Director Ridley Scott discusses his new film, Gladiator II, with fellow Director Fede Alvarez in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he decided on casting Actor Paul Mescal in the lead role, how he distances himself from the post process so he and his team have space to do their best work, and which of his legacy films he would preserve if he could only choose one.

The sequel to Scott's 2000 film Gladiator takes place years after the events of the first film and follows Lucius—who as a child witnessed the revered hero Maximus die at the hands of his uncle. As his home is conquered and he is forced to fight as a gladiator in the Colosseum, Lucius attempts to reclaim everything he has lost.

See photos and a summary of this event below:

https://dga.org/Events/2025/January2025/GladiatorII_QnA_1124

Director Lynn Dow discusses her new film, Bull Street, with fellow Director Sarah Pirozek in a Q&A at the DGA theater in New York. In the conversation, she discusses casting her main character based on key scenes modeled off her own experiences, filming in significant locations in her family’s hometown, and the trials on set that allowed her to improve her directing technique as a first-time Director. The film tells the story of LouEster, a small-town personal injury lawyer who was raised by her grandmother after her mother died in childbirth. When an entitled Ivy League lawyer questions their ownership of their home and its surrounding land, the stage is set for a clash of privilege against family. See photos and a summary of this event below: https://dga.org/en/Events/2024/Dec2024/BullStreet_QnA_1124

Director Ellen Kuras discusses her new film, Lee, with fellow Director Phillip Noyce in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses how her skillset as a cinematographer informed her directing, how she aimed to reach beyond the constraints of a typical biopic to create something more complex and working with Kate Winslet to capture Lee as a multidimensional character. The film tells the true story of Lee Miller, who in the 1940s decides to abandon her career as a fashion model and become Vogue’s war correspondent during World War II. Capturing the extremes of the human experience in some of the most indelible images of war, Lee cements herself as one of the greatest war photographers of the 20th century. See photos and a summary of this event below: https://dga.org/Events/2024/Dec2024/Lee_QnA_1024

Director Matt Smukler discusses his new film, Wildflower, with fellow director Will Speck in a Q&A at the DGA theater in Los Angeles. In the conversation, Smukler spoke about how the project transitioned from a documentary to a narrative feature, the challenges of making the shift in format and selecting a cast resembling family. Based on a true story about his extended family that inspired a documentary of the same name, Smukler’s feature centers on Bea, the daughter of two intellectually disabled parents and a set of relatives that can't quite agree on the best way to help. Please note: spoilers are included. See photos and a summary of this event below: https://dga.org/Events/2023/May2023/Wildflower_QnA_0323.aspx

Director Michael B. Jordan discusses his new film, Creed III, with fellow director Tim Miller in a Q&A at the DGA theater in Los Angeles. In the conversation, Jordan discusses the challenge of directing himself, how the fight scenes were another language within the film, and how anime allowed the themes of the story to resonate. The film follows boxing champion Adonis Creed as he is forced to put his future on the line when a childhood friend and former boxing prodigy resurfaces after serving time in prison, eager to settle an old score and prove that he deserves his shot in the ring. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/April2023/Creed003_QnA_0323.aspx

Director Alice Diop discusses her new film, Saint Omer, with fellow director Dee Rees in a Q&A at the DGA theater in New York. In the conversation, Diop speaks about finding ways to expand the court room visually, how her personal experience of watching the trial informed her direction, and relying on intuition to lead her through the making of the film. Based on true events, the film tells the story of Rama, a successful author living in Paris, who travels to the northern town of Saint Omer to attend the trial of a young Senegalese women accused of murdering her baby daughter. Rama's plan to write a book about the case unravels when she is forced to reckon with memories of her own immigrant mother as well as her impending motherhood. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/March2023/GCS_SaintOmer_0123.aspx

Director Michael Showalter discusses his new film, Spoiler Alert, with fellow director Charles Rogers in a Q&A at the DGA theater in Los Angeles. In the conversation, Showalter speaks about earning an emotional reaction to the film through technique, dealing with characters who use humor as a coping mechanism, and working with how an actor interprets a character naturally. Based on Michael Ausiello's 2017 memoir, Spoiler Alert: The Hero Dies, the film follows the final 11-months of Manhattan photographer Kit Cowan's life from his terminal cancer diagnosis to his death, told through the eyes of Ausiello, his spouse. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/February2023/1222_QnA_SpoilerAlert.aspx

