This week features a conversation from the 2024 Portland Book Festival, featuring best-selling author Ijeoma Oluo, who is a self-described “writer, speaker, and internet yeller.” She discusses her latest book, Be a Revolution: How Everyday People are Fighting and Changing the World — and How You Can, Too with Portland’s Hanif Fazal, author of An Other World and co-founder of the Center for Equity and Inclusion.

They engage in a very honest conversation about the impact that “being loud” about race and racism has had on Oluo’s personal life and mental well-being. She shares that thought she wouldn’t write another book because of that strain, but that through centering loving action that she found a new way of doing her writing work with this project. They also discuss the general writing life and process, and the importance, in the often difficult and consuming work of fighting for systemic change, of centering joy as an outcome of activism.

Oluo’s book, Be a Revolution, highlights the way people all over the country are working to create real positive change for intersectional racial equity; as Fazal points out, giving new perspectives on big ideas through the stories of real, actual people. Their stories and Oluo’s work are intended to inspire action and change, and this conversation

Ijeoma Oluo (ee-joh-mah oh-loo-oh) is a Seattle-based Writer, Speaker and Internet Yeller. Her work on social issues such as race and gender has been published in The Guardian, Esquire, Washington Post, ELLE Magazine, New York Times, NBC News and more. She has been featured on The Daily Show, All Things Considered, BBC News, and more. Her #1 NYT bestselling first book, So You Want To Talk About Race, was released January 2018 with Seal Press. Her second book, MEDIOCRE: The Dangerous Legacy of White Male America, was published December 2020 with Seal Press and her upcoming book, Be A Revolution: How Everyday People Are Fighting Oppression and Changing the World – and How You Can Too, was January 2024 with Harper One. Oluo was named one of the Most Influential People in Seattle by Seattle Magazine, one of the 50 Most Influential Women in Seattle by Seattle Met, one of The Root’s 100 Most Influential African Americans in 2017 & 2018, and is the recipient of the Feminist Humanist Award 2018 by the American Humanist Association, the Harvard Humanist of the year 2020, the Media Justice Award by the Gender Justice League, and the 2018 Aubrey Davis Visionary Leadership Award by the Equal Opportunity Institute.

Hanif Fazal, author of An Other World, has developed and delivered innovative equity and inclusion programs across education, philanthropic, public, and non-profit sectors for over twenty years. He is currently the co-founder of the Center for Equity and Inclusion and is also an author, who writes about the fight for freedom, joy, and belonging in Black and Brown communities. His first book, An Other World, offers a hopeful path forward by nurturing identity and centering community. It’s a path where joy is the norm rather than struggle, where home and work are inclusive rather than exclusionary, and where Brown and Black relationships lead to a unique experience of freedom. Along with local and national news and podcast appearances, Hanif has spoken at South by Southwest, National Equity Summit, a two-time presenter at the CCAR summit on race, and many other equity and education-focused events. He is a National Pew Civic Change award winner, Multnomah County Hilltop award winner, and was awarded the Taste of Portland’s Changemaker award for his prolonged impact on equity and inclusion throughout Portland. Most recently, An Other World was awarded a silver medal at the 36th annual IBPA Benjamin Franklin Awards.

Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county.  Here at Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall. The 2025 Everybody Reads book was the memoir Solito by Javier Zamora.   

Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora’s three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it’s a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet.   The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.”   

Solito isn’t simply a story of a migrant’s harrowing journey, it’s the story of a writer becoming a writer. It is also one of the most important American stories of our time.  

“Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.”

Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband’s footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes.   

In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants.  

Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign. Javier lives in Tucson, AZ, where he volunteers with Salvavision, The Kino Border Initiative, and The Florence Project.  

Every once in a while, a writer arrives in a historic moment who can explain it, even while it is still actually occurring. M. Gessen is one of these writers. They are a part of the lineage of other incredible writers of their moments, like George Orwell, and Hannah Arendt. 

Gessen is the author of eleven books and has been a staff writer at the New Yorker since 2014, and is a columnist for the New York Times. They won the National Book award in 2017 for The Future is History: How Totalitarianism Reclaimed Russia, and became a household name with their bestselling book Surviving Autocracy, which was published in 2020 and written as both a warning and a call to action in the aftermath of Trump’s 2016 election. 

Gessen’s talk is a rare glimpse into their childhood and early professional life – growing up in the Soviet Union and emigrating at the age of 14; their early experience in Boston and how it shaped their life personally and professionally; their return to Moscow as a journalist and a rare and strange meeting with Vladimir Putin, and how their grandmothers’ life stories shaped their work.  

Gessen is one of the rare contemporary commentators on authoritarianism who has lived under such a regime, and in a democracy – and they have an urgent warning for us all. 

“I’ve always thought that I was very lucky to know when I had to leave (Russia) because one of the hardest decisions that somebody has to make…is figuring out when your home is no longer your home. It was kind of a great favor that Putin did to me.”

M. Gessen is a Russian American author, translator, and journalist. They’ve written 11 books, including Surviving Autocracy, The Future is History: How Totalitarianism Reclaimed Russia (winner of the 2017 National Book Award for Nonfiction), and an award-winning account of the Boston Marathon bombers titled The Brothers: The Road to an American Tragedy. They spent years covering Putin’s regime in Russia and was famously dismissed as the editor of the Russian popular science magazine Vokrug sveta for refusing to cover a Putin event they felt was propaganda. Gessen received a Guggenheim Fellowship, an Andrew Carnegie Fellowship, a Nieman Fellowship, the Hitchens Prize, an Overseas Press Club Award for Best Commentary, and the Hannah Arendt Prize for Political Thought. They’ve written for many US publications including The New York Times, The Washington Post, The Los Angeles Times, and The New Yorker. Gessen is a distinguished professor at the Craig Newmark Graduate School of Journalism at CUNY and a distinguished visiting writer at Bard College. They live in New York with their wife and children.  

In this episode of The Archive Project, we’re reaching back more than 30 years into the archive to feature the prolific novelist Jane Smiley from a Portland Arts & Lectures event in 1991. This period was an inflection point in her career. At that time, she had established herself as an important and respected American writer, but had yet to find a large audience—to this day, many believe The Greenlanders, published just three years before this talk in 1988, to be a significantly underappreciated novel. Just six months after this talk, Smiley would published her breakout novel A Thousand Acres and would win the 1992 Pulitzer Prize which catapulted her to literary fame.

The title of the talk is, provocatively, “Can Mother’s Think?” The irony here, of course, is that Smiley is both a brilliant artist and a mother. But as a young writer she could not find literature that rendered the experience of motherhood with the depth, nuance, and power she felt it deserved. She discusses the paternal nature of the books that dominate the so-called canon, the relationship of feminism to motherhood, and challenges the notion of unconditional love, a notion that she believes contributed to the dearth of complex mothers in literature. She also talks about a crop of new writers emerging at the time who were changing the very definition of literature by writing about motherhood in new and profound ways.

Jane Smiley is the author of numerous novels, including A Thousand Acres, which was awarded the Pulitzer Prize, and the Last Hundred Years Trilogy: Some Luck, Early Warning, and Golden Age. She is the author as well of several works of nonfiction and books for young adults. A member of the American Academy of Arts and Letters, she has also received the PEN Center USA Lifetime Achievement Award for Literature. She lives in Northern California.

In this episode of The Archive Project, we feature journalist Patrick Radden Keefe from a Portland Arts & Lectures event in February 2023. Keefe is the author of five books of nonfiction, most recently Rogues: True Stories of Grifters, Rebels, and Crooks, a collection of essays from his work as a staff writer at The New Yorker magazine. NPR called Rogues “a wonderful book, not only because Keefe’s prose is masterful, but because he has a preternatural gift for reading people. He recognizes that we’re all unreliable narrators of our own lives, and writes about his subjects with a keen sense of understanding.”

He is also the author of Say Nothing: A True Story of Murder and Mystery in Northern Ireland, as well as Empire of Pain: The Secret History of the Sackler Dynasty.

In this talk, Keefe speaks to his writing process of what his editor termed “investigative melodrama.” He is drawn in by fascinating real-life characters like Arthur Sackler of Empire of Pain and Dolours Price of Say Nothing as way to explore, as he says, “the arbitrary lines we draw between what’s legal and illegal, what society sanctions and celebrates and what it condemns and punishes.”

We’re including the full event intro and Q&A in this extended version of this episode, since many subscribers couldn’t make it to the concert hall due to the extraordinary weather–Portland experienced an unexpected and historic, record-setting snowstorm the evening of the event.

As a special feature, we start the episode with a short reading from Oregon-based writer, Stephan Nance. Nance was awarded the Edna L. Holmes Fellowship in Young Readers from Literary Arts in 2023. Their reading is a selection from their Young Adult novel-in-progress, A Bird in the Heart, which they describe as a “very birdy young adult novel set in Eastern Oregon”.

Patrick Radden Keefe is a staff writer at The New Yorker and the author, most recently, of the New York Times bestseller Say Nothing: A True Story of Murder and Memory in Northern Ireland, which received the National Book Critics Circle Award for Nonfiction, was selected as one of the ten best books of 2019 by The New York Times Book Review, The Washington Post, Chicago Tribune and The Wall Street Journal, and was named one of the top ten nonfiction books of the decade by Entertainment Weekly. His previous books are The Snakehead and Chatter. His work has been recognized with a Guggenheim Fellowship, the National Magazine Award for Feature Writing and the Orwell Prize for Political Writing. He is also the creator and host of the eight-part podcast Wind of Change.

In this episode of The Archive Project, we feature Lauren Groff from a Portland Arts & Lectures event in early 2023 at the Arlene Schnitzer Concert Hall. Groff is the author of six books of fiction, the last three of which, Fates and Furies, Florida, and Matrix were all national bestsellers and all finalists for the National Book Award.

One of the many delights in reading Groff’s books is the dramatic shift in time, place, and focus from title to title. She is not an artist writing the same book over and over. From a multi-century saga of a town and its secrets, to a boy at a hippie commune in upstate New York, to look at a modern Greek tragedy, to the wild country that is the state of Florida, and life in a medieval nunnery during the twelfth century–every time you pick up one of her books you are transported. It’s thrilling as a reader, and it speaks to Groff’s immense talent that there are thematic through-lines moving across such a diverse body of work.

In her talk, Groff reveals the deeper undercurrents of her work and her unusual process of writing. While she professes to be “profoundly secular,” the core of her talk revolves around God, poetry, love and sexuality. She weaves in discussion of the biblical Song of Solomon, to her own biography and her spiritual journey, and the universal themes found in the work of Gerard Manley Hopkins. She manages to do all this with an incredible sense of humor and a light touch which feels, like her fiction, somehow slightly magical.

Lauren Groff is the New York Times bestselling author of four novels and two short story collections. Her 2021 novel Matrix, which Esquire described as “Incandescent… a radiant work of imagination and accomplishment,” was a National Book Award finalist and was selected by President Barack Obama as one of his favorite books of the year. Her works have won The Story Prize, the ABA Indies’ Choice Award, and France’s Grand Prix de l’Héroïne. Groff is a three-time finalist for the National Book Award and twice for the Kirkus Prize, and has been shortlisted for the National Book Critics Circle Prize, the Southern Book Prize, and the Los Angeles Times Prize. She has received fellowships from the Guggenheim Foundation and the Radcliffe Institute, and was named one of Granta’s Best of Young American Novelists. She lives in Gainesville, Florida with her husband and two sons.

This week on The Archive Project, we bring you a lecture from the 2003/2004 season of Portland Arts & Lectures, featuring renowned memoirist and short story writer Tobias Wolff. Best known for his memoirs This Boy’s Life and In Pharaoh’s Army, Wolff has also published award-winning fiction, mostly short stories, and in this lecture is discussing his 2003 novel, Old School, which was a finalist for the 2004 PEN/Faulkner Award for Fiction.

In his lecture, Wolff explores the balance and conflict between writing memoir and writing fiction, that push and pull between autobiography and imagination, or as he says, “the pressure of the personal life on the imagined life that we write.” It’s a humorous lecture with an inviting mix of personal anecdotes and some more professorial analysis of influences like Leo Tolstoy and Flannery O’Connor–and ideal something-for-everyone kind of talk.

Wolff went on to publish Our Story Begins: New and Selected Stories in 2008, and in 2014, Wolff was awarded the Stone Award for Lifetime Literary Achievement from Oregon State University, and in 2015 President Barack Obama presented him with the National Medal of the Arts for his contributions as an author and educator.

“A true piece of writing is a dangerous thing. It can change your life.” – Old School

Tobias Wolff lives in Northern California and teaches at Stanford University. He has received the Rea Award for excellence in the short story, a Los Angeles Times Book Prize, and the PEN/Faulkner Award.

In this episode of The Archive Project, we feature a discussion on late writer Ursula K. Le Guin’s legacy of pacifism and environmentalism. Our moderator is Theo Downes-Le Guin, Ursula’s son and literary executor. Theo is in conversation with Oregon-based writers Juhea Kim, author of the novel Beasts of a Little Land, a finalist for the 2022 Dayton Literary Peace Prize, and Michelle Ruiz Keil, author most recently of the young adult novel Summer in the City of Roses, which was a finalist for the inaugural Ursula K. Le Guin Prize for Fiction.

