Explore every episode of the podcast Switched on Pop

The music of global girl group KATSEYE might be confusing on first listen. A less-generous read might consider their songs to be rudimentary: the lyrics are mostly nonsense, the instrumentals evoke lesser 2010s pop songs, and the aesthetic can’t decide whether it’s targeted to children or adults. However, maybe the nonsensical nature of KATSEYE is also… the point? And maybe that point is tethered to early surrealist movements of the early twentieth century? On this episode of Switched on Pop, producer Reanna makes the case to Nate that KATSEYE and ADÉLA are indicative of a larger shift in pop music, one that tethers itself to Marcel Duchamp and the dada movement. CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Link to Charlie and Nate’s live event with Jensen McRae at USC! Songs discussed: The Lonely Island, Emma Stone – Turn Up The Beef KATSEYE – Gnarly KATSEYE – Animal KATSEYE – Hootie Frutti KATSEYE – PINKY UP Fifth Harmony – I’m In Love With a Monster Portugal. The Man – Feel It Still Britney Spears – Toxic Britney Spears – Circus Da Hool – Meet Her at the Loveparade Little Richard – Tutti Frutti ADÉLA – Ain’t In La Miley Cyrus – We Can’t Stop ADÉLA – Nicole Kidman Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the 500th(!) episode of Switched on Pop, Charlie and Nate try to answer the question that has stumped critics and philosophers since the dawn of sound: does bad music exist? Their quest to answer something so nebulous leads them through the annals of taste, and in the process, they recruit several other critics and journalists to give their two cents on the topic. Can things actually be bad, and if so, how do we define them? CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Kristin Chenoweth, “Taylor the Latte Boy” Komar and Melamid & Dave Soldier, “The Most Unwanted Song" Pyotr Ilyich Tchaikovsky, "Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo" Johann Strauss II, The Blue Danube" Johann Sebastian Bach, "The Well-Tempered Clavier No. 2: Prelude and Fugue in C minor" Pete Rock & CL Smooth, "They Reminisce Over You (T.R.O.Y.)" Lil Yachty, "1 Night" Sam Laxton, Lonskii, “Adagio For Strings” Daft Punk, Pharrell Williams, Nile Rodgers, “Get Lucky” Florence Foster Jenkins, "Queen of the Night’s Aria" BB King, Eric Clapton, “Riding With the King” Paul McCartney, "Temporary Secretary" The Beatles, "Here Comes the Sun" Paul McCartney, "Wonderful Christmastime" Lou Reed, "Who Am I? (Tripitena’s Song)" Insane Clown Posse, "Miracles" Primus, "DMV" Iggy Azalea ft. Charli xcx, "Fancy" The Killers, "Human" Learn more about your ad choices. Visit podcastchoices.com/adchoices

One year after the release of her twelfth studio album The Life of a Showgirl, Taylor Swift is back with an encore. Specifically, The Encore, four tracks that have polarized critics and Swifties alike, from the country-esque number one hit “Patient Zero” to her ode to married Ohioan bliss, “Cleveland!” For some, the new songs lean into Swift’s worst writing impulses. But for others, including our hosts (and resident Swiftologists) Charlie and Nate, the tracks call back to earlier eras of Swift’s songwriting, and perhaps evoke more nuanced discussion about what it means to release music as the biggest artist in the world. The question is: are we ready for it?  CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Taylor Swift, “Patient Zero” Taylor Swift, “Cleveland!” Taylor Swift, “Pink Clouding”  Taylor Swift, “Babylon” Taylor Swift, “Red” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Five years after her first appearance on Switched on Pop, Carly Rae Jepsen returns to the podcast to talk all things Day and Night, her latest album. Born out of Swedish disco, big emotion, and substantive life change – including becoming a wife and a mother – the double album is a tour through the organic and the synthetic, both in equal measure. For Charlie and Nate, this is a full circle moment, and along with discussing the record, the two talk to Jepsen about the origins of the show, her songwriting process, and what it means to be such an important champion of pop music. CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Carly Rae Jepsen, “After All” Carly Rae Jepsen, “Versailles” Carly Rae Jepsen, “Don’t Leave Me on the Dance Floor” Carly Rae Jepsen, “Near or Far” Carly Rae Jepsen, “Motivation” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Swedish singer-songwriter Tove Lo’s new album ESTRUS can be summarized in the opening lyrics of the album’s closing track, “source of life”: “Feral, fragile, numb, ecstatic / sad, euphoric, catatonic / Horny, repulsed, proud and shameful / Good, demonic, contradictions.”  A songwriter with a string of multi-platinum hits in the 2010s, Tove Lo has crafted a career founded on musical contradiction, with songs that straddle the line between messy and controlled. Her lyrics tend to skew both horny and sensitive, and her latest record features both of those vibes in equal measure. On this episode of Switched on Pop, Charlie and Nate sit down with her to talk all things ESTRUS.  CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Tove Lo, “a lot of feelings, no solutions” Tove Lo, “I’m your girl right?” Stromae, “Alors on danse” Tove Lo, “des fleurs x Stromae” Tove Lo, “DNH” Tove Lo, “F.A.M.T” Tove Lo, “are we on a break” Tove Lo, “idiot” Tove Lo, “source of life” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lizzy McAlpine opens up about her 4th album Angel alongside collaborators Mason Stoops and Taylor Mackall. Recorded live at Power Station at Berklee NYC.  Songs Discussed Lizzy McAlpine "Anybody's Fool" Lizzy McAlpine "A Car Wash and a New Pair of Pants" Nick Drake "One of These Things First" Lizzy McAlpine "Two Elevens" Adam Guettel "Through the Mountain" Lizzy McAlpine "Our Strange Ways" Joni Mitchell "Hejira" Lizzy McAlpine "Soldier of the Road" Lizzy McAlpine "Peach" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Throughout pop history, groups from The Ink Spots to the Beach Boys to Fleetwood Mac all forged their sound in the alchemy of vocal harmonies, harnessing the magic that happens when different voices join as one. Then suddenly, right around the 1980s, vocal harmonies started to wane in pop. Whether it was Michael Jackson creating a new model of the solo star, music technology making the voice more like an instrument, or simply audiences wanting a new sound, today the art of vocal harmony is hard to find on the charts. But bands like Tiny Habits, whose originals and covers showcase intricate and delicate harmonies, are bringing the sound back to the people, with a message that everyone needs to sing more, and to sing together. CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Fleetwood Mac – The Chain The Roches – Hammond Song Crosby, Stills, Nash & Young – Suite: Judy Blue Eyes Pérotin, The Hilliard Ensemble – Viderunt omnes Mbuti men – Elephant Hunting Song Bulgarian State Television Female Choir – Pilentze Pee The Golden Gate Quartet – Stormy Weather The Jackson 5 – Who’s Lovin’ You Frankie Valli & The Four Seasons – C’mon Marianne The Beach Boys – Barbara Ann Michael Jackson – Don’t Stop ’Til You Get Enough Tiny Habits – Right In Front Of Me Tiny Habits – Anything He Was Tiny Habits – one more (live acoustic) Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the first time in history, five country songs were at the top of the Billboard Hot 100. Ella Langley, Morgan Wallen, Taylor Swift and Stella Lefty all have songs that range from two-stepping hits to borderline Americana: what do these songs say about the state of country music? CREDITS Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Dolly Parton, “9 to 5” Dolly Parton & Kenny Rogers, “Islands In the Stream” Dolly Parton, “Rockstar” Ella Langley, “Choosin’ Texas” Ronnie Milsap, “Smoky Mountain Rain” George Strait, “Amarillo By Morning” Johnny Cash, “Folsom Prison Blues” Brad Paisley, “Cluster Pluck (feat. James Burton, Vince Gill, Albert Lee, John Jorgenson, Brent Mason, Redd Volkaert & Steve Wariner)” Buddy Holly, “That’ll Be The Day” Stevie Ray Vaughan, “Texas Flood” George Strait, “All My Ex’s Live In Texas” The Pointer Sisters, “Slow Hand” Conway Twitty, “Slow Hand” Morgan Wallen, “Been By Now” Ella Langley & Morgan Wallen, “I Can’t Love You Anymore” Taylor Swift, “I Knew It, I Knew You (From ‘Toy Story 5’)” Squeeze, “Tempted” The Velvet Underground, “Sweet Jane” Taylor Swift, “I Knew You Were Trouble.” Taylor Swift, “cardigan” Stella Lefty, “Boston” Noah Kahan, “Stick Season” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Many of us keep a journal, but few of us are able to turn our unvarnished thoughts into cultural moments touching on love, death, and guitars quite like Phoebe Bridgers. Her new album Lost Weekend isn’t just throwing the pages of her personal life into song, it’s much more than that: A beguiling, hyper-compositional meditation on the last six years of her life. The genres range from bluegrass to electronic, and collaborators pepper the record – from her boygenius bandmates Lucy Dacus and Julien Baker, to Americana outfit Nickel Creek, to a mysterious presence who may or may not be Geese singer Cameron Winter. The end result is one of the most immersive and heartbreaking albums of the year thus far, transforming the specificity of one person’s story and observations into a universal reflection on life’s fragility. CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Phoebe Bridgers – The Outside Phoebe Bridgers – Lost Boys Phoebe Bridgers – Kill Me Phoebe Bridgers – The Governor’s Waltz Phoebe Bridgers – Lost Weekend Phoebe Bridgers – Haunted Phoebe Bridgers – Still Standing Phoebe Bridgers – Never Going Back! Phoebe Bridgers – I Can’t Wait Phoebe Bridgers – Lost Weekend (Reprise) Paul Lansky and Hannah MacKay – Notjustmoreidlechatter Phoebe Bridgers – I Know The End Phoebe Bridgers – Motion Sickness Learn more about your ad choices. Visit podcastchoices.com/adchoices

