The entertainment industry is engaged in a reckless gamble, prioritizing the fleeting virality of social media stars over the reliable, public-friendly professionalism of trained talent. 

This trend, which began with experimental casting, has rapidly metastasized into a full-scale corporate strategy, positioning influencers as the foolish replacement for groomed, quality artists across movies, television, music, and now, radio. 

The entire entertainment ecosystem appears to be chasing instantaneous audience capture rather than fostering enduring creative merit.

Hollywood has definitively "Learned to Love Influencers", viewing them not as collaborators but as packaged audiences ready for monetization. This 'new era of fame' bypasses the necessity of traditional training, acting schools, or years spent honing a craft, opting instead for a shortcut driven by follower counts. The result is a critical substitution of seasoned actors and hosts with untested personalities.

This takeover is starkly visible in the world of television and streaming. Major platforms like Netflix are increasingly tapping into the established fanbases of "New Hollywood" by acquiring shows fronted by successful YouTube creators .

Rather than investing in development with proven writers and performers, the streaming giant is making content from creators like Brittany Broski bigger, while YouTube itself is making aggressive moves into traditional formats like late-night and stand-up comedy. 

The platform is actively pushing shows like Royal Court to rival established, highly-vetted late-night hosts, making a clear statement that the traditional gatekeepers are being overthrown by algorithmic success.

Perhaps the most alarming expansion of this 'foolish' recruitment is the invasion of traditional audio broadcasting. A cornerstone of the radio industry, iHeartMedia, has struck a massive partnership with TikTok to bring platform creators into mainstream broadcast radio and launch an entire podcast network dedicated to them.

 This move signals a profound erosion of quality standards, as broadcast airwaves—once reserved for highly vetted, public-friendly hosts—are handed over to personalities whose main qualification is their ability to generate clicks and soundbites.

The convergence of social media virality and institutional entertainment is not a merging of worlds, but rather a hostile takeover driven by desperate metrics. 

By foolishly substituting quality, trained talent with readily available, built-in audiences, Hollywood and the entertainment industry are participating in a fundamental devaluation of craft, risking a systemic 'race to the bottom' where public-friendly quality is sacrificed for instant, yet often transient, buzz.



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The cinematic landscape is officially unrecognizable. After a decade and a half of undisputed global dominance, the twin pillars of American blockbuster filmmaking—Marvel and DC—have been decisively toppled. The new king of the mainstream is not a reboot, a legacy sequel, or a comic book franchise, but Japanese animation, or anime.

The year 2025 will be remembered as the point of no return. The theatrical battle was unequivocally won by the East, led by the colossal success of Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle. The film, distributed by Crunchyroll and Sony, made history with a shocking $70 million U.S. opening—a staggering figure that firmly positioned anime as blockbuster-level content, not "alternative content" for niche audiences.

The film's triumph wasn't just domestic; it was global and symbolic. By the end of the year, Infinity Castle had surpassed the worldwide box office total of DC's highly-anticipated reboot, Superman, becoming the highest-grossing comic book adaptation of 2025 overall. 

For those who track the genre's shift, the writing had been on the wall for years, with a previous Demon Slayer film having already surpassed Avengers: Endgame's international box office earnings.
The story for the superhero studios, meanwhile, was one of fatigue and underperformance. A slew of Marvel’s 2025 releases, including the hotly anticipated Thunderbolts and The Fantastic Four: First Steps, all underperformed compared to their predecessors, with the former marking one of the MCU's lowest-ever box office totals. Analysts pointed to a decade of "interconnected universe" filmmaking that had created a "worst modern trend" in Hollywood, leaving audiences weary of what felt like required viewing rather than standalone entertainment.

The seismic shift wasn't limited to the box office. Streaming mirrored the trend as global viewers sought fresh, visually distinct storytelling. Netflix doubled down on the anime-adjacent boom, awarding Sony a staggering $15 million cash bonus for the first KPop Demon Hunters movie, confirming the massive demand for the hybrid content and pushing the sequel, KPop Demon Hunters 2, into production (albeit with a distant 2029 release target).

The most compelling evidence of the collapse of the Western superhero monolith in 2025 came not from Japan, but from China. The year’s highest-grossing film globally was the Chinese animated fantasy, Ne Zha 2, which hauled in a breathtaking $1.9 billion worldwide—earning nearly three times the global gross of Superman. This feat solidified a global appetite for big-budget, imaginative animation that is indifferent to the traditional Marvel/DC formula, conclusively proving that the mainstream audience is now hungry for an entirely new kind of fantasy spectacle.


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Today's hyper-individualized digital consumption, where music is a personalized playlist and social media dictates trends, the MTV Video Music Awards (VMAs) in 2025 stands as a unique, and increasingly vital, cultural event.
 While the show has seen its share of ups and downs in relevance, particularly throughout the streaming era, it has evolved into a crucial platform attempting to bridge the fractionalized landscape of modern music. The 2025 VMAs, in particular, showcases a deliberate effort to be a singular meeting point for a diverse array of genres, from traditional pop and hip-hop to the global rise of Afrobeats, K-Pop, reggaeton, and corridos.
Bridging the Musical Divide: A VMA ImperativeHistorically, the VMAs were a bellwether for what was "next" in pop culture. In 2025, that role has become more complex. Streaming services and social media have created a world of micro-genres and niche communities, making it difficult for any single artist or sound to dominate the cultural conversation in the way they once did. The VMAs have responded to this challenge by expanding their tent, and the 2025 ceremony is a testament to this strategy.
The inclusion of new categories for Best Pop Artist and Best Country Artist, for example, is a direct acknowledgment of the industry's evolving landscape. The show's nominations and performances reflect this expansive approach, featuring a roster of artists that spans the globe and a multitude of sounds. This year's lineup includes established pop stars like Lady Gaga and Sabrina Carpenter, alongside country artists like Jelly Roll and Megan Moroney, hip-hop heavyweights like Doja Cat and Post Malone, and Latin music icons like J Balvin and Ricky Martin. The ceremony actively seeks to be the one night where a K-Pop act can share the same stage and audience with a rock band or a reggaeton star, creating a cultural conversation that simply doesn't happen on an algorithmically-driven platform.
The Streaming Era: A History of Peaks and ValleysThe history of the VMAs in the streaming era has been marked by a struggle for cultural oxygen. The initial decades of the awards show were defined by their status as a "Super Bowl for youth," a must-see event that generated moments of collective shock and awe. The rise of YouTube and other video platforms, however, democratized the music video and diminished MTV's role as the primary gatekeeper of visual music. 
This has led to a perceived lack of "notable moments" in recent years, as the kind of spectacles that once dominated headlines now compete with countless viral clips and online personalities.

Furthermore, the live performances have increasingly focused on solo artists, with a few singing groups making an appearance. The lack of traditional bands on the VMA stage is a notable trend, reflecting the current dominance of solo performers and producers in the music industry. 
The show often leans on a sense of nostalgia, bringing back veteran artists like Mariah Carey, Ricky Martin, and Busta Rhymes to perform and receive special honors, giving viewers a taste of the show's past glory while also connecting with artists who have shaped the industry.



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CNN reports that the News industry is off to a brutal 2024 start as mass layoffs devastate publishers, raising questions about the future of journalism. Even as the presidential election cycle heats up and public attention and revenues historically mount, has been on full display this month, with the first few weeks of 2024 ushering in a spate of painful layoffs at news organizations from coast-to-coast.
The Los Angeles Times slashed its newsroom by more than 20% earlier this week; TIME cut dozens of staffers; and Business Insider said it would trim its workforce by 8%. Meanwhile, hundreds of staffers at Condé Nast, Forbes, The New York Daily News, and others staged historic walkouts to protest planned cuts at the outlets.
The recent round of layoffs, while pronounced, are part of a much larger and unrelenting storm battering the journalism industry. Over the past 18 months, most news organizations have been forced to make difficult decisions to reduce their workforces.
At the national level, CNN, The Washington Post, NPR, Vice Media, Sports Illustrated, Vox Media, NBC News, CNBC, and other organizations have cut swaths of their reporting staff. At the local level, layoffs have been nearly constant, with newspaper giant Gannett cutting hundreds of employees, and small outlets carving out already lean operations.
The latest round of layoffs come after 2023 marked the worst year for job cuts in the journalism sector since Covid-19 upended the world in 2020, with roughly 2,700 jobs eliminated.
While each outlet is struggling with its own unique challenges, they all are facing brutal industry headwinds ushered in by the internet revolution and other technological advances that have fundamentally changed the way the public consumes news and entertainment.
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Refinery29 describes the movie Satlburn as follows: "Spoilers ahead. There's something distinctly unnerving about leaving the cinema and not being able to process what you just watched. 'What the fuck just happened?' 'Why am I horny?' 'Was that a Britney Spears shirt?'
These are just some of the words that might come out of your mouth after watching Emerald Fennell's new film, Saltburn.
Emerald Fennell's (Promising Young Woman, Killing Eve) new film Saltburn is hard to define. It's a story about love, desire and obsession that's part twisty psychological thriller and part laugh-until-you-weep comedy. It's also super, super gay.
The film follows Oliver, played by Barry Keoghan (The Banshees of Inisherin, The Killing of a Sacred Deer), a shy scholarship student at Oxford who quickly becomes infatuated with the charming and aristocratic Felix, played Jacob Elordi (Euphoria). Despite their clear differences, Felix invites Oliver to spend the summer at his family's sprawling estate, Saltburn. Soon, we're taken on a wild journey that's just as sexy as it is dark."
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KOP looks at the growing trend of comedians finding themselves caught up in controversy and facing the possibility of being cancelled or computer recycled. They include Jo Koy, Katt Williams, and George Carlin..
Jo Koy, known for his hilarious stand-up routines and relatable storytelling, has been a target of controversy on multiple occasions. One of the main issues that have come up is his use of racially charged jokes. While some find his humor refreshing and genuine, others argue that it perpetuates stereotypes and fosters division. This has led to calls for him to be cancelled or to have his content removed from streaming platforms. However, it is important to note that comedy is subjective, and what may offend one person may make another laugh. It is up to the audience to decide what they find acceptable or not.
Similarly, Katt Williams, a comedian known for his quick wit and sharp tongue, has also found himself at the center of controversy. His provocative style often treads the line between comedy and offense, resulting in backlash from various communities. One instance that sparked controversy was his use of homophobic language during a stand-up routine. This led to calls for him to be cancelled and for his shows to be boycotted. However, Williams defended his right to freedom of speech, stating that comedy should be a space where anything can be said without fear of retribution. The debate continues on whether comedians should be held accountable for their words or if they should be given more leeway due to the nature of their profession.
Now coming back to the spotlight in AI form that no one asked for, even legendary comedian George Carlin was not immune to controversy during his career. Known for his satirical take on social and political issues, Carlin pushed boundaries with his uncompromising style. He often used profanity and tackled taboo topics, which resulted in criticism from conservative groups and calls for him to be computer recycled. However, Carlin remained unapologetic about his material, arguing that it was a reflection of the world we live in and that comedy should challenge societal norms. Despite the controversies surrounding him, Carlin is still remembered as one of the greatest comedians of all time.
In conclusion, comedians like Jo Koy, Katt Williams, and George Carlin have all faced their fair share of controversy throughout their careers. Whether it is through racially charged jokes or provocative language, these comedians have found themselves caught in the crossfire between freedom of speech and accountability. While some argue for their cancellation or computer recycling, others believe that comedy should be a space where anything can be said without fear of retribution. Ultimately, it is up to the audience to decide what they find funny and acceptable, and whether they choose to support or condemn these comedians is a matter of personal choice.
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Audacy will soon dive into bankruptcy, Salem Media delists and Beasley and Urban One are on the verge of being delisted. iHeart is still not out of their financial woes either. Commericial radio continues to roll into decline.
Inside Radio reports: The Wall Street Journal reports that Audacy is gearing up to file for bankruptcy in the coming weeks, grappling with a significant decline in advertising revenue that has rendered it incapable of servicing its $2 billion debt load. The WSJ exclusive says Audacy has already successfully negotiated a prepackaged bankruptcy plan with its senior lenders, who are poised to provide the necessary financing for the impending Chapter 11 proceedings. As part of this arrangement, the senior lenders are anticipated to assume ownership of the company post-restructuring.
The financial challenges faced by Audacy are rooted in diminishing revenue and widening net losses, primarily attributed to a downturn in ad spending. The company had previously cast doubt on its ability to operate as a going concern, citing concerns over its capacity to meet debt obligations based on its revenue forecasts for 2024.
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Taking a long look at the digital disruption that the internet, digital streaming and social media has taken in the last 5 years to erode the traditional mainstream monolith of media companies providing content to the mainstream.
The dawn of the digital age has ushered in transformative changes across various industries, with the media sector experiencing one of the most profound shifts. Over the last five years, the rise of the internet, digital streaming platforms, and social media has disrupted the traditional mainstream media landscape, challenging the dominance of established media conglomerates and reshaping the way content is produced, distributed, and consumed. This article examines the digital disruption that has eroded the traditional mainstream monolith of media companies.
1. Proliferation of Digital Streaming Platforms:
One of the most significant disruptions in recent years has been the proliferation of digital streaming platforms such as Netflix, Amazon Prime, and Disney+. These platforms have revolutionized content consumption by offering on-demand access to a vast library of movies, TV shows, and original content. Unlike traditional broadcast and cable networks, which operate on fixed schedules, streaming platforms provide viewers with the flexibility to watch content anytime, anywhere, and on any device. This shift towards on-demand viewing has challenged the traditional advertising-driven business model of mainstream media companies, forcing them to adapt to new consumption patterns and preferences.
2. Rise of User-Generated Content and Social Media:**
The rise of social media platforms like Facebook, Instagram, and Twitter has democratized content creation and distribution, allowing individuals and independent creators to reach global audiences without the need for traditional media intermediaries. User-generated content, influencer marketing, and viral trends have become integral parts of the modern media landscape, enabling a new generation of content creators to challenge the dominance of traditional media outlets. The virality and immediacy of social media platforms have also amplified the impact of breaking news and events, further eroding the gatekeeping role traditionally held by mainstream media organizations.
3. Fragmentation of Audiences and Content Personalization:
The digital disruption has led to the fragmentation of audiences across multiple platforms and channels, making it increasingly challenging for mainstream media companies to capture and retain viewership. The proliferation of niche content and specialized streaming services catering to specific interests and demographics has resulted in a more personalized and fragmented media landscape. This shift towards personalized content consumption has forced traditional media companies to reevaluate their content strategies and diversify their offerings to cater to evolving audience preferences.
4. Disintermediation and Direct-to-Consumer Models:
The digital disruption has facilitated the rise of direct-to-consumer (DTC) models, enabling media companies to bypass traditional distribution channels and engage directly with audiences. Streaming platforms and content creators can now monetize their content through subscription-based models, pay-per-view events, and premium content offerings, reducing their reliance on advertising revenue and third-party distributors. This direct relationship with audiences has empowered media companies to experiment with innovative content formats, pricing strategies, and engagement tactics, further challenging the traditional mainstream media ecosystem.
5. Challenges and Opportunities for Traditional Media Companies:
While the digital disruption has presented significant challenges for traditional mainstream media companies, it has also created new opportunities for innovation and growth. Media organizations are increasingly investing in digital transformation initiatives, developing their streaming platforms, and forging strategic partnerships to expand their digital footprint and reach new audiences. The convergence of technology, content, and distribution has enabled traditional media companies to experiment with new storytelling formats, immersive experiences, and interactive content, fostering a more dynamic and competitive media landscape.
The digital disruption driven by the internet, digital streaming, and social media has fundamentally transformed the traditional mainstream media landscape. The erosion of the mainstream monolith of media companies has paved the way for a more diverse, democratized, and personalized media ecosystem, where content creators, platforms, and audiences are more interconnected and empowered than ever before. As the digital revolution continues to unfold, traditional media companies will need to embrace innovation, adapt to new consumption patterns, and reimagine their role in the evolving media landscape to remain relevant and competitive in the digital age.

