The Emerald – Details, episodes & analysis

There is a weight to modern existence — perhaps you've felt it. In a world in which social and environmental crises only seem to be deepening and our familial, communal and spiritual support systems are steadily crumbling, individuals are buckling under the weight. This weight is not simply metaphorical. When the web of relationships that traditionally hold human culture together is fractured, then sociocultural, ecological, and even cosmic burdens are funneled to individuals to carry. We often try to tackle these burdens on our own — but they are far too big for one person to bear. Traditional cultures, by contrast, tend to be constructed around networks of support — not only in their sociocultural and spiritual systems, but in their understanding of a cosmological and ecological mandala of animate forces, gods and goddesses and spirit helpers that literally bear weight. So animate traditions invoke various weight bearers, from turtles to elephants to the great mother goddess herself — who is known as the 'support' of everything that is. Such figures invite us into a deeper vision of support that is not generated or borne by us alone and that requires that we rethink the human role in the web of life. In such relational visions, people are not gods. They have responsibilities to the web of life, but they are not responsible for bearing everything. The tendency of the modern individualist mind to put itself at the center of the cosmos and try to bear universal burdens on its own has roots that go back to the creation story that lives at the heart of western history, a story that imbues individual beings with the greatest burden of all — the burden of salvation. If we look closely this unconscious burden is still at play everywhere, across the social and political spectrum, in wellness narratives and psychotherapeutic narratives, and even in the stories we tell about how it's our imperative to 'save the world.' Perhaps it's time to unpack this deeply rooted burden and regrow it as something else. Featuring a beautiful telling of the story of Sky Woman by Mohawk Chief Beverly Cook, and original music from Beya, Balladir, Olivia the Bard, Hummbbugggg, Victor Sakshin and Marya Stark, This episode dives deep into the roots of the cosmic burdens that individuals in modern culture bear, and explores what it means to redistribute the burden as we find cosmic, ecological, and communal support.

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In times of rising frustration over the state of nations, times of personal, ecological, societal, and planetary impasse, when cycles of senseless suffering seemingly repeat themselves over and over, and all the global upheaval still isn't bringing about change... in times when stuck energies need to move and forces that have been restrained for generations long to break free, the myths offer visions of roarers, bellowers, trumpeters, and conch-blasters. These movers and shakers do more than release pent up energy. They awaken, they transform, and they announce the transition from one world to the next. So the howling storm gods of the Vedas "move the immovable" and the Goddess herself trembles the worlds with her cosmic roaring laughter and ushers in a new age. But the roar of the goddess is not just the roar of speaking truth to external powers — it is also an internal reckoning, a moment of reconciliation that takes place within us — a recognition of all those places in us that have gone dormant and need waking and all those old patterns that need to be shaken free. As bodies try to somatically process and metabolize the times we are living in, sometimes we need a good mother roar.... and we can learn much from traditions that harness the power of uttered sound to invoke help, to guard against intrusion, to dispel negative forces, and to carry us into states of deeper connectivity. Ready yourself for roars and bellows, trumpets of judgement, announcing angels, and a deep dive into the Norse Ragnarok myth with Rune Rasmussen of the Nordic animism channel. Because sometimes you gotta go full apocalyptic to meet the energy of the times. Featuring music from (and an interview with) Sakha songstress Snow Raven, songs, yelps, bellows, and shrieks from Marya Stark and Travis Puntarelli, appropriately doomy guitar from Sunny Reinhardt, and angelic calls from Jeunae Elita, this episode is designed to MOVE STUCK ENERGY, and then ultimately to channel it in creative and life-affirming ways. Listen loud and shake it free. 

