Explore every episode of the podcast The Creative Kind
| Title | Pub. Date | Duration | |
|---|---|---|---|
| The Art of Being an Emerging Artist with Joshua Brew | 19 Oct 2026 | 00:50:47 | |
In today’s episode I'm talking with Joshua Brew, an Australian artist working on Whadjuk Noongar Boodja country in Perth. Joshua explores contemporary masculinity in his graphite drawings. His practice looks at identity & vulnerability, often turning the focus inward and using his own body as his subject, examining what it means to see and be seen. Joshua and I talk about his experience of being an emerging artist while balancing a full-time teaching job, a relationship, a mortgage and everything else that comes with life after art school. We talk about how he finds time to make work, using deadlines and awards to create structure, and making his practice more manageable by working at a smaller scale. Joshua discusses his ongoing exploration of masculinity and his interest in making different representations of male bodies visible. We also talk about life drawing, community, experimentation and giving yourself permission to play. Joshua shares some of the artists, books, shows and other things that have influenced or interested him, and talks about the challenge of believing that what you have to say is worth saying while also seeing the opportunities that come with being at an emerging stage of an art practice. You can find Joshua here on instagram and here on his website Mentioned in this episode:
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| Q&A with Sarah Birtles & Rachael Parsons | 12 Oct 2026 | 01:12:34 | |
This week I'm joined by two returning guests, Sarah Birtles and Rachael Parsons, who answered questions that have come in from listeners over the past year. Sarah is an art dealer and director of Sarah Birtles Gallery, who recently opened a new space in Springwood in the Blue Mountains. Rachael is the director of the New England Regional Art Museum (NERAM), marking 10 years in the role this year. We get into a lot of ground: what question emerging artists should actually be asking themselves, whether you need formal art training to be taken seriously, what happens when work doesn't sell at a gallery, and the sometimes-blurry line between decorative and fine art. We also talk about how much artists should share of their personal lives online, how to navigate working across different subjects or genres without losing collectors, and a discussion on AI, where it's a useful tool and where it isn't. We finish with practical advice on how to approach a gallerist or curator for feedback. This season is going to be made up of interviews plus a few Question and Answer episodes from different artists and arts professionals, and like Sarah and Rachael, they will all bring really different vantage points. I loved hearing both Rachael and Sarah’s answers today, what they agreed on, how they built on what each other said and their different perspectives from both the commercial and public gallery sectors If you have a question for the podcast, you can ask it here (or send me an email or dm) You can find Sarah Birtles here on Instagram and here on her website You can find Rachael Parsons here on Instagram and here at NERAM
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| Change, Risk and New Beginnings with Anita Phillips | 07 Sep 2026 | 00:45:18 | |
Anita Phillips is a West Australian landscape painter raised on a Wheatbelt farm, who spent close to four decades as a home economics teacher before painting became her full-time focus. In this conversation she talks about selling her Perth home, resigning from teaching, and moving to the Bellarine Peninsula near Geelong and what she expects to change, and not change, in her and her work once she's away from the landscape she's painted for most of her career. Anita talks through how her practice has developed and shifted over time, the role travel has played, the residencies that sparked real change in her, and how drawing and journalling became central to her process alongside painting. She also discusses the role of her circle of artist friends have played throughout her career and how those friends have supported her, mentored her early on, and given her the confidence to make this move. She also talks about the mentoring she sought out earlier in her career, and about the wider artist community she's built through Instagram and residencies. Find Anita Phillips here on instagram and here : anitaphillips.com.au Anita has an upcoming exhibition titled 'Shaped By Weather' with Michael Reid Southern Highlands from 17th September to 18th October 2026 Mentioned:
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| Changing Direction with Amy Stapleton | 31 Aug 2026 | 00:51:05 | |
In this episode I talked with Amy Stapleton about changing direction in her art practice. Amy has moved from painting gum trees and landscapes towards more abstract and experimental work. We discuss the difficulty of moving away from work that has been successful and how she has facilitated her practice to change. Amy talks about burnout, the value of stepping away, and how a residency at The Corridor Project helped her reconnect with making. We also discuss exhibitions, art communities, building confidence, working across different materials and scales, and the challenge of creating without knowing what the outcome will be. We talk about comparison, success and finding your own voice, as well as Amy's interest in art history and looking at how other artists' practices have changed over time. Amy has an upcoming show ‘Do not go gentle’ with Side Gallery in Brisbane on October 8-17, where proceeds from sales will support Dangerous Females' work for domestic and family violence services. Find Amy at her website here and on instagram here People and places mentioned
You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Mentoring with Laura Brinin | 10 Aug 2026 | 00:58:19 | |
Laura Brinin is back on the podcast, and today we're talking about mentoring. Laura is a curator and arts administrator, and one half of Side Gallery in Brisbane, and she also works at a university art gallery and does professional development with artists. We talk about whether Laura had a mentor herself, and the piece of advice she got early on that she now thinks was the best bad advice she's ever received. We chat about how to know when you're actually ready for mentoring versus when you think you need it, and why finding the right mentor matters. We get into the difference between mentoring and just getting feedback on your work, and whether mentoring should come through your gallery or sit outside of it. Laura talks through a couple of mentoring myths, what her own process actually looks like, and a mistake she sees a lot in early-career artists around niching down too soon. We also talk about finding your community, how she likes to run a group critique, what to do if your work starts looking too similar to someone else's, and how mentoring is usually structured in terms of frequency and length.