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KingOfPodcasts as he delves into the buzz surrounding the potential blockbuster merger between Warner Bros. Discovery and Paramount Global. In this episode:
🔹 David Zaslav, CEO of Warner Bros. Discovery, and Bob Bakish, Paramount Global's CEO, sit down for high-stakes discussions in NYC.
🔹 What does this mean for the entertainment industry? The potential formation of a media titan could reshape the landscape.
🔹 Could this be the dawn of a new streaming giant? The melding of Paramount+ and Max might just be the answer to Netflix and Disney+'s dominance.
🔹 Who's buying whom? The intricacies of the deal, the stakeholders involved, and the potential impact on the market.
🔹 Beyond streaming: The synergies are limitless! From international distribution to merging iconic franchises and news powerhouses, we break down the potential implications.
🔹 The pressures on Paramount: A look at their financial landscape, debt concerns, and the race to find the right strategic partner.
🔹 A blueprint for success? How Zaslav's prior merger strategies could hint at what's to come.
Tune in for an in-depth analysis, expert insights, and all the latest on this game-changing potential merger. Don't miss out on this episode of the Broadcasters Podcast! 🎧📺


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Inside The Music Industry Massacre of 2023: If it’s not TikTok it’s AI or Fake Streams, the music industry and the record labels are taking in a lot of incoming attacks
When Music Was Diverse and Inclusive and How The Crossover Needs to Comeback: A guest column in Billboard in April called for “all music industry professionals to reflect on the ways in which our industry has perpetuated a system that benefits a select few at the expense of marginalized communities.”
How Radio Is Removing Real Talent for AI Inferiority:
Two long-time radio talents are fired without warning as Corporate Radio favors more AI Technology over even human voicetracking.
AM Radio is Dying a Slow Death With a Lot of Static:
The decline of AM Radio has been a long-standing issue in the radio industry, and the trend of it being removed from infotainment dashboards is only further exacerbating the issue.
How New Music on Corporate Radio is Dying, plus Record Labels Rigging Radio Airplay and the Rest of Radio’s Very Rough Week in May
Radio Retreats to Throwbacks and Surrenders New Music to the Streamers over the Summer

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Corporate Media is getting crushed by economic turmoil and the effects are being passed along to the detriment of their consumers. What are the online content creators getting right and how are they taking advantage of the digital disruption.
Podcasting during a recession is pushing out the pretenders and pushing back on big names and big contracts.
DC Universe Reboot Revealed. Dissecting the New DC Studios Direction
ChatGPT Calls Out Radio On Its Future
Podcasters are Pivoting and Radio Stations are Switching
Spotify Sees Something More in Podcasts and Sirius XM and Radio Face A New Reality
How Radio Is Removing Real Talent for AI Inferiority
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Ryan Seacrest gets the golden game show TV gig of Wheel of Fortune but still decides to stay in radio? KOP discusses this decision.

Hollywood Reporter says, "iHeartMedia has inked a new three-year deal with Ryan Seacrest, bringing his contract through the end of 2027. Under the agreement, the omni-present entertainer will continue to be a core personality across all iHeartRadio platforms, hosting and producing its No. 1 L.A. morning drive-time show for 102.7 KIIS-FM as well as the nationally syndicated On Air with Ryan Seacrest and American Top 40 with Ryan Seacrest.

As part of the new pact, which brings Seacrest to nearly 30 years in the iHeart family and 20 years as the voice of morning radio in L.A., he’ll also maintain a close working relationship with iHeart chairman and CEO Bob Pittman and president Rich Bressler. In that capacity, Seacrest not only provides input into the company’s major initiatives but also hosts several of its tentpole events, including the two-day iHeartRadio Music Festival and L.A.’s iHeartRadio Jingle Ball holiday concert.

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KOP talks with Lou Pate on WPHT in Philadelphia to discuss Dolly Parton dressed up as a Dallas Cowboy Cheerleader on Thanksgiving and the Kelces take on their new Christmas song the Fairytale of Philadelphia.
Country music legend Dolly Parton performed in a Dallas Cowboys cheerleader outfit during halftime of an NFL game on Thanksgiving Day. The 77-year-old sang some of her hits while standing at midfield.

“Fairytale of Philadelphia” is a newly release Christmas song by NFL stars Jason and Travis Kelce. The song is a cover of The Pogues' classic Christmas carol, but with a Philly twist. The Kelce brothers took many lyrical liberties to make the song fit the context. The song is also a tribute to the Kelces' brotherly love.

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The animated action musical "KPop Demon Hunters" has become a global phenomenon, breaking Netflix viewership records with 236 million views in two months, outpacing films like "Red Notice." Its steady viewership, with only a 2% weekly drop, mirrors the staying power of family-friendly content, bolstered by a No. 1 box office run, sing-along screenings, and a sequel announcement. 

The soundtrack has made history, placing four songs—"Golden" at No. 1, "Your Idol" at No. 4, "Soda Pop" at No. 5, and "How It’s Done" at No. 10—in the Billboard Hot 100’s top 10, a first for any soundtrack. "Golden" has topped streaming charts for five weeks, with the album hitting No. 2 on the Billboard 200. This success is partly due to a lack of new pop music releases, allowing the film’s KPop-inspired tracks to dominate. 

The cultural impact extends to a new Funko merchandise line, including light sticks, cementing the film’s influence across streaming, music, and fan engagement.