In her speech at the 2014 National Book Awards, accepting the Medal for Distinguished Contribution to American Letters, Ursula said: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.”

Juhea Kim and Michelle Ruiz Keil are two of those voices that we need now. In this conversation, Juhea and Michelle discuss how they came—and returned—to Le Guin’s work, her influence on their writing, and how they are carrying her legacy forward, including the responsibility of the artist as a humanitarian.

This conversation was recorded in front of a live audience at Literary Arts on July 15, 2022.

“It is good to have an end to journey toward; but it is the journey that matters, in the end.” ― Ursula K. Le Guin

Ursula K. Le Guin (1929-2018) was a celebrated author whose body of work includes 23 novels, 12 volumes of short stories, 11 volumes of poetry, 13 children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 joined the short list of authors to be published in their lifetimes by the Library of America.

Michelle Ruiz Keil is an author, playwright, and tarot reader with an eye for the enchanted and way with animals. She is the author of the critically acclaimed young adult novels All of Us With Wings and Summer In The City of Roses. Her writing for adults can be found most recently in Bitch, Cosmonauts Avenue, and the anthology Dispatches From Anarres: Tales in Tribute to Ursula K. Le Guin. She is a 2021 Tin House Scholar and the recipient of residencies from Hedgebrook, The Sitka Center for Art and Ecology, and the Bloedel Reserve. Born in San Francisco, Michelle has lived in Portland, Oregon for many years where she curates the fairytale reading series All Kinds of Fur and lives with her family in a cottage where the forest meets the city.

Juhea Kim is a writer, artist, and advocate based in Portland, Oregon. Her bestselling debut novel Beasts of a Little Land was named a finalist for the 2022 Dayton Literary Peace Prize and a Best Book of 2021 by Harper’s Bazaar, Real Simple, Ms., and Portland Monthly. Her writing has been published in Granta, Slice, The Massachusetts Review, Zyzzyva, Guernica, Catapult, Times Literary Supplement, The Independent, Sierra Magazine, and elsewhere. She is the founder and editor ofPeaceful Dumpling, an online magazine at the intersection of sustainable lifestyle and ecological literature. She has received fellowship support from the Bread Loaf Environmental Writers’ Conference, the Regional Arts & Culture Council, and Virginia G. Piper Center for Creative Writing at Arizona State University. She earned her BA in Art and Archaeology from Princeton University.

In this episode of The Archive Project, we reach back to the year 2000 to highlight one of the best conversations about writing found in our archives: A special event with Amy Bloom and Michael Cunningham.

Amy Bloom had just published a collection of stories entitled, A Blind Man Can See How Much I Love You, and Cunningham had published one his most important and bestselling novels, The Hours, just two years earlier. The Hours went on to become a movie that received nine Academy Award nominations and just last year was made into an opera that was performed in Philadelphia and New York, among other cities.

These two old friends are among the best fiction writers at work in this county. At the time of this conversation they were both at the height of their powers, making their talk both intimate and profound. There’s not an ounce of pretension or snobbery between them; they express nothing but humility and respect for the difficulties of writing fiction. In fact, the opening question of the conversation challenges the very the reason their work even exists when Cunningham and Bloom struggle to answer: Why write? They seem to forget that there is an audience of more than 2,000 watching them, as they discuss their art and what it means to them, and what the art form might mean in the larger world.

Amy Bloom is the author of four novels: White Houses, Lucky Us, Away, and Love Invents Us; and three collections of short stories: Where the God Of Love Hangs Out, Come to Me (finalist for the National Book Award), and A Blind Man Can See How Much I Love You (finalist for the National Book Critics Circle Award). Her first book of nonfiction, Normal: Transsexual CEOs, Crossdressing Cops and Hermaphrodites with Attitudes, is a staple of university sociology and biology courses. Her most recent book is the widely acclaimed New York Times bestselling memoir, In Love. She has written for magazines such as The New Yorker, The New York Times Magazine, Vogue, Elle, The Atlantic, Slate, and Salon, and her work has been translated into fifteen languages. She is the Director of the Shapiro Center at Wesleyan University.

Michael Cunningham is the author of the novels A Home at the End of the World, Flesh and Blood, Specimen Days, By Nightfall, and The Snow Queen, as well as the collection A Wild Swan and Other Tales, and the nonfiction book Land’s End: A Walk in Provincetown. He is the recipient of a Whiting Award and a Guggenheim Fellowship, and his work has appeared in The New Yorker and The Best American Short Stories. The Hours was a New York Times bestseller, and the winner of both the PEN/Faulkner Award and the Pulitzer Prize. Raised in Los Angeles, Michael Cunningham lives in New York City, and is a senior lecturer at Yale University.

In this episode of The Archive Project, we feature a conversation from Pickathon 2022. Literary Arts partnered with the Pickathon music festival to program on-stage author readings, and for a live recording of The Archive Project at the Lucky Barn stage. At The Archive Project live, Oregon poet laureate Anis Mojgani led a wide-ranging conversation with Portland-based multidisciplinary writers and artists Dao Strom, author most recently of the music and poetry project Traveler’s Ode/Instrument; and Jon Raymond, author of the recent novel Denial and screenwriter of First Cow and many more projects.

The trio talks about what their processes are like as artists with multiple and often hybrid modes of creativity, how they started as artists and how their genres have changed over the years as they move between music, visual art, filmmaking, fiction, poetry, written versus spoken literary work, and more. It’s interesting to hear how they think about the different pros and cons, as an artist, of more solitary versus collaborative work depending on the kind of art they are making. It’s a wonderfully curious, inquisitive, and open conversation about art and art-making, and we’re grateful to our friends at Pickathon for providing a platform for literary arts at this year’s festival.

Jon Raymond is the author of the novels The Half-Life, Rain Dragon, and Freebird, and the story collection Livability, winner of the Oregon Book Award. He has collaborated on six films with the director Kelly Reichardt, including Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, First Cow, and the forthcoming Showing Up, numerous of which have been based on his fiction. He also received an Emmy Award nomination for his screenwriting on the HBO miniseries Mildred Pierce directed by Todd Haynes and starring Kate Winslet. He was the editor of Plazm Magazine, associate and contributing editor at Tin House magazine, and a member of the Board of Directors at Literary Arts. His writing has appeared in Zoetrope, Playboy, Tin House, The Village Voice, Artforum, Bookforum, and other places. He lives in Portland, Oregon.

Dao Strom is an artist who works with three “voices”—written, sung, visual—to explore hybridity and contemplate the intersection of personal and collective histories. Using practices of polyvocality, fragmentation, and (re)assemblage, Strom writes arrangements of poetry, music, image, song and sound, to be experienced as performance, installation, multimedia, recordings, and inside the spaces of a book. Strom is the author of a bilingual poetry/art book, You Will Always Be Someone From Somewhere Else, (Hanoi: AJAR, 2018), a hybrid-form memoir, We Were Meant To Be a Gentle People, with song-cycle, East/West, and two books of fiction. She is a recipient of a 2016 Creative Capital Award and a 2020 Oregon Literary Arts Career Fellowship. She has received support from RACC, Precipice Fund, Oregon Arts Commission, NEA, and others.

Anis Mojgani is Oregon’s current Poet Laureate and the author of five books of poetry. His work has appeared on HBO, NPR, and in journals Bat City Review, Rattle, Buzzfeed Reader, Thrush, and Forklift Ohio, amongst others. A two time National Poetry Slam Champion and winner of the International World Cup Poetry Slam, Anis has done commissioned work for the Getty Museum, the Peabody Essex Museum, and the Portland Timbers, and has been awarded artist residencies from the Vermont Studio Center, AIR Serenbe, and the Bloedel Nature Reserve. Originally from New Orleans, Anis currently lives in Portland, OR, where he serves on the Board of Directors for Literary Arts. His latest collection is In the Pockets of Small Gods.

In this episode of The Archive Project, we feature Scottish novelist Douglas Stuart, winner of the Booker Prize for his debut novel, Shuggie Bain. He speaks about his new novel, Young Mungo, with Portland-based author and Oregon Book Award winner Omar El Akkad. They discuss the desire and longing at the heart of the story of the love between two working class young men from different religious backgrounds in Glasgow. A highlight is Stuart’s description of how his previous career in the textile industry relates to his work as a writer.

The conversation between Douglas Stuart and Omar El Akkad was recorded in front of a live audience at Powell’s City of Books in Portland on May 5th, 2022. For a complete lineup of Powell’s upcoming in-person and virtual author event programming, please visit them at powells.com/events.

We’ll join Douglas and Omar at the beginning of the event, with a moving introduction from Powell’s employee Nick Yandell.

Douglas Stuart is a Scottish-American author. His New York Times-bestselling debut novel Shuggie Bain won the 2020 Booker Prize and the Sue Kaufman Prize from the American Academy of Arts and Letters. It was the winner of two British Book Awards, including Book of the Year, and was a finalist for the National Book Award, PEN/Hemingway Award, National Book Critics Circle John Leonard Prize, Kirkus Prize, as well as several other literary awards. Stuart’s writing has appeared in the New Yorker and Literary Hub.

Omar El Akkad is an author and a journalist. He has reported from Afghanistan, Guantánamo Bay, and many other locations around the world. His work earned Canada’s National Newspaper Award for Investigative Journalism and the Goff Penny Award for young journalists. His writing has appeared in The Guardian, Le Monde, Guernica, GQ, and many other newspapers and magazines. His debut novel, American War, is an international bestseller and has been translated into thirteen languages. It won the Pacific Northwest Booksellers Association Award, the Oregon Book Award for fiction, and the Kobo Emerging Writer Prize, and has been nominated for more than ten other awards. It was listed as one of the best books of the year by The New York Times, The Washington Post, GQ, NPR, and Esquire, and was selected by the BBC as one of 100 Novels That Shaped Our World.

On this episode of The Archive Project, we feature multi-genre bestselling poet and author of thirty-eight books, Kwame Alexander, who discusses his memoir Why Fathers Cry at Night with James Beard award-winning chef of Portland’s Kann, and author of the cookbook Everybody’s Table, Gregory Gourdet. Their conversation was recorded at Powell’s Books in downtown Portland.

Alexander is best-known for his children’s books, including The Door of No Return and The Crossover, which was recently made into a TV series. Last month he published a memoir, Why Fathers Cry at Night: A Memoir in Love Poems, Letters, Recipes, and Remembrances. Alexander said that he started the book as love poems for his daughters, not knowing it would become the memoir and a mix of poetry, prose, recipes, and more as he explored his past and his present.

The conversation is remarkably open and honest, as Alexander shares stories ranging from learning to cook his mother’s fried chicken—an especially challenging project while living in buttermilk-less London—in order to connect not only with his late mother but with his daughter; growing up with a strict, book-loving father and how that affected his relationship to books and literature; and actively working to become a better father, partner, and friend by pushing himself to be more vulnerable with the people in his life. Although the word “father” is in the title, the book and the conversation touch on all kinds of friend and family relationships, beyond father-child.

Kwame Alexander is the New York Times bestselling author of more than thirty books, including his Newbery Medal-winning novel The Crossover and The Undefeated, winner of the Caldecott Medal and Newbery Honor. He is the founding editor of Versify, which aims to change the world one word at a time.

Gregory Gourdet is a celebrated chef, best-selling author, and television personality. He is best known for his award-winning cuisine, bevy of TV appearances, and trendsetting role in the culinary boom of Portland. Gregory ran the kitchen at Portland’s Departure Restaurant + Lounge for 10 years, leaving in 2019 to focus on opening Kann. He was named “Chef of the Year” by both Eater Portland and the Oregon Department of Agriculture, and is a James Beard Award nominee and two-time Bravo Top Chef finalist. In 2021, Gregory released his first cookbook, Everyone’s Table: Global Recipes for Modern Health, which was a national bestseller and won the James Beard Award for Best General Cookbook.

In this episode, we feature a conversation between Louise Erdrich and Portland-based writer Trevino Brings Plenty from the 2021 Portland Book Festival. Louise Erdrich joined us virtually from Minneapolis for an event in front of a live audience at the Newmark Theater. She is on our most celebrated and writers alive. Her novels include The Night Watchman, which won the 2021 Pulitzer Prize, The Round House, which won the National Book Award for Fiction, Love Medicine, and LaRose received the National Book Critics Circle Award for Fiction. She joined us on the occasion of the publication of her most recent novel, The Sentence.

Louise Erdrich, a member of the Turtle Mountain Band of Chippewa, is the author of many novels as well as volumes of poetry, children’s books, and a memoir of early motherhood. Her novel The Round House won the National Book Award for Fiction. Love Medicine and LaRose received the National Book Critics Circle Award for Fiction. Erdrich lives in Minnesota with her daughters and is the owner of Birchbark Books, a small independent bookstore. Her most recent book, The Night Watchman, won the Pulitzer Prize. A ghost lives in her creaky old house.

Trevino L. Brings Plenty is a poet and musician who lives, works, and writes in Portland, OR. Trevino is an American and Native American; a Lakota Indian born on the Cheyenne River Sioux Reservation, South Dakota, USA. Some of his work explores the American Indian identity in American culture and how it has through genealogical history affected indigenous peoples in the 21st century. He writes of urban Indian life; it’s his subject. His works include Wakpá Wanáǧi, Ghost River (2015); Real Indian Junk Jewelry (2012); and Shedding Skins: Four Sioux Poets (2008).

