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Explore every episode of the podcast The Brass Junkies

Dive into the complete episode list for The Brass Junkies. Each episode is cataloged with detailed descriptions, making it easy to find and explore specific topics. Keep track of all episodes from your favorite podcast and never miss a moment of insightful content.

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TitlePub. DateDuration
TBJ221: TBJ Gives Thanks05 Jan 202401:05:36

Andrew is joined by seven brass players who share thoughts about a musician they were thankful for in 2023.
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Show Notes ► http://www.brassjunkies.com

Guests Giving Thanks:

  • Sasha Romero (Principal Trombone of the Metropolitan Opera) is thankful for Claudio Sanchez (8:10)
  • Rodney Marsalis (Lead Trumpet + Founder of The Rodney Marsalis Philadelphia Big Brass) is thankful for Terry Everson (19:04)
  • Dr. Danielle VanTuinen (Professor of Tuba + Euphonium at The University of Florida) is thankful for Deanna Swoboda (27:51)
  • Jeffrey Scott (Professor of Horn at Oberlin Conservatory and Former Horn Player and Founder of Imani Winds) is thankful for Carolyn Clark (36:34)
  • Dr. Steph Frye-Clark (Professor of Tuba and Euphonium at East Tennessee State and Tuba Player of Mirari Brass Quintet) is thankful for Sarah Paradis (46:08)
  • Ryan Little (Principal Horn of the Atlanta Symphony Orchestra) is thankful for Gail Williams (52:05)
  • Hakeem Bilal (Professor of Trombone at West Virginia University and Bass Trombonist for C Street Brass) is thankful for Omar Lateef (58:13)

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Instagram ► https://www.instagram.com/pray4jens/

The Brass Junkies is hosted and produced by Andrew Hitz for Pedal Note Media

https://www.brassjunkies.com/

TBJ220: Myles Blakemore of The United States Navy Band31 Oct 202301:08:14

Andrew and guest co-host Dr. Michael W. Nickens are joined by trombonist Myles Blakemore of The United States Navy Band
Become a Patron ► https://www.patreon.com/thebrassjunkies/
Show Notes ► http://www.brassjunkies.com

Facebook ► https://www.facebook.com/pray4jens/
Instagram ► https://www.instagram.com/pray4jens/

The Brass Junkies is hosted and produced by Andrew Hitz for Pedal Note Media

https://www.brassjunkies.com/

TBJ211: Zenas Kim-Banther16 Mar 202301:12:23

Phenomenal trombonist Zenas Kim-Banther joins Andrew and special guest co-host Jim Nova to talk about trombone and horses.
Become a Patron ► https://www.patreon.com/thebrassjunkies/
Show Notes ► http://www.brassjunkies.com

Facebook ► https://www.facebook.com/pray4jens/
Instagram ► https://www.instagram.com/pray4jens/

The Brass Junkies is hosted and produced by Andrew Hitz for Pedal Note Media

https://www.pedalnotemedia.com/

Brass Junkies Extra: Tubist Aubrey Foard of the Baltimore Symphony Orchestra on the state of the lockout09 Sep 201900:59:18

Brass Junkies Extra: Tubist Aubrey Foard of the Baltimore Symphony Orchestra on the state of the lockout

In this special episode of The Brass Junkies, Aubrey Foard catches us up on where things stand with the BSO lockout.

From his bio:

Aubrey Foard is the principal tubist of the Baltimore Symphony Orchestra, a position he has held since 2018. He also serves as Lecturer of Tuba and Euphonium at the University of California, Los Angeles (UCLA) and as Artist Faculty at the Brevard Music Center. Mr. Foard was most recently principal tubist of the Charlotte Symphony, where he had performed since 2012. He has previously held principal tuba positions in the Santa Barbara, West Virginia, Canton, Youngstown, and Albany Symphonies as well as with the Britt Festival Orchestra. He has performed as a guest musician with several other orchestras, including the Los Angeles Philharmonic, The Cleveland Orchestra, the North Carolina Symphony, the Louisville Orchestra, Arizona MusicFest, and as Acting Principal Tubist with the San Diego Symphony.

Aubrey gives us an inside look at how the lockout has impacted the musicians over these last few months. 

We discuss:

  • Expiration of their contract
  • Summer bargaining sessions
  • His first act as a member of the BSO
  • Management's offers vs. the players'
  • Cancellation of the summer season and the start of the lockout
  • Lack of progress in negotiations
  • Aubrey taking 47 auditions before landing the BSO gig
  • Taiwan Tubamania
  • Finding Baltimore Symphony recordings in Taipei
  • Individual overscale negotiations
  • Leaving the Charlotte Symphony
  • The impact of previous management decisions on today's situation
  • The difference between a 40-week and a 52-week orchestra
  • Playing with the San Diego Symphony in the summers
  • How uncertainty of the future of the orchestra has impacted him personally
  • Having to hit the road to make it work
  • The impact on his family
  • 15-20 other cities have already reached out to have Baltimore Symphony players sub with their orchestras
  • ICSOM Call to action has provided over $250,000 so far
  • "The BSO without the O is just BS"
  • Lessons from the experience (stay united and get involved)
  • Throwing a mega-brass concert to support the musicians
  • Collecting data for the creation of a fact sheet and data project
  • Michael Kaiser, make great art and market it brilliantly
  • Places and people who are doing it right in the industry
  • Aubrey Bergauer of the California Symphony
  • Deborah Borda of the New York Philharmonic
  • Mark Niehaus of the Milwaukee Symphony 
  • Phil Munds and Andy Balio on The Brass Junkies
  • Future Symphony Institute

Here's a link to a recent article from Baltimore Sun outlining the state of things:

"BSO and musicians in marathon contract negotiations as deadline looms"

Here's a link to the musicians' Facebook page:

BSO Musicians Facebook page

And their website:

BSO Musicians Website

The players' GoFundMe page:

https://www.gofundme.com/f/keep-the-o-in-bso

TBJ119: Clarke Rigsby of Tempest Recording on Paul McCartney, Steve Gadd and his Most Improved Player Trophy03 Sep 201901:09:12

TBJ119: Clarke Rigsby of Tempest Recording on Paul McCartney, Steve Gadd and his Most Improved Player trophy

Clarke Rigsby of Tempest Recording has acquired a reputation amongst his peers for being “musically militant.” Nuff said.

From his site:

Clarke Rigsby of Tempest Recording has acquired a reputation amongst his peers for being “musically militant.” Today, technology often overshadows or masks (or invents…) true musical talent, and although Clarke has the tools to “fix it in the mix,” he’d rather let music come from the musician and not the machine. Clarke combines his technical savvy and musical talent with his engineering and production experience giving his clients the appropriate combination for producing a first-rate project.

Since 1980, Clarke’s recording history would be called diverse. Clarke has worked with such artists as Paul McCartney, Joey DeFrancesco, Glen Campbell, Ike Turner, Deepak Chopra, Dr. Billy Taylor, Hal Blaine, David Grisman, Jimmy Smith, The Phoenix Boys Choir, The Four Tops, Bobby Hutcherson, Don Edwards, James Moody, Rex Allen, Waylon Jennings, Frank Gambale, Alice Cooper, James Galway, Boston Brass, Brownie McGee, Tower of Power, the Fabulous Thunderbirds, the Phoenix Symphony Orchestra, Joe Alessi, Phil Smith (New York Philharmonic), Mark O’Connor, Peter Erskine, El Chicano, Honey Boy Edwards, UNM Wind Ensemble, Pro Musica Chamber Orchestra, Eric Burdon, Snuff Garrett, Lee Hazlewood, R. L. Burnside, Little Milton, Bo Diddley, Harvey Mason, Warren Jones, The Ahn Trio, The Arizona State University Marching Band, Bill Conte, River City Brass. With old pals Tim & Willy (KMLE Radio..) he’s done projects with a “who’s who” list of country music stars including Rascal Flatts, LeAnn Rimes, Steve Wariner, Trisha Yearwood, Sugarland, Billy Dean, Wynonna Judd, Dierks Bentley, Blake Sheldon, Colin Raye, Clint Black, Phil Vasser, Little Big Town, Travis Tritt, Trick Pony, Lee Ann Womack, Terri Clark, along comedians Frank Caliendo and Tim Hawkins, among many others.

In this fun and lively discussion, we cover:

  • Andrew's birthday!
  • Clarke's start in the music business
  • From L.A. to Phoenix
  • Deciding to stay in Phoenix due to the L.A. scene in the early 80's
  • Building his studio
  • The joys of dealing with the city government
  • Clarke and Paul McCartney on top of a bus
  • Working with Phil Ramone
  • Working with Sam Pilafian
  • How they met
  • "It's called development"
  • Working with Steve Gadd and Joey DeFrancesco
  • Boston Brass working with Steve Gadd
  • Andrew actively ignoring Clarke's video
  • Sweaty Lance
  • Gadd's process
  • Steely Dan stories
  • How he got started doing brass recordings
  • How the recording process is a learning opportunity and makes you a better musician
  • Recording the River City Brass Band
  • Freaking out at the green
  • Eating at Rizzo's on Clarke's 50th birthday
  • The Revenants
  • Winning an Emmy
  • Doing a jazz record with Frankie Valli
  • His "Most Improved Player" trophy
  • Working with Tower of Power
  • Tower of Power and the ASU Marching Band
  • Teaching at ASU
  • Recording for musicians
  • The impact of new technologies
  • Bison
  • TSA Agents
  • Awkward segues
  • Gadd AF Band

LINKS:

Want to help the show? Here are some ways:

Expertly produced by Will Houchin with love, care, and enthusiasm.

 

TBJ118: Trumpet player and builder Trent Austin on Clark Terry, making sacrifices for your dreams and an augmented trumpet20 Aug 201901:10:00

TBJ118: Trumpet player and builder Trent Austin on Clark Terry, making sacrifices for your dreams and an augmented trumpet

Trumpeting Renaissance Man Trent Austin lives up to the title: entrepreneur, player, designer, and raconteur.

Celebrated trumpet artist, educator/clinician and entrepreneur, Trent Austin is a trumpeting Renaissance Man. His brilliant performances and recordings in both the jazz and classical music worlds, as well as packed-house Master Classes have garnered him rave reviews, awards and International acclaim.

A prodigy, in high school Austin performed at the opening of Euro-Disney and also was a featured performer at the 1992 Montreux Jazz Festival. He was selected first trumpet of the Maine All-State Music Festival and was awarded a full music scholarship to the University of New Hampshire to study classical trumpet. Austin’s other early career awards include being named to the prestigious Berklee Grammy® High School Jazz Band in 1993 and designated lead trumpet of the 1995 Disney All-American Show Band.  He was also a featured soloist at the 1996 Harmony Ridge Brass Festival and at the 1997 Lake Placid Institute of the Arts Seminar. 

As an in-demand pro, Trent has performed with a lengthy list of music’s Who’s Who: Tony Bennett, Natalie Cole, Joe Williams, Clark Terry, Jack Jones, Bob Brookmeyer, Maria Schneider, Peter Erskine, Arturo Sandoval, Hal Galper, Dick Oatts, Marvin Stamm, Red Holloway, Jesse Davis, Dick Johnson, Kenny Werner, and Bob Wilber. For eleven years, Austin was a featured trumpet soloist with the famed Artie Shaw Orchestra. He is currently a first-call performer in the Kansas City Metro

Austin has recorded  4  CDs.  Trumpet 101 (2001), Two-Toned (2006),  Meditations for Solo Trumpet (2009), and Trumpet 102 (2012).  Each of these efforts demonstrates Austin’s impeccable command of his instrument and marvelous artistic approach.

Trent has studied jazz improvisation privately with greats Jerry Bergonzi, Kenny Werner, Chuck Findley and engaged in extensive studies with Hal Crook and Charlie Banacos. His primary classical instructors include studies with Robert Stibler of the University of New Hampshire, Benjamin Wright of the Boston Symphony Orchestra, and with Edward Carroll, formerly musical director of the New York Trumpet Ensemble.

Fiercely dedicated to the cause and development of music and jazz education, Trent was a trumpet professor  at the University of Southern Maine for 9 years and regularly provides clinics and Master Classes nationwide at various trumpet and brass conferences, including at the International Trumpet Guild Conference and other trumpet/brass conferences. Austin also maintains an active teaching studio in Kansas City, MO and worldwide online via Skype, providing trumpet and jazz improvisation lessons. 

In this fun and lively discussion, we cover:

  • Trumpeting Renaissance Man
  • Moving to Kansas City from Boston
  • Impossible Tuna
  • Impossible Tuba
  • Bribery will get you everywhere
  • Trumpet placebo
  • Machining and Geekery
  • Designing horns for Adams
  • Bonding with his dad
  • Computedated
  • Mouthpiece as a gateway drug
  • Common tweaks
  • Fraggle Rock
  • Clark Terry buttermilk story
  • A good horn cleaning regimen
  • Stanford TRB TB story
  • Nick the Bio Writer
  • Adventures in Unnecessary Trumpet Modification
  • Dents in critical areas
  • Heavy valve caps
  • Everything affects everything
  • The King of Trumpet Geeks
  • Augmented trumpet
  • The fate of brick and mortar stores
  • Specialty stores will have an easier time surviving
  • ITEC vs. ITG
  • The influence of Clark Terry
  • The Clark Terry "Keep On Keepin' On" documentary
  • Trentbot 2000
  • Everything is monetizable
  • It's all about the hang
  • Bob Malone
  • Making sacrifices for your dreams
  • How badly do you want it?
  • Sleep harder
  • Gold-plated water key screw

LINKS:

Want to help the show? Here are some ways:

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ117: Mike Nickens, Director of "The Green Machine" pep band at George Mason University, on being unapologetic about who he is and leading by example (while carrying a scepter).06 Aug 201901:05:03
TBJ117: Mike Nickens, Director of "The Green Machine" pep band at George Mason University, on being unapologetic about who he is and leading by example (while carrying a scepter). He has built a gig for himself which allows him to be fully him while enabling his students to do the same.   From his bio:   Serving as Director of Campus Life Ensembles and Collaborative Arts, and as an Associate Professor of Music, Dr. Michael W. Nickens (a.k.a. Doc Nix) is most recognized as the leader of the “Green Machine”, which in 2015 was named the #1 pep band in college basketball by the NCAA and commended by the Senate and House of Delegates of the Commonwealth of Virginia. In addition, Dr. Nickens launched Mason’s fife and drum corps and WGI world-champion drumline, and oversees Mason’s winterguard. This collection of performing units, known as the “Green Machine Ensembles”, are internationally known for their thrilling, high-energy performances at Mason ceremonies and basketball games, professional sports games and events (Capitals, Nationals, Wizards, and Redskins), community events (Celebrate Fairfax, and the Nike Womens’ Half Marathon), and marching competitions, as well as their popular internet videos that have over 100 million views collectively.