Madonna has returned this summer with Confessions II: an album full of huge hooks, pounding bass, and sincere emotion. It’s the queen of pop's first record in seven years, and serves as a sequel to her 2005 smash hit, Confessions on a Dance Floor. The record ties together threads that have existed throughout Madonna’s entire discography, but it also serves a greater purpose. Confessions II is Madonna’s biopic, allowing her to tell her story on her own terms. On this episode of Switched on Pop, producer (and Madonna superfan) Reanna Cruz walks Charlie and Nate through the record, and makes the case for it being the best Madonna record of the last twenty years. CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Madonna, Sabrina Carpenter – Bring Your Love Madonna – Express Yourself Madonna – Hung Up Madonna – Danceteria Madonna – Vogue Lou Reed – Walk On the Wild Side Madonna – Get Together Madonna – I Feel So Free Donna Summer – I Feel Love Madonna – One Step Away Madonna – Nothing Fails Madonna – Everything Madonna – Fragile Madonna – Frozen Learn more about your ad choices. Visit podcastchoices.com/adchoices

For many people – including Charlie and Nate – studying classical piano as a child always felt like a chore. Now, as adults, there’s a newfound appreciation for classical music, but the art form isn’t always accessible. One of the people trying to change that is the world-renowned pianist Lang Lang, classical piano’s greatest interpreter. On this episode of Switched on Pop, Charlie sits down with Lang Lang at the Steinway showroom in New York City to see how taste changes over time, the different ways a master pianist can interpret a work, and ultimately, why classical music is still important. CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bridges open up the world of a song: they're a breath of fresh air and a point of contrast, typically delivered right before the final chorus. But sometimes they accomplish even more, changing the whole meaning of a song by introducing a note of doubt, or even defiance. This is what the best artists do, from Beyoncé to the Beatles to Taylor Swift, but some critics are concerned that the bridge is in danger of being demolished. On this episode, Charlie and Nate speak to songwriter and artist Tayla Parx, who's worked with everyone from Ariana Grande to Panic! At the Disco, to learn why the bridge matters more than ever — and why an artist might still want to skip it altogether. CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: James Brown, "Get Up (I Feel Like Being a) Sex Machine" Led Zeppelin, "The Crunge" Aretha Franklin, "(You Make Me Feel Like) A Natural Woman" Judy Garland, "Over the Rainbow" "On the Sunny Side of the Street" The Beatles, "No Reply" The Beatles, “We Can Work It Out" The Beatles, "Something" Beyoncé, "Single Ladies (Put a Ring on It)" Chappell Roan, "Good Luck, Babe!" Maisie Peters, "I'm Trying (Not Friends)" OutKast, "Hey Ya!" Taylor Swift, "Cruel Summer" Taylor Swift, "Getaway Car" Ariana Grande, "7 rings" Ariana Grande, "pov" JENNIE, "like JENNIE" Ravyn Lenae, "Saturday Night" Learn more about your ad choices. Visit podcastchoices.com/adchoices

The chorus was once the part of the song that brought us together, the place we gathered to sing. Now it's the most engineered thirty seconds in music. Legendary producer Trevor Horn and hip-hop icon B-Real of Cypress Hill help Charlie and Nate answer the question on their minds: when everything's a hook, is anything a chorus? CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Whitney Houston, "I Wanna Dance with Somebody (Who Loves Me)" Bruce Springsteen, "Born in the U.S.A." Handel, "Hallelujah Chorus" (from Messiah) Pete Seeger, "Oh! Susanna" Odetta, "The Battle Hymn of the Republic" Marvin Gaye & Tammi Terrell, “Ain't No Mountain High Enough" Handel, "Ev'ry Valley Shall Be Exalted" (from Messiah) Joan Morris & William Bolcom, "After the Ball"  Judy Garland, "Over the Rainbow" Chuck Berry, "Johnny B. Goode" The Beatles, “Yesterday" The Beatles, "Getting Better" Otis Redding, "Respect" Aretha Franklin, "Respect" Dolly Parton, "I Will Always Love You" Whitney Houston, “I Will Always Love You" The Buggles, "Video Killed the Radio Star" Prince, "I Wanna Be Your Lover" Katy Perry, "Roar" Calvin Harris, “I Need Your Love" (ft. Ellie Goulding) Britney Spears, "(You Drive Me) Crazy" Katy Perry, "Teenage Dream" Maroon 5, "Payphone" (ft. Wiz Khalifa) Bad Bunny, “Si Veo a Tu Mamá" Drake, "Janice STFU" Lykke Li, "I Follow Rivers" Charli xcx, "Rock Music" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Everybody sings the chorus, but superfans quote the verse. On this episode of Switched on Pop, Charlie and Nate trace the verse from Shakespeare through opera to TikTok, and songwriter Audrey Hobert shares her philosophy of specific verses and anthemic choruses: you can't have the payoff without the setup. CREDITS Reanna Cruz: Producer Iris Gottlieb: Illustrator Charlie Harding: Host, Executive Producer Dion Lee: Art Director Brandon McFarland: Audio Engineer Nick Ripps: Video Editor Nate Sloan: Host Lissa Soep: Editor Zach Tenorio & Jocie Adams: Theme Composers Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠Newsletter⁠ Songs discussed: Aretha Franklin, "(You Make Me Feel Like) A Natural Woman" Edward Meeker, "Take Me Out to the Ballgame" Third Eye Blind, "Semi-Charmed Life" Zara Larsson, "Lush Life" John Denver, "Take Me Home, Country Roads" Rick Astley, "Never Gonna Give You Up" William Smith, Choir of New College, Oxford, Edward Higginbottom, "Opening Versicles and Responses" Georges Bizet, Michel Plasson, Angela Gheorghiu, Les Éléments, Orchestre National Du Capitole De Toulouse, "Bizet: Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur)" Richard Rodgers and Lorenz Hart, "Bewitched, Bothered and Bewildered" Built to Spill, "Joyride" The Killers, "Mr. Brightside" Gracie Abrams, "That's So True" Audrey Hobert, "Sue me" Lizzo, "About Damn Time" Audrey Hobert, "Drive" Audrey Hobert, "Bowling alley" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Research says you judge a song in under half a second. So why write an intro at all? On this episode of Switched on Pop, Charlie and Nate kick off their Netflix launch and probe what an intro means in today's musical landscape, alongside special guests like Aaron Dessner (Taylor Swift, The National, Gracie Adams), who helps build the case for intros and reveals the surprising sources that form the opening sounds of Taylor Swift's “cardigan.” CREDITSReanna Cruz: ProducerIris Gottlieb: IllustratorCharlie Harding: Host, Executive ProducerDion Lee: Art DirectorBrandon McFarland: Audio EngineerNick Ripps: Video EditorNate Sloan: HostLissa Soep: EditorZach Tenorio & Jocie Adams: Theme ComposersSwitched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠Newsletter⁠ Black Eyed Peas, "Let's Get It Started" Shawn Colvin, “Sonny Came Home” Smashing Pumpkins, “Tonight Tonight” The Cranberries, "Zombie" The Cranberries, "Linger" Carly Rae Jepsen, "Call Me Maybe" Marvin Gaye, "Let's Get It On" Britney Spears, "Toxic" Miles Davis, "Freddie Freeloader" Robyn, "Call Your Girlfriend" The Beatles, "All You Need Is Love" Led Zeppelin, "Over the Hills and Far Away" Beyoncé, "Irreplaceable" Deee-Lite, "Groove Is in the Heart" Missy Elliott, "Get Ur Freak On" Missy Elliott, "Work It" Luis Fonsi feat. Daddy Yankee, "Despacito" Kendrick Lamar & SZA, "Luther" Mariah Carey, "Fantasy" The Who, "Won't Get Fooled Again" Stevie Wonder, "Superstition" The Temptations, "Papa Was a Rollin' Stone" Rick Astley, "Never Gonna Give You Up" Amy Winehouse, "Back to Black" The Supremes, "Baby Love" The Kinks, "Sweet Lady Genevieve" The Beach Boys, "God Only Knows" Erik Satie, "Je te veux" D'Angelo and the Vanguard, "Back to the Future (Part I)" The Chainsmokers feat. Halsey, "Closer" Sabrina Carpenter, "Taste" Benson Boone, "Sorry I'm Here for Someone Else" Stella Lefty, "Boston" Taylor Swift, "Cardigan" The National, "The System Only Dreams in Total Darkness" Taylor Swift, "So Long, London" Gracie Abrams, "Hit the Wall" Noah Kahan, "End of August" Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're coming to the big screen with a four part mini series starting July 14th. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The quadrennial soccer (or fútbol, depending who you talk to) competition is upon us again: it's the FIFA World Cup! And while the World Cup is a sporting event, it's still relevant to the folks at Switched On Pop, because every four years a new crop of songs gets commissioned to drum up excitement for the games. This year, the official song is by Shakira and Burna Boy, but offerings from IShowSpeed and a madcap collaboration between Andrea Bocelli, David Guetta, EJAE, and Megan Thee Stallion also play the field. On this episode, Charlie and Nate explore them all – including the Shakira and Ricky Martin songs of World Cups past. Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: Shakira, Burna Boy – Dai Dai K'NAAN – Wavin' Flag Tears For Fears, Lil Baby – The World Is Yours To Take Jelly Roll, Carin León – Lighter LISA, Anitta, Rema – Goals Jung Kook, BTS – Dreamers Andrea Bocelli, David Guetta, EJAE, Megan Thee Stallion – DNA (More Than A Game) IShowSpeed – Champions (WC 26) Ed Sheeran – Shape of You Shakira, Carlinhos Brown – La La La (Brasil 2014) Shakira, Freshlyground – Waka Waka (This Time for Africa) Zangalewa – Zangalewa Ricky Martin, Pablo Flores – The Cup of Life (La Copa de la Vida) Ricky Martin – Livin' La Vida Loca Learn more about your ad choices. Visit podcastchoices.com/adchoices

