Explore every episode of the podcast SNL Hall of Fame
| Title | Pub. Date | Duration | |
|---|---|---|---|
| Water Cooler - Cheri Oteri | 30 Aug 2024 | 00:35:14 | |
Join Shari and Joe as they discuss this weeks episode of the HOF podcast and share their visions for first-time hosts. Transcript: Track 2: [0:19] Hi, welcome to the Saturday Night Live Hall of Fame Water Cooler Podcast. You know, kind of a short, simple title. Or to put it another way, the SNL HOFH2L Podcast. Just to, you know, hashtag it. I'm Joe. Track 3: [0:43] And I'm Shari. Track 2: [0:44] And we're sitting here next to the water cooler, ready for this week's discussion. Track 3: [0:51] Yep. Are you filling up your cup, Joe? I'm filling mine up. Track 2: [0:55] And I'm good. All right. Let's do this. Track 3: [0:59] Okay. We're going to start it off by talking about this week's episode of the SNL Hall of Fame with the fabulous Thomas Senna and his special guest, Jamie Burwood. Wood jamie is a og snl hall of fame guest she's been on a couple of times and i believe all of her nominees have gotten in christopher walken and will ferrell will ferrell thank you joe because i blanked out and our latest nominee she finally got in in season five molly shannon so yes he's on a roll let's see if she can keep it up with sherry o terry did you want to continue on and uh so yeah. Track 2: [1:48] Uh yeah those two they had a great discussion uh they covered a lot uh so uh but i there's plenty left to discuss uh you know they brought up uh, that Sherry's often paired up with Will Ferrell, who, you know, they performed in the Groundlings together. They started at Saturday Night Live at the same time. Will Ferrell, Sherry Oteri, Chris Kattan. Basically, Saturday Night Live cleaned house around season 20. They got rid of those bums, Chris Farley, Mike Myers, and Kevin Nealon. No, they were great. It was just, they did their term. It was time for a change. It was time for a change. And then they brought in, yeah, Will Ferrell, Chris Kattan, David Kegner, Daryl Hammond, and our focus for today, Sherry O'Terry. Track 3: [2:43] Thank you, Joe. That was a really good lead-in, recap. Thank you. You're coming up with all the good words, and I'm somehow blanking. Track 2: [2:52] It's cool. Track 3: [2:53] I think we're ready with that great recap. I think we're ready to talk about... Track 2: [3:00] Point counterpoint. Uh, so, uh, okay, let's go into pros and cons. All right. Now this week, uh, I'm going to take the pros with Sherry and you'll take the cons. Track 3: [3:12] Yep. We're switching places. Track 2: [3:14] All right. Uh, so, uh, as far as the pros go, the first thing, and I, they mentioned this on the other episode, she is very energetic. Energetic and the word i want to add on to that is she's energetic to the point where all of her characters are twitching i mean like she's just literally like shocking just you know um yeah like with our characters uh laura or whom i think who's the first one um yeah adele and uh. Track 2: [3:53] Where's the other one? The one that, oh, Colette Rairdon. I wanted to bring her up because she probably has a reason to twitch a little bit because she has a big box of prescriptions that she's on. But yeah, Sherry's very energetic to the point where she's twitching, gives 110%, and also she's just Just a hair below chewing the scenery. She's, you know, not hamming it up. She's not. Everything that she's doing with her energy seems appropriate and called for. And it makes sense within the character. So I just want to point out that she never, ever sleepwalks through a part. So, yeah, that's the first pro I got in your con. Track 3: [4:45] Okay, Joe, that is excellent. And she is very high energy. And Jamie Burwood said that same thing. In fact, her exact, well, maybe not her exact words, but her words were she brings a zaniness and a wackiness that is... Unparalleled. That was Jamie's words, and you pretty much reiterated them, Joe. Unfortunately, I'm here to bring the con, and that wackiness and that zaniness and that shout, she likes to shout. She shouts a lot. So her characters, Rita Del Vecchio, and you mentioned Colette Reardon and of course Simma Down Lady very over the top very shouty all of them and sometimes this repetitive habit with the shouting with the so over the top you and Jamie say that's you know that's a positive a lot of viewers and I've heard it from a lot of viewers over the years because I was watching her back in the day, felt like that was too much, like she was trying too hard. So, yes, she's not sleepwalking. She's almost the opposite of sleepwalking, and that gives viewers a lot of fatigue, and I think people got a little tired of that shtick. So that's my con. Back to you, Joe. Track 2: [6:11] I got it. No, and I get to the point where, yeah, because that happens with Saturday Night Live, where even the best characters get old, hence why she got there in the first place. Like Chris Farley was doing Van Down by the River, which to me is one of my favorite sketches ever. That first one with Christina Applegate, I mean, that to me is one of the top five sketches. However, it got old, and that's why they had to get rid of Farley, bring in new people, and that's how Sherry got there. So yes, that happens at Saturday Night Live. I agree. And with her in particular, yes, the shouting and the energy and the –. Track 2: [6:54] Does wear thin so i agree with that so okay my next pro is something i personally picked up on uh when i was doing all this research is her she does characters of all ages and it's almost to the point where it's like the same character just at different spots in her and the character's life like she did alfina which is this hyper character that visits the pilot um ariana the spartan cheerleader we have to mention her but we'll get back to that and then laura zimmerman the character she did with uh chris katan the hyper sexual hyper sexed couple uh and then rita the porch uh dweller and then finally colette reardon the uh prescription taker and it's like this it's almost like the same person at different stages of the character's life and it's it's cool to see the same actor being able to do that um i just thought that was kind of unique, and i enjoyed seeing that okay. Track 3: [8:00] Joe that is an excellent point she she really she really does put her whole self into her characters and she does do a variety of ages and the observation you made about it being almost like the same character at different points in their life was very interesting, but I'm going to go con now, and this is a biggie, and Jamie and Thomas discussed this quite extensively, and that's the fact that, A, she didn't do a lot after Saturday Night Live, a little bit here and there, some voice work, a couple of TV episodes, nothing major, I guess she was on Broadway, nothing. Track 3: [8:42] I don't even remember hearing about that, but apparently she was on Broadway, but it was very short lived. I think she's had some personal stuff. She keeps it pretty quiet. But the other part of this that's bigger to me is she's never really come back to the show. And I'll be curious to see if she even comes back for the 50th anniversary because I do not believe she was at the 40th. So she really, she didn't really make a connection. Like so many of them stay in touch. Like, look at Dana and David have their podcast fly in the wall. Sherry seems like she kind of disconnected from SNL altogether. And I'm sure she had her reasons. But that is a big reason that voters are going to be like, well, she doesn't care enough to come back to the show. Why would I waste a vote on her and get her into the very hallowed halls of SNL Hall of Fame? So I think that's going to be a biggie. I think that might even hinder her from getting that 10% that she needs to just stay on the ballot. So I guess only time will tell, right? Track 2: [9:49] That is a great point. Because here's something else. Because that whole trio of Farrell, Oteri, Kattan, they all started at the same time. It's kind of like all three of them went in separate directions. And when Will Ferrell hosted Saturday Night Live like three times or the first three times, he always seemed to bring back an old sketch, you know, like he did Jeopardy. He also did that one couple, the middle school singers with Anna Gassmeyer. Track 3: [10:24] Right, right, right, right. Track 2: [10:25] And you would think at least once that they would, you know, when Will Ferrell's hosting, that they would do the cheerleaders. You know like that to me is iconic as, You know, Farley and Spade, Wayne and Garth. Right. You know, like, Will Ferrell, because like we mentioned over and over again, Ferrell and Oteri, they physically look good together. Like, almost in this, not exactly like this, but almost in a Laurel and Hardy type way, where Will Ferrell's tall, Sherry's short, you know, and then she brings the energy to make up for it. So she's, you know, in a scene with Will Ferrell, you know, and she's able to catch your eye with her energy, which is both a pro and a con, you know. So, yeah, I agree. Track 3: [11:21] I guess only time will tell. I guess what we really need to do here is encourage people to vote. Track 2: [11:26] Yes. Vote. Track 3: [11:27] If you think Sherry is deserving, vote. Because if you don't, she's not going to stick around so you can vote for her next time. So if you're going to vote, vote because people left last season. Justin Timberlake is gone. Several others are gone because they didn't. Track 2: [11:53] Yeah, they didn't. Track 3: [11:54] The five seasons came and went. And there are some who didn't get the 10% and didn't get to come back this season. So think about that. That's why Joe and I do this pro and con thing. And now I think we're ready to, are we ready to move on now, Joe? Are you good? Track 2: [12:11] Yeah. Track 3: [12:12] All right. We are going to move on to hopes for season 50. And it's only like four weeks away. Yay! I can't believe it either. I can't believe it. Track 2: [12:26] I need a distraction from this election, and what better way to digest the election better than with Saturday Night Live? I need Saturday Night Live to take all of this craziness of the world, not just the election, but just everything that's going on, and I need to see it through the prism of Saturday Night Live. Track 3: [12:44] I couldn't agree more, and I'm so excited. Our hopes for Season 50, themed today, is first-time hosts. Hosts. We're going to talk about first-time hosts. And Joe inspired this idea. Joe, do you want to talk just a little bit about how this all came about? Because I know it has throwback roots for you, nostalgic roots for you. So why don't you let the listeners know all about it? Track 2: [13:15] Oh, I couldn't. And by the way, that's a joke to everyone who knows me because I talk about this to people that don't even want to hear it. So the fact that I'm on a podcast right now and it's the perfect opportunity to talk about it, I just wanted to make that one joke of going. Track 3: [13:32] Nah. Track 2: [13:34] Nah, I'm good. Let's move on. No. So, OK, here's how this list came about. It was about 2006 and Peter Sarsgaard was a they announced or whatever, like on the bumper that Peter Sarsgaard was going to be that the next week's host. And he's a fine actor to everything. Nothing against him. But just at the time, I had no idea who he was. And I'm like, man, it's really random who they get to host Saturday Night Live for the first time, aside from John Goodman, Tom Hanks, Alec Baldwin, Steve Martin, and such. But as far as who gets to host for the first time, it's random because they're usually rising up in fame. Their TV show is becoming popular. They're about to be in a bunch of movies. They just signed a three-movie contract or something. Like they're about to be popular and another person of note is the fact that Bradley Cooper hosted like the February before the hangover came out so it is like you have to really pay attention to who's popular right now and like who's been on the rise and then match that to did they host yet and then if they didn't then they're most likely gonna you know and that's where I try and came up with this list and I just want to give out one more shout out. Track 2: [15:02] To my mom because I used to play this game with my mom until she just lost interest and it became hard but anyway one year I was like hey I made my list and I went on internet movie database tried to see who was you know on the rise and when their movie was coming out and like oh this person has three movies coming out this year and you know it's around in the fall so they probably will be on Saturday Night Live to promote it and stuff like that and I'm trying to carefully analyze and dates and stuff like this and then i kept telling my mom hey mom they're gonna you know the show's gonna come back you better you know because it's kind of cheating if you see who's hosting the first episode and then and then you pick so i kept hounding her hounding her and then i go mom come on let's just do this and she goes all right fine and she takes an issue of entertainment weekly and just sends through it and goes her him him her her and then made her list just off the cuff and then sure enough beat me that year you know like i think she picked out two more than me and i'm like how how you know and and then so and that's another point i want to make is it's it's kind of random and then uh the last thing i'll make to segue back to the podcast uh so originally the what the way i used to play it is uh i made out 25 a list of 25 names. Track 2: [16:25] Because you figure maybe half the people hosting Saturday Night Live would be first time hosts. There'll probably be 12 new hosts, so you figure 25 would give us odds. Track 2: [16:38] But for the podcast, just to keep it simple, do a whole 25, yeah, I guess we'll go back and forth talking about who we think is going to host for the first time in the 50th year. Track 3: [16:52] And also, I think we should also just mention very briefly, if we think they're on the road to possibly returning, if they do get asked, and possibly becoming a Hall of Famer. And then as they show up throughout the season, Joe, we'll come back and look at that and talk about their performance and whether it lived up to expectations and whether we see them being asked back and get continuing on the road to see if we're on target. Game so that'll be fun to watch and also one more thing you listeners out there if you have guesses that you want to send our emails at the end because i don't know by heart yet because this is only our second episode so listen to jd he'll tell you our email and let us know who you think the first time timers are going to be i know that the saturday night network already has this up on their Instagram page, and I tried not to look at it too much. I already had my guesses, so I didn't get spoiled or anything. But we'd like to know from our listeners what you think as well, because maybe it's different from what was in the S&N statistics. We could be wrong. They could be wrong. Track 2: [18:08] We could be wrong. Track 3: [18:10] Absolutely. All right. Did you want to start us off, Joe, with your first? First possible post? Track 2: [18:19] Because... This is a perfect example of, you know, who I think should host. I'm going to go in no particular order except for this first person. She has been on my list for years, and it makes me mad every single week that I see she's not hosting. So the fact that, like, who's the first person I want to put on this pod is Zendaya from Spider-Man and Euphoria, and she's just a great actress. Actress she you know is out there she's it she's the new young actress and you know she's been in the spider-man movies for years and i'm like oh well she's on in the spider-man movies the hbo show yeah she's a the new young talent so and then week after week and year after year um just been eluding me and i know she's gonna and i'm not gonna take her off my list until she hosts so that's my first pick. Track 3: [19:24] Oh joe you we're we're simpatico we're simpatico she's so obvious she had two huge hits last year doom 2 and challengers which they which they talked about out on an episode on the Dakota Johnson episode but they didn't have Zendaya last year so Zendaya I always butcher her name I don't know I'm sorry if you're listening to this but I'm sure she is and and and everybody butchers my name so I I hate doing that I I think it might be Zendaya I, she wasn't my number one I do have mine in the order that I think they're they're likely to be asked because i did go more with people that i think they're really going to ask and i think she's okay that they they have to do but i want to yeah i want to do my number one, I think she's obvious. She's been all over the internet. Track 2: [20:26] Okay, yeah. Track 3: [20:27] She is the it girl of summer. You know they always have to do an Olympian in an Olympic year. So you know who I'm talking about. Track 2: [20:36] Okay. Track 3: [20:36] The fabulous gymnastic rubber band that is Simone Biles. Will she come back? Unlikely. We know what the Michael Phelps debacle was like. But he was on everybody's mind. He was all over the internet. She is everywhere. There are memes featuring Simone everywhere. She has a documentary on Netflix and she's got a bunch of medals. So yeah, this is definitely, I think she's a definite, I think she's going to be a September or October host. But I guess only time will tell. You're next. Track 2: [21:15] So, okay. My next pick is the one who is also, Again, kind of similar to Zendaya. He just seems obvious. He's another guy on the rise. I'm not even going to build him up that much. Glenn Powell, he was in the movie Twisters. He was in Top Gun, Maverick. He just looks like a movie star, like a generic. He just looks like with the perfect teeth and everything. Again, this is another example of when you're making out the list and you're seeing who's on the rise, this guy. And so it just, it's almost inevitable that he will. So when I was making up my list, I was like, him. It was like, easy. Like, moving on. Move along. Track 3: [21:58] Yeah. Well, you know, Joe, another point in your favor for Glenn Powell is he cameoed on the Sidney Sweeney episode last season. Track 2: [22:07] That's right. Track 3: [22:09] Now, do we think he's going to be a returning? I feel like echoes of Jacob Lordy. Like, there's going to be a lot of, he's so handsome sketches. Do you think he's? Track 2: [22:19] You know what? I mean, he could be like Chris Hemsworth, where he's like. Track 3: [22:24] Oh, that's true. Track 2: [22:25] A talented actor. And then he could turn around and do the comedian thing. You know? That's true. So, I mean. Track 3: [22:32] Only time will tell. Track 2: [22:33] Here's the, yeah, this is, you know, the weird thing about going off the first timers list is, it's, because how about this? He did Twisters, Top Gun, and a Netflix show, and they all seemed serious. Maybe after he hosts Saturday Night Live, he'll start doing comedies. And then it'll cycle through. Because he's funny in the movies, he's going to be the guy that comes back to host Saturday Night Live. And then lightning in a bottle will strike. And he'll be in that one skit that everyone's talking about that's viral on YouTube. And then it just dominoes from there. All right. Track 3: [23:08] Well, speaking of serious actors who are on the rise, I think he should have been asked a couple of years ago, this actor that I'm going to mention now. But I don't know how they can't ask him because he is playing Warren freaking Michael in Saturday Night, the Jason Reitman movie that if you're listening to this podcast, you know all about. You've watched the trailer the trailers nerdily like joe and i and jd and thomas and jamie i'm sure looks amazing he is terrific he was terrific as a steven spielberg in the fableman's not steven spielberg but we all know wink wink and he just nailed it and i'm. Track 3: [23:57] Super excited because my friend, I have a friend and her husband is a big autograph hunter in Los Angeles. And he actually took pictures with Gabriel and said he's the nicest, nicest, one of the nicest he's ever met. So that makes me even more excited that Gabriel LaBelle is going to be a big star and hopefully be an SNL host. I think he's a gimme. I mean, wouldn't it be great to see him and Lorne in a sketch with a young Lorne and an old Lorne? How hilarious would that be? So I and I think it's I think it's a gimme. I I can't imagine they won't do it, but maybe it'll be another actor from that movie. But it will be somebody in that cast. Track 2: [24:40] He's on my top 25 list. And everything that you said about it being a gimme, because, yeah, it would be great to do a Lorne off where, you know, where it's funny. But it didn't get the right laugh you know yeah very good paul liked it but then again did it really deserve to be in the top in the first half hour you know like just you know because and on top of it they need to promote that movie you know and they need to have an actor from that movie on the show it'd be weird not to you know like you know so yeah and like you said it has to be someone from the movie. Especially someone playing someone else from the movie. It can't just be... I also want to mention that I think it's kind of weird that William Dafoe... He hosted last year, which is around the time when they were filming that movie. So it's like, was he doing research or like, it just seemed anyway, but it would just be weird if they had J.K. Simmons or William Dafoe or someone else, you know, that's in the cast of that movie that doesn't, that's not playing, or I guess they're all playing someone, but I'm just saying it isn't playing. Track 3: [25:56] Not one of the main. Track 2: [25:57] Yeah, but it needs to be someone that's playing a cast member or if not, Lorne. And then, yes, they need to do a Lorne-off or something, and I agree with everything. So – and then I'll move on to my pick, which is – okay. So this one is someone who I think could be in the Hall of Fame, yes, as a host, obviously. And that person is Nick Kroll. I hope I'm saying his name right. You are. Track 3: [26:28] That one I know. Track 2: [26:29] And, yeah, he had his own sketch show. He's friends with John Mulaney. He auditioned for Saturday Night Live. He's talented at doing characters. He's really genuinely funny. And I believe that, yeah, he would be a great host. And then it would just be like, I'm sure he'll be such a great host that he'll be asked to return. Track 3: [26:53] So i agree and he's friends with a lot of the cast already and a lot of them have been on his uh his animated show big mouth yes he's had a lot of snl i think current and past on that show so he he's a he'd be a great yeah i feel like why why hasn't he been asked that's excellent excellent he's. Track 2: [27:17] Very snl adjacent you know yeah. Track 3: [27:20] Right that's an excellent excellent Excellent guess. Track 2: [27:23] You know? So, and then you're next. Track 3: [27:26] All right. Yes, I am. And speaking of funny. Mm-hmm. Uh, this gentleman is a huge fan favorite and it's funny cause I think a lot of us took him very for granted and didn't realize how funny he was until he left. And he kind of, he's been doing things. He had a show. It didn't make it. I think it only made it one season, but now he's coming back and he's coming back to a CSI franchise, CSI origins. And I know it's on CBS and not NBC, but CSI is a big deal. And I think not only that, but he just did some voice work in Inside Out 2, the Pixar movie. That was terrific, if you haven't seen it. And, of course, I'm talking about the absolutely gut-bustingly funny, drunk uncle, Mr. Bobby Moynihan. Track 2: [28:23] Come on! Track 3: [28:24] He's done cameos. he's done cameos he's done cameos let the guy host he'd be so great i think he'd work fantastically with heidi with mikey of obviously with keenan oh yeah give us bobby moynihan in season 50 come on he deserves to host an hour yes. Track 2: [28:44] And then he could be a returner you know hall of famer and all that. Track 3: [28:48] Oh 100 he is. Track 2: [28:50] Universal he's more than drunk uncle uh yeah he does. Track 3: [28:56] All right, Joe, let's do our wishes now. This means people that we think probably not, not likely, but we would love to see it happen. And I'm going to go first if that's okay. Track 2: [29:13] Please, because just on a side note, before the show started, she let it slip, who it might be. And I've been drooling at the mouth waiting for this moment. So let me take another sip of water from the water cooler. Track 3: [29:25] As well i'm going to take a sip too okay. Track 2: [29:30] Go for it. Track 3: [29:31] Because this is a juicy one yes so i i don't know that this is going to happen political political uh nominees, don't get a whole episode they usually just get cameos it happens rarely and when it does it's It's usually a disaster. I will not name any names. But I'm hoping, I'm really hoping, that Kamala and Tim will joint host an episode in maybe late October, just before the election. How great would that be? And how much would we love? We know Maya's coming back. How much would we love to see maya and kamala and tim and whoever is going to play him face off i don't think steve's gonna do it but whoever does it how funny would that be how great would that be how much would the internet break if that happened so that's my wish what do you think joe because. Track 2: [30:42] The other guy hosted you know on his own equal time that's all i'm saying, Okay, so my honorable mention, dream host, who I think, like, you wouldn't think that this guy, like, you wouldn't think this guy would be a Saturday Night Live host, but if he did, I think he would be insanely incredible, and that is Gary Oldman. Track 3: [31:13] Oh, yes! Track 2: [31:15] Ass he plays every different type of character like there's internet memes that show all the different characters he's played in movies over the years like dracula and he was uh commissioner gordon and batman he was in the fifth element and i'm just like imagine putting him on saturday night live with all these wigs and costumes and in in a sketch show where he has free reign to do Not necessarily Free Reign, but where he is able to do different characters in 90 minutes. Let's see him break free. Instead of playing one character per movie, let's see him do multiple characters in 90 minutes. Track 3: [31:59] I agree, Joe. And he's an actor that's known for being so serious. So how much fun would it be to get to see him play with the cast? So a great one to end on. Track 2: [32:11] Yes. Track 3: [32:11] A great one to end on. All right. Well, it looks like it's almost time to put away our water bottles. But before we do, we have to tell you, we got a great one coming up. The SNL Hall of Fame episode number three is a terrific cast member. You want to take it from there, Joe? Track 2: [32:37] Yes, I do. He is someone who deserves to be in the Hall of Fame. I'll just go right into it. I'm not going to preamble it. It's Garrett Morris. He was very underappreciated when he was a part of the first five years. But then when you saw him, it's like, duh. He deserves to be in the Hall of Fame because of the first five years. I feel like all of them do. and they all need to be, go through the process, you know, of. Track 3: [33:11] Yes, I agree. And we're, we're going to talk a lot more about this in our episode next week. So please tune in to the SNL Hall of Fame with the fabulous J.D. And Matt and Thomas Senna, who are going to be joined by the awesome Darren Patterson from SNL Nerds. If you haven't listened to SNL Nerds, it's hilarious. Him and John Trumbull are terrific. They break down episodes. They talk about SNL movies. And Darren is a wealth of knowledge, and he's going to share his knowledge of Garrett Morris. He hasn't been on since season three, but the two that he's talked about, Tom Hanks and the other one is Dana Carvey. Oh, how could I forget him? One of my favorites. So I know Darren's going to be a great guest. I know we're going to have a lot to talk about next week because Garrett's an amazing cast member. So until then. Track 2: [34:12] Go ahead. Track 3: [34:14] Until then, we're leaving the water cooler, right, Joe? Track 2: [34:16] Yes, putting my paper cup into the little bin that we have here, that little two-foot-high garbage can that you always see at Office Max. Track 3: [34:26] Yep, and my cup is joining you. All right. So until next week, this is Shari and… Joe. Track 2: [34:32] We'll see you next time. Track 3: [34:34] Next time. Track 2: [34:35] All right. 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| Cheri Oteri | 26 Aug 2024 | 01:01:59 | |
Matt, Thomas, and jD are joined by friend of the podcast, TV graphs own, Jamie Burwood. Before her conversation with Thomas, Matt and jD go through some Cheri Oteri trivia. Enjoy. Transcript: Track 2: [0:43] Thank you so much, Doug DeNance. It is a great pleasure to be joining you all here outside the SNL Hall of Fame. If you wouldn't mind, as you cross the threshold, please take advantage of the mat out front and wipe those feet. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Consideration once the nominees have been announced we turn to you the listener to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall and that's how we play the game it's just that simple this week we are joined by our friend jamie burwood to discuss the bona fides of sherry o terry but before we do that we are going to talk to our friend matt ardill and matt i've got a question for you my friend. Track 3: [1:44] Are you ready because i've got two words for you sherry o terry matt what have you got well sherry o terry is five foot five foot two born september 19th 1962 in what i what appears to be a snl hotbed upper derby pennsylvania the hometown of tina fey yeah so water there yeah yeah it's just i i guess there's something about that suburban experience that uh makes you crave uh making people laugh um or at least distracting yourself from being there uh she grew up around music her father was a nashville record producer and worked at amn records before joining the groundlings she earned 92 acting credits six writing credits five producer credits and four soundtrack credits um yeah she has played everything from uh the sidekick of inspector gadget to an animated tooth fairy uh she she is one of the uh folks from snl to go on to broadway having starred in the production of Musical the Musical. Track 3: [3:06] And is a friend of Paul Reuben's, playing husband and wife on an episode of Ally McBeal. Went on to be nominated for the Best Dance Sequence at MTV's Movie Awards and the Teen Choice Award for Best Comedian. Well, that's some cool stuff so far. Anything else on Terry O'Terry? No she's kept it pretty private she's one of those uh snl folks who's gone on to uh just just uh step back and and enjoy the show well we ask you to do the same step back and enjoy the show as we head to our friend thomas senna thomas take it away, All right. Track 4: [4:17] Guys. Thank you so much. You're so excited for this episode. Hello, and welcome to the SNL Hall of Fame conversation portion of the episode. Today, I am joined by an amazing guest, a mainstay at the SNL Hall of Fame, for sure. He's been advocated for a lot of great SNL, current SNL Hall of Famers, actually. So, like, what, Will Ferrell? Jamie, how many people have you gotten into the SNL Hall of Fame? I think you're on a pretty good run. I'm trying to think. We've definitely done quite a few episodes. I'd have to look to see what the actual track record is to know the percentage. Yeah, Will Ferrell got in. Yeah, and you were on for Molly? I was on for Molly. I don't think she got in, though. Did she? Well, Molly's a new inductee. Oh, okay. In the latest. Yes. All right. So Molly got in. Christopher Walken. Track 4: [5:09] Yes, that was my episode. So you're on a pretty good hot streak. Okay, okay. I think. Nice. So I think you're the perfect person to come on and chat about Sherry O'Terry. But I'm going to formally welcome you, Jamie Burwood. Welcome back to the SNL Hall of Fame. How are you doing? How have you been? I'm doing good. It's great to be back here this summer. Yeah, just having a good start to the summer, doing some beach time coming up. But yeah, it's been great. Happy to be here. Yeah, beach time for all of us. That's what this summer is about. It's beach time 2024. So I'm glad you're partaking as well. Is there anything you'd like to plug up top before we get started here? Talking about Sherry? Yeah, I feel like TV show graphs is still my go-to account on TV. Track 4: [6:03] Twitter, Instagram, all of the places, tvshowgraphs.com. Yeah, it has the whole library of a lot of the TV-related data deep dives I've done in the past, exploring a few new topics coming up soon. So hopefully as some of the summer travel slows down, there'll be some new stuff up there soon. But yeah, otherwise I kind of have just been chilling the last few months. So enjoying the start of the summer. Track 4: [6:27] Well, I think you've earned it. Your graphs and the website, side that's like quite the rabbit hole like a true tv fan could spend a lot of time going down that rabbit hole it's pretty cool so you you deserve it any sort of break you get you definitely deserve it jamie so today our nominee like i mentioned sherry o'terry right in your will house jamie like i said you've covered the air a few times here on the snl hall of fame and of course today talking about um somebody who's beloved to us sherry o'terry uh jamie for What was it about Sherry O'Terry that may have first got your attention when you saw her? Yeah, I feel like the zaniness and how memorable her characters are. I feel like she's somebody that, in my opinion, doesn't get talked about enough. And in some ways, she is well-recognized. She has her best of collection. I feel like people do acknowledge her role in that era of SNL and just how important it is. But there's just something really captivating about her wackiness and the way that she commits to all of these characters that she does. And I think for me, that was really what drew me in. Like, there's just something about watching a sketch with her where you can't quite look away in a good way, I think. Track 4: [7:47] Yeah, no, I agree. I agree. And I think sometimes, maybe sometimes I feel like I might throw around the term underrated or underappreciated a lot. But I honestly think in Sherry's case, it fits. And I have, I guess there are theories floating out there as to why she might be underappreciated. But if you actually look at her work, look at the type of performer that she was, I do think she probably should be talked about more and be held in higher regard than she is. So I really do think there's something to that, Jamie. It's not just like throwing out there like, oh, she's a little underappreciated. Like with Sherry O'Terry, I truly, truly think she is. So neither of us say that lightly. Absolutely. Yeah, I feel like she's somebody who... Track 4: [8:32] Just her role in that era, I hope that people recognize. And just, we've talked a little bit in the past in some of the earlier episodes, but just the role that she had in showing how funny female comedians on SNL can be. And just this willingness to go all out and commit fully. And I don't think she's the only one in her cast who does that. I feel like Molly, Will, many others embody that. But there's something to me special about Sherry in just the way that she went all in on things. And she's somebody who you could put her alongside Will Ferrell. And I would argue she doesn't get overshadowed. They match each other. And the chemistry just builds upon each other. Track 4: [9:19] And I feel like she had this knack for kind of elevating some of these sketches where she was working alongside other greats, other Hall of Famers. And she not only holds her own but just makes things so much better yeah i mean when you're trying to revive snl and we've talked about this before prior to season 21 they did almost a full house cleaning like molly was a carryover norm was a carryover there may be a few care but it was pretty much cleaning house from season 20 to season 21 and sherry i always thought crucial like almost a performer like that's necessary for the revival remind people just like how just how much that season 21 cast just revived this show yeah absolutely i feel like it was just a shift in a different kind of comedy at a time where the show really needed it right like it was away from that kind of like meaner vibe which had its time and place on the show but i feel like there were just aspects that were starting to feel a little bit tired, starting to feel not really keeping up with what people wanted to see. And I feel like the tone of the show really shifted into this very, like. Track 4: [10:40] Character centric we got lots of the great greatest of all time in my opinion recurring sketches recurring characters in this era and i feel like sherry in particular really embodied that kind of character actress character comedian and just not being afraid to be be silly and people responded to that really well i think and i think that was a big part of why why that era is remembered so fondly yeah i think it toward the end there it got exhausting just like there's a lot of that mean comedy a lot of the bad boy quote-unquote stuff and then we entered a stage you're right of like character driven a lot of goofy like a lot of goofball kind of comedy was very refreshing and sherry was such such a vital part of that as far as her path to snl cliff's notes not a ton honestly sherry seems a little private uh not a ton of known about her personal life she's from philadelphia the philadelphia area moved to la in her 20s she's a groundling so she did a lot of quality sketch training before starting at snl her audition was really great i don't know if you had a chance to see it it's on youtube uh so i encourage everyone to check that out but the her audition was like eight minutes and and what she showed in her audition she did three characters that ended up on the show but right away you can see like why Lorne and everybody else who saw that edition were like, we got to have Sherry. So I don't know, Jamie, if you've ever seen the audition. I haven't. Track 4: [12:08] Yeah, I do like them. I haven't watched hers. If I haven't, it's definitely been a while, so I'll have to go back and do that. Yeah, it's really fun. So she had a great audition. You could see why she got chosen for the cast. So she starts off 1995, season 21, Sherry O'Terry, Will Ferrell, the rest of the crew. So I want to get into it. like. Track 4: [12:30] What characters or sketches, Jamie, do you go to when you think about Sherry O'Terry? Yeah, so let me talk about a few characters because I feel like, honestly, most of my favorite Sherry sketches are around some of her well-known characters. And there are a few that are not, which we can talk about, too. But I feel like for me, a few of the ones that stand out, Rita Delvecchio, that like grouchy Philadelphia is the vibe woman who just is, I don't know if mean is the right word, but just that typical like kind of street smart lady. Track 4: [13:11] She's kind of like a little grumpy, but she's pretty likable at the same time. She's kind of that old lady who does who's like no nonsense she doesn't take any crap from the name especially the neighborhood kids i'm going on the porch for five minutes a piece the first one who calls me gets my slipper okay you kids got the whole street to play ball on but you're gonna play in front of my house that's okay because i keep it now okay i keep it it's mine now all right have your mother come get it i hear you smart ass but there's something very likable about her jamie like it's almost do you get the sense when you watch her do rita del vacchio that it's like a one-woman play it is i just for some for some reason that character in particular and like she does all sorts of different brands of like out there characters but for some reason like that what i just feel like is a connection and just work she does it so well and And the writing in most of the ones that she's done for her, I feel like, have been really solid. I feel like they tend to incorporate the host in a really fun way. Just kind of showing her amidst the neighborhood, I feel like. Track 4: [14:23] You then see kind of the host pop up and either like the neighbor or a kid or like all of these different like characters amidst her life. And it always just like feels really natural. Like I'm always happy when one of those sketches pops up in an episode. I'm like, Oh, we get to spend some time with Rhea. This is great. Yeah, no, it's amazing world building. And sometimes you're right. They'll, they'll work in the host and everything. And every now and then a character will come by a lot of times. It's just her standing there a lot of times by her front door, just like yelling at a neighbor. And she's and sherry's doing this such a good job of filling in the other person's dialogue there so it's just her on the screen but she's doing such a good job of making it a conversation. Track 4: [15:04] That only on screen only she's taking part in like she's so skilled at that and the whole role building this is something that she auditioned with she had this character sherry started building this whole world uh at the groundlings that that's just such a testament to her her talents is like a creative mind i think absolutely yeah i love the one with the the screen door and like the kids who are coming up to the screen door repeatedly that one always sticks sticks with me for some reason and you're right that is another example where it's like yes you have kids coming up to the door but she is like owning the comedy in each of those scenes and is having her like wild reactions to each one of those people coming up so completely yeah yeah and And she even made, in that particular installment, she even made kind of a boring host, Steve Forbes, like a very boring host. She actually made him, incorporated him really well into the sketch. She ended up stealing one of the kids' money that was coming up to take donations. She ended up taking the money and all of that. Yeah, that was a really great one with Steve Forbes. She puts a lot of love into that character. I think that's a great first choice. Track 4: [16:08] Yeah, she definitely does. And then I feel like for my second choice, and there's so many. But I just love Nadine and in terms of like when I was in high school and this era was I was in high school in the early 2000s ish so right around this era um there the whole like Simadown now, catchphrase was huge like I just remember friends I don't even know like when people first started saying it. I don't even think I really realized where it was coming from. And just like people embodying this character that she did on SNL only to like later recognize that connection. Excuse me, excuse me. My husband's been in a motorcycle accident. I think he broke his wrist. Yeah, I can't move it. It's swelling up really badly. Okay, everybody simmer down now. Track 4: [17:06] Listen, I would love to simmer down now, but you see my wrist is shattered. So I would encourage I encourage you to admit me now. Sir, your sass is unappreciated here. So before your obelisk becomes shattered, I suggest you fill out these forms and have a seat and then simmer down. That's correct. I love all of the Nadine sketches. I feel like the one with Garth Brooks is probably my favorite, like returning things at the desk there for the name of the store. But to me, that's a classic one and just, it's so fun. It's so fun. Yeah, yeah, I love it. You're right. That whole, the Simudan now, like just totally spread like wildfire. Always like people used to always do the impression where she's trying to start the car. Yes. Track 4: [17:59] Yeah, like, and then it goes Simudan. Yeah, there's all kinds of like different ways you could say Simudan now if you want to get creative. That definitely stuck. She only did it three times. Yep. And it caught on so well. Yeah, I also love the line, like Donna Summer and how does her name appear in the phone book, like Summer, Donna, like that, that to me is just great, great writing, great delivery, so much. Yeah, all those strained ways to make the connection to Simma down now. I love it. Track 4: [18:30] There's two, Jamie, that kind of when I think of Sherry O'Terry, I really connect with. And I'm going to talk about the one that she did the most, Barbara Walters. Yeah. She did that one 21 times, I think, last summer when the SNN, our friends at the SNN, did their character countdown. I believe Barbara Walters ended up on the list for good reason. I think that this is her best character. And something that Sherry said that she worked really hard at, she studied Barbara Walters quite a bit when she found out she was doing this. And there's been Barbara Walters impressions done on the show before. I think this is the quintessential one. What do you what do you say about her Barbara Walters? It's so good and like I Have heard that Sherry somebody who's nervous about like the impression aspect of the show coming in right and it's Not necessarily what you like maybe think of right away with her But this is I agree one of the all-time best things that she did over her time in the show I feel like it's a perfect example to me of an impression that like I. Track 4: [19:36] Is very, like, draws from the real person very well, but then also, like, plays things up in a way that gives it a life of its own so that it's not just, like, purely a copycat, but, like, becomes funny in its own right. Fidel Castro and I were roommates my freshman year in college. And girlfriends, let me tell you, he may be brilliant, he may be stubborn, but what I remember most is that he had some funky B.O. Whenever I see Fidel Castro, I just think he looks like an extra from MASH. I mean, you know what I mean? With that hat. Don't look at me. Track 4: [20:17] I just love any of the like VIEW segments where she popped up. I feel like those were always just a good time and just like meant for comedy, meant for parody. It was great. Yeah, I loved the VIEW one specifically when she would get mad at Debbie Martinopoulos. And she would do things like she one time she told her to go get in the cage that was a classic moment for me when she's like enough she's like go get get in the cage go now and then debbie monotonopoulos would just go do it and and this is just how she would kind of erupt at her you that was so funny and then she would uh reference like casually spending time with famous people and historical figures like i was in the hot tub with fidel castro when i found out that or just like the name dropping is wonderful. Track 4: [21:05] This Barbara Walters was one that could be used in so many different settings, Jamie. I give points for that. If you develop a character or do an impression, and it could be used on a talk show or weekend update, or this is such a versatile character. Track 4: [21:20] I agree. And again, it speaks to the theme of when she pops up and you're excited to see that character. And i think it's one that i don't think anyone could really get sick of or maybe somebody could but i certainly did not get sick of this one ever like i could see this every episode in her era and be happy with that yeah so this might be like if i was going to show one person an example of why i love sherry it might actually be her barbara walters like like this one makes me so happy for sure like amongst many that make me so happy and i'm sure that make you so happy you know like what what's what what's another character that people just can't miss for sherry yeah i feel like colette reardon is one that we should talk about the prescription pill addict lipstick smeared on the face and this is true for a lot of sherry's characters but i feel like there's just like an aesthetic to like the character she commits to and like a lot of times in similar outfits, makeup, just like you, you see that person and you're like, okay, I get what this is trying to be. And then Sherry just. Track 4: [22:36] It to to another level it's a good thing that the phone's on the fritz because sometimes i gots to shoot methadrine so i can fire up my toro leaf blower to clean my front lawn falls a bitch dick i don't care how you slice it methadrine you ever try a rake. Track 4: [22:57] Oh really any poop after five hours of methadrine fueled leaf blowing i get kind of confused and start making long distance phone calls i don't know how many of the um of the clut sketches there were i know she appeared a few times maybe on weekend update and then a few standalone sketches maybe like five okay yeah yeah yeah it felt like more honestly such a lived-in character yeah i feel like super memorable one um there was one where i. Track 4: [23:28] Feel like a phone is involved like you have pills coming out of the phone and she's trying to eat the pills which amazing physical comedy just this type of character i feel like she does really well and not in a hateful way like it's a character that you kind of have to like walk that fine line with right because it's like a little bit of a extreme scenario but you come away just being like oh my gosh this character is fabulous and and laughing all over well that's one thing that you know when i had john schneider on for the kristen wigg episode and we talked about when she would do characters uh and impressions that she didn't come at it in a mean way so we used as an example like target lady for kristen and wig that could have been done mean but you can tell there was love put into that and i think somebody like colette you know she she's whacked out on all these pills and and her hair's messed up messy lipstick she's always trying to hit on whoever and uh but like there's still an element of just like she sounds it seems like sherry has love for that character she's not trying to. Track 4: [24:36] To totally be mean to those kind of people or whatever. It's just like they almost... All of our characters almost seem likable, even as wacky as they are. That's such a gift, I think. It is. It really is. I feel like it's... Track 4: [24:51] You kind of see the other level of some of these characters and you watch them and you laugh, but you also just are like, oh, I want to spend time in this world and with this person and just see what antics they're up to. And she did that so well. Yeah, absolutely. This is one of the prime examples to me of a comparison that I've made with Sherry. Kind of think she always reminded me of Mike Myers on screen. Track 4: [25:16] Like just her energy. energy uh if she was in a sketch she was best as the the focus the focal point of the sketch she and mike both like every now and then they would kind of play the straight character the background but that's not what they did if it was a mike myers sketcher it was a sherry o'terry sketch i think or maybe she had a co-pilot and will ferrell sometimes or molly or something but she has this she had this mike myers energy about her that i see pop up in characters like Colette I don't know if I'm off base if we love to make comparisons as SNL fans but Mike Myers and Sherry Oteri was always one that that struck me yeah I can definitely see that like the the leadership in the like just like you said sure you could put her in a background role but it's it's almost a waste like you you want to see her in that that spotlight and I I feel like she has that kind of like magnetic quality yeah for sure um well what's uh what's another what's next on your list yeah i feel like we gotta talk spartan cheerleaders we talked okay during the episode but i again i feel like if you ask people on the street about sherry especially like more a casual fan or someone who. Track 4: [26:35] Maybe not like dedicated to this era as much but that, recurring sketch I feel like is just cemented into pop culture history in a really cool way and I feel like whenever I go back and watch some of these it, am impressed at just how her and Will feed off of each other. It almost feels like improv in some ways. Like, oh, yeah, as much as they're like, the writing is great, not to discount that, like, it just feels like they are in the moment just having fun as two performers, just like. Track 4: [27:11] Each going off of each other. And it, there's just an energy to these ones to me that I feel like is hard to top yeah you're right and i think no that's actually a credit to the writing that doesn't discount in any way i think paula pell who helped them write these was probably the third spartan cheerleader in these in these sketches like she did an amazing job but you're right like like uh showcasing sherry's talents unreal physical performer. Track 4: [27:36] She the way sometimes that she would just leap into will ferrell's arms and they would she would do this weird pose and or will ferrell would just like carry her around in a weird way like sherry Sherry was just fearless, such an amazing, fearless performer. I hope that when people see the cheerleader sketches, they're just not focused on Will, because Sherry's arguably topping his performance in this, honestly. I always thought Sherry was the better performer in these sketches specifically. I agree, actually. And I'm not sure how that dynamic played out in terms of, like, Like, was Will tempering in, like, letting her really be the super zany? And, I mean, he was pretty zany, too, so it's all relative. But I feel like that's the thing that surprises me the most re-watching these is, like, everyone knows, like, Will Ferrell. He's huge. He's, like, had such a big career. People think, okay, Spartan Triller is him. But you watch these and you're like, oh, my gosh, Sherry was killing it. And, again, not only, like, matching him but in some cases, like, going beyond. And that's really cool because I think, again, not everybody... Track 4: [28:46] Thinks of that but when you watch it it's there it really is oh my god ariana can you believe summer's over already i know craig i already missed my summer job at kenny rogers roasters i'm still getting the newsletter though. Track 4: [29:03] Well i'm glad my lifeguarding job is over i did not enjoy taking off my shirt no no craig tomorrow morning we are going to be real spartan cheerleaders this has got to be our year, It was an awesome idea to practice all night. Yeah, and my parents will never know I'm gone. I put my brother's blow-up doll underneath my sheets. Oh. Yeah, she would do these little things as Ariana, like, to give the character neurosis. Like, if it was a little sigh or nervous laughter or something like that, she was very expressive in her face and just the little, like, breaths that she would take. Like, something as a sketch performer, I always admire when I notice those little things, those little small beats that you know sherry thought about does naturally whatever but they're out there and uh yeah this is um if if not barbara walters maybe the cheer maybe ariana the cheerleader uh could be up there as far as like the quintessential sherry especially physically like as a physical performer i'll put ariana right up there and then one other recurring her in character that I want to make sure we talk about. And I think we only got this one a handful of times, but Althea, the little child who in one sketch is on a plane and another is on a bus, Sherry just going full-on annoying. Track 4: [30:27] Child in her layers of pink jackets and clothing and just embodying that... Hyper, chaotic, says-anything kid. I especially love the one with Chevy Chase as the pilot. I feel like to me that's the one that stands out. Dr. Burke, we're going to visit my Aunt Jane in Colorado, where it's called. My Aunt Jane has a life partner. Her name is Judy. They're not married. They're life partners. Life partners! Life partners! Althea, Althea, come on out. Watch the controls now. With my nose will any flight attendant please report to the cockpit any flight attendant please report to the cockpit run to the cockpit. Track 4: [31:21] That's the one actually uh the althea on a plane she actually auditioned with that too so that's like part of her audition really yeah she had the cap and everything like the whole the glasses like it was fully formed in the audition like it didn't seem like they changed much at all from the audition to to the air it does feel like one that like i feel like there's certain characters where they feel like okay this person like cared to develop this and it has that kind of like personal touch and i can absolutely see that with this one right it just seems like a character that she knows that she can embody very naturally um yeah this is just a really fun And I feel like, especially in the plane one with Chevy, the deadpan-ness of his character and the annoying. Track 4: [32:11] Just chattering away child of her character is just, it's such a fun, fun match and made for an awesome sketch. Yeah, for sure. and she would say things like not just weird things as a child but she would say like really precocious like things that like an adult would say or maybe she's repeating what an adult told her but but she would kind of like surprise the audience a little bit or the person she was interacting with by saying something really mature and adult like something beyond like you shouldn't know that or you shouldn't be saying that that's kind of interesting that you're saying that so i like that layer to this character it's a really fun one agreed yeah no i i feel like this is one that just feels very like true to sherry and like everything that she embodies yeah there was a uh along the lines i think of like the colette or alfea there was a one-off i don't know if you had a chance to see this one um her name's roberta it was sherry did this like in the the sixth episode of her first season. So she played somebody named Roberta and it was this dad work colleague who invited herself over to Thanksgiving dinner. Track 4: [33:22] So it was just very weird energy. She was very inappropriate. I'm surprised this actually wasn't a recurring character because this happened really early on in Sherry's career. But she just said these weird things that she thought were just normal, but everybody at the table was like, Oh my gosh, I think, I want to say Jennifer Aniston was in the sketch. But y'all should go look up Roberta because it's like a spiritual cousin to somebody like Colette or Althea or even Rita, like one of these just crazy characters. So I wanted to throw out that a one-off. Oh, that's so exciting. Are Sarah jetting off to Paris? Have you ever been to Scranton? Track 4: [34:06] Nope. Don't count it out. The beauty of the skyline alone made me do a double take. I stayed at the airport Ramada. Ooh, Ramada. It was funny because they hadn't washed the sheets. I'm sorry. I'm sorry. How is that funny? You didn't let me complete the tale. Oh, wow. The other one-off one that I love is with John Goodman playing Adele as the, like, flirty office character. Character just like basically coming in kind of dressed in her like scantily clad outfit um, saying things that are very obvious innuendo and then like going the next mile of explaining every little thing like this this one to me is just like really funny and again great great writing and like all of the different like innuendos that they throw out there, but she super committed, just like very physically on every person in the sketch. It was a fun one. Yeah. Well, this boy's got one thing in his pants that I'd like to wrap my sweaty little mitts around. I'm talking about putting my hands on your penis. Track 4: [35:33] Yes, and again, there's no confusion there. Adele, we got it. Thanks. Well, speaking of getting it, I'm gonna head over to the old icebox and get my oyster platter. Track 4: [35:48] What you looking at, fellas? this is a broke yeah she's totally owning the room in that too like like the office like she's just kind of making her way going to uh everybody i think i remember at one point she um says something suggestive to rachel dratch yes and rachel dratch is like i'm just an intern, i'm just a temp yeah why are you doing this and so yeah yeah that was a really funny one yeah that probably could have been a recurring character yeah as well i could have seen like obvious innuendo lady or yeah like in different settings like we had the office setting and put her in other like various professional worlds i feel like would have been yeah for sure uh there's what if so i i think i said something like she puts a lot of love like it doesn't seem like she, dislikes her any of her characters if there was one where she it was more so making fun of a type and maybe you could sense like there's some sort of meanness underneath the surface it was with the morning latte one yeah oh yeah we gotta talk about that yeah yeah morning latte she and will the dynamic duo again they first did this and i think in season 23 and then they just did a run of them uh famous ones with like chris farley was in a was in a really famous one just a lot of like hyper dumb energy jamie i love these ones yeah these these are great i feel like just that. Track 4: [37:14] Perfect morning talk show shtick and I know we've seen that from like a few cast members over the years but something about this one and this pairing we talked a little bit about like the improv vibe a little but I get that from this as well I'm just like two great people sitting down having fun I know Sherry has mentioned this as like one of her favorite recurring sketches at at some point and it it does just feel like fun fun riffing and just a little bit different from some of her other characters um in a way that's that's kind of fun like yeah crazy but like in a in a different way and more of that like contain talk show still weird but different kind of weird, yeah they're just so funny like they were uninformed about what was going on in the world So we're recording this the day after Joe Biden announced he was stepping down as the Democratic nominee. This is something that the morning latte people would be surprised by the following morning. Or they'd be like, did you hear that Joe Biden? They would just say it with such surprise because they don't follow the news, but they're supposed to be talking about a part of this morning show. They have terrible taste in movies. Cass, how was your weekend? Did you and Eli finally see Good Will Hunting? No, I did something even better. We saw Spice World. Ooh. Track 4: [38:41] That's supposed to be good. Frank, have you seen Spice World yet? I don't know what that is. Oh, well, I'll tell you. You know what I found myself saying after I saw this film? Move over, hard day's night. No kidding. Yes. No, I'm saying these gals are fabulous. That's what I've heard. Yeah, they have got more talent than anything out of Britain or England. Wow. Wow. Wow. Do you like when sketches have like, familiar beats within the sketch how is that for you as a viewer i i do really like that actually i feel like they're i don't know if it's like the comfort or just the style of i don't mind that at all as long as the the jokes are there to kind of hold it up still i i like that and i feel like for this one in particular there was something about that just like kind of. Track 4: [39:31] Sim like i don't know if that's the right word but just like not quite there a little bit like like you said, in their own worlds, combining that with the talk show format was enough to me. Sometimes you don't have to try to reinvent the wheel or do something crazy. It worked because the performers were great. And I think that's a testament to Sherry and to the cast. For sure. They would always involve their producer. So a lot of times the host would play. So John Goodman, Chris Farley, they would involve the producer. I love the bit where Will would say a word and sherry would interrupt him and confidently give a definition that was wrong and she would just say it so confidently like and of course that means this and then will would say no like i just i yeah i love those beats they did a perfect caricature of those cheesy morning show i was part of a morning zoo radio show so i can kind of relate a little bit to that this is something you don't think it's talked about enough and maybe within like snl fan community sure but like i I feel like there needs to be just, like, a giant reel of all of these, like, just great quotes and great moments from this. I feel like it holds up. And sure, some of the pop culture stuff is very much a relic of the time, but the jokes and the... Track 4: [40:48] Dim-wittedness of these characters and how funny that can be i think does really hold up yeah yeah absolutely go back and like deep dive like binge on these morning lattes i found some on tiktok so i googled search and then they came up on tiktok a lot i've been seeing that more and more for snl clips like and i'm i'm not a big tiktoker but i am like okay this is this is kind of refreshing to me that like that's out there in another way for people to kind of discover moments from the show's years past. Yeah, I don't know the TikToks very well, but if they have a lot of SNL sketches, I'll probably visit a lot more. Yeah. Track 4: [41:26] She did another, we talked about the Barbara Walters impression. She did another impression that really stood out to me, but I want to give the floor to you. I want to see if our brains align with maybe the next one that's on your mind. I'm just kind of curious. A little experiment here, Jamie. So what do you got for us next? Yeah. Yeah, I mean, my, this one's probably going to be, I think the only other one I had for a recurring that I definitely wanted to talk about was Zimmerman's. Okay. I don't think that's what yours is, because you were saying yours is an impression, right? Yeah, exactly. But I want to hear your thoughts on the Zimmerman's, though. Oh, I mean, the Zimmerman's, gosh, so, so fun. So we have her and Chris Kattan as this like super always breaking out into very inappropriate over-the-top sexual moments and just like can't keep their hands off of each other and, these are just so funny to me like going from the like sexually charged madness to nothingness and to often like blaming the other person in the room like the other couple or whoever else is around in the sketch for like, oh, you guys are inappropriate, or oh, how dare you, like, I feel like that, that in some cases was like the, the conclusion, but the... Track 4: [42:46] Just these moments of like kind of like one upmanship of the just how over the top like sexual energy how much they can bring to the table was just so genius so fun to watch and to re-watch like i feel like if folks haven't revisited these in a while they to me really hold up in terms of the the physical comedy and like just some of the moments and just how some stuff that i'm actually like okay you got that on on tv i know obviously it's late at night and that's the business of snl but um yeah some pretty like vulgar stuff i feel like they got in there which which was fun they did i know it was pretty risque and chris katan's a cast member who i've had a mixed kind of relationship as a viewer with i wasn't always the biggest chris katan fan but i think sherry brought some good parts of chris katan out in these sketches they have a a similar energy so i can see how their kind of energies play off each other well even though i think i really think sherry's a much better sketch performer than chris katan had better snl career but i think she brought out the good parts of chris katan yeah in these that's why i do like watching these agreed yeah i feel like that was a pairing that i enjoyed. Track 4: [43:58] Seeing and i have a similar kind of thing with chris katan of like different doses or different moments is like the right amount for me but i do feel like there's a little bit of a a parallel to me i do hear them sometimes get talked about in like similar conversations and just as some parallels i think with with the roles they played um and just their like relationship with the show itself but this one to me is just like taking those parallels and. Track 4: [44:29] Like putting it to good use because there could be a world where and sometimes this did happen like both of them was too much for one sketch but this is like you're pairing them romantically and like telling them to just go all at it and have fun with it and it it works yeah no i completely agree this is worth a deep dive for a lot of snl fans this is fun a fun revisit and it captures the era a lot because we were talking about like goofball sketches coming off the heels of of not so goofball maybe more mean stuff like yeah so this is like a good example of kind of that goofball energy she did an impression that. Track 4: [45:05] Judge judy oh yeah yeah i really really love she played judge judy like perfectly no nonsense tough lady um fun interplay between her and tracy morgan as the bailiff uh so i really enjoyed her judge duty judy i thought it did great justice to the real judge judy hey hey hey hey look at me look at me i'll take a pig to the butcher when i want to eat baloney. Got it? Hey, got me? Hot judge, cold cuts. All right, Miss Diamond, what sort of training do you have? What's your background as a clown? I never took no courses, but my mother really encouraged me. Whenever the circus came to town, she would drop me off and leave me there for a few days. Track 4: [45:49] Did your mother teach you how to make those disgusting animal balloons? No, they are my own design, tight ass. Hey, hey, hey, hey. Hey i'm the only tight ass in this courtroom it's right here right here okay yeah i gotta go back in and watch because that's what i i didn't watch for my my rewatch here but i remember yeah from from years past so um yeah if that one is available easily i'll i'll revisit that one again i think that a lot of them are on tiktok so like just the little beats like she came up with little sayings that were funny she would say things like i'll take a pig to the butcher or when I want to eat bologna or I'll grind the organ when I want the monkey to dance and just like these little Judge Judy-isms. Judge Judy actually came on as herself one time and I thought that was pretty fun. Like sometimes I'm hit or miss on like when the actual person comes on. But I think Sherry... Track 4: [46:43] Sherry reacted pretty funny to the real Judge Judy. And she kind of interjected sometimes. And Judge Judy would tell her to go away. And so I thought that was fun. So I think Judge Judy, she did about five of them. I think so. So I think it's worth a revisit for Sherry O'Terry. Another really good impression, I think, Judge Judy. So Jamie, post-SNL, Sherry O'Terry. So not a ton. So she did guest appearances here and there. She was in Shrek the Third, Grown Ups 2. who I'm a big Curb Your Enthusiasm fan, so she was in a memorable episode of Curb for me. A lot of voice acting for animated shows. She was in Scary Movie, the first one, but she never found a project to lead. So do you think it was like a missed opportunity by studios or did something about her style not translate post-SNL? Yeah, it's an interesting one. I feel like her comedy on the show was very much going all in on these zany wacky characters and I could see that leading to a situation of how do we actually take this and put this in more of a film or TV, outside of sketch comedy role I think that, is part of it I know she's talked a little bit about how she. Track 4: [48:02] On SNL it was about comedy first as opposed to like acting outside of sketch comedy and how people have a tendency to kind of like then put you in that lane and i i think that that may be part of it she's someone who like when she does pop up though i always really enjoy seeing her and like curb is a perfect example she's great on that um she had a guest star yeah exactly yeah she popped in on crazy ex-girlfriend which is one of my my favorite shows like was was happy to see her there um so I I'm okay with that and I don't know what like her goals are like what she wants or wanted from her career but I am okay that some cast members aren't like. Track 4: [48:51] Blockbuster every month kind of vibe that that's not the direction their career took like i. Track 4: [48:58] Like seeing her when she has pop up i hope we continue to see those little bits and pieces and i do love her in the comedy roles and and i don't know if that's again what she wants or if she's wanting to was wanting to expand beyond that but i'm happy having her pop up in some of these great shows from time to time no i completely agree like they're not all going to be will ferrell and just take the like be a blockbuster movie star it's not gonna happen with every uh cast member so i'm completely with you i think the thing that maybe is more unfortunate that's impacted her legacy on snl amongst fans is i don't think she's come back to snl yeah like really at all since she left the show in 2000 and i think that kind of sucks jamie i think that's unfortunate i don't know particular reasons why i've kind of heard maybe some stuff But I don't know about you, but I think we're missing out on like Sherry O'Terry not coming back to the show. Agreed. I feel like she's less integrated to like the click of SNL where you see, okay, this person has a show. They're going to bring in all their SNL friends. And you just see this kind of world. Track 4: [50:05] And there can be many reasons for that. Again, I know there are like different theories of like, oh, she was tough to work with or this and that. And, like, I personally have kind of tried to give her the benefit of the doubt among that kind of discourse just because I don't know what happens. I haven't – nothing that's been horrible where I'm like, oh, my gosh, we cannot talk about this person in the history of SNL. I feel like she is somebody who –. Track 4: [50:34] Again, is not super connected with, like, some of the other folks in the show, and I don't know why, and I don't even know that, like, I could. There may be valid reasons for that. There may be invalid reasons. I don't know. I guess what I will say is, like, it's a bummer in the sense of, like, I would love to see her come and host, and she would be a phenomenal host. Track 4: [50:54] So if those circumstances change and she does become more integrated and we get to see more of her in that context that would be an amazing bonus but also if it's a situation where she did her time and that was a period in her life and now she's doing other things i'm okay with that too but yeah yeah the more sherry the better yeah right i know and i don't want to it's hard to speak to like the dynamics between her and her cast members because we weren't there we don't know one thing that she has said though she said she was nervous a lot around the office and she said she would get really nervous before sketches she was nervous during the week so she said she was like this ball of nerves yeah when she was at snl she craved the approval from lorn she really did she she told a story about how norm had to kind of talk her down before a sketch or something like like she just was always just this ball of nerves and maybe she was so nervous that like it kind of prevented her from forging those tight bonds and because i would love like we see dratch come back we see molly shannon we you know sherry o'terry was such a significant arguably bigger than like a dratch or somebody like that but i mean do you think like her not coming back has hurt her legacy a little bit i think it it makes her maybe less known or less talked about in like the fabric of the history of the show to me it doesn't change the like legacy of of what she did for the years and the seasons that she was on the show and doesn't diminish the work. Track 4: [52:23] It maybe contributes to this kind of underrated vibe that comes across because I feel like. Track 4: [52:31] As a result of not being in some of those places, she does get talked about less. And so then when she is talked about, it's like, oh, wait, don't forget about Sherry. She was amazing, too, and also part of redefining this era. So I think that's where I see the connection. Yeah, I'm with that. I think our discussion here hopefully has caused people to go back and remember and just kind of say, like, oh, yeah, Sherry Oteri, she actually was that great. So hopefully this can go towards serving that. So now's the time, part of the show, where you kind of speak to the voters, you speak to the audience, you're speaking to the water cooler. Track 4: [53:08] And, I don't know, Jamie, tell them, why should SNL fans still hold Sherry in high regard as a great cast member? Absolutely, yeah. So Sherry was part of this crucial era of redefining SNL, saving SNL, really showing folks a new way that SNL can be funny. I feel like she was a trailblazer for female comedians on the show. I feel like she paved the way for a lot of the greats that we saw in years to come alongside her cast. I feel like the timing that she had, her ability to excel and really own these character-based sketches was phenomenal. She had this incredible ability to do over-the-top, crazy, fun characters so well, which were so important to that era of the show and what it was all about. Out and I think she really deserves her credit and and props for for that role that she played so I absolutely think that Sherry should be remembered as one of the greats and for playing a critical role in in SNL's history. Track 2: [54:37] So there's that thank you so much thomas and welcome back jamie burwood really great to hear your voice extolling the virtues of sherry o terry i gotta tell you when thomas started to talk about impressions that Sherry O'Terry was part of. And he mentioned Barbara Walters. I was immediately taken back. And I just think that character really exemplifies a lot of what she was capable of and able to do. It's silly, but it's on the mark. And it's a lot of fun. Let's take a listen. Track 5: [55:40] Good morning, I'm Meredith Vieira, and welcome to The View. We've got a fabulous show today, right ladies? Oh, we certainly do, Meredith. We certainly do. Okay, let's take a look at the news. Paula Jones went face-to-face with President Clinton today. He gave his deposition regarding her sexual harassment suit. Now, Star, you're a lawyer. Yes, I am. Now, President Clinton allegedly exposed himself to Ms. Jones and allegedly asked for sex and allegedly Ms. Jones said no, which disappointed the president, allegedly. You know, I was paired with Paula Jones in a three-legged race at Larry King's Fourth of July barbecue bash. And she assured me that President Clinton's member had more twists and turns than the curly fries at Arby's. It's true. Well, I just don't understand what the big deal is. I mean, if a guy whips it out, you just have to be assertive and say, like, hey, don't whip it out, you know? Track 5: [56:41] You're very young, Debbie. Very, very young. All right, this next story is amazing. Chicago physicist Richard Seed wants to open a clinic that would clone human babies. Amazing, right? Now, allegedly, he's going to clone a baby by the year 2000, and what this means is that he's going to take a baby and using signs, he'll make an identical baby to that baby really, really soon. Mm-hmm. You know, there are three people that I would clone. Albert Einstein, Diana, Princess of Where's, and Hugh Downs, my co-host this week on 2020. Well, if I had a clone, I'd make out with myself. Track 5: [57:31] I'm just kidding. Do not speak again. Our guest today is a big star. She is one of the big actresses in the world, allegedly. Please welcome my girl, Glenn Close. Hey! Track 5: [57:58] You are strong and inspirational, and you are one of the whitest women I've ever seen. Track 5: [58:06] I'm delighted to be here. Glenn, you have done so much. Acted in award-winning films. Performed on Broadway. Only one question remains. What do you think of me? Well, Barbara, I admire you tremendously. I've always thought that you would... Oh, you know what I have to ask you about? I want to ask you about that scene in the big chair where you let your husband get that other lady pregnant. Mm, I could not do that. Because I am a do-right woman, and I have to have me a do-right man. Yes. We know that about you, Star. That's done in a nutshell. That's done in a nutshell. Oh, Glenn, I have a question about John Malkovich. What's that? He is so sexy. Ugh. Oh. What's the question? Oh, speaking of questions, it's time for the question of the day. Okay. Today's question comes from Marlene Kimball of Tulsa, Oklahoma. And, Glenn, this question should be really good for you. If you could change one thing about your face, what would it be? Well, nothing. This face has served me very well. Well, I think women need to embrace the uniqueness of their flaws. Wouldn't you all agree? Track 5: [59:31] I don't go in for plastic surgery. If I could change one thing about my face, which is allegedly very big, I would tell those doctors to suck some of this fat out of my neck. Track 5: [59:42] Well, thank you, Glenn, for coming by. That's it? Oh, my God. You know what I just realized? You're the mean lady from 101 Dalmatians. Cruella de Vil. Yeah, now I know who you are. You're evil. Stand over there! Go! Stand over there! Quicker! Stick around. In our next segment, we'll be talking about female circumcision with Naomi Judge. Track 2: [1:00:11] Oh, man. Yeah, that brings back some memories. That's like the original View cast that they were parodying there. And allegedly, I will say, Sherry O'Terry has a path to the SNL Hall of Fame. I believe it. Not a first ballot Hall of Famer, I don't think. We'll get more on the water cooler this week and see what Joe and Shari have to say. Track 2: [1:00:41] Next week, we are discussing Garrett Morris with our friend Darren Patterson, and it should be another great, great episode for you all. Now, that's what I've got for you this week. So, if you would do me a favor, and as you're leaving and walk past the Weekend Update exhibit, turn out the lights, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Season 5 Roundtable | 13 May 2024 | 02:22:16 | |
This week we're back with the popular Roundtable episode of the program. In this version we invited Ashley Bower and Deremy Dove to share their ballots with host Thomas Sena. Enjoy and don't forget to vote! https://forms.gle/ECAVQbPBE6r3krpS6 Transcript: Track 2: [0:42] Yes, hello, welcome to the SNL Hall of Fame podcast. Track 2: [0:45] I'm your master of ceremonies, your co-host for today's proceedings, Thomas Senna. Everybody, welcome. I think I would be remiss, and I think I need to do, Jamie, do a solid here, because it's very important to Jamie for me to tell you to wipe your feet before you enter the SNL Hall of Fame. I think Jamie would fire me from this post if I didn't tell you guys that. So welcome to the SNL Hall of Fame. Today is our customary end of season extravaganza. It's the SNL Hall of Fame Roundtable. This is the show in which we invite SNL Hall of Fame voters to share their ballots and their thought processes behind their choices. So this is always an interesting exercise to get into the psyche of some of the voters. Track 2: [1:40] Previous roundtables, I think minds have been changed. I think people have stood on islands and been steadfast on who they're voting for. It was interesting to see. I think we all just gained a great insight as to what voters may be thinking. Friendships were formed. I think rivalries were formed. So we've had some interesting roundtables in the past. It's always nice to get a peek into the mindset of SNL Hall of Fame voters. So with me today is two of my guests for this past season on the SNL Hall of Fame podcast. Track 2: [2:16] One first-time roundtable panelist, which is going to be fun. I'm excited to hear her thoughts today. Track 2: [2:24] So we have two panelists, and for full disclosure, for transparency here on the SNL Hall of Fame podcast, I will be sharing my ballot as well. So it's going to be the three of us sharing ballots today. So I'm not just like the co-host here on the SNL Hall of Fame. I am a panelist today, and I will give some transparency and let you all know my ballot and how I'm feeling about the voting cycle, about the votes this year. So without further ado, let me introduce our panel for today. And I have an icebreaker question, too. So I'm going to introduce them. My icebreaker question, I asked this last panel, last roundtable, and got some interesting responses. I haven't asked these to this question. I don't think. So... Track 2: [3:15] I want to ask which current cast member, not including Kenan Thompson, because that's the obvious one. Kenan's an SNL Hall of Famer. So not including Kenan Thompson, who on the current cast could you see in the SNL Hall of Fame someday? So that's going to be the little icebreaker question. Get a little peek into the mindset of our panel today. So my first guest, Ashley Bauer, SNL super fan. My guest for Kate McKinnon this year. Ashley did such a great job. And Ashley, thank you so much for joining us today here on the roundtable. How are you? Good. Good to see and talk to you again. Excited to be back. Yeah, this is great. So which current cast member, not including Kenan, that's the obvious one, could you see in the SNL Hall of Fame someday? Track 2: [4:03] So I thought about this and I went back and forth between two, but I think my vote's going to ultimately go to Bowen Yang. I'm going to have to give it to Bowen. And I think he kind of came out of the gate, you know, really with a bang. And he's really been in some pretty epic and memorable sketches already. And I kind of think he's a jack of all trades. And it's rare that he's in something I'm not dying of laughter in. So, yeah, I'm going to go with Bowen. Bowen's like Mr. Charisma. He really is. I love the iceberg weekend update sketch that he did. That was a really great performance. It's like one of the most memorable things that I can think of that Bowen's done. He's just a very likable person, a lot of charisma. Bowen Yang, Ashley could see in the SNL Hall of Fame someday. That's awesome. All right, so also with us is my partner in crime on the Pop Culture 5 podcast. He also is co-host of the Bigger Than the Game podcast. He's just podcasting all over the place. Track 2: [5:07] He's everywhere. And he was my guest for Tracy Morgan. this season on the SNL Hall of Fame. So I'm welcoming Mr. Deremy Dove to the proceedings. Deremy, how are you? I'm good, man. Always a pleasure to talk SNL and SNL Hall of Fame with you guys. So I'm honored to be on. Yeah, you're one of our go-to guests for the SNL Hall of Fame. Your insights are always so great. So welcome. You've been on for Dick Ebersole. You were on for Adam McKay and this year for Tracy Morgan, which was an interesting one. I think we did Tracy Justice with kind of a more loose sort of format I think Tracy would have wanted it that way I agree I agree absolutely yeah that was fun so who on the current cast not including Keenan could you see in the SNL Hall of Fame uh like like Ashley said it was there's a few who I was going back and forth with but I I went with James Austin Johnson um as my pick I think he um. Track 2: [6:02] He really brings, I love the impressions he does, and he kind of fits that mold of like what I think of. I think of just like what you need to make a great SNL cast member. He has that design. I feel I get like some Daryl Hammond kind of feels from him. I just really love what James Austin Johnson can bring to the table. And I see him. I don't know if he's going to be like the big star, but he's that person when we have rankings in a few years. It's going to be like, we'll be surprised. We'll be like, oh, James Austin Johnson, he's a Hall of Famer. He's a top whatever cast member of all time. So he's who I pick as like that future Hall of Famer for the current cast. I could see that. Track 2: [6:44] He's not just, so he started obviously with his Trump and Biden impressions. And I think he got hired on the strength of that. But he's not just an impressionist. I think he's filling out a lot of important kind of glue guy types of roles. He's kind of branching out and not just being an impressionist. Right, right. Yeah, he plays the dad role really well, kind of the everyday. Because I could see maybe a little bit of Phil Hartman in him, too. Yeah, it's big. In that ways. I mean, Phil's personally one of my top three cast members of all time. So I don't think James is on that tier. But I think there's elements of Phil Hartman that I can see in James. Yeah, I think he's a glue, like you said, a glue guy. And I and I feel like especially those if you're listening to the show or you vote for the SNL Hall of Fame, you're probably a big fan. We all know how important the glue people are to an SNL cast. And I think he fits that role very well. Yeah. What do you think, Ashley? James Austin Johnson's trajectory? Track 2: [7:42] I had to laugh because that was actually who I went between. I was going between whether or not I wanted to vote for Bowen Yang or James Austin Johnson. So I am right there with you, Deremy. I agree. I think he's so versatile. You're right. He definitely evokes some of the greats in the past. He has that, Tom, you said charisma for Bowen. I think James Austin Johnson does too. He just has this swagger every time he's in a sketch. And yeah, he can play just a side character or the main character. Or he can do an impression yeah i was really close to voting for him but um ultimately went with bowen obviously but 1000 agree yeah good solid choices i think i could see in a few years we could be looking up and seeing heidi gardner having the hall of fame kind of resume she has talent she's a hall of fame talent i think she needs to get maybe a couple more seasons have some more good sketches she's very good on weekend update i think that's a lot of times where she's shines is coming on weekend update and doing kind of off the wall but sometimes relatable. Track 2: [8:46] Characters heidi so i can definitely see heidi forming a case uh dark horse it's for me and he's been awesome i think he's my mvp of season 49 is andrew just mugs honestly yeah he has and he has his own lane on the show too it's almost like a will forte ish kind of lane like andrew he has a more offbeat kind of sense of humor than a lot of the cast and i think he's all of my My favorite pieces from this current season 49 have been Andrew Dismuke's pieces, quite frankly. So I see maybe Andrew a little bit of a dark horse, but I wouldn't be surprised if he if he continues what he's doing this season. We could be possibly making a case for Andrew Dismuke. So those are a couple of people that I wanted to shout out. Track 2: [9:29] So how this SNL Hall of Fame voting is going to work every season. The voters have up to 15 votes that they can use. Voters can use one vote if they'd like. I don't know why they would, but maybe that's, you know, they're very hardcore and stringent and they only think one person deserves to be in the SNL Hall of Fame each season. Though from looking at the ballot, that would just mean like, I think you're an SNL Grinch or something and you might be shamed if you just come on here and say you're just using one vote. I don't know. So I'm curious, how many votes, Jeremy, are you leaning toward using today? I'm using all 15. All 15. All 15. I think there's some easy slam dunk people to put in, and there's a lot of people who I don't want to knock the SNL family, the SNL fan base, but I'm just like, why are these people still on the ballot? And this is a shame, and I'm going to stick up for it. I'm going to continue to do it. So I got all 15. Jeremy's going to be an advocate. Awesome. All 15, the opposite of a Grinch. Good job, my man. Yes, yes, yes. Ashley, how many votes are you using? Track 2: [10:39] I'm going to copy Deremy again. I'm using all 15. I found it difficult to keep it at 15, to be honest. And there was one that I realized wasn't on the list. And so I had to unfortunately kind of kick somebody off to make sure this person got on my ballot. But yeah, again, a lot of great, so much talent over the years. And I'm going to fight for them too. All right. So both Jeremy and Ashley are using 15. Coming in, I have 13 locks. So what I'm doing right now is I have 13 on my list that I feel are locks for me. But I have two that are open. So I think my goal here, one of my goals here on this roundtable is to be persuaded maybe as to how I'm going to use those final two votes. Votes so 13 i have locked in but you dare me you ashley you could persuade me you can make the case for maybe somebody that i don't have on my list and as to why they should be in the eston hall of fame so if there's anybody that's a grinch it seems like it's uh it might be me more so than ashley and dare me but it's strategic grinch it's it's i'm utilizing strategery on the round. Track 2: [11:52] Well done yes uh so then i'm gonna name the nominees and then we'll get to it just to refresh everybody's memory uh on who the nominees are uh this season on the snl hall of fame uh in the cast member category we have 13 cast members first time nominees rachel dratch will forte taryn killam kate mckinnon tracy morgan lorraine newman and adam sandler returning to the ballot We have Fred Armisen, Vanessa Baer, Ana Gasteyer, and Chris Parnell. And their final time on the ballot. Track 2: [12:32] Maya rudolph and molly shannon so that means if maya and molly don't get voted in in this cycle they're off the ballot so i know jeremy's shaking his head what a shame i can't believe it i know i know it's the will of the people i don't know what to say that's true that's true so for the host category there's 12 on the ballot first time nominees john ham and hathaway and martin short returning to the ballot but not for their final time candace bergen jim carrey buck henry scarlett johansson and paul rudd final time on the ballot for these folks melissa mccarthy john mulaney emma stone and justin timberlake we'll see if emma stone she's been on the ballot since snl hall of fame season one she just became a five-timer here in season 49 we'll see if that That helps bumper up as far as making the SNL Hall of Fame. So I'm curious about that. Musical guests. There's one first-time nominee. That's Pearl Jam. Great episode with Ryan McNeil. I love doing that Pearl Jam episode. Returning to the ballot, we have David Bowie, Dave Grohl, and Lady Gaga. Track 2: [13:43] On the ballot for the final time, Paul McCartney, Tom Petty and the Heartbreakers, and Prince. So those are the musical guests, which is always a fascinating category to me, musical guests. And we'll probably get into that and your philosophies behind musical guests and the SNL Hall of Fame as well. Writers, there's eight writers on the ballot. First-time writers, John Mulaney. So yes, you heard him as a host. John Mulaney is also on the ballot as a writer. So when we did the draft, I believe it was Matt Ardill who said, let's, you know, John Mulaney is a great host. But he's also known for a writer. Let's put him on the ballot as a writer, too, and just kind of see what happens. So Mulaney's on the ballot for the first time as a writer, as is Julio Torres. Track 2: [14:28] Returning is Jack Handy, Adam McKay, Paul Lappel, Herb Sargent, and Rosie Schuster. Final time on the ballot for Frankenden Davis and Michael O'Donohue. So the writer's always interesting, again, to me. And one producer on the ballot, Dick Ebersole, which Jeremy and I did an episode on. I believe back in season three. Yes. Yeah. So Dick Ebersole on the ballot still here on the SNL Hall of Fame. So with that said, let's reveal those ballots, those votes. So I'm going to start with Deremy to kick things off. Who's the first person, Deremy, you want to talk about who you're voting for? Well, I just think you guys did a great episode on this person. And if there's the biggest lock or just slam dunk for the Hall of Fame, SNL Hall of Fame, it's this person. And let's just get her out the way because it's just so obvious. But Kate McKinnon, I think it's just, we're looking at somebody who. Track 2: [15:32] Is a top 10, maybe top five cast member of all time. And we're almost at 50 year history of the show. And someone, I heard you guys talk about just, just a prodigy and just from day one, you're just like, you know, and for me, I get nervous with that because I'm always like, oh, this person shows so much promise and you start thinking, can they be a great, but there's so many great names in SNL history. You don't want to put that pressure, but Kate McKinnon lived up to deliver and exceeded all these expectations. And when I think of SNL in the decade of the 2010s, she's the first name that comes to my mind. So I figured let's just the number one slam dunk on this list to me, Kate McKinnon. Yeah, the most recent cast member on the ballot. Season 47 was her final season, and she went through the waiting period for the SNL Hall of Fame on the ballot this year. I wonder if there's going to be some sort of recency bias maybe against Kate, because she's so recent, and maybe some people feel like they need to put others ahead of Kate in the Hall of Fame. I mean, that's the only reason that I could think of as to why somebody would not vote for her. Because I agree with you, Jeremy. I think she's a slam dunk. Definitely on my ballot. I assume, Ashley, you were my guest for Kate McKinnon. I assume Kate's on your ballot. Track 2: [16:56] I feel like I could call myself a Kate fan. And my entire podcast should have been thrown away if I didn't put Kate on my ballot. So, yeah, she was actually my number one. I think, Jeremy, you and I are on the same wavelength. We're twins. We're SNL twins. Track 2: [17:09] Yes. So, I was going to come out of the gate strong with Kate, too. And, yeah, like, I was worried about that, too, was, yeah, is she too, quote, unquote, young? Is she still too junior? We were kind of talking about, you know, are we putting people up with, you know, people like Phil Hartman and all these kind of big greats. But I think she is up there already. I think she has proved herself to be a name that will forever echo the halls of Saturday Night Live with the impact that she's had. Yeah, and I can't imagine, you know, don't sleep on her just because we think she's going to sit on this ballot for a little bit. Like, I think she's she deserved it for sure. Yeah, I definitely agree. And I know some people have a philosophy of deciding whether somebody's a first ballot or not. I've always been of the mind, even in sports halls of fame, that if somebody's a Hall of Famer, they're a Hall of Famer. And I don't think there should be tiers as far as first ballot Hall of Fame. And to me, if they're a Hall of Famer, they're a Hall of Famer. And I don't look at them as like, I don't separate the Hall of Fame into tiers like that. Some people do. I think Kate's, even if somebody does separate into tiers, I think Kate's a quote-unquote first ballot Hall of Famer, even if somebody is strict like that. To me, she's almost comfortably in the top 10 all-time cast members. Track 2: [18:28] For me and i hope i hope as the years go along that people really have an appreciation for what she did on the show i know there were a lot of maybe hardcore snl fans toward the end of her tenure who were like oh we need some new blood i'm kind of sick of kate and that's unfortunate because we didn't know how good we had it with kate honestly apparently some people didn't know because she's an all-timers all-timer so that's just kind of where i stand so jeremy i'm curious i don't know if we've talked about this do you separate halls of fame in general into like Like, if somebody's a first ballot, if somebody's not? No, I don't have, like, the tier list. Like, I don't do, like, oh, you're on tier one. But there are in SNL Hall of Fame or in Sports Hall of Fame, there are names that are, like, you can just say their name and there's, like, enough said. And, like, you know, you stand up and you sit down. And there's some Hall of Famers where you have to have a discussion more and, you know, talk about it and you might have some debate. And I understand there's, like, both. But once they're in, there's no separation. You're a Hall of Famer. But there's some where it's like, you know, in the NFL, if I say Tom Brady, and if someone goes, really, I'm not sure about him, I'd be like, what's wrong with you? And, you know, Kate McKinnon's like on that level. Track 2: [19:40] It's like if someone's like, I don't know. I'd be like, really? You don't know about Kate McKinnon? Like, it's going to be a long day. So it's like Kate McKinnon's just, you just got to say her name, and then you sit back down. Exactly. No, I'm with you. I'm going to suck up to Ashley here and say Kate McKinnon's like Tim Duncan. In the nba like tim duncan ashley's his first fans oh okay nice tim tim duncan is like you say tim duncan it's like oh he's like a top 10 all-time great nba player like for sure hall of fame like he's on that first tier of hall of famer so to me kate mckinnon's like a tim duncan yeah like it's just a no-brainer like that absolutely and ashley like did a raise the roof there so i'm on her good side i i think my love for saturday night live may be tied with my love for the san antonio spurs it's really close i'm quite a fan girl when it comes to both so yeah tom could not have picked a better reference for me exactly and i'm jealous you get to follow victor wimpy llama same year how many years she's so lucky with the spurs, I was really happy that draft day, for sure. Oh, I bet. So, Deremy, Kate McKinnon, all three of us have Kate McKinnon on our ballots. Ashley, I want to go to you. Who do you want to start with? Track 2: [20:56] The next person I had right after Kate McKinnon on my list that I want to put on my ballot is Maya Rudolph. Track 2: [21:03] Again, I think she's another name. You say her name and it's no question. Profession the the breadth and the depth of talent that she had while on that show i i think was unmatched and i don't think there's been anyone like maya since on the show that's been able to kind of hold the candle to what she was able to do um i mean vocally she could do any of the you know finger impressions and and give us either you know song parodies um but she could also just really own and commit to being silly and ridiculous um but comes to mind is the sketch that she did with kristin wig where they're the prize girls on the on the game show and kate's you know driving around in the golf cart and they're just acting ridiculous and there's a lot of breaking and again i'm sure lauren wasn't too pleased with it but you could get these really serious impressions like beyonce out of maya but then also these just ridiculous ditzy dumb you you know, physical comedy, throw yourself type of sketches from her. And I think she's definitely, you know, she belongs in this hall of fame. Yeah. Well said. I think we've talked a little bit about Maya. Jeremy, is this the, one of the ones you've been upset about over the last few seasons? Yes, Ashley. I don't know what it is. We're on the same page. I'm going to say this. I think Maya Rudolph is the most. Track 2: [22:26] Under appreciated underrated cast member in the history of snl and i think it's crazy i to me i think she's top 10 but at most i'll give someone top 15 like cast member of all time um i think and maybe that's like a people have that sexist view could we say glue guy so we think of just like phil hartman dan akroyd no to me it's a glue person because my rudolph I think maybe the only glue person I think of more than her is a Phil Hartman, in my opinion. I just think, like what Ashley said, the versatility, what she was able to do, how unique she was, where before or since there's not a talent that Saturday Night Live has seen like her. And I think it's a travesty that she's been on this ballot for so long. So absolutely Maya Rudolph. off. Track 2: [23:17] Jeremy, you could partly blame me for some of that because I have been one of those people that's a little on the fence about Maya. And I know that's one of the things that you and I probably disagree about the most. Absolutely. As far as us in the Hall of Fame. And Ashley wants to throw a tomato at me right now, I think. And I love Maya. I love Maya. Track 2: [23:37] I'll watch anything that she pops up. If she's on a podcast, she was just on Dax Shepard's podcast. And I made sure that moved up in the queue. you like i wanted to listen to maya on dax's podcast like i absolutely love maya and i landed on why i was on the fence about it in the beginning and i talked this over we did actually a relitigation episode with rebecca north she came on and advocated for maya and i think for me i think maya was in the wrong era i think the the type of humor that was around when maya was on the cast probably in the early 2000s. I don't think it really fit the skill set that she had. I think she was honestly better than a lot of the material that was on the show around that time. I think if she was on the show early 90s, or even if she got to be more part of the cast in the other Golden Era from about 2007, I know she overlapped a little bit, but I would have liked to see her move on into like 2012 and you know i think she left the cast a little too soon before it really gelled and blossomed so i just think a lot of the material a lot of this the humor in the early 2000s. Track 2: [24:49] I always felt like it was a little edgelordy it was just weird all around like we were in a weird time in the country and just in comedy in general and i think the humor was just kind of off in the early 2000s and i didn't and i think that that didn't cater to to what made maya truly great I always love watching her on screen, but there was always something missing, but I think I landed on that it wasn't her fault. Really? Track 2: [25:15] You know, what gets me is like a lot and not this isn't at you, Thomas, but a lot of people look at the ladies of that era with Maya as like really breaking through the boys club of Saturday Night Live. And Maya was a big part of that. Track 2: [25:28] And the other women to me get talked about so much more than her when I think she was the best of those ladies who broke through, which is always kind of weird and conflicting for me where it's like there was great women on SNL before. But you know they had to fight that boys club and then it's like that's the era where it's like oh like the ladies broke through but then they leave maybe like one of the biggest pieces or the biggest piece off that list when we're talking about we give amy polar love and everybody like we don't give maya rudolph so it always kind of confuses me yeah i can agree with that what do you think about that ashley oh gosh yeah i can't imagine anybody being on the fence about maya rudolph um i think you saw my jaw hit the floor um because yeah it was oh yeah we talked you know jeremy. Track 2: [26:13] You talked about the glue person i think she could have been in every sketch and she held it together she always brought something to it even if she wasn't the star of that sketch or wasn't bringing her main like impressions um to it and again i know on my kate podcast i talked about you know to me when i think of somebody in the hall of fame for saturday night live is you know does their talent take them beyond the show and again look at her i mean she's still making amazing stuff and i i do i see where you're coming from tom a little bit when you're talking about um you know it not being her fault i can see that i think had she stayed and gotten to do a little bit more with like tina fey and annie puller she was like kind of in this weird she She wasn't on too long before they left. Track 2: [26:59] But then kind of also left herself not long after like Kristen wig and stuff was there, you know, only overlapped a little bit with those. I think she was kind of a little bit in between where it really would have catapulted her to a little bit more star power. Had she had a little bit, you know, better chemistry to meld with, but I loved her every second she was on the show. I loved every sketch that she was in. Um, huge fan of her impressions, of course, who I thought she was really good at it. Track 2: [27:32] Yeah, I'm trying to like, I'm a lawyer in my day job and I'm totally failing right now because I'm like, how do I advocate and convince Tom to put Maya on this ballot? Well, I will say that she's one of my locks. So Maya's on my ballot as a lock. So and I think I think she's going to get in this time around. But I had to have a sort of epiphany as to why I didn't 100 percent connect with Maya like everybody else. And it was like a goodwill hunting thing. I had to look at Maya and say, it's not your fault. And then she's in the SNL Hall of Fame as far as I'm concerned. So I'm writing my previous wrong and putting her as a lock on my ballot. And I think it's going to happen for her. I think she's going to get in this time around. That's just my gut feeling. I hope so. Yeah, I think you'll be fine. I will withdraw my objection. I apologize, Tyler. I've apologized. I've done all of, I think, the right thing here and admitted my error. And arrived at a proper conclusion, I think. So Maya Rudolph is on all three of our ballots here on the SNL Hall of Fame. I'm curious. I'll stick with you, Ashley. I'm curious as to who you want to talk about next. So this is a name that I am shocked is still on the ballot. Track 2: [28:51] That she hasn't been voted into the Hall of Fame yet. I got to go with Molly Shannon. Yeah, I think I talked a little bit on on my episode about, you know, what really made me fall in love with Saturday