This week we have a conversation from the 2024 Portland Book Festival on first-generation American food: cooking that combines tradition and lineage with evolution and personal stories. The conversation features a cookbook author and home chef, restaurant co-owners, and a writer and food editor.  

We’ll hear from Kristina Cho, author of the cookbook Chinese Enough, which blends the flavors of traditional Cantonese cooking with California ingredients, reflecting her current home, and a midwestern sensibility drawn from her upbringing in Ohio. Kristina is joined by Jolyn Chen and Louis Lin, co-owners of the Portland restaurant Xiao Ye, which bills itself as “first-generation American food.” Jolyn is the general manager of Xiao Ye, and Louis is the chef – they’re both business and life partners. They grew up in California, and each worked in hospitality for years before embarking on their own restaurant, where Jolyn designed the space and Louis designed the menu. Our moderator is novelist Rachel Khong, author of Real Americans, who was the editor of the esteemed food magazine Lucky Peach, and also grew up in California.  

Kristina, Jolyn, Louis, and Rachel discuss the intersections between their Asian-ness, their American-ness, and their Asian-American-ness, and how that all plays out in their relationships to food. They also talk about how where they grew up shapes their understanding of both food and family, and how the cooking and food they were drawn to comes from what was accessible or not to them early on. This relates to a conversation about the idea of authenticity, which is often misunderstood as being about tradition, but Louis eloquently describes as being true to oneself and where you are – Kristina gives an example of one of the women in her family using Bisquick in her steamed cupcakes.  

One thing I loved about this conversation is how clear it is that making food, and, crucially, feeding people – which is the ultimate goal, after all, of both home cooks and restauranteurs – is about nourishment but also about making art, and art that is reflective of both where you came from and where you are now.   

Let’s get into the conversation about what it means to make first-generation American food. Here are Jolyn Chen, Louis Lin, and Kristina Cho in conversation with moderator Rachel Khong. 

Kristina Cho is an award-winning cookbook author, recipe developer, home cook, baker, food stylist, and photographer. Her groundbreaking debut cookbook, Mooncakes and Milk Bread, won two James Beard awards and was described as an instant classic by The New York Times. Her latest cookbook is titled Chinese Enough. 

Jolyn Chen has worn many hats and lived many lives; born and raised in a small suburb of Los Angeles, she attended Cal Poly Pomona’s renowned Collins College and received her Bachelor’s in Hospitality Management. She spent her early years in the industry working in Washington, DC, soaking up all that the burgeoning food scene had to offer. Most notably was her time at Rose’s Luxury, where she really began to foster her own sense of hospitality. In true Jolyn fashion, while working two part-time jobs, she took a third at El Camino Travel, a start-up boutique travel company specializing in small, curated trips to emerging destinations. It was through that experience that she discovered her passion for design. 

Jolyn would move back to LA to pursue a career in Interior Design, completing the UCLA Extension program for Interior Architecture while working at Croft House & Ginny Macdonald Design. A few years later, she and Louis would begin their chapter in Portland, where she worked as a designer at Jessica Helgerson Interior Design before embarking on their own personal project, Xiao Ye.  

Louis Lin is a child of Taiwanese immigrants and was born and raised in that same suburb outside of LA. Unlike Jolyn, Louis always knew where his path would take him. After getting his degree in Business Economics and Accounting at UC Santa Barbara, he enrolled at the Culinary Institute of America at Greystone. From there, his career in kitchens began; Louis spent his externship working behind Nancy Silverton at her fine dining Osteria Mozza. Upon graduating from culinary school, at the behest of his best friend, Louis moved to Washington, DC to work for James Beard winner Aaron Silverman at his first restaurant, Rose’s Luxury. Rose’s would go on to receive numerous accolades- Bon Appetit’s best new restaurant in 2014 and a Michelin Star, amongst others. When Silverman opened his second venture, Pineapple and Pearls, Louis would follow him as an opening line cook and help the tasting-menu restaurant earn 2 Michelin Stars in its inaugural year. 

In 2017, Louis moved back to Los Angeles and began working at Evan Funke’s Felix Trattoria. It was there that he found his footing; working his way up from line cook to Chef de Cuisine, running day to day operations and overseeing the restaurant that has become the standard bearer for handmade pasta in the country. 

Rachel Khong is the author of Goodbye, Vitamin, winner of the California Book Award for First Fiction, and named a Best Book of the Year by NPR; O, The Oprah Magazine; Vogue; and Esquire. Her work has appeared in The New York Times Book Review, The Cut, The Guardian, The Paris Review, and Tin House. In 2018, she founded The Ruby, a work and event space for women and nonbinary writers and artists in San Francisco’s Mission District. She lives in California, and her latest novel is titled Real Americans. 

In this episode of The Archive Project, we feature Abdulzarak Gurnah from a Portland Arts & Lectures event in September 2022.  He joined us as part of the American launch of his most recent novel Afterlives. He had just won the Nobel prize for literature, after a long and distinguished career as a novelist in Britain, thought he was relatively unknown here in the United States.

In his talk, Gurnah describes the rich layers of cultural influence that formed his native Zanzibar, now known as Tanzania, as an international trading hub through the centuries, and his formative decision to move to England as a young man, a decision that would shape his life and his writing.

Afterlives is a novel set in on the west coast of Africa during World War I that centers the lives of Africans, not their European colonizers, and their struggles to survive the war and then make sense of their lives in its immediate aftermath.

Encountering the work of a writer for the first time can be thrilling. For most readers here in the United States, the Nobel Prize brought to light not only a writer few of us knew, but one that has been writing profound novels about colonialism and migration for decades. Gurnah’s work is both beautiful and important, giving important and fresh perspective on the recent past, and today.

Abdulrazak Gurnah was born in Zanzibar in 1948 and teaches at the University of Kent. He is the author of six novels, including Paradise, which was short-listed for the Booker Prize and the Whitbread Award, and By the Sea, a Los Angeles Times Book Prize finalist.

In this episode of The Archive Project, we feature a Portland Book Festival event with two prominent young adult novelists whose work appeals to readers of any age.

Ellen Hagan’s novel in verse, Don’t Call Me a Hurricane, explores the aftermath of Hurricane Sandy on a New Jersey shore community through the perspective of Eliza, who is fighting to protect her home from development while navigating the lingering trauma of the storm and the climate crisis—plus the additional crisis of having a crush on her should-be enemy, a rich summer tourist.

In Meet Me In Mumbai, Sabina Khan interweaves the stories of Ayesha, who finds herself eighteen years old, far from her home in India, in love for the first time… while pregnant and facing a huge decision. Seventeen years later, Ayesha’s daughter Mira, is searching for information about her history when she finds a box of letters from her birth mother. Mira yearns for more connection to her Indian heritage, but must decide if she’s ready to learn the whole truth about her past.

Both novels feature young characters making big decisions and grappling with the consequences their own choices—as well as the aftermath of the world they are born into—as they find their way. The past is present in both storylines, in ways that ring true for readers of all ages.

Our panel moderator is Portland writer and editor Megan Savage.

Ellen Hagan is a writer, performer, and educator. She is the author of Reckless, Glorious, Girl and the co-author with Renée Watson of Watch Us Rise. Her poetry collections include Blooming Fiascoes, Hemisphere, and Crowned. Her work can be found in ESPN Magazine, She Walks in Beauty, and Southern Sin. Ellen is the Director of the Poetry & Theatre Departments at the DreamYard Project and directs their International Poetry Exchange Program with Japan, South Korea and the Philippines. She co-leads the Alice Hoffman Young Writer’s Retreat at Adelphi University. Raised in Kentucky, she now lives in New York City with her family.

Sabina Khan is the author of the YA novels Meet Me in Mumbai, Zara Hossain is Here, and The Love & Lies of Rukhsana Ali. She is an educational consultant and a karaoke enthusiast. After living in Germany, Bangladesh, Macao, Illinois and Texas, she has finally settled down in beautiful British Columbia, Canada, with her husband, two daughters and the best puppy in the world.

Megan Savage is a multi-genre writer who has taught courses including Creative Writing, Editing & Publishing, and Children’s Literature at Portland Community College since 2008. At PCC, she serves on the Steering Committee for the new Carolyn Moore Writing Residency. She holds an M.F.A. in Fiction Writing and an M.A. in English from Indiana University where she was Fiction Editor of Indiana Review. Her own writing is influenced by themes and images from children’s literature, fairy tales, and folklore, and can be found in such places as the Routledge anthology, Pandemic of Perspectives: Creative Re-Imagining, the More Devotedly podcast, FE: A Fonograf Editions Magazine, and Hunger Mountain #25: Art Saves.

In this episode of The Archive Project, we feature a talk by Amor Towles from a Literary Arts special event on February 1, 2023.

Towles is the author of three novels including the huge, international bestseller, A Gentleman in Moscow. He joined us to talk about his latest work The Lincoln Highway, also a bestselling novel, which began for Towles a full twenty years before its publication with a simple initial image: A warden driving a young man home for a juvenile detention center. From this jumping off point, Towles dives into describing his writing process and how he brings to life the large cast of characters that populate his books, and the complex plots that are so satisfying. There are few writers who talk with such clarity about their own process.

Towles also takes time to dwell in the historic context of the novel, the American mid-century, by talking about the extraordinary life of Carl Fisher, an entrepreneur who, among many other accomplishments, developed the first transcontinental highway (called The Lincoln Highway). Towles showed some slides during the talk so you’ll hear the audience react to some visuals, but you won’t miss anything as he does a wonderful job talking through the images. After his talk, Towles and sat down for an extend conversation.

Amor Towles is the author of the New York Times bestsellers The Lincoln Highway, A Gentleman in Moscow, and Rules of Civility. His novels have collectively sold millions of copies and have been translated into more than thirty languages. Towles lives in Manhattan with his wife and two children.

In this episode of The Archive Project, we feature a talk from Edwidge Danticat from Portland Arts & Lectures on May 12, 2022.

Danticat became nationally recognized with her debut novel published in 1994 Breath, Eyes, Memory which was an Oprah Book Club selection and national bestseller. Since then, she has gone on to publish more than a dozen books in multiple genres—novels, short fiction, memoir, literary criticism, young adult, and children’s books—many which were bestsellers including the Farming of Bones, The Dew Breaker, and Claire of the Sea of Light.

In her talk, Danticat gives an intimate picture of her life, from her childhood in Haiti to her immigration as a young adult to Brooklyn. The talk is structured around her mother’s diagnosis and treatment of cancer. It explores Danticat’s life growing up in an extended family in two countries and the beauty and struggles this life brought her. She offers us a portrait of Haitian culture that reveals it beauty, joy and strength rather than centering the tragedies that nation has suffered as is so often the case. In all, this an inspirational talk about intergenerational and international families, migration, and holding multiple cultures within oneself. It gives a deeper understanding of Danticat as a writer, and sheds important light on a culture often misunderstood here in the United States.

Edwidge Danticat is the author of numerous books, including The Art of Death, a National Book Critics Circle finalist; Claire of the Sea Light, a New York Times Notable Book; Brother, I’m Dying, a National Book Critics Circle Award winner and National Book Award finalist; The Dew Breaker, a PEN/Faulkner Award finalist and winner of the inaugural Story Prize; The Farming of Bones, an American Book Award winner; Breath, Eyes, Memory, an Oprah’s Book Club selection; and Krik? Krak!, also a National Book Award finalist. A 2018 Neustadt International Prize for Literature winner and the recipient of a MacArthur “Genius” grant, she has been published in The New Yorker, The New York Times, Harper’s Magazine, and elsewhere.

On this episode of The Archive Project, we feature a conversation between Kiese Laymon and Imbolo Mbue on storytelling, environmental racism, and activism, recorded at the 2023 AWP Conference in Seattle, Washington.

Set in a fictional African village being polluted by an oil company, Imbolo Mbue’s latest novel, How Beautiful We Were, confronts environmental devastation, corporate colonialism and activism. Kiese Laymon, author of the memoir Heavy, has multigenerational roots in Mississippi have led him to consider climate justice and the ways that extractive agriculture, corporate interests, and the legacy of slavery impact communities of color in the US.

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libby Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of “The Catherine Coleman Literary Arts and Justice Initiative,” a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

Imbolo Mbue is the author of the New York Times bestseller Behold the Dreamers, which won the PEN/Faulkner Award for Fiction and was an Oprah’s Book Club selection. The novel has been adapted into an opera and a stage play, and optioned for a miniseries. Her second novel, How Beautiful We Were, about a fictional African village’s fight against an against American oil company, was named by the New York Times as “One of the 10 Best Books” of 2021. Her works have been translated into eighteen languages and published in dozens of countries. A native of Limbe, Cameroon, and a graduate of Rutgers and Columbia Universities, Mbue lives in New York.

In this episode of The Archive Project, we feature Ada Limón from the closing night of the 2022-23 Portland Arts & Lectures series.