In case you missed it: How does a country of 10 million people dominate the global pop charts? From ABBA's Eurovision breakthrough to Max Martin's methodical hit-making, Sweden has quietly engineered a kind of musical Stockholm Syndrome: we've all become captives to their sound without realizing it. Listen to the crystalline vocal production and deceptively simple chord progressions in tracks by Lisa, Childish Gambino, and Addison Rae, and you're hearing Sweden's sonic fingerprint so embedded in pop's DNA that it now defines the genre itself. We sit down with pop star Zara Larsson to explore her love letter to home, "Midnight Sun." As she puts it, "I can't really leave Sweden; it's just something that's like a part of who I am," a sentiment that captures how Swedish pop's unique blend of melancholy and euphoria, mirroring the country's extreme seasons, has made us all willing prisoners of Stockholm's musical empire. Songs Discussed Lisa ft. Rosalia: "New Woman" Childish Gambino: "Lithonia" Addison Rae: "Fame Is a Gun" Bleachers: "Tiny Moves" Zara Larsson: "Midnight Sun" Robyn: "Show Me Love" Robyn: "Dancing on My Own" Nirvana: "Smells Like Teen Spirit" Brad Mehldau: "Smells Like Teen Spirit" Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the last episode of our feral pop miniseries, we take a look at the 22 year old rapper primed to take over the world: 2hollis. Splitting the difference between hardstyle and hip-hop while emanating an aura best described as “vampiric,” he’s been one of the most hyped musicians coming out of the underground. His music is distorted, chaotic, and over the top – literally – but he reflects a larger sentiment from younger audiences: the more sonic chaos the better. Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: Ninajirachi – Fuck My Computer underscores – Music 2hollis – poster boy SUICIDAL-IDOL – ecstacy 2hollis – flash 2hollis – beginning 2hollis – sidekick underscores, 8485 – your favorite sidekick 2hollis – crush 2hollis – 3 Skrillex – Scary Monsters and Nice Sprites Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on Switched On Pop, we’re looking at all things feral pop, the microgenre that takes pop music to its most wild extremes. And no feral pop artist is more tapped into that ethos than underscores. Her music synthesizes dubstep, trance, and Timbaland with ease, and her latest album ‘U’ is filled with boundless energy. She’s already opened up for 100 gecs, PinkPantheress, and Porter Robinson; this fall, she’ll open up for Charli XCX on her upcoming Music, Fashion, Film tour. She said it best on her debut album, Fishmonger: “it’s the new wave of the future!”   Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: underscores – Music SOPHIE – Ponyboy underscores, 8485 – your favorite sidekick Nelly – Country Grammar (Hot Shit) Madonna – Music Madonna – American Life underscores – Do It Britney Spears – Piece of Me PinkPantheress, Zara Larsson – Stateside Justin Timberlake – SexyBack Learn more about your ad choices. Visit podcastchoices.com/adchoices

What would it sound like if pop music was reverted to its most wild state of being? It would sound hyper-digital, influenced by the electronic vanguard of the 2010s, and speak to a post-genre audience. And while the charts have been stagnant, Gen-Z has been crafting this exact sound: one that is exciting, unpredictable, and above all else, feral. After bubbling underground for the past few years, the subgenre we’ve coined “feral pop” is finally poised to have a breakout, best exemplified by the popularity of the computer-loving Ninajirachi, pop star underscores, and rave-rapper 2hollis. This week on Switched On Pop, Reanna, Charlie, and Nate are going to tap into all that this dubstep-influenced sound has to offer, starting with the Australian DJ Ninajirachi, and explore why everyone in pop music is finally getting feral. Links: ⁠⁠Newsletter⁠⁠, ⁠⁠YouTube⁠ Songs discussed: Ninajirachi – CSIRAC underscores – Music 2hollis – girl Skrillex – Scary Monsters and Nice Sprites Imogen Heap – Headlock SOPHIE – BIPP Ninajirachi – iPod touch Ninajirachi, Izzy Camina – Ninacamina Skrillex – Rock ’n’ Roll (Will Take You to the Mountain) Skrillex, Sirah – Bangarang Ninajirachi – Fuck My Computer Ninajirachi – London Song LCD Soundsystem – Sound of Silver Justice – Genesis Justice – Civilization Justice – Stress Learn more about your ad choices. Visit podcastchoices.com/adchoices

Olivia Rodrigo is back with her third studio album, you seem pretty sad for a girl in love. As the title might suggest, it’s a deeply personal affair, with moody soundscapes supporting hyper-detailed lyrics of soul-wrenching depth. This album is a meditation on desire, and intriguingly, the letdown that can occur when desire is fulfilled. Each track is haunted by a band that basically invented the idea of unfulfilled longing, The Cure, who receive multiple direct shout-outs and numerous subtle references. But the album isn’t a tribute, or a rip-off. It’s a continuation of the voice Rodrigo has been developing ever since she debuted “drivers license” in 2021. It’s a sound distinctly her own, with signature techniques to match. The “re-verse” in “Drop Dead,” which we discussed in a prior episode, and a spiraling structure that keeps listeners waiting and waiting for the final word. Tune in to hear how Olivia channels her gothic predilections and fastidious lyrical craft into a powerful emotional payoff.  Songs discussed: Olivia Rodrigo - drop dead, stupid song, u + me = <3, purple, the cure, begged, what’s wrong with me, less, expectations, cigarette smoke, drivers license, vampire The Cure - Just Like Heaven, Friday I’m in Love David Byrne - drivers license Learn more about your ad choices. Visit podcastchoices.com/adchoices

Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, arrived when McCartney was 83 and and he came out swinging: the opening track greets listeners with a dissonant, unresolved guitar chord that sets the album's tone. Harmonic instability runs through the entire record: chromatic mediants, deceptive cadences, and persistent pedal tones prevent even the most nostalgic songs from settling into comfort. The album's lyrics focus on McCartney's pre-Beatles Liverpool youth, territory unfamiliar even to long-time fans. The songs pay deliberate sonic tribute to specific Beatles recordings: Mellotron strings echoing "Strawberry Fields Forever," a backwards laugh tape loop answering "Tomorrow Never Knows," a first-ever McCartney/Starr vocal duet so close in timbre the two voices are nearly indistinguishable. Songs discussed:Paul McCartney – "Mull of Kintyre"Paul McCartney – "As You Lie There"The Beatles – "Blackbird"The Beatles – "Helter Skelter"The Beatles – "You Never Give Me Your Money"Paul McCartney – "Uncle Albert / Admiral Halsey"Paul McCartney – "Band on the Run"Paul McCartney – "Live and Let Die"Paul McCartney – "Mountaintop"The Beatles – "Being for the Benefit of Mr. Kite!"The Beatles – "For No One"The Beatles – "Because"The Beatles – "Lucy in the Sky with Diamonds"The Beatles – "Octopus's Garden"Paul McCartney – "Down South"The Beatles – "Two of Us"Paul McCartney – "We Two"The Beatles – "Strawberry Fields Forever"Paul McCartney – "Never Know Those"The Beatles – "Tomorrow Never Knows"Paul McCartney – "Salesman Saint"John Lennon – "Working Class Hero"John Cougar Mellencamp – "Small Town"Paul McCartney – “Home to Us” (with Ringo Starr)Paul McCartney – "The Days We Left Behind"The Beatles – "When I'm Sixty Four" Learn more about your ad choices. Visit podcastchoices.com/adchoices

A sci-fi ballet imagined a 2080 where AI strips people of purpose, and the day before its New York premiere, an actual dystopia arrived. Arc Iris, the trio of Jocie Adams, Zach Tenorio and Ray Belli, built iTMRW as a concept record set in a future ruled by a mega-corporation that shares its name. In its world, AI has taken most jobs and even the thinking left inside them, so the corporation offers pods where anyone can live any dream in virtual reality. The piece premiered in Cambridge in January 2020, then its New York show collapsed the day before the lockdown. What follows is the story of a project that outlasted its own premise. When venues closed, they left Providence for Los Angeles, rebuilt a dilapidated house, spent eight months in a 120-square-foot shed, and constructed their own studio and stage. The dystopia they wrote became, in their telling, a personal utopia. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A culture that rewards easily consumable individual identities produces plenty of pop stars and almost no bands. A significant exception: MUNA, the trio of Katie Gavin, Josette Maskin, and Naomi McPherson. MUNA treats the band as a structure that grounds identity beyond the ego and makes any success feel shared among the three. Their new album, Dancing on the Wall, wraps that conviction in blaring, unapologetic '80s production: slap bass, brightness pushed to the front, and everything connected in one time and place.Links: ⁠Newsletter⁠, ⁠YouTube MUNA, "It Gets So Hot" MUNA, "Dancing on the Wall" Lionel Richie, "Dancing on the Ceiling" MUNA, "Eastside Girls" Yello, "Oh Yeah" Dead or Alive, "You Spin Me Round (Like a Record)" Pet Shop Boys, "West End Girls" Billy Joel, "We Didn't Start the Fire" Charli XCX, "365" MUNA, "Wannabeher" Bikini Kill, "Rebel Girl" Peaches, "Boys Wanna Be Her" Le Tigre, "Deceptacon" MUNA, "Big Stick" MUNA, "Anything But Me" Flobots, "Handlebars" MUNA, "I Know a Place" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Canada’s favorite export Drake is back! This month, the Toronto singer-rapper extraordinaire released three albums simultaneously: the long-anticipated return to form Iceman, the sultry, R&B Habibti and the pop-focused, clubby Maid of Honour. All three albums have much different vibes, and are Drake’s first official solo efforts since his seismic beef with Kendrick Lamar back in 2024. There’s a lot of music to talk about. As a result, Reanna argues that we are living in an era of “Drake Slop” – low-effort, mass-produced dumps of music, often with confused intentions. On this episode of Switched on Pop, Reanna, Charlie, and Nate explore all that these three albums have to offer, and try to figure out exactly what is going on in the twisted mind of Aubrey Graham.  Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: Drake – Shabang Kendrick Lamar – Not Like Us Drake – Circadian Rhythm Drake, Central Cee – Which One Drake – NOKIA Drake – Make Them Cry Drake – Janice STFU Drake – Make Them Pay Drake, Future, Molly Santana – Ran To Atlanta Future, Metro Boomin, Kendrick Lamar – Like That Drake – 2 Hard 4 The Radio YG, Slim 400 – Word Is Bond Mac Dre – 2 Hard 4 the Fuckin' Radio Drake – Rusty Intro Rihanna, Kanye West, Paul McCartney – FourFiveSeconds Drake – High Fives Drake – Tuscan Leather Drake – Classic Drake – Teenage Fever Drake, Sexyy Red – Cheetah Print Drake, Sexyy Red, SZA – Rich Baby Daddy Afrika Bambaataa, The Soulsonic Force – Planet Rock Drake – BBW Queen – Fat Bottomed Girls Drake – Princess A$AP Rocky – PUNK ROCKY Drake – Find Your Love Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kacey Musgraves' album Middle of Nowhere finds the country outlaw taking a break from exploring her inner life to look outward, back to her roots: the regional stylings of Texas. She says the album was inspired by a sign in her hometown that read “Golden, TX: Somewhere in the middle of nowhere.” The album’s sounds probe this same borderland mentality, encapsulating desert noir, Norteño, tejano, and soft rock. Plus, Willie Nelson. The result is a collection of songs that are funny, moving, and reaching back to the sound Musgraves established in her debut record 13 years ago. But the world of country has changed since then – artists like Ella Langley have taken over the charts, cribbing Musgraves' sound while courting a more conservative audience. Can the genre encompass all these multitudes? Nate and Charlie explore this debate through Middle of Nowhere. Links: ⁠⁠Newsletter⁠⁠, ⁠⁠YouTube⁠ Songs discussed: Kacey Musgraves – I Miss You Kacey Musgraves – Merry Go 'Round Kacey Musgraves – High Horse Kacey Musgraves – justified Kacey Musgraves – Deeper Well Kacey Musgraves – Dry Spell Kacey Musgraves, Billy Strings – Everybody Wants To Be A Cowboy Kacey Musgraves, Willie Nelson – Uncertain, TX Kacey Musgraves – Middle of Nowhere Kacey Musgraves, Miranda Lambert – Horses and Divorces Miranda Lambert – Mama's Broken Heart Ella Langley – Choosin' Texas Dolly Parton, David Hidalgo – Before The Next Teardrop Falls Ella Langley – Be Her Kacey Musgraves – Rhinestoned Neil Young – Harvest Moon Learn more about your ad choices. Visit podcastchoices.com/adchoices

The pedal steel and the saz both live in the spaces between equal-tempered notes, and that gap is where Rostam built American Stories. Rostam joined Vampire Weekend at Columbia in 2006, produced the band's first three albums, and after leaving in 2016 made records with Clairo and Haim you can identify as his within a few bars. His solo album, American Stories, reflects his experience as an American whose family is from Iran. He came into the studio this past March, just after the United States launched military operations there. It's a record that asks us to listen between two cultures. SONGS DISCUSSED Rostam "Like a Spark" Wilco "What Light" HAIM "Summer Girl" Rostam "Back of a Truck" Bob Dylan "Like a Rolling Stone" Bob Dylan "Don't Think Twice, It's All Right" The Supremes "You Keep Me Hangin' On" Lou Reed "Perfect Day" Rostam "Forgive Is to Know" Rostam "Hardy" (ft. Clairo) Clairo “Sophia” Hamilton Leithauser + Rostam “A 1000 Times” David Bowie "I Can't Give Everything Away" Rostam "The Road to Death" Rostam "Come Apart" Rostam "Campus (Original Version)" Rostam "The Weight" Learn more about your ad choices. Visit podcastchoices.com/adchoices