You can find the podcast here on Instagram & here on Substack If you're interested in a video of this episode- you can find it on the Substack or on Youtube Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| What Does it Mean to Represent an Artist - With Nick Smith | 03 Aug 2026 | 00:57:04 | |
This week I chat with Nick Smith, founder and director of N. Smith Gallery in Sydney to talk about what gallery representation looks like; What does a gallery really do? How do they decide who to work with? And what makes a gallery relationship successful over the long term? Since opening in 2021, Nick has built a gallery that represents 26 artists across Australia while exhibiting internationally through museums, art fairs and major projects.We talked about what representation means beyond simply hanging work on a wall. Nick shares how his team supports artists through pricing, museum relationships, public art commissions, publications, marketing and career planning. We also discuss what artists often misunderstand about representation, some of the ways artists can approach a gallery, what to include in an email and how artists living outside major cities can still get noticed. We also dive into international art fairs, the realities of running a commercial gallery, what happens when an artist's career plateaus, and why timing, trust and honest conversations are so important. One of the things I appreciated most about this conversation was Nick's willingness to talk about the relationship between artist and gallery as exactly that: a relationship. It's built over years, evolves over time, and works best when both sides communicate openly about their ambitions, expectations and challenges. You can find N.Smith Gallery at nsmithgallery.com and on Instagram at @n.smithgallery and @nw.smith Find the Art Wank Episode with Nick here Hosted on Acast. See acast.com/privacy for more information. | |||
| Copy That: Rachael Parsons on copying in Art, copyright & AI | 26 Jul 2026 | 00:56:48 | |
In this episode I sit down with Rachael Parsons, Director of the New England Regional Art Museum (NERAM), to talk about copying and copyright in visual art. We trace copying's long history as a teaching tool and talk about the point where it tips over into forgery or passing someone else's work off as your own. Rachael breaks down what copyright law actually protects (a specific artwork) versus what it doesn't (style, colour palette, subject matter). We discuss how a reputation for derivative work can affect an artist's exhibition and grant opportunities & what artists can actually do if they think they've been copied. Rachael talks about some of the bigger historical cases of mass forgery & we also touch on the impact of AI in this matter- how training data complicates copyright, why some art prizes now have no-AI policies, and whether AI-generated art will end up as its own category altogether. Links mentioned: Find Rachael Parsons here on Instagram, and here at NERAM
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| The 100 Day Project with Amanda Billing | 06 Jul 2026 | 00:53:06 | |
In this episode, I'm joined once again by Amanda Billing, who has completed several 100 Day Projects over the years. This time, she reflects on what happened when she spent 100 consecutive days working with clay, why she invited a community of artists to join her, and what she learned from watching dozens of people move through the same experience. We talk about why the 100 Day Project can be used to learn an entirely new medium, deepen an existing practice, or simply create space for something that's been sitting quietly in the background for years. Amanda shares why she believes the most successful projects aren't driven by external outcomes, but by deeply personal motivations that keep you coming back, even on the days when the excitement has worn off. Our conversation explores the reality of showing up every day: the boredom, the resistance, the unexpected breakthroughs, and the moments where you discover that the project isn't really about the work you're making at all. It's about the habits, stories and assumptions you uncover about yourself along the way. We also discuss what Amanda observed while guiding a group of artists through the process together. From experienced professionals to complete beginners they talked and shared their experience together - the uncertainty, self-doubt, periods where it felt like nothing was happening, and eventually, a growing confidence that extended well beyond the creative work itself. Amanda Billing is an actor, portrait photographer, and artist based in Auckland. Find her at amandabilling.co.nz and on Instagram @amandabillingnz Find her 100 day project page here @_householdgods_ Mentioned in this episode:
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| Art Friendships with Sam Michelle & Debbie Mackenzie | 29 Jun 2026 | 00:39:24 | |
Sam Michelle and Deb McKenzie met more then a decade ago when they were both given studios in a shared space through their framer. What started as five or six days a week working alongside each other quietly became one of the most important relationships in both their practices. In this conversation we talk about what it means to have someone who genuinely gets it, not just the excitement of a new show, but the pre-show spiral, the post-show crash, the gallery relationship you're not sure is right, the decision that feels too big to make alone. We talk about vulnerability and whether you actually move through self-doubt faster when you've got someone to be honest with. We talk about the art world feeling opaque and why having one person you can call and say "is this normal?" matters. We also get into what it means to have someone who can give you an honest perspective without any competing interest, someone who knows what's normal in this industry and what isn't, and who will tell you either way. Find Sam here on her website here and her instagram here: sammichelle.com.au and on Instagram @sammichelleartist. Find my previous chats with sam here Find Debbie McKenzie on her website here and her instagram here debbiemackenzieartist.com and Instagram @debbiemackenzieartist Find my previous chat with Deb here You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Inside the Affordable Art Fair with Georgia Huestis | 22 Jun 2026 | 00:47:12 | |
Most artists know the Affordable Art Fair exists. What it's actually like to be there as an artist, on the floor, in the booth, talking to strangers about your work for four days straight, is a different story. Georgia Huestis is the Fair Director of the Affordable Art Fair in Australia, with Fairs in Melbourne, Sydney and Brisbane and she was so generous with information this week in our chat. In this conversation we get into the mechanics of how the fair actually works for artists, be it with a gallery, the collective model, the Young Talent program for unrepresented artists under 35. We chatted about the sort of support the fair offers around selling, hanging, and getting your booth to land. Georgia is refreshingly practical about what a slow day means, what a first fair is supposed to feel like, and why bringing someone in as your support person might be one of the best decisions you make. you can find Georgia on instagram here Plus find the Affordable Art Fair Australia here on Instagram and their website here The Melbourne Affordable Art fair is on soon- August 27-30 SYDNEY: 5-8 November BRISBANE: May 2027 Links
You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| When the Viewer Becomes Part of the Work- with Harriet Schwarzrock | 08 Jun 2026 | 00:47:44 | |
What if standing in front of a work of art actually changed it? That's the question at the heart of this conversation with Harriet Schwarzrock, an Australian glass artist who captures plasma inside blown glass vessels that respond to your presence. Move closer, and the light shifts. Touch the surface, and it intensifies. The viewer literally becomes part of the circuit. Harriet is a doctoral candidate at the Australian National University researching plasma illumination as a responsive and relational artistic medium. Her work has been shown at the National Portrait Gallery in Canberra, Berengo Studio in Murano Venice, and most recently in Fluid Presence at Wagga Wagga City Art Gallery. We talk the role of the viewer, when she thinks about it, what it means for a viewer to complete a work and the interactions that happen when an artwork that can be touched or changes on approach. And we talk about what the role of human connection plays in the organic, vascular shapes that run through her most recent work. You can find Harriet here on instagram and here on her website Links:
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| Art Without a Commercial Outcome with Lucy Hersey | 01 Jun 2026 | 00:43:25 | |
Today on The Creative Kind, I’m talking to artist Lucy Hersey, who lives and works in South Gippsland, Victoria, creating paintings made from earth pigments she gathers and processes by hand. Lucy’s work is deeply connected to landscape, not just visually, but materially. She collects clays, rocks, and natural pigments from the land around her and turns them into paint, creating works that are literally made from the places they depict. But this conversation isn’t just about materials or process (though this might have to be a follow up episode!) We’re talking about something I think almost every artist wrestles with at some point: what actually happens when you try to make work without thinking about whether it will sell ? Artists hear that advice constantly “just make the work,” “don’t think commercially,” “follow the work” but the reality of doing this is usually more complicated then it sounds. Lucy talks openly about the tension between commercial work and non commercial work, the strange freedom of being given permission to work without a sales outcome attached, as well as some of the other things she learnt about herself and her work through this process. You can find Lucy Hersey on her Website: https://www.lucyhersey.com or on instagram here
You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Changing Direction with Petrina Jose & Jasmine Kroeze | 25 May 2026 | 00:50:00 | |
In this episode of The Creative Kind, I’m joined by Jasmine Kroeze and Petrina Jose for a conversation about pivoting, what it really looks like to change direction creatively, professionally, and personally. We talk about how Jasmine moved from fashion and textile design into mural work, why Petrina stepped back from painting to rebuild her branding business, and how both of them navigate the tension between following new ideas and knowing when something is actually worth pursuing. We also get into the less glamorous side of creative careers, inconsistent income, burnout, rejection, overthinking, working for free, and the challenge of putting yourself out there when there’s no guarantee things will work. Jaz shares how she tracks opportunities, applications, and rejection rates in spreadsheets, while Petrina talks about evolving from painting into branding work, and how she’s learned to build creative businesses that genuinely fit the way she wants to work and live Something I loved about this conversation was hearing how differently people approach ideas. Some ideas are fleeting experiments, some become careers, some need to be tested properly before you know whether they’re sustainable or simply a curiosity. We talk about why creative people are often drawn toward multiple paths at once, the pressure to “niche down,” and why sometimes the best thing you can do is give yourself permission to try something without knowing exactly where it will lead. This episode also veered into a conversation about friendship and creative support systems - the value of having people around you who understand the realities of creative work, people who can workshop ideas with you, and can also tell you the truth when you need to hear it. You can find Petrina Jose here on instagram and also on her personal page here. and her website here at www.heartsandeyes.com You can find Jamsine Kroeze here on instagram and her website here: jasminekroeze.com You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Inside a Shared Studio Space with Sunny Studios creatives Rach Mayne, Julia Fowler and Hannah Radford | 18 May 2026 | 00:44:41 | |
In this episode, I'm joined by three of the women behind Sunny Studios: painter Rachael Mayne, artist Hannah Radford, and interior stylist Julia Fowler, to talk about what it really looks and feels like to build and sustain a shared creative space. We talk about how they found their large originally unglamorous space and why that was actually a smart move. What I hadn't expected going into this conversation was how much the shared space has changed each of their individual practices. All three talk about confidence; the kind that comes from having people around you who genuinely love your work, who'll give you honest feedback on a painting, and who will talk you down from an anxious spiral before it takes hold. Rach reflects on how working alongside others helped her lean into her biggest and boldest work yet. Hannah talks about learning through osmosis- watching an entire exhibition come together from the inside. Julia speaks about the shift of actually going to work, and what that has meant for how she shows up in her business and how her kids understand what she does. We also talk about how they divide the space and costs, how admin mostly takes care of itself, the value of growing slowly and carefully, and why the personality fit between studio members matters more than you'd think. You can find Rachael Mayne on her website and on Instagram. You can find our earlier chat on anxiety here You can find Hannah Radford on her website and on Instagram. You can find Julia Fowler on her website and on Instagram. You can find Sunny Studios on Instagram. Thanks so much for listening, if this one resonated, send it to a creative friend who might need to hear it. And feel free to rate, review and share if you enjoyed it. Hosted on Acast. See acast.com/privacy for more information. | |||
| Critique And The Inner Critic with Col Mac | 11 May 2026 | 00:42:55 | |
This week I'm talking to Col Mac, a Brisbane-based interdisciplinary artist whose practice is grounded in painting but regularly extends into text, sculpture, and installation. His work explores time, place, memory, and history. Col has been a finalist in the Archibald Prize and the Brisbane Portrait Prize, with work featured in The New York Times and the Washington Post. In this conversation we're focused on critique; the different forms it's taken across Col's practice, from design briefs and university critique sessions, to the regular group he's kept going with artist friends since graduating, to the more public feedback loop of prize entries and outdoor projections. We get into what happens when you action too much feedback at once, how to filter voices without shutting them out, and why a second set of eyes sometimes surfaces something in your work that you couldn't yet name yourself. Find Col Mac here on instagram and here on his website. You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Building a Body of Work With Wendy Marinich | 04 May 2026 | 00:50:25 | |
In this episode, I'm joined by West Australian painter Wendy Marinich. We discuss what it actually looks like to build a body of work when you're in the middle of figuring it all out. Wendy came to painting a few years ago, after careers in floristry, catering, and working as a pasta maker at a well-known Perth restaurant. In that relatively short time, she's developing a practice that has a cohesive feel to it, full of mid-century warmth, bold colour, and a real sense of considered intent. I've been watching her work evolve for a while now, and I wanted to bring her on to talk about the process behind that, not from a place of looking back, but from right inside it. We talk about where ideas begin for Wendy; that moment of instant clarity she had when she walked into her sister-in-law's house and saw a collection of vintage glass arranged by colour, and knew that was her next exhibition. We get into what happens when you have a clear concept but your instincts start pulling you somewhere else mid-series, and how she uses her body of work as a deliberate skills-building exercise. We also talk about the role of commissions, painting one-offs versus series, working on multiple pieces simultaneously, and why this year, for the first time, she decided not to book her exhibition before finishing the work. Find Wendy Marinich here on Instagram and her website You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review and share if you enjoyed it, it really does help other people find the show. Hosted on Acast. See acast.com/privacy for more information. | |||