Limón is the author of six books of poetry and a finalist for numerous prizes for her work. In 2022, Limon published a collection of new poems The Hurting Kind and was also named the 24th Poet Laureate of the United States, at the age of 46. Of this recognition Limón said, “Again and again, I have been witness to poetry’s immense power to reconnect us to the world, to allow us to heal, to love, to grieve, to remind us of the full spectrum of human emotion… I am humbled by this opportunity to work in the service of poetry and to amplify poetry’s ability to restore our humanity and our relationship to the world around us.”

In her talk, Limón takes us back to her lonely childhood in Sonoma, California where she first connects with nature, begins to discover the power of what she calls “paying attention,” and first falls in love with language. Throughout her talk, and throughout her work, Limón calls on us to slow down and really look at the world, and our lives, as a way to make sense of them. To actually take a moment to breathe. She demonstrates over and over again how poetry, with its attention to details, its structure of line breaks, calls the world’s details into greater focus, providing as she says, no answers but that rather provides an “unclaimed space for human fullness.” In making her case for poetry, Limón is unpretentious, accessible, funny, dark, insightful and ironic.

“Read poetry, and you will feel as if the doors of the world are opening.”

Ada Limón is the author of six books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry. Her book Bright Dead Things was nominated for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Poetry Award. Her work has been supported most recently by a Guggenheim Fellowship. She was the host of the critically-acclaimed poetry podcast, The Slowdown. She grew up in Sonoma, California and now lives in Lexington, Kentucky where she writes and teaches remotely. Her new book of poetry, The Hurting Kind, is out now from Milkweed Editions. She is the 24th Poet Laureate of The United States.

On this episode of The Archive Project, we have a conversation recorded exclusively for our show. We are featuring Portland Youth Philharmonic, the nation’s oldest youth orchestra, and we’ve brought together a conductor, a composer, a poet, and a vocalist to discuss their cross-disciplinary collaboration on a poetry-inspired piece titled Because I Will Not Despair.

The piece is based on the poetry of Oregon Literary Fellowship recipient and Oregon Book Award finalist Alicia Jo Rabins. Composer Jessica Meyer has adapted Rabins’s poetry to music, and vocalist Anna Song and the In Mulieribus vocal choir will join Portland Youth Philharmonic’s chamber orchestra, conducted by David Hattner to perform this new piece in Portland on May 5, 2023.

It’s especially interesting to hear these four collaborators–Alicia, Jessica, Anna, and David–discuss work that is ongoing, as the piece is still being shaped. We also hear how different it is for a composer or a conductor to put their work into the world, versus a poet. Rabins phrases it well, saying: “As artists, we are part of one massive human conversation, and we put as much as we can into the piece or the performance, and the people interacting with it are what make that a complete process, whether that’s the audience or the reader or another artist you’re collaborating with.”

Most music requires collaboration and interpretation, and hearing how inspiring it is for the musical artists on this piece to work with, in their words, a “living” poet and poetry and text makes this conversation a pleasurable listen.

David Hattner is the Musical Director of the highly acclaimed Portland Youth Philharmonic (Oregon), the nation’s oldest youth orchestra. The fifth music director in its distinguished 93-year history, he is the first to be born in the United States. Known for his encyclopedic knowledge of American repertoire, Hattner’s programming is relevant, thoughtful, and “especially attractive.” (The Chicago Tribune). Hattner received rave reviews following his debut with PYP in November 2008: “The Portland Youth Philharmonic roared like a Maserati on Saturday in its first concert under music director David Hattner. The route was challenging, the execution distinguished and the ride delightful,” wrote David Stabler for The Oregonian.

With playing that is “fierce and lyrical” and works that are “other-worldly” (The Strad) and “evocative” (New York Times), Jessica Meyer is an award-winning composer and violist whose passionate musicianship radiates accessibility and emotional clarity.  Recent premieres include works for the St. Lawrence String Quartet as the composer in residence at Spoleto Festival USA, musicians of the Minnesota Orchestra, Bangor Symphony as the winner of the 2nd Annual Ellis-Beauregard Foundation Composer’s Award, and the Argus Quartet as a winner of Chamber Music America’s Commissioning Program Award. Her first Symphonic Band piece recently had its NY premiere in Carnegie Hall by the President’s Own Marine Band, and her orchestral works have been performed by the Phoenix, North Carolina, Charlotte, and Vermont Symphonies, and all around the country as part of Carnegie Hall’s nationwide Link Up Program. This season brings the premiere of “GAEA”, a concerto for herself and orchestra, as well as works for the Dorian Wind Quintet and Hub New Music.

Alicia Jo Rabins is a writer, musician, performer and feminist Jewish educator. She is the author of two books of poetry, Divinity School and Fruit Geode, and a recent collection of personal essays. Rabins is the creator and performer of Girls in Trouble, an indie-folk song cycle about women in Torah, as well as the independent feature film, A Kaddish for Bernie Madoff. She lives in Portland and was a 2021 Literary Arts Fellow in poetry.

Anna Song is the Director of Choral Activities at Willamette University and directs Chamber Choir and Voce, in addition to teaching courses in musicianship and aural skills. She is the co-founding artistic director of In Mulieribus, a professional women’s vocal ensemble that specializes in works written before 1750 and new music for women’s voices. Under her direction, the ensemble has presented a highly acclaimed annual concert series in Portland since 2007, released recordings that have garnered praise from the American Record Guide and Early Music America, and is regularly broadcast on regionally and nationally syndicated Classical music radio programs.

In this episode of The Archive Project, we feature Charles Simic from a Poetry Downtown event in 2007. Charles Simic was born in Belgrade, Yugoslavia in 1938, and some of his earliest memories are of German bombs falling on the city. Later the Russian army would arrive. In 1954, Simic was brought to the United States by his family and, at the age fifteen, he began to learn English.

It’s remarkable that nearly half a century later, Simic would be named Poet Laureate of the United States, the same year of this recording. Over the course of his career, Simic has won nearly every prize for poetry, including the Pulitzer, and has published essays, edited anthologies and translated poetry from French, Serbian, Croatian, Macedonian, and Slovenian.

In this recording, Simic reads from work that spans his career, from his violent and also tender childhood, to his early life in Chicago and New York, and then later about New Hampshire where he taught for decades. One reviewer’s comments seem to sum up the experience of reading and hearing his work: “There are few poets writing in America today who share his lavish appetite for the bizarre, his inexhaustible repertoire of indelible characters and gestures… Simic is perhaps our most disquieting muse.”

And in the contrasts among his poems, as he leapfrogs around the decades, a strange resonance can be found with our world today, both here in the US and abroad, at this very strange and particular moment.

Charles Simic died on January 9, 2023 at the age of 84.

Charles Simic, poet, essayist, and translator, was born in Yugoslavia in 1938 and immigrated to the United States in 1954. Since 1967, he published twenty books of his own poetry, in addition to a memoir; the essay collection The Life of Images; and numerous books of translations for which he has received many literary awards, including the Pulitzer Prize, the Griffin Prize, the MacArthur Fellowship, and the Wallace Stevens Award. Simic was a frequent contributor to The New York Review of Books and in 2007 was chosen as poet laureate of the United States. He was emeritus professor at the University of New Hampshire, where he taught since 1973, and was distinguished visiting writer at New York University. Simic passed away in January 2023 at the age of 84.

Paulann Petersen‘s collections of poetry include The Wild Awake (2002), Blood-Silk (2004), A Bride of Narrow Escape (2005), Kindle (2008), and The Voluptuary (2010). Her work has appeared widely in journals such as Prairie Schooner, Calyx, Poetry Northwest, and Poetry. A former Wallace Stegner fellow and recipient of two Carolyn Kizer Awards, Petersen has also received the Stewart Holbrook Award for Outstanding Contributions to Oregon’s Literary Life. She is on the board of the Friends of William Stafford, and helps organize events and celebrations of the poet across the country. In 2010, she was elected the state of Oregon’s sixth Poet Laureate.

In this episode of The Archive Project, we feature some of the incredible slam poets who performed as part of Verselandia!—the annual, city-wide youth poetry slam championship event, presented by Literary Arts—in 2022.

Each year, youth spend months writing and competing in slams on high school campuses across the city. Then, each April, about twenty student finalists compete for the title of city-wide Portland slam champ.

What is important about this episode is that these young poets are thrilling to hear. They will give you the chills, make you laugh, and perhaps bring tears to your eyes. And what’s more, 2022 was the first time we’d been able to present the competition live since 2019, and it was an especially emotional evening. So, at this moment when it feels our society is cleaved with deep divisions—race, geography, economics and age—it is so important to take the time to really listen to young voices, who are, after all the future. These young writers come from all walks of life in Portland, and have incredible stories to tell.

The 2023 Verselandia! competition returns to the Arlene Schnitzer Concert Hall on Thursday, April 27 at 7:00 p.m. For more information and tickets visit our website literary-arts.org.

Anis Mojgani is Oregon’s current Poet Laureate and the author of five books of poetry. His work has appeared on HBO, NPR, and in journals Bat City Review, Rattle, Buzzfeed Reader, Thrush, and Forklift Ohio, amongst others. A two time National Poetry Slam Champion and winner of the International World Cup Poetry Slam, Anis has done commissioned work for the Getty Museum, the Peabody Essex Museum, and the Portland Timbers, and has been awarded artist residencies from the Vermont Studio Center, AIR Serenbe, and the Bloedel Nature Reserve. Originally from New Orleans, Anis currently lives in Portland, OR, where he serves on the Board of Directors for Literary Arts. His latest collection is In the Pockets of Small Gods.

In this episode of The Archive Project, we are celebrating the kickoff of National Poetry Month with a special event, recorded in front of a live audience at Literary Arts event space in downtown Portland on September 17, 2022. This event was part of a partnership with the Alano Club of Portland and their Artists in Recovery series, about the intersections of mental health and substance use recovery, creativity, and building community. Learn more at PortlandAlano.org.

Alano Club director of development and community engagement Kasey Anderson emceed an evening with writers Leslie Jamison, Kaveh Akbar, and Hanif Abdurraqib, who shared recent and brand-new work with the audience, a multi-genre mix of prose and poetry. As they share their own work, talk about each other’s work and their relationship to Alano Club, it’s clear from the fact that they felt comfortable enough to share brand-new writing that these three writers deeply admire and respect each other.

Many of our episodes feature writers in conversation, but this week we have a trio of readings for you. First, we’ll hear from Kasey Anderson, of the Alano Club, and our first writer of the evening is Leslie Jamison, award-winning essayist and author of The Empathy Exams, reads from her memoir The Recovering: Intoxication and Its Aftermath, as well a new work-in-progress.

Then Kaveh Akbar reads from his most recent book of poetry, Pilgrim Bell, and a novel-in-progress.

We also hear from poet and essayist Hanif Abdurraqib, author of the National Book Award finalist A Little Devil in America, his most recent poetry collection is A Fortune for Your Disaster. Abdurraqib reads from his poetry and a nonfiction project to close out the event.

A quick note: This conversation touches on mature themes of subsctance abuse and recovery that may not be suitable for all listeners.

Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His most recent book, A Little Devil in America, was the winner of the Carnegie Medal and the Gordon Burns Prize, and a finalist for the National Book Award. His first full length poetry collection, The Crown Ain’t Worth Much , was named a finalist for the Eric Hoffer Book Prize and nominated for a Hurston-Wright Legacy Award. His first collection of essays, They Can’t Kill Us Until They Kill Us was named a book of the year by NPR, Esquire, BuzzFeed, O: The Oprah Magazine, Pitchfork, Chicago Tribune, among others. Go Ahead in the Rain: Notes to a Tribe Called Quest was a New York Times bestseller, a National Book Critics Circle Award and Kirkus Prize finalist, and longlisted for the National Book Award. His second collection of poems, A Fortune for Your Disaster, won the Lenore Marshall Prize. He is a graduate of Beechcroft High School.

Kaveh Akbar is the author of Pilgrim Bell and Calling a Wolf a Wolf, and has received honors such as a Levis Reading Prize and multiple Pushcart Prizes. Born in Tehran, Iran, he teaches at Purdue University and in low-residency programs at Warren Wilson and Randolph Colleges.

Leslie Jamison is the author of The Empathy Exams. Her essays have appeared in the Believer, Harper’s, Oxford American, A Public Space, Tin House, and The Best American Essays. She is a regular columnist for the New York Times Book Review and lives in Brooklyn, New York.

Emily Wilson was cast as Athena in a stage production of The Odyssey at the age of eight.  It turned out to be a defining moment in her life, that ultimately set her on a course of decades of passionate and devoted study. 

Her 2018 translation of The Odyssey garnered overwhelming critical acclaim, became a bestseller, and is defining how a generation reads Homer, and by extension understands the relevance of classical literature in general. She followed up, in 2023, with her translation of The Iliad.    

Her genius has been to render these ancient stories in swift, unpretentious, contemporary language, allowing us to see that despite the rise and fall of empires, despite dramatic cultural shifts and technological progress, there are some essential truths about human nature—we are creatures of hubris and humility, of conflict and collaboration, of profound selfishness and of profound sacrifice.   

It is not hard to see in Homer’s Greece a startling similarity to our present-day world. Wilson assures us this is embedded in the text, writing in her introduction to The Iliad, “For a twenty-first-century reader, there is nothing unfamiliar about a partisan society riven by constant striving for celebrity dominance and attention.”   