The flowers are blooming and the calendar says May. That can only mean one thing: the Eurovision Song Contest is upon us once again. This year, thirty-five countries face off to determine the best song that Europe and adjacent continents have to offer. However, the competition comes with a big asterisk: while Eurovision prides themselves on being “apolitical,” the inclusion of Israel in the competition has led to a massive boycott, and the nations of Ireland, Spain, Iceland, Slovenia, and the Netherlands all withdrawing their participation. These are very real concerns impacting the general tenor of the competition this year, and are worth deeply considering. Since  Eurovision is music news, and proves fundamental in discovering new sounds in global pop, as reporters, Nate, Charlie, and Reanna run down the top contenders according to bookmakers as of this recording. If you’re not watching this year, you’ll still know what’s going on.  But if Eurovision isn’t of interest, it’s all good. At the end of the episode, Nate, Charlie, and Reanna also take some time to run down the current state of Switched On Pop bingo. Get your own bingo card here. Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: Céline Dion – Ne partez pas sans moi ABBA – Waterloo Joost – Europapa JJ – Wasted Love Delta Goodrem – Eclipse Søren Torpegaard Lund – Før Vi Går Hjem Ariana Grande – One Last Time Lady Gaga, Bradley Cooper – Shallow Akylas – Ferto Käärijä – Cha Cha Cha Linda Lampenius, Pete Parkkonen – Liekinheitin Windows95man – No Rules Erika Vikman – ICH KOMME DARA – Bangaranga Alexandra Cǎpitǎnescu – Choke Me Satoshi – Viva, Moldova! PinkPantheress, Zara Larsson – Stateside Learn more about your ad choices. Visit podcastchoices.com/adchoices

How do you write a rap verse that's clever without saying so? Samara Cyn, one of the sharpest young writers in hip-hop, joins us to talk about Detour, her new EP about going analog. We get into wordplay versus narrative, the Missy Elliott blueprint behind "oooshxt!", and why she takes a knee in the vocal booth when a line won't come out. Songs Discussed Samara Cyn — "Sinner" Samara Cyn "BUSHWICK" Samara Cyn — "FREE" Samara Cyn — "Highest" Samara Cyn — "oooshxt!" Samara Cyn — "summer's turning" Samara Cyn — "over influence" Samara Cyn — "Nomad" Samara Cyn — "Bad Brain" Newsletter: https://switchedonpop.substack.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Olivia Rodrigo's chart-topping new single "drop dead," the lead single from her forthcoming third album you seem pretty sad for a girl so in love, breaks one of pop's oldest rules by abandoning the traditional second verse and replacing it with something entirely new. From Mariah Carey's "Fantasy" to Sabrina Carpenter's "Manchild" and Chappell Roan's "Super Graphic Ultra Modern Girl," a growing wave of today's biggest pop stars are ditching the verse-chorus formula listeners have been trained to expect for decades. Rodrigo didn't invent the second-verse switch-up, but on "drop dead" she may have just killed off the predictable second verse for good. Songs Discussed Frank Zappa "Charlene" Olivia Rodrigo "drop dead" The Cure "Just Like Heaven" Jean-Baptiste Lully "The Tragey of Armide" Ryan Brown conducting Opera Lafayette Olivia Rodrigo "drivers license" Olivia Rodrigo "good 4 u" Olivia Rodrigo "vampire" Olivia Rodrigo "ballad of a homeschooled girl" Arnold Schoenberg Pierrot Lunaire — Patricia Kopatchinskaja Mariah Carey "Fantasy" (ft. Ol' Dirty Bastard) Blackstreet "No Diggity" (ft. Dr. Dre, Queen Pen) Peter Gabriel "Don't Give Up" (ft. Kate Bush) Kendrick Lamar, SZA "luther" Lady Gaga, Bruno Mars "Die With a Smile" Post Malone, Swae Lee "Sunflower" HUNTR/X "Golden" Joshua Bassett, Olivia Rodrigo "Start of Something New" Matt Cornett, Olivia Rodrigo "What I've Been Looking For" Olivia Rodrigo "All I Want" The Avett Brothers "I and Love and You" Sheryl Crow "Strong Enough" Sabrina Carpenter "Please Please Please" Sabrina Carpenter "Manchild" Chappell Roan "Super Graphic Ultra Modern Girl" Chappell Roan "HOT TO GO!" Chappell Roan "Red Wine Supernova" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hrishikesh Hirway, host of Song Exploder, returns with his first album in fifteen years, In the Last Hour of Light, made under a premise that's almost contradictory for a podcaster built around isolated stems: session players who had never heard the songs, vocals tracked live in the room, no click track, and no overdubs.  The layered style that defines current pop production is itself a relatively recent development. Hirway's record  reaches back to the older live-tracking tradition that shaped the 1950s and 60s Bollywood recordings he grew up listening to in his parents' house. The album is about memory and so it’s appropriate that the music is recorded whole  in all its beautiful imperfections. Songs Discussed Hrishikesh Hirway "Things Change Even Now" Hrishikesh Hirway "Stray Dogs" Hrishikesh Hirway "The Ocean" Hrishikesh Hirway "Home Movies" Adrienne Lenker “Anything” Chuck Berry "Maybellene" The Beatles "Twist and Shout" James Brown "Papa's Got a Brand New Bag" Sidney Bechet "The Sheik of Araby" Les Paul & Mary Ford "How High the Moon" The Beach Boys "Good Vibrations" The Beatles “A Day In The Life” Queen "Bohemian Rhapsody" Jacob Collier "With the Love in My Heart" Brandi Carlile "You and Me on the Rock" Learn more about your ad choices. Visit podcastchoices.com/adchoices