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KOP welcomes filmmaker/writer/professor Michele Meek, author of Independent Female Filmmakers—A Chronicle Through Interviews, Profiles and Manifestos. We talk about how the content that we're being subjected to in our TV and movies, and the negative connotations they raise are a big problem based on a number of variables: How this content gets exposed to children and how it's indicative of a need for sex education at an early age? How victims of sexual assault and harassment (which facts show the supermajority of victims are women over men), and how they respond after the fact, are affected due to an evolving social and cultural change that is creating negative reactions? How men are becoming more conformed to react and respond differently to women then they might have in past generations? Michele Meek is a filmmaker/writer/professor, and she recently published the book Independent Female Filmmakers—A Chronicle Through Interviews, Profiles and Manifestos. She is an Assistant Professor of Communication Studies at Bridgewater State University where she teaches courses in digital media production, film studies, screenwriting, and gender studies. She has written and directed several award-winning short films, and she is the founder of NewEnglandFilm.com. Her website is www.michelemeek.com. Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Reuters reported that R&B vocalist Cassandra Ventura sued Sean "Diddy" Combs in federal court on Thursday, accusing the rapper and hip-hop mogul she once dated and whose music label she signed with of subjecting her to serial physical abuse, sexual slavery and rape.
One of the central allegations against Combs by Ventura, who performs under the stage name Cassie, was that he forced her to engage in sex acts with a succession of male prostitutes he hired while he watched and filmed the encounters for his own pleasure.
The lawsuit, filed in U.S. District Court in Manhattan, also accuses Combs of regularly beating Ventura over the course of a 10-year professional and romantic relationship in which he controlled her through intimidation and by plying her with drugs and alcohol.
Ventura, 37, alleges that Combs raped her near the end of their relationship in 2018 when she broached the idea of leaving him.
Combs' lawyer, Ben Brafman, issued a statement saying his client "vehemently denies these offensive and outrageous allegations."
Combs has been trying to make good for past trangressions with artists he screwed over by reassigning the publishing rights of the Bad Boy Records catalog to the performers and songwriters after years of criticisms that he hasn’t treated artists fairly.
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The SAG-AFTRA Strike ends and the Hollywood Labor Unions put up a long fight to sequentially change the rules to catch up with the era of streaming.
Variety reported: SAG-AFTRA negotiators have approved a tentative agreement that will end the longest actors strike against the film and TV studios in Hollywood history.
In an announcement Wednesday, the union said the 118-day strike would officially end at 12:01 a.m. on Thursday.
The union’s negotiating committee approved the deal on a unanimous vote. The agreement next goes to the SAG-AFTRA national board for approval on Friday.
The two sides spent the last several days putting the finishing touches on the deal, which will see the first-ever protections for actors against artificial intelligence and a historic pay increase. The deal will see most minimums increase by 7% — two percent above the increases received by the Writers Guild of America and the Directors Guild of America.
The deal also includes a “streaming participation bonus,” according to an email sent to SAG-AFTRA members, as well as increases in pension and health contributions. The union said the contract is worth more than $1 billion in total.
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Variety reported a scathing article on Marvel Studios: Marvel is reeling from a series of disappointments on-screen, a legal scandal involving one of its biggest stars and questions about the viability of the studio’s ambitious strategy to extend the brand beyond movies into streaming. The most pressing issue is was what to do about Jonathan Majors, the actor who had been poised to carry the next phase of the Marvel Cinematic Universe but instead is headed to a high-profile trial in New York later this month on domestic violence charges.
Forbes sounded the alarm on superhero movies back in March: Superhero movies seem to have lost their momentum at the box office, with the last two entries from Marvel and DC facing audience apathy; superhero movies seem to be slipping from their pop culture pedestal.
Shazam 2 opened to a limp $30.5 million domestic, and Ant-Man: Quantumania never lived up to its $106 million opening weekend, sputtering toward a $462 million global total and unlikely to hit $500 million.
This is disappointing, considering that Quantumania was a vital stepping stone to Marvel’s next big crossover event, introducing Kang (Jonathan Majors) the big bad of the MCU’s Phase 5. Technically, it is Kang’s second introduction, if you count his appearance on the Disney+ series Loki. Add underperforming box office busts from DC in The Flash and Blue Beetle, and now Aquaman seems destined to go underwater.
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Generation Z Expresses Strong Preference for Platonic Relationships in Entertainment, New Study Finds. KOP looks into the details and how applies to entertainment from Hollywood will react.
Los Angeles, CA - A groundbreaking study conducted by the University of California Los Angeles's (UCLA) Center for Scholars and Storytellers has revealed a significant shift in the entertainment preferences of young Americans. The study, titled "Teens and Screens," focused on the media consumption habits of Generation Z and found that this generation has a profound interest in stories centered on platonic relationships, with a notable disinterest in those featuring sex and romance.
More than 1,500 young people between the ages of 13 and 24 participated in the comprehensive survey, which sought to understand their perspectives on content consumption. The findings indicate a growing desire for narratives that emphasize friendship and non-romantic connections. Notably, 54% of respondents expressed a strong preference for seeing more content that focuses on friendships, highlighting a clear shift away from the traditional emphasis on romantic relationships in media.
Nearly 40% of participants explicitly conveyed their desire for more representation of non-romantic relationships and asexual characters on screen. This reflects a growing demand for diversity and inclusion in entertainment, with Gen Z expressing an eagerness to see characters who do not necessarily fit into the conventional mold of romantic relationships.
One of the most striking outcomes of the study was the widespread sentiment that romance in media has become overused. The majority of those surveyed felt that the constant portrayal of romantic relationships in entertainment has become predictable and even tiresome.
Dr. Emily Mitchell, the lead researcher of the "Teens and Screens" study, commented on the findings, saying, "Generation Z is clearly telling us that they are looking for something different in their entertainment. They want to see more dynamic and authentic depictions of the various relationships in their lives, with an emphasis on friendships and connections that go beyond romance."
This study has important implications for the entertainment industry. With Gen Z representing a significant portion of the consumer base, content creators may need to reconsider their storytelling strategies to meet the evolving preferences of this generation. It is clear that young Americans are seeking more diverse and authentic representations of human relationships on screen, challenging the traditional narrative structures that have dominated the industry for years.
The "Teens and Screens" study sheds light on the changing landscape of storytelling, with Generation Z at the forefront of a cultural shift towards more diverse, inclusive, and platonic representations in entertainment. As this generation continues to shape the media landscape, the industry is expected to adapt to meet their evolving demands.
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"Taylor Swift: The Eras Tour" concert film proved to be a massive hit, raking in nearly $93 million on its opening weekend at the box office. Swift's decision to independently distribute the film through AMC Theaters, bypassing major Hollywood studios, was a strategic win for both the theater chain and the multi-talented Grammy-winning singer, songwriter, and filmmaker. This move further solidified Taylor Swift's reputation as an entrepreneurial force in the entertainment industry. The film's overwhelming success on opening weekend was a testament to its broad appeal, particularly among female moviegoers.
CinemaScore data revealed that a remarkable 80% of those who attended the film's opening weekend were female, a notable increase compared to the 65% female audience for July's blockbuster "Barbie." The audience was also notably youthful, with 30% falling within the 25-34 age bracket, 23% in the 18-24 range, and a remarkable 20% under the age of 18. However, despite the film's undeniable popularity, there were some concerns voiced by attendees regarding disruptive audience behavior during the screenings, with one attendee describing the theater experience as "horrible."
Bad Bunny's fifth solo album is Nadie Sabe Lo Que Va a Pasar Mañana. It's a rap homecoming that circles back to where he started.
Nadie Sabe Lo Que Va A Pasar Mañana, references a controversy where he threw a fan's phone. The incident occurred earlier this year when Bad Bunny snatched a fan's phone while she was taking a selfie.
The opening track of the album, "Nadie Sabe," includes the lyrics "Tú no ere' mi fan real, por eso te tiré el celular / A los reale' por siempre los voy amar". This translates to "You were not my real fan, that's why I threw the cell phone / The real ones, I'll always love".
Some fans were amused by the reference to the incident. Some even said they liked the song more because of the shade thrown at the fan who lost her phone.
The song has created a collective smirk on platforms like TikTok. Fans have convinced each other that the lyrics are a direct hit against a woman whose interaction with Bad Bunny went viral at the start of 2023.
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Drake Drops All For the Dogs, his 14th album, which includes features from SZA, Bad Bunny, 21 Savage, Yeat and many more. Let's talk about the analysis and feedback the album which is expected to dominate the Billboard Hot 100 next week.
In the ever-evolving landscape of modern hip-hop, few artists have managed to maintain their status as consistently as Drake. From his early mixtape days to now, Drake has remained a household name, a symbol of musical excellence, and a pioneer in the world of hip-hop. With a career spanning over a decade, the Toronto-born artist has evolved from a young actor on Degrassi to one of the most influential figures in the music industry.
Drake, whose real name is Aubrey Graham, started his journey as a rapper with an uncanny ability to combine catchy hooks, introspective lyrics, and a keen sense of melody. Throughout his career, he's released hit after hit, from "Best I Ever Had" to "Hotline Bling" and "In My Feelings." But what makes Drake truly unique is his willingness to collaborate with a wide array of artists, pushing the boundaries of his own sound with every release.
Now, with his 14th studio album, "All For the Dogs," Drake is set to take his collaborative game to new heights. Featuring an impressive lineup of guest artists including SZA, Bad Bunny, 21 Savage, Yeat, and many more, this album promises to be a true tour de force in the hip-hop industry. The title, "All For the Dogs," serves as a nod to Drake's unwavering dedication to his loyal fanbase, known affectionately as "The 6ix" – a reference to Toronto's area code.
"All For the Dogs" has been a long-anticipated project, following the success of his previous album, "Certified Lover Boy." The buzz around the album has been building for months, thanks in part to Drake's cryptic social media teasers, but also due to the impressive roster of collaborators he's lined up. This is a testament to his unparalleled ability to bring together artists from diverse backgrounds, creating an album that promises to transcend genres and make a significant impact on the music world.

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The NFL has been defending its decision to focus on Taylor Swift and Travis Kelce. The two have sparked romance rumors. The NFL has been leaning into the rumors on its social media accounts.
Swift has been shown frequently during the Chiefs' most recent two games against the Chicago Bears and New York Jets. The NFL has seen ticket prices and television ratings go up for the couple of games.
The NFL has defended its coverage of Swift and Kelce as a "pop cultural moment". However, some have said that the NFL is "overdoing" the promotion of Swift.
The New York Post's Page Six reported that Swift reportedly jetted off to possibly Kansas City to celebrate Kelce's birthday with him. That report has not been confirmed and there have been no reported sightings of her in town as of midmorning Thursday.
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Writers get a big win in their months-long labor strike. But, how about the uber-trending love story of Pop Superstar Taylor Swift and NFL Super Bowl Champ Travis Kelce.
AP initially reported Tuesday night the Hollywood’s writers strike was declared over after nearly five months Tuesday night when board members from their union approved a contract agreement with studios, bringing the industry at least partly back from a historic halt in production.
The governing boards of the eastern and western branches of the Writers Guild of America and their joint negotiating committee all voted to accept the deal, two days after the tentative agreement was reached with a coalition of Hollywood’s biggest studios, streaming services and production companies. After the vote they declared that the strike would be over and writers would be free to start on scripts at 12:01 a.m. Wednesday.
Late-night talk shows — the first to go dark when writers walked out on May 2 — are likely the first shows that will resume. Scripted shows will take longer to return, with actors still on strike and no negotiations yet on the horizon.
Swift was seen watching Kelce in his suite at a Chiefs game. The two also attended an afterparty in New York, where Kelce referenced Swift's song "Getaway Car".
Kelce and Swift have been spotted hanging out, and a source told The Messenger that they are "quietly hanging out". Kelce also tried to shoot his shot with Swift at "The Eras Tour".
Kelce has a net worth of around $30 million. He starred in his own reality TV dating show, Catching Kelce, in 2016.
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Studio Heads Interview As Hopes Rise for the Hollywood Writers' and Actors' Strike to Reach a Conclusion. KOP looks at What's at Stake and What Lies Ahead.
For the past several months, the entertainment industry has been in turmoil due to the Hollywood writers' strike, which commenced on May 2nd. This labor dispute has had far-reaching consequences, not only impacting the production of beloved TV shows and films but also sparking important conversations about pay, writing staff sizes, and the use of artificial intelligence (AI) in the creative process. However, there is finally a glimmer of hope on the horizon, as Hollywood writers and studios are reportedly close to reaching an agreement that could bring an end to this lengthy strike.
In a significant turn of events, both the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP) issued a joint statement following negotiations on a pivotal Wednesday. The statement read, "The WGA and AMPTP met for bargaining today and will meet again tomorrow." While this statement might appear concise, it carries substantial weight as it signals that progress is being made in the negotiations.
According to reports from CNBC, a deal to end the strike is highly likely to be finalized on Thursday. Negotiators on both sides seem optimistic about the prospect of reaching an agreement that will put an end to the strike, providing much-needed relief to industry workers and fans alike. However, it's important to note that the situation remains fluid, and until an official agreement is reached, there's still a possibility that the strike could persist through the end of the year.
This strike has been historic in many ways. Notably, on July 14th, the Screen Actors Guild (SAG) took the extraordinary step of joining the writers on the picket line, marking the first time in over six decades that both unions have simultaneously gone on strike. This unprecedented show of unity underscores the gravity of the issues at hand and the determination of industry professionals to address them.
The strike has primarily revolved around several key issues:
Pay: One of the central concerns of the striking writers has been fair compensation. Writers argue that they deserve a larger share of the revenue generated by their work, especially in an era of booming streaming services and digital content.
Writing Staff Sizes: The size of writing staffs on television shows has been a point of contention. Writers argue that smaller staffs can lead to overworked and underpaid individuals, which ultimately affects the quality of content produced.
Use of Artificial Intelligence: Perhaps the most novel and complex issue on the table is the use of artificial intelligence in the creative process. As technology advances, some studios have explored using AI to generate scripts or assist in story development. Writers are concerned that this could lead to job displacement and a loss of creative control.
As the strike appears to be nearing its conclusion, there is hope that a fair and mutually beneficial agreement can be reached. The entertainment industry is not only a source of entertainment but also a major driver of jobs and economic activity. A resolution would not only bring relief to the thousands of workers affected by the strike but also ensure the continued production of the content we love.
The strike has shed light on the challenges faced by writers and industry professionals, sparking important discussions about their rights, fair compensation, and the role of AI in creative endeavors. While the road to resolution has been long and arduous, the impending agreement offers a glimmer of optimism, suggesting that a new chapter in the entertainment industry may be on the horizon.
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Lou Pate, a seasoned radio broadcaster, discussed the challenges facing modern radio, including a lack of experimentation and the industry's slow adoption of new technologies like podcasting. He  highlighted issues of self-censorship in media and criticized the increasing advertising of gambling in sports media. 

We first started with a brief debate. Recent advertising campaigns for jeans have sparked controversy, with American Eagle's "Sydney Sweeney Has Great Jeans" generating debate but boosting stock. Gap's "Better in Denim" featuring KATSEYE was lauded for its multicultural representation, while Lucky Brand collaborated with Addison Rae on the "Addison Ultra Low Rise Flare." Levi's "The Denim Cowboy" campaign with Beyoncé, which reinvented iconic ads and promoted empowerment, drew comparisons to the Sweeney campaign, all of which reflect a perceived return to more conventional beauty standards in advertising.

The conversation then explored the evolution of media consumption, the financial models of radio, and the importance of quality content to attract advertisers. They noted that radio corporations have largely failed to adapt to the podcasting trend, often just repurposing existing content rather than creating original material. This has contributed to a decline in local radio and talent development, leading to a "cookie-cutter mold" where many terrestrial talk shows focus on repetitive topics. 

While sports talk radio has found success by engaging audiences with lengthy discussions, the broader radio industry struggles with attracting younger audiences and retaining advertisers, partly due to uninspired content and a reluctance to innovate. We also emphasized that quality content is key to attracting advertisers and that the "wild west" of podcasting, with its freedom and convenience, offers a refreshing alternative to stale, corporately controlled radio.