Director Sam Mendes discusses his new film, Empire of Light, with fellow director Karyn Kusama in a Q&A at the DGA theater in Los Angeles. In the conversation, Mendes speaks about directing (recreating) scenes from his life, making films audiences can connect to, and relaying the cinematic experiences. Set on the South coast of England in the 1980s, the film follows Hilary, a lonely woman who works at a seaside movie palace and is engaged in a boring affair with her married boss, Donald. When Stephen, a young new theater employee arrives on the scene, Hilary senses something kindred in him and they fall into a tenuous romance. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/EmpireOfLight_QnA_1222.aspx

Director Scott Cooper discusses his new film, The Pale Blue Eye, with fellow director David O. Russell in a Q&A at the DGA theater in Los Angeles. In the conversation, Cooper speaks about his belief in the importance of restraint in period movies, his collaboration with Christian Bale, and what helps the audience give themselves over to a film. The film brings us the story of a veteran detective who is hired to delve into the murder of a West Point cadet, but finds himself stalled by the cadets' code of silence. In order to solve the mystery, he enlists the help of one of their own, a young Edgar Allen Poe. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/PaleBlueEye_QnA_1222.aspx

Director James Cameron discusses his new film, Avatar: The Way of Water, with fellow director Guillermo del Toro in a Q&A at the DGA theater in Los Angeles. In the conversation, Cameron speaks about working with Sigourney Weaver to develop her unique character, the innovative tech necessary for the film (and its upcoming sequels) and the groundbreaking process of underwater performance capture. The long-awaited sequel to Cameron’s DGA Award-nominated feature, Avatar, The Way of Water is set a decade after the events of the first film and follows human-turned-Na’vi Jake Sully, who must find a safe haven for his family when old foes return to ravage their beautiful home and destroy their harmonious way of life. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/February2023/1222_QnA_Avatar.aspx

Director Damien Chazelle discusses his new film, Babylon, with fellow director Taylor Hackford in a Q&A at the DGA theater in Los Angeles. In the conversation, Chazelle discusses the real-life figures who inspired the lead characters in the film, capturing the DNA of a "party movie" through the use of music, and crafting an atmosphere on set where life blends with art. The film chronicles the rise and fall, outsized ambition, and outrageous excess of multiple characters during Hollywood’s transition from silent to sound films in the late 1920s. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/February2023/1222_QnA_Babylon.aspx

Director Darren Aronofsky discusses his new film, The Whale, with fellow director Greta Gerwig in a Q&A at the DGA theater in New York. In the conversation, Aronofsky discusses the motivation behind the film's 4:3 aspect ratio, the textual references between the play, his adaptation and the novel, Moby Dick, and his collaboration with lead actor Brendan Fraser. The film tells the story of Charlie, a reclusive English teacher whose guilt over abandoning his wife and baby daughter has led to a years-long eating disorder that now threatens his life. Faced with mortality, he attempts to make amends with the daughter he left behind. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/TheWhale_QnA_1222.aspx

Director Noah Baumbach discusses his new film, White Noise, with fellow director Todd Field in a Q&A at the DGA theater in Los Angeles. In the conversation, Baumbach speaks about working with his actors during the month of rehearsal, the benefits of working with frequent and new collaborators, and how offering direction that includes physicality can be helpful to actors. The film unveils the story of Jack Gladney, his wife Babette and their family, who must grapple with the universal mysteries of love, death, and happiness in an uncertain world after their lives are upended by a catastrophic train accident that spreads chemical waste over their town. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/WhiteNoise_QnA_1222.aspx

Director Steve McQueen discusses his new film, Blitz, with fellow Director Barry Jenkins in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses portraying the hidden voices of all those affected by the real life London Blitz, casting the lead child actor as a silent vessel for the audience while being a distinctive character, and utilizing music and dancing throughout the film as a way to reclaim humanity in the face of war. The film tells the story of George, a nine-year-old boy who is separated from his mother, Rita, amid the devastation of the London Blitz capital bombings. As George embarks on a journey to find the family he left behind, Rita embarks on her own journey to track down her son. See photos and a summary of this event below: https://dga.org/Events/2024/Dec2024/Blitz_QnA_1024