Night Live. And again, I think, you know, there's a few other names from her era that are on my ballot, too, that I won't bring up yet. But again. Track 2: [29:12] I mean, Mary Catherine Gallagher, just how can you not put Mary Catherine Gallagher in the Hall of Fame? She's a superstar. It's literally on her name. Well said. Yeah, she's on my ballot. So Molly Shannon is one of those. And similar to Maya Rudolph, this is her last year on the ballot. So if she doesn't get in, she's just off the ballot. Track 2: [29:33] So I have her as a lock. So that's one of my other locks. Um daramie uh molly shannon uh what are you what's your feeling on molly oh absolutely a lock um and and i agree with you guys i agree with ashley like she should have she should have been in i'm always going to give love for those cast members and writers who bridge a gap at a really tough time in snl history when i know like we all know the stuff like every year saturday night dead and blah blah blah and it's like okay but there's certain points in the show's history where it was really at a shaky point and on the rocks and she came midway through that awful 94 95 season and stayed on one of the few people who stayed on and really helped bring in a new transition with that fall of 95 96 cast and just the different characters the way she just jumped into the bazaar and didn't hold back and could you know have mary katherine gallagher but just really brought such a weird uncomfortable character to the mainstream and she was able to do that time and time again on this show uh definitely a hall of famer for. Track 2: [30:44] Yeah that's both of you said everything i think especially like she i think mary catherine gallagher on the snn they did a character count and i think mary catherine gallagher finished top five i want to say and that that's that's molly shannon's work her physicality is something. Track 2: [31:01] That i think everybody will always mention probably to her detriment like you watch some of those sketches back and she probably will admit like yeah she could have heard like she probably shouldn't have done that necessarily like i bet the producers on the show and writers and stuff like what are you doing like you don't have to like totally throw yourself through this table or wall or so i think she did a little damage to her body but she sacrificed herself for the good of the show and for our entertainment and she's just so wonderful and she has a really great memoir called hello molly uh i don't know if you have ever if you have a chance to read it i don't you need to pick that up Ashley if you haven't it's so good it's in my it's in my to read list right now for sure I admit I got a little bit sidetracked by some other kind of book talk recommendations that I very cliche got into but it is downloaded it is in my queue I've been dying to read it and yeah yeah you were talking about her physicality and I think what I loved about her too is we haven't seen a female comedian do physical comedy to the extreme like chris farley did you know when i think of extreme physical physical comedy to their actual physical real detriment you know obviously um you know chris farley would chug you know i don't even know how much like caffeine or espressos to get into that you know really hyper mindset in addition to you. Track 2: [32:31] Know, throwing himself through walls and tables. Track 2: [32:34] I loved that a female comedian would do that. And it was, I can be just as funny as the men who do this. And it's not improper. It's not inappropriate. Track 2: [32:43] She nailed it. I think it worked for her. And you're right. She did have so many quirky characters that I feel like other comedians who came after her tried to do, you know, they tried to bring that kind of weird and unique humor, but it didn't really land, or at least I didn't really get it. First person that comes to mind is Kyle Mooney. I apologize to Kyle Mooney fans, but he was just somebody that I couldn't really understand. Track 2: [33:11] I applauded his attempt and because, you know, comedy is so subjective and there's something out there for everybody. But I think Molly was that weird kind of quirky as a weird, quirky girl, awkward, you know, growing up, I was like, Oh, I feel seen like people can laugh with her and not at her. And that was really, really awesome to see. Do we have a Kristen Wiig or Kate McKinnon without Molly Shannon? Yeah, she's a trailblazer. Yeah, exactly. Track 2: [33:42] And I'm looking at Molly's trajectory as far as voting, and she started off at 34% after season one, and she's climbed to 47, 54, and then 57 last time around. So she just needs that last kind of push to get into the Hall of Fame. And with Maya, she started off at 47, and then she's been at 57, 58, and 58 the last few times. So I think both Molly and Maya both hovering around like the 57 to 58 percent of the vote mark. This is their last time. I think Molly's going to get into that's my gut feeling as well. I think the fact that I think voters will look at it and say that Molly and both Molly and Maya deserve it. And they've been on the cusp. They've been so close. And again, I blame myself for Maya. I've voted for Molly in the past. So I'm off the hook as far as Molly goes. But I would love to see both of them get into the SNL Hall of Fame. So we've had agreements on Kate McKinnon, Maya Rudolph, and Molly Shannon, three great cast members. Jeremy, I'm wondering who you have as far as non-cast members. Track 2: [34:53] Yeah, that's actually where I was going to go next because I'm like, you know what, let's just get weird on this roundtable. Let's get weird. Let's get weird. and I'm gonna go with this person and I'll be honest Thomas and, you know have listened to snl hall of fame since season one and usually when i'm listening the the conversation's great and you kind of lean me either way i'm thinking either where i'm like yeah they're hall of famer they're already just you're proving that or i don't think so and you're kind of going that way never have i been more conflicted listening than to the michael o'donohue episode where you had brad and gary on and i'm driving around and i'm going yeah and then right away. Then the next, someone makes a point and I go, no, he's not a hall of famer. Then I'm like, but yeah, he is. And I was just back and forth, like, and I'm like, I really don't know. Track 2: [35:40] And so I thought about it a lot, but I I'm going to vote them in. Okay. And I can understand if people don't, but I'm going to go there because of when the show started and, you know, because we've been making sports references, I'm going to keep that train going. You know, the dynasty docu-series just happened with the Patriots. And of course when you look at the Patriots dynasty there's a lot of players coaches, administrators who are a part of it but the big three like headed leadership Robert Kraft Bill Belichick, Tom Brady. When you look at the first year SNL the three headed leadership it was Lorne Chevy Chase and Michael O'Donohue and Michael really did if you listen to a lot of people that original those first five years You know, Saturday Night Live brought an edge. It was cool. It was hip. It was something that TV in the 70s hadn't seen yet. And who really helped to bring that sensibility was Michael O'Donoghue. And he's also done things, especially in the early 80s, that really could hurt the show. So I understand the negative, but I feel like his positives do outweigh the negatives, which is why I kind of went with he should be voted on. And he was a part of that original crew and I feel like everyone who was a part of the first season in my opinion should Be in the Hall of Fame just because you were a part of the foundation and you started this. Track 2: [37:05] Huge franchise that will stay in pop culture forever, no matter how long the show is on or when it goes off. So I vote for Michael O'Donohue. It's interesting that you bring up O'Donohue because I've, I put him on and then took him off. Like I alternated just so many over the last few days. I was like, nah, I don't know Don Hugh. And then I thought, and then I would think about what Brad and Gary said. I'm like, well, those are good points. I'll put them on. And then I took him off again. As of right now, Now he's not one of my 13 locks and he was one of the ones where I could be persuaded for him to end up on my final ballot. He went actually, I think Brad and Gary did a really great job of advocating for Michael O'Donohue because he went from 11% of the vote after season three to barely, like barely staying on the ballot. He got 35% last year. So that was quite the jump for Michael O'Donohue. I have, I don't know. It's just some, I don't know if it's just his, his persona or something like the, the, the edgy bordering on mean material that he possibly wrote that sometimes rubs me the wrong way. But, but I, I, I definitely grant like how important he was, uh, to the show. Uh, Ashley, it was Michael O'Donoghue, somebody that you've been maybe considering, uh. Track 2: [38:20] He is not on my ballot actually. And yeah, it was one of those things where I totally agree with you, Jeremy. He, I mean, he was part of that first season and I, I do agree with your statement that anyone from that first season because of what they created and what we have now is because of them. Um, but again, I wasn't a huge fan of, of his, some of his sketches were, I don't know, maybe it's just cause they didn't age well looking back at them. Um, but I do have a few writers on my ballot for sure. Um, and he just didn't land in one of my top favorites. Um, so. Yeah. He, uh, looking at his sketches, like, so this will be have like the, the good and the bad of it. Like he wrote Godfather therapy with, uh, Belushi Belushi, which was awesome. He wrote the last voyage of the starship enterprise, which I think is one of the better sketches of those early five seasons. Absolutely. Both of those. Yeah. Yeah, those are great. Norman Bates' School of Motel Management was awesome. Track 2: [39:18] I even liked the, he had a weird concept of the attack of the atomic lobsters that was like, I think O'Donohue's sense of humor kind of reigned in a little bit. Then like you have things like the Needle, the Needles Impressionist, where he just said like, here's my impression of the Mormon Tabernacle Choir with needles stuck in their eyes. And he would just like yell he would like mind putting needles in his eyes and just yell so it's just kind of interesting uh but again Jeremy he's not like totally off my ballot it's just something that I have to like keep thinking about well don't get me wrong like I so personally I agree with you guys like there's a lot of things that I'm like uh it doesn't I mean there's some sketches he wrote that hits me it's a lot that don't but I have to take myself out of it and look back on what, for our parents' generation, what TV was like in 1975. Track 2: [40:14] And we look at it like, we look at the late 60s into the 70s, music and movies were ahead of the game, where they reflected what society was doing. TV was dead last. And I think about what really changed TV. I think of, number one, like Norman Lear and his sitcoms, and then, number two, like when Saturday Night Live premiered. So like him doing like the needles in the eye, like it's not, I don't laugh at it, but like at that point, TV was so far behind. That was just bizarre to see on television where you're used to seeing, you know. Track 2: [40:47] Green Acres and Mr. Ed, you know, not that long before. And that was like, that's what you got. And then even like in late night, it was Johnny Carson. Track 2: [40:55] So then it's like, you're getting this and just this sensibility. That's just, whoa, like the counterculture is taking over NBC for an hour and a half on Saturday nights. Like it was very different for that generation, which is why I had to take myself and my personal taste out of it and look like that was different for that time. Totally no i agree i mean that's that's why he's still kind of like i might be persuaded honestly he might end up on my list of 15 i'm trying i'm trying i know yeah you're very persuasive you do that on our other pod too on pop culture five you always kind of like get me on your side yeah so and michael donahue was the first person to appear on camera on snl like just a little like historical fun fact the first person that we see on snl it was michael o'donohue and that wolverine sketch so but Jeremy has Michael O'Donohue Ashley's probably a no I'm a maybe at this point Ashley you said that you had a writer or a couple writers I'm curious if you want to reveal one of those yeah so I have four writers actually um and I I gotta go with my girl Paula Pell brilliant just absolute brilliance like she is my comedy um I if I saw her on the street I might might die just like i would next to kate and tina fey but i think because we got paula pell like in the era of tina fey to such strong writers at the same time we got such great stuff out of them. Track 2: [42:25] Um and again i keep repeating myself but what they've been able to do beyond the show as well, you know like conan o'brien when he was on and what he's been able to do afterwards because he had such talent i think paul is the same way and she kind of stays in the you know she doesn't really take that limelight that I feel like she deserves she's kind of I think happy to be a writer and not necessarily take those starring roles but when she does you know come in and do even just like a supporting actress I sign me up I'm gonna see it every single day any chance I get to see Paula Pell and again I think what she was able to do with around that time with Tina was pushing again we talked about Jeremy you said um breaking the boys club not just for the the comedians we saw on TV, but I think that's what Paula and Tina were doing in the writers room was they were trying to break up that boys club, and again say women are funny too and we can be silly and ridiculous and I think even bringing in the. Track 2: [43:21] You know, the topical humor of calling stuff out and making it funny, though, like bringing up issues in a way that made everybody laugh instead of making them uncomfortable. So we could talk about it and kind of understand it and see it. And I think she was such a trailblazer for it. Yeah, she was one of the minds behind some of the great recurring sketches of that era. She was she was behind the cheerleaders and other just really big recurring sketches like that. She was like you could you definitely felt her voice in that era. And it meshed well with, like you said, Will Ferrell, Sherry O'Terry, and all of those. And she has Girls 5, Ebba. That's kind of like the thing that she's involved with right now. Paula Pell. Deremy, I'm curious before I kind of – because I have a little situation here with Paula Pell and another writer that I might want to hash out. But, Deremy, I want to get your thoughts on Paula Pell. Oh, she's on my list. That's a slam dunk. Track 2: [44:17] Should have been in for a writer. She's the first ballot. Hall of Famer in my opinion um I talked about you know with Molly Shannon those who helped really re like revigorate and save the show in like the fall of 95 we talk about the people on screen you always give credit to those behind the camera and like the writers Paula Pell's one of those people and you mentioned I mean from like the cheerleaders to Debbie Downer to Justin Timberlake in the omelette ville like so that's like over different years she's doing these memorable characters and like writing these great sketches um and just someone you know that lauren trusted you know like i think ashley great point like how huge was it for when tina fey became the first female head writer that having a paula pell there like i'm sure that was like a big help and i just think she's getting this just due now because like in the public eyes because of girls five ever but like. Track 2: [45:16] Maybe it's by design. I know she was behind the scenes, but to me, she's one of those writers who should have always been talked about up there with a Smigel, a Jack Handy, all those people. She's that great. She's a slam dunk for me. me yeah it seems like if you ask somebody who worked at snl around that time they would tell you that paula pell was probably the funniest person yeah in the building so that's kind of the that's the reputation that she had uh and by the way if you listen to wtf with mark maron paula pell was a recent guest yes on and she was great she's hilarious she's so likable love paula pell that was a really great interview she did with mark maron um paul is not a lock on my list and she's honestly one like that I'm not discounting and I wanted to hash it out because I don't know I have another writer that might be a little I'm gonna take controversial but a lot of people might tell me might urge me to put Paula Pell in ahead of him for many reasons I want to hash out as to whether I should swap out Paula Pell for this person or if I should add Paula Pell to my list and keep this person so i want to kind of dive into i have julio torres. Track 2: [46:25] On on my list and i and i didn't think that i didn't think that was i was gonna feel that way heading into the season but then i started looking at the sketches that he wrote and his unique voice and i know the one limiting factor is he was only on the show for he was only a writer on the show for like three seasons but some of the stuff that julio did i mean he he was behind uh papyrus which we saw a second installment papyrus 2 now the actress with emma stone he uh he also wrote wells for boys which was another wonderful emma stone pre-tape he wrote a lot of really great political things he had the melania moments his so you julio had just like such a clever unique voice at that time of the show i think he really stood out he had a really great one with With Lin-Manuel Miranda. Track 2: [47:18] Where Lin-Manuel Miranda played a character. That was like. He was in Montana or North Dakota or something. And he called his mom. Because he was an immigrant that called his mom. And was describing like how his life was. So like. Julio Torres' voice was just so unique. And to me he was almost like a comet. That came through SNL. And he made the show so great. But he just wasn't there. For a long time. Where somebody like Paula Pell was. Was and so i want i was wondering about like the merits of of julio torres in that should i i don't know ashley like should i move another rider a more of a legacy rider in front of him or like what do you what do you think about julio's contributions and then even like compared to somebody like paul appell. Track 2: [48:06] Yeah, I mean, and not to discount Julio Torres. Yeah, I loved his sketches. I thought they were hilarious. And I don't want to say that somebody doesn't deserve to be on a ballot just because they weren't on Saturday Night Live for I don't think there's a requisite amount of time. I think we could, you know, vote somebody in who was in for one season. Obviously, we've got some hosts on the ballot that aren't necessarily in the five timers club and things like that. But I think to me, the difference between if we're going to put Julio and Paula together is not just not that Paula was legacy because she was on for so long, but because of what her sketches did to, you know, move the show. Like Jeremy said, you know, taking it out of an era like she came in, I think, right at the right time to kind of rescue a drowning show and then continue to evolve it and stay relevant and kind of help us, you know, continue to keep SNL moving with the times. Track 2: [49:01] Whereas you know i mean i get papyrus and they just did you know part two a couple weeks ago is just genius um i think it should be nominated for like an emmy for a short or something but um yeah given the two i really think paula um i mean is julio again i hate i hate to do this but this isn't his last year on the ballot correct no and you're right no this is his first year actually so i mean that that plays a role yeah that plays a role too in the thought process i think yeah yeah so i i think you got to go with paula i really do i think and again julio he's also someone who continues to write um and doing great things for other shows you know that we still watch today and so definitely not to discount his humor what what he did um his sketches. Track 2: [49:50] But i'm biased i'm like i said i would fangirl over paula pell in the street so So yeah, you know where I stand. Yeah, I think Jeremy, the thing about Julio to me was like his batting average, putting in sports terms, like his batting average was just so high that it was hard for me to discount. He did so much in such a little time, like almost everything that he did was a hit for me. And to me, that plays a big role. Like, is it quantity or even if he was only on the show for three seasons, but his batting average is super high? Like, how do you weigh stuff like that? No, it's hard. I feel like you could have both on there, and I think that would solve it, but if you have to choose. Track 2: [50:31] Between one or the other, I would put Paula just because. Track 2: [50:35] A little bit of the longevity and what she did over different eras. So her batting average was, you know, it, you know, if you have someone who hit three 50 for three seasons and someone who hit three 25 for, you know, 15 seasons, like it's like, you know, I'm gonna go with that three 25 for 15 over three 50 for the three. So it's like, I have to weigh it like that. I'm probably gonna, you gotta, it's hard because like my, The guy who I look at is either, I go back and forth between first or second greatest cast members, Eddie Murphy. And he wasn't on very long, but what he did was amazing. So I hear you. It's tough. And I think with Julio bringing that different sensibility to a show and really bringing that diversity in a different mind, that's a great factor for him. But Paula did that too. Yeah. So it's like, it's, it's just hard. Like if you have to pick one or the other, I would go with Paula, but it's a tough choice. Yeah. So I think all of that weighs into my thought process. I think, I think. Track 2: [51:40] I think it either come down for me to Julio or Paula, or you're right. I could, I could just put both of them on. I might have room to do that. It's all, I mean, nothing's set in stone right now. I just wanted to hash that out. Cause I think it's interesting. And Julio actually has a better case than I thought even like on the surface, you're like, okay, Julio Torres, like, you know, memorable, talented rider. But then you start looking at his work and it was like, oh my gosh, he might actually have a real case here. Like more so than I thought. So, uh, so I just wanted to hash that out. And I thought that was the perfect time to do it. But Paula Pell is one of the other ones where I was like, man, I love Paula Pell. And I was just considering that. So, yeah, thanks for – see, here, we're all learning something. And we're all kind of like – or at least I'm like kind of getting my thought process in order and maybe swayed a certain way. So, yeah, Deremy, I wonder what is next on your list. Track 2: [52:29] Another crime I'm trying to justify or undo on the SNL Hall of Fame. You came with anger, everybody. Deremy's just like – I'm just like, jeez. here we go i brought this per i think i was on the season three round table before and i nominated this person then and they're still on here but we're talking about you know because ashley you just brought up like host and we're talking about the og five-timer guy he was on 10 times in the first five years he was the person who suggested doing recurring sketches like to that to the original like cast like hey you should do that samurai thing again john like come on i mean it's classic when they did the samurai and belushi like by accident cuts him on the forehead and they're all wearing like the bandage you got to have buck henry on here the og the five timers club is such a known thing in the snl like pantheon and how do we not have the og of the five timers club in the snl hall of fame he should be a first ballot guy because he's one of those people. Track 2: [53:37] I think of him and Steve Martin, where people to this day get confused and say they were part of the original cast. Because that's how much they are a staple of that show. And so I'm just like, outside of maybe Steve Martin, to me there's no more important host than Buck Henry. So it's like, how is he not in the Hall of Fame yet? I don't know. I don't get it. But I'm going to do it again. Track 2: [54:04] Nominate and bring up buck henry for the snl hall of fame let's hopefully we get it right this time people yeah he's on he's a lock on my list too and and i voted for him in the past i think he's just so important to the show he's a 10 timer yeah but it's not just the quantity of like he he was solid like you watch every single one of his hosting gigs there's a reason why they asked him twice a year to come back and he always hosted the finale and it was just like i think the cast and the crew and the producers it was just like they knew they were in good hands with buck henry and they could throw stuff at him and he would he would be great in it he could he could lead a sketch he can just find like a role to kind of hang back and just be a supporting player i think buck just in synonymous with the show i mean he wrote the graduate uh and he was a great writer but people know him for snl like i think that's just as far as on screen especially like he they know him as like the guy who used to host SNL a bunch. And I think, yeah, I think Buck Henry needs to get in. So he's for sure on my list. I don't know how you feel about Buck Henry, Ashley, if we have to like persuade you or where do you stand on this? Track 2: [55:15] I don't, it wasn't a matter of not being persuaded that he deserved to be on it. I think just because I, like I said, at the beginning of this, I had such a hard time whittling my list down to my 15 votes. And that I, you know, have a little bit, you know, my bias is going to show through with my votes of, you know, kind of the more... Track 2: [55:37] Relatively recent um you know people i only have three hosts on my list actually, because again i had such a really hard time with it so i i had to give that spot to somebody else and i think it was kind of me selfishly hoping that somebody else like like you guys would push him through because i agree he believes or excuse me i agree that he deserves to be in the hall of fame um i'm not against it i don't think you have to convince me that he deserves it but you may have to convince me to take somebody else off my list if i'm going to put him on mine so a lot of it's like an era maybe kind of thing like uh buck henry's a more old timer maybe and so so so we're looking at like an era that more so like resonated with you possibly i will say this buck henry was on the ballot for the first time after season three so this is not his final year he's been. Track 2: [56:32] On twice before he went from 23 after season three to 48 so he made quite the jump so i think uh this being his third time on the ballot i wouldn't be surprised uh i would be a little surprised if he got in but i but i think he's gonna be one of those where it's like he's inching toward there so you have another couple seasons after this ashley to to write this wrong that might be made so yeah so this isn't totally the last chance for buck henry and i think that was the thing is you know there's so many greats from that original era that are in the hall of fame already that it was kind of a shock that he isn't on that list um because i mean like how do we get anywhere with it we are today without jane curtain gilda radner you know these ogs um that again like derry said started the show um they made us know what it is and yeah you're right. Track 2: [57:26] Literally you know wrote one of the greatest films of all time you know and then we're like oh no but his his work on snl don't worry about um you know the graduate um thing about snl so you're right i think next year i'll have an updated ballot okay okay so so we'll check back in next year i think if buck henry was more famous just in general in pop culture he would probably get in but he's He's just like a writer, a movie writer. So he just kind of like is under the radar. But I think if he was a little more famous, like Steve Martin or something like that, then I think Buck Henry would be in. So we'll see. I'm curious to see where Buck Henry lands this year. What host do you have, Ashley? So I actually, yeah, kind of going like a little bit more to an older era, I put Martin Short instead of Buck Henry as my vote for one of my hosts. Because, again, he's somebody else that I find synonymous with SNL. Track 2: [58:26] And, again, just that silly, quirky... You know, doesn't apologize for how he is or who he is or his comedy or anything. And even to this day, I mean, we saw him, you know, a couple of weeks ago with, with Kristen Wiggs episode and just still making, he made Lauren break. I mean, come on, like how, how epic is that when you make Lauren Michaels laugh at a sketch? I think that shows how great and how funny he actually is. Every time he's on, I get so happy. Track 2: [58:56] I think because of what he's been able to do, the fact that, yeah, he keeps coming back. As well we keep inviting him back no matter what um i mean they brought him back for kristen wig they brought him back for uh steve martin he's just somebody again it wasn't just a glue person but could you know steal the scene and steal the sketch no matter what he was in yeah just always a wildly entertaining person to watch martin short and he he hosted two all-time classic christmas episodes he has two of the better monologues i've ever seen i'm still teetering though i'm kind of on the fence he's not a lock for me but he's one of those where i just like kind of wanted to wait and see what other people said and i'll do some more thinking on so i didn't totally discount martin short he's in that michael o'donoghue paul appell range where i'm just like i don't know not not a lock for me but i want to see somebody make the case uh jeremy where do you stand on martin short he's a new on my list i don't i don't have him on mine um i think there There is no, in my lifetime, there's no more guaranteed lock to make a person laugh. If I have to pick someone in the world to save my life, like, I dare me, you can only survive if you pick someone to make me laugh. Track 2: [1:00:10] I'm Martin Shorts, like, he's on my Mount Rushmore, probably like number one. Like, he's just that naturally funny. Like, he's like the ultimate talk show person. and it makes sense he's the ultimate person to kind of fill in on SNL and to be there and to come on but I just don't I know he was on for the cast for that season that transition that Steinbrenner year I just still don't. Track 2: [1:00:34] When I think of Martin Short, I don't think of SNL with him. I know that's a part of his history, but I'm going to go to movies. I'm going to go to his talk show appearances. I'm going to go to other things. I'm not his, you know, not his relationship with Steve Martin. I'm not going to go to SNL. And I think that's why. But I still do believe like he's hilarious and he's funny. And I'm always glad when I see him there. But I don't think of him like, oh, as a host or as even a cast member. Like yeah he's one of those you know for our podcast essential people so that's why i don't have him on my list but i could be persuaded to like for sure but he's off mine he had more of a case after i after i re-watched some of his at least a couple of his episodes he had he had the episode there was one in the late 90s that was classic though his episode in 2012 when paul mccartney was the musical guest that's like a stone cold classic episode to me as well and his His monologues there were great. So when I watched specifically even those two episodes, I'm like, all right, yeah. Track 2: [1:01:35] I mean, he put in two amazing performances here. One thing that's interesting about him, too, is he has another, you know, in the 80s, he hosted with Chevy Chase and Steve Martin. And then he also co-hosted with Steve Martin. So some of his hosting gigs have been with other people as well where Martin wasn't totally featured. So I could see both sides. That's why I am kind of like he's still up in the air for me. But anything to add on that, Ashley? Track 2: [1:02:05] I think I'm going to steal your Maya Rudolph explanation. And I think Martin Short was, I think, the victim of being a cast member on a time where maybe his type of comedy or whatever the reason didn't mesh with everything else going on. And you're right, he wasn't on very long and he ended up doing much bigger things, after Saturday Night Live. But I think... Track 2: [1:02:29] The reason Lorne kept bringing him back was because he understood that maybe, the time that he was a cast member, maybe not have been the best time to have him shine, but recognizing his talent, his comedy, what he's able to do. Track 2: [1:02:45] And I think that's why I would vote for him as a host, as opposed to a cast member is you're right. Every time he came back to host, whether it was by himself or, or with, you know, the three amigos, I just, Just, it makes me wish that he would have been on. And sometimes it makes me forget that he wasn't on longer than he was. Track 2: [1:03:05] Because my brain has clicked and associated him so much with Saturday Night Live. And I think, too, just his association with all the other greats on SNL, I think, helped bring him along a little bit to that star power. But I think even without them, he can stand on his own. So and i should say too like uh for snl hall of fame purposes and how how it was set up a few years ago um we there are the categories technically so martin short isn't eligible as a cast member because he was only on for the one season that's why he's on host but it's up to each individual uh voter and it's just to what their criteria is so if they want to count his cat time as a cast member that's up to the voter uh technically it's just kind of his host hosting gigs that we're looking at, but that's interesting as far as... This is why we do these things, is kind of peek into the criteria of a certain individual. Like Jeremy brought up, Martin Short made his mark elsewhere other than SNL. And so there's all sorts of different factors, but I can definitely see Martin Short. I'm curious. This is his first year on the ballot, so I'm curious to see how voters feel about him. So this will definitely be interesting. Jeremy, I want to go back to you for your next pick. I'm gonna go back to another wrong. Track 2: [1:04:20] I've been trying to write it here, and it's the first episode I ever did on SNL Hall of Fame with you, Thomas. And I know I'm still going to use this vote here. I got to go with Dick Ebersole, the man who created Saturday Night Live and who brought Lorne Michaels in as the executive producer and was really like he got hired to create a show for the film on Saturday nights. He picked Lorne Michaels, and they really together co-created Saturday Night Live. That right there is huge. But then after the first five years when Lorne and the rest of the cast, all those original people left, and they hired Gene Domanian in season six as a nightmare. They're looking at canceling the show. They fired Gene Domanian. What do they do? They bring in Dick Ebersole to run it, and he has one of the most important conversations in SNL history. He talks to Lorne because he knew no one would help him from the past if Lorne didn't give it its blessing. Lorne gives it the blessing. Track 2: [1:05:24] Dick Ebersole sees the – he fires everybody, but he keeps Eddie Murphy, Joe Piscopo, Barry Blaustein, David Sheffield. And Blaustein and Sheffield as writers with Eddie Murphy save the show. So that show keeps going you know for the early early into the mid 80s because of what dick ebershaw did and you know he saw the talent in eddie murphy he saw that bright shining star gene domanian had eddie murphy on the side not really doing anything he's like we have this rising comedic the megastar we're going to pump him out and i mean we got some epic sketches some all-time great performances because of that. And where would we be? We wouldn't be doing this roundtable, technically, without Dick Ebersole. Track 2: [1:06:13] So the fact that he's still on there, I'm going to go advocate for him because I think it's shame on the SNL voters that we wouldn't be having this talk if it wasn't for Dick Ebersole, and you're not going to put him in the Hall of Fame. So I've got to give it to Dick Ebersole. Yeah, Dick Ebersole, I mean, he's somebody who helped create the show along with Lauren. He helped save the show so i think he's on my list so he's one of the ones where i just he's he's a lock on my list i think ebersole should be he gets lost in the shuffle because everybody thinks of lauren as like the the guy which he is i mean this is lauren you know ultimately his show but dick ebersole like right right there alongside him at the beginning and and i mean he picked lauren like he could have picked somebody else yeah you're right well it was dick ebersole who yeah yeah so yeah great points i'm with it uh ashley dick ebersole what say you oh ditto yes gavel struck 100 percent um we don't exist all the people we've been talking about don't exist without dick ebersole another one of those i mean. Track 2: [1:07:18] Left bug henry off while i believe he deserves to be in it dick ebersole i would not leave off um because yeah he's gotta go gotta go on the list sorry yes yes so we're all bonding here all three of us have dick ebersole for sure i think just his name like that again the name factor i think hurts dick ebersole and uh i i just gobble up snl uh books and memoirs and stuff and dick Dick Ebersole had a really great one that both Jeremy and I referenced quite a bit when we did the episode as well. So you want to learn a lot about Dick Ebersole's career. Fascinating career. Dick Ebersole is honestly like the Forrest Gump of TV. Yes. Great point. Yeah, very much so. He really is. Yeah, he really is. So Dick Ebersole, hopefully we can welcome you into the SNL Hall of Fame after this season. Ashley, I want to go back to you. You've shared six of your choices, so maybe a little one behind. So I want to, I want to catch you up a little bit and take another one off your board here. I'm going to have to go with John Mulaney. As a host or a writer? So I put him, I put him as a writer. Okay. Track 2: [1:08:24] Um, and I went back and forth on this because again, he's somebody, I mean, we talked about earlier, you know, can bring him back. He hosted, you know, the season finale, like I think two years in a row, um, and has absolutely killed it. but we have so many great sketches because of him before we ever saw his face and knew what he looked like. We got graced with the presence of Stefan in the world. And I know my, my life is better because of it. Track 2: [1:08:55] Stefan is one of my all time top 10 favorite characters of Saturday night live history. And so I love not just what he did with Stefan, but anything he did with hater turned to gold um i i think despite you know putting him you know on the stage and getting to see him as a host was really good and i think kind of helped, propel him when he started to do his own stuff but to me i think his genius and what solidified him to me as being great was was his ability to write um lobster diner even i guess as a writer and a host i know he hosted when lobster diner aired but he wrote lobster diner and so i gotta give that i think that's ultimately what pushed me to put him in the writing category for this vote, um was at the end of the day i think he's a writer at heart and we talk about daramie like, voices like a distinct voice on snl to me john mulaney you know it's john mulaney's voice and i think i don't know if that counts for something to me it does absolutely i i agree actually i have him on my list and as a writer, because that is what I know him for, for SNL, that's what I think of. You know, you mentioned Stefan. Track 2: [1:10:11] Definitely top 10, but maybe top five character in the history of the show. How just how popular it seemed like to me every Sunday morning. People I knew we were talking about what Stefan like that sketch like and what he did with Seth Meyers. So and just him being a voice behind that and all the different sketches. And he felt like in his short time, he was one of the go to writers for Lorne, for the cast. Track 2: [1:10:36] And I think this like you said, Thomas, he you know, it's him. He has that you know it's his voice you know what that sensibility he brings to it so i i think and he wasn't a writer and i think that's due to just his crazy talent same with a julio like wasn't a writer for that long because he was just that great and that talented that you know hollywood came and swooped him up but um john mulaney's a slam dunk for me as a writer yeah he's one of the ones on the short list for me of like i'm still contemplating and i wouldn't be surprised if i ultimately put him in and to me there's just like it's it's it's a stacked class so to me it's just like no shame on john mulaney he's he's had some of my favorite sketches. Track 2: [1:11:20] You mentioned stefan actually stefan might be my favorite character of all time and that's a big uh john will obviously bill hater played stefan but john mulaney's a big reason why he was behind what's that name that's a John Mulaney thing and you totally see Mulaney's voice in a sketch like what's that name there was a one-off called what's wrong with Tanya that I always go back to Anna Faris is in that that's just such like a brilliant satire and parody on Lifetime movies recently two seasons ago one of my favorite recent sketches when he was a host and he helped uh write was the monkey judge sketch which I just that that just floored me with how creative and clever it was so he's behind a lot of stuff that I love it's no shame on him that I don't have him as a lock already there's just some other people that that I have as locks that. Track 2: [1:12:11] Be ahead of him but no no offense to Mulaney but I think you both bring a very good point so I'm curious to see John Mulaney's on on the ballot as a host and a writer so I'm curious to see how that impacts things this is last time on the ballot as a host so maybe if he splits the vote this time around maybe if he's just on as a writer then that'll push him through but I'm curious to see how that might impact um the voting uh there for John Mulaney uh so I wanted to share somebody off off my list and i want to talk musical guests and i and i'm curious to see what you you'll to think about musical guests and to me if there's one musical guest that should be in the hall of fame if we're going to put one throughout the show's history to me it should be dave grohl and uh and i just think the fact that he's not already in the hall of fame to me speaks more of how people view musical guests and their relation to snl rather than dave grohl himself He's been on the show 15 times as a musical guest with Nirvana, with Foo Fighters, with them Crooked Vultures. He's come on and played with McCartney, with Neil Young, Tom Petty. I don't know if he played with Neil Young, but he played with Tom Petty for sure. Tom Petty recruited him, and he was going to be in Tom Petty's band. And Dave Grohl's been in sketches as a musical guest. He's had memorable appearances in sketches. Track 2: [1:13:33] So I think if there's one musical guest that should be in the Hall of Fame, it's Dave Grohl. And he's not paul simon's the only one but i have dave grohl as a stone cold lock for me i'm curious i don't know ashley like what kind of thought did you give to musical guests how do you feel about dave grohl and his place in snl history no i i have dave grohl he's the only musical vote that i have on my ballot actually and i felt kind of bad because you're i i think I think that musical guests are a very underrated part of the show. Track 2: [1:14:09] And when you think of what makes Saturday Night Live so iconic over the years is who they've been able to bring on over these years. And I think that speaks to how important this show is to people and culture. I mean, everybody that comes on is, I've been watching this show since I was a little kid. I've been dreaming of this since I was a little kid. Everybody says that you know when they come on the show and I think. Track 2: [1:14:33] Who they get as a musical guest speaks volumes to that as well. And the fact that somebody like Dave has come back so many times, time and again, and in so many different capacities shows the versatility. And I love when you get a musical guest and you get that cameo in a sketch. And I think that makes the crowd go wild. It gets people so excited because you have this, this rock star come on and they're, it kind of brings them down to earth a little bit. You see them as a real person, And as somebody who's not afraid to be silly, put themselves out there on live TV, sometimes in a sketch that makes fun of themselves. And so now you have that, you know, self self deprecation and makes them even more likable. And I think there's an art and a science to who they pick. Obviously, you know, their scheduling and agents and contracts and all the stuff that goes into it. But I think when they can marry up a host and a musical guest, I think that can really set the tone and the theme for that entire episode that whole night. I think when you bring on somebody like Dave Grohl, regardless of who the host is, you know you're going to get something good all the way through from start to finish. Track 2: [1:15:43] Yeah, Jeremy, he's been appearing on SNL for going on 32 years now. His first appearance was with Nirvana in 92. The most recent one was season 49 in the Nate Bargatze episode this year. He was in a sketch this season. So what do you think, Jeremy? Do me, do me proud. Yeah, he's, he's on my list. He's a lock. I think it's interesting because I do feel like of all the categories we have, the one that is hard to line up as musical guests, because to, to your point, Ashley, it is such a huge and important part of the show and the show's history. Track 2: [1:16:20] And it's also, if you look at, like, what MTV is now and all these other, it's, like, the one platform I feel like, you know, oh, you're the musical guest on SNL, where, like, all of America can, like, really see you. Like, no matter, like, if you're Bieber or Taylor Swift, we're all watching you, which is, like, I think in today's culture very hard to have that, where it's, like, oh, we all saw blank on SNL. Like, we don't really have any place to see musical people, like, all at the same time anymore. More so it's important but i think it's weird because it's like oh that shows the establishment that's the window in time of who was popular you can look at snl's musical guest but i think we think about like you got to have this amazing performance on there to be memorable and all that being said dave grohl he has that because if you look at dave grohl's career on just with With the Foo Fighters being on SNL, he should be a Hall of Famer, just how many times he's been on. But to your point, Thomas, Nirvana, that was a memorable moment in music history and in SNL history. When Nirvana came on SNL, that's when we're like, wow, alternative music has really broken through. It was seeing them overtake Michael Jackson and them being the musical guest on Saturday Night Live. And they gave a memorable performance. So all that combined is like, if there's a slam dunk musical guest throughout the show's 49 year history, it's Dave Grohl. Track 2: [1:17:48] Yeah, and he's inching toward that line. So he was first on the ballot in season two, did an episode with Ryan McNeil on Dave Grohl. He had 32% of the vote, went up to 54% in season three, 55% after last season. So he's inching there. And I think the more we advocate for Dave Grohl as the musical guest, to me, he's the musical guest in SNL history. People say Paul McCartney, Paul Simon. To me, Dave Grohl is the musical guest in SNL history. For sure. So, and one of my favorite all-time performances was in 2020 after Biden got elected. They performed, Foo Fighters performed times like these. And I like got a lump in my throat when they performed that. Absolutely. That was amazing. So, he has an iconic performance. I actually cried. Like, I was crying watching that. Yeah, for sure. No, it was just like stunning. We know that was strategic. There's a reason for so many reasons that Lorne, that they went and picked the Foo Fighters for that. And also, you've heard Dave Grohl talk about it with the Foo Fighters and the Letterman appearances and SNL. He has an appreciation for comedy and appreciation for what those comedy institutions mean. And I like that he appreciates that. So that also is another, for me anyway, another feather in his cap. He appreciates what this means. Track 2: [1:19:10] Yeah, this is awesome. I hope Dave Grohl gets his just due. All three of us have him on our ballots. it's the way we're whittling this down Ashley it makes sense to go back to you so I want to get your next choice um so I picked uh listen I'm trying to because you know I know we have a few left I'm trying to think of who I want to put on here oh I one of my hosts that I voted for was Justin Timberlake again I think he could have his own best of DVD at this point he's been on so often what he's done not only as him as himself you know when he's hosted and musical guest at the same time but also what he did with the lonely island and his bromance with andy sandberg i think just it gave us genius they those two worked so well together not just in the digital shorts but i think just with anything that they did on screen we talked about paula pelsketch omelette bill again and then how many times he came back and we got all the different iterations of you know the wrapping paper or but just iconic absolutely iconic to me he's somebody too that i think we saw the first time that he was on it was like oh. Track 2: [1:20:24] Should he be a cast member? I remember thinking that to myself. He could totally come do this every single week, and I think he would fit in seamlessly as a cast member. And I think he had great comedic timing, also wasn't afraid to make fun of himself, and just really go all in with whatever they gave him. Yeah. Well, Ashley, what I thought to myself when Timberlake first appeared on SNL was, I hate this guy. I hate him because he can sing, he can dance, he's good looking, and he's funny, and he's good on SNL. Like that's just no unfair like i hate you man and for those reasons i have him on my ballot i hate him so much that he was so good on snl that i put justin timberlake uh on my ballot he's one of like the picks that were it was a lock to me so it's i'm surprised that timberlake's not even just for name recognition alone i'm surprised that timberlake's not on jeremy do you have timberlake i'm gonna be honest with the people here yes okay um last time i was on here i left Lonely Island off and people made points which was egregious it was bad and I was like people were making points and I'm like I'm like I'm. Track 2: [1:21:34] I'm like, should I double down? But, like, man, they're kind of convincing me, like, I made a mistake. And then I was like, I think I told you afterwards that. And then I'm like, I'm not going to do that again. So I'm going to be real with you, Thomas, Ashley. I had Candace Virgin on it for my, like, other host. But hearing the points you made, Ashley, I just crossed her off. Sorry, Candace. I love you. I love Murphy Brown. You're important. Five-timer. but i'm uh i'm putting justin on um for everything that you said and i think it's impressive like just to add on yeah the duo i think of with justin on snl is andy sandberg but he's so great in the snl pantheon that like the duo people talk about is like him and jimmy fallon another great cast member yeah i know that's from the tonight show and stuff too but still it's like he's got like like, two, like, partnerships with SNL, like, greats here. That's how awesome. I mean, some of his sketches are some of the all-time great moments that in the 21st century that really put SNL on, like, a new generation's, like, radar. Track 2: [1:22:39] And it's not the show. It's, like, a different category. I think it means something. I know he's a big name, but for the SNL 40th, him and Jimmy were the first one. They opened it. And that has to mean something for all those amazing, talented people who were in that room that night that Lauren ultimately went with, I mean, and Jimmy, but Justin and Jimmy to open the 40th anniversary special. So I righted my wrong. Sorry, Candice, love you, but I'm going with Justin Timberlake. I agree, Ashley. Well done. Yeah, Candice too. Candy Bergen was somebody who I considered as well. Almost put her on the list. She was one of those, like Michael Donahue, I put her on, then took her off, and then put her on, then took her off. Candy, to her credit, she hosted... We did the same thing. Yeah. Candy, to her credit, she hosted maybe the best episode in SNL history. It was a Christmas episode. I think it was the season two or three Christmas episode. Frank Zappa was the musical guest. Yeah. But it was just... Track 2: [1:23:39] Five-star sketch after five-star sketch. So she has a great, great all-timer episode under her belt. She also hosted, I think it was the fifth episode. And it's what many people, like critics, but of the cast and crew who say that was the first episode that established the template for what SNL would be. It's like that first episode she hosted. So that's why it was tough. I considered her for all that. that but ashley i you know i see your law skills because i'm i'm like you you got me you got so i will say this between candy and justin timberlake if it makes a difference with voters so candace bergen has one more year after this on the ballot so she she was first got on the ballot in season two justin timberlake was a season one so if he doesn't get voted in now he's gone so and that would really surprise me so if that's like that could possibly be a tiebreaker for some people like us who are kind of like candy or justin timberlake and candice bergen has another year if she doesn't make it so that could be like a tiebreaker too so much love for you candice bergen for sure yeah love girl yeah uh jeremy uh what's your next one so i'm gonna go with someone who, I go back and forth with, but I could be convinced to go the other way. I don't know how you guys feel, but I'm just going to keep on keeping it spicy. Track 2: [1:25:06] I'm going to go with the Sandman. I put Adam Sandler on the list. Track 2: [1:25:11] I wasn't sure because I do feel like he definitely gets a lot of love for his name and post-SNL career. Track 2: [1:25:21] I think about him, and when you think about the early 90s, you're thinking, one of the first names you're thinking about is Sandler. He's a part of that group, the bad boys of SNL with Farley, Sandler, Spade, Rock. You're always going to think about it. And in some of his moments, some of his musical performances on there, the songs are just classics, and they're still played over and over. And that's his time on SNL, from the Thanksgiving song, and, you know, opera man and just memorable moments who I feel like he kind of was like, I guess, another sports term, like a home run hitter. To me, his batting average wasn't the highest, but he can knock it out the park and get you like a big home run, but he might strike out too. And when he strikes out, you're like, golly. But when he knocked it out the park, you jumped up and you were cheering the loudest. So it was tough for me, but I'm like, you know, He did make his mark on the show, and he is memorable. And there's moments with him. There's sketches with him from Schmitz Gay and all those different things. You've got to think about. Track 2: [1:26:29] He's probably the hardest one for me, but Adam Sandler. I'm completely with you. Yeah, Jeremy. I'm completely with you. He's like Reggie Jackson. Yeah. Reggie Jackson struck out a lot, but at the same time, are you going to leave Reggie Jackson out of a Hall of Fame? I don't know. Yeah, Sandler to me, that's a similar case, because his time at SNL probably wasn't as good as people remember, but he left such an impact. It's like... Track 2: [1:26:54] I got to vote for him just because of the impact alone that he left on the show. So that's one of those weird things. He's like on a personal Thomas favorite. Track 2: [1:27:04] Sandler's not that high, honestly. Same, same. But he's undeniable as far as like the highs were super high for me personally too. And just the mark that he left on the show and the impact that he had. Like i i have him in there but for the same kind of with the same similar hesitancy as you dare me yeah yeah so what do you think ashley again i'm just gonna sound like an echo um because i completely agree with you guys i went back and forth and not because i don't think adam sandler is absolutely epic um one of my favorite comedians of all time but you're right i oscillated between. Track 2: [1:27:42] Because when i think of adam sandler i think of what he did off of us and now i think of Happy Gilmore, Billy Madison, Big Daddy, you know, I think of all the amazing movies that he made, but his diving board into that was Saturday Night Live. It was SNL. And I think too, he was so unique. I think he was so different than anybody that they had had up to that point, but they weren't really quite sure what to do with him. And so there were some just not great, great, you know, sketches or things that he did. But, you know, if we wanted him to do a song on Weekend Update, you know, he was our guy. And I think that other than Opera Man are probably, to me, his songs on Weekend Update were more memorable than anything else. Is that an Opera Man? I can't really remember anything else other than Shitsuke that he really did. And I think that made him a good glue person for some of the sketches as well. But I think what he was able to do after SNL was so much bigger. And so that's why I ended up leaving him off, actually. I know this is probably going to get some people very angry. I could be absolutely convinced to put him back on, though. I mean, that's how it was really, really hard. Track 2: [1:28:56] Only because, again, personally, actually, my brain associates Adam Sandler with, you know, his movies and not SNL. Yeah. Could I ask a quick question, I guess, to both of you? How do you guys feel? Because I've seen it go different ways with big SNL fans. When a former cast member comes back to host a show, and let's say they have a really good hosting gig, does that bump them up as a cast member? Or is that just like, oh, that's nice, but it doesn't really make a difference as a cast member for you? Track 2: [1:29:32] Oh, that's a really good question. Cause now that you say that, I remember when he hosted and he did the tribute to Chris Farley and I was a puddle of tears. I'm going to cry thinking about that. Oh my God. Yeah. I just, to me, that was just, Adam Taylor, what a great guy too. I mean, just an amazing. By all accounts, maybe the nicest guy in Hollywood. Absolutely. Right. I've never heard anybody say a bad thing about Sandler. Me neither. Seriously. Maybe I'll put him on. I think Jeremy, I mean, just that one hypothetical question, I don't even think you asked it to change my mind, but I think that question alone changed my mind. Yeah, because I go back and forth because I'm like, should that be like, oh, that's a nice little feather in your cap, but should that bump you? And I've seen some, I know like with John Schneider, and that does bump for a lot of the people on his shows. Like, oh, they had a great memorable hosting gig. and I'm like, should that matter? Like, affect your cast member career? And I'm not saying there's a right or wrong. I'm not sure, to be quite honest. Like, does that matter? Like, does that affect it or not? Like, I don't know. I used to, yeah, I used to think that it, I used to completely separate it. So, like, I used to just only be the type that would just look at Sandler's cast member career and that was it. I've been persuaded more so by, like, John, people like John Schneider, who, he does, take more of a. Track 2: [1:31:01] Wide lens look at the person's contributions to snl and so he does take a look at their hosting gig so i think i'm inching more towards john's side but i'll say this i think i might add a few points if it's a good hosting gig but i won't subtract from a bad one because i like that yeah i have somebody who's on my ballot as a lock who who quite frankly had a terrible hosting gig in my opinion uh so i but i don't dock points for that i only add points for like a really memorable hosting like kristen wig not like she needed to be her points added for her in my mind but her hosting gig here in season 49 to me that's like one of the best episodes in years i absolutely love that episode and so that adds maybe some points in my mind for for kristen wig not like she needs it that's my hall of famer all-time great but like to me that adds a little something To your point, I look at, like, when Eddie Murphy came back, like, I think that was Christmas 2019, like, right before COVID, and he hadn't done it in a year, and he was phenomenal. Track 2: [1:32:07] And, like, that was, like, amazing. But then the other side of it, you know, God rest his soul, when Chris Farley hosted, like, it wasn't good, but I don't hold that against him at all. Like, it doesn't dock him, but, like, he's an all-time great who had not a good hosting performance. And we know why but it's like i don't ever think about that and be like well is chris farley that all-time great now because of that bat like that doesn't matter so it's like to your point yeah yeah and because i thought i thought sandler's hosting gig was really good it was i thought it was a strong episode aside from the farley song too like i thought there were a lot of really strong sketches that night eddie murphy called him to get like because since sandler hadn't done it so long eddie called him for like advice because then murphy did it afterwards well and i think what your question kind of triggered in my memory, Jeremy, was, oh, yeah, like. Track 2: [1:32:58] He did have such a huge impact on the show because he had that relationship with Farley and he had that relationship with Spade and kind of, he really did become part of that group. And even though his humor may have been a little bit different and maybe his sketches didn't always succeed like, like some of those other guys did, but he really was embedded. And I know I talked about in my episode too, about, you know, he was part of what helped me fall in love with SNL, you know, at that age when I was a kid, but when I was looking at my ballot, and I was trying to be clinical. I wasn't trying to totally vote just based off Ashley's heart. You know, I was trying to, you know, think of certain factors and everything. And like I said, I kept going back and forth. But I have been convinced, Jeremy, I will give you an honorary law degree. I appreciate that. You have lawyered the lawyer. All right. All right. That made my day. All right. That's awesome. Track 2: [1:33:48] That's awesome. All right. So Adam Sandler, a lot of really good discussion on the Sandman. Ashley, who's the next one that you would like to talk about so uh the next one that i want to talk about is rachel dratch and again noticing a theme you know kind of these like quirky female comedian characters. Track 2: [1:34:10] Um i think of i was obsessed with sully and zazu um the characters that she did with jimmy fallon the boston teenagers um that was probably one of my favorites during that era and uh of course we you know when we talked about debbie downer earlier that just goes without saying um such a genius genius concept and executed so perfectly by rachel dratch and she could do i think she was a little bit to me like kate mckinnon and they gave rachel a lot of like male impressions to do because she did have that kind of unique look about her. But I think also because she was so versatile in her comedy that she was able to do so many different things, anything they asked her to do, she did it and she nailed it. In addition to having her own characters that go down in history as some of the all time greats. Great and i i actually saw tina fey and amy puller do their stand-up this last year and they brought rachel on as a guest and they recreated um some of the weekend update stuff that they did together and again it sounds like i cry 24 7 i promise i don't but there were tears. Track 2: [1:35:26] During this show as well just because i was like i feel like a kid this is evoking so much happiness and I think that reminded me of just what the impact she had on Saturday Night Live when she was there. Track 2: [1:35:40] Alright, yeah, Rachel Dratch. Jeremy, how do you feel about Dratch? I mean, I do love Rachel, and I love all Ashley's points. I don't have her on, and it's not that I don't think she's a Hall of Famer. It's more like there was just so many... Like you said, Thomas, earlier, it's such a tough class that I couldn't put her on this year, but it's not that I don't think she is a Hall of Famer. I do think she is that. I just couldn't get her on over some other people this year but she every point ashley made is dead on and and like is if she gets in i'm like happy i'm not like how does she like but i just on my list couldn't bump her over some other people on here no i'm the same way like it's no offense to rachel that why i don't have her on i could see myself voting for her in future seasons uh definitely depending on how the ballot shakes out a hall of fame talent for sure uh very memorable i think You said that she was given a lot of male roles and she really excelled in them. One of the ones that comes to mind is that movie, that old movie producer, Abe, what was his name? Track 2: [1:36:49] But yeah, Rachel played that so well. Of course, Debbie Downer and Sully and Zazu. So they were just, yeah, she was just a really important part of that cast, like a part of the rebirth of the rejuvenation of SNL around that time. Um don't have her on my list but i think that's a solid choice it's an understandable pick and i can see myself voting for her uh down the line this is her first year on the ballot so yeah and i can see you know i think it's maybe she was my kyle mooney you know maybe not a lot of people got some of her her comedy too and um so shout out to the mooney fans who probably hate me now um but yeah i can definitely appreciate like i said you know comedy is so subjective i think I think that's what's so wonderful is there's something out there for everybody. And yeah, she's one that I wouldn't be mad about. Cause I. Track 2: [1:37:40] Yeah, all those Mooney bros are going to attack us now, Ashley. I know, I apologize. Thanks for that. You sicked them on us. So it looks like we each have four left. So I'm curious to see what kind of overlap there is by my count. So I'm curious to see what the overlap is and whatnot. Jeremy, what's the next one you want to talk about? Yeah, I'm going to go. Let's keep it going. Let's get weird again. I'm going to go with somebody who I feel like probably won't get in. But I have this platform to talk about this person. I will. Track 2: [1:38:14] I nominate Herb Sargent. Oh, yeah. Interesting. I put Herb Sargent out there because one of the OG writers, and you guys already know how I feel about everyone associated with being there from the beginning, came up with the name Not Ready for Primetime Players, which is important in the SNL history. Also, Weekend Update. How much do we associate Weekend Update? A lot of people I know who aren't even SNL fans would like Weekend Update. And that's been throughout my entire lifetime. They don't like the show, but they'll watch that part. Weekend Update is such a key factor of it. And he was big in creating it and really executing that. You know, Chevy Chase worked hand in hand with Herb Sargent. And Herb made sure all the news stories, the real ones were in there. Plus also like the goofy ones. And then once Chevy left, he kept that with Jane Curtin and Aykroyd and Murray. And then even it got revitalized with Dennis Miller. He was a part of it. A lot of those writers, which I thought was cool to Lawrence... Him picking out those writers in the early days, they weren't typical sketch writers. They had some lampoon background. They were just different. He liked their sensibility. It was Herb Sargent as that veteran writer who really had to break down step by step of how you write a sketch to them and teach them. Track 2: [1:39:36] They all got there in July of 75 and then they went on the air in October. In that time, he's really being like the... He was much older than those guys, including Lorne, to really show them how to write sketch and how to be a comedy writer. So I just think his importance to the show, his importance to being a mentor to the writers, his importance to creating one of the most, if not maybe the most iconic sketch in SNL history with Weekend Update, I nominate Herb Sargent. Yeah, the adult in the room. He was that voice, the steady hand, the veteran, the adult in the room that the original cast and writers needed. Track 2: [1:40:15] Maybe in a lot of ways, they might have been a little aimless with that. But I think he helped focus, like harness their creative, youthful energy to something productive. I think that was very patient is whatever. Very patient, man. Yeah. And he took a pay cut like he he he didn't get paid what he was worth because he had so much experience. But he did that as a favor to Lorne. Mm hmm. Track 2: [1:40:37] Taking a pay cut like that to be on the show so uh i don't have him as a lock he's honestly one of the like handful of folks who i'm still mulling over um ashley have what kind of consideration did you give to herps argent you know he didn't end up on my ballot either um darryl you made an awesome point again with you know we wouldn't have we can update it without him so that's kind of making me rethink it a little bit, but, you know, I had a couple other writers on my list that I think ultimately took the cake. And I think had the earlier years of SNL had the media presence or the media accessibility that we have today, I think that would make a lot of these producers and writers and, you know, the staff and the crew behind the scenes way more, more it more accessible to us to know who they are we're now you know we can name writers by name we can name their sketches we can follow them on on social media um it's they're so much more accessible and i think that kind of keeps them in the forefront of at least my mind a little bit more than some of these older guys but yeah yeah definitely gave him good consideration ultimately lets him off my list um i 100 agree that he deserves to be in the hall of fame though though, because you're right. I mean, weekend update is SNL. SNL is, I mean, those are just anonymous things. Track 2: [1:42:02] I can't imagine SNL would ever get rid of Weekend Update. I think people would riot and revolt as they should. Yeah. Yeah. And if anybody has any, if they want to go listen to our episode on Herb Sargent, John Schneider and I go back into the archives. John Schneider was my guest for Herb Sargent. He laid out a really good case for Herb Sargent. I developed even more of an appreciation for Herb Sargent after doing that episode. Track 2: [1:42:27] So Herb Sargent, let me see here. as far as herb sergeants uh where he's kind of landed on the ballot so this is his third time on the ballot he went from 11 in season three to 21 so probably a bit of an uphill climb but we need people like dare me to kind of like yeah to kind of count his fist on the table to make a drum for him so uh we'll see we'll see what happens with herb sergeant uh this season uh i want to go to one of my choices. I have three cast members and one writer left on my ballot. And I want to talk about one of the cast members and one that I might be, good chance I'm on an island with this person, but I think it's one of the more, underrated cast members in SNL history. If you look at their body of work, it's pretty striking. It's a Hall of Fame resume, in my opinion, but this person might not have a Hall of Fame name. And I'm going to advocate for Vanessa Bayer. To be in the SNL Hall of Fame. If you look at her list of sketches, if you go chronologically, she did Miley Cyrus, she did Jacob the Bar Mitzvah Boy on Weekend Update, she and Cecily with the ex-porn stars. Track 2: [1:43:40] She did Rachel with Friends. I know you don't love Kyle Mooney, but she had a classic Kyle Mooney sketch. It was called Awkward Flirts. The Totino's trilogy, trilogy. Vanessa Bear totally made those Totino's trilogy. She did Santa Baby with Ryan Gosling, which is still like a Stone Cold, I think like Christmas classic. She ended her tenure with the Weather Girl, Don Lazarus on Weekend Update. And she filled in the gaps in between. She was like that steady hand. She could be the lead of a sketch. She can be the glue person in the sketch. Sketch she i think she put in her tenure she put in enough years at snl uh but i just think like she wasn't i think she got a little lost because she worked with kristin toward the end of her tenure then she worked with kate and cecily in 80 and so i think vanessa bear probably got lost a little bit in the shuffle but i think if you look at her resume to me it's pretty striking and if you think back to what she did i think vanessa bear honestly is an snl hall of famer i have her in the top my top 25 to 30 cast members of all time and i think that's hall of fame territory so am i on an island on this like ashley what do you think of vanessa bear. Track 2: [1:44:54] Oh, she's on my list. Yeah. Oh, okay. I cannot see a Swarovski crystal store out in real life and just not start cracking up. Like my poor husband, every time we're walking and I see one of those, I, we're not porn stars anymore. Um, it's just, yeah. One of my favorite things that she did, um, of all time. Yeah, you're right. I think she, she's, I think she's an underrated. I think she was a dark horse. Track 2: [1:45:24] And she could go from the, again, kind of the same thing with these really silly characters to the Santa baby where she turns into this kind of serious, creepy, could start a fight in the middle of the sketch type of person. And yeah, sorry, I'm just really in awe of the amazing. Yeah, to me, she could do it. She could do it all. And to me, it's just name recognition that probably holds her back because other people on the cast got more shine. But I just love Vanessa Bear. I'm biased. Vanessa Bear, quite frankly, is one of my two favorite cast members ever. So I'm pretty biased here. Jeremy, I don't know. Should we slow our roll with Vanessa Bear? On my list. Really? Yeah. I'm pleasantly surprised by this. And honestly, you said my point that I was going to make this. Is she's, you know, I'm going to keep that sports comparison going. She's Scottie Pippen. She played with MJ and Kate McKinnon. And I'm glad Kate was there, but I think if Kate wasn't there, Vanessa Bayer would get that recognition that, you know, we're talking about. She'd be more known. But she was just, you can't blame anybody. She was next to an all-timer with Kate. And so I feel like that kind of overlooks it. So it's like that MJ and Pippen relationship. Track 2: [1:46:43] And MJ did a lot of great things, but the all-around person was Scottie Pippen. And I think Kate was the slam dunk with the all-around person in that time. To me, it was Vanessa Bayer. She could, like you said, could do everything. So I feel she's a slam dunk Hall of Famer. I think if it wasn't for Maya Rudolph, you can make the case that she's been the most overlooked or underrated cast member. I still have Maya over her as in that top seed for that. That but hopefully that changes but i think vanessa um just had the misfortune of being next to a top five cast member in kate mckinnon i think we all just became best friends i'm so i'm so pleasantly surprised by this i thought i was going to be on my own lonely island as it were like with with this but yeah so so this is awesome so vanessa bear surprisingly enough to me on all three of our ballots she got 33 of the vote last year in her first time which to me. Track 2: [1:47:43] Wasn't bad honestly for her first time out like i wasn't disappointed uh with that i thought people would see gloss over her name and she would get like 10 of the vote or something but 33 like one in three people voted for her for the arsenal hall of fame so let's up those numbers but i think um i'm pretty encouraged and i'm encouraged by what you two said she has a cult following i feel And especially what she's done, she's still, like, with different podcasts, she's still out in people's minds. So I feel like she's not as overlooked as you would think, but she doesn't get the recognition, like, to your point that she should. But I'm not surprised. Like, I think that's a good number, like, where I'm like, I think enough people don't know her, but it's more than what you would think with her. And she has a good podcast, yeah, with her brother Jonah, How Did We Get Weird. So go listen to that. Vanessa's really good Ashley I want to go to you it seems like do how many do you have left three did I lose count. Track 2: [1:48:43] I lost count too, I admit, because I kind of, I didn't write like numbers. I just kind of wrote a list. So I'm trying to make sure I don't repeat. So yeah, I had Vanessa Mayer. I also had Fred Armisen. He is on my ballot. Fred is somebody to me, I think too, at first was kind of this silent assassin. Assassin like he wasn't you know kind of in your face like some of these other comedians are and I think it kind of took a little a few seasons for him to kind of be like oh like who's this Fred guy, um and even I admit that some of his sketches weren't necessarily gelling with my type of humor um some things that I didn't really get but I could appreciate it for what they were and what his talent is, one, his impressions, his voices, his musicality, the glue that he always is holding sketches together, but also, you know, he would kind of team up with some other people as well. I feel like he and Maya Rudolph played off each other really well for a while, especially the Beyonce Prince, you know, impressions that they would do. Track 2: [1:49:48] And yeah, I would call him the silent assassin to me. I feel like, you know, he isn't someone that you would readily think of necessarily but he was on for a really long time and I think not just because he he kind of was like hiding in the shadows and not trying to ruffle feathers I think it was because, he just kind of had that subtle humor um that was still very powerful at the end of the day and I think I I would be remiss if I were to talk about you know who I think belongs in a hall of fame for snl and not say fred armisen's name okay yeah uh jeremy fred armisen he is on my list as well, um and and i think ashley made a great point in the fact that he's someone who not that i'm ever going to make it or try out for snl but a lot of times i'm like well that doesn't fit me because, yeah when i see these people perform they're very like loud and they have these over-the-top characters and i love what she said where he was subtle he was quiet and that kind of i like the people who like you have to kind of like watch like they're not just in your face and i think. Track 2: [1:50:56] Pre fred armisen i kind of thought well yeah you gotta have to be like as a performer in your face and loud but he was very subtle very quiet his versatility was unique and different and i also also say this and I could be off but just from he brought you know people talk about like alternative comedy and like waves of it I feel like he brought a new wave of alternative comedy to SNL like with what he was doing and his sensibility and it was like that hipster kind of I mean I know he did Portlandia but I feel like he really did bring that hipster into the 2000 late 2000 2010s comedy into Saturday Night Live and so So. Track 2: [1:51:39] For everything that Ashley said and for all that, I had to put Fred Armisen on there. Okay, Fred. I've struggled with Fred a little bit over the years. Track 2: [1:51:48] To put it in the batting average terms, for me, his batting average wasn't as high as a lot of other great cast members. I know he was important to the show, but maybe not as important as someone like Adam Sandler. So i couldn't give as many legacy and impact points to fred as i did someone like adam sandler so i don't have fred on my list he's one like rachel dratch where i could see voting for him like ultimately like this is his second time on the ballot so he does have a little bit of time he's one where depending on how the ballot shakes out i'll look and be like yeah dude i think fred i think fred is a hall of famer and i think he does like have all ultimately i think he has a hall of fame impact i think he does have like his his the highs were there like he has high highs as far as sketch goes on the show uh he couldn't jump a lot of the people here on my ballot now um but quite frankly there's probably more than 15 deserving hall of famers so that's why this exercise might be a little tricky and fred's an example of that for me which if you put a water gun to my head and was like, is Fred Armisen a Hall of Famer? I'd be like, yeah, Fred Armisen's a Hall of Famer. Just maybe not right now because of how the circumstances, but you both bring up really good points. And I expect Fred to get in at some point. Again, he got 51% of the vote his first time out. That leads me to believe that his trajectory is Hall of Fame at some point. Track 2: [1:53:15] So Fred Armisen, both of you, it's a no right now for me. I want to go on my list to another cast member somebody they called the ice man because he never broke he was always a steady hand and i think he's an again like a very underrated glue guy type of person but he could also play very like wacky he had no shame put himself out there chris parnell to me i have on my list i definitely think chris is a hall of famer one of the few hall of famers well i guess no because farley and sandler got fired but chris parnell got fired too but then they brought him back at the urging of like Will Ferrell. You have like, in my opinion, the greatest of all time is telling Lorne, hey, we got to bring this guy back because Chris worked so well with everybody on the cast and he was part of so many... Track 2: [1:54:05] Great moments in the show he was part of lazy sunday he was part of all these like iconic things and chris parnell was like he had a thankless role in a lot of ways on snl where he was so good at sketch that they just sort of like handed him things that they didn't feel comfortable with other cast members maybe doing because he was such a steady hand uh i did i just think just looking at chris parnell's work and his his role on the cast i i had to put chris parnell in dave Dave Buckman, who does sketch in Austin, he was my guest for Chris Parnell, and he really made a great case for Chris Parnell. So a little to my surprise, I looked at the list and I said, I'm putting Chris Parnell in over Fred Armisen, surprisingly enough. But I do feel like Chris Parnell's sketch work is just really underappreciated and really great. So, Deremy, Chris Parnell, you have some thoughts? Yeah, he's not on my list. Track 2: [1:55:03] Um you know the always hear debate for hall of fames the hall of fame or the hall of very good i want to put chris parnell in the hall of very good i i like chris parnell i do think he was a glue person um he was a part of lazy sunday which is iconic in a memorable sketch in snl history, um i just think talk about great glue people like he he's not he's not my rudolph like he and i i don't think he's he's not fred where fred brought a totally different sensibility i feel where like for me fred's not personally like haha but fred brought something that like oh this is a new type of comedy that's out there that people are gravitating toward and maybe it's not always for me but like he's bringing that to the mainstream in a way with like what he's doing on here and so that's where like i and i hear you i probably maybe laughed more times at parnell than fred but i i will give fred that uh parnell is uh i like him very but i just i couldn't put him on the list um but he's someone because that episode you did was very good like to ask about him i could be persuaded i maybe need to like re-evaluate but like like we've been saying The list is tough. It's a great class. Track 2: [1:56:25] I have him off, but I definitely could be persuaded. I'm not locked in stone. It's definitely not. I'm just right now, I'm not quite there with him. It's not like a laughable thing. Not at all. Not at all. Ashley, Chris Parnell was part of an era that I know that you really love that's near and dear to your heart. Chris Parnell was smack dab in the middle of a lot of that. What do you think about Chris Parnell? Track 2: [1:56:52] He made my list. Yeah, you're right. That was, you know, one of my favorite eras for sure. Track 2: [1:56:57] And, you know, even, you know, we talked about Lazy Sunday. And of course, I'm a huge, huge, huge Lonely Island fan. Track 2: [1:57:04] And I mean, even they say that, like, they were afraid to kind of do what they did. And they invited because, you know, shout out to their podcast as well with Seth Meyers, that they asked Chris Parnell to be in Lazy Sunday because they didn't want to step on his toes of the fake rap. Of the comedy rap that ultimately they knew that that was his kingdom and they were just happy to you know to be there and be involved and i think that speaks volumes to you know the genius to me that is lonely island looked at chris parnell like that and recognized that you know he was the one to do it first and to do it well and i think you got so many great things from him the versatility his voice i think we were talking about milaney's voice is so recognizable and to me chris parnell's is the same way i mean i'll just be watching tv and randomly hear a commercial and say that's chris parnell's voice um 100 and i just really appreciate everything he brought to that era and you're right i mean will ferrell like the world ferrell saying uh-uh no this guy is that he needs to come back and i cannot imagine snl in that era without chris parnell yeah definitely there There were a couple of things like he did some some kind of alt comedy on SNL around that time. Like some weird Chris Parnell could dabble in like the oddball weird stuff like he did the doctor. He was in the Dr. Beeman sketch with Will Ferrell. Track 2: [1:58:28] Well, Will Ferrell played that just ridiculous doctor. It was such like nonsense and Chris Parnell played the perfect role. He kept it together. He was kind of that steady hand amidst nonsense. And then there was one that he did with Christopher Walken where Chris Parnell played a, like, what do you call a half man, half horse? Why am I blanking on this? Like a centaur? A centaur, yeah. A minotaur, I don't know what that's called. Track 2: [1:58:56] Yeah, so it was a centaur. So Chris Parnell played a centaur that was interviewing for a job with Christopher Walken. And Chris Parnell just played that role so well. It was so odd even for the time on SNL in the early 2000s. So those are just some of the one-offs. And if you want to see like alt comedy and stuff, like I think Parnell, those were two examples of it. I mean, how huge was he? I mean, this may make me sound like a hypocrite, but in maybe the most famous sketch of all, with more cowbell, like he was huge in playing off of Will Ferrell in that and being that like adversary role. Like he played that part very good. Like, which I mean, obviously Will Ferrell and Christopher Walken stripe it and just kill it. But like. Track 2: [1:59:41] Having chris parnell to be that guy and that like you said didn't break what everyone else was breaking like you needed the ice man there especially with jimmy fallon right next to him you need the ice man to like and her ratio and ratio yeah geez yeah both of them break it so like it was just him you know i mean i think my favorite part of that sketch is you know when he complains to chris walkie like you know just tone it down a bit and will ferrell just coming right up to him and playing it so slow like in his face and then they had that like come on gene like it's just classic so i mean he is a part of like you could say maybe the most iconic sketch in snl history yeah a couple of them that and lazy sunday yeah so good point jeremy thanks for making my point yeah i'm a team player yes so so we're almost to the finish line i my account you both have one left and i have two so i'm gonna take one of mine off the board and it's gonna be a writer uh and i'm gonna advocate for jack candy he's um one of my last off my list he's one of my locks just we talked about paula pell in her time people saying that she was the funniest person in the building that's what people said about jack handy in the late 80s and early 90s you have people like conan o'brien and robert smigel and jim downey saying that it was jack handy who cracked us up and made us laugh and and he was a writer's writer and just and we talk. Track 2: [2:01:04] About voice too like jack handy you knew it was jack handy and not just because his name was on the segment but because he had that oddball sensibility that you're like oh that was a jack handy unfrozen caveman lawyer that couldn't have been anybody else but jack handy doing something like that toonsis the driving cat that was jet that was a jack handy deep thoughts i think deep Deep Thoughts alone might get Jack Handy into the Hall of Fame for me. When I was a kid, I didn't think that that was a real person. I thought Jack Handy was a fake name because it sounds vaguely dirty to a kid's mind, especially. Track 2: [2:01:43] So I thought that was like Al Franken or somebody writing under a pen name. And then I found out that Jack Handy was a real person. I started delving more into his comic sensibility and other work. And I'm like, this guy's a genius. and I think just for deep thoughts alone Jack Handy might be a Hall of Famer but then when you look at some of the other sketches that he was behind and a part of and the distinct voice that he brought to SNL to me Jack Handy's a Hall of Famer, so dare me, I know you you're very into advocating for writers and what not, where do you stand on Jack Handy here? Track 2: [2:02:20] I'm glad you – I figured somebody would say, so I couldn't get him on, but he's definitely a Hall of Famer. So I'm glad you kind of did me a solid and advocated – because there were just some other writers who I felt got more disrespected or not represented, so I put them on. But Jack Handy, everything you said, absolutely. Just his sensibility, what he brought, especially to that era that he was on. So he didn't make my list only because I was hoping, and I'm glad that somebody else would nominate him, and I could be like, thank you. So um i he didn't make my list only because of i only have 15 to pick from but jack handy is is a hall of famer for sure and he could go 50 50 and that's reflective in the voting because he's been hovering around 50 for three cycles now so that's not a surprise to me uh ashley where do you stand on jack handy so i mean pretty much everything you said tom for jack handy is what i was going through my head when I was looking at Jack Handy. I mean, I get toons is one of my favorite, favorite sketches of all time. Like I get the giggles, like uncontrollably cannot control and stop laughing every time I watch a toons sketch. Track 2: [2:03:30] But again, you know, it was getting hard. Cause you know, I'm torn because I, you know, I had Jack Handy and Adam McKay as two writers that I kept going back and forth on as far as to me, you know, iconic writers for Saturday night live. And then, you know, gosh, gosh, I love Ana Gasteyer so much. Do I save a spot for her? Track 2: [2:03:53] Yeah, I wanted so bad to put Jack Handy on, but I'm torn between those three. And I think kind of listening to you talk about it and lay it out, I may, I don't know, Jeremy, do you want to play the counter argument to me putting Jack Handy in my last spot? What do you think? I think Jack Handy, it's good for them to put him in that last spot. I really do. do i think he's he's that writer who like thomas thomas made the points but just brought that sensibility and brought that funny and brought that uniqueness to that show i i think he's a writer that you know when you think about like a golden era of writers in that time like his name is always one of the first ones that you mention and i think that says something to how important So I think it's cool to have him on there. And Ashley, Jack Handy's basically a New Mexican. So if that does anything, because he lives in Santa, he's lived in Santa Fe for a long time. So he's basically a New Mexican at this point. Okay, done. That's it. I guess, although, do we need to ask him red or green? His answer to that may also, you know. Yeah, we'll ask him red or green. And that might be, I'll see if I could get a hold of him. And then I'll let you know by the time voting ends. Although, to be fair, I don't know that there's a wrong answer to red or green. Yeah, that's a trick question sometimes. I don't know. It is. Track 2: [2:05:20] So uh so jack candy maybe ashley yeah i mean again it was one of those i looked forward to deep thoughts being on that week's snl like i ended up looking forward to digital shorts being on by the moment like if i saw that black screen that said a digital short an snl digital short pop-up i was like oh my god yes my week is made and it was the same thing when i saw the little cursive start going across the screen and the little stock video of the couple like walking down the beach holding hands my week was set like i knew that it was going to be good because i was getting a deep thoughts by jack candy so i mean i think the nostalgia may be pushing me into it, oh god absolutely no talking about how like they would visit uncle caveman and every now and then uncle caveman would eat one of them and it wasn't until later that they found out that uncle caveman man was a bear kind of things like that like jack just jack candy sensibility like i love those deep thoughts like i like buy a book of deep thoughts like yeah. Track 2: [2:06:20] Oh, man. So yeah, Jack Handy's definitely on my list. Is there anybody, Ashley, left for you that you want to kind of hash out here with us? Yeah, I guess I had a few that I was really torn between, like I said, Adam McKay and Ana Gastar. I was really torn about putting them on. Track 2: [2:06:39] Ana Gastar, to me, is part of the Sherry O'Terry and Molly Shannon and just that epic group of women at that time who had such hilarious and iconic roles. I mean, obviously we got Martha Stewart because of Anagostia and all the amazing things that she would do to parody, you know, like her cooking naked, you know, while doing her show and being completely serious and unbothered by it to the, to the cults, you know, being one half of the cults with Will Ferrell, I think is such an iconic sketch as well. That would make me laugh every single time. And to this day, if I'm near a microphone, I will say, we got a hot mic here. We got a hot mic going on. I mean, who doesn't, who, who watched that and doesn't do that when they're near a microphone now. Um, and so it was so hard and I kept going back and forth. Yeah. Like you said, this is such a challenging exercise because I would say almost all of the names that you presented deserve to be in the hall of fame at one point, but there's definitely a case to be made for, for, for almost all of them. Yeah, for sure. Well, we got the Adam McKay guy right here. Jeremy did the Adam McKay episode with me yes I did so if you want like Jeremy if you have any like thing to advocate as far as Adam McKay I want to hear it well I think we've all even throughout talked about Will Ferrell's impact and I think. Track 2: [2:07:59] Most people have him as the goat and we talk about that writer you know we talk about how Mulaney and Bill Hader have that well even like we've seen like what they did with the movie career but before that a lot of like what Will Ferrell did on SNL. Track 2: [2:08:15] That partnership with Adam McKay was showing. A lot of those iconic sketches that we think about with Will Ferrell, he was doing that with Adam McKay. And also just the fast track that he got to being bumped to being head writer. It was like, I think, Tom, it was like a year. That's like a year on the show. He was like the head writer. And also, once again, just like I said about Paula Pell and Molly Shannon and being a part of that crew in 95, 96 to help really bring the show back when I think Lorne has said that was his toughest time as producer and he was getting hit from the critics, getting hit from network execs at NBC and he really had to change the show up and I credit a lot of people but also people behind the screen like Adam McKay. So that's the strong case I have for him. Track 2: [2:09:08] And to show how highly Lorne thought of Adam McKay, Adam McKay pulled a really great power play, a power move when he was going to leave SNL. He was going to leave, but he told Lorne, I'll only stay if I could have carte blanche to make these little short movies and have my own segment. And Lorne said, go for it. So we saw these little weird movies that Adam McKay made, the digital shorts, honestly. These were the first digital shorts. that's where the Lonely Island guys got the digital short term and even like the font and stuff was from like the Adam McKay shorts and Adam McKay had such sway and pull at SNL that Lauren said okay yeah we'll give you our own segment you can make these movies and Jeremy and I went through the Adam McKay shorts on our episode and they were just wild some of them were so out there and just, wild and funny there was that one with the. Track 2: [2:10:00] Pond the food pond shop and then the shimmy is that one with the shimmy one that's such a great one the one with ben stiller the h is o with glenn fry hilarious just yeah so he had adam mckay's just had his own sensibility and so i think there's a strong case for adam mckay on a gas tire too one of my favorites as well around that era so so yeah so this is tough i'm glad we're hashing this out. Track 2: [2:10:25] Ashley, you made a case because I do appreciate those era, those ladies who broke that crappy boys club thing. And I do think of that time. I think of Sherry O'Terry so highly and Molly Shannon. Track 2: [2:10:40] And what you just said about Anna Gosteyer, I'm like, wow, I maybe haven't given her. I liked her, but I'm like, did I give her enough credit for what she did on SNL? So you're really making me rethink about her legacy. Seeing like man i'm like she she's i think yeah she's a hall of famer now jeremy who's who's on who's the last one on your list last one on my list is um i think so many people's favorite just i think a lot and he's one of those people where you look at it in sports where you're like wow this person yeah like he's a great player i know that and then you start having like discussion you're like oh he's like a top 20 player and then you go is this guy like one of of the all-time greats yeah and like that's Will Forte for me where it's just like you'd like oh yeah Will Forte's great and then you start talking about it you're like oh wow he's even greater then it's like is this dude like a top 10 guy like he's just and like am I sleeping on Will Forte like I like him but like just what his versatility the sketches what he was able to do um just from being the guy to be the king of that you know 10 to 1 sketch that like he just personified that but then to do like Mick Gruber and that to take that sketch and then to just build upon that and to making that like An SNL character that has its own movie and just the versatility that he showed. Track 2: [2:12:03] He's the glue guy He's the quirky like strange guy He's the established character person will Forte is someone I feel like people already put him in like the top 20 top 15 and I think like. Track 2: [2:12:17] It's weird to say. He still could be underrated, and I think as time goes on, we could be bumping him up higher and higher on the all-time list. Yeah, you're speaking my language. My two favorite cast members, probably just personal favorites, are Vanessa Baer and Will Forte. Yeah. And Will Forte, because he had such a distinct voice. It was the oddball. It was the 10-to-1. He had his own lane on the show. Even to me, when the show was kind of slumping, I want to say around 2003 2004 it was a little on a downswing Will Forte was like the. Track 2: [2:12:56] Shining light like he was like that saving grace saving grace in some otherwise maybe down episodes I knew that if a Will Forte, sketch that was led by him that was his sensibility popped up it was like the saving grace for me of an otherwise maybe kind of like era that i didn't totally love and you're right jeremy like people know and love will forte and they say oh no you know he has his own lane he has weird sense of humor but then you go look like the falconer he uh did a lot of great one-off sketches um like the spelling bee one there's one duluth live or um jeff montgomery with the trick-or-treater uh you mentioned mcgruber he has the clan ct baclarat which he brought back um when he hosted locker room motivation with peyton manning yeah potato chip thief like greg stink like all these this is a laundry list i did the show with john schneider and we just like geeked out because there was so much to talk like there's so much meat on that bone to talk about and so i think the combination of just quantity and quality and having a distinct voice, Will Forte is one of the all-time greats to me. To me, he's a slam-dunk Hall of Famer. And it's also an example of somebody who. Track 2: [2:14:21] I'm going to be quite frank with you. I thought his hosting gig was terrible. And I was looking forward to it. And I love Will Forte. And then at the end of the show, I was like, man, that was really bad. But it doesn't take points away from me, though. Right. So we'll just ignore that part of it. Ashley, I hope you're a Will Forte fan. Maybe not as much as me and Deremy. But I'm curious to see where you stand on Will Forte. Oh, no. We used to talk about The Falconer after they came on, like back in the day. Like that was our jam you know we we bonded over the falconer with will forte and uh yeah no 100 agree and like this is so random but his ability to like loud whisper is oddly really impressive to me like the voices and the impressions that he does and some of them where he just does that. Track 2: [2:15:09] It's the quietest and loudest whisper all at the same time and it's just so impressive to me somehow it's it's um probably kind of random but i always appreciated his ability to not just do impressions but to kind of make his own characters and make his own voice associated with them, um he also i think unfortunately played you know kind of a pedophilia looking man a little bit too easily and i think that may be off-putting to some voters but don't let that don't let that deter you just focus on you know mcgruber um and falconer and all too convincing maybe yeah yeah right yeah so um no just i i'm a huge huge huge will forte fan um mcgruber was definitely my favorite at the time i'm pretty sure mcgruber and the lonely island got me through law school and kept me sane. Track 2: [2:16:02] Yeah and the movie's wild too we think the sketches are wild but the movie mcgruber is so wild oh yeah probably an extension of and they filmed it in new mexico he did another new mexico connection and uh he filmed they film a gruber in albuquerque mostly but yeah a side note for me like and another sports reference i love charles barkley i think he's funny on inside the nba not my favorite host but uh will forte did one of impossible task. He made Charles Barkley seem funny in those MacGruber sketches where it's Daryl. It's Daryl. But I still cracked up all the time. And I'm like, Barkley to me was not a good host. But Will Forte did something that was hard. He made Barkley funny to me. So another tip to Will Forte. Track 2: [2:16:52] Yeah, Will Forte is just an all-timer. I think that was a good place to end. I don't think, by my count, Ashley and Jeremy, me you're you're all out of votes i'm out yeah that he was yeah so that's perfect to me i think that's a very fitting one will forte honestly like had such a blast with john schneider go re-listen to that if you haven't because john schneider just like laid out the case perfectly and there was so many sketches that will for today we didn't even talk about he worked with who i consider the goat will ferrell in a sketch called pepper grinder yes ferrell was hosting and they just like yeah will forte and will ferrell that was like a dream come true for me oh yeah a completely weird oddball sketch with the two of them that was like perfect that pepper grinder sketch so yeah so we did it everybody we shared our ballots uh i think um a lot to consider uh voting is open now until may 17th at 9 p.m eastern time so we do have some time to kind of like some of the things that were up in the air that weren't locked but we were considering we have some time to mull those over and potentially put them on the ballots or not. So, Ashley, thank you so much for coming back. You're my guest for Kate McKinnon. You did a great job today. Track 2: [2:18:09] Great conversation. Thank you. Took me back to over 20 years ago, like you said, when we would geek out about the Falconer and the Culp's and all this SNL stuff. So that's so much fun. I don't know if there's anything you want to promote or say hi to anybody or oh my goodness um hi mom stereotypically and uh just yeah thanks so much for having me on I have such a blast doing this like I said it's always great when um I'm with people who like to enjoy listening to me talk about SNL as much as I enjoy talking about it so I had a lot I had a blast. Track 2: [2:18:43] You are awesome. Thank you so much again for coming back. We'll probably see you again, season six of the SNL Hall of Fame. We're doing another season, definitely going to get the lineup here in a few weeks. And I'll definitely get a hold of you for that. So, Deremy Dove, thank you so much again for joining me. Always great to have you here on the SNL Hall of Fame. What would you like to promote? mode uh thomas it's you know always a pleasure when uh when you and jamie have me you know i make sure to keep my feet clean wipe them off when i get to come into the the hallowed halls of the snl hall of fame and ashley it was just awesome chatting with you today and not just because i got out of yard work but it truly was a pleasure talking with both of you so thank you so much and uh just yeah to plug our show thomas pop culture five where we'd look at anything in pop culture and we give our five essential you know lists of that topic for the week and uh a lot of people are liking it and i know you feel the same way we're just humbled and glad that people are liking it and i love doing it with you so thank you for that and uh for those you've heard us doing these sports references i also do a sports history podcast bigger than the game with daramie and jose so uh me and my my co-host jose talk about a coach a player a game. Track 2: [2:20:07] In sports history and we connect the past to the present. That's on all platforms too as well. Same with Pop Culture 5. I know there's a lot of stuff out there, but if you have time and you like what we're doing here, please give those a listen as well. Just thank you. Appreciate it. Yeah, absolutely, man. Thank you for being a great co-host on Pop Culture 5. A little tease, SNL-related tease here. I think we're cooking up a little something to coincide with around the premiere of season 50 of SNL. So we're kind of already looking ahead, kind of cooking something up a little bit at Pop Culture 5 to kind of coincide with the premiere of the 50th season of SNL. Excited. Yeah, I'm excited about that. Thank you both so much for joining me. For the listeners out there, for the voters, you can register to vote if you haven't already at SNLHOF.com. If you're a past voter, Jamie will email a ballot to you. Voting is now open and will close on May 17th at 9 p.m. Eastern Time. So thank you so much for listening. For Ashley Bauer and Jeremy Dove, I'm Thomas Senna. Track 2: [2:21:19] See you next time on the SNL Hall of Fame podcast. So long, everybody. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Don Pardo Award | 06 May 2024 | 00:36:25 | |