| Creative Strategy with Kass and Lauren Hernandez from Crossing Threads | 27 Apr 2026 | 00:56:13 | |
Today I'm talking with sisters Kass and Lauren Hernandez, the fibre artists behind Crossing Threads. This was an interesting conversation about what creative strategy actually looks like in practice; the real, week to week decisions that go into building a sustainable creative practice. Kass and Lauren are first generation Australians of Filipino heritage, living and working on Wangal and Gadigal Land in Sydney. They create one of a kind fibre and textile artworks; tapestries, woven pieces, soft sculptures, and framed textiles for both residential and commercial spaces. We talk about their weekly WIP structure (which they complete on Fridays and come back to fresh on Mondays), how they use Slack to communicate across the business, and why they time-track everything using Toggl. We get into how they filter every opportunity through a set of ROIs; financial gain, brand positioning, exposure, relationships, community, and creative growth; and why saying no is one of the most valuable things they do. We also chat about what it means to work with your sister, navigating feedback, dealing with imposter syndrome, and how becoming mothers was ultimately the catalyst for going full-time. This is one of those conversations that made me want to take notes! I hope you get as much out of it as I did. We mentioned a lot of different systems and tools in this one and you’ll find a complete list on the Substack post here. Find Kass and Lauren here on their website and here on Instagram. You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review and share if you enjoyed it, it really does help other people find the show. Hosted on Acast. See acast.com/privacy for more information. | |||
| Q&A with Sophie Vander from Curatorial+Co | 20 Apr 2026 | 00:58:24 | |
Sophie Vander is back, and this time we're going straight to your questions. Since Sophie's first appearance on the podcast back in August 2024, I have had a lot of follow up questions come in- it seems you had so much more you wanted to hear from her. So did I! Sophie is the founder and director of Curatorial+Co, a Sydney-based contemporary art gallery and consultancy on William Street in Woolloomooloo. She works with a stable of 45+ artists (80% of whom are female-identifying), leads a team of 11, and juggles gallery exhibitions, an art consultancy arm, and international art fairs, all at the same time. In this episode we cover a lot of ground, from the work Sophie saw at Art SG that completely stopped her in her tracks, to how she picks artists for international fairs, what actually puts her off an artist, and where she goes looking for new talent. We talk about the art market right now, honestly and practically, and what that means if you're an emerging artist trying to sell work. We chat about the gallery relationship; including the one thing she says almost never happens when artists come to her about representation, but really should. Links and people mentioned:
Artworks that Sophie Mentioned: For a more complete list- please check out the substack post here If you enjoyed this episode, please share it with an artist friend, it genuinely helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Critique and the Inner Critic with Alyssa Monks | 16 Mar 2026 | 01:01:42 | |
In this episode I’m talking with painter Alyssa Monks about how feedback, both internal and external, shapes an artist’s work and confidence. We explore what kinds of critique have helped her over her career and how she learned to distinguish useful feedback from noise. Alyssa shares how critical comments that bother you can sometimes be the most revealing. We also dive into the psychological side of creativity: transforming your inner critic from an adversary into a problem-solving partner, trusting your own vision while staying open to perspective, and why asking who you ask for feedback matters. Alyssa reflects on navigating personal and professional critiques, choosing when to ask for input, and why hope and curiosity are essential ingredients in the studio. You can find Alyssa here at her website: alyssamonks.com, Here on instagram Video Available here: If you'd like to watch this conversation, you can find selected episodes of The Creative Kind on YouTube and on Substack. Later this year I should be able to publish videos on Apple and Spotify and will update this feed then too. Just search The Creative Kind Podcast or follow the link in the show notes to watch the full interview with Alyssa. Hosted on Acast. See acast.com/privacy for more information. | |||
| Making Work in Overwhelming Times with Diana Weymar | 09 Mar 2026 | 00:52:13 | |
In this episode, I’m joined by artist and writer Diana Weymar, whose practice involves textiles, language, and collective participation. Diana is best known for the Tiny Pricks Project, an ongoing body of embroidered text works responding to political language, poetry, and cultural moments. We talk about what it means to make and share work when the world feels overwhelming, and how artists decide what deserves their attention. Diana speaks about translating words into thread, the difference between reacting and observing, and why slowness can be a powerful artistic tool in a fast-moving information landscape. We also discuss criticism, community, and the tension between wanting to speak out and recognising you can’t respond to everything. Diana shares how the project evolved from a small personal experiment into a global participatory archive of over 5,000 pieces, and why she’s comfortable letting a project change shape over time. This conversation explores political art, creative responsibility, and the quiet but profound impact of making something by hand. We talk about uncertainty, nuance, and the idea that art doesn’t always need to resolve issues, sometimes it simply holds space for them. Find Diana Weymar here on instagram and also over at @tinypricksproject and her website here at www.tinypricksproject.com You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Building a Body of Work with Debbie Mackenzie | 02 Mar 2026 | 00:43:41 | |
In this episode, I’m joined by landscape painter Debbie Mackenzie, who lives and works on Victoria’s Mornington Peninsula. Debbie shares how her paintings grow out of the places she spends time in, and how her ideas evolve naturally as she works toward a solo exhibition. We talk about what it means to build a body of work rather than individual paintings, and how each piece can influence the next. Debbie explains her unusual process of photographing inspiration and then never looking at the images again, relying instead on memory and feeling to guide her compositions. We also get into the realities behind the scenes; logistics, deadlines, long studio days, balancing family life, financial gaps between shows, and the emotional comedown that can happen after finishing a major series. Debbie also reflects on consistency, why she rarely changes her palette, and how small shifts like music or brushes can spark experimentation without disrupting cohesion. You can find Debbie on instagram here, her website here: www.debbiemackenzieart.com She is represented by SYDNEY - Michael Reid Gallery - Southern Highlands & Michael Reid Northern Beaches MELBOURNE - Kelli Lundberg Gallery You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| What Matters (and What Doesn’t) for Artists in 2026 with Amber Creswell Bell | 23 Feb 2026 | 00:40:06 | |
In this episode, I’m joined by Sydney based curator, writer, and artist mentor Amber Creswell Bell to talk about what it really means to be an artist right now, particularly in a slower market. Amber brings a broad perspective from working closely with emerging artists, running a national art prize, curating exhibitions, and spending years inside the commercial gallery system. We discuss what artists can focus on when sales slow, how to think more strategically about your practice, and why relying on luck alone rarely leads to sustainable outcomes. We talk about treating your art practice as a small business, understanding your audience, and using social media with intention rather than comparison. Amber shares her thoughts on what artists often spend too much energy on, how to research galleries and opportunities more effectively, and why being visible doesn’t have to mean chasing every trend. We also discuss the role of networking and community, the importance of finding a distinct visual language, and how art prizes can help artists build confidence, credibility, and new connections. Find Amber here on her website or here on instagram You can find the booking link here Upcoming Masterclasses:
You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Creative Workshops with Hannah Jensen Fox & Fleur Woods | 16 Feb 2026 | 01:18:07 | |
n this episode of The Creative Kind, I sit down with artists Fleur Woods and Hannah Jensen Fox to talk about the impact and significance of art workshops. Fleur, a fiber artist and paint carver Hannah, share their experiences teaching workshops and how these sessions have benefited their practices and personal growth. We explore the dynamics of workshops, the invaluable connections and community that form, and the surprising ways teaching has strengthened their own skills and confidence. We also touch on the logistical and financial challenges of running workshops, and the rewarding ripple effects of teaching. Our conversation highlights their shared belief in the transformative power of creativity and the joy of fostering a safe, encouraging, and collaborative environment for artists. Find Fleur Woods here on her website or here on instagram You can find more information about Fleur’s courses here Find Hannah Jensen Fox here on her website or here on instagram You can find more information about Hannah’s courses here You can find the podcast here on Instagram & here on substack Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Recommendations from this episode: Fleur Recommended: Song Sung Blue - The Movie Hannah Recommended: Trent Dalton Audiobooks; Lola in the mirror and Love Stories Julie Recommended: The Get Seen Artist Workbook by Carrie Scott Hosted on Acast. See acast.com/privacy for more information. | |||
| The Artworks That Stayed With Us- 2025 | 22 Dec 2025 | 00:42:12 | |
To mark the end of the year, I asked past guests of The Creative Kind to share one artwork that stayed with them in 2025. Something that made them pause, something that lingered. What came back were personal reflections on paintings, sculptures, installations, exhibitions, and moments of seeing art that surprised, unsettled, comforted, or quietly shifted something. Some guests spoke about a single work they couldn’t stop thinking about. Others reflected on whole exhibitions, artists they keep returning to, or practices that have reshaped how they work in their own studios. Across the episode, guests talk about scale and intimacy, about seeing work in person versus online, and about how materials, process, and repetition can carry meaning. Several guests speak about light and shadow, hope and heaviness, and the way an artwork can articulate something you didn’t yet have words for. There are also stories about risk, artists trying something unfamiliar, pushing their own boundaries, or committing to daily practice. A number of guests reflect on how these encounters with art have filtered back into their own practices, changing how they paint, build, repeat, simplify, or let go. Being moved by art doesn’t follow a single pattern, and sometimes the works that stay with us do so because they meet us differently each time we return to them. This episode lands in a heavy moment following the events in Bondi. My sincerest sympathies to the victims, their families, and community.
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| Experimenting! an end of season discussion with Laura Brinin, Robyn Rich, Jenni Stringleman, Kate Owen, Ashley Longshore & Salma Price-Nell | 11 Dec 2025 | 01:09:03 | |
In this episode, we explore the theme of experimenting and how it shows up across different art practices and life stages. Featuring returning guests Laura Brinin, Robyn Rich, Jenni Stringleman, Kate Owen, Ashley Longshore, and Salma Price-Nell, we look at the many ways artists approach play, curiosity, and taking creative risks. Across these conversations, we discuss what experimentation looks like in practical terms, from changing mediums and revisiting older works, to navigating the tension between intuition, commercial pressures, and personal capacity. The artists share how factors such as parenting, time limitations, and energy levels affect their willingness to take risks, and how small acts of play can keep a long or complex project moving. We also cover the importance of staying connected to a sense of discovery, even in established practices. Whether it’s exploring film, returning to ceramics, testing new colour palettes, or seeking moments of flow, each guest offers insight into how experimentation supports growth, confidence, and momentum. Find Laura Brinin at Side Gallery, website here and their instagram here: Find Robyn Rich's website here and on instagram here Find Jenni Stringleman's website here and her newsletter here Find Kate Owen's website here and on instagram here Find Ashley Lonshore's website here and on instagram here Find Salma Price-Nell's website here and on instagram here You can find the podcast on instagram here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show If you've got a question you'd like me to explore- you can ask it here Hosted on Acast. See acast.com/privacy for more information. | |||
| Making Art in a Tough Market with Hilde Lynn Helphenstein (Jerry Gogosian) | 07 Dec 2025 | 00:49:38 | |
In today’s episode, I’m talking with Hilde Lynn Helphenstein, the mind behind Jerry Gogosian, about the current state of the art market and the realities artists are facing right now. We discuss the recent market correction, how quickly prices can rise and fall, and what that means for artists whose work becomes tied to hype cycles. Hilde talks openly about dramatic price fluctuations, pricing as an emerging artist and why artists should build lives that support their practice, not the other way around. We also cover Hilde's thoughts on the unexpected careers people can discover when they step outside the art world, and the false pressure to measure success solely through big-name galleries or institutions. Hilde shares what she would do if she were an emerging artist starting out in 2026, from keeping living costs low to prioritising making the work itself. Resources & Links You can find Hilde’s substack here, website here and on instagram as Jerry Gogosian here You can find the podcast instagram here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Mentioned in the show: If you've got a question you'd like me to explore- you can ask it here Hosted on Acast. See acast.com/privacy for more information. | |||
| Art & Confidence with Ashley Longshore | 01 Dec 2025 | 00:35:50 | |
In this episode of the Creative Kind, I’m joined by New York-based mixed media artist Ashley Longshore. Known for her larger-than-life personality and equally bold pop-infused paintings, Ashley’s work collides Hollywood glamour, consumerism, and cultural icons. Ashley discusses her defiance of the traditional art world by building her own company to avoid the standard 50% gallery cut, stating that this move was driven by her business-minded approach rather than confidence. The conversation delves into her journey of marketing and selling her art independently, using creative strategies that bypass conventional gallery systems. Ashley emphasizes the importance of grit, resilience, and a strong inner monologue, sharing her experiences of starting out with minimal resources and networking creatively to sell her work. She highlights the role of self-love, authenticity, and the necessity of learning to discuss money openly as an artist. Additionally, Longshore touches upon her charitable efforts, such as the Ashley Longshore Charitable Trust, which supports young artists. Find Ashley here on her website or here on instagram You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Art & Chronic Illness with Robyn Rich | 24 Nov 2025 | 00:46:30 | |