Director Marc Forster discusses his new film, A Man Called Otto, with fellow director Taylor Hackford in a Q&A at the DGA theater in Los Angeles. In the conversation, Forster speaks about how he uses storyboards in his directorial process, his collaboration with Tom Hanks, and his approach to editing flashbacks in the film. The film tells the story of Otto, a cantankerous grouch who's given up following the death of his wife. When a new family moves in nearby, he meets his match in Marisol, a quick-witted young woman who challenges him to see life differently, leading to an unlikely friendship that turns his world around. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/AManCalledOtto_QnA_1222.aspx

Director Luca Guadagnino discusses his new film, Bones and All, with fellow director John Krokidas in a Q&A at the DGA theater in Los Angeles. In the conversation, Guadagnino discusses working with frequent collaborators, his one month journey through the Midwest that prepared him to conceptualize the film, and making a film from the era rather than about the era. The film tells the story of Maren, a young woman on the margins of society, and Lee, a disenfranchised drifter, who embark on an odyssey through the backroads of America and their own cannibalistic natures. However, despite their best efforts all roads lead back to their terrifying pasts. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/BonesAndAll_QnA_1122.aspx

Director Werner Herzog discusses his new film, The Fire Within: A Requiem for Katia and Maurice Krafft, with fellow director Jeremy Kagan in a Q&A at the DGA theater in Los Angeles. In the conversation, Herzog speaks about crafting the voiceover for the film during the edit, obtaining the groundbreaking footage shot by the two subjects, and modifying facts to resemble the truth. Screened as part of the DGA's Documentary Series, the film crafts a fitting memorial to volcanologists and filmmakers Maurice and Katia Krafft, who were killed while filming the eruption of Japan's Mount Unzen on June 3, 1991. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/TheFireWithin_DocSeries_1122.aspx

Director Dean Craig discusses his new film, The Estate, with fellow director Alex Grossman in a Q&A at the DGA theater in Los Angeles. In the conversation, Craig speaks about encouraging actors to bring ideas to their roles, the perks of directing your own material, and how he prefers making shot lists over storyboarding. In the film, two sisters are pitted against their greedy extended family members in a battle to win over their terminally ill, difficult to please Aunt, in hopes of becoming the beneficiaries of her wealth. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/December2022/TheEstate_QnA_1122.aspx

Director Mark Mylod discusses his new film, The Menu, with fellow director Lorene Scafaria in a Q&A at the DGA theater in New York. In the conversation, Mylod speaks about his approach to building the ensemble of actors, finding places to put the camera in a mainly one-location film, and handling the controlled chaos of as movie set. The film follows a young couple as they travel to a remote island to dine at an exclusive restaurant, only to find that the chef has prepared a few surprises along with the meal. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/Menu_QnA_1122.aspx

Director Alejandro G. Iñárritu discusses his new film, Bardo, False Chronicle of a Handful of Truths, with fellow director Rodrigo García in a Q&A at the DGA theater in Los Angeles. In the conversation, Iñárritu shares his thoughts on how fiction can elucidate truth, the four years of developing the script, and the joyful process of editing his own work. The film follows a renowned Mexican journalist and documentary filmmaker who is compelled to return to his native country, unaware that this simple trip will force him to grapple with intimate questions about identity, mortality, Mexican history, and what it means to be human in these peculiar times. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/Bardo_QnA_1122.aspx

Director Rian Johnson discusses his new film, Glass Onion: A Knives Out Mystery, with fellow director Phil Lord in a Q&A at the DGA theater in Los Angeles. In the conversation, Johnson talks about the movies that influenced the conception of Glass Onion, his process when working with his "family" of filmmaking collaborators, and how nostalgia for a specific genre can be an obstacle to making a film. The film follows southern detective Benoit Blanc on a billionaire's lavish Greek island at a yearly reunion of a disparate group of friends. When one guest turns up dead, everyone becomes a suspect and must peel away the layers of their motivations, secrets, and lies. This is a spoiler-free podcast. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/GlassOnion_QnA_1122.aspx