This week on the podcast we reveal the Don Pardo Award winner for Season 5. This high prestigious honor is bestowed onto a person or group of people who contribute to the show's success despite not being eligible for traditional election into the Hall. Transcript: Track 2: [0:42] Thank you so much, Doug Donatz. It is great to be here in the SNL Hall of Fame. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. Except for this week. Because this is our very special Don Pardo Award show where the three of us, Thomas, Matt, and myself put our heads together and award the Don Pardo Award to a deserving individual, or in the case of this year's award, deserving individuals. I won't bury the lead any longer, but before I go anywhere, please. please wipe your feet. Track 2: [1:43] This week, we are going to be talking about a major component of Saturday Night Live, and that is the SNL band. So the way we're going to tackle this is we're going to go in chronological order to the best of our ability. We might miss a couple of years, but we can fill Fill in the blanks as necessary for you to get your little history lesson. But this has been enough of me talking right now. How are you doing, Thomas? Hey, JD. Doing really well. It's nice to be on a little like an actual episode with you and Matt, like the three of us kind of uniting here. Yeah. One united front. This is really fun. We were talking as we're recording this, we're coming off a really fantastic Kristen Wiig episode. So I think all of us are kind of energized by SNL right now. So we're taking that energy from the recent Kristen Wiig episode and putting it forth here for this. Oh, that's fantastic. Matt, you're not in your usual corner this week. No, no. Yeah, I've moved things, moved my desk around. I need to make room to watch that, you know, 1970s French disco funk and dance around. Track 2: [3:00] I wonder if they were even i know when they counted the numbers they were speaking french but i wonder how much of the rest of it was was actual french my wife was asleep on the couch i would have asked her she's a french teacher i wanted to wake her up and say you got to watch this sketch but she was gone i'll ask i'll show it to her today and ask it sounded right from my grade nine general French. So it may be like Google Translate. Who knows? But it had the right shapes. Yeah. And I think Bowen's a French speaker. So I think at least Bowen was probably speaking good real. Oh, OK. I think he is. Yeah. Didn't realize that. Well, Matt and I have failed our Canadian tests here. For those listening from other places in the world, Canadians are not truly bilingual, even though our country is. Track 2: [3:52] But I digress. Let's start at the start. Track 2: [3:57] And speaking of Canadians, we're going to talk about the original SNL band. And it's not band leader, but it's musical director. And that is Howard Shore, who is immensely talented. He played the alto sax in the band, and he, like I said, was the band leader. But he was, before he came to SNL, he worked with Lorne Michaels and Hart Pomerantz on the Lorne and Hart Terrific Hour. hour. And when Lauren got SNL, it seemed like a slam dunk for him to come South and work with Saturday Night Live. To me, his most defining moment in the role is that he wrote the closing. He wrote Waltz in D, is it D minor? Waltz in A, written by a founding member, Howard Shore. And And that is something, maybe the only thing other than update that is like lasted the duration of the show. I'm not as versed in the 80s. I don't know if they ended in Waltz and A, but definitely all the Lorne Michaels era, it ends with that. And it's always very exciting when you get to hear the bulk of it and you get to see the credits roll and you get to see them mingling on the stage. Track 2: [5:24] Oftentimes here in Canada, when it aired on global TV, they would cut it off and you wouldn't see much of anything. But now for some reason, you get to see it all. Track 2: [5:35] Uh, do you guys have any feelings about that original music director in that original band? I'm going to get into more detail in a moment, but I'm just curious if you guys have any sort of thoughts or feelings. We talked a little bit about this concept in the Don Pardo episode from last season, Matt and I, but it's just branding. And you touched on it, JD, like the Waltz and A and all of that, like the SNL band, And even with them playing in between sketches and bumpers and stuff, it all goes toward the branding of the show, the show's identity. And when talking about Howard Shore, the fact that he created such an iconic piece of music that's obviously stood the test of time. Like how much aside unless you're one of the more famous cast members or lauren michaels himself it's hard to find somebody who's had such an imprint as far as the identity and branding of the show so right away like he's he's an icon just because of that along with the other like founding members of the snl band but howard shore will highlight at this moment as like the leader So that's what sticks out to me about Howard Shore, specifically his contribution to SNL. How about you, Matt? Yeah, for me, I feel like he's one of those instrumental components creating the feeling Thomas was saying. Track 2: [7:03] Because that early band was much more involved in the day-to-day operations. They were. The later bands, because they would play as part of the show. So you don't get that anymore. In those early first few seasons, they would do extended musical numbers. Or like there's this one sketch with Lily Tomlin where the entire band are dressed up as nurses. That's right. And they do St. James Infirmary Blues. And it's it's just like they're they're they're a component of those early days, setting the tone, part of the vibe of the entire thing. Uh and i think it's no small part due to the camaraderie that shore had with the rest of them, that's right the rest of the cast yeah you're gonna mention this jd but also like the ama king b yes i was just gonna go there that's so funny. Track 2: [8:16] To Matt's point, they were much more a part of the show. You have the nurse band, you have the beekeeper outfit. Track 2: [8:28] Not to mention the fact that the band is responsible for creating interstitial music for sketches and even main music for sketches in some cases. So, I think that that is woven into the fabric of the blueprint or the DNA of SNL at this point. Even though, you know, more contemporary SNL bands aren't as involved. Now, I say that having just come off the Kristen Wiig episode where we got a really funny joke from Lenny Pickett. And that was just, you know, just fantastic. To steal a page from matt's book and just offer you a little trivia i thought it was very interesting that howard shore gave the name blues brothers to akroyd and belushi he was the one who came up with that term and obviously we know how successful the blues brothers were both on the show and in their feature debut uh you know really good stuff shore moved on from snl and And had a phenomenal career post-SNL, scoring films. And he scored films all through the 80s. There are some pseudo-notable ones that I don't have written down right now. But in the early 2000s and late 90s, I think it's late. Is Lord of the Rings late 90s? Track 2: [9:57] Or is it early 2000s? I think the first one was early 2000s. Early 2000s. So it entered production late 90s. Sure. So he did the score for all three of those movies and the three Hobbit films. And to me, that is just phenomenal. He's won three Academy Awards. He's been nominated for Golden Globe Awards. He has won some Emmy Awards as well. And he's just all over the place in terms of success. sass. He's been pursuing music since he was basically eight or nine years old. Track 2: [10:36] At 13 and 14, he became good friends with the young Lorne Michaels in summer camp. And obviously, we know what happened from there. Gosh, if I could have been in summer camp with Lorne Michaels, if only, maybe I'd have a different career right now. But I digress. Any other thoughts on Howard Shore and his influence and importance in the legacy of SNL? Yeah, I think Howard Shore, and not just him. So I'm looking at like the members of the founding band. A lot of them were in the Blues Brothers. So a lot of them played in the Blues Brothers and like role class musicians. You had Paul Schaefer. That's right. Yeah, involved. And of course, we know Paul Schaefer went on to do he was accredited cast member. Paul Schaefer at one point. Tom Bones Malone is a really well respected trombone and trumpet player in the music world. So you have all these world-class musicians, Cheryl Hardwick on keyboards, all these people, super well-respected. And Howard Shore is like the leader of this group. But these musicians, and this is going to be a theme throughout our conversation, are just world-class musicians. Track 2: [11:52] Do you two know if Shore was responsible for putting, I'm guessing he was, but for putting the band actually together? Other yeah i would imagine so because i mean that's how it works now uh as reading an interview, uh maddie rice uh the guitarist and she was talking about how lenny the audition it was sort of like the their version of the lauren michaels the musician's version of the lauren michaels audition where he just sort of sits there dead faced kind of thing but yeah like so i i would assume like he's just going around and getting the best of the best of these musicians that. Track 2: [12:31] At that point, it's a regular gig, good money. So for the 70s, that's a nice enticement to a lot of musicians, I'm sure. You're in New York. You're in New York, yeah. So you have ample opportunity to go to a live venue and play during the week if you're not rehearsing. Almost like the stand-ups and the sketch artists on SNL. Very similar through-line there. That's interesting, Matt. Yeah. Well, shall we move forward? Shore was there, I guess, from the inception through 1979. Track 2: [13:05] So he left when everybody else left, including Lorne Michaels. There were two band leaders in the early 80s, one that only lasted a year, I want to say. Yeah. And one that was three or four years on top of that. And then Lorne came back. so kenny vance succeeded howard shore as the musical director but kenny vance right he was only there basically probably just when gene dumanian was there as the producer so i think maybe when dick ebersole came uh some of the retooling that they did uh i imagine uh affected kenny vance as well as musical director but then they replaced him with the aforementioned tom Tom Bones Malone, who was in the original SNL band that Howard Shore was musical director of. So Tom Bones Malone from 81 to 85 was the musical director. Not that much on Tom Bones Malone. I just know you always hear that name as far as when you talk about great respected musicians. Track 2: [14:10] The name Tom Bones Malone is one that I remember people always talking about. Out but so it was kenny vance from 80 to 81 and tom malone from 81 to 85 i don't know much about that period i just know tom bones if he got bones as a nickname yeah no it's tom bones malone he's like and speaks to the quality of the music those original musicians uh he played multiple instruments aside from trombone he played saxophone trumpet tuba flute bass guitar. Track 2: [14:42] Oh like he could be half the band if and i mean that that was all these musicians were these multi-instrumentalist talent powerhouses um so so yeah it's just it's amazing again like i think that period is sort of like a weird dark period in a lot of ways where a lot of that doesn't make it out kind of like a black hole of saturday night live but it's a little bit yeah yeah tougher to to find information on that era. So that brings us to a member, I want to say he was a member of Tom Bones Malone, his troupe. You guys can correct me if I'm wrong, but he became bandleader, and that is G.E. Smith, and we're going to pass the torch to Thomas on this one. Track 2: [15:27] Yeah, so they were doing retooling, so Dick Ebersole left, and so Lorne Michaels came back to the show in 1985, so they're doing a lot of retooling. That was the year, you know, Robert Downey Jr., Anthony Michael Hall, we saw Lovitz and Nora Dunn and Dennis Miller come into this season, but just a lot of reshuffling and new energy into the show. So that's the season that G.E. Smith started as the musical director of the Saturday Night Live band. I don't know, Jamie, that he was in previous iterations. I think he's a Lorne guy. Okay. And he knows Lorne because G.E. Smith, he was married to Gilda Radner for a couple years in the early 80s. So he got to know Lorne that way. And we've seen, obviously, now that Lorne hires people who he knows and trusts. That's a really big factor. So you're right. Right. If I had married Gilda Radner in the early 80s, I might have a different career path as well. Track 2: [16:31] But as it stands, G.E. Smith's the one who married Gilda Radner. So he became SNL bandleader in 1985. But G.E. Smith, if you've ever heard him speak, he has the blues in his blood. He's like a true blues man, the way he speaks and just his cadence. And you could tell he plays the blues when you listen to G.E. Smith talk. He did a really great episode, I'm going to say probably around when COVID first came up with Marc Maron. He was on WTF with Marc Maron. Oh. Yeah. So he and Marc Maron just geeked out about music because Marc's a guitar player. And so he and G.E. Smith just geeked out about the blues and, oh, what about this musician? What about this guy and that guy? And so it was like two music blues geeks. Oh, that's great. So you can tell, you can feel it in G.E. Smith's blood that he's a blues man. He started playing guitar when he was four years old. Track 2: [17:26] He started kind of learning cursory notes when he was four. Yeah. And by seven, he actually got like a friend of the family gifted him a really good, like the nice starter acoustic guitar. So G.E. Smith's been playing since he was a really tiny kid. You could tell he's just a he's just such a prodigy. That's what he was. He was a prodigy. Yeah. When he was a kid, man, he's he's he's just he's gotten his blood. And he said something to Marion that I thought was interesting. and it says a lot about G Smith's musical style so he said in in talking about the Beatles and the Stones and stuff he said he respected the Beatles he liked the Beatles but it was the Rolling Stones and the Kinks he said that really like motivated him as far as music goes so that's just where he's coming from like he likes the Beatles but he's like a Stones guy so I think that could say a lot about a musician when they state that like which way they lean you know what what I'm saying he has more stones in him he ended up working with Mick Jagger which is probably was probably cool for him but does that make sense like like you get to kind of tell when a musician says I like the Beatles but like I had like the stones more in me absolutely and that he mentions the kinks too yeah I can add that vibes with me or I'm like yeah yeah I get a kinks energy. Track 2: [18:46] Yeah, so this guy is just a true blue musician. He played with Hall & Oates. He was on some of Hall & Oates' biggest records from 79 through the mid-80s. G.E. Smith was... So that's what he was doing in the early 80s. He was mainly playing and touring with Hall & Oates. He's done albums with Tom Waits, Mick Jagger, Carly Simon, Buddy Guy, Bob Dylan. Track 2: [19:09] Worked closely with David Bowie and Roger Waters. I mean, this guy has been around. That's what he loves. He loves playing. He's made a lot of connections, very well respected. Track 2: [19:19] And we talk about branding, you guys. And I know, JD, I'm pretty sure this is when you started watching, was around the mid-80s. Maybe when Phil Hartman and Carvey and Lovitz and those guys. G.E. Smith, to me, was part of the fabric of the show. They would even build G.E. Smith and the Saturday Night Live band. And watching him, the dude with the blonde ponytail, just shredding on the guitar. Guitar like he was to me as a viewer part of like that branding he was part of like the essence of the show i don't know if either of you felt that way watching that era of snl absolutely every time they cut to commercial you just see him wailing away on that guitar uh with these incredible licks and it's just yeah that was just the moment and it's like i that early ge smith you know saturday night live band is like i couldn't at that time i couldn't have imagined it i can almost hear don pardo saying it ge smith on the 70 my wife the way he said ge smith it was like it felt like it meant something i don't know here's something nitpicky do we know what ge stands for oh george edward george edward smith oh it's cooler george edward dad actually oh let's say that again george edward haddad. Track 2: [20:43] Yeah, his dad's side of the family is Lebanese. Oh, wow. So, yeah, so he grew up kind of like culturally Lebanese in a lot of ways, G.E. Smith did. That's fascinating. Yeah, so like a real cultured guy, a lot of influences, has worked, like I said, with so many people. People uh he says and he gives he gives credit to a lot of people that were in the his band at snl because he tells he tells marin that he just wanted to keep up with these amazing musicians, so he's like that that's just what you know that that's he said that was my role in the band i was kind of like the leader but like these were world class he's like snl had the budget he said this is a big show they had the budget to get these amazing musicians so he's like i felt every week like i just had to keep up man well he gives a lot of credit he gives a lot of credit to uh to the other people uh that were in the snl band at the same time and i'm looking and um yeah it was guys like george young i know he's a he's a pretty respected player earl gardner who was there forever he started with ge smith all these really great uh great musicians matt chamberlain that That blew my mind when I read that. Yeah, he was probably best known for Pearl Jam, but he's been drummer for a lot of bands. Soundgarden? Track 2: [22:05] Soundgarden, yeah. He was, from 91 to 92, he was part of G.E. Smith's band a little bit. We'd see David Johansson as Buster Poindexter make appearances every now and then in that era. Track 2: [22:18] So, yeah, G.E. Smith really gives a lot of credit to other musicians, the people in his band. Even though he was the one that was billed and people just think of G.E. Smith from that era, he really is very complimentary of all the musicians that he got to work with on SNL. There seems to be a through line here so far that these band leaders put together these world-class bands to play one night a week for 90 minutes. Yeah, right. Probably the best gig going. Yeah, what a great gig. Yeah. Well, from GE Smith, we go to... The longest running, the Kenan of band leaders. I don't know that anyone will surpass his record at this point because I don't know when he's leaving even. But this brings us to Lenny Pickett and his cohort at times that I'm sure Matt is going to get into here. Based on a Facebook post I read earlier today. Yes. Well, Lenny was one of those 1985 hires. So he came in at the same time as G.E. Smith. Track 2: [23:34] He was co-musical director with Cheryl Hardwick, who founding band member. She was co-musical director with G.E. Smith. She was in the band until 1995 when she retired at the end of season 25. So, I mean, she was the last member of the founding band. But so you get this i think that's why there's such a through line in the psychology of the band leaders because you had members of that original band all through the years up until you know 95 like just a little over you know a little under a decade ago so you you've got like just the psychology and it is a very music forward psychology uh you've got going on like He's a former member of Tower of Power, R&B funk band, amazing. He led their horn section before joining the SNL band. Track 2: [24:30] He's entirely self-taught. This is a guy who picked up his instruments as a kid and just taught himself, except for a brief period where he went to work with a particular musician for less than a year. So I don't even really count that. So he's learned everything on his own. He went to study with Burt Wilson, a jazz musician, for a short time. But he can also play clarinet, flute, as well as the alto saxophone. He's considered a virtuoso of the altissimo register. This is a technique where you can just change your position of your tongue and the shape of your throat and make your saxophone play way outside of its register so he'll you'll key like a b flat and you'll get a high f that kind of thing like totally outside of the range so that's why he gets this incredible performance out of his uh out of his saxophone because he's like pushing it beyond the limits but you know. Track 2: [25:37] He's performed with the greats. He's also performed with Paul and Oates. He performed with David Bowie as well. Aaron Neville, Katy Perry, Talking Heads. He was recently a part of Love This Giant, an album by David Byrne and St. Vincent. So he played saxophone. Wild. So, I mean, he's still a vibrant, powerful musician. He surrounded himself with, if we look at this, his current band, they're all veterans at this point there's only a couple of people who are relatively new uh you know leon uh pendarvis keyboard since 1980 he predate he's like predates the you know the band leader uh alex foster 85 uh steve turay trombone 85 christine olman vocals since 91 sean pelton drums since 92. Valerie Naranjo, you see like rocking out back there every every episode. 95 James Keenis 2000. Ron Blake, he's on baritone sax 2005. Track 2: [26:50] Toughest Zimbabwe keyboard since 2010. And then you have Maddie Rice, a guitarist that I mentioned earlier, and Summer DeMarco, who's on trumpet both 20 and 20 and 2022 respectively so for the most part these are band members who are seasoned respected and talented musicians um and it's like an incredible like i was doing a little bit of digging into their process and i have to say in a in some ways they have it harder than the sketch comedians because they don't generally come in during the week they come in on saturday day. Track 2: [27:29] Sometimes they'll do a bit of a rehearsal on Friday if it's a complex piece, like a big piece. But they work with Elijah Bruggeman. He's the sketch musical director. And he will collaborate like Rice was talking about, the Tampon Farm sketch, where Kate actually laid down a guitar track. But it was you know it's not professional quality because she's just a home guitar player so she came over and played over that and sort of expanded the composition but they did that on thursday so it's like she just came in listened to the track and just sort of noodled something over top of it and uh but yeah like they will come in they'll they'll start rehearsal on friday a Saturday and then be ready for dress. Track 2: [28:26] So it's just like, there's no time there. And like those sketches are so tight. Like you look at the sketches just past weekend, you had multiple sketches where you've got this intense musical number or, or some of the classic sketches where, where you've got music feature very prominently. No, they've had a day to figure that out is like, this is why you have the best of the best on that band. Track 2: [28:52] Yeah they i noticed snl especially this season in season 49 they like to do one sketches where a character gives a dramatic monologue and then you hear like the dramatic music playing in the background so yeah so a lot of i don't think a lot of people realize that in in most of these sketches that require music that's the band that's like the house band playing in a lot of these sketches so it's not just like oh we're gonna play uh in between commercials or we're gonna play the good nights or or whatever like they're like involved in sketches i think that's a really good thing to bring up pros pros they are absolutely pros pros and very well deserving of this prestigious award the don pardo award that we will be presenting every season uh so far the list is short it's don pardo and the snl band any final thoughts on the snl band gentlemen i'm curious who you think might be good for the like when lenny retires to take over the reins hmm. Track 2: [30:01] This is almost, I mean, this is almost harder than Who Replaces Lorne, because with Lorne, it's a short list. But like we could, if I knew anything about, you know, jazz music in New York and, you know, R&B music in New York, I would have a couple names for you. But I don't. So I don't even have any names. Thomas? Yeah, I wonder if SNL would do something like want to pry like John Batiste or something from his Stephen Colbert gig. Oh, wow. So here's the thing. Maddie was in that band. Yeah, yeah. Yeah, Maddie came from that band. I kind of feel like she's being lined up because she's featured more and more prominently in the transitions and stuff. She's also a multi-instrumentalist. she's young so she can she's sort of got the vibe for the modern sound but also, jazz musician and guitarist so she has that respect for the old ways as well as the new ways I think she'd be a good fit to sort of transition a new era because I don't Lenny would leave before season 50 but you know like if there was a new new guard let's say were to take over I think that would be a good fit because it's it's a legacy. Track 2: [31:25] How old is Pickett? When he turned 31, 31, he was born at 31. She. Oh, sorry. Sorry. Lenny Pickett. Lenny is he was born in 1956. OK. No. Yeah. Lenny's turning 70 in three days, actually, on April 10th. So as we're recording this, Lenny's going to be he's 70 when this when this. Yeah. April 10th, 1954. Sorry. Yeah. So he might be. Yeah. No, I think Matt brings up a good point about Matty Rice, though. Matty. Yeah. Yeah, Maddie's 30, 31. Track 2: [31:57] She could be next in line to follow, to succeed Lenny Pickett, for sure. She did a good interview with Vulture earlier this year. That was the interview that I think Matt was referencing, was her Vulture interview. So yeah, she used to play in John Batiste's Stay Human house band for Stephen Colbert. My wife and I, a few years ago, went and saw a taping of Stephen Colbert. Dana Carvey was on that. So that was like, as an SNL fan, that was pretty special. So I got to see Maddie and John Batiste and do their thing. It's interesting about Maddie Rice is, and it's kind of unfortunate too, but she was almost at the center of a really, really unfortunate nonsensical discussion online. Imagine that, a nonsensical discussion online. Line but people were focusing in on if she laughed or not during the monologue and her reactions during the monologue and i think she even came out and said i've seen a lot of these jokes in this monologue like this is probably the third or fourth time that i've seen it so she said she doesn't want to like do fake laughter so she's like these are just kind of my it's not no offense against the host or whoever's doing the monologue but it's just so it was just very weird like yeah Yeah. Focusing on Maddie Rice's reaction. Track 2: [33:15] And to be fair to her, most of the other band are pretty deadpan during that, too, because they don't want to they don't want to telegraph stuff. Yeah. They want to, you know. Right. And J.D. Track 2: [33:34] Right. So so what you want to refresh people's memories about that? Yeah, well, it was interesting. Kristen came up for her monologue. And before she monologued, she said, you know what? I haven't talked to the band in a while. Toughest on keys. How you doing? Sean on drums. How about you? Great. Lenny on sax. How you doing? I'm OK. And it was something that we just have not seen before on the show in that manner. So it was really, for a show that is 49 years old to do something it hasn't done before is pretty incredible. And I think that's why we pointed it out to each other earlier today, because it does seem sort of shocking in a sense. But it just goes to show you how important this group of people truly are, that they can, you know, take us to a commercial break. Oftentimes, when there's not enough time for another sketch, we get a commercial break, and then we come back to an interstitial, and then another commercial break before we go to Walt's and A. Track 2: [34:45] So that is this year's Don Pardo Award winner. We have some exciting news as well. As you're listening to this, we are opening voting today, and voting will run through the 17th of May, at which time we will do some tabulation, and then we will present with you the Monday episode that will reveal Season 5's SNL Hall of Fame. Gentlemen, it has been an absolute pleasure for Matt Ardill and Thomas Senna. I'm JD. Track 2: [35:23] Do me a favor on your way out as you pass the weekend update exhibit. Turn out the lights because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Episode Thirteen - Conan O'Brien | 30 Mar 2026 | 00:29:34 | |
We're back and this week we're discussing former SNL writer and multi-hyphenate Conan O'Brien! Sometimes there are sketches that are mysterious and other times you just recognize the voice and tone and Conan is one of those writers. Does that make him a Hall of Famer? We'll have to see... If you've got questions about the show or would like to be a guest on an episode in the future please reach out - jamie@snlhof.com You can follow and support the show through discussion and sharing in all the usual places. Twitter - @SNLHOF Web - snlhof.com Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Episode Twelve - Paul McCartney | 30 Mar 2026 | 00:29:10 | |
The SNL Hall of Fame is back and this week I'm joined by Dave Voigt of In the Seats to discuss Paul McCartney. Let's start off by saying, the man was freaking Beatle! It's so lovely to see him taking part in SNL and becoming such a big part of its lore, but does that mean he's a Hall of Famer? We'll have to wait and see... If you've got questions about the show or would like to be a guest on an episode in the future please reach out - jamie@snlhof.com You can follow and support the show through discussion and sharing in all the usual places. Twitter - @SNLHOF Web - snlhof.com Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Episode Eleven - Lily Tomlin | 23 Mar 2026 | 00:24:06 | |
This week on the SNL Hall of Fame podcast, Jamie is joined by Senior TV writer at Collider.com Liz Shannon Miller. They discuss the career and highlights of Lily Tomlin and her appearances on SNL. Does she beloing in the SNL Hall of Fame? Stay tuned! If you've got questions about the show or would like to be a guest on an episode in the future please reach out - jamie@snlhof.com You can follow and support the show through discussion and sharing in all the usual places. Twitter - @SNLHOF Web - snlhof.com Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Episode Ten - Norm Macdonald | 16 Mar 2026 | 00:47:27 | |
We're back again and this week we are celebrating the career of the late Norm Macdonald. I'm joined by writer Andy Hoglund of @SNLinReview to discuss Norm and the impact that he had on the show despite only sticking around a couple of years. From Update to Burt Reynolds to Bob Dole, Norm brought his A-game week in and week out, but is it enough to land a spot in the SNL Hall of Fame? Time will tell. If you've got questions about the show or would like to be a guest on an episode in the future please reach out - jamie@snlhof.com You can follow and support the show through discussion and sharing in all the usual places. Twitter - @SNLHOF Web - snlhof.com Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Episode Nine - Tina Fey | 09 Mar 2026 | 00:50:40 | |
This week on the SNL Hall of Fame podcast, I'm joined by John Murray of the SNL Afterparty podcast! John outlines the bona fides of Tina Fey the writer, performer, and guest. Do you agree with John or will she be in tough to get in the Hall on her first try? Stick around to find out. You can find SNL Afterparty @SNLPodcast If you've got questions about the show or would like to be a guest on an episode in the future please reach out - jamie@snlhof.com You can follow and support the show through discussion and sharing in all the usual places. Twitter - @SNLHOF Web - snlhof.com Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Episode Eight - Prince | 02 Mar 2026 | 00:40:07 | |
This week on the SNL Hall of Fame podcast I am joined by Ryan McNeil from the matinee.ca to discuss his nominee, Prince! Despite missing a large chunk of time between appearances in 8H Ryan makes the case that Prince absolutely belongs in the Hall. In the end, however, it's all up to you when the time comes to vote. So sit back and enjoy the discussion Ryan and I have and make up your own mind. If you've got questions about the show or would like to be a guest on an episode in the future please reach out - jamie@snlhof.com You can follow and support the show through discussion and sharing in all the usual places. Twitter - @SNLHOF Web - snlhof.com Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Kate McKinnon | 29 Apr 2024 | 01:16:18 | |
Join Thomas, Matt, and jD as they welcome Ashley Bower to the show to discuss the shoo-in candidacy of Kate McKinnon. Do you agree she'll end up in the Hall. Time will tell. Transcript: Track 2: [0:42] Hey, it's J.D. here, and thank you so much, Doug DeNance, for that warm welcome. We are thrilled to be back here in the SNL Hall of Fame. Before we go anywhere, take a look at that mat outside that says, Wipe your feet, sucka. And wipe your feet, sucka. So there's that. Listen, I'm going to get right to it. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive Dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. And that's how we play the game. It's just that simple. Track 2: [1:30] So, you're chomping at the bit to get voting. You've only got one more week to wait. If you are listening to this in real time, May the 6th is the date that we will be starting the voting and it will run through to May 17th, at which point we will tabulate the ballots and we'll check in with you on May 20th for our finale extravaganza and let you know who made the Season 5 SNL Hall of Fame. name. It's going to be interesting. And today's nominee is about to throw a monkey wrench in all your plans because, well, let's go to Matt Ardill because I've got a question to ask Mr. Ardill. Matt, my friend, I hope you're doing well. I have a question for you. Track 3: [2:22] Where do you start with a girl named Kate? I don't know. There's so much, there's so much Such an incredible talent. I'm just going to have to start at the beginning. I guess that's all I can do. Go for it. All right. Kate McKinnon, height 5'3", born January 6, 1984. 78 acting credits, 4 writing credits, 5 soundtrack credits, and 1 producer credit. She was born in Seacliff, New York, and attended Columbia University. University uh growing up she had a pet iguana and she attended ucb in ucb manhattan school and uh yeah she grew up in a funny house full of funny people she and her sister were encouraged to watch mel brooks the producers on a weekly basis always watched snl growing up uh she thought Madeline Kahn was the tops and that that's a fact. You can't argue with that. That is, that is a. Track 3: [3:24] Great choice. Yeah, yeah. Now, her parents, they encouraged her to approach the world through the lens of comedy. Now, Funny runs in the family. Her younger sister, Emily Lynn, is also a comedian and does stand-up and is part of a comedy double act with Jackie Abbott. Check her out on YouTube. Super funny. Unfortunately, their father passed away when Kate was quite young, at the age of 18. Track 3: [3:51] But that didn't slow her down. She's a multi-instrumentalist, able to play piano, cello, and guitar. She can also speak three languages, English, French, and German. She makes me sick. Yeah. Well, that explains why her prime minister is such a good impression, because she can actually speak German. Right, yeah. It's not just making the noises. She knows the language. Her first job was as a little league umpire, but she left because she didn't actually know the rules for little league baseball, which is, you know, that's fair. No, it's foul. Yeah, it's foul. It's foul. She was PETA's sexiest vegan in 2017, but she actually gave that up that title because she just like a true New Yorker missed cheese pizza. Pizza um now she is an extreme introvert which she deals with by adopting funny voices uh which honestly sounds like 72.4 of the comedians i know her comedy heroes were molly shannon anna gasteyer. Track 3: [5:03] She says Kellyanne Conway, but that's obviously a joke because you can't ever give a straight answer like that. Her dream role, and this is another one I would pay good money to see, is Willy Wonka. Oh. I would have rather seen that than Timothee Chalamet. Really? Okay. Yeah, I would have loved to have seen her playing Willy Wonka. Um now before snl she starred in logo's big gay sketch show and uh she took over from the original miss frizzle uh lily tomlin uh who became a professor and a phd and as she started playing miss fiona felicity frizzle uh the original miss frizzle valerie felicity frizzle's younger sister. Track 3: [5:52] Oh i watched a lot of magic school bus with my kids yeah it's a great show uh yeah yeah and the thing is you think with this great education and all this like higher learning she would be you know a muckety muck when it comes to the comedy she finds enjoyable but honestly she said thing says one of the funniest things is a fart wow it's the ultimate bad thing a person can do and you know farts are funny they just they just are this is two weeks in a row you brought farts to the table well i mean it is comedy there you can't really get away from from a good fart um oh so whoopee cushion is a very funny thing if executed properly whoopee cushion and a rubber chicken comedy staples that's right yeah so that's that is uh that is Kate McKinnon. Track 3: [6:46] Well, I think that, um, we should head downstairs and listen in on the conversation this week. Excellent. All right. Take it away, Thomas and Ashley Bauer. Track 4: [7:27] All right. Thank you so much, JD and Matt. Yes, we are talking about a very recent SNL cast member, the most recent cast member that we've ever talked about on this show. This is her first season of eligibility, and I'm so excited to honor the great Kate McKinnon and see if she can make it past the voters, see if she can get into the SNL Hall of Fame. So to chat about Kate McKinnon is somebody who I go back with for over 20 years. We've known each other almost 20, probably 21, 22 years now. We've known each other quite a long time. And SNL was actually one of the things that we really bonded over, my guest and I. And if she slips and calls me Tom, that's how you know that somebody really knows me. Because, you know, I kind of go by Thomas and here and there, you know. But if somebody calls me Tom on this podcast, that's how you know that we go back. So my guest today, Ashley Bauer, if Ashley calls me Tom, then we've known each other for over 20 years. But Ashley, thank you so much for joining me here on the SNL Hall of Fame. How are you doing? Thank you, Tom. You're right. I can't even imagine calling you Thomas. That's so funny. Track 4: [8:45] But no, I'm great. I'm so excited. Yeah, like you said, this is how we bonded. And oh my gosh, talking about Kate McKinnon. I can't be happier. year yeah we really bonded I remember talking about because it was like probably about 2002 2003 that we became friends and we remember we really talked about like the Will Ferrell Sherry Oteri kind of years that was like the cast that that we always laughed about and shared sketches and stuff so I remember having a lot of conversations about those people but I never really knew or maybe forgot because it's been such a long time like your SNL fan origin story so why Why don't you let us know how you became a fan and what cast might have got you into it? What's your SNL origin story? Oh my gosh, yeah. So I grew up, my parents always had some sort of comedy type show on. And I remember being pretty young and my dad had on like... It must have been like a repeat episode or something of like a really old original SNL. Like I'm talking like Gilda Radner, like Jane Curtin. And I kind of just sat down to watch it with him. And I was like, Oh, okay. Yeah. This is kind of funny. Even though I was like kind of young and the humor probably went way over my head. Track 4: [10:01] So those are kind of my earliest memories, but I think when I really fell in love and like the light bulb went off that this isn't my parents show anymore. Like this is my show was, they started to let me watch them when it was Adam Sandler and Chris Farley and David Spade. And of course, I may have been like, eight, nine, 10 years old. So the slapstick comedy humor of, you know, Chris Farley, especially his physical comedy just had me in stitches. And I think that was the lightbulb moment. And when I really became obsessed. And I remember being, I can still picture this today, however many years later, standing in line at a grocery store and looking over and seeing the tabloids when Chris Farley passed away. And I just started to cry. And my mom was like, what's wrong? And I was so devastated when I learned that he had OD'd. And again, I was maybe 10, 11 years old. And that always kind of struck, hits me in my memory of, I think that's when I realized it was more than just a show I liked, that I was you know kind of borderline obsessed I felt like these comedians were like you know my friends so. Track 4: [11:12] But yeah, I guess that's probably one of my favorite casts, again, for sure, because I think that's when SNL really, you know, kind of transitioned into my show. But like you said, too, you know, gosh, it's hard to compare that that cast to like Will Ferrell, Sherry O'Terry, Molly Shannon. And, you know, when they started to kind of overlap with Tina Fey and Jimmy Fallon and it kind of started to mesh into that newer generation. Track 4: [11:37] Gosh, it's kind of hard to top that that cast, if you ask me. Yeah i always remember us talking about like will ferrell and anna gasteyer the culps so that i think i think that was one of the ones that we would always laugh about was like all the all the mashups and sharing videos that we found in youtube was even was even around when we when you and i were chatting about snl so we probably had downloaded sketches from like uh limewire or whatever i was just gonna say that i think we shared omia on limewire or like Napster or whatever, you know, that's definitely aging us a bit. Yeah, totally. So, yeah, so I know that, but that's interesting to me because I always associated you, yeah, with like Will Ferrell and Sherry O'Terry and those people. But yeah, you do go back to like Chris Farley and Sandler. And so that's awesome. Most of us SNL geeks remember watching when we were eight or nine years old, sometimes seeing sketches that maybe we shouldn't have been seeing at eight or nine years old. Track 4: [12:33] Yeah, yeah. Yeah, but it helped form form our comedy palettes and our love for SNL. So, so that's awesome. Thanks. Thanks for sharing. So our friends over at the Saturday Night Network, they did like a cast member countdown. So they went like, one through 50 talked about and John Schneider, the Lorne Michaels, essentially of the SNN, he kept asking this question, or he asked the question, like, you know, if you were to build a cast member in a lab, what would it look like? Or was this person and built for SNL. So that got me wondering, I'm interested in your perspective on this. Like if you had to create an SNL cast member in a lab, actually, like what traits would you give that cast member? Oh my gosh. You know, I'm such an SNL nerd. So I've actually thought about this before. I know what you're talking about. I saw that, that post in that episode. I mean, I think it goes without saying, obviously the improv skills, even, you know, I don't think you necessarily have to come from, you know, the Groundlings or Second City or anything like that. But I think just the ability to... Track 4: [13:39] Be able to go with the flow and take something and not be stuck to a script. I think having that trait, I think being a good writer too, I think understanding how a sketch is created, even if you don't necessarily write that one for yourself, but understanding, I think, the science behind it and what your writer wants you to contribute to that sketch, I think is a really good trait. I remember seeing an interview too, too. I think it was with Ana Gasteyer, actually, like you were mentioning and talking about, like musical abilities and how, you know, being on a show like Saturday Night Live, you don't necessarily have to be like a Mariah Carey or a Beyonce type singer who's really good, but just enough to kind of make it through a sketch. And I think Ana Gasteyer again, like with you know, the cults and anything else where she would have to sing, it was just good enough to get by and make it funny. So I've always thought I agreed with that assessment that having some sort of musical ability, you know, to make it through a good sketch and execute it. Timing. I mentioned, you know, I really liked the physical comedy and physicality of Chris Farley. But even if you don't throw yourself into a wall or a table like he did. Track 4: [14:58] I think Molly Shannon did a really good job of that. You know, Mary Catherine Gallagher would throw herself into something but um sally o'malley would even just stretch and pull her waistband up and i think just knowing whatever little physical ticks your character would have i think really kind of makes that more well-rounded you're not just reciting you know a line or like i said a script for a sketch but you're really creating a person and i always thought that was kind of fun. Track 4: [15:25] Um something that i think kate our girl kate was really good at was having zero modesty i think I think you have to be able to not take yourself too seriously and be okay looking like a fool on live TV. That's such a good point. I never thought of it that way as far as having zero modesty. But you're actually super right. That type of commitment to the character and the bit. And I know over the years, oftentimes there's cast members that come along and something doesn't feel right about the fit of the cast member. And I think a lot of times it's that they seem self-conscious up there and it makes me feel bad for them. And I don't want to feel bad for somebody who I'm watching on SNL. I want them to be completely confident and I want to feel like as a viewer, I'm in good hands with the person on screen. And sometimes I don't get that with certain cast members over the years. And those seem to be the ones that kind of like peter out as far as cast members. But you're right like it's just like that lack of. Track 4: [16:31] Being self-conscious, like, you know, the lack of modesty, the, the commitment. And I think our subject today, Kate McKinnon exemplifies that to a T along with like a lot of the other traits that you mentioned, like, Hey, she could sing a little bit, right? Ashley. Track 4: [16:47] Yeah. Again, I think just, just well enough where you're like, I mean, I'm not, maybe not like a Cecily strong, you know, type where Cecily could actually sing, but, um, I think enough. And she definitely sunk herself into a character like yeah you're right kate was like maybe one of the least self-conscious cast members that i could ever think of on the show and her physicality was great i mean we'll probably get to all of that but i think if you built a snl cast member in a lab it would look a lot like kate mckinnon honestly yeah no i agree i kind of thought that when i was you know going through my head and thinking about them like wow it sounds like i'm just describing kate you know like this is a shameless plug just for this topic but no like Like I genuinely believe that those are really good traits and that, yeah, she embodied all of them. And I think that's what made her so great. Yeah. And do you have a recollection of like what your reaction was to Kate when she joined SNL? She joined in 2012. So it's like April. We're coming up on 12 years almost of when she started on SNL. It was April of 2012. Do you have any recollection of like what you may have, what some of your first impressions might have been of Kate? I do actually. And I do this every season. And I always have this, like, cause you really do kind of grow to, to be fond of some of these. You're right. Maybe not so much the ones that kind of peter out and Lauren gave him a chance and it's like, okay, maybe not. Track 4: [18:04] Um, but especially like you said that year, that was when Kristen wig left and she was hired to replace Kristen. And so I think I was really like, hold on, who do you think you are? Nobody can come in here and replace Kristen wig. Are you serious? Is like there's no way anyone's going to be able to top what Kristen did and so I remember being like okay let's let's see what what this girl can do um but her first sketch ever on SNL that Sofia Vergara um Penelope Cruz impression that she did oh my gosh I just remember thinking, holy cow I wouldn't believe that she's a brand new featured player I thought that she embodied such confidence and comfortability in that sketch. Like she'd been doing it her whole life. And to be sitting next to such a big star at the time, Sofia Vergara and I'm sorry, I'm laughing because I'm thinking about the sketch, but I thought, wow, okay, she can hang. Maybe this is going to be okay. And that was kind of my first impression, even though I was kind of, you know, like a mean girl attitude about it at first, like my loyalties to Kristen, not to you. And it's funny to look back because now I say that about. Track 4: [19:16] Yeah, exactly. You know, I think a lot of people felt that way. There were obviously a lot of really hardcore Kristen Wiig fans, even someone like me who she wasn't my total favorite, but I loved her a lot of her characters. I think Kristen Wiig's an all time all timer. So having so you do look at somebody like Kate a little bit with like a skeptical eye and it's like, okay, well, you know, it seems like you're the person that they hired to replace Kristen. I don't know if the show Out and Out said that. I don't know that they would because they don't want to put that in there. Kind of pressure on her but the optics were such that Kate McKinnon seemed like she got hired to replace Kristen Wiig and so you're gonna look at her skeptically and be like okay well I don't know show us what you got and that Penelope Cruz sketch the Pantene one with uh yeah that with Sophia was just it showed me like the confidence with which Kate sunk herself into this character i must have given the show and snl fans like assurance like she was going to be a keeper on snl i can't imagine that was her first episode too that sofia vergara episode that was kate's first episode the sketch happened later on in the show and it was almost like i couldn't think of a more perfect introduction to somebody that was potentially going to replace a legend than this It's like, what kind of pressure is that for Kate? Gosh. Track 4: [20:40] Right. Oh my gosh. Like she could, like you said, we as audience members could have felt so bad for her. Like, you know, she could have been so nervous and unsure, you know, even with her, you know, prior experience in improv. I mean, it's so different when you do it, you know, for such a big institution like SNL. And I think that demonstrated too, because not all SNL cast members have been good impressionists necessarily. Necessarily um and i think that showed too what her range was going to be that she could come on and do such a big impression again first sketch first show ever and just nail it glossy nice. Track 4: [21:22] No no no no no no no penelope it's phytomorphogenesis, refrigerator no no sweetie listen to me it's it's not refrigerator okay say it with me fido fido good morpho morpho genesis jeff bridges no. Track 4: [21:44] What i love about kate's impressions too is a lot of times they are like pretty accurate she can do the accurate thing but a lot of them are always maybe 20 20 20 to 25 off kilter like she has that perfect she sprinkles in the perfect amount of caricature for a lot of these impressions and we saw that right away with this penelope cruz the way she was pronouncing things and then she kind of like turned penelope cruz into this sympathetic human kind of person where she kind of says is it it just me am i the only one who thinks that like i'm getting the big words here or you know what's going on like so she kind of turned penelope into this more human like you kind of relate to her like yeah she's right she is getting the hard words isn't she so kate did that little trick right away with with this one yeah it was so genius even then in her first sketch like you know she could have turned penelope into a diva or something but it was just kind of this like nice little timid like um excuse me but are you not seeing this am i the only one who thinks this and i just thought it was so so genius to bring to the sketch yeah that was great season 37 episode 18 kate's first episode on the cast and she already turned in something memorable and that just completely fits what what kate would become on snl so she started her first full season, season 38, that's the post-Kristen Wiig era. Track 4: [23:10] What kind of stands out to you, Ashley? Like what should we start with in terms of, of Kate McKinnon's work on SNL? Oh my gosh. Yeah. Where do you start with somebody like Kate? Um. Track 4: [23:22] You know, I think Ellen DeGeneres was one of her big impressions, for sure. Like you said, doing just enough to nail it, but kind of taking her a little bit over the top and making it a caricature. Now, as many of you know, this Sunday I am hosting the Oscars. And I can only hope that somewhere a guy named Oscars hosting the Ellens. I'm kidding. Track 4: [23:44] But you know what movie I love this year? Twelve Years a Slave. Slave that's about how i've been forced to dance on this show every day for the last 12 years, i'm just kidding it's about slavery i'm alan the justin bieber again the mannerisms you know the shrugging of the shoulders and the you know thumb in his nose and um but gosh i think my favorite i lump those two together though and it's kind of it's cool that you started like with those two specifically mentioned those two because i do lump them together the ellen degenerates and the Justin Bieber and you'd mentioned physicality with the performer like you're going to build somebody in the lab you want them to have some sort of physicality and Kate she's not necessarily like like Chris Farley like or Molly Shannon like jumping through sets and tables and and stuff like that with like Ellen and Justin Bieber but she's just doing those little moves like with Ellen it's like how she just kind of contorts her body when she's dancing, Too bad this isn't a video podcast because I'm sitting here like kind of like swaying in my chair. So only Ashley gets treated to my little chair dance moves here. But yeah, the way Kate... Track 4: [24:57] Moves her body as Ellen, and then I love even her exasperation. Like, you know, I shouldn't have danced my first episode because now everybody just expects me to dance and I have to do this. And so she takes that, like, kernel of something about Ellen or something about Justin Bieber and kind of dials it up, puts that absurdity, that caricature on it so perfectly. It's interesting that I, in my mind, associate Justin Bieber and Ellen DeGeneres. Those two are kind of almost one of the, they're very different, but I just lumped them together in my mind. Yeah, no, so epic. You're right. And I think she kind of debuted him around the same time as well. And I like when she takes, you know, celebrities like that in the impressions. And regardless of how much kind of they grow and change throughout their careers, I like that she kind of picks an era and kind of keeps the characters that, like, Justin Bieber, no matter how much he grew up, she kind of still played him as this, like, you know, baby heart. Heartthrob, you know, kind of still a little bit nervous and playing flirty, like throwing the hood up. It's okay. People can't see me doing my little shoulder shrug either, but, um, throwing the hood up and trying to act all coy. And I just thought, oh my God, it was so spot on. Track 4: [26:06] Yeah. Her Bieber, he, she played him like, uh, she captured the spirit of this young oblivious pop star who's so in love with himself. And I think that maybe that's the angle that Kate saw. And she just captured that aloof kind of thing about bieber that he just like really loved himself he did those they did those parodies of those calvin klein ads and i think that's where we first saw that seeing kate and tidy whiteys that was hilarious i think that's what you're saying like lack of modesty like she didn't care she she would parade around in tidy whiteys and for a sketch. Track 4: [26:42] And go all in. Like, I just, yeah, I love that about her. And I loved, too, if we're going to keep talking about favorite impressions, her, of course, Ruth Bader Ginsburg impression. And it makes me think of RBG like that and kind of wish that she was like that in real life. And I'm, like, convinced myself that that's how she was. But, you know, I mean, the Ginsburg. That's just so brilliant. It seems so simple, but I can't tell you how hard I laughed every time she came out on Weekend Update and did Ruth Bader Ginsburg and then would just burn all these people and, again, get up and dance and have the Ginsburg and just be all into it and being this little frail old 80-year-old woman just getting down. Let's focus. Now, were you swayed by any of the arguments you heard on Tuesday? Oh, man. They were useless. Useless. next time I'm just gonna put a crumpled up black cocktail napkin in my place no one will know I'm good the arguments I heard they were so weak I just hope they're not holding up Justice Scalia's chair oh that's a gills burn. Track 4: [27:57] Total commitment to to the character and to the bit that's what I always know Kate from her time at SNL as just somebody who just immersed herself into something. This Ruth Bader Ginsburg was perfect. And this wasn't even... Her voice was pretty spot on, the squeaky voice, but that was about it. This was kind of Kate putting on a robe and dancing on Weekend Update, and it was endlessly entertaining. So that's a really good call out. Track 4: [28:29] Gosh, I could go on and on. But even not just her impressions, but I think her ability to create an original character, too. I don't know that you can talk about you know Kate McKinnon potentially being in the hall of fame without talking about Colleen Rafferty in the close encounter sketches like oh my gosh I think I shed tears I laughed so hard during each and every one of those and again yeah the physicality and not just her own lack of modesty but I think forcing those in the sketch with her you know to kind of get up all up close to them and touch them and you know and get up all into their face and usually make them break um but gosh i just thought that was brilliant too to portray you know the third of a trio who clearly did not have the same experience these other people did, these fancy cats are seeing god meanwhile i'm starting phase two which is me sitting on a stool while 40 gray aliens take turns gently batting my knockers in. Track 4: [29:32] Did y'all get the knocker stuff? Uh, no. No knocker stuff. Sorry. And did you feel threatened, Ms. Rafferty? No. No, no, no, no, no. They were, uh, they were real respectful about it. They were... they were in a line. And then, uh, one by one, they'd step up, slap a knocker, and then go to end the line, wait for another turn. Kate, as a performer, you could tell she was like, well, it's not just going to be me that goes to 11, basically. I'm going to take all of you with me. I'm going to climb on Ryan Gosling. I'm going to do all this stuff to Liev Schreiber and... I'm going to bring you all along with me into this absurdity, whether you like it or not. I'm going to take you with me. That's like a powerful performer right there in Kate. I never thought about it totally that way, but she just was just such a powerful presence in kind of like a small stature. But she was so powerful up there on screen. Track 4: [30:38] Seriously. And I love this. I know Lauren hates it when they break, but I know the audiences love it. And especially in those, I mean, yeah, she wouldn't just make Ryan Gosling, you know, completely break down and laugh. But even like Aidy Bryant and those, you know, conducting the interview just could barely hold it together and ask their simple lines. So it's just, I think watching her was so great. They couldn't help but get immersed and forget where they were too. And you're at kind of go along with her. Yeah. Lauren, Lauren's like, oh, we're, uh, we're not the Carol Burnett show. We don't, uh, we don't do that kind of thing. but I guess it's okay for this one Kate keep doing your thing so that's probably that's probably in my mind what Lauren what Lauren told Kate right there it was a real good Lauren by the way I've been working on I've had like years to kind of like start fine-tuning my Lauren and at some point I'm gonna make all my guests do do their Lauren impression too so oh gosh please don't start with me and I would probably be terrible. I basically just do Dr. Evil when I try to do Morn. That's kind of my cheat code for it. I know it's like the worst kept secret that Mike Myers Yeah. Track 4: [31:50] This was Colleen Rafferty. Yeah, these close encounters. Perfectly weird like Kate character. It made me cry with laughter but also honestly made me tear up. I don't know some sadness some joy some sentimentality because she chose this as her unofficial send-off in her last show for a reason it was yeah it was the cold open, uh in her last show and she did calling rafferty and she did this like send-off where she was gonna go into the spaceship for good well earth, i love you thanks for letting me stay a while. Track 4: [32:39] Live from new york it's saturday night, it made me tear up i'm not even afraid to to say it like i was sitting there watching her last episode like what is this salty discharge like i'm i was like kind of crying like did it have that effect on you Ashley oh 100% yeah like you could ask my husband I was in tears because when I was devastated that she was leaving of course because I think Kate became SNL and it was so hard to imagine SNL without her so yeah obviously it was tears of you know just sadness that she was leaving and just that kind of oh trying to have to process that reality but just so brilliant that she chose that and what a way to kind of I love that she had the say in it and And kind of how she laughed on her terms and, and. Track 4: [33:29] To give that character that closure too and of course i you know you could tell that kate was tearing up so how could you not i mean yeah what a career like you said um she was on it for so long and um yeah don't don't worry i was absolutely bawling like a baby not even just tears like i was probably sorry yeah i think i think most snl fans like through the hardcore fans were sitting there on their couches crying a little bit another oddball character that i think we need to to bring up with kate she just excelled at playing these really odd i mean there's like probably a laundry list but she did this one nine times uh including her first full season in season 38 she broke broke out uh sheila savage the last call at the bar so so this this is hilarious she says like kate has this gift of saying like the grossest things with such sincerity and confidence, What's your name, sweetie? It's, uh, it's Sheila Sauvage. You can remember that because if you mix up the letters, it almost spells Vagisil. Track 4: [34:42] What's your handle, brother? They call me Ace Chuggins. Ace, get out! I'm wearing one of your bandages right now because I ran out of underwear. Mom, wow. Oh, my gosh. yeah like just the complete lack of inhibition like she did it with what like um dave chapelle louis ck adam sandler um larry david would just go yes oh and keenan's you know like pouring gasoline in his eyes on the side because you're right just these absolutely gross grotesque things coming out of her mouth and what she's doing you know at that bar and for keenan to be that kind of sane person that like, this is not okay. Like anyone else watching this would be completely tortured by it, but you couldn't help it. Just be me. Track 4: [35:29] At least for me, I get almost in tears laughing just so hard. I think the one with Dave Chappelle, especially, was one of the best ones. I just loved, again, like we keep saying about her, she goes all in and she takes it from a 10 to at least an 11, if not higher. There's certain performers. So there's different classes of performers. And some were if they're asked to do something like say say these insane gross things be so oddball and out there you could tell that that's against type and as they're performing it there they know that they're playing against type and so they're not all the way committed like that happens a lot of times with hosts so they bring a host on and then they have the host do this weird character maybe like scarlett johansson she's great love scarlett johansson but you could tell maybe sometimes it's scarlet's playing somebody weird that there's maybe an element of her that's almost calls attention to it while she's doing it but kate doesn't you think that this is really kate when when she's playing these characters like it's almost like a dana carvey kind of gift of sinking into a character and not calling attention to it so much Yeah, no, 100%. I think you're right. Oh my gosh, yeah, Dane is a perfect example of this, where they become so immersed in it. Track 4: [36:55] And I love that they don't take themselves too seriously. You're right. You see it a lot with hosts who just, they're so afraid of being embarrassed or how it's going to look and what the reviews are going to be that you can tell that they're holding back. And it completely changes the dynamic of that sketch. whereas yeah what Kate goes all in because she doesn't take herself too seriously I think she takes what she does very seriously clearly because she's so brilliant at it but I think that's the key of a good SNL performer is take what you do seriously but not yourself and I think that's why we got such amazing characters that other otherwise you could have walked away from a sketch being like okay wow that was odd why'd they do that and instead you got this oh my gosh what an epic, epic result we got from her yet again. I love that. What'd you say? Take the work seriously, but not yourself so seriously. Yeah. I love that. That's almost a perfect way to describe Kate and why maybe a lot of what she did worked on the show because she did find that formula of taking the work seriously, but letting herself go in the process. That's such a great way to put that. Ashley, I love it. Yeah, thank you. Yeah, I just, to me, that just seemed like the best way to describe it, because there's no way she could have done what she did if she took anything about herself seriously. Track 4: [38:15] Yeah, yeah. One last oddball character that I think about, too, is her, DeBette Goldry, the old, the actor, the actress from old Hollywood. Who's always on these panels sharing matter-of-fact anecdotes about how women were treated back then. What do you think is still holding women back? I think there are all these tiny little things. Like, you've got to change your hair to fit your type. Yeah, and you have to act a certain way so you don't get labeled as difficult. Yeah, you gotta eat arsenic to make your skin pale. What? Well, yeah, I mean, Samuel Goldwyn had a rule that all of his starlets had to eat arsenic tablets to make their skin glow. And then they discovered it made us, um, I'm sorry, what is the word? Psychotic. So to calm us down, they'd send in the monkey with a tray of opium, you know how it goes. Track 4: [39:09] That works because Kate is so matter-of-fact. as a performer about how she's sharing this awful stuff about what would happen to actresses in the whole of Hollywood. Right. Yeah. And it would have been so easy for that to have too closely mirrored Colleen Rafferty of, you know, trying to deliver this deadpan of all these horrible, ridiculous things. But that was such a different character. And it made you think it was a totally different concept again, because she was just so great at, again, the accent and her delving into that character made you believe you were talking to this old timey Hollywood actress. And, you know, when the interview is over and she's like, OK, I know what that means. And she starts undressing to lay on the table. Track 4: [39:49] It's kind of it could go right up to a point where you almost feel uncomfortable because there's probably way too much truth to that. But to that reality, but in a way that still lets you laugh at an otherwise very unfortunate reality. Reality yeah she's talking about things like forced marriages and tranquilizers being like just all sorts of very vivid descriptions of what what it must have been like and she just totally this like said and then she looks at the other people i think jen remember jennifer aniston being being on one or amma stone i think they were on actually the same one and she's just kind of looking at them like what that just what that's that's how it was like like am i right ladies like yeah am i right like you can relate that way probably yeah yeah yeah that's such a perfect kate like oddball character and she i think she did that four times it was toward more toward like her later the later half of her snl career but we love those and i speaking of like the almost later half of her snl career i think she had kate had a lot of things working against her as far as the era that she worked in because she was saddled with a lot of thankless roles because around 2016 Trump era hit unfortunately and it had a weird effect on comedy and SNL as well so I think Kate. Track 4: [41:19] Was almost i don't know doing sketch comedy with like weights attached to her in some ways with having to do political figures but ashley i don't know if you agree with this i think she did the best she could i think she did a really good job with a lot of potentially thank thankless political roles no i 100 agree you're right it's such a you know there's been unfortunately times in our country where it's is hey is it okay to laugh and i think snl has always been brilliant about reminding us as a country that it's okay to do that. Um, even when you otherwise don't feel like you should. And I think for, you know, a lot of people that Trump era was really jarring. And I know sometimes I've commented, gosh, is this too real to be funny? It's almost, it's not even satire anymore. This is real. But I think Kate was such a breath of fresh air through that. Track 4: [42:12] And I think by giving, I mean, they, she didn't just do, you know, female impressions. I know we talked about Justin Bieber, But she did Jeff Sessions and Rudy Giuliani. And again, just turned to these people that were certainly not very likable or well liked by most of the country and just made you laugh at the ridiculousness of it. And I think reminded people that it was okay to do that. And kind of like, okay, good. Yeah, this is ridiculous, right? Like, she's kind of highlighting, you know, the ridiculousness to what was going on in a way that I think made us not so scared anymore. more. And you're right, that could have really gone either way, I think, depending on the temperature of our country and were people ready to laugh at it. And I think Kate just had that knack of making it successful and getting us through that era. Track 4: [43:03] Yeah, I think she did the correct thing as far as you take like Jeff Sessions, Rudy Giuliani. Those are great examples. She didn't try to do spot on impressions, like maybe a little bit, certainly with the accents and things like that. But then she she inserted she tried to find the right angle to make it a unique impression, but also kind of roast those people. So like with Jeff Sessions, she played him like a possum. And she even, I mean, she made that obvious. I think there was even one time where Sessions was on maybe Weekend Update or a sketch and she had him eating like something like a possum would, like a rodent. So that's how she decided to play Jeff Sessions as this like rodent type of squirrely kind of character. And I think that was the perfect way to go about it. Do you really not remember meeting with George Papadopoulos about Russia? Well, you know, Colin, I've had some memory problems stemming from a childhood trauma. A childhood trauma? What was that? The passing of the Civil Rights Act. Track 4: [44:13] Yeah, and I think, too, I think we would be remiss if we didn't talk about her Kellyanne Conway impression through all of that, And especially the Pennywise pre-recorded sketch that they did, or was it Kelly wise? I'm not really sure. I can't remember now that I'm talking. Yeah. They turned it into, but again, just taking it just far enough to be a little bit roast of the character, but also, you know, enough past it for us, you know, the logical parts of our brains to remember that this is a parody of, And, you know, not taking it too far to like, I think, actually, you know, forget that those are still human beings. Track 4: [44:51] She's just so brilliant at towing that line and taking it over the top. Just again, like like Kelly Wise. Yeah, it was almost. Yeah, it was almost perfect that she played Kellyanne Conway. Like that was the Kelly Wise one was a logical extension of how she played Kellyanne. She almost played Kellyanne like a horror, like a movie villain, like a horror movie villain anyway. Yeah, there was this emptiness. behind her Kellyanne behind those eyes just like really creepiness and slightly unhinged that's how she played Kellyanne so like dressing her up as a clown and doing the whole Kelly wise thing was like almost a perfect extension of just how she played that character in general and she had to do this like 16 times so so it could have just been become another boring political impression Russian, but she made it her own. It's me, Kellyanne Conway. Track 4: [45:43] But you can call me Kellywise. Kellywise, the dancing clown. Track 4: [45:49] It's Kellyanne. What'd you do to your makeup? I toned it down. Put me on TV. I have to go. Wait, don't go. Don't you want a coat? No. I'll give you a coat. I'll give you a crazy, crazy coat. How about this? Okay, so Puerto Rico actually was worse before Hurricane Maria and the hurricane actually did blow some buildings back together. And I don't know why Elizabeth Warren won't tweet about that. That's insane. I know. I think, too, just, yeah, playing off the fact that there was always something in it for Kelly. She wasn't doing it for anybody else. And I think that Kelly Wise sketch really sold that message home, too. I keep thinking, too, of her physicality. With Rudy Giuliani, she decided to play him almost like the Crypt Keeper or like a serpent in some ways. Her Giuliani would sit there and he would manipulate his hands like they were spiders. Track 4: [46:45] These little mannerisms. It was just so perfect the way she played Giuliani because she could have just said, I'll just do an impression and let the crazy things that he says in real life speak for themselves. I think that was a crutch that SNL maybe still hasn't shaken, is sometimes they'll just do verbatim what the person said. But I appreciate Kate, because she tried to find a different angle, even if it was with her physical performance. So a lot of people don't necessarily appreciate that, about that era of political SNL was how Kate approached it. It yeah 100 because i think too they get so stuck on okay we need an impressionist who's gonna nail it and be so much like this person and i think you know will ferrell's george w bush i think kind of lulled snl into that because he was so spot on with it and then trying to find i think they go through like three or four different cast members trying to find someone to replace will ferrell's george w bush after that because they wanted so badly for it to be the way will ferrell did it and they just couldn't they couldn't replicate it and i think that's what was so genius about kate was once a cast member would leave who had otherwise done that impression and she stepped in to do it she made it her own she made it totally different so that way it wasn't like it was an exact comparison to either the real person or the cast member who had done it before. Track 4: [48:07] Yeah yeah that's a really great point kate almost played a president that she played hillary clinton and I think she really found... She did it over 20 times and I think she really... Track 4: [48:23] To me kind of subtly found this great angle on hillary like this element of desperation, but also competence at the same time like part of the joke was that she was so competent that it was boring so she would try to like spice things up and maybe the real hillary tried to do that a little bit too in 2016. Besides who can remember how many states i've lost in a row is it a two or is it three i don't hey miss clinton i'm here to fix seven holes in your wall. Track 4: [48:55] Come to think of it it might have been seven and and that's fantastic it humanizes me i'm the underdog now i'm this election's rudy and i like that after all i don't want to be a big old b and win every single state that's no fun she captured like like i said like the desperation but also So there was competence in how she played Hillary. Yeah. And again, she had to follow Amy Poehler's impression of Hillary Clinton, which was super popular. And again, made it her own. And they were both such perfect, you know, Hillarys, for sure. And same with Elizabeth Warren. Her impression of Elizabeth Warren was just so... I think that one was probably a little bit more like spot on to how she was. Um or at least how i i saw her in in media i put down enthusiastic nerd for uh elizabeth warren, yes yes oh my god yes oh and then she did that tiktok with her i don't know if you saw that where it was like the the drake um was the the drake song was the trend i think oh okay gosh again i'm an elder millennial i'm not cool enough to remember the names of these songs anymore but But, yeah, and just taking it outside of, like, a live SNL sketch and, you know, portraying, you know, some of these people in things like TikTok, I thought was genius. Track 4: [50:18] Yeah, so. You should look it up if you haven't seen it. Yeah, I will, because I actually haven't seen that one pass me by. Again, elder millennial, Drake, TikTok, these are all, like, words I barely know. So. Track 4: [50:33] I'll go take a look. Recently, like Robert Mueller, Anthony Fauci, like those could have been really thankless. Track 4: [50:40] But I think she found like a funny angle on Fauci, too. Track 4: [50:45] Just like especially that was a little more spot on and the way she looked and like her Fauci was just fun to listen to and look at. So even in like the later Kate years, she still tried to I think she still tried to work hard to find angles on on different societal and political figures. Figures and i think too we saw that with um doctor we notice kind of late on i think she only did that maybe two or three times but um i love how that kind of blended and it always turned into kate are you okay you know joe's asking her you know being that fourth wall even more so um and kind of reminding us hey kate um are you are you gonna be okay and her trying to get through the rest of that sketch i thought was really great and really again kind of captured how everyone was processing you know 2020 and 2021 um yeah like her doing those fourth wall breaks like i remember a cold open that she she hosted a talk show where it was just essentially her i think even the title of the talk show is like like what the hell is happening it was like in something along those lines where kate was just like marveling at just like the the craziness of of what was happening in the world. Track 4: [51:57] And I like seeing Kate start to almost share her exasperation about what was happening in the world through characters and sketches like that. So we started seeing Kate more, kind of come out of her shell a little bit in that way, as far as just like, the doctor we noticed was perfect. Track 4: [52:16] Fourth wall break and asking her like are you are you okay what's going on kate like i yeah i just i thought that was perfect and now he's holding rallies yeah who does this he did this we notice we hate us he do this we notice. Track 4: [52:31] I'm sorry doctor we notice um yes are are you saying we know this or are you just saying your last name oh okay we know this is greek in english it translates to we know this like we're aware of this okay okay yeah i think i think i got it are there any like almost hidden gems or one-off, sketches or anything like that that might maybe maybe she did once or twice that just always like tickled you oh my god yes did you did you see or do you remember the birds sketch it had john mulaney in it and it was keenan it was like the turner classic movies and he is playing you know reese to what and it's this you know supposed cut scene from alfred hitchcock's the birds, that oh my god gets me every time because it's just so ridiculous you've got to do something Please, these birds, they're the jerk of the year. Has anyone said, like, shoo, get out of here, bird, like with a hand wave? No, no, there's too many and they're too mean. Okay, so these are birds of prey, like a hawk or an eagle? No, no, they're seagulls, you know, the little guys that eat french fries at the beach. Oh, no, look! Track 4: [53:57] They set fire to the gas station. How? Wow. Sir, I cannot explain. She plays the main actress in the movie who's running from the birds and Kate runs into this phone booth, locks herself in and she calls the sheriff and the sheriff is played by john mulaney and kate's just hysterical and beside herself and the birds the birds are killing everyone and john mulaney is basically playing himself in this sketch and it's like i'm sorry like they're just like pecking a lot of people or like what's happening just like no they're murdering us all she's so hysterical he's trying to be like she's like there's no time to explain you have have to come quick and he's like no no no i need you to explain like you just said the birds murdered a man i need you to explain how that's possible and to me that is just one of the funniest one-offs that i think she ever did and um beck bennett kind of runs off and on screen every now and then getting attacked by the birds and then it just keeps getting more ridiculous and now now the birds have picked up turtles and they're throwing turtles at people and now the turtles can fly like the bird it just look at this could have been the most random dud tank of a sketch and to me it's one of the funniest things that she did the entire time. Track 4: [55:20] She's so good about playing that dramatic old hollywood kind of delivery that affectation that's so good i remember that sketch i found it hilarious and it was it was just like the premise was super silly the premise was almost like yeah that makes sense like you watch the movie and you're kind of you are thinking I remember I saw it when I was like a teenager or something and I remember thinking wait these birds are like murdering people like what what this doesn't make sense why I like Hitchcock but what so I think yeah that's where they were coming from and Kate delivered that so well I love her affectation it's kind of funny that you bring up like how when she played like a 1950s actress because the one off that really like spoke to me with kate was from season 44 i don't know if you remember teacher fell down yes oh my god i almost forgot about that one yeah the sketch started with uh it just shows a shot of the outside of a school then you hear like this commotion in class and the students are like oh like gasp and then the sketch starts with kate just like on the ground just laying with her legs out almost like I'm a seated but with her legs out and she does this monologue this dramatic monologue almost like a scene from a. Track 4: [56:38] 1950s movie about how she fell down and we got in this predicament and we're in this together and and, I've been doing some thinking about this. And then just the reactions of the students like Jonah Hill, A.D. Bryan, and Pete Davidson have these like perfect reactions to this teacher who's just like she fell down and she's monologuing. And it's because she was wearing willies. Her shoes had wheels on them, so she fell. Track 4: [57:05] But just Kate's just like commitment in her delivery, her affectation is this 1950s dramatic delivery. Like Teacher Fell Down is kind of like, over the last five or ten years, one that I always go to is like, this was such like a possible, unappreciated, one-off, weird kind of thing that I totally connected with. Teacher fell down. Are you okay? Yeah, because you really fell down there. No, you need like help? No, no. It's too late for that. Track 4: [57:42] Teachers on the ground like a silly little girl well i'm not a little girl and i didn't fall. Track 4: [57:50] Yes you did do you want to like get up. Track 4: [57:53] Though no no we're staying in this i loved it i think because i am also kind of weird and random that i connected so much with kate and the characters that she did because it's like she made it okay to be weird and random and people celebrated it and enjoyed it and yeah like again just this she's having this existential crisis in front of a bunch of high schoolers like on the floor but it it made it funny like i just yeah um even even the one-offs like you said are so memorable when 80s says he said she's sharing her existential crisis with the students and when 80s says don't tell us stuff like that i love like i could just imagine like some 16 year old like i don't want to hear about my teacher's life like don't tell us stuff like why are you saying why are you telling us this yeah did you have any any more were you about to say oh gosh i don't know if it was a one-off but i loved when she did the russian like olia um and she was like again same thing like this deadpan delivery of like all these horrible things happening to her in russia um but oh don't worry america like you know you're going through this but you know we don't have you know like food um but no i don't think that was a one-off because i think she did olia a few times but yeah that was a great weekend character yeah yes it's around the same time she was doing the the angela merkel. Track 4: [59:23] One-two-one weekend update yes yes oh god see she did so much i can't imagine kate not being a candidate for the hall of fame like i think that would just be criminal i know i know it's amazing my wife's a french teacher so one sketch that this is like maybe the last one that i'll bring up but one sketch that i had to show my wife because she's a french teacher was the america's funniest pets okay well then i'm gonna let you guys handle this next clip of a cat who has this It's his first taste of ice cream. Track 4: [59:55] This cat has seconds to live. She purposefully cut off her oxygen. This life is too much to bear. She is quietly backing out of this world. And she will not be missed. That's a funny cat. Yeah, very funny cat. Kate and Cecily were playing these French women commenting on pet videos. And they were these cute pet videos, but they were playing these nihilistic French women who were inserting these like these like kind of messed up scenarios with these pets and it was such wonderful caricatures and i showed my french teacher wife and she's like that's really funny like it's kind of a funny uh take on like a stereotypical take on like french culture aspects about french culture but that was one where she she and cecily were great in that and She was a really good teammate and especially had great chemistry with Aidy Bryant. Is that one of the better duos, do you think, that we've seen on SNL, Kate and Aidy? Oh, I think that would definitely be up there with Molly Shannon and Sherry O'Terry and those kind of duos. Like Tina Fey and Amy Poehler, I think. Track 4: [1:01:06] Maybe not quite as iconic as that um again tina's my queen um but i think kate and ade like fats and, is it dyke and fats um the top duo sketches that they did together and then the um the spiced meats that they were selling on weekend update um the like um whatever farms they're both vegetarians and they're trying to talk about this like rancid meat that's sitting in front of them um yeah Yeah, their duo together was perfection. I loved it so much. Yeah, they were so good together. And you could tell that they just fed off of each other's energy so well. There was a fairly recent one. John Krasinski hosted the episode. I thought it was a great episode all around. But they did one where it was like a game show from the early 90s. And they were partners. But they went on like there were these couples. And then it was Kate and 80. And it was obviously they wouldn't say because it was the early 90s. But they were a lesbian couple. couple and the way they talk to each other like you're my soulmate you're my life I like this. Track 4: [1:02:09] Just like they're you can do it yeah you can exactly there's chemistry was so so great that was like a wonderful encapsulation to me of just how Kate and 80 work together so well now let's learn a little bit about our front runners what do you guys do for work I have a doctorate in grocery riddles that's right I'm a I'm a Unitarian minister neat what will you do with the money if, Well, our blind horse needs a full-time nurse. My snowshoes are looking a little ratty. And I do need titanium ankles, because mine are just sort of bone on bone. Ouchie! Track 4: [1:02:43] Well, good luck catching up, couples, because these two are really in sync. Yeah. We got a really good thing. Yeah, this woman taught me how to trust. Sometimes I lie awake, praying that we die in the same moment. Kate is one of the... She was in one of the biggest movies of, like, last year, Barbie. I thought she did really great. She played weird Barbie, of course, but other Barbie would, would Kate play and do well. I mean, she could probably play any Barbie, but she was just so perfect as weird Barbie, really memorable performance. That said, how could you see her post SNL career kind of playing out like types of roles? And what would you like to see her do with her post SNL career? Track 4: [1:03:25] Oh, gosh, yeah, I mean, she was brilliant in it. And I think obviously, you know, uh, Greta Gerwig was, you know, her friend since forever. And so I think knew that too about that Kate would be perfect for that role. Um, I mean, it's hard to say as much as I love her. I don't know that I see Kate in this, like, you know, she's the main kind of starring character. I think she's always going to kind of be this like supporting actress role, but you're right. Like you said earlier, she's such a good teammate that I think she understands that that kind of followership role in comedy or in a movie is just as important as like the lead. And she really makes it such a well-rounded project to be in. And so I would just love to see more of that. I know she's had, you know, a few of those things here and there where it's been that side character. I think Barbie, again, was the biggest and most brilliant and kind of the most mainstream that we've seen her do. I would love that. I know we've seen like Maya Rudolph and Kristen Wiig get a lot of like recurring kind of shows now. Track 4: [1:04:26] I do think kind of in that smaller kind of show realm, Kate would be perfect for like a main role like that. Just anything that Kate wants to be in, I will watch. watch um is essentially all that i ask is that she keeps making comedy and kind of showing us that it's okay to be weird and random and people will enjoy it yeah 100 i can see you're settling in so you said maya because maya appears for guest spots and so many different things and it's always appreciated will forte is another one where he he appears in so many things he did get a chance at a leading role in the last man on earth and maybe kate will get a chance to do something like that but I can see her settling into like how will Forte settled in as we bring in this person to do a few minutes on this episode and they totally steal the show and they're so great and I think that's the kind the type of energy that she has I can totally see her settling into something like that and you're right whatever whatever she wants to do especially if it's in comedy. Track 4: [1:05:27] I'm all aboard. I'm just so interested to see what she's going to do in the next few years. Yeah and i hope that barbie was that kind of catalyst for more projects to come her way because she certainly deserves it yeah we always we talked a lot about her sketches as that kind of old hollywood actress and her making fun of the drama but really if you isolate those i mean i think she could pull it off too like she has that seriousness and the commitment to it to really do anything and have such a range of work available to her hopefully yeah i think so so So, not like it should even be a question. To me, this is one of the more obvious ones that we have, just in general, especially this season. Track 4: [1:06:13] But, why do you think SNL Hall of Fame voters should put Kate in the Hall of Fame in her first season of eligibility? Track 4: [1:06:21] I think she's just iconic. I think she really became one of those big names that you think of when you go through all those different casts over the years. I think her name holds up. And again, elder millennial, as we keep saying, so I still have the actual D of the best of, you know, when they would actually publish the DVDs of, you know, there's like three or four volumes of Will Ferrell and best of Chris Farley and everything. And I think that is kind of when you think of what goes on those types of, I don't even think we call them DVDs anymore, but those, those movies that you're going to put together is, can you fill 90 minutes of just this this one player and you could i think fill two or three volumes for kate mckinnon because she became so iconic and had so many roles that we identified with and love and quote and reference today in pop culture um and i think too one snl is such a big part of pop culture but i think the mark of a hall of famer is you know when that comedian comedian and their characters become part of pop culture outside of SNL. And I think Kate's really done that for comedy and continued to really kind of evolve it and evolve it for women. And I think be such a great role model for, you know, comedians to look up to and try to emulate. Track 4: [1:07:46] Like we said, the kind of the traits of an SNL character in a lab, I mean, she has them all. I think if you you could literally build somebody to be on SNL, I think they would look exactly like Kate McKinnon. And I can't imagine anybody else not being eligible, even though it's just her first year. Track 2: [1:08:17] So there's that. Kate McKinnon nominated for the SNL Hall of Fame in the cast member category. Track 2: [1:08:26] It's going to be interesting to see what kind of votes she receives. She's a first ballot Hall of Famer to me. It's a slam dunk. And it's just a matter of what percentage she gets in with. Does she top Dana Carvey and Will Ferrell? Does she you know just squeak through ultimately the percentages don't matter once you're in but they are curious to note and we will be noting them to satisfy your curiosity speaking of curiosity why don't we go to a sketch now with ms mckinnon this is a good sketch and i I want to just set it up for you. That's right. It is from season 44 and this one's a bit of a hidden gem that Kate pretty much carries, except for some interjections from Aidy Bryant and Pete Davidson and the host Jonah Hill. There's also not much to the visual. It's just Kate sitting on the ground after falling in class. So let's go to that now. This is Kate McKinnon in Teacher Fell. Track 5: [1:09:54] Are you okay? Yeah, because you really fell down there. No, you need, like, help? No, no. It's too late for that. Teacher's on the ground. Like a silly little girl. Well, I'm not a little girl, and I didn't fall. Yes, you did. Do you want to, like, get up, though? No, no. We're staying in this. Because I've got a hunch. I'm no psychologist. Yo, this is driver's ed. But maybe you're laughing because you're afraid. Teachers on the ground. Everything's different. Are we okay? Yeah, we're good, but are you okay? Oh, because I tripped. Because I was teaching too fast. You remember how fast it was? No, I think you just didn't realize that your shoes were Heelys. Say, honey, we're at a what now? Uh, uh, Heelys are, uh, sneakers with wheels in them. Impossible! Track 5: [1:11:04] This is all funny now, but... it's not gonna be funny if it turns out I've got two broken legs... And I'm in a full-bottom mermaid cast... wheeled around in a trash bin, Yeah, covered head to toe in stinky trash. That's not funny. Spaghetti in my hair. Track 5: [1:11:33] This is some episode of Friend. Do you mean friends? I don't know movies. I can't take this. I got to help her. Halt! I can teach from the ground, can't I? Yes. Let's place our hands on the wheel, okay? Remember, how old are my kids? 10 and 2. Oh. Oh, my dear God. Track 5: [1:12:03] Teacher fell more. It's honestly not that different. You're, like, three inches lower. God, I'm on the ground. Oh. I'm where I belong. Yeah, we said I was too frail. Said I wouldn't live past three, and I wish I hadn't. Oh, no, don't tell us stuff. You know, I've fallen down before. Once, at my own wedding. And a thousand other times. Stop sharing. My ex-husband used to tell me, "'Gayle, you're too weak. Gayle, you're too clumsy. Gayle, those shoes have wheels. Put that phone away!" -"Yo, I'm calling the nurse." -"You know what? This is good. Film this. Film this." Hello. How does it feel to see teacher, teacher who used to lord over you with such power, fallen down? Knowing you could get up and kick her. Could step on her. Come on now. Take a whiz on teaching. Oh, my God! Get up, you. Spit in my hair. Okay. No! What she said to you. Oh. Look at us. The world's gone topsy-turvy, and so have we. We're all here. We're all laughing like cats. Track 5: [1:13:29] You ought to try it. Falling down. See the world differently down here. You realize how small we all are, how big the floor is. All right, I learned my lesson. Someone help me up. Well, they've left. I guess school is over. And wha-? Would you look at that? There's a wheel in my shoe. What? Track 2: [1:13:56] That is stellar work from Kate McKinnon. Virtuoso, if you will, in the cast member category. I remember seeing her the first time, and you won't believe me when I say this, but I remember her popping off the screen and just thinking, she's going to be a star. She's going to be a star. She just looked different on my television and sounded different on my television and was funnier on my television than anybody I had seen since the third golden age. So there's that. Track 2: [1:14:32] Voting again opens next Monday, May the 6th. We'll be back with the Don Pardo Award winner, which you don't vote for. So it won't get confusing for you but the ballot will be ready for you it will be emailed to you if you've signed up for the uh to be registered as a voter and if you haven't you can go to snl hof.com and you can vote through the link there we'll also have it on our all our social and. Track 2: [1:15:01] You'll be able to get access to it quite easily i really want to thank matt and thomas and And especially our guest, Ashley Bauer. It's been great to have you. And that's what I've got for you this week. So if you would please do me a favor. And on your way out, as you pass the Weekend Update Exhibit, turn out the lights because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Episode Two - Gilda Radner | 19 Jan 2026 | 00:25:44 | |
This week on the podcast, Jamie welcomes friend of the show Matthew Price into the Hall to wax nostalgic on original castmember and SNL's original sweetheart, Gilda Radner. What is her legacy? Although a fantastic castmember with All-Star bona fides, does she belong in the Hall? You'll help decide that at the end of the season when voting opens! If you've got questions about the show or would like to be a guest on an episode in the future please reach out - jamie@snlhof.com You can follow and support the show through discussion and sharing in all the usual places. Twitter - @SNLHOF Web - snlhof.com Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Episode One - Lorne Michaels | 12 Jan 2026 | 00:30:07 | |
This week on the podcast, Jamie welcomes multi-hyphonate, Andrew Clarke into the Hall to discuss the pioneering power of Lorne Michaels and what he means to the show. It says here that he is a first-ballot Hall of Famer or the whole system I've created is wrong. Time will tell. If you've got questions about the show, or would like to be a guest please reach out. You can follow us in all the usual places. Twitter - @SNLHOF Web - snlhof.com and Email - jamie@snlhof.com Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Will Forte | 22 Apr 2024 | 01:41:35 | |