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Members of the Writers Guild of America have been on strike for 136 days and the Screen Actors Guild for 63 days. The recent actions of talk show hosts Drew Barrymore and Bill Maher have caused controversy within the entertainment industry. Both hosts have been accused of trampling on the picket lines set up by the Writers Guild of America (WGA) and the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA). These picket lines were established as part of a larger labor dispute between the guilds and the major studios, with the aim of securing better working conditions and fair compensation for industry professionals. However, Barrymore and Maher's decision to continue filming their shows during this time has drawn criticism from their fellow union members and supporters.
The WGA and SAG-AFTRA have been fighting for months to address issues such as low wages, long working hours, and lack of creative control within the industry. The decision by Barrymore and Maher to ignore the picket lines sends a message that they prioritize their own personal interests over the collective struggle for better conditions for all industry professionals. This has sparked outrage among their colleagues who view their actions as a betrayal of the union's efforts.
Furthermore, Barrymore and Maher's actions not only undermine the efforts of the unions but also set a dangerous precedent for other talk show hosts and entertainers. By crossing the picket lines, they are essentially breaking ranks with their fellow union members and sending a message to other industry professionals that it is acceptable to disregard the collective bargaining power of the unions. This can have far-reaching consequences for the entire industry, as it weakens the position of the unions in future negotiations and makes it more difficult to secure important concessions for workers.
Drew Barrymore and Bill Maher's decision to continue filming their talk shows despite the ongoing labor dispute between the WGA and SAG-AFTRA is deeply concerning. Their actions not only undermine the efforts of these unions but also set a dangerous precedent for other entertainers. It is important for all industry professionals to stand in solidarity with the unions and support their fight for fair working conditions and compensation.
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For years, Jimmy Fallon has charmed audiences worldwide with his infectious laughter, playful antics, and celebrity impressions. He is the beloved host of "The Tonight Show," a late-night institution that had been a beacon of comedy and entertainment for decades.
However, behind the bright lights and the laughter of the studio audience, there was a darkness that few knew existed. Rolling Stone, the venerable music and culture magazine, had pulled back the curtain on a troubling secret. An explosive report had been published, accusing Jimmy Fallon of fostering a toxic work environment at "The Tonight Show."
The revelation sent shockwaves through the entertainment industry, and Fallon, known for his warm and friendly on-screen persona, found himself facing a reckoning. He couldn't ignore the allegations any longer. Gathering his courage, he decided to address the issue head-on, taking a difficult but necessary step to apologize to his dedicated staff.
Jimmy Fallon convened a Zoom call with his staff. The faces of his loyal team members, who had stood by his side for years, filled the screen. Fallon's voice was laden with sincerity as he began his mea culpa.
"I want to start by saying how truly sorry I am," Fallon began, his eyes conveying a sense of remorse. "I've always considered you guys the best of the best. You're the top of the game, and you deserve nothing but respect and a positive work environment."
He paused for a moment, searching for the right words to express his feelings. "There are things I've done in the past that are embarrassing, and for that, I'm genuinely sorry. But I want to make it clear that I never intentionally mistreated anybody."
As Fallon spoke, he could see the mixed emotions on the faces of his staffers. Some seemed relieved that he was addressing the issue, while others still wore expressions of skepticism and hurt.
Rolling Stone has reported disturbing accounts from two current and 14 former employees, painting a bleak picture of a workplace far removed from the jovial atmosphere seen on television screens. The toxic environment was said to have its roots in Fallon's erratic behavior, which had long gone unchecked. It had filtered down through a revolving door of leadership teams, with nine showrunners in as many years, all seemingly reluctant to challenge the beloved host.
Former employees had described "The Tonight Show" as a tense and "pretty glum atmosphere," where belittlement and intimidation were commonplace. Some had even spoken of their fear of Fallon's outbursts and unpredictable behavior. Despite multiple HR complaints, the problems persisted, casting a shadow over the show's legacy.
Fallon concluded his apology with a heartfelt promise. "I am committed to making things right. We need to change the culture here, and it starts with me. I'll be working closely with our HR team to address these issues and ensure that 'The Tonight Show' becomes a place where everyone can thrive."
The Zoom call ended, and the staff was left to process the sincerity of Fallon's words. It was a pivotal moment for the late-night host, a moment when he realized that he had the power to transform not only his show but also the lives of those who had stood by him for so long.
As the days turned into weeks and months, Jimmy Fallon took concrete steps to foster a healthier work environment. He engaged in open dialogues with his staff, encouraged feedback, and initiated a comprehensive workplace improvement plan. Slowly but surely, the toxic cloud that had hung over "The Tonight Show" began to dissipate.
Fallon's apology had been the first step in a journey toward redemption and change. The laughter on "The Tonight Show" became more genuine, the smiles more heartfelt, and the atmosphere more inclusive. As for Jimmy Fallon, he learned that true leadership required not just making people laugh but also ensuring their well-being. In doing so, he transformed himself from a late-night host into a beacon of change in the entertainment industry.
KOP compares the issue of talk show backstage behavior going back to Ellen Degeneres and James Corden to the recent accusations on Kelly Clarkson.
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Music in America has witnessed a remarkable takeover of the Billboard charts by the country music genre. KOP investigates the phenomenon.
Unlike any other season in recent memory, and perhaps unprecedented in Hot 100 history, the music landscape is currently dominated by the heartfelt twang and emotional storytelling of country artists.
From established names like Morgan Wallen, Luke Combs, and Jason Aldean to emerging talents like Oliver Anthony Music, the country genre has firmly held its ground on the top spots of the chart throughout the entire season.
However, amidst this country surge, the charts have still resonated with the pop power of Taylor Swift and Miley Cyrus, hip-hop hits from Gunna and Toosii, and global rhythms from Rema & Selena Gomez, Fifty Fifty, and Eslabon Armado & Peso Pluma.
From the HilltopOnline "On May 2, after six weeks of failed negotiations, the Writers Guild of America (WGA), representing 11,500 writers of film, television and other entertainment forms, went on strike against the Alliance of Motion Picture and Television Producers (AMPTP), the collective bargaining group that represents major Hollywood studios and streamers such as Amazon, Apple, Disney, NBCUniversal, Netflix, Paramount, Sony and Warner Bros.
Among the labor disputes between the two parties are contractual concerns, the film industry’s adaptation to inflation, equitable profit distribution, as well as proper residual payments and protection against Artificial Intelligence (AI) usage and influence in film and streaming.
Following the first two months of the writer’s strike, on July 17, the Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA), the entertainment industry’s largest union, which represents 160,000 actors and performers, joined the WGA on strike marking the first time in 63 years both the SAG-AFTRA and WGA unions have simultaneously been on strike
The television and film writers’ strike has passed the 100-day mark and the WGA and television producers have yet to agree on a new contract. The WGA plans to remain “resolved and united” amidst the largest interruption to the American television and film industries since the beginning of the COVID-19 pandemic.
The 2023 Writers Guild Strike rules prohibit members from meeting or negotiating with a struck company (a company represented by AMPTP) and prevent writing services and the sale of literary material.
The rules also extend to mediums such as animation and fiction podcasts covered by the WGA and the current Collective Bargaining Agreement. Other literary representatives, such as lawyers and agents, are also prohibited from negotiating new, pending or future deals on projects for their WGA member clients. "
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In 2019, Scooter Braun, renowned music manager and entrepreneur, made headlines with his acquisition of Big Machine Records. Little did he know that this business move would ignite a highly publicized feud over the ownership of Taylor Swift's cherished music masters. Swift didn't mince words, accusing Braun of engaging in "bullying" tactics and manipulative behavior. She expressed deep disappointment, labeling the acquisition as a heartbreaking "betrayal."
Responding to this contentious situation, Swift took matters into her own hands. With unwavering determination, she embarked on the journey of re-recording each of her albums, determined to regain control over her musical legacy. The feud between Swift and Braun became a recurring theme in her music, finding its way into poignant tracks like "My Tears Ricochet," "Vigilante Shit," and "Karma."
Braun's controversies extended beyond the realm of music ownership battles. He faced allegations of using his influence to suppress stories about his ex-wife's alleged affair, ensuring the public was kept in the dark. Additionally, accusations emerged of him pressuring Ariana Grande to include the track "Ghostin" on her album, raising questions about his managerial ethics.
As the feud continued, Braun's professional roster saw significant changes. A string of A-list clients, including Justin Bieber, Ariana Grande, J Balvin, and Demi Lovato, parted ways with him. Many speculated that these departures were linked to the troubles arising from his conflict with Swift.
Nevertheless, insights from sources suggested that Braun had a shift in focus. Reports from Variety indicated that he was gradually stepping back from artist management responsibilities, redirecting his attention to his new role as the CEO of HYBE America. This strategic pivot signaled Braun's intent to explore new avenues while potentially distancing himself from the ongoing controversies surrounding his management practices and feud with Taylor Swift..
We also dicuss what the AMPTP offered as a starting point to the writers showing how far apart negotiations are right now.
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Oliver Anthony's song "Rich Men North of Richmond" debuted at number one on the Billboard Hot 100 chart. I talk to Lou Pate on 1210 WPHT about the song's rise to the top of the charts.

The song is the first entry on the chart for the singer-songwriter, who goes by the name Oliver Anthony Music. His other song, "Aint Gotta Dollar," debuted at number 82. The song's debut success surpassed Elvis and the Beatles.

Anthony became the first artist to debut at number one on the Billboard Hot 100 without any prior chart history. He beat out Taylor Swift, Morgan Wallen, Luke Combs, and Olivia Rodrigo to reach the top spot. The song is about the frustration of working-class struggles. It struck a chord with conservative pundits.

I also talk more about the latest on the writers and actors strike. I also discuss Taylor Swift declining the Super Bowl and the ongoing scandal around her old manager Scooter Braun.

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108 days into the writer's strike and a month into the actors strike, the studios via AMPTP are meeting at the negotiating table. KOP looks at the progress.
The Writers Guild of America (WGA) and the Screen Actors Guild and American Federation of Television and Radio Artists (SAG-AFTRA) strikes are ongoing. The WGA strike has lasted three months and will continue indefinitely. The SAG-AFTRA strike began on July 14, 2023.
The strikes are part of broader Hollywood labor disputes. The strikes call for better pay and job security, and draw attention to disparities in the film and television industry that have grown wider in the streaming boom.
LA Times reports: "The companies, many of which are saddled with debt, could save money by cutting costly producer deals and pausing production of movies and TV shows. Industry news outlet Deadline quoted an anonymous executive who suggested that studios were ready to hold out until writers started losing their homes, which stoked outrage on picket lines.
As the negotiations resume, it’s still uncertain how much the Writers Guild of America and the studios are willing to bend to reach a compromise, or what precise shape a deal wouldtake. Sources close to the negotiations say the sides remain far apart on key issues.
But it’s become increasingly clear that the major studios and streamers, represented by the Alliance of Motion Picture and Television Producers, are motivated to end the work stoppages that have roiled Hollywood. The SAG-AFTRA actors’ union joined the WGA by going on strike last month."
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Taylor Swift is one of the only music superstars in a flooded sea of acts only gathering streaming numbers and nothing more.
Corporate Radio ignorance, AI Deepfakes, and a lack of destinations for new music discovery is contributing to the music industry demise that is making it difficult for any new artist destined to make it big.
In today's music landscape, dominated by streaming platforms and an overwhelming influx of new acts, Taylor Swift stands out as a beacon of artistry and authenticity. While countless artists strive to make their mark primarily through streaming numbers, Taylor Swift's journey showcases the resilience of true musicianship. The modern music industry faces a slew of challenges, from corporate radio ignorance and AI deepfakes to a lack of platforms for genuine music discovery. These factors contribute to the demise of the industry, making it a challenging environment for new artists aspiring to achieve widespread recognition.
## The Triumph of Artistry Over Streaming Numbers
In an era where success is often measured by the number of streams an artist accumulates, Taylor Swift remains a testament to the fact that genuine talent and heartfelt storytelling can still captivate audiences. Rather than conforming to trends or prioritizing algorithms, Swift's music reflects her personal experiences, emotions, and growth. Her ability to connect with fans on a deeper level, beyond just numbers, highlights the enduring power of music that resonates on an emotional plane.
Corporate Radio Ignorance and Its Impact
One of the challenges that hinder the industry's vitality is corporate radio ignorance. Many radio stations are driven by profit margins, often favoring a select few artists over others. This practice limits exposure for emerging talents and contributes to a homogenized musical landscape. Taylor Swift's ability to break free from this cycle and maintain her distinct sound showcases the importance of authenticity and the need for platforms that encourage musical diversity.
AI Deepfakes and the Erosion of Authenticity
The rise of AI technology has brought about new opportunities but also a significant threat to authenticity within the music industry. Deepfake algorithms can replicate an artist's voice, raising concerns about the legitimacy of future music releases. Taylor Swift's commitment to genuine creativity stands as a safeguard against the erosion of authenticity. Her refusal to compromise her identity in the face of technological advancements underscores the importance of protecting the true essence of music.
The Dearth of New Music Discovery Platforms
Discovering new music has become increasingly challenging in the digital age. While streaming platforms offer an abundance of content, the sheer volume can be overwhelming. Taylor Swift's journey highlights the need for curated platforms that promote the discovery of innovative and unique sounds. As the industry moves forward, fostering spaces for emerging artists to showcase their talents and allowing listeners to explore diverse genres becomes imperative.
In conclusion, Taylor Swift's prominence in a music industry flooded with streaming-focused acts emphasizes the enduring power of authentic artistry. The challenges posed by corporate radio ignorance, AI deepfakes, and a lack of dedicated music discovery platforms underscore the need for a revitalized approach to music consumption. By celebrating artists like Taylor Swift who prioritize creativity and authenticity, we can pave the way for a more vibrant and inclusive future for the music industry.
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KOP is interviewed on WICC-AM 600 and 107.3 FM in Bridgeport, CT by Lou Pate. We discuss how I came up withe being King Of Podcasts, the new era of success today in pro wrestling. Plus I'm asked about the success and messaging in the billion-dollar grossing Barbie movie and Bill Maher's comments on it. Plus, Lou asks me about Taylor Swift and her very successful tour and album re-releases and also about my new series where I'm talking to fellow podcasters called Podcasters Row.