Director Ryan Coogler discusses his new film, Black Panther: Wakanda Forever, with fellow director Tyler Perry in a Q&A at the DGA theater in Los Angeles. In the conversation, Coogler talks about how he approached the tribute to actor Chadwick Boseman after his passing, writing and directing from his worst fears, and staying tapped into his inner child when faced with challenging directing decisions on the film. The sequel to 2018's megahit Black Panther finds the people of Wakanda grieving the untimely death of King T'Challa and facing off against intervening world powers. However, when an advanced hidden nation threatens to destroy them, someone else must pick up the clawed gauntlet. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/BlackPantherWF_QnA_1122.aspx

Director Steven Spielberg discusses his new film, The Fabelmans, with fellow director Paul Thomas Anderson in a Q&A at the DGA theater in Los Angeles. In the conversation, Spielberg discusses the development of the script with Tony Kushner, the process of directing Gabrielle LaBelle to play a version of himself, and the feeling of rediscovering his family through his camera. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/Fabelmans_QnA_1122.aspx

Director Tobias Lindholm discusses his new film, The Good Nurse, with fellow director Scott Cooper in a Q&A at the DGA theater in Los Angeles. In the conversation, Lindholm talks about casting Eddie Redmayne and Jessica Chastain, wrestling with the true crime genre, and learning how to shoot diner scenes from David Fincher. Based on true events, a nurse risks her life to uncover the truth after she begins to suspect her colleague is responsible for a series of mysterious patient deaths. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/December2022/TheGoodNurse_QnA_1122.aspx

Director Mohammad Rasoulof discusses his new film, The Seed of the Sacred Fig, with fellow Director Ramin Bahrani in a Q&A at the DGA theater in New York. In the conversation, he discusses his utilization of modern online spaces in the film as a reflection of current sentiments, shooting the film clandestinely to avoid castigation, and using his own personal experiences as reference for events within the film. Screened as part of the DGA’s Global Cinema Series, the film tells the story of Iman, an investigating Judge of Tehran’s court system who becomes increasingly paranoid after his gun goes missing. With his wife and daughters as the prime suspects, he grapples with distrust in his household as political unrest unfolds in the streets. See photos and a summary of this event below: https://dga.org/Events/2024/Nov2024/GCSNY-SeedOfTheSacredFig_0924

Director Maria Schrader discusses her new film, She Said, with fellow director R.J. Cutler in a Q&A at the DGA theater in Los Angeles. In the conversation, Schrader speaks about shooting in the New York Times building, communicating the humanity of the leads rather than portraying an heroic treatment, and what it was like showing the film to Megan Twohey and Jodi Kantor. The film recounts the true story of how New York Times reporters Megan Twohey and Jodi Kantor broke one of the most important stories in a generation - one which unveiled decades of silence on the subject of sexual assault in Hollywood and helped launch the #MeToo movement. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2023/January2023/SheSaid_QnA_1122.aspx

Director James Gray discusses his new film, Armageddon Time, with fellow director Matt Reeves in a Q&A at the DGA theater in Los Angeles. In the conversation, Gray discusses reconstructing his past onscreen, directing the actors who played his real-life family, and portraying the melancholic tone of the movie. The film follows Paul, a Jewish-American sixth grader who finds himself learning about racism and privilege against the backdrop of 1980s Queens. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/December2022/Armageddon-Time_QnA_1122.aspx

Director Evgeny Afineevsky discusses his new film, Freedom on Fire: Ukraine's Fight for Freedom, with fellow director Raymond De Felitta in a Q&A at the DGA theater in New York. In the conversation, Afineevsky shares insights about working with nine editors on the project, engaging a crew in Russia to shoot footage, and counteracting the propaganda war of the current conflict. The film depicts Ukraine's battle for freedom following Russian President Vladimir Putin's unprovoked invasion in early 2022, as told through the personal stories of civilians, children, soldiers, and doctors. See photos and a summary of this event below: https://www.dga.org/Events/2022/December2022/FreedomOnFire_DocSeries_1022.aspx