Join us this week in the SNL Hall of Fame as we welcome Jon Schneider onto the podcast to discuss the one of kind, Will Forte. Will he be enshrined in the hall? Only you can decide. Transcript: Track 2: [0:42] Hey, it's J.D. here, and I want to thank Doug DeNance for another lovely introduction. Welcome to the SNL Hall of Fame podcast. As I mentioned off the top, I am your host, J.D. I am joined by Matthew Ardill in the trivia corner, and of course, our chief librarian, Thomas Senna, will handle the conversation with John Schneider today. So that's really exciting. But who are we going to cover? Well, before that, the SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. And that's how we play the game. It's just that simple. May the 6th is the date you're going to want to circle on your calendar. That is when voting opens in the SNL Hall of Fame, and we have one hell of a ballot. There are some stakes here, as there are people that are on their fifth ballot that if they don't make it in, they will be removed from the ballot. And that is as high stakes as it really gets here on the SNL Hall of Fame, except for that time that we had lava on the floor. You bet your ass people wiped their feet then. Track 2: [2:10] Let's go to our friend, Matt Ardill. Matthew, my friend. Track 3: [2:13] How are you doing, JD? I'm great. I'm great. Thanks for asking. How about you? I'm good. I'm great as well. Yeah. Yeah. I've got, I'm really excited. I love Will Forte on so many levels. I can't wait to share. Well, learn me up. Okay. Well, Will Forte, 5'9", born June 17th, 1970. He has 132 acting credits, 26 writing credits, 20 soundtrack credits, and five producer credits. He was born in Alameda County, California, and attended the University of California. He was a member, and this shocked me. He was a member of the varsity football team, varsity swim team. So he was a jock. Track 3: [2:57] That's not what I would have expected. Me neither. I want a picture of Theater Nerd. Yeah. Exactly i would have imagined that as well but i mean it's that's just you know that's i guess us not seeing past the stereotype but uh yeah he went on to earn a history degree valuable lesson you just taught us matthew yeah let's do just because somebody plays sports doesn't mean they don't have the the love of theater in them that's right but yeah so thank you for that yeah not from but yeah got a degree in history from ucla and um then he realized his true love was comedy so he joined the groundlings he also tutored faye dunaway's 12 year old son in mathematics while he was in high school which is like that's just a weird i mean this is the weird connections you get living in california yeah i suppose so yeah yeah you know so it's just it i i don't know No, I feel like living in Canada, we don't get those wacky connections, but, um. Track 3: [3:59] At a young age, he went to see Tony Orlando, and Tony brought him and his friend up on the stage, and he encouraged them to follow their passions. So much so, he wrote him and Tony a nice letter many years later. What a class act. Yeah, yeah. And he, in fact, is a class act in multiple ways. He is also a class act video game player. He is the 36th highest scorer in the world in Donkey Kong. Long whoa yeah he watched the that fistful of quarters documentary and he's like i can do that and is now registered on twin galaxies as number 36 in the world that's brilliant that movie also very very good yes and it's not to go on a tangent you watch that fistful of quarters that the villain in that show is a total nut bar you can go down a rabbit hole all on its own as As well as an amazing video gamer, he is also a super sweet dude. Rachel Dratch describes him and Seth Meyers as her comedy non-boyfriends, basically her comedy brothers. She's remained incredibly close to them. Track 3: [5:12] But he's also remained close to other cast members. He attended Andy Samberg and Seth Meyers' weddings, both in character as Hamilton. Hamilton oh my gosh i would have paid good money just to see that i mean just a full character problem is a lot of their families don't know the character so all they know is there's a super racist weirdo walking around at the way which is the most will thing like that just is like yeah i that that that makes sense that makes sense um he collects life preservers and construction helmets he actually got his start uh as a published author he wrote 101 things definitely Definitely not to do if you want to get a check. Track 3: [6:12] It was a comic that he wrote at 24, which he parlayed into his first gig writing for the Jenny McCarthy show and then moving on to Letterman. One of the weirder things that I read is at one point, Val Kilmer was trying to find a house in Malibu. So he was just couch serving and will let him stay on his couch for a couple of months. And one night they were watching the amazing race and they thought that'd be awesome and wanted to go on the amazing race there. Their agents ultimately stopped them. Track 3: [6:46] Uh, boo, those agents did not really do the right thing. Uh, and then unfortunately time got away from them and it didn't happen. Um, but yeah, just, and just to illustrate how amazing a dude he is. Uh, he gave his entire per diem to the crew, uh, for MacGruber, which when he was filming the film MacGruber, he, uh, his mom visited the set on this, the naked celery scene, uh, shooting day. So that must've been a little weird. Um, you think, yeah, it's like, uh, but yeah. So as a part of a fundraising event for boys and girls club of Venice, he auctioned off an opportunity to see, um, a early cut of MacGruber with him and Ryan Philippe, uh, before its premiere. Um but he said if somebody paid a hundred thousand dollars he'd take them out for yogurt twice a year for the rest of his life thought it was a joke and someone called us bluff so now wow ever since the release of mcgruber he's been taking this person out twice a year for yogurt. Track 3: [8:00] Um oh that's they're gonna develop a friendship yeah yeah that i mean you don't you don't do that not actually start to like one another you would think you would explore it at least yeah yeah and and i mean in the ultimate expression of how good a duty is like a true gentleman when filming the last scene for the last man on earth he and kristen shaw had a sex scene after her character ate a can of beans and she let one rip like crazy and he took the bullet for it he claimed it was his so, Just a true gentleman all around. Wow. A gentleman of thoughts. Track 3: [8:47] Yes. Yes, indeed. Well, I think that I'm pretty excited that our guest today is the Grand Poobah over at the Saturday Night Network. It's John Schneider, and he is joined right now downstairs with Thomas, so let's join them in conversation. Track 4: [9:40] All right, J.D. and Matt, thank you so much. Yes, welcome to another episode, another wonderful conversation with a great guest. Welcome to the SNL Hall of Fame podcast. And today we are talking about, this is a personal favorite of mine. This is a chance for me. And my guests to just be total geeks. It's almost for me like when Sammy K and I did the Vanessa Bear episode last season. That's like 14 for you and one for me kind of thing. So this is what this is like with Will Forte, our nominee today. So to join me, another fellow Will Forte nerd, possibly he's, Will Forte is one of my favorite, probably in the top two or three favorite cast members of mine personally. And I think for my guest, Will Forte falls under that category, too. So I am joined by a friend, somebody who I greatly admire in the podcast. He's kind of like a podcasting influence for me personally. Track 4: [10:42] It is from the Saturday Night Network, John Schneider. Hey, man, what's up? Thanks for joining me. Hey, Thomas. Track 4: [10:49] Well, I'm very first of all, I'm very humbled that you would say that mutual respect here and love what you've done with the show and and JD and Matt and everybody here so thank you so much for having me back and I have to say Thomas I maybe have podcasted about I'm gonna just I'm gonna throw out a guess here I'm gonna say like 300 podcasts about SNL I maybe have done like over the last few years I don't think I've ever been as excited to do a podcast as I am right now like this is this is one of the best things I could have ever done as an SNL podcaster is get to talk about will forte he is definitely my favorite cast member of all time i wouldn't be talking about snl or podcasting about snl or doing all the things that we're doing at the snn if i didn't fall in love with will forte on the show and everything that he did and i i know i'm not alone with that i know that there's so many people out there that will forte is such a big influence on so thank you for having me today i can't wait to have this conversation yeah absolutely i'm so giddy too and then redoing some refresh because with will forte i don't necessarily need to do research quote unquote but i like to refresh myself watch sketches go in with uh you know having watched these sketches as close to recording time as possible so they could be fresh and this is like the most fun quote unquote research i think that i've done for this entire show because. Track 4: [12:07] I love will forte so much so so yeah this is gonna be great thanks for so much for joining i meant what i said as far as you being like a podcasting influence what you've built at saturday night Network is just amazing. Track 4: [12:19] So tell us, tell the listeners what's been going on over at the S&N a lot. I know. Thank you so much. Yeah. I mean, it's been pretty crazy. It's been great to get the show back after that writer's strike and glad that everything turned out well over there. And. Track 4: [12:37] You know, nonstop coverage of the season. As we go through all the live weeks, we have coverage right after the show is done airing. So we have this great group of people who stay up late with us and talk about the show. If you're watching on YouTube, you can always find our hot take shows and join us in the conversation. So let's say, you know, you're tired, you're lying in bed, you just enjoy the show, but you just have to talk to somebody about it. It's a great place to go and hang out. And we also have our Monday night round tables where we're just, you know, breaking down the show even further, talking about the legacy of a specific host in a specific episode. And then our By the Number shows that we do on Wednesday that Mike Murray hosts for all the stats on, you know, turning SNL into a live sport. So that's our regular coverage. We also get to do some really cool interviews that we do on our show called SNL Stories. We just had Christine Ebersole, season seven cast member. We just spoke to Bobby Moynihan. There's a lot of great ones out there as well. Track 4: [13:25] Yeah, now we're sort of turning our heads towards the end of season 49, finishing up all the coverage on that, doing some summer stuff. And then it's season 50. It's the big one. So we have lots of stuff planned for season 50, and I can't wait to get to all of that. And yeah, you got to come hang out with us at the Saturday Night Network. Yeah, so this guy's built like a true network, like you and everybody else. Bill Kenney, Sammy K, the Andrews, everybody who's really closely involved. You've got quite the community going at S&N. It's a true network, like you have a Saturday Night thing, a Monday thing, a Patreon thing, by the numbers. So it's really definitely a true network there. Maybe you can get Will Forte on, like, SNL Stories one day. That is the dream. I'm hoping for, like, yeah, that's the big one or one of the big ones for sure. I'm hoping maybe for a special numbered show, maybe a 500th, maybe a 1,000th, something like that. I can convince him to do it. I have met Will Forte before. Track 4: [14:21] I actually went to go meet him on my birthday when he was at Just for Laughs. This was before I was doing SNL media coverage. But I went to go talk to him, and he could not have been nicer. and I know that some of our podcasters have bumped into him over the last few years and he said that he would do it. So I'm hoping one day we'll get him to, you know, come on board. And I think we're gonna have a blast whenever that does happen. Yeah, that that would be a biggie. So Will Forte, our nominee today on the SNL Hall of Fame on the cast from 2002 to 2010. And from what I understand, John, that was basically the era that made you love the show like that whole that all those was cast between 2002 and 2010, that whole era. So what were your impressions of Will Forte when you first saw him on SNL, this oddball? Track 4: [15:08] Yeah so very fun fact that he almost got hired the year prior but i think he wanted to keep writing on that 70s show which was also a show i enjoyed very much at the time but uh yeah so when so i'll go back to like my original my origin story for watching the show the first time, and um i really fell in love with the show you know from like 2005 to 2010 i was in high school then and that for me was just like will was such a big part of that cast but prior to that i tuned into SNL. I knew what it was. We had like friends who had older siblings who were watching it all the time. And at times I would just like turn on the show and just catch glimpses. And I remember seeing like Tina and Jimmy on the show and being like really intrigued. Some of, you know, Smigel's TV Funhouse stuff. But one time I remember my parents going out on a Saturday night and I turned on SNL and I was very curious what I was gonna see. And I saw Will Forte as Tim Calhoun, this politician who's just like is so anxious and can't get anything out and just like nervous flop sweating I think I would make a real good president because I'm a hockey dad soccer uncle football cousin ping-pong brother and And Donkey Kong best friend. Track 4: [16:35] My opponents have been using my full name to scare people. Is it my fault that my middle name is Boo? Track 4: [16:47] I just fell in love. For me, there's just something about it that clicked. And getting to watch him throughout his time at the show, So I've like psychoanalyzed this over the years, Thomas, where I'm like trying to figure out what it is for him that just, you know, makes me laugh harder than anybody else. And I think it's because like... I think I'm like a pretty like I have quirks, but I think I'm like a pretty normal person Yeah, but like will brings out the weird in me Like he brings out something in my personality that isn't brought out by most people And it's something that I watch on the screen and I just get purely happy So in some of like the you know saddest times of my life i've turned on will forte sketches and he's just Brightened my day. That's such the mark of a good performer, too He does that for me As well, like i'm a pretty normal i'm probably a little more weird than you i would say like if we're doing a scale or we have to ask listeners i'm guessing we'll ask we'll take a we'll take a poll or something but uh i'll ask them on i'm doing the hot take show so maybe that'll i'll chat to see to see about that uh but so but you're right so he brings out like the the weird aspect of me to like all those little those little things that i'm like why do i relate to this like because i've kind of i kind of had that like weird side of me but that that's That's like the mark of a good performer is like he's relatable in that weirdness that maybe you didn't know you had until you watched him perform in some ways. Does that make sense? Track 4: [18:09] Yeah, I mean, I think he's he's reminds me a lot of like the friends that I chose like for my life. Like I'm I have a very unique situation in my personal life where some of my friends have been my friends for over 20 years. Like these are friends from when I was really little. And I won. I always like wonder like why I gravitated to a specific type of person. And it's like the people who will go the furthest with a joke like that and like they have a lot of will forte qualities in them and i just think i like to surround myself with people who are um sort of like you know don't give a shit and you know and it will like take something really far not not offensively but like um i remember seth meyer is telling this amazing joke uh this amazing story about will forte once on late night where he said that um i believe it was one of the writers, I'm blanking on the name of the specific writer, but one of the writers had been so hungry on a Tuesday night writing night and was writing all night and ordered Chinese food. And it took so long to get upstairs to the 17th floor. Hours and hours. Finally, the delivery guy drops out the food, gets there. The writer is like so excited. Will Forte goes to pick up the bag and drops it out the window. Track 4: [19:17] It's one of the greatest things I've ever heard. And I'm just like, you got to look that up on YouTube and like watch Seth tell that story. It is so funny to me and it is perfectly like encapsulates Will Forte and why everybody loves hanging out with him. That's so oddball. That's so Will Forte. You honed in on something that relates to something that I wrote down, like a key word. I was thinking about Will Forte, and the word that keeps coming up for me is commitment. I think Will Forte, more than most cast members that have come through the show, is he's 100% committed to this sketch. No matter what, this character, this sketch, Will Forte is in it. And to me, John, when I see cast members, won't name names obviously, but when I see cast members who maybe are less so, who I gravitate less toward, or maybe cast members who I feel slightly uncomfortable watching on screen, I think it's a lot of times because they lack commitment on screen. Because I see there's something that's not letting them just break out of their shell completely. With Will Forte, that was never the problem. Can you think of a performer on SNL that can rival? I mean, there's probably people who can rival, but is there any performer who could exceed Will Forte's commitment? Track 4: [20:34] I think Will Ferrell probably is a good example. I mean, the like the two Wills, I think like, you know, Phil Hartman and Dana Carvey. You got to put that in that category a little bit. Those are all time greats, though. Yeah, like I really I really do feel. But Will, like it has his own kind of commitment where he goes to like he goes to one side that is so unique to the show. And, you know, a lot of times on on our podcast, when we're evaluating an episode, we'll talk about the 10 to 1 sketch. And he basically, you know, that did exist prior to it. But, you know, it's really the Will Forte slot in the show. Like, I think everyone that's come after him has always been like looking for a Will Forte to be the weird sketch. Sketch um and i think like the committed weird is really what people are looking for in that 10 to 1 it's not just like oh here's like a random weird one-off character that's quirky it's like somebody who is so weird that it just makes everybody in the sketch and out of the sketch just like amazed at that person i think sarah sherman does that sometimes as well and i wish we got that more on the show but yeah i mean i think you nailed it i think that's that is a quality that we look for and will but i will also say one other quality thomas, that i always stuck out to me about will was that he's like a very normal good-looking guy. Track 4: [21:49] And like you know maybe like barring the time like for last man on earth that he like shaved like half his beard and half his head like he is like so normal looking and he's a secret sicko, that's what i love is that like you would never know that this guy in his head is an evil genius and i love that about him yeah and i think that's one of the things when i first saw will forte on screen i'm like okay he's just kind of a your standard issue male cast member that they hired and he's just gonna be like cookie cutter but you put this real quick he he totally dispelled all the notions that i had just by looking at him you're right there's like this sicko i love that word that's that's a perfect word to describe a lot of what's underneath the surface of will Will Forte is just, yeah, like that sicko, right? They're like a nondescript, normal-looking guy, but then something comes bursting out of him that's just very weird. And when I think about all-time greats, Hall of Famers, whatever, I think it scores bonus points, especially, you know, with Will Forte, that he had his own unique lane in the show. Like, you can see a sketch and say, that's a Will Forte sketch. Track 4: [23:07] And that's rare. And that's something that I, you know, when it comes to SNL, when I see a cast member like that, I really gravitate toward it because that's a rare quality to have where it's just like, that's Will Forte's lane. You mentioned 10 to 1, any sort of oddball thing. Andrew Dismukes kind of has that right now. That's why I kind of gravitate toward him because Dismukes has a stamp. But to me, that scores Will Forte bonus points for having his own unique lane, John. Track 4: [23:37] I agree. I mean, look, I think we had this very interesting discussion when we did the SNN's cast member countdown. So Will Forte was voted 18th overall by the viewers. I was doing my rankings at the same time. I had him at 21. So really around the same range, but slightly lower than that. And you may be saying like, John, how can this person be your favorite cast member? And you have them at 21st. And the truth is, is that I think that, you know, when you're looking at the 50 year legacy of the show, um, there are a lot of performers that are extremely well-rounded that have contributed and just, you know, built in every aspect of the show. And I just, I don't, I think that will have the ability to make the show all about him like an Eddie Murphy at times, like a Kristen and wig at times. You know, like a Will Ferrell. But the show was never built around Will. Will was always one or two parts or three parts of an episode. And you would watch his sketches and you may walk away feeling like they were your favorites. But it was very rare when you you watch an episode of Saturday Night Live during Will Forte's tenure, that you're like, that is a Will Forte episode, or this season was Will Forte season. Track 4: [24:42] So I also needed to be objective and fair about that. Now, I don't think that disqualifies him from the Hall of Fame whatsoever, because I think that like The Hall of Fame is a whole other thing where you're talking about people who built the legacy of the show, and I think he's very, very much a part of that. Yeah, absolutely. And still, I mean, you said 21st. He ended up on the, or 18th on the countdown. 18th on the cast, 21 on my list. Where do you have him? I think I had him probably about 16th, ultimately, even though he's one of my two or three. Yeah, he's one of my two or three favorite cast members, but favorite, and then, and I'm trying to put together the greatest. So it's different, but to me. Track 4: [25:18] Shoot like top 20 top 25 that's right smack in the middle of hall of fame territory right there if we're talking 160 or something now cast members so to me will forte is a slam dunk hall of famer so this is gonna be like the listener will know where i'm coming from and where you're coming from obviously with this episode but i was surprised i think that i had him higher than you but really you're right like it's the same ballpark so we both view him about equally i think yeah i mean the other thing you have to you know like the other thing that i factored into my cast rankings was also you know his contribution after his time in the cast he does leave in 2010 um and i think that he you know we'll get to this full conversation of his career but i i do think he could have stayed an extra couple years and that really would have helped him in terms of legacy like had he left at the same time as andy sandberg and kristen wigg he He has only come back to host once. That episode that he hosted was one of the weirdest episodes in SNL history. I think we could say that now. Track 4: [26:18] So, you know, that to me is a factor that I think about in terms of overall contribution to the series. So, you know, these are things to think about. But overall, I mean, what a career that he put up at the show. I can't wait to get into it. Just amazing. And we can get into it. What is maybe the first sketch or character that you think about when you think of Will Forte? All right. So I got two that are my quintessential Will Forte sketches. These are two of my favorite sketches of all time. I've always I've had the trouble of deciding which one is my truly my favorite all time. But if I had somebody who came to me said I've never watched a Saturday Night Live sketch before, which one should I start with? Track 4: [27:01] I'm going to start with Jeff Montgomery, the sex offender. Just out of curiosity, what exactly is your Halloween costume? I'm a sex offender. Track 4: [27:17] Excuse me? I'm a sex offender. For Halloween. A sex offender. Yes, pretty convincing, huh? Here, watch this. I'm Jeff Montgomery. summary by law i'm required to inform you that i'm a repeat sex offender and i'll be living in your neighborhood it's a great costume right yes yes to me this to me like encapsulates everything i look for in the show it is so fantastic this is a this is a sketch by the way that was cut once previously from the brian williams episode in 2007 it was then brought back for the john Jon Hamm episode in October 2008. Track 4: [27:57] And this is a guy who rings the doorbell, trick or treat, and says that he's dressed as a sex offender and needs some papers to be signed. And the confusion between Jon Hamm and Will Forte, as they discuss, are you dressed as a sex offender or are you actually a sex offender, is one of the funniest things I have ever seen. And Will Forte plays this beautifully. It's beautiful wordsmithing by Will Forte to dance around the fact that he's a sex offender needing to go around the neighborhood. And this is a great example of understated Will Forte, in my opinion. I think the other one that you're going to mention that I have a feeling you're going to mention is more so on the bigger side a little bit. But this, yeah, this Jeff Montgomery one is more understated Will in a lot of ways. Yes. And I want to credit Colin Jost, who wrote that sketch with him. So that, you know, the two of them, I mean, what a team that is. Collins wrote some fantastic sketches over the years. But yes, I would say this is the sketch that I would show people the most of, of Will Forte. I have, I struggle whether it's truly my favorite sketch because there's one that like sentimentally means more to people, but I don't know if you get it if you're not an SNL fan. So do you want me to jump to that one? Yeah, I think you're going to, well, go ahead. Track 4: [29:19] So so i also want to say jeff montgomery did come back a second time with tim mcgrath which is uh but but yes um the the one i'm the one that means the most to me in my heart is the dancing coach sketch with peyton manning yeah and that to me is like i i think i can say it's my favorite sketch of all time this is where peyton manning uh is on a is not a football player he's a basketball player in the sketch and it's halftime in a basketball game uh like sort of like a college basketball situation and him and keenan and fred and andy and bill and jason they all come in uh to the locker room, and Will Forte is the coach and starts talking to them about, you know, being more motivated. All right, listen up. Track 4: [30:00] I see a lot of mopey faces around here. Granted, we're down by 34 points. McMillan broke his ankle, and our cheerleaders have started cheering for the other team. That doesn't mean we can't come back and win this thing. And Wally, you got something you want to say? Yeah, coach. Guys. And gives them the speech that leads to Will Forte playing the theme or one of the songs from Casino Royale and he starts dancing. You definitely got to look this up if you can find it online because Will Forte dancing and making everybody laugh, including, you know, watching Bill Hader's face in the back of the sketch is. Honestly like when this came out and i saw this live we watched this sketch maybe a hundred times thomas that's how much you watched it was so funny to me and i cannot watch it without laughing, great one of my greatest sketches of all time this is amazing physical comedy by will forte i'm glad you paired this one with the jeff montgomery one at the top because it's almost like the comedic yin and the yang for will forte like i said jeff montgomery's more like it's about how Will Forte's delivering the lines and it's more understated. And this one, it's just like physical comedy, these dance moves, how he times it out with the song. Track 4: [31:17] You're right, like Keenan. Keenan's almost the first one to break. He and Peyton have to cover themselves, their faces with towels just to not break. And Fred, Fred's usually like pretty, you know, keeps it together. Famously in the Debbie Downer sketch, Fred was the one kind of like watching everybody going, going okay guys we still have a scene to do in this one fred was this is one of the few times that i saw fred almost break and bill of course bill hater uh always does but how could you not this was such great will forte physical comedy like i i absolutely love this one john honestly i think a lot of cast members feel like this is one of their favorite sketches of all time bobby moynihan when he joined us uh he he mentioned this sketch at one point about how this is one of his favorite sketches and then he got to be in the second one in his first episode and it was just like so exciting for him to see the dancing uh you know the dancing coach and i just you know like i said it's one of those visual things that you got to go watch this it is so amazing the commitment from will forte absolutely fantastic so to me those are the two quintessential will forte sketches there's a lot more though i can't wait to get into yeah i have a quintessential central one as well it comes toward the end of his SNL tenure and it's the one that he and Jason Sudeikis did with Blake Lively the potato chip, Janelda, how many potato chips did you put in here today? Thirty-five. I thought so. I thought so! Track 4: [32:43] You didn't happen to take any out for yourself? Oh, God, no. Why, that would be stealing. It certainly would. Track 4: [32:53] Janelda, what would you say if I'd have told you that that man right there is nothing but a common potato chip thief? Ah! Potato chip thief! to me if i wanted to show somebody like this is will forte's humor this is will forte's playground i might show them potato chip thief too that'd be one of the first ones that i show them, like just just displaying will forte's like humor what he brought to snl he and this one he plays it big like it's maybe a little more understated at the beginning but he ends up like yelling screaming but underneath that screaming he says some really funny things so potato chip thief john would be to me like another quintessential will forte yeah so i love this sketch a lot it has a lot of elements of other sketches which is maybe why i don't put this at the top of my will forte list like i would say that this is and i get what you're saying i think for a lot of people this is the top will forte stuff um for me i'd say this is maybe like my B tier Will Forte, just because it has elements of other things that I think ultimately led to this occasion. Track 4: [34:01] It's a brilliant sketch. Love Jason Sudeikis in this as well. Love Blake Lively. Like this is a really, really great sketch. I believe this is John Solomon and Will Forte in this one. John Solomon wrote a lot with Will when he was on the show. But the, you know, chewing the potato chip and spitting it into, you know, the mouth, which is just like, again, something you got to see I know that that happened a little bit in the 2000s the baby bird stuff with Will Ferrell and all that stuff so the grossness of the sketch I think really does work here but it does lose its luster a little bit if you've seen it before whereas I think the dancing coach like is just like non-stop money but yeah ultimately I do I do really really love this sketch and I think that the commitment here from Will is fantastic and the reason that I felt like it has you know stuff from Will's earlier career is because him yelling is a another staple of Will Forte with the Zell Miller impression which you ever go see that you know one of his like talk show guys that he did and like he would just yell that's like an early Will Forte career thing where he would just yell so much that his face would turn red. Senator Miller knowing what we know now how could we possibly avoid such destruction from future tsunamis? Tsunamis! I'm sick of hearing about tsunamis! Thank you. Track 4: [35:30] And that is also incorporated into the sketch a little bit. But I love this one too, Thomas. Yeah, definite Zell Miller vibes, one of his recurring characters. Zell Miller, Georgia politician. I think Zell Miller said some crazy things, especially about Barack Obama. And then Will Forte just sort of turned him into a caricature completely. Track 4: [35:53] I do want to talk about Will Forte as a breath of fresh air for the show. Show to uh because i think and i know it's subjective but he started at a time where i think snl was trying to find an identity will ferrell had just left and they didn't quite have an identity they were playing around with like do we push seth meyers as the star of the show who's the star of the show what's our humor what's our viewpoint and i think will forte was a breath of fresh air amidst them trying to figure themselves out i mean the show and things like the falconer that premiered in season 28 and that was so to me that was so unlike a lot of what was on snl at the time that it was um it was a relief sometimes to see the falconer something like that pop up on screen and this the falconer is one of the things that will forte is best known for but it was just like a relief for me as a viewer when it popped up in this era of SNL. Donald, we're starving to death. This land that once filled us with life is now barren. One of us must search elsewhere, and only one of us can fly. Track 4: [37:06] No, Donald, you! Oh, Donald, even in these desperate times, you still retain that dry sense of humor. Now you must fly away from these woods and bring back something, a possum, a squirrel, anything to keep us alive. So be gone, my friend. Bring us life. Bring us life. Yeah, I do like the Falconer a lot. I think those sketches are pretty forgotten because of all the great things that Will Forte did after. But I truly believe those are great sketches. That's Will with Eric Slovin and Leo Allen. And I think Eric Slovin was the guy who, by the way, who will dump. Track 4: [37:47] Before but yeah those falconer sketches are really great and just so weird and bizarre for a time where snl's writing was a little choppy and they were trying to figure it out like you said in that you know post will ferrell world and pre kristin wigg bill hater jason sudeikis and andy samberg world and i think that those sketches are really great i think they did nine of them um and they are very enjoyable i love will getting to talk to objects like that and i think you know or Or animals like that. And I do think you get to see more of this in Last Man on Earth. If you ever go watch that show. Track 4: [38:23] Yeah. That he brings out some of his Falconer character. Yeah. Especially like at the beginning of the series. The Last Man on Earth. When he's talking to the balls. The various balls that become his friends. That are like placed inside the bar. I can definitely see that. I'm going to go ahead and call Donald an object too. Because you could see. One of the funny things is you could see the strings on that puppet. I'm sure that was a choice. Like let's make the strings show and make it look as ridiculous as possible and john when i sometimes when i as a viewer when i complain about like little writing things and stuff one of my chief things is escalation like how do you do escalation what's proper escalation the sketch needs more escalation that's if i always say that like it could have been bumped up just another notch with the falconer to me a lot of these sketches were just perfect examples of how you escalate, especially a recurring sketch. How do you find escalation in something recurring? I think Will Forte and the people behind this Falconer sketch just did that escalation beautifully. Track 4: [39:32] I totally agree. I think that's a great point for these. You know, there are some other sketches from early in his career that I think are really important to bring up that are often lost upon people. So I think now is a good time to maybe pivot to some of those um one of those is from the season 28 episode 14 episode with queen latifah i don't know if you know what i'm gonna say but this one is give up the ham give up the ham, such a good sketch that is like because of the i don't know if it's like the song like it doesn't get put up a lot and like you gotta look you gotta google it and look up this but um basically people fighting over ham at a grocery store and then the sketch breaks down with bull forte singing singing, give up the ham. Track 4: [40:44] And it is so so good and like i think maybe the first moment of really seeing like how great this guy is i know that him and fred sort of did some stuff on update but like this was to me the first like major major moment for well for a day on the show it's commitment to something ridiculous or like a commitment to an everyday thing like uh shopping at a grocery store say so how can we take that scene that scenario and and play it up into something ridiculous and and uh it was that amy poehler and queen latifah i think rachel dratch comes in as amy poehler's friend so all these people start walking in but then will just totally owns it with this song like yeah that's just total commitment again like you'll never have trouble with will forte and commitment give up the Ham's one of the ones that I go back to semi-regularly, honestly, if I need a good laugh, I do that. That's a really good shout out. That's from season 28, episode 14. One that I thought of, season 28, the next episode, episode 15, it was a sketch that he did with Jimmy Fallon, Salma Hayek. It was called Cardboard Box. You remember this one, John? I do. Yeah, go ahead. So Will Forte, so he played a husband who was suspecting his wife of cheating. Track 4: [42:06] So Will Forte's character mailed himself to their house in this big cardboard box so he could catch them in the act. And this is just, to me, like we're talking early examples, like such a wonderful early example of a truly absurd premise that Will Forte completely sells. And he has to do this inside a box that he's not even on on camera most of the sketch and what he has to do and what he has to convey from inside a cardboard box is like chef's kiss like beautiful work yeah he does this thing sometimes where he can like we talked about zell miller with yelling till he's red but sometimes he does this like angry yell in a calm way that it's very hard to describe unless you hear it but um he did this recently on like i think you should leave in one of the episodes uh tim robinson's show where he's like almost like he like fell on the sidewalk and he was like under a car but he wasn't like really stuck um but yeah he does this thing sometimes where he's like stuck in a place and he's just like someone will say something to him and he'll like respond with this sarcasticness in his voice that's like oh of course you would think that you know like that type of thing and it's just so brilliant to me and this is this is This is a real deep cut Thomas, but this is a great sketch. You don't think he has any idea what's going on with us, do you? Oh, please. That ignoramus doesn't suspect a thing. He does now. Track 4: [43:32] Ray, where are you? Right here. All right here i'm in the box what the hell are you doing in the box i thought you went to cleveland i was but i mailed myself home to lay this little trap for you and now after laying in wait for 28 hours the trap is sprung ha 28 hours it's awesome i think what jimmy fallon was hosting this or was it salma no salma hike was hosting it jimmy fallon was still on the cast obviously season uh 28 uh but yeah this is like kind of a deep cut i think will forte has a lot of these it's like these one-offs yeah where you you get reminded of it and it was like oh yeah will forte. Track 4: [44:14] Did this well let me take you to one of the greatest episodes in snl history i think which is the jack black episode from 2005 that december episode that had you know lazy sunday and all that stuff in it um that really like changed uh you know changed the era of the show and brought on this new golden age and one of the sketches there that uh really cemented you know will's place in the show throughout this golden age is that spelling bee sketch that's very famous well forte moment where they ask him to smell business and he keeps asking questions back and he goes on and on and on and on and it is the ultimate commitment to the bit as he continues to go on Q, M, T, S, D, T, Q, M, P, R, F, T, D, P, D, P, N, H, R, K, T, E, T, F, business. Track 4: [45:20] And I think that so many people growing up writing sketch comedy have tried to find a take on this specific sketch. And I don't know that anyone's ever matched the level at which Will Forte can pull something like the spelling bee sketch off. It's a very specific type of humor where you're testing how far you can push the joke. And sometimes so like you're testing the cycle of a joke almost. So you make the joke. It's funny, funny, funny. And it hits the peak and then almost becomes less funny. But then he's still doing it. And it's less funny, less funny. But then he does it enough to where it circles back around and it's really funny again. That's a very specific type of thing. A very, I think, maybe possibly brave thing to do on a show like SNL. I can see people doing that on like, you know, let's make a YouTube video and try this out. But to do something like that on a show like SNL where you're almost messing with the viewer in some ways and testing their patience. But there's a really great reward ultimately. I think the spelling bee sketch is a perfect example, especially like the run he goes on of saying Q, I don't know how many times in a row. Track 4: [46:32] But you know what's great about something like this is that I don't think there is a person that came before Will Forte that can pull off this sketch as well. Like you think about uh great like orators in snl history like people like dan akroyd or phil hartman who can just say things really quickly but still make the listener understand them and it's so brilliant at the speed at which they communicate whether it's as a pitchman or even just as a game show host or something like that but will forte can say things slower than the average person and it doesn't sound like too slow where it's not entertaining and that is like a whole other level of brilliance that i don't know that i've seen before prior to well forte yeah his voice it's almost like asmr in a lot of ways like yeah like with this spelling bee one you mentioned tim calhoun and that's one of the things that stood out was almost like a low-key asmr kind delivery with Tim Calhoun. He was a little bit nervous, but it gets that he's just like whispering, but not. And just, yeah, it's just that like a very unique delivery. Track 4: [47:42] And I had written a note. So Spelling Bee, as far as like testing, see how far you can push the joke. It also reminded me of something else that he did on Weekend Update when he was, he appeared He appeared with Amy, I think Amy and Seth, in season 34, and he appeared as himself, and he was recapping a Senate vote. When Friday's tally was finally counted, and that was all she wrote, people asked, how did that pass? Track 4: [48:37] So this was an example of him kind of taking a joke so far that maybe it becomes unfunny but then it circles back around so he was he made up this song and recapping how certain how certain senators voted and then amy interrupted him and he's scolding amy about how rude it is to interrupt your friends when they're singing and this reminded me of spelling bee in like how far can Can we push something? It is really great. I mean, he basically started on SNL when he kept coming on and doing songs with Fred Armisen a couple times and, you know, in different variations of that. But yeah, he will come on update and do songs on a regular basis throughout his SNL tenure and he will push things to the absolute limit. And, you know, I think a great sketch to jump to off of this conversation is Fly High Duluth, which to me is like an underrated classic john yes this is uh this good snl podcaster, that's from the scarlett johansson episode and it's basically like a tv talk show where they're like oh we have a band that's finally gonna come out and do the theme song for the show and they just like keep going and going and going with the song where they keep thinking it's over but it's not and will forte is like drinking and going like full rock star with it and it is so brilliant. I cannot wait to hear what you think of the sketch because I don't get to talk about it enough. Mama. Track 4: [50:04] Don't you point that gun at me. I said, please, Mama. Track 4: [50:15] Don't you point that gun at me. Because my love is consecrated in the blood of the. Track 4: [50:36] It's an example to me. Well, by the way, first of all, as an example of the, just the breadth of will for taste sketches, we had mentioned spelling bee. That was season 31 episode 9 fly high Duluth was season 31 episode 10 so this came like one episode after that like you can look through all his great sketches and like dang that happened those happen like back to back and that happens a lot uh like I'm on my list I'm seeing like back to back to back episodes but yeah fly high Duluth is again one of those where I frequently go back and watch it and it's just again that commitment to the sketch the commitment to the bit it's so So ridiculous. He's like this Jim Morrison type of guy singing this theme song for a show in Duluth, Minnesota. And he's like... Track 4: [51:25] With his with scarlett johansson so his his his lover his his uh what's she line or she tiger i think he called her something like that i think her name is yeah it's like they're wally and char char yeah yeah yeah so it's just like this is a wonderful example to me of like will will forte's commitment to the sketch just doing these ridiculous things chugging which i assume was iced was tea or something like that in a jack daniels bottle uh but no this is one of my favorites and i never get the sense that will forte is is self-conscious even for one split second up there and so to me as a viewer it makes me feel like i'm in good hands with will forte in this sketch yeah absolutely and this is uh this is one that he put together with eric kenward who's is now a producer on the show um but yeah i mean this is a this is another brilliant sketch that you just got to break down it's a very long sketch and sometimes you know my personal preference is not to go too long with sketches unless we're talking about like one of the great debate sketches in snl history that really has like something to say i think then you can push things a little bit which is my opinion but you know i think you know i prefer shorter sketches but the the joke here is that you know will is going to push this and push this as far as it And they've done this a couple times in the talk show format in SNL history where things just like break down to an extreme and you need somebody who can. Track 4: [52:53] You know, you can drive the ship when that's happening and not let the sketch go off course to the point where people are like, oh, they're doing the same joke over and over again. And why was it so long? Why did it drag? Track 4: [53:05] Will forte never lets that happen he always lets it escalate he always has to get to another point that's interesting like i find that there's never a will for to sketch i'm watching and i'm like ah i wish i saw less of that no you're completely right like by the end of this duluth live sketch like they're doing a full-on breakdown like he's starting and he's kind of seeing the lyrics are kind of weird but you're like okay this is kind of like a weird kind of hippie or 70s rock band doing this but okay like it's kind of weird but then you're right like it escalates and escalates to the point where like Fred's doing this full drum solo and he's shredding on the guitar he's breaking the guitar Will's screaming on the mic like yeah so yeah the escalation this was beautiful beautiful escalation and something that I always look for as an SNL fan uh yeah go check that out that was season 31 episode 10 and we haven't with Will Forte we haven't talked about. Track 4: [54:00] Impressions so much or anything i have kind of a maybe a hot somewhat of a hot take for you i actually think i actually think he was a decent george w bush oh okay i i really do and i think it suffered because he had to follow will ferrell's george w bush that was its own thing but i think just in a vacuum i think he could have really made that work because i think he has the type of personality to where he can play understated but he could also say weird things and be squirrely and have that bizarre nature underneath the surface which was george w bush and kind of how will ferrell depicted it but i think it suffered because he had to follow will ferrell but i think in a vacuum and going back to re-watch some of these i was thinking to myself like, a pretty good George W. Bush, honestly. You know, we're roughly $7 billion in debt. But don't worry, I got a plan. I've decided to consolidate all of our debt with one of those debt consolidation companies. Track 4: [55:09] That's right. We're going to go with Dytek. Like me, you've probably seen their commercials late at night on ESPN2. You know, the ones with the guy who says, lost another loan did I take? It's a funny commercial. I think he's a decent impressionist, and that's a very interesting take. Now, I think that the decline in the show post-Will Ferrell, I think, gets unfairly associated with the Bush impression a little bit. And that sort of falls on to people like Will Forte and Sudeikis and Daryl Hammond, who tried to do it for a bit. Like you know you know i think people were were upset that will ferrell wasn't around anymore, and that was like nobody really gave it a chance um and the show has like a history of not being able to transition over these iconic impressions in a way maybe besides daryl is bill clinton who took that from phil harman i think that maybe is the only exception but yeah i see what you're saying i just don't know that i ever really gave it a chance as much as i loved will forte i wasn't Like, you know, we're talking about like a post 9-11 world where people are pretty down on Bush in general. Track 4: [56:24] And, you know, the, you know, you know, Will Ferrell made Bush lovable because he was like a frat guy. And that's what he turned him into, like a bro and a frat guy. And I think that Forte never got the characterization or the writing to be able to turn the sketch and make it something of its own in the way that Will Ferrell had that leash to do. Yeah, you couldn't make the George W. Bush around when Will Forte was playing him lovable like Will Farrell did. I'm going to confuse that the whole darn show. Will Farrell, Will Forte. But so so will forte's uh george w bush i think it it was at a disadvantage because of just where george w bush was as a political figure around that time you know the kind of the whatever paul shine was on him if you could say that was was worn off quite a bit around that time so so you couldn't do the same type of depiction as will ferrell did and i i was like you i didn't really give it a chance but this is just sort of in hindsight kind of re-watching it sort of dawned on me I'm like this could you know it's not like. Track 4: [57:33] He was the best impressionist or like mimic but you don't have to be if snl history has taught us anything about impressions is you don't have to sound exactly like the person or even look exactly like the person i think he could have found an angle that i think he had the right personality to do and i saw i saw something in these george w bush impressions impressions that i hadn't really given a chance prior i mean he did it for a while i think he did it for over were he did 20 of them yeah like maybe two years he was doing it so sort of like finished up a little bit of um you know uh george w which is tenure of the show i guess they handed to sudeikis for like that the baton for like a little bit but yeah i don't know i i just i always felt like will forte um like i said he brings such a like a bright light to the show and and stuff like that and i don't think that the country was like very happy in general with bush and you know was looking for a change and like i don't know that um will it wasn't the right place in the right time for him to play him i think ultimately but i love the hot take i think it's a great hot take it's like there's a lot of what-if scenarios like do i think um if well forte was around a couple years earlier could he have played the original like incarnation of bush that's a possibility i think so um but. Track 4: [58:49] Well, I think you're right that you mentioned that maybe his George W. Bush impression unfairly gets lumped in with why the show was struggling around that time. I agree with that. I think there are a lot of factors. I just think where the country was, where humor was at the time. And I brought this up a few times on the show around 2000, let's say 2002 to 2005. Track 4: [59:11] That was a very weird time for humor in general. It was a lot of edgelord stuff. It was just a lot of really broad humor, I would say. And so i think maybe the the show suffered from just where humor was over in our society just in in general look i think i think um our community of like snl diehards looks back at that time, very like unfondly because you know you watch these things off time you go back and you watch these things on a binge and you'll see like all these episodes and you'll see the decline of the the show um and i'm not disqualifying you know people's feelings about those seasons because i would definitely rank them pretty low but i think tina fey often mentions how it was a very hard time to write comedy just like post 9-11 everybody you know nobody wanted to talk about politics you know they i mean the u.s was like invading countries around the world and then potentially invading the wrong countries and like you know there was like all this crazy politics stuff going on that nobody really wants to talk about. And people want it to, as far as, you know, Tina was concerned is that people wanted to turn on SNL on a Saturday night and not think about these things. So they focused more of their writing around pop culture. And the problem when you do that is that the references and the sketches become very dated. So to go back and watch like season 29 and season 30, um. Track 4: [1:00:34] I don't know almost 20 years later you're like this doesn't hold up as well as the things that came before it or the things that came after it so i think there's a lot of things working against it though i will say will forte was a bright spot in a little bit of a dark time of the show yeah breath of fresh air for me definitely and since i'm confusing will ferrell and will forte as probably a lot of people did around that time i want to talk about a sketch that i love that has both of them and when Will Ferrell came back to host in season 30 toward the end of that season it was a sketch called Pepper Grinder oh wow and yeah this is one that I think slips through the cracks for a lot of people too so basically Will Forte's character he and his wife are celebrating their anniversary at dinner and Will Ferrell oddly plays a college student you have to suspend your disbelief there for that real quick and basically will forte's character makes will ferrell's waiter character grind the pepper for a long time to teach him about grit and perseverance and and everything and this is just like to me will is so good at taking an everyday situation to like a dramatic absurdity sir my arm is starting to burn louis that's enough stay out of this jamie this is between me and the boy i can't lose this job sir then keep grinding. Track 4: [1:02:02] Oh god the pain grind son grind oh god oh god it burns please sir please. Track 4: [1:02:19] He's working with another master at that, Will Ferrell. So as a comedy nerd, as an SNL nerd, John, this type of sketch is like a dream for me. I love this sketch. It's a great one. And it's great seeing like two legends, you know, play off of each other. This is the type of sketch that you watch as a you know, what we're making when we're putting together a reel of Will Forte sketches, which is essentially what we're doing here. And then giving this off to the Academy of voters to go vote for Will Forte. I want the listeners to consider something here, which is watch this sketch and then think about if Will Forte could have fit in any era of the show. And this is a sketch that shows you why he could have like he could have done this sketch in the original cast by far like that could have fit in really well with a couple people here and showed them you know like i could just picture like a gilda radner sitting across from the table and like a dan akroyd with a pepper grinder like you could picture these things when you see these sketches because he just fits in so well with any cast um because he is such a unique archetype that i think really molds to the people around him so i do feel like that is why hosts it was It was probably their dream to be in a Will Forte sketch because he is such a great scene partner. Yeah, it was amazing to watch them work. And Rachel Dratch does a really good job with her role and her comments throughout this sketch. And now that I'm thinking about it and thinking about one of the traits of Will Forte that we've been talking about all episode, I think the pepper grinder sketch really has a bunch of them all wrapped in one. So you have that commitment. Track 4: [1:03:44] Completely 100% commitment. You have the escalation. It's what this sketch is built on, is that escalation that you're not quite expecting. You have the more kind of subtle Will Forte and good line deliveries at the beginning, especially. You have Will Forte just going nuts and yelling in this sketch. So I think this Pepper Grinder sketch encompasses encompasses all the like the a lot of the positive traits that we've talked about with will forte john am i wrong to say this is the perfect will forte sketch oh there's so many though that's the problem yeah it's not like you know there's every sketch is the perfect will for i'm just getting excited i'm just using hyperbole at this point too i like it i like it but um yeah i know i agree i think this is a like i said it represents a lot about you know what i like about will forte which which is, this is one of the sketch. I think there's another sketch that he does that is a comparable sketch to this one. And this is like later in his career, but I'm just trying to remember. It's one where he's like, maybe you can place this for me in my mind, but it's one where like, they're trying to decide like, who's going to pick up the check. And then like, he insists that he's going to pick it up. Track 4: [1:04:55] And that one is so, so great. I need to find where that was. It was called, I got this. I think if you look it up on on YouTube that's from season 35 and it's uh, it was like a game show basically Yeah, that was yes. Okay. You mentioned it's a game show. Yes It's a game show bill hater was trying to figure out who's gonna settle the bill And I think I honestly think that like that could be the same character from the pepper grinder sketch Like him just playing this like older gentleman about like who's gonna pay the bill and stuff like this and this is um One of it's in one of will's last episodes of a cast member as a cast member, but it's it's a really good sketch, Check still out there gentlemen. I got your money's no good here. I got this dad Come on, you're getting on in years, and I want to show you my love before you pass. I got this I'm only 58 I got this you introduced me to jazz. I got this you helped me to learn eBay. I got this I got my MasterCard right here. I could just not I got this I got this this is the woman I will be buried next to she comforts me when my hernia acts up the least I can do for this blessed angel is Is buyer spaghetti on her birthday? I got this! Track 4: [1:06:04] Impressive! Good rat! When people complain, like, they see, oh, another game show sketch. I think the game show format is perfect for a sketch comedy show. Especially, you could talk about technical reasons, blocking, the way the studio's set up, all of that. But I don't scoff at game show sketches just because they're game show sketches. We've had a lot of really clever ones recently this is an example and you just have to have the right premise and the right performers and we certainly had that especially with the premise of this and with will forte my problem the game show sketches is just that people don't really they're like aren't that many new game shows that's the problem right but i guess that's the you know evolution yeah that's why you invent a game show called like i got this yeah yes but But yeah, this is a great sketch. I think, you know, Thomas, we talked about how great of a great of a performer is Will is with performing with basically anybody. But I do think that he's also built chemistry with cast members that he has seen as like his ultimate scene partners. Track 4: [1:07:10] And that may have developed like later in his career, so much so that I wish he could have stayed on the show more. But I think that him and Jason Sudeikis on the show together is an all time duo that people talk about and still reference to this day of like oh that could be a forte in sudeikis. Track 4: [1:07:27] And we haven't even talked about any of their sketches together where they are so brilliant um i'll start with the espn guys the pete twinkle and greg stink you know this is a sketch that sort of premiered like very late in will forte's uh career at the show where i think it was in his last season this is season 35 and then we get it a bunch of times in that season but it's all like, espn classic so if that like does that channel still exist by the way it's been classic or did they retire that yeah i think it does okay yeah so basically in classic it's where i watched the like 85 bears on espn classic nice yeah i didn't know if it still exists with like youtube being around but basically so espn classic um you go on and you see like all of these like random sports like you know pool and bowling darts curling um shadow curling i i did that once um a couple times um but the uh and basically like pete twinkle and greg stink jason and will are the commentators and you know sudeikis is like your brilliant classic like espn play-by-play guy and will forte as greg stink is the color commentator and he always like heads over to him to say something and he has like nothing to say and their back and forths are incredible Wow, look at this, look at that. Oh, and quite a shot! Track 4: [1:08:48] Unbelievable, look at that! Oh, a big kick. Oh, she loves God. She loves God. Greg, how many points do you think she gets for a shot like that? Oh, I don't know, five? Nope. Okay. You just kind of pulled that number out of thin air, didn't you, buddy? Well, you put me on the spot I did not know what to say, so I looked down at my hand, I saw five fingers, and I went for it. I love it, I gotcha. Why is it so cold in here? Well, we're in an ice ring, buddy. Track 4: [1:09:14] And I know this is a Will thing, like a Will podcast, but also like Jason's ad reads to me are like some of the funniest things I've ever seen on the show. But just their brilliance together. All time great sketch. What do you think of that one? Yeah, Will Forte is so brilliant at playing dim-witted but likable. He says dumb things, but you root for him as much as you could root for that character in a four-minute sketch. Track 4: [1:09:40] But you really root for Greg Stink. And he just plays off just being oblivious, being dim-witted. This is another one of those where the delivery and the line read needs to be perfect. You can't stumble or else it loses that pop in the sketch. And there I brought this up I forgot maybe it was in the Jason Sudeikis episode but these Greg Stink and Pete Twinkle sketches I think set a template for for some at least one other duo that we saw on SNL it reminded me of the Don Jr. And Eric Trump dynamic okay so to where one of them was very dim-witted being Eric Trump and Greg Stink and then Pete Twinkle was almost like the Don Jr. To where he wasn't judging the other person he was almost just sort of like playing off of him and just correcting him but like in a nice way in like a friendly way like in an I love you sort of way so I think that this dynamic between like Jason and Will Forte is just like ripe for for comedy it's such a cool dynamic that I think we saw in Eric and Don Jr. Track 4: [1:10:47] I agree with that because I don't think that again, I don't know that this has been done really well before it. Like I think of like, you know, Dan Aykroyd and Steve Martin, I think they're more even even seen partners. I think Eddie and Joe, they're more even seen partners. And I'd even say like Mike Myers and Dana Carvey, like Wayne's World sketches, even though Dana plays plays it more dumb a little bit. Track 4: [1:11:09] I still think that like they're closer to even than what we get here between Jason and Will in this particular sketch. Sketch and i i do think it's set a template that is a good really good point of what came after it and i know it's something that like james austin johnson and dismukes would like love to find and maybe that's like the missing element is just being able to like be like one person in the duo has to like put the ego aside and play the dumb one right in the duo to be able to pull this off yeah it doesn't it's fine if there's like a power imbalance because that can be ripe for comedy, So I think we saw that perfectly. It was that dynamic between Sue Dacus and Will Forte with Pete Twinkle and Greg Stink. These are one, they did these, I think, six times and all of them just hit. They're like home runs each time. Your girl, Kristen Wiig, we all love her. She's great. This is where she's like a great silent actor. I know I brought up that point in our Kristen Wiig episode, but this sketch right here is where Kristen Wiig's like a perfect silent actor. Just wonderful sketches all around. Everybody compliments each other so well. Track 4: [1:12:15] Yeah. And that leads me to the other great Jason and Will sketch, which I don't know if you want to bring it up or you want me to do it. But we got to talk about John Bovey, of course. Oh, yes. Yes. Are you a John Bovey guy? Yeah, I am. Speaking of setting a template. But yeah, no, these were these were great. So stupid that I was on board immediately. All right, here we go. Two, three, four. Because I'm an Indian. Track 4: [1:12:40] Indian. On a cotton horse I do not ride And I'm unwanted. Track 4: [1:12:47] Alive and dead Alive and dead Alive and dead. Track 4: [1:13:01] Boom! Honestly, just like looking at a still picture picture of will forte's face as like the member of john bovie is so hilarious with the mustache and the long hair this is like pure joy as this is as good as it gets with like you know just you know the party of snl and feeling like you're invited to like the greatest party in the world is like watching these two of your friends just like hang out and be so stupid and silly and just like sing these bon jovi songs as john bovie that they're all like the opposite band and um Um, I, to me, every time it was popped up, I just like ate it right up. Track 4: [1:13:43] Yeah, it's got to the point where I associate the band and the artist Bon Jovi with this, where I have to remind myself that the actual real person's name isn't John Bovey. Yes, that's how closely I associate. I see John Bovey and I'm like, well, that's how it is. Right. Oh, no, no, no. It's Bon Jovi. But you're right. Also, it's because like John Bon Jovi. Yeah. And then there's a whole like, yeah, yeah. Layers to that. You're right. There's like like two of our friends just being dumb. Like I could see just at a party and they're just like entertaining people and like, oh, these guys are so stupid. But and, you know, the beat like you see them up there and you know what they're going to do. But it's still like a fun surprise as to how they do it. That that that takes a real performer to to make you laugh, even though you you know the beats, you see it coming from a mile away and you still laugh. Track 4: [1:14:32] Yeah. And I see like people on like SNL Twitter, like being like, you know, bringing up Remember Lizards. This is like the jason and uh the uh james austin johnson and andrew dismukes version of this sketch and i'm like you guys you don't know how like good it is to have something like this like i i love that they did that by the way like i'm one of the ones who didn't mind that they did that but uh but like uh to me like this is the the pinnacle of you know just stupid and it's it's so great to have that on saturday live and i wish we got more of that honestly yeah yeah that was so good and i realized so we're about an hour in and i don't know if jd's yelling at us right now but i don't care jd this is a special episode for us we're about an hour in and we haven't talked about mcgruber at all and this is maybe the thing he's most known for this spawned what i think is a hilarious movie and we have not talked about yeah yeah and and he did it nine times and of And of course, he did it 27 times, probably, essentially, because they were all three-part runners, basically. And yeah, that's... Track 4: [1:15:38] What do you think of mcgruber john yeah first of all jd this is our playground like let us let us do our thing here we're cooking uh but uh i love mcgruber mcgruber was the thing that like when mcgruber would come on and we were watching the show live in high school there would be audible cheers in the room like sometimes like i gotta talk sometimes about like my snl history and like um we would be like like my friends and i loved saturday night live so much that we would be this is like before we were old enough to like go out to clubs and like drink we would like have house parties with our friends and we'd have like a lot of people in our high school grade over and snl would be on the tv in the living room and like i'd always be like somewhere nearby so i could like see what was happening and not feel like the fomo of not having watched it and as it's happening so like two things would happen during this era that would just like make the bit like make the house shake one snl digital short pops up number two was mcgruber theme song comes on and people would be like everyone would sing like mcgruber like as that would come on and it was just like nobody like we were young like we didn't like get the whole like macgyver like the whole thing like we didn't we didn't get it but like knowing what i know now it's it's just like a brilliant portrayal of like this characterization and obviously we're gonna get like at one point the real macgyver i mean there's so many good variations of this including like betty white and everybody but But yeah, this is like his most well-known character. Track 4: [1:17:05] And it like, it only took us an hour to get here because there's so many other brilliant things on his resume. But it doesn't take away from the fact that these sketches or like blackout jokes really, because this is like the pinnacle of a blackout, you know, joke on SNL, are amazing. They're amazing. And it's like really the last real runner we've ever had at the show. Track 4: [1:17:26] Damn, this door is locked from the outside. As soon as that liquid hydrogens release this baby's going to blow sky high! What's the plan, MacGruber? I want to kiss you on the mouth. What? Ten seconds! Okay, okay, quickly. April, hand me the guitar. Give me the guitar, give me the guitar. Come on. Okay, check this out. Groober, I got ten inches of lovin' And I wanna give it to ya Are you drunk? Groober, okay, maybe it's not ten But it's certainly seven Come on, man, do something! Groober, okay, it's more like five. Track 4: [1:18:10] You alluded to something when you mentioned, oh, he did one with Betty White or Richard Dean Anderson, the real MacGyver, Charles Barkley, something really important about recurring characters and this, that this one didn't fall into that trap is diminishing returns. And that, that's a really huge topic amongst SNL fans. And Lisa from Temecula recently has been, you know, we've talked about the concept of diminishing returns possibly as far as that goes. Track 4: [1:18:38] MacGruber didn't suffer from that. I don't think there was diminishing returns in these that I could remember. It seemed like all of them basically hit. I mean, yeah, you're talking to the wrong person if you want to argue with me that they didn't. Because I think that like these to me were so hilarious. And I think that it was a great level of escalation. And I really feel like the formatting of these is like one of the last great things about traditional television, which was like we talk a lot now on the SNN about, you know, what what are the producers at SNL like really thinking about when they produce a new season of Saturday Night Live, like all the way now in the 2020s? And like, is the show being produced for somebody to watch it every Saturday night at 1130 to 1am? Or is it being produced in smaller doses for people to watch on TikTok and YouTube? Track 4: [1:19:31] And I think that you can't produce these sketches in the new format of the show, potentially, because then you have to put them back to back in like a YouTube video, which is often what they did. And I think that takes away a little bit from the MacGruber sketches, which was the the having to wait to see what's going to happen later on in the episode made these sketches even better. Like you would have to go like 25 minutes before you saw the next MacGruber or if it like is there going to be another one? Like what's the next escalation here? And I just love like the playing with the format in modern times that they were able to do with these sketches. That's a great point that I never thought of. But you're absolutely right. Like kids these days. Am I right? instant gratification and whatnot like yeah yeah they don't they don't get it yeah they just don't get it no you know that's such a good point though and i will i want to see yeah as snl fans we have like these these lists that we want to see this and that and i'm with you on runners like i love. Track 4: [1:20:31] Runners like there's an there's another example like the closet organizer oh man yeah with with john ham like in john ham's episode like that that was a really that's an unexpected runner and that was a different kind of runner that with the closet organizer but i yeah yeah i mean that that is something that like i feel like they would never do now but and they wouldn't even like really do that in 2010 like that was so unique that they allowed will forte to do something like that where like he appears as the closet organizer in the john ham episode and then like in a different sketch later in the night like he meets the guy from the closet organizer at a bar and like that's something that they would do in like the late 80s maybe not in 2010 but i. Track 4: [1:21:19] Think that lauren at the time probably was like we're gonna give this to will because like it's so brilliant yeah from john john ham that was a great episode uh we covered john ham in in the snl hall of fame but yeah that was like a brilliant another little brilliant piece of physical acting writing especially that will forte did before we kind of start heading to the home stretch and closing this out we can do like a little lightning round unless you have something else before the lightning round no we'll do the lightning round but i was gonna say uh jd i'm keeping thomas here forever because we're just gonna keep going and going i'm pumped yes yeah uh so i want to do like a little lightning round if you have like one or two sketches that people should just go check out i have a couple if you have a couple uh we'll start with you and just kind of briefly like Like just maybe one or two more sketches that people should check out if they want to know Will Forte. Track 4: [1:22:13] Sure. Yeah. I mean, one of my favorite sketches from his era at the show was a sketch that involved like most of the cast. And it was a series of sketches where there would be a toast at like a wedding or a funeral or something like that. And you get all these characters from different cast members who would show up there and they would recur. Occur um we did see this a little bit in a recent era but it wasn't as to the brilliance of like what these cast members would do and involved will forte playing a character named hamilton who's this like super far right guy who like comes up the microphone and whispers about how like. Track 4: [1:22:47] Like obama shouldn't be president and like he's like the devil and like all these things and it's like it's so weird in retrospect because like we've seen in real life over the last like 10 years like a lot of hamiltons like pop up but like at the time i think like things weren't so serious and like will forte could play this guy on the show and he plays it like with this blonde wig looking so crazy with the glasses and everything that and it to me i laugh so much at this especially one of the sketches where he admits that he's like in a relationship with gabourey sedebe yeah it's so great and i think seth myers that'd be like a jan krang like ad bryant's character like that type of that archetype of just somebody yeah i mean in a like a public setting i know jan krang was played bigger than yeah than hamilton but but that's kind of where my mind went yeah see those are more like catchphrase jokes to me like the whole like jan and krang like that's like that whereas like this is all like in the world building that is brilliant about this character which is like you only need like 30 seconds with the character to know everything about them and like that is something that will force it does really well and one of the it's one of the characterizations of like i think some of the greats in snl history i know this is the lightning round but i just i have to say like i love this sketch, so so much so much so that i think uh i think seth meyers had will forte do hamilton at his wedding. Track 4: [1:24:15] Really yes and you could look up that clip online i think he talked about that and they showed a clip on late night of him doing it there and talking about why his wife should not be marrying him and it is as good as it gets like you got to check that out i'm gonna check that out and you had another one um well yeah i was gonna say uh clancy t baccarat like i know we didn't bring it up i don't know if i know these sketches aren't for everybody but like him and kristen wigg just, Yeah, screaming and yelling, singing Easter songs or whatever it is about spaceships, tall doors, model T cars and jars of beer. Those always crack me up. And again, he's in his like full like crazy hairdo, all that stuff. To me, you know, the two of them, we talked about him and Jason Sudeikis, but. Track 4: [1:25:00] Him and kristen wig i think are another brilliant team that i just wish we got a couple more years from so another great sketch yeah well we had a whole episode of snl where that was will forte and kristen wig uh recently so that's true i was the one i was one of the ones who didn't mind that as much yeah it was a weird episode i won't dwell on his hosting gig too much but it was very bizarre but i did enjoy the when they brought back the clancy t baccarat character yes uh yeah so so can i just say about that episode because i i do think like it's it's interesting for some of the listeners who maybe weren't like following our coverage at the time of that um why that episode was so weird and unique was that like i was doing the stats on that episode like the day after and i was like that episode felt so weird and i just like couldn't figure out why and i love will forte and then i realized that that was the first episode since the second episode of the series where paul simon hosted the show where no cast member was in more than two segments I went through every episode, all 900 and something. Track 4: [1:26:00] And no regular cast member was in more than a couple of things. And that was such a unique situation that it almost felt like a clip show, in a way. It wasn't like a new episode of season 47 of SNL, and nobody will catch me complaining about more Will Forte, but it was just a very unique episode that people were excited to see how Will Forte was gonna fit with this cast and what he was gonna do. Track 4: [1:26:24] But it ended up being like a lot of MacGruber and like, you know, small sketches with a couple of cast members. And I think like a lot of people had a night off. Yeah. Yeah. So whether you thought it was a good episode or a bad episode, it was definitely a memorable episode. Very unique episode. So I'll give it that for sure. Two that I wanted to shout out were he did these he did that these three times. It was called First Night Out. So I think he was him and Kristen. in he played this guy named neil and they would basically try to rope somebody in to do a three way with them and it just his delivery about calmly explaining how a sexual encounter will unfold between the three of them like and then you show like the they're they're meeting at the beginning of the night and then they have more drinks and they even show like the hand on the clock like move like it's later in the night and then they're going from talking about regular things to will forte's exploit calmly explaining to them just in a matter of fact way about you're you're going to do this and then I'll come in and do that. And just, I found that just, just so like subtly bizarre. Track 4: [1:27:23] So, so I wanted to shout those out. Do you remember though? I'm sure you remember those, John. Oh man, those are, those are really great. There's so many good Will Forte things. I mean, it's hard to bring up everything, but yeah, those are really great sketches. And I, in particular, I think they did a very good one. I'm going to say it was with either Lindsay Lohan. I think they did one with Rainn Wilson. Lindsay Lohan was in one. Yeah. Rainn Wilson also. I think they did a good one there. Steve Martin. And I remember that one was a little bit weird. But yeah, those are some good ones. Yeah. And then there's a one-off. So I talked about how I love his one-offs. And there was one he did with Drew Barrymore and Kristen Wiig called Poison Therapy. Okay. Season 32. Track 4: [1:27:59] And Will's character, he and his wife are in marriage counseling. And Kristen Wiig plays the marriage counselor. And he's married to Drew Barrymore. And they're talking just in this matter-of-fact way about how Drew Barrymore likes to poison him. and he's and Will Forte almost plays he plays it so small and subtle and so funny he's almost like. Track 4: [1:28:22] Like excusing his wife for poisoning him and and kristen's really playing it well too and she's saying as a matter of fact like so why do you think that is and then drew barrymore is like well i do poison him so i understand why he feels that way and then will forte is like oh you do you understand so he's all happy so it's just this very great scene in a marriage counselor's office called poison therapy kristen wigg will forte drew barrymore i want to encourage people to go watch that one as well yes oh i got one more by the way sorry jd but i gotta you know we can't end this episode without bringing up gully i mean just you know will forte making those sketches as great as they are with his you know mr dylan uh you know i think those sketches like lost their luster a little bit after he left the show so uh for me that is uh one of the better you know characters within the world of another sketch yeah will forte's delivery lives on like when When everybody thinks about those sketches, I think they're thinking they're imagining Kristen dancing, but they're also thinking about Will's delivery with the ghillie. So that's a good that's a good pull, John. Track 4: [1:29:27] So post SNL, because I know and especially when you look at cast members, you kind of like to look at post SNL and we already covered his hosting stint. But after SNL, he started MacGruber, which came out around the same time as he finished the final season of SNL, like literally the same month. I think he starred in The Last Man on Earth from 2015 to 2018, which is a show that I stand by. He's got some good laughs out of that show. He tends to pop up everywhere in TV and movies as well. He's one of those. He's almost like a Maya Rudolph in a way where he's just like pops up in a lot of things. So have you enjoyed Will Forte's post SNL career? Like, what do you make of it? Yeah, I also enjoyed him on 30 Rock. He had to run there as well. I think it's like Jenna's boyfriend that. Track 4: [1:30:10] Yeah, I mean, look, anytime he pops up in anything, I love to watch it. Last Man on Earth to me was a great show that didn't get enough press. Track 4: [1:30:17] And when it got canceled, I was really upset about it because it had like a really good story about the end of the world. And then I ended up going to see Will Forte at Just for Laughs. And then he told us like how the show was intended to be finished. finished um and i was like if you if you know me like i i hate that stuff like i hate not knowing so for like close the book so if anybody wants to know like reach out i'll let you know like how that how that was going to finish i'll definitely ask you when we when we hit stop here yeah i don't want to like read it for anybody in case i don't want to but i did i do know that how the show was going to end if they had a last season um yeah so i mean like i've really enjoyed everything i've seen him in anytime before today does like a an interview or something like that i check it out i i sort of like knew that like coming off this career on the show like i think that this was his playground and there would not necessarily be outlets for his type of comedy out there unless he was going to produce his own show or have his own special or something like that i think like the tim robinson format is maybe something we could have gotten from will forte at some point um if he had wanted to go that route like if there wasn't netflix that was paying for those types of things i think that maybe that's something that he could have envisioned post his career but i don't know i mean look he's at an okay post career uh from snl but i like i said i think that snl was his you know was his playground and he was a master when he was on the field yeah i agree with that i think uh he was destined to be like a character actor kind of he plays that really well he's always memorable and whatever. Track 4: [1:31:44] He appears in snl you're right that was his playground and he did it really well so i agree with you i think i think i've enjoyed his his post SNL career and I think he's doing what he was kind of destined to do uh so now's the time I don't know why you wouldn't vote Will Forte into the SNL Hall of Fame I'm gonna I want to talk to somebody who yeah maybe maybe on our upcoming roundtable there might be uh one or two stragglers there but uh so John you want to give us a little uh pitch to end the show why you think SNL Hall of Fame voters should consider casting a vote for Will Forte. Track 4: [1:32:21] Yeah, I think he left his mark on the show that, you know, everyone who's come since has always been compared to, you know, people are always like looking for the next Will Forte. Track 4: [1:32:32] I don't think there's an easy comparison for anyone before him. So he lives in his own world in terms of the history of the show. I think he built things on the show in terms of, you know, time within the show. That is the Will Forte, you know, area for people to go and play and be weird. And I think he changed the show. Like one of these things I like to think about or talk about when I'm voting for the Hall of Fame is if you pull this person out of the timeline, out of SNL history, is SNL the same? Is it better? Is it worse? And I think SNL is a much worse series without Will Forte in it for those eight seasons, you know, just being absolutely crazy to the nth degree. Agree so you know if you listen to this whole show for an hour plus of thomas and i just going on and on about how great he is you'll know that there were just character after character moment after moment in every one of the seasons that he just crushed and i i think that you know going back and re-watching his career at the show you are going to find yourself looking for a will forte moment in an episode that's going to brighten your day and he's going to give it to you so he is is absolutely made for the SNL Hall of Fame and deserves to be in there. Track 2: [1:33:59] Made for the SNL Hall of Fame, Will Forte, an impassioned argument from our friend John Schneider, facilitated expertly by Thomas Senna. I got to tell you that I think he's a Hall of Famer. I don't think he's a first ballot Hall of Famer. He just doesn't have that gravitas. While I agree with John that the show would be very different and it would be different in a negative way without him, I do think that he wasn't ever the fulcrum on which the show pivoted. And that may hurt his case just a little bit. But you just heard 90 minutes from Thomas and John. John, and if that doesn't convince you, then I don't know what will. Maybe a sketch. Maybe we should go to a sketch right now. How do you like them apples? So let's go to a sketch called Trick or Treat. This appeared on an episode hosted by John Hamm. Let's go to it now. Track 5: [1:35:11] Here is a Snickers for each of you. And for old time's sake, how about a Charleston Chew? Thank you, Mr. Peterson. Happy Halloween. Track 5: [1:35:34] Trick or treat. Can I help you? Well, that depends. Do you have any Kit Kat bars? Heck, I'll take anything without toffee. It's a real bitch on the fillings. Hey, don't call me a bitch. You're the bitch, bitch. What? Seriously though, trick or treat. Aren't you a little old to be trick or treating? Wait, is 43 too old to be in the Halloween spirit? And by spirit, I don't mean ghost. Heck, I'm not that old. What? I realize this is a little unusual, but, you know, I just moved into the neighborhood, and, you know, I figured I'd use trick-or-treating as an excuse to get out and make some new friends. I apologize for being so awkward. No, you know, that's quite all right. That wasn't very neighborly of me, and I apologize. Bob Peterson. Jeff Montgomery. Pleasure to meet you. You know, this doesn't excuse my behavior, but I hope you'll accept a Reese's peanut butter cup. Bob, I couldn't think of a better welcoming gift. Thank you. And just out of curiosity, what exactly is your Halloween costume? I'm a sex offender. Track 5: [1:36:53] Excuse me? I'm a sex offender. For Halloween. A sex offender. Yes, pretty convincing, huh? Here, watch this. I'm Jeff Montgomery. By law, I'm required to inform you that I'm a repeat sex offender. And I'll be living in your neighborhood. It's a great costume, right? Could you sign and date these, please? Track 5: [1:37:19] What am I signing? You will get a big kick out of this. You see, as part of my costume, I'm having everyone sign this form acknowledging that there's a sex offender living in the neighborhood, et cetera, et cetera. Let's just be clear on something here. Is sex offender your Halloween costume, or are you fulfilling a legal obligation to declare yourself a sex offender? Bob, lighten up! It's Halloween! Huh? Besides, this is a tradition. You know, I do this every time I move to a new town. Are you, Jeff Montgomery, a sex offender? Am I, Jeff Montgomery, a registered sex offender on Halloween? Yes. What about not on Halloween? Yes, even when it's not Halloween, I'm still Jeff Montgomery. A sex offender. Look, you're missing the point here, Bob. The point is Halloween spirit. The point is trick-or-treat. The point is, could you sign those papers? All right, okay. You know, last chance, and I will check with the police on this. Do you have a criminal record? Absolutely not. Look, if I am guilty of any crime, it's the crime of sexually assaulting five teenagers. Track 5: [1:38:41] Okay, now this is going to sound like a terrible segue, but are you looking for a babysitter? Happy Halloween! What? What? Track 2: [1:38:55] Oh, Jeff Montgomery in a sketch called Trick or Treat, street registered sex offender um you know it's uh it's sort of a third rail and the way forte and company executed they did it in a way that had a lot of comedic value and i think that uh that just shows it really showcases Forte's knack for taking the absurd and the awkward and milking the comedy out of them where a lot of people might not see that comedy so there's that. Track 2: [1:39:39] Hope you enjoyed yourself this week I can't believe it but we've only got two episodes left Next week we're going to be talking about Kate McKinnon fresh on the ballot and we will be talking to Ashley Bauer about Kate McKinnon and building the case for her inclusion in the SNL Hall of Fame. We'll follow that on May the 6th with the Don Pardo Award winner and we're really excited to present that to you this year. That will be the same day that the ballots are distributed and voting is open voting will run until may 17th and we will wrap up the whole season five on may 20th with an extravaganza the likes of which you've never seen before now if you would do me a favor and on your way out as you pass the Weekend Update exhibit, turn out the lights. Track 2: [1:40:38] Because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Maya Rudolph | 15 Apr 2024 | 01:06:22 | |
We're back in the Hall after a hectic week with the whole foot-wiping thing. At any rate we're thrilled to welcome Rebecca North to the show to relitigate the case for Maya Rudolph who is appearing on her last ballot. Check it out and get ready to start voting May, 6th. Transcript: Track 2 [0:41] Thank you so much, Doug Donets. It is great to be here inside the SNL Hall of Fame with you all. Now, careful listeners of the show pointed out to me that I didn't remind you to wipe your feet last week. It's not lost to me. I truly thought I had solidified my stance on this matter to the extent that it would become the norm. But alas, if you are paying for the pay-per-view feed right right now, you can see that I'm holding a mop. Jeepers, creepers, peoples, wipe your damn feet. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. And that's how we play the game. Let's go to our friend Matthew Ardill right now, because the game that we like to play is learning a little bit about our nominee. And that's exactly what we're going to do. Let me just put this mop down and okay. Oh gosh, I'm parched. There's something going on with my voice. Track 3 [1:59] Matthew, old man. How are you doing this week? I am good, thanks. And you? I'm a little shaky in the voice, it seems. Well, maybe you need some water. Let me take a sip of this water. That's better. It is delicious. We talked about water last week. We'll put a pin in it until next week. We don't want to give away the farm, as it were. Maya Rudolph, huh? Yeah. I mean, I'm really looking forward to sharing about Maya's life. She is an incredible character. This is interesting because this is her last kick at the can. If she doesn't get in this time, and I believe she was hovering around 58% or 59%, so she needs almost 10% to get in, 10% more to get in. And if she doesn't get in, she's off the ballot. That would be a shame because she is an incredible performer and a hilarious person. So take this as a war egg, not telling people how to vote, but just be mindful of that folks. This is your last chance. Yeah. Track 3 [3:16] Well, let's hear some, uh, trivia to maybe sway some people. Yeah. Yeah, Maya Rudolph is 5'7", birthday July 27th, 1972. She has 118 acting credits, 12 producer credits, 2 writing credits, and 30 soundtrack credits. She was born in Gainesville, Florida, but was raised in L.A., the daughter of singer Minnie Ripperton and composer Richard Rudolph. Off her mother is the singer of the song loving you uh which i've now three times brought up to my wife and every every time we hear it and she goes if you're gonna tell me maya rudolph's mom saying this one more time i'm gonna throw a saw throw a pillow at you but yeah she did and uh in fact if you listen to the single you can hear her singing maya maya maya maya because this is a lullaby Bye. Track 3 [4:13] That she wrote for Maya and was used to sing her to sleep. Oh, my gosh. Yeah. Now, and her grandfather on her father's side, Sidney J. Rudolph, owned all of the Wendy's and Rudy's restaurants in Dade County, Florida. Track 3 [4:29] So he was a- I know Rudy's, but Wendy's, that would be amazing. I love Wendy's. Fast food entrepreneur. entrepreneur. She was childhood friends with Gwyneth Paltrow, and their families were actually very close to the point that her dad was hired by Bruce Paltrow to supervise music on his film Duets. Music runs in her blood. Her brother is also in the music industry as an engineer. When she was seven or eight, this is actually when she fell in love with comedy. She saw a friend hurt themselves and start crying, so she started doing a funny voice that made them laugh. And she thought to herself, this is much better than feeling bad. I want to make her feel good. And that's sort of been her philosophy going forward. She studied photography at University of Santa Cruz and formed a band called Super Sauce with classmates before joining the band The Rentals, which was fronted by Matt Sharp. Matt Sharp, yeah. Yeah, they released several singles, including Seven More Minutes, Barcelona, and My Head is in the Sun. She toured singing. Oh, you got to say Friends of P. Track 3 [5:40] Friends of P. Okay. Yeah. Yeah. But yeah, she toured singing backup and playing Moog synthesizer. Friends with P. Sorry. I apologize. There you go. Sorry. Yeah. But when the band broke up, she actually decided to start pursuing comedy and joined the Groundlings. Yeah. Track 3 [5:59] She has been in two Oscar-nominated films and has indicated her dream reboot would be to either remake Tootsie or play Violet or Dora Lee in a 9-to-5 reboot. I want that 9-to-5 reboot. Oh, that feels like low-hanging fruit. Like, in a good way. Track 3 [6:20] How has that not been done? Exactly. This is a fall guy, for heaven's sake. Yeah, like I said, low-hanging fruit in that it's so obviously awesome. Yeah. Track 3 [6:29] So it's like, why would you not do that? And I can just imagine her singing the song too, like the, we're gonna do fun. Like, it'd just be beautiful. Yeah. So she later formed a Prince cover band called Princess with her friend Gretchen Lieberum in 2011. And Prince himself was a big fan. Oh my gosh. So this shows there's no bad blood over the Prince show sketch. Sketch um now she she first the first time she actually met prince was on a five-hour plane ride uh he asked if they had met before and she thought he must have confused her with someone else but he later came back and asked if her baby sang to her and she said yeah she makes noise all the time prince responded maybe that's your mom the first time i saw your mom was on the mike douglas show So I shed a tear. So Prince was just such a beautiful human being. There's like a connection there between the two of them. I'm speechless. I'm speechless right now. Well, I mean, that's how Prince leaves everyone at one point or another, you know, just does something so miraculous and wild and awesome that you're just like, I've got no words. No words at all. Well, we have a lot more words, though, coming your way in a conversation between Thomas and Rebecca North. Track 3 [7:55] This should be a good one, Matt. Yeah, looking forward to it. So let's head down to Thomas now. Track 4 [8:30] All right, Matt and JD, thank you so much. Yes, we are talking about somebody who has been a very beloved cast member who has been on the ballot since season one. So this is like one of those very special episodes of the SNL Hall of Fame where we get to almost re-litigate or re-examine somebody's candidacy. Somebody who I'm surprised isn't already in the SNL Hall of Fame because this person's so beloved. So I'm excited today to chat about Maya Rudolph and joining me a first timer here on the SNL Hall of Fame podcast. Track 4 [9:06] Rebecca North is joining me to chat about Maya Rudolph. Rebecca, how are you doing today? I'm good, Thomas. I'm happy to be here. This is my first time, so I'm excited to voice my opinions about someone who I'm shocked. It's been five seasons now and still has not made it to the Hall of Fame, and that was groundbreaking to me. So I'm here to vouch for Maya and kind of talk through her career and history on SNL. So I can't wait. Yeah, we'll dig in to see why she might not be. We'll definitely try to make another case for her Hall of Fame candidacy for sure. And you're a great person to come on and talk with me about this. You and I were teammates a long time ago, two years ago on the Saturday Night Network's trivia. We did a little trivia together. So I don't know that we won. We were going up against Bill Kenney and stuff and he dominated us. But that's how we first came in contact. And you've been doing stuff over at the Saturday Night Network off and on. What have you been up to over at the S&N recently? Track 4 [10:14] Yeah, I was actually thinking about that. That was my first episode on SNN as a guest for trivia. And we did get annihilated. But it was fun. I feel like very insightful. Like I learned a lot through that. When I was signed up, I was like, Oh, it's gonna be a piece of cake. And then no, we were up against people who have been watching for live for a million years and rewatch it and do all that. So that was fun. But yeah, I'm over at the SNN Saturday Night Network. And I'm going on a lot of those roundtables recapping the episode. And just really enjoying this season leading up to season 50 of SNL, which is going to be a huge one. So loving kind of the gap bridging between, like, millennials and Gen Z. Track 4 [10:57] Specifically on the show and the writing staff. So this has been, like, an exciting kind of transitional season for that at least I'm viewing, where some of the guests are people that most of the viewers have never heard of, but they're really exciting to me. So I'm excited to get really just into SNL this season. Yeah, it's been a really interesting season. I like hearing you on the hot take shows and the roundtables because I think you and I often share similar sensibilities and similar opinions with the show. And I think your opinions are, they're mostly positive, they're fair, but you're not like, you're not just going to say everything's great. That's what I like. You have a discerning eye for this. So I think your voice on the S&N and the roundtables and such, I think is a really nice perspective, Rebecca. So I'm glad you're sharing that perspective with us today. Yeah, thank you, Thomas. I also know we both have a shared love for pop culture and all things there. So it's going to be exciting to talk about someone who was on the show and is really just pivotal in pop culture, I think. Like, as far as some of those, not earlier, but, like, middle of SNL cast members go, I think Maya is definitely someone we've seen, is very well known just in the world. And people that have never even watched SNL know Maya Rudolph. It's just a name, which is why I'm so shocked that season five, she's still not in the Hall of Fame. I know. She pops up everywhere, too. Like, so many shows that I watch, like, is it the –. Track 4 [12:25] The Good Place. Yes. I didn't even expect her to pop up in The Good Place, and she played the judge. And my wife and I were like, oh my gosh, Maya Rudolph. We were so excited. She just does that. She's just omnipresent in pop culture. I was actually going to reference that when I was thinking about her before this. It was such a small character, but had such an impact on The Good Place. I really loved that. I'm glad you brought that one up. No, absolutely. That's what she does. Maya just pops up, and then everybody, we all get excited to see Maya on her screen. She's like an electric performer. Rebecca, I'm curious about, since you're a first-timer here on the show, you've never, you know, haven't shared, obviously, your SNL fandom with us. So tell us about, like, your SNL fandom. When did you start watching the show? Any particular cast members or casts in general? role? Track 4 [13:11] So I watched the show a lot. It was very big in my household. My parents aren't super fans, but they don't miss an episode. They watch every Saturday night. No matter what they would do, they would have it on TiVo. I remember growing up and then DVR to watch it just every Saturday night. They go to sleep after the news and watch the rest the next day. And I think around high schools when I started to appreciate SNL, I actually, the other said, man, big on pop culture, but I became very just interested in politics and just learning a lot more about this world because I feel like I would have conversations with people and actually have no clue what I was talking about. And that was something that I was always, like, missing. And then I actually really got into SNL because of the politics and the stances there and seeing Tina Fey as Sarah Palin. I suddenly knew who Sarah Palin was and knew how to give an opinion and a stance and know that. So that's actually what really like hooked me. I've always been a big comedy fan. Like any set come that I even do some standup now and sketch around New York. Yeah. I dabble. I'm not super well versed, but I started when I lived in Seattle. It takes a lot to even dabble. I've done it once. I did a five minute set once and I'm like, this is tough. Track 4 [14:28] Five for your furset is a lot. So I lived in Seattle during the pandemic. And I'm not from there, so I'm from New York. And the way that I actually got to meet people was I took an improv class. And through that, I don't – not an improv girl, but I met someone that was like, I feel like you do good stand-up. You want to come with me one night? And that's actually how I made a lot of my social life and friends there is just going to open mics, doing open mics, working on things with people, So that's how I got into that. And then when I moved back to New York, the way that I met some other people here was taking a sketch class at People's Improv Theater. Track 4 [15:06] And through that, going to a lot of shows and open mics and just making connections with people. So comedy has always just been at the root of things in my life. But then really when I started like understanding it and really appreciating the show that it was like a universal experience, but I just never sat and watched. I think around high school time is that when my parents would record it, even if I was doing my thing, running around like at night, every Sunday, like even today, like I don't usually watch it live. I watch it every single Sunday. It's part of my routine now. I watch it like Sunday, 11 o'clock. I wake up, I'm making breakfast and I'm watching SNL and it's basically just been a constant in my life. And a lot of it really stemmed, weirdly enough, from getting to know and learn and understand politics in a fun way. Yeah. As fun as they can be these past few years anyway. That's really interesting. Yeah, I don't often hear people say it was politics. Even though SNL is synonymous with politics, that's a really neat way to get into the show. I love it. And so when did you first take notice of Maya Rudolph as a performer? Was it SNL? Track 4 [16:12] It was SNL. So Maya Rudolph and Kristen Wiig are like my two favorite cast members of all time. And a lot of it was their interactions with each other. And I was able to see a lot of like myself and my friends in them and the way that they interact and the way that they bring each other onto their projects in real life or even watching them on a talk show or red carpet or they're presenting an award at the Emmys together. Like the way that they interacted I also felt the same similar with Tina Fey and Amy Poehler where I was just like me and my girlfriend just sit and do this and we just kind of shoot the shit and talk and are funny and friends and I think that's what really felt relatable to me and I think in actually some of the the sketches that I like think so highly of Maya and a lot of them are her and Kristen are just her being her but in like a funny way and adopting and I really I really feel like that's what drew me in to her is I could see myself being friends with her. I can't say that about everyone that's been on this show, but I'm like, you're someone that I'd get coffee with and I feel like I'd have a great time. Yeah, I can see that, definitely. It seems like she'd be easy to be friends with. For sure. Yeah, if she was my friend, she would probably say, you know what, Thomas, I'm disappointed. I've been on the ballot. This is my fifth time on the ballot now, and I'm not in the Hall of Fame yet. What's the deal? Track 4 [17:34] Yeah, you have to make it up to her to get a friendship. I know. Jeez. I know. Sorry, Maya. So in season one, she had 47% of the vote. Seasons two, three, and four, actually, it's been hovering around 58%. It's been very, very steady. Track 4 [17:50] So almost like knocking at the door, Rebecca, the candidates need 66.7% of the vote to get in. So to about two thirds of the vote. So she's like knocking on that door, but not quite over the hump. So why do you think, like, do you have any theories as to why Maya hasn't got over that hump and been voted into the hall? Yeah. So something that stuck out to me as a reason why I love her, but I actually could see people not is obviously we've seen her do countless impressions on the show. So from Beyonce to Kamala Harris to just all of these different people, but she's still kind of maintains maya and that and i think maybe from an impressionist point of view you look at someone like top of mind right now is chloe feinman and you look at chloe and she's an impressionist whenever she puts a wig on she embodies that person and maya the similar to if sarah sherman does an impression i'm just relating it to this season is it's sarah sherman still and you still have all of her quirks and all of that maya is very that and that's actually why I like her because I'm like yeah you're not blending completely into this person I think there are two types of people that do impressions on SNL people J.A.J. That just completely embodies that and you actually might not be able to tell who is who if they're talking next to each other and people that sometimes are funnier to me is. Track 4 [19:11] Someone that, like, their quirks and their characteristics come through. And it's, like, Maya Rudolph as Kamala Harris. And sometimes that's even funnier to me than an actual spot on impression. Because if you're not going to do a perfect impression, at least let your comedy come through. Track 4 [19:27] But that's something that I specifically like. I have dabbled in the space and I'm not an impressionist. I made a joke that the only impression I could do is, like, either a 60-year-old chain smoker or, like, an old man just based on my voice. And my stature and i'm just like i you would see me through any impression i've done so that is something that like shines out to me is that like i love that and respect them when someone could do that and make it funny and really let themselves come through that like ad bryant as well as someone that sticks out like you're laughing at them you're not laughing at the spot on impression so i see the flip side of maybe people being like maya is always maya no matter what she is what what character she's playing, what impression she's doing, it's still Maya Rudolph as that person. It's not her embodying someone, which I respect, but I think that actually could be one of the reasons that she hasn't gotten her way onto the ballot yet. Track 4 [20:20] Yeah, I think that's a pretty good theory. You do bring up a good point about impressions that I wanted to circle back to, too, because we've talked about, on the SNL Hall of Fame, we've talked about impressions quite a bit and what your taste in impressions is and what you look for. And I think the way Maya's done it is preferable to me over somebody who's technically sound. We've had a lot of impressionists on SNL who are technically great impressionists. Some recent ones, actually, who didn't quite hit on the show. Because I think with an impression, Rebecca, you have to have a take. And it has to be funny. To me, you only get so much mileage out of just sounding like the person and looking like the person. You actually have to have some comedic. Track 4 [21:05] Value to the impression so i don't want to bring up names because i don't you know but there's been impressionists on the show uh in in the past who have been who've done very sound technically great impressions but there's no comedic take behind yeah so with maya i think we have seen we see a lot of uh funny comedic takes does she sound 100 like beyonce it's okay like i don't know You can kind of tell she's trying to play Beyonce, but there's some sort of take there. Same with Donatella Versace. She does a weird one of Scott Joplin, who's like a real person. She did a couple of some of my favorite Maya's work. It wasn't quite an impression. It was kind of her take on a historical figure, like a funny take. But there's the comedic value in it. So that was a really good point, Rebecca, about impressions and Maya and how she does impressions. But I have a confession for you. Yeah. I'm one of those people who has been on the fence about voting her in. Why? Yeah. So here's my – and I'm glad you asked me in that tone because I've asked myself in that tone. In my judgy tone? Yeah. No, I've asked myself in that judgy tone too. Track 4 [22:22] But I finally pinpointed it, I think. Think so maya was on from 2000 to 2007 and i think i think she spent much of her time on snl in the wrong era for her skill set i think like the early to mid 2000s i think that catered to a lot of and there's a lot of like lowbrow kind of humor there was a lot and i think she was capable of so much more i think she was very clever and but she always she didn't always get a lot of clever sketches on i think she was way more like her skill set was a lot more diverse than maybe the era catered to so i and that that's just kind of my taste but i think that's kind of what the era was there was a lot of like and it's hard to describe from like about 2001 to like 2005 it was a lot of edgelord humor it was a lot of like let's put people let's let's dress up an athlete in a a wig and a dress let's put our female host and get just give her a wig and some jewelry and make her talk like a hip-hop affectation kind of characters i don't know it's just like a it was a weird vibe and comedy just in general around that time so i don't i think i don't know if you could see where i'm coming from with maybe her skill set she would have been better off in a different time of snl where she could have really shined i think. Track 4 [23:47] I actually really agree with that. It was also a really saturated cast. So for everyone to stand out and saturated not only by volume, but talent and big, big personalities. Like you see nowadays, even this season, it's a very saturated cast, but there are a lot of people that are really strong background characters that like they shine in that. That but I would say from her six seven years on the show it really was a lot of huge huge personalities comedically like kind of fighting for that spotlight there so the edgier or the probably more lowbrow you could get at the time I feel like the more that you shined on the show and that's what it needed to be then and that was kind of what we were seeing comedy at that time So I do agree with you there. And yeah, I feel like even now, just like learning about Maya and her, just, I feel like she's very cultured and like intelligent outside of comedy. And that inspires a lot of it, like her Prince tribute band. And going through that, she has a lot of niche interests and quirks that I feel like if she was on a different season, even like on current season, the writing cast was different and they would really let it shine. And kind of write things around someone that would understand. I think about Bo and Yang doing the Troye Sivan sketch. Track 4 [25:08] Did it relate to everyone? No. But was it funny because it was someone doing something they were passionate about and understood and got? I feel like if Maya was on a more recent season, I would say probably from like 2015 till now, the writers would tailor things to her and she wouldn't just have to fit in and be the funny character in what she was doing. And you have her and Kristen Wiig as, like, a dynamic duo throughout the seasons together, and they are so different, and their humor is so different. And I feel like although their partnership was something that we've seen from the show on and through that, I feel like it was more for Kristen to shine than it allowed for Maya to shine. And I think that is probably the reason she isn't in this Hall of Fame. But as you look back like taking a deeper eye to this and the reason why I'm so excited to talk about her is like she was just stunning. Track 4 [26:02] Standard and reliable like you knew she