“Tell me about a complicated man,” begins The Odyssey.  From this first line, Wilson establishes herself as one of the most astute translators working in the English language, a translator both of Ancient Greek and of human complexity.   

“A translation, just like an original work of art, needs to have its own vision. And you need to have the humility to know that you can’t do everything. You have to commit to your own vision.”

Emily Wilson is a classicist, translator, professor of classical studies at the University of Pennsylvania, and the author of the bestselling translations of Homer’s The Odyssey and The Iliad (winner of the 2024 Audie Award for Best Literary Fiction and Classics). In addition to Wilson’s Odyssey and Iliad, she has also published several other translated works, including translations of four tragedies of Euripides published in The Greek Plays: Bacchae, Helen, Electra, and Trojan Women, and translations of Six Tragedies by Seneca. Her other books include The Greatest Empire: A Life of Seneca, The Death of Socrates: Hero, Villain, Chatterbox, Saint, and Mocked with Death: Tragic Overliving from Sophocles to Milton. Wilson was named a fellow of the American Academy in Rome in Renaissance & Early Modern scholarship, a MacArthur Fellow, and a Guggenheim Fellow. Wilson is a Professor of classical studies and chair of the program in comparative literature and literary theory at the University of Pennsylvania. Wilson lives in Philadelphia with her family and pets.  

In this episode of The Archive Project, we’re reaching back more than 30 years into the archive to feature the prolific novelist Jane Smiley from a Portland Arts & Lectures event in 1991. This period was an inflection point in her career. At that time, she had established herself as an important and respected American writer, but had yet to find a large audience—to this day, many believe The Greenlanders, published just three years before this talk in 1988, to be a significantly underappreciated novel. Just six months after this talk, Smiley would published her breakout novel A Thousand Acres and would win the 1992 Pulitzer Prize which catapulted her to literary fame.

The title of the talk is, provocatively, “Can Mother’s Think?” The irony here, of course, is that Smiley is both a brilliant artist and a mother. But as a young writer she could not find literature that rendered the experience of motherhood with the depth, nuance, and power she felt it deserved. She discusses the paternal nature of the books that dominate the so-called canon, the relationship of feminism to motherhood, and challenges the notion of unconditional love, a notion that she believes contributed to the dearth of complex mothers in literature. She also talks about a crop of new writers emerging at the time who were changing the very definition of literature by writing about motherhood in new and profound ways.

Jane Smiley is the author of numerous novels, including A Thousand Acres, which was awarded the Pulitzer Prize, and the Last Hundred Years Trilogy: Some Luck, Early Warning, and Golden Age. She is the author as well of several works of nonfiction and books for young adults. A member of the American Academy of Arts and Letters, she has also received the PEN Center USA Lifetime Achievement Award for Literature. She lives in Northern California.

In this episode of The Archive Project, we feature journalist Patrick Radden Keefe from a Portland Arts & Lectures event in February 2023. Keefe is the author of five books of nonfiction, most recently Rogues: True Stories of Grifters, Rebels, and Crooks, a collection of essays from his work as a staff writer at The New Yorker magazine. NPR called Rogues “a wonderful book, not only because Keefe’s prose is masterful, but because he has a preternatural gift for reading people. He recognizes that we’re all unreliable narrators of our own lives, and writes about his subjects with a keen sense of understanding.”

He is also the author of Say Nothing: A True Story of Murder and Mystery in Northern Ireland, as well as Empire of Pain: The Secret History of the Sackler Dynasty.

In this talk, Keefe speaks to his writing process of what his editor termed “investigative melodrama.” He is drawn in by fascinating real-life characters like Arthur Sackler of Empire of Pain and Dolours Price of Say Nothing as way to explore, as he says, “the arbitrary lines we draw between what’s legal and illegal, what society sanctions and celebrates and what it condemns and punishes.”

We’re including the full event intro and Q&A in this extended version of this episode, since many subscribers couldn’t make it to the concert hall due to the extraordinary weather–Portland experienced an unexpected and historic, record-setting snowstorm the evening of the event.

As a special feature, we start the episode with a short reading from Oregon-based writer, Stephan Nance. Nance was awarded the Edna L. Holmes Fellowship in Young Readers from Literary Arts in 2023. Their reading is a selection from their Young Adult novel-in-progress, A Bird in the Heart, which they describe as a “very birdy young adult novel set in Eastern Oregon”.

Patrick Radden Keefe is a staff writer at The New Yorker and the author, most recently, of the New York Times bestseller Say Nothing: A True Story of Murder and Memory in Northern Ireland, which received the National Book Critics Circle Award for Nonfiction, was selected as one of the ten best books of 2019 by The New York Times Book Review, The Washington Post, Chicago Tribune and The Wall Street Journal, and was named one of the top ten nonfiction books of the decade by Entertainment Weekly. His previous books are The Snakehead and Chatter. His work has been recognized with a Guggenheim Fellowship, the National Magazine Award for Feature Writing and the Orwell Prize for Political Writing. He is also the creator and host of the eight-part podcast Wind of Change.

In this episode of The Archive Project, we share a conversation from the 2022 Portland Book Festival. Actress Selma Blair discusses her debut memoir, Mean Baby, with Esmé Weijun Wang, author of the novel The Border of Paradise and the best-selling essay collection The Collected Schizophrenias.

March is National Disability Awareness Month. Much of Selma’s memoir describes her life with a litany of symptoms that were diagnosed as the autoimmune disorder multiple sclerosis, or MS, in 2018 when Blair was in her forties. She has since emerged as an advocate for disability awareness and inclusion. Blair told Variety that, after her diagnosis, “I started thinking more about the power of storytelling and why representation in media matters. If I had seen and heard from people who were like me, maybe I wouldn’t have felt so alone. Perhaps if I’d had more diverse representation to look up to, I would have learned about my diagnosis earlier on.”

Selma and Esmé talk about the importance and comfort of seeing other people’s stories, from social media to books and movies. As Selma says, “It’s the little stories that are actually the big stories that shape your life.” In telling her own story in her book, Mean Baby, Selma also reaches a new self-understanding through the process of writing and sharing. It’s a wonderful conversation, full of insight, honesty, and humor. A note that you’ll hear Wang and Blair reference Scout, who is Blair’s service dog, who joined them on stage.

Selma Blair, on growing up: “I was always by myself–really a loner–and books were my friends.”

Selma Blair is an actress best known for her roles in Legally Blonde, Cruel Intentions, The Sweetest Thing, and Hellboy. Her memoir, released in 2022, is Mean Baby. Blair was named a Time Person of the Year in 2017 as one of their Silence Breakers, and she was nominated for a Grammy Award for Best Spoken Word Album for her narration of The Diary of Anne Frank. She is the subject of the documentary Introducing, Selma Blair, which reveals Blair’s intimate and raw journey with multiple sclerosis. Blair lives with her son in Los Angeles.

Esmé Weijun Wang is a novelist and essayist. She is the author of the New York Times-bestselling essay collection, The Collected Schizophrenias (2019), and a debut novel, The Border of Paradise. She was named by Granta as one of the “Best of Young American Novelists” on its decennial list in 2017 and won the Whiting Award for nonfiction in 2018. Born in the Midwest to Taiwanese parents, she is the founder of The Unexpected Shape™ Writing Academy for ambitious writers living with limitations.

In this episode of The Archive Project, we bring you a talk from Mira Jacob, which was the culminating event of the 2022 Everybody Read’s program.

Every year, the Multnomah County Library chooses one book they hope the whole city of Portland will read. Between January and April, the Library and their partner organizations, host events based around the themes of the book. And they distribute thousands of free copies—thanks to The Library Foundation—to readers of all ages from across the county. Here at Literary Arts, our role is to bring the featured author to town for a talk in front of a live audience.

This year, the Library selected Mira Jacob’s graphic memoir Good Talk: A Memoir in Conversations.

In 2017, Jacob started posting comics to Instagram, featuring conversations with her young son. He had a lot of questions, many of them about Michael Jackson, and she did her best to answer them honestly. That project became Good Talk. The book is about her immediate and extended family, and it’s about coming of age and living in America as a woman, as a person of color, and as an artist. It asks more questions than it answers. Celeste Ng, author of Little Fires Everywhere, said, “By turns hilarious and heart-rending, it’s exactly the book America needs at this moment.”

The talk you are about to hear is remarkable not only for its depth of insight, but also for its range. Jacob is by turns tender, hilarious, sarcastic and sincere. Jacob talks about the deeply personal creative journey to creating Good Talk, and also explores the national context in which it was created—the killing of Michael Brown in Ferguson or the political rise of Donald Trump, for example—and how they challenged her understanding of herself, her family, and the narrative about America she’s heard her whole life.

“The thing I love about us is that we are the animals that will [talk to each other] again and again and again with this brazen hope that this time we will be understood. And sometimes we really are understood. Sometimes we really do hear each other. Sometimes it really is a good talk.”

Mira Jacob is the author of the critically acclaimed novel The Sleepwalker’s Guide to Dancing, and the graphic memoir Good Talk: A Memoir in Conversations. Her recent work has appeared in The New York Times Book Review, Vogue, Glamour, Tin House, Electric Literature and Literary Hub. She lives in Brooklyn.

“[Art is] something that no one has asked you for, and yet you feel compelled to create it.”

In this episode of The Archive Project, we feature one of the highlights of the 2022 Portland Book Festival. It’s a conversation between two of our most accomplished fiction writers, George Saunders and Jess Walter. Their conversation is by turns hilarious, caustic, tender, and profound.  Our interviewer for the event was OPB’s own Geoff Norcross, who does his usual masterful job moderating.

George Saunders is the #1 New York Times bestselling author of eleven books, including A Swim in a Pond in the Rain; Lincoln in the Bardo, which won the Booker Prize; Congratulations, by the Way; Tenth of December, a finalist for the National Book Award and winner of the inaugural Folio Award; The Braindead Megaphone; and the critically acclaimed collections CivilWarLand in Bad Decline, Pastoralia, and In Persuasion Nation. His most recent book is Liberation Day. He teaches in the creative writing program at Syracuse University.

Jess Walter is the author of ten books, most recently the short story collection The Angel of Rome. His other nine include the national bestseller The Cold Millions and the #1 New York Times bestseller, Beautiful Ruins; The Zero, the finalist for the National Book Award; and Citizen Vince, winner of the Edgar Award. His work has been published in 35 languages and his short fiction has appeared three times in Best American Short Stories.

Geoff Norcross is the Morning Edition host at Oregon Public Broadcasting. Before coming to Oregon, he was the program director at the NPR-affiliate KNAU in Flagstaff, Arizona. A 25-year radio veteran, Geoff has been on air in New York, Florida, Missouri, Illinois, and West Virginia. He joined OPB in 2008. Geoff has received awards from the Public Radio News Directors Inc. for best interview, the Edward R. Murrow Award for best feature reporting, and the Florida Associated Press Award for the best newscast. Geoff graduated from Bradley University with a degree in communications. Geoff lives in Portland with his wife. When he’s not on the air, you can find him rowing on the Willamette River or running and biking around the southwest hills. If you get up early enough, you might catch him hiking the nearby mountains.

In this episode of The Archive Project, we feature Lauren Groff from a Portland Arts & Lectures event in early 2023 at the Arlene Schnitzer Concert Hall. Groff is the author of six books of fiction, the last three of which, Fates and Furies, Florida, and Matrix were all national bestsellers and all finalists for the National Book Award.

One of the many delights in reading Groff’s books is the dramatic shift in time, place, and focus from title to title. She is not an artist writing the same book over and over. From a multi-century saga of a town and its secrets, to a boy at a hippie commune in upstate New York, to look at a modern Greek tragedy, to the wild country that is the state of Florida, and life in a medieval nunnery during the twelfth century–every time you pick up one of her books you are transported. It’s thrilling as a reader, and it speaks to Groff’s immense talent that there are thematic through-lines moving across such a diverse body of work.

In her talk, Groff reveals the deeper undercurrents of her work and her unusual process of writing. While she professes to be “profoundly secular,” the core of her talk revolves around God, poetry, love and sexuality. She weaves in discussion of the biblical Song of Solomon, to her own biography and her spiritual journey, and the universal themes found in the work of Gerard Manley Hopkins. She manages to do all this with an incredible sense of humor and a light touch which feels, like her fiction, somehow slightly magical.

Lauren Groff is the New York Times bestselling author of four novels and two short story collections. Her 2021 novel Matrix, which Esquire described as “Incandescent… a radiant work of imagination and accomplishment,” was a National Book Award finalist and was selected by President Barack Obama as one of his favorite books of the year. Her works have won The Story Prize, the ABA Indies’ Choice Award, and France’s Grand Prix de l’Héroïne. Groff is a three-time finalist for the National Book Award and twice for the Kirkus Prize, and has been shortlisted for the National Book Critics Circle Prize, the Southern Book Prize, and the Los Angeles Times Prize. She has received fellowships from the Guggenheim Foundation and the Radcliffe Institute, and was named one of Granta’s Best of Young American Novelists. She lives in Gainesville, Florida with her husband and two sons.

This week’s episode of The Archive Project features a conversation from the 2022 Portland Book Festival. Portland-born writer Mitchell S. Jackson interviewed Leila Mottley about her debut novel, Nightcrawling.

