well as China’s shifting place in the world.
I started our conversation asking a short introduction on her background and the origin of the book. We mentioned the influence on her research of the work by C.K. Lee and particularly the book Against the Law. Miriam explained how she ended studying the Ethiopian case and road construction over other sectors. We then moved to her findings on the resistance and agency of African workers and the ‘hopes and bitterness’ of the Chinese workers. We discussed how it is possible to identify different classes among Chinese workers in Ethiopia (as well as in China) and the varieties of migrants, each with different background, ambitions, working conditions and destiny.
We concluded our conversation addressing the controversial topic of China’s presence in Africa and whether this should be defined as neo-colonialism or not. Revealing the intricate and intimate dimensions of these encounters, Driessen conceptualizes how structures of domination and subordination are reshaped on the ground. The book skillfully interrogates micro-level experiences and teases out how China’s involvement in Africa is both similar to and different from historical forms of imperialism.
Miriam also told us about her new project as she is about to move to Ethiopia for another year of fieldwork. Thanks to her bright anthropological skills and her ability to communicate in both Amharic and Chinese, it will be yet another amazing scholarly contribution.
Miriam Driessen is an anthropologist and a writer of literary nonfiction in English and her native Dutch. She is currently a Postdoctoral Research Associate within the China, Law and Development Project, hosted by the University of Oxford China Centre. Miriam completed a DPhil at the School of Anthropology and Museum Ethnography at Oxford (2014/15), and held a fellowship at Peking University (2014–2016). She has also been a Leverhulme Early Career Fellow at the School of Interdisciplinary Area Studies (SIAS) and a Junior Research Fellow of Jesus College, University of Oxford.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
Pang Yang Huei, "Strait Rituals: China, Taiwan, and the United States in the Taiwan Strait Crises, 1954-1958" (Hong Kong UP, 2019)
Episode 266
Monday, April 29, 2019 • Duration 57:15
The Taiwan Strait Crises of 1954-55 and 1958 occurred at the height of the Cold War. Mao’s China bombarded Nationalist-controlled islands, and U.S. President Eisenhower threatened the use of nuclear weapons. These were dramatic events, and it can be a difficult to disentangle military and political posturing from the real concerns of the three involved powers. Using newly available sources, Pang Yang Huei reexamines the Taiwan Strait Crises and concludes that China, Taiwan, and the United States were much more aware of each other’s concerns than previous studies have indicated. Strait Rituals: China, Taiwan, and the United States in the Taiwan Strait Crises, 1954-1958(Hong Kong University Press, 2019) traces the role of ritual, symbols, and gestures in the tacit communication between Beijing, Taipei, and Washington. Ultimately, this detailed history contributes to a better understanding of the history of the Asia-Pacific region during the Cold War.
Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer).
Derek Hird and Geng Song, "The Cosmopolitan Dream: Transnational Chinese Masculinities in a Global Age" (Hong Kong UP, 2018)
Episode 255
Tuesday, January 15, 2019 • Duration 01:08:24
China’s global rise has been analysed from many perspectives in recent years. But pressing questions over how understandings of gender – and particularly masculinity – have been changing amidst increasing mutual contact between China and the wider world have been asked less often. Derek Hird and Geng Song are among the foremost contributors to a steadily growing body of work in this area, however, and their new edited volume The Cosmopolitan Dream: Transnational Chinese Masculinities in a Global Age (Hong Kong University Press, 2018) offers a brilliantly diverse range of perspectives on Chinese men and their global entanglements.
There is something for everyone here as specialists in media, language and literature, gender studies and anthropology join forces to discuss Chinese masculinity as represented and as practiced. From domestic film and televisual portrayals of globe-trotting Chinese men, to the experiences of Chinese migrant fathers working in Ethiopia, Chinese students studying abroad in the United States, or Chinese male gangsters appearing on German or Japanese TV, readers will get a rich sense of how masculinity figures throughout rising China’s global engagements. At once deeply thought-provoking and entertaining, this book is sure to help us all appreciate the importance of this still-overlooked subject.