was going to say something or sing something and we were going to laugh whether she was the star of it and whether it was even her like area to shine comedically she always did trigger a lot from the audience so although i you don't want to like pit women against each other but i kind of feel like the writers then had to pick the star and kristin definitely got that spotlight and maya was more of a supporting role when i actually feel I feel like they could have balanced that a little different. Track 4 [26:32] Yeah, that's something that you just articulated that I think I've always felt, but I never really articulated it to myself, is that dynamic with her and Kristen and maybe a little bit Amy. I think she and Amy were actually really good. Of course, they did Bronx Beat together and stuff, but I think they actually had a really good partnership. I really I wish that Maya she ended in on SNL in 2007 I wish she could have had a few more years because I think that that cast was just finding its groove around 2007 so I would wish Maya could have been a part of them really hitting the peak like she could I wish she could have done more stuff with Sudeikis and Hader and even develop more of a partnership with Kristen so I think she was in a weird era and she was part of when the show kind of flipped and got another golden era but i wish she could have been part more of a more of that golden era than she was if that makes sense yeah that that actually is a really good point like as they transitioned over she was one of the cast members that transitioned with them but didn't get to see it through fruition the way that like she probably should have after the year she put into it like yeah and if she was able to stick around and actually like help with the transition and do that and move that over. So that's an awesome point because I feel like the show really flips. Track 4 [27:56] Each big era from like, is who dominates it? Especially I think like gender is a big thing. Like, is it being carried by like Andy Samberg, Jason Sudeikis, Bill Hader, that? That was a very male heavy, like leading a lot of the sketches. And then you go to Kate McKinnon, Cecily and 80. And that was very, very female dominating. And I kind of wished even just as a general statement throughout the years, there was better balance and you would see more dynamic duos from like the women and the men on the cast and i think that's actually something that snl has really never quite nailed down since the early early seasons um like really from the not ready for primetime players that i think had the best balance between everyone had a role but since the cast are so saturated now it's easier to make a a more bro-y sketch or a more, like, female-oriented sketch. And that's just natural and due to the nature. But I kind of feel like that's what we're missing now is that sweet spot. You look at all the duos or trios or groups of people from 2000 on. Track 4 [29:01] And there's never really, like, a male-female dynamic duo leading that. And I actually think, like, Maya and Fred could have done that. And we see in real life that they kind of are that dynamic duo. And we've seen that really come to terms after the show and all of that but I think that's like an area that we've been missing for a while is like having someone just really dominant that way and I think that would just make maybe every sketch more reliable to this so I talked to John about sketches that he all-time favorite thinks is the funniest things with like Andrew Dismukes and I'm like yeah I laughed it wasn't like necessarily my thing or like little things things like that. And that's, I guess, reaching all the different people in the audience. Track 4 [29:46] But kind of looking for that sweet spot. And I feel like she could have been a really good bridge between that. She really could have. That's such a good point. And I was thinking of Fred too, with Amaya and Fred, they could have had such a, they could have built on like a dynamic because Fred stayed until what, 2012, something like that. So, so they could have had a few more years together. Yeah. See great points, Rebecca. See, Maya is overdue in the Arsenal Hall of Fame and you were overdue to appear on this podcast i'm already meant to be yeah it was meant to be then but i'm here i'm here to vouch for her and then hopefully vouch for a return on this podcast i think you've already sealed a return 20 minutes in wow so as far as maya's work on snl what what kind of immediately stands out to you like you we can we can kind of just talk about it like a specific character or sketch right now well you did mention bronx beat and that is the number one When I look back at my 10 favorite sketches of all time, I think Bronx Beat is really just up there in that list. Initially, I'm like, okay, Maya's on this show. Who are we talking about? Bronx Beat is that. So, your book, you like to ride bikes. Yes, I traveled all over the country and found the best trails and rated them according to difficulty and size and, uh... Uh-huh. You know how many times I had sex last year, Frankie? Track 4 [31:11] 0.002. And it was my choice. This area down here, this area, it's got the Ghostbusters thing over it. No one's allowed in there. No trespassing. No trespassing. Clothes for business. You know that red circle thing with the line, the Ghostbusters thing? Yeah. It's my choice. You know what? When my husband wants to get sex... It's always funny. No matter when I watch it, no matter what mood I'm in, it is just always one that gets me laughing. And I think that was a good point you made about Amy and Maya's chemistry. Like, they have such a funny, like, chemistry in this. And their dialects, it's just a dumb sketch. But it really just always hits. Sometimes you just get those where you're like, this is amazing. And that was pure gold. So that definitely stands out to me. It's a dumb sketch, but it's not. It's not a dumb sketch because they have these mannerisms. So now you're from New York, you said, right? Yes. Have you met these ladies before? Yes. So I'm from Long Island. So it's a little different, but there's like, there's a similarity between Bronx and certain parts of Long Island. And I think especially like older generations, like the accents are real. Like people actually sound like that. And I think that was around, like, an era with Jersey Shore was also, like, how are these people real? But they are. And the people of Bronx Beat, those people exist. Track 4 [32:34] And it's awesome to see. And it was, like, a really great depiction. And they really just took those characters to 110%. And they were relatable. Like, I was able to be like, oh, that's who that is. That's someone from New York. And it was awesome. Yeah, yeah. Yeah, that sketch was so musical, too. Like, when Amy talking and then Maya talking, like, the way they bantered back and forth, it was very musical. It was, like, just something about it. Like, you had to be an amazing performer to get those beats down. Like, it was... Track 4 [33:07] I remember the Jake Gyllenhaal one, the one that they were kind of flirting with, with like, they kind of flirted with their guests and stuff, but just like their, the way they would bounce back and forth. She and Amy, there was just, just real like music to it. That's whenever I watch those sketches, that's all my mind goes to is just as a performer, she was just so good about hitting those exact beats is very conversational, uh, and very relatable. I'm from New Mexico. I've been to New York, but you know, I'm not like a guy, uh, But it was still like I felt like I knew those ladies. Yeah, for sure. Like they definitely exist. And I feel like some people got it and they were like, I could relate this. But other people that have never met anyone like that still were able to relate and be like, I saw this person on TV. And it was an awesome depiction. So that's like the number one sketch that really stands out to me. Yeah, and I don't think it's a coincidence, too, that they started doing these later in Maya's tenure there on SNL. When the cast and the show as a whole was starting to flip into another golden era, and we saw something like Bronx Beat, which she and Amy came up with. So I don't think that's necessarily a coincidence that these started happening a little later. Track 4 [34:23] One that I revisited today that was just like pure Maya just owning it was that National Anthem. Yeah was that was that like one of the next ones that that was in my i that i was deciding which one i was going to bring up next it was either that or the one i'll get to then after but i love that i mean one of my like happy videos is watching fergie sing the national anthem. Track 4 [34:45] And I could do every single quip. And that's, I think, kind of what it was Lucy based off of was Fergie for the Basketball Hall of Fame sang the national anthem and took a lot of creative liberty in a way that did not pay off. But I'm sure it's probably one of the most watched national anthems of any sports event ever. Track 4 [35:09] And Maya so perfectly encapsulated that. But also, she's a super talented singer. So I think that was part of it. But Fergie at this national anthem just like, went off and did all these ad libs and runs that were so funny. And to see SNL do that in a way that wasn't an exact copy and had Maya like fully just shine and go off on that. And like, that is quintessential Maya. Like when I'm imagining her in my head, she is just singing and doing something funny vocally and through singing. And I think that this sketch still holds up now because there's always it's always relatable. Like there was a super viral video this month of this little girl that sang the National Anthem again so horribly, like at one of these games. And I was like watching this one again yesterday. And I was like, oh, it's like this little girl now. But you could have watched it two years ago and related it to another just bad national anthem performance. Yeah, as long as people are singing the national anthem, they're going to be singing it poorly because it's a hard song to sing. Track 4 [36:15] Exactly. And I don't know why people keep doing that. Like, just sing the song as it was written. Like, it's very rarely paid off for people to just make it their own. And we're seeing that. I think this is just a relatable sketch, whether it was 20 years ago or today. because you can always relate it to something going on. Through the night, for it's warm to me. Track 4 [37:08] I feel like they told Maya, maybe on that Monday, whoever, maybe it was her that came up with the idea, but I feel like they just kind of told Maya, like, we need you to do a national anthem and kind of butcher it. Sing well, but just, like, butcher it. And Maya's like, I got you. And she came up with that. It was just so, like, her facial expressions were perfect. I think she added in, she started singing Take Me Out to the Ball Game or something at some point. Yeah yeah that was so perfect that's like quintessential mom glad i revisited it again today because that you're right that is quintessential uh maya in in that performance yeah uh what else is quintessential maya she's so fun she's so fun the other one that i think like she shines out of a bigger cast is super showcase spokesmodels this in my mind is just Kristen and Maya doing their thing. It's a spoof of The Price is Right and it's showing contestants what they would have won. So it's Kristen and Maya as the Vanillites walking around. I know that's. Track 4 [38:15] Um walking around and being like the spokesperson and you just watch like Kristen and Bill Hader just lose it and it just shows like Maya was probably someone that was so fun to have on set and someone that you look at and you're like yes I'm in this sketch with them and she made them break just by being her and standing out so much out of like the crowd of this sketch that it cracks me up like I'm a sucker for people that break in a sketch especially when it's like actually funny Yeah, when it's not like forced. Not like an inside joke type of thing. Yeah, yeah, exactly. You're going to kick yourself when you see what Sean and Vonda have in their cart. Look at this, Debra. A lifetime supply of frozen chicken by Chicken Man. Imagine years after years after years of chicken. Right at your fingertips. Tickle, tickle. Each chicken looks as good as this one. That's a Chicken Man guarantee. If your mom likes trickle, you might like chicken. Track 4 [39:20] Was her voice kind of similar to like, remember that art dealers one that she and Fred did? This almost looks like the similar, like it's almost like a similar voice, right? Yeah, exactly. Yeah, Maya was... Yeah, just, we don't know what the rules of the game are still. Right. Like, what would a right answer be? And she just did such a good job here. Yeah, she, of course, Bill is known to break. But for good reason when you're working with somebody like Maya, honestly. I don't know how Vanessa Bear kept it together in that sketch. She's probably new and maybe afraid of getting fired. So she didn't want a break in that sketch. Yeah, that was so good. There was one, and I don't know if you remember these or when it got a chance to go rewatch. They're hard to find. You got to know where to look. But she did one that I alluded to earlier. And it's an example to me of something very clever that Maya was able to do early on. Like these appeared in 2002 and 2003. It was Tennis Talk with time traveling Scott Joplin. Let's start with you, 92 Andre Agassi. What's new with you? Oh, well, things are pretty great. I just won Wimbledon. I'm dating Brooke Shields. And I'm doing these pretty awesome commercials for Canon cameras. That's great. By the way, Patrick Swayze called. He wants his hair back. Track 4 [40:46] How about you, present-day Andre Agassi? What's going on with you? I'm really excited. I just had a second baby with my wife. So if you haven't seen and if you don't do you remember these rebecca vaguely okay so i'll yes i'll recap so scott joplin is a real person he was a composer he basically is called like the godfather of ragtime kind of music and so the premise was that maya played scott joplin who traveled who who was a time traveler who became a time traveler and through his time traveling experiences he figured out that he really enjoyed tennis so he created a talk show time travel and tennis talk with time travel and Scott Joplin so he would like have these have these tennis players on and pretty much like be passive-aggressive and make these quips but then like after after like burns would go back and play like ragtime diddy and then come back and like like talk to him and be condescending and be funny at this and it was Maya like dressed up in a suit. Track 4 [41:51] And short hair and and it was just such a bizarre to me very clever very like where did this come from and especially for that time in 2002 and 2003 it really like stood out yeah amongst people but that's an example to me like i thought of of her being able to play in like more just kind of subtle weird kind of things rather than over the top things so that that's when if you if if you hadn't seen that in a while if listeners you hadn't seen that in a while it's around season 28 and 29 tennis talk with time travel and scott joblin and then rebecca like i think that one yeah yeah go check that but i think rebecca like she she's versatile that's the versatility that i was talking about with maya yeah the other thing that i've noticed i know we spoke about. Track 4 [42:41] Impressions and we kind of touched on that earlier on but maya comes from a unique background ground obviously we love that she is a very successful nepo baby uh mini ripperton's her mom and she's black and jewish and i think she was on the cast at a time to be kind of she was a black woman representative so for a lot of the impressions we saw they weren't spot on but within being that character and playing characters that most of the rest of the cast couldn't play uh like at the time she took these roles and didn't just say okay i'll just do an impression She like completely dramatized their characterization to a T and to 100%. And I think she took her background of being both black and Jewish, like in Bronx Beat, the people that related to me, I'm like, oh, those are Jewish people from Long Island that I know. Although it's not technically that from the Bronx, she always let herself shine. So a few of her impressions are just like when I looked back and really, really standing out to me is not like, wow, you are Oprah, but you are making me hysterically laugh. So that specific one is just Oprah's favorite things I have down. And then also the Maya Angelou, I Know Why the Caged Birds Laugh as a show. Track 4 [43:57] Hello, child. I am the rock. I am the river. I am the one who put a pie under the butt of Morgan Freeman. Whoa! Watch as Maya Angelou pranks her esteemed colleagues. Track 4 [44:15] Look out! It appears I have sat in a pie. I suppose you have. I feel no shame sitting in that pastry. Just human nature, I suppose. Yes. It has been an honor. Track 4 [44:32] So she really took these and made them her own and was like, OK, if you want me to do this, I'm still going to be Maya in this because I can't do a spot on Maya Angelou impression. So I'm going to make it a show instead of just like an interview with Maya Angelou. So I think that's where she really got to shine in a lot of those times. At the time, I know we were saying before she was never specifically written for like as much as I think she deserved to be. But in a lot of her impressions, I think, is where the writers really had fun with her. And she created characters even out of real people who I wanted to imitate as well. You said you don't do impressions. I sure as hell don't do impressions. But with something like her Whitney Houston, I find myself almost mimicking. He and my sister-in-law, sometimes we'll get to talking about SNL, and she'll always be like, I'll always go back to Maya Rudolph's Whitney Houston. Bobby Brown, Bobby Brown. We'll just kind of sit there and say Bobby Brown to each other. Eric is a real Geico customer, not a paid celebrity. So to help him tell his story, we paired him with Whitney Houston. Track 4 [45:46] I thought I was going to have to postpone my exams. That's when I got in my SUV, threw that sucker in reverse, and drove backwards all the way to Dionne Warwick's house. Track 4 [45:59] Geico took care of everything immediately, and I passed sociology. I passed Bobby Brown the other day, and I threw an old bag of chicken McNuggets at his head. Ain't it shocking what love can do? Ain't it shocking what love can do? Geico. Real wrecks. Cars. She has that kind of energy and creates these characters that even... Track 4 [46:22] Fans like we want to like imitate and we want to like act like that because she radiates like that energy on screen maya does exactly and that's why i think bringing her back as kamala harris was. Track 4 [46:36] Such a specific choice that i think snl took they could have had someone come back or at they were that was actually at a time where they were just bringing people in left and right um to play people that weren't specifically in the cast and they chose Maya and she did such a unique take on Kamala that I think was more successful than someone that was like uncanny like I mean you look at Sarah Palin and Hillary Clinton with Amy and Tina and although they were really funny they were really spot-on impressions where they've had the characters in the room together but But Maya took Kamala and made it why people like to laugh with her and at her and go through all of those phases where I thought it was like a genius pick, but it was actually interesting because they were bringing back a lot of people while Alec Baldwin, I don't think, was the funniest Donald Trump. He was super, super spot on. But they made such a specific choice by having Maya come back and be Kamala with not a spot on impression, but added a lot of light. Maybe she wasn't as like serious as having like Biden or Trump and someone that like we actually want to convey like This is our political take and the stance in this sketch, but just having Kamala's like, oh, you know You're gonna say one or two lines in this that'll make me laugh, Harris you see this is what they do. Track 4 [47:58] Susan they avoid taking any, Responsibility not mr. Vice President. I'm speaking. Track 4 [48:11] Well, I'm just trying to. But I'm speaking. Yes, but I. Yeah, but I'm speaking. See, I'm speaking right now. Estoya, Blondo, Nevada, Arizona, some parts of Texas. I'm speaking. I understand that. I understand. Yeah, I don't think you do. I do. Because you're talking and I'm speaking. Track 4 [48:29] I love that choice to bring her back. And I think having a previous cast member come back for a recurring, like, hold open bit And then pop up in a lot of the sketches that we've seen throughout those seasons where she was back. That's that's enough to put her in the Hall of Fame for me. Yeah. Yeah. That's so. So you do look at times that they appeared outside of their time, like as an official cast member. Like you do take that into account when you're looking at cast members. For sure. And also impact after the show, I think is it that's what I do, because it's not like the SNL Hall of Fame in my mind is, oh, you were on SNL and you came from this and it was all encompassing. Like, what did you do on the show? What did you do with your platform after the show? And a lot of people don't utilize that platform after the show, as well as others. And I think Maya is someone that really took that by storm and completely is just now kind of killing it and consistently killing it since her time on SNL, back on the show as host, as recurring characters and that. And I take that all into consideration. But just besides her specific years on the show, it's like you have one of the biggest comedy platforms in the whole world. Track 4 [49:44] Are you going to actually make use of what you had on here? And I say without doubt she definitely did and I mean just to bring up the I mean the number one thing everyone's probably thinking of of her time outside the show is bridesmaids like she made a legendary movie like that is one that goes down in the books when you look back at history you're like oh that is just an all-time funny movie it's the same way great yeah yeah Will Ferrell had all of these movies as well after obviously maya doesn't have as much i'd say on her repertoire there but you look back and that's one of the all-time great comedic movies of all time that i'm like you were on this you brought your friends into this cast you brought kristin into this and like it all worked so well together that it i related to snl because it's a maya and kristin movie that was so funny and so amazing that i'm like how could she not be in the hall Hall of Fame. The amount of times I watch Bridesmaids a year, just when I'm sitting with people and we're like, what movie should we put on? Bridesmaids. It's a classic. Track 4 [50:49] Yeah. No, that's a perfect one to put on when you have nothing else to go to. No, it's an all-time great comedy. And I'm starting to warm up to the idea more of thinking about cast members and their impact even outside of their technical, when they were a cast member on the show. I think you bring up good points. And I think that's perfectly valid to look at cast members that way and kamala harris is a great example and with maya you almost have to like take into cameos into account because she's been back on the show so much and she played kamala like there was and we were talking about impressions like she found a an angle for her kamala harris they even told us what that angle was like the cool aunt right like she played kamala harris said i'm the cool aunt or whatever and i'm gonna play it like that so she was like like the fun aunt who might've like rapped a little bit, but then they still made fun of her for saying like, that little girl was me, like this kind of poking fun at, at Kamala at the same time. So she did find an angle. She has had an impact on the show. Track 4 [51:55] 2024 now and i and and none of us would be shocked if we saw maya rudolph uh come on the show in some capacity i know punky johnson they had her play kamala she didn't she didn't get any speaking roles um when she played kamala but i don't know if they're what their plans are with that but we won't be surprised if maya's like comes back to the show at any point and has yeah, you're right uh yeah as we're recording this yeah yeah as we're recording this Kristen scheduled to host, I think, on April 6th. Yes. Something like that. Interesting. And I would not be shocked at all if she made an appearance there. I actually have a question for you, Thomas. Okay. So I know how to angle to all the listeners here. Has anyone had 100% poll numbers in the Hall of Fame? Or who was around the highest? So I kind of understand their impact versus maybe why Maya wasn't in there. I kind of think somebody like Will Ferrell or like Eddie Murphy, I seem to remember, or Bill Hader. I think people like that have been in the 90s. Nobody's gotten 100%. And it doesn't matter in any sort of Hall of Fame, any sort of vote. You could be the best basketball, best football player, best baseball player of all time, and those guys don't get 100%. Nobody's got 100% of the vote in the SNL Hall of Fame, yeah. Track 4 [53:21] Okay, yeah, that's interesting, man. And I guess those, I think those people probably have had more impact on the actual show. But then I look at Will and yes, he had amazing sketches. When you look back at, let's list everyone's favorite sketches of all time, you're going to have more cowbells and you're going to have a lot of Will appearances. But I actually feel like his impact was made more after the show and a lot of the work he's done. So I'm seeing him a little more similar to Maya than like Bill Hader, who absolutely like obviously has impact off of the show but like snl was his playground he just completely ran that to the ground the same way that like kate mckinnon has and all of that like when you're watching them off the show you're always going to relate them back to being on the show but now you're actually going to look at will ferrell and you're going to be like oh that's buddy the elf like that's probably where your mind goes actually more than oh you're on snl it's someone that's just so engraved in the culture that you're like, oh, I forget you were like, you don't forget, but oh, you were on SNL instead of Bill Hader. It's like, oh, SNL's Bill Hader is going to be in this or SNL's Kate McKinnon. And I think Maya's impacted. Track 4 [54:32] Probably more off the show which is why she's been teetering around that 50 percent range for a little bit now but i think people should take that into consideration because you're not supposed to be a keenan and be honest enough for a million years not everyone could be that considering there's only been one person there's only been one keenan on the show and you want to take this life-changing opportunity and make an impact in comedy and in pop culture and in the world And I feel like Maya has had such success in that so far. So take that into consideration when you vote, listeners. Yeah, no, that's such a good point. I want to use my wife as a case study for what you just said. She likes SNL. She's not as much of a fan as me. She probably only watches and started watching because of me. Track 4 [55:21] But she likes it and she'll watch. But she knows Will Ferrell more for like Elf and things outside of SNL. She knows Maya Rudolph more, honestly, for popping up in shows that we watch and seeing her all over the place, probably Bridesmaids. So my wife is somebody who that person that you said maybe knows those people more for outside of SNL. My wife wouldn't know Bill Hader unless she went back and watched earlier seasons. If she saw Bill Hader popping up on something, she wouldn't be like, oh, it's Bill Hader. But she sees Maya Rudolph and my wife's like, oh, that's Maya Rudolph. I love Maya Rudolph. Yeah, exactly. Again, good play. My wife is like, I love that they got Maya Rudolph to play the judge. Or in Unbreakable Kimmy Schmidt, Maya Rudolph played, what, Dionne Warwick? Who did she play? Yes. Yeah, wait. It wasn't –. Track 4 [56:11] Yeah, and she's just like a standard. Also, I think about Big Mouth. The second you hear the Hormone Monster, she is hysterical. And I think Nick Kroll did an awesome job choosing Maya to be such a pivotal character in that show, obviously. It's a cartoon, so it's on her face, but she doesn't need to be her face. So, yeah, she was Dionne Warwick. Dionne Warwick. Track 4 [56:36] Yes. I thought it was that or Diana Ross or somebody like that. Track 4 [56:41] Well, yeah, somebody like that. Yeah, but you could tell like in Big Mouth, she put her stamp or complete stamp on it. She, I'm drawing a blank right now. She popped up recently in something and I was like, oh, Maya was just so perfect in that. But that's what she does. Track 4 [57:00] Maya just leaves an impression on the screen no matter what. If it's two minutes, if it's 30 minutes, Maya is going to leave such a great mark. Oh it was documentary now it's like my my favorite episode of documentary now is test pattern which is a take off of their lampooning and paying uh homage to the talking head stop making sense and maya's in that on documentary now and she she was wonderful in it she was perfect she just makes such an impact rebecca just no matter how long she's on the screen literally i'm looking at at like her imdb right now and she's in literally everything just as a voice as a name like whether she just makes a short appearance i'm like looking at this and i'm like oh wait yeah she was in that she was in specifically the movie book smart one of my all-time favorite movies she's a voiceover and i could tell you the scene that she's in in my head because even though it's just her voice in a non-cartoon movie where there's a lot of big names and a lot of cameos. I remember the exact part she was in in that movie just by thinking about it and she's done a lot of cartoons and cartoons. Track 4 [58:16] Comic movies there and yeah she just makes a lot of appearances in things and if you look at who is starring in those or producing them it's a lot of just big name comedians that love her and respect her and i think she's a super respected name in the comedy scene in the community that people want to hang out with her and i feel like if she could come back to host for season 50 and And if not, I feel like she would just be a big presence in whatever sort of celebration and special that they do for the 50th anniversary. Yeah, she's going to absolutely be a huge presence. So we can wrap this up by one last sort of plea, I guess. And you can look at me, Rebecca, as a stand-in for all those voters who haven't voted, because I've been on the fence a little bit, maybe more so than I should. So you can look at me and scold me if you need to and tell me and SNL Hall of Fame voters out there why they should finally vote Maya Rudolph into the hall. Track 4 [59:17] So I'm going to think about this from a legacy point of view. And if you were to, if Maya never passed her audition onto SNL, would your life be changed? And would pop culture and the world be changed? For sure. SNL would have been different without her on it. I think she was a pivotal cast member at the time where maybe she wasn't the star in every sketch, but her impressions and her quips and one-liners are things that you forever remember. And then her mark in pop culture and history throughout the years after her being on the show. She is someone that if she was not at the 50th special, you'd be like, where's Maya? And I think that alone just would make you want to vote her into the Hall of Fame because I think she really has made her mark on not only SNL. And the way that kind of impressions are done from then on into just the real world. Like, what if Bridesmaids didn't exist? Track 4 [1:00:11] What would we do? We'd be very missing out. That would be a hole in my heart. So she's someone that I think really made her mark and took her 15 minutes of fame and really impacted culture and the comedy scene from then on. So I would vote for her to be in the Hall of Fame. And she's been on the cusp for five seasons now. And I think that's telling that people really do love her. Just probably haven't fully mentally appreciated her until this episode. So vote for Maya for this. Track 2 [1:00:58] Thank you so much, Thomas and Rebecca. That was spectacular. Re-litigating the case, as Thomas says, of Maya Rudolph. I, too, am surprised she's not in the Hall of Fame. She wouldn't necessarily be in my Hall of Fame. But I'm shocked that she's not in. She's got so many votes at this point. So this is her last chance. This is her last kick at the can. And you've got to get out and vote for her. May 6th, voting will open, and it's very important for you to exercise your franchise and make that vote. So that's what I got to say about that. Let's listen to a sketch. This is Maya Rudolph on Weekend Update, and it's a dandy. So let's give that a listen right now. Track 5 [1:01:51] This week, Whitney Houston auctioned off over $175,000 worth of items from her storage unit in Irvington, New Jersey. Here to talk about it is Whitney Houston. Track 5 [1:02:06] It's all in the storage unit. Ooh, come on down and buy my junk, baby. Hello. Hello, Mrs. Houston. Always nice to have you. Oh, feels good, M.E.P. Unloading, unloading my baggage. Yes. Mama is lighter. Light as a feather, stiff as a board, M.E.P. Okay, that's wonderful. That's wonderful, Mrs. Houston. Yes, Polar Coaster. That storage unit has completely slipped my mind. Open it up. You look like the U-Story from Silence of the Lambs. Straight up Sanford and Sons. Burn up. Burn up, burn up, burn up. All right. Okay, so, Whitney, you sold everything. That's great. Oh, no. Uh-uh. Hail to the, hail to the, hail to the no. There are still some items that have got to go. And I ain't going to lie, this legendary recording artist needs the cash. Mama needs Monet. And for that, you can blame Bobby B. Total waste of my time, Bobby B. Woo! Okay, Whitney, well. Well. All right. You all right? You all right? Okay, well tell us what items are left. Some of our viewers might be interested in helping you out. Oh baby, you are a genius. Let me put on my cheetahs. Let's see. Four solid gold turlets. Three complete seasons of 227 on video cassette. Wind machine, very important. Track 5 [1:03:35] Eight monogrammed fur capes. For your lady if her initials are W-H or B-B for Bobby Brown. 600 Kangol visors, a Lexus SUV whose horn honks tenderoni, a warped platinum record that mama used to heat a DiGiorno pizza, and a Marvel statuary of Bobby B and I with our business hanging out. And it's all going once, going twice. Nobody? No? How many golden toilets? Four! You know what? I'll give you $15 for everything. So, Jamie Peeping! All right. Whitney Houston, everybody. Thank you, Whitney. Take it. Track 2 [1:04:18] Oh, man. Yeah, that's a good one. And I don't know if it's going to sway you or not. There are some better sketches, there's no doubt. But it's tough finding sketches for this program program because so many are visual and if you think of her Beyonce character for example it's it's a very visual thing but uh I I don't know I thought that was great Whitney Houston damn she was so big at one point wasn't she gosh well next week on the SNL Hall of Fame we are joined Joined by the grand poobah of the Saturday Night Network, one John Schneider. He will be in discussion with Thomas about the stellar work of the great Will Forte. Track 2 [1:05:13] Please check this out wherever you get your podcasts. And while you're doing that, do me another favor. On your way out, as you pass the weekend update exhibit, turn out the lights. Because the SNL Hall of Fame is now closed. 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| John Mulaney | 08 Apr 2024 | 01:09:16 | |
This week on the SNL Hall of Fame podcast we're joined by the delightful Victoria Franco to discuss the bona fidas of writer John Mulaney. Transcrlpt: [0:41] Oh my goodness gracious me, oh my, it is my privilege to be joining you once again this week in the SNL Hall of Fame. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the the most deserving and help determine who will be enshrined for perpetuity in the hall. And that's how we play the game. It's just that easy. But before we get to voting, we need to discuss our nominee. And before we discuss our nominee, we need to speak with our friend Matt Ardill in his minutiae minute corner. What do you say we wander over there and see what old Matty is up to? Track 3 [1:39] Hey, JD, how are you doing? I am parched, and I just had an enjoyable sip of water, which has cleaned up the old pipes. Yeah, nature soda, I've heard it called. Nature soda, I like it. Yeah. I heard somebody say they won't drink water because fish have sex in it. I i think that's a fair you know i i can understand that but um you know run it through enough purifiers it should be fine i mean i'm a i'm a water fiend i drink like four liters a day oh it's yeah it's good for the body that's right that's why i'm so uh uh easy on the eyes yeah you are you are ripped are ripped right speaking of ripped this week we've got john, Yeah, back again. Um, so I did make the effort of finding new trivia, so it should be a long time listener listeners. It should be interesting. Track 3 [2:45] Um, uh, height six foot, uh, one of the taller, uh, uh, contestants for, or nominees actually. Yeah. Yeah. Born August 26th, 1982. Yeah. He has 28 writing credits, 42 actor credits, 13 producer credits. I have to say, when I saw him in The Bear, it blew me away. It was really intense. Did not expect that. So he's got a lot of good acting chops. He's released five stand-up specials and his Sack Lunch Bunch Kids special. Grew up in Chicago, child of a law professor, mother Ellen, and attorney father Charles Charles Chip W. Mulaney. Never mess with a chip. Anybody who's got Chip as a nickname, that's trouble. Track 3 [3:35] But he's descended from a lot of political go-getters. He's descended from the mayor of Salem and has congressmen on both sides of his family. Track 3 [3:49] So, yeah, he's got a good pedigree. His maternal grandmother, Carolyn Stanton, and Seth Meyers' mother, Hillary Meyers, performed together at a hospital benefit show called Pills a Poppin'. That's some foreshadowing. And it was directed by Tommy Toon when they were 19 years old. So there is some deep family connections going on there. Yeah. So he attended Georgetown University, and as most people know, with Nick. role where he studied English literature. He decided he wanted to go to show into show business at the age of five after watching a lifestyle program, uh, about Ricky Ricardo, uh, which is the most John Mulaney thing I have ever read. Um, like if anybody's going to set their life goals by watching Ricky Ricardo, that would be John Mulaney. Yeah. From that point, he started doing sketches for friends and family whenever given a chance and, And he was pushed, actually, by his high school teacher to pursue his love of comedy. He actually almost had the role, well, he almost auditioned for the role of Kevin McAllister in Home Alone, but his parents wouldn't let him. Track 3 [5:07] That is wild. Yeah, that would have been a very interesting and different Home Alone movie. Track 3 [5:14] I can only imagine what 10-year-old John Mulaney would have brought to the game. Um so instead he just started hanging around the museum of broadcasting communications until he got to go to university uh that when he joined an improv group uh which is where he met kroll and mike berbiglia uh who took him on tour uh during his uh days and that's how he lost his stage fright he's had his own show with mulaney uh his own show mulaney he also appeared as himself on jim gaffigan's sitcom where he portrayed his jim gaffigan's nemesis as himself and he's taken roles in chip and dale spider-man cartoons of spider-ham which you know perfect casting no notes. Track 3 [5:59] His first late night gig was writing for conan uh but he's also taken on writing roles for seth myers uh as and has also written for the academy awards and the emmys he has had a couple couple of brushes with broadway first uh bringing a special kid gorgeous to radio city music hall and then bringing oh hello the sketch from the cruel show to being a broadway show where they just had random famous people showing up he's also released an album the top part which is just him telling anecdotes which i need to listen to now yeah i don't know about that but it's just like him telling anecdotes and stories sign me up yeah but uh his esoteric sense of humor has has led him to many projects. Track 3 [6:44] Including contributing to Seth Meyers parody show documentary now. Track 3 [6:48] And he is in fact a super fan of law and order. Welcome to my. Track 4 [7:16] Of flour All right, JD and Matt, thank you so much. Yes, we are here. Another episode of the SNL Hall of Fame. I'm so excited about this one. This is an interesting one. We're talking about somebody who's already been on the ballot since season one, but in a different capacity. We're kind of reorganizing our thoughts when it comes to this person. We're reframing his Hall of Fame candidacy and his role on SNL. So I'm talking about John Mulaney, who's been on the ballot as a host in previous times. We decided, let's talk about him as a writer, because that was his starting point on SNL. So we're talking John Mulaney as a writer today on the SNL Hall of Fame, and joining me to do that, a previous guest. You may have heard her on the Amy Poehler episode that we did. You may have heard her on one of the end of season roundtables where she did such a great job expressing her opinions that we always love to hear about. And you've probably heard her on the SNN, our buddies over at the Saturday Night Network. I'm talking about Victoria Fronzo is joining me today to chat about John Mulaney. Track 4 [8:39] Victoria, how's it going? Doing well. I'm very excited to talk about the one and only John Mulaney. I feel like we have similarities in, you know, being. Track 4 [8:50] From chicago and the comedy scene i can see that and you're one of my few guests there's a handful of guests but you're one of my few guests who i've actually kind of been able to hang out with in person so a lot of us in the snl community know each other just by doing podcasts and online but we've actually got to hang out in chicago so that was that was wonderful and you're a very funny person so i can kind of see those similarities as well yes i i took i took thomas to the best It's the best empanada place in Chicago. It's so good. Yeah. It's delicious. We had empanadas. I got an horchata. I walked around Chicago. It was a good time. Yes. I'm going to plug Cafe Tola. Always support a Latina-owned business in Chicago. So Cafe Tola is one of the best empanada places in the city of Chicago. Yeah. Yeah. It was awesome. Great recommendation. Track 4 [9:41] So you're living in Chicago right now. You're living the sketch comedy dream. Dream? Like, what have you been up to over the last few months or so? Oh, man. So I am, I, you know, moved back to Chicago last year from Detroit. I'm back at the Second City. I finished the conservatory slash grad review program, which was really awesome. And now I'm getting ready for my own SNL showcase because I am an SNL scholar at the Second City, which just means that Saturday Night Live pays for my classes and training there. And at the end of it, we get to put together whether a showcase that is SNL-like and that it's sketches and solo pieces. And yeah, that's open to the public. So if you're around, feel free to come. I'm also just doing some writing and performing on the side too. Track 4 [10:28] Yeah, if you're in Chicago, that sounds like an awesome deal. Go support Victoria and go support these SNL scholars and what they're doing over there at Second City in Chicago. It's such a cool thing. If I live closer, I would have already attended. I think I missed it by a week as well when I was up there last. Yeah, you should just, I don't know. Track 4 [10:48] Rearrange your whole life and come back to Chicago. No excuse is she saying? Yes. We have, I mean, the SNL scholars are four of us. One of them quite literally flew across the world to be here from Austria. So it's a nice blend of folks that we've got in the cast. Yeah, yeah. Well, I'm excited to hear how it goes. And, again, if anybody's in the area, please go check it out. Go check out Victoria there at Second City. Somebody who probably is an influence to a lot of Second City folks, I'm sure you included, is our topic today, John Mulaney. He's a stand-up by trade. He auditioned to be a cast member for SNL. He auditioned at the same time as Nick Kroll, Donald Glover, Ellie Kemper, Bobby Moynihan, who obviously ended up getting it. Mulaney did not get the cast member job, but he ended up being offered a writing job, which he immediately accepted. So he was a writer from 2009 to 2012. So going from auditioning to be a cast member to getting a writing job, that's not a bad deal, Victoria. I would certainly take that. I don't know about you. I would. I would take a janitor job at SNL, to be honest with you. Yeah, yeah. Yeah, if they offered me the janitor job, if they offered me whatever page, I always wanted to be, I should have started young and tried to be a page. I know. Even then, though, it's so hard. Track 4 [12:16] It's easier if you're in New York City and had connections to NBC to be a page. Yeah, and I think NBC and SNL made the right choice. Mulaney probably would have been a pretty decent cast member. Remember, he would have added his own flair, but we got the chance to really enjoy his writing stuff and his work as a writer. So I want to talk about his stand-up, Victoria. Are you a fan of Mulaney's stand-up? I am. So to be completely honest. It's going to shock some people here. I didn't really know about John Mulaney up until 2019. I had no idea who he was, and I've always been an SNL fan. I never went deep, though, into learning who the writers were or whatnot. But a friend of mine told me, you know, there's this guy. He just released a special on Netflix. He's so up your alley. And I go, what's his name? She goes, you don't know who that is? It's an SNL writer, John Mulaney. And I go, I have no idea who that is. Track 4 [13:22] And watched his stand-up. And I don't want to say fell in love because that's inappropriate. But I did come to love his comedy very much. I'm a little bit in love with Mulaney and his comedy. So you could say fell in love. I think that's somewhat appropriate. I just don't, you know, he's got a partner. He does. I don't want to be disrespectful. He's a dad now. It's a little murky. Yeah, he's a full papa now. Yeah, so you fell in love with the stand-up material. What was it about the material that really grabbed you? I loved that he was weird. Or not weird, but he could find the weird in everyday things and make it funny. And not only that, you know, not to say he's a clean comedian by chance, but he... He's smart about his comedy, if that makes sense. He's smart and strategic versus, you know, going blue, as we say in comedy, to lean in as a crutch, which was really refreshing. Track 4 [14:27] I think his stand-ups changed a little bit, and that's totally fair. And as it should, like as you grow and change, so should your content. I didn't expect it to stay the same, but even now with baby Jay, after everything that's happened the last couple of years, it's still really funny to me. And I love that he's kind of poked fun at his likability. And I think that's what it is. He's likable even in this new chapter of his life. Track 4 [14:53] I think he has this specific relatability, if that makes sense. That's what I point about. He focuses on hyper-specific things, I think, his specific observations, but he makes them relatable, whether it's, I know that concept that he's talking about, or I've also observed that specific thing. I think Mulaney's always been so good at that. I think it does show up in his sketch work as well. You brought up a really good point, too, with Working Blue and his choice. I mean, he's not a clean comic. I mean, he does curse, but it's for effect. If he curses it's for a reason he's not just using the f word as some sort of verbal pause like a lot of comedians do it's uh mulaney's very strategic about it and he's he's very strategic about his comedy in general victoria that's what i love about a lot of his stand-up is i feel like one of my really funny friends is talking to me and telling me a story so he makes it conversational but you can tell and appreciate the craft that went into it at the same time It's a really neat, delicate balance that Mulaney strikes, I think. Track 4 [16:03] You know, male comics, not all, of course, I'm not going to generalize them, but some of them, and quite a few of them, tend to play the D-bag role in their stand-up, right? And that can be funny at times, and I'm not opposed to it. I'll watch any type of comedy. I'll never say no, unless they're incredibly problematic or outwardly horrible. But that's what differentiated him. him he wasn't playing a bro he wasn't you know womanizing he wasn't you know he didn't he never really punches down in his comedy which is something i think is admirable too in a takeaway, yeah he punches a lot of times he punches at himself he like punches inward and especially. Track 4 [16:51] Laterally yeah he punches laterally like a t-rex like you i think you should have seen victoria on on camera she was punching and it looked like she was like a t-rex arms punching laterally that's what and that's how i punch in real life so don't mess oh no don't ever fight please, begging you um yeah no you're right and he's very he's self-deprecating but not in an annoying kind of way it's like a lot of comedians are self-deprecating like all right it kind of comes off as fake like you're making fun of yourself but do you really believe it i think mulaney i believe it especially with baby j you mentioned baby j his most recent special when he was talking Talking about his intervention, I think that was so great. It was self-deprecating, but it was like honest. And he was almost making fun of other people, but it would go back to him. And it was, I think Baby J was a, we've seen it throughout his comedy. Kid Gorgeous is one of my favorite stand-up specials of all time. Yes. That's from like 2018, around the time maybe that you get. That was the first one I watched. Yeah, okay. Maybe, yeah, Kid Gorgeous was the special. and I think that's one of my favorite all-time stand-up specials by anybody and you could just see his voice in that just it shines through and I think you could see. Track 4 [18:10] On SNL, that comedic voice of Mulaney's show up on his work on SNL. I mean, would you say that that's correct? He has a stamp on his sketches. That's Mulaney. Yeah. Yeah, I was going to say in preparation for this, I've come to realize a lot of my favorite stuff on SNL written by Mulaney. Yeah. Or stuff that I'm laughing out loud. I'm like, oh, that's really funny. That's tied to Mulaney. but I do want to go back to his stand-up. I just want to shout out a joke he did. It's the McDonald's joke. I think it's from The Comeback Kid. He and his family are on a road trip, and they see the golden arches, and they start chanting, McDonald's, McDonald's, McDonald's. And my dad pulled into the drive-thru, and we started cheering. And then he ordered one black coffee for himself. Track 4 [19:08] And kept driving. And you know, as mad as that made me as a little kid, in retrospect, that is the funniest thing I have ever seen in my entire life. How perfect is that? He had a vanload of little kids, and he got black coffee, the one thing from McDonald's no child could enjoy. Yeah, and now in my family, my parents watch that with me every time we see a mcdonald's even though we don't necessarily go to eat from mcdonald's anymore we chant mcdonald's so yeah it's something like that no that's perfect but something like that that's so specific that that you know happened to him or whatever but it's so relatable at the same time like you just you understand that family dynamic, that he's talking about uh there was something from kid gorgeous uh one of my favorite bits is when he was comparing Trump to a horse loose in a hospital. This guy being the president, it's like there's a horse loose in a hospital. Track 4 [20:16] It's like there's a horse loose in a hospital. I think eventually everything's going to be okay, but I have no idea what's going to happen next. And neither do any of you, and neither do your parents, because there's a horse loose in the hospital. It's never happened before. No one knows what the horse is going to do next. Least of all the horse, he's never been in a hospital before. He's as confused as you are. That's a fantastic imagery, perfect metaphor, perfect beats. Like, I think that's one of the better bits of any comedian I've seen, like, in the last 10 years. And that's the perfect way to describe him. Because last week, I watched Kid Gorgeous again. And I was just like, yeah, no, that holds true. Yeah. Track 4 [21:07] Yeah, no, it's a perfect, yeah, it's a perfect way to describe that president. Yeah, pretty much, yeah. And it's so Mulaney, too. It's such a Mulaney way to describe his presidency as well. That's what I love. Like, some of my favorite comedians, he's just, like, hyper-specific voice. We did another writer, Julio Torres, recently on the SNL Hall of Fame, and he's another one where it's just like I would watch a sketch, and that's Julio Torres' voice. I watched something from Mulaney, and that's Mulaney's perspective and his voice. So I think that's just a mark of a really great writer is nothing generic. It's your stamp on it. And I'm glad I have you on here today. I want to take advantage of like your training and your knowledge and everything just for sketch writing in general. Victoria, like as a viewer of sketch comedy and somebody who takes part in sketch comedy, who works in it. What are some things you look for in good sketch writing? Oh, man. Track 4 [22:09] Obviously, it's subjective and everyone's everyone's different. I love what I love callbacks to something. So if you're watching a full show, this only mostly pertains to stage or theater comedy versus, you know, an SNL type show. But when they do something in the like in an earlier sketch and then they call it back, it's called a runner. You know there are all these ties i really love that because that's it's a smart way to put the show together and create somewhat of a theme in terms of sketch i just love when there's a character with a purpose right and there's a character who's who the other characters in the sketch compliment them and this is something we were talking talking about before we went live here everyone in that sketch serves a purpose and it's not just they're just there to fill space and and let this main character be weird. We talked about Herb Welch. Track 4 [23:06] We know this is about Herb Welch, but every character from the anchor at the studio to the people he's interviewing, they all compliment him, and they serve a purpose to show something, a characteristic about that person, if that makes sense. I don't know if I'm describing that accurately. Yeah, no, it's almost where, Where even if a character on screen is nonsensical, it has to be grounded in something. Correct. That's what I want to say, grounded. Yeah, it has to be grounded in something. And the people that you mentioned, like the supporting characters, serve as the characters who maybe ground whatever's happening. Yes. Either to highlight the absurdity or whatever. But you're right. Good sketch writing, I think, nothing should be throwaway. Track 4 [23:55] And I think that's, was that something like that you, what we're getting at too is just, you know, like you said, like the grounding aspect, but also like no, like an economy of words in a way. Like you have to use the three minutes that you have like wisely and efficiently. Yes. And I like when things are succinct and to the point versus drawn out and we don't get it. Or I like what you said about throw away. way. Sometimes, a lot of times, I should say, sketches don't need those extra lines that you think they need, right, to justify. You know, a character doesn't have to say, hi, mom and dad. We should be able to know that just based on, we need to start in the middle of that. Or of like, well, thanks for coming to my wine and cheese night. We're going to do X, Y, Z. It's just start in the middle of the scene. We get, like, we see the wine, we see the cheese, you know what I mean? I mean, it doesn't have to be about the wine and cheese. That's, you know, just a random situation, just an example. I don't know. And I just – my favorite thing about Mulaney is that he's kind of bold, too. I don't think a lot of people would be making the same jokes that he was making. I don't know. That's also to say I don't think he would make the same jokes as he did 10, 12, 13, 14 years ago either. Track 4 [25:21] Times have changed. But, you know, I think he did a good job of, I don't know, I like sometimes fearless comedy. And I'm not saying that as an excuse to be a jerk, right? Right, there's a difference. Yeah, there's a difference. You should never be a jerk and, you know, make cheap shots and, you know, make marginalized people the butt of the joke. That's not what I'm saying at all. But, you know, don't be so afraid to talk about the things that are just real life and are real to those groups or, you know what I mean? Track 4 [25:55] Yeah. Yeah, and I think we saw a lot of that show up, of course, and the thing that sticks out to me and you and probably every SNL fan with Mulaney is a lot of those things that you just mentioned showed up in Stefan, which Mulaney wrote with Bill Hader. And that was the best thing, I think, that almost pretty much anybody has ever done on SNL. This is one of my personal favorite things ever on SNL. yeah and i think with stefan melanie's very good at what you just mentioned victoria's showing on her notebook she has a stefan sticker so obviously a fan of stefan but i think melanie's good at referencing things that seem very specific but are oddly relatable in stefan he's very good about not punching down at marginalized people but still making jokes involving marginalized people in a lot of ways so talk about victoria like talk about stefan just in general like what do you want want to say about this awesome piece of art and something i failed to mention again i did not do a good job of explaining why i find in a sketch but specificity specificity is that a word that's very much a word and you did a good job there you go thank you english is my second language as i like to joke um no but he has specifics that make it incredibly weird and and stefan right um. Track 4 [27:17] Um, you know, I don't, I can, I don't know that I can describe some of the things, you know, Stefan would say, again, I don't think we'd be making the same jokes today, which is fair and fine and understandable, but you know, I don't want to say the word, but he was talking about real life suitcases where they wear, where they wear people, but he used the M word. Yes. And like, I think it was like layering clothes on and putting on rollerblades. And you know what I mean? Just like how stupid, you know, that's just like a stupid, funny joke. Um, yeah, that imagery. Yeah. The, the imagery of it is fun. And I love the game between Stefan and Seth of. Track 4 [28:02] No, we're looking for suggestions for, you know, a Midwestern family or anybody who's not you. I got it already. Okay. New York's hottest club is Bush. This club has everything. Ghosts. Good. Banjos. Carl Palladino. A stuck-up kitten who won't sign autographs. Furcles. Oh, do I want to know? Yes, you do. So furcles are? Fat urcles. Right. Of course they are. Sure. Sure they are. And after you've been with one of those guys, you'll ask yourself, did I do that? Track 4 [28:47] Stefan. Just these like weird, random, yet very specific things that don't necessarily fit together that are under the same roof at whatever club is. It was just, yeah, it was a nice blend of weird but specific. And, you know, I think it worked for Stefan. Yeah, I absolutely agree. One of my favorite jokes that he did is Stefan. The cast is a special guest. Have you heard of Blackula, the black Dracula? Yes. Well, they have a Jewish Dracula. Oh, what's his name? Sidney Applebaum. Track 4 [29:33] Sidney Applebaum. Jewish. Jewish Dracula. Sidney. It's that misdirection, that funny misdirection. I could totally tell Mulaney was sitting there like, I gotta do some sort of misdirection jokes. You think he's obviously going to do a play, like blackula is a play on black dracula he says jewish dracula there's gonna be a play on that but it's just a jewish name and that's totally mulaney's sense of humor and i appreciate that and also the game of i i uh i don't know if you and i've ever talked about breaking before in in sketches first of all okay so how do you feel just in general like about breaking i think there's a time and place you know if you're just breaking right off the bat it's not not funny if you're doing it excessively it's not funny it just depends and maybe like for example debbie downer what worked for that sketch was that everyone was breaking constantly, but that was like a joint yeah this is funny and ridiculous and we're you know the fact they couldn't get through it was funny to us but if it's a single person who's just breaking and it doesn't seem genuine. Track 4 [30:51] They kind of ruined it. Yeah. Yeah. I think with Stefan, to me, it did seem genuine. As the audience, we started kind of knowing the game that Mulaney was playing with Bill Hader in there. So Mulaney would change the cue cards. He would change the punchlines to some of the jokes. And so when Bill, as Stefan, was reading the joke, that could have been the first time that he was reading that specific punchline. Even though they did it in dress i think between dress and air milani would he would have punch lines like multiple versions of a punch line of a joke so he would just switch out punch lines between dress and air so that'd be the first time that we saw bill reading that joke so i think in breaking in that case yes it's funny there's like a funny game it's part of this bit or whatever and it's something that with debbie downer i think the first time they did it was natural and that's That's why it was a classic. And then they tried to recreate it and it wasn't the same. And they found the magic with Stefan being able to recreate the game of breaking. And I don't know how they did it. They weren't able to recreate it. And Debbie Downer, Lisa from Temecula recently, I don't think they've been able to recreate that. But with Stefan, millennium hater managed to recreate breaking and make it seem authentic every time. Like, I wonder why that is, Victoria, what's the difference? Track 4 [32:17] Well, it's probably because every single thing Stefan says is he's a firecracker. You don't know what he's going to say, and he doesn't know what he's going to say. And I think why that's getting a laugh is that those folks in studio are also seeing that. They're seeing the switch or whatever. But I think it works for them because. Track 4 [32:39] The nature of Stefan is so out there and wild and weird that he's not a relatable character. He's not saying the run-of-the-mill things of, oh, my favorite breakfast is pancakes with bacon. He's saying some very weird things. And to say them in person, out loud, in front of an audience is kind of, you know, like, what am I saying? I do that too sometimes. His favorite breakfast would be like uppers and regret. Or something like that. I don't know. Yeah. And I mean, I've gotten my breaking under control. But I've broken on stage. Yeah. And it's just funny because I'm, and to me, what's making it funny is we've been rehearsing this. And we've got the joke. And, you know, we've, whatever. But now we're sharing this with other people who are not comedians. Track 4 [33:37] And we don't know how they're going to react to what we know is ridiculous and I'm going to say it and hope for the best. You know what I mean? Yeah. Part of the breaking is that we're now saying this in front of people who we don't know. We don't know what they're going to say, how they're going to react to it essentially. Yeah. Yeah, that's a really neat perspective on breaking, I guess from a performer's side of it. I think, yeah, just as long as it doesn't feel forced or – Yes, I think that's what I – you're better at words today than I am, but that's what I meant of when you're solo or you start breaking off the bat or whatever it is. If it just doesn't seem genuine, if you're not actually laughing, you're just doing it to deflect or try to make this funnier or trying to be funny by breaking –. Track 4 [34:27] I don't think it works. I think people will notice that. And if you're genuinely breaking, people will laugh with you and not at you. Yeah, essentially, Mulaney's a magician when it comes to this because he was able to make it seem authentic and part of the game and everything like that with Stefan. So Stefan, by the way, on the Saturday Night Network's character countdown, I believe he was number one. I was on that episode. Yeah, he was number one. Do you agree with Stefan? Like, could you see him being number one in a character countdown? It's 49 years of history, I know. But what do you think of that? I'm trying to think of, well, okay, hold on. I was going to say, who else would be number one? But I really love some of Kristen Wiig's characters, too. But Stefan being number one is a fair assessment. That kind of makes sense, right? Yeah. Because there are no diminishing returns, too. So I think that's another thing about good sketch writing. writing is if you keep writing the same for the same character and how are the returns on it with Stefan I don't think Victoria there was diminishing returns on Stefan it might have gotten better honestly so that as a sketch writer and somebody who appreciates sketch like how that that's such a sometimes a rare thing not to see diminishing returns for a recurring character no that's completely accurate it's a fair assessment I was like unless you're doing. Track 4 [35:52] A specific show about those same characters but yeah no it's i think that's one thing that stefan got the same amount of laughs if not even more laughs every time he he showed up yeah and that's just great writing and great performance by bill of course bill hater yep amazing performer but that's just like the team like millennia bill just such a wonderful team uh so stefan on yeah we love victoria has a step on sticker on her notebook so we we all love step on uh something that that i've always loved very relatable thing of forgetting people's names, uh so it's presented in a fun way by millennia so millennia's behind the what's that name sketches so victoria these are these get me every time i think he did three of them But all three were just fantastic. You know, like a relatable premise. I love these. What did you think of what's that name? Track 4 [36:50] It's interesting. So I have a very millennial slash Gen Z take on this. So there are people that will follow me and I follow them back on Instagram. And we have our names on Instagram. But I won't know their real name, but I know their Instagram name. Oh, no. And, for example, this literally happened last night where there's this person who's – I've met them in person, and we follow each other on Instagram, but I forgot their real name. Is it me? Did you forget my name? Tim. Track 4 [37:31] No his name is thomas everybody his name is thomas it says it in the top top left corner here um no but there's a person that i ran into and i forgot his real name and i was about to call him his instagram handle but i think it's just again it's a very funny premise i think that's a great take on how to present this versus doing a real life like relationship sketch if that makes sense yeah you know i love that they put it in game format and not just hey we're at a hot dog stand and i don't know your name and what kind of game can we play within the sketch i love that the format of it is a game show yeah i think game show sketches get a bad rap like people say oh oh, another game show sketch. But I think that it's format. Like the format of a game show is ripe to present jokes, to present situations. Track 4 [38:28] I think it just gets a bad rap. But to me, it being a game show sketch in and of itself, I don't think it's a bad thing. It's just about execution. Just like with any of this stuff, it's about the execution. I agree with you that it was a good idea to make this a game show. And, of course, Bill Hader, like arguably one of the best game show hosts in SNL history. You can make him a game show host with anything. Yeah. Knock it out of the park. I know your whole family. Your son Avi loves Outer Space. What's my name? Track 4 [39:01] Carl? Audience, what's that name? Norman. Norman the doorman. Oh, I'm so sorry. Say hi to the wife for me. I'm sorry, what's that? that, say hi to my wife. Yeah, OK, I'll take the bus out to Forest Hills Cemetery and tell her that you say hello. Track 4 [39:24] God, what the hell kind of show is this? It's What's That Name? The interactions between Hader and the contestants, he was like, Bill Hader was antagonistic. He's like the sadistic game show host. He was like, I know you forget names, and I'm doing this on purpose to put you in this position. So uh yeah the the first one they did was uh season 36 episode 9 uh it was mulaney he he co-wrote these with uh simon rich who he collaborated collaborated with a lot and merica sawyer so there's like his writing partners a lot of the time on the show and he collaborated with them on what's that name it was like paul rudd vanessa bear keenan comes out as uh the doorman and paul rudd's trying to remember the name it's norman the doorman like Like, how easy is it to remember that name? So these are just, like, lovely, lovely sketches. He did it, too, when he came back to host as well. Track 4 [40:23] Yeah, I thought that was very funny. Keena was like, I know your son, and he loves outer space. What's my name? And, yeah, it was very, very funny. I love that one and the one with Mulaney and Cecily, that the women were, you know, executives in part. Like, you know, they were high-ranking in their workplaces, so shout-out to that, and not just making them stay-at-home moms or whatever it is. Mulaney and Simon Rich and Marika Sawyer lifting up women. Yes. In the What's That Name sketch. Bonus points. Yeah. For the SNL Hall of Fame if you lift up women. Yeah. You have to. In this economy, you have to. In this economy, that's just, yeah. Bonus points for the SNL Hall of Fame candidacy. So What's That Name? I know just a fan favorite that Mulaney was behind along with Marika Sawyer and Simon Rich. Track 4 [41:22] Something that's very Mulaney specific to me it's a funny observation about Lifetime movies and Mulaney's done this in his stand up not specifically about Lifetime movies but he's talked about what like Law and Order, and made funny observations about that recently at the Academy Awards he had a whole thing about Field of Dreams that was great. Shout out Field of Dreams what a good movie what a good movie. It's a little absurd though in a lot of ways that Mulaney I mean, yeah, he did that for, um, what's funny is that Field of Dreams and the Fugitive, which he, which he described. Oh, I forgot what standup special it was. Like. Two movies my family loved watching together growing up, and he described them so ridiculous. It was funny. Ridiculous but accurate, but it was very funny. Yeah, in a loving way. He's so good about taking just the grinding at the heart of what makes something its essence, the essence of what makes something silly and ridiculous, and really highlighting that stuff. So he did a sketch in season 37. He wrote a sketch called What's Wrong with Tanya. Okay, let's go over the rules. a lifetime movie Tanya will walk out and you'll have 15 seconds to guess what's wrong with her. There's nothing wrong with her! Yes, yes there is. Let's bring out our first Tanya. Track 4 [42:49] All right, mothers, what is wrong with Tanya? Tanya! Tanya! Tanya! Oh my God, look at me! Tanya! Tanya! Tanya! Mary Jo Beth Jojo! Tanya! You've been going to those parties where girls do oral sex for bracelets! That's right! Track 4 [43:08] That's right! Of course, Bill Hader again, playing a villainous kind of host. It was a very specific observation about Lifetime movies, Victoria. And I don't know if you've watched a lot of Lifetime movies, but this was painfully accurate i was gonna ask you if you've watched any and if you go back to this they have the old logo. Track 4 [43:29] Which is just incredible like that logo brought up a lot of memories from being a young girl watching lifetime i feel like i was home growing up like being home sick and when the price is right was done i'd be flipping channels and maybe something ridiculous on lifetime would be on and And he would kind of suck me in for like 15 to 20 minutes. But I know the beats. So I know the beats of those movies. I know that what was portrayed in the What's Wrong with Tanya sketch is completely accurate. He got the archetypes just right. Yes. Yeah, I love the contestants all being the same thing. Yeah. Just like what, the nosy neighbor kind of? Yeah, and they all kind of look like Martha Stewart. Stewart. You're right. I didn't pick up on that. Yeah, they were just, it was the same person in different font. Like, each contestant, like, they were all blonde, they were all wearing the same shades of pink and cream, same personality. It was, and I'm like, yeah, that's, those are the people watching Lifetime. And maybe even... Even some of the characters in Lifetime movies. You're right. Yeah, he also is poking fun at the viewers of these movies as well. I can definitely see that. My favorite part is when Andy Samberg comes out. Track 4 [44:49] But it can happen to a boy. So you thought. All right, mothers, what's wrong with boy Tanya? Tanya. Oh, no. Boy Tanya. What's wrong with boy Tanya? Boy Tanya. Boy Tanya. Boy Tanya. Major William. Tanya, you're a secret stripper. No. Tanya you're pregnant what no come on tanya your english teacher caught you cheating so he made you take naked pictures and now they're online and it's giving you an eating disorder and also you can't read. Track 4 [45:25] I don't know calling him boy tanya is just such like a mulaney like chef's kiss kind of touch to me and guessing that he's pregnant like yeah and then bill hater's like what no and then they just gotta move on yeah and like said what was it what was ended up happening with him something about seeing something that left him with an eating disorder or something yeah he had an eating disorder and something yeah i'll yeah i'll go i'll go play back but i'll go play back for sure yeah but that was just such such great beats in this though the winning contestant does the the lightning round while the other two contestants watch while pretending to rake leaves. That's like such a specific observation that, that he threw into this. It's so perfect. It's so, I'm going to say this a lot. It's so Mulaney. This whole thing. I love at the end, um, he grabs her. She's like, you're hurting me. Who's going to believe you? Yeah. You're not, you're not going anywhere. You'll never leave me. And those are classic lifetime movie. Yeah. Track 4 [46:27] Lines yeah mulaney again so good about mining for the specificity in something and really highlighting it and the absurdity that comes with it that's like that's why i love mulaney truth be told he's my favorite working comedian right now like stand-up wise because of these little things because of the way he structures things and observes things and and presents thing so he Mulaney is my favorite stand-up comedian right now he has the championship belt for me wow I don't know if that's that's a that's a big claim it's a big claim I know I stand by it you stand up by it no oh geez something else that I stand by this happened happened actually uh when he was hosting but it was such a millennia thing one of the one of my favorite sketches of the past few years and i don't know i haven't really talked to a ton of people about this one um and i think you said you watched it it's the monkey judge one yes from season 47 i think that this is like to me this almost structurally is like a perfect sketch Your Honor, it is obvious that you're favoring the defense. That is ridiculous. Your Honor, I love Judge. Track 4 [47:53] I love you. I love Judge. You are baby. Judge, love baby. Bring Judge, baby. Judge, love you. Judge, favor defense. Oh, come on. Yeah, we move to request a new judge. Are you suggesting that I'm not competent? confident tango made these pieces match sure it was a bit of trial and error but i did it i won the juice. Track 4 [48:23] You don't have to think it's like a perfect sketch but what did you what were your impressions of it well one i want someone to love me as much as you love john mulaney my goodness no that was a very very funny sketch. And I think, again, something we've been saying and will continue to say about John Mulaney are, it's this attention to detail and picking up on everyday things and those, little details of the everyday things and bringing them up and presenting them to us, right? Oh, yeah. A lot of it's like, oh, yeah, I never thought about that. It's a lot of what I think when I watch and listen to his stuff. It's like, oh, yeah, that's exactly what they do. You know, talking about how, you know, in this sketch, oh, he's smiling. No, he's just like showing his teeth to assert dominance. Like those specific details or, you know, blue shape, blah, blah, blah. Track 4 [49:24] Just pointing out those specific things is what works for him. And it's very smart, right? Yeah. He's able to describe those things that I wouldn't be able to describe. Yeah. A lot of people wouldn't. And he has a great way of, again, pulling the very minute and blowing it up to make it funny. And I think that's what worked in this sketch. And it was about monkeys, right? We all have seen monkeys. monkeys but he but he was able to one personify that that monkey and also you know put in front of us how monkeys act and what that would look like in a in a courtroom essentially yeah it's almost like i had when i was done watching the sketch i had just finished watching like a documentary on monkeys because i felt like i learned so much but it was also very funny just funny acute observations like when he was when melissa via senor she played the character that that got injured by uh by somebody's pet monkey and she was talking about they asked her the question like what kind of hat were you wearing and she's like i usually wear a bucket hat but i was wearing a different hat and then as the monkey judge he's like so let me get this straight you approach this person as a completely different shape and you expect or you approach this monkey as a completely different shape and you expected him to be just be cool about that like yeah like No, that's so funny. Track 4 [50:49] So was this a new hat? Well, I usually wear an orange bucket hat, but I was wearing a green baseball cap. Track 4 [50:56] Yeah. Which is, you know. You thought the monkey would just be cool with this? You were completely different. Yeah. Track 4 [51:02] That's fair. He gets mad at Keenan. He's like, I will now throw sand at you to show dominance. And he like tossed sand at him. like this yeah it was just so again very mulaney to have like the behavioral traits of a monkey but present them as very human in a courtroom setting i don't know i was like blown away by this sketch when i saw it i thought it was so smart and i thought the structure was great shout out simon rich and please don't destroy who also were helped with this but this is a recent recent sketch it was from season 40 it was two seasons ago season 47 yeah i'm just like i was just like really honestly blown away by like the writing of this sketch, so what else would you like to bring up victoria i've already i expressed my love for monkey judge so i think i'd like kind of tap out on that and spare everybody my complete like maybe we'll do a bonus one an hour and a half episode of me just breaking down monkey judge but is there anything else from melanie that you want to bring up, I feel like we're going to have to bring up one of the musicals, either Diner Lobster or Bodega Bathroom. I think that's kind of essential. Which one? Okay, which one's your favorite out of the musicals? And we'll talk about that one. Bodega Bathroom. Hey man, do you have a bathroom? Track 4 [52:24] A what? A bathroom, like a bathroom I could use? Dude, did you just ask to use a bathroom in a bodega? I mean, what? Who cares? It's an emergency. Would you like the key to the bathroom? Charlie, yo, if you do this, I don't think we can be friends anymore, man. Dude, relax. It's just a bathroom. I'm sure it's fine. It's a cinder block, bro. And so it shall be. Oh, Bodega Cat! Show this man to the bathroom. I never watched Les Mis, so... Me neither. Really? Really? Yeah, I'm not really. We had to kind of read it, I think, in high school. Was it Les Mis? Yeah. Yeah. But I never, I don't really remember it. But I felt like I remembered it. Like, it still felt familiar, them doing Les Mis in this sketch. I'm going to tell you how uncultured I am right now, Thomas. I don't even really know what Les Mis is about. Something about French. French war. A French something happened. You don't have to sell me on you being uncultured, Victoria. I already know. So it's fine. So Thomas, I like your humor because it's nonchalant and you don't need to try hard. Like you just slip it in and it's part of your everyday like speech. And I don't know if you've intended it this way, but I'm taking that as a compliment. It is. It is a compliment. Track 4 [53:51] Thank you, Victoria. Because you don't shift your tone. You just say it as you would anything else. That's the Mulaney you think about me. I don't know. Yeah. I just have to think twice. I'm like, did he? No, this is a joke. Yeah. Which makes it funnier. No, we can talk about Bodega Bathroom. Yeah. Yeah. So remind us what the beats, kind of the beats of Bodega Bathroom. So one, I want to shout out that I don't see Pete Davidson as a musical type guy. I can't see him, you know, watching Anything Goes, Kinky Boots, Wicked. I can't see him watching those things. But I don't know him. I don't know him personally. I've only met him once for a solid second and a half on his 21st birthday, I should tell you. And his 21st birthday was nine years ago. So I do not know Pete Davidson. I just know what the media has told me. And they're not telling me much here. Nonetheless, I love that he's in, he's the center. Track 4 [54:58] Both of these pieces, the diner lobster and bodega bathroom, is just a weird fit. But essentially, Pete Davidson asked the bodega owner to use the bathroom, which then sets off a musical chain of events, revealing a secret. As all these musical sketches do, he did five in a row. From seasons 43 to 47, he hosted five times, and this was like a staple of these episodes. Episodes so uh so yeah bodega bathroom colin jost and gary richardson it's worth a close oh that was a colin jost yeah colin well wow one of the stories about these musicals is that mulaney and jost when they were both on the writing staff they tried to get diner lobster on in like 2010 or something like a long time ago and they could just. Track 4 [55:50] Never get it on for whatever reason i think mulaney maybe said that it didn't play well uh at the pitch meeting or whatever so it never got past that level uh but when mulaney hosted he and jost were like yeah we got to get this on let's try to get diner lobster let's do it so that's what that's like the genesis of these musical sketches was them trying to get diner lobster on when they were writers and it didn't happen so yeah so jost is definitely like huge part of these as well i was gonna say i did not know that yeah that's a good surprise you he's not he's not just a pretty punchable face oh yeah well he dubbed himself that so he did his words not mine that's on him yeah um no i i didn't know that that was i just thought i thought john mulaney loved musicals i think he does i think he has the spirit of a theater kid does that make sense yes like he was very even in his stand-up he's very he speaks to the back of the audience he's very dramatic in his presentation and it's very theatrical yes so this doesn't surprise me that he would want to do theater musical based based sketches. I also, so I'm not a huge musical girly myself. Like I love some musicals. I did musicals in high school. Track 4 [57:16] Or was at least part of them. But I do try to put musicals on stage. Track 4 [57:24] I try to do musical style stuff. I don't know. We'll talk about that later another day. But yeah. Yeah. Harnessing your John Mulaney energy with that. I'm consistently harnessing the John Mulaney energy. That's good energy to be harnessed. This is like a celebration. This is a loose kind of episode, I suppose, because it fits john mulaney it's very uh just a very celebratory i like i feel when i did that when i went and did research and not research when i reached rewatch stuff for this it just always it just put me in a good mood it put me in like a great headspace because just mulaney has that ability he has that touch and that's why you know we we've gone through herb welch coach stefan what's that name some of the one-off stuff like like monkey judge the great great monkey judge uh what's wrong with tanya mentioned his musicals like that's a quite the hall of fame. Track 4 [58:24] Resume wouldn't you say victoria like if you were a writer on snl would you not be proud to have all of that on your resume absolutely i think there's also a component here in that this boy got range like he has it's a variety of stuff you know stefan is a standalone character that they've done some they've put him in a sketch or two but then he was a stand-up you know a recurring character you know uh game shows musicals and then of course your your average sketches that you're putting on here on on the on the show i think it speaks to the variety that he brings even though it's a Mulaney style sketch and you can tell when he's you know had a part in it he still brings some a few different things to the table and I think that's really impressive and I qualifies him for the hall of fame and not only that you know people love John Mulaney even if they're not watching SNL they're watching his stand-up or they know about him or they know that he's had an impact on SNL through his writing and they can tell you anyone can tell you hey John Mulaney did this they're very aware too he's a likable person and I know he you know says likability is a jail but I think. Track 4 [59:47] Just calling it out. He's been through a few things in the last couple years. And I commend him for getting back up on his feet. And I don't know his journey well enough to judge and I'm not going to I would never I would never be able to judge a situation like that. But I think he's done an excellent job of reclaiming himself and his comedy and kind of reintroducing himself to the world as, hey, I'm not this perfect, you know, button up guy, I do have some flaws. And I think he shows that in Baby J. But even in Baby J., though it was different from his past work, was still funny and still called out those details and the specifics and, you know, the mundane things. And he was able to do it in his own way. And people, I think, just appreciate that about him. And there's no, he really is the comeback kid, is what I'll say. And I think his his work speaks for itself. Even if you didn't know his name, you know, his sketches, you know, everyone knows who Stefan is. Stefan is a beloved. I think Stefan in and of itself qualifies him for, for the hall of fame. Track 2 [1:01:12] So there's that. Victoria, Thomas, you really brought it. You left it all out there. And I got to say, I'm going to be shocked if Mulaney doesn't make it into the hall one way or another. He's going to be on the ballot in two categories this time, which is unprecedented here in the hall. Now, I want to circle back on something Victoria talked about right toward the end when she mentioned Stefan. And we are going to listen to a Stefan sketch now. This is Trademark, Hater, and Mulaney. They play off each other and feed one another so well. And Stefan, like Victoria mentioned, is beloved at this point. He's probably a top 10 maybe even top 5 character I forget what the SNN came up with when they did characters but he's got to be right up there, so let me not dilly dally any further and let's get to Stefan on Weekend Update. Track 5 [1:02:26] It's Christmas time in New York which means millions of tourists will be coming to see what holiday magic the Big Apple has to offer. Here with some tips on where you and your children should go is our city correspondent, Stefan. Hi. Hi. Hi, Stefan. It's an exciting time, isn't it? I know, right? So many Republican candidates. Who do you pick? Okay, so, Stefan, a lot of families are making their way to Manhattan to have some holiday fun. Are there any places you can recommend? Yes, yes, yes, yes. If you're looking to get festive with your family, I've got the perfect place for you. New York's hottest club is Hay. Built from the bucket list of a dying pervert, This Battery Park Bitch Parade is now managed by overweight game show host Fat Sajak. And this place has everything. Tweakers, skeevy's, spud web, a child. And a Russian guy who runs on the treadmill in a Cosby sweater. So come on down this weekend. The bouncer is a bulldog who looks like Wilford Brimley. And the password is diabetes. Track 5 [1:03:53] Stefan, that sounds like a very cool place, and I'm sure that, yeah, I'm sure that people exist who would enjoy hanging out at a place like that, but since New York has so many holiday, holiday, holiday sites to see, maybe you can think of something more traditional for ordinary salt of the earth people to check out. Yes, loud and clear. If you're ordinary or love salt, I've got just the spot for you. New York's hottest holiday club is Baaaaaah! Could you, uh, could you use that in a sentence for me? In a sentence? Let's go to Because the line is too long at Okay, that was a sentence, thank you Open and condemned in 1904 The seasonal psych award is the creation of Hanukkah cartoon character Menorah the Explorer. Track 5 [1:04:56] And this place has everything Kiwis, Spud Webb. The Spud Webb, he's doing double duty. Yeah. Cleo Awards, some guy's mom. Plus a special showing of the African holiday classic, A Fish Called Kwanzaa. Track 5 [1:05:24] Look who just walked in. It's a lady who works at CVS, but do not bother her, because she is on break. I don't know if this place captures, captures the holiday spirit. But all the proceeds go to charity. Oh, which charity? Flacid Outreach Group, Doctors Without Boners. Oh, Stefan, I'm, I would never disparage a charity, and I'm sure that Doctors Without Boners does amazing work. Not really. No, not really, okay. Okay, but this is not what I was looking for. I'm trying my best. All right. You're right, I shouldn't get mad at you. I just get emotional around the holidays to find, you know. My family is all back in New Hampshire and I don't get to spend the holidays with them anymore. I guess I just miss them this time of year. I'm sorry, I never knew you had a family. I just thought you were built by gay scientists. Track 5 [1:06:29] You know what? This year I'm gonna get you a Christmas present. Oh, Stefan, wow, what are you gonna get me? A human boombox. What's a human boombox? It's that thing of when you carry a over your shoulder while he sings gangster rap. That's just what I've always wanted. Happy holidays, Seth Meyers. Track 2 [1:06:56] I forgot how much I love Bill Hader working with Mulaney. Stefan is a masterwork in sketch comedy and the games that they play with one another. So there's that. Victoria, Franco, I want to thank you so much for joining us this week. It's been an absolute pleasure. pleasure on behalf of uh thomas and matt we thank you so much for making the case for melanie as a writer in the snl hall of fame next week on the snl hall of fame podcast we will be joined by rebecca north to discuss my rudolph as she takes one last kick at the old nomination can that's That's right, this is her last year to be considered for the SNL Hall of Fame, or she will be removed from the ballot, whether she likes it or not. Track 2 [1:08:04] So, that's what I've got for you this week. I hope you are doing well. We really appreciate you stopping by. But if you do me a favor on the way out, as you pass the weekend update exhibit, Turn out the lights, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Tracy Morgan | 01 Apr 2024 | 01:15:01 | |
This week on the program we welcome our friend Deremy Dove into the hallowed halls to discuss the career of funny man Tracy Morgan. Join us won't you? Transcript: [0:41] Thank you so much, Doug and Nance. It is fantastic to be here with you all. And there are quite a few of you. I can see you queued up outside the SNL Hall of Fame. My name is J.D., and it is just a thrill to be with you here on this lovely Monday. We have got a fantastic show for you. But before we go any further, I feel it necessary to tell you to wipe your feet before coming into the hall. all. Now, back when I was a wee lad, my mother scolded me once for making a mess of the floor, and ever since then I feel compelled to tell people to wipe their feet. There. I've said it. It's finally out in the public, and I feel great. Thanks for being my therapist by proxy. The check is in the mail. The SNL Hall of Fame podcast is a weekly affair fair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. And that's how we play the game. It's just that That simple. You listen. You vote. We tabulate. We announce. Track 2 [2:06] Repeat after me. You listen. You vote. We tabulate. And we announce. Speaking of announcements, our good friend Matt Ardill is standing around loafing. It looks like, hey, if you've got time enough to lean, you've got time enough to clean, young man. Track 3 [2:25] Hey, JD, I saw the new exhibits on the way in. I really like the Norm Macdonald hat collection that we've got going on. Turd Ferguson, that Turd Ferguson hat and that big hat. It's funny. Yeah, you can't go wrong with a funny hat. That's right. How are you doing? I'm excellent right now. Yeah, I'm pretty good. What have you got for us this week? I have got an awesome player of Tracy Morgan. So I'm really looking forward to sharing some facts about him. Well, let's do it. Great. Well, Tracy's 5'9", born November 10th, 1968. He has 67 acting credits, five producer credits, and eight writing credits. Born in Brooklyn and raised in Marlborough Houses and Tompkins Houses in Bedford. He was actually named after a platoon mate of his father who shipped off with his dad to Vietnam, but was killed in an action within days of deployment. Track 3 [3:31] So his dad was very close to this guy, and so that's why he got that name. Um yeah he went on to marry his high school sweetheart and began his comedy career at the age of 17 by performing stand-up on street corners in new york he had his date first debut as hustle man on the television show martin so he's been working hard since he was a kid um and it shows i mean he lists his influences as carol burnett lucille ball jackie gleason which i actually see the most in a lot of what he does uh martin lawrence eddie murphy and richard prior uh but he learned about that is a great pedigree huh yeah that's a that's a really good good lineup but yeah the thing is he he says he learned his comedy first from his dad who taught him about jonesing which is basically roasting people he put put him on his lap and they would roast people on the the street and he also drew from his uncles who he said were also very funny so you know it runs in the family um you can actually see his first stand-up gig which is an apollo theater amateur night on youtube so if you want to go out and see his first big break it's there for you to find. Track 3 [4:52] I'm going to have to watch that. Yeah. Yeah. You don't get that. See that with a lot of comedians. No. Yeah. He nicknamed all the talk show hosts that he's appeared with. So David Letterman is D rock. Jimmy Fallon is Jimbo and Conan O'Brien is C black. Track 3 [5:08] The line between Tracy Morgan and Tracy Jordan is remarkably thin. That's right. Yeah. So he has lobster for dinner every day. He does in fact own sharks. He has, at this point, 15, and he has a backyard tank. And now, to be fair, he has a very close relationship with his daughter, who wants to be a marine biologist. So at least partially he's doing this for her. Oh, it's a shark pony. Track 3 [5:40] Yeah, it's a shark pony. Yeah, some people get pony ponies. She got a shark pony. um yeah to entertain his daughter uh and her friends he turns his basement into a haunted house and he goes all out to the point he every halloween he actually won't go into the basement because he's afraid of the haunted house that he sets up in his own house um that's spectacular now he when drinking he does have a alter ego uh named chico divine that he describes as the the coolest dude who would never hurt anybody but chico did at least piss piss one person off as prince kicked chico out of his house uh following a pre-grammy party he got a little out of control um now the thing is this actually helped turn tracy's life around because he got a dui which led to a confrontation between himself and his son and from that point on he's been sober. Track 3 [6:39] Wow. Good for him. Track 3 [7:09] So it was a real uh great great thing for him to do to honor his dad that is great, what a tear-jerking end to trivia this week yeah a little bit more serious and and uh, intense uh trivia but it was one of those things where it's like you know i was reading it i'm like should i you know leave this out because it's a little down but it's like it really helps explain explain a lot of his comedy and the character behind Tracy. I mean, I've met people who've done shows with him and they say he's like a really sweet dude. And this is where a lot of this comes from. Awesome. Well, our friend, Jeremy Dove is here and he is down with Thomas right now. So let's turn it over to those two. Track 4 [8:30] All right. Matt Ardill, JD, thank you so much for that. And I am excited today because we have, first of all, a great guest. Second of all, really interesting nominee. Track 4 [8:45] Very different nominee. And I think my guest today and I talking before we hit record, that's kind of the word that came up was different. Tracy Morgan is such a different cast member. He has such a different vibe compared to a lot of people that have been on the show. So this is going to be a fun one to get into. So to talk all things Tracy Morgan and SNL, I have with me my guest for today, my friend, a great guest on the SNL Hall of Fame in the past. He's been on for Dick Ebersole, Adam McKay, been on a roundtable. Track 4 [9:21] Great guy, I think, to chat about Tracy Morgan. Deremy Dove. Deremy, how's it going, man? Thomas, I'm honored by your kind words, and I'm honored to be here to talk about someone who is, as you said, just so different in SNL history. We're going on near 50 years, and it's always you think like, oh, you've seen it all. But with Tracy Morgan, he is one of one. He's definitely one of one. With Tracy Morgan, it's a lot about vibes. So we're going to vibe out today on some Tracy Morgan. So you're a podcaster, obviously. So you have the Bigger Than The Game podcast with Jose Ruiz. I'm a fan. Tell everyone what's been going on over at Bigger Than The Game, man. Well, we just did our most recent episode was on the 60th anniversary of Sonny Liston versus Cassius Clay, who later became Muhammad Ali. And it was just, like, incredible that, like, man, it's been 60 years since that legendary and epic match. And it was kind of fun to look at. I know you'll enjoy this, Thomas. Track 4 [10:29] In the same month, February of 1964, the Beatles went on Ed Sullivan and young Cassius Clay Muhammad Ali upset Sonny Liston to become heavyweight champion. Champion and it's like man in that month two things that really changed not only the decade but the way we look at pop culture sports everything two of the biggest figures of the 20th century the Beatles and Muhammad Ali really emerged all in that same month so it's just really fun to kind of get into just what this match set up for the rest of the decade and the rest of the 20th century as far as sports I love it you guys talk sports history but you break it down you put Put it into that context. You talk about all the narratives surrounding the sporting event or whatever topic you're talking about at the time. You and Jose do such a great deep dive into all the topics that you cover. So I love it. Thank you. Go check out Bigger Than The Game with Jeremy and Jose. And I'm told you have another podcast. Why don't you tell everyone about that? So it's this show called Pop Culture 5. It's me and this guy. What's his name? I think it's Thomas Senna oh my gosh that's right we do have a podcast together we have a show I mean who would have thought it so, that has been just so fun to do the show with you man my friend and. Track 4 [11:53] We look at anything in music, movies, TV shows, and we're picking five essential things from that. So if it's TV, it's episodes, music, it could be songs for an actor, a director, movies. And we're just kind of talking about our five essentials. And depending on who's the host, if you're the host that week, you get three. The co-host gets two, but gets veto power. So it's really like a fun twist on it. And we've gotten nothing but great responses, and I've just really enjoyed doing the show with you, man. Yeah, I look forward to it every week, recording episodes. I love deep diving into our topics at any given week. So one week, I'm all about Nirvana. One week, I'm deep diving into Spike Lee movies and Spielberg. And so it's just been a lot of fun, man. And I think when this Tracy Morgan episode gets released, we'll be up to 25 episodes around then, something like that. Yeah. Yeah. So being released because we have some banked. So this has been – I think we found a really nice groove. Absolutely. Absolutely. Big credit to you for that, man. And you too. So everybody go check out my podcast and Deremy's podcast, Pop Culture 5. Track 4 [13:14] Today, we're here on the SNL Hall of Fame. See, I got to get into SNL Hall of Fame mode. Yeah. Yeah, I was going to do this introduction like I was on Pop Culture 5, but we got to get into SNL Hall of Fame mode here. I know, it's a brain shift. It is a brain shift. So, today we're talking about Tracy Morgan here on the SNL Hall of Fame. Tracy joined the cast when he was 27. He auditioned at the same time as Stephen Colbert. Track 4 [13:38] Stephen Colbert and Tracy Morgan auditioned, and Tracy auditioned with a little kid character named Biscuit. Have you seen his audition? I have. I have seen it. Well, can you describe his audition and who Biscuit is? Because it was a really memorable audition to me. I'll be honest, right? Track 4 [13:57] It's really weird. For the whole audition, there's certain people, like when you watch Phil Hartman's and Will Ferrell, and to me, it's just like, oh, that's a lock. Track 4 [14:06] That guy has to be on. or even Jimmy Fallon for Tracy's it was really like I'm like man like it's not that it's not funny but it's just so it's just so different and unique and I'm just like I wonder what they talked about in the room once he like got done and said thank you like you know what I mean because like you mentioned Biscuit and Biscuit was just this I'm probably gonna struggle to describe but like just this odd character that he kind of like had I feel like he did it from his stand-up days yeah it was like a little kid who was this kind of shy kid but not almost a socially awkward kid but he would but then the premise was that he was asked to recite like a christmas poem or something yeah so it was like he was this shy kid but like he was awkward but would kind of say these like weird like i don't know sassy kind of stuff at times like it was was just really like it was different it was just so weird for a character to biscuit little kid named biscuit that's like definitely a tracy morgan touch on this and so like i mentioned he he and steven colbert were two of the finalists and i've heard norm mcdonald even say like norm mcdonald was part of the selection process and he watched the uh all the uh people audition and And he even said, he's like, I just assumed that Stephen was going to get it. Track 4 [15:31] Yeah. We saw both of them. And even Norm said, I just thought, oh, Stephen Colbert is going to be a cast member. Right. Track 4 [15:38] But I don't know. His audition, Tracy's audition won the show over, Jeremy. So one, I mean, what do you think? Track 4 [15:50] It was about Tracy that might have won SNL over. And two, that's quite the what if between Stephen Colbert and Tracy. Yeah. Well, number one, I believe Tracy just has raw charisma. There's some people who they're just naturally funny. It's like the guys, like the class clown when you're in school or at the lunch table. Track 4 [16:16] They just are funny. and they can almost like read the phone book to you and they'll crack you up and Tracy has that you know a lot of times comedians they're they're you know it's an art form and it's trained it's timing and all those things but then there's just some who break through who it's just something about them they just make you all their mannerisms just make you laugh and you can't pinpoint one specific thing you're like I like this guy he just cracks me up and Thomas I don't know this is a hot take for you or not but when i'm thinking about tracy morgan and getting ready for this episode. Track 4 [16:52] I think this is lauren michaels most unique hire and i also think when it comes to judging how good of a talent evaluator lauren michaels is i go to tracy morgan as number one yeah because of it's such a unique hire like this shows me like lauren he thought outside the box when it comes to who who he's bringing on the cast. No, I don't think that's a hot take. I think I used a different word, but I think it encapsulates the same thing. We were probably both thinking along the same lines. I think it's one of Lorne's most inspired hires. That's a good word. It's a better word. No, it's a different word, but I think unique's a great word too for it. A unique hire, an inspired hire. I have to give Lorne and the other producers, I think Steve Higgins was probably, Obviously, Steve Higgins has been there forever. He's been there longer than Keenan. That's how long Steve Higgins has been there. Yes, yes. So I have to think whoever is in charge, Morrissey. Mm-hmm. Track 4 [17:52] Choosing Tracy Morgan, they could have gone the easy route and chose Stephen Colbert and, you know, just plugged him in. But choosing Tracy was just like such a – it was a conscious, it was a deliberate choice to choose somebody like Tracy. Yeah, I'm wondering, like, if you look at the cast, like, do you think at the time that they needed somebody like Tracy, like, to feel some sort of thing to add? Well, it's interesting because he came in 96, so he's not part of that 95 cast who saved the show again with Will Ferrell and Sherry O'Terry and everything. But he's still remembered as part of that group, even though he came a year later. He's still kind of grouped in with those guys as part of the group that kind of saved the show. So it's interesting because that's one season kind of removed from the toughest time Lorne has really had on the show where like the network executives were kind of breathing down his neck and being like, you got to get the show funnier. And, you know, you kind of lost. And we've talked about this before. We kind of understand where they're coming from. That 94, 95 season was not really that good. So I think he was looking for people to kind of had an original voice. I think you hear Lawrence say that a lot when he's doing those interviews. I think he wanted people who were original and kind of got back to. Track 4 [19:21] Snl really is and i think he wanted someone to tracy's credit who people like to work with and was easy to work with too and i think that's also a big thing that people don't talk about for tracy i'm glad you mentioned about the show's original vibe and hearken back to that because there's an element of tracy that i think is part of the spirit of the original snl and that's almost that danger aspect yes yes like that unpredictability and that's that's a good thing and tracy could be unpredictable but in like a controlled way he's still a professional, he's still you know it's not like he sabotaged sketches or did anything like that tracy was a professional but he had this aura vibe about him that was uh dangerous or unpredictable i think that did harken back to the original time then that was something to me they probably wanted to shy away from that in season 21 because they had just come off of sandler and farley and they were. Track 4 [20:18] Dangerous quote-unquote and unpredictable but it got to be a