Jackson is the author of the novel The Residue Years and the nonfiction book Survival Math. He is the winner of a Whiting Award and he received the Pulitzer Prize in Feature Writing for his piece on Ahmaud Arbery. Leila Mottley is the former youth poet laureate of Oakland, California. Nightcrawling is her first book, and she was just nineteen years old when it was published last year.

We paired Mitchell with Leila because despite their generational differences—there are thirty years between them and they are, of course, at very different points in their careers—they’ve both written novels about the beauty and the darkness that exist side-by-side in their complicated hometowns: Portland and Oakland, respectively. Leila says in the conversation about Oakland, “There is no where I feel more at home and nowhere I feel less safe,” and that those two feelings can exist at once.

A quick note for listeners: Parts of this conversation touch on mature themes of police brutality and sexual assault that may not be suitable for all listeners.

Leila Mottley is the 2018 Oakland Youth Poet Laureate. Her work has been featured in The New York Times and Oprah Daily. She was born and raised in Oakland, where she continues to live. Nightcrawling is her first novel.

Mitchell S. Jackson’s debut novel The Residue Years received wide critical praise. Jackson is the winner of a Whiting Award. His novel also won The Ernest J. Gaines Prize for Literary Excellence and was a finalist for The Center for Fiction Flaherty-Dunnan First Novel Prize, the PEN / Hemingway Award for Debut Fiction, and the Hurston / Wright Legacy Award. His honors include fellowships from the New York Public Library’s Cullman Center, the Lannan Foundation, the Ford Foundation, PEN America, TED, the New York Foundation for the Arts, and the Center for Fiction. His writing has been featured on the cover of the New York Times Book Review, Time Magazine, and Esquire Magazine, as well as in The New Yorker, Harpers, The New York Times Book Review, The Paris Review, The Guardian, The Washington Post Magazine, Harper’s Bazaar, and elsewhere. His nonfiction book Survival Math: Notes on an All-American Family was published in the spring of 2019 and named a best book of the year by fifteen publications, including NPR, Time Magazine, The Paris Review, The Root, Kirkus Reviews, and Buzzfeed. He teaches in the Creative Writing program at the University of Chicago.

In this episode of The Archive Project, we bring you an event from the 2022 Portland Book Festival, which took place on Saturday, November 5, 2022. The hour is split into two halves of thematically related conversations. Up first, OPB’s Tiffany Camhi interviews writer Melissa Febos about her essay collection, Girlhood; in the second half of the show, OPB’s Jenn Chavez speaks with music critic and New Yorker staff writer Hua Hsu about his memoir, Stay True. 

We paired Melissa and Hua for this festival event because their books share themes of adolescence and coming of age, of exploring identity through art-making and finding your voice, and of searching for and finding your people, finding belonging and a community. Melissa and Hua each speak about how processing the large and small events and emotions of their lives through writing has been a way they understand their lives and a way to find meaning.

They also both talk about how writing about events or traumas in their past, including revisiting writing from their younger selves, has helped them realize how their relationship to that event or trauma changes over time. I think that you hear in these conversations that for Melissa and Hua, writing about their experiences created a new compassion for their younger, messier, angrier, selves.

Melissa Febos is the bestselling author of four books, including Girlhood—LAMBDA Award finalist and winner of the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. Her fifth book, The Dry Season, is forthcoming from Alfred A. Knopf. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, Lower Manhattan Cultural Council, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, and others. Her work has recently appeared in The Paris Review, The Sun, The New York Times Magazine, Kenyon Review, The Best American Essays, Vogue, and New York Review of Books. Febos is an associate professor at the University of Iowa and lives in Iowa City with her wife, the poet Donika Kelly.

Hua Hsu is a staff writer at The New Yorker and an associate professor of English at Vassar College. Hsu serves on the executive board of the Asian American Writers’ Workshop. He was formerly a fellow at the New American foundation and the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library. He lives in Brooklyn, New York, with his family.

Tiffany Camhi is a multimedia journalist focusing on arts, culture and environment reporting. You can hear her throughout the state of Oregon on OPB. She spent six years at KQED Public Radio in the San Francisco Bay Area as a host, producer, reporter and all-around audio gopher. Tiffany is an alumni of the City University of New York, Craig Newmark Graduate School of Journalism. When Tiffany’s not on the radio you can usually find her riding a motorcycle…or trying to figure out a way to talk about motorcycles on the radio.

Jenn Chávez is a radio host, announcer and producer with Oregon Public Broadcasting. Jenn has been making radio in Portland for over a decade. Prior to joining OPB in 2017, she hosted and produced the local news radio show “The Five Quadrants of Portland” on XRAY-FM, reporting on issues impacting underrepresented communities. She has a BA in literature and writing from the University of California, Santa Barbara. She spent her younger days as a film-nerdy video store clerk, and remains a source of unsolicited movie recommendations.

This week on The Archive Project, we bring you a lecture from the 2003/2004 season of Portland Arts & Lectures, featuring renowned memoirist and short story writer Tobias Wolff. Best known for his memoirs This Boy’s Life and In Pharaoh’s Army, Wolff has also published award-winning fiction, mostly short stories, and in this lecture is discussing his 2003 novel, Old School, which was a finalist for the 2004 PEN/Faulkner Award for Fiction.

In his lecture, Wolff explores the balance and conflict between writing memoir and writing fiction, that push and pull between autobiography and imagination, or as he says, “the pressure of the personal life on the imagined life that we write.” It’s a humorous lecture with an inviting mix of personal anecdotes and some more professorial analysis of influences like Leo Tolstoy and Flannery O’Connor–and ideal something-for-everyone kind of talk.

Wolff went on to publish Our Story Begins: New and Selected Stories in 2008, and in 2014, Wolff was awarded the Stone Award for Lifetime Literary Achievement from Oregon State University, and in 2015 President Barack Obama presented him with the National Medal of the Arts for his contributions as an author and educator.

“A true piece of writing is a dangerous thing. It can change your life.” – Old School

Tobias Wolff lives in Northern California and teaches at Stanford University. He has received the Rea Award for excellence in the short story, a Los Angeles Times Book Prize, and the PEN/Faulkner Award.

In this episode of The Archive Project, we feature a discussion on late writer Ursula K. Le Guin’s legacy of pacifism and environmentalism. Our moderator is Theo Downes-Le Guin, Ursula’s son and literary executor. Theo is in conversation with Oregon-based writers Juhea Kim, author of the novel Beasts of a Little Land, a finalist for the 2022 Dayton Literary Peace Prize, and Michelle Ruiz Keil, author most recently of the young adult novel Summer in the City of Roses, which was a finalist for the inaugural Ursula K. Le Guin Prize for Fiction.

In her speech at the 2014 National Book Awards, accepting the Medal for Distinguished Contribution to American Letters, Ursula said: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.”

Juhea Kim and Michelle Ruiz Keil are two of those voices that we need now. In this conversation, Juhea and Michelle discuss how they came—and returned—to Le Guin’s work, her influence on their writing, and how they are carrying her legacy forward, including the responsibility of the artist as a humanitarian.

This conversation was recorded in front of a live audience at Literary Arts on July 15, 2022.

“It is good to have an end to journey toward; but it is the journey that matters, in the end.” ― Ursula K. Le Guin

Ursula K. Le Guin (1929-2018) was a celebrated author whose body of work includes 23 novels, 12 volumes of short stories, 11 volumes of poetry, 13 children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 joined the short list of authors to be published in their lifetimes by the Library of America.

Michelle Ruiz Keil is an author, playwright, and tarot reader with an eye for the enchanted and way with animals. She is the author of the critically acclaimed young adult novels All of Us With Wings and Summer In The City of Roses. Her writing for adults can be found most recently in Bitch, Cosmonauts Avenue, and the anthology Dispatches From Anarres: Tales in Tribute to Ursula K. Le Guin. She is a 2021 Tin House Scholar and the recipient of residencies from Hedgebrook, The Sitka Center for Art and Ecology, and the Bloedel Reserve. Born in San Francisco, Michelle has lived in Portland, Oregon for many years where she curates the fairytale reading series All Kinds of Fur and lives with her family in a cottage where the forest meets the city.

Juhea Kim is a writer, artist, and advocate based in Portland, Oregon. Her bestselling debut novel Beasts of a Little Land was named a finalist for the 2022 Dayton Literary Peace Prize and a Best Book of 2021 by Harper’s Bazaar, Real Simple, Ms., and Portland Monthly. Her writing has been published in Granta, Slice, The Massachusetts Review, Zyzzyva, Guernica, Catapult, Times Literary Supplement, The Independent, Sierra Magazine, and elsewhere. She is the founder and editor ofPeaceful Dumpling, an online magazine at the intersection of sustainable lifestyle and ecological literature. She has received fellowship support from the Bread Loaf Environmental Writers’ Conference, the Regional Arts & Culture Council, and Virginia G. Piper Center for Creative Writing at Arizona State University. She earned her BA in Art and Archaeology from Princeton University.

This week we have a 2024 Portland Book Fest conversation about Planet Earth, and remarkable people who are working to understand it and protect its wonders. Our moderator is Zoë Carpenter, a writer and editor who has reported all over the United States and South America for Rolling Stone, The Nation, Guernica, and other publications. She currently teaches for the Writers in the Schools program with Literary Arts.  

Zoë led a conversation with two Portland-based writers. Ferris Jabr is the author of Becoming Earth: How Our Planet Came to Life, which shifts our perception of the planet from an inanimate place on which life evolved, but instead a planet that came to life and is itself alive. Jabr reveals a new vision of Earth as a vast interconnected living system – and humans are one of the most radical impacts on those systems. Jabr introduces readers to different people who are working to protect Earth’s ecology and find a way to stabilize the planet in the face of the climate crisis.   

Amy Stewart is known for both the Kopp Sisters detective series along with popular works about the natural world such as The Drunken Botanist and Wicked Plants. Her latest book, which she wrote AND illustrated, is The Tree Collectors: Tales of Arboreal Obsession. Stewart profiles fifty remarkable people whose lives have been transformed by their obsessive passion for… trees. This passion comes from a deeper commitment to being in community and radical vision for the future.  

Both books explore both the human relationship to the planet and the things that make it alive, and make it livable. It’s a wondrous conversation.   

Ferris Jabr is a contributing writer for The New York Times Magazine. He has also written for The New Yorker, Harper’s, The Atlantic, National Geographic, and Scientific American. He is the recipient of a Whiting Foundation Creative Nonfiction Grant and fellowships from UC Berkeley and MIT. His work has been anthologized in several editions of Best American Science and Nature Writing. Ferris Jabr lives in Portland, Oregon, with his husband, Ryan, their dog, Jack, and more plants than they can count. His book is titled Becoming Earth: How Our Planet Came to Life. 

Amy Stewart is the New York Times bestselling author of The Drunken Botanist, Wicked Plants, and several other popular nonfiction titles about the natural world. She’s also written seven novels in her beloved Kopp Sisters series, based on the true story of one of America’s first female deputy sheriffs. She lives in Portland, Oregon. Her most recent book is titled The Tree Collectors: Tales of Arboreal Obsession. 

Zoë Carpenter is a journalist and fiction writer from Oregon. Her writing has been published in Rolling Stone, The Nation, Guernica, Narratively, and elsewhere. A recipient of the James Aronson Award for Social Justice Journalism, she has also received grants and fellowships from the Pulitzer Center, the Catwalk Art Institute, Fishtrap, and PLAYA. She has an MFA from the University of Michigan, where she was a postgraduate Zell Fellow. Prior that she was an editor at The Nation, where she worked on reported features, investigations, and opinion pieces for print and online. 

In this episode of The Archive Project, we feature a talk by Russell Banks from 1999. Banks was the author twenty-one books of fiction, nonfiction, and poetry. He was twice a nominee for the Pulitzer Prize, first in 1985 for his seminal work of fiction Continental Drift, and then again in 1998 for Cloudsplitter. The New York Times lauded his “vivid portrayals of working-class Americans grappling with issues of poverty, race, and class” and placed him “among the first ranks of contemporary novelists.”

Banks also worked extensively in Hollywood, beginning when two of his novels—The Sweet Hereafter and Affliction—were made into feature-length movies.

In this talk, Banks talks about the uneasy and sometimes downright hostile history between authors and Hollywood with some hilarious anecdotes. And while this tension continues today, there’s also another fascinating contemporary resonance in his talk. At the time, the digital transition in filmmaking was dramatically lowering the cost of production, allowing serious films to be made from literary fiction and nonfiction. A blossoming of these so-called indie films resulted in the late-90s and the aughts. Today, another revolution has taken hold: streaming.  It too has brought us another wave of incredible novelistic narratives on the screen, but this time on what we traditionally have called TV.

Banks’ career was long and varied and he made an incredible and enduring contribution to our national culture. Russell Banks died on January 8, 2023 at the age of 82.

“Writing and reading literary fiction and poetry are activities almost too intimate to talk about. Literature is intimate behavior between strangers.”

Russell Banks, twice a finalist for the Pulitzer Prize, was one of America’s most prestigious fiction writers, a past president of the International Parliament of Writers, and a member of the American Academy of Arts and Letters. His work has been translated into twenty languages and has received numerous prizes and awards, including the Common Wealth Award for Literature. Banks passed away in January 2023 at the age of 82.