Dr. Nickens was named the 2016 Faculty Member of the Year by the George Mason University Alumni Association. He served as a Faculty Representative to the Board of Visitors, Chair of the Faculty of the College of Visual and Performing Arts, Chair of the CVPA  Diversity Committee, and as a member of the School of Music’s Graduate Committee. Having joined the faculty of Mason’s School of Music in fall 2006, he has taught courses in sight-singing/ear training, popular music in America, improvisatory music, brass methods, applied tuba, composition, chamber music, and jazz improvisation, as well as collaborations with Mason’s School of Dance. In addition, he was a co-founder and co-conductor of the Colonial Athletic Association’s “Breakfast with the Bands” intercollegiate pep band showcase.

During summers, he has taught tuba and euphonium, conducting, jazz performance, composition, improvisation, chamber music, large ensemble performance, and theory at the Performing Arts Institute at Wyoming Seminary in Kingston, Pennsylvania, the Music, Art, and Theatre (MAT) Camp in Evanston, Wyoming, and the Northern Arizona University Music Camp in Flagstaff, Arizona, and at Mason’s Potomac Arts Academy.  He has also coached a professional marching ensemble, “Mix It Up”, at Busch Gardens in Williamsburg, Virginia.   Dr. Nickens was born in Washington DC and grew up in the Fairfax County Public Schools in Alexandria, Virginia. He completed his academic degrees from the Manhattan School of Music, Yale University, and the University of Michigan.

In this fun and lively discussion, we cover:

  • Strain the pool
  • Mouthpieces
  • Intentionally unhelpful
  • Fun standard euphonium literature
  • Doc Nix
  • Lance's newsletter
  • Went to some schools
  • Hard choices, mid-stream
  • George Mason University Men's Basketball team in 2006
  • Starting The Green Machine at George Mason
  • Encourage musicians to find their way to their best self
  • Building things from the ground up
  • Turning his gig into a tenure-track position
  • Picking tunes for the band, based on the world around him
  • From Bon Jovi to Snoop Dog
  • Creation of the arrangements
  • How to teach students to arrange
  • Broadening the instrumentation of the group beyond "traditional" pep bands
  • Using what you have
  • Empowering himself
  • Timing the tunes within a game
  • The budget (from the Dean of Admissions)
  • Additional funds coming through University Life and tuition dollars through the School of Music
  • Doing fundraising directly through their website
  • Wearing a pimp suit
  • 18-19 suits overall
  • Carrying a scepter, wearing shades
  • Blockbusting
  • The Green Machine as a manifestation of who he is
  • Conductor/Drum Major/Mascot
  • Being unapologetic about who he is and leading by example
  • Mr. Miyagi
  • Making love and joy happen
  • Andrew is a hater hater
  • Playing a gig at Duquesne University
  • The current makeup of The Green Machine
  • The nine groups which exist under The Green Machine umbrella
  • Celebrating Aretha Franklin
  • Playing with the National Symphony to backup Nas (one of his heroes)
  • 8-bit comedy rap videos
  • The odor was fine

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ116: Listener's Choice - Making an album23 Jul 201901:03:21

We're back with another Listener's Choice episode! This time, Walter asks about the recording process. Andrew & Lance unpack the process of making an album and preview their upcoming Cones and Tones project.

In this fun & lively episode, we cover:

  • Lance as a home remodeler
  • Andrew Phish shows
  • Thank you, Ticketmaster
  • Marty Erickson, Craig Knox, and the sousaphone pusher
  • 8-tracks
  • Walter
  • What is the relevance of an album today?
  • Does "album-length" matter any more?
  • What makes for a cohesive project?
  • Who are you trying to reach?
  • Clarity of vision
  • Engineer and producer
  • TEM 174: Sam Pilafian on producing
  • How to track
  • Mental preparation
  • In the sessions
  • Paper edits
  • Not just listening to your own part
  • Cutler and JD
  • When things go wrong (buzz in the piano)
  • Mixing and mastering
  • Label or no label
  • Mechanical rights

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ115: Hiram Diaz, euphonium player in "The President's Own" Marine Band, on the High Bridge Brass Quintet, audition prep and being a terrible shot 09 Jul 201901:00:08

TBJ115: Hiram Diaz, euphonium player in "The President's Own" Marine Band, on the High Bridge Brass Quintet, audition prep and being a terrible shot.

From his Marine Band bio page:

Euphonium player Staff Sergeant Hiram Diaz joined “The President’s Own” United States Marine Band in January 2012. Staff Sgt. Diaz began his musical instruction at age 12. He graduated in 2003 from the New World School of the Arts in Miami and continued his education at the University of Cincinnati-College Conservatory of Music (CCM) where he earned a bachelor’s degree in music performance in 2007. He is currently pursuing his master’s degree from the University of North Texas in Denton, where he studies with euphonium professor Brian Bowman. His instructors also included Timothy Northcut of CCM and Jay Bertolet, former principal tuba with the Florida Philharmonic Orchestra.

Prior to joining “The President’s Own,” Staff Sgt. Diaz was a member of the U.S. Army Maneuver Center of Excellence Band (283d Army Band) in Ft. Benning, Ga.

In 2016, he performed Tom Davoren’s Ascension with trumpet/cornet player Gunnery Sgt. Amy McCabe as featured soloists on the national concert tour.

Watch Staff Sgt. Diaz's interview in Spanish about the 2013 Inauguration.

Watch Master Sgt. Mark Jenkins and Staff Sergeant Hiram Diaz's Masterclass: March Performance Practice with Euphoniums of "The President's Own" U.S. Marine Band

In this fun and lively discussion, we cover:

  • Hiram's trombone playing
  • Christmas and Easter gigs
  • Being in the Marine Band since 2012
  • Meeting Lance in 2002 at the Falcone Festival
  • He's like the Victor Borge of the euphonium
  • Lance judging Hiram and meeting his parents
  • Eating at Hooters five times (not at all like the South Florida Hooters)
  • Greensboro ITEC, "The Captain's Log"
  • Moving from the Army Bands system to the Marine Band at the age of 26
  • Fort Sill, where you learn to kill
  • Rich Kelley story in Lawton, Texas
  • Being a terrible shot
  • Spiders yelling at little kids
  • Marine Band audition and audition prep
  • Lots of recording himself
  • Staying with Chris Buckley
  • Studying with Brian Bowman
  • Studying with Tim Northcutt
  • Playing in a post band vs. being in a premiere band
  • Doubling on trombone and singing
  • The similarities between Andrew's son and Ella Fitzgerald
  • Chris Castellanos' karaoke parody Jedi mastery
  • Growing up in Miami across from Sam Pilafian's sister and swimming in her pool
  • His Cuban heritage
  • Going to the New World School of the Arts for high school
  • Lessons on self-confidence and building his ears with Sam Pilafian
  • What is happening from that man's face?
  • Hiram's favorite food (made by his Mom)
  • The lack of sour oranges in DC makes him bitter (sorry)
  • John Abbracciamento's retirement ceremony
  • The High Bridge Bass Quintet
  • The worse the flooring, the stronger he will get

Links:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ114: Trumpeter John Abbracciamento on dealing with pain, overcoming doubt and his 27 years in "The President's Own" Marine Band25 Jun 201901:02:28

From John's Marine Band bio:

Trumpeter/cornetist Master Gunnery Sergeant John Abbracciamento joined “The President’s Own” United States Marine Band in November 1992. Master Gunnery Sgt. Abbracciamento began his musical instruction at age 8. After graduating from Valley Stream South High School in 1978, he attended the New England Conservatory of Music in Boston. He completed his bachelor’s degree in music at the University of Michigan in Ann Arbor in 1983 and also earned a master’s degree from Mannes College of Music in New York in 1985. He studied trumpet with Armando Ghitalla of the Boston Symphony Orchestra, and John Ware and Vincent Penzarella of the New York Philharmonic.

Prior to joining “The President’s Own,” Master Gunnery Sgt. Abbracciamento was a substitute with the New York Philharmonic and toured Europe with the Orpheus Chamber Orchestra.

In this fun and lively discussion, we cover:

  • John retiring from "The President's Own" United States Marine Band after 27 years
  • Be prepared and know that the system is in place to support you
  • The importance of realizing that you are joining a section
  • The diversity of demands in The Marine Band
  • Us math am smart like
  • What John will miss most
  • Why he decided to retire now
  • Change is hard
  • Going back to school to becomes a physical therapist
  • The impact of standing at attention for long periods of time
  • Helping musicians deal with pain
  • John's retirement remarks
  • Hiram Diaz
  • Tom Hooten
  • Studying with Armando Ghitalla
  • Distinctive players and styles
  • What happens at a Marine Band retirement ceremony
  • The Italian Store chicken parmesan on a hard roll
  • Baseball rule changes
  • Freelancing, listening and adapting to a variety of situations
  • Learning to blend
  • Overcoming doubt
  • Rich Kelley Central Park story
  • Putting other players at ease within a section
  • Trial and error and the importance of experience as a teacher
  • Playing the appropriate musical role
  • Mallory Thompson
  • Andrew and the silk shirt

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ113: Rebecca Cherian on encouraging young women players, the importance of allies and the Bernstein Bounce11 Jun 201900:54:34

TBJ113: Rebecca Cherian on encouraging young women players, the importance of allies and the Bernstein Bounce. Rebecca Cherian is Co-Principal Trombone of the Pittsburgh Symphony.

From her bio:

Rebecca Cherian was awarded the position of co-principal trombone of the Pittsburgh Symphony Orchestra by Lorin Maazel in 1989. She has been trombone instructor at Carnegie Mellon University since 1993. Cherian was a founding member of the International Women’s Brass Conference in 1994 and served as the IWBC Newsletter Editor for five years. 

As a California native, Cherian began her professional career at the age of 16 as trombonist with the San Jose Symphony under the direction of George Cleve. At the age of 17, she appeared as a soloist with the San Francisco Symphony as a result of winning First Prize in their Young Musicians’ Awards. Cherian earned her Bachelor of Music Degree from the California Institute of the Arts and her Master of Music Degree from the Yale School of Music. While in school she was awarded First Place in the Atwater Kent Brass Competition and Outstanding Chamber Music Performer at Yale. She studied with Miles Anderson, Robert Szabo, and John Swallow.

Before becoming a member of the Pittsburgh Symphony Orchestra, Cherian held positions of principal trombone with the Springfield Symphony in Massachusetts and the Rhode Island Philharmonic. She was trombone instructor at the University of Connecticut in Storrs, the Hartt School of Music and Wesleyan University. As a freelance artist, she toured with the Israel Philharmonic under the Direction of Leonard Bernstein, performed with the Boston Opera, New York City Ballet, Hartford, New Haven, and Vermont Symphonies and Goodspeed Opera House.

In September 1993, Cherian enjoyed the honor of performing at the White House in Washington, D.C. as part of a 15-woman ensemble of brass and percussion players for the opening reception of the Annual International Women’s Forum. The group performed the world premiere of Joan Tower’s fanfare, Celebration, which was dedicated to Hillary Clinton. Cherian appears regularly as a soloist and master class Clinician at the IWBC.

Cherian released her second solo CD, “L’Invitation au Voyage,” in 2015. Both her first CD, “Water Awakening,” and “L’Invitation au Voyage.” are available through cdbaby.com or amazon.com. She can also be heard on “From the Back Row,” a recording on Albany Records of the Low Brass Section of the Pittsburgh Symphony and numerous recordings of the Pittsburgh Symphony Orchestra under the direction of Lorin Maazel, Mariss Jansons and Manfred Honeck.

In this fun and lively discussion, we cover:
  • The dramatic Rebecca/Becky controversy
  • Playing with the PSO
  • The recent PSO concert at Lincoln Center in NYC
  • Technical difficulties
  • Becky still has a home phone (thankfully!)!
  • The state of the PSO
  • How social media played a part in getting the word out about the PSO player's positions
  • Her first gig was in San Antonio Symphony at 16 years of age
  • Losing her slide story
  • Women in the career field, how things have changed and what work there still is to do
  • The importance of building allies in a group
  • How to coach and encourage young women players (and the men too!)
  • Diversity issues in general
  • Picking the instrument in school, despite trombone not being a "girl's" instrument
  • Soloing with the San Francisco Symphony at 17
  • Lance's monumental frack 
  • Playing under Bernstein with the Isreal Philharmonic on tour in Mexico and Texas (and learning Rite of Spring and bass trumpet in one day)
  • Meeting Bernstein
  • Bernstein falling off the podium (and bouncing back), AKA the "Bernstein Bounce"
  • Herp Alpert
  • Playing at the White House

Links:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ112: Matt Niess on The Capital Bones, 3 x 3, and getting help from the "Trombone Angel"28 May 201901:07:33

TBJ112: Matt Niess on The Capital Bones, 3 x 3, and getting help from the "Trombone Angel"

Matt Niess is a multifaceted trombonist who served with The U.S. Army Band in Washington, DC and currently serves as Adjunct Associate Professor, Classical and Jazz Trombone at Shenandoah Conservatory.

From his bio page:

Matt Niess is a cross over trombonist who served with The U.S. Army Band in Washington, DC from 1988-2018 where he played with The Army Blues and The Army Brass Quintet. He is from Levittown, PA where he attended Woodrow Wilson High School. He earned an undergraduate degree in Instrumental Music Education from West Chester University in 1988, a Masters degree in classical trombone performance from George Mason University in 1996 and a DMA in classical trombone performance from The Catholic University of America in 2015.

​He was director of bands at Calvert High School in Prince Frederick, MD from 1986-1988, and has taught on the jazz faculties of Shenandoah, George Mason, and Towson Universities.  He also served as director of jazz studies and professor of trombone at West Chester University from 2003-2007. Currently, he is the professor of jazz trombone at George Mason University and professor of trombone at The Shenandoah Conservatory teaching both jazz and classical. With The Army Blues he has served as Senior Producer and Jazz Coordinator of the Eastern Trombone Workshop producing over 300 concerts at various venues ranging from The White House to the Monterey Jazz Festival.

In 2008 he founded the National Jazz Workshop which runs two summer camps and sponsors a year-round honor band. To date over 1,000 students have participated in “NJW”. The year-round band has performed at The Kennedy Center, The Jazz Education Network, New Orleans, St. Louis, Dallas, Blues Alley, and numerous jazz festivals. He is the founder and director of The Capitol Bones, a jazz trombone ensemble, which has received national recognition and was winner of the 1991 International Trombone Association Kai Winging Award.