In this episode I’m talking to Melbourne based miniatures artist Robyn Rich, whose work captures intimate, tiny worlds in reused and recycled objects. We talk about what it’s like to create art while living with chronic illness, and how limitations have shaped both her practice and her perspective. Robyn shares how art became a way to find her voice, to connect with others, and to make sense of her own experiences. We discuss the emotional power of small objects, the beauty of creating in a contained space, and the ways she’s built community through projects, Instagram, and her own miniature gallery. We also explore resilience, the lessons that come from rejection and illness, and how she navigates the tension between pushing herself creatively and taking care of her health. Robyn talks candidly about the challenges of sharing her work, asking for help, and finding ways to stay connected while honouring her own limits. You can Robyn’s website here and on instagram here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Art through Illness with Jenni Stringleman | 17 Nov 2025 | 00:47:30 | |
In this episode, I sit down with Jenni Stringleman and Frank Gordon to talk about painting, illness, and the practical realities that shape an artist’s work. Jenni shares how her ovarian cancer was discovered, and how it’s changed the pace and priorities of her studio life. Jenni chatted about how that experience changed her priorities: she moved quickly to paint what she wanted to paint, reduced studio output at times because of physical limitations, and now chooses projects with more personal meaning. We discussed some of the coping strategies, everyday rituals and practical support that helped Jenni through this time and the complicated path of finding her new normal. You can find Jenni here and her newsletter here and her earlier interview episode here: You can find Frank Gordon here, and my previous episode with him here: You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Finding your Market with Kate Owen | 10 Nov 2025 | 00:55:49 | |
In this episode I speak with Kate Owen about the process of finding your market as an artist. Kate shares how trial and error has shaped her approach, from choosing the right galleries to refining the way she communicates with collectors. She talks about the importance of asking questions, and recognising when a particular avenue isn’t the right fit. We also look at the practical tools that support this process, including cataloguing artwork, building a mailing list that rewards collectors with early access to new work. Kate reflects on experimenting with newsletters, giveaways, and social media, and how paring things back over time has helped her focus on what really works. We chat about how her experience has required some experimenting and trying different strategies, seeing what sticks, and honing in on the things that align with her practice and life. Find Kate Owen website here and on instagram here You can find the podcast here Resources & Links
Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Finding the Right Gallery with Laura Brinin | 03 Nov 2025 | 00:58:48 | |
In this episode of The Creative Kind I speak with Laura Brinin from Side Gallery in Brisbane, who also works at the University of the Sunshine Coast. Laura shares insights into what it really means to approach a gallery, from making contact in a thoughtful and personal way to understanding what galleries actually do for artists. She talks about the importance of fit, the role of community and the value of supporting your gallery as much as they support you. We also dive into the realities of confidence and perfectionism and why action builds momentum. We dip into the logistics too- Laura and I chat about contracts and deadlines. What stood out for me is her reminder that there’s no single formula for building a career, and that the work itself should always remain at the centre Find the Side Gallery website here and their instagram here: You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Mentioned in the show:
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| Art and Parenting with Salma Price-Nell | 27 Oct 2025 | 00:53:15 | |
In this episode I chat to Salma Price- Nell, also known as the Salsa Creative. Salma is a UK-based Cape Malay, South African artist and parent. We delve into the challenges and intersections of motherhood and maintaining an art practice. Salma discusses her primary medium of ink on paper and how her artwork, which often features organic forms like trees, has evolved since becoming a mother. We talk about the difficulties of finding time for art amidst parenting, the shift in priorities, and the therapeutic nature of creating art. Salma shares how she managed her creative practice while caring for her newborn, the importance of self-care, and the need to stay focused and present. We also touch on the impact of social media oand the lessons learned from navigating identity and productivity as a parent. Resources & Links You can find Salma’s website here and on instagram here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show If you've got a question you'd like me to explore- you can ask it here Hosted on Acast. See acast.com/privacy for more information. | |||
| Painting & Parenting with Cindy Rizza | 20 Oct 2025 | 00:52:07 | |
In this episode I talk with artist Cindy Rizza about the realities of having a creative career while parenting. We cover how becoming a mother shifted her perspective on time, discipline, and the need to treat her practice as a career. Cindy speaks about the pressures that come with both roles and how comparison and stereotypes can be hard to shed and often get in the way when every artist’s circumstances are so different. We also talk about asking for help and why that can feel so difficult, the role of community and support, and how boundaries can protect space for making. Cindy shares her thoughts on managing expectations, both internal and external, and the importance of small, consistent steps. We talk about the guilt, uncertainty, and Cindy reflects on the parts of her practice are grounding and why art-making is “that one space that is mine.” Resources & Links You can find Cindy’s website here and on instagram here You can find Cindy’s episode with the Artist/Mother podcast here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show If you've got a question you'd like me to explore- you can ask it here: Hosted on Acast. See acast.com/privacy for more information. | |||
| Artists and Social Media with Danielle Krysa & Alexis Mixter | 06 Oct 2025 | 01:00:35 | |
In this episode I chat to Danielle Krysa from The Jealous Curator and artist Alexis Mixter about the shifting landscape of how artists share their work and connect with audiences. Danielle has built a big and engaged community on Instagram and Substack and Alexis is spending less time on Instagram and in its place, finding time for a blog and more in person experiences. We talk about the role social media plays for us in building community and an audience, what’s working, what’s not and what’s next. We talk about:
We all chatted about the realities of sharing on social media and explored how we are each carving out different ecosystems around our practice. My first chat with Danielle on Imposter Syndrome can be found here on apple and here on spotify You can Find Danielle & Alexis here:
I wrote a reflection on Substack to go with this episode, you can find it here! You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show If you've got a question you'd like me to explore- you can ask it here: Hosted on Acast. See acast.com/privacy for more information. | |||
| Conversations En Plein Air with Carly Le Cerf and Johnny K | 29 Sep 2025 | 00:53:51 | |
What does it really mean to take your painting practice outside? In this episode I’m joined again by Australian artists Johnny K and Carly Le Cerf to talk about the realities of working en plein air - from capturing a horizon line to the challenge of painting in wind, snow, or heat. We talk about:
This is a wide-ranging chat about the ways we carry the outside world into our work. You can find Caly Le Cerf’s work here through Michael Reid Gallery and on instagram here You can find my previous chat with Carly here You can find Johnny K’s website here and his instagram here You can find my previous episode with Johnny here and here Mentioned in the podcast:
You can find the podcast here Hosted on Acast. See acast.com/privacy for more information. | |||
| Taking breaks with Anna Gibbs, Michael Fox & Brandi Salmon | 22 Sep 2025 | 00:36:45 | |