Director Phyllis Nagy discusses her new film, Call Jane, with fellow director Sarah Pirozek in a Q&A at the DGA theater in New York. In the conversation, Nagy discusses directing actor/directors, the intentional performers who make up the soundtrack, and how restrictions make for interesting choices. Set in Chicago in 1968, the film follows Joy, a conservative housewife and mother who is faced with a devastating diagnosis when her second pregnancy leads to a life-threatening heart condition. Unable to get an exemption for a legal abortion, she turns to a clandestine group of women for help. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/December2022/CallJane_QnA_1022.aspx

Director Martin McDonagh discusses his new film, The Banshees of Inisherin, with fellow director Jeremy Kagan in a Q&A at the DGA theater in Los Angeles. In the conversation, McDonagh discusses his rehearsal process, how he approached the tone of the film, and utilizing the innocent lens of animals. Set on a remote island near Ireland's west coast, the film follows the shocking series of events that ensue when Colm tries to abruptly end a lifelong friendship with Padraic, while Padraic refuses to take no for an answer. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/December2022/Banshees_QnA_1022.aspx

Director Chinonye Chukwu discusses her new film, Till, with fellow director David Oyelowo in a Q&A at the DGA theater in Los Angeles. In the conversation, Chukwu speaks about the care necessary in depicting the tragic story, the political act of where to face the camera, and how she is not precious with her footage during the edit. Based on the true story of Mamie Till-Mobley, the film recounts her relentless pursuit of justice for her 14-year-old Emmet Till, who in 1955, was lynched while visiting his cousins in Mississippi. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/December2022/TILL_QnA_1022.aspx

Director Todd Field discusses his new film, Tár, with fellow director Greta Gerwig in a Q&A at the DGA theater in New York. In the conversation, Fields speaks about choosing to move the camera less, dealing with "romance vs. finance" conflict during production, and working with Cate Blanchett to form the central character. Set in the international world of classical music, the film follows groundbreaking composter/ conductor Lydia Tear, as her life begins to unravel while preparing both a book launch and much-anticipated live performance of Mahler's Fifth symphony. Please note: spoilers are included. See photos and a summary of this event below: Director Joseph Kosinski discusses his new film, Top Gun: Maverick, with fellow director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, they speak about how Top Gun came into his life (the first and second time), convincing Tom Cruise to hop back into the cockpit, and the complex process of shooting the actors while flying inside the jets. The sequel film takes us back down the highway to the danger zone as pilot Pete "Maverick" Mitchell, who has spent more than thirty years dodging a promotion that would ground him, is called up on to use his skills to train a detachment of graduates for a perilous special assignment. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/July2022/TopGunMaverick_QnA_0622.aspx

Director Parker Finn discusses his new film, Smile, with fellow director Zach Cregger in a Q&A at the DGA theater in Los Angeles. In the conversation, Finn speaks about where to put the camera for an effective jump scare, integrating practical effects, and how the film went from planning to be released on Paramount+ to getting a thetrical release. The film follows Dr. Rose Cotter, who after witnessing the bizarre suicide of a patient, goes through increasingly disturbing and daunting experiences, leading her to believe what she is experiencing is supernatural. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/November2022/Smile_QnA_1022.aspx

Director Nicholas Stoller discusses his new film, Bros, with fellow director Judd Apatow in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses where the idea for the film came from, how much improv factors into his process for directing actors, and what surprised him about directing the film. The film tells the story of Bobby, a neurotic podcast host who is content not to have a serious relationship. That all changes when he meets Aaron, an equally detached lawyer. As they are repeatedly drawn to each other, both men begin to show their vulnerable sides and find themselves ready for something resembling a commitment. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/November2022/BROS_QnA_1022.aspx

Directors Maya Forbes & Wallace Wolodarsky discuss their new film, The Good House, with fellow director Susannah Grant in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss their particular method for co-directing, how they approached the tone of the film, and how they built the characters with the actors. The life of New England realtor Hildy Good begins to come to pieces as she rekindles a romance with her old high school flame. As their relationship heats up, their reckless behavior ignites long-buried emotions and family secrets. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/November2022/GoodHouse_QnA_1022.aspx