​He has appeared as a soloist, clinician, and adjudicator at numerous venues including The Midwest Band and Orchestra Clinic, IAJE, JEN, ITA, ETW, MENC, PMEA, VMEA, University of Las Vegas, University of North Texas, West Virginia University, Disneyland & Disneyworld All-American College Band, James Madison University, UARTS, University of Utah, The Nebraska Jazz Orchestra, Longwood College, The U.S. Air Force “Noteables”, Mary Washington College, Shepherd College, University of Kentucky, University of Texas, George Mason University, University of Wisconsin, Towson University, University of North Carolina, Shenandoah University, Longwood College, West Chester University, University of Tennessee and others.

With The Army Band he has performed with Clark Terry, Doc Severinsen, Bill Watrous, Phil Wilson, Conrad Herwig, Carl Fontana, Don Menza, Chris Potter, John Clayton, Alabama, Rany Travis, Ertha Kitt, Allen Vizutti, Jon Faddis, The New York Voices, Terrell Stafford, Michael Abene, Dave Steinmeyer, Steve Turre, Tim Hagens, John Swana, James Moody, Buddy DeFranco, Dr. Billy Taylor, Bob Curnow, Mike Tomaro and many others.  Venues include  numerous Universities, schools and jazz festivals, I.A.J.E., ETW, The Midwest Band and Orchestra Clinic, MENC, The Montreux Jazz Festival, The Monterey Jazz Festival, Elkhart Jazz Festival, International Trombone Festival, National Trumpet Competition, The Trumpet Guild, Performances abroad include Germany, Switzerland, Kuwait, Uzbekistan, Russia, Cuba, Afghanistan, Norway and Sweden.

As a sideman he has performed with Ray Charles, Franky Valli, Pancho Sanchez, Shirley Jones, The Temptations, Diane Shuur, Joan Rivers, The Ink Spots, Merv Griffin, Mel Torme, Frank Sinatra Jr., Ben Vereen, The Four Tops, The Manhattan Transfer, Pia Zadora, The Smithsonian Masterworks Orchestra, David Baker, Bobby Caldwell, The Rob Parton Jazz Tech Big Band, The Gene Krupa Orchestra, Slide Hampton and many others.

He has produced CDs with The US Army Blues Jazz Ensemble, The West Chester University Criterions Jazz Ensemble, The Capitol Bones and The Capitol Bones Big Band and has appeared on many recordings to include The Mark Taylor/Steve Fidyk Big Band, The New Gene Krupa Orchestra, The Alan Baylock Big Band, Graham Breedlove, Doug Hamilton, The Mike Tomaro Big Band, over 100 recordings with The Studio A Big Band and The Washington Winds, Warner Bros. Publications, Alfred, FJH Music, Carl Fischer Music, Belwin Publications and Hal Leonard Publications. He has also recorded soundtracks for FOX TV, HBO, Discovery, and TLC.

In this fun and lively discussion, we cover:

  • Earbuds
  • From Houston to West Chester
  • Army Band
  • Lance is bad at math (3x7+3=? hint: not 30)
  • Becoming a band director in Frederick MD
  • Meeting the Navy Commodores and finding out about the Army Blues gig
  • Learned jazz
  • In his mind, he's 6'2"
  • Preparing for the Army Blues audition
  • Getting help from the "Trombone Angel"
  • Replacing Harry Watters in the Army Brass Quintet
  • Do everything three times, three times a day
  • Teaching at Shenandoah
  • Saddled with a work ethic
  • USAF Band stories
  • Mike Tomaro
  • National Jazz Workshop
  • The Capital Bones
  • The importance and value of sight-reading skills
  • Charles Colin "Rhythms Complete" book
  • What's the payoff for a piece of music
  • Bill Watrous running sound for The Capital Bones in Rochester
  • New Capital Bones album coming soon
  • Matt's kids are both freaky good musicians
  • The importance of speaking the language of jazz
  • Terry Bingham and a sweaty bald head

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ111: Tim Buzbee on learning The Furies overnight, winning gigs in 8 countries and being put in a piece of metal14 May 201901:07:04

TBJ111: Tim Buzbee on learning The Furies overnight, winning gigs in 8 countries and being put in a piece of metal

Tim Buzbee, Principal Tubist with the Melbourne Symphony Orchestra, knows he would probably be flipping burgers if not for the help of teachers Ed Jones, Gene Pokorny, and Matt Good.

Tim Buzbee has been the Principal Tubist with the Melbourne Symphony Orchestra since 2010. Tim grew up in Queen City, Texas and knows he would probably be flipping burgers if not for the help of teachers Ed Jones, Gene Pokorny, and Matt Good. He has performed as guest tubist with many orchestras including the Chicago Symphony, Danish Radio Orchestra, Swedish Radio Orchestra, Dallas Wind Symphony, Malaysia Philharmonic, and the Helsingborg Symphony.

As a soloist, he has performed with the Iceland Symphony, Singapore Symphony, Acapulco Symphony, Marshall Symphony and the “Pershing Own” Army Band in Washington D.C and currently has two solo CDs on the Albany Record label. Before taking his position at the MSO he held the Principal Tuba position at the Iceland Symphony, Chicago Civic Orchestra, Acapulco Philharmonic, Singapore Symphony, Gavle Symphony, and the Malmo Symphony.

In this fun and lively discussion, we cover:

  • Has won gigs in 8 different countries
  • Calling us from Australia in the middle of the night
  • Originally from Queen City TX (pop. 1,600)
  • Started on country fiddle, taking after his grandfather, later moved on to the bass guitar
  • Switched to euphonium and later was drawn to the tuba
  • Didn't take it seriously until mid-way through his undergrad
  • Being put in a piece of metal
  • Was going to work on a fishing boat in Alaska
  • Pantless Mahler 6 leading to a breaking and entering incident (and the launch of his career path)
  • Studying with Ed Jones
  • Learning the Three Furies 3rd movement in one night
  • The influence of Gene Pokorny
  • Making the simple beautiful
  • Having to play catch up 
  • Studying with Matt Good and Dave Kirk
  • Winning a few gigs before moving on to study with Gene Pokorny
  • Ed provided the foundation of fundamentals, Matt helped him understand what to do with the sound and Gene helped him build a musical product he could sell
  • Leaving a busy career in Chicago to go to Singapore
  • Following his own path
  • Singapore was too crowded for him so he moved on to Sweden
  • The differences in playing in those orchestras
  • Adding Iceland Symphony to the mix for a year
  • Tim's wife, Jessica (who he met while she was Principal Trombone in the same Swedish orchestra) also won a gig in Iceland and they eventually moved there
  • Having five kids
  • Flying with a tuba (hilarity and bent metal)
  • Audition strategy, switching from being physically prepared to be mentally prepared
  • Tim's forthcoming (hypothetical) book"The Death of American Brass Playing Due to the 3 T's (Tone, Time, Tuning)"
  • How do I make an emotional connection with a listener?
  • The 3 T's are too procedural and disconnect the player from the listener
  • Running mental audition processes ahead of auditions, changing the variables each time, always simulation culminating with him being announced as a winner
  • Every audition system is flawed in some way so you have to find a process to allow you to succeed in any situation
  • The influence of the book, "Unleash the Warrior Within" by Richard Machowicz
  • Mental toughness

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ210: John Fedchock03 Mar 202301:11:55

Jazz trombone legend John Fedchock joins Andrew and guest co-host, former Brass Junkies guest, and John's wife Jennifer Wharton to talk about his amazing career that spans over four decades.

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The Brass Junkies is hosted and produced by Andrew Hitz for Pedal Note Media

https://www.brassjunkies.com

TBJ110: Listener's Choice - How to Start a Brass Group, Part 230 Apr 201901:07:18

TBJ110: Listener's Choice - How to Start a Brass Group, Part 2

In this Listener's Choice episode, Andrew & Lance follow up with more information on starting a brass group.

Topics include:

  • Killer squirrels
  • Rehearsal techniques
  • How will you present the art?
  • Being producers of music vs. consumers of music
  • Lindberg (not that one)
  • Collaborations with other artists like the T'Ang Quartet, Imani Winds, Enso Quartet, etc.
  • How do you find gigs?
  • Working with management
  • How to spend $20,000
  • Do the legwork

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ109: Richard A. White, RAW Tuba on his life, his gig and his upcoming documentary16 Apr 201901:13:39

Richard A. White is the subject of the upcoming documentary, "R.A.W. Tuba" and is one of our most inspirational guests. He spoke with us about his life, his career, and the upcoming film.

From his website:

With over two decades of performing on the world’s classical music stages, tubist Richard White has matured into a musician known for his clear sound and stylistic flexibility. He began his tuba studies with Ed. Goldstein at age twelve at The Baltimore School for the Performing Arts, where he graduated with honors. He then went to the Peabody Conservatory of Music to study with David Fedderly (Principal Tubist, Baltimore Symphony) where he received his Bachelor’s degree. On the advice of Mr. Fedderly, Richard traveled to Indiana University to study with the legendary Professor Daniel Perantoni. He continued his studies there receiving both his Master’s and Doctoral degrees. Richard Antoine White, also known as RawTuba, is the first African American, to receive a DM in Tuba!

Dr. White held the position of Principal Tubist with the New Mexico Symphony Orchestra from 2004 until it’s untimely demise in 2011 and is currently in his seventh season as Principal Tubist of the New Mexico Philharmonic. Dr. White is also principal tubist with The Santa Fe Symphony and Chorus. Richard enjoys playing in the Duo, Diversity Matters, with pianist Pamela Viktoria Pyle, in addition to teaching at the University of New Mexico, where he is Associate Professor of tuba/euphonium, and Associate Director of the Spirit Marching Band. Dr. White has performed with the Canadian Brass Quintet, Indiana University Faculty Brass Quintet, New Mexico Symphony Brass Quintet, Baltimore Symphony Orchestra, Colorado Symphony Orchestra, Indianapolis Symphony Orchestra, Malaysian Philharmonic, Santa Fe Opera, Sphinx Symphony, Spoleto Music Festival U.S.A., Music in the Mountains, a summer festival located in beautiful Durango, CO, and many others. Dr. White is an Adams Artist and performs exclusively on these instruments.

Prior to moving to New Mexico, Dr. White was one of the top freelance musicians in the Indianapolis area, where he recorded with such greats as movie film composer John Williams, Cincinnati Pops conductor Eric Kunzel, and the late great wind ensemble conductor Frederik Fennell. Throughout his musical and educational career development, Dr. White has had a passionate interest in motivational speaking. That dream has recently materialized itself with the launching of his website rawtuba.com. Sharing inspirational thoughts and philosophies that have motivated Dr. White has taken him to Mexico, South America, Europe, South East Asia and across the United States of America – with more engagements on the horizon.

In this fun and lively discussion, we cover:

  • How the "R.A.W. Tuba" film came about
  • Bringing love to Baltimore
  • The filming process
  • Mr. P and his stool
  • Having a literary agent
  • Richard's story
  • The water fountain
  • The emotional toll it has taken on him
  • Sam Pilafian's influence
  • Building himself a gig at UNM by teaching football players respiratory function
  • A kid named King playing a young Richard in the film
  • Breaking into the filmmaker's car (with permission)
  • Screenings always open with some sort of act
  • Short intro followed by the film, a performance, a Q&A and performance of "We Are the World"
  • Ed Goldstein and Dave Fedderly
  • Meeting his natural father in Baltimore at a screening
  • R.A.W. Tuba t-shirts
  • Working with J.D. Shaw at UNM
  • Playing in Brass Theater
  • Breathing Gym
  • His gig at UNM
  • The importance of the hang
  • Three rules for his studio: have fun, sound good, make music
  • Motivational speaking
  • Hustle and Flow
  • Diversifying his professional portfolio
  • Losing 64 lbs. and reclaiming his health
  • Doing the right thing and behaving with integrity
  • Loyalty
  • Posting the rejection letters on his walls and ceiling

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ108: Jim "Don't call me BB" Nova on writing, driving and April Fooling02 Apr 201901:07:51

TBJ108: Jim "Don't call me BB" Nova on writing, driving and April Fooling. 

Pittsburgh Symphony trombonist Jim Nova puts up with more abuse from Andrew & Lance for no good reason. 

From his website:

My love for all musical things Star Wars began a long time ago, in a galaxy far, far away… As a six-year-old child, my father took my brother and me to see The Empire Strikes Back. Even at that age, I was overwhelmed with how important the music was to the storytelling, and thus began my lifelong love of the incredible scores of John Williams.

A few years later, at age nine, I began playing the trombone in my home state of Connecticut. As a child, I received my early musical exposure and training from my father, Anesti Nova. During high school, I studied with my first private trombone teacher, Assistant Principal/Second Trombonist of the Hartford Symphony, George Sanders.

After graduating high school I attended the prestigious Curtis Institute of Music in Philadelphia where I received my bachelor’s degree studying with Glenn Dodson, who was Philadelphia Orchestra’s Principal Trombonist at the time. This is where the seed of this album A Fall from Light to Dark first began to grow. When I was a student at Curtis, Mr. Dodson would hold epic trombone get-togethers called, “Bone Bashes” where the Curtis trombone students and the Philadelphia Orchestra trombone section would play through incredible arrangements and transcriptions of all kinds of pieces. This where I first started to create my own trombone ensemble arrangements and transcriptions. Mr. Dodson’s Han Solo-like swagger was contagious as we would tackle these pieces.

I then moved to Boston to pursue a Master’s Degree on a full scholarship at the New England Conservatory of Music, studying with Norman Bolter who was Second Trombonist of the Boston Symphony Orchestra and Principal Trombone of the Boston Pops Orchestra at the time. It was during this time that Mr. Bolter fostered my “Start with what you can do” attitude that I still use today, in both my own artistic development as well as with my students. He truly was and still is, my master Yoda in so many ways.

After finishing my master’s degree, I freelanced in Boston for several years, substituting on a regular basis with the Boston Symphony Orchestra and the Boston Pops Orchestra, making several recordings and television broadcasts with both groups as both principal and second trombone. It was here in Boston that my musical path first crossed with John Williams! I had the opportunity to perform with him on countless Boston Pops concerts and even performed on the world concert premiere of the concert suite from Star Wars Episode 1: The Phantom Menace.