Follow Lou Pate on X (Twitter) @loupateshow and on listen for Lou on radio stations across the country.
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Lizzo Responds to Sexual Harassment and Weight-Shaming Allegations: Saying They are ‘As Unbelievable as They Sound’. Could these accusations cause the tiki torches of cancel culture to kill Lizzo's career?
In response to the recent allegations made against her and her production company, Lizzo has addressed the situation with a heartfelt statement. Expressing her feelings of disappointment and difficulty in recent days, she emphasized that her work ethic, morals, and respectfulness have been unfairly questioned. Despite usually choosing not to respond to false accusations, Lizzo deemed these claims unbelievable and too outrageous to ignore.
Lizzo asserted that the allegations come from former employees who had already admitted to being informed about their inappropriate and unprofessional behavior while on tour. As an artist, she stated her unwavering passion for her craft and her commitment to delivering the best art that represents both her and her fans. She acknowledged that this passion sometimes leads to tough decisions, but she never intended to make anyone on her team feel uncomfortable or undervalued.
The artist expressed that she does not seek to be seen as a victim in this situation but emphasized that she is not the villain either. She candidly stated that she is open about her sexuality and self-expression, but she refuses to let others misinterpret this as an opportunity to paint her in a false light. Lizzo believes in the importance of women's respect and empowerment and emphasized that she would never body shame or mistreat an employee based on their weight.
Despite feeling hurt by the allegations, Lizzo is determined not to let this overshadow the positive impact she has made in the world. She expressed gratitude to those who have offered support during this challenging time. Ultimately, Lizzo's statement seeks to address the accusations directly and reaffirm her commitment to professionalism, respect, and the well-being of her team.

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The entertainment industry remains paralyzed as the ongoing strike by the Writers Guild of America (WGA) enters its 86th day, with popular TV series suspended and Hollywood productions facing indefinite delays. The strike, which began on May 2, 2023, is the first dual strike by both writers and actors in over six decades and is centered around demands for changes to the entertainment landscape caused by the rise of streaming platforms.
The WGA's decision to initiate the strike came after a unanimous vote on April 3, 2023, where an overwhelming 97.85 percent of its members approved the move. The strike has since brought Hollywood to a standstill, leaving fans of hit series like "The White Lotus," "Euphoria," "Stranger Things," "Yellowstone," and "Severance" anxiously awaiting the resumption of production.
The impasse between the unions and the Alliance of Motion Picture and Television Producers (AMPTP) hinges primarily on the issue of residuals, the royalties paid to performers for repeat airings or showings of films and television shows. Union members assert that the advent of streaming services has significantly diminished these residual payments, leading to financial hardships for actors and writers alike.
As the strike persists, both sides remain steadfast in their positions. Actors participating in the strike are calling for increased pay to account for the changing nature of the entertainment industry, where streaming services have become the primary mode of content consumption for audiences worldwide.
In response to the ongoing standoff, Hollywood studios have been forced to halt or delay the production of various projects. The strike's impact extends beyond mere filming delays, as promotional tours for upcoming releases have also been put on indefinite hold, causing anxiety among filmmakers and studio executives alike.
The Screen Actors Guild national executive director, in a recent statement, warned that the strike may extend until early 2024, raising concerns about the future of several high-profile projects in development.
While negotiations between the WGA, Screen Actors Guild (SAG), and the AMPTP continue, the industry is grappling with significant uncertainty. Both sides recognize the importance of reaching a resolution that addresses the demands of the unions while ensuring the long-term sustainability and profitability of the entertainment business.
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Music Industry Raises the Rent: ASCAP and BMI Hike Radio Royalties. Meanwhile SoundExchange Hits a Wall with SiriusXM

The music industry, acting as a landlord for songwriters, has successfully raised the "rent" on terrestrial radio through new deals with ASCAP and BMI, finalized with the Radio Music License Committee (RMLC) for nearly 10,000 stations. BMI’s agreement jacks up royalty rates to 2.14% of gross revenue for 2022-2023 and 2.20% from 2026-2029—a nearly 24% spike—demanding back payments for 2022-2024. 

ASCAP’s deal, though less detailed, also ups the rent with higher rates and broader digital licensing, easing station operations but pinching budgets, especially for smaller players. 

Both settlements, lasting through 2029, include digital revenue discounts and minimum fees, ensuring songwriters get a bigger cut while radio tenants face steeper costs. 

 Meanwhile, SoundExchange’s attempt to raise the rent on SiriusXM for digital royalties was blocked when a federal court dismissed its $150 million lawsuit, ruling it lacks legal authority to sue under the Copyright Act, leaving it stuck with audits and negotiations. 

These moves show the music industry squeezing more from radio broadcasters while hitting a legal dead end in the satellite realm, reshaping the cost of music for airplay tenants.

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The ongoing strike between the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) and the Writers Guild of America (WGA) has caused confusion among social media influencers. These influencers, who often work alongside both organizations, find themselves in an unclear position within the entertainment industry. In response to this confusion, SAG-AFTRA has issued guidelines urging influencers to refrain from promoting films and TV series, even if they are not members of the guild. The organization encourages everyone, regardless of membership, to support the strike. Non-member influencers who continue to work with studios and streamers during the strike may face consequences such as being barred from future guild membership and potentially being blacklisted.
The guidelines set by SAG-AFTRA clarify that influencers should fulfill their existing contracts but should avoid taking up new projects. They are also discouraged from posting about struck work on social media, even as fans. However, influencers are still allowed to pursue brand-partnership jobs covered by the SAG-AFTRA Influencer Agreement and/or Influencer Waiver. This distinction aims to provide clarity amidst the confusion surrounding influencers' involvement during the strike.
The strike itself has garnered significant attention, with over 160,000 actors and performers joining in. The absence of A-list actors from movie production has created a void that executives are keen to fill. As a result, they have turned to social media influencers from platforms like TikTok to fill this gap. However, one TikTok influencer, known as @Straw_Hat_Goofy, faced controversy for crossing the picket line and expressing callous views on the strike. This behavior is considered "scab" work, referring to non-union workers who take the place of striking union members. Participating in scab work can result in a ban from joining unions. This strike presents a unique challenge for actors and creators as it is the first to occur in the age of social media.
In conclusion, social media influencers find themselves navigating a complex landscape during the SAG-AFTRA strike. While some influencers have expressed solidarity with the striking unions, others have faced backlash for initially stating they would continue to work. SAG-AFTRA's guidelines aim to provide clarity and ensure that influencers are aware of their responsibilities during this time. The strike itself presents new challenges for actors and creators, as it involves navigating social media platforms and addressing controversies surrounding scab work.

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The tech disruption of streaming and AI has created a generational watershed moment for entertainment
it finally happened. For the first time since 1960, writers and actors have joined with numerous other organizations in a united front against the major Hollywood studios.
The Streaming Revolution and AI: A Paradigm Shift in Entertainment
In a historic move, the entertainment industry is witnessing a watershed moment that is reshaping the landscape of film and television. The convergence of technology disruptions, particularly streaming platforms and artificial intelligence (AI), has sparked a united front of writers, actors, and various industry organizations against the major Hollywood studios. Spearheaded by the Screen Actors Guild - American Federation of Television and Radio Artists (SAG-AFTRA) and the Writers Guild of America (WGA), the demand for higher pay (with targeting more on streaming residuals) , better working conditions, and regulations on AI has triggered a remarkable transformation in the way the entertainment industry operates.
The Power of the Unions:
With approximately 160,000 members, including film and television actors, journalists, and radio personalities, SAG-AFTRA is a formidable force representing the interests of entertainment professionals. On the other hand, the WGA, with over 11,000 members, stands as a crucial advocate for film, television, news, radio, and online writers. Together, these unions have joined hands to challenge the Alliance of Motion Picture and Television Producers (AMPTP), a trade association responsible for negotiating industry-wide contracts.
The Writers' Battle:
The WGA's decision to go on strike in 2023 reflects the discontent among writers who feel that their incomes have been significantly affected by the AMPTP's share of residuals. Compared to a decade ago, writers' average earnings have dwindled, prompting the demand for higher wages, increased residual payments, regulations on AI implementation, guaranteed staffing minimums, and other essential improvements to their working conditions. The writers' strike is a rallying cry for fair compensation and recognition of the value they bring to the entertainment industry.
SAG-AFTRA's Demands:
SAG-AFTRA has also outlined crucial demands in its pursuit of a fairer industry landscape. The union aims to secure better compensation and benefits for its members, addressing the existing disparity between residual payments and the true value of their contributions. With the rise of streaming platforms, traditional exhibition models have given way to new challenges, leading to reduced residual income for actors. SAG-AFTRA seeks to rectify this imbalance and ensure that members receive their rightful dues.
AI in the Entertainment Industry:
One of the groundbreaking aspects of this generational shift in entertainment is the inclusion of AI regulations within the unions' demands. SAG-AFTRA recognizes the potential for AI misuse and aims to protect its members from its negative implications. The union is requesting safeguards against the misuse of AI and an explicit definition of acceptable uses of the technology. As AI continues to permeate various aspects of the entertainment industry, it is essential to strike a balance between its potential benefits and potential risks.
The Auditioning Dilemma:
Another critical concern raised by SAG-AFTRA pertains to the auditioning process, specifically the rise of self-taped auditions. Without proper regulations, actors face an increasingly demanding and costly casting process. In the past, audition costs were the responsibility of casting and production, but the shift towards self-tapes has placed an undue burden on actors. SAG-AFTRA aims to address this issue and ensure a fair and equitable auditioning process for its members.
The confluence of streaming technology and AI has created a pivotal moment in the entertainment industry, prompting writers, actors, and other industry professionals to come together and demand essential changes. The strike by the WGA and the demands put forth by SAG-AFTRA mark a turning point where the industry is forced to confront issues such as fair compensation, AI regulations, and the challenges of the auditioning process. As the entertainment landscape continues to evolve, it is vital to prioritize the well-being and fair treatment of those who contribute their talent and creativity to the world of film and television.
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Labor Unions Demand Fair Compensation and Protection for Entertainment Industry Workers. Actors are now activated to prepare to join the writers on the picket lines for the first time in decades.
The entertainment industry is currently facing significant labor unrest as two prominent labor unions, the Screen Actors Guild - American Federation of Television and Radio Artists (SAG-AFTRA) and the Writers Guild of America (WGA), take a stand to demand improved working conditions and better compensation for their members.
SAG-AFTRA represents approximately 160,000 professionals in the film and television industry, including actors, journalists, and radio personalities. Meanwhile, the WGA represents over 11,000 writers working in various mediums such as film, television, news, radio, and online platforms.
In 2023, the Writers Guild of America initiated a strike in order to advocate for higher pay and improved working conditions. The writers claim that the Alliance of Motion Picture and Television Producers (AMPTP), a trade association responsible for negotiating industry-wide contracts, has significantly reduced their average incomes by cutting their share of residuals compared to a decade ago. The strike seeks a new contract that offers higher wages, increased residuals, regulations on AI usage, guaranteed staffing minimums, and various other demands.
On the other hand, SAG-AFTRA has extended its current contract until July 12 to continue negotiations with the AMPTP. As the Writers Guild of America enters its second month on strike, both unions remain determined to achieve their respective goals.
The Writers Guild of America's demands are extensive and cover a wide range of issues. They include increased minimum compensation, higher residuals, fair compensation for TV series writing from pre- to post-production, increased contributions to pension and health plans, strengthened professional standards, fair living wages, improved health insurance, guaranteed work opportunities, regulations on AI usage for script writing, mandatory staffing, duration of employment considerations, fairer deals and contracts, provisions regarding artificial intelligence, shorter exclusive contracts, and more writers per show. This strike marks the first major action taken by the WGA in 15 years.
SAG-AFTRA's demands focus on monetary compensation and protection for its members. The union calls for better compensation and benefits from the AMPTP, as the current residual payments do not reflect the value of member contributions. SAG-AFTRA emphasizes that residual income has been undercut by inflation and the streaming ecosystem, where producers pay less compared to traditional exhibition models. Additionally, SAG-AFTRA seeks protections against the misuse of artificial intelligence and a clear definition of acceptable AI usage. Furthermore, the union highlights the need for regulation regarding self-taped auditions to alleviate the burden on performers, as they currently face an unfairly arduous casting process and bear the costs that were traditionally the responsibility of casting and production.
As the entertainment industry grapples with these labor disputes, the negotiations between the unions and the Alliance of Motion Picture and Television Producers will play a crucial role in shaping the future working conditions and compensation for professionals in the industry. The outcome of these negotiations will have a lasting impact on the livelihoods of thousands of workers who contribute to the creation of captivating films, television shows, and other forms of entertainment.
The Screen Actors Guild - American Federation of Television and Radio Artists (SAG-AFTRA) is an American labor union representing approximately 160,000 film and television actors, journalists, radio personalities, etc.
The Writers Guild of America (WGA) went on strike in 2023 to demand higher pay and better working conditions. The WGA represents over 11,000 film, television, news, radio, and online writers.
The Alliance of Motion Picture and Television Producers (AMPTP) is a trade association that negotiates industry-wide guild and union contracts for the entertainment industry.