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The story of human ritual and cultural tradition is one of depth and deep connection to land, to place, and to processes and protocols that remain steady across generations. But it's also a story of constant mutation, assimilation, and re-expression. There is a fluidity to culture and tradition that is not always acknowledged in modern discourse. Religious scholars will tell us that all traditions are — to one degree or another — syncretic, and when we lift the lid off of traditions and look deeper, we start to see that even those that seem the most anchored and fixed are deeply porous and adaptive, that traditions have always traveled and changed shape,  just as the land itself changes constantly. At a time when more and more people are looking to reconnect to ritual practice, to tradition, and to the land — and yet wanting to be respectful of cultural boundaries —  it can be helpful to also understand the fluid, spontaneous, artistic and adaptive aspects of cultural tradition, to hear stories of traveling gods and cross-cultural mashups and innovations that arrive with the movement of travelers. Right at the heart of this exploration of adaptation lives the Divine Mother, who continually re-invents herself to meet the needs of the ecosystems she encounters. So the Polish Black Madonna becomes assimilated into Haitian Voodoo, the Indian mother goddess finds a way to re-express as Catholic St. Sarah, and the African sea goddess Yemoja re-arises to become the most popular vision of the Divine Mother in Brazil and possesses bodies from all socio-cultural and ethnic backgrounds regularly. In many places, syncretism — the fusion and blending of traditions — is welcomed, even if the histories that led to that syncretism are painful. And in these syncretic cauldrons, new traditions are born all the time. Once we start to view the flow of culture and tradition beyond a human-centered sociocultural lens, we see a living animate process in which gods travel and the forces of 'place' are not static, in which outsider species are assimilated into new ecologies, and in which wanderers and outcasts play a key role in the adaptive movement of traditions. These stories teach us that the world is not so neatly divided into those who belong to a place and a tradition and those who don't.  And that the story of 'not feeling at home' — of feeling rootless and separate from a homeland that is far away —  is actually a key part of the human story and serves as a starting point to the process of reconnection. Featuring conversations with Peia Luzzi, Scout Rainer Wiley, Tyson Yunkaporta, Skye Cielita Flor and Bayo Akomolafe and music by Egemen Sanli, Victor Sakshin, Beya, and more, this episode is an oceanic cross-cultural ride that asks us to leave our preconceptions of what is fixed and what is fluid behind. 

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In the modern world, words like 'law' and 'order' carry with them a good deal of sociocultural baggage, and are often associated with restriction, burden, and arbitrarily imposed rules. Yet historically, tradition after tradition sees an innate, artful order to the natural world and views the Law of the Land as something vibrant and alive, present in the breath and in the waters and in the endless cycling of the clouds. In this living vision of Law, nature unfolds along particular patterns and pulses, and the task of the human being is to understand what it means to align to this inherent pattern. The culture attunes itself to the Law of the Land — and its dances and its artworks, its ceremonies and its cycles of planting and harvest are a reflection of this living Law. At the heart of this Law is a responsibility to give back to the living web of which we are a part, and the understanding that in the very act of being alive, we owe debts to the larger cycle of creation. Talk of shared responsibility and debt can seem at odds with a modern culture that focuses on individualist freedoms. Yet traditional visions of Law remind us that our responsibility to nature is not burdensome. In fact, to align to the larger web of life alleviates a great modern burden — the burden of isolation. So Law, ceremonially enacted, places a person in direct somatic relationship with the community and the ecology and the larger cosmos. In this vision, Law is not something that can be theoretically imposed. It must be felt, and it is traditionally felt ritually. So any discussion on Law — Natural Law, environmental law — that does not include a sacred, ceremonial component, is incomplete. For the Law of the Land, as it is traditionally seen, is alive, and what matters most is our communal ritual connection to it. Nyoongar Elder Noel Nannup, Native American activist and author Jose Barreiro, and author Bill Mahony join for this vibrant journey into Law... and clouds. Featuring original music by Marya Stark, Nivedita Gunturi, and Andy Aquarius. 

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In times of global upheaval, ecological destruction, and societal inequity, justice can seem very far away. Justice in the modern world is often viewed as a contract, an agreement forged between human beings rather than something inherent to the natural world. And yet, for many cultures and traditions, justice is seen as a living presence, as the actual dynamic flow of cause and effect that serves to keep a larger natural balance. Tradition after tradition speaks of the larger law of the cosmos and of the human role in aligning to it.  At a time when people are experiencing deep grief and anxiety over the fate of the planet, understanding and reconnecting to a living vision of justice can help provide not only a sense of somatic anchor, but a way forward that asks us to align to something both immediate and ultimate. This vision of living justice asks us to move away from the language of abstract 'justification' towards a more palpable understanding of cause and effect, of excess and repercussion, of balance and flow. Even as it asks us to be awake to the suffering of the world and take action to help remedy its imbalances, it also provokes us to find this living flow within ourselves, to go deep into the roots of cycles of vengeance and retribution in our own hearts.  At once a lament over the sorry state of human justice, a cry out to a greater justice, and a deep inquiry into justice as a living force, this episode draws on a range of voices from activists and elders from diverse traditions. Joining for this episode are author and Islamic scholar Dr. Omid Safi, CNN commentator and activist Van Jones, former Tibetan political prisoner Ngawang Sangdrol, author and death row inmate Jarvis Jay Masters, Palestinian-American activist Nadia Irshaid Gilbert, Aboriginal Nyoongar Elder Noel Nannup, and author and Native American activist Jose Barreiro. Featuring original music by Leah Song, Chloe Smith and Duncan Wickel of Rising Appalachia and Sidibe, this episode is meant to be listened to on a good sound system at a time when you can devote your full attention. 