In this fun and lively discussion, we cover:

  • The Bubble Butt Strikes Back
  • The joke is on...?
  • Parker soprano trombone mouthpiece
  • Juilliard gig with Joe Alessi
  • 40th "Trombone at the Movies" gig, featuring film music trombone choir arrangements at colleges and universities
  • Soundcloud page has passed 750,000 listens
  • ITF closing concert in summer of 2019 with full concert versions of the same music
  • A "Who's Who" of amazing players on the ITF
  • Christopher Bill crashing in his basement and an upcoming collaboration debuting May the Fourth
  • Context is everything
  • His evolving relationship with Joe Alessi
  • Boston Brass Fanfare Project
  • Mary Pappert School of Music at Duquesne University, with a real-live Pappert Person
  • Cathy Heller's podcast, "Don't Keep Your Day Job"
  • Jim's cat is a coffee model
  • Jim's lead foot
  • Less horsepower than a horse
  • Play in a big orchestra, drive a fast car
  • He took off like a stabbed rat
  • Paying for a ticket with a ticket
  • Exhibition of speed
  • Driving at race tracks and in driving schools
  • Becoming a performance driving teacher
  • Taking possession of his BMW while on tour with the PSO
  • The Green Death
  • Parallels between learning driving and learning trombone
  • Jimmy James

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ107: Christopher Bill, trombonist, singer, and multi-instrumentalist and internet sensation!19 Mar 201901:20:56
TBJ107: Christopher Bill, trombonist, singer, and multi-instrumentalist and internet sensation!   Christopher is a trombonist, singer, and multi-instrumentalist based outside of NYC, but it’s more accurate to say he’s based on the internet. He has been playing piano since he was 6 years old, trombone since he was 10, and he has been composing/arranging since he was 12.   Christopher has a Bachelor of Music for classical trombone performance from the SUNY Purchase Conservatory of Music in New York. While at the conservatory he studied with critically acclaimed trombonists Weston Sprott (Metropolitan Opera), Denson Paul-Pollard (Metropolitan Opera), John Fedchock (Grammy Nominated Jazz Trombonist), and the absolutely incomparable Timothy Albright. Christopher is best known for his all-trombone arrangements of popular songs. His YouTube Channel has been gaining popularity since the spring of 2014 when a cover of Pharrell Williams’ “Happy” where Christopher uses a looping station to compose the song on the spot went viral. His videos have amassed over 30 million views and a following of over 175,000 subscribers. In April of 2014, Christopher independently released his first cover album, Breakthrough, which was followed by his Christmas album, Smiling’s My Favorite. More recently, Christopher released an original pop album called Half Man, Half Machine which mixes acoustic sounds with electronic instruments. He is the Youth Workshop Coordinator of the International Trombone Festival and a marketing consultant for the International Trombone Association.   Christopher enjoys a busy schedule of performances, clinics, and masterclasses. In addition to producing a new video every Saturday for his YouTube Channel, he often performs at festivals such as the American Trombone Workshop, Midwest Clinic, Texas Bandmasters Association, Con Brio Festivals, Conn-Selmer Institute, Western International Band Clinic, and the International Trombone Festival.   In this fun and lively discussion, we cover:
  • Household name status (in Andrew's house)
  • Recording in Andrew's basement
  • Starting out exactly eight years ago as a freshman in college
  • When it stopped being so cringy
  • How his arranging chops have changed over time
  • Using homework for fun and profit
  • Using the arrangements to further develop as a musician
  • The impact of shirt color in his arrangements
  • How far he plans in advance
  • Taking yourself seriously
  • The importance of consistent uploads
  • He hasn't missed a week in four years
  • The Jerry Seinfeld of Trombone
  • Leave Christopher's Grandmother out of this
  • Two kinds of people: those who think they're cool and those who know they're not
  • The "Take on Me" pic, (worth it)
  • Cease and Desist
  • Living off Patreon and YouTube ad revenue
  • Exploring new platforms
  • Focusing on select existing programs
  • Figuring out what content works for your audience on the various platforms
  • Sticking with it for three years before gaining traction
  • The impact of the "Happy" video on his career
  • What to do for the next project after a viral hit
  • How much is too much for an audience
  • How to do a cover without getting sued
  • Meeting some of the folks who did the originals of the covers he's made
  • Dennis Deyoung busting his hump
  • Andrew's embouchure looks like he's eating a ham sandwich

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ106: Jim Pandolfi legendary trumpeter Jim Pandolfi has one of the most amazing stories in music. Or most places.05 Mar 201901:08:05

Legendary trumpeter Jim Pandolfi has one of the most amazing stories in music. Or most places.

In this fun and lively discussion, we cover:

  • How Andrew and Jim first met in NYC many moons ago
  • Applesauce
  • Life out on Cape Cod (in the Dagobah System)
  • "The older I get, the better I was"
  • 15 years playing with The Met (wearing telescoping glasses due to an eye condition, macular degeneration)
  • Having to leave before his vision loss got too bad
  • How determination became the byword of his career
  • The impact his attitude had on the other folks around him
  • Playing loud (like really loud) in Japan on Samson and Delilah
  • Overcoming the involuntary response with excellence
  • Be a musician who happens to play the trumpet
  • Practicing golf in his apartment (between the aquarium, the big-screen TV, the piano and his horns)
  • Mark Gould locking in musically and personally
  • Surviving in a symphony orchestra (the 3 most important rules)
  • Only needed 4 or five notes to make an assessment of someone's playing
  • The development of his teaching style and philosophy
  • Everybody wants to play loud but most play too heavy (bear down too much)
  • Listening to Bryn Terfel, connecting the power coming from the reserve (feel the reserve, don't push)
  • How they get the fork to their mouth in the morning
  • Pick up your chest
  • Have the sound come from behind your sternum
  • Take pause
  • Single tonguing
  • Set and forget tonguing
  • The difference between thinking and concentration
  • How well can you concentrate?
  • Puttin' on the Ritz (during Flying Dutchman)
  • More Gould stories (with Rich Kelley cameos)
  • Peter Weller playing Clifford Brown tunes on Pandolfi's horn while driving golf balls between opera acts
  • Mel Broiles influence on Jim
  • Fantastic Mel stories (both music- and aviation-related)
  • "Mel Broiles, Starring in His Own Movie"

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

 

TBJ105: Seth Horner, tubist of the North Carolina Symphony talking to himself, studying with David Fedderly and his box of mouthpieces19 Feb 201901:02:08
Seth Horner, tubist of the North Carolina Symphony on talking to himself, studying with David Fedderly and his box of mouthpieces. Seth Horner on trusting your gut, turning down a military band gig and phrasing.   From his website:   A native of Eugene, Oregon, Seth Horner is the newly-appointed principal tuba of the North Carolina Symphony in Raleigh, NC. Horner was the acting-principal tuba of the Baltimore Symphony Orchestra for three seasons beginning in 2014, served as part-time instrumental faculty teaching tuba and euphonium at Towson University for three semesters, and in winter of 2017 Horner was selected as the tuba instructor at the Peabody Conservatory before relocating to North Carolina. At the age of 19, Seth served a one-year position as principal tuba of the Colorado Symphony Orchestra under Marin Alsop and has held positions as the principal tuba of the West Virginia Symphony and the Oregon Ballet Theatre Orchestra. Seth studied primarily with Richard Frazier, Mike Grose, Paul Krzywicki, Warren Deck, and David Fedderly. Horner attended the Peabody Conservatory, was an honors graduate of the University of Oregon and was valedictorian of his class at the Curtis Institute of Music. 

Seth had performed frequently with the Baltimore Symphony prior to assuming a full-time position in 2014 and performed during the BSO’s west coast tour and its 2010, 2014, and 2016 Carnegie Hall appearances with Marin Alsop. He can be heard on the BSO’s two most recent albums featuring the symphonies of Leonard Bernstein conducted by Marin Alsop (Naxos), as well as Ms. Alsop's recording with the Colorado Symphony of Roy Harris Symphonies 3 and 4 (Naxos). Horner has performed with the Philadelphia Orchestra, National Symphony, Kennedy Center Opera, New Jersey Symphony, Louisville Symphony, Oregon Symphony, and New World Symphony among others. He has made chamber music appearances with the Washington Symphonic Brass, the Bay Street Brassworks, and the Clipper City Brass. Horner was a featured soloist with the Capital Wind Symphony in Vienna, VA, and was a finalist at the 2010 International Tuba and Euphonium Conference.

Seth Horner has served as an audition panel member and coach for Carnegie Hall’s National Youth Orchestra of the United States of America as well as Carnegie’s NYO2. In the summer, he has been on the faculty of Wyoming Seminary’s Performing Arts Institute in Kingston, PA as the instructor of tuba and euphonium as well as performing with the Oregon Bach Festival and Britt Festival orchestras. Mr. Horner has given masterclasses at the University of Oregon, Ithaca University, and Towson University. Seth resides in Durham, NC.

In this fun and lively episode, we cover:

  • Lance is grumpy (and whelmed)
  • Seth talking to himself
  • Life is good
  • Being a professional tuba player is the best gig in the world
  • Andrew's coffee issues
  • Saints and Rams controversy
  • The Durham NC minor league baseball team (the Bulls, from Bull Durham fame)
  • His fiance found his box of mouthpieces and questioned the whole relationship
  • Mike Parker's mouthpiece issues
  • Seth's grandfather was a tuba player, had a family band
  • Andrew's most recent Jacob's Podcast episode about an influential Rex Martin class and the influence of the mouthpiece selection
  • Tage Larsen of the Chicago Symphony
  • Chris Hall and Chris Hall
  • Don't pick a fight with a child or an animal
  • Playing in the Baltimore Symphony for three seasons after David Fedderly's retirement
  • Studying with Fedderly
  • Baltimore Brass Company (and how it compared to working with the BSO)
  • Dave Fedderly: Action-packed with wisdom
  • The most important teacher of music is life
  • The importance of phrasing and sub-phrasing
  • Playing with the North Carolina Symphony
  • Playing for elementary school students all over North Carolina
  • How the state supports the organization
  • Bubble Butt
  • Turning down a military band position
  • Trusting your gut
  • Meeting Andrew at the Greensboro tuba conference (Lance was there too)
  • The Captain's Log

LINKS:

https://www.sethhorner.com/

Want to help the show? Here are some ways:

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  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ104: Joe Lovinsky, horn phenom, discusses his time in the US Army Band, being a sharp-shooter, cage fighter, and ultra runner. Yes really.100-Mile Joe!05 Feb 201900:59:15

TBJ103: Joe Lovinsky, horn phenom, discusses his time in the Army band, being a sharp-shooter, cage fighter, and ultra runner. Yes really. 100-Mile Joe!

Joe Lovinsky is an amazing player, teacher, and person. He sits down with Andrew & Lance to discuss why he may, in fact, be the most interesting man in the world!

From his bio page:

Joseph Lovinsky, principal horn and frequent soloist of the Maryland Symphony Orchestra, was appointed to this position by world-renowned horn soloist Barry Tuckwell.  Lovinsky, the former principal horn of The United States Army Band “Pershing’s Own” as well as The Army Orchestra, and The Army Brass Quintet in Washington DC, was also a frequent soloist with those ensembles. From 2013-2018, Joe taught at the Shenandoah Conservatory at Shenandoah University in Winchester, Virginia, where he was a member of both the Faculty Brass and Wind Quintets.  Joseph was horn instructor of the 2014 Music for All Summer Symposium at Ball State University and the 2016 Chamber Music National Festival in Indianapolis, Indiana. Joseph Lovinsky is a "Yamaha Performing Artist." 

"You'll never know how far you can go unless you try to go too far" 

Joseph Lovinsky, Play Without Limits 

In this fun and lively discussion, we cover:

  • Joe's nervousness
  • Playing Principal horn in Pershing's Own Army Band for over 20 years
  • The various amazing players who played in the Army Band Brass Quintet over the years
  • The Amazing Harry Watters
  • Joe's joke
  • iPad music reader fail
  • Empire Brass story, signals crossed
  • JD Shaw joining the quintet in a very special piece of performance art
  • Battle of the Bands
  • Playing in a variety of smaller orchestras in Florida while in "retirement"
  • Joanna Hersey texting Joe (to warn him?)
  • Difference between playing in orchestras vs. quintets
  • Work on endurance and technical ability for quintet playing
  • Being homeless while a student at Juilliard due to a student loan glitch (and fantastic Peter Mennin story), sleeping in a practice room
  • Studying with James Chambers
  • Joe's sister is a Federal Prosecutor
  • Leaving Curtis to go to Juilliard
  • Growing up in inner-city Miami (Liberty City)
  • Being a security guard at Trump Plaza and Trump Tower
  • Celebrity sightings
  • Johnny Carson
  • Woody English
  • No downside to being a nice person
  • The influence of Joe's Dad, especially his character
  • Joe's other fascinating (and wildly successful) siblings
  • Cage fighting for fun and profit
  • John Delancey (head of Curtis) calling him into his office and changing his life
  • Becoming an ultra-runner

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
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  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ103: Mary Bowden on her new upcoming album, Seraph Brass and the importance of networking22 Jan 201901:03:37

Classical Trumpeter and Gold Medal Global Music Award Winner Mary Elizabeth Bowden has been described by Gramophone Magazine as “brilliant” and “radiant in new repertoire for trumpet.” Bowden, a Yamaha Performing Artist, is highly regarded for her artistry and virtuosity as a soloist and has been praised for the clarity, purity, and power of her sound. Bowden released her debut album, “Radiance”, on Summit Records featuring new American works. She has been featured on MPR’s “New Classical Tracks” with Julie Amacher, which is being aired on NPR stations nationwide.

Bowden’s 2018-19 performance highlights include solo performances at the Maspalomas International Trumpet Festival in Gran Canaria and at Lieksa Brass Week in Finland. She will also perform as a soloist with the Kassia Ensemble, Chrysalis Chamber Players, Richmond Philharmonic, and will make her Vancouver and New York City recital debuts. She will release her second solo album through Summit Records with the Kassia Ensemble.

Bowden is the First Prize winner of the International Women’s Brass Conference Trumpet Competition. She has performed as a soloist with Montana’s Big Sky Festival, Evansville Philharmonic, Peninsula Symphony (California), Laredo Philharmonic Orchestra, Croatian Army Wind Band at the Velika Gorica Brass Festival, Festival Amadeus Strings (Montana), Springfield Symphony (Missouri), Naples Symphony, Fifth Avenue Chamber Orchestra (Florida), Richmond Philharmonic Orchestra, San Juan Symphony, Springfield (Ohio) Symphony Orchestra and New Haven Chamber Orchestra, among several others. She has performed with trumpet soloist Jouko Harjanne at the Lieksa Brass Week in Finland, where she also served on the jury of the Lieksa International Trumpet Competition. At The Banff Center in Alberta, Canada, she performed Vivaldi’s Concerto for 2 Trumpets with trumpeters Jens Lindemann and Ryan Anthony. She was also awarded the Public Prize from the Perrenoud Foundation International Music Competition. Bowden frequently performs in recital both in solo programs and as the Dash Duo with her husband, trumpeter David Dash. Bowden and Dash teach at the University of North Carolina School of the Arts, Dash as the Assistant Professor of Trumpet and Bowden as a Resident Artist.