BTS is back. The best selling K Pop group of all time has been on hiatus for four years. They haven’t released an album in six. They were once the biggest band in the world. Can they regain their throne? Or has the world moved on. Leaning on traditional Korean sounds and a bevy of international producers, from Tame Impala’s Kevin Parker to JPEGMafia, is their album Arirang the future or the past of K Pop? Hye Jin Lee, communications professor at USC and K Pop scholar, joins to break down the album's references and ponder how longtime fans will respond. Songs Discussed BTS - Body to Body Koreana - Hand In Hand Lee Chun-Hee - Arirang BTS - Hooligan Michel Magne - Yang Tse Kiang - Bande originale du film "Un singe en hiver" ROSALÍA - MALAMENTE - Cap.1: Augurio Prefuse 73 - The End of Biters - International BTS - Aliens Kim Young-gil and Yoon Ho-Se - Ajaeng sanjo - Jungmori BTS - FYA Junior Sanchez - Lookin 4 Love - Extended Mix BTS - No. 29 BTS - SWIM BTS - Merry Go Round Tame Impala - New Person, Same Old Mistakes BTS - NORMAL BTS - they don’t know ’bout us The Four Freshmen It's A Blue World BTS - Paldogangsan BTS - No More Dream BTS and Zara Larsson - A Brand New Day Agust D - Haegeum Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ten years ago, Maggie Rogers was a senior at NYU, scrambling to finish a song for a music production class she was close to failing. The guest critic that week happened to be Pharrell Williams. She played him "Alaska," a track she'd written in about fifteen minutes. It is a bit of folk songwriting crossed with the electronic music she'd fallen for studying abroad. Pharrell told her he'd never heard anything that sounded like it. Someone was filming. The clip went viral, and it launched Maggie into pop stardom.  Ten years later, she's released three studio albums, earned a Grammy nomination for Best New Artist, and gone back to school to pick up a master's from Harvard Divinity School, where she studied the spirituality of public gatherings. And in the last few months she's been as visible offstage as on — advocating for free speech in DC, performing for 200,000 people at a protest in Minneapolis alongside Joan Baez, and delivering a haunting performance during the final run of The Late Show with Stephen Colbert, which CBS is ending in May. This week host Charlie Harding got to sit down with Maggie live at Chelsea Studios, in front of a room of current NYU students. It’s the same school, ten years later, now with Charlie in the professor's chair and Maggie as the visiting artist. SONGS DISCUSSED Maggie Rogers "Alaska" Maggie Rogers "Better" Maggie Rogers "One for My Baby (and One More for the Road)" Maggie Rogers "Different Kind of World" Marvin Gaye "What's Going On" Bob Dylan "The Times They Are a-Changin'" USA for Africa "We Are the World" More Newsletter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Train is the kind of band that some people love to hate. Songs like "Meet Virginia" and "Hey Soul Sister" gave the band huge hits, and no small amount of snark. And then there's "Drops of Jupiter." Released in 2001, the song is almost impossible not to love, no matter how many lyrics about soy lattes and Tae Bo it includes. "Drops of Jupiter" was released 25 years ago, so there's no more perfect time to plumb the secrets of this celestial smash, and there's no more perfect guest than Train's lead singer and songwriter, Pat Monahan. Pat breaks down the origin of the song, why he thought it would flop, how Train is like a rom com, and why he'd rather his songs be more famous than him. By the end of our conversation, you might find yourself learning to love Train. Songs Discussed Train - Drops of Jupiter, Meet Virginia, Hey Soul Sister Taylor Swift - Drops of Jupiter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Going for broke turned out to be the most honest thing Slayyyter ever made. After financial losses and a depressive episode that left her ready to quit music entirely, Slayyyter entered the studio planning to make one final album. In this conversation, she traces how that desperation shaped every decision on Worst Girl in America. This conversation will leave you feeling Daddy AF. SONGS DISCUSSED Slayyyter – "Daddy AF" Slayyyter – "Brittany Murphy" Slayyyter – "Dance" Slayyyter – "Crank" Slayyyter – "Gas Station" Slayyyter – "Beat Up Chanels" Slayyyter – "Old Technology" Slayyyter – "Yes God" Slayyyter – "Unknown Lovers" Slayyyter – "Cannibalism" Slayyyter – "Actually Kind of Famous" Slayyyter – "What It's Like to Be Liked" Slayyyter – "Mine" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Charlie Puth joins Switched On Pop in Studio A at Power Station at Berklee NYC, live before a room of current students, ten days after performing the national anthem at Super Bowl 60 and weeks before releasing his fourth album, Whatever's Clever. The conversation is grounded in one question: how do you absorb the music you love and turn it into something that actually sounds like you? Puth traces his national anthem arrangement through a lineage running from Jose Feliciano's 1968 World Series performance to Marvin Gaye's 808-driven 1983 All-Star Game version to Whitney Houston's 1991 Super Bowl rendition. The through-line: citation is letting your influences dissolve into your hands until they become unrecognizable. That principle runs throughout the new record, from the Quincy Jones guitar tone on "Cry" to the Chick Corea quotation buried in "Boy" that Puth didn't realize was there until after writing it. Songs Discussed Bruce Springsteen – "Born in the USA" Madonna – "Like a Virgin" David Bowie – "Let's Dance" Charlie Puth ft. Wiz Khalifa – "See You Again" Charlie Puth – "We Don't Talk Anymore" Charlie Puth – "Attention" Charlie Puth – "Light Switch" Whitney Houston – "The Star-Spangled Banner" Babyface – "Whip Appeal" Jose Feliciano – "The Star-Spangled Banner" Jimi Hendrix – "The Star-Spangled Banner" Marvin Gaye – "The Star-Spangled Banner" Marvin Gaye – "Sexual Healing" Soulja Boy – "Crank That (Soulja Boy)" DeBarge – "Who's Holding Donna Now" Charlie Puth ft. Jeff Goldblum – "Until It Happens to You" Charlie Puth – "Changes" Charlie Puth – "Cry" Kenny G – "Lullaby" SOPHIE – "It's Okay to Cry" Michael Jackson – "Human Nature" Johnny Hates Jazz – "Shattered Dreams" Madonna – "Into the Groove" Joshua Redman – "St. Thomas" Charlie Puth – "Boy" Chick Corea – "Spain" Charlie Puth – "How Long (Has This Been Going On)" Bell Biv DeVoe – "Poison" Elton John – "Don't Let the Sun Go Down on Me" Prince – "When Doves Cry" Schoolly D – "PSK What Does It Mean" Rick Astley – "Never Gonna Give You Up" Charlie Puth – "Beat Yourself Up" Britney Spears – "Lucky" George Benson – "Give Me the Night" No Doubt – "Hella Good" Michael Jackson – "Beat It" Michael Jackson – "Billie Jean" Charlie Puth – "Washed Up" Charlie Puth – "I Used to Be Cringe" Richard Smallwood – "Center of My Joy" Richard Smallwood – "Total Praise" Learn more about your ad choices. Visit podcastchoices.com/adchoices

RAYE names Amy Winehouse and Edith Piaf as her artistic predecessors on the opening tracks of new album This Music May Contain Hope. Both died young, undone by the same darkness they sang about, and placing them there reads as a dare to herself. The album that follows is her attempt to find a different ending: a 17-track, 75-minute work featuring Al Green, Hans Zimmer, the London Symphony Orchestra, and over 80 collaborators, structured around the four seasons as a journey from autumn despair toward summer light. Every genre shift on the record, from Vivaldi's Winter to post-bop jazz combo to gospel choir, serves that arc: small emotional truths get cinematic treatment, most strikingly when the click of heels on pavement becomes the central rhythm of an anthem about getting dressed to go out with friends. The episode serves as a field guide to the album's vast musical language, and to the argument that hope is something you have to build, genre by genre, track by track. Links: ⁠Newsletter⁠, ⁠YouTube RAYE – "WHERE IS MY HUSBAND!"  Nat King Cole – "Let There Be Love"  Ella Fitzgerald and Louis Armstrong – "Summertime"  RAYE (ft. 070 Shake ) – "Escapism."  RAYE – "Intro: Girl Under the Grey Cloud."  RAYE – "I Will Overcome."  Edith Piaf – "La Vie en Rose"  RAYE – "Nightingale Lane."  RAYE – "Fin."  RAYE – "The WhatsApp Shakespeare."  Mark Ronson & RAYE – "Suzanne"  RAYE – "I Hate The Way I Look Today."  RAYE – "Winter Woman."  Vivaldi – "The Four Seasons: Winter"  RAYE (ft. Hans Zimmer) – "Click Clack Symphony."  RAYE (ft. Al Green) – "Goodbye Henry."  Al Green – "Love and Happiness"  Aretha Franklin – "Rock Steady"  RAYE – "Skin & Bones."  Fred Wesley and The J.B.'s (ft. James Brown) – "Damn Right I Am Somebody"  RAYE – "Beware.. The South London Lover Boy."  The Supremes – "You Can't Hurry Love"  Iggy Pop – "Lust for Life" Jet – "Are You Gonna Be My Girl?"  Mark Ronson (ft. Amy Winehouse) – "Valerie"  Charles Albert Tindley – "I'll Overcome Someday"  Prince - “Purple Rain"  Beyoncé – "Love on Top"  RAYE (ft. Amma & Absolutely) – "Joy." Learn more about your ad choices. Visit podcastchoices.com/adchoices

On a recent podcast interview, Kentucky rapper Jack Harlow said that, to craft his new album Monica, he “got blacker.” The problem is… Jack Harlow is white. The statement, while extremely tone-deaf, speaks to his intentions with this musical pivot: musically, Monica turns to the historically Black genres of R&B and neo-soul to craft a new image designed to shed the stigma of being a “white rapper.” The pivot is more costume than culture, but in doing so, Harlow seems to be following in the footsteps of several white rappers over the past decade. Artists like Post Malone, MGK, and Jelly Roll have all had radical shifts in sound and image over their career, separating themselves from their roots in hip-hop. So, in response to Monica, Reanna and Charlie ask: where have all the white rappers gone?  Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: Jack Harlow – First Class Jack Harlow – Lovin On Me Jack Harlow – Trade Places Post Malone, Hank Williams Jr. – Finer Things Jack Harlow – Tyler Herro Jack Harlow, Doja Cat – Just Us Jack Harlow – Lonesome J Dilla, Common, D’Angelo – So Far to Go D’Angelo – Spanish Joint D’Angelo – Feel Like Makin’ Love Jack Harlow – All Of My Friends Led Zeppelin - Babe I’m Gonna Leave You Paul Wall, Big Pokey – Sittin’ Sidewayz Beastie Boys – Fight For Your Right Post Malone – White Iverson Post Malone – Leave Post Malone, Morgan Wallen – I Had Some Help James Taylor – Machine Gun Kelly MGK – LOCO MGK, blackbear – my ex’s best friend 5 Seconds of Summer – She Looks So Perfect MGK – cliche Jelly Roll – F*ck What They Talkin Bout (ft. O.N.E.)  Jelly Roll – Need A Favor Bubba Sparxxx – Deliverance Eminem – Cleanin’ Out My Closet Eminem – Without Me Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jacob Collier is a rare musician: an expert in so many musical languages (western harmony, negative harmony, microtonalism) and a phenomenal communicator about music. He's something like an Ambassador for Music, traveling the world and getting thousands of people, musicians and non-musicians alike, to sing in his audience choirs. Live at On Air Fest, this conversation, catches Jacob between projects. Last year he released The Light for Days, a comparatively minimalist collection of songs written on his special five-string guitar, a quiet turn after the massive Djesse quadrilogy, which featured over 50 collaborators from Herbie Hancock to Anoushka Shankar and wove hundreds of thousands of audience choir voices into the recordings. Given that Jacob is always improvising with the best collaborators, Charlie wanted one of his own own. Five minutes before the show, Charlie spotted Sam Sanders, co-host of Vibe Check and host of the Sam Sanders Show on KCRW, and asked him onstage. Sam's a musician and one of the great interviewers, and he showed how improvising in conversation is just as essential as it is in music. Links: ⁠⁠Newsletter⁠⁠, ⁠⁠YouTube Learn more about your ad choices. Visit podcastchoices.com/adchoices

