As part of its recent "100 Best Books of the 21st Century" project, The New York Times Book Review is interviewing some of the authors whose books appeared on the list. This week, Isabel Wilkerson joins host Gilbert Cruz to discuss "The Warmth of Other Suns," her sweeping history of the movement of Black Americans from the south to points north over the course of the 20th century.

This July, The New York Times Book Review published a list of The 100 Best Books of the 21st Century. The top choice was “My Brilliant Friend,” by Elena Ferrante, translated by Ann Goldstein.

The book is the first novel in Ferrante’s so-called Neapolitan quartet, which tracks the lifelong friendship between Lenù and Lila, two women from a rough neighborhood in Naples, Italy, even as family, relationships and work pull their lives in different directions.

In this week’s episode, MJ Franklin discusses the book with fellow editors Joumana Khatib, Emily Eakin and Gregory Cowles. 

Lev Grossman, author of fantasy novel "The Magicians" and its two sequels, joins host Gilbert Cruz to talk about writing his version of Camelot in "The Bright Sword: A Novel of King Arthur."

Ed Yong’s new book, “An Immense World,” urges readers to break outside their “sensory bubble” to consider the unique ways that dogs, dolphins, mice and other animals experience their surroundings.

“I’ve often said that my beat is everything that is or was once alive, which covers billions of species, across basically the entirety of the planet’s history,” Yong says on this week’s podcast. “One thing I like about this particular topic — the sensory worlds of other animals — is that it, itself, though a singular, cohesive topic, is also the gateway to thousands of small wonders. There’s so much to learn about just in this one corner of biology.”

Terry Alford visits the podcast to talk about his new book, “In the Houses of Their Dead,” an investigation of how Abraham Lincoln, John Wilkes Booth and their families were influenced by spiritualism.

Alford says of Lincoln: “There’s a struggle, as best I see it, in him between the rational side and the side that desires to be comforted and to be in contact with someone you loved who’s not there anymore. He really wanted that, and he said he wanted that to a number of people. But he just felt, at the end of the day, that séance-type contact with the dead was really delusional.”

Also on this week’s episode, Lauren Christensen and Joumana Khatib talk about what they’ve been reading. John Williams is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“The Secret History” by Donna Tartt

“Blood Orange Night” by Melissa Bond

“The Hack” by Wilfrid Sheed

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Elisabeth Egan, an editor at the Book Review, curates our Group Text column — a monthly choice of a book that she feels is particularly well suited to book clubs and their discussions. On this week’s podcast, she talks about her latest pick: “Jackie & Me,” by Louis Bayard, which imagines the friendship between Jacqueline Bouvier and Lem Billings, a close friend of the Kennedys.

“This is rooted in reality,” Egan says, “but Bayard runs with it and imagines conversations between Lem and Jackie, and just shows this, on one hand, fabulous life of parties and museums and fun they had together, but also sets up this ticking clock where you come to understand what Jackie really has at stake, and has to lose by committing to this life with the Kennedys.”

Matthew Schneier visits the podcast to discuss Paula Byrne’s new biography, “The Adventures of Miss Barbara Pym.” Pym, a British writer, began publishing novels in the 1950s.

“She published six novels in pretty quick succession, and they’re great,” Schneier says of the first decade or so of her career. “Very clever, very witty, she was often compared to Jane Austen — which was a writer that she loved and appreciated, but also a kind of very easy comparison, whereas Pym’s ironies can be a little bit darker than some of Austen’s. And there’s a sense in her work that she is spotlighting characters who are not the Emma Woodhouses, who are beautiful and rich and effervescent. They’re what she ended up calling ‘excellent women,’ which is the title of I think her best starter novel. These women who are well brought up and very proper, a little bit pious, but can also be a little dowdy, a little dreary, a little bit easier to overlook.”

Also on this week’s episode, Alexandra Alter talks about the filmmaker Werner Herzog and his first novel, “The Twilight World”; and Jennifer Szalai and Molly Young talk about books they’ve recently reviewed. John Williams is the host.

Here are the books discussed by The Times’s critics this week:

“The Facemaker” by Lindsey Fitzharris

“Meet Me by the Fountain” by Alexandra Lange

Few fictional characters in recent decades have been as intensely discussed as Tracy Flick. The ambitious teenage protagonist of Tom Perrotta’s novel “Election” (1998) and the ensuing film adaptation, starring Reese Witherspoon, has been reconsidered in recent years as misunderstood and unfairly maligned. On this week’s podcast, Perrotta talks about Tracy’s return in his new novel, “Tracy Flick Can’t Win.”

“I think most people, when they think about Tracy Flick — I say this in all sad modesty — they’re thinking about Tracy in the movie,” Perrotta says. “‘Election’ as a book didn’t make a huge splash, and Reese Witherspoon’s performance was so powerful that I think the debate is really around Tracy in the film. And maybe to some degree me writing this book was an attempt to reclaim my own version of Tracy.”

Ann Leary visits the podcast to discuss her new novel, “The Foundling,” which was inspired by the real-life story of Leary’s grandmother, who worked, in the 1930s, at a public asylum that sequestered “unfit” women. Leary did a great deal of research for the book, and felt freedom in being able to bring it to bear in a work of fiction rather than history.

“I really wanted a story,” Leary says. “I could write about the widespread practice of eugenics, but I would have to kind of stick it to the place where my grandmother worked. And what I did in my novel was read about many other asylums, because there were many others. And I was able to make a fictitious place where I used things that I’d learned from the various different institutions.”

Also on this week’s episode, Alexandra Alter has news from the publishing world; and Gregory Cowles and Elizabeth Harris talk about what they’ve been reading. John Williams is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“frank: sonnets” by Diane Seuss

“Life Between the Tides” by Adam Nicolson

“Saturday Night and Sunday Morning” by Alan Sillitoe

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Karen Jennings’s novel “An Island,” which was on the longlist for the Booker Prize in 2021, is set on a fictional unnamed island off the coast of Africa, where a man named Samuel has worked as a lighthouse keeper for more than 20 years. When a refugee washes up on shore one day, barely alive, Samuel navigates life around this stranger and flashes back to his own past, including his role in a political uprising and years that he spent in prison. On this week’s podcast, Jennings says that the book’s somewhat fable-like tone was very intentional.

“I knew that if I were to write about any one specific country, then I would have to make it about that country: that country’s political events, that country’s culture,” Jennings says. “My plan was to make it more universal, and attempt to understand something greater, something more complex. And the only way that I could see to do that was to do it in this very pared-down, focused way, reducing most of the action to this fictional island and then to these brief moments — I guess kind of like highlights — from Samuel’s past.”

Phil Klay, the Marine Corps veteran and acclaimed fiction writer, visits the podcast this week to talk about a new collection of his nonfiction writing, “Uncertain Ground: Citizenship in an Age of Endless, Invisible War.”

“There’s a huge problem when we’re regularly sending troops to kill people and sending troops at risk and the president is not forced on a regular basis to go before Congress to explain what the mission is, how it’s in the national interest, what it’s going to cost, what we’re trying to achieve,” Klay says. “I think that war is the most morally fraught thing we can do as a nation, and it demands more democratic accountability.”

Also on this week’s episode, Dwight Garner and Alexandra Jacobs talk about books they’ve recently reviewed. John Williams is the host.

Here are the books discussed by the Times’s critics this week:

“Phil” by Alan Shipnuck

“Here’s the Deal” by Kellyanne Conway

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

With current-day labor movements at Amazon, Starbucks and other big employers in the news, Nell McShane Wulfhart is on the podcast this week to discuss her new book about a vivid moment in labor history, “The Great Stewardess Rebellion: How Women Launched a Workplace Revolution at 30,000 Feet.” That revolution was launched in the face of working conditions that included contracts with onerous demands about every corner of a woman’s life.

“The age restrictions and the marriage restrictions and the pregnancy restrictions — obviously that was a big no-no — they had been part of the contracts for many years, I think for as long as stewardesses had been working,” Wulfhart says. “These restrictions were obviously designed to keep the work force as young as possible, as svelte as possible and as pliable as possible, because when you’re only working for a few years, you’re not that invested in getting better benefits or establishing a pension plan or fighting for your rights.”

James Kirchick visits the podcast to discuss his new book, “Secret City: The Hidden History of Gay Washington.” The sweeping story, from the days of the New Deal up through Bill Clinton’s presidency, considers the toll of homophobia in the nation’s capital.

“It’s incalculable,” Kirchick says. “The governmental resources that were expended in this, the hundreds of thousands of man hours that went into rooting out, discovering and firing patriotic civil servants. The deep wells of knowledge that were denied this country based upon fear of gay people. We don’t know those numbers. And then there’s of course the impact that it had on individual gay people.”

Also on this week’s episode, Lauren Christensen and Gregory Cowles talk about what they’ve been reading. John Williams is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Truth and Beauty” by Ann Patchett

“Fierce Attachments” by Vivian Gornick

“Role Models” by John Waters

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Brian Morton, an accomplished novelist, has turned to nonfiction for the first time in his new book, “Tasha: A Son’s Memoir.” On this week’s podcast, he discusses his mother’s life, the difficulties in taking care of her toward the end of her life and what led him to write a memoir.

“I started writing a few pages about her, and I relished the freedom to write directly, to write without having to invent any characters,” Morton says. “I love to write about fictional characters, that’s my favorite part of writing. But it takes me a very long time to sort of give birth to them. And here was my mother, perhaps the most colorful character I’ve ever written about, who was right there to be written about.”

Rachel Careau visits the podcast to discuss her new translation of Colette’s “Chéri” and its sequel, “The End of Chéri.”

“One of the problems with her spare style is that the sentences can lack some of the words that usually oil a sentence,” Careau says of the task of translating the books. “So they can sound a little bit bare, sometimes a little syncopated. And the sound was very important to me, and I really let the sound guide me. But it’s difficult to make that bone-on-bone style flow.”

Also on this week’s episode, Lauren Christensen and Joumana Khatib talk about what they’ve been reading. John Williams is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Four Treasures of the Sky” by Jenny Tinghui Zhang

“The Last Samurai” by Helen DeWitt

“Independent People” by Halldor Laxness

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

The filmmaker, artist, author and general cultural icon John Waters visits the podcast this week to talk about his first novel, “Liarmouth: A Feel-Bad Romance.” The book features three generations of women in the Sprinkle family, and their very complicated (and antagonistic) relationships with one another. The first of them we meet is Marsha, an unrepentant thief and overall misanthrope; but Waters says he still wants us to root for her.

“She’s so crazy and so terrible that you can’t believe it at first,” Waters says. “And she’s quite serious about herself, as all fanatics are. No one in this book has much of a sense of humor about themselves, which, I think, can be played funny — the same way that when I made a movie, the main thing I told every actor was, ‘Never wink at the audience. Say it like you believe every single word.’”

Also on this week’s episode, Elizabeth Harris discusses the winners of this year’s Pulitzer Prizes; and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. John Williams is the host.

Here are the books discussed by The Times’s critics this week:

“Tacky” by Rax King

“The Last Days of Roger Federer” by Geoff Dyer

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Hernan Diaz’s second novel, “Trust,” is four books in one. Our reviewer, Michael Gorra, calls it “intricate, cunning and consistently surprising.” It starts with a novel inside the novel, about a man named Benjamin Rask, who builds and maintains a fortune in New York City as the 19th century gives way to the 20th. Diaz describes writing the uniquely structured book on this week’s podcast, and the ideas at its core.

“Although wealth and money are so essential in the American narrative about itself as a nation, and occupy this almost transcendental place in our culture, I was rather surprised to see that there are precious few novels that deal with money itself,” Diaz says. “Sure, there are many novels that deal with class — we were talking about Henry James and Edith Wharton a moment ago — or with exploitation or with excess and luxury and privilege. Many examples of that, but very few examples of novels dealing with money and the process of the accumulation of a great fortune.”

Paul Fischer visits the podcast to discuss “The Man Who Invented Motion Pictures,” which is about Louis Le Prince, who made what is now widely acknowledged to be the first known moving picture, and the story of his mysterious disappearance as well.

“What was fascinating about Le Prince — and what I really loved as a film nerd myself — is that he seems to have been the first one of that generation to really have a vision for what the medium could be,” Fischer says. “There were a lot of people, like Thomas Edison or the Lumière brothers, who were working on moving-image projects as a kind of novelty toy. Their idea was, this can make a little bit of money, at least for a while, and then it will fade away. And there were people, like Eadweard Muybridge or the French scientist Étienne-Jules Marey, who were scientists and really thought moving images would be a way to deconstruct the way our bodies work, the way things move, the way nature worked. And Le Prince was really the first to write in his notebooks and speak to his family about this medium as something that would change the way we related to reality.”

Also on this week’s episode, Gregory Cowles and Elisabeth Egan talk about what they’ve been reading. John Williams is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Music, Late and Soon” by Robyn Sarah

“French Braid” by Anne Tyler

“Poguemahone” by Patrick McCabe

“The Butcher Boy” by Patrick McCabe

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Jennifer Egan’s new novel, “The Candy House,” is a follow-up to her Pulitzer Prize-winning “A Visit From the Goon Squad.” A few characters appear in both books, but the novels are also united by Egan’s structural approach — an inventive one that, in “Goon Squad,” included a chapter written as a PowerPoint presentation, and in “The Candy House,” a chapter written as a long series of terse directives to a spy.

On this week’s podcast, Egan talks about the new book, and about why she enjoys experimenting with form.

“To my mind, the novel was invented to be a hungry, greedy form that could pull into itself all other kinds of discourse,” Egan says. “So in the earliest novels: graphic images, letters, legal documents. As a fiction writer, one of the fun things about working with the novel is that anything is up for grabs. If I can bend it to fiction, I will, and I’m looking around me for those opportunities all the time. It’s not easy to do it, because the danger is that you just look like you’re using gimmickry. And what I find is that the only time any kind of radical structural form works is if I can find a story that can only be told that way. It involves a lot of waiting, and a lot of trial and error.”

Also on this week’s episode, Alexandra Alter discusses the work of the Russian novelist Vladimir Sorokin; and Alexandra Jacobs and Molly Young talk about books they’ve recently reviewed. John Williams is the host.

Here are the books discussed by The Times’s critics this week:

“The Palace Papers” by Tina Brown

“Liarmouth” by John Waters

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

The cartoonist Liana Finck’s new book, “Let There Be Light,” recasts the story of Genesis with a female God who is a neurotic artist.

“At the very beginning of this book, she’s existing in a void and she just decides to make something,” Finck says. “And it’s all fun and games until she starts to feel some self-doubt and realizes that she hasn’t done well enough. She’s really kind of a self-portrait of me at that point. She’s well-intentioned, she’s happy and she’s very hard on herself.”

Jonathan Van Ness of “Queer Eye” fame visits the podcast to discuss his new book, “Love That Story.” He talks to Lauren Christensen, an editor at the Book Review.

“As a queer person, we are told very early on what spaces you are able to thrive in. Beauty is often one of those spaces. There are just a lot of spaces that you can be directed to. And I love hairdressing and I love beauty and I love what I get to do on ‘Queer Eye,’” Van Ness says. “So I am eternally grateful to that. But also, I think that queer people who are feminine and who are flamboyant — as I’ve been called my entire life — are not also allowed to be information gatherers, are also not allowed to be seen as credible.” He continues: “Obviously I didn’t go to journalism school. I didn’t graduate college. But that doesn’t mean that I can’t learn and share my experiences with others.”

Also on this week’s episode, Joumana Khatib and Dave Kim talk about what they’ve been reading. John Williams is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“In the Country of Others” by Leïla Slimani

“Phenotypes” by Paulo Scott

“Tamarisk Row” by Gerald Murnane

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

This week The New York Times Book Review rolled out the results of an ambitious survey it conducted to determine the best books of the 21st century so far. On this week’s episode, Gilbert Cruz chats with fellow editors Tina Jordan, Scott Heller and Joumana Khatib about the results of that survey and about the project itself, including the willingness of some participants to let us share their ballots with the public.

Elizabeth Alexander’s new book, “The Trayvon Generation,” grew out of a widely discussed essay of the same name that she wrote for The New Yorker in 2020. The book explores themes of race, class and justice and their intersections with art. On this week’s podcast, Alexander discusses the effects of video technology on our exposure to and understanding of violence and vulnerability, and contrasts the way her generation was brought up with the lives of younger people today.

“If you think about some of the language of the civil rights movement: ‘We shall overcome’ is hopeful,” Alexander says. “And if you stop there and take that literally, I would say that’s what my childhood was about. But after that comes ‘someday.’ Well, I think what we’re seeing now is that we have not yet arrived at that day.”

Lucasta Miller visits the podcast to discuss her new biography, “Keats: A Brief Life in Nine Poems and One Epitaph.”

“I think the popular vision is of him as this rather sort of ethereal creature, a sort of delicate flower, the embodiment of loveliness, a spiritualized essence,” Miller says. “What I really wanted to do was to get back something of the real flesh-and-blood Keats, as a real complicated human being. I’m not trying to undermine him in any way. I’m just trying to make him more complex. And I love him all the same — I love him even more, as a result.”

Also on this week’s episode, Alexandra Jacobs and Jennifer Szalai talk about books they’ve recently reviewed. John Williams is the host.

Here are the books discussed by The Times’s critics this week:

“It Was Vulgar & It Was Beautiful” by Jack Lowery

“Private Notebooks: 1914-1916” by Ludwig Wittgenstein

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

While a steady stream of disturbing news continues to come from Ukraine, new works of fiction highlight the ways in which lives there have been transformed by conflict. On this week’s podcast, the critic Jennifer Wilson talks about two books, including the story collection “Lucky Breaks,” by Yevgenia Belorusets, translated by Eugene Ostashevsky.

“Belorusets has been compared to Gogol in these stories,” Wilson says. “There’s a certain kind of supernatural quality to them. I think anyone looking to these books for a play-by-play of the conflict is going to be disappointed for that reason, but I think delighted in other ways.”

Ben McGrath visits the podcast to talk about his new book, “Riverman: An American Odyssey,” which tells the story of Dick Conant, a troubled and charismatic man who disappeared while on a canoe trip from New York to Florida. Conant was in his 60s when McGrath met him, and had spent many years questing on various waterways.

“What he learned was that there wasn’t really anything he was going to find out about himself that was going to improve things, and that the secret to finding happiness was to turn his lens outward,” McGrath says. “Rather than, in the Thoreauvian model, retreating to Walden Pond and staring into his reflection, he decided to go out into the world and to keep seeing new places and meeting new people; and by doing that, keep himself sufficiently occupied that he didn’t have to struggle too much with worrying about who he was and what his own problems were.”

Also on this week’s episode, Elizabeth Harris has news from the literary world; and Lauren Christensen and MJ Franklin talk about what they’ve been reading. John Williams is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Young Mungo” by Douglas Stuart

“Heartstopper: Volume One,” by Alice Oseman

Elena Ferrante’s Neapolitan Novels, read by Hillary Huber

“Catholics” by Brian Moore

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Thomas Fisher’s new book, “The Emergency,” details his life as an emergency physician at the University of Chicago Medical Center, where he’s worked for 20 years. It provides an up-close look at a hospital during the pandemic, and also zooms out to address the systemic issues that afflict American health care.

“This book was conceptualized prior to Covid,” Fisher says on this week’s podcast. “But Covid laid bare so much of what I intended to discuss from the beginning. So in some ways it was weirdly fortuitous. It gave the opportunity to discuss many of the details in much more vivid relief because we had this pandemic laying out all the things that have been a problem for so long.”

The critic and essayist Maud Newton’s first book, “Ancestor Trouble,” details her investigations into her family’s fascinating and sometimes discomfiting history, and reflects on our culture’s increased obsession with genealogy.

“Allowing ourselves to really imagine our ancestors, in all of their fullness — the difficult and bad things that they did, and of course the wonderful things that they did — can just be a really transformative experience,” Newton says. “I’ve come to find that the line between imagination and spirituality has become a lot more porous over the course of writing this book.”

Also on this week’s episode, Dwight Garner and Molly Young talk about books they’ve recently reviewed. John Williams is the host.

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Fintan O’Toole was born in Dublin in 1958, the same year that T.K. Whitaker, a member of the Irish government, published an influential report suggesting that Ireland open its doors economically and culturally to the rest of the world. O’Toole’s new book, “We Don’t Know Ourselves,” weaves memoir with history to tell the story of modern Ireland.

“There’s a lot of dark stuff in the book,” he says, “there’s a lot of violence and repression and hypocrisy and abuse. But there’s also the story of a people coming to terms with itself. One of the reasons why we’re still dealing with darkness is at least we’re dealing with it. There’s a kind of confrontation with the past going on in Ireland which I think is very healthy. It’s not easy.” He continues: “One of the hopeful things about the Irish story is that it shows you that you can transform a nation — you can make it in many ways an awful lot better than it was, you can open it up to the world, you can develop much more complex, ambivalent, nonbinary senses of who you are — and yet you can still feel very much attached to a place and an identity.”

Julie Otsuka visits the podcast to discuss her third novel, “The Swimmers,” which begins with a large group of characters at a public pool before becoming the powerful story of one particular woman, Alice, who is suffering from dementia.

Alice is “actually there from the very beginning,” Otsuka says. “She’s there at the end of the very first paragraph. But I did not want the reader to be too aware of her. I want her to be there very peripherally, just as one of many. I want the reader to realize, as the story is going on, that it is Alice’s story, but I don’t want that to be so apparent in the beginning. I really wanted to paint the world that she had thrived in before she enters the second half of the book.”

Also on this week’s episode, Alexandra Alter has news from the publishing world; and Gregory Cowles and Dave Kim talk about what people are reading. John Williams is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Lucky Breaks” by Yevgenia Belorusets

“2666” by Roberto Bolaño

“Mrs Palfrey at the Claremont” by Elizabeth Taylor

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

In “A Molecule Away From Madness,” the neurologist Sara Manning Peskin writes about the errant molecular activity that underlies many serious mental afflictions. Peskin’s book, reminiscent of the work of Oliver Sacks, conveys its scientific information through narrative.

“I wanted to capture how this actually unfolds in real time,” she says on this week’s podcast. “For a lot of us, we go to doctors and you get a diagnosis and it’s as if that diagnosis has always existed. But in fact, the diagnosis was invented by someone who discovered something. And the history behind these diseases is often lost.”

J. Kenji López-Alt visits the podcast to discuss his latest book, “The Wok: Recipes and Techniques.” López-Alt comes from a family of scientists, and is known for his science-based approach to home cooking.

“I was cooking for a number of years in restaurants, and all through that time I had a lot of questions,” he says. “For me, it’s natural to ask why we do something, why is this working the way it does? And in restaurants, just by the nature of how a restaurant works and the goal of a restaurant, which is more speed and consistency, you don’t have a lot of time to really focus on thinking about those types of questions or experimenting with them. So I had this backlog of questions built up in my head that eventually I started to get to explore.”

Also on this week’s episode, Alexandra Jacobs and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“I Was Better Last Night” by Harvey Fierstein

Books about shame

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Scholars have long believed that the first Americans arrived via land bridge some 13,000 years ago, when retreating glaciers created an inland corridor from Siberia. Jennifer Raff, an anthropological geneticist at the University of Kansas, tells a different story in “Origin.” According to Raff, the path to the Americas was coastal rather than inland, and what we’ve thought of as a bridge was a homeland inhabited for millenniums. Raff talks about the book on this week’s podcast.

“In recent years, the ability to obtain complete genomes from ancient ancestors has really given us new insights — extraordinary new insights — into the histories not only of individuals and populations but also of our ancestors globally,” Raff says. “We can now identify the populations who originally gave rise to the ancestors of Native Americans. And we can identify extremely important evolutionary events in that process going back, starting about 26,000 years ago. So we can use genetics to identify biological histories, to characterize biological histories, and even identify populations which we had no idea existed based on archaeology alone.’

Ira Rutkow visits the podcast to talk about “Empire of the Scalpel: The History of Surgery.” Rutkow says the idea for the book evolved over the course of 50 years, and that he wrote it for the general public and surgeons alike.

“I was dismayed, over the course of my surgical practice, at how little patients understood about the whys and wherefores of what a surgeon did, or how a surgeon becomes a surgeon,” he says. And he was “shocked” when he would ask colleagues historical questions — “When did anesthesia come about? When did Lister discover antisepsis?” — and “they would have no idea.”

Also on this week’s episode, Alexandra Alter has news from the publishing world, and Elisabeth Egan and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“The Days of Afrekete” by Asali Solomon

“A Word Child” by Iris Murdoch

“The Examined Life” by Stephen Grosz

“The True American” by Anand Giridharadas

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

In 2017, Frank Bruni suffered a stroke while sleeping in the middle of the night, an event that led to blindness in his right eye. His new memoir, “The Beauty of Dusk,” examines not only his physical condition but the emotional and spiritual counsel he sought from others in order to deal with it. On this week’s podcast, he discusses the experience, including his initial reaction to it.

“I woke up one October morning and I felt like I had some sort of smear — some gunk or something — in my eye, because the right side of my field of vision had this dappled fog over it,” Bruni says. “I think like a lot of boomers, I had this sense of invincibility. When I was diagnosed, at one point, with mild gout, I took Allopurinol every day and that was solved. When my cholesterol was un-ideal, I took a statin, and that was solved. I kind of thought modern medicine solves everything and we boomers, with our gym workouts, et cetera, are indestructible. So for hours I thought, ‘This is just an oddity.’ I took a shower and washed my eye, but the fog didn’t go away. I thought, ‘Maybe I haven’t had enough coffee.’ I thought, ‘Maybe I had too much wine last night.’ It was a good 12 to 24 hours later before I accepted, something is really wrong here.”

Meghan O’Rourke visits the podcast to talk about her latest book, “The Invisible Kingdom: Reimagining Chronic Illness,” which is also about personal pain and the larger context around it. O’Rourke spent many years experiencing symptoms that were misdiagnosed or dismissed.

“I just kept getting sicker and sicker, but it took so long to realize, OK, something is quite wrong.” She attributes some of this delayed realization to the “problem of subjectivity,” especially when younger. “None of us know what others are experiencing, so I thought, ‘OK, maybe pain is normal. Maybe brain fog is normal. Maybe I just should never eat dessert. It really did take maturing into my 30s and getting really sick to cross that line where it became unignorable.”

Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Dwight Garner and Alexandra Jacobs talk about books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed by The Times’s critics this week:

“Black Cloud Rising” by David Wright Faladé

“The Founders” by Jimmy Soni

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

You probably take the index for granted. It might be hard to remember that the handy list of subjects at the back of a book, with the corresponding page numbers on which each subject is discussed, had to be invented. This happened in the early 13th century, and on this week’s podcast, Dennis Duncan talks about his new book, “Index, a History of the,” and about the earliest examples of the form.

“What’s really interesting is, it’s invented twice at the same time,” Duncan says. “So it’s one of those inventions, like the light bulb or like mathematical calculus — the moment is so ripe for it that two people in separate places invent it. So the index gets invented once in Paris, and at the same time in Oxford. and there are very slight differences between what these inventions look like.”

Brendan Slocumb visits the podcast to talk about his debut novel, “The Violin Conspiracy.” Slocumb is himself an accomplished violinist, and the book — both a mystery and a musical-coming-of-age story — was inspired, in part, by an experience he had as a teenager.

“When I was a senior in high school, we came home from a family trip, and my violin — I actually make reference to it in the novel — my 1953 Eugene Lehman violin was stolen, along with a bunch of other stuff that I didn’t care about,” Slocumb says. “If your instrument is taken, as a musician, it’s like a part of you is missing. I felt like I was missing a limb. It was right before I was supposed to go to college. It was supposed to take me through school, and I had nothing. It was a devastating experience.”

Also on this week’s episode, Lauren Christensen and MJ Franklin talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“The Chiffon Trenches” by André Leon Talley

“Recitatif” by Toni Morrison

“How to Be Perfect” by Michael Schur

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Jennifer Haigh’s new novel, “Mercy Street” — which Richard Russo calls “extraordinary” in his review — is about a woman named Claudia who works at a women’s clinic in Boston. It’s also about the protesters outside. On this week’s podcast, Haigh says the novel was inspired in part by her own time working on a clinic’s hotline.

“Obviously I am strongly pro-choice or I wouldn’t have been volunteering at this clinic,” Haigh says. “But until this experience, I knew very little about what abortion actually means in a person’s life. And I think that’s true for many people who have strong convictions about abortions. Most people don’t know very much about it. It’s ironic when you consider, this is such a common experience, right? We know that about one in four American women will at some point have an abortion. And yet there’s such a climate of secrecy around this procedure that most of them don’t feel free to talk about it honestly. And many never tell anyone that they’ve done this. The result being that the average person knows very, very little about this experience.”

Megan Walsh visits the podcast to talk about her new book, “The Subplot: What China Is Reading and Why It Matters.”

And why does it matter? “We tend to think about China in quite binary terms these days, as friend or foe,” Walsh says. “If we do properly pay attention to what people are genuinely trying to process and think about in China — which is peculiar, diverse, strange, innovative, some of it’s terrible, some of it’s amazing — I feel like we get an alternative way of understanding the complexities at the heart of a country which we are defining ourselves against, and we have an opportunity to also understand without seeing it as a sort of monolith.”

Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Jennifer Szalai and Molly Young talk about books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed by The Times’s critics this week:

“The Power Law” by Sebastian Mallaby

“Eating to Extinction” by Dan Saladino

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Harley Rustad’s new book, “Lost in the Valley of Death,” is about an American adventurer named Justin Alexander Shetler, who went on a quest in the Himalayas that ended in his disappearance. One of Shetler’s heroes was Christopher McCandless, whose story was told in Jon Krakauer’s “Into the Wild.” On this week’s podcast, Rustad discusses Shetler’s life, including his use of social media and how that dovetailed — and didn’t — with his spiritual journey.

“He was a very good-looking guy. He’s somebody that could be potentially quite easy to roll your eyes at and write off. There are a fair amount of shirtless selfies on his Instagram account,” Rustad says. But that curated image, the author says, doesn’t necessarily reflect the full truth. Rustad continues: “I think there was something that he was deeply trying to search for. And his social media accounts, while they gave him a platform to potentially inspire people — something that he really, really longed for and struggled with was solitude. And right now it’s almost impossible to achieve that true solitude in this world of deep, profound connectivity. And so as much as he validated and found value in that platform, it also was impossible; it created this barrier for him to achieve something pure.”

Jessamine Chan visits the podcast to discuss her debut novel, “The School for Good Mothers,” which imagines a future where parents (mostly women) get sent to government-run reform school.

“The standards in the book are purposefully set up to be impossible,” Chan says, “to draw attention to the way that our culture and society and government sets up such punishing standards for moms. So if the moms do succeed, it’s really by chance.”

Also on this week’s episode, Alexandra Alter has news from the publishing world, and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Mercy Street” by Jennifer Haigh

“After Me Comes the Flood” by Sarah Perry

“Our Mutual Friend” by Charles Dickens

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Rita Bullwinkel’s impressive debut novel, “Headshot,” follows eight teenagers fighting in the Daughters of America Cup, a youth women’s boxing tournament staged in a dilapidated gym in Reno. Each chapter details a match between fighters, bout after bout, until finally a champion is declared.

We are thrown into the high-octane theater of each fight, as the boxers work to defeat their opponents. But we also explore each girl’s life, with flashes into the past and the future and into the girls’ minds as they reckon with their intense desires to make something of themselves.

In this week’s episode, the Book Review’s MJ Franklin discusses the book with his colleagues Joumana Khatib and Lauren Christensen. Caution: Spoilers abound.

Ruta Sepetys writes Y.A. historical fiction that draws plenty of adult readers as well. Her new novel, “I Must Betray You,” is about a Romanian teenager who is blackmailed to become an informer for a Communist regime. On this week’s podcast, Sepetys talks about why she turned her focus to the epochal events of 1989, and about what she wants readers to see in them.

“What I want to get across is the strength and fortitude of the Romanian people, particularly the young people,” Sepetys says. “Oftentimes what we don’t think about is that these authoritarian regimes or totalitarian regimes, they often are disassembled from within. And that’s what happened here. And it was the young people, on Dec. 21, who took to the streets, completely unarmed, and in some cases were attacking tanks with their bare hands. They put themselves in harm’s way. The courage, it blows my mind. And the leader gunned them down, until the military switched sides and sided with the people.” 

The novelist Jami Attenberg visits the podcast to talk about her first memoir, “I Came All This Way to Meet You: Writing Myself Home.” Having written about fictional characters for so long, Attenberg says it was initially a challenge to make herself the central figure.

“It was really hard at first because I couldn’t see myself in that way,” she says. “At some point I did have to make a decision of which version of myself I was going to show to the world, because there are so many versions that are possible.”

Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“The Black Prince” by Iris Murdoch

“Drive Your Plow Over the Bones of the Dead” by Olga Tokarczuk

“Death Be Not Proud” by John Gunther

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Imani Perry’s new book, “South to America,” joins a tradition of books that travel the South to find keys to the United States: its foundations, its changes and its tensions. Perry, who was born in Alabama, approaches the task from a variety of angles, and discusses some of them on this week’s podcast.

“It includes personal stories,” Perry says. “It is a book about encounters. It is a book about the encounter with history but also with human beings. And as part of it, self-discovery, to try to understand why a Southern identity is so centrally important to me, and why it’s so centrally important to the formation of this country.”

Oliver Roeder visits the podcast to discuss his new book, “Seven Games,” a history of checkers, backgammon, chess, Go, poker, Scrabble and bridge that also asks why we play.

“The simplest answer is, they’re fun,” Roeder says. “We enjoy playing them as a pastime. Another answer is, they’re practice. Games are very simplified, distilled models of the real world in which we live. So for example, a game like poker allows us to practice dealing with uncertainty and hidden information. We don’t know our opponents’ cards. And of course, we see situations like that in real life all the time.”

Also on this week’s episode, Alexandra Alter has news from the publishing world, and Dwight Garner and Alexandra Jacobs talk about books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed by The Times’s critics this week:

“The Betrayal of Anne Frank” by Rosemary Sullivan

“Devil House” by John Darnielle

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Jing Tsu’s new book, “Kingdom of Characters,” is about the long and concerted efforts of linguists, activists and others to adapt Chinese writing to the modern world, so that it could be used in everything from typewriters and telegraphs to artificial intelligence and automation. On this week’s podcast, Tsu talks about that revolution, from its roots to the present day.

“The story of the Chinese script revolution and how it came to modernize is really a story about China and the west,” she says. “Because without the Jesuit missionaries first coming to China in the 16th century, and trying to understand what the Chinese language was — the Chinese didn’t really see their language any differently than the way they’ve always seen it. So what happened was, as these Western technologies came in, along with imperialism and colonial dominance, China had to confront that it had to either play the game or be completely shut out. So this was a long process, an arduous process, of how to get itself into the infrastructure of global communication technology.”

Kathryn Schulz visits the podcast to talk about “Lost and Found,” her new memoir about losing her father and falling in love.

“It is, I think, the closest I could come to the book I wanted to write,” Schulz says. “The gap between what you want to do and what you are able to do is always enormous, and the struggle for writers is to close it to the best of your abilities. But kind of unusually for me, I did have a very clear sense of this book from the beginning.”

Also on this week’s episode, Elizabeth Harris has news from the publishing world; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Small Things Like These” by Claire Keegan

“2666” by Roberto Bolaño

“The Anomaly” by Hervé Le Tellier

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

The writer and editor Robert Gottlieb does double duty on this week’s podcast. He talks about the life and career of Sinclair Lewis, on the occasion of the 100th anniversary of “Babbitt,” Lewis’s best-selling novel about the narrow-mindedness and conformity of middle-class America in the first half of the 20th century. But first, he talks about his own new book, “Garbo,” a biography of the movie star Greta Garbo, whose impact on the culture was matched by the sense of mystery that surrounded her.

“I understood the power of the impact, but I didn’t really understand — because I hadn’t been seeing her movies, I was too young — I didn’t really understand what she was on the screen and how she got to the screen in the first place. So as usual, it was curiosity that led me to write about her,” Gottlieb says. “No one had ever seemed like her before, and no one has ever seemed like her since. So to trace what those qualities were became the subject of the book.

Carl Bernstein visits the podcast to discuss his new memoir, “Chasing History.” The book is about a time before Bernstein and Bob Woodward became household names for their Watergate reporting. Subtitled “A Kid in the Newsroom,” Bernstein’s memoir focuses on the years 1960 to 1965, when he worked at The Evening Star in Washington, then the chief rival of The Washington Post. He was first hired as a copyboy when he was only 16.

“I was spending a lot of time at the pool hall,” Bernstein says of his life before he got the job. “I was getting terrible grades in school. I was working Saturdays at a low-rent department store in a bad part of town.” At the newspaper, he saw a clearer future. “The greatest reporters of their time, many of them were in this newsroom. And I saw what they were doing, and I studied what they were doing and I knew that’s what I wanted to do.”

Also on this week’s episode, Elizabeth Harris has news from the publishing world; and Jennifer Szalai and Molly Young talk about the books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed by The Times’s critics this week:

Books about Stoicism

“How Civil Wars Start” by Barbara F. Walter

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

Throughout the year, we hear from many of you, and are always glad when we do. From time to time, we try to answer some of your questions on the podcast. This week, for the second time, we dedicate an entire episode to doing just that. Some of the many questions addressed this week:

• Who are literature’s one-hit wonders?
• What are some of our favorite biographies?
• What are empowering novels about women in midlife?
• How do we assign books to reviewers?
• Who are writers that deserve more attention?
• How does the practice of discounted books work?

Providing the answers are the book critic Dwight Garner, the editors Lauren Christensen, MJ Franklin and John Williams, and the reporters Alexandra Alter and Elizabeth Harris. Pamela Paul is the host.

We mention many more books than usual on this episode. Here’s a list for reference:

“A Confederacy of Dunces,” by John Kennedy Toole

“Gilead,” by Marilynne Robinson

“The Master and Margarita,” by Mikhail Bulgakov

“The Goldfinch,” by Donna Tartt

“The Secret History,” by Donna Tartt

“Natural Opium,” by Diane Johnson

“In Trouble Again,” by Redmond O’Hanlon

“Into the Heart of Borneo,” by Redmond O’Hanlon

“Venice,” by Jan Morris

“On the Road,” by Jack Kerouac

“Minor Characters,” by Joyce Johnson

“The Life of Samuel Johnson,” by James Boswell

“William James,” by Robert D. Richardson

“Last Train to Memphis: The Rise of Elvis Presley,” by Peter Guralnick

“Careless Love: The Unmaking of Elvis Presley,” by Peter Guralnick

“Samuel Pepys,” by Claire Tomalin

“No One Here Gets Out Alive,” by Jerry Hopkins

“The Life You Save May Be Your Own,” by Paul Elie

“Virginia Woolf,” by Hermione Lee

“The Stone Angel,” by Margaret Laurence

“Memento Mori,” by Muriel Spark

“The Friend,” by Sigrid Nunez

“What Are You Going Through,” by Sigrid Nunez

“The Journals of John Cheever”

“A Manual for Cleaning Women,” by Lucia Berlin

“The Blood of the Lamb,” by Peter De Vries

“Go Tell It on the Mountain,” by James Baldwin

“Sula,” by Toni Morrison

“Lot,” by Bryan Washington

“Little Fires Everywhere,” by Celeste Ng

“The Yellow House,” by Sarah M. Broom

“Sing, Unburied, Sing,” by Jesmyn Ward

“The Topeka School,” by Ben Lerner

“Modern Lovers,” by Emma Straub

The fiction of Randall Kenan

“Popisho,” by Leone Ross

“Detransition, Baby” by Torrey Peters

“The Magician,” by Colm Toibin

“When We Cease to Understand the World,” by Benjamín Labatut

“Say Nothing,” by Patrick Radden Keefe

“Empire of Pain,” by Patrick Radden Keefe

“Bad Blood,” by John Carreyrou

The poetry of Emily Dickinson

The poetry of Ada Limón

“Piranesi,” by Susanna Clarke

“Klara and the Sun,” by Kazuo Ishiguro

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

David Sedaris’s second volume of diaries, “A Carnival of Snackery,” covers the years 2003 to 2020. On this week's podcast, he talks about the diaries, and about being on the road again — we caught him in Montana, a stop on his sprawling reading and signing tour.

“I’ve been surprised by what people are willing to — ‘You want us to show proof of vaccination? OK, we’ll do it. You want us to wear a mask the entire time? OK, we’ll do it,’” Sedaris says. “And then the book signings have lasted as long as they always did, so people are still willing to wait in line. I’ve really been touched by that. And I’m willing to make whatever sacrifices I need to.” He added: “I’m just so grateful to be out again.”

The poet Paul Muldoon visits the podcast to talk about his work editing Paul McCartney’s two-volume collection “The Lyrics.” He says becoming involved with the project was an easy choice.

“Through his career, as a Beatle, of course, and then with Wings and his solo career, he’s been a force in my life and certainly in the lives of many people who were even vaguely sentient through the 1960s and since,” Muldoon says of McCartney. “What’s fascinating about his career with the Beatles is that they were, of course, very much of their moment, they were defined by their moment — including, at the risk of sounding a bit banal — the optimism that was associated in the U.K. with the postwar period. But of course, extraordinarily, they went on to influence their moment also; they came to define their moment, and to define the rest of us, actually. It was a very interesting phenomenon. So yeah, I was thrilled to be involved, and continue to be thrilled to be involved.”

Muldoon also talks about, and reads from, his new poetry collection, “Howdie-Skelp.”

Also on this week’s episode, Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Middlemarch” by George Eliot

“Less” by Andrew Sean Greer

“The Corrections” by Jonathan Franzen

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

In 2007, Debby Applegate won a Pulitzer Prize for “The Most Famous Man in America,” her biography of the 19th-century preacher and abolitionist Henry Ward Beecher. Applegate’s new book, “Madam,” is another biography, of a very different subject: Polly Adler, who ran a brothel and had many famous friends during the Jazz Age in New York City. On this week’s podcast, Applegate describes the challenges of running a business in the underworld.

“You have to depend on your reputation,” Applegate says. “You can’t advertise, you can’t sell your product in a normal market square. So you have to cultivate your own kind of word of mouth and your own kind of notoriety. Polly worked out of small but luxurious apartments that were hidden away and constantly moving, so she could stay one step ahead of the cops or other crooks. What Polly did was use that small town but big city of Manhattan, which was really thriving in those years between World War I and World War II, and she became a critical player — a ‘big shot,’ as the gossip columnists called her.”

Matthew Pearl visits the podcast to discuss his new book, “The Taking of Jemima Boone,” about the kidnapping of Daniel Boone’s daughter in 1776. Pearl is well known as a novelist, and he says that this work of nonfiction has many of the elements he looks for in any good story.

“Jemima is such a strong and incredible character to work with,” he says. She was one of the Boones’ 10 children, though “not all of them survived into childhood or adulthood, and Jemima was one who was very close with her father, in particular, and she had really her father’s spirit of persistence and independence.”

Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed by The Times’s critics this week:

“The Oxford Companion to Spirits and Cocktails”

“Accidental Gods” by Anna Della Subin

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

James Andrew Miller has written a series of oral histories about some our biggest cultural institutions: “Saturday Night Live,” Creative Artists Agency and ESPN. His new book, “Tinderbox,” follows HBO from its start in 1972 through its transformative “Sopranos” years and up to the present day.

“One of the things that struck me was just how emotional people were,” Miller says on this week’s podcast. “First of all, HBO was a place that people didn’t date, they married. There were people that were there for 20 years, 25 years, 30, 35 years. They stayed there for their careers, and they were very, very wedded to it. I’m not bragging about this, but there were at least — more than — a dozen people who cried during interviews, who called me back the next day and said, ‘Now I have PTSD revisiting some of what I went through.’” He says he learned that “this was not just a place that people checked in on a time clock and left; it was like a tsunami that washed over their lives.”

Mayukh Sen visits the podcast to talk about his new book, “Taste Makers: Seven Immigrant Women Who Revolutionized Food in America.”

“Five of the seven women whom I focus on in this book are no longer with us,” Sen says, “and in the absence of their presence I really wanted to understand how they spoke and how they wanted to present themselves to the world. And I really wanted to find them speaking in their own words. So the way I sought that out was to find their memoirs, or cookbooks with memoiristic passages or any interviews they gave throughout their lifetime that really presented them speaking without that kind of filter.”

Also on this week’s episode, Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Now Beacon, Now Sea” by Christopher Sorrentino

“A Gentleman in Moscow” by Amor Towles

“Ghost Light” by Frank Rich

“Fairyland” by Alysia Abbott

“Life Inside” by Mindy Lewis

Earlier this week, several editors at The New York Times got together (virtually) for a live taping of the podcast to discuss the Book Review’s list of the year’s 10 Best Books. (If you haven’t seen the list yet and don’t want spoilers before listening, the choices are revealed one by one on the podcast.)

In addition to the 10 Best Books, the editors discuss on this episode some of their favorite works from the year that didn’t make the list. Here are those additional books the editors discuss:

“The Magician” by Thomas Mann

“Klara and the Sun” by Kazuo Ishiguro

“Razorblade Tears” by S.A. Cosby

“Wayward” by Dana Spiotta

“Dirty Work” by Eyal Press

“Beautiful World, Where Are You” by Sally Rooney

“The Life of the Mind” by Christine Smallwood

“Crossroads” by Jonathan Franzen

“The Prophets” by Robert Jones Jr.

“Our Country Friends” by Gary Shteyngart

The novelist and Nashville bookstore owner Ann Patchett’s latest book is a collection of essays, “These Precious Days.” It’s anchored by the long title piece, which originally appeared in Harper’s Magazine, about her intimate friendship with a woman who moved to Nashville for cancer treatment just as the coronavirus pandemic started. On this week’s podcast, Patchett talks about the collection, and about where writing essays fits into her creative life.

“I write essays while I’m writing novels too sometimes, but it’s wonderful to have something you can finish,” she says. “I can start a novel and it will take me three years sometimes to finish it, and no one reads it as I’m writing it. So if I write an essay, it’s almost like sending up a flare saying: I’m still here, I’m still alive. I’m a very project-oriented person, and somehow writing an essay feels closer to, say, making Thanksgiving dinner than it does writing a novel. It’s like, I’m going to do this and it’s going to take me a couple of days. But it’s not going to take me years.”

Corey Brettschneider, a professor of political science at Brown University, visits the podcast to talk about the Penguin Liberty series, a group of books he’s editing about modern issues in liberty and constitutional rights. He says he wants the project to be used in schools, but also hopes it will find a much broader audience as well.

“I certainly would hope that professors would use this, but really I think if we’re going to continue on as a democracy — and I don’t think that, as we learn about Jan. 6, that this is hyperbole, I think that we are under threat when it comes to a very different idea of what government is supposed to look like that’s prevailing in much of the public right now. And how are we to combat it?” he says. “I think in order to really take seriously the idea that we’re going to defend liberty in any defensible, robust sense, we have to know what it is, and that means that citizens have to think about these things.”

Also on this week’s episode, Alexandra Alter has news from the publishing world; and Dwight Garner and Alexandra Jacobs talk about books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed by the Times’s critics this week:

“Patricia Highsmith: Her Diaries and Notebooks, 1941-1995” edited by Anna von Planta

“On Consolation” by Michael Ignatieff

Every family has its stories, and every family has its drama — and some families, like the one the actor and director Griffin Dunne was born into, have an excess of both. His uncle was the writer John Gregory Dunne, his aunt was Joan Didion and his father was Dominick Dunne, who became famous for his Vanity Fair dispatches from the trial of the man who killed his daughter (and Griffin’s sister) Dominique.

On this week’s episode of the Book Review podcast, Dunne talks about his book, “The Friday Afternoon Club: A Family Memoir.” Of waiting to write it until his father, uncle and aunt had died, Dunne said he needed the distance: “I had the perspective on just how remarkable those three were as writers, what an influence they had on my life.”

The New York Times columnist Ross Douthat is used to writing about politics and ideas at play in the broader world, but with his new book, “The Deep Places,” he has written a memoir about his own harrowing experience with Lyme disease. Given the mysteries surrounding the disease, Douthat’s story is also very much about his interactions with — and outside of — the medical establishment.

“I was relatively open-minded at an intellectual level to the possibility that there are diseases that existing medical science doesn’t know how to treat,” Douthat says on this week’s podcast. “What I was not prepared for was actually just how bad these diseases could be, and also just how extreme, when you have something like this, you can be willing to get. Eventually I followed what is the outsider medical approach to treating chronic Lyme.”

Elisabeth Egan, an editor at the Book Review, visits the podcast to discuss her latest pick for our Group Text, “O Beautiful,” by Jung Yun. The novel is about a Korean American woman who has traded a modeling career for journalism. She inherits an assignment in the oil fields of North Dakota from a former teacher and love interest.

“She gets there and quickly discovers that what Richard, her professor, has set up for her isn’t really the story that she wants to tell,” Egan says. “And she starts to unravel her own story, and it becomes a novel about insiders and outsiders, and about this town that’s completely ill equipped for this influx of somewhat desperate people who are there to work and live in really, really unpleasant and sometimes dangerous conditions.”

Also on this week’s episode, Elizabeth Harris has news from the publishing world; and Gregory Cowles and Andrew Lavallee talk about what people are reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Resuscitation of a Hanged Man” by Denis Johnson

“Our Country Friends” by Gary Shteyngart

“The Overstory” by Richard Powers

The actor and author Alan Cumming was happily surprised that his best-selling first memoir, “Not My Father’s Son,” inspired many readers who had suffered their own childhood traumas. But he was disappointed, he says on this week’s podcast, when people characterized him as having “triumphed” or “overcome” his adversity. “I haven’t, I haven’t, I absolutely haven’t,” he says. And he stresses that point in his new memoir, “Baggage.”

“We all have baggage, we all have trauma, we all have something,” he says. “But the worst thing to do is to pretend it hasn’t happened. to deny it or to think that you’re over it. And that’s what I felt was in danger of happening with the way that my first book was reacted to. So in this I’m trying to say: You never get over it, it’s with you all the time.” He adds: “You have to be very vigilant about your trauma. If you deny it, it will come back and bite you in the bum.”

Allen C. Guelzo visits the podcast to discuss “Robert E. Lee: A Life,” his new biography of the Confederate leader.

“Since it had been at least 25 years since another serious biography of Lee had been published — this was by Emory Thomas, in 1995 — it seemed to me that the time was right to begin a re-evaluation of Lee, and especially to ask questions about Lee from someone like myself coming from what was, quite frankly, a Northern perspective,” Guelzo says. “After all, all the books I’ve written up to this point have been about Abraham Lincoln and the Union cause in the war, and I thought it might be productive to look at Robert E. Lee through the other end of the telescope.”

Also on this week’s episode, Alexandra Alter has news from the publishing world; and Alexandra Jacobs and Molly Young talk about books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed by the Times’s critics this week:

“Our Country Friends” by Gary Shteyngart

“Solid Ivory” by James Ivory

In her new memoir, “Both/And: A Life in Many Worlds,” Huma Abedin writes about her Muslim faith, her years working alongside Hillary Clinton and, of course, her relationship with her estranged husband, the former Democratic Representative Anthony Weiner. On this week’s podcast, Abedin says that writing the book was “the most therapeutic thing I could have possibly done,” and that writing about her marriage and its time in the tabloids gave her perspective.

“Now that I am on the other side, I can say with confidence: I don’t think what I went through is all that singular,” she says. “What’s different is that I had to go through it on the front page of the news. So I know there is a sisterhood and brotherhood of people out there in the world that have had to endure betrayal and have had to figure out how to move on with their lives. And these are the conversations that I still am called into; the people who stop me on the street and ask me a simple question: ‘When does it stop hurting?’ ‘Should I stay?’ ‘When do I leave?’”

Gary Shteyngart visits the podcast to discuss his new novel, “Our Country Friends,” about seven friends (and one nemesis) spending time together in one Hudson Valley property during the early months of the pandemic. The novel’s drama, Shteyngart says, comes from people confronting their “deepest selves,” as Chekhov’s characters did when they left Moscow for rural surroundings.

“When you’re stuck in the countryside, no matter where you are, life just goes so much slower than it does in the city, and you’re able to really begin to think about your place in the world,” Shteyngart says. “There’s definitely a feeling of time slowing down and you’re able to ascertain your true relationships. If you love someone, you love them more in the country. If you hate them, you hate them more in the country. Everything is turned up to 11.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Dave Kim and Sarah Lyall talk about what they’re reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Man in the Holocene” by Max Frisch

“A Wrinkle in Time” by Madeleine L’Engle

“Perfect Little Children” by Sophie Hannah

“The Flight Attendant” by Chris Bohjalian

In her new memoir, “Going There,” Katie Couric writes about her career as a host of “Today and the first woman to anchor the “CBS Evening News” solo. She also, as the title suggests, writes about difficult personal subjects, including the deaths of her father and of her first husband. On this week’s podcast, she says the most difficult part of the book to write was about her former “Today” colleague Matt Lauer and his downfall over allegations of sexual misconduct.

“My feelings were so complicated, and they definitely evolved over time,” Couric says. “I felt like I was almost doing my own therapy sessions. I did original reporting — which sounds so pretentious — but I actually revisited some people who were affected by his behavior, and it was really, really helpful. And I talked to a lot of experts about this. I reached out to people who had written extensively about men in power. This was at the time it happened, because I was really trying to make sense of it in my head. I talked to gender studies people, I talked to lawyers who have represented victims. It was a real mission for me, and a lot of soul-searching honestly.”

John McWhorter visits the podcast to discuss his new book, “Woke Racism: How a New Religion Has Betrayed Black America.”

“I think that there is a certain kind of woke person who is caught in a frame of mind where the idea is that how you show that you’re a good person is by showing that you are woke — that you’re aware, for example, that racism exists, and it’s not just the N-word and people burning crosses on people’s lawns,” McWhorter says. “You want to show that you’re aware of this. But it’s narrowed to the point where a certain kind of person thinks that showing one’s awareness of that is the key, regardless of what you prescribe’s effects upon actual Black people. So although it’s the last thing these people would suspect about themselves, They do not think of Black people as more important than their own showing that they are not racist. That is a woke racist, as far as I’m concerned.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Dwight Garner and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed this week by The Times’s critics:

“The End of Bias” by Jessica Nordell

“Colorization” by Wil Haygood

In “American Made,” Farah Stockman writes about the downfall of manufacturing employment in the United States by focusing on the lives of workers at one Indianapolis factory that was relocated to Mexico. Stockman, a member of The New York Times editorial board, talks about the book on this week’s podcast.

“I really think we’ve seen unions in a death spiral,” she says. “And part of the reason is globalization. You had so many people who fought for these manufacturing jobs to be good-paying jobs, and decent jobs that you could raise a family on. They didn’t used to be, but they were after the labor movement had a long struggle and a long fight. And as soon as we start seeing pensions and health care and decent wages, and as soon as Blacks and women start getting that stuff, now factories can move away. They can go to other countries. And it really undercut unions’ ability to demand things and to strike. And you saw a lot less appetite among workers for asking for stuff like that, because now everybody just has to beg those factories to stay.”

Benjamín Labatut visits the podcast to discuss his book “When We Cease to Understand the World,” a combination of fact and fiction about some of the most ground-shifting discoveries in physics. Labatut explains why he gave himself license to imagine the lives and thoughts of some of the scientists featured — Einstein, Schrödinger and Heisenberg among them.

“What I’m trying to do is for people to understand just how mad these ideas seemed at the time to the very people who discovered them,” Labatut says. “And I had to use these characters for people to get a sense of how brutal the beauty was that these men were seeing for the first time.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Gal Beckerman and Lauren Christensen talk about what people are reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Dirty Work” by Eyal Press

“Invisible Child” by Andrea Elliott

“Beautiful World, Where Are You” by Sally Rooney

Jonathan Franzen’s new novel, “Crossroads,” has generated a lot of discussion, as his work tends to do. The novelist and critic Thomas Mallon, who reviewed “Crossroads” for us, is on the podcast this week to talk about the book and to place it in the context of Franzen’s entire career.

“He is fundamentally a social novelist, and his basic unit of society is the family,” Mallon says. “Always families are important in Franzen, and we move outward from the family into the business, into the town, into whatever the larger units are. His novels are likely to remain as indicators of what the world was like at the time he was writing. This new novel is a little bit different in that he’s going back 50 years. The Nixon era is now, definitely, historical novel material.”

Joshua Ferris visits the podcast to talk about his new novel, “A Calling for Charlie Barnes.”

“It’s basically about a guy who has floundered all his life until the moment that he gets pancreatic cancer,” Ferris says. “His diagnosis is a little back and forth, he’s not really being honest with too many people in his life about what’s going on. But eventually this rather thundering and life-changing disease happens to him. He’s got to deal with it, he’s got to get an operation and go through chemo and all the rest of it. And he changes his life. That’s sort of the plot of the book, I suppose. But it’s narrated by a tricky fellow who is related to him and determines the narrative as much as Charlie himself.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and our new book critics, Molly Young and Alexandra Jacobs, introduce themselves and talk about their approaches to literary criticism. Pamela Paul is the host.

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

In 2013, the front page of The New York Times devoted five straight days to the story of Dasani, an 11-year-old Black girl who lived in a homeless shelter in Brooklyn. Now, Andrea Elliott, the reporter of that series, has published her first book, “Invisible Child,” which tells the full story of Dasani and her family up to the present day. On this week’s podcast, Elliott discusses how she came to focus her reporting on Dasani.

“I’ve always believed as a journalist that the story shows itself to you, and you just have to do the work of being there and being present for as long as possible until it becomes more clear,” Elliott says. “In the very beginning, I had three families I was following at that shelter. And I had this approach that a lot of journalists take, that you need to capture three different families to give a sense of the spectrum of experience. But what I think becomes more important to the reader is to be able to identify deeply with one story, one protagonist, and follow that person.” Dasani became that person, in part, Elliott says, because “she was somebody who, at a very young age, could articulate in a moving and profound way her experience. And that’s a rare trait even in adults.”

The stand-up comedian, actress, producer and publisher Phoebe Robinson visits the podcast to discuss her new book of essays, “Please Don’t Sit on My Bed in Your Outside Clothes.”

“Book writing is a completely different style of writing than stand-up,” Robinson says. “Stand-up, there’s a rhythm and you’re aware of the laughs and how they’re hitting. With a book you can really have more flavor with it; you can be vulnerable, you can slow it down, have some down beats, you could be really funny. I wouldn’t say it’s difficult to write stand-up versus book writing. They both have their challenges.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“The Diary of a Country Priest” by Georges Bernanos

“The Magician” by Colm Toibin

“The Outlaw Ocean” by Ian Urbina

In “Bewilderment,” Richard Powers’s first novel since he won a Pulitzer Prize for “The Overstory,” an astrobiologist named Theo Byrne looks for life on other planets while struggling to raise his highly sensitive 9-year-old son, Robin. On this week’s podcast, Powers compares Theo’s work in the galaxy with his relationship on the ground.

“If there are all of these millions of exoplanets out there are and they are all subject to radically different conditions, what would life look like in these conditions that are so very different from Earth?” Power says that a similar question “is also the preoccupation of most literature. Books themselves are empathy machines and travels to other planets. They’re ways that we have of participating in sensibilities that are not ours. So when Robin asks this question — which is bigger, outer space or inner? — that question of where are we going, who are we, why are we the way we are, gets turned inward, to this question of how do I understand someone who’s so profoundly different from myself? And in that way, travel to other planets always becomes travel to other people.”

Honorée Fanonne Jeffers visits the podcast to discuss her best-selling debut novel, “The Love Songs of W.E.B. Du Bois.” Among other subjects, Jeffers talks about why the book’s main character, Ailey Pearl Garfield, who comes from a long family line of physicians, becomes a historian herself.

“It’s a gesture to the way that I grew up learning about African American history,” she says. “I’m an English professor, a creative writing professor, but when I was a little girl I would sit up underneath the old people. I never really was a child that liked to play with other children. I would sort of scoot into a corner so I wouldn’t be noticed and I would listen to the old people talk about the way they grew up, growing up in segregation, growing up in Jim Crow, and then some of the stories that they remembered from the old people who had been born into slavery, like my great grandma Mandy Napier, so it had a great impact on me, and I think that’s why I made Ailey an eventual historian.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“When We Cease to Understand the World” by Benjamín Labatut

“On Juneteenth” by Annette Gordon-Reed

“Congratulations, by the Way” by George Saunders

“A Motor-Flight Through France” by Edith Wharton

The Harvard law professor Randall Kennedy’s new book, “Say It Loud!,” collects 29 of his essays. Kennedy’s opinions about the subjects listed in the book’s subtitle — race, law, history and culture — tend to be complex, and he’s not afraid to change his mind. He says on the podcast that there’s “no shame” in admitting you’re wrong, and that he does just that in the book when he finds it appropriate.

“I thought that the United States was much further down the road to racial decency than it is,” Kennedy says. “Donald Trump obviously trafficked in racial resentment, racial prejudice in a way that I thought was securely locked in the past. This has had a big influence on me. I used to be a quite confident racial optimist. I am not any longer. I’m still in the optimistic camp — I do think that we shall overcome — but I’m uneasy. I’m uneasy in a way that was simply not the case, let’s say, 10 years ago.”

Mary Roach visits the podcast to discuss her new book, “Fuzz: When Nature Breaks the Law.” It’s impossible to choose just one moment to highlight from this interview, which includes but is not limited to the following subjects: caterpillars called into court, moose crash test dummies, and how to distinguish (and why you would want to) between a real and fake tiger penis.

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Elizabeth Harris has news from the publishing world; and Jennifer Szalai and John Williams talk about books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed by the critics this week:

“The Contrarian” by Max Chafkin

“Peril” by Bob Woodward and Robert Costa

Colson Whitehead’s new novel, “Harlem Shuffle,” revolves around Ray Carney, a furniture retailer in Harlem in the 1960s with a sideline in crime. It’s a relatively lighthearted novel, certainly compared to “The Underground Railroad” and “The Nickel Boys,” Whitehead’s two previous novels, each of which won the Pulitzer Prize.

“I usually do a lighter book, then a heavier book, but I felt compelled to write ‘The Nickel Boys’ at the time that I did,” Whitehead says on this week’s podcast. “I knew that in the crime genre, there’s more room for jokes. There’s just a lot more room for play. So I could exercise my humor muscle again. And then immediately, Carney … I wanted him to win, as soon as he appeared on the page. He was someone who was not as determined by circumstances — slavery, Jim Crow — as the characters in those previous two novels. And he pulls off some capers. And I think we — or at least I was rooting for him. So immediately the tone was different, and I gave myself to it.”

Colm Toibin visits the podcast to talk about his new novel, “The Magician,” based on the life of the great German writer Thomas Mann. Toibin says that the book is not an attempt to “inhabit” Mann, or to fully understand him, which is impossible with such a complex person.

“It’s not an attempt to pin him down, so that by the end of the book you really know him,” Toibin says. “I’m as interested in his unknowability as I am in attempting to draw a very clear portrait of him. I think it’s an important question. I often hear novelists saying, ‘I felt I really knew my character.’ And I often feel the opposite. I often feel my character has become even more evasive the further attempts I have made to enter their spirit.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“A Time of Gifts” by Patrick Leigh Fermor

“Latecomers” by Anita Brookner

“The Makioka Sisters” by Junichiro Tanizaki

Summer is upon us and you're going to need a few books to read. Book Review editors Elisabeth Egan and Joumana Khatib join host Gilbert Cruz to talk through a few titles they're looking forward to over the next several months.

Books discussed in this episode:

"Farewell, Amethystine," by Walter Mosley

"The Cliffs," by J. Courtney Sullivan

"Horror Movie," by Paul Tremblay

"Liars," by Sarah Manguso

"The God of the Woods," by Liz Moore

"The Bright Sword," by Lev Grossman

"Pearl," by Sian Hughes

"Sandwich," by Catherine Newman

"The Future Was Now," by Christopher Nashawaty

"An Honest Woman: A Memoir of Love and Sex Work," by Charlotte Shane

The novelist Brandon Taylor, who has generated his own buzz with his debut novel, “Real Life,” and a collection of stories, “Filthy Animals,” visits the podcast to discuss the much-discussed work of Sally Rooney. Taylor recently reviewed her third novel, “Beautiful World, Where Are You.” On the podcast, he describes Rooney’s writing as an “intense, melancholic tractor beam.”

“She has this really great, tactile metaphorical sense, but it’s never overworked,” he says. “Her style is so clean. That is the word I come to most often in describing her style. It is so clean, so pristine.” Like her two previous books, this one is fueled by the vexations of intimate relationships. “Ultimately, if you’re a Sally Rooney fan, I think you’ll love this novel,” Taylor says. “And if you’re a Sally Rooney skeptic, I think she will acknowledge your concerns but maybe not answer them in full.”

Another Rooney, David Rooney, visits the podcast to discuss his new book, “About Time: A History of Civilization in Twelve Clocks.”

“There’s something about clocks and watches,” he says.” They have more meaning to many people than other artifacts. I wasn’t quite sure why. I was trying to get behind the faces of clocks and watches, to understand not so much how they work — although that’s fascinating — but what they mean, and what they’ve always meant, through history, across cultures.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Jennifer Szalai and John Williams talk about books that have been recently reviewed. Pamela Paul is the host.

Here are the books discussed by the Times’s critics this week:

“The Failed Promise” by Robert S. Levine

“The War for Gloria” by Atticus Lish

“The Magician” by Colm Toibin

“Out on a Limb” is a selection of Andrew Sullivan’s essays from the past 32 years of American history. On this week’s podcast, Sullivan talks about the book and his feelings about some of the very contentious public arguments in which he’s been involved.

“You’re never at a moment of finality in politics or intellectual life. You’re always just about to be proven wrong again,” Sullivan says. “I have developed a very thick skin. You have to. I was very controversial in the gay rights movement very early on. The case for marriage equality was bitterly opposed by some gay activists, and I was targeted and picketed by gay people sometimes, for my first book. So I’ve always accepted that that’s part of the price. I am a sensitive person and it does hurt my feelings, obviously, but I think my answer is that it doesn’t matter what they say about you as long as it isn’t true. And if it’s true, hear it, take it in, try and figure out what insight they have about you and change. If it isn’t, forget it.”

Leila Slimani’s new novel, “In the Country of Others,” is the first installment of a planned trilogy loosely based on the lives of the author’s grandparents. On this episode of the podcast, Slimani talks about why she’s writing the autobiographical material as fiction.

“Imagination is a great power that we have,” she says. “Even if my family is interesting in certain ways, it’s not as interesting as I wanted. So I need to add other things, and I need to feel completely free. I don’t really want to tell about reality but about what fascinates me.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Lauren Christensen, Andrew Lavallee and John Williams talk about what they’ve been reading. Pamela Paul is the host.

Here are the books discussed in this week’s “What We’re Reading”:

“Intimacies” by Katie Kitamura

“A Visitation of Spirits” by Randall Kenan

“Loop” by Brenda Lozano

A.O. Scott, The Times’s co-chief film critic, returns to the Book Review’s podcast this week to discuss the work of William Maxwell, the latest subject in Scott’s essay series The Americans, about writers who give a sense of the country’s complex identity. In his novels and stories, Maxwell frequently returned to small-town Illinois, and to, as Scott describes it, the “particular civilization and culture and society that he knew growing up.”

“In so many of these books,” Scott says, “he was trying in a sense to figure out himself by figuring how where he had come from. It was inexhaustible. The thing that’s really remarkable about his revisiting his family, his family’s story and the town where they lived is just how many layers are there. In what seems like a simple, small, provincial place, just how much depth and complexity and comedy and pathos live there.”

Eyal Press visits the podcast to discuss his new book, “Dirty Work,” about the lives of workers in slaughterhouses, correctional facilities and other morally fraught places. Press says that the people who do this work make inequality one of the book’s primary themes.

“One of the messages of the book is that it’s very rarely the privileged and the powerful,” Press says. “It’s more likely to be people at the bottom of the social ladder, people with fewer choices and opportunities, who are thrust into these ethically troubling roles that they carry out in a sense on society’s behalf and in our name.”

Also on this week’s episode, Tina Jordan looks back at Book Review history as it celebrates its 125th anniversary; Alexandra Alter has news from the publishing world; and Dwight Garner and Jennifer Szalai discuss books they’ve recently reviewed. Pamela Paul is the host.

Here are the books discussed by the Times’s critics this week:

“Reign of Terror” by Spencer Ackerman

“Playlist for the Apocalypse” by Rita Dove