Bowden is a founding member of both Seraph Brass and the Chrysalis Chamber Players, a recipient of a Yale Alumni Grant. Seraph will be a guest ensemble at the 2019 International Trumpet Guild Conference in Miami and was the featured ensemble at the International Women’s Brass Conference in 2017 and at the Lieksa Brass Week in Finland in 2017 and 18. They released their debut album, “Asteria,” through Summit Records in 2018, which has been awarded a Silver Medal Global Music Award. Bowden has collaborated in chamber music programs at the Marlboro Music Festival, Lakes Area Music Festival, The Banff Centre, and at the Sydney Opera House under the baton of Håkan Hardenberger. She has served on the adjunct faculty of Virginia Commonwealth University and at The Curtis Institute of Music’s Young Artist Summer Program.

An experienced orchestral musician, Bowden is currently Principal Trumpet of the Artosphere Festival Orchestra and a member of the Iris Orchestra. She has served as Principal Trumpet of the Sarasota Opera Orchestra, Lakes Area Music Festival Orchestra, New Zealand’s Auckland Philharmonia, the Daejeon Philharmonic in Korea, and with Seraphic Fire’s Firebird Chamber Orchestra. At the Lucerne Festival in Switzerland, she held the principal chair in Pierre Boulez’s performance of Mahler’s Symphony No. 6, which was released on CD in 2011. The Luzerner Zeitung described her playing in one word – “outstanding.” Bowden is also a member of the Richmond Symphony Orchestra. She has also performed many dates on Adele’s 2016 North American tour.

Bowden began full-time college studies at the age of 14, receiving an Associate degree from the Joliet Junior College. Subsequently, she earned her Bachelor of Music degree from The Curtis Institute of Music, where she studied with the principal trumpeter of the Philadelphia Orchestra, David Bilger. She was awarded her Master of Music degree in 2006 from the Yale School of Music where she studied on a full scholarship with trumpeter Allan Dean.

In this fun and lively discussion, we cover:

  • Hanging in Naples Florida
  • Her new teaching gig at Shenandoah Conservatory
  • The application process for Shenandoah
  • The importance of networking
  • Lieksa Brass Week
  • Five Year Goals
  • Consortium project for Seraph Brass and Wind Ensemble
  • Recording in Lieksa
  • Crowdfunding the recording project via Indiegogo, raising over $26K(!!!)
  • Adding a trumpet player to Seraph Brass
  • How to plan for the Seraph seasons and projects
  • Memorization
  • Upcoming solo album, "Reverie," pre-order available on her site
  • Recording with the Pittsburgh-based Kassia Ensemble
  • Working with Rick DeJonge (frequently tortured pal of Andrew & Lance) on the arrangements for the album
  • Choosing to release on Summit Records
  • The current breakdown of her schedule
  • Touring and performing with her husband as the Dash Duo
  • Consortium for a new trumpet concerto
  • Working with a composer on a new work
  • "Challenge Accepted"
  • The importance of risk-taking
  • How and when to say no to gigs and opportunities
  • Better to say no upfront than to back out later

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ102: Joe Jackson, jazz trombonist, arranger and leader on being in the Airmen of Note, his parents and growing where you're planted08 Jan 201901:11:11

Joe Jackson was born in Dallas, Texas into a musical family; his mother is a former professional clarinetist, and his father, Jim Jackson, a former trombonist with the Fort Worth Symphony, is today a renown recording engineer.

Joe chose the trombone at age 12, and during his high school years was the recipient of three Down Beat Magazine “DeeBee” awards. During his tenure at the University of North Texas, Joe studied with Vern Kagarice, Hal Galper, David Liebman, and Don “Jake” Jacoby, played lead & jazz trombone in the famed One O’Clock Lab Band, and was named the National Association of Jazz Educators 1985 College Musician of the Year.

Joe left UNT in 1990 to join the Maynard Ferguson Band. He spent a year with Ferguson, performing throughout the United States and in Europe. From 1991 to 2011 he was lead trombonist with the U.S. Air Force Airmen of Note, and from 2004 to 2011 was the Director of the Airmen of Note. During his tenure as Director, Joe produced the award-winning Jazz Heritage Series heard on 112 radio and media stations worldwide, and eight recordings including “Cool Yule” which climbed to #2 on the JazzWeek chart in December 2010.

As a freelance trombonist and arranger, Joe performs with top East Coast bands including the Woody Herman Orchestra, the David Liebman Big Band & Chaise Lounge.  Additionally, he performs regularly in DC-area theatre productions and is in high demand as a session player. He has contributed hundreds of commissioned arrangements to dozens of ensembles across the country, and his educational arrangements are published by Alfred Music.  Joe has appeared as a clinician & soloist at music festivals across the country.

Joe publishes his website dedicated to serving the trombone community, www.jazztbone.com.

In this fun and lively discussion, we cover:

  • Euphonium buyback program
  • Tubas with kickstands
  • Swiss Army Knife Gig Machine Person (SAKGMP)
  • Joe's parents
  • Recording with his Dad and the Airmen of Note
  • Getting recycled in basic training
  • "The Terrible Airman" march
  • Basic training philosophy
  • The value in extending his stay in San Antonio
  • The day the drill instructors found out you would outrank them
  • OICU812
  • Sorry A**-ed Individual
  • Downbeat Magazine DB awards
  • The impact and influence of Joe's band directors
  • The Airmen of Note
  • Selling candy
  • "Choir, stand up."
  • Playing with Maynard Ferguson Band
  • A Tale of Two Airmen
  • Becoming the director of the Airmen of Note 2004-2011
  • Programming themed CDs
  • Recording live CDs, especially "Airmen of Note, Live"
  • Glenn Miller
  • "Cool Yule"
  • Growing where you're planted
  • Advantages/disadvantages of having an officer in charge
  • "Earl Williams Trombones, Out of Business Since 1973"
  • Where Joe is playing these days
  • Percentage of classical vs. jazz playing in Joe's current life
  • "Like Wes, but with affirming parents"
  • Joe's transcription work

LINKS:

Joe's site

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
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  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ101: Intern Listener's Choice25 Dec 201800:50:30

TBJ101: Intern Listener's Choice. Our first batch of interns for this year fire off some amazing questions for us to tackle. 

We have always relied on interns to help us carry the ball forward in Pedal Note Media and have ramped up our efforts this year. We are incredibly fortunate to have such talented and intelligent folks helping us out and one of the ways we're trying to return the favor for them is to help them with their own careers and projects. This first batch is about to end their time with us and we thought it'd be a great time to let you hear their voices and thank them publically. They asked great questions. They did great work. They are great folks. Thank you, interns!

Andrew & Lance

DRAKE DOMININGUE

Hey guys!

My name is Drake Domingue and I’m a tuba player currently based out of Las Cruces, NM where I work freelancing and building custom french horns for Patterson Hornworks.

I’ve heard a lot of differing opinions on doubling and am interested in what you all have to say on the matter.

I’ve learned quickly over my short career as a tuba player that the best way to make a living playing tuba is by playing bass guitar and trombone

I do a lot of sub work with orchestras in the area, but most of the playing I do is Latin/Funk/Pop in nature. Not to mention, making people dance can be way more satisfying than watching a stuffy crowd be confused about when to clap.

I can begin to understand the logic behind not wanting to half-ass anything, especially playing an instrument, but the people I play with don’t seem to mind at all that I’m not an artist level bass or trombone player, and I sure don’t mind bringing in a few extra hundred bucks a month.

What are your thoughts? Should low brass players (especially tuba and euphonium players) learn a secondary instrument? Should it be a requirement?

CODY MESSERSMITH

Hi, Andrew and Lance! I’m Cody Messersmith, Intermediate Music Specialist in the Dallastown Area School District in York, Pennsylvania. I freelance as a tubist and have done work on the side for instrument repair companies as well as Parker Mouthpieces. My short-term goals include going back to school to pursue a degree or degrees in tuba performance. I feel that I’ve worn a lot of hats in my short career and the one that seems to bring me the most joy is when the horn is on my face, either playing or teaching. I’d also love to speak to groups of students about the opportunities that they have in school and immediately after college. Being a young person in this field can be and at times is intimidating and I want to help lessen that intimidation for my peers. I’ve written a presentation that talks about just that, it’s geared towards college students and young professionals. I’d love to present it, but I’m not sure how to go about it. Overall I feel like I’m constantly building but I don’t know where my destination is or should be. How do I find it? I just want to play tuba and as Lance would say “live indoors and eat food.”

ARMANDO ALICANDU

Hey, Junkies, my name is Armando Alicandu and I live in South Florida where I play the trombone and euphonium. As I finish my final year at Palm Beach Atlantic University I look towards the future and wonder what I'll do with all this extra time on my hands.

During gigging season I find myself playing with a brass quintet for one rehearsal and the gig and then we disperse- like... "See ya next year!". I would like to form a chamber group that consistently rehearses and performs for community outreach events, also taking gigs to make some cash.

some of the challenges I've faced with establishing and maintaining a chamber group in general are

1 finding the right people to work with as far as being available for consistent scheduling and being motivated to edify the group In general.

2 finding venues to perform, both for free and for profit.

I have a brass quintet in mind because of the available rep. but maybe there are other combinations that would be easier to coordinate.

How would you recommended I tackle these 2 issues in the process of forming a chamber group.

DOMINICK VIVIANO

Hey everyone! My name is Dominick Viviano and I am a second-year masters student at the University of Central Arkansas where I study trombone performance. I serve as a studio graduate assistant which allows me to teach undergraduate applied lessons for non-majors as well as assist with our two trombone choirs.

My primary career goal is to be a college trombone professor. My question for the Brass Junkies is this, could you outline the process from writing and updating your CV through the interview and audition process for securing a college teaching job. I know that there are unique elements for every position, but a general overview of your experiences would be great. Details about the actual day, from showing up to what you ate to how you dressed would be helpful as well.

Also, what advice would you give this next generation of applied professors coming into the field?

SIMON LENOE

What is the best advice anyone has ever given you in regards to teaching effectively? 

ABBY LANNAN

Hello everyone, my name is Abby Lannan and I am a euphonium player who is currently studying to get her masters degree in euphonium performance at Carnegie Mellon with Lance LaDuke. I also run the Instagram and youtube page for GoofyEuph. My short-term goal includes getting a second masters degree in Arts Management and my question has something related to that.

How hard is it to find a playing or performing outlet for someone whose goal isn’t to end up with a top playing position? I personally have no interest in pursuing military band positions or similar jobs where my day to day job is only performing on my instrument. However, I want to keep playing and keep getting better. What are some suggestions that you guys might have for a musician like me?

LINKS:

Mockingbird Foundation for Music Education

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
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  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.










TBJ209: Glenn Van Looy17 Feb 202301:17:54

International euphonium sensastion Glenn Van Looy joins Andrew and guest host Hiram Diaz from Switzerland to discuss his career as one of the most in-demand euphonium soloists in the world.

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The Brass Junkies is hosted and produced by Andrew Hitz for Pedal Note Media

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TBJ100: The legendary Sam Pilafian on Empire Brass, Leonard Bernstein and life-threatening pedagogy11 Dec 201801:32:49

The legendary Sam Pilafian on Empire Brass, Leonard Bernstein, and life-threatening pedagogy. We talk about his life as a tubist, arranger, composer, educator, performer, producer, and mentor (and countless other descriptors) on our 100th episode.

Sam Pilafian is perhaps best known as a founding member of the internationally renowned Empire Brass Quintet (1971-1993). He has also recorded and performed with the Boston Symphony Orchestra, the New York Philharmonic Orchestra, the Orchestra of St. Luke’s, the Metropolitan Opera Orchestra, the Duke Ellington Orchestra, Lionel Hampton, and Pink Floyd among others.

His long career has earned him an Emmy for Excellence in Instructional Video Production, the Walt Disney Award for Imagination and Innovation in Design, the Walter Naumberg Chamber Music Award, the Harvard Music Association Prize, the University of Miami’s Distinguished Alumni Award, the Brevard Music Center Distinguished Alumni Award, the Robert Trotter Visiting Professorship at the University of Oregon and the annual Outstanding Teacher Award from Arizona State University.

Sam is the co-author, with Patrick Sheridan, of the best selling pedagogy texts and DVD’s “Breathing Gym” and “Brass Gym”. Professor Pilafian previously served for 44 years on the faculties of Boston University, the Tanglewood Institute, Berklee College of Music, Frost School of Music at the University of Miami and is Professor Emeritus at Arizona State University. 

In this fun and lively (and tearful) discussion, we cover:

  • The meaning of J
  • Andrew as a student of Sam "Up an octave" story
  • Life-threatening pedagogy
  • The amazing story of Sam's recent battle with cancer
  • Beating 3+ Million to 1 odds
  • How studios turn into family
  • Meeting Lance part 1, Midwest Band and Orchestra Clinic
  • Meeting Lance part 2, Army Band Conference
  • Brass Band of Battle Creek
  • Scott Hartman fruit salad
  • Meeting Andrew, Andrew was 12 at Tanglewood
  • Meeting Andrew, Andrew was 14 at BUTI
  • The amazing array of young players Sam heard, coached and taught at Tanglewood
  • Hearing Michael Sachs as a young player
  • Leonard Bernstein and the beginnings of Empire Brass
  • Oak trees
  • Gunther Schuller, Michael Tilson Thomas, and Bernstein inspiring the beginnings of Empire Brass
  • Gunther Schuller and Eugene Goossens playing name that tune
  • Parallels with the Emerson String Quartet and how that inspired Empire Brass
  • Finding the nucleus in the music
  • Playing bass lines
  • Working onstage with Alvin Ailey Dance Company at the opening of the Kennedy Center (in brown pajamas)
  • Being Bernstein's daughter's bodyguard at the Kennedy Center reception
  • How Empire Brass become a full-time gig
  • Rolf Smedvig's playing
  • A major Empire Brass blowup at Tanglewood witnessed by Andrew in 1993
  • How Andrew got the gig with Dallas Brass while in a lesson with Sam
  • The line between obnoxious and oblivious
  • Scrapshoot
  • Winning the 1976 Naumburg Chamber Music Prize, the first brass group to do so, leading to being picked up by Columbia Artists
  • The Empire Brass recordings
  • Bernstein "Always go towards growth"
  • Seeing America on tour
  • Learning to talk on stage
  • His teacher, Connie Weldon
  • Coming up in Miami
  • Frederick Fennell encouraging Sam to diversify his career

LINKS:

Sam's site

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ99: Tom Holtz on jazz tuba, playing in The Marine Band and how to find your own voice 27 Nov 201801:02:56

Tom Holtz is a former member of “The President’s Own” United States Marine Band in Washington, DC. During his career with the Marine Band, Tom served as a soloist, an arranger, and as a concert moderator. He also performed with the United States Coast Guard Band in New London, CT, and was featured as a soloist twice with the Army Blues, from Ft. Myer, VA. He retired from active duty in 2012, after more than 21 years of service. Tom currently works for the Department of Veterans Affairs as the office manager of the Dundalk Vet Center, part of the VA Maryland Health Care System.