The dance floor is where Harry Styles does his therapy, and this album is the session notes. Four years after Harry's House, Styles returns with Kiss All the Time, Disco Occasionally, a record built from minimal ingredients: live drums, Moog bass, nylon guitar, and synth sequences that stretch across entire songs without a drop in sight. This is Styles' anti-drop album. Where classic disco era dance celebrated collective joy, Styles uses the dance floor as a stage for self-examination. Links: ⁠Newsletter⁠, ⁠YouTubeSongs discussed: Harry Styles – "Aperture" Ice Spice – "In Ha Mood" PinkPantheress – "Boy's a Liar" Zara Larsson – "Midnight Sun" LCD Soundsystem – "Dance Yrself Clean" LCD Soundsystem – "Someone Great" LCD Soundsystem – "Oh Baby" Harry Styles – "Pop" Harry Styles – "Sign of the Times" David Bowie – "Space Oddity" Elton John – "Rocket Man" Harry Styles – "Dance No More" Chic – "Good Times" Stevie Nicks – "Edge of Seventeen" Simon & Garfunkel – "Keep the Customer Satisfied" Paul Simon – "You Can Call Me Al" Harry Styles – "Carla's Song" Paul Simon – "Kathy's Song" Simon & Garfunkel – "Bridge Over Troubled Water" Harry Styles – "Are You Listening Yet?" DJO – "Basic Being Basic" Harry Styles – "Season Two, Weight Loss" Sons of Kemet – "Play Mas" Harry Styles – "Coming Up Roses" Harry Styles – "American Girls" LCD Soundsystem – "American Scum" LCD Soundsystem – "Drunk Girls" Harry Styles – "As It Was" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bruno Mars is back with a new album called The Romantic, his first solo release since 2016’s 24k Magic. At first listen, the lead single, “I Just Might,” sounds like an outtake from 2021’s collaborative album with Anderson Paak, the Philly soul-inspired An Evening with Silk Sonic. Listen closer though and another element emerges: a fast-paced conga drum line. The rest of Mars’s nine-track confection chases that Latin influence. This is not just another retread of 70s funk and soul. In fact, The Romantic makes the case that Mars is pop’s great counter-programmer, finding styles of the past that no one else has yet mined. Charlie and Nate break down all the new territory covered by Mars, from Latin boleros to Cuban cha chas, Nuyorican boogaloo to a mariachi “My Way.” The results may not change your mind about Mars, but they might make you appreciate the finer points of what is sure to be an omnipresent new release.  Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: Lady Gaga, Bruno Mars - Die With A Smile ROSÉ, Bruno Mars - APT. Bruno Mars - Risk It All Eydie Gormé, Los Panchos - Sabor a Mí Frank Sinatra - My Way  Bruno Mars - Cha Cha Cha JUVENILE, Soulja Slim - Slow Motion Pete Rodriguez - I Like It Like That Cardi B, Bad Bunny, J Balvin - I Like It Young-Holt Unlimited - Soulful Strut Bruno Mars - I Just Might Redbone - Come and Get Your Love Leo Sayer - You Make Me Feel Like Dancing Junior Senior - Move Your Feet Bruno Mars - God Was Showing Off Billy Paul - Me and Mrs. Jones Bruno Mars - Why You Wanna Fight? Bruno Mars - On My Soul Curtis Mayfield - Move on Up Bruno Mars - Something Serious Willie Bobo - Evil Ways Santana - Evil Ways Santana - Oye Como Va Tito Puente - Oye Cómo Va Bruno Mars - Nothing Left Bruno Mars - Dance With Me Stephen Sanchez - Until I Found You Learn more about your ad choices. Visit podcastchoices.com/adchoices

Emerald Fennell's new adaptation of Emily Brontë's 1847 gothic romance "Wuthering Heights" is the most talked-about film of the year. But for pop lovers, the soundtrack is the real event: Charli xcx, asked to write one song, ended up recording an entire album for the movie while in the middle of the BRAT tour. If BRAT gave people permission to be messy on the dance floor, this score gives permission to be messy in your souls. But Charli isn't the first artist to channel "Wuthering Heights" into music. Line up her hyperpop strings and cavernous reverb against Kate Bush's winding harmonies, a Hollywood orchestral score from 1939, and Ryuichi Sakamoto's unsettled piano, and something surprising emerges: the most operatic, passionate, Wuthering Heights-obsessed recording of them all might belong to someone you'd never expect.Songs discussed: Charli xcx “Everything is Romantic” Charli xcx “Always Everywhere” Charli xcx “House” (feat. John Cale) Hans Zimmer “Inception score” Charli xcx “Wall of Sound” Ike & Tina Turner “River Deep, Mountain High” Charli xcx “Chains of Love” Charli xcx “Out of Myself” Charli xcx “Funny Mouth” (co-written with Joe Curie) Alfred Newman “Wuthering Heights score (1939)” Ryuichi Sakamoto “Wuthering Heights score (1992)” Kate Bush “Wuthering Heights” Celine Dion “It’s All Coming Back to Me Now” Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's the middle of award season, and Ryan Coogler's ode to the Black music canon Sinners has emerged as the Oscars frontrunner and the most nominated film in Academy Awards history. The love the movie has for the Delta blues is front and center, and begs the question: will the movie's legacy help bring the blues back into popular culture? There's already been a precedent for films reviving dead genres – think The Sting and its ragtime score, or O Brother Where Art Thou's relationship to bluegrass – and on this episode of Switched On Pop, Reanna and Nate talk with Vulture writer Fran Hoepfner about the times in which movie soundtracks have shifted the musical culture. Read Fran's piece on movie scoring, The Death of the Classic Film Score, here. Songs discussed: Miles Caton – I Lied to You Bee Gees – Stayin' Alive Underworld – Born Slippy (Nuxx) Marvin Hamlisch – The Entertainer Wu-Tang Clan – Fast Shadow Bee Gees – More Than A Woman Whitney Houston – I Have Nothing Harry McClintock – The Big Rock Candy Mountain Alison Krauss – Down To The River To Pray The Soggy Bottom Boys – I Am A Man Of Constant Sorrow *NSYNC – Bye Bye Bye The Brian Setzer Orchestra – Jump Jive An' Wail Cab Calloway – Minnie the Moocher Royal Crown Revue – Hey Pachuco! Caravan Palace – Lone Digger Big Bad Voodoo Daddy – Go Daddy O Squirrel Nut Zippers – Hell Fergie, Q-Tip, GoonRock – A Little Party Never Killed Nobody Lana Del Rey – Young And Beautiful Max Richter – On the Nature of Daylight Kavinsky – Nightcall College, Electric Youth – A Real Hero M83 – Midnight City The Weeknd – Take My Breath Learn more about your ad choices. Visit podcastchoices.com/adchoices

A$AP Rocky’s latest album, Don’t Be Dumb, is a wild ride through a cacophony of sounds — punk, industrial, drum ‘n’ bass, indie rock, and of course, hip hop. But on one track, “Robbery,” he and the rising superstar Doechii sample the world of jazz, specifically Thelonious Monk’s 1955 cover of Duke Ellington’s “Caravan.” In the process, Rocky and Doechii don’t just loop and flow, they create a whole narrative of jazz age victors and villains inspired by the rhythms and harmonies of jazz greats. The result is a song, and album, that makes the case for why hip hop matters more than ever in 2026. A$AP Rocky – ROBBERY (feat. Doechii) A$AP Rocky – STOLE YA FLOW A$AP Rocky – ORDER OF PROTECTION A$AP Rocky – PLAYA A$AP Rocky – STFU (feat. Slay Squad) A$AP Rocky – AIR FORCE (BLACK DEMARCO) A$AP Rocky – THE END (feat. will.i.am & Jessica Pratt) Kendrick Lamar - For Free? - Interlude  Clairo - Sinking  Thelonious Monk - Caravan A$AP Rocky - L$D Lou Donaldson - Ode To Billie Joe  Thelonious Monk - Black And Tan Fantasy Wu-Tang Clan - Shame On a N****  Duke Ellington, John Coltrane - My Little Brown Book  Ghostface Killah - Malcolm  Thundercat - Them Changes Learn more about your ad choices. Visit podcastchoices.com/adchoices