In this episode of The Archive Project, we reach back to the year 2000 to highlight one of the best conversations about writing found in our archives: A special event with Amy Bloom and Michael Cunningham.

Amy Bloom had just published a collection of stories entitled, A Blind Man Can See How Much I Love You, and Cunningham had published one his most important and bestselling novels, The Hours, just two years earlier. The Hours went on to become a movie that received nine Academy Award nominations and just last year was made into an opera that was performed in Philadelphia and New York, among other cities.

These two old friends are among the best fiction writers at work in this county. At the time of this conversation they were both at the height of their powers, making their talk both intimate and profound. There’s not an ounce of pretension or snobbery between them; they express nothing but humility and respect for the difficulties of writing fiction. In fact, the opening question of the conversation challenges the very the reason their work even exists when Cunningham and Bloom struggle to answer: Why write? They seem to forget that there is an audience of more than 2,000 watching them, as they discuss their art and what it means to them, and what the art form might mean in the larger world.

Amy Bloom is the author of four novels: White Houses, Lucky Us, Away, and Love Invents Us; and three collections of short stories: Where the God Of Love Hangs Out, Come to Me (finalist for the National Book Award), and A Blind Man Can See How Much I Love You (finalist for the National Book Critics Circle Award). Her first book of nonfiction, Normal: Transsexual CEOs, Crossdressing Cops and Hermaphrodites with Attitudes, is a staple of university sociology and biology courses. Her most recent book is the widely acclaimed New York Times bestselling memoir, In Love. She has written for magazines such as The New Yorker, The New York Times Magazine, Vogue, Elle, The Atlantic, Slate, and Salon, and her work has been translated into fifteen languages. She is the Director of the Shapiro Center at Wesleyan University.

Michael Cunningham is the author of the novels A Home at the End of the World, Flesh and Blood, Specimen Days, By Nightfall, and The Snow Queen, as well as the collection A Wild Swan and Other Tales, and the nonfiction book Land’s End: A Walk in Provincetown. He is the recipient of a Whiting Award and a Guggenheim Fellowship, and his work has appeared in The New Yorker and The Best American Short Stories. The Hours was a New York Times bestseller, and the winner of both the PEN/Faulkner Award and the Pulitzer Prize. Raised in Los Angeles, Michael Cunningham lives in New York City, and is a senior lecturer at Yale University.

This episode of The Archive Project features notable funny woman, Elaine May, in a talk from 1997. Elaine May may be one of the most important Broadway and Hollywood stars you’ve never heard of. In 2019, The New York Times wrote a long appreciation of her in which they referred to her ability to “fuse verbal and physical comedy” as possibly singular, and called her a “criminally underappreciated filmmaker.”

May began her career on stage doing improvised comedy with Mike Nichols in the early 1950s, helped found a comedy troupe that found the iconic Second City Improv in Chicago, became wildly famous on Broadway in the 60s, made four important films in the 70s, contributed countless films as a writer, and has had over ten plays produced as a playwright, many on Broadway.

She is considered by many a comedic genius who was not been taken seriously enough, and that may purely be because she is a woman. In 2013, President Barak Obama awarded her a National Medal of Arts, and I have to think this award was an attempt to correct the record of her career.

“Depth is easy. Comedy is hard.”

Elaine May is an American comedian, screenwriter, director, and actress. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter, best known for A New Leaf (1971), The Bird Cage (1996), Primary Colors (1998), and Small Time Crooks (2000). In 2013, President Barak Obama awarded her a National Medal of Arts, and in 2019, at the age of 86, New York’s Film Forum payed tribute to her.

“It’s so hard to say what comedy is because it’s only when you laugh. …You can immediately prove comedy because if nobody laughs, it isn’t funny.”

In this episode, we feature an event from the 2020 Portland Book Festival, moderated by author and editor, John Freeman. The event title keyed off of Freeman’s anthology of the same name: Tales of Two Planets: Stories of Climate Change and Inequality in a Divided World. Freeman sat down with authors Aimee Nezhukumatathil and Kawai Strong Washburn to talk about writing and the environment, and the conversation naturally turns to language and its relationship to history, connection, identity and the natural world. How and why do we write about a natural world in crisis? What are the ethics of doing so? What lesson can we draw on from biodiversity for our own cultures?

Aimee Nezhukumatathil is an acclaimed poet and author of the illustrated essay collection World of Wonders. It’s a book about the natural world and the way its inhabitants can teach, support, and inspire us.  Kawai Strong Washburn’s debut novel Sharks in the Time of Saviors is about the supernatural events that force a family to reckon with the meaning of heritage and the cost of survival.

Aimee Nezhukumatathil is the author World of Wonders, an illustrated essay collection, as well as of four books of poetry, most recently, Oceanic, winner of the Mississippi Institute of Arts and Letters Award. Other awards for her writing include fellowships and grants from the National Endowment for the Arts, Mississippi Arts Council, and MacDowell. Her writing appears in Poetry, the New York Times Magazine, ESPN, and Tin House. She serves as poetry faculty for the Writing Workshops in Greece and is professor of English and Creative Writing in the University of Mississippi’s MFA program.

Kawai Strong Washburn was born and raised on the Hamakua coast of the Big Island of Hawai‘i. His work has appeared in Best American Nonrequired Reading, McSweeney’s, and Electric Literature’s Recommended Reading, among other outlets. He was a 2015 Tin House Summer Scholar and 2015 Bread Loaf work-study scholar. Today, he lives with his wife and daughters in Minneapolis. Sharks in the Time of Saviors is his first novel.

John Freeman is the editor of Freeman’s, a literary annual published by Grove Press, and executive editor at Alfred A. Knopf. He has written several books of nonfiction including, How to Read a Novelist and Dictionary of the Undoing, as well as three collections of poems, Maps , The Park, and the forthcoming Wind, Trees. Between 2014 and 2020, he edited a series of anthologies on inequality, concluding with Tales of Two Planets, which focuses on the climate crisis and global inequality. His latest books are The Penguin Book of the Modern American Short Story and, with Tracy K. Smith, There’s a Revolution Outside, My Love, in which poets, novelists and essayists create a space to respond to catastrophes and racialized violence of 2020. Freeman’s work has been translated into more than 20 languages and appears in The New Yorker, The Paris Review, and Zyzzyva. He lives in London.

In this episode of The Archive Project, we feature a conversation from Pickathon 2022. Literary Arts partnered with the Pickathon music festival to program on-stage author readings, and for a live recording of The Archive Project at the Lucky Barn stage. At The Archive Project live, Oregon poet laureate Anis Mojgani led a wide-ranging conversation with Portland-based multidisciplinary writers and artists Dao Strom, author most recently of the music and poetry project Traveler’s Ode/Instrument; and Jon Raymond, author of the recent novel Denial and screenwriter of First Cow and many more projects.

The trio talks about what their processes are like as artists with multiple and often hybrid modes of creativity, how they started as artists and how their genres have changed over the years as they move between music, visual art, filmmaking, fiction, poetry, written versus spoken literary work, and more. It’s interesting to hear how they think about the different pros and cons, as an artist, of more solitary versus collaborative work depending on the kind of art they are making. It’s a wonderfully curious, inquisitive, and open conversation about art and art-making, and we’re grateful to our friends at Pickathon for providing a platform for literary arts at this year’s festival.

Jon Raymond is the author of the novels The Half-Life, Rain Dragon, and Freebird, and the story collection Livability, winner of the Oregon Book Award. He has collaborated on six films with the director Kelly Reichardt, including Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, First Cow, and the forthcoming Showing Up, numerous of which have been based on his fiction. He also received an Emmy Award nomination for his screenwriting on the HBO miniseries Mildred Pierce directed by Todd Haynes and starring Kate Winslet. He was the editor of Plazm Magazine, associate and contributing editor at Tin House magazine, and a member of the Board of Directors at Literary Arts. His writing has appeared in Zoetrope, Playboy, Tin House, The Village Voice, Artforum, Bookforum, and other places. He lives in Portland, Oregon.

Dao Strom is an artist who works with three “voices”—written, sung, visual—to explore hybridity and contemplate the intersection of personal and collective histories. Using practices of polyvocality, fragmentation, and (re)assemblage, Strom writes arrangements of poetry, music, image, song and sound, to be experienced as performance, installation, multimedia, recordings, and inside the spaces of a book. Strom is the author of a bilingual poetry/art book, You Will Always Be Someone From Somewhere Else, (Hanoi: AJAR, 2018), a hybrid-form memoir, We Were Meant To Be a Gentle People, with song-cycle, East/West, and two books of fiction. She is a recipient of a 2016 Creative Capital Award and a 2020 Oregon Literary Arts Career Fellowship. She has received support from RACC, Precipice Fund, Oregon Arts Commission, NEA, and others.

Anis Mojgani is Oregon’s current Poet Laureate and the author of five books of poetry. His work has appeared on HBO, NPR, and in journals Bat City Review, Rattle, Buzzfeed Reader, Thrush, and Forklift Ohio, amongst others. A two time National Poetry Slam Champion and winner of the International World Cup Poetry Slam, Anis has done commissioned work for the Getty Museum, the Peabody Essex Museum, and the Portland Timbers, and has been awarded artist residencies from the Vermont Studio Center, AIR Serenbe, and the Bloedel Nature Reserve. Originally from New Orleans, Anis currently lives in Portland, OR, where he serves on the Board of Directors for Literary Arts. His latest collection is In the Pockets of Small Gods.

In this episode of The Archive Project, we feature Scottish novelist Douglas Stuart, winner of the Booker Prize for his debut novel, Shuggie Bain. He speaks about his new novel, Young Mungo, with Portland-based author and Oregon Book Award winner Omar El Akkad. They discuss the desire and longing at the heart of the story of the love between two working class young men from different religious backgrounds in Glasgow. A highlight is Stuart’s description of how his previous career in the textile industry relates to his work as a writer.

The conversation between Douglas Stuart and Omar El Akkad was recorded in front of a live audience at Powell’s City of Books in Portland on May 5th, 2022. For a complete lineup of Powell’s upcoming in-person and virtual author event programming, please visit them at powells.com/events.

We’ll join Douglas and Omar at the beginning of the event, with a moving introduction from Powell’s employee Nick Yandell.

Douglas Stuart is a Scottish-American author. His New York Times-bestselling debut novel Shuggie Bain won the 2020 Booker Prize and the Sue Kaufman Prize from the American Academy of Arts and Letters. It was the winner of two British Book Awards, including Book of the Year, and was a finalist for the National Book Award, PEN/Hemingway Award, National Book Critics Circle John Leonard Prize, Kirkus Prize, as well as several other literary awards. Stuart’s writing has appeared in the New Yorker and Literary Hub.

Omar El Akkad is an author and a journalist. He has reported from Afghanistan, Guantánamo Bay, and many other locations around the world. His work earned Canada’s National Newspaper Award for Investigative Journalism and the Goff Penny Award for young journalists. His writing has appeared in The Guardian, Le Monde, Guernica, GQ, and many other newspapers and magazines. His debut novel, American War, is an international bestseller and has been translated into thirteen languages. It won the Pacific Northwest Booksellers Association Award, the Oregon Book Award for fiction, and the Kobo Emerging Writer Prize, and has been nominated for more than ten other awards. It was listed as one of the best books of the year by The New York Times, The Washington Post, GQ, NPR, and Esquire, and was selected by the BBC as one of 100 Novels That Shaped Our World.

This week’s episode of The Archive Project features Reza Aslan discussing his new book, An American Martyr in Persia: The Epic Life and Tragic Death of Howard Baskerville. Aslan was interviewed by Literary Arts executive director Andrew Proctor at the 2022 Portland Book Festival, presented by Bank of America, which took place on Saturday, November 5 in downtown Portland.

Iran has been in the news this fall for a new wave of protests in reaction to the death of 22-year-old Mahsa Amini, who was arrested by the morality police for not wearing her hijab “properly” and died while in police custody. The protests have been remarkably widespread, and the government response severe. Aslan asserts this current movement is a fourth Iranian revolution, after 1979, 1953, and the 1906 constitutional revolution his book focuses on.

In An American Martyr in Persia, Aslan describes the events of that 1906 revolution through the story of Howard Baskerville, the son of a preacher and a student of Woodrow Wilson, who found himself in Tabriz, Iran in 1907, working as a Presbyterian minister and teacher. What happened next is well-known to Iranians but almost totally unknown to Americans.

“People ask me, ‘What can we do to help the people of Iran?’ Well, when you ask the people of Iran, ‘What do you need?’ they say, ‘Pay attention, that’s what we need.’ We have the ability to say, ‘We hear you. We’re paying attention. We’re going to shine a light on this for as long as it takes.’ That is far, far more powerful and valuable than you think it is.”

Reza Aslan is an acclaimed writer and scholar of religions. He is the author of the #1 New York Times bestseller Zealot, No God but God, and editor of Tablet & Pen: Literary Landscapes from the Modern Middle East. He lives in Los Angeles, California.