Director Azazel Jacobs discusses his new film, His Three Daughters, with fellow Director David Zellner in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how his personal experiences informed the film, working with his cast to capture performances against their usual types, and shooting scenes in the same order as they happen in the film to allow the performances to evolve with the story. The film tells the story of Katie, Christina and Rachel, who reunite for the first time in many years at their dying father’s New York City apartment. Over the course of three claustrophobic days, the sisters unearth past grievances, traumas and hang-ups as they learn to coexist before their father’s departure. See photos and a summary of this event below: https://dga.org/Events/2024/Oct2024/HisThreeDaughters_QnA_0924

Director Peter Farrelly discusses his new film, The Greatest Beer Run Ever, with fellow director Larry David in a Q&A at the DGA theater in Los Angeles. In the conversation, Farrelly speaks about shooting the movie in Thailand, how the real-life story compares to the film, and why he loves to have weather in a movie. Based on a true story, the film follows Chickie, a slacker and former marine living with his parents in 1967 New York. When he decides that the best way to support his friends serving in the Vietnam War is to deliver them cans of beer, Chickie's outlook on the war is forever changed. See photos and a summary of this event below: https://www.dga.org/Events/2022/November2022/GreatestBeerRun_QnA_1022.aspx

Director Brett Morgen discusses his new film, Moonage Daydream, with fellow director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, Morgen discusses the film's themes of transience, the careful process of mixing the film, and the method he selected the songs that ended up in the movie. Screened as part of the DGA's Documentary Series, Moonage Daydream is a cinematic odyssey exploring the creative and musical journey of David Bowie. This film is the first documentary ever sanctioned by the Bowie estate with access to the artist's archives and features never-before-seen footage and performances spanning Bowie's half-century career. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/November2022/MoonageDaydream_DocSeries_0922.aspx

Director David O. Russell discusses his new film, Amsterdam, with fellow director Jon Avnet in a Q&A at the DGA theater in Los Angeles. In the conversation, Russell speaks about setting the tone of the movie with his actors, capturing intimacy and immediacy with the camera, and how he personally connected with the story. Set in the 1930s, the film follows a doctor, a nurse, and a lawyer who witness a murder, become suspects themselves, and uncover one of the most secret plots in American history. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/November2022/Amsterdam_QnA_1022.aspx

Director Olivia Wilde discusses her new film, Don't Worry Darling, with fellow director Reed Morano in a Q&A at the DGA theater in New York. In the conversation, she speaks about reconfiguring the film's opening, melding the film's sound design and score, and guiding the film's ideas without sacrificing the entertainment value. The film follows couple Alice and Jack, who live in a utopian community for the workers of a top-secret project. But when cracks in her supposedly idyllic life begin to appear, Alice can't help questioning exactly what is really going on in this paradise. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/November2022/DontWorryDarling_QnA_0922.aspx

Director Gina Prince-Bythewood discusses her new film, The Woman King, with fellow director Stan Lathan in a Q&A at the DGA theater in Los Angeles. In the conversation, Prince-Bythewood speaks about how she won the job, shooting the final battle in 11 days, and the grueling training process for the actors. Inspired by true events, the film follows general Nanisca, the Agojie's leader, as she prepares the next generation of recruits for a battle against an enemy determined to destroy their way of life. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/November2022/WomanKing_QnA_0922.aspx

Director Julian Higgins discusses his new film, God's Country, with fellow director Chloe Okuno in a Q&A at the DGA theater in Los Angeles. In the conversation, Higgins discusses pulling off night exteriors on a small budget, the year hiatus during production, and the power of an impassioned letter. Based on a James Lee Burke's short story "Winter Light" and his own short film of the same name, Higgins' feature tells the story of a college professor who finds herself drawn into an escalating battle of wills after she confronts two hunters who claim they're just passing through. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/November2022/GodsCountry_QnA_0922.aspx

Director Nick Hamm discusses his new film, Gigi & Nate, with fellow director Ben Lewin in a Q&A at the DGA theater in Los Angeles. In the conversation, Hamm speaks about why he decided to take on the project, his approach to the rehearsal process, and the effect of Covid-19 on the production. Based on true events, the film tells the story of Nate Gibson, a young man whose life is turned upside down after he suffers a near-fatal accident. Although moving forward seems impossible, he finds much needed hope with the assistance of Gigi, a curious and intelligent monkey trained to assist Nate with his basic needs. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/October2022/GigiAndNate_QnA_0922.aspx