disruption on the show i think right i think they maybe consciously didn't hire somebody like that for the immediate season following sandler and farley and those guys but maybe they re-evaluated and like let's get somebody who can add that danger that unpredictability i mean is there something to Am I just being a weird SNL fan? No, no. I think there is. It was that tamed. Like you said, it's a controlled danger. It wasn't someone that, oh, he's off the rails and is not willing to work. And I think also he brought a confidence, too, where just from Tracy's background, his upbringing, you know, doing stand-up, I think, as well. Like there's a difference between being an improv actor and being a stand-up comic. and I think Tracy just kind of did... Track 4 [21:11] Not to say he's in this person's ballpark overall as far as SNL, but one thing about Eddie Murphy, when he was a part of that cast that replaced the original people from the first five years, a lot of those guys, and I understand, rightfully so, they're replacing the epic first five years. They were scared. They were nervous, all this pressure, the presses on them, and everyone always said Eddie just had a confidence where he didn't care. He's like, I know I'm good. I'm doing it. And I'm not saying Tracy's Eddie Murphy, but Tracy kind of always gives a confidence of, I know who I am. I don't care what you think. I'm here. I'm ready to go. And I think that's what Tracy kind of really brought. I feel like Lorne and the others kind of saw in him. He wouldn't be scared of the moment. No, I definitely agree. And Tracy was confident in the material. He's like, I know this is funny. I know my inflection's funny. I just know what's funny about this. And so I'm going to get on screen and show you. So that, yeah, that's such a good point. And I think another element, especially around this time, 96, when Tracy got hired, that fascinates me. It's hard to think about Tracy getting cast around this time, to me, without thinking about SNL's history, somewhat tenuous history with black cast members. Track 4 [22:26] So I'm wondering, Jeremy, like, can you talk about the show's history with black cast members, like up until that point, and even like on? On yeah yeah it's always it's been something um i remember when i first saw tracy do stand-up comedy was after he had left snl but people in the crowd were yelling out like you know brian fellows and everything and he made the joke that honestly my whole life i heard which is like black people don't watch snl except for when eddie murphy was on there right in my whole life people my own family a lot of said i felt weird because me and my brother liked it but they were like oh we don't watch that except for when Eddie Murphy was on and it was always, you saw what happened in the original cast with Garrett Morris and how, you know, he really was neglected and just kind of stereotyped and. Track 4 [23:15] Made to just either wear drag or just play this token black. And I think Eddie Murphy, he talked about his struggles and he had those battles too, but he was such a star and the show had no stars. So he kind of really emerged and became that guy. But then you see Damon Wayans came and he had struggles and just frustrations of being that only black voice. Track 4 [23:40] And you're seeing a room filled with white people who don't understand you. Not willing to really understand you because they're going to go to this performer who they either know or feel like will get their work over better they're not sitting down trying to understand your comedic sensibility understand your background and you know you saw that from damon it went to you know chris rock had the same battles and he really struggled there where everyone here knows chris rock and legendary stand-up comic but if he wasn't who he became came after SNL no one really remembers what Chris Rock did in that time and that's a glorious time those early 90s of SNL so really you look at from Eddie Murphy by the time Tracy comes on there you know Tim Meadows was on but he you know did his roles and stuff like that but didn't really like stripe it and I feel like now he gets a little more appreciation for his time on SNL but I feel like he was kind of like an underrated he could do a lot of things but minus like you know the oj when the oj trial happened i feel like that kind of helped him out and then the ladies man a little bit but never really got that shining star treatment that i think tim meadows should have gotten too so i think tracy is really an interesting um i guess like a marker for blacks being on the show where. Track 4 [25:05] He still battled it too, and I know we'll talk about that, but he kind of really set the stage to me for Kenan, for Leslie Jones, Jay Pharoah. He was that guy to kind of really set the stage for seeing SNL starting to improve on that relationship with Black cast members. Oh, that's really great perspective and well put. And even though we're all SNL fans, love the show, I wouldn't be doing an SNL podcast if I didn't love the show. But there's also in the show's 49-year history stuff that they need to reckon with. You know, this is their treatment of women, their treatment of black cast members, maybe not enough representation. Yeah. Even like as a Latino myself, I always kind of look like about Latino representation as well. I mean, that's just the reality of it and something that I know. You know, SNL, about when Leslie got hired, that's something that they made a conscious effort to get a black woman onto the show. And that was almost spearheaded by Kenan, telling them, you know what, look, you need to hire a black woman. Track 4 [26:16] Plenty of qualified black women to do a lot of these roles. You need to get one on the gas. No. Oh, and I think it was shown in the conversations. Like, you look at it when In Living Color came out in the early 90s and just like, okay, then what are we saying here? Like, there's this show on Fox that's reaching this other demographic. And then people are kind of, like, I think kind of trying to say, like, oh, there's not that whole excuse of, well, there's no one to bring on. And it's like, that was a lie. You saw from the Weyans to all these different people. You know, it's funny that Damon Wayans, this great comedic talent, was on Saturday Night Live and was just misused and then becomes an all-time sketch performer on In Living Color, you know, four years later. Like, what's that say to you? Exactly. He was so frustrated on SNL that he sabotaged a sketch. Yeah. The Monopoly Man sketch with John Lovitz. Like, Damon just sort of sabotaged it and he wanted out. Right. Right, and Chris Rock leaves SNL to go to In Living Color because he's like, hey, that's where my voice will be heard. Now, he picked bad timing because it was the way in –. Track 4 [27:26] They left One Living Color, so his timing was off. But the decision to me was correct, where it's like, yeah, who's going to get your voice heard and understood? It's like, not Saturday Night Live. And Chris Rock has said there were so many great comedic minds from Jim Downey, Al Franken, Lorne, and great cast members, great friends of his. But still, he wasn't being represented and wasn't being heard there. Yeah, I think it's an important discussion. and that's why I think Tracy's one of the many reasons why Tracy's such an interesting figure to me as far as Tracy goes Jeremy like how did you get introduced to him how are you like most familiar with Tracy was it SNL you see you mentioned his stand-up yeah so he was someone I being you know I know you are too big fan of stand-up comedy you I would see him on different things and different tapes and stuff like that but honestly it was Saturday Night Live where it It was like, I was like, oh, that dude. I saw him on like the Apollo doing stand-up and everything. Back when the, you know, Steve Harvey used to host the Apollo and it would air Saturday nights. And I remember seeing Tracy Morgan. And then when I saw him on Saturday Night Live, I was like, oh, that guy. Because like this mid-90s era is when I really started watching SNL live. Track 4 [28:40] I would watch the reruns before, but like watching it live was kind of like around 93, 94. So I was really kind of getting into my SNL like fandom you know the year before and then when Tracy arrived so it was kind of cool to see and of course as a black man when you saw like that other oh they brought on a black cast member male or female you kind of like oh okay let's see what how they do and Tracy Tracy in his own way shined through yeah yeah that's awesome so So we mentioned he started in 96 at SNL was on the show until 2003. What's a we'll dive into it. What's the character sketch that kind of first sticks out to you during Tracy's time? Track 4 [29:25] It's one that I kind of, I'll be honest, I didn't really like at first, and a lot of people, like, disagreed with me, like friends, but Brian Fellows is funny. Like, I will give Brian Fellows, and I kind of thought it was, like, overdone and stuff like that, but as I look back on it, and I'm like, you know what, that is, it's classic Tracy. And just the way he does that and just him being this Safari, Brian Fellows, Safari planet and this animal enthusiast, but doesn't have any idea about any of the animals and always kind of got freaked out by him. And it is really, he's playing Brian Fellows, but in all honesty, it's just different forms of Tracy in all these sketches. That's really funny to me. Our first guest is like a human cactus. Please welcome our porcupine. Track 4 [30:16] Ooh, and who are you? I'm Dale Dudley from the Texas Wildlife Sanctuary in Austin. Hello, Austin. Track 4 [30:26] No, I'm from the Wildlife Sanctuary in Austin. My name is Dale Dudley. I'm Brian Fellow. Hello, Brian. I want you to meet my porcupine friend. His name is Willie. That rat needs a haircut. So that one and then the classic Christmas band member. I thought, yeah, I loved that. I loved it when it happened. I remember watching it live and loving it. And I still love it to this day when they kind of all got back together like a few years ago to do it. I always loved that. And I love Tracy in it. And just his facial expression always cracked me up. Those are just a couple of the memorable sketches or in moments with Tracy that I have. I'm glad you brought up Brian Fellow's safari plan at first, and not just because I think this was the most times that he did a character. I think he did it nine times on SNL, so I think that was his most recurring character. But it just, to me, the story behind this just totally encapsulates Tracy's time at SNL and why... Track 4 [31:29] He's successful, I think, in a major way. So Norm MacDonald, again, Norm, said that this came about because he and Robert Smigel wrote the Brian Fellows sketch as kind of a rib on Tracy because of the way Tracy would pronounce his S's. Like they wanted to mess with Tracy at the table read and give him something hard to read because of how he pronounced stuff. And as far as i know they did like tracy like norman smigel i don't know like as far as i know yeah yeah smigel saying anything bad about tracy so i guess it was all in good fun but i love this because tracy took something that was supposed to be a joke on him and turned it into something that was his own and super memorable like he's he he basically was like yeah screw this like in his own little way like this is supposed to be a rib on me but the joke's on you because i'm going to make this like a really successful sketch and a character so that's a big reason why like to me that almost encapsulates big reason why tracy's just successful just in general right he just keeps on yeah and and you hit on a couple things here which is like, you know rip norm and you know smigel is a great great all-time writer but just like Like, how messed up that is. Track 4 [32:53] And, like, that's a small example of that cultural difference where, like, that wouldn't happen to him on In Living Color. You know what I mean? Or, like, whatever that day's Key and Peele or Chappelle show, that wouldn't have happened to him. Right. He would have had writers in there who understood, who knew him, like, know his background. They can relate to him. They kind of, like, did it as a spoof. And to your point, Tracy took it. And I think that's what makes Tracy great is there's just a confidence about him and a no fear kind of mentality. Like because he has that background and I think like, hey, I was out here, you know, selling different items in front of Yankee Stadium a few years ago, you know, just trying to make, you know, $30. So I'm on NBC on Saturday Night Live. What do I have to lose? So he has that kind of fear that was like, all right, you want to like mock it? Fine, let's go. Oh, and he takes it and makes it his most memorable character. Yeah, absolutely. Track 4 [33:53] And the sketch itself, his delivery is so great. I think the just genius part about it is Tracy does these characters and he has this delivery to where it seems like it's an accident. It seems like he's not putting a lot into it, but it's by design. A lot of his inflection, his timing, him being amped up Tracy Morgan, it's by design because he knows that that's going to get the laughs. He knows how to pull laughs from people. Like Brian Fellowes. Track 4 [34:26] Just how he pauses or how somebody will say their name on the show and then how he'll pause and say, he'll say, well, I'm Brian Fellow. Track 4 [34:35] Tracy knows that that pause and then his kind of shoulder shake, the delivery is going to pull the laugh. So it seems like he makes it look so easy and natural, but it's just by design because Tracy has that comedic mind. I always was entertained by the Brian Fellow Safari planet because of that. No, and to me, like you said, it was by design. It's just that inflection. But what he did, which I feel like Chris Rock didn't do, and I think a lot of the people who were stand-ups on the show before him didn't do, is when you're not an improv person who knows how to do that, like working with others and different characters and acting, a lot of times they say if you're on SNL as a stand-up, it's best to be on a weekend update or have a solo thing where you're on a show. You're looking in camera and kind of doing your own thing, almost like you're doing standup and Chris rock didn't really figure that out. Right. But I think Tracy, when you have like, you know, he would have a guest on, but from Brian fellows, astronaut Jones, different things, he kind of found his lane and kind of poked and reconstructed like improv and sketch by doing this, these individual characters that really highlighted his sensibility. Yeah. And with astronaut Jones again, like he made it look like, Oh, oh, that's just Tracy playing himself. Track 4 [35:57] But he just knew his delivery. Maybe there's danger. He knew how to tap into just how to say something. That one in particular, Ashton Jones, is almost like anti-comedy in a way. There's a big old theme song. Track 4 [36:38] The sketch itself is anticlimactic. Oh, yeah. But that's like a lot of anti-comedy. And then Tracy just has to do like just a few little things. I'm just, the Britney Spears astronaut Jones is the one that I always went back to. My name is Craig Ellera. I'm the queen of Orpheoleans. A proud and peace-loving race. My people have been awaiting your arrival for some time now. We're in desperate need of your help. The Galaxians have besieged our cities and plundered our riches. What? Say what? Right. Dig. Uh-huh. Right. Well, why don't you drop out of that green jumpsuit and show me that fat ass? Track 4 [37:25] It's like a one-joke thing, but it's like anti-comedy in a way, but that's just like, you brought up such a good point, Jeremy, me earlier about tracy's just a different funny person he's like that got the your friend at the lunch table your friend who just makes you you should read the phone book and crack you up and things like astronaut jones are like a perfect example to me no for sure actually and you you nailed it on what makes that you know that because i remember that britney spears and it was almost what was funny was just a dichotomy of having britney and tracy together and it's like the odd couple effect was like that cracked you up just being like britney spears and tracy morgan like having even though like it's scripted and stuff but like having a conversation it just was odd but like it was that alone made you laugh but i remember um i think it was season 25 and jamie fox was the host and it was a time where uh it was like you know in between we're like you know jamie's walking and tracy's like oh what's up jamie what's up man he goes i'm glad we got some some brothers on the show, and Jamie's like, oh, yeah, yeah. Because Tracy's like, yo, these writers don't understand me. They don't get me or that dude with the white hair. And Jamie's like, you mean Lorne Michaels? Track 4 [38:38] He's like, I don't know, whatever. He's like, he's your boss. He's like, yeah, he's just always saying weird stuff and doing weird things. And he's like, I'm going to be on the show a lot this week with you here, and we're going to take over. Revolution will be televised. And Jamie's like, yeah, you know, he kind of looks all quiet, like he's sneaking something. He's like, you're right, man, we're going to take over. I got mad lines, man, and this week I'm blowing up the spot. That's what I'm saying. All right, come on, let's go. We're in the middle of a show. Okay? Yeah, yeah, all right. Jamie? Give me a soda, bitch! Track 4 [39:16] Okay all right but it was one of my favorite tracy morgan moments because he just just that line get me a soda like he just nailed it bitch yeah yeah bitch and lauren just goes okay like i'm like that was great that was like that dangerous aspect of tracy i always love like he's he's like one of the only ones that could pull that off convincingly quite honestly we're in season 49 and i think the current cast is missing someone like that for sure if they try to do a backstage and like i wouldn't andrews music is my favorite cast member currently i don't think he could pull that off convincingly james austin johnson i don't think keenan can it's not in keenan's nature necessarily to like pull that off convincingly they don't have someone currently like tracy morgan that adds that kind of unpredictability danger this backstage stage stuff with lauren that he did he because he did that a few times the garth brooks one was another yes funny one to me when he was talking to garth brooks and he was like man that chris gaines i don't know like uh you're doing a great job garth but like what's up with that chris gaines guy and whatever and then lauren comes to talks to tracy and and he's like hey tracy you know and then tracy's like no i know i know i know garth is chris gaines i know that so it's almost like yeah yeah like a turnabout like he's just telling lauren like i know that you like you got to give Give me some credit. Track 4 [40:37] And then I don't know if it was this one or another one where all he has to do is look at Lauren and Lauren goes, orange soda, right? Yeah. Track 4 [40:47] So credit to Lauren for playing along. But Tracy's the only one or one of the few, I think, over the last 25 years or so that could pull something off like that convincingly. And I think you're right. And it's not a knock on cast members past or present. you said Kenan's great that's just not who he is and the people who were on with Tracy that's not who they were like. Track 4 [41:13] You can't find like you can't teach that what tracy had like just like it just comes from it's part natural part upbringing in your experiences but like i i always think about something um jim brewer told a story uh i forget what radio show he was on but he talks about you know him and tracy kind of were high around the same time and it was the week that you know tragically like when farley came and hosted and how he was just not in not in good good shape and uh marcy he said marcy went to because he was not doing well during the week and not showing up and was not all there so he was trying to hang out with like different people in the cast and jim brewer's like me and tracy weren't doing that but then like marcy and people were looking at those to and kind of put it on them like oh you two must be getting chris into trouble and so they said marcy went into like the office talked to jim and tracy and was like you two need to stay away from chris so do all these things and like leave him alone and jim brewer was like you know i'm new so i got nervous and scared and he said credit to tracy he said tracy stood up and said i'm a grown man with children's you can't talk to me that way i got children's you ain't gonna talk to me like that and he was like but credit to him he's like he's i didn't do nothing i'm a grown man with children's and i'm like yeah and jim brewer said and i'm like right like he was like no new or not you're not going to come in and. Track 4 [42:43] Accuse me something i didn't do and disrespect me i'm gonna stick up for myself. Track 4 [42:46] And jim brewer's like he got courage from seeing tracy to be like yeah we didn't do anything we didn't take chris out we're not the bad influences here don't yell at us but that But Tracy was new, and him doing that to Marcy, who's a high-up person, that shows the kind of courage he came in with. Well, yeah, that's that thing where you were right. You alluded to, I mean, he was selling things outside of Yankee Stadium just a few years back, and now he's on SNL. He made it. Track 4 [43:18] He's making that salary. That's why he said during a... When he was going to his audition, he was confident because he was like, I shouldn't even be here. The fact that I'm in this last audition, I got nothing to lose. I'm going to go in here and just show my stuff and just be confident. That's just how he carried himself. He's almost like, I shouldn't be here. I already won. The fact that I'm in this room, I already won, so I'm not going to compromise myself and stand down to Marcy Klein or something like when she comes in. Track 4 [43:52] And tries to yell at us for something that we didn't do, especially. That just speaks a lot to how Tracy even got to the show. Right. No, for sure. For sure. It just kind of shows, especially by the time you get to the 90s and on, even before then, but that is the goal of so many improv actors. Whether you're at Second City or the Groundlings or whatever, is to make it to Saturday Night Live. That's the goal. So then, of course, no matter how talented you are, if you're on that level and trying to get to SNL, if you get there, you're going to be, especially early on, nervous. And I'm not knocking anyone, but scared because this was your dream. This is the big time SNL. I can make it here. I can maybe be a movie star or a TV star from here. So then you're trying to kiss up to the writers and the big time producers. Juicers i think it was an advantage for a guy like tracy morgan you know same like it was for eddie back in the early 80s that wasn't his they were stand up like that wasn't their goal and it was just like all right like we know what it's like to be in front of this crowd on our own and having to make someone laugh and when i come here like i'm not intimidated by this stage i made it the fact that i'm already here i made it here let's go what's the worst that could happen to me Yeah, that speaks to why we're even talking about him right now and why he... Track 4 [45:18] Resonates as such a fan favorite because it's his personality it's kind of the vibe that that Tracy gives off that that compel people to watch that draw people to him and it comes through in the sketches and his and his work on SNL for sure like I have a bunch of example I don't know if you remember this one it's toward the end if it's like his second to last season and he and Rachel Dratch had a it was a one-off thing it was a talking to the stars with Rachel and Tracy and they were talking to Jon Stewart. All right, well, hosting an awards show of that caliber must be quite stressful. Y'all like to get high, right? Track 4 [45:59] Uh, no, no, I don't. What? Get real, Dratch. I've been backstage at those awards shows, man. The Source Awards was like Weed City, bruh. Come on, tell me. Y'all like to get lifted, right? Uh, lifted. Lifted um i find if tracy says a word that i don't know it usually means hi oh okay and this showed like that loose loose canon element of tracy and just like how tracy might be if you're just hanging out with him and the bit was like that rachel dratch is taking the interview with john store. Track 4 [46:32] Very seriously she has her cards and she's asking him questions and tracy's just being tracy he's just goofing around he's ribbing dratch he's asking john store inappropriate questions ends and that's just like the vibe like that that one uh that sketch with with rachel dratch like that perfectly encapsulates just that whole vibe to me darren like like there's a reason like i heard you kind of break into a tracy morgan voice like there's a reason why people want to like imitate tracy so i'm gonna take you outside and get you pregnant like people just want to get you you pregnant doodoo pampas yeah jay moore does a great there's a great oh yeah but uh there's a reason why people just want to imitate him and love him and want to imitate his mannerisms and the way he you know because he just gives off that like vibe yeah there's something that he has that is rare that sometimes it's more valuable than if you're the most polished or the best the best writer or the best you know setup guy and you you can see it with certain people and you know pop culture even like in politics there's certain people who have they just have a likability that comes through the screen and people just you like no matter what they might even portray the worst characters that are you know they're delivering bad news but you know what people just really like this person and i think tracy even in that sketch with rachel dratch. Track 4 [48:00] You just like Tracy Morgan. I think a lot of us fans just always liked him and gravitated toward him, which is why then and now, for those years, for that era, you hear Will Ferrell, Sherry O'Terry, Molly Shannon, but you're going to hear Tracy Morgan being mentioned too. To me, not just because of what he's done post-SNL, just talking about that era SNL, for as he wasn't someone who was always used, I think it's incredible that we still talk about that era in the show's history, and one of the first names we're going to talk about is Tracy Morgan. Track 4 [48:35] Yeah, yeah, right. That's why this is probably a different feeling episode, even for the SNL Hall of Fame, which is fitting to me with Tracy Morgan. He was just a different feeling kind of cast member, just a different dude that we all love. You had mentioned his stand-up, and I've seen a little bit of it. How would you describe his stand-up comedy? but he raw and all over the place i've seen him twice and i'll be honest the first time was at i was at temple university um and he was about an hour and a half late and he came out and he seemed unprepared he had some funny lines just because tracy's funny but he seemed unprepared and it was kind of like underwhelming i'll be honest okay i went a couple years later and saw him new york in New York at a comedy club and he seemed much he was still that like we talked about that raw like danger feel but like he was more prepared he was on time and he was a lot better as a stand-up comedy so he it's almost in a way what he brings to SNL he still brings to stand-up which is I would never say Tracy's like number one stand-up of all time but I would tell anyone like would Would you like, should I buy a ticket to see Tracy Morgan do state? I would say, yeah, because you're going to laugh. Track 4 [49:56] You're going to have a good time because of all the things we're talking about. He's just charisma, that sense of danger. You don't know what he's going to say. He doesn't care. He's not afraid of being canceled or not afraid of like someone from the crowd may shout something. Track 4 [50:10] He's not like worried about that. He's going to fire right back or go along with it. You're going to be entertained and you're going to end up liking him. If you don't know him or you're not sure, you're going to like Tracy. So it's that same kind of vibe. Same vibe. So there's a sense of danger when he does stand-up. But maybe it's a little more chaotic because he doesn't have Lauren or Steve Higgins or Marcy Klein or the censors on him. But similar vibes. Yeah, that's how I felt with some of the stand-up that I've seen just on YouTube or going back and watching some of bits and pieces of his specials or whatever. Yeah. Uh just some quick hitters too from SNL like probably some stuff that a lot of people would remember Dominican Lou. I love to watch the movies the Sling Blade, the Eddie Maguire and the English Pages. It's a good movie a lot of people they enjoy this movie they love to see it they love to see the Tom Cruise it's very good for them they like it. Track 4 [51:18] What was your favorite part of the movie i don't know i didn't see it i have no time i'm working all the time you know but i hear it's a good movie it's a good movie people in the building they're talking about it a lot they love the movie they like to see the movie all the time they're talking about it oh hell yeah he did three times i love dominican lou because it was like Like, Dominican Lou was this, it was a perfect, like, it's a very specific archetype of a person. It's the person who wants to be part of the conversation, but they haven't really, like, lived it themselves. So, Dominican Lou's always like, yeah, like, this thing was good. I hear everybody talking about it. So, he's not really giving his opinion. He's saying that, like, I heard people in the building talk about it. So, it's like this person who really wants to be part of the conversation. They want to be clued in. but they don't have like the firsthand experience themselves so they only have a certain amount of, like i said firsthand experience to go off of so he's always like living vicariously through others yeah and he's fine with it yeah you know what you just said something that and maybe i don't know how people will react to this but. Track 4 [52:31] When it comes to, like, you look at, like, the legacy of a Dan Aykroyd, one of the things people talk about is the everyday, everyman characters that he brought to, you know, sketch comedy and Saturday Night Live. That, like, blue-collar guy that everyone knows, but you didn't really see on, you know, sketch and on TV yet, like, being portrayed that way. And I'm wondering, I feel like Tracy Morgan, even though he has some outrageous characters, some of his characters kind of—he kind of brought that, too, where—. Track 4 [53:01] But not like his main one, not like Brian Fellows or anything, but like Dominican Lou and some other ones like that, where it's like, you know that guy. Yeah. You know that guy, and it was the kind of representation you weren't really seeing on Saturday Night Live before. I think you're absolutely right. I see a little bit of that, too, in his Woodrow character. Yes. Obviously, it's like a heightened kind of thing, but I mean, you've come across someone like that. Mm-hmm. And I can see that. And the commonality, too, is like there's some heart underneath there, too, because somebody like Woodrow, even Brian Fellows, like I root for him. Yeah. He's likable. And we had brought up Britney Spears with the Astronaut Jones, but it was like Britney Spears and Woodrow had had she did a Woodrow sketch with him and they went they were hanging out in the sewer and having a little conversation. And there's something about how tracy portrayed woodrow who's this uh he's a homeless gentleman yeah an eccentric homeless gentleman who told britney spears that uh that he has the the post office box down there because the because that's where they were having keeping secrets on him so he stole it and put it down in the sewer so he says kind of goofy stuff like that but But there's a lot of human quality. There's a lot of humanity in a character like that. I think it's easy for Tracy to bring that humanity, I think, too. Track 4 [54:31] And I kind of wonder, because you mentioned... I know that episode, and I remember all the sketches. Those were two different episodes, by the way. Yeah. Yeah. Yeah, okay, they're two different ones. I'm wondering, do you think... Track 4 [54:45] Britney Spears kind of requested to be with Tracy in some sketches, you think? Or something because it's like, Britney Spears, I mean, people still, I think, know how big she is. But at that point, she's like, you can make a case like the hottest star out there is Britney Spears. It's not Will Ferrell in these weird ones. It's Tracy Morgan doing these things. So I'm just like, I wonder if Britney was a fan or it could have been the writers just thinking that's an odd couple pairing. But it's interesting. now that's a good thought so she did the woodrow one with him in season 25 at the end of season 25 and she came back in season 27 that's where they did the astronaut jones and if you watch re-watch the astronaut jones sketch at the end when he says his like famous when he says his famous line as astronaut jones oh why don't you drop out of that green jumpsuit and show me that fat ass. Track 4 [55:38] When he says that you could see britney laugh and i don't know or she's like smiled and i don't know if that was supposed to happen like the character because if she was supposed to be this robotic alien but when tracy says that you see britney crack a smile at the end and then they go to the theme to the ending credits for the sketch i kind of do think that britney likes tracy and enjoyed and enjoyed working working with him that's like that's a good thought man that's It's something that's a good thing to pick up. Yeah, I was just like, because it's just not, for all the people who were on SNL at the time, it's like you could have put a lot of people with Britney Spears, but it's very memorable. So, yeah, I was just wondering, yeah. Yeah, no, I love that. One of my other favorite ones, one of my last favorite ones is Uncle Jemima's Pure Mash Liquor. Yes, yes. Classic. I love the concept of Aunt Jemima's husband having his own product. And he even says in the commercial, like, they asked me, like, why mash liquor? And he's like, well, sell what you know. And I know, like, so Tracy's whole delivery of this sketch was just so great to hear me. Oh, it was classic. Track 4 [56:46] Now she says that selling booze is degrading to our people. I always say that black folk ain't exactly swelling up with pride on account of you flipping Framjack. Ain't I right, Sammy? Listen, don't get me in this mess. Then she say, but why booze? I said, sell what you know. And I know about booze. Uncle Jemima's Pure Man Snicker has a 95% alcohol content, and that's per volume. Track 4 [57:15] What the hell does that mean? That means you get up for less money. And that might be my low-key favorite one. Track 4 [57:26] Great like you said like just who would have thought about that like to like you know everyone and jemima and how controversial and jemima can be looked on and for him to kind of go in there and do like her husband and kind of doing that like you know i get no respect and i gotta sell something to here and don't forget about me feel it was just classic tracy morgan i'm like that's it's a genius character honestly yeah it's great they only did it one time i would have led to see Uncle Jemima pop up, even more and he has those cartoon birds around him and he's swatting at them and then at the end Tim Meadows calls it out he's like what are you swatting at he asked him that's hilarious I forgot yep that's so good yeah that's so good that's from season 25 Uncle Jemima's Pure Mash Liquor yeah that was awesome is there anything else like well I think this was after his tenure but, you know everyone I know is excited for the, the big SNL 50th celebration and, you know, how epic the S the 40th was, but Tracy had had that accident that, you know, his friend tragically passed away. And a lot of people thought Tracy, you know, weren't sure if he was going to survive that accident. And Tracy was absent from SNL 40. And I know Alec Baldwin and Tina Fey gave, he had a special little segment where they gave shout out to him. And I thought how even in the moment then and even more like now I. Track 4 [58:53] How big that was that a lot of times, you know, it's sad, but that those kind of things go to like the cast members or people who have passed away. And Tracy wasn't hadn't passed. He was, you know, just injured. Track 4 [59:04] But like he had that kind of lore and Alec Baldwin, you know, did a great impression of him, too. And that part, you know, was dead on. Actually, I was really good by Alec Baldwin. But in that moment, it kind of hit me like, yeah, that was somebody who was so missing from that celebration. Inspiration and I'm like yeah I wish Tracy Tracy would have been so good in that sketch or in that thing like oh but awesome but just also like the impact that Tracy made that for at that point 40 years of SNL history and he had that own his own little segment where people were talking about like hey Tracy's missed that that was huge to me and that kind of showed me where his legacy is at Yeah, people loved him. Of course, Alec and Tina doing that, Tracy being on 30 Rock, which was his main thing that he was known for after SNL, playing Tracy Jordan on 30 Rock. So definitely playing himself, like a heightened version. Again, a lot of this is all heightened versions of this likable Tracy Morgan that we all love. But yeah, so he was great, great, great in 30 Rock. Track 4 [1:00:15] You had mentioned the accident. Like he didn't make a public appearance for a year after that crash. And he actually came back and hosted for a second time in October of 2015. So after that, that was a really special moment. That was so emotional. That standing ovation he got when he came out. Track 4 [1:00:34] Then and now, I got emotional. like because every and I think he was in a weird spot where he was hurt but he kind of got to see. Track 4 [1:00:45] In a weird way, he was getting eulogized a lot because no one really knew how he was and will he come back? Is he going to be okay? So then I think that was just huge to see the impact he made in SNL and in pop culture where everyone was talking about him and all the different people coming to go see him and visit him. It was just kind of like, wow. And then to see him come back to 30 Rock and be able to host it and then the way that crowd gave him a standing ovation and the love that you could feel through the screen that he felt. It was, to me, one of the great emotional moments in SNL history. Oh, yeah. Talk about memorable emotional moments like that one. Track 4 [1:01:25] Sandler singing the Chris Farley song. Absolutely. There's like a handful of moments like that. And I got chills when Tracy came out and got that ovation. I'm getting chills now. Yeah. Just thinking about that. So I hope Tracy has a prominent role in SNL 50. I hope so too. And I think like you almost have to with someone like that. Like you just kind of, he's going to get at least one sketch or one kind of moment, but like you got to really highlight trait. He's just too good, too lovable, too charismatic to, to not use. Like it's just, you got to have it, especially because he couldn't make it for the exactly, Exactly. Exactly. Like make up for that for sure. Yeah. Yeah. So what would you, if you had to kind of like sum it up for everybody and everything, like what, what is Tracy's legacy on SNL, his place in SNL history? Yeah. I think to me, he's a surefire hall of famer. And it's because to me, he's, if you look at unicorns in the near, you know, going on 50 year history of the show, uh. Track 4 [1:02:35] I would call him maybe number one, but to me, if you want to go a little bit expanded, if you're not sure he's number one, he's on the Mount Rushmore of greatest just unicorns in the history of this show, meaning like he's just one of one. You can't replicate Tracy you're not going to see someone come after and be like oh he's a Tracy Morgan type it's like Tracy is that guy he's a part of even though he came in 96, to me part of an era of SNL that brought it back to its roots that really helped the show was kind of falling off the rails in the mid 90's he is a part and I think a big part of helping to bring the show back and the show to have a great run in the late 90's into the the 2000s, you know, we think of Will Ferrell and different people like that and Tina Fey coming on the writing staff and all that. Tracy Morgan is one of those names. I think anytime for me as a guy who loves SNL and SNL history, we look at legacy. If you were a part of helping to save the show, quote unquote. Track 4 [1:03:36] You always go up a few notches in my boat. And also just what he did, you know as far as being a trailblazer and we know like what eddie murphy and how he striped it and he's a top five cast member of all time but there was a huge gap a huge void and they wanted damon to fill that void and for a lot of reasons he couldn't they wanted chris rock to do it and he couldn't and i'm not saying that tracy morgan was eddie murphy but he was that first in my opinion even more than Tim Meadows, and I love Tim Meadows, but that first, you know, black cast member, that male, to really kind of stripe and stand out, and I really feel he was a good link and a good influence for Kenan, for Jay Pharoah, for Leslie Jones, for this wave of black male and female cast members you see in the 2000s and the 2010s and the 2020s who are coming on, and really, And I can honestly say from my time growing up where it was hard to find any black people who liked SNL besides saying, I watched when Eddie Murphy was on, to now that's totally different. And I know a lot of black people who like SNL. Track 4 [1:04:47] I think maybe not the only reason, but a big part of that is because of what Tracy Morgan laid down that foundation and set the table for those to come after him. Track 2 [1:05:13] So there's that really interesting take there toward the end that Jeremy brought to the table with his unique lived experience. I wouldn't have even considered that. I wouldn't have even thought about that. But that makes a tremendous amount of sense to me. Thank you so much, Jeremy, for bringing that to light. And Thomas, another fantastic conversation. Track 2 [1:05:42] You can listen to more of Deremy and Thomas on their podcast called Pop Culture 5. It's available on Dover Podcasts and such. You can find it anywhere you find fine podcasts. And I highly recommend it. Their last episode they released was WrestleMania matches. So it's very timely as WrestleMania is coming up this coming weekend. Yeah, brother. I know my wrestling. Brother. brother. Uh, let's get right to the Tracy Morgan sketch. This is, you know, just one of his, I don't even know how you say it. It's, it's, it's a bizarre character. It's very Tracy Morgan and it is Brian fellows, safari planet. This used to be, uh, when I was going to performance school and going to the Groundlings, Tracy Morgan was a regular on it. And I had stopped watching Saturday Night Live after university, but I started again when I went back to school at 29 years old. Track 2 [1:06:48] And Tracy Morgan was one of the highlights for me. I just thought he was so absurd and so off the beaten track in a way that is different than, say, Will Forte or Kyle Mooney. Uh, just unique and this sketch shows that I think Thomas and Deremy picked a good one. So buckle up and let's listen to Brian Fellows, Safari Planet. Track 5 [1:07:31] Brian fellow is not an accredited zoologist nor does he hold an advanced degree in any of the environmental sciences he is simply an enthusiastic young man with a sixth grade education and an abiding love for all god's creatures share his love tonight on brian fellows brian fellows Brian Fellow's Safari Planet. Good evening, and welcome to Brian Fellow's Safari Planet. I'm Brian Fellow. Track 5 [1:08:02] Tonight we're going to meet some animals that aren't cute or cuddly. They're weird, and I'm very excited and a little scared. So let's get going. Our first guest enjoys eating tin cans and whatnot. Please welcome a goat. A goat. And who are you? I'm Heather Rosenfeld of the Mid-Vermont Animal Allies Educational Cooperative in Rutland. Of the what? The Mid-Vermont Animal Allies Educational Cooperative in Rutland. I'm Brian Fellow. Yes, I know. That goat is weird. This is Thunder. She's a spotted Nubian milking goat, and she was birthed during a severe rainstorm, hence the name. He has devil eyes. Well, it's actually a she, Dr. Fellow, or a doe in goat talk. -"Goats can't talk? That's crazy.", What I mean by goat talk is the lingo that goaters like myself use. Of course, I'm not a goat. That's what i said yeah they can't talk i bet if this goat could talk he would say things like curse words and call people doodoo head and sing naughty songs he's weird, well it's a she i'm brian fellow. Track 5 [1:09:30] I know i know he just smiled at me your devil goat smiled at me take him away all right come I know goats can't talk, but they can smile, and I don't like that. Sorry, our next guest is very special. Please welcome a miniature horse. Track 5 [1:09:55] And who are you? I'm Morty Kittle from the Animal Rescue Center in Phoenix, Arizona. I'm Brian Fellows. This is Apples. She's a miniature horse, and she's one of our rescued animals. She was saved from a circus fire after a disgruntled clown set fire to some oily rags and burned down the Hoaxy Brothers Big Top. Unfortunately, the Monkees weren't so lucky. I'm Brian Fellows. Hello. That's the biggest dog I've ever seen. What's wrong with that dog? Um, it's actually not a dog. It's a miniature horse. I want to see that dog catch a Frisbee. Well, people sometimes mistake him for a Shetland pony, but he's, you know, never a dog. Did you see that weird goat? Yeah. He had devil eyes. I hope he gone. Well, as I was saying, there's an interesting difference between a Shetland pony and a miniature horse like Apple's here. You think goats can't talk, don't you, Brian Fellow? That's why everyone called you a doo-doo head. Brian Fellow's a doo-doo head. Ah! Shut up! Did you just tell me to shut up? I was talking to that goat. Track 5 [1:11:23] What goat? I'm Brian Fellow's. I know that. I'm Morty, and we're talking about my miniature horse, Apples. If that goat is still here, I'm going to wait outside his dress room and just kill him. It's terrible, herding a little goat. Can I bring your dog with me to help me trick that goat? Well, that's all the time we have today. Join me next time when we're going to meet a tree frog. That's funny, a tree frog. I'm Brian Fellow. Track 2 [1:11:58] Oh, man. Track 5 [1:12:00] Man. Track 2 [1:12:01] I... I should probably wait until the sound stops, but that is just good stuff. It's so wonky. It's so bizarre. You know, laughing at a tree frog to punch the sketch. But the baby goat, just his catchphrase. I'm Brian Fellows. It's all just so out there and so wonderful. Will Tracy Jordan be wonderful? I just said Tracy Jordan. Oh my gosh. There is a listener who is going to want me to put a nickel in the Tracy Jordan jar. You know who you are. And I just did it. Gosh, darn it. At any rate, Tracy Morgan, is he wonderful enough to be enshrined in perpetuity inside our Hall of Fame? Well, that's for you to decide. Did Deremy make a cogent enough argument for you? Were you reminded of the greatness of Tracy Morgan? Track 2 [1:13:07] That's all on you. We are going to open voting in mid-May, and you'll have a chance to cast a vote in favor or against. Not necessarily against Tracy Morgan. Track 2 [1:13:21] That's what I've got for you this week. I want to thank Matt Ardill. I want to thank Thomas Senna. And of course, I want to thank our guest, Deremy Dove. He was absolutely wonderful. Next week on the program, we have got a good one for you. We are going to be talking all about John Mulaney, only this time in the writing category. That's right. Mr. Mulaney will be on the ballot in two different categories. This is an SNL Hall of Fame first. Thomas will be joined in that conversation by Victoria Franco. Go, so you don't want to miss that one. Track 2 [1:13:58] Now, if you would do me a favor, and on the way out, as you pass the weekend update exhibit, turn out the lights, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Emma Stone | 25 Mar 2024 | 01:22:54 | |
This week on the SNL Hall of Fame podcast we welcome back to the show, the statistical guru of the Saturday Night Network, Mike Murray! He's here on the pod to discuss our third host in a row, this time it's Emma Stone. Get it wherever you get your podcasts. Transcript: Track 2: [0:42] Thank you so much, Doug DeNance. It is great to be back inside the SNL Hall of Fame with you all. Track 2: [0:51] Big kudos for you showing up this week. It's been a stormy week here in Toronto where the Hall of Fame is and our guest count has went down. But I'll tell you what, the floors are a mess. I don't know what kind of message I need to send to you, but wipe those feet, people. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration. Once the nominees have been chosen, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. That's how we play the game. It's just that simple. All you need to do is listen in for the argument that is being made by our special guest for the week and determine whether or not they make a strong enough case. From there, you'll get a ballot and you'll get to place your vote. If a candidate reaches 66.7% of the ballot, they are welcome to join us here in the SNL Hall of Fame. Did you know that if you're in the Hall of Fame, you get a pass that you can come in for free anytime you want, and we'll even provide you a bottle of water. So there's that. Track 2: [2:19] Let's track down my friend Matt for some trivia in Matt's minutiae minute. Let's see if I can find him here. I'll give him a holler. Track 3: [2:29] Matt how in the world are you doing this week i am good thank you i am good, busy busy but can't complain well you just did. Track 3: [2:42] Well stating a fact isn't necessarily complaining but yeah i was complaining. Track 3: [2:50] Well no one will be complaining about our nominee this week uh emma stone is who you're going to be be talking about learning me up real good here. What have you got for us this week, Matt? Emma Stone, height 5'6", born November 6th, 1988, making me feel very old again. She's accomplished much more in her shorter life than I have in my longer life. So I found out that her low voice stems from actually having colic as a baby that lasted six months. So I'm shocked that her parents didn't pull out all of their hair um it developed she developed nodules and calluses on her vocal cords which is how why she has such a distinctive voice she actually has a phobia of being lifted up or being high because uh when she was seven she was doing gymnastics on on the parallel bars and fell and broke both of her arms. Oh my gosh. Horrible. Yeah. Oh yeah. We need to have a warning at the top of this one, a trigger warning. Yeah. Trigger warning for anybody who's afraid of gymnastics. Yeah. She grew up blonde. Judd Aptow suggested for she go red for super bad. And she real, after doing that, she found that she was called back much more for auditions. So she just stayed a redhead. Track 3: [4:16] Originally named emily stone she changed to emma as there was already an actor named emily stone registered with sag and it happens amazingly a lot um a lot of actors uh go by three names or or a slightly different name um she actually prefers emily over emma so that's how she would would prefer to be called um but she took the name emma from a member of her favorite band the spice girls oh baby yeah she is she is a baby spice fan me too that was my favorite yeah there's actually pictures of her on the internet meeting them losing her mind like tears fanning out it's uh it's very endearing now she knew at an early age she wanted to be a film star and convinced her parents to move to Hollywood by putting together a PowerPoint presentation named Project Hollywood. She lists her heroes as Gilda Radner, Diane Keaton, and Marianne. Track 3: [5:22] Cotillard. But yeah, she's been dreaming of being on SNL since she was a kid. So having been a host multiple times now, she got that dream. Since that PowerPoint presentation, she went on to be an actress in 57 films, produced 11 films, and has four soundtrack credits. She has been in five Oscar-nominated films and herself has been nominated for four Oscars, five BAFTAs, seven Golden Globes, six SAG Awards, and many more. She is one of only eight actresses to win an Oscar for a musical, the others being Rita Moreno, Julie Andrews, Barbara Streisand, Liza Minnelli, Catherine Zeta-Jones, Jennifer Hudson, and Anne Hathaway. Before she initiated Project Hollywood, she was developing websites and learned HTML at the age of 14, launching her own webzine called Neptune, which pulled on her love of journalism. She dreams of being a Jeopardy contestant to this day, and she deleted her Facebook. Track 3: [6:26] Not because of harassment, which is a delightful change given the way the internet is, but because she was addicted to Farmville. Oh my gosh. She is a true nerd. She even got to turn her theater nerddom into real-life Broadway credentials, taking over for Michelle Williams as Sally Bowles from 2014 to 2015 in a Broadway production of Cabaret. So yeah, Emma Stone, honestly one of my favorite Hollywood stars. I'm looking forward to hearing all about her. She is a great host, but is she a Hall of Fame host? Track 3: [7:06] Let's take it down to Thomas now with Mike Murray. Track 4: [7:40] Alright, JD and Matt, thank you so much for that valuable information. You guys are, I'm telling you guys, you guys are kicking so much ass on Matt's Minutia Minute this year. It's been really enjoyable to listen to. Definitely appreciate that. So welcome to another edition of the SNL Hall of Fame. Welcome to our chat. Today's nominee is the one, the only five-timer, newly minted five-timer, Emma Stone. We're re-litigating or re-examining Emma Stone's case, her candidacy. She's been on the ballot since Season 1. So I'm excited to get into Emma Stone, get into her candidacy, why she may not already be in the SNL Hall of Fame. And to do that with me, to break down Emma Stone today, I have a great guest, a first-timer. I guess technically he's been on a roundtable, but he's first time for being a guest on an actual, like an episode, like a nominee episode. Track 4: [8:35] So please welcome from SNL by the numbers on the Saturday Night Network, I have Mike Murray joining me today. Mike, how's it going, man? Good, Thomas. Good to see you. Two nights in a row. You were on my pod just last night and we're doing this again. I'm so happy to be here with you. I love these home and homes and I had such a good time. So we recorded, I did SNL by the numbers after the Shane Gillis episode, which was such a fascinating episode going in. It ended up being a fascinating episode to talk about. I love being on your pod, man. We get to dissect numbers. We get to talk different facets of the episodes and the season in general. So I love when I get asked on your pod. It's always a good time. Oh, thanks. You're such a great guest. And if you haven't checked it out, it's just truly the sports talk radio of SNL. And so Thomas is a perfect guest for it. Perfect. Bill Kenney was also with us. So that's like quite the trio right there. That was a good time. Yeah, we could do our own weekly show, the three of us. Absolutely. No kidding. So yeah. So can you maybe elaborate like what's been going on in SNL by the numbers? How's just the pod going? Tell everybody about the pod a little bit. Track 4: [9:45] Sure. I mean, it's quite the passion project for me. I've been doing this since 2018, but since the SNN, the Saturday Night Network started up, I've been doing it, the stats weekly. So what I do is I record the screen time for every individual that appears on the show. Track 4: [10:04] I put that into what I call the SNL supercomputer and just have spreadsheets on spreadsheets and try to just dissect and i say demystify the show because it's been going on now 49 strong seasons or 49 seasons strong whatever way you want to put it and i just try to figure out what their process is and who is who is doing better than the other person and who's leading in every single category cold opens monologue sketches update everything like that and what i do is take pick every piece of data and put it into an algorithm. And I call it the power rankings. Track 4: [10:42] And so week to week on the show, Wednesdays, 8pm Eastern, following a live show, we've run down that episode and do an update on how everyone's performing that week. So it's called SNL by the numbers on the SNN. That's so awesome. You're catering to, I think, how so many fans watch SNL I think I don't know if it's a cliche at this point but I found I basically found my tribe a few years ago because I've always watched SNL like it's a sport like I follow baseball basketball football hockey and SNL like those are my sports so just to find someone who also follows it like a sport find a whole community that follows SNL like a sport then we now we have stats to go with that like that you're catering to not just me but so many people out there Mike And you would think that's such a niche group, but... Track 4: [11:35] Truly, it's a live sport. Anything can happen, and that's why I love it so much. Yeah, we have a wonderful community here of SNL nerds that just love your podcast. SNL by the numbers. Go check that out. Mike, I want to talk to you from the perspective. You're the stats guy, but I want to know a little bit about Mike Murray, the SNL fan. Track 4: [11:59] Let us know, what's your origin story of being an SNL fan? man. When did you start watching? Any particular cast that you love? Sure. I feel like a lot of SNL fans, it was passed down lineage-wise from my parents who were constantly quoting the show. And I had no idea what they were quoting. Chopping Broccoli, Wayne's World, all that kind of stuff. Track 4: [12:23] So I feel like I started watching in the early 2000s. My earliest memory was actually a vhs tape that my dad had because he was a huge aerosmith fan and he was actually in an aerosmith tribute band and a friend of his who recorded snl like weekly on vhs he took his tape and copied it because aerosmith was in that wayne's world sketch and so i had had that episode so i watched that episode in the vcr and just really got into the the show and was just fascinated by the fact that it changes every season so it wasn't like this kind of serialized thing where you had to catch up on it you could just pop in and watch it and so probably the first cast was like the that i really watched week to week was like the fallon and um maya rachel like that era and i've watched it ever since my high school cast was was the Sudeikis-Sandberg-Wig era, which is, I think, a golden age. And now it's literally an obsession and a full-time job. Yeah, that's similar to a lot of our origin stories. You're exactly right. Then keeping the stats, how did that develop? Track 4: [13:40] That just came from a fascination of that ever-changing, ever-growing cast. So I used to just pen and paper when I saw someone just tally it. I've heard other people have done that too. And then I was thinking, I'm so into stats, so into sports. And like you mentioned, Thomas, that it does feel like that competitive edge to it that even if cast members don't want to admit it, it really is vying for screen time. So i thought like well what would it look like if i timed it so at first it was very elementary very rudimentary just counting and i would memorize the cast every year and all time, and then i just started going like well how do i how do i parlay this into something interesting that's just not raw data so i went from there and took the appearances and the screen time and try how to just meld them together so that's kind of how it all started to be and then with the podcast and then with a lot of fan interaction from the great community it just really snowballed yeah, you and you've so you've obviously watched a lot of snl you've seen a lot of great hosts the one that you mentioned the aerosmith i believe tom hanks was the host right siblings siblings yeah so tom hanks was in that wayne's world sketch yeah so you've seen a lot of great hosts in your your day. So what do you look for in a great SNL host, Mike? Track 4: [15:04] It's such a great question because I think that there's so many qualities that make a good host and not a lot of them, even the greats, can possibly possess all of them. But number one, elevate the material. They're at the mercy of the writer's room. So you're not always going to get the greatest host to have the best material and vice versa you could have a not so great host and great material so that's number one and then i would say bring something to the show that i can't just get from cast number x so some edge that they can bring that oh i'm glad the host wasn't doing that was doing that and not just kate mckinnon or will ferrell or somebody who's like the star of the show and then something that's important and we're talking about emma stone tonight is just at least important to me as a super fan is have a reverence or understanding of the show and like when the host doesn't just play themselves but bring some of their personality with it too yeah I love that and we will see that's a theme with Emma. Track 4: [16:10] Right off the bat, we know that she's a big fan of the show. She does revere the show. She grew up watching the show. So right away, we as fans, it's endearing for us to see someone like Emma Stone on screen. So I think those are all great things to look for in a great SNL host. Track 4: [16:29] So today we're re-examining Emma Stone's candidacy because she's been on the ballot since season one. And her voting track record it's kind of interesting to me uh season one 10.3 percent of the vote and season two emma got 11.7 percent up in season three to 15.5 percent then we saw quite the jump last season season four 32 percent of the vote so we've seen her climb a little bit so she's making some progress but i'm curious like why do you think emma has maybe slipped through the cracks a little bit in terms of her place among other great snl hosts well first of all i don't think there is a female host in the hall of fame yet so i'm hoping that that gives her a little bit of an edge candace bergen still waiting yep and i was on the round table talking about candace uh with you recently so i think maybe the recency might play against her at the the moment because thinking about your show and how many titans of snl have to get in so maybe a more recent host is like well they'll get their time so now that she's been on the ballot for four years i think people are starting to realize like we don't want to miss our chance and we got to get emma in there yeah do you think that uh that jump from 15.5 percent in season three to 32 percent in season four. Track 4: [17:57] I mean that that vote happened almost right after. Track 4: [18:00] She hosted for a fifth time do you think that jump can be credited attributed to maybe like her hosting like like she was maybe. Track 4: [18:09] Fresh in people's mind so like that was recency bias like that possibly worked for her in a weird way oh 100 because there's no greater honor for a host than to be in the five-timers club and get to get that jacket, so once you hit that threshold, that 3,000 hits or that many wins, whatever sport you want to call it, touchdown record. So you have that resume. I almost feel like it's not a prerequisite. Track 4: [18:39] If you're in the five-timers club, there's an argument to be made. Yeah, I think so. I think you're right. It does solidify a host. I wouldn't say it's arbitrary, but it is. I think I love that we do watch this like sports. Track 4: [18:53] So if you think of 3,000 hits, that's a little arbitrary. What's the difference between that and 2,999 hits, right? Track 4: [19:03] Not too much, but it's that visual. it's that like it's something that's tangible that you can point to and say that's like the line and at snl we've decided a five-timer that that's kind of the. Track 4: [19:15] The line where where you start getting a lot of recognition so yeah i could see uh that jump being attributed to that uh for sure and she's definitely a host that deserved it's like her five-timer that was inevitable that was and only 24 members so we're not talking about right you're right a long list that everyone one makes it into eventually yeah you got to stay relevant for a long time and be a friend of the show and perform to even get that opportunity at three four let alone five so she's just just this past december became the 24th member of that club and only the and uh only the sixth woman to join the club yeah that that's a that's a good point so it is like an exclusive club like the 3000 hit club yeah 500 home runs and things like that so emma's first episode was october 23rd 2010 that was in season 36 early on in season 36 emma stone a first timer she had already been in some stuff she was in super bad uh she was out um promoting things her career had had jump started probably two or three years uh of being relevant uh in hollywood uh around that time so her first episode Mike I want to throw it to you like what do you want to start with as far as what stuck out in Emma's first hosting gig. Track 4: [20:34] Well, first of all, Superbad, one of my favorite films, and the first R-rated movie I ever saw in theaters. Really? I have a special place for Superbad and Emma for that reason. So yeah, October 2010, two weeks before she turned 22. So she was a young host, 35th youngest host all time, 23rd youngest female host all time. And that's to this date, not even just back in 2010. and that episode you know if you watch it now you see the makings of a great host but she really played the straight role or a secondary character in a lot of those sketches but it's something about emma stone when she's so facially expressive and is a great team player and like we mentioned reveres the show and just i think understands what any type of role she she could do um we We mentioned Superbad, so that monologue, Taron Killam, Bobby Moynihan playing Michael Cera and Jonah Hill was great. And then she was in a digital short, the I Broke My Arm, which I forgot all about until I rewatched. And then, of course, I have to mention, which is like, I feel like a pivotal moment in my, I was 2010, so I'm a senior in high school, and something about the Le Jeune de Paris just really got me because it felt like an old-school SNL sketch. Track 4: [21:58] It's not in English, first of all, and there's very little dialogue. So it's all these sight gags and a lot of movement because they're dancing, and her and Taryn just had this great chemistry. So that's the one that if I had to mention anything from the first show, it's definitely Lejeune de Perry. Excusez-moi, mademoiselle. Vous voulez jeter ça à la presse et moi? Track 4: [22:23] That was a great one. That was probably the first thing she did on the show, to me, too, that really stood out. And you're right, I never thought about it. But now that I'm thinking about how something like that could fit in other eras, I could see Mike Myers and Jan Hooks playing those roles or something like that. Yeah, this would go well in any era. And I think Emma really brought fun energy to this. And she really matched Taryn Killam the entire way with the dancing, with her French accent. My French teacher wife, I've shown her this sketch and she's like, those are pretty good accents. She laughed because Taryn just kept talking about grapefruits at the beginning of the pamplemousse. That's a fun word to say. Grapefruit. And so my French teacher wife was laughing. She's like, yeah. She's like, Emma actually has a pretty good accent in this. So like bonus points. But it seemed like, yeah, Emma's just really having a lot of fun, playing really well at the cast. I think, Mike, you're right. A sketch like this really showed that this was a host that loves the show and really came to play. Track 4: [23:30] Absolutely. And just if you're going to see an episode with Emma, where she is, like I mentioned, just kind of on the team, just on the bench, ready to do anything. It's that because when she had her moments, she sees them completely. And I mentioned that digital short. And, you know, she had some minor parts. She played, did an impression of Lindsay Lohan on The View and was with Nassim Pedrad's My Brother's Bedroom talk show, did a 10 to 1 with Keenan. And so a lot of them were just kind of that second role. Actually, her first appearance, she post monologue was just completely playing straight for like the dream home makeover. Hello. Yes, I'm looking for Miss Lita Mill Douglas. I'm her. Well, we are here to say that you have won Dream House Extremes $2 million homemaker. You won. You're on TV. Track 4: [24:31] Wow okay wow okay wow yeah and kristin wig is you know chewing scenery and being kristin and emma just had to be very deadpan and so for her to go with that then to the digital short and then to have this like high energy dance number it's like what you know this for a first time you know debut on snl like really kind of covered a lot of ground yeah it's it's interesting too because I think there's almost a catch-22 or weird thing that happens sometimes when you have a really good host especially like a really good first-time host is that they're so willing to play with the cast and there's they understand sketch comedy so well that they don't always have to be front and center so someone like Emma Stone understands the comedy behind this she loves the the show. So she's willing to play the straight person or willing to, to be part of the ensemble or side character. And then it might seem on the surface, like she didn't contribute to the show, but she did in a way that somebody who loves the show and who's a good sketch performer would contribute to the show. Like they didn't have to tailor the whole episode around Emma Stone. Is that something you picked up on here? Track 4: [25:45] Oh, absolutely. Because it's sometimes, I mean, SNL fans appreciate a utility player, more than maybe the casual who wants to see a celebrity in like a funny wig and costume doing an accent or something like that, because it's more of a easier laugh. So I like what you said about how that it's more of a contributing to the entire sketch rather than being the spotlight on you. And of course, we're going to see plenty more of that in our next four shows. Yeah, that seems to be a theme of her hosting gigs. There was one sketch in this first episode in particular where I thought that maybe I wish Emma had more to do in this in this bizarre sketch in particular. And it was that sex ed, the sex ed Vincent sex symposium sketch with Paul Britton. Like that was a great Paul Britton showcase. And Emma had a little bit to do. Day three is devoted to fantasy roleplay scenarios, including sexy hospital, sexy insurance scam and sexy robbery. So on the floor, lady. Oh, great. Well, do whatever you want with me. Just don't shoot my brains out. See, now what's she going to do? She starts thinking to herself, what are you going to do? We could polish that apple between our butt cheeks. Without letting it hit the floor? Yeah, I don't know. Is that kinky or is that weird? You tell me, is it? Who's to say? Exactly. Track 4: [27:04] Who's to say? But I think that's something where Emma and Paul Britton could have teamed up and really made it this weird thing that Emma could have contributed to it more. So that's an example of something to where maybe I thought Emma was underutilized. Even though she does know her role in a lot of these sketches, I really think that she could have even been used a little more effectively. That sketch in particular sticks out to me. Yeah, I mean, it's what we remember Paul Britton for, if at all, is sex ed. And that was a pre-tape heavy first episode that she had. And yeah, just was kind of, if you don't remember that sketch, she just played this role play burglar. Track 4: [27:52] That was kind of it so it was really only a few seconds or maybe like 40 seconds of screen time in that yeah so maybe not an all-timer of an episode uh on the surface but to me emma really stood out as someone who clearly loved the show she was excited to take part in whatever goofy thing they threw her away and mike it was easy to see to me why they wanted to have her back like this was the first time host and i know what you see in first time hosts but i think us as SNL fans we know it when we see it as far as like oh yeah this person needs to come back this we're in the middle of season 49 and I think uh Io she was a great host first I was just thinking of Io yeah exactly same energy where it just was again on on the team just game for anything and that's all you can ask because I mean think about SNL it's very established institution very talented talented people. Track 4: [28:51] You got Lorne running the ship and you bring in massive egos constantly. So to have a young, almost 22 Emma Stone or just a few weeks ago, Iowa Debris coming in and they're still young and trying to prove themselves. So they weren't doing maybe the biggest things, but we're just down to have a funny show and have a quality show. Yeah i have a feeling if iowa debory comes back and hosts again it's gonna be a better show i think she's gonna have more to do just like uh for sure we saw we saw emma having a little more to do so it didn't take emma long to come back obviously the show was excited to have her back so season 37 a year later emma stone's back in november of 2011 i think a lot more to do a lot more Emma Stone featurey type of things. They did a Le Jeune de Paris part two. What did you think of that? First of all, what did you think of the that they brought this sketch back? Track 4: [29:53] Well, it's one of the biggest compliments you can get is a sketch was so successful or at least popular enough with the fan base to inspire a second coming of it. You know, they did do it again with other hosts. But when I think of that sketch, I think of only Emma. I think they did with Miley as well. But they did that and a year later did it again. Track 4: [30:15] So I think seeing that a second time just kind of solidifies it in my memory. But I still always imagine that first song that they played in the original one. Oh, no. Yeah. The first song to me is like the song and canon of these sketches. I've put that song on playlists before. It's a good song. You know, it got me to delve more into French pop. That and was it Moonlight Kingdom, the movie by Wes Anderson? Yep. Those two things kind of made me delve more into French pop. Pop so uh so les jeunes de paris did that i like that this wasn't just a rehash of the first one too like they built on the last one created a whole narrative like you mentioned with a different song but like the characters emma and taryn's characters they were getting married a bunch of french things appeared on yeah they really went head first into uh fred armisen being like napoleon napoleon yeah andy sandberg coming in at the button as like quasimodo they just threw the the kitchen sink of all French things that Americans would think of. The damn Tour de France went through the set. Yeah. Track 4: [31:25] Literally, yep. Gosh, yeah, that was great. So I think that was a successful part two, La Jeune de Paris. She has her own recurring sketch. And even though Taryn did this with other people, I think I associate this sketch with Emma and Taryn more so. There was a, and this is, you know, as we go along, we'll get into more Emma-focused things. And I think this, what I'm about to talk about is an example of something Emma-focused. And it was a very weird character named Wallace. At the bridal shower. I had almost, sometimes this sketch slips through the cracks, but it's really, to me it shows Emma being willing to play weird. She's going to throw on an ugly wig, kind of play this very bizarre, weird, socially inept character. She doesn't need to be, you know, look great in the sketch and be front and center, and she doesn't mind. She's like the type of host that doesn't mind getting weird. And this bridal shower gift sketch is like a great example to me. All right, okay, next one. Feels like another video. Twink Summer. Track 4: [32:37] Gay boy toys from all around the world. Get it? It's a sex movie. It's like hers. Okay, I think I did wrong again. What's the movie? I don't understand. Oh, no, it's nothing, Mom. Is twinks summer, ma'am? It's 90 minutes, 100 twinks, one unforgettable summer. Wallace, Wallace, Wallace. Yeah, that's my big highlight from Emma episode two was Wallace because I think that's where her SNL star was born, was in that sketch. And just leaning into character work and like you said, not trying to just be... The you know young attractive actress but like no i'm down for anything like make me as like weird and awkward and creepy as possible because it really was just an all-female ensemble. Track 4: [33:29] Bridal shower and you know she's giving the the lubricant and the bringing in fred harmison as this like you know really weird prostitute and just that was definitely the um, the sign of things to come was that sketch. So I'm glad you mentioned that because I wouldn't have let you go past this episode without mentioning Wallace. Oh, no, it was great. Wallace is great, and she's not understanding the vibe of the party. Track 4: [33:57] And she's maybe feeling embarrassed, but she still wants to contribute in the way that she had planned. Track 4: [34:03] But still has some heart to it, some likability. Track 4: [34:08] Yeah, right. And even some, like, a little bit of relatability, a little fish out of water, just like somebody who doesn't really get the vibe trying to fit in maybe a little bit like alan in the hangover like just that's true he's like i'm i know i'm happy to be here but i don't know the rules that's a really good comparison to alan in the hangover i like that so yeah so we've seen especially gosh season 49 that's been uh there's been a handful of them it seems like that uh snl can rely on the host is hot types of motifs and sketches uh as we're recording this sydney sweeney's episode is coming up so i'm kind of crossed my fingers and hoping that they're not leaning into that with her too much but i'm glad that emma is not leaning into that especially right here yeah i mean we saw that with the jacob belordi and you know jason momoa taking his shirt off and you know it's fine once in a while but don't base the episode around it but you know we we don't want to see emma stone you know on a a poster being hot you know it's not what we want to see right yeah right yeah she's she could play hot she could play weird that's why she's like such a great versatile host so um is there anything else from um episode number two that um maybe stood out to you well maybe i and i think this is maybe a running thread that we'll get to but all of her monologues are like super strong and And very fun, well-paced. Track 4: [35:35] And so this was, she's promoting the amazing Spider-Man. Track 4: [35:38] And Andy Samberg comes down from the ceiling as Spider-Man, auditioning for the role, which of course was already cast with Andrew Garfield, who then pops into it. But it was just kind of a moment where she really vibed with that era of the cast, of the show with that cast. And so we're going to see, you know, go forward till just a few months ago with this era. But seeing Emma Stone and Andy Samberg felt very like this works. Track 4: [36:12] I love when SNL calls back older SNL stuff, but he was basically doing Horatio that did this, I think, with Kirsten Dunst. Yeah, and they referenced that. Are you trying to remake this monologue? And Andy Samberg says, well, aren't you just remaking that same movie? Yeah, touche. Yes. Track 4: [36:35] She comes off as very likable in the monologues. again uh that first monologue we she said right away that like this is a dream come true she was a fan growing up so i think monologue is really important for a host and you're right she showed out well in this monologue uh definitely uh speaking of andy this isn't a highlight for me but just a little tidbit is that emma and it's not her fault but she probably has the privilege of being in maybe the worst lonely island digital digital short of all time i wish wish it would rain oh gosh that's like an infant i think that's an infamous lonely island, it's pretty bad and i love lonely on their snl hall of famers but emma to no fault of her own was in a memorably bad lonely island unless you love this one mike no i i i wasn't gonna mention it yeah it's uh one of the one of the few because lonely island uh for better or worse has no no trouble letting you know exactly what the joke is. And with that one, we did not know what the joke was. Oh, my God. Yeah, you're just watching. Where is all this coming from? And Emma plays a character with just like an abnormally big butt. It was just, yeah, it was very weird. Track 4: [37:50] Again, not Emma's fault, but it is a distinction that she has coming from this episode. But she's right. She plays well with the cast. And we will see that going forward with different eras of the cast. Andy in the monologue. She took part in a Kristen Wiig showcase, the secret word sketch, which truth be told, I didn't always love these sketches. But Emma in this particular one made it entertaining for me. Back over to charlene's team i'm gonna give a receipt actually lyle i'm gonna let my friend mr pickles give the clues since he was such good luck to me during my talent portion of miss america right mr pickles right miss charlene he's british. Track 4: [38:39] This is good fun 10 seconds on the clock the secret word is cloud okay go ahead mr pickles Because, okay, this is why it floats in the sky. A plane? Track 4: [38:54] No, it's Poppy and I. So she took a sketch, a recurring sketch that I was never, I always had mixed feelings and usually negative feelings about. And Emma made the secret word sketch watchable to me. She played Miss America from Georgia. And she did some really weird ventriloquist stuff during the secret word. So she actually made a recurring sketch that I don't love, like entertaining. And that's a mark of a good host for me. And I think SNL might use recurring sketches where the host is secondary as kind of a crutch for a weaker host. So I'm glad you mentioned that. She really made the sketch better because especially that's not a sketch that you are too fond of. Because they also did Herb Welch with Bill Hader, which I do love. I do, yeah. And so they put her in that as well. And she she was great and uh my last thing for that episode was they did a like office sketch with um listening to someone like you by adele yes where i mentioned that emma is so great like facial acting and it was a lot of just react you know cuts to reactions of the women and then like you know the men come in they show bobby outside as the window washer everyone just sobbing to someone like you so it's what just a classic snl sketch of like here's the joke we're gonna do it it again, but we're trying to escalate it every time. Emma's so good at ugly crying in that sketch, just like everybody else. Track 4: [40:21] One more weird one. This was a pretty good episode, and I think Emma had a lot to do with it. Again, with Andy, we're going to make technology hump. I've always had a soft spot for this sketch. He did it with Zooey Deschanel was in another rendition of this sketch at one point, too. But. Track 4: [40:42] Emma played this perfectly as just this really enthusiastic, upbeat person presenting this weird material. But it's not weird to she or Andy. They're just like, hey, we're just going to make technology hump. And I love when they got listener feedback or viewer feedback. Hey, we've got some viewer email. Ryan from Sacramento says, we don't want your dumbass soap opera scene. Just show clean, close-up shots of tech humping. call me a hopeless romantic but this lady needs a little dialogue before the action i hear that line was perfect and that's a sketch that i might not pull up and show a friend who doesn't not familiar with snl and when i re-watched that one that like really brought me back in time because i don't think i had seen it since it aired live it's the last piece of the night exactly and when i watched it i was like wow i remember watching this at you know 12 53 a.m um back in 2011 and that sketch with another host might have been too weird and inappropriate but like you said andy and emma were selling it like no this is fine this is okay so jason sudeikis as an xbox controller you know it worked yeah it definitely worked there was a digital camera involved and then at a certain point like the zoom went out and it was very creative way to make these these pieces of technology. Props to the props. Yeah, absolutely. Track 4: [42:10] And yeah, Zooey Deschanel was in one of these. And I think Emma probably sold it a little better than Zooey, to her credit. So this is always one perfect 10 to 1 type of thing that Emma was just totally up for. A very weird thing that Emma was up for. So I feel like Emma, you know, we saw in this second episode, somewhat confined to the era with being in some recurring sketches, an unfortunate digital short. But she's a great host and I think that that shines through again so we're like two for two as far as Emma just showing us like what a what a fun presence she is on SNL absolutely I mean I'm sure at the end of this episode I might have to make a big case but it's again it's somebody who gets the show shows up and performs so two for two in my opinion I agree yeah absolutely and then it took Took her a few years, like about five years before she was back in December of 2016. Track 4: [43:08] Season 42, which I think history is going to look at. Season 42 is a great season of SNL. Just a lot of really, really great episodes. Some great hosts that season. Emma really stood out. This was a fun thing. And Emma, so we had mentioned good monologues. And it must have been a thrill for her as a fan. She got to do a backstage monologue. Track 4: [43:33] In this episode i love backstage monologues me too they're my favorite that's the monologue to to mention because and that was when you saw especially with some time had passed so like thomas said you know she hosted the first time she's not even 22 yet she comes back a year later and then in the meantime as a dramatic actress is like doing great things so when she comes back it feels definitely like this is a celebrity now this is not just a young up-and-comer and so for her to she mentions that snl was like my high school and it's funny because she went to high school with ad bryant albeit for a short time um in phoenix uh because she um emma's from scottsdale and uh her and ad bryant are on the same age and went to the same high school together ad bryant makes a joke like what uh emma you know you went off and did acting and went to hollywood and emma says well what have you been up there he's like well i just i did high school yeah So I love that. You see the classic backstage SNL and all the things we love to see. And I just love that. And we see Leslie and Kyle making out and Keenan smoking backstage. Track 4: [44:50] There's a monologue to watch of Emma. It's that one. And that was very much of like, okay, Emma Stone is now in the club of SNL for sure. There's no doubt anymore so if she never came back there's still an argument that she has made her footprint on the show but of course we saw more later yeah fantastic monologue good bit with rekindling her fling with bobby moynihan good callback they treated it like a dramatic like high school sort of movie that was great uh bobby wearing a snl letterman right yeah bobby's this this like too cool for school, jock with a letterman jacket that that breakfast club don't you forget about me exactly yeah, Yeah, great monologue. I urge people to go check it out. First sketch after the monologue, this theater showcase. I love these theater showcase sketches. And Emma, she played such a great, well-meaning, but misguided high school theater student. That's what these sketches are about. And Emma, along with the entire cast, this is a fun ensemble piece with Emma and I think probably Kate. But pretty much Emma leading the way. Man, I love these. And Emma was so good at this. Track 4: [46:14] And scene. Excuse me, ma'am. Could you understand that? Uh, no. Is it because we were speaking Mandarin? Yes. And you only know English? Yes. Sad. That the theater showcase and they did a few of them i think this might have been the last one they did is the most emblematic of that era so i don't meet many snl fans who like don't like this era but this is one that if you're into this sketch you're probably into that era and emma stone for sure was like one of the guys because at the end of the day they're all a bunch of like like, theater nerds living out their dream. So we get to see them playing younger versions of themselves, being, like, social justice warriors and doing... Track 4: [47:09] Theater showcase and i loved like the the transitions with the prop movement and that music and just the bewildered crowd yeah just perfect yeah vanette was it vanessa was this one vanessa and keenan and yeah it was vanessa and keenan in the crowd just uh perfect the show was dedicated to um the the native americans at standing rock let's get them the pipeline that they want want i love that i just every beat to this sketch is just fantastic or they all kiss and they say black lives matter and they say i i think they just wanted a reason yes that was their black lives matter scene yeah yeah the this is one of a really great recurring sketch that i think you're right snl fans uh love i think sometimes it gets forgotten but you re-watch and okay these are really great and emma just did a great job um with leading this uh and i'll mention that that they did i think have a lot of musical theater moments in this era that didn't hit and so this one did for me a lot so yeah they could bring the sketch sketch back next week and i'd be like super pumped to see it again absolutely they should snl 50 this would be like a good Good type of scene maybe for SNL 50. I don't know. Yeah. And just because it's all just vignettes. Exactly. Exactly. Is there anything else in this episode, like something else that hit for you? Track 4: [48:36] Well, I'd be remiss if I didn't mention what I was calling forward to, which is the poster sketch, which is Emma's most prolific character. She did Chrissy Knox in her third, fourth, and fifth episode. So I have to shout it out now because usually the first iteration is the best. So Emma Stone being on Pete Davidson's wall as a poster, talking about her fat, shiny hot dog was really, I think, a big moment in her SNL career because it did launch that character. Yeah, but algebra's crazy, though. Solve for X? X is a freaking letter. It's a variable. X is what you don't know. Yeah, so if I eat this entire fat, gross hot dog and mustard plops all over my shirt, what does X equal? What? That's not a math problem. Yeah. Track 4: [49:35] A host having a recurring character, a recurring sketch, is like a good feather in the cap. We saw what Tom Hanks had, a few of them. He had Mr. Short-Term Memory. He had the comedians, I think, that he did, who talked basically like Jerry Seinfeld. He had that. Alec Baldwin had Tony Bennett. He had some stuff like that. so I think you know it's a feather in the cap for a host to have recurring sketch recurring character Chrissy Knox here with the poster one uh the voice that she uses might be a little much for me sometimes like I think maybe she could have toned it down a little bit and I might have enjoyed it better but I do I do think the premise is solid and it just seems like Emma is just committing to it super well and having a lot of fun. This is something that she's just willing to do. I could just tell that she loves being on SNL and it shines through in the poster sketches. Track 4: [50:38] I think that's what's likable about it, too, is that Emma Stone, especially at this point in her career, was a well-respected actress. And this was in 2016. So we're right a few months before she wins her first Oscar for La La Land. And we never saw her play these very one-dimensional roles. So I think she, like you said, was just having a blast being this character and just leaning into it like super hard yeah when we of course again yeah this is the the first of of three consecutive poster sketches that she would do in her episodes and one of my small complaints i just want a little nitpick i guess of some of emma's episodes is that maybe the writers in the show don't quite utilize her but there's a writer that utilized her in a couple of sketches the The first one being in this episode, Julio Torres utilized Emma Stone perfectly. Julio, a candidate in SNL Hall of Fame candidate for this season. Absolutely. Great rider. He utilized Emma so well. Wells for Boys is in this episode. Classic error from this sketch, Mike. I'm sure that you enjoyed this sketch. Track 4: [51:56] So much. It's a sketch I could watch every month and still enjoy. And again, it was a premise pre-tape. It wasn't a character pre-tape. But Emma Stone has a moment where she just yells at this child. That thing's weird. I don't get it. That's because it's not for you. Because you have everything. Track 4: [52:17] Everything is for you. And this one thing is for him. Wells for Boys by Fisher Price. And just really just completely takes the level down to this little boy, just to really just chew him out as off in the background. Track 4: [52:35] There's the young sad boy at the well. So Wells for Boys should be definitely top 10 maybe of that era. And Julio Torres is just, that's his style all the way. Track 4: [52:48] And so Emma Stone is just a great pre-tape actress for SNL. and that was a good example of it. I'm sure Julio was excited that he had this idea. He and his writing partner, Jeremy, had this idea for Wells for Boys and I'm sure they were excited to have a great host like Emma to carry something like this. They didn't have to rely on a cast member and perhaps maybe the host wasn't even in the sketch or they shoehorned the host in to do something else and had a cast member play the lead. They had Emma and this was this was perfect she had like such a great understanding of playing like the protective mom the understanding mom all of that so I bet you know Julio I don't know if he saved it for the right host or if it was just his luck that Emma was was hosting that week but it but she couldn't there couldn't have been a better host probably you know a great host could could do something like this she did julio's writing justice i think yeah well said perfect is there anything else from from this episode there was some like here and there i think we hit probably the main things yeah i mean i'll give a slight shout out to the nativity sketch she plays mary and uh that's a sketch that on rewatch wasn't very memorable the first time seeing it you know know eight years ago but i i i enjoyed more the second time of just being the frustrated. Track 4: [54:15] Virgin mary with all the people coming into the stable and that was a good uh good ending sketch for that episode yeah not much to say other than that but yeah that closed out the night emma got to play weird she got to put on like a weird eastern european accent uh in the the cleaning crew she and leslie and cecily got to play this cleaning crew in an office that sang like this this inappropriate song about Santa. Track 4: [54:56] Um, that was, uh, something. It was, uh, okay or bad and you hate it. Your face looks confused. You know who is Santa, right? That was Emma being able to play weird, kind of like Wallace, probably not as good of a sketch, but she still got to, like, throw herself into, like, a weird character and a weird premise. That stuck out to me just because I liked Emma's performance. Yeah, and it was Christmas Candles was in that one, which is very like you know she could have been could have been a maya rudolph kind of role that she did and that was in a pre-tape earlier in the night too yeah a good ensemble priest piece that pre-tape and that's one thing snl did well in that era they did these slice of life relatable kind of pre-tapes like the um do it in my twin bed uh it was kind of something like a similar uh ish vibe so yeah that was her third episode i think uh uh she showed out well for herself uh that was season 42 we see her back um a little over two years later in season 44 this is april of 2019 and i know there's one honestly like one super super classic sketch in this episode pretty endearing monologue i think like where should we start with her fourth episode. Track 4: [56:12] Let's just start with the monologue because and you know we did i don't know if we're going to to mention cameos but in the meantime you know she had played rosanna rosanna dana in the snl 40 and now here she is in her monologue talk she mentions you know invokes the great gilda radner she said it became a huge dream to even be near this place so now here she is hosting for the fourth time and so like you said just very endearing again that reverence for the show like somebody that could win more oscars than meryl streep and be asked to host and be like Like, I'm so lucky to be here. And so she had family there. She mentioned, kind of like I mentioned at the top of the show, just this kind of lineage of my grandparents showing my parents and my parents showing me this show. And her love of Gilda Radner was, like, very genuine. You know, it's not like it was written for her. Like, it's a real thing. And clearly, you know, playing the iconic character on SNL 40 and being a friend of the show for that long. So, you know, got to start there. there yeah it's a funny funny premise too of like you know she they're hinting at like the the five timers club. Track 4: [57:22] She's thinking maybe the cast is going to plan something special for her. So it has all these fun beats about Kate and Kenan. They sing a song to the tune of No Woman, No Cry. Oh, Emma, She Hosts. Yeah. Aidy gives Emma a silver bracelet from her wrist. They trot out Melissa to do a string of impressions. Track 4: [57:44] Kyle, and Emma's super excited that Kyle's here. It makes her all night. Yeah, great Kyle Mooney moment. Oh, wonderful. Wonderful. Yeah, Kyle Mooney is going to be just like an interesting, I'm wanting to at some point maybe do a Kyle episode because I think he did more on the show than just as a little sidebar. I think Kyle did more on the show than we even realize. And joking or not, it's fun to see Emma so excited about Kyle being there. Yeah, this is following Kyle Mooney being brought in as a surrogate for Melissa to do an Oprah impression. Yes. Yeah, exactly. Melissa's like, I don't have an Oprah. Track 4: [58:20] Oh let's bring in kyle so fun monologue uh a wink wink to like snl history you're right she talks about her love of gilda there was an easter egg at the end of her first hosting stint there was a bumper card that had emma as rosanna rosanna dana at the end of that show so this was years before she played rosanna rosanna dana on snl 40 which makes me think that was by request almost i think so no i think emma was like i think i could do this and i would love to pay tribute to gilda and they already had like a visual of her dressed as rosanna rosanna dana for this just bumper card or whatever at the end of her first episode that was a little easter egg that i saw like re-watching these episodes yeah and i had mentioned that julio torres was a great writer and emma was able to see the vision of julio's writing and she was just a perfect person to be cast in Julio's sketches. So in this one, we have the actress, which I think, as much as I love Wells for Boys... Track 4: [59:23] The actress, gosh, Mike, this might be the best thing Emma's done on SNL. It's like a wonderful showcase of her talents. It's number one. I mean, it has to be. It's something that, like I mentioned, if you had to show somebody something, this would be it. It's so well done. There's not a second wasted in this sketch. There's not a joke that falls flat or an extra cut to somebody else. There's just no wasted space. Track 4: [59:50] Everything is perfectly paced. and I can't think of any host in the history of the show that would have been better at this sketch than Emma Stone was. And it was at the end of the night. So this is season 44, her fourth time hosting, nothing really to prove other than she's a good host and she's back and just goes full throttle, 10 out of 10 as Deirdre, the woman who gets cheated on in the gay porn. That was her role. Track 4: [1:00:18] And to be an Oscar winning actress at this point and being an actress playing a bad actress and just diving deep into the role and the props that you know the one ug boot and the new year's eve glasses it just everything about that sketch is perfect it's it has to be one of my favorite of all time just period yeah emma's really selling like the self-seriousness of her deirdre character it's it's so fun i think she has this great like like flat delivery so she's trying to like be the be an actor and i want to act this and then they ask her to deliver it flat and she's it's just funny she's like all right so she delivers a flat line action jared i'm getting my nails at the mall now teach my godson push-ups right before our wedding jared cut great nice and flat onto the real stuff it's like she has these perfect Like, this perfect delivery, perfectly executed, like, with what Julio Torres and his writing called for. This, to me, is an example of what she can bring as someone who's a good actor and has a sense of humor. Track 4: [1:01:28] And it's why I get a little frustrated kind of re-watching these and remembering these episodes. Because it's why I think that the show hasn't, for the most part, taken advantage of her skill set. And this, to me, is a perfect example of what she could do. Maybe like not in a sketch as great as this but the fact that she has a great sense of humor she gets the show and she's a good actor i mean i think she could have been utilized a lot better like julio showed how she could be utilized and i feel like if you know she of course hosts again after this but if she comes back like can we get julio to be a guest in the writer's room, and i you know i don't want to see a repeat of wells for boys or the actress but can we get a part three of this Julio-Emma trilogy. Track 4: [1:02:16] And this is... And Thomas, this is like... When you bring a serious actor, actress to this show, we don't always know if they're going to be funny. And so one great thing about Emma Stone is that she does comedy and drama so well. So we already know that before she comes out for the monologue. We're not going to be at the edge of our seat wondering if they're going to bomb. But when you have a pre-tape like this, that they can flex those muscles to the perfect degree. So we could have opened the show or closed the show with the actress, and we could make a case. But here we are, end of episode four for her, and it should be on the best of that season, that era, and obviously for Emma. Yeah, 100%. And to me, this is, to a certain extent, her fifth hosting gig. So basically her last two hosting gigs just are a perfect example to me of why I find Emma Stone so fascinating as a host, in that she can stand out as a really great host during an episode that's not that good. Track 4: [1:03:26] And it's not the host's fault. So we have that. So we have episodes of SNL that are good episodes with not that great of a host. I'm not trying to bash him, but Michael Jordan hosted a really good episode of SNL, but I wouldn't say Michael Jordan was a great host. it just happened to be a really good episode Emma Stone especially with her last two. Track 4: [1:03:50] Really great host, that's obvious, but not great episodes. That's an interesting thing that can happen on SNL, Mike. Yeah, I mean, as we know, it's such a hard show to make, and they don't bank sketches. So they're not waiting for Emma to come along. Maybe she'll host next year. Let's keep this in the bag. Track 4: [1:04:10] So it is of the moment. It's topical, and it's what's on their mind that week. So we might strike gold with the actress in this episode for four and now for five and this is where i have said on my podcast that i do like kind of love when they announce a host that i've never really heard of or haven't seen because i don't go in with expectations where this one i as a huge emma stone fan huge snl fan couldn't have been more excited for and i left And I said to myself, like, that was kind of a bad SNL I just saw. Yeah, it left us kind of hollow a little bit. And we had just recorded or we just done the SNL by the numbers, me, you and Bill Kenny. And we did our rankings. Track 4: [1:04:56] So far as we're recording this episode, there's 12 SNL episodes in season 49 that we ranked. And this Emma episode was like bottom half of season 49 for us. But to no fault of Emma's in my opinion like she was obviously a good host a really game host there was actually on like even a couple of sketches where I thought that the like really solid writing and I thought Emma especially in the mama cast sketch but Emma really acted the hell out of it like she really went for it in that sketch there were a couple of good moments But this was an interesting episode. I try not to get my expectations too high going into an episode. But this was one where it was like, it could have been better. Like, that was a bit disappointing. And it wasn't Emma's fault. Track 4: [1:05:48] And there were two sketches in this episode that I couldn't stop thinking about. How did this make it into the Emma five-timer show? Because I think there might have been the two worst sketches of season 49 as of this recording, which is the What's in the Kiln sketch with Heidi and Chloe. And then we had Emma for the fifth time. We didn't need Treece Henderson for the fifth time. So the Therese Henderson character I've ranted about on my podcast as like, you know, I talk about Keenan so fondly so often. He's like a stat god for SNL. And we saw Therese Henderson for the first time just like only a couple years before this. And now it's the fifth time and you're going to make Emma Stone be in that sketch. So just like some big swings and misses and nothing really that Emma could have done in either of those sketches to improve them. So you could have the worst host or the best host of all time. It couldn't have saved it. Where other sketches in the night, I will say, Emma did bring them up. So a bad host would have made this episode really bad. So thankfully they had like an SNL Hall of Famer, in my opinion, to be there for them. Yeah, that what's in the kiln sketch is an example of the writing issues that I've had with season 49. It was just basically, here's some bad pottery. Track 4: [1:07:17] That's the joke. There's no escalation. Here's just some bad pottery that we think is good. Track 4: [1:07:23] And SNL has had a problem with putting a hat on a hat or bringing in too many wacky things. They didn't bring in anything. They just let Emma Stone have to just rot on the set with Heidi and Chloe. And it was a long sketch, too. I mean, I have all the run times, but when I look back, that was one of the longest sketches in a while. And it should have been four minutes shorter, but it was tough. Yeah, it was brutal. But the make your own kind of music sketch, the Mama Cass one. Mitch Lester. Yeah, it was basically Phil Spector, but like with the big like Afro and stuff. But yeah, Emma really went for it in this one. I don't know, Mitch. The song is about celebrating individuality, not zombies. Dig, dig, dig. Yeah, forget the zombies. Bad example. Oh, how about this? How about this, Mom? Movie is I'm a prostitute. I've serviced some of the most powerful men in the city. and god they're off on me but how could a powerless prostitute get even with these big wigs right well we'll find out at this swanky party they're all at come on hit it. Track 4: [1:08:34] And re-watching um her character wallace in the second episode i mentioned this is when she became a snl star and so i'm glad that in a not so great night that she reminded us that like this is an an actress who again gets the show but is very into character work and i thought that was a strong premise and it was fun we got to see chloe trost again sing so well for only like her second time in the you know as a new cast member and emma stone just again going. Track 4: [1:09:07] Just full court like all the way and completely leading it and so physical crazy facial expressions all over the set and i mean it was just like a crazy idea and a perfect host to do it so i love when a host is again trying to do like big characters and doesn't fall short yeah the sketch was better because emma took the reins i also really enjoyed enjoyed question quest and i thought it was a great premise emma was really good as the put upon contestant in the sketch uh it was it was the uh host played by michael longfellow of this game show where basically the whole point was for him to trying to foist his pet tortoise onto someone onto one of the contestants so i thought it was a really clever premise yeah not just a tortoise a 37 year old desert sulcata tortoise that yeah that might live for for another 150 years, for all he knows. So basically it was this tortoise that was a burden on the host that he just wanted to foist upon somebody else. I love the premise. Emma was really good in her role as this put-upon contestant that was hoping that another contestant would get the tortoise. Wait, I won a tortoise? Sure did, and I'll miss him. He's been mine since I was six years old, and now he's yours. Congrats! It's your tortoise? No, it's your tortoise. Track 4: [1:10:34] So you got him, like, 25 years ago? How long does a tortoise live? That's a great question. Quest testants, how long does a tortoise live? Michelle? A hundred years. No. Angela? Hmm, is it a corn or a flower tortoise? I think you're thinking of a tortilla. Track 4: [1:10:53] Jen? It can't be more than a hundred years. More than a hundred years is correct. A hundred and fifty to a hundred and ninety, to be exact. It lives for 190 years? Maybe more. Everyone who studies them dies before they do. It's one of my favorite sketches of season 49, an example of, like, I want to point at this sketch and look at the writers and say this. Do more of this. Like, follow this template. It was funny, creative, good host. Like, this one was a good standout of the night for me. Yeah, and, you know, nothing out of the ordinary. I've done stats on my show about the first sketch of the night how they tend to be a little bit longer a little bit um. Track 4: [1:11:36] Trying to bring everybody in. They don't go too niche for the first half of the night. They do a lot of game shows, a lot of talk shows, pageants, that type of thing. So very down the middle, but just the right amount of quirkiness, good acting, good joke telling. And we got one of only a handful of Michael Longfellow showcases this season. And it was just, the whole thing was great. I mean, if I'm going to rewatch anything from this episode, it's definitely that and the Mama Cass sketch. And i have to mention um her monologue for a fifth time because it was her five-timer monologue and she got tina fey third woman in the five-timers club and of course the first member of the snl five-timers club for a female host candace bergen so it was the show started very strong with that and question quest and it really dipped a lot and then we got that mama cat sketch Yeah, so that was her fifth time hosting, most recently, December of 2023. Track 4: [1:12:39] And I'm curious, Mike, like, so we talked about the big theme throughout our conversation about Emma being a very clearly talented host, who's a great performer, gives her all in sketches, big fan of the show. But maybe hasn't been a part of a lot of top-notch episodes or maybe some up-and-down episodes because of perhaps the writing or her getting misused. So how do we as fans and voters factor in talent versus things out of the host's control like writing when we are evaluating these hosts? Track 4: [1:13:16] Well, I think after going through these five episodes with you, Thomas, that she has made or been a part of four good to very good episodes and one probably below average episode. So overall sample size, of course, if you're in 35 sketches or 30 sketches, there's bound to be some good and bad in there. And as we mentioned, she did elevate some not so good ones and something like the actress was a good sketch and she brought it to a 10. Track 4: [1:13:48] So the sample size is there. The resume is there. So I don't think I really hold against her this fifth time or any of the other not so great sketches because point to one sketch or pre-tape that Emma Stone like really missed the mark. I can't. Yeah, we're both baseball fans and I compare it to maybe somebody like Mike Trout. Like obviously an amazing player player that doesn't have any postseason resume no to speak of it's not his fault though like at all that's definitely not trout's fault so i i kind of equate it to that like when you have a really great host and you're right like if you have a large sample size there's going to be some bad ones too but that's how i kind of look at emma stone is as this like hall of fame caliber host that maybe hasn't played in like the proverbial world series or won a bunch of championships but talent's obviously there yeah it's fair i mean i and again i i've enjoyed all the episodes yeah yeah i think it's because of her though like you know like and that speaks highly of her like that's like a case for emma i think and doesn't emma just have kind of a vintage timeless quality anyway way that we can see her when she's in her 40s or 50s and I think she'll still be great so you know it's impossible to do but you could put her in a time machine with the 70s SNL cast I think she'd still be great so. Track 4: [1:15:15] It's really not a product of her environment but making her environment a product of her. Track 2: [1:15:39] So there's that. Thank you so much to Mike Murray and, of course, our friend Thomas for delivering the goods, getting a little inside baseball even with their analogy of Mike Trout and the postseason play. Very interesting stuff indeed. It's all up to you, though. So, at the end of the day, you are going to be the one to decide whether or not Ms. Stone belongs in the Hall of Fame with your voting franchise that you have earned. Let's go to a Hall of Fame-worthy sketch now. This was written by Julio Torres and Bowen Yang. And, gosh, what season did it show up in? I'm not 100% sure. I think it's season 44. It stars Emma Stone and Beck Bennett and a couple people from the adult film Persuasion, perhaps. This is called The Actress and it's a classic. Track 5: [1:17:01] Excuse me, hello, I'm Grace. Are you the director of the film? What? I'm the lead actress. I play the woman who gets cheated on in the gay porn. Oh, yeah. I wanted to ask you about my line, if you have a moment. I open the door and I say, Jared, what are you doing? Not with my godson. Like that? Is that my content? Yeah. Fascinating. Go put on whatever you want from the woman, Ben. You'll get your meal voucher after we wrap. Thank you. Track 5: [1:17:36] Oh! Ha! Lube! The director's method was to offer little guidance regarding the character. All I had were clues. Pieces of the puzzle of this woman's life. Two pairs of loose sweatpants. A single Ugg boot. A couple of batteries. And some happy 2017 glasses. Who are you, Deirdre? That's the name I gave her. The first scene was rough. Action! I was having trouble finding her. I'm going to the mall. Perhaps I'll get some flowers to brighten up the place. The house could use some color, no? If you need me, you can reach me on my cell phone. Got it. I'll just say what's in the script. I was just trying to access Deirdre. There's nothing to her. People are just gonna scroll past you so they can get off. She has no past, no future, nothing. She exists only to be cheated on. All right? Just save it to the script. Thank you. Track 5: [1:18:30] Action. Jared, I'm getting my nails at the mall. Now teach my godson push-ups right before our wedding, Jared. Cut. Great. Nice and flat. On to the real stuff. If you don't want to watch, you can sit on a folding chair just outside. I'll call you when it's time for you to catch him in the act. When they betray me, I was rattled. Jared, how could you? I didn't know if I would find Deirdre in time. Not with my godson. Jared, Jared. Wife, we're ready for you. And then, just when I thought she'd never come to me... Action. She did. Jared, what are you doing? Not with my godson! I saw the rich and beautiful backstory of this woman. Her childhood, her first job, the night she met Jared. Two, one, happy New Year! Track 5: [1:19:22] The promises she was told i will love you a woman forever her godson's 18th birthday i know how much you like batteries and all the other times she was blindsided by life jared someone broke in and stole my love dog boot jared you have a second cell phone jared why is godson sleeping over I felt the bruises and scars of her past. I saw what led her here. Cut we'll edit that out just give her the meal voucher, oh deirdre how do i get you out of me i can't take you with me i'm sorry this is it goodbye, oh how did i get lube on me, Oh boy. Track 2: [1:20:40] That was one of my favorites when I saw it, and it really holds up. I mean, it's only a couple years old, it's only five years old at this point, but goodness gracious, what a great piece of writing. Writing going back to thomas and uh mike it would be just so fascinating if she had got writing of that ilk in her fifth appearance on the show which was a little shaky in my book uh they talked about it um at a level that uh go back and listen to it just go back and listen to it listen to it again that's what I'm trying to tell you and that's what I've got for you this week, it's been a busy one talking Emma Stone and. Track 2: [1:21:31] Really getting to know why she belongs in the hall, next week we invite our friends and Thomas' cohort on the Pop Culture 5 podcast, Jeremy Dove he'll be joining us to discuss the enigmatic Tracy Morgan so you're going to want to listen to that, now, if you would On your way out, as you pass the Weekend Update exhibit, turn out the lights, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Jon Hamm | 18 Mar 2024 | 01:22:43 | |