The WGA claims that AMPTP's share of such residuals has cut much of the writers' average incomes compared to a decade ago. Film and TV writers began their strike hoping for a new contract offering higher wages, more residuals, regulations on AI, guaranteed staffing minimums, among other demands.
SAG-AFTRA has extended their current contract to July 12 as they continue negotiations with the AMPTP. WGA enters their second month on strike.
The WGA's demands include:
Increased minimum compensation
Increased residuals
Appropriate TV series-writing compensation from pre- to postproduction
Increased contributions to pension and health plans
Strengthening of professional standards and overall protections for writers
Fair living wage
Health insurance
Guaranteed work
Regulation on using AI for script writing
Mandatory staffing
Duration of employment
Fairer deals and contracts
Provisions about artificial intelligence
Shorter exclusive contracts
More writers per show
Assurance on AI
The WGA's strike was the first in 15 years.
SAG-AFTRA's demands include:
Money: SAG wants the AMPTP to provide better compensation and benefits for its members.
Residuals: Current residual payments don’t reflect the value of member contributions. According to the union, they “undercut by inflation and by a streaming ecosystem through which producers pay less residual income than traditional exhibition models.”
Generative AI: The union is requesting that the AMPTP provide protections for members against misuse of artificial intelligence, as well as a definition of acceptable use of the technology.
Self-tapes: Without regulation regarding self-taped auditions, SAG alleges that performers currently face an unfairly arduous casting process. “The shift to burdensome and unreasonably demanding self-taped auditions means that our members are working harder than ever, forced to take on audition costs that have always been the responsibility of casting and production.

Special thanks to Lou Pate for the appearance on WPHT 1210AM in Philadelphia. Follow Lou on Twitter @loupateshow.
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Hollywood on Edge, Actors and Studios Brace for Word on SAG-AFTRA Contract Talks as the July 1st Deadline approaches. Meanwhile the WGA is staying steadfast for their demands with no deal in sight.
As Hollywood stands on edge, actors and studios alike are bracing themselves for the results of the upcoming SAG-AFTRA contract talks. The Screen Actors Guild-American Federation of Television and Radio Artists, or SAG-AFTRA for short, is a union representing performers in the film and television industry. Negotiations between the union and the studios have been ongoing, but tensions are high as the current contract is set to expire soon.
The Writers Guild of America, or WGA, went through a similar process last year, which resulted in a strike that disrupted the industry for months. Hollywood is now hoping to avoid a similar outcome with the SAG-AFTRA negotiations. The terms of the new contract will have a significant impact on the industry, including issues such as safety protocols, residuals, and compensation for streaming services. The studios are hoping to reach a compromise with SAG-AFTRA to avoid any disruptions in production, but the union is standing firm on their demands. As the negotiations continue, the industry is holding its breath in anticipation of the outcome of these crucial talks.
Labor union issues in the digital era of Hollywood have centered around several key themes. Here are some of the notable ongoing issues:
Fair compensation for digital content: As the industry has transitioned to digital platforms, there have been ongoing debates and negotiations regarding fair compensation for creative professionals. Actors, writers, directors, and other industry workers have sought to ensure that they receive appropriate compensation for their work when it is distributed digitally, such as through streaming services or online platforms.
Residuals and streaming revenue: With the rise of streaming services, there have been discussions about the calculation and distribution of residuals, which are additional payments to artists for subsequent uses of their work. Labor unions have been engaged in negotiations with streaming platforms to secure fair residual structures that reflect the changing landscape of content consumption.
Working conditions and job security: The digital era has brought changes to traditional production models, which have raised concerns about job security and working conditions for industry workers. Freelance and contract workers, in particular, have sought greater protections, benefits, and stability in the digital age.
Protection of intellectual property rights: In the digital era, piracy and unauthorized distribution of content have become significant challenges. Labor unions have been advocating for stronger enforcement of intellectual property rights and measures to combat piracy, ensuring that creators receive appropriate compensation for their work in the online realm.
Inclusion and diversity: The push for greater inclusion and diversity in Hollywood has also been a prominent labor union issue in the digital era. Unions have been involved in efforts to increase representation both on-screen and behind the scenes, advocating for more opportunities and fair treatment for underrepresented groups.
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The 2023 summer box office movie season started as a thrilling time for superhero fans, with two highly anticipated films leading the way. The first was the latest installment in the Spiderman franchise, which saw the web-slinging hero facing off against a new villain with ties to his past. The film was praised for its stunning visuals and heart-pumping action sequences.
Meanwhile, The Flash made his big-screen debut in a film that explored the complexities of time travel and alternate universes. The character's lightning-fast speed was on full display, as he raced through different timelines to save the day. The Flash has missed expectations and the DCEU is now in disarray.
Overall, the 2023 summer box office season proved that superheroes are still a major draw for moviegoers, and that characters like Spiderman and The Flash continue to captivate audiences with their unique powers and engaging storylines, but any other movies have yet to succeed. Mission Impossible, Indiana Jones and Oppenheimer hope to change that trend.
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The media job massacre of 2023 has dealt a severe blow to the industry, with nearly 20,000 jobs already lost in the first six months. The convergence of technological disruptions, changing consumer habits, consolidation, and automation has created a perfect storm, forcing media organizations to restructure and downsize.
Writers Strike Union Solidarity and The Network and Streamer Scramble for New Content
The ongoing writers strike, supported by the Writers Guild of America (WGA), has now entered its 45th day, causing significant disruptions in the entertainment industry. Networks and streaming platforms are finding themselves in a state of panic as they struggle to fill their programming schedules for the upcoming fall season. With the absence of new scripts and content, the ability to produce fresh and captivating shows has become a challenge. This situation is further exacerbated by the fact that award shows, including those aired on CBS, are expected to suffer as well. The strike is causing a ripple effect throughout the industry, impacting not only the networks and streamers but also various events that rely on quality scripts and writing talent.
Twitter In Trouble with The Music Industry, While Universal Music makes a deal with Soundcloud for artists.
Twitter, one of the major social media platforms, is currently facing a lawsuit from major music conglomerates such as Universal, Sony, and Warner. The lawsuit alleges that Twitter knowingly hosts and streams infringing copies of music compositions without obtaining the proper licenses, resulting in mass copyright infringement. Unlike other platforms like Facebook, Instagram, TikTok, YouTube, and Snapchat, Twitter does not have music licensing deals in place. The publishers argue that Twitter intentionally fosters a user base that posts videos with copyright-protected music to increase engagement and advertising revenue. The lawsuit seeks damages of at least $250 million and accuses Twitter of direct copyright infringement, contributory infringement, and vicarious infringement.
In a separate development, Universal Music Group (UMG), the world's largest music rightsholder, is engaging in talks with the music streaming service SoundCloud to explore a new payment model for artists. UMG has been actively working on improving payments from streaming services and has formed partnerships with TIDAL and Deezer to research new streaming models. Streaming has become a vital component of the music industry, accounting for the majority of recorded music revenues globally. However, the pro-rata payment model used by most streaming services has faced criticism for favoring smaller actors and undervaluing artists' contributions. UMG is advocating for a new "artist-centric" payment model to ensure fair compensation for artists based on their streams.
These developments highlight the ongoing challenges in the music industry regarding copyright infringement and artist compensation. As music consumption continues to shift towards online platforms, it is crucial for all stakeholders to work together to find solutions that protect artists' rights and ensure fair compensation for their creative work.
Record number of media job cuts so far in 2023 https://www.axios.com/2023/06/13/media-job-cuts-record
Media Layoffs: LA Times, the Athletic, and 37 More Companies Cut Staff https://www.businessinsider.com/media-layoffs-rattle-netflix-nbcu-roku-vice-buzzfeed-wbd-disney-2022-12
'It's gonna be a hot labor summer' — unionized workers show up for striking writers https://www.npr.org/2023/06/14/1181947862/writers-strike-union-solidarity
Writers Are Fighting a Long History of Pattern Bargaining: ‘We Are in a New World’ https://variety.com/2023/biz/news/wga-dga-pattern-bargaining-history-1235644014/
It sounds like CBS is realizing their fall schedule isn't going to work
CBS will swap scheduled scripted series for—surprise!—a "reality-heavy" fall lineup
https://www.avclub.com/cbs-reconfiguring-fall-schedule-amid-strike-1850538843
Networks To Air Streaming Series Because They Are Out Of Content?
CBS is considering airing Paramount+ exclusives in lieu of the ongoing writers' strike.
https://www.giantfreakinrobot.com/ent/network-tv-streaming-cbs-paramount.html
Twitter Sued By Music Publishers For Copyright Infringement https://deadline.com/2023/06/twitter-sued-music-publishers-copyright-infringement-1235417531/
Music Piracy Is Still a Problem — But It’s a Manageable One: While TV/film continues to struggle with piracy, for music it's hardly the problem it once was thanks to the industry's approach to streaming. https://www.billboard.com/pro/music-piracy-still-a-problem-manageable/ https://archive.ph/CXs4o#selection-2021.0-2027.142
Universal Music Group (UMG), the world’s largest music rightsholder, has entered talks with music streaming service SoundCloud about changing the way artists are paid for streams.
https://www.musicbusinessworldwide.com/universal-and-soundcloud-are-in-talks-over-a-new-way-to-pay-artists-for-streaming/
YouTube is lowering the barrier to be eligible for its monetization program https://techcrunch.com/2023/06/13/youtube-is-lowering-the-barrier-to-be-eligible-for-its-monetization-program/
Retail Media Networks Are Hot. How Can Radio Get In On The Action? https://www.insideradio.com/free/retail-media-networks-are-hot-how-can-radio-get-in-on-the-action/article_cd2ccae0-0b55-11ee-8f5f-0f0fad127305.html
Radio station gets part-time AI DJ based on its midday host https://techcrunch.com/2023/06/14/radio-station-gets-part-time-ai-dj-based-on-its-midday-host/
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Radio's corporate leaders are still living in delusion as the digital disruption has destroyed the very fabric of radio even more than deregulation ever has. KOP looks at the topics of interest leading up to the upcoming RadioDays North America.
iHeartMedia CEO Bob Pittman sings radio’s praises, says it’s as ‘strong as ever’ https://nypost.com/2023/06/01/iheartmedia-ceo-bob-pittman-sings-radios-praises/
What Does Radio Still Offer Artists? https://radioinsight.com/blogs/252642/what-does-radio-still-offer-artists/
Fifteen Years Later, PPM Casts a Shadow https://radioinsight.com/blogs/252488/fifteen-years-later-ppm-casts-a-shadow/
In a recent development, the DGA National Board has unanimously approved the tentative contract agreement with the AMPTP and SAG-AFTRA. This marks a significant milestone in the ongoing negotiations between the two parties. The studios have also agreed to a media blackout as talks begin, indicating a willingness to work towards a mutually beneficial agreement. The SAG-AFTRA has been actively involved in these negotiations, with the AMPTP also playing a crucial role. It is heartening to see such cooperation between these organizations, and it is hoped that this positive momentum will continue in the future.
DGA National Board Unanimously Approves Tentative Contract Agreement with AMPTP
https://variety.com/2023/biz/news/dga-contract-wga-writers-strike-1235635513/
SAG-AFTRA and Studios Agree to Media Blackout as Talks Begin
https://variety.com/2023/biz/news/sag-aftra-media-blackout-amptp-1235636231/
Spotify Shifts Podcast Strategy to Make Exclusives Available on Other Platforms https://www.bloomberg.com/news/articles/2023-06-07/spotify-shifts-podcast-strategy-from-exclusives-to-a-wider-reach
Who’s Winning the Streaming Wars in 2023? Insiders get honest about which services are coming out on top and which need to be “burnt to the ground.” https://www.vulture.com/article/streaming-power-ranking-2023.html
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Nitr@