What makes Weird Al songs so indelible? Why is Bo Burnham more than just a comic? How do the biggest pop hits make us crack up in the middle of a somber ballad? Humor is always present in music, but we rarely confront it head on. Until now. With the help of Comedian Chris Duffy, author of the book Humor Me: How Laughing Can Make You More Connected, Present, and Happy, and a series of lyrical submission from our listeners, we try to answer the question once posed by Frank Zappa, once and for all: Does humor belong in music? Songs discussed: Sabrina Carpenter – ManchildMarcia Belsky – 100 TamponsBo Burnham – From God’s PerspectiveSnoop Dogg – Gin and JuiceThe Gourds – Gin and JuiceTaylor Swift – All Too Well (10 Minute Version)“Weird Al” Yankovic – Amish Paradise“Weird Al” Yankovic – My BolognaStevie Wonder – Pastime ParadiseCoolio – Gangsta’s ParadiseBo Burnham – That Funny FeelingBo Burnham – FaceTime With My MomElaine Stritch – Are You Having Any Fun?Barenaked Ladies – If I Had $1,000,000Kendrick Lamar – Not Like UsEminem – The Real Slim Shady2 Chainz – Birthday SongLil Jon – Snap Yo FingersOlivia Rodrigo – Get Him BackChappell Roan – CasualAudrey Hobert – I like to touch peopleAudrey Hobert – Bowling alleyJensen McRae – Immune Learn more about your ad choices. Visit podcastchoices.com/adchoices

The ultimate gauntlet of popular music is upon us once again: it's Grammy season, and this year, the competition is pretty tight across the board. Big ticket A-listers like Bad Bunny, Sabrina Carpenter, Kendrick Lamar, and Lady Gaga occupy three of the four big categories (Song, Record, and Album of the Year), while folks like Olivia Dean, Lola Young, Leon Thomas, and Addison Rae duke it out in Best New Artist. On this episode of Switched on Pop, Charlie, Nate, and Reanna take a look at the "big four" categories, and stump for their respective frontrunners in order to predict who will be taking home a golden phonograph (or two). Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: Bad Bunny – DtMF Lady Gaga – Abracadabra Sabrina Carpenter – Manchild Kendrick Lamar – squabble up Olivia Dean – Nice To Each Other Olivia Dean – Man I Need Lola Young – Messy Addison Rae – Headphones On Addison Rae – New York Addison Rae – Fame is a Gun Kendrick Lamar, SZA – luther Billie Eilish – WILDFLOWER HUNTR/X – Golden Chappell Roan – The Subway Kendrick Lamar – tv off (feat. lefty gunplay) Justin Bieber – ALL I CAN TAKE Bad Bunny – NUEVAYoL Bad Bunny – VOY A LLeVARTE PA PR Bad Bunny – LO QUE LE PASÓ A HAWAii Bad Bunny – LA MuDANZA Learn more about your ad choices. Visit podcastchoices.com/adchoices

Swedish pop star Robyn emerged as a phenomenon in the mid 1990s, an ingenue whose work with Max Martin presaged the R&B crossover hits of acts like Britney and the Backstreet Boys. Since her debut, she’s released a string of albums that have shaped the sound of dance music as we know it. Now, Robyn is releasing her first new album in eight years, Sexistential, and she’s given us three singles made up of her signature combination of thumping bass and ethereal vocals, while innovating into new personal –and vulnerable — territory. With raps about IVF, references to Blondie, a return to her collaboration with Max Martin, and our introduction of “drum n grace” to the lexicon, this episode is manna for Robyn fans and tyros alike. Stick around as we unveil a new feature, “Quick Hits,” a down-and-dirty carousel ride through the most interesting new releases, from ASAP Rocky to Zach Bryan. Songs discussed: Robyn – Dopamine Robyn – Show Me Love Charli XCX, Robyn, Yung Lean – 360 remix Jamie XX, Robyn – Life Robyn – Konichiwa Bitches Blondie – Rapture Robyn – Honey Robyn – Missing U Robyn – Call Your Girlfriend Taio Cruz – Dynamite Robyn – Play Robyn – Talk to Me Robyn – Do You Know (What It Takes) Robyn – Sexistential Andre 3000 – I Swear, I Really Wanted to Make a 'Rap' Album but This Is Literally the Way the Wind Blew Me This Time Robyn – Cobrastyle Robyn – Dancing On My Own A$AP Rocky – PUNK ROCKY Zach Bryan – Plastic Cigarette David Byrne – Driver's License Moonchild – Up From Here Learn more about your ad choices. Visit podcastchoices.com/adchoices

Two years ago, Audrey Hobert had never written a song. She was a staff writer on a Nickelodeon series and had recently moved in with her childhood friend Gracie Abrams in Los Angeles. About six months later, a phrase spoken by a heartbroken acquaintance caught their attention; Hobert and Abrams sang it back to each other and wrote a complete song that night. Within the following year, Hobert co-wrote songs including “I Love You, I’m Sorry” and “Risk” for Abrams’s number-two album The Secret of Us. When the television show she was working on was later canceled, Hobert made a hard pivot into her own music. What happened was Who's the Clown, a debut album where every track came from Hobert's own pen. In this live conversation recorded at NYU Steinhardt's Music and Performing Arts Professions program at Chelsea Studios, Hobert traces her path from dance classes choreographed to One Direction to eight-hour writing sessions that yield two good lines on a lucky day. She explains why she can't write in front of anyone, why she refuses to repeat a chorus three times, and why the Steve Martin documentary made her open her album with the disarmingly strange declaration: "I like to touch people." The conversation moves from craft to confession as Hobert reflects on what it means to finally be looked at, and whether the view from inside the spotlight is everything she'd imagined. Subscribe to the ⁠Newsletter⁠ to play along with our annual bingo predictions (last episode) SONGS DISCUSSED Gracie Abrams "I Love You, I'm Sorry" Gracie Abrams "That's So True" Smash Mouth "All Star" One Direction "Kiss You" Audrey Hobert "Wet Hair" Audrey Hobert "Chateau" Audrey Hobert "I Like to Touch People" Audrey Hobert "Sex in the City" Audrey Hobert "Sue Me" Audrey Hobert "Bowling Alley" Semisonic "Closing Time" Audrey Hobert "Silver Jubilee" Audrey Hobert "Don't Go Back to His Ass" Audrey Hobert "Shooting Star" Black Eyed Peas "I Gotta Feeling" Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s a brand new year, and what better way to ring it in than with the second annual Switched On Pop bingo? Like last year, Charlie, Nate, and Reanna polish their crystal balls and play Popstradamus, each throwing out eight outlandish pop predictions for the coming months. This time, there’s piano ballads, cover songs, and what Charlie calls the impending “death of auto-tune.”  Get your own bingo card to play along through our ⁠Newsletter⁠! Find us on YouTube! Songs discussed: The Prodigy – Firestarter The Chemical Brothers – Block Rockin’ Beats Basement Jaxx – Jump ’N Shout Fatboy Slim – The Rockafeller Skank Lady Gaga, Bruno Mars – Die With A Smile Benson Boone – Beautiful Things Post Malone, Ozzy Osbourne, Travis Scott – Take What You Want LCD Soundsystem – Losing My Edge Anamanaguchi, Hatsune Miku – Miku Crazy Frog – Axel F Hampton The Hamster – Hampsters Get the Blues K/DA – POP/STARS Madison Beer – make you mine Forrest Frank – YOUR WAY’S BETTER Tate McRae – Sports car Tata Taktumi, Timbaland – Pulse x Glitch PARTYNEXTDOOR, Drake, Yebba – DIE TRYING The Mighty Mighty Bosstones – The Impression That I Get Maddox Batson – Tears In The River JAY-Z – D.O.A. (Death Of Autotune) Adele – Someone Like You Bruno Mars – When I Was Your Man Lewis Capaldi – Someone You Loved Rihanna, Mikky Ekko – Stay Baauer – Harlem Shake Billie Eilish – bury a friend This Is Lorelei, MJ Lenderman – Dancing in the Club – MJ Lenderman Version WITCH – Once In A Lifetime MOLIY, Shenseea, Silent Addy, Skillibeng – Shake It To The Max (FLY) – Remix Geese – Bow Down Turnstile – LOOK OUT FOR ME Rebecca Black – Sugar Water Cyanide Bad Bunny – DtMF Learn more about your ad choices. Visit podcastchoices.com/adchoices