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Across the globe, the arrival of 'civilization' brought with it the persecution of the seer, the shaman, and the visionary. Why?  Perhaps it is because civilization, with its narratives of individual agency and control, its relentless emphasis on forward progress, its commitment to the removal of mystery from daily life, and its encouragement of numbness over feeling, is fundamentally at odds with the seer's sensitivities and alignment to larger forces beyond human control. So modernity pushes the seer to the fringe — and once cast aside, seeing can veer into charlatanry and delusion. The rise of free market spirituality and New Age conspiracy is a result of the unmooring of the seer from traditional context. Yet what this points to isn't something 'wrong' with seeing or spirituality. It points to the need for context in a larger culture of disconnect and fragmentation, for slow learning and earned wisdom within a culture that always rushes things outwards. Dichotomized narratives that pit scientific rationalism against the spiritual, shamanic, or oracular ignore the central importance that spiritual movements play in culture. Visionary movements drive all aspects of culture, including scientific innovation. And ultimately — as science itself tells us — having a 'fringe' that sees things differently than the mainstream is absolutely essential to the growth of culture. So perhaps the modern-day seer must re-learn what it means to find anchor and context and earned wisdom, just as society must remember that the seer is vitally important. In a world of fragmentation and numbness, the seer comes to wake the culture up, to restore its sensitivities, and ultimately to drive culture forward.  Featuring conversations with Sophie Strand and Healingfromhealing's Adam Aronovich and music by Peia, Marya Stark, Char Rothschild, and more. Listen on a good sound system!

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Across cultures and traditions, there have always been those that speak with the dead, hear voices, enter states of oracular trance, and receive visions of what is to come. Such sensitivity, traditionally, is common. It's common to have premonitions that come to pass, to have dream experiences that translate into day-to-day life, and to be in continual felt dialogue with ancestors, with the dead, and with a larger world of animate forces. For most of human history, the people that received such visions lived right at the center of culture. But what happens when the seer is ripped from the ecology in which they traditionally lived? The intuitive is cast out, othered, vilified, and pathologized. Cast aside, relegated to the margins of society, without the context that once held it, oracular seeing can veer into charlatanry and delusion. So these days visions — like everything else in the modern world — are immediately monetized, translated into marketable pop-spirituality and much of the mastery and depth of visionary tradition is lost. But what this points to isn’t something “wrong” with intuition or the practice of oracular vision — it points to something wrong with modernity’s relationship with it. The proclivity towards vilifying and pathologizing intuition on the one hand and claiming it as an exotic and monetizable gift useful for attracting internet followers on the other — all of this is a function of the othering of intuition in the modern world. Societally, we would do well to rediscover the central role of the seer.  For if we lose our ability to learn from the visions of seers, we lose the feeling body of culture —  the very thing that drives culture forward. Featuring music by Marya Stark, Char Rothschild, and Peia, and featuring discussions with author Frederick Smith, psychoanalyst Bernardo Malamut, and Sophie Strand, this multi-part episode series seeks to place the seer back in their rightful place at the center of culture. It is simultaneously a celebration of the gifts of the intuitive and a reminder that dreams and visions need an ecology of accountability in which to live and grow. Listen on a good sound system, at a time when you can devote your full attention. 