Tom is an active freelance musician in both classical and jazz venues across the mid-Atlantic region. He currently plays in the Bayfield Brass Quintet, from Annapolis, MD; and the Beltway Brass Quintet, from Fredericksburg, VA.  Tom is also a regular member of two New Orleans-style jazz bands, Big Bertha’s Rhythm Kings, from Baltimore, MD; and the Creole Gumbo Jazz Band, from Chesapeake Beach, MD. He also plays in the Balkan gypsy band Balti Mare, from Baltimore, MD; Off Bass Brass, a tuba quartet based in Washington, DC.; and Heimat Echo, a traditional German polka band from Occoquan, VA.

Tom is a frequent recording artist, having made several CD’s with the Bayfield Brass Quintet, the Beltway Brass Quintet, and Off Bass Brass. His arrangements have been performed by numerous brass quintets, the United States Marine Band, the Chesapeake Orchestra, and the University of Maryland Marching Band. He is an active clinician and adjudicator nationwide.

A native of Geneseo, Illinois, Tom Holtz received his Bachelor of Music degree in 1991 from Arizona State University in Tempe, Arizona. He now lives in Maryland with his wife, Becky, and his sons Alex, Doug and J.J.

In this fun and lively discussion, we cover:

  • Marine Band
  • Jazz tuba
  • Less is more in jazz
  • Picking a strategy for standing out in his improv
  • Getting thrown to the wolves on a gig in high school
  • Knowing your scales
  • Learning by listening and doing
  • Jamie Abersold tracks
  • Picking notes in a moment that are a line and that lead you to a spot and indicate your direction to the rest of the band
  • Comparing improv learning to juggling
  • Using your existing strengths as an entry point
  • Homework for bass lines is scales then easy tunes with easy bass lines
  • The importance of writing out the changes and figuring out the form and structure of a tune
  • Playing along with a recording of the tune
  • Aim for clear and obvious, rather than fancy or showy
  • Keep time, the importance of keeping time
  • The differences (and similarities) between playing bass lines and solos
  • Travelin' Light
  • On solos, start with the melody and mess around with it
  • Becoming your own player
  • The major influence of Dan Perantoni (and Dan's piano chops)
  • Dirty Dozen Brass Band, Kirk Joseph
  • Rich Matteson and The Dukes of Dixieland
  • How playing in The President's Own Marine Band helped him play bass lines
  • Record yourself and look at the waveform
  • Fat Slice
  • Tonal Energy Tuner
  • What is happening in his head while he's playing
  • Settle down and do the job
  • Tension is the enemy of tone (Joe Alessi)
  • Focus on the front end of the notes
  • David Fedderly
  • Using a bass amp with his helicon
  • Horn and gear from car to gig in one trip
  • Phil Jones bass amp
  • Finding his helicon thanks to Steve Dillon
  • Adding a cup holder and a wireless mic to his horn

Links

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ98: Dallas Brass trumpeter Buddy Deshler on starting Fred Brass, The Entrepreneurial Student and the joys of being one of our first interns13 Nov 201801:04:45

Trumpet soloist Buddy Deshler is an ambassador for the transformative powers of the arts, champion of living composers, and agent for change in the instrumental music field. His burgeoning career has taken him around the country, as well as internationally, and has allowed him to share the stage with ensembles such as the King’s Brass, The Rodney Marsalis Philadelphia Big Brass, Foden's Band of Sandbach, Cheshire, his own Vice City Brass, and Marquee Brass, and as of 2017, the illustrious Dallas Brass.

In addition, Buddy has performed with the Harrisburg Symphony Orchestra, Richmond Symphony Orchestra, Williamsburg Symphony Orchestra, York Symphony, Delaware Symphony, Washington Chamber Orchestra, Concert Artists of Baltimore, American Festival Pops Orchestra, and more. He has also been in residency at the Sewanee Summer Music Festival, Rafael Mendez Brass Institute, Le Domaine Forget in Quebec and the Banff Centre in Alberta, Canada.

Buddy presently resides in Midlothian, VA as an active freelance musician and educator. He holds a B.M. in Instrumental Performance and an Artist Diploma from the Frost School of Music, University of Miami and an M.M. Peabody Institute, Johns Hopkins University. His primary teachers have included Dennis Edelbrock, Phil Snedecor, Craig Morris, and Josef Burgstaller.

In this fun and lively discussion, we cover:

  • How his life has forever been changed for the better due to his time with Andrew & Lance as an intern
  • Fred Brass
  • Tidewater Brass
  • Entrepreneurial Student lectures
  • Taking initiative
  • The influence of Buddy's Mom
  • TES Event Planner
  • Lance's theory of technological competence as it relates to age
  • Joining Dallas Brass
  • "Frustratingly Refined"
  • The importance of being organized
  • Balancing the various parts of his career
  • How he's planning for the future

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ97: Listener's Choice, How to Start a Brass Group30 Oct 201800:54:17

In this Listener's Choice episode, Andrew & Lance answer a frequently asked listener question regarding starting a brass group.

We cover many areas, including:

  • Start with why
  • Gigging group or full-time endeavor
  • Traditional brass quintet instrumentation?
  • Skills developed via chamber music 
  • The path if you want a gigging group
  • Opportunities to play different musical roles
  • The "who" decision
  • "Good to Great" by Jim Collins
  • Division of labor
  • The Polka Bandits
  • The Dead Animals
  • 2 Red Performance Commando Unit
  • Incorporate or not?
  • Picking a name
  • Branding
  • Picking the right market for your skills
  • Andrew's last Boston Brass gig

LINKS:

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Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ96: Jennifer Marotta, Adjunct Assistant Professor of Trumpet at USC and former member of the US Marine Band16 Oct 201800:57:51

Jennifer Marotta is an Adjunct Assistant Professor of Trumpet at the University of Southern California Thornton School of Music. An active freelance musician based in Los Angeles, she regularly performs with the Los Angeles Philharmonic, San Francisco Symphony, San Diego Symphony, Los Angeles Opera, Los Angeles Chamber Orchestra, Los Angeles Master Chorale, and the St. Louis Symphony.

Marotta is currently a member of the Grand Teton Music Festival and the Music of the Baroque in Chicago. She was a member of “The President’s Own” United States Marine Band from 2001 to 2005.

Originally from Naperville, Illinois, she earned her Bachelor of Music degree from Northwestern University and her Master of Music degree from DePaul University.

Marotta was a visiting trumpet professor at UCLA in 2016 and was Assistant Professor of Trumpet at Kennesaw State University from 2006 to 2012. She was also a visiting professor at Illinois State University in 2006 and was an artist-in-residence at Emory University from 2006 to 2010.

Jennifer, along with her husband Thomas Hooten, is the most recent editor for Arban’s Complete Conservatory Method for Trumpet, published by Carl Fischer. She serves on the board for the International Women’s Brass Conference and is the editor for their bi-annual newsletter.

In this fun and lively conversation, we cover:

  • Teaching at USC
  • Subbing for Jens at UCLA
  • Freelancing and travel
  • Playing in the US Marine Band
  • St. Louis and Atlanta on the way to LA
  • Being married to another professional trumpet player (Thomas Hooten, Principal trumpet in the LA Phil
  • Similar teaching styles with Tom
  • Differences in their playing styles
  • Ambassador of Euphonium, Adam Frey
  • Kennesaw State with Tom Gibson, Wes Funderburk, and Dave Kehler
  • Studying with Barbara Butler
  • Balancing fundamentals with musical communication
  • Treating each student in a way that is best for them
  • Taking the best stuff from her teachers and heroes
  • The USC students study with both of them and switch each semester
  • Teton Festival
  • Playing in "The President's Own" United States Marine Band
  • Joining the band just after 9/11
  • Seven-week tours and "Tour Babies"
  • Playing for President Reagan's funeral in 90-degree heat
  • Playing with the Atlanta Opera
  • Being on the board of the International Women's Brass Conference and editor of the newsletter
  • Playing with the Monarch Brass
  • Ask a Performer site

LINKS:

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Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ95: TEM Takeover Andrew's interview with Jeff Conner of Boston Brass02 Oct 201801:11:02

TBJ95: TEM Takeover! In this crossover episode, we hear Andrew in conversation with Jeff Conner from The Entrepreneurial Musician podcast.

Jeff Conner has performed in over 30 countries on 4 continents with his brass quintet, Boston Brass. Jeff talks about how they went from a college group playing small gigs around the Boston area to an internationally touring, full-time ensemble.

Topics Covered:

  • How he got a powerful Boston businessman to financially support Boston Brass

  • The importance of having mentors that inspire you

  • Perseverance being a key to success

  • Not being afraid of the word no

  • Networking being a longterm process

  • Why developing your own brand is essential

  • The book he wrote with John Laverty, The Porfolio Musician, in which they detail the careers of over 40 different musicians

Links:

Books:

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Original episode produced by Austin Boyer and Buddy Deshler of FredBrass. This version lovingly produced by Will Houchin. 

TBJ94: Gail Robertson, multi-hyphenate (euphonium/tuba/performer/teacher/arranger/angler) on her time in The Tubafours, getting a DMA in 18 months and spider bites.18 Sep 201801:05:24

Dr. Gail Robertson serves as Assistant Professor of Tuba and Euphonium/Jazz at the University of Central Arkansas where she is tubist in the Pinnacle Brass and teaches the Jazz Ensemble II. She earned her B.A. degree from the University of Central Florida and an M.M. in Euphonium Performance from Indiana University while serving as graduate assistant to Harvey Phillips. She postponed her doctoral studies at the University of Maryland with Dr. Brian Bowman to perform with the “Tubafours” at Walt Disney World, Orlando where she served as musical supervisor/chief arranger and produced a highly acclaimed CD, “Tubas Under the Boardwalk.” She has recently completed her D.M.A. as a University Distinguished Fellow at Michigan State University studying with Phil Sinder, Ava Ordman, and Ricardo Lorenz. She has taught on the faculties of Eastern Michigan University, the University of Central Florida, Bethune-Cookman University, the University of Florida, and remains active as a teacher, adjudicator, composer, arranger, and free-lance artist, both nationally and internationally.

I this fun and lively discussion, we cover:

  • Moving!
  • Playing with the Brass Band of Battle Creek
  • Spider bites
  • Her crazy summer
  • Blossom Festival Band with Loras Schissel and Travis Scott
  • Getting her DMA in 18 months at Michigan State University
  • The Tubafours
  • Teaching at Eastern Michigan University
  • Joining the faculty at the University of Central Arkansas
  • Starting on sax
  • Playing with Willie Clark and Mark Thiele
  • The beginnings of her arranging career
  • Hanging with Mr. Miyagi (or not)
  • Her current gig at UCA
  • Lessons learned from Harvey Phillips
  • Being a bari sax rock star
  • New Sousa Band
  • River City Brass Band
  • Symbiosis Duo with Stacy Baker
  • Playing with the Monarch Brass
  • Athena Brass Band
  • Owning a red pickup and pulling stuff with it
  • Fishing lure recommendations
  • Living with Tom Gillette for a year, shooting arrows and learning about Leonard Falcone
  • Serving as President-Elect for ITEA
  • Jerry Young
  • Lance's Fucik Uke article 
  • Her upcoming trip the US Virgin Islands
  • New pieces with euphonium and cajon
  • Her love for the glockenspiel

LINKS:

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Expertly produced by Will Houchin with love, care, and enthusiasm.

 

TBJ93: Matt Tropman, Assistant Professor of Tuba and Euphonium at the University of Arizona04 Sep 201801:01:09

Euphonium and Tuba artist (and long-time buddy of Lance) Matt Tropman shares incredible stories of music, survival, and mayhem. Not necessarily in that order.

Matt Tropman currently serves as Assistant Professor of Tuba and Euphonium at the University of Arizona and is an active freelancer, soloist, and chamber musician. His performances have been praised in numerous publications such as the New York Times, which stated: “Tropman makes a serious case for the euphonium as a solo instrument.” An active clinician and recitalist on both the euphonium and tuba, Matt has performed and taught throughout the U.S. and Europe.

Matt’s two commercially released two CD’s; Continuum and From the Balcony (Summit Records), have been featured on programs such as NPR’s “All Things Considered”. He has performed with numerous bands, orchestras and chamber groups including the San Francisco Symphony and the Detroit Symphony. In his early career as a member of the U.S. Marine Band (President’s Own), he frequently performed as a soloist throughout the U.S. on the band’s National concert tours. 

Dr. Tropman received his Bachelor’s and Master’s degrees in euphonium performance from the University of Michigan and Arizona State University, respectively, and the Doctor of Musical Arts Degree in tuba performance from the University of Michigan.

In this fun and lively discussion, we cover:

  • Improv comedy
  • Potato
  • The Tucson Improv Movement/The Soapbox
  • Manifesting a Memory
  • What Michael from "The Office," Matt and Lance all have in common
  • Matt's summer trips
  • New recording project
  • Notes From the Balcony
  • Recording rage stories
  • Matt's horrific bike crash, injury, and recovery
  • Helpful Body Modification (part of the dual album)
  • "Tropman Pinky"
  • The injury recovery process and physical therapy
  • Detroit Symphony as a motivator
  • Using music as a means of helping with his recovery
  • "What's the Deal With Classical Music"
  • Constant Tingle (Three-fer!)

LINKS:

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Expertly produced by Will Houchin with love, care, and enthusiasm.

 

TBJ92: Jason Ayoub, Principal Horn in The US Navy Band on Dallas Brass, playing with Charlie Vernon and meeting a moose21 Aug 201800:59:34

TBJ92: Jason Ayoub, Principal Horn in The US Navy Band on Dallas Brass, playing with Charlie Vernon and meeting a moose

Chief Musician Jason Ayoub is the Principal Horn in the Navy Band and teaches at Towson University.

Chief Musician Jason Ayoub, a native of El Paso, Texas, joined the Navy Band in 2006. He received his Bachelor of Music from the University of North Texas (UNT), where he studied with William Scharnberg. During his final year at UNT, he joined the nationally acclaimed Dallas Brass. For four years he toured extensively with the ensemble throughout the United States and gave more than 300 performances and master classes. He has been a featured clinician and soloist at The Midwest Clinic as well as numerous Music Teachers National Association (MTNA) regional and national conferences.


Ayoub served as third horn with the Waco Symphony from 2001-2003 and third horn with the Delaware Symphony from 2003-2007 and has performed regularly with the Kennett and Baltimore Symphonies. He has also been a guest soloist with the Jackson, Scranton, Louisville and Utah Symphonies. He is featured as the solo horn on Ståle Kleiberg's "Requiem for the Victims of Nazi Persecution", recorded at Washington National Cathedral.

