The Dangerous Art of the Documentary – Details, episodes & analysis

Actor, Producer, and Director Fisher Stevens is the creative force behind Netflix’s Emmy-nominated docuseries “Beckham”, which follows David Beckham's rise from humble working-class beginnings to football stardom, as well as all his personal turbulence along the way. Fisher shares with Tiller why he pivoted from acting to documentaries (2:00), the backstory behind his unlikely partnership with the Beckhams (7:30), building trust with David (12:00), figuring out the story structure in the edit (23:00), filming over 20 hours of interviews with David (30:00), and what it really means to be a director (37:30).  Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director, photographer, interviewer, and yes, amateur skateboarder Sam Jones reflects on the winding journey of directing “Tony Hawk: Until the Wheels Fall Off”, a definitive, no-holds-barred look at the life and iconic career of skateboarding’s greatest to ever do it. Tiller and Sam discuss why Tiller is envious of Sam’s career (2:45), the backstory behind Sam’s debut documentary from 2002 about the band Wilco (9:50), how Tony Hawk truly lives as hard as he can (21:00), Sam’s decision to make the film independently even though every streamer passed on it (28:30), continuing to find inspiration on the long lonely road of documentary filmmaking (36:00), and how this is ultimately film about people, not for people (44:00).  Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Artist-turned-filmmaker (and old friend of Tiller’s) Jill Magid joins the show to discuss her brilliant 2018 film “The Proposal”, which tracks her journey to recover the works of famed Mexican architect Luis Barragán from a Swiss bunker. Jill discusses with Tiller her artistic voyage from sculptor to filmmaker (3:40), her fascination with incorporating herself as a subject in her art (8:15), the project’s organic evolution from art proposal to feature film (15:00), learning the medium of filmmaking and she went along (20:20), editing the film in a freezing make-shift bunker (31:20), and her carefully crafted performance of “self” (35:00).  Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

In his new film “Sly”, filmmaker Thom Zimny offers an intimate perspective of the great Sylvester Stallone by delving into his Hollywood successes, personal pitfalls, underdog story and its parallels with the characters he brought to life. In his conversation with Tiller, Thom discusses finding the rhythm of the film (5:45), the dream space of editing an archival-based film (9:10), letting the themes speak to him organically (15:00), the dramatic imagery of Sly moving homes (23:52), writing with visual grammar (29:38), and interviewing Sly for 7 hours (38:30). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

This one is from the vault. If you haven't seen Mad Hot Ballroom from director Marilyn Agrelo, stop now and go check it out. It's a classic and a masterpiece. Centered around a ballroom dancing competition for fifth grade dance teams in New York City elementary schools, Agrelo captures a genuine and life-affirming transformation as a group of children evolve from reticent novices to confident contestants versed in the Latin styles of foxtrot, merengue and rumba. Agrelo shares with Tiller the challenges of capturing the spirit of New York City (4:25), casting the right teachers and kid dancers (14:10), the mechanics of verité filming and simultaneous editing (21:22), the art of directing kids (28:50), being validated by local criminals (32:45), and the film's shocking critical reception (42:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

"The Space Race", a new film by directors Lisa Cortés and Diego Hurtado de Mendoza, profiles the pioneering Black pilots, scientists, and engineers who joined NASA to serve their country in space, even as their country failed to achieve equality for them back on Earth. From 1963, when the assassination of JFK thwarted Captain Ed Dwight’s quest to reach the moon, to 2020, when the echoes of the civil unrest sparked by the killing of George Floyd reached the International Space Station. In today’s discussion, Lisa and Diego share their paths to documentaries (1:40), their co-directing process (5:30), the injection of “Afro-Futurism” (12:00), the impact of George Floyd’s death on the International Space Station (21:48), and the experience of screening the film with the astronauts themselves (35:30). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Season 3 kicks off with one of the great nonfiction filmmakers working today, Brett Morgen - the director, writer and editor of the film "Moonage Daydream", which explores David Bowie's creative, spiritual, and musical journey. In his discussion with Tiller, Brett shares how a speech impediment led him to make documentaries (2:45), determining the visual style for each film (6:25), the making of his 2002 film "The Kid Stays in the Picture" (9:10), the origin of "Moonage Daydream" (18:45), the two-year process of personally screening David Bowie's entire video archive (29:00), how Homer's "Illiad" inspired the structure of the film (37:50), when he knows a project is finished (45:30), and Sean Penn's single note that saved the film (49:20).  Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Seth Porges and Chris Charles Scott’s darkly comedic hit film “Class Action Park” skirts the trappings of 1980s nostalgia and chronicles the unbelievable rise and fall of the most insane – and possibly the most dangerous – amusement park that ever existed. In his discussion with Tiller, Seth reflects on the universality of doing idiotic, dangerous things as kids (2:08), the vital tonal shift in the film from hilarity to death (6:40), creating the film on their own dime (19:05), the editorial process (23:20), landing the film at HBO right at the onset of Max (26:15), how the first outline barely changed (31:30), and the choice to feature himself as an on-screen interview as well as incorporate voice-over narration (36:10). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Filmmaker Steve James burst onto the scene in 1994 with his iconic documentary, "Hoop Dreams", a film that is widely considered one of the great works of American nonfiction cinema. His latest film, "A Compassionate Spy", tells the incredible story of Manhattan Project scientist Ted Hall, who, fearing the post-war risk of a nuclear holocaust, shared classified nuclear secrets with the Soviets. In today's episode, Steve discusses with Tiller the lasting legacy of "Hoop Dreams" (2:30), why he's made films outside of the streamer system (5:15), why he chose to make "A Compassionate Spy" (10:35), trusting his gut instinct (17:50), the production plan for "A Compassionate Spy" (22:40), how Christopher Nolan's "Oppenheimer" helped revitalize this time period for storytelling (34:40), and the shocking misconceptions he uncovered about WWII, Ted Hall, and the Military Industrial Complex (40:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Kathryn Ferguson’s 2022 film “Nothing Compares” follows the career of celebrated singer Sinéad O'Connor through her rise to fame and explores the ways her iconoclastic personality led to exile from the pop mainstream. In today’s episode, Kathryn shares with Tiller the origin for the film (2:00), her writing process (10:00), interweaving archival with audio-only interviews (14:00), creating a visual iconography through original cinematic photography (20:45), screening the film for Sinéad (33:05), and honoring Sinéad’s legacy (36:30).  Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions