The Bestseller Experiment – Details, episodes & analysis

We are delighted to welcome worldwide bestseller Michael Connelly back to the podcast to discuss his new novel The Dark Hours, which explores an LA scarred by fear and social unrest. Michael reflects on how the world of Harry Bosch has grown over an incredible thirty years, and he answers our listener questions of writing habits, outlining and much, much more.

We celebrate international bestselling fantasy writer Joe Abercrombie’s return to the podcast with The Wisdom of Crowds, which brings his Age of Madness trilogy to a thrilling climax. As always, Joe is a treasure trove of amazing advice for writers and he answers our listener questions on outlining, symmetry, POV and much more. We also ask him if he still dances naked in the rain… and his answer might surprise you.

Hollywood actor Richard Armitage is best known as Thorin in The Hobbit, appearances in Ocean’s 8, Captain America and the seventh most viewed Netflix show - Harlan Coben’s ‘Fool Me Once’. Richard also starred in shows including Obsession, Red Eye, Spooks, Robin Hood and North & South, as lead John Thornton. As a seasoned audiobook narrator, we talk with Richard about his second novel The Cut, as well as The Hobbit, how he sets life-changing goals and so much more.

Digital-first publisher Bookouture are now applying their publishing model to science fiction and fantasy with their new imprint Second Sky. We speak to consultant associate publisher Jack Renninson who tells us what Second Sky is looking for, and he answers our listener questions on submissions, pitching to Second Sky, and what’s to come in the near future.

Bestselling author Peter May returns to the podcast with his gripping new novel A Winter Grave, a near future thriller where climate change has changed the landscape. Peter talks about coming out of retirement to write without a contract or a deadline, but with passion and a sense of urgency. Mark Stay is joined this week by guest presenter Caimh McDonnell, bestselling author of the Bunny McGarry series and the Stranger Times books, including Love Will Tear Us Apart.

Director Jon Wright joins Mark Stay to answer listener questions on the development of their new monster movie Unwelcome. They reveal what inspired them to write the script, how the story was developed (and was very early abandoned), how Jon blocks and shoots sequences and works with the cast and crew, they offer tips for screenwriters, and they start by discussing, er, chocolate bars. 

Lou Abercrombie worked in TV and film production and as a photographer, and a few years ago started writing children’s books combining her passion for swimming and mathematics. Her debut novel FIG SWIMS THE WORLD, was longlisted for the Bath Children’s Award, and her new book AMAZING MATHS makes the subject of mathematics accessible in a way that we wish was around when we were at school. Lou reveals how water solves her story problems and how she’s helped by a waterproof notebook...

Matt Cain endured rejections from thirty agents and fifty publishers before getting his debut novel published… and then it didn’t work out. Matt tells us how he made an extraordinary comeback, breaking crowdfunding records with The Madonna of Bolton, having a smash with The Secret Life of Albert Entwistle, and now he’s back with Becoming Ted, his latest heartwarming novel about following your dreams.

Cole Haddon is an Australian-American screenwriter and novelist whose first TV commission, Dracula, was produced by NBC and SKY and starred Jonathan Rhys Meyers. Psalms for the End of the World is his debut novel and Cole tells us how he was inspired by looking into the eyes of one of his young children, why he’s happy to fail, how he deals with notes, and he gives us tips for writing scripts and graphic novels.

Christian Cameron is an incredibly prolific writer and military historian who also writes as Miles Cameron. His new novel as Miles is Against All Gods, an epic set in the Bronze Age that gives a new twist to familiar myths and legends. Christian tells how he learned to write without doubting himself, how historical recreation has helped with research, and why there are no minor characters.