Andrew Proctor has been the director of Literary Arts since 2009. Born and raised in Canada, Proctor, earned a bachelor’s degree in English and Music at Concordia University in Montreal, and later worked in London for the Cultural Attaché to the Canadian High Commission. In the UK, he also earned an MA in English Literature at the University of East Anglia under the supervision of England’s then Poet Laureate, Andrew Motion. From 2000-2004 Proctor worked as an editor for HarperCollins in New York City and then as the Membership and Operations Director of the PEN American Center, a global literary and human rights organization focused on the welfare of writers and editors. In total, Proctor has worked in the literary world for over twenty years in the governmental, for profit and nonprofit sectors.

In this episode of The Archive Project, we feature Leslie Marmon Silko in conversation with Molly Gloss from a special event in 2010, at Portland State University’s Lincoln Hall.

While Leslie Marmon Silko had begun to publish poems and short stories in the 1960s, it was her iconic and ground-breaking novel, Ceremony, published in 1978, that established her as one our greatest living writers. Since then, Silko has gone on to publish widely and across genres with a distinct voice, deeply rooted in the landscapes and culture of the American Southwest.

She joined us in 2010 as part of the launch of her first book of nonfiction, The Turquoise Ledge, which was a highly anticipated release in part because it was her first book in more than a decade. The Turquoise Ledge has been called a “highly original self-portrait” and is written in fragments that blends nature writing, memoir, history, parables and legends. When asked by an interviewer about the book’s fluid structure and movement between memory and reality, Silko said, “Linear time is itself a fiction which I find tedious and simpleminded.” And as she says in this conversation, linear time can also be very dangerous.

Silko is in conversation with writer Molly Gloss, a celebrated writer of many novels, including the acclaimed The Hearts of Horses, and the winner many prestigious prizes including the Oregon Book Award.

Leslie Marmon Silko was born in New Mexico in 1948 to a family whose ancestry includes Mexican, Laguna Indian, and European forebears. She is the author of ten books of fiction, poetry, and memoir, including Ceremony, Storyteller, Almanac of the Dead, Gardens in the Dunes, and The Turquoise Ledge. Considered by many as one of the most important contemporary Native American writers, Silko’s honors include a MacArthur Foundation “Genius” fellowship, the Christopher Lightfoot Walker Award from the American Academy of Arts and Letters for significant contribution to American literature, and the Robert Kirsch Award from the Los Angeles Times for lifetime achievement by a writer whose work focuses on the American West. She has been named a Living Cultural Treasure by the New Mexico Endowment for the Humanities Council, and has also received the Native Writers’ Circle of the Americas Lifetime Achievement Award.

Molly Gloss is a fourth-generation Oregonian who now lives in Portland on the west side of the Tualatin Hills. She is the author of five novels: The Jump-Off Creek, The Dazzle of Day, Wild Life, The Hearts of Horses, and Falling from Horses, and one collection of stories, Unforseen. Her awards include the Oregon Book Award, a Pacific Northwest Booksellers Award, the PEN West Fiction Prize, the James Tiptree Jr. Award, and a Whiting Writers Award; and her short story, “Lambing Season” was a finalist for the Hugo and Nebula Awards. Her work often concerns the landscape, literature, mythology, and life of the American West.

In this episode of The Archive Project, we feature Abdulzarak Gurnah from a Portland Arts & Lectures event in September 2022.  He joined us as part of the American launch of his most recent novel Afterlives. He had just won the Nobel prize for literature, after a long and distinguished career as a novelist in Britain, thought he was relatively unknown here in the United States.

In his talk, Gurnah describes the rich layers of cultural influence that formed his native Zanzibar, now known as Tanzania, as an international trading hub through the centuries, and his formative decision to move to England as a young man, a decision that would shape his life and his writing.

Afterlives is a novel set in on the west coast of Africa during World War I that centers the lives of Africans, not their European colonizers, and their struggles to survive the war and then make sense of their lives in its immediate aftermath.

Encountering the work of a writer for the first time can be thrilling. For most readers here in the United States, the Nobel Prize brought to light not only a writer few of us knew, but one that has been writing profound novels about colonialism and migration for decades. Gurnah’s work is both beautiful and important, giving important and fresh perspective on the recent past, and today.

Abdulrazak Gurnah was born in Zanzibar in 1948 and teaches at the University of Kent. He is the author of six novels, including Paradise, which was short-listed for the Booker Prize and the Whitbread Award, and By the Sea, a Los Angeles Times Book Prize finalist.

In this episode of The Archive Project, we feature two virtual events form the 2021 Portland Book Festival with very different subjects, that take place nearly 1000 years apart, but that both feature powerful female protagonists and heroes changing their worlds. In the first half of our show, we feature Julia Cooke, author of Come Fly the World: The Jet-Age Story of the Women of Pan Am. She is in conversation with Amy Wang from The Oregonian in an event broadcast live from Powell’s Books in Portland. The evening of events was themed “Hidden Worlds,” and in Cooke’s book she takes us behind the scenes of one of the most important global enterprises of its day: Pan Am, the first modern-day international airline. Between 1966 and 1975, the airline and the women who staffed their flights played a crucial role in international affairs–especially in America’s role in Vietnam–far beyond what is commonly understood.

In the second half of our show, we feature Lauren Groff in an interview with Literary Arts’ Andrew Proctor. Groff is the author of six books of fiction. She rose to national recognition with her novel Fates and Furies, published in 2015. Groff joined us from Florida for this virtual event, broadcast from Annie Bloom’s Books in Portland. Her new book Matrix had been just been published, so Groff and Proctor talked about writing a novel that was a significant departure from her previous work—part historical fiction and part magic realism–and what motivated her to create a story entirely populated by female characters with a plot that could perhaps be best described as feminist revisionist history.

Julia Cooke‘s journalism has been published in Time, Smithsonian, and Condé Nast Traveler. She is the author of The Other Side of Paradise: Life in the New Cuba, and the daughter of a former Pan Am executive. Her new book is Come Fly the World: The Jet Age Story of the Women of Pan Am.

Lauren Groff is the New York Times bestselling author of four novels and two short story collections. Her 2021 novel Matrix, which Esquire described as “Incandescent… a radiant work of imagination and accomplishment,” was a National Book Award finalist and was selected by President Barack Obama as one of his favorite books of the year. Her works have won The Story Prize, the ABA Indies’ Choice Award, and France’s Grand Prix de l’Héroïne. Groff is a three-time finalist for the National Book Award and twice for the Kirkus Prize, and has been shortlisted for the National Book Critics Circle Prize, the Southern Book Prize, and the Los Angeles Times Prize. She has received fellowships from the Guggenheim Foundation and the Radcliffe Institute, and was named one of Granta’s Best of Young American Novelists. She lives in Gainesville, Florida with her husband and two sons.

Andrew Proctor has been the director of Literary Arts since 2009. Born and raised in Canada, Proctor, earned a bachelor’s degree in English and Music at Concordia University in Montreal, and later worked in London for the Cultural Attaché to the Canadian High Commission. In the UK, he also earned an MA in English Literature at the University of East Anglia under the supervision of England’s then Poet Laureate, Andrew Motion. From 2000-2004 Proctor worked as an editor for HarperCollins in New York City and then as the Membership and Operations Director of the PEN American Center, a global literary and human rights organization focused on the welfare of writers and editors. In total, Proctor has worked in the literary world for over twenty years in the governmental, for profit and nonprofit sectors.

Amy Wang covers Oregon’s literary scene and writes a books newsletter for The Oregonian, where she is a staff editor. She previously was on the editing staff of The Philadelphia Inquirer. Amy has a degree in journalism from Columbia University.

Each year, Portland area youth spend months writing and competing in poetry slam competitions on high school campuses across the city. And each April, 20 finalists compete for the title of city-wide Portland slam champ at Verselandia! in front of an audience of nearly 1,000.  

We’re excited to share that the 2025 Verselandia! competition returns to the Arlene Schnitzer Concert Hall on Thursday, April 24 at 7 pm. For more information visit our website literary-arts.org.   

This episode, the theme is looking forward and looking back. We’ll look back to the 2024 Verselandia!, hear some of the best poems of the night, and talk to the winner of last year’s competition about what it was like to win and how she’s preparing for this year’s event. We’ll also hear some poems from students competing in this year’s Verselandia. 

We’ll also talk to student poets and educators about how they’re getting ready for this year’s Verselandia and what writing and performing poetry does for the participants.  

A quick note to listeners: Portions of this episode contain mature themes that may not be suitable for all audiences.  

Tune in for this special podcast-only release of The Archive Project for 2022 Portland Book Festival. Acclaimed, award-winning cookbook author Naomi Duguid discusses her new book, The Miracle of Salt: Recipes and Techniques to Preserve, Ferment, and Transform Your Food with Liz Crain (Dumplings Equal Love). The Miracle of Salt is —a deep dive into the miracle of salt and its essential role in preserving, fermenting, and transforming food. Naomi and Liz chat about age-old techniques, favorite recipes, and translating traditional methods for modern kitchens.

Naomi Duguid is a writer, photographer, traveler, and home cook. Her new book is The Miracle of Salt, and her recent cookbook Taste of Persia is the winner of a James Beard Award, an IACP Cookbook Award, and a Taste Canada Award. Her book Burma: Rivers of Flavor is also an IACP Cookbook Award and Taste Canada Award winner. Her six previous award-winning titles, co-authored with Jeffrey Alford, include two now-classic cookbooks that won the James Beard Award for Cookbook of the Year: Flatbreads & Flavors: A Baker’s Atlas and Hot Sour Salty Sweet: A Culinary Journey Through Southeast Asia. Naomi leads small-group food-immersive trips to the Republic of Georgia and elsewhere. She is a Trustee of the Oxford Symposium on Food and Cookery, and is a frequent guest speaker and presenter at food conferences, particularly those focused on grains. She lives in Toronto.

Liz Crain is the author of Food Lover’s Guide to Portland, and coauthor of the cookbooks Toro Bravo and Hello! My Name Is Tasty, as well as Grow Your Own: Understanding, Cultivating, and Enjoying Cannabis. Her latest is the cookbook Dumplings Equal Love. She is a longtime writer on Pacific Northwest food and drink, and her writing has appeared in Lucky Peach, Food & Wine, the Sun magazine, the Progressive, and the Guardian. She is also a seasoned copywriter, fiction writer, as well as co-organizer of the annual Portland Fermentation Festival.

Tune in for this special podcast-only release of The Archive Project for 2022 Portland Book Festival. This episode features a conversation on adaptation and the connection between music and the written word, between Oregon Symphony creative chair Gabriel Kahane and author Karen Russell (Sleep Donation).

Karen Russell won the 2012 and the 2018 National Magazine Award for fiction, and her first novel, Swamplandia! (2011), was a finalist for the Pulitzer Prize. She has also written Orange World and, most recently, Sleep Donation. She has received a MacArthur Fellowship and a Guggenheim Fellowship, the “5 under 35” prize from the National Book Foundation, the NYPL Young Lions Award, the Bard Fiction Prize, and is a former fellow of the Cullman Center and the American Academy in Berlin. She currently holds the Endowed Chair at Texas State University’s MFA program, and lives in Portland, Oregon with her husband and son.

A singer-songwriter, pianist, and composer, Gabriel Kahane works at the blurred edges of journalism, ethnography, storytelling, and music. He is currently the Creative Chair of the Oregon Symphony, which commissioned his 2018 oratorio, emergency shelter intake form. Over the last decade, Gabriel has worked in an array of diverse musical spaces. Memorable projects have included tours with Andrew Bird and Punch Brothers; recordings with Sufjan Stevens, Phoebe Bridgers, and Blake Mills; and an arrangement of “Bridge Over Troubled Water” written for Paul Simon’s Farewell Tour in 2018. As a composer, he has been commissioned by the Los Angeles Philharmonic, the Saint Paul Chamber Orchestra, Orpheus Chamber Orchestra, and Carnegie Hall. Gabriel is also a regular guest on American Public Media’s Live From Here with Chris Thile.

Tune in for this special podcast-only release of The Archive Project for 2022 Portland Book Festival. Karen Eva Carr (Shifting Currents: A World History of Swimming) and Bonnie Tsui (Why We Swim) in conversation, moderated by OPB’s Paul Marshall.

Karen Eva Carr is Associate Professor (Emerita) in the Department of History at Portland State University, and is the author of Vandals to Visigoths: Rural Settlement Patterns in Early Medieval Spain (2002).

Bonnie Tsui lives, swims, and surfs in the Bay Area. A longtime contributor to the New York Times and California Sunday Magazine, she has been the recipient of the Jane Rainie Opel Young Alumna Award from Harvard University, the Lowell Thomas Gold Award, and a National Press Foundation Fellowship. Her last book, American Chinatown: A People’s History of Five Neighborhoods, won the Asian/Pacific American Award for Literature and was a San Francisco Chronicle bestseller and Best of 2009 Notable Bay Area Books selection.

A native Oregonian and a lifelong resident of Portland, Paul Marshall was first introduced to OPB by watching PBS Kids and “PBS Newshour” as a youth. Prior to OPB, he worked as a sportswriter covering sports in the Atlanta University Consortium. He also worked as a sportscaster, show host and producer for KWVA Eugene 88.1 FM’s Sports Department. In addition to his work in radio, Paul writes as a freelance journalist, covering events like the Portland Pro-Am Basketball League and profiling the Scarlett Brothers. His work has been published in the Portland Observer and the Catholic Sentinel. He’s also worked as a PA announcer for Portland Community College.