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As the Writers Guild of America (WGA) strike enters its 30th day, Hollywood's labor leaders have issued a joint statement of solidarity with the Directors Guild of America (DGA) as its contract talks enter the final week. However, the WGA has warned that an agreement between the studios and the DGA will not end their strike. The WGA has emphasized that solidarity between the entertainment unions will stand against any potential "divide and conquer" tactics.
The WGA has also noted that the DGA's 2008 deal with the Alliance of Motion Picture and Television Producers served as the pattern for the WGA's previous deal. Ultimately, the companies will need to negotiate with the WGA on its full agenda to resolve the strike. As Hollywood's labor leaders express solidarity with DGA, it remains unclear how this will impact the ongoing WGA strike and whether a resolution can be reached in the near future.
WGA Says Not to Expect DGA Deal to End Strike
https://variety.com/2023/biz/news/wga-dga-strike-pattern-bargaining-1235630932/
Writers’ Shut-It-Down Strategy Has Been Effective, Executives Privately Concede https://www.yahoo.com/entertainment/writers-shut-down-strategy-effective-153022977.html
On-Location Filming Of Scripted TV Shows Grinds To Near-Complete Halt In L.A. After 4th Week Of WGA Strike https://deadline.com/2023/05/wga-strike-on-location-filming-scripted-tv-shows-stop-los-angeles-1235383716/
Hollywood’s Labor Leaders Issue Joint Statement Of Solidarity With DGA As Its Contract Talks Enter Final Week https://deadline.com/2023/05/sag-wga-iatse-joint-statement-dga-solidarity-1235383790/
WGA, Saying “Era Of Divide & Conquer Is Over,” Accuses AMPTP Of “Gaslighting” Union Members & Telling A “Lie” About The Breakdown Of Contract Talks https://deadline.com/2023/06/wga-amptp-gaslighting-lie-contract-talks-1235398467/
Netflix Shareholders Decline To Back Executive Compensation Packages After WGA Urged Rejection Of “Inappropriate” Pay During Strike https://deadline.com/2023/06/netflix-shareholder-meeting-wga-strike-executive-compensation-1235398208/
Teamsters Put Pedal To The Metal For Independent Commercial Producers Talks & Deal https://deadline.com/2023/06/writers-strike-teamsters-independent-commercial-producers-talks-lindsay-dougherty-1235398335/
Are Major Labels Cooling on Viral Artists? After years of paying big for songs going viral on social media, labels' strategies may be shifting. https://www.billboard.com/pro/major-label-viral-artist-signings-tiktok-cooling-off/
Dear Music Industry: Don’t Let DEI Die: Diversity, equity and inclusion efforts are already backsliding, but we can't let them go. https://www.billboard.com/pro/music-diversity-equity-inclusion-problem-allies-step-up/
UK – Commercial radio has reached a record weekly audience of 38.7 million people in the UK, according to quarterly figures from commercial radio industry body Rajar.
https://www.research-live.com/article/news/commercial-radio-audience-hits-new-high/id/5112643
This classic AM station’s rebirth could improve radio if the industry listens
https://www.dailynews.com/2023/04/17/this-classic-am-stations-rebirth-could-improve-radio-if-the-industry-listens/
What’s Next In AM Radio’s Dashboard Battle? https://www.insideradio.com/free/what-s-next-in-am-radio-s-dashboard-battle/article_c9123b78-feaf-11ed-b1c0-9b43ff15da46.html
iHeartMedia Internal Memo Sets Forth Company's AI Policies, Plans https://www.allaccess.com/net-news/archive/story/228423/iheartmedia-internal-memo-sets-forth-company-s-ai-
New Sponsors For LRFA Ends Radio’s Big Month In DC
https://radioink.com/2023/06/01/local-radio-freedom-act-gets-new-names-in-congress/
Nearly Half Of Gen Z Listens To Podcasts Each Month, With Diversity Driving The Growth.
https://www.insideradio.com/free/nearly-half-of-gen-z-listens-to-podcasts-each-month-with-diversity-driving-the-growth/article_47674838-0045-11ee-be94-8377be47eda4.html
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The changing landscape of the music industry, driven by the rise of streaming services and shifting listener preferences, has led to a significant reduction in the airtime devoted to new music on traditional radio. While radio stations adapt their programming to meet audience demands and secure advertising revenue, emerging artists face challenges in gaining exposure through this medium. As the baton of promoting new music is passed to streaming services, it becomes increasingly important for music lovers to explore various platforms, supporting both established and emerging artists alike. As the industry continues to evolve, finding a balance between throwbacks and new music remains crucial to ensure a vibrant and diverse musical ecosystem.
For decades, music radio has been a trusted platform for discovering new music and staying up to date with the latest trends. However, in recent years, there has been a noticeable shift in programming choices. Many radio stations seem to be abandoning new music in favor of playing throwback hits from the past. This transition has inadvertently surrendered the responsibility of promoting new music to streaming services. In this blog post, we will explore the reasons behind this shift and the impact it has on both listeners and the music industry as a whole.
The rise of streaming services: The advent of music streaming services like Spotify, Apple Music, and YouTube Music has revolutionized the way people consume music. These platforms offer vast libraries of songs, catering to individual tastes and allowing users to create personalized playlists. Streaming services have become the go-to destination for discovering new artists, albums, and songs. With on-demand access to an extensive catalog, listeners can explore a wide range of music genres and discover emerging talent. This convenience and control over music selection have posed a challenge to traditional radio stations.
Changing listener preferences: As listeners increasingly turn to streaming platforms for new music, radio stations have taken note of their audience's changing preferences. Many stations have shifted their programming to focus on playing throwback hits from the '80s, '90s, and early 2000s. This decision is driven by market research indicating that nostalgia plays a significant role in listener engagement. By playing familiar songs that evoke memories and emotions, radio stations aim to captivate their audience and maintain ratings. However, this approach often comes at the expense of showcasing new and emerging talent.
Economic considerations: Another factor contributing to the decline of new music on radio is the economics of the industry. Commercial radio stations rely heavily on advertising revenue to sustain their operations. To attract advertisers, stations need to maintain high listener numbers and engagement. Research suggests that throwback hits, which are often popular across generations, tend to have a more significant appeal to a broader audience compared to new releases. Consequently, radio stations opt for a safer, nostalgia-driven approach that caters to a larger demographic, ensuring a steady stream of advertisers.
Impact on emerging artists and the music industry: The shift away from new music on radio has unintended consequences for emerging artists and the music industry as a whole. Historically, radio airplay has played a crucial role in launching the careers of many artists, providing exposure and driving record sales. By reducing the airtime given to new releases, radio stations limit the opportunities for up-and-coming artists to reach a broader audience. As a result, streaming platforms have become the primary avenue for artists to gain visibility and build a fanbase. While streaming offers its own advantages, radio airplay remains a powerful tool for reaching listeners who may not actively seek out new music online.
I Still Listen to Music on AM, But …https://radioinsight.com/blogs/252288/i-still-listen-to-music-on-am-but/
How To Play Throwbacks https://radioinsight.com/blogs/252285/how-to-play-throwbacks/
“Radio’s Future in The Car” . . . Especially AM https://radioinsight.com/blogs/252301/radios-future-in-the-car-especially-am/
Ad Buyers Say Podcasts Are Delivering Big Results And Deserve Larger Share Of Budget. https://www.insideradio.com/free/ad-buyers-say-podcasts-are-delivering-big-results-and-deserve-larger-share-of-budget/article_a48ddab8-fac8-11ed-85ba-d72dfacbf293.html
Unified Ad Buying, Podcasting, AI Are Talking Points For iHeart At Investor Conference. https://www.insideradio.com/free/unified-ad-buying-podcasting-ai-are-talking-points-for-iheart-at-investor-conference/article_60452b36-fac8-11ed-b5d6-57bddb59f2b7.html
Edison: 20 Percent of Radio Listening Is Via The Internet
http://mediaconfidential.blogspot.com/2023/05/edison-20-percent-of-radio-listening-is.html
Colin Farrell, Mariska Hargitay, Danny Strong and More Stars Rally at WGA Picket Line Outside Paramount in Times Square
https://variety.com/2023/tv/news/colin-farrell-mariska-hargitay-writers-strike-picket-line-1235625544/
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The radio industry has long been a powerful force in the music business, with airplay on popular stations playing a crucial role in an artist's success. However, the influence of record labels on radio airplay charts has come under scrutiny in recent years. Targeted payments and overnight spins are just two of the tactics used by record labels to boost their artists' chart positions. Mediabase, the leading provider of airplay charts in the United States, is often at the center of these controversies. While some argue that these practices are simply part of the game, others believe they undermine the integrity of the charts and unfairly disadvantage independent artists. The debate over the relationship between record labels and radio airplay charts is sure to continue for years to come.
Plus, the entertainment industry is currently facing a major upheaval as both SAG-AFTRA and WGA are considering going on strike. SAG-AFTRA's National Board has voted unanimously to ask its members for strike authorization, while the Writers Guild continues week 3 of their writers' strike. The major issue at stake is the lack of a fair contract with the Alliance of Motion Picture and Television Producers (AMPTP). These organizations are fighting for better pay, better working conditions, and better benefits for their members. The potential strike could have a significant impact on the industry, with delays in productions and possible losses in revenue for studios and networks. It remains to be seen how negotiations will progress, but both sides are standing firm in their demands.
Targeted Payments and Overnight Spins: How Labels Influence Airplay Charts
Documents obtained by Billboard show how payments from labels to one independent radio promoter seemingly result in spins at specific stations.
https://www.billboard.com/pro/radio-record-labels-payments-overnight-airplay/
Will EVs—or Just Plain Progress—Kill the Broadcast Radio Star?
As AM radios start disappearing from dashboards, many wonder how long it will be until FM follows.
Trading of Audacy Shares Halted as New York Stock Exchange Plans to Delist Company https://www.billboard.com/pro/audacy-shares-suspended-new-york-stock-exchange-delisted/ via @billboard
Broadcasters Say AI Is Teeming With Potential – And Concerns. https://www.insideradio.com/free/broadcasters-say-ai-is-teeming-with-potential-and-concerns/article_6a55e6f2-f2e8-11ed-89f9-7b395d00d278.html
IAB Podcast Upfront Notebook: iHeart, Audacy, NPR, Cumulus, Wondery, WNYC, Sony, Paramount.
https://www.insideradio.com/free/iab-podcast-upfront-notebook-iheart-audacy-npr-cumulus-wondery-wnyc-sony-paramount/article_c87888f8-f2e7-11ed-8252-2b0686c91d8e.html
iHeartMedia launches branded podcast studio as buyers say distribution and scale are key
https://digiday.com/media/iheartmedia-launches-branded-podcast-studio-as-buyers-say-distribution-and-scale-are-key/
Techsurvey: Localness, Personality Still Drive AM/FM Listening, But There Are Red Flags.
https://www.insideradio.com/free/techsurvey-localness-personality-still-drive-am-fm-listening-but-there-are-red-flags/article_94f7e4fa-efc8-11ed-949f-7f8e62f689a3.html
FCC’s Annual Fee Proposal Would Cut Radio Costs, Especially For Small Market Stations.
https://www.insideradio.com/free/fcc-s-annual-fee-proposal-would-cut-radio-costs-especially-for-small-market-stations/article_a5eed692-f47d-11ed-9991-f76b1f6caa02.html
Country Ties Pop on Top, R&B Overtakes Hip-Hop: The State of the Hot 100 Top 10 in 2023 Q1
A look at the latest trends in the chart's top 10, as analyzed by Hit Songs Deconstructed.
https://www.billboard.com/pro/state-of-hot-100-top-10-q1-2023-hit-songs-deconstrcuted/
SAG-AFTRA’s National Board Votes Unanimously To Ask Members For Strike Authorization https://deadline.com/2023/05/sag-aftra-strike-authorization-vote-membership-1235371123/
Major Labels to Send ‘Takedown Notices’ to Streaming Services for AI Soundalikes
Companies will lean on artists' rights of publicity to request removals, which platforms seem open to acting on.
WGA Strike: As Broadcast Fights For Survival, “Divided” AMPTP Could Face Splintering Over Conflicting Agendas https://deadline.com/2023/05/wga-strike-broadcast-survival-divided-amptp-splintering-old-new-media-1235359488/
David Zaslav Suggests Rival Streamers Should Bundle Together: If We Don’t Do It Ourselves “It Will Be Done To Us”
https://deadline.com/2023/05/david-zaslav-streamers-max-bundle-1235371789/
Free Speech Video Platform Rumble Makes Its Move Into Audio With Callin Buyout.
https://www.insideradio.com/free/free-speech-video-platform-rumble-makes-its-move-into-audio-with-callin-buyout/article_1dcb9b38-f47d-11ed-bfdf-6b6e876a78de.html
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The music and media worlds are buzzing with seismic developments as Taylor Swift gears up for the release of her 12th studio album, *The Life of a Showgirl*, on October 3, 2025, while Howard Stern’s impending departure from SiriusXM after a 20-year run ignites controversy and speculation. 
Swift’s album, announced with characteristic flair on her boyfriend Travis Kelce’s *New Heights* podcast, is set to inject a surge of adrenaline into the fall music scene, with industry insiders and fans alike predicting it will dominate the Billboard Hot 100 and streaming platforms. Meanwhile, Stern’s expiring $100 million-a-year contract with SiriusXM, set to conclude in December 2025, has sparked a firestorm of commentary, with polarized reactions highlighting his polarizing legacy in radio.
Swift’s *The Life of a Showgirl* promises to be a cultural juggernaut. Revealed on August 13, 2025, during a nearly two-hour *New Heights* episode, the album features 12 meticulously crafted tracks produced by Swift alongside pop titans Max Martin and Shellback, marking their first full collaboration since 2017’s *Reputation*.