In this fun and lively episode, we cover:

  • How 19 years have passed since Andy, I mean Andrew was in Dallas Brass with Jason
  • Bladder control
  • Navy Band bus seating
  • Dallas Brass
  • Joining the Navy Band in 2006
  • The joys of basic training
  • Studied at North Texas
  • Traveling and playing gigs
  • "I learned a lot from you, even."
  • New Albany Tennessee
  • Best Dallas Brass gigs over the years
  • Hot springs in Alaska
  • Meeting a moose
  • Playing with Charlie Vernon
  • Navy Band audition process
  • Brass player name-dropping
  • American Band College
  • Dan Hostetler
  • Trying to learn drum kit
  • A typical day in the Navy Band
  • Touring with the Navy Band
  • Teaching at Towson State University
  • How he spends his crazy long commute
  • Playing with Tage Larsen
  • Jason's wife with the typical bassoon, ukulele, accordion doubling

LINKS:

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  • Help others find the show by leaving a rating and review on iTunes.
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  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
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Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ91: Tubist Jarrett McCourt on mental health, coping strategies and life in and out of New World Symphony07 Aug 201801:20:30

Canadian Tubist Jarrett McCourt is the Acting Principal Tuba of the Winnipeg Symphony Orchestra and the Tubist of the Civic Orchestra of Chicago. Prior to this, Jarrett was the Tuba Fellow of the New World Symphony in Miami Beach, Florida. Jarrett’s playing has been called “magnificent” by the Palm Beach Daily News and “warm, romantic and seamless” by the South Florida Classical Review. Jarrett has performed with a number of different high-level ensembles, including the Detroit Symphony Orchestra, the Flint Symphony Orchestra, the Windsor Symphony Orchestra, and has also performed as Acting Principal Tuba with the Calgary Philharmonic Orchestra and the National Arts Centre Orchestra. Additionally, Jarrett has performed under classical conductors such as Michael Tilson Thomas, Robert Spano, James Gaffigan, Susanna Mälkki and Leonard Slatkin, as well as alongside jazz heavyweights such as Esperanza Spalding, Wayne Bergeron, and Nicholas Payton.

In this fun and lively (and sometimes powerful and moving) conversation, we cover:

  • "Warm, romantic and seamless"
  • Chicago, playing with the Civic Orchestra
  • Moving from Miami and driving from Florida to Illinois
  • Playing with New World Symphony
  • Playing with Winnipeg Symphony Orchestra
  • Exit interview with NWS CEO, Howard Herring
  • The new concert hall for NWS, live projection of performances on the side of the building
  • The differences in culture between New World and Civic and Winnipeg
  • MTTs advice as a newbie in NWS
  • His suggestions to NWS addressing mental health initiatives
  • Mental health person on staff at U of Michigan School of Music
  • Pressures on professional musicians
  • Working for a suicide hotline for two years as an undergrad
  • Basic self-care tactics (food, sleep, hydration, etc.)
  • Connecting with audiences in more personal and genuine ways
  • Developing coping skills
  • Active listening, acknowledge realistically and offer concrete advice
  • If you suspect something, express something
  • His suggestions for systemic changes in educational and professional environments
  • Help others feel comfortable
  • Noa Kageyama
  • Meditation
  • Personal highlight reel
  • Achievement/Gratitude journaling
  • Baby steps
  • Taking every day as it comes

LINKS:

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  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
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Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ208: The Making of Class Brass Featuring Marty Hackleman02 Feb 202301:05:14

Horn legend Marty Hackleman takes us behind the scenes for the Empire Brass recording session for their album Class Brass.

Become a Patron ► https://www.patreon.com/thebrassjunkies/
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The Brass Junkies is hosted and produced by Andrew Hitz for Pedal Note Media

https://www.pedalnotemedia.com/

TBJ90: New Seraph Brass trumpeter Raquel Rodriquez on her new gig at UNT, traveling to the Lieksa Brass Week and recovering from a chop sunburn.24 Jul 201801:00:28

TBJ90: New Seraph Brass trumpeter Raquel Rodriquez on her new gig at UNT, traveling to the Lieksa Brass Week and recovering from a chop sunburn.

Raquel Rodriquez is the newly appointed Assistant Professor of Trumpet at the University of North Texas (Fall of 2018). Prior to that, she was the Assistant Professor of Trumpet at Tennessee Tech University. Dr. Rodriquez maintains a versatile career as a performing artist, clinician, educator, and scholar. She has performed throughout China, Europe, the United Kingdom, Australia, and the United States. Raquel is a member of Seraph Brass, a brass quintet comprised of top female brass players in North America. The group performs frequently around the country and abroad.

In this fun and lively discussion, we cover:

  • Sunburn
  • How her kindergarten teacher (Mrs. Hogan, from Kermit, Texas) re-routed the pronunciation of her name
  • Growing up in west Texas
  • Starting on trumpet in beginner band, getting into in high school marching band
  • Her band director got her taking lessons, even drove her there, listening to great brass recordings along the way
  • Growing up in a small Texas town
  • The influence of great music teachers
  • Getting a degree in music education and the influence of DCI and marching bands
  • Marching with Star of Indiana/Brass Theater/Blast
  • Getting her doctorate at UNT
  • The transition from Star of Indiana to Brass Theater to Blast
  • Performance anxiety
  • Lance's beta-blocker rant
  • "Trumpet players are neurotic"
  • "All trumpet players are glory hounds"
  • Heading to the Lieksa Brass Week in Finland with Seraph Brass, a sextet
  • The difficulty of balancing busy schedules with playing chamber music
  • ITG in 2019 with Seraph (as a sextet) in Miami
  • Her new gig as Assistant Professor of Trumpet at UNT, along with Caleb Hudson and John Holt (on the classical side)

LINKS:

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  • Help others find the show by leaving a rating and review on iTunes.
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Expertly produced by Will Houchin with love, care, and enthusiasm.

 

 

TBJ89: David Gordon of the Seattle Symphony on Boston, Mahler and giving it your all.10 Jul 201801:07:24

TBJ89: David Gordon of the Seattle Symphony on Boston, Mahler and giving it your all.

David Gordon, whose playing has been described as “spectacular” by the Chicago Tribune, is Principal Trumpet of the Seattle Symphony and Chicago's Grant Park Symphony Orchestra.

As a soloist, Gordon has appeared with the symphony orchestras of Seattle, Grant Park, and Charleston (with whom he performed as soloist every season of his tenure), the National Repertory Orchestra and the Lake George Chamber Orchestra. He has performed as Principal Trumpet of the St. Louis Symphony Orchestra, and has also performed, recorded and toured as Principal Trumpet of the London Symphony Orchestra and as Trompette Solo of the Orchestre Philharmonique de Radio France.

In this fun and lively discussion, we cover:

  • How playing with Mahler 2 with Andrew early on changed his life
  • Studied at Columbia (Philosophy) and Juilliard
  • Won Charleston and Grant Park gig right out of school, Seattle Symphony three years later, all Principal Trumpet
  • Studies with Nato and Jim Pandolfi (TOUGH LOVE!)
  • "He'll make you great or make you quit"
  • Giving it your all
  • Studies with Vacchiano
  • Playing alongside great players early on
  • Hearing recordings of Phil Smith's playing as an early influence
  • The influence of Boston, a wave of pros-to-be
  • Is there a "Boston" equivalent of today?
  • Auditioning for Seattle (twice) at 24 and 25, hardest audition ever, an hour to play everything, close to fifty pieces in total, for Gerard Schwarz
  • Playing for Boulez
  • Mental challenges vs. physical in that audition
  • Ramped up the intensity of preparation for the second one
  • The importance of focus
  • Budgeting his time and effort
  • Playing under Schwarz
  • Would you hire you?

LINKS:

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  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

 

TBJ88: St. Louis Symphony trumpeter Jeff Strong on preparation, playing with the Marine Band and having an air blowing epiphany26 Jun 201801:11:36

TBJ88: St. Louis Symphony trumpeter Jeff Strong on preparation, playing with the Marine Band and having an air blowing epiphany.

Jeffrey Strong of the St. Louis Symphony and formerly of the “President’s Own” US Marine Band, joined Andrew & Lance to detail his current gig, playing Taps in inclement weather and what he learned from Chris Martin.

In this fun and lively conversation, we cover:

  • Blitzstein opera, Regina
  • Finishing 3rd season with the SLSO
  • Played in The President’s Own Marine Band
  • Ficus tree story
  • Played in the Civic Orchestra while studying at Northwestern
  • Playing with Mike Martin and Thomas Siders
  • Other rockstars in the Northwestern trumpet studio while he was there
  • Festive Overture
  • Playing under Mallory Thompson
  • What it’s like to play Taps at Arlington Ceremony
  • Getting punched in the gut by The Bathroom Fairy
  • Playing ceremonies in various weather conditions
  • Preparing for high pressure situations
  • Jimmy Doolittle funeral
  • Preparing for the St. Louis Symphony audition
  • Chris Martin preparation style as a model
  • Being methodical, considering as many variables as possible
  • Mark Lawrence, “If its hard to do, you’re probably doing it wrong.”
  • Working on jazz as a young player
  • Being a musical chameleon/matching sound
  • The importance of being analytical
  • Air blowing epiphany
  • Keeping notes/journaling to help keep track of progress and problems
  • Problem is usually related to how something feels vs. how something sounds
  • Playing with (and sleeping on the floor of) Achilles Liarmakopoulos of the Canadian Brass
  • Quote board
  • Playing in the St. Louis Symphony
  • Open up the capillaries
  • Two goat theory

LINKS:

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  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ87: Craig Knox of the Pittsburgh Symphony on premiering the Jennifer Higdon Tuba Concerto, European road stories and the joys of palinka12 Jun 201801:19:24

TBJ87: Craig Knox of the Pittsburgh Symphony on premiering the Jennifer Higdon Tuba Concerto, European road stories and the joys of palinka.

Craig Knox is Principal Tuba of the Pittsburgh Symphony Orchestra and a founding member of the Center City Brass Quintet. With these ensembles and others, he has performed for audiences across the U.S., Europe, and Asia, and been heard on recordings, and radio, television, and internet broadcasts around the world.

Mr. Knox works regularly with music students through his teaching positions at the Carnegie Mellon University School of Music in Pittsburgh, and the Curtis Institute of Music in Philadelphia, as well as at music festivals, seminars, and conservatories around the world, where he appears as a guest clinician.

In this fun and lively conversation, we cover:

  • Craig European road stories
  • Jeff Conner back in the day
  • Romanian palinka
  • Lance’s shoulder story
  • Craig’s tubas
  • Playing Bb tubas vs. C tubas
  • The premiere of the Jennifer Higdon Concerto in March of 2018
  • How the commission came about and the development of the piece
  • Anthony DiLorenzo
  • Studied and now teaches at Curtis
  • Audience response was great
  • The difference between the first performance and the second
  • Teaching at Curtis
  • Differences between Curtis and Carnegie Mellon
  • Center City Brass Quintet, started at Curtis
  • Studying with Sam Pilafian
  • The influence of Empire Brass
  • Playing with the Pittsburgh Symphony
  • More Sam stories!

LINKS:

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  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
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  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ86: Listener's Choice - The Falcone Festival29 May 201800:59:37

TBJ86: Listener's Choice - The Falcone Festival

Lance and Andrew take up another Listeners' Choice episode to talk about the history and development of the Falcone Festival at Blue Lake Fine Arts Camp in Twin Lake, Michigan.

Form the website:

The Leonard Falcone International Euphonium and Tuba Festival has gained recognition as the premier event of its kind. Born in 1986 as a competition for both student and artist level euphonium performers, the event evolved into a true festival in 1991 when its sponsoring committee expanded its offerings to include lessons, ensembles, seminars, and clinics with some of the world's greatest euphonium virtuosi. The sponsoring committee again expanded the festival 1996 to include a full range of festival activities for tuba.

Student and artist level competitions remain integral to the Festival. The competition has a truly international flavor, with contestants attending from countries around the world.

The Falcone Festival is held each summer, over a four day period, and has been housed since its inception at Blue Lake Fine Arts Camp in Twin Lake, Michigan. In addition to the competition aspect of the Festival, participants are offered the opportunity to attend master classes and recitals provided by internationally recognized euphonium/tuba artists. For more information about Blue Lake Fine Arts Camp, please visit their web site at www.bluelake.org.

In this episode, we discuss:

  • Andrew’s medication
  • Lance’s summer plans
  • Jimmy Kimmel and Bill Simmons
  • Boston Brass Portuguese cell phone story
  • Falcone Festival
  • Lance winning the 1st contest in the student level
  • Judging the competition and judging in general

LINKS:

Falcone Festival

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
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  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ85: Tom McCaslin, Tubist with the Calgary Philharmonic Orchestra on audition prep, recording yourself and all things Canada.15 May 201801:02:55

TBJ85: Tom McCaslin, Tubist with the Calgary Philharmonic Orchestra on audition prep, recording yourself and all things Canada.

Tom McCaslin, Tubist with the Calgary Philharmonic Orchestra, Soloist, Teacher, and Clinician has been described by Fanfare Magazine as “one of the contemporary tuba virtuosos”. Originally from Regina, Saskatchewan Tom’s playing and teaching have taken him around the globe. He has performed and taught in Canada, the United States, Switzerland, Portugal, Finland, New Zealand and Australia.

As an orchestral musician he has performed with the Minnesota Orchestra, the Detroit Symphony, the Boston Symphony Orchestra, the North Carolina Symphony, the Regina Symphony, the Winnipeg Symphony, the New Mexico Symphony, the Orquestra Sinfónica do Porto Casa da Música (Portugal), the Lahti Symphony (Finland) and was acting Principal Tuba in the Auckland Philharmonia (New Zealand).  In the summers he teaches at the Eastern Music Festival in Greensboro, NC, where he serves Principal Tuba with the EMF Festival Orchestra under the direction of Gerard Schwarz.

  • The Boston Brass “I Left My Pants in Sarnia, Canada” story
  • New gig in Calgary
  • Canada jokes!
  • Audition preparation
  • How he developed his ears with the help of Sam (Pilafian) and then on his own
  • Put a premium on recording himself (84 hours worth!)
  • Trust in your own abilities
  • Use physicality to override thought, play your way out of it
  • Audition prep with Sam at Tanglewood
  • Systematic
  • Used a randomizer app, put excerpts in and created rounds for himself
  • Daily round of most likely candidates
  • Day of audition, puts himself in a cocoon, noise-cancelling headphones
  • Listened to Bill Simmons podcast and pop music to keep his head clear
  • Studying with Sam Pilafian at Arizona State University
  • Travelin’ Light
  • Studying jazz
  • Boston Symphony audition
  • The support within Sam’s teaching studio
  • Recording solos with Sam as producer
  • Christmas his first year at ASU story, audition prep, followed by turkey prep
  • Teaching at East Carolina University
  • Looking for the quality of person more than quality of player
  • Teaching studio curation
  • The importance of the Studio Class hour, setting the expectations
  • Studying with Roger Bobo in Switzerland
  • The Dog Whisperer
  • “Sack of nicknick” story at Banff
  • Lance’s spot-on Jens impression
  • Andrew’s Banff story with Joe Alessi in Jens’ Porsche
  • Sweat out the bad

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ84: Brass legend Mark Gould boldly goes where no other guests have gone before! 01 May 201801:19:43

TBJ84: Brass legend Mark Gould boldly goes where no other guests have gone before!