In this episode we dive into the topic of taking breaks, exploring the 'whens,' 'whys,' and 'hows' of stepping away from work. Joined by returning guests Anna Gibbs, Michael Fox, and Brandy Salmon, we discuss various perspectives on breaks, including the importance of planning downtime, financial and tax considerations, and personal strategies for recognising when it's time to pause. From mental and physical self-care to the impact of breaks on creativity and productivity, this episode highlights how artists balance their professional commitments with the need to recharge. We also explore practical advice on transitioning back to work post-break and the evolving landscape of the art world. Find Anna’s website here and on instagram here You can find Michael Fox's Accountant and Art Valuation website here and the Fox Galleries here Find Brandi here on her website or here on instagram Find her wedding painting instagram page here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Taking Breaks with Laura Brandon, Sally Bulling & Maria Stoljar | 15 Sep 2025 | 01:10:35 | |
This podcast episode discusses taking breaks. This season's guests Laura Brandon, Sally Bulling, and Maria Stoljar share their different perspectives & experiences, including the differences between planned and unplanned breaks, and their impacts on professional and personal well-being. The conversation delves into the necessity of taking intentional breaks to avoid burnout, the benefits of physical and mental rest, and practical strategies for reengaging with work after a hiatus. The guests share personal anecdotes and how they manage their time and breaks. We talk about the importance of recalibration, and how breaks can lead to renewed creativity and productivity. Find Laura Brandon’s website here and on instagram here Find Sally here and on instagram here If you want to find out more about Maria Stoljar & Talking with Painters, go and check out: her instagram or website Podcast on apple, spotify (plus all the others) And her You Tube channel You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Your Creative Questions Wanted for the End of Year Episode | 08 Sep 2025 | 00:00:52 | |
Hey art lovers, I'm putting together a special end of year episode of the Creative Kind, and I would love your input! For this one, I'm thinking about hosting a Q&A. So if you've got a question for a gallerist or artist, now is the time to ask. It could be about making work, navigating the art world, or anything you have been curious about. You can tell me if it's for a specific guest who's been on the pod, and I'll do my best to get them on to answer it, or it could be a more general question for anyone. If you can send me your question, preferably as a voice note or even just as a quick message. I've left the details in the show notes. The regular end of season episode will be back in your feed next week. Thanks so much for listening and for being part of the creative kind. I can't wait to hear from you. Chat soon! Submit your questions here through the google form You can email me through your voice note or question as a message here: Thecreativekindpodcast@gmail.com Or you can just send me a voice note through a Creative Kind Instagram message Hosted on Acast. See acast.com/privacy for more information. | |||
| Commissions with Brandi Salmon | 02 Sep 2025 | 00:36:14 | |
In this episode, I chat with Brandi Salmon, a Wiradjuri and Tongan artist based in Lutruwita Tasmania about commissions. We talk about the ups and downs of working on commissions, from pricing and client expectations to protecting your creative energy and building long-term confidence. Brandi shares how she approaches work including landscapes, murals, portraiture to live wedding painting, and how the mix of commission and personal work has helped her grow artistically. She also opens up about the emotional and logistical sides of working with clients, why written boundaries are essential, and how she uses forms and automation to stay sane. We also dig into the impact of mentorship and the importance of finding peer support, especially as a young or emerging artist. Mentioned in this episode Find Brandi here on her website or here on instagram Find her wedding painting instagram page here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Commissions with Sally Bulling | 25 Aug 2025 | 00:52:08 | |
In this episode I’m talking about commissions with NZ artist Sally Bulling, who specialises in mirror paintings incorporating a variety of materials like paint, resin, and stickers. We discuss the delicate balance between commissioned work and personal pieces,and the ways commissions can push an artist’s practice in unexpected and rewarding directions. We talk about the financial upside of a commission and how they can allow experimentation with new materials and ideas. We also chat about the importance of maintaining relationships with galleries alongside commissions and Sally shares insights on managing client expectations, communicating clearly, and the benefits of taking time with commissioned pieces. Find Sally here and on instagram here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Tax & Accounting for Artists with Michael Fox | 18 Aug 2025 | 00:47:22 | |
In this episode of The Creative Kind, I talk with Michael Fox, an experienced Australian arts accountant and director of Fox Galleries, about tax and accounting issues specifically for artists. We discuss the importance of treating an artistic practice as a business for tax purposes. Michael clarifies the tax reporting requirements for artists in different circumstances, including when activities transition from hobbyist to business status. The conversation also touches on common mistakes artists make in tax reporting, the significance of claiming expenses correctly, and the practical steps for managing receipts and bookkeeping. Michael emphasizes the critical role of good record-keeping and timely submission of tax returns to avoid penalties. We also explore topics like superannuation for self-employed artists and the nuances of GST for artists. We talk about the importance of clear communication between artists and galleries about financial transactions and practical advice on navigating the complexities of tax systems tailored to the arts sector. You can find Michael Fox's Accountant and Art Valuation website here and the Fox Galleries here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Opportunities Beyond the Gallery Wall with Laura Brandon | 12 Aug 2025 | 00:49:03 | |
In this episode of The Creative Kind, I speak with Sydney-based art consultant and educator Laura Brandon about artist opportunities beyond the gallery wall. With over 20 years of experience across public art, education, archiving, and exhibition development, Laura brings deep insight into how artists can meaningfully connect with new platforms, spaces and collaborators. We talk about everything from public art projects and artist statements to grants, residencies and building your own art ecosystem. Laura offers practical tips for tailoring applications, finding your own voice in written materials, and identifying the opportunities that are actually a good fit for you and your work.We also talk about what makes a strong application, and how to make the most of mentors, peers, and support systems around you. Find Laura Brandon’s website here and on instagram here Resources & Links Here are a few useful organisations and platforms mentioned in this episode: National Association for the Visual Arts Art Prizes (@artprizes) • Instagram Council websites such as: Opportunities for artists - Inner West Council Arts opportunities | Bondi Pavilion Arts & culture - Waverley Council You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Can Art Inspire Change? With Anna Gibbs | 05 Aug 2025 | 00:46:22 | |
This week I’m joined by British-born, New Zealand-based artist Anna Gibbs, whose detailed oil paintings of native birds draw attention not just for their beauty but for what they represent — a deep love for the natural world and a quiet invitation to care more deeply for it. We talk about how emotional connection can lead to change, and why Anna chooses to focus on hope, wonder, and care rather than guilt or shock when addressing environmental issues through her work. Anna shares how her parents sparked her fascination with New Zealand’s birds, the stories behind some of her most impactful pieces and why she’s committed to using real, ethically sourced gold in her art — not just for its visual warmth, but for what it symbolises. Find Anna’s website here and on instagram here Learn more about Banks Peninsula Conservation Trust You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Studio Session with Andrew Sleeman and Laura Brinin | 31 Jul 2025 | 01:08:41 | |