The album’s title track includes a highly anticipated feature from Sabrina Carpenter, a former Eras Tour opener, adding to the excitement. Swift described the album as a vibrant reflection of her behind-the-scenes experiences during the record-breaking Eras Tour, emphasizing its “infectiously joyful, wild, dramatic” energy. With a focused tracklist—Swift confirmed no bonus tracks will follow, unlike the 31-song *The Tortured Poets Department*—and a glittering aesthetic featuring a Mert Alas and Marcus Piggott-shot cover of Swift in a diamond-encrusted showgirl costume, the album is poised to be a pop masterpiece. Four deluxe CD variants, each with unique artwork and collectibles, have already driven pre-order frenzy, while a curated Spotify playlist and orange-themed promotions (including the Empire State Building glowing orange) amplify the hype. 
Given Swift’s track record—*The Tortured Poets Department* claimed 17 weeks at No. 1 on the Billboard 200 and smashed streaming records with 300 million plays in a single day—industry analysts expect *The Life of a Showgirl* to dominate charts and streaming platforms, potentially replicating her historic 2022 feat of occupying the entire Billboard Hot 100 top 10 with *Midnights*. 
Fans have already spotted numerological Easter eggs, like the October 3 (10+3=13) release date tying to Swift’s lucky number, fueling speculation of a calculated chart takeover.
Concurrently, Howard Stern’s reported exit from SiriusXM has unleashed a torrent of reactions, reflecting his divisive status in media. 
InsideRadio suggests SiriusXM and Stern are capitalizing on the controversy, noting that Stern’s team is “making sure a hot controversy doesn’t go to waste” by hyping a potential announcement around September 2, 2025, possibly clarifying his future with the network or a new venture. Supporters argue Stern’s boundary-pushing style remains relevant, pointing to his loyal listener base and cultural impact over decades. 
The polarized feedback underscores a broader debate about legacy media figures in a digital age, with some X users reveling in Stern’s potential downfall and others speculating he may pivot to a new platform to maintain his influence.
Together, these stories highlight contrasting dynamics in entertainment: Swift’s unstoppable ascent, leveraging her cultural dominance and fanbase to redefine pop music, and Stern’s uncertain transition, as his once-dominant radio presence faces scrutiny. As Swift prepares to electrify the fall with *The Life of a Showgirl*, potentially sweeping the Billboard Hot 100 and streaming charts, Stern’s saga serves as a counterpoint—a reminder of the challenges legacy media faces in retaining relevance. By October, Swift’s album is likely to be the soundtrack of the season, while Stern’s next move, expected to be clarified in September, will determine whether he can reclaim his spotlight or fade into media history.
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There are several reasons why new music on corporate radio is dying:
Consolidation of radio ownership: Over the past few decades, there has been a trend towards consolidation in the radio industry, with a few large corporations owning most of the radio stations in the country. These corporations are primarily interested in making profits, and they often rely on a small playlist of familiar songs that appeal to a wide audience to attract advertisers. This means that new and innovative music is often overlooked in favor of more commercial and safe choices.
Lack of diversity: Corporate radio stations are often limited in their playlists, playing the same songs repeatedly throughout the day. This limits the exposure of new music, as well as music from artists who don't fit within the narrow range of genres that are popular on commercial radio.
Online streaming services: With the rise of online streaming services like Spotify and Apple Music, listeners have access to a vast library of music that is not limited by the constraints of corporate radio. These services allow users to discover new music based on their personal tastes, rather than relying on the limited playlists of corporate radio stations.
The music industry is changing: The music industry has undergone significant changes in recent years, with the rise of independent artists and DIY distribution methods. This has made it easier for new and innovative music to reach audiences without the need for corporate radio airplay.
Overall, these factors have contributed to the decline of new music on corporate radio. However, it's important to note that there are still many dedicated radio stations and DJs who are passionate about discovering and promoting new music.
Is Top 40 a Thing of the Past?
https://radioinsight.com/blogs/251712/is-top-40-a-thing-of-the-past/
When Throwbacks Came to the Frontier
https://radioinsight.com/blogs/251723/when-throwbacks-came-to-the-frontier/
Why Spotify’s Podcast Retrenchment Is the Right Move https://variety.com/vip/why-spotifys-podcast-retrenchment-is-the-right-move-1235592976/
Report: No Longer Confined To Upper Funnel, Audio Seen As Multi-Purpose Platform. https://www.insideradio.com/free/report-no-longer-confined-to-upper-funnel-audio-seen-as-multi-purpose-platform/article_3d0e782a-e8a8-11ed-8100-3bf3332ffde3.html?
The WGA strike of 2023 is currently at a stalemate with negotiations between the WGA and AMPTP at a standstill. The WGA members are fighting for fair compensation and benefits for their hard work, which is crucial to the success of the entertainment industry. However, the AMPTP seems to be dragging their feet and not taking the WGA's demands seriously. The WGA members are united in their cause and are determined to see it through until they get what they deserve. The AMPTP needs to come to the table with a fair offer and compromise, or risk facing the consequences of a prolonged strike.
The Five Biggest Narratives After Week 1 of the Writers Strike
https://www.theringer.com/2023/5/8/23716129/the-five-biggest-narratives-after-week-1-of-the-wga-writers-strike-and-kevin-costner-on-yellowstone
How A WGA Hit Squad Is Shutting Down Hollywood One Shoot At A Time
https://deadline.com/2023/05/writers-strike-how-a-wga-hit-squad-is-taking-down-hollywood-one-shoot-at-a-time-1235360087/
WGA’s Minimum Staffing Demands Were A Key Sticking Point In Failed Contract Talks, But It Wouldn’t Be The First Guild To Require Them
https://deadline.com/2023/05/writers-strike-wga-minimum-staffing-requirement-1235359357/
Netflix, Amazon Among Top Investors Expanding Spain’s Entertainment Biz https://variety.com/2023/tv/global/netflix-amazon-spain-investment-1235607564/
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The Writers Guild of America (WGA) has gone on strike due to the Alliance of Motion Picture and Television Producers' refusal to address issues surrounding compensation for writers in the evolving media landscape, including the use of AI in screenwriting.
The strike impacts over 800,000 direct employees and 2.4 million total supported in the industry, with $81 billion in industry wages and $186 billion in total production spending at stake. Major guilds and unions, including the SAG-AFTRA and Directors Guild of America, are supporting the WGA in negotiations with the AMPTP.
The strike has resulted in many scripted projects being put on hold, including late-night shows, such as “Jimmy Kimmel Live,” “The Late Show,” “The Tonight Show,” and “The Daily Show.” The strike is the first since the COVID pandemic and the first WGA strike in 15 years. The previous strike had lasted 100 days and disrupted production on several series and films. It remains to be seen how long the current strike will last.
AMPTP Hits Back, Making Its Case For “Generous” Contract Offered To The WGA
https://deadline.com/2023/05/writers-strike-studios-make-case-generous-contract-offer-1235356203/
WGA’s David Goodman Slams Latest Studio Response, Says Paramount’s Bob Bakish Sounds “Scared”
https://deadline.com/2023/05/writers-strike-david-goodman-hits-back-at-studio-response-paramount-bob-bakish-scared-1235356409/
Upfronts 2023: Pilot Buzz Muted By Writers Strike
https://deadline.com/2023/05/pilot-buzz-2023-abc-cbs-nbc-writers-strike-1235355789/
WGA Strike Shuts Down ‘Billions’ Amid Skirmishes, Cries Of “Scabs” Outside NYC Studio; Teamsters Refuse To Cross Pickets At ‘American Horror Story’ Filming
https://deadline.com/2023/05/writers-strike-billions-shut-down-american-horror-story-teamsters-new-york-police-1235356415/
Strike Chaos Consumes Hollywood: What Made Studios Balk and Writers Walk
https://variety.com/2023/tv/features/writers-strike-2023-how-long-1235601720/
WGA Strike Explained: The Issues, The Stakes, Movies & TV Shows Affected — And How Long The 2023 Work Stoppage Might Last
https://deadline.com/feature/hollywood-writers-strike-wga-explained-1235341146/
All the TV Shows and Movies Affected by the WGA Writers Strike (Updating)
https://variety.com/2023/tv/news/tv-shows-movies-affected-wga-writers-strike-2023-1235601094/
WGA Calls for Strike to Begin Tuesday, Slams Studios for Creating ‘Gig Economy’ That Aims to Turn Writing into ‘Entirely Freelance’ Profession
https://variety.com/2023/biz/news/wga-amptp-talks-negotiations-1235598645/
AI vs. the Music Industry: With the Internet Full of Fake Drakes and Eminems, Who Gets Paid?
https://variety.com/2023/music/news/ai-vs-music-industry-fake-drake-eminem-who-gets-paid-1235601494/
‘THE INDUSTRY HAS CONTROLLED WHAT THE CONSUMER LISTENS TO FOR WAY TOO LONG.’
https://www.musicbusinessworldwide.com/the-industry-has-controlled-what-the-consumer-listens-to-for-way-too-long/
TIKTOK’S PARENT IS WORKING ON AN AI MUSIC APP THAT ‘SIGNIFICANTLY LOWERS THE MUSIC CREATION BARRIER’ https://www.musicbusinessworldwide.com/tiktoks-parent-is-working-on-an-ai-music-app-that-significantly-lowers-the-music-creation-barrier/
Data: Which TV and Streaming Companies Are Most Vulnerable in a Writers Strike?
https://variety.com/2023/biz/news/data-which-tv-amp-streaming-companies-most-vulnerable-in-a-writers-strike-1235600248/
Station Went AI For A Day. Listeners Said, 'Give Us Back Our Humans.'
https://www.insideradio.com/free/station-went-ai-for-a-day-listeners-said-give-us-back-our-humans/article_612392aa-e983-11ed-93b1-23dc762d8599.html
Survey: YouTube, Streaming Music Losing Listening Time To Podcasts. https://www.insideradio.com/free/survey-youtube-streaming-music-losing-listening-time-to-podcasts/article_680b0bb0-e8a8-11ed-a036-8ff333b3148e.html
Why Spotify’s Podcast Retrenchment Is the Right Move https://variety.com/vip/why-spotifys-podcast-retrenchment-is-the-right-move-1235592976/
Report: No Longer Confined To Upper Funnel, Audio Seen As Multi-Purpose Platform. https://www.insideradio.com/free/report-no-longer-confined-to-upper-funnel-audio-seen-as-multi-purpose-platform/article_3d0e782a-e8a8-11ed-8100-3bf3332ffde3.html?
Contact KOP for professional podcast production, imaging, and web design services at http://www.kingofpodcasts.com
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Peso Pluma is leading the charge of Regional Mexican music into the mainstream music landscape. Just recently, Peso Pluma's popularity has prompted Becky G, Bad Bunny and Snoop Dogg to get featured in some of the many songs that have debuted on Billboard Hot 100 in recent months. This breakthrough for Peso Pluma is indicative of a larger trend of Latin artists being recognized in the larger music industry. The genre's impact is further exemplified by x110to by Grupo Frontera and Bad Bunny's recent success to with a Top 20 debut. While there are still challenges ahead for Regional Mexican musicians, it can't be denied that they are becoming more prominent right now in today's popular culture.
Meet Eslabon Armado and Peso Pluma, the Mexican regional stars making history on the pop charts https://www.latimes.com/entertainment-arts/music/story/2023-04-26/eslabon-armado-peso-pluma-ella-baila-sola-mexican-regional-bad-bunny
What’s Your Favorite Regional Mexican/Urban Collab? Vote! https://www.billboard.com/music/latin/best-regional-mexican-urban-collaboration-peso-pluma-blessd-poll-1235316013/
Mexico’s ‘narcocorridos’ going mainstream. What’s behind their popularity explosion?
https://www.courier-journal.com/story/news/crime/2023/04/27/mexico-corrido-singers-peso-pluma-natanael-cano-popularity-explosion/70130265007/
Women Are Breaking Barriers in Latin Music. But Why Is It Taking So Long? https://www.billboard.com/music/latin/billboard-latin-women-in-music-2023-cover-analysis-1235314305/
WGA Reviews & Counters Latest AMPTP Offer As Potential Strike Deadline Moves Closer https://deadline.com/2023/04/hollywood-strike-talks-studio-offer-wga-amptp-1235340257/
If a Writers’ Strike Hits Hollywood, Everybody Loses
https://www.vanityfair.com/hollywood/2023/04/if-a-writers-strike-hits-hollywood-everybody-loses
Music Discovery On Radio Stations Is Now An Audio/Visual Experience.
https://www.insideradio.com/free/music-discovery-on-radio-stations-is-now-an-audio-visual-experience/article_cae06c40-e023-11ed-89c3-13443164386f.html
Industry Gears Up For Hybrid Radio In The Digital Dash. https://www.insideradio.com/free/industry-gears-up-for-hybrid-radio-in-the-digital-dash/article_824c0a0e-e26f-11ed-8bd8-cfa31c10925d.html
ESPN Radio is on life support, along with all of national sports talk. They, and other national sports talk brands, are in a losing race against time.
https://awfulannouncing.com/radio/espn-layoffs-national-sports-talk-life-support.html
Survey Shows Half Of Podcast Listeners Are 35 To 44 Years Old. https://www.insideradio.com/free/survey-shows-half-of-podcast-listeners-are-35-to-44-years-old/article_bf55ce64-e2e5-11ed-8c2d-676a4d1b6bd7.html
Jerry Springer Dies: Legendary Talk Show Host Was 79 https://deadline.com/2023/04/jerry-springer-dies-talk-show-host-was-79-1235339361/
Warner Bros. Discovery Is Going All-In on Theatrical Releases – Which Means Max Is, Too | Analysis https://www.yahoo.com/entertainment/warner-bros-discovery-going-theatrical-130000980.html
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