Director Zach Cregger discusses his new film, Barbarian, with fellow director David F. Sanberg in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses creating a photoboard for the film with his cinematographer, shooting Detroit for Bulgaria, and pulling off the last scene in the film in only 40 minutes. The film tells the story of Tess, a young woman who arrives at her Airbnb late at night only to find that her rental has been mistakenly double-booked and a strange man is already staying there. Against her better judgment, she decides to stay the night, but soon discovers that there is much more to be afraid of in the house than the other guest. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/October2022/Barbarian_QnA_0922.aspx

Director Ron Howard discusses his new film, Thirteen Lives, with fellow director Akiva Goldsman in a Q&A at the DGA theater in New York. In the conversation, Howard reveals how much of the stunts the actors performed, his thoughts on the future of theatrical film, and his favorite scene in the film. The film follows the miraculous story of the 2018 Tham Luang Nang Non rescue, in which an international team of divers was assembled to save a group of 12 young boys and their soccer coach after they became trapped in a system of flooded caves in Thailand. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/September2022/ThirteenLives_QnA_0822.aspx

Director Olivia Newman discusses her new film, Where the Crawdads Sing, with fellow director Catherine Hardwicke in a Q&A at the DGA theater in Los Angeles. In the conversation, Newman reveals how she pitched the film to producers, discusses the difficulty of doing chemistry reads via Zoom, and talks about the necessity of being flexible as a director. Based on the best-selling novel, the film follows Kya, an abandoned girl raised in the marshland, who finds herself falsely accused of murder by a small town in North Carolina. When the town attempts to prosecute her, Kya must clear her name as the truth of what happened lies within the murky waters of the marsh. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/September2022/WhereTheCrawdadsSing_QnA_0722.aspx

Director Matt Tyrnauer discusses his new film, Carville: Winning is Everything, Stupid!, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his cinema verite approach to the nuances of Carville’s life, puzzling where and how to include Carville’s wife, Mary Matalin in the film, and finding a new wind in his documentary following Joe Biden’s exit from the presidential race. Screened as part of the DGA’s Documentary Series, the film follows the Democratic consultant’s career, from his rise to fame in 1992 to his current effort with Kamala Harris’ campaign. As he navigates America’s tumultuous 2024 election cycle, Carville is portrayed not only in his political element, but also in his personal life. See photos and a summary of this event below: https://dga.org/Events/2024/Oct2024/DocSeries_CARVILLE-0924

Director James Ponsoldt discusses his new film, Summering, with fellow director Ry Russo Young in a Q&A at the DGA theater in Los Angeles. In the conversation, they speak about why Ponsoldt wanted to make the film, his cinematic influences for the project, and how he helped the young actresses to function as a group and build chemistry. The film follows four best friends on the brink of starting middle school who struggle with the harsh truths of growing up as they realize their lives are about to change forever. On the last weekend of summer, they embark on a mysterious adventure. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/September2022/Summering_QnA_0722.aspx

Director George Stevens, Jr. sat in conversation with Director Paul Thomas Anderson to discuss his career and upbringing with his father, DGA Past President George Stevens, Sr. The conversation follows the release of Stevens' memoir, My Place in the Sun: Life in the Golden Age of Hollywood and Washington in which Stevens reflects on the legacy of his father and that of his family in Hollywood and the Directors Guild of America. In the conversation, Stevens and Anderson talk about their shared Valley upbringing, Stevens' founding of the American Film Institute, and candid moments he recalls with his father as a kid.

Director Theodore Braun discusses his new film, ¡Viva Maestro!, with fellow director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, Braun shares what drew him to the project, his approach to filming biographical documentaries, and how he captured the music of the film in Dolby Atmos. The film is a behind-the-scenes portrait of conductor and artistic director Gustavo Dudamel, following him around the world as his international tours are disrupted by deadly protests across his native Venezuela. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2022/August2022/VIVA_MAESTRO_DocSeries_0722.aspx