In this studio session I talk to artist Andrew Sleeman and curator Laura Brinin from Side Gallery in Brisbane about preparing for a solo show. Andrew shares his motivations for having his solo show and the learning curve involved, while Laura provides insights into what galleries and curators look for in an artist and their work. The conversation delves into topics such as framing, photography, and the costs associated with putting on a solo exhibition. Both Andrew and Laura touch on the importance of building a supportive community, clear communication, and setting realistic goals for the success of the show. Andrew's solo show, 'Bare' is set to open at Side Gallery in Brisbane on August 14th. Find Andrew’s previous episode here Find Andrews Instagram here and his website here Find the Side Gallery website here and their instagram here: Hosted on Acast. See acast.com/privacy for more information. | |||
| Art Prizes with Frances Featherstone | 28 Jul 2025 | 00:49:57 | |
In this episode of The Creative Kind, I chat to UK based artist Frances Featherstone on the realities of entering art prizes. We explore the opportunities prizes can open up, as well as the importance of keeping them in perspective. Frances shares practical advice on choosing the right prizes for your work, how to photograph your submissions, and the hidden costs artists often forget to factor in. We also talk about how to handle rejection, what really happens once a show opens, and why believing in your work matters more than any shortlist. Frances reminds us that prizes do have some great benefits and one of the big ones is the community built through participating in them.The connections they can help build and what that gives your practice in ways a prize never could on its own. Resources & Links
You can find Frances Featherstone’s website here and on instagram here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Art Prizes with Maria Stoljar | 22 Jul 2025 | 01:02:57 | |
In this episode I chat to Maria Stoljar, a painter, YouTuber & host of the acclaimed Talking with Painters podcast. We discuss Maria’s experience with interviewing hundreds of art prize winners, and also as a painter herself having been an entrant and a judge. We talk about the significance of art prizes in an artist's career and Maria shares her insights on the motivations behind entering art prizes, the benefits of being shortlisted, and the importance of exposure. We also discuss the role that art prizes play in elevating artists' profiles, the impact of social media, and how to handle rejection. We also chat about the balance between authentic creation and catering to judges, gender balance in the art scene, and the broader implications of art prizes for the art community. If you want to find out more about Maria Stoljar & Talking with Painters, go and check out: her instagram or website Podcast on apple, spotify (plus all the others)And her You Tube channel Discussed in the podcast: The National Emerging Art Prize & Amber Cresswell Bell Ross Jones episode on Creative Conversations podcast John McDonald’s : Everything the Art World Doesn’t Want You To Know Talking with Painters episodes: Every episode seemed relevant to this chat! But I had to limit it to those we referenced! Ep 115: The Archibald Winners Ep 120: Robert Malherbe Ep 110: Robin Eley Ep 65: Nicholas Harding Ep 80 : Ben Quilty Ep 45 : Wendy Sharpe Ep 41: Megan Seres Hosted on Acast. See acast.com/privacy for more information. | |||
| "Who Is My Audience?" With Sarah Jane Moon, Rita Stella, Petrina Jose & Sarah Lubcke | 01 Jul 2025 | 01:07:35 | |
In the season finale of The Creative Kind, we’re joined by Sarah Jane Moon, Rita Stella, Petrina Jose, and Sarah Lubcke, who all share their perspectives on understanding and identifying an audience., We chat about the nuances of ‘audience’ versus ‘market,’ the importance of showing up in person, and how social media and online platforms fit in. We talk about how we each navigate our creative paths while thinking about who connects with our work and how we communicate our work effectively. Find out more about this episodes guests: You can find Sarah Jane Moon’s website here Sarah Jane Moon, has an upcoming show called ‘Nature/Nurture’ 16th - 21st July (10am - 5pm) PV: Tues 15th July (6 - 9pm) Downstairs, The Department Store, 248 Ferndale Rd, London SW9 8FR You can find Rita Stella’s work through Art to Art Gallery You can find Petrina Jose’s artwork here and her Branding & Design page Hearts & Eyes here You can find Sarah Lubcke here & here website here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Studio Session with Jenni Stringleman, Amanda Billing & Julie Battisti | 23 Jun 2025 | 00:34:53 | |
In this Studio session I’m joined by Jenny Stringleman and Amanda Billing for another casual and varied discussion. We talk about our evolving work routines, differences in working styles, and the concept of chronotypes. We touch on online art criticism, & explore the impact of social media on artists and the differences, connections and reasons behind the art we create and the art we collect. Recommendations :
Mentioned in this podcast:
You can find Amanda here, her newsletter here and her earlier interview episode here You can find Jenni here and her newsletter here and her earlier interview episode here You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show xJB Hosted on Acast. See acast.com/privacy for more information. | |||
| Community- Mandy Jakich | 18 Jun 2025 | 00:43:04 | |
In this episode, I’m joined by Mandy Jakich—artist, educator and founder of Creative Matters & Creative Connections Podcas—to talk about the role of community in a creative life. Mandy shares how her need for connection as a self-taught artist led her to start building her own audiences early on, from hosting exhibitions at home to developing wider educational initiatives. She reflects on her time at Auckland Art Gallery, the role of the Muriwai Artists Collective, and the evolution of her podcast and art education business—all of which have centred around creative connection. We talk about how artist communities can provide accountability, emotional support and practical motivation, and how small acts of collaboration can create unexpected ripple effects. Mandy also shares how she’s carving out time to return to her own art practice, and the balance between leading others and holding space for herself. You can find the Creative Connections podcast (previously Creative Matters) here, here on apple and here on spotify Creative Connections show at Kumeu Arts From June 23- July 19th Mentioned in this podcast: Interview with Sara Langon on Creative Connections Interview with Sefton Rani on creative Connections You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||
| Community & Connection - Richelle Byers & Liz Fraser of Gallery De Novo talk about | 16 Jun 2025 | 00:40:23 | |
In this episode, I sit down with Richelle Byers & Liz Fraser from Gallery De Novo in Dunedin. Richelle and Liz reflect on how a gallery space can create community and connection when it’s open, conversational, and unintimidating. We chat about the idea of community and connection and how that can be built and shared through a commercial gallery—what they look for in artists, how relationships form between artists, gallerists and collectors, and how taste, instinct and storytelling shape the work they choose to represent. We talk about what it means to truly “fall” for an artwork, how personal and emotional that process can be for collectors. There’s also reflection on what it means to see work in the flesh — why scale, texture, and presence can’t always be captured on a screen — and how that in-person experience helps galleries stay grounded in community. You can find Gallery De Novo here and here on instagram - Their 20th anniversary show opens on the 28th &29th of June so go along and congratulate them if you can! Mentioned in this episode: You can find the podcast here Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show Hosted on Acast. See acast.com/privacy for more information. | |||