This week on the pod we welcome back, Jamie Burwood! To kick off the show we get Matt's Minutia Minute before we get into a fantastic conversation between Thomas and Jamie. Thanks as always for listening. Rate and review the show! Transcript: Track 2: [0:42] Thank you so much, Doug DeNance. It is great to be here back in the SNL Hall of Fame. [0:50] Please, mind your feet, give them a wipe, use the map for what it's supposed to be for before you come into our hallowed halls. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballotfor your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity inside the hall. That's how we play the game. It's really quite simple. You follow along, you vote, you celebrate or complain about who got in or who didn't get in. It's really quite a bit of fun for us. I am walking down the hallway now to talk to our good friend Matt Ardill, and we're going to get some information on who we're covering today and who will be nominating them. Wait and see. Well, you don't have to wait and see because you can read the title. And I guess the title sort of gives it away. That's right. We're talking about Jon Hamm today, and we're joined by Jamie Burwood. But before we do that, let's go to our friend Matt Ardill and get the skinny on Jon Hamm. Track 3: [2:13] Hello, Matt. Hello, JD. What's shaking, my brother? Not much, not much. I am really looking forward to today's trivia. Okay, who you got for us? John the Hamaconda Ham. He is six foot one, born March 10th, 1971 in St. Louis, Missouri. He is the son of a trucker and a secretary. He had a rough childhood growing up, which actually helped inform his backstory when he auditioned for his breakout role of Don Draper. But his first acting role was as Winnie the Pooh in a first grade production. [2:58] Oh, OK. OK, yeah, very early start. But he didn't follow that up until playing Judas on Godspell at the age of 16 at John Burroughs School, where he was the member of the football team, the baseball team and the swimteam, because, of course, he was. He actually dated actor Sarah Clark in high school. He went on to attend the University of Texas before transferring to the University of Missouri, where he answered a newspaper ad for someone to play in a production of MidsummerNight's Dream. [3:32] He's gone on to complete 118 acting credits, 10 producer credits, and he has one director credit. He almost didn't get the role of Don Draper, which I can't imagine anybody else in that role right now. But he was told by the showrunner that he was too handsome, which is not something I'm sure many people frequently hear in a like, I'm sorry, you're just too goddamn handsome for thisrole. Yeah, they reevaluated and decided that he was he was the right fit. [4:07] He rewarded he received an award nomination for Emmys for the show. Golden Globe SAG Awards, Annie Hall Awards, Critics Choice, MTV Movie and TV Awards, National Board of Review Awards, Satellite Awards, Teen Choice Awards and TelevisionCritics Association. Association um i'm guessing his teen choice was for something not mad men related there should be an acronym for all those awards like an egot you know yeah he should get some sortof uh preferential treatment in hollywood as a result of all those awards yeah they need to they need to broaden the awards like the mtv award teen choice award circuit that's right that'sright um the slimies I guess maybe I don't know that's good on television you know now before hitting it big he worked as a daycare worker and a high school teacher while teaching highschool he was actually Ellie Kemper's drama teacher and went on to help her break into the world of acting. [5:12] Um gee whiz yeah so he followed the uh harrison ford school of of acting he worked as a set dresser uh unfortunately it was in a much more risque type of cinema uh as a set dresseron adult films get out of here no yeah that is one of the many jobs he did in the valley just trying to pay the bills yeah when he moved to la he actually only had 150 in his pocket and didnot book a single gig for three years. He stretched that $150 then, didn't he? Yeah, well, he worked as a set dresser for adult films, so he was taking any job that came his way. He actually set a career sort of deadline that if he didn't book something big, a breakout role by 30, he was going to move home. Now, he did make that breakout role, and he's now gone on to star in all sorts of things. While filming a young doctor's diary with daniel radcliffe he became an ardent cricket fan he has been a comedy nerd from the go yeah he's often seen on set quoting anchorman and. [6:25] Amy poehler uh has recounted in her biography how when she was pregnant and he was coming on the show they were in makeup and she heard that her doctor had passed away shehad a freak out was was completely losing her mind because she was panicking he grabbed he took her by the shoulders looked her dead in the eye and said you know this is very sad. [6:48] This is a really important show for me, so I'm going to need you to get your shit together. At which point, she started laughing so hard, she almost, well, she says she peed herself. But this is one of those moments that she says, you know, when somebody is so funny, they make you go from crying to laughing in a heartbeat. And something that can only happen like five times in your life. [7:12] He's so good. Have you ever listened to him on Comedy Bang Bang? Yes. Yeah. He's just got perfect, that perfect sense of timing and the counterpoint to like going dark and going light and how to break that tension. Yeah. So he's just, I think he's severely underrated as a comedic talent. Well, I mean, less so now. I mean, he's kind of embraced it. I mean, his Skip the Dishes ads are actually like super funny, which is like. Great. you think a big star but like taking a gig doing ads for a food delivery service in canada not even uber eats but specifically a canadian one so it's like like people aren't gonna see itin the states i don't know but uh yeah he's just a super funny dude and i'm really looking forward to hearing um what what we have to have to hear today yeah me too we're fortunate to bebe joined by a friend of the show, Jamie Burwood. [8:09] And gosh, I don't know how many times she's been on at this point, but she should be wearing a full robe and, I don't know, boots or something like that at this point. I have to get like scepters for... Oh, that's good. Scepters. I love it. Well, Thomas, take it away, buddy. Track 4: [8:56] All right, Matthew R. Dill and Jamie Du, thank you so much for that introduction. Informative, as always. You guys do such a great job with Matt's Minutia Minute. This has been a really great season of the SNL Hall of Fame in general. Matt's Minutia Minute is going great. I feel like we've had a lot of great discussions this season. So I think we're off and running. We're humming in this season. And it's going to continue that way in this episode because we are welcoming a guest who I told her before we hit record, you're part of the fabric of the show at this point. You're like a really special guest, like one of our VIPs at this point. So Jamie Burwood, thank you so much for coming back here in Season 5 of the SNL Hall of Fame. TV show graphs herself, Jamie Burwood, how are you? I am doing great. It is good to be here again. Season 5, that's wild. [9:54] Yeah, always love, love talking to you guys. I feel like we have a good one on deck for today. So yeah, no, it's great to see you. Yeah, we've really done some fun ones in the past. Will Ferrell, Christopher Walken. We've really just had really fun and very, very, very entertaining nominees. And I would classify our nominee today just that a really interesting nominee. Nominee and you're like the one of the perfect people to cover this nominee before we get actually before we get to the nominee who's TV related what have you been up to JamieBurwood just, Just in general, are you doing, I know you had the TV show Graphs. How's that been going? What have you been up to? Yeah, I know. Things have been going good here. I've been, I'll be honest, I've been a little slower on the actual graphing side lately. I still have a few things I've been working on, but I have been catching up on a lot of television. I feel like I go through like twigs of either like TV watching and then actually like working on projects. And I have been, yeah, knee deep in lots of TV watching, catching up on some like anthology type stuff, a little True Detective, Fargo, that type of genre at the moment. [11:14] And just, I mean, it's winter in Boston, so there's really not a lot to do other than watch TV, occasionally sneak away for like some weekend trips here, trying to get to places that areslightly less cold. Um but yeah otherwise just just live in life here in the very cold city of boston. [11:35] Yeah catching up on tv that's i think that's a great way to spend time and uh our so our nominee today made his bones essentially in a prestige television show i would call it it's amadman arguably by a lot of tv show experts and viewers one of the handful one of the four or five possibly greatest television shows of all time. So Jon Hamm is our nominee for today. A really interesting one, again, to me. [12:06] Jamie, were you a Mad Men watcher? I was. I wasn't watching it live as it was airing. It was probably like right as it was wrapping up that I started watching it from the start. So it's not one where I can say like, oh, I was so ahead of the curve on this one or I was watching before everyone else. Sadly, I was not, but as soon as I watched it, I absolutely loved it. It is probably a top 10 all-time show for me. It's one that I think just you can watch it and re-watch it and still catch new things. I feel like the caliber of performances, the caliber of storytelling, it is an all-time great show, and I know sometimes there can be a little bit of backlash from prestige prestige TV or like, Ifeel like Mad Men is one of those shows that always is on high on some of those lists. But for me, it's, it's deserving. And I think Jon Hamm in particular made that show what it was. [13:07] Yeah, amazing show. I know some people and I include myself in this. It took me Mad Men took me probably four different tries to get going. So I would watch the pilot, maybe watch the second episode, then I would almost sort of lose interest. But the fourth time that I tried to get into Mad Men, it worked. And I finished Mad Men in like two months, I just could not stop watching. Every time I had some downtime, I would throw on another episode of Mad Men. I just got completely hooked, and you're right. Jon Hamm's performance as Don Draper was one of the huge reasons. Can you describe what Jon had to do on screen as Don Draper? What kind of character was Don Draper? What did Jon Hamm have to be on screen for that? [13:56] Absolutely, yeah. I feel like with Don Draper, he definitely fits the mold of those anti-hero. You feel like there's a lot behind the surface with the character. I mean, at face value, he's this 1960s ad-exact kind of the smooth talker, has the wife and family at home. And then as the show goes on, you kind of see all that's behind the surface here in terms of, I mean, the very obvious things around the affairs, the drinking, just the whole culture. But also in terms of his family history, I won't give any spoilers, but you just kind kind of learn that there are so many different layers to who he is and why he does the things that he doesand one of those characters that you really have a kind of complex relationship with in terms of how you feel about you can go from being like oh my gosh I feel so bad for this person Ihave sympathy based on situations in their past to feeling like oh my gosh this person is unjustified in their actions, and I absolutely hate this character. He does it in a way where you really get some of those subtle nuances coming out in his performance, and I just think it's a top-tier performance. [15:12] Yeah, and he had to be really subtle, too, like you said. Especially he had to use facial expressions, but really subtle facial expressions. His tone of voice had to be a certain way. Especially in the earlier seasons, he had to play it a lot more stoic. Yeah. And as the series progressed, he was a little more animated. But especially at the beginning of the series, there was almost like this enigma. I mean, that was probably part of the point. But this enigma, and Jon Hamm had to play it like that. So there wasn't really a lot of time for slapstick comedy in his performance, right? And so what makes him a really compelling SNL host is that he came from that dramatic background with Mad Men that really got Jon Hamm on the scene. And I'm wondering, because as an SNL viewer, Jamie, I mean, how fun is it to feel surprised by a host? because I feel a lot of people were surprised by Jon Hamm. So as an SNL viewer, how fun is that when you see a host and they surprise you? Like to me, it's one of the things that makes following the show so rewarding. [16:22] Agreed. Yeah, I think it's one of the best things, right? Like it's there are times when you go into a host and you know what to expect. And that's great. And that's solid. But I feel like those like really special moments come when you go in, you're not sure what to expect. Or maybe you see a host known for one genre and you're not sure are they going to be able to deliver on the comedy side and I feel like with with John John Hamm in particular like hewas somebody who was known dramatic actor at that point and maybe a question of how will this go how will he hack it in in a true kind of live sketch comedy atmosphere and. [17:02] And that is one of the most fun things about this show. I always have to learn my lesson time and time again, that a lot of times the really good dramatic actors are some of the best SNL hosts. For sure. Like, yeah, I can totally see an alternate universe where Jon Hamm was a comedic actor. I mean, maybe his looks might be a little bit of a detriment. I feel like figuring out the right way to, like, cast him in comedic roles. Roles but i mean i think it it happened that mad men became a very successful tv show and that's how people were introduced to him but in an alternate universe maybe a comedic rolewould have been his breakout and then we would have been surprised to see him do a show like mad men 10 years into his career and be like oh my gosh this hilarious guy is also anincredible actor so it's just kind of funny how it how it works out yeah i agree with you the tape it could have been been total reverse we found out over the years that John really enjoyscomedy I mean he's been he had a role in Bridesmaids that was really funny like while he was playing Don Draper he was he was uh Kristen Wiig's uh jerk boyfriend yeah in Bridesmaidshe's been on comedy podcasts he's really good at comedy improv that's like something that John's expressed over the years and. [18:18] About how he really enjoys comedy. He almost just sort of, the Don Draper thing is almost like the thing that took off. But you're right. He could have very easily taken off as a comedic actor. For sure. You see a spark in him, I feel like, whenever he does any sort of comedic role. And I think people have maybe started to see that side of him a little bit more so over the last decade or so. He's done various guest spots, 30 Rock, Curb Your Enthusiasm. [18:45] Unbreakable Kimmy Schmidt. Like he's had these roles where not necessarily the star of a comedy show, but able to shine in that type of role. And you just you see that other side of him right away. Oh, my gosh. This is a guy who no question can do comedy. He's great at it. Yeah. People like Tina Fey, SNL Hall of Famer Tina Fey are giving their stamp of approval with Jon Hamm. You mentioned 30 Rock, Unbreakable, Kimmy Schmidt. uh yeah he's getting like the the approval of people who really know their stuff with comedy so snl was maybe his first the firsttime that people got to see john ham's comedic chops so so that's why the uh john ham and snl that that's an interesting part of his story as an actor so we'll get to it gonna kind of like lookat some of his he hosted three times so we'll kind of look Look at his hosting gigs. His first one, season 34, episode 6. That was October 25, 2008. So it was maybe the second season, I feel like, of Mad Men that was kicking up. So musical guest Coldplay. And Jamie, this, I really, I'll say up top, when I saw this episode, I really enjoyed it. So I feel like there's a lot of stuff that we can. [20:08] Go over and choose from like what stood out to you uh you could make a specific sketch but like what stood out to you uh first and foremost from this episode yeah so what'sinteresting to me about this episode is just kind of the context in which it's taking place first so you have john ham coming in not necessarily the giant name john ham that we know nowright like madman i think took a little bit of time to kind of have the critical acclaimed bill and to have everyone and know it the way that they know it now. So he's coming in a little bit more of an unknown than he is today. [20:42] He's talked a little bit about this episode in terms of just like his own nerves and like excitement to host, but also being nervous, like going out, doing that monologue. He was telling a story at one point about how he almost missed his cue to actually go out and like almost had to be like pushed out. And I mean, once once the episode kicks off, I feel like he's he's a pro and like the professional Jon Hamm who does everything brilliantly comes out. But yeah, it's just it's a little bit crazy to me in a good way how he pivoted from apparently being so nervous to doing everything he needs to do to just deliver on the sketches in thisepisode. Yeah, there was a little bit of nervous energy, which is to be expected when you're hosting SNL. But it's kind of funny to see somebody like Jon Hamm, especially somebody who playedDon Draper, to be a little bit rattled by an experience. So I love seeing the human side of somebody like Jon Hamm. Not everyone has discovered our show yet. So tonight, in hopes of boosting our ratings, I'd like to tell you what you'll see if you tune in. [21:51] Mad Men is a measured period piece set in the early 1960s that explores the social mores of advertising executives who, well, who like to dance with the stars. It's a cutthroat elimination celebrity dance-off show, and it's on AMC, 10 p.m. on Sundays. days. The show stars me, everyone from CSI, all of the Phillies and the Rays. He's almost like this good looking robot actor in some ways. So it's fun to see the human side of it. And he was in a lot of... [22:32] Pretty classic sketches from that season, all in one episode. This was from SNL. SNL fans really enjoyed this episode. Is there a particular sketch that you think we should start by talking about? Yeah, so I feel like I have to start with Trick or Treat, and maybe it's a cop-out going a little bit chronologically, but I think it's interesting because we were talking about how he comesout, was maybe a little bit nervous, his first time hosting a gig, you can maybe start to see a little bit of that. But I feel like with this sketch, and so this is the Jeff Montgomery, it's a classic Halloween sketch. Folks have probably seen it, but you have Will Forte in the kind of creepy, is he a pedophile? Is he not? Kind of interplay with John Hamm. [23:22] John Hamm just crushes this. And I mean, obviously, he's more of the straight man in this, but such an important part and you were talking earlier about his like facial reactions during mad men and just how he bringsthat you see that in this sketch and a i'm super impressed that he didn't just break a million times in this sketch because it is so hilarious and b not only did he not break i feel like he bringsthat kind of professionalism into this in a way that just makes the whole thing work so yeah i'm curious what you think about this one i feel like this This is a top tier sketch for a lot ofpeople. Oh, no, this is a classic one. And it's a very much like it's a Will Forte showcase. And it really plays in Will Forte's really twisted, dark, weird sense of humor sometimes. But you're absolutely right about Jon Hammond, his acting ability. And I think a sketch like this, this is where being a very good actor can really help elevate a sketch. Because you're right. He had to play the facial expressions just right. He had to go from... [24:28] Being annoyed by Jeff Montgomery to kind of feeling bad that he was annoyed to then start to catch on about what the game was. Let's just let's just be clear on something here is is sex offender your Halloween costume or are you fulfilling a legal obligation to declare yourself a sex offender? Bob lighten up it's Halloween! [24:48] Besides this is a tradition you know I do this every time i move to a new town are you jeff montgomery a sex offender am i jeff montgomery a registered sex offender on halloweenyes what about not on halloween yes even when it's not halloween i'm still jeff montgomery a sex offender look you're missing the point he had to play that just right so you're he's kind ofthe voice of us you're just kind of sitting there going like Like, is he going to ask these questions? And Jon Hamm, he's not a dumb neighbor. He's a neighbor that's picking up on this. So this is such good acting. I feel like Jamie, and this is what I was talking about as far as like these dramatic, quote unquote, dramatic actors or people who we know as dramatic actors. This is where the really good actors can elevate sketches. And I shouldn't be surprised, but this is yet another example of that. Yep, absolutely. Yeah, I feel like this is a sketch where the material was great so it would have been fun if it was a little more chaotic or he was breaking or all this stuff. There's a place for that. But I love that this sketch just comes across as super professional, well-delivered, well-executed comedy and I think that played a big role in how folks received itand just the... [26:12] The place that I think it has in SNL history and thinking about like the Halloween compilations and everything, this is is always right up there. And I think one of one of the best, maybe even the best Halloween sketch. Definitely, definitely at the top for me. Yeah, for me, too. It's up there. And I feel like this episode for Jon had like an interesting trajectory. It almost felt like they sort of ramped him up as far as what he led or how much of the sketch was aboutJon Hamm leading. So it seems like at the beginning of the night that this, because this was the lead-off sketch. This sketch happened right after the monologue. [26:49] And it was, like I said, like a Will Forte showcase. And Jon played a specific role in this. And then they had him playing Don Draper in the next sketch. Sketch the two a-holes which was really funny that's of course a Jason and Kristen vehicle he played a he had a very brief appearance as John F. Kennedy in another sketch but you can kind of I think watching this episode they're kind of ramping John up a little bit he played Don Draper a second time but this this one was a littletwist on it so Don Draper's guide to picking up women Jamie is a pre-tape it's one that that did stand out to me I know it was very very beloved amongst SNL fans. He's playing Don Draper again, but this time it was more fun and comedic. It was a twist on Don Draper. When asked about your past, give vague, open-ended answers. [27:43] So Don, tell me about your family. Any brothers and sisters? There was a man with bright, shiny shoes. I saw him dancing. Until the accident. [27:59] How mysterious. Yeah, I love this one. I think this is a fun just ode to Mad Men fans or just something that they will extra appreciate and, I mean, hopefully has a little bit broader appeal as well. I think some of the jokes work regardless, but I think especially for folks who know the character of Don Draper, there's a little bit more to the laughs on this one. So I love how he's basically kind of going through all of the different steps to, as it says, his guide to picking up women um all of the things that are just kind of a little bit ridiculous abouthis character or memorable so things like when in doubt remain absolutely silent which again on mad men you see that he is just this kind of stoic person especially in the early seasonsand just the women and the affairs come from every every angle and just like the reaction that like every woman has around him. Another one of the steps being like, have a great name. You have the context of like the ridiculous name coming out. But yeah, this was just a fun. [29:09] Fun way to kind of give a little bit of love to the Mad Men fans while also I think putting in something that anyone can appreciate. Oh, you're absolutely right. And I was in I was in the camp of not being a Mad Men fan when I first saw this. But I knew I mean, there are once you watch Mad Men, there are Mad Men specific things that are funny. But when I first saw this, I wasn't real familiar with Mad Men. So to me, this this sketch really just like it did convey just a good looking guy who doesn't have to say anything to pick up women essentially and so there's that joke as well so you're rightlike it's for mad men fans but it was for people like me at the time who was not a mad men fan so this this was that's good writing and and good acting uh by john and we'll see like that'sjust a common thread throughout all his sketches like he's just such a good actor he's just such a presence on screen he's has like total command of the material agreed agreed yeah This isa fun one. The next one. So we kind of are going chronologically well because this is such a fun episode. It is. And this next one possibly is the highlight for me of the night. I think with Vincent Price's Halloween special. So John plays James Mason, who was an old British actor. He was in the Stanley Kubrick movie Lolita. And I had to look up Jamie James Mason interview because I wanted to compare. And John was pretty spot-on. [30:38] No spaceman costume, James? No, didn't even open the box. Too old-fashioned. The suit was too old-fashioned? No, I had two old fashions and I couldn't open the box. I've been drunk since 11 a.m., Price. Please, James, family show. Understood. Say, where are the hordes? Cheesy, crazy, James! [31:00] He had the cadence down. He had a good British accent. like this was a really this is like it's probably a deep cut impression but John Hamm's James Mason impression was reallygood playing opposite of course Vincent Price Bill Hader's character and then Kristen Wiig was playing Gloria Swanson from Sunset Boulevard this is set in the late 50s so what did youthink of John actually playing doing an impression like playing a character and not himself or Don Draper yeah I love that like the episode starts to like pivot in this direction right of justlike allowing him to do even more I feel like second half of the episode it's like all bets are off we'll let this guy just be be totally wacky and going beyond the the Don Draper sketches thatwe kind of had to start off so yeah I think this one is really just like a fun ensemble sketch for me right you have Fred as Liberace you have kind of Bill kind of coming it being like raisedI don't know if it's a platform or what but like starting off the sketch with like a little little bit of a gag, just kind of being frustrated that that device is not working as expected. [32:09] You have a little bit of everything, and then you have the impressions. I was not familiar with James Mason, so I had heard from folks that he did a great job with this impression, but it wasn't one that when I first saw it, I was like, oh, it's that guy orwhatever. But for me, even without that, just the line delivery and that drunken cloud over his performance in the best possible way just made it super fun. And he has a lot of great lines. The, hey, where are the whores? Just kind of like coming in. He absolutely was having fun. And it's fun to see somebody like Jon Hamm. He was playing in the SNL of the time. Because this was already a fun, this Vincent Price Halloween special. [32:55] It was either a recurring sketch at this point, or it ended up being a recurring sketch. But this was part of something that a lot of people liked about this part, this era of SNL. So it's fun to see John play with like a recurring sketch. [33:10] But it's always really neat to me, too, to see a host really pull off an impression because we expect our cast members to do that because they're on the show. This is what they do. But to have a host come in and have an impression and really pull it off. And that's what you see from a lot of the greats. Like Alec Baldwin has a handful of impressions that he was really good at. Not Trump, but stuff like Tony Bennett, stuff like that. That, like, Alec Baldwin had his forte of impressions. It looks like Jon Hamm. He probably, I wonder if Jon Hamm randomly told them, like, I can do a James Mason. So what I read about this, and someone might need to fact check me on it, but that he was supposed to be Dean Martin, I think, but then it got changed at the last minute. I don't know the why. I think it was, like, Lauren saying to change it, and he suggested that he can do James Mason. What's his name mason james mason um so i feel like that there it sounds like was an element of him suggesting it um and he does it i mean it's it's great yeah i think this might have beenhis best performance of the night for me just because of like the degree of difficulty for a host to do something like this uh the the next sketch i think is probably the most memorable interms of just the snl community at large yeah from this episode and we had a lot of this around around that time we saw like a play on the host name. So we saw like Peter Skarsgård, Sarsgård is a famous one. [34:39] So playing off the host name and creating a product and it's such a dumb idea, but it does work for me. And especially the delivery. So we have Jamie, Jonhams, Jonham, what a product. Tonight I'm here to talk to you about a product that doesn't need any glitz or gloss. It's a product that speaks for itself and I'm proud to endorse it. John Hamm's John Hamm. And you can eat in the bathroom. [35:07] Let's face it, we live in a fast-paced world. But if you're as busy as I am, every day you have to make a decision. Am I going to eat lunch or am I going to go to the bathroom? Now you never have to make that choice again. This is probably, across the three episodes that we're going to talk about, this is probably my favorite in terms of like you just may makes me laugh the most when i watch it right like idon't know what that says about my brand of humor but i something about just the toilet paper rolls of ham and like his commitment as he's eating this probably disgusting prop ham hamright um but yeah i just thought this was silly well executed fun um it's not super long it's not like he has this crazy amount of stuff that he's saying or doing but the line delivery of evenjust like when he's like now that's good ham just the way he says some of these things i I feel like brings the laughs. And when we talk about Jon Hamm and Hall of Fame and just his legacy as a host, I feel like his ability to take great material and elevate it is what I look for in those elite caliber hosts. [36:28] And this is one that I think actually showcases that really well. You're so right. He speaks with such gravitas. And that's what this sketch means. and I love that I'm a sucker for that when when it's really dumb material but it's presented in such a grand way with again with such gravitas like it's justlike that funny dry delivery of something so stupid I love too that they even called out the name thing he said I bet you I bet you're thinking that I'm only endorsing this because my name'sJon Hamm and this is Jon Hamm Then he had to explain how his name's spelled and it's not spelled that way and all that. So I love like taking. [37:10] Taking that idea for the sketch and really like putting it under a microscope and saying no i know i know that i'm up here because it's john ham and my name is john ham but here'sthe deal i'm not i believe in this product so he had to really deliver that like really straight like this is so, fantastic and this is another example like so this is toward the end of the night andwe're seeing like him get more responsibility in sketches as the night goes on i think there there really is like this upward trend of how much responsibility they're going to give Jon Hammthis episode. Yep. No, I, I love, I love that kind of flow with this episode. Like you, by the end of this episode, you really see like this, this guy can do comedy and like, you're not even that surprised by it anymore because he's just such a natural and he's justkilling it left and right. So yeah, I, I really liked the progression of this episode. Yeah. And speaking of gravitas, the last sketch, It's actually like a three-part runner, but they're back-to-back-to-back. Pat Finger. Hi, I'm Pat Finger, and I'm running for city council right here in beautiful Butts, New York. You know, I grew up here in Butts, so I'm very familiar with the sights, the sounds, and the smells of Butts Valley. In other words, I'm deeply concerned with what's going on inside Butts. I promise to improve our bridges and roads with a special focus on repairing potholes. I vow I will do everything in my power to plug up each and every butt's hole. [38:39] If there's one thing I know, it's this. To get these things done, you're going to need a finger and butts. [38:47] Cast your vote and put a finger in butts. Paid for by the committee to elect Pat Finger for city council. Would you vote for Pat Finger, Jamie? I mean, those ads were so convincing that I don't know how. The name change might confuse me a little bit, right? Like, it might get to me. But, no, this, I mean, we were talking a little bit about just, like, silly, dumb humor. And so we're, I feel like, doubling down on that with this one to end the night. But it's fun, right? I mean, it's basically a bunch of, like, finger and butt jokes for however long this goes on. Um but i i love that again he keeps a straight face pretty well like he's literally just giving the most childish lines and innuendos throughout and the fact that it's john ham makes it thatmuch funnier that this kind of larger than life guy type of personality is doing this kind of sketch sketch really makes it work. [39:48] Yeah, I love childish things that are said with such commitment and gravitas. John Hamm, more than most, pulls that off so well. He's running for mayor in a town called Butts. His name's Pat Finger. Of course, you can see where some of the jokes might go. He changed his name because I love the progression, the escalation of these sketches. So it was three consecutive commercials for Pat Finger, who is running for and i love that that he realizes why people weren't taking him or the ad seriously so he kind of like became self-aware and of course you know he changed his name to his mother's maiden name which was a cajun name uh deldo so yeah so that's just sort of like the cherry on top of of all the childishuh wordplay that john just sells so well like i'm a sucker for this probably Probably because of his delivery. Like, Johns is such a good actor. He made this type of material work. [40:46] No, absolutely. I feel like it was a perfect matchup of the right person to be doing this, this type of sketch. So yeah, this, this was a fun way to end it. So this type of so you're if you're watching this type of episode, as it's as it's going on, like your reaction after it ends as an SNL fan, are you just sitting there going like, dang, like, thatwas impressive. Like, what's your reaction after this type of episode, especially from a first time host? Yeah i mean i think for for me it's again if you had any doubts that this guy if you had seen mad men a few times or kind of starting to hear about this john ham guy doing some greatacting over on amc i feel like any of those doubts at this point are gone and you're like okay this guy is the real deal he is i mean a legitimate great actor but also just fun and willing to todo a bunch of of silly stuff. I think we see some of the silly stuff even elevate in the next few episodes, which we'll talk about. But I feel like by the time this is over, you're like, okay, this guy just talked about finger and butts for three minutes. [41:56] He's he's in like, we like this guy, we can have fun with him. He can come back. He's in. And he made an impression on the cast in this episode. Amy Poehler, I don't know if you've read her book called Yes, Please. I haven't. I haven't read it yet, but it's on my stack that I need to read. Okay, I'm going to spoil just a little bit for you. Yes, that's all right. I can handle it. So she had a funny story in her book about Jon Hamm's episode and about him in particular. So in her book, Yes, Please, she said that during Jon Hamm's first hosting stint here, she was pregnant and she was very close to her due date. And she called her doctor's office to check in with them. and the receptionist was crying and told Amy that the doctor had passed away the night before. [42:40] So this was on the set of a pre-tape that they were filming. I think it was the How to Pick Up Women pre-tape because I know Amy was in that one. And Amy started hysterically crying in front of everybody. So John went over to Amy, put his hand on her shoulder and said, in picture John Hamm's voice, he says, this is a really important show for me. I'm going to need you to get your shit together. [43:04] He told Amy that. Amy said she laughed so hard that she probably peed herself. And I know that that's something that John did to make her feel better and to kind of lighten the tension a little bit. And it was absolutely perfect. So if I didn't already think that he was funny just in real life and good on his feet, that Amy Poehler story about John saying that to her at that exact moment, it's like left no doubt in mymind. I don't know if you've ever heard Amy tell that, but I love that story. No, that's amazing. And again, you hear that story in his voice, which just makes it even better. Yeah so he yeah he left an impression on amy poehler left the left an impression on the show itself because this was season 34 that he did he had his first hosting gig season 35 it doesn'ttake him long to come back it's just a little over a year later season 35 episode 13 this was january of 2010 musical guest michael buble and that's important that michael buble was amusical guests tonight so we have Jon Hamm returning yeah second season in a row they must have really liked him so. [44:15] Yeah, this, his monologue, Jamie, he joked about playing variations of Don Draper in different acting gigs prior to Mad Men. So he's talking about Don Draper again in a monologue, not taking himself too seriously again. [44:29] It's always been a dream of mine to host SNL, and that dream came true last year when I did it. So honestly, this time it's really just for the paycheck. check i love that and i think with each progressive episode you just get the sense that he's feeling more and more at home and i feellike it seems like he had great relationships with the cast i don't know exactly the order of that if he had some connections with this era of cast first or if they developed as he was on theshow um but it definitely it feels like he was kind of intertwined with this era the like hater wig like that whole group of people he just fits in so flawlessly with this cast and i think thisepisode kind of his second episode hosting is where you really kind of start to see that it wasn't just kind of a one-off he did a great job and in his first time but he really kind of starts tofeel like part of the fabric of this era in a way that's that's kind of cool yeah i bet when the cast was told that john ham was going to come back they were probably like that's a great ideawe loved working with him last season so i bet a lot of them were really happy to have him back i have an important question for you jamie are you a fan of the movie the lost boys. [45:46] Not specifically oh man can i give a confession i don't know if i've seen it i don't know if i've seen it you know okay this is a safe space it's okay the movie came out in 1987 ohthat's where i was born oh my gosh i need to get on that yeah it's a good one the cory's cory hame cory fellman, they're both in that jason patrick's in that um also another person who's inthat is a gentleman He's a saxophone player named Tim Capello is in that. He plays a shirtless sax player in The Lost Boys. So he was the inspiration. I am sure, I'm 98% sure that he was the inspiration for Sergio. [46:32] So talk to me about this goofy digital short Sergio, Jamie. So much fun. um so basically have the guy who's getting cursed Sergio just keeps appearing in in being played by Jon Hamm in the most ridiculous ways just instantly silly right like wewere talking about the build up from the last episode of like putting Jon Hamm in these increasingly like stretch roles for for For him, this is just all in on let's have him play this characterwho is just hilarious. He's shirtless, right? Shirtless, shiny, kind of the hair, everything going. The absolute best part of this sketch, though, like the punchline at the end. I don't know if punchline is the right word, but kind of having him emerge covered in goo as the baby. When you find out the like whatever the good luck thing has been broken and so he'll be back but just one of my favorite like ends of a sketch in terms of just nailing that ending and inmaking it super memorable. [47:44] Earlier today, I accidentally knocked your good luck trinket out of the floor. I didn't know that it fell, and I stepped on it really, really hard, and I broke it. Sorry, don't be mad. No! No! Take her, and I just pull it. No! Here it comes. [48:16] Yeah john is really great at selling this goofy idea and i could just see andy and them telling him like we're gonna make you you know if you're up for it we're gonna make you justbe more goofy and silly and look ridiculous in your second time here because like we're not playing like we're taking some of the training wheels off and we're gonna have you shirtlessgyrating with the a saxophone covered in oil and goo are you up for it and john ham says yes i am up for it that's what i love about a good snl host we say we like to say this person wasgame and that person was game no doing something like this is game yeah yep next level game absolutely it's so it's so fun like he you get that goofball side of him yeah and i'm gonnaneed you jamie after we record to go on youtube and look up i think if you just search lot the lost boy saxophone player, you'll see the source material i am so curious now i did not knowthis and i actually need to watch that movie for sure when we stop recording i'm going to stay on with you and like i'm going to have you go on yes yes watch this okay i want to see yes ican't wait so that was sergio a lot lot of great this was a great episode like what else stood out to you here jamie yeah i mean i'll touch on this one just briefly but the the new senator onewhich is well it fits it's like yeah. [49:44] It's interesting to me in terms of like just letting him be goofy so this is one it feels like a very like dated of the moment reference it's talking about senator scott brown from fromMassachusetts. So as a Bostonian, that was my initial connection as well, who was like, I guess, known for being this like hunky kind of senator. I don't remember that being part of his aura, but I guess it was as kind of the basis for this sketch. And he's played by John Hamm. And you have each one of the folks in the meeting and various political types. I forget who exactly was who, but they're all kind of envisioning him. And then you have kind of the Jon Hamm, I don't know, not cutaway, but like the little person hovering on the screen. I don't know what the technical term is for that. But in all of these different. [50:35] Costumes outfits just dancing gyrating at one point he's in like a a flapper that was my favorite dress right yeah um so i mean it's it's a sketch that like yes feels very much a productof that moment they mentioned the scott brown thing literally during weekend update in the cold open of this episode so like this must have been a big story this week for some reason umbut taking Taking that aside, I feel like just what he did in that sketch was really fun to me. [51:06] And again, makes it very clear from the first two or three sketches that like this guy is here to just have a wild good time with us. Yeah, it's his second sketch in a row where he's dancing around shirtless. Yep. [51:21] So, you know, he was just completely up for that on this particular evening. [51:26] Yeah, and the way he played it too is Scott Brown. he would walk in like oops i accidentally walked into the wrong room and then he would on like flirt with one of them yep just tokind of like get and he would like flirt with each of them individually he knew what he was doing uh but uh yeah so i think i think this does like with this one in sergio there is thatcommon thread yep yep of that yeah um i guess we are gonna maybe go a little bit chronologically uh the next one is one of my favorite recurring sketches from around this time uh gametime with randy and greg like do you remember these when they were so goofy wonderful bill hater yeah showcase but john plays he plays an alien bill bill hater plays an alien he playsgreg who's quote unquote not an alien but he is but john matches bill so well playing playing a an alien in this sketch jamie i mean bill hater like one of the all-time time greats just so soincredible to be able to play. [52:27] With and play off of bill hater in the way that john ham does in this sketch was really impressive to me like there's a a moment or a few moments actually where they're almostdoing like synchronous movements together in like full alien style and i thought that was really well done um as they kind of keep multiplying and we We have four Greggs and then eightGreggs. It was a zany, fun sketch, I feel like. [52:57] It's cool seeing Jon Hamm too with some of these different pairings. And again, we talked about how he fits into this cast so well. But yeah, any time throughout these episodes where he's with Bill, I just love that. Because I feel like they have this energy or just something with their different comedic styles that just works well for me. So this was a fun one. Yeah, a comedic genius like Bill Hader sees Jon and trusts him as a comedic actor and a scene partner. So that was very obvious here. It was obvious in the Vincent Price one. It's just obvious how much trust that the cast has in Jon Hamm to pull off this material. I love when he and Bill Hader's the aliens. They're looking at that globe and the caller's like, oh, that's not good. They're talking about doing stuff to the earth. That's classic alien. [53:48] I love these sketches and Jon Hamm just felt right at home. Because i think they did these like three or four times and all of them were like five star solid yeah yep no this was this was great yeah i have a feeling that you love the next one too andthe next one might might be my favorite john ham sketch okay on snl so i'm gonna let you start start talking about it yeah so i assume we're talking ham and bubbly absolutely yeah so thiswas the you'll have to help me with the details here restaurant is supposed to be a restaurant was the the vibe right yeah john had an idea that he pitched to michael buble at a party whenhe was a little drunk michael buble sings he gives the backstory in song form so this is supposed to be be a restaurant yeah yes and the entire sketch is essentially sung to the tune of i justhaven't met you yet maybe little breaks throughout but you kind of get that whole like michael buble and and first of all like love the when you have the musical guests kind of coming inum to to have fun and and to be such a crucial part i feel like sometimes you have the musical guests coming in and they maybe say a line or they get to say that they were in a sketch butum i love that he is such an integral part of this and by the end you have michael buble basically admitting that he's been taking captive and asking for the police to. [55:15] Get involved it's a lot of fun. [55:18] Seeing kind of this side of john ham um in. [55:22] In this one yeah john is perfect as like this intimidating guy or this like low-key sinister guy like he's trying to like have a have a smile on his face and say hey come to ourrestaurant that serves champagne and ham and pork products and yeah bubbly and I just love like you see the intimidation you see you see that side of him in little spurts. Good evening. I'm Jon Hamm. If you're looking for a romantic night out at a restaurant that specializes in pork dishes and fine champagne, then look no further than Hamm and Bubbly. [56:02] It's actually pronounced Bub-lay. Well, Bub-lay doesn't work, so now it's pronounced Bub-ly. It's just like, this is played so perfectly. To me, this is one of my favorite sketches of that era, like 2010s, around that time. I just absolutely love this. You're right, Michael Bublé shows such fun comedic chops as well. This is a classic, in my opinion. Yeah, and I love just the interplay across these different sketches. You have him from an alien before to now this kind of intimidating guy holding someone else captive in this one. All of these different sides of Jon Hamm's character breadth that he can do. It's really fun. yeah this was great is there anything else from this episode that that stood out to you the only other one that i would give a quick shout out to is the the two-part closetorganizer. [56:57] Series um so this is super fun you have basically a ton of things getting thrown at the is it zipco is that the name zipco closet organizer yeah it's basically a guy in like a blue bluesuit will forte's character who's like just dealing with all this stuff kind of being thrown being basically the closet organizer marbles yeah pies pies yeah so it's it works on its own but ithink for me like seeing the second part was what made me really appreciate it so the second part being basically it seems like this random bar sketch you don't even realize at first thatThere's a connection. You have Jon Hamm, Will Forte sitting at a bar together, Jon Hamm recognizing and being like, oh, my gosh, you're that closet organizer guy. The guy from that wearing the blue suit and goes into this whole thing, finds out his name is Tarantino. [57:58] Fencing to and then like it becomes a whole a whole ordeal uh john ham's like asking him to do a little bit of his role and then you find out he like kind of wants to go over to hishouse or like meet up have him come over to like use his closet organizing services and the guy's mad that that's what everyone just wants to use him for and it's just fun right i feel likethey could have gone in the direction of just like giving us more of those like commercial spots but in 10 they Instead, they kind of like flipped it and gave us like the inside look at the guywho was in this commercial. So I thought it was a cool twist. [58:33] Yeah, I love when SNL does this and especially how they did it here. So I like runners in general, but you're right. This was like a different, this wasn't just a second closet organizer commercial. It was like that we've already established that there's a commercial. Commercial now we're gonna see the guy who play who was in the closet organizer commercial just add a bar somewhere that that was like perfect john it's kind of funny because in thefirst one john just played an actor who gave a testimonial that had nothing to do with the product so it was kind of like a non-sequitur testimonial so then john is in the second one uh asyeah you were as this person who's like and at first he said oh we can come we can hang out we can play video games we can let me have fun and then maybe you can help me organizemy closet and will forte is like oh Oh, there it is. There it is. [59:21] So it's a great acting by John. Just the perfect, like when he's revealing that Will Forte is the closet organizer. He does it in just such just a... [59:31] Great timing yeah great delivery in that reveal so that's something that's it that was again i'm saying this a lot but that was a very memorable sketch amongst snl fans around thattime and john ham again part of it so again so you two we're two for two as far as like would you consider this like a classic snl episode absolutely um honestly both of the like these firsttwo episodes like i was trying to think like of the three which are my favorite it's either number one or number two but I keep going back and forth like yeah I think the the first oneprobably had my favorite like sketcher moment with the like Jon Hamm's Jon Hamm but this one like from a consistency standpoint I feel like had a lot of just classic really great sketchesso it's kind of like it's it's hard to pick between these two yeah I think they're pretty equal I think Jon was given a little more responsibility in the second one yeah so if we're talking JonHamm that might edge it out for me but to me honestly these first two john ham episodes are two classics from the era agreed not a lot of not a lot of hosts get one classic much less twoclassics yeah agreed yeah and so and we really only see like the best of the best hosts on three seasons in a row so like john goodman was on a bunch of seasons or i think alec baldwin hashad stretches where he's hosted hosted uh through like three seasons or more in a row john does it this time so he's. [1:00:59] Hosted season 34 35 he's back it's for. [1:01:02] Season 36 like jamie is this a clear sign that the show holds john ham in like rare. [1:01:09] Like high regard yeah absolutely i feel like at this point it's like okay people want to see this guy back clearly gets along well with the cast i feel like just in all directions you seehim kind of fitting into this era of the show like we talked about before so. [1:01:28] Love the the three and three seasons i feel like it also allows us as viewers to kind of feel like you're getting to know the host a little bit better right like sometimes there's these bigbreaks between when a host will come on which is all right as well but i i do think there is something to be said for like really feeling like okay here he is he's back again let's see let's seewhat he's gonna bring us this time yeah this is october 30th 2010 so two in the same calendar under a year too he had two hosting gigs in 2010 so that that's quite the accomplishmentmusical guest Rihanna uh this one had some good uh John performances there are probably a couple of kind of standout things that John did I I agree with you though like I think this onewould be probably a clear third if we're kind of ranking the episodes I think this one would be a clear third but what like uh what do you want to um kind of highlight from from this thirdJohn Hamm episode yeah so i think for me like the monologue was interesting actually on this one because he specifically calls out like the progression of his nerves and how much lessnervous he is at this point or i guess he says only slightly less nervous but um at this point it's season four of mad men i think he shouts out so um still does a few little like connectionsand he's basically like giving slogans or marketing visions for various products with kind of different cast members chiming in. [1:02:53] So I thought that was kind of a fun way to like give us a little bit of Don Draper, Mad Men stuff without it being like entire sketches worth. [1:03:02] And you know, one of the many benefits of being on Mad Men is getting to know the world of advertising. [1:03:09] It's funny, but playing Don Draper has made me think about ad campaigns a lot. Sometimes I'll be walking down the street and I'll see a product and a slogan will just pop into my head. Here, I'll show you. Someone name a product. [1:03:24] Um, it can be anything, uh, purses, purses, uh, water purses, uh, they're for ladies to hold things. Uh, but they're more than that. Um, purses are the things you need for the small trips in life. They're, uh, Oh, I almost have it. Uh, every day is a secret vacation with your tiny lady suitcase purses. Not bad, right? I enjoyed that. Um, I think that was probably probably the best monologue of the three. Yeah, yeah, for me, it was. Yep. And I think, again, it's maybe also my bias of just by this point, you you know, him, you are like, Oh, my gosh, Jon Hamm, here he is. And you're just kind of ready for for him to kick things off and and get into some actual like funny material. So I like that we got that in this monologue. Yeah, definitely. So he did another Vincent Price, which he played John F. Kennedy, I thought that was pretty cool to see him do a character, do an accent. Another guest. Who could it be? [1:04:28] Well, it's none other than Democratic presidential nominee John F. Kennedy. It's good to be here, Vincent. And who's your friend? Oh, well, you told me to bring candy, so I'd like to introduce you to Candy DiCenzo of the Reno DiCenzos. You're so funny, Johnny. My God, man, you're running for president. Oh, don't worry, Vincent. She's just my campaign manager. Oh. And also a prostitute. Oh. How was Jon Hamm's Boston accent, Massachusetts accent? Um, oh, all right. I'm a harsh critic of Boston accents. Yeah, that's why I was asking. Yeah, you're like, yeah. It wasn't bad. I'll tell you what, if I notice it being bad, that's when it's like, oh my gosh, like when it feels like someone's trying too hard. I feel like it felt pretty pretty natural um it didn't distract i feel like from what he was doing either so yeah it worked it worked for me yeah so another uh fun installment of vincent price'shalloween special uh yeah what what did what did you want to highlight from this yeah so let's see the back to the future uh dvd spots were kind of fun um so we have just so manydifferent different impressions like. [1:05:45] 10 or more. I forget how many. There's so many, so many. But again, like John Hamm kind of being part of it as well with Robin Williams. Robin Williams, take one. Marty, it's getting heavy in here. Oh, yes. Oh, 1.21 gigawatts. Yo, Marty, Libby, we got to get the hell out of here. No, Marty, we got to harness the lightning. Woo! Praise Jesus. Oh, the space-time continuum, Did you get it? Oh, Mr. Happy thinks so. [1:06:19] That was surprising to me. Out of all impressions that Jon Hamm could do, like he broke out a Robin Williams. I know. Yeah, that was really surprising. I think it missed a little bit of manic energy. I think he could have maybe, pardon the pun, I'm thinking he could have hammed it up a little bit more. But like, it wasn't bad to me. And I have respected that he tried a Robin Williams. Exactly. Yeah, I feel like the impressions from these, like, there was the whole gamut. We had, like, an Eddie Murphy and Al Pacino in there. Some were great, some were just okay, as it always is, I feel like, with some of these, like, impression-based sketches. But I love that he just got right in on the action, and it was fun. I, again, props to any host that'll just jump right into the impression game with everyone else. Yeah, yeah, exactly. And this third episode for John, you could tell he was just like, I want to have fun. I'm just gonna have so much fun. I'm less nervous than I was before. And I want to do some really goofy stuff. He did one right after that Back to the Future DVD anniversary thing. It was he played the husband of a woman who was auditioning for I think was Kristen Wiig, who was auditioning for some roles. And he played this husband who was advocating for her. I'm sorry to interrupt, but I'm her husband. I just have to know how this is going. Oh, he just told me. I didn't get the part. It's done. [1:07:48] Well, you are making a huge mistake, sir. Sandy, please. No, I want to do this. [1:07:53] This woman isn't just my wife. She is an actress. She is a masteress of her craft. Are you insane in the membrane? [1:08:04] Insane in the brain? You guys got to go. First, let me ask you, sir. Have you seen this woman's Stanley Steamer commercial? Sandy, don't. Let me remind you. That was such fun, like, dramatic, over-the-top dramatic acting by John. I think this was where he was, like, really well utilized in this episode. Yep. And it's interesting. Like, we were talking about episodes one and two, maybe, if you had to rank having more of the, like, classic sketches. But I felt like this episode had solid sketches. It had him doing different things in ways where, like, he understands the assignment and does it extremely well. And I think having somebody who can do that, not every sketch across somebody's hosting career is going to be a put it on the DVDs, like, best of all time kind of sketch. [1:08:56] But I feel like with, like, across all that he's doing, like, he does a great job with the material he's given. And there were some fun moments in this episode, too. Yeah, he gets to have fun with the cast. He gets to kiss Jason Sudeikis in a sketch, the highway cops one. Yep, yep. I really also liked the I didn't ask for this one, where you have kind of all of these different people who became famous for, like, bad reactions to things on the Internet. Or you have, like, one guy who, like, reacted to an internet jump scare video and, like, wet his pants and punched the laptop and was coming onto the show to talk about that. And you have Kristen Wiig, who was, like, stung by a bee and it got, like, remixed into some ridiculous thing. And then you have Jon Hamm coming in as a guest on the show who was like this absentee father who reconnects with his son and then has this viral moment where he just like sobs inthis really like ugly cry but also like makes a really weird noise while he's doing it kind of way. [1:10:17] Then it kind of becomes a whole thing where they all start laughing at him on the show itself, and then he does it again. Which, again, just like if you look at the Jon Hamm part of that sketch, I feel like he was just doing crazy things, making weird noises and weird faces, and didn't care, and just having agood old time with it. So I liked his role in that one. [1:10:41] Yeah, me too. I did like that one. Even if it's not A-plus material, you know Jon Hamm's going to go for it. Right, exactly. And that's what I like. You know you're going to get a solid Jon Hamm performance. So all in all, three episodes, two classic episodes, I think we're in agreement about that, and one good episode. [1:10:59] Yep. I think that's a really great hit rate for three episodes. Absolutely and I mean he has that up for anything vibe honestly in all three episodes to me you definitely see the progression of how they use him and kind of trying out different thingsbut honestly like throughout all three I feel like he exudes that energy he kind of brings both the the seriousness in in some of the sketches but also that goofiness and humor to others andAnd everyone loves seeing that person they know from the prestige drama show come in and do absolutely ridiculous, wacky things. And I feel like people had a real taking to him. Like, I've talked to some people who actually were surprised that he's not a five-timer, thinking that he's hosted the show more often than he has just because his impact when he doescome on is so memorable. And you do associate him with classic sketches. And I think also the fact that he did a couple Halloween episodes, I feel like there's this association of Jon Hamm and Halloween sketches. And I feel like he had that impact that makes it even feel like he hosted more than the three times to me. Yeah, that's a mark of a potential Hall of Famer is an outsized impact relative to how often they hosted the show. That's a really great point. So after Mad Men, he hasn't been in anything as the lead that's really hit. [1:12:29] He's made a lot of great appearances. And like you said, Unbreakable Kimmy Schmidt, he was in Top Gun Maverick, which I love. He was like seventh on the call sheet, probably in Top Gun Maverick. So he's appeared, he appears in a lot of things, but he hasn't had that hit yet. Like mad men so i'm wondering like do you think it's possible that we could see john host again or was he just kind of specific to that era of it's so interesting because we do see him popin still from time to time right like he is somebody who i feel like is just like has fun with the show and is like hey you want me to come do a cameo come be in this one sketch like Like,I'll do that. That's so cool. He was in that Manning cast. Yes, I loved him in that, actually. Yeah, I really did. [1:13:19] He played a politician. Who did he play? I remember he played a politician that was like, it was like a soap opera political sketch. And he had like a love affair with AOC, who Melissa Villasenor played. But Jon Hamm just randomly appeared there. So you're right. He has made appearances here and there. Yeah. I also heard that apparently when Lindsay Lohan was host, he was the backup host on call for if she could not perform her duties. And I think he came in on the episode. I'm not 100% sure. But he was like on deck in case that did not work out. [1:13:51] So I feel like there is this relationship that he seems to have with the show of like part of the gang had strong relationships, I think, with that like late 2000s cast. But also seems to have maintained connection with the show overall i would not be surprised if we saw him again i was surprised that we actually didn't see him so season five of fargowhich i have not seen yet i'm still catching up but i've heard great things about him on that and i think somewhat of a lead-ish role so i was wondering if there if that might tie in um butyeah. [1:14:27] I if i had to bet money on it i would think we might see him again but it's also a little weird that it has been so long so um so i don't know yeah it could go either way on this onebut i hope if he has like a big like starring like movie role or big tv role or something that he's really trying to promote that that we can't count it out entirely yeah he's one of the one of thehosts that i want want to see return the most honestly yep yeah yeah i want to see i think it would draw great ratings i think people would love it like people i think at this point associatehim as this host that when he comes on it's a great snl episode so i think it would be a great move if if they do find out a way to to bring him back at some point yeah i agree and just kindof sum it up so So Jon has only three hosting stints, as we've mentioned. [1:15:23] He didn't rack up the numbers like some of the other greats. But why do you think voters should look at Jon Hamm as a potential Hall of Fame caliber host? Yeah, for sure. So I think he, to me, feels connected to the DNA of the show. And I mentioned that before. [1:15:41] Specifically in the era he was on, yes, but also the fact that he has had cameos and appearances that extend all the way to the present era. I feel like he has that relationship with the show and the impact on the show. I think his chemistry with the cast feels extremely natural. You really see that, I think, in all three of the episodes that he has. He's somebody that has multiple classic sketches, but more than that, I think he actually helps create the greatness in those sketches. So he takes great writing, great material, but then brings his own comedic chops to that. And he kind of leaves that impression of somebody where you're like, oh my gosh, I love seeing what he can do from a comedy perspective on a show like SNL. So like I said, he's the kind of person where I think his reputation as a host is extremely strong. When I talk to people, there is that sense that he did even more than the three that he's done and that when he is on the show, people want to watch. So to me, that is a Hall of Famer. Track 2: [1:17:08] So there's that kudos to jamie burwood and thomas for opening my eyes to the snl hosting career of john ham i really like the idea that he brings the greatness to sketches sketcheseven as a host, which is ideally what we want a host to do. Let's listen to one of those sketches now. And hear the greatness of Jon Hamm. Track 5: [1:17:46] Hello, I'm Jon Hamm. You know, ad executives are always trying to find new and exciting ways to present products to the American consumer. Well, tonight I'm here to talk to you about a product that doesn't need any glitz or gloss. It's a product that speaks for itself, and I'm proud to endorse it. Jon Hamm's Jon Hamm. And you can eat in the bathroom. Let's face it, we live in a fast-paced world. But if you're as busy as I am, every day you have to make a decision. Am I going to eat lunch, or am I going to go to the bathroom? Now you never have to make that choice again. Each John Hamm's John Hamm dispenser is located opposite the toilet paper dispenser. You never get confused. And unlike other bathroom Hamm dispensers, John Hamm's John Hamm has only the finest boar's head oven-roasted Hamm. [1:18:44] Mmm. That's good ham. Now, I know what you're thinking, that I'm only endorsing John Ham because John Ham is also my name. Well, you're wrong. You're dead wrong. First of all, my last name has two Ms, and second of all, my first name doesn't have an H. Feel like a dummy yet? Because you should. If you order in the next five minutes, you'll get a free dispenser of John Ham's mustard soap. It's a delicious mustard that has no soap properties at all. And if you're wondering... It tastes great on ham. So what are you waiting for? Don't find yourself on the toilet craving high-quality ham slices. Tell your boss to order one for the office today. To order Jon Hamm's Jon Hamm, call 1-800-555-0199 or go to our website, jonhammsjonhamm.com. And remember the Jon Hamm's Jon Hamm motto. If it feels like a slice of ham, don't wipe your ass with it. Track 2: [1:19:48] That's fantastic uh you might remember that sketch uh when it aired it uh it was it was great then and it's great now listening to it it's very very funny so is it funny enough to landjohn ham into the snl hall of fame well that's not for me to decide that's for you to to decide. When we open voting after the roundtable episode, you will be able to vote your favorites. You'll have 15 votes to cast and there's quite a few people that are going to be on this ballot. You've got some tough choices to make. Are you a small hall person? Are you a big hall person. It's going to depend on those types of things as to who gets in. The hosting category is relatively slim at this point, but there are some surefire Hall of Famers. Well, of course, they're surefire Hall of Famers if they're in the Hall of Fame, but you catch my drift. [1:20:56] Anyway, next week we have a fantastic show for you. Our nominee is going to be Emma Stone. So this will be the third host in a row that we are discussing. Where does Emma Stone fit in with that triumvirate? You'll have to, uh, listen and decide for yourself. She will be, uh, nominated by special guest SNL stats guru for the Saturday night network, Mike Murray. So definitely download that episode, download them all rate review, share, subscribe to all your friends. And, uh, you know, get involved. [1:21:38] That's all I've got for you this week. So if you please do me a favor and on your way out, as you pass the weekend update exhibit, turn out the lights because the SNL hall of fameis now closed.d Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Anne Hathaway | 11 Mar 2024 | 01:13:20 | |
This week on the SNL Hall of Fame podcast we're joined by first time guest Kaleena Steakle to discuss the merits of Anne Hathaway in the Hosts Category. Please rate and review the show wherever you get your podcasts. Transcript: [0:42] Thank you so much, Doug DeNance. It is a thrill for me to be here with you all this week inside the SNL Hall of Fame. Before you walk inside, though, if you could just do me the simple favor and wipe your feet, honey child. That's what I'm looking for. So, clean shoes, clean souls, Clean eating Clean living Clean SNL Hall of Fame. [1:16] The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host musical guest, or writer and add them to theballot for your consideration, Once the nominees have been announced, we turn to you, the listener to vote for the most deserving and help determine who will be enshrined for perpetuityin the hall. That's how we play this game. It's just that simple. So I'm pleased that you're here with us this week. I'm here that you're pleased with us every week. But we have one heck of a show this week for you. I hope you have battened down the hatches, as it were, because business is about to pick up. Now, I am a little out of breath here as I walk down the corridor past the weekend update exhibit and oh there's the uh unfrozen caveman lawyer exhibit uh a real a real great one if you getthe chance to see it here, but where i'm actually headed is the intersection of two walls meeting and forming a corner and we We call that Matt's Minutia Minute Corner. And, you know, let me go get them. Track 3: [2:36] Matthew, my young boy, how are you doing today? I am good, thanks. And I'm good. And you, my good man? Uh, you know, I got a little case of the gout, but it doesn't stop me from wiping my feet. So I'm, you know, I'm relatively happy with that. That's good. Hopefully I'll be able to cheer you up a little bit with some trivia. I would love to hear about Anne Hathaway. Terrific. Well, she is five foot eight, born November 12th, 1982. 82. She was named after William Shakespeare's wife. Her family are theater fans. She is a native New Yorker and was a theater nerd growing up. She attended Brooklyn Heights Montessori School and Wyoming Elementary School, taking part in high school plays before going on to attend NYU. She is the granddaughter of radio personality Joe McCauley, and her mother, Kate McCauley, was an actor and singer who performed in the first touring company of Les Miserables,which Anne followed her all along the entire tour at the age of eight, which is when she fell in love with the stage. I guess so. Yeah. So as a teen, she was cast as Get Real for her first appearance. [3:55] Followed by her big breakout in The Princess Diaries. She grew up actually wanting to become a nun. And as the husband of a Catholic, I can say about 80% of Catholic girls, I think, for the first 10 years of their life want to be nuns until theyfigure out what it involves. [4:14] She re-evaluated her relationship, actually, with the church on finding out her brother was gay at the age of 15. And her family left the church at that point. Oh, she is the first and only teenager ever admitted into the acting program at the Borough Group in New York three days before getting cast in the TV show Get Real. [4:38] She's performed in two Carnegie Hall concerts as a high school honors chorus member, was almost cast in the Phantom of the Opera movie, but was unfortunately able or I don'tknow, maybe fortunately for her, unable to perform in it due to conflicts with filming of The Princess Diaries 2. She has gone on to 56 acting roles, eight producing role credits. [5:02] 17 soundtrack credits, currently has four upcoming films. She's been nominated for two Academy Awards, three Golden Globes and a BAFTA, as well as having won one Oscar, a Golden Globe, a SAG, a BAFTA and a Primetime Emmy forOutstanding Voice Over for her role in The Simpsons in 2018. She was named the hasty pudding woman of the year by harvard and her greatest honor is being one of the first 50 nominees to the new jersey hall of fame for just being cool and from thegarden state she is actually she is only one of eight perform uh at women to have won an oscar for a musical and in 2011 two-handed the oscars with james franco who was a jerk to herthe entire Yeah, so the one thing I really found out when looking into Anne that I found hilarious was when she got her big break for the Princess Diaries, she auditioned on a stopoverwhile traveling to New Zealand to film The Other Side of Heaven. She met Gary Marshall partway through the flight during a stopover, and she was so nervous, she fell off of her chair during the audition. [6:18] And she just kept her composure so well, he thought it was a bit, and he cast her on sight. He cast her immediately at that point. So she rolls with the punches. Yeah, she rolls with the punches. Yeah. [6:32] Well, I wonder what she'll do if she gets handed one of the prestigious plaques from the SNL Hall of Fame in the hosting category. I think she will put it in a place of prominence. I think you're right. Right up on her mantle. Well, what do you say we get this show on the road and go downstairs to Thomas Senna in conversation with Kalina Steckle? So let's go down into the bunker now with the two of those folks and hear what they have to say about Anne Hathaway. Track 4: [7:28] All right, JD and Matt, thank you so much for that introduction. Great, as always, a lot of great information about our nominee today, Anne Hathaway. And to talk about this great host, Anne Hathaway, this awesome three-time SNL host, we have a first-time guest here on the podcast, somebody who I'm really excited to have join us. Youprobably heard her. She's been a regular on the Saturday Night Network over the past couple of years, doing various things with our friends over there at the SNN. [8:02] Kalina Steckel, thank you so much for joining me today. Kalina, how are you? I am great, Thomas. I'm so excited to be here. I'm so excited to be a first-time guest and so excited to talk about an amazing host. Yeah, this is going to be a lot of fun. Before we get to all things Anne Hathaway and SNL, I know you've been busy. Have you had a chance to jump on recently on the SNN? How's that been? in? No, I am criminally behind both on the current season as well as being a guest on the SNN. I've been very kindly invited a couple of times, but I have a crazy busy schedule and have not yet been able to jump on the season. But I'm hoping to change that over the next couple of months before they wrap up before the summer. We're all looking forward to hearing you back on the SNN. Your insights have always been very much welcome. And we're very honored to have you here as a guest to talk about our nominee today for the SNL Hall of Fame, Anne Hathaway. So Kalina, since you're a first time guest here on the SNL Hall of Fame, we'd like to give the listeners a little peek into kind of your SNL fandom and history. So tell us about your SNL fandom. When When did that start? If you have any particular eras that you consider like your era, like tell us about you and SNL. [9:28] Absolutely. I, well, I mean, first and foremost, I'm an actor. And so I've, I've been watching movies and television shows for as long as I can remember. And even though I did kind of initially maybe start in drama, uh, I also watched a lot of like Adam Sandler, David Spade, like Rob Schneider growing up as a kid. And I didn't quite know them with their SNL association, but I knew I liked their style of comedy. And it was really around, I want to say like 2008, 2009. And maybe part of it was just because of all the political kind of coverage going on. Maybe that's how I kind of became a little bit more aware of SNL. I started watching really religiously around that time. And if I'm not mistaken, I think that's maybe the same year that Anne Hathaway actually hosted. So she would have been one of my first hosts that I watched. And it kind of just started of like, I loved the the format, I loved the idea that every single week. [10:22] Countless people were coming together to create something new and fresh and topical and I'm a writer as well and I know how difficult it is to be bold and brave enough to like putyour ideas out there and to challenge yourself to be smart and like timely and and come up with something that's just so good that they're gonna put it on tv and all your friends are gonnado it and everyone's gonna laugh like it's so much pressure and I just could not believe that some sort of institution still existed where every week that's what people were doing so I thinkhonestly I was was just intrigued by the concept of what Saturday Night Live was. And then me being just such a geek and a nerd and like a movie aficionado, I was like, oh, then I can see these people that I love from these movies playing these really silly charactersand putting on costumes. And I can see people like Bill Hader making sounds and faces at them and making them laugh. And so it just became something that it didn't make sense how it wasn't already like a part of my personality. [11:18] And then And then very specifically, my friend and I like really latched on to Seth Meyers and we got obsessed with the goodbyes at the end of the show. And we'd be like, Seth seems like he gives the best hugs and just like little things like that. And so it just became a part of my staple. And it's been a steadfast, loving relationship ever since. Yeah. If you have any, I don't know if you going through Anne Hathaway's episodes, if you took note of the goodbyes, I kind of, I like to sometimes rewatch some of these these episodes. So if you have anything to say about the goodbyes, I'd be interested. If not, that's okay. But you're like me. I tend to really pay attention to the good nights and stuff. I'm always intrigued by that. And you as an actor and a writer, you have to appreciate the high wire act of SNL that goes into creating an episode. A lot of people, casual viewers don't seem to grasp how hard it is to put on an episode of SNL. You, I'm sure you appreciate that, Kalina. I do, yeah. I mean, even before, so I've been lucky to attend SNL, I think three or four times. And man, I mean, I know that especially if you don't live on the East Coast, it's such a privilege and a rare occurrence to be able to experience that. [12:31] But whatever you think, you know about how the show works. And then when you watch people do this over a 90-minute, two-hour thing, you're watching the crew come in andtear down and build sets so quickly. I'm also a theater kid. And so there's like an even deeper level of appreciation because I know what it's like where you have like 10 seconds with the lights down to build an entirely new environment and getpeople in costume changes and get them back on stage and ready to find their light. It's really phenomenal. [12:56] And when I lived in Chicago where I spent half my life as well as just various trips I would take to New York for a while I think around 2015 there was like a traveling SNL exhibitthat was going around and so you got to go and really see the insights and like the inner workings of like alright Thursday's is when they start set construction and it starts you know theselike warehouses out by the water and then you find out like when hair and makeup and the wigs start getting made and it's so intricate and it's like the phrase it takes a village doesn't evenseem to sum it up because Because it is hundreds upon hundreds of people who have to be so exact and so good at their job and all working in harmony. And if one person missteps, then there's potential for the entire thing to go wrong. And they do this live every single, like, I don't think people grasp that. It's in the title, but I don't think they fully understand it. So, yeah, like being in the industry, it's such an exciting thing to observe and be a fan of and get to see how it gets produced every week. Because it's the best of the best. That's that's why it exists and that's why it's so hard to become part of it. Yeah I just got chills when you were describing it. I was like Perfectly well, but that's one of the big reasons why I continue to for better for worse some way Yes big reason why Icontinue to watch is because of that like I know what goes into it Yeah, so impressive to me that they're even. [14:15] Putting on a show right and how they do so i gotta ask so being in studio 8h that's an amazing experience what episodes like did you did you check out in person yeah so my myfirst ever one was sterling k brown in 2018 it was it was a whirlwind of a weekend i friday the the day before i'd gotten a very minor medical procedure everything was fine i also had theflu i was also also on, um, like heavy pain meds. I think I might've literally been on like Vicodin or something because of my procedure. And so, and, and then I had to, I was working a full-time job during the day from eight to five. And then I was also shooting an independent film from like 7 PM to sometimes two or 3 AM. [15:01] And so it was just the most insane week. Like my body was fully shutting down. And for those who don't know, it's a little bit different if you live in New York and you can go go do the standby line. But the SNL lottery, it opens up for 31 days, once a year, every August, and you just kind of pitch an email, say, hey, I'd love to see the show. And then at random from September to May, you may or may not get an email saying that you've been awarded like one or two tickets to the show. And in my case, I was only given a five day notice that I had tickets. And I lived in Texas at the time. And so I was like, how do I scramble up $400 for a flight to New New York and how do I rearrange my work schedule? I ended up, uh, I tried to call out of like call out of work sick and it didn't work. And I ended up having to like block my boss on Facebook and like block the security officer made up this elaborate lie. I went to a different doctor's office pretending to be like sick with something and asked them to write me a note that said I needed to stay home for four days. So that corporate like literally couldn't force me to come in so I could sneak off and go see SNL so like that that's the stakes with my first time going yeah I'd also just finished watching orlike catching up to this is us and so Sterling K Brown being the host I was so excited for and I was I was like. [16:14] When you step into Studio 8H, you are buzzing. It is like a level of excitement and jittery. You're vibrational as a human being. It's like an out-of-body experience. Yes. And I was going up to every single staff member, every single NBC page. I'm like, guys, it's my first time. And I'm from Texas. And just really making a big deal and talking about who my favorite cast members were. And I think I berated everyone just enough because one of the pages goes, all right, we're going to put you in the front. And they sit me front row right in front of the stage on the floor it was the greatest experience i cannot believe that was my first time and then i ended up seeing the kim kardashianepisode, during which i leaned over to my friend during the aladdin sketch and i said her and p davidson are about to become a thing and then the one that i feel most privileged to haveattended attended was Jason Sudeikis' episode. [17:10] Jason, we'll get into this later, but Sudeikis is my favorite cast member of all time. And so getting to go see him specifically, I slept overnight on the sidewalk for him, rearranged my entire weekend. And it was just the best. I highly encourage anyone who wants to go see the show, find the money, make the time, sleep on the sidewalk, go see it because it is an experience unlikeanything else in the world, I really think. Yeah, it's amazing. A couple years ago, my wife and I slept on the sidewalk and we were there for the Lizzo episode. Oh, amazing. Yeah. So that was a super fun one. Really good host. I think Lizzo did an outstanding job a couple years ago. But yeah, so those are Kalina's SNL bona fides. That's like you're a true blue fan. Yes, I have seen the show three in person three times. That's awesome. So as a as like a true blue fan, like, so as far as hosts go, what do you look for in a good to great SNL host? Such a good question. And honestly, my answer really varies. Because what I love about SNL is they don't just pick comedians or actors, you know, they have athletes, they have political figures, they really kind of try to surprise the audience, I think,with who they pick. And I think that there's always gonna be a level of. [18:31] Maybe grace that I extend to certain types of hosts because historically, maybe the athletes aren't gonna be as quick-witted or the timing isn't gonna be as strong or maybe they'relooking at the cue cards a lot. But then you'll have people like Jeter or oh gosh, that one really. [18:53] Famous football guy. I don't watch sports, guys. Yes, that's exactly who I'm thinking of. Yes, Peyton Manning, who's amazing, you know, so sometimes they surprise you. Even Ronda Rousey, I remember thinking like she had fun. And then with actors, maybe you expect a little bit more with comedians, maybe you expect a little bit more. So my overall like criteria kind of shifts depending on who specifically is hosting. But generally speaking, I'm looking for someone who just looks happy to be there. You know, like I get really worked up. I cry during monologues pretty frequently, especially when they tell stories like I watched when I was a kid or I watched with like this relative orloved one who's no longer with me or whatever like their story is. I love seeing people who are like, I'm going to try my best. I don't really care what happens. I'm just lucky to be in the room right now, you know? So I would say passion and excitement. [19:42] Ideally, I'm looking for someone who is game for the sketches because the zanier SNL is, the better when when it's good sharp writing like like a lot of sketches that like seth myerswould write that's amazing that that's like clean comedy but i also like when they're just so wacky or what i refer to as like post-update sketches where you just never know what's gonnahappen yeah hosts that are just game to do that and and are prepared to kind of be self-deprecating and don't take themselves too seriously i think are really great i know this is a little bitharsh because it's it's not natural but hosts who are staring at the cue cards the whole time tend to get on my nerves a little bit more because I feel like it's taking away from what I'm tryingto enjoy them doing so I do appreciate people who at least understand how the show is going to function and try their best to kind of adjust themselves to it but really at the end of the daylike I said more than anything I just want to see people who are going out there and having fun and realizing that for that week, they have the best job in the world. Yeah, I think that qualifies with our nominee today. Yeah. [20:48] And I love being surprised by a host, too. And it's often those people who don't necessarily they're not known as comedic actors or comedians. And those are the ones that are, I find to be really pleasant surprises. Me too. Yeah. So prior to her first hosting stint, which was in October of 2008, Anne Hathaway, probably best known, I would say Princess Diaries, Devil Wears Prada there's some funnyelements to both of those I would say but she wasn't known as like a comedic actor right by any means so do you think there was any indication like based on her work up until then likethat she would be a good host or is it just like a complete surprise. [21:29] I do think so. So I was the perfect age and demographic for Princess Diaries. I was five years old when the first Princess Diaries came out. And then I was eight years old when the second one came out. And then I was I was a bit too young by the time Devil Wears Prada came around. So I think it was like a couple years later, realistically, that I saw it. My gray hairs are shaking their fists at you. I have gray hairs too. Okay, easy now. [21:56] I think the Princess Diaries, both of them, I think they are really funny movies. And even if it's not necessarily like the story that's funny the whole time, or if it's not branded as a comedy, Mia Thermopolis as a character does have a lot of physical comedy. And sometimes I think that's maybe like one of the number one tells of who could make like a great host, not necessarily physical comedy, but understanding timing, like anyone youspeak to, that works in the arts will tell you that comedy is so much harder than drama. And so she may have been known as a dramatic actress or maybe she wasn't specifically labeled as one or the other, but personally from her film history that existed at that point, I thinkshe showed she's talented. She can get a laugh. She can do a good pratfall. She can be awkward. She can be a stunning princess. I think she had shown us enough range that I think it was at least fair to assume assume, she probably has something else under her tool belt. So I wouldn't call it a surprise, per se, but maybe, I don't know, like a delightful expansion of what we thought might already be there. Mad Fientist Yeah, I like that. Delightful expansion. I'm going to add that to my lexicon, my repertoire when I'm talking about SNL credit you. [23:10] That's great. So one thing is for sure that she was an anticipated host. She was already very popular before her first hosting gig. So when they announced it, I'm sure people were like, oh, cool, Anne Hathaway, see what this is all about. So her first episode, season 34, early in the season, it was October 4th, 2008. [23:28] You and I were talking before I hit record about the monologue and how that can really set the tone. We both love the monologue. So I think she showed out well in her monologue in this episode. Yeah, I think. Well, I mean, one of the things I just listed is as you know, what I think makes a great host is people who are willing to not take themselves too seriously and poke a little bitof fun at themselves. And one of the first things she does is kind of like address the public. [23:53] I don't want to say scandal because that's maybe a strong word, but she had been involved involved um in in a very public downfall of her relationship and her partner ended up umi believe going to prison for four and a half years i think yeah and uh it listen like granted there's the politics behind the show of like her probably being told she would address it but at theend of the day she still chose to to address it in the monologue and she did it in a way that was affable and charming and funny and then she you know throws to the audience and she'slike ladies we can all relate to that right and she makes it like an easy digestible piece of information that she just presented to the audience and i do think it takes a special kind of personto be able to do that because that could have either been a big elephant in the room it could have been an awkward pause where the audience doesn't know how to react and because it'slive the audience at home is also reacting based on how the in-studio audience is reacting and so i think that was a delicate moment that she handled really well and i think throughout theentire monologue which was a shorter one than we're used to these days. I think she was just really charming and funny and sweet, and she was excited and mentioned the band. And she seemed like her energy, I think, was where it needs to be at the top of the show. [25:06] And wherever the host begins their energy, I think is where the audience, they're kind of setting the tone for what the rest of the show is going to be. And it allows and tells the audience where they can meet or match them. So I think it was a really solid first monologue coming from her. So, I just had a busy summer. [25:26] I did some traveling. I've got a new movie out called Rachel Getting Married. Thank you. Oh, and also, I broke up with my Italian boyfriend, and two weeks later, he was sent to prison for fraud. [25:43] Yeah! Wow. I mean, we've all been there. Am I right, ladies? She had a little bit of nervous energy, but that's to be expected. Yes. I don't mind some nervous energy. That's actually kind of endearing because it just shows me that the person's excited to be there. If there's a little bit of nervous energy, but it wasn't distracting. It wasn't like, oh, no, how is she going to do tonight? It was more so she's genuinely excited to be there. Yeah, it was cute. Yeah. So I think that's a good point. It does set the tone for how the audience is going to react. And I think Anne showed out well. She did a really great job with this monologue. As far as this first episode, what's something that you want to highlight from this? Sure. So, my two probably favorite sketches from this episode, and one was kind of right off the bat, is the Lawrence Welk show. To me, that always, I just can't with Kristen Wiig and her tiny little hands. I don't care what else is happening in that sketch. It's always going to make me laugh so much. And she was really fun. I think it got to show off a little bit of her singing abilities, which is always fun. And I love sketches where, especially if it is a host, like you were mentioning, where we're not necessarilysure what's in their toolbox. We don't know necessarily what their skill set is or what they're going to show. She hadn't done Les Mis yet. [27:00] She apparently is like, I was reading on her ahead of time. Apparently she's a very highly regarded soprano singer. I guess she was in pretty high contention for the Phantom of the Opera movie for Christine, which I didn't know. And so personally, like, I didn't really know that Anne Hathaway sang before Les Mis. And so imagine this, which is four years ahead of time. So just a little sketch like that where she just gets to show like a little extra thing that she can do I think was really cool. [27:33] We, of course, have a very, very pregnant Amy Poehler in there, which is always so funny. [27:41] Amy Poehler's pregnancy episodes are top tier for me. She became so much funnier when she factored in an entire other human that was attached to her body. She did that with the barfly one. With Josh Brolin. Oh, my God. I think about that at least once a month. Yes, it was absolutely incredible. But yeah, the sketch is just such a fun, silly way to kind of start off the show as well. [28:03] The cuts to Fred are great, and Denise always playing with her bubbles at the end is really fun. So I think it was a nice, soft launch, if you will, for Anne into the episode. Like, okay, here she is. She's a supporting character. We're not putting too much heavy lifting on her right away, but there's also a chance for her to shine and for the audience to continue rooting for her and matching on to her as the host. Yeah, this was a good way for the show to ease Anne into the episode, I think. And you're right like and she shows a few times throughout her hosting gigs that she does have a great voice that's something i noticed i'm like oh my gosh she could actually sing andthat's something that that yeah i wasn't aware of until i started seeing her on snl now that i know like you mentioned that she had done layman's rob after this and uh but yeah this was uhand also showed that she was willing to play in snl's goofy sandbox like right away exactly in a really really goofy sketch, like you mentioned, like Kristen Wiig with old baby arms, babyhands, and all that. So it's fun to see a host that's just willing to just be a part of this weirdness, which that's what we, so when we say game, that's like what we're referring to, right? Right. [29:12] I also, we would be remiss not to mention the Mary Poppins sketch, right? But this is one of those type of sketches that... [29:21] Where like I don't have an exact formula but I think we all in our minds have a certain formula for like what makes a perfect SNL sketch and this is one of those sketches for melike it has you know the the main focus is something that everyone knows right like it's a very popular IP she is beautiful like Mary Poppins she can sing like Mary Poppins she gives theappearance you have Bobby Moynihan you know playing like a little kid which I think is always just that's always a home home run for me just seeing Bobby kind of belittle and silly andmake funny voices. And then you have Bill Hader being so amazing as the chimney sweep. You have the audio and visual gag of him coming in with his giant like one man band and you know, the kind of sound effects with the instruments coming in and just like the worst times. Then you have Will Forte showing up and and just making these obscene little side comments. So you have the perfect cast of players. years, and then you take what is this well-known thing, but then you throw a bizarre premise that supercalifragilisticexpialidocious is actually aliver disease that is spreadable amongst adults. And so then there's... It's dark. It's dark, and it's very... Not that SNL is necessarily targeted at