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There is... a sound. Many, through the ages, have heard it. It echoes in the world all around us, it reverberates in songs of joy and lament, it vibrates in the names of the gods and goddesses themselves. Across the world, tradition after tradition describes a sound that is the source of all sound, a sound that can be heard if we practice attuning ourselves to it. So the Indian yogi follows the sound OM to its source, the Brazilian Umbanda practitioner rides a thread of vibration to the great vibration, and the Gay'Wu group of Australian Aboriginal women speak of how sound transports the singer to their homeland, to the place where the 'time is now.' To access this sound isn't frivolous, it serves to replenish and renew our connection to the world around us, to reinvigorate relationships with land, with community, and with the harmonic laws of creation. So the role of the bard — the musical seer — has always been to listen for this sound, to dissolve into it, and to return laden with songs that reinvigorate natural relationships. Song, in this sense, reconnects us to and replenishes the law of the land, and in a time of fracture, listening for this sound and singing back to it in reverence is more important than ever. Anchored by an interview with musician Trevor Hall, and featuring original music from Leah Song and Chloe Smith and traditional Baul devotional singing from Sri Parvathy Baul, this episode is a love song to sound itself. Listen on a good sound system at a time when you can devote your full attention. 

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Modern discussions on healing individual minds, cultural wounds, and painful societal histories now revolve around the word ‘trauma.’ Yet addressing trauma is nothing new — traditional cultures across the globe have historically had their own forms of trauma work, without ever labeling it trauma work. For many cultures for many years, cathartic ritual practice that bypasses the conditioned mind has served multiple purposes as it regrows and re-patterns brains and bodies and communities. These ritual enactments, communal ecstasies, and group catharses — these weepings over the bodies of lost gods — are traditionally tied to something very specific… vegetation. There is a profound link between the myths and rituals of the old vegetation gods and what we might now term trauma work — because the cycle of vegetative birth, growth, decay, and death mirrors our own cycle. This episode explores the deep link between the repatterning of the nervous system — which itself is described in a language of trees — and vegetation, from the numerous studies that show the healing power of the presence of plants, to the plant medicines that are literally regrowing nerve tissues, to the old vegetation deities whose theatrical ritual enactments, repetitive singing and dancing, and relationship to altered states of consciousness are deeply tied to trauma repatterning. The stories and rituals of the vegetation gods reveal a language around trauma which does not vilify or sanctify trauma, or isolate it, or see it solely as something to be extracted or released, but rather addresses it as part of a larger network of patterning and repatterning, regrowth and assimilation, a greater cycle of nature. If we start looking through this ritual lens, we see ritualized trauma work everywhere in cultures around the world. And it doesn’t always look like we think it would. Sometimes it even looks fairly… traumatic.

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The rise of Artificial Intelligence has generated a rush of conversation about benefits and risks, about sentience and intelligence, and about the need for ethics and regulatory measures. Yet it may be that the only way to truly understand the implications of AI — the powers, the potential consequences, and the protocols for dealing with world-altering technologies — is to speak mythically. With the rise of AI, we are entering an era whose only corollary is the stuff of fairy tales and myths. Powers that used to be reserved for magicians and sorcerers — the power to access volumes of knowledge instantaneously, to create fully realized illusory otherworlds, to deceive, to conjure, to transport, to materialize on a massive scale — are no longer hypothetical. The age of metaphor is over. The mythic powers are real. Are human beings prepared to handle such powers?  While the AI conversation centers around regulatory laws, it may be that we also need to look deeper, to understand the chthonic drives at play. And when we do so, we see that the drive to create AI goes beyond narratives of ingenuity, progress, profit, or the creation of a more controllable, convenient world. Buried deep in this urge to tinker with animacy and sentience are core mythic drives —  the longing for mystery, the want to live again in a world of great powers beyond our control,  the longing for death, and ultimately, the unconscious longing for guidance and initiation. Traditionally, there was an initiatory process through which potentially world-altering knowledge was embodied slowly over time.  And so… what needs to be done about ‘The AI question’ might bear much more of a resemblance to the guiding principles of ancient magic and mystery schools than it does to questions of scientific ethics — because the drives at play are deeper and the consequences greater and the magic more real than it’s ever been before. Buckle up for a wild ride through myths of magic and human overreach, and all the kung fu movie and sci fi references you can handle. Featuring music by Charlotte Malin and Sidibe. Listen on a good sound system at a time when you can devote your full attention. 

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