Mark Gould, the former Principal trumpet of The Met, the mastermind behind Pink Baby Monster and author of the hilarious new book, "Orchestra Confidential" joins Andrew & Lance in an episode filled with laughs, stories and swear words. Like, a lot of swear words.

WARNING: As mentioned in the above description, this interview is more "adult" than our usual fare. If you are sensitive to this sort of thing, maybe sit this one out. You've been warned.

In this fun and lively conversation, we cover:

  • The first time Gould conducted The Boston Brass Kenton Christmas Carol show
  • How his new book "Orchestra Confidential" came to be
  • Pink Baby Monster, Elixirs and the Banff stories
  • Reagan masks and inflatables in the "Desert Jews" show at ITG
  • Pink Baby Monster's origin on 9/9/01, starting as a song and growing into a group after 9/11
  • Making a hip-hop record w/Brian McWhorter
  • Pink Baby Monster being covered in the Daily News
  • How he got banned from ITG
  • What a Conductor Can’t Say
  • Snobbery in jazz music
  • Training young musicians
  • Project-based training with a deadline
  • What he would do if starting out today
  • Collaboration wish list (David Lynch)
  • Harry Watters
  • PBM, “Conducting the National Brass Ensemble Album” video
  • Masterclasses
  • Heavy valve caps make all the difference
  • Q: How high can you play? A: Exactly
  • Playing with Jim Pandolfi in The Met

LINKS:

 

Mark's new book, Orchestra Confidential

Pink Baby Monster YouTube channel

Juilliard bio

Mannes bio

Harry Watters TBJ episode

Ken Watters TBJ episode

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ83: Trombonist Donna Parkes of the Louisville Orchestra on having a “Yes!” attitude, sleeping bags and growing up in Australia17 Apr 201801:04:25

TBJ83: Trombonist Donna Parkes of the Louisville Orchestra on having a “Yes!” attitude, sleeping bags and growing up in Australia

Donna Parkes, Principal Trombone with Louisville Orchestra joins Andrew & Lance to detail her amazing career, from Australia to Kentucky, with stops in Chicago, Alaska and Doha, Qatar.

In this fun and lively conversation, we cover:

  • Playing Principal Trombone with Louisville Orchestra
  • Playing with the Colorado Music Festival
  • Coming from Indiana, I mean Canberra, Australia
  • Coming to the U.S. after her undergrad to study with Charlie Vernon at DePaul
  • The differences between the Australian and U.S. markets
  • Studying with Michael Mulcahy early on in Australia
  • Playing freelance gigs in Sydney for a year before moving
  • Getting a lesson with Arnold Jacobs and Ed Kleinhammer
  • Working with 80-year-olds in Virginia
  • The size of Andrew’s tongue (don’t ask)
  • Sleeping in her sleeping bag with her trombone in a hostel on her first night in the U.S.
  • Taking pictures of snow
  • Tips for flying to Australia
  • Playing gigs in Sitka, Alaska twice a year
  • How she recently got married in Australia
  • A typical week in Louisville, which is anything but typical
  • The importance of being flexible and being a good colleague
  • Having a “Yes” attitude
  • Playing in Doha, Qatar
  • An important life lesson, “Don’t smell it first.”

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ82: Geoffrey Pilkington, Principal Horn for the Kennedy Center Opera House Orchestra on yoga, humility and the Long Call03 Apr 201801:07:49

TBJ82: Geoffrey Pilkington, Principal Horn for the Kennedy Center Opera House Orchestra on yoga, humility and the Long Call

Geoffrey Pilkington, Principal Horn for the Kennedy Center Opera House Orchestra joins Andrew & Lance to talk about working with Don Greene, dealing with the effects of a pinched nerve and gives us a great behind-the-scenes look at what goes into preparing for and playing the Ring Cycle.

In this fun and lively conversation, we cover:

  • His main gigs (Principal horn for National Opera in DC, and Assistant Principal in Harrisburg PA Symphony)
  • Studying at Juilliard
  • How his practice habits have changed
  • Super final round (1st time) was Geoff and Phil Munds, Maestro, “Neither were the next Dale Clevenger”
  • Super final round (2nd time) with WeiPing Chou, Maestro, “Don’t miss any notes”
  • Working with Don Greene on audition prep
  • His parents were amateur musicians and his Dad's request to a 5th grade Geoff, “Pick anything you want except saxophone or French horn”
  • How to explain why the horn is difficult to people who know nothing about music
  • How to explain why the horn is difficult to people who DO know about music
  • The importance of humility for a horn player
  • Playing the Ring Cycle, especially the Sigfried Long Call
  • Playing with a pinched nerve in his neck and shoulder
  • Adversity training with Don Greene, some dude doing “The Worm”
  • Using swimming as a way to warm up and prepare physically and mentally
  • Using Bikram Yoga and meditation to prepare for The Ring
  • The importance of visualization in audition or performance preparation
  • Why focus is like a muscle, you can work on developing it

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ81: Matthew Murchison, Sexiest Euphonium Player in West Virginia on playing, writing and charting your own course in music20 Mar 201801:04:35

TBJ81: Matthew Murchison, Sexiest Euphonium Player in West Virginia on playing, writing and charting your own course in music

Composer, tuba and euphonium soloist and all-around fellow knucklehead Matthew Murchison joins Andrew & Lance to discuss his bands Mainspring and the Matthew Murchison Mutiny, studies with Brian Bowman and being yourself as an artist.

In this fun and lively conversation, we cover:

  • Being the Sexiest Euphonium Player in West Virginia
  • That he is, in fact, a Doctor
  • Teaching at Marshall University
  • Former Solo Euphonium with River City Brass
  • Workin’ on (p)stuff
  • Breaking a spring
  • His method book for teaching euphonium players to play tuba
  • Studies with Brian Bowman in undergrad
  • His band Mainspring: (flute, euphonium and rhythm section)
  • Composing and arranging
  • No preconceived notion of what euphonium music should be to regular audiences which is a huge opportunity
  • Expanding his writing to include electronics
  • Chewy
  • Being yourself as an artist
  • Who is doing interesting stuff right now (Demondrae Thurmon, Ben Pierce, Fernando Deddos)
  • Whether competitions help or hurt young players
  • Asking for feedback after competitions

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ207: Best of 202219 Jan 202301:08:09

A clip from each Brass Junkies interview of 2022 along with some brief thoughts on each.

  • TBJ180 Matt Neff of the North Carolina Symphony on getting incredibly nervous in auditions, even two decades into his professional career (2:51)
  • TBJ181 Kevin Newton of Imani Winds on his mental approach to auditions (7:44)
  • TBJ182 Jeff Curnow of The Philadelphia Orchestra on Rolf Smedvig setting the tone for Empire Brass concerts (9:45)
  • TBJ184 International tuba phenom Sergio Carolino on staying away from negative people (11:24)
  • TBJ185 Sylvia Alimena, formerly of the National Symphony Orchestra, on why it's never too early to talk about artistry with students (13:23)
  • TBJ186 Beth Wiese of Appalachian State University on how musicians don’t control much but do control how they approach a piece of music (14:40)
  • TBJ187 Jack Burt of the University of Maine on the concept of any performance being just a snapshot (17:28)
  • TBJ188 Joe Dollard, retired Navy Band, on making the case for strengthening the connection between your singing voice and your playing (19:36)
  • TBJ190 Kevin Gebo of the U.S. Army Band "Pershing's Own" on the importance of listening (21:43)
  • TBJ191 Steve Lange of the Boston Symphony Orchestra on the breakthrough he had after experiencing a real low point early on in his career (23:31)
  • TBJ192 William Russell of Boston Brass on the intense moment in a lesson with Mike Roylance that really impacted him (27:01)
  • TBJ193 Billy Hunter of the Metropolitan Opera on using his imagination to help him perform at his best  (30:30)
  • TBJ194 Natalie Mannix of the University of North Texas on the benefits of using a Pomodoro timer when practicing (32:32)
  • TBJ195 Jasmine Pigott on overcoming a less than encouraging teacher early in her career and how she went about learning to improvise (35:41)
  • TBJ196 Christopher Davis on the mindset he brings to subbing with orchestras around the world (38:31)
  • TBJ197 Jonathan Fowler of West Chester University on the importance of regularly checking in with yourself to make sure your goals are still your goals (40:57)
  • TBJ198 Terry Bingham, formerly of the U.S. Army Band "Pershing's Own", on his ability to morph to match any style or any musician and credits listening to lots of different music (43:00)
  • TBJ200 Lance LaDuke, formerly of a lot of things, on being too stupid to quit (45:11)
  • TBJ201 Joe Burgstaller or Arizona State University on teaching students improvisation using a theater technique (48:02)
  • TBJ202 Andrew Dougherty of the U.S. Army Band "Pershing's Own" on exactly how organized he has been for the three professional auditions he has won to date (52:13)
  • TBJ203 Bruce Faske of Arkansas State University on losing his father and how all we have is today (52:23)
  • TBJ204 Pete Sullivan of the Pittsburgh Symphony on the legendary Charles Dutoit messing with Pete's head in his first year with the Montreal Symphony Orchestra (58:02)
  • TBJ205 Kevin Harrison of Axiom Brass on his former teacher, Floyd Cooley, never quitting on him when he was at a difficult point in his life (1:05:10)

Become a Patron ► https://www.patreon.com/thebrassjunkies/
Show Notes ► http://www.brassjunkies.com

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The Brass Junkies is hosted and produced by Andrew Hitz for Pedal Note Media
https://www.pedalnotemedia.com/

TBJ80: Philadelphia Orchestra Principal Horn Jennifer Montone on playing, meditating and telling your own story07 Mar 201800:59:09

TBJ80: Philadelphia Orchestra Principal Horn Jennifer Montone on playing, meditating and telling your own story

Jennifer Montone has played with the Philadelphia Orchestra for 11 years. Prior to that, she spent time in the Dallas, St. Louis and New Jersey Symphonies and teaches at both Curtis and Juilliard.

In this fun and lively conversation, we cover:

  • Playing at Tanglewood as a student in the Empire Brass Seminar
  • Lance playing w/Jennifer in Philly (it had such a lasting impact on her)
  • Dealing with pressure
  • Meditation and yoga, the influence of “Soprano on Her Head,” the work of Noa Kageyama and Don Greene
  • Concentrating energy from your Chi
  • Headspace app, Hittleman yoga book, Mt. Fuji meditation, Jack Kornfield, Kripalu website, lava lamp meditation
  • Self-talk/affirmations
  • Playing while 7 1/2 months pregnant
  • Re-evaluating her breath work, via Arnold Jacobs’ concepts and teachings
  • The effect of posture on her approach
  • Taking a positive approach to challenges in music and in life (and passing those concepts on to her students)
  • Giving students permission to make musical decisions, then encouraging them to do so
  • Being a female principal horn player, how things are changing and evolving
  • How she wanted to be a nun up to the age of 14
  • Developing leadership skills, being assertive and confident
  • National Brass Ensemble

LINKS:

Don't miss the South Central Regional Tuba-Euphonium Conference featuring SSG Chris Buckley, Tim Buzbee, Ben Pierce and Charles Villarubia March 15-17 at West Texas A&M University in Canyon, TX. Holy crap that's a lineup! Visit www.scrtec2018.weebly.com for more details!

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

TBJ79: Euphonium Ambassador Adam Frey on what it is like to be the Ambassador of Euphonium. Like that is a thing.20 Feb 201801:04:47

TBJ79: Euphonium Ambassador Adam Frey on what it is like to be the Ambassador of Euphonium. Like that is a thing.

Adam Frey has had a great career as a soloist, publisher, teacher and major proponent of the euphonium and has endured Lance's hump-busting for over twenty years.

He is also the mastermind behind both the fantastic International Euphonium-Tuba (IET) Festival and euphonium.com. He currently teaches at the University of North Georgia.

In this fun and lively conversation, we cover:

  • Euphonium jokes
  • How Adam and Lance met in the Brass Band of Battle Creek
  • Tales of the Badger (dearly departed mega friend, Chris Matten)
  • Meeting James Gourlay
  • Teaching at the University of North Georgia
  • Playing in Macau
  • IET Festival, 15th anniversary in the summer of 2018
  • How he started the festival and how it is organized
  • The importance of good coffee when running a festival
  • Being an ambassador of the euphonium and the Ambassador of Euphonium
  • Fernando Deddos, David Childs, and other influential current players
  • Creating opportunities and the importance of collaboration
  • Working with Patricio Cosentino, Scott Hartman, and Jeff Nelsen
  • Having good ideas vs. having good ideas and acting on them
  • Starting and running euphonium.com

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm

TBJ78: Chip Crotts on playing trumpet with Ray Charles, prosthetic robot arms for musicians and his comeback from Bells Palsy06 Feb 201800:59:15

TBJ78: Chip Crotts on playing trumpet with Ray Charles, prosthetic robot arms for musicians and his comeback from Bells Palsy

Chip Crotts has played trumpet with an incredible array of stars, from Natalie Cole to Maynard Ferguson and has been involved with building an innovative program from the ground up at Georgia Tech.

In this episode, we cover:

  • The integration of music and technology at Georgia Tech
  • Building the undergraduate degree from the ground up
  • The development of a prosthetic robotic hand and arm to allow folks to play piano of drums
  • Playing with Ray Charles and Maynard Ferguson (and an amazing array of other artists)
  • “You never know when your shot’s gonna come, so you have to be ready”
  • Natalie Cole, the Tuscaloosa Horns (T-Horns)
  • Lance’s water pipes freezing and bursting mid-show, FUN!
  • Working with Santa Clara Vanguard
  • Dealing with Bells Palsy which paralyzed the left side of his face, and his documentation of the recovery process on video at his Facebook page

LINKS:

LINKS:

Want to help the show? Here are some ways:

  • Help others find the show by leaving a rating and review on iTunes.
  • Show us some love on Instagram, Facebook, and Twitter.
  • Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron.
  • Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.)
  • Tell your friends!

Expertly produced by Will Houchin with love, care, and enthusiasm.

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