strictly younger audiences, but that would be a joke for mom and dad, as you would say. And they run with it. And the fact that they're doing that in front of the kids, and then it kind of insinuates some things about Mary Poppins, which is a very proper, innocent image of awoman, of a character. [30:47] It is one of those sketches that just has me laughing the whole time, and any opportunity where, you know, there's a cut to Bill Hader making a silly face. I'm gonna love that so much in the same way that I love when they do that to Kenan Thompson. [30:58] So to me, just one of those perfect sketches, and Anne is so great in it. She's so committed to it, and I think it was really a great way to highlight her throughout the episode as well. What a delightful new word! It must be the longest word in the dictionary. And the silliest. [31:15] What does it mean, Mary Potter? What? Oh, that doesn't matter. It's just a silly, billy word. Now, who wants to ride a magical carousel? I do, but first, please tell us what that word means. Yes, there must be some kind of working definition. Well, if you must know, supercalifragilisticexpialidocious is a disease of the liver. [31:43] I am impressed that Anne was willing to do some dark humor like this. I'm a sucker for dark humor. Me too. To this day, whenever SNL does something really dark, like last season they did that Christmas Carol one. Yes. That was super dark. It really was. So every now and then, yeah, when they go to that well, I love it. And I am impressed, Kalina, that when a host is willing to do that. Because correct me if I'm wrong like so if you're a host on SNL and somebody approaches you with this concept of supercalifragilisticexpialidocious actually being a disease of the liver alot of hosts may shoot that down yeah well yeah because I think especially for what I don't want to specify actors necessarily but generally speaking the people who host SNL are verymuch in the public image and so there there's a certain perception of them that they're either trying to maintain or that they think the public has of them, or maybe they're like managersand publicists are working with them to kind of create a certain persona. [32:46] So if someone like Anne Hathaway, who maybe is looked, you know, like she has like beautiful brown doughy eyes, like people might perceive her as like very sweet andinteresting and darling. And then you throw a joke like this, you're like, whoa, whoa, Anne Hathaway making jokes about, you know, this liver disease that she's spreading. There are absolutely some hosts that would be like, yeah, you know, I don't think I really want that association, like with my name or with my likeness. And SNL isn't just live, but then it lives on the internet forever. And it goes into archives, and it can become part of a touring museum. So when you host SNL, it's very permanent in a lot of ways. And so yeah, I think agreeing with you, it's very much like a signifier of just how down she was, like how game she was to just kind of dive right into what they want to do. [33:33] And I think that's why she is a multi time host because she's she's probably exactly what the writers and the rest of the team are looking for it speaks to the fact that she understandsthe humor she understands what's funny about this exactly that's why she said she she knows and she knew how to play it too she did yeah and that's like that's part of having a great actorhost snl is like they know how to play certain things they know how to extract the comedy they know what their role is and extracting that comedy in the scene. So this Mary Poppins one, perfect example, like all night, like we were talking about. So we saw that she. [34:09] Didn't take herself too seriously in the monologue. She was able to utilize her singing voice that we didn't know about. She was able to play with the cast really well. She was able to understand dark humor. There was a sketch where she danced. She and Bobby Moynihan cut a rug on the dance floor. That was really fun. So she's showing right away, Kalina, I think that she gets the show. And is willing to throw herself into it and all those things as a first-time host speaks volumes absolutely yeah absolutely so that's why they asked her back relatively soon yeah it was onlya couple years two years yeah yeah so her second episode uh season 36 it was november 20th 2010 um musical guest florence in the machine another monologue where ann is just justcomes across as so likable like just an extension of of her first one like like as a viewer her second time out I'm getting the impression that her first time wasn't a fluke like this is gonna bea good night again yeah yeah I think there's a certain like confidence that comes with it like you've done it you know what the process is like you know what to expect you can kind of youknow self-criticize and and self-adjust and and change where you wish you would have done differently. [35:33] And I think that not only was the confidence there, but almost like a more deeply founded excitement to be there because she did well the first time and she was back. I think that'sdefinitely very palpable. [35:45] What stands out to you from this episode? There's a couple that stand out to me for sure. This is like one of the sketches that I remember sticking out to me like really early on when I was watching SNL. And what I tell people is like when I try to either explain my sense of humor to people or when I try to force SNL on people, there's like a certain roster of go-to repeated sketches that I'mlike, Like, if you aren't laughing within, you know, these three or five sketches or whatever, then I'll stop trying to convert you. And I've never lost. I have a perfect streak of converting friends. But this was, like, one of the ones early on, like, at that time period that I remember. And that is the Penelope Thanksgiving sketch. She is ruining this entire day. She's acting like she's the queen of Thanksgiving. I am the queen of Thanksgiving. I now dub thee Sir Waddle of Gobblelot, so congratulations. [36:39] Really Penelope, really? You are the queen of Thanksgiving? Well, I'm the president of Wednesdays and you know what else? I drive a tanning bed to work and if I clap three times a wiener dog appears and oh, my dad's a chocolate chip. And you know what else? If I want to relax I just turn myself into a pot of soup. So, what do you think of my life Penelope? The image of Kristen Wiig floating in a celery stalk in a pot of soup is something that is just always with me. That's core imagery in my brain. And I think that is also like another testament to Anne Hathaway where she's coming into a sketch with not only Kristen Wiig, who is so well established, but in a character, if If I'm notmistaken, this was not the first Penelope sketch. But in a character that is like well established. And so you're kind of coming in, not like. [37:34] Battling with Kristen Wiig in that sense but you're kind of given a platform that you're expected to step up to if it's going to be funny you know like it kind of gave her a challengeto rise to and her character was a great foil to Kristen Wiig's Penelope like she was very kind of shy and like despondent she's like guys I just want to like serve Thanksgiving we're gonnawe party till 8 30 p.m guys like you know she's she's the complete opposite and then I also love SNL sketches where you do get to watch a bit of a character arc in the three to four minutetime period and you see that with Hathaway's character in this like you see her start really sweet and calm and then her frustrations with Penelope grow and then you know it ends with hertrying to match Penelope and bicker and one up each other I just think it's one of those like just timeless sketches that is just always going to get a laugh out of me and I always love whatlike seasonal sketches they do as well and to me this is just one of the classics yeah this was a Thanksgiving one with Penelope I love that I'm talking to an actor about something like thisbecause it's such especially like because we're talking about Anne Hathaway and that's something I noticed like with this sketch with this Penelope one Anne is such a good actor and it'selevating the sketch yes like she you you put it exactly right like she's playing like this bothered foil yeah to Penelope and and Anne has to sell that escalation she does yeah she has to sellthat being more bothered as the sketch goes on and then she tries to like one up Penelope she's like oh Yeah. [38:59] Well I do this and that and and and has to really sell that like at first I'm gonna give this person a chance and then I'm gonna. [39:07] Gradually act a little more bothered and a little more bothers like if that takes a really good. [39:12] Actor just straight up like you dramatic con comedic or otherwise. There's a really good actor to do that So I love hearing your perspective One of the things that stood out is just like her acting elevated this the sketch that happens a lot lot right you cantell when somebody's acting like totally elevates a sketch yeah and the two of them are really doing a dance right like like like what you're saying is she has to continue elevating it butthen so does well kristen has to be consistent but on like an uphill rise you know and like ann is just going up up up and then she's going to kind of plateau where kristen has to be doinglike the same thing every time so that the foil works you know so there's like surprisingly a lot of intricacies going on in a sketch like this I think to make it really work especially becauseit's focused mainly on the two characters and isn't a huge like ensemble sketch so yeah I don't know maybe I'm like looking way too deep into it but this is what I think when I watch theshow this is the stuff and you put it perfectly with like the roles of each person in the sketch and that no that's absolutely correct like it's not not looking too deep that's what we do heythat's like we're super that's the show that's what we do this is what we do that's but I think I think you're exactly right. That's something that I took note of. This is also Anne playing in SNL Sandbox at the time of it was written 2010. [40:30] Obviously, Kristen Wiig still there. She had done the Lawrence Welk, the Denise sketch prior. So this is another example of playing in the SNL Sandbox in a Kristen showcase saying, Hey, I'm here. I'm willing to, to dive into the weirdness of this show. Just so much respect to Anne Hathaway. Way yeah I fully agree fully agree um another there's like two more that that really stuck out to me the royal engagement sketch so funny so funny I I have to say that the majority of thisrides on just Fred and Bill being so ridiculous but that's almost perfectly goes with what you're saying when it is a showcase of the primetime players you have to kind of accept your rolein in it. To be, I guess, a little bit topical, I actually think of what I believe. [41:23] Robert Downey jr. Was saying on the Oppenheimer press tour that there are some instances like for Oppenheimer, Everyone else walked in knowing this is Oppenheimer's movieyou're just working around him like everything you're doing is in support of that thing working because if that doesn't work then the rest of It doesn't work and that I think is a goodmetaphor for sketches like this too or or even like Penelope we're like you have to acknowledge what the thing or what the person is and and understand why your support of that is criticalto making the entire, machine kind of run, you know, like an engine doesn't work. If one part goes down, like it's, it's, it's a symphony going on at all times. So she is playing Kate Middleton, I believe with, with William. And she's like meeting, meeting the, the Royal family. And then William, an amazing Andy Samberg. I forgot it was Andy until I went back and rewatched it. And I was like, this makes so much sense to me. Into that didn't he he was he was fully into it uh he has to step out of the room you know to to go take a call and then when it's just her alone in the room they all of a sudden you knowwhip out these kind of uh lazy english accents like they kind of drop like the proper royal act and they're like all right so like what's really going on here like let's talk about this. [42:41] Your majesties william and i have been walking on air it's all so brilliant and exciting shut up, What? I said shut your mouth. What do you want? I'm sorry, Your Majesty. What do I want? It's just what you want, yeah. Right? You see, I sit up here and you like it. Yeah, little girl. You know what? A piece of our palace action, eh? Right. You think you could just, like, show up and take over, yeah? Do a bit of queening and that, right? I beg your pardon, Your Majesty, Steve, but why are you two talking like that? This is how we really talk, love. [43:22] Not so nice, right? It's just such a fun premise, kind of flipping the idea of what it is on its head, giving space. Sandbox is such a great word to use, like giving space in the sandbox for them to throw sand, or kick sand, or bury each other in sand. And poor Anne is just there kind of having to be like a little bit more of the straight man to Bill and Fred, who are kind of getting to have fun. But she's still not only as Anne Hathaway in the sketch, but as the character of Kate in the sketch has to still be like likable and still has to be someone that the audience is rooting for inthose three to four minutes. Otherwise it doesn't make what Bill and Fred are doing funny, you know? So it's, it's, I think she was really great. I think that her energy and her timing matched really well with Bill and Fred. Yeah. Again, you know, SNL is topical a lot of the time. So I think that was great. [44:13] Probably one of the more fun ones um to to not just be totally zany and out of the box you know yeah in this in a sketch like this you have bill as you mentioned bill and fred are themore wacky characters fred plays like a punk rock version of queen elizabeth like a queen elizabeth that was in like the sex pistols or the crash or something like that in the late 70s like soso and and bill is is matching fred so it's just the two of them and kate or anne as kate middleton has to play this to where she's uncomfortable but it's still the queen right ultimately uh soshe can't be too outraged she can't vocally be too outraged and yeah complain complain to william a bit more reserved yeah so she has to be more reserved she has to seem uncomfortablebut still can't play it up too much because it is ultimately the queen in front of her so she still has to keep up appearances and make the queen kind of like endear herself to the queen yeahso it's like this this this interesting balance it's a good dynamic yeah yeah it's an interesting dynamic like the look on on anne's face as kate middleton when fred slides from the properqueen elizabeth queen elizabeth props the leg up on the chair exactly like that's that's really good acting on uh it is this is just yeah another strong one another this is a fred like more of afred show i know bill but this is more of a fred it's a it's a friend yeah yeah so this This is a nice pull. [45:40] A hundred percent. Yeah. And then I think my other favorite sketch was The Essentials with Robert Osborne, which was the, I guess you'd say like the behind the scenes or thedeleted footage from Wizard of Oz, would you say? Yeah. Yeah. [46:18] Do you guys know this song? I never heard it in my life. I think this was so fun because another great little vehicle for Fred to kind of just be the off-putting kind of zany charactersas what the chicken that goes on top of the farmhouse that tells you what direction. I don't know what that's called. I didn't grow up on a farm. I forgot what it was called. He's like the prop on top of the farmhouse. Yeah, yeah, yeah. He gets a chicken or a turkey or something. Northwest, east and south. And when the wind blows, it spins. Yeah. Yeah. [46:48] But more than that, more than just like a fun vehicle for Fred, what a great opportunity for Anne to throw in kind of an impression that I think maybe people weren't expecting. Like in the same way that you can say she was doing the Mary Poppins impression, she was doing this great, frankly, like Judy Garland impression, which is in some ways it's like aclassic go to. But it's also hard to capture not just like the voice of Judy but the feeling of Judy the essence of Judy the the youthfulness because I think a lot of people forget that she was supposed to bevery young in that movie and so it's it's a great like acting opportunity for Anne as well and much like you've been saying a worse actress maybe wouldn't have sold this sketch as muchwouldn't have been as charming and so thus again like the jokes don't land like Fred's jokes don't land land if Anne's not doing a good job. Like Bill's jokes don't land. Like it's such a team effort every single time, all the time. And I think this was just a really fun one to go back and forth. And then you have the opportunity to throw back to Sudeikis as, as Robert Osborne for a bit of like a reprieve in between. Um, just, just fun, just a fun sketch. [47:56] Yeah. Good, a good opportunity for her to sing. Yeah. Another one. Yeah, yeah, yeah. She should every time. Yeah. Whenever she She gets the chance. She should try to sing. So yeah, that was a really good one. That was The Essentials with Robert Osborne. That was a good sketch. A couple that I noted too from this episode, there was a Megamart one. So back in the early 2010s, SNL did these sketches where it was like the Kixbit Underground Music Festival. Or it was like promoting some sort of event and all these graphics and loud talking and all this stuff. So they also had like a high school graduation one and an Easter mass one So this one was about a Black Friday sale at the Mega Mart and Ann was only in this for like 15 seconds I thinkI tried it like 17 seconds But she played a shopper that was all hopped hopped up on for loco, It was so impressive just her just stringing together this this hyped up and. [48:55] Caffeine and alcohol 17 second diatribe like it was really funny people have already started camping out in the tailgate sponsored by four loco america's premier hillbilly and cholofuel if you show up too late you will be humiliated i'm ready to do whatever it takes to get the 12 by 12 finish in the flesh this is a scrapbooking kit i've steeled myself my state's in orderand i've made peace with my god and those around me so i'll get the 12 by 12 finish in the flesh this is for a fucking kid just you wait whoa what a day for shopping you're shopping yougot to see ann if you can imagine ann hall hopped up on four loco just talking about how excited she is and how much harder as well you know it's one thing if you're given three to fourminutes in an entire sketch to be funny or land the joke but when you have 17 seconds to do it so perfectly that not only do you not mess up anyone else but you are member memorablefor your 17 seconds seconds that's even more of a testament to her talent and her comedic timing I think it's all it took to make an impression and then she did speaking of impressions Ididn't do that but speaking of impressions she made a really she did a really great impression of Katie Holmes so how do you feel Kalina about hosts like it's one thing for cast members totry out these impressions but when you see a host come out and do like a spot-on impression how do you feel as as a viewer like that's bonus points am I right yeah 100% I think it's so funand I think it's especially I don't want to say like dangerous but when. [50:21] Theoretically these are people that they like can or have worked alongside like. [50:27] Like you can maybe assume that sometimes the people are doing impressions of. [50:29] Are like close friends or someone they might like have to go to work and see and you wonder like wow how how well do you know each other that you already had this to kind ofimitate I absolutely think it's it's so much more fun. [50:41] And and again, that's like a It's a really bold and brave thing for these hosts to do because you almost assume if you're gonna come to SNL That the cast are like the people that haveimpressions in the bag, right? Like you almost assume you're not going to be expected to do it And so it's fun to see a host that not only wants to try it but then nails it when they do it as well Yeah with Katie Holmes.She had the verbal stuff down. She talked out the side of her mouth. Yeah played with her hair a lot You used to be on a show called Dawson's Creek back in the 1900s. So that must have been pretty cool. Oh, it was... [51:21] Great. My character Joey was such a joy to play. On the surface, she just seemed like another cute, popular girl, but... I believe that she was this incredibly complicated and intelligent woman, so this was a really good one she did this on uh it was a the miley cyrus show yeah the vanessa bear uh mileycyrus show hi y'all yeah that was good so another episode kalina the anne hathaway. [51:54] Totally threw herself into yeah we're gonna say what two for two here yeah for sure for sure I think um I think the most or like the clips that I re-watched the most arepredominantly from this episode I forgot how fun girlfriend's talk show always was just in general as a sketch so that was that was a fun one to revisit she does a great job um kind ofplaying Tara like the new best friend and she's just kind of like punk and whatever and she has this cool blonde wig I was really impressed not that this is necessarily like a huge feat but Ijust instantly believe. [52:31] That Anne is like a young gossipy teenager you know like that like sometimes when hosts go do certain sketches where they're aged up or down you're not fully like into itnecessarily but you're like yeah whatever this is the sketch I'm on board for like the next three minutes but she just seamlessly goes right into this and you're like yeah I'm watching thegirlfriend's talk show and these are all a bunch of like young teenagers that are talking about boyfriends and cupcakes and like whatever and i thought she was a really fun addition to kindof the natural chemistry that uh cecily and ad already have so that one i thought was really fun um two new cast members that she got to play with too because right this is the thirdepisode yeah yeah so this is new cast members what a crazy thing to say about them the newbies yeah yeah that this This is early in both of their tenures, I believe. This was their seventhepisode. I don't think I realized that. Thank you for bringing that up. That's crazy. I know. They were totally new. [53:30] Cecily and Aidy had this girlfriend's talk show that they were doing. And Anne completely fit right in right here. I do want to shout out, too, from this episode. Again, November of 2012. She got to show off her voice again in the monologue. So they did like a Les Miserables type of performance and the entire cast got involved. Like this was so much fun. I don't know if you had a chance to go back and watch this one, but the entire, everybody has. Tim Robinson was there singing. [54:33] I didn't go back and rewatch it, but now that you're reminding me, I do remember it. Cause I, like I mentioned, I'm a theater kid, so I was all about everything Les Mis in 2012. Um, that's oh gosh yeah i love that they made her or not made her i love they gave her theopportunity to sing in every episode because that's what i think she should be doing that's one of her uh strong points so yeah good monologue girlfriend's talk show was the first sketchright after the monologue uh i i think this was uh another strong outing like i'm curious as to what you highlighted see if it matches up yeah i imagine we probably have similar ones um iwant to mention one more thing like I'm flabbergasted that you told me how new Cecily and 80 were because I don't take back what I said about how good their chemistry is I think ofanything that proves that they don't have to be seasoned veterans to just immediately be so good and like have become the icons that you know we now view them as I also have umHomeland on there which I I must say I did not ever watch Homeland. And yet, I feel like I understood perfectly what the formula of the show was. Also, I love Mandy Patinkin. And so I loved Hater's impression of him, which was so fun. But her physical comedy in this sketch, I actually did. [55:50] I highly recommend everyone doing this. I watched the sketch in regular time, but then just kind of for fun, I went back and watched it on two times speed to like to see kind of ifthe physical comedy was like even more bizarre and it was like it made me laugh even more but I think not only is her physical comedy so good she has to be extremely expressive in thissketch like doing kind of like bizarre facial expressions it also has to be timed really well because the camera is cutting to Kenan often like describing or Kenan or Bill like describingsomething she's doing and then it cuts to her and so she's also not paying attention to like the real-time kind of editing and like the flow and where the camera is gonna be then that alsomesses up the jokes I know I keep like harping on this but she's a host who is so good at this and I think it really again complements her strong acting skills and her like film backgroundthat she's aware of this stuff. [56:46] But also she kind of had to make herself look really silly and kind of melodramatic and not all the hosts are willing to do that not all the hosts are willing to do her jazz breakdownor make like you know like the the ugly crying face and and things um i i think she was just really really incredible in this sketch and to me she's definitely the standout from it oh what'sgoing going on here David are you guys talking about me are you talking about me yeah a. [57:23] Couple things that this sketch tells me is what you alluded to one is that part of being a great SNL host is under understanding the mechanics of SNL so you're right she had tounderstand all those like she knowing like when it was was going to cut to her when it was going to cut to her she had to have the right facial expression at the right time so she just has toyou have to understand the show and the mechanics of the show and be a good actor in that way about about hitting all those marks and all those spots also this is a sketch that tells me thisis one of those types of sketches that tell me that like the show almost says we love our host yeah because she was given so much to do she's there's a lot on her plate in this one she'sselling the hell out of this she really is she really is so funny I'm not even familiar I'm like yeah I'm not familiar with Homeland with the source material but I felt like I didn't need to be Ifelt like I had I looked it up because I was like was that the one with Claire Danes and yeah she was playing Claire Danes yeah character that Claire Danes played in Homeland but she'sselling it so so well yeah oh gosh yeah she's obviously the show loves her yeah which is great you know I think that's another kind of compliment towards her is like yeah when when youhave a host in general but especially if it's a repeat host if they like you and they know you're down they'll kind of cater to you they'll cater to your strengths or they'll cater to what youthink you're going to be really funny at or they'll write sketches for you. [58:46] But there's also been repeat hosts where you can tell they were just trying to collect their paycheck that week you know they just they got the material they had to do what they hadto do so I think you're absolutely right this is one that really demonstrates how much they love having Yeah, stand out from this episode, that's the Homeland sketch. Yeah. You said you got another one? My other favorite is American Gothic. [59:06] Being a Jason girl, right? Yeah, a huge Sudeikis girl. I just think the premise is so funny. It's so simple, but it makes me laugh so hard. I'm from Chicago, so I've seen the American Gothic in person, and it's one of those things that, yeah, you look at it and you're like, this is... So weird like like not not to at all be dismissive towards anyone's art or their intention or anything like that but it's one of those like iconic americana images right like it's it's justsomething that's associated in our mind in in like american um art and culture and so to have the idea to tell like the behind the scenes story of how this painting came to be and it couldhave been anything you know like they could have made the two people be like anything but the fact that they're treating it like they're two actors who met on a set like oh nice to meetyou like you know like like they're making it like a whole thing and again and I hate to keep acting like this isn't how the show functions but Sudeikis is another one of those ones that likehe's going to bring a certain energy and there's going to be a certain level of expectation for his performance and Anne is the literal only other person on screen with him has to step up andis expected it to be just as funny or funny in a different kind of way. And she kills it. She made me laugh just as much, if not harder than Stekas did in this sketch. [1:00:25] They have such a fun chemistry together, even their physical chemistry when they try out like the buddy cop pose, like nothing was awkward about their interactions. And that could have really derailed the sketch if it wasn't. Yeah, the premise, you're right. The premise of this is so great. These two people who are posing for that American Gothic painting were goofballs. And I love that they took that approach like it's like these two people who look serious in the painting yeah are actually two real big goofballs and they're trying these different poses anddoes what she calls a lizard pose at a certain point that was hilarious uh ann is great at slapstick humor yeah that's such a good point that she has to match jason sudekis who's one of likethe masters of that kind of humor and she matched him sometimes she exceeded that energy yeah like her crooked eyes when she took She made her eyes, Kalina, like she had to go cross-eyed. And that was a good bit there at the end. It was so good. So I love that Anne, she's just like, yeah, I can do a goofball too. I can, yeah, let's do it. Let's have so much fun with it. Yeah. Yeah. Yes, yes, yes. That's very funny. But really, we need to focus so I can start the painting. Of course, of course, of course. Hey, Grant, you know what would be fun, though? Maybe if we did something like this, like where we pose back to back like that, you know? Like I'm a hot-headed newsman, right? And I'm a, I'm a brassy reporter who pushes his buttons. Yeah, and I got my arms crossed like I'm a cool guy. And I'm like, get a load of this guy. [1:01:54] To me, this and like the Homeland one were probably the two standouts. Yeah. We saw Anne's range and this was a perfect, this was her lap, actually the last sketch that she ended up doing unless she hosts again, which we might get to, but this is the last sketchof her, three episodes. And what a beautiful one to end on. And what three great episodes. Yeah. I was very happy. Yes. [1:02:20] She's amazing. I think she has three solid episodes. I think if you host multiple times and you have even just one or two sketches that are standout, that's an achievement. But she has she has multiple. And I think she only got better every single time. I would love to see her back yeah no kidding it's been what we're going on, over 11 years since her last hosting gig like you know it is time right it's not like she hasn't been working she'sbeen available she's had stuff to come promote I would love to see her come back I wonder if they're waiting I was going through her IMDB as well and she's done a lot of serious projectsI wonder if they're waiting waiting for her to do something a little bit more lighthearted to come on the show to promote. Not that that necessarily is like a deciding factor as to whether you could ask to host, but I don't know if like promoting Eileen would have been the reason to bring her on for the show,you know, but I also don't think you necessarily need a reason. Like if you're good and you haven't been on in a while, I would love to eventually see her make her way into the five timers club. I think she would be very earned into that. Um, I'm sure she's working on something. I think we We could hold out hope that maybe in the next couple of years we can get her back. She's got to come back. You know, as an SNL nerd, much like I am, that a bunch of us, we're looking ahead next year and we're saying SNL 50. [1:03:44] So we're all playing like fantasy bookers for SNL 50. And Anne Hathaway, she's the type of host that everybody would love to see come back for like a special season and a special occasion. Occasion at least for the the 50th the actual show right like and then see her back for the actual show right i i'm i i just like you you broke my brain that you just reminded me of that i feellike snl 40 was yesterday i know it's ridiculous holy cow right i know 50 oh my goodness she would be great i think she would be a great host if i were in her shoes i would be calling mymy agent my manager my publicist i'd be like can someone reach out to lauren and just you just put some feelers out there for me, like I would be trying to come back, let alone just waitand see if I get invited back. Yeah, 100%, I think all SNL nerds would gladly have that. So, here on the SNL Hall of Fame, Kalina, we like to kinda like summarize and wrap it up in a nice little bow. And so what traits does Anne Hathaway have as an SNL host. [1:04:51] Makes her someone that we should remember fondly as a host. Yeah, absolutely. I think that the main trait that sticks out to me is just how willing she was just right off the bat. That she fully accepts and leans into the formula of what makes SNL and what makes it so weird and fun and just zany. I think she fully commits to every sketch that she's in. Which I think makes us want to see her more because we can kind of assume whatever the material is going to be she's going to be all in which is going to make it more enjoyable for usas the audience I think that she's really charming and likable we get to see her sing we get to see her dance we get to see her be kooky we get to see her be Mary Poppins and Judy Garlandand Katie Holmes she can do impressions not to like hype her up too much but she's kind of like the whole package for I think what you would want out of a host and and I think as welljust the fact that she hasn't hosted in so long is almost more like incentive for why she's memorable and why we should be keeping her at the forefront. Track 2: [1:05:55] Front so there's that thank you so much kalina steckle it's like you've been here all along you fit in very well and i hope we get to have you back sometime in the very near futureso there's that let's now go to the anne hathaway sketch selection and this is from her first hosting stint uh october 4th 2008 it features anne bobby moynihan carrie wilson bill hader andWill Forte, and it is a Mary Poppins sketch. So let's go to that now. Track 5: [1:07:19] Oh, Mary Poppins, that was ever so much fun. What a delightful new word. It must be the longest word in the dictionary. And the silliest. What does it mean, Mary Poppins? What? Oh, that doesn't matter. It's just a silly-billy word. Now, who wants to ride a magical carousel? I do, but first, please tell us what that word means. Yes, there must be some kind of working definition. Well, if you must know, supercalifragilisticexpialidocious is a disease of the liver. It's very rare and extremely painful. Goodness, how'd you ever learn a word like that, Mary Poppins? I have it. I have the disease. Oh! Is it as fun to have as it is to say, Mary Poppins? Well, no. What happens, basically, is that your liver stops producing bile. Gradually, you lose the ability to break down acids, and eventually your body just shuts down. Sure is fun to sing, though. Supercalifragilisticexpialidocious! [1:08:40] Is it contagious, Mary Poppins? Yes. But only for grown-ups. What does that mean? How do I explain it? Sometimes, when a man and a woman really fancy each other... Hello, everyone! Bert! Oh, easy, children. I got one heck of a stomach ache. Must be your cooking, Mary Poppins. We just learned a new word, Supercalifragilisticexpialidocious Oh, how delightful It's a disease of the liver Mary Poppins has it It's spread amongst grown-ups, Is that right? Children,would you excuse us for one moment? [1:09:40] What they say, Mary, for you, I have something. Oh, Bert, don't worry. You look healthy to me. Healthy? I've got black lung from sweeping the chimneys, and now you've given me supercalifragilisticexpialidocious. Shut it. Oh, Bert, cheer up. It's not that bad, because... Justin! [1:10:14] Sugar, that'll cure my disease Hello, guy Constable Jones! Oh, don't come near me, I'm feeling awful sick I'll be your cooking, Mary Poppins, So, uh, what's the good word? Listen to me, Oh, no Oh, supercalifragil, what? Ex pelle doce. Come on, I'll buy you a whiskey, come on. This has been a very unusual day, Mary Poppins. Well, I'm a very unusual nanny. I guess I'm in pretty serious denial. Track 2: [1:11:14] That was fantastic. A little twist on the Mary Poppins that we're familiar with, but nevertheless, it's all there for you. So what do you think? Is Anne Hathaway a Hall of Famer in the host category? We'll have to wait and see how you vote. And voting will be open in May for a week where you cast your 15 ballots and we tabulate them and let you know who makes the cut at 66.7% of the vote. That's what we have for you this week. I hope you enjoyed yourself here in the SNL Hall of Fame. We certainly enjoyed having you. [1:12:03] And next week we're going to enjoy having Jamie Burwood discuss host John Hamm so tune in for that one download it wherever you get your podcasts now if you do me a favorand on the way out as you pass the weekend update exhibit turn out the lights because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Introduce Yourself | 23 Aug 2024 | 00:36:41 | |
Meet Joe and Shari as they assemble around the SNL Hall of Fame watercooler to discuss a variety of things relating the SNL and its Hall of Fame. Transcript: Track 2 [0:22]All right. Welcome to the SNL Hall of Fame Water Cooler Podcast. I'm Joe Gannon and I'm sitting at the water cooler with... Track 3 [0:30]Me, Shari Fasco. I'm very excited to be here. I've got my cup and I'm filling it up. Track 2 [0:38]All right. And then there I go. All right. Let's get into it. All right. So on On this podcast, we're going to be talking about the SNL Hall of Fame and who we believe should and shouldn't be in it. But first, let's kind of just introduce ourselves. I'm Joe Gannon. I've been an SNL fan since, I guess, 1991. 91 and what I enjoyed about it was as I was watching it like as it was going on since 91 I got to watch the reruns like on Comedy Central E and whatnot so it's kind of cool seeing a show develop and then learn its history at the same time and I just found it absolutely fascinating about how important it is to our society about because the show makes fun of our society and politics, and everything. And the last thing is, I grew up in the central time zone, so the TV show was on at 10.30 to midnight. So to me, it was like a show that waited until the last hour and a half of the week to make fun of the previous week. And you, Sherry, introduce yourself. Track 3 [2:00]Hi, I'm Shari, rhymes with Starry, as I tell everybody, and I am a Michigan native, and I have been into Saturday Night Live probably since I was about nine, since it started in 75. I was really, really young in 75, so I don't remember it that young, but I definitely, definitely remember watching it at like eight, nine, ten. I was really into Mr. Bill. I vaguely remember having a Mr. Bill t-shirt. I just always loved the show and it's always been like a rock for me. It's been something that I've always come back to when things are good and when things are not so good. My husband is also into it. He's been watching a lot of sketches with me lately, getting ready for this podcast. And it's just, it's really just, it's comfort food. Just like what Joe's saying, it's comfort food. It's something that's always been there. and now it's going into its 50th year. I'm 54. It's kind of incredible. It's kind of crazy to think that it's been around. So I'm really excited to be here with Joe. I think both of us are super excited to be talking about these incredible people. I think we're ready to get into it. Are we ready, Joe? Track 2 [3:15]I believe so. Track 3 [3:16]We're going to talk about the season six draft. We're each going to do the two people we would like to see get in. And then the two that we don't think really have much of a chance of getting in possibly. I will let you go ahead and go first, Joe, and then I'll go after you. Track 2 [3:33]Okay. So the first person I think should get in is Lorraine Newman. I believe that the only reason why she hasn't gotten in sooner is there's just a series of people that are a little bit more obvious. Uh you know that just i feel like should be uh you know people that just feel like they should be in uh like will ferrell but um as far as the original cast like obviously everyone from the original five years should be in um as far as where lorraine is in that uh group she's not She's not really a household name. She wasn't a Ghostbuster. She wasn't a Blues Brother. She didn't have a sitcom afterward. Everyone knows Aykroyd, Murray, Jane Curtin, Chevy Chase, John Belushi. And I feel like Lorraine Newman, who is extremely talented, just doesn't have that star power name. So when people are voting and they see her name... It just doesn't connect, or they don't immediately remember all of the great sketches that she was a part of. Or, if they do, they remember someone else that was in that sketch. Track 2 [5:01]So that's why I chose Lorraine Newman. All right, and who's your pick? Track 3 [5:06]My pick, I just stuck to strictly the season six draft. So I went with one, two of the draftees for this coming season that I would like to seek it in that I'm not really hopeful about. But my first is Sherry O'Terry. For all of the reasons you just said about Lorraine, I think Sherry is very, very, very, very, very underappreciated. She is absolutely hilarious. hilarious she stands up against the likes of will freaking farrell and holds her own yes even though she's this diminutive little she can't be more than five two but against will farrell who's like i don't know six four she still holds her own her comedic chops are that strong that she can hold her own and i feel that way in the zimmermans with chris katan i i watched her playing against Sylvester Stallone in one of her Rita sketches. And she really is amazing and so funny and so able to bring real relatability to these outrageous characters that she plays. Track 3 [6:19]And I'm feeling like I don't think she's going to get in on the first ballot, but I do hope that The people remember her. I know she was a long time ago. I remember her vividly because I was in college. And that's the time when you remember the gas. Track 3 [6:38]So I hope there's a lot of Gen Xers and a lot of Zs and millennials that are going back and watching and listening to our great guest. And Thomas, of course, make an excellent argument for her this season, I'm sure. So that's my first choice. Now back to you. Track 2 [7:01]You made a great point, and the only word I want to add to it, just literally one word, is energy. She was full of energy in pretty much everything she did. I mean, with the exception of maybe Barbara Walters, but that's because it wouldn't fit. But if you look at all of her characters, that's the common theme, is that she was almost like twitchy. Track 3 [7:23]I totally agree. Track 2 [7:24]But, yeah. That's an excellent, excellent pick. Okay, so I'm going to go with my one, and we're going to continue the female trend. Someone a little bit more current. I'm going to go with Kate McKinnon. Track 3 [7:41]Absolutely. Track 2 [7:42]She, yes, yes, yes. She is one of those people, she reminds me of Amy Poehler in the sense that her talent seems to have been made for Saturday Night Live. Um now just i want to say this on our first episode uh to me the three things that make up a great snl cast member are characters impressions and hosting we can update not doing characters but hosting now you don't need to do all three to be great sometimes you can like jimmy fallon will ferrell dan ackroyd uh sometimes you can do just one dennis miller however when you do two or three, that shows that you're able to play any position. Track 2 [8:31]So with that being said, with Kate McKinnon, she did characters and impressions extremely well. Track 2 [8:39]The various characters, like the alien abductions sketch, that to me is timeless. That is one of the latest great reoccurring sketches. Sketches um and then as far as her impressions uh you look at amy puller who did like you know hillary clinton um and ever uh ever levine um kate mckinnon said hold my beer and then did uh not only female impressions but male she did rudy giuliani uh and such and a bunch of other politicians um and just i mean i'm having a hard time thinking of all you know it's trying to like name all the santa's reindeer or the seven dwarves you know you like you get down a few or you're like wait uh there's also uh you know so i'm i don't want to um take up too much time saying a lot of urs and ums as i try and think of them all but she is just where she just blended into those impressions and then characters and she was like Phil Hartman where she could be in she could do the whole show, you know she could do and it was almost unfair to the other cast members I don't want to overhype her too much you can't overhype her but. Track 2 [10:02]I will. I do, but I want to be fair to everyone else. I want to be fair. I don't want to make it seem like the rest of the cast that they were less. I don't want to make them seem like they were less than they were. Track 3 [10:16]But she's amazing. Track 2 [10:18]But she was just, Kate McKinnon was just, her talent was made for Saturday Night Live. And I'm not going to lie, I miss her. Track 3 [10:28]She definitely left a hole and she was part of a she was part of a trinity when you talk about her and cecily 80 unbelievable with things like twin bad i mean back home ballers just amazing the three of them together will just fire so excellent choice joe i'm gonna shake things i'm gonna shake things up a little i'm gonna i'm gonna break i'm finally gonna break up our like female male domination that's going on, which I love, but I'm going to break it up a bit. Like I said, I chose two from season six because that's where my head was at, and I chose a musical act, and I know J.D. Mentions this. Thomas mentions this. Track 3 [11:12]Musical guests don't seem to get into the Hall of Fame. I think Paul Simon might be the only one still. Dave Grohl is knocking on the door, and he's he's on my list but the act i want to talk about they're coming up this season like i said is one of my favorite bands and remember i'm a gen xer so i know you know joe who i'm talking about uh you too you do i mean i watched a couple of performances it's hard to find musical performances especially when you don't have peacock which i know right i know snl fan without peacock But anyways, I love you two. I could not believe how amazing they were on that 8-H stage. Thomas made a really good point in the draft episode. Track 3 [12:03]They were selling out stadiums at this time. I mean, they were huge at this time. But then they could bring it down and be right on that 8-H stage and be intimate and personal. And Bono, let's face it, it's the Bono show, right? The man can sing. He has charisma oozing out of his pores. And he just captivates. And that's exactly what he did. it. These days on current SNL, the musical acts are really getting out of control. And I know they talk about this in several of the podcasts I listen to. They're throwing all these dancers and visual effects and explosions. You don't need it. If you can sing and you're talented, you don't need it. U2 does not need it. I'd love to see them get in at some point. I hope they get at the 10% to at least stay on the ballot. But after Dave Grohl, I think they should be in next because they're just amazing. So those are my two. Track 2 [13:07]All right. So let's get into the two that we think definitely won't. I just want to go first because I want to continue the trend of what we're talking about with the musical guests. Now, you said that it's going to be really hard for musical guests to get into the Hall of Fame, because they're not really a major part of the show. They're rememberable, but not as much as the cast, the writing, the host. So they're kind of like the fourth tier. But they're very important, don't get me wrong. It's just not one of the initial people that you think of when you think of the show. So as far as my first pick, I'm going to say Randy Newman. I agree with everything that was said when they were doing the ballot show. I agree with Randy Newman's great toy story. I love L.A. He's funny. When he accepted an Oscar, I don't remember specifically what he said, but he had a great Oscar speech. Track 2 [14:10]Let's just put it this way. When you're voting for an SNL Hall of Fame, you know, person, I doubt that you're going to vote for Randy Newman. I mean, there's just a lot of people ahead of him in line, you know, like, you know, like the people that we're saying, you know, and then there's you got, you know, you got hosts that are well known. You got cast members that are well known. Writers are kind of a gray area, you know. And then musical guests are just hard to get into, period. And then Randy Newman is, you know, like people might know him from Toy Story and such, but they might not know him that well, or at least current people or whatnot. And I'm not saying anything, I don't want to say anything too much, too negative about him, but he's just not really a household name anymore. So with that being said, like it would be hard to vote him in the snl hall of fame so yeah i don't i don't know what more i could say after that it's just kind of kind of cut and dry i guess like you know like it's hard for a musical guest to get in and he's not really that well known as a musical guest so agreed. Track 3 [15:30]In fact i agree so much my first totally won't get in was also randy newman and i'm not gonna to rehash it because you said it well. And even when J.D. nominated him in the draft, he said that he wondered if people would remember because he hasn't been... I mean, I'm sure he's still doing music for movies and doing movie songs and things, but you don't hear about him much. Like, I don't know if he had a new song in the new Pixar movie, the one that just came out or not. But yeah, I'm not going to go into it too much since you did a great job. I will go on to my second person and then I'll throw it back to you. My second person is a writer and I have to disagree with you a little bit. I actually, well, I don't know quite how you feel about writers, but you kind of sounded like you thought they were gray area. I don't think they're gray area. I think writing comes first. Great writing. Track 2 [16:34]I don't think it's important. It's just not, the writers might not be well known. Track 3 [16:38]Oh, I agree with that. But I feel that writers are the most important. They're that base ingredient. read yet. I don't care if you have the best cast in the world, if the sketch sucks and is poorly written and the characters aren't well-developed, nobody's going to be able to bring that to life. Whereas if you have a great sketch or a great script, a so-so actor, like say even myself, could do a good job with it. I think writing is essential. I don't think writers get enough love in the Hall of Fame. I don't think they get enough love in general. So that all being said, I'm going to talk about Alan Zweibel. Unfortunately, unlike Jim Downey, who I'm so happy got in, he doesn't have name recognition. He's done a lot. I've been reading a lot about him, and I was sent a list of the sketches he's worked on. I mean, Roseanne, Rosanna, Dana, Anna, Letella, Emily Letella. He worked very closely with Gilda, very close with Gilda. He was very, very, very, very essential to those early years. Track 3 [17:56]Unfortunately, and I worry about this with Garrett Morris, too. I don't want to get off track, and Lorraine. People don't have long memories always. And especially these days, Joe, you know the kids are jumping on, they're watching sketches, they're watching the Beavis and Butthead sketch, they're not watching the whole show. So it's very different now. And I feel like writers like Alan Zubow have been lost to the anals of time, unfortunately. And maybe I'll be wrong. I hope I am wrong, but I feel like there's other writers ahead of him a bit. However i'd be thrilled if he got in i'd like to see writers get more love but i don't think it's happening so now i'm gonna throw it back over to you. Track 2 [18:41]I just want to add on a little bit to that because i think he might have been a cast member in season five because okay yeah everyone started leaving so they just started pulling people from like the writers and like because like i think paul schaefer was a cast member in season five so season five was It was just kind of that running on fumes before everyone left. And then also, I just want to mention, as far as the Gildan Radner connection, I just love this memory, which is her last television appearance, which was on It's a Gary Shandling Show. And I know this isn't Saturday Night Live, but um uh he gary shanley uh developed that show with alan's i or uh zybel and uh after, gildan ran there was um she had a pause where she started to look good uh health-wise and so she showed up on that show and i just wanted to recommend people to look that moment up because it's such a gift from alan and gilda um so i know it's outside saturday night live but uh, But anyway, to segue to my pick, I also picked a writer for the same reason. Again, writers, it would be cool if writers, if you could see their name on the sketch. Track 3 [20:04]Right. Track 2 [20:04]That would be great. You know, that way, you know, like the only one that I think of is Jack Handy, The Deep Thoughts. You saw his name on that sketch. Right. So that kind of made you familiar. Now, anyway, my pick is Julio Torres, who is more recent. I just don't, he's not like John Mulaney, where he's a recent writer who has standout specials or hosted the show and all this stuff. I'm sure he's a great writer. He's just not well known. I think he's the least known person on the list. Track 3 [20:41]I think you're right. He does have that I'm a Stone Actress sketch, which was great. But, yeah, he's not really talked about as much. Track 2 [20:49]I mean, I don't want to, I literally don't have anything negative to say about him other than the fact that he's not known enough. And I'm sure people found out, you know, what sketches he wrote. They'd be like, oh, yeah, absolutely. I love that. But at this point, you know, I mean, you know, I just can't see people looking at this list and voting for him. I mean, and I'm not saying anything negative about him. I just don't see him being well known enough. Track 3 [21:23]Now, let's reveal our ballots. Do you mind if I go first, Joe? Track 2 [21:27]Yes, please. Track 3 [21:28]I'm just going to zoom through it. But my 15, and I did use all 15. I know some people don't, but I had a hard time keeping it to 15. I could have gone to 16 or 17. My ballot is... And a guest hire, Sherry O'Terry, Dave Grohl, Vanessa Bayer, Rosie Schuster, and Paula Pell, both writers. Candice Bergen, Rachel Dratch, Dick Ebersole, Herb Sargent, Lorraine Newman, Buck Henry, Jack Handy, Tracy Morgan, and you too. Those are my 15. And let me tell you, I didn't really know who Buck Henry was. I didn't know much about Dick Ebersole, rather. Then I listened to this podcast, and it changed my voting. And I put these two on. This is the first time I've put them on because I think they're essential to the show's history. So thank you, SNL Hall of Fame. Thank you, Thomas. Thank you, JD. Thank you, Matt, for making me a more educated viewer. Now your turn, Joe. Track 2 [22:39]All right. So with me, I just went with 10. My brain just works in the DECA system. So shout out to the Romans. um so the list goes paul rudd dick ever saw dave grohl paul lapel lorraine newman kate mckinnon adam samler martin short chris parnell and john malane um i just and to me that would almost be a great show all of himself they were together so that's my time agreed well Well. Track 3 [23:10]I'm surprised at like how similar our lists are because I think we have slightly different tastes, but I think we're ready to move on. Beck Bennett is our first season six nominee. And the way this is going to go every episode is one of us is going to be pro and one of us is going to be con. It does not reflect our true feelings, but we're arguing the side we're arguing, and that's how it's going to go. And are we ready to get started? Do you want to start, Joe? You're the con and I'm the pro. What do you think? Track 2 [23:50]Well, how about this? we'll go pro just to kind of introduce him and then uh i'll do con. Track 3 [23:55]Okay we'll just throw it back and forth how's that sound yes sounds good all right so i am arguing the pro for mr beck bennett eight seasons that alone meets one of my criteria i feel like a great cast member has to have at at least five. Beck has eight. Eight seasons, and he came out of the gate on fire. He brought ideas to the show. He, of course, had a relationship with Kyle Mooney, and they came with sketches. So that's my first pro. Want to give a con, Joe? Track 2 [24:37]Yes. Yes. So now, first off, let me just say I agree with every positive thing. However, my assignment is to come up with cons. So I agree with everything that you're saying and everything on the podcast. However, for the con, I feel like he was a part of a big cast. Track 3 [25:01]True. Track 2 [25:02]And he didn't really pop. He didn't really stand out. So to give an example or demonstration of this, imagine if he came back to host, you know, people wouldn't be saying, oh, I hope he does this sketch, you know, like, or I hope he does this character. There wasn't anything. He did Baby Boss, but that wasn't rememberable. I don't think people are going to be quoting or re-watching that on YouTube. A lot of the Kyle Mooney pre-taped stuff is funny, don't get me wrong, but not rememberable. He didn't you know he just didn't pop and then um he also did a lot of the straight man stuff which is a thankless task like he did a lot of uh game show hosts and you know so i just that's my con he just didn't pop he didn't stand out i i just i can't make a list of uh stuff i would want him to do again if he came back to host so that's my con all. Track 3 [26:09]Right so i i just want to add I've got a few more things for the, for the pro. Let's talk about his pre-tapes. I mean, he and Kyle came with the SoCal boys, kind of the clueless boys who were all over the internet at that time. They're probably still all over the internet. And they just nailed it. And it was so funny. I just rewatched a couple of those SoCal boys pre-tapes and they were hilarious. But I just want, I have to mention my, one of my absolute favorite pre-tapes, which is the Leslie Kyle back. Track 3 [26:48]Triangle specifically the one with the masquerade with the eyes wide shut for those of you young listeners it's a movie that came out a long time ago watch the sketch watch the pre-tape i i can't even do it justice so funny even colin jost gets into the act it is hilarious i just think beck was one of those in the clutch performers who could come and be the straight man and all the the craziness could bounce off of him against Santa Baby with Gosling and Vanessa Bayer. They're going nuts about Santa, and Beck has to play the straight dad role. Like you said, Joe, always having, often having to be the one that everybody else sort of plays. He's sort of the canvas, and they play off. He's just so perfect at that. And they mentioned so many good examples in the Hall of Fame episode that I don't think I need to do anymore. So that's my wrap up. I think he deserves a shot. And I was very happy I got to be pro because I know, Joe, that you struggled with the cons. But I think you did an excellent job and made some excellent points about why maybe he is not quite Hall of Fame material. Track 3 [28:13]All right, Joe, I think it's time for our final, final segment, our hopes for the 50th season. And the theme for this, this week's our first is which two cast members do we want to see more of? All right, I'll start. Let me tell you, I had two, I had two people. One, I didn't change. One, I did. Guess why? Why? Because my buddy Joe and I had a conversation and he made me rethink and I'm like, he's right. I need to go with my gut and I need to say a regular cast member. I was going to do a newer cast member, but instead I'm going with a I believe she's going into her sixth year. Track 3 [28:59]She's getting the screen time. But thank you, Mike Murray, on Saturday night or Saturday as an on the Saturday Night Network. Network yeah because mike murray if you haven't listened and i'm assuming if you're listening to this podcast you listen to the hasn't on uh mike murray does a great stats breakdown and he gave me some stats and he's he talks a lot about uh minutes per episode and i don't think i don't think she's getting enough time on screen and he has solidified that for me i'm talking about the the one, the only, the incredible Ego Nwudum. She is my favorite cast member, bar none, hands down. Track 3 [29:45]I think she's absolutely hilarious in every sketch she's featured in. She just holds her own so beautifully against the likes of Kenan and Mikey Day and Heidi Gardner. Ego stands tall and proud. She's amazing. I'm really happy she got one of the first reoccurring characters in a long time, Lisa from Temecula, and she delivers. And I'm thrilled that she's got a TV show now, I believe on Peacock. I think it's called The Throwback, but I might be messing up the name. But I'm really, I'm thrilled that she has a show and I want to see her. I hope that doesn't mean she's going to get less screen time i want to see her get more screen time okay joe. Track 2 [30:33]Who do you want to see more of again i guess this is a very female themed episode because my first one is my comedy crush uh and by that i mean i love her comedy is sarah sherman uh. Track 2 [30:53]So I just love she is so unique, but I'm also glad she could blend in to the cast. Like, I'm glad that she could do both her unique style and, you know, that doesn't alienate her from everyone else. She's able to be in sketches that don't work, you know, that aren't about her unique sense of humor. She is so she has such a unique identity. She just does goes with her gut and just and then on top of that. And then the second point is I want to see her on Weekend Update. She did Sarah's News, I believe was the segment. But most importantly, and I do mean this, which is important to me. I want to see her roasting Colin Jost because she is aside from those swap joke swaps that he does with Michael J. I love seeing Colin Joe's get roasted by Sarah she just does it in this goes for the jugular just really you know she did one where she went backstage in his dressing room and there was like yeah this is where he keeps the interns in the cage and stuff like that and she, chef's kiss I mean I just love her unique sense into humor and I love seeing her roast Colin Jost. So yes, that's my first pick. And now yours. Track 3 [32:19]My second is a little newer and he just nailed it this past season. I think he's getting more time, but again, thank you Mike Murray. His screen time is not where it needs to be. His Tim Scott is one of my favorite political impressions currently. Of course, I'm talking about the fabulous Devin Walker. I think Devin is fantastic. I love Marcelo Hernandez, don't get me wrong, but he seems to be the newbie getting the most love, and I'd like to see the love spread a little evener for Longfellow as well, but really for Devin. I think this is Devin's season to shine. I hope so. I hope they give him more impressions. I hope they put him on update. Let him have Devin's take, kind of like they did with Longfellow and let him give his takes on certain cultural happenings in the zeitgeist. Yeah, I want more Devin Walker this season. A lot more than last season. Track 2 [33:16]So my second pick is Michael Longfellow. It's just real... Yes. It's just real simple. I just look at that guy and I know this is kind of a part of the con that I said about Beck Bennett, but he has great deadpan. Track 3 [33:34]Yes. Track 2 [33:34]So and that is really one of the thankless tasks of a cast member is looking at the other ones, looking at the character and just, you know, acting, you know, and just having a facial expression that says you're weird and stuff like that. Track 3 [33:51]Yes. Track 2 [33:52]You know and then um how about this is what came to me i can't believe it was an snl cast member or or anything but it keaton has this thing where he just goes no no and michael longfellow just has that in his face where he's able to do that without saying anything like you're weird you're just he's got it in his eyes it reminds me of like dave foley from news radio um he just he's He's able to look at the joke and not say anything. And to me, it's more important to act instead of saying, you know, like, you know, brevity is the soul of wit. So just to be and I just like seeing that from him. So that's what I'm hoping to see more of from him. Track 3 [34:33]OK, so I think the moral of our episode today is we want more women getting involved and we want the newbies getting some love because both Devin and Michael came in. And Marcelo seems to be getting all of the love, which he's super talented. But like I said, I'd like to see them spreading it out a little more. Okay. I cannot believe that this is the end already, Joe. This is so much fun. You are so much fun to talk to because you're as geeky, passionate about SNL as I am. And so thank you. Track 2 [35:10]Yes. And I believe you have excellent taste. No, no, you're great. You know, you have mountains and mountains of information and passion. So, yeah, this is great. You know, I hope to be doing this every week. We will be doing this every week right here at the Butter Cooler. Track 3 [35:26]We're throwing our cups away until next week when they'll be, when Thomas will be joined by another great guest on the SNL Hall of Fame. Well, they'll be talking about the one and only, and we talked about her today, right, Joe? Track 2 [35:41]Yes, we did. Track 3 [35:41]The fabulous sherry o terry very. Track 2 [35:47]Energetic a mountain yeah we got a lot to get into on. Track 3 [35:50]Yeah looking forward to it but for now leaving the water cooler till next time throwing out the cup. 0:00 / 36:41 0.5x0.75x1.0x1.25x1.5x1.75x2x Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Taran Killam | 04 Mar 2024 | 01:09:32 | |
Welcome to the SNL Hall of Fame podcast! This week on the program we've invited back our dear friend of the show Kirsten Rajala to join Thomas in conversation about the former Cast member Taran Killam! jD and Matt are on hand to handle the rest of the lifting! Thanks for listening to the SNL Hall of Fame podcast! Transcript: [0:42] All right. Thank you so much, Doug DeNance. It is cold outside here at the SNL Hall of Fame. So why don't you take a look down below and you'll see a mat. No, it's not Matt Ardill, but it's a mat for you to wipe your feet off. Get that snow out of here. Somebody might slip and fall. That could be a real lawsuit on our hands. So there's that. The SNL Hall of Fame podcast is a weekly affair. Each episode, we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. That's how we play the game. It's It's just that easy. This week on the SNL Hall of Fame podcast, we are talking about former cast member Taryn Killam. And we are joined by our good friend Kirsten Rajala, who is a regular on the SNN and a regular here in the SNL Hall of Fame. Do you know who else is a regular? Our friend Matt Ardill. Let's go down the hall and talk to him. Track 3: [1:59] Okay, I am walking down the hallway and I see him leaning on the wall ever so casually. Look at this cool cat. It's Matt. How are you doing, Matt? I am doing great, JD, and yourself? You're looking pretty fine today. Well, thank you very much. It's these new pants. They're very snazzy, very snazzy. Yeah, yeah. Track 2: [2:17] So, Taron Killam. Track 3: [2:19] Six foot one, born April 1st, 1982, which makes me feel very old. Born in Culver City. His mother toured with the Charlie Daniels Band and his father. Oh, my gosh. Yeah. Singer, songwriter, performer. That went down to Georgia. Yeah. And his father was a member of the City Garage Theater Troupe. So he has showbiz background. [2:46] In his veins. And he was born April 1st, so it's got to be comedy. Yeah, exactly. Exactly. This is the great grandnephew of the actors Rosemary Bow and Robert Stack. Get out. Yeah, yeah. Like showbiz legacy kind of thing. Wow. If he was joining today, they'd like be shouting Nepo baby. So, but yeah, he attended the Los Angeles County High School for the Arts and the UCLA Theater, Film and Television Program studying musical theater, which we will get back to. He graduated from the Groundlings in 2010 and is one of two cast members to be both on MADtv and SNL. Did not know that. Yeah, yeah. When he joined MADtv, he was actually the youngest cast member at 19 in 2001. He has 90 acting credits, four writer credits, and two producer credits, along with six soundtrack credits that we will touch on in a second. His first film appearance was in naked gun 33 and a third the final insult as the character named boy. [3:54] Very you know big long a big credit there uh it was 1994 and he was at the age of 12 when he yeah so as a child actor he he was also on unsolved mysteries uh the jersey and big fatliar He had a recurring role in Stuck in the Suburbs. He went on to play Mr. Rad in Community in their regional holiday music episode. He wrote the comic book miniseries for IDW called The Illegitimates, which I'm going to have to now cover on my comic book podcast. Give it a plug. What's the title? know detecting the marvelous so if you want to check out about comics the three comics chatting about comics yeah so he went on to marry colbysmulders and uh is a broadway star taking over the role of king george the third in hamilton in 2017 and he did so well with it yeah yeah and he also played lance a lot in the broadwayproduction of spam a lot Oh. So, I mean, that's tying his comedy and his musical loves together. Yeah. Which I wish I could have seen that. I wish I could have seen that. Yeah, that would have been great. Man, I wish I lived in New York sometimes. Yeah, yeah. So close, yet far enough away to be a pain in the butt. Right. [5:19] So, I think we should go to our friend Kirsten Rajula and Thomas down in the basement and And get a sense of what they're thinking about Terran Kill'em. Looking forward to it. All right, Kirsten and Thomas, take it away. Track 4: [6:02] All right, JD and Matt, thank you so much for that. Yes, we are talking today about a great and sometimes, I think, overlooked cast member, and that is Taryn Killam. So to join me, not an overlooked guest, in fact, what are you now? Are you a 20-timer on our podcast at this point, Kirsten? I feel like I'm a 20-timer, a happy 20-timer, though. Yeah, you're like our Steve Martin, I think. You're just like, you're in the fabric of the show at this point. I love it. Thank you. Yeah, yeah. Thank you. Thank you for joining us. Kirsten Rayula, thank you so much. Kirsten, how are you doing? [6:46] I'm doing fantastic. And I, you know, I know I say I love so many of the people that we talk about, but this is a real special one. So I'm doing great because in re-watching a lot of this person's material, serial it put me in a great mood yeah it really does that it puts you know i the last few days that i've been revisitingtaryn's sketches and and whatnot i've just been in a wonderful mood because of that so so this yeah this this is a good one to talk about uh given the nature of our the format that i like todo on this podcast kirsten i'm going to let you plug stuff up the top so tell us what you've been up to i know you have a storyteller thing that you're doing i know that you've been on a lotof SNL podcasts. So tell us what Kirsten's been up to. All right. So yes to both of those. So my bestie and I, we host a seasonal storytelling event. It's called Generation Women. There is one in New York. We have the Toronto-based shows. So folks in New York, you can go see it there as well. And it's an intergenerational storytelling event. So on a common theme, a woman in their 20s, 30s, 40s, 50s, 60s, and 70s plus all tell us a story. And they're not professional, but they are formidable women. [8:05] And it's a really beautiful night. So, you know, if you're in the Toronto area, come check us out. The next one is in April and they happen every season. Or if you are in New York, check them out there too because the event itself is like a big warm hug. It's fantastic. And to be able to give a voice to so many people who, you know, we all have a story to tell. So that's great. And yeah, I mean, my love for SNL grows deeper and deeper the more I engage with all these other fantastic members of this SNL fan community. And I've just got to check off my bucket list going to see the show because I have not seen the show live yet. That's hard to believe. I know. Have you entered the lottery? Yeah. [8:47] That's the thing. I haven't. Okay. You got to enter the lottery or the best way to do it is in the standby line. That's how my wife and I got into the show. Yeah, it does. Yeah. The success rate's a lot better than the lottery. So I'd advise you, honestly, just take a weekend to go to New York and do the standby line. What time did you get there? Well, they have a new process. So you send an email now and then they give you a number. Okay. And then you show up about 6 o'clock with your number, and then they slot you in the line. And then you wait. How we did it, and this may have even changed since then. It was 2022. But how we did it was we slept on the street for 12 hours overnight. And then they handed us our cards. We picked live or dress. And then they handed us our cards. And then you show up to Rockefeller Center and then kind of hope you get in. And we got in for the Lizzo show two years ago, my wife and I did. Oh, my gosh. But you slept on the street for 12 hours? Yep. And it was fun. We made friends. [9:55] Lizzo bought us pizza. Her backup dancers came out and delivered pizza to us. So it was a whole thing. Now it's fun. Did you see live or dress? We saw dress. Yeah, I'd almost rather see dress because I want to see more. Mm-hmm and we we've we uh compare we were able to compare dress to live see what got cut see what should have got cut that made air and all of that so that's that's what i recommendbut you gotta see the show okay 2024. [10:22] Yeah. I got to get on this. Scratch that off your bucket list. Yeah, I got to do it. All right. All right. I'm actually writing this down. I'm going to, this is happening. Yes. So also as part of your big appearances on podcasts lately, you were on the first episode of season five of the Esna Hall of Fame in our draft. So you were one of the drafters. It was me, you, and Matt Ardill, and you chose today's topic, tear and kill them. So just in general because we're going to kind of deep dive into some of his sketches and work just in general what was it about Taron that compelled you to want to choose him and talkabout him oh that's a great question I will say I read a lot of comments on so many of the videos that I've re-watched and I gotta tell you I don't think I saw a single negative one everyoneEveryone said, overlooked, stellar member of the cast, and Lorne did him dirty. Lorne did him dirty. We need closure. I know. We really need closure. He, gosh, he's just so consistently funny and the kind of person that I'd want to hang out with. I'd want to hang out with him and just laugh and do silly characters. [11:45] And that's probably part of the reason, although I'd probably say that about people like Bowen too. But special place in my heart. [11:51] And I think most, apparently all, according to the comments, people would agree with me. Yeah, Terran comes across as a big old ball of sunshine. Yeah. I think that's something that came to my mind. He just pops off screen. He just fills the room with joy. Even when he's playing almost an unlikable character, it's fantastic. And he's likable in the process. Yeah, and all chips on the table. Like, no ego, just attacks each character, which I admire and enjoy so much. And Kirsten, as far as SNL cast members, a few different categories come to my mind. So you have cast members who are unquestioned stars that hit in the mainstream. Mainstream so like your will ferrells your eddie murphy's like those are unquestioned mainstream stars that hit on the show and had a wider reach then you have cast members who arejust not cut out for the show don't want to name specific names but we can think about snl history we know who a lot of those people are you see them they're okay but maybe not totallymade for the show then you have cast members who are obviously very good obviously made for the show but slip through the cracks just a little bit. [13:15] So I think Taron probably falls into that last category. Clearly made for the show, but kind of like went under the radar. So why do you think that happens, Kirsten? Like a cast member can be made for the show, but not 100% hit like on a mass like populist level. Oh, I wish I knew I would just become an agent in Hollywood. I think he's got a little bit of so many things. He's got a character actor sensibility. He can play the, you know, Prince Charming type role physically. And then there are some sketches like Overly Protective Brother where there's some Farley characters. [14:00] So he almost had a little bit of everything, and maybe that was working against him. [14:09] You would think it would work for him, that they could just, you know, great, bring him in, bring him in, bring him in. And perhaps the other folks that leaned into those lanes, you know, Chris Farley doing his kind of boisterous, over-the-top, yelling, aggressive, high volume. And then you've got Sudeikis who really leans into like the smarmy dad or co-worker boyfriend and they really raced hard against those things and he was like I'll do all of them so youknow Jack of all trades master of none is all I can figure no I think that's a really good point I think he didn't have the one thing to latch on to I think you're right he was willing willing todo everything, was capable of playing anything and doing anything on screen. And you're right, as far as mainstream appeal, SNL nerds watched Taran Killam and knew what we were seeing. We were seeing a person made for the show who was great at sketch comedy, but I guess he didn't have the recurring character, though I would argue at least one or two of his charactersprobably should be more well-known on the mainstream level. But you're right, Jack of all trades. I would say master of them, but maybe that wasn't the perception of the quote-unquote average fan or the people who aren't SNL. Not in a Hollywoodway. Yeah, exactly. [15:33] But we are here to appreciate Taron Killam. We know SNL fans do, and we appreciate him. So Kirsten, I want you to get this going. We're going to talk about some sketches. What sketch or character do you want to start with with Taron Killam? Well, there are some I know we're going to cover them all. But one of my favorites, it may have been one where he really landed my consciousness was Les Jeunes de Paris, the youth ofParis. And this happened a few times, I think the ones with Emma Stone, really, you know, that was my, the top. Pop they're a bunch of you know teenage kind of cool parisian kids with their parisian style hanging around a jukebox there's some flirting going on and then this really fun poppy songwhich by the way i shazammed and then put on my spotify and have listened to because it's so fun i think taryn or somebody heard it at a starbucks or something really one time and waskind of like that's where it came from that's a cool groove yeah and then they just do this kind of incredibly. [16:47] Wacky dance at certain parts of the song and then switch back to playing it cool love love. [17:05] One of the sketches that I would have loved to have been in as one of those dancers. Yeah, that looks so much fun. And by the way, my French teacher wife would say magnifique on your pronunciation of Le Jeune de Paris. Well, you know I'm in Canada, right? Yeah, that's true. You have a leg up. Yeah, I should. Just a little leg up. But thanks. No, I'm taking away the compliment. Ah! No, so this was great. Like kind of an out there concept. Concept like there it's like almost a parody of like a stereotypical view on like the youth of paris or whatever like so so funny out there concept taryn is such a good physical performer andi think that's going to be a common thread in a lot of the stuff that we talk about is just how he contorts his body the facial expressions after the the look on his face after he gets slappedand he's had kind of the self-pleased look on his face and just such a great physical performer, Kirsten. I agree. I have some key themes, the physicality of his performance and also very much a vocal performer using Thrall's impressions, kind of volume, tone, cadence, and then face pulling. He really is in control of. [18:27] His being and brings all of it. You know, there are some recent episodes of the show where we've had guest stars and such on, and you can see a difference when they're showing upand they are there on their looks alone or their attractiveness or something. And this is someone who will do anything for the role, pull faces yell and scream as you say twist and contort and I think the fans appreciate when someone really just dives in like thatyeah when I was talking about that the different categories of cast members when I said cast members who are just maybe not cut out for the show that's one of the huge things that sticksout is I almost they they almost have nervous energy on screen and And then I feel sorry for them. They're self-conscious. Self-conscious, yeah. And I don't want my SNL cast member to be self-conscious. I don't want to sit there and feel bad for the person on the screen. With Taryn, that was anything but. He had complete control of his performance. If he was nervous, which he probably was, especially at the beginning. Dana Carvey said he was nervous after his five years on the show. So I'm sure Taryn was nervous, but it did not show. So he was in complete control in his performances. [19:53] You know where you see that a lot is when a sketch has physical demands for the character. And I'm thinking of the Maryville brothers. [20:07] Because a sketch like that requires a very specific type of movement. They're animatronic characters on this kind of carnival ride. So in addition to having to use his face and his body in a way, there's a very specific type of movement that him and the Maryville brothers are making. So I think it's a really, it's a perfect example of someone who can match the movement with the facial expression and that kind of what that character is, which is this, I mean, he almostlooks like slack in his face. Right, right. And he just does those movements so well, it's hilarious. But Maryville Brothers, to me, is another one where it's, I actually don't know if he wrote that, but someone had to have created that with him in mind. That's such a perfect example. It was almost a way to show off Taron's ability. Also, Bill Hader was very good in those. Bill Hader's another one who can, yeah, play in the triangle. He's another one who can do his body like that. When they got the perfect host who can sort of match Taron and whoever else was in that sketch. He did this three times. Jim Carrey, Justin Timberlake. Surprisingly, Bruno Mars was pretty adept. Well, maybe not surprisingly because he's a dancer. So that's like a movement kind of thing. But this is almost like a way for Taron to show off. [21:36] He's such a good physical performer. He must have gotten A-plus in a movement class. I'm sure he could teach a movement class at university. He's a musical theater kid, so not that that means everyone excels in movement, but more so than the average person. But yeah, it was a showcase for him, for sure. My eyes were always drawn to him in that role. I actually had forgotten that Jim Carrey and Justin Timberlake did it, because I really only think of Taron and then, yeah, Bill Hader with the ding. [22:07] But Jim Jim Carrey was also like they're also fantastic but it's his show for sure no definitely he's kind of the common thread in those Maryville sketches there's another one towardthe like later in Terran's tenure I don't know if you got a chance to watch this or remember this it's called Undersea Hotel it's the one Peter Dinklage hosted it's another great example ofhow great Terran is it's just odd movements because he plays Terran plays a dead body who's supposed to be floating underwater and the way he's moving his body is absolutely hilariousdo you remember this one yes and i in my recollection thought he must have been dangling he wasn't no he was just you know standing but able to kind of float and kind of bob in thisfake water scene, And it truly looked like he was underwater and or suspended and kind of just, you know, being kind of swung around. And then he gets hit with the pool cleaner and then he gets brushed up and his face is against the window. [23:17] And then the eel is eating him. I mean, yes, top marks. [23:22] The whole sketch really hinged on the believability of him as this kind of dead body floating. And i don't think anyone else could have done that no not not on that cast i don't think when uh sesley's looking at him as the dead body and she's like is he following me yeah and yeahand taryn of course is like matching sesley's movements and and everything like that jay farrow ended up in the water too but he was on string so see he was on some sort of umsuspension thing but but taryn was on on the bottom of the screen so he was able to manipulate his legs and body that like that that one just totally sticks out like classic Taron Killam andhis movements I'm glad you remember that one that's what that's definitely one that stuck out to me as far as like later Taron that was that was a real big highlight for me yep if peoplehave not seen that one recently go re-watch it and remark at his ability to look like he's floating when he's not floating yeah yeah it's fantastic um there's uh well i don't know what else doyou have on your list to celebrate terror and kill him oh well one that i really enjoyed it was hypnotist oh so in this one we've got joseph gordon levitt he's playing tommy bergamo he's uhuh you know one of those It's like a cruise ship or a hypnotist. [24:50] Like a Vegas nightclub. Yeah, yeah, kind of really corny. And there is Taron and Vanessa's wife. He's got his Tommy Bahama button down and a little mustache. He's on vacation and he's playing Curtis and Curtis can't be hypnotized. Um so as joseph gordon levitt or as tommy as he you know hypnotizes him he always is conveniently looking away when it gets so it gives curtis turning character the chance to interactwith the in sketch audience you know like wink wink nudge nudge i'm not hypnotized and he's he's mouthing these words i'm not hypnotized i'm not i'm not and he's giggling and he'sknown as a ham like that's the premise as he goes up there and you think oh what's gonna happen to this guy who's a ham and he's really cocky and is he gonna end up acting like an idiotno no he he sets up this whole thing where he's playing along but he is having so much fun being a goof and. [25:53] I, it was very believable. Um, but I, yeah, I, I just thought it was so funny. I don't know what even to say about it. I just made me happy. Again, one of those things just made me happy. Yeah. Taryn, I loved his facial expressions in this. Like when he's, he's so, he's so pleased with himself when he's mouthing to the audience, I'm not hypnotized and he's kind of chuckling. And then, uh, he's just such so good at facial expressions and the there's escalation. So we, a lot of times when we talk about sketches and maybe, you know, what sketch worked and what What didn't we talk about? There's no escalation, but in this sketch, there was escalation. He stripped down to his tidy whiteys. Oh yeah. And was walking around. Yeah. Walking around in his tidy whiteys, pretending to be a dinosaur, humping Keenan, humping people. He, Taron threw himself. All for the joke. Into this. Yeah. Yeah. Joseph Gordon Levitt was the hypnotist. He did a great job. Vanessa bear played his wife. Just a, this was from season 38. Almost like a lost era of SNL. It was a transition era of SNL after Kristen Wiig and those people and before a lot of the political stuff took hold, before Kate and Cecily and 80 really tookhold in the show. There was a little transition period and a sketch like this tends to get lost, but this is such a great highlight. [27:20] You know what else I enjoyed about it is that it ended really well because that is often something I'll complain about, that the sketches don't always have a really nice bow on top. And in this one, they create an entire scenario where he apparently, under hypnosis, admits that he's cheating on his wife and Vanessa Bayer plays along. Curtis, when I snap my fingers, you will reveal your darkest secret. I'm cheating on my wife with her sister. Uh, no. No, no, Cherie. He told me to say that I was hypnotized. That's part of the show. Tell him. Well, happy birthday to me! Oh, Cherie! Oh, God, you ruined my life! Why? Why? This is unfortunate, but as you can see, I did, in fact, hypnotize Curtis. Oh, she's so shocked, and then you see her pop out on stage, and she's clearly, ha-ha, I'm not hypnotized. I'm joking, too. I'm in on it. So I really liked how that one ended. You know, there is a great example that I have of facial expression. [28:25] And this was a sketch called Brother to Brother with Chris Hemsworth. Okay. Remember this one? So it's treated as like a really, really stereotypical 90s kind of teen sitcom. And you've got Maddie and Markie and they're twins or brothers. I don't know if they're actually twins, but brothers. and all the delivery of the lines is in that like, come on brother, time for school. Like just corny, corny teen stuff or tween even. And the premise here is that. [28:57] Chris Hemsworth is bad at math, so Marky is going to go and pretend to be him and take his math test. He goes in the class. The teacher and all the students clearly recognize that they're very different looking. [29:12] It's Chris Hemsworth. Yeah, you think about Chris Hemsworth and Taron Killam. No offense to Taron Killam, but you know. Yeah. [29:17] And then Cecily, who's the teacher, and the students in the class will not stop making comments about why the two look different and it's very complimentary of chris hemsworthand his physical attributes and obviously not for taryn and he's just looking at the camera while they insult him making so many funny faces like okay yeah that's enough yep yep nogotcha all right cool yep no you figured me out and they won't stop and i don't know if i could stare at a camera and make enough of the faces that he did he had so many that he keptpulling out it was hilarious yeah he could contort his face as well as contort his body it's just such like like i mentioned movement class but he must have the stuff you'd learn in like clownschool and stuff that's like a clowning kind of thing like uh that's such talent not and that that's kind of a rare thing for snl cast members to be able to adequately adequately do that's whypeople who can do that type of movement really stick out to me yep i want to bring up i think this is a good part of the show to bring up uh maybe my favorite recurring character of his,and probably a lot of people's. It's Jebediah Atkinson, his Weekend Update character. [30:44] Annie! Oh, great, a needy ginger who breaks into song every five seconds. Sing as loud as you want, honey. Your parents ain't coming back. [30:54] Next! Ugh, don't even get me started on cats. I've seen a less depressing show featuring 100 cats. It's called Hoarders. You know what that play needed? A first act visit from feline AIDS. Cats don't care about you. All right. Okay. Kirsten, tell me in this research you dove into Jebediah Atkinson. I actually saved it for last because I needed that to be the wonderful dessert. What an incredible character. And he came back six times, four times in one season. So Jebediah, our 1860s newspaper critic, the jokes are amazing. [31:45] But what I especially love about this is oftentimes, Michael Che does this a lot, is when there is a joke that causes groans, is they try to win the audience back over. You know, they kind of, oh, you know, Jebediah gives zero Fs. He doubles down. He doesn't give an inch. Like, it's unapologetic. he says the craziest things and he his character does not care if anyone is insulted it is what makes for such a funny funny character andthen he mocks them back at their groaning and he insults them like i yes what have we got here he says they were such such pussies about that cat joke. The audience went full bitch after the Snoopy joke. [32:41] Oh my gosh. I think at least two or three times in different Jebediah appearances, he said that the audience went full bitch on something. Yeah. Audience were such bitches. Yeah. You know, what's funny too is in this, this character ad-libbed a few times. There were a few times when clearly he went a little bit off script, but he was able to improvise so well in character that I think he became more beloved because of it yeah there was like aflub that he had when cecily was an anchor did you like any of this year's nominees i haven't liked any tommy i haven't liked any tony nomination ever i got big beef with tommy a bullyand tommy you know who you are. [33:32] But the tony cecily, she kind of laughed and he's like tommy so he made up this backstory on the spot about how tommy used to bully him or something and and then he got rightback into the character like that's such a great job of taryn like thinking on his feet. [33:50] Absolutely. And if you can draw your eyes away from him and check out Seth in the time that he was talking about Frosty the Snowman and Charlie Brown Special and such. [34:02] Seth is captivated by him, I'll say. So watch it back and again you'll usually want to watch Jebediah but Seth has turned to him and he's just delighted and giggling and so captivated by this performance like it's like he's justwatching a master class himself and you know kind of got out of his his own weekend update hosting character and was just facing him as an audience member also so I thought that waswas really fun because you know making one of your colleagues laugh like that to us always feels like the epitome of nailing it um yeah i think delighted is a great yeah delighted is agreat uh word for it seth looks so delighted and i like that this character were to cross update eras too so he started with seth and then he you could see appearances with jost and cecily andthen he even appeared with Jost and Che he was on there with Michael Che so this character spanned like three different update eras and it worked every time that this was so beloved I Ican't believe he only did it six times but I think that's probably for the best I think you know ration it out a little bit make people want it you know and uh yeah the way he would toss thecards Oh my gosh. Next. [35:26] I will say out of six times though, it was strong every time. [35:32] Because often we think, oh, you guys, just cool it with this one. No, the joke writing was incredible. You dropped a real Lincoln log when he made a joke. I don't know who it was about. Someone, I mean, this is like a death that occurred a century ago. Oh, too soon. Yeah, I think it was Lincoln. Was it? Yeah. And then Jesus. Yeah, nice fan base. You've got a leper on one side and a prostitute on the other. And then we, you know, oh, mountaintop fish on a hot day. Like, just the most sarcastic awesomeness. Yeah. When I... A big topic amongst SNL fans a lot of times is, oh, this cast member's not getting screen time, or they're not being used right. I always say, they need to look at the update desk. They need to write update pieces for themselves and try to get on the update desk. Taryn did it right here. [36:26] Kirsten, I think this is like a template for what an update character should be. Like this is one of the perfect update, like Jebediah Atkinson, Stefan, there's like a handful of update characters over the years that just really stick out. And Jebediah is one of them. This is like a classic, like, if I taught a class on SNL and how to do well on SNL, I would show this character say this is what you got to do to make it onupdate. I agree. I agree. Commit so fully, embody that character through and through so that you can improvise in character that easily. Oh, yeah. I mean, Jebediah. Is this the best thing Taron did possibly on SNL? [37:14] Ooh, you know, it could be. I kind of think looking back, he had a lot of strong work, but Jebediah kind of think it's his thing. It's what he might be remembered for. And that's a great, like, if an SNL cast member, if their best thing was Jebediah Atkinson on Weekend Update, that's a heck of a career. You didgood. Yes, if I think of, let's say, you know, we're coming up on the 50th, of all of his work, Jebediah should be in the highlight reel. Or I'd want Jebediah. I'd want Taryn to come back and do Jebediah like on the 50th celebration, Jo. Well, say that out loud a few more times. Let's manifest that shit. Yeah. [37:59] That has to happen and i will tell you this that would give me a little bit of the closure that i need due to his departure oh i know yeah we could talk about that at the end but i knowi i totally feel you but i i would just love to see him egg on all the celebrities that are in the crowd may make jokes about people in the crowd and say oh oh like in a classic jebediah sort ofway i would That's right. That's right. Well, here's the thing. He also played your more conventional roles. [38:30] So I'm thinking of Blazer, which is, you know, your kind of retro cop show detective, you know, sliding across the hoods of cars, getting the bad guys, always the shot of likeleaping from one building to the next. Context every trope from those detective sitcom shows his being named blazer he's tough he's cool he's blazer he runs he punches but it turns out that he's racist yeah and this one also hada great ending where you zoom out and you realize he's watching that footage on a small screen in his boss the police chief's office and getting you know in trouble so you see why i gottafire you right blazer because i only beat up black guys yeah because you only beat up black guys because my partner filmed everything with his body cam yeah also because i edited it alltogether and added music and put it up on youtube yeah all that yeah well had a good run while it lasted didn't we, Chief? We sure did. We sure did. [39:53] And then, We see them high five about the good old days. We zoom out from that and it's the footage of the police chief getting in trouble by the commissioner because he's done the same thing. So a really fun way for us to resolve that and make it not just be about only the character, but some fun storytelling tricks along the way when it came to the pre-tape. Yeah, that happened at the end of season 40. and that was such a perfect premise uh yeah the fact that this uh stereotypical detective don blazer he's this badass and he's punching but thenof course like as an audience member starts becoming clear when you're watching like he's only punching black guys like what's going on and then the fact that they call it out and it's likekind of gets meta and that yeah that that's that's one from season 40 that that possibly gets lost too but that's just uh one of my favorites And just the affectation that Taron can put on hisvoice, the kind of airhead-y, but want to be badass kind of guy. I love that affectation. He did that, too, when he played Brad Pitt. [41:07] Yes. He kind of put on a similar sort of affectation. He debuted. It was kind of an odd debut. He debuted Brad Pitt on Weekend Update doing the weather, which was kind of interesting. but there was a four-part runner Kirsten in the Bruno Marsepisode. I don't know if you remember this or were able to re-watch these. Is this the cologne? Oh, yeah, the cologne, Taco Bell. You've been running all day. [41:33] Sometimes it feels like you've been running your entire life through a vast, hot, sandy desert with lots and lots of dry, hot sand. [41:44] And then finally, you cross it. The border. You're at Taco Bell with the new Doritos Taco Loco. It's like pouring a bunch of loose meat and cheese into a bag of Doritos, which, by the way, is a great way to make a quick meal when you have between 8 and 20 children. [42:06] Franklin's dog condoms, some random dermatologists, like these were just brilliant. And it's not often we get a four-part runner in a show, But they obviously trusted Taron and loved this Brad Pitt impression. Yep, yep. Well, speaking of him kind of looking, I don't know, did you say like kind of dumb? A little bit. Big Joe is the epitome of that. Big Joe can't do it. This character is kind of like an early Hodor of sorts, like the farm version of Hodor. He's got, you know, he's really pumped up. He clearly looks ridiculously and over the top muscular. and Bobby Moynihan's character. This is back in like Prairie Days, I think. And Bobby's under a pile of rocks and all the townspeople gather around and they're in little pioneer outfits. But there's Big Joe and you think, look at this big giant muscle guy. He's going to lift the rocks. Hang in there, Daniel. Joe's going to save you. All right, now. Everybody stand back. Here it goes. [43:15] I can't do it. What? Are you sure? Can't be done. You didn't try for very long. He gonna die. I don't wanna die. We won't let you, Daniel. Let me give him a try. Ain't no use. Big Joe can't do that. I got it. All right, well, that's good. He got little rocks. Come on, keep on going. He already knew. As it turns out, the rocks are not even that heavy. And one of my favorite things is, um i don't remember who it was but they kind of pick it up and they skip off with it he's like oh he's skipping like they're all actually not that heavythey're kind of light and then you know there's a fun element where he's trying to pick up one very heavy one because his manly hood or his manhood is challenged by another suitor forour female character and then we see like night day night day night day and he's clearly still trying to lift this rock but no he just can't do it yeah that's a that's great delivery by taryn aswell that's like what a good actor he is yeah right there that's a good example yeah that was a fun one his his not intelligent face his big old oaf yeah face yeah exactly we saw it in that andbrad pitt i guess i guess by By extension, I'm calling Brad Pitt like a non-intelligent, even though he is. They're making fun of that for sure. For sure. [44:43] Taron can play weird too. And he does really well in very bizarre, weird sketches. That's kind of what you were talking about was he can do a lot. Whatever they needed him to do, he could do it. And one of the more bizarre sketches from that era is when Anne Hathaway hosted. and it was an earworm. The song's in my head right now is because I'm about to talk about it. It was the legend of Mokiki and the Sloppy Swish. Mokiki does the sloppy swish. [45:41] That's such a bizarre sketch that Taryn and Kenan, both of them just do so well in this. This is a pretty famous sketch, this pre-tape. It's one of those if you know, you knows. It must have been dreamed up at five in the morning. And I often wonder if someone just put on that outfit, like if he just put on that outfit and you know that's kind of because i think he said the dance is what's you know the idea that like adance kind of you do something silly and sometimes that turns into a dance craze. [46:17] But that outfit also seemed like the kind of thing you might wear around your house between the holidays when you've been inside for so long and you're just walking the dog like itwas very strange one of the things i loved about it is they clearly film him doing this dance irl on the the streets of new york and random tourists and citizens of new york join him yeahand you can tell that it's you know he just showed up guerrilla style and just started doing this dance and then you know watch what happens it's a really funny one and it is weird as allweird could be it's so strange it's almost like they thought of the dance they knew taryn the way he he his physicality that he could do that dance and make it hilarious and it almost seemslike at the last second they had to come up with like a backstory for right and why he was like that so like he was a normal guy who had experiments done on him and now he has thisdance and spits venom and all this but at the last second it almost is like oh we actually got to explain this maybe put that in the song i don't know what's happening here well otherwise hejust looks like he could be you know homeless. [47:29] Or an unfortunate circumstances but they're like no this was there was some shit that happened to him yeah and the song too like it reminds me so much of a manu chow song so ittakes me back to this time when i would listen to that and yeah there's a lot of memories that you say that i thought of manu chow immediately too yeah i didn't think anybody else wouldunderstand that yeah i got you yeah you my wife my wife's a manu chow fan so yeah these are a few people in the right back to listening to that yeah absolutely that's a total manu chowsounding song yeah and a very memorable perhaps along with jebediah atkinson mokiki and the sloppy swish might be. [48:09] What Taron Killam, what a lot of fans know Taron for. Yes. Like if we had a video play next to his Hall of Fame bust, this would be like the second or third thing I think that plays. I agree. I agree. You know, SNL will do weird things and this one was an instance where it just landed. Like it absolutely landed. So strange. And the fact that, you know, you've got this beautiful woman who also gets ugly and starts doing the dance in those horrible sandals. Yeah. With a weird outfit. Yeah. They also gave Taron, like, political impressions. He did Paul Ryan, Marco Rubio one time, Ted Cruz seven times toward the end of his tenure. years. So if they needed him, Taron was there to pitch in with Mitt Romney's son. I remember him appearing at one point. So Taron was always a good sketch player and team player in that regard. But he did great impressions too. Some of those guys that were more, I don't know, they don't have as many things you can grab onto in terms of an impression. Impression. But then his Matthew McConaughey. [49:31] Wow. So good. So, so good. My favorite was the one with the real Woody Harrelson. Oh, that's nice of you, Colin. We always knew it was going to be a one and done situation. Yes, sir. Yes, sir. Can't go on and on till the break of dawn. Because we are creatures of the night. Vampires. Blood suckers. When the cock crows, dust in the wind. [50:08] I couldn't have said that better myself, Matthew. I don't think anyone could have said it like that. He's cracking Woody up. And they're talking about True Detective and, again, great writing. I need to look up who wrote that. That fantastic writing, fantastic, again, movement and impersonation of all of the kind of quirky McConaughey-isms. And Woody's trying to contain himself because he knows. That was a great impression. I think that was like season 39 or something. One of Woody's hosting appearances. They were, uh, Taron is Matthew McConaughey. McConaughey was able to harness the stoner kind of thing and, uh, out dual Woody, I guess in that regard. A lot of people can do McConaughey with the all right, all right, all right, and that's where it stops. But he delivered an entire update piece fully in character, maintaining that unique McConaughey vernacular and delivery style. Yeah, yeah. His Michael Cera was really good, too. Oh, it was so funny. Just a squirrely little, yeah. Yeah, squirrely is a great word. [51:24] He was a squirrely little weenus. yeah he was do michael cera's fantastic but he was he looked even squirrelier in this impression and yes he was making appearances on the beingquirky with uh zoe de chanel fully friend zoned it felt like just in the kitchen doing little thingies and uh his voice in his face the little like that cute little up talk oh my gosh yeah goodimpression don't you just want to hang out out with him i just want to hang out with him and just do silly things and characters and make dumb dances and mokiki version two yeah heseems very well liked by his former castmates i know um that he and vanessa bear are still really tied i listened to vanessa bear's podcast with her brother and taryn's been on he does like alittle production elements he voices different types of production elements for her podcast i know he keeps in touch with a lot of his former castmates they probably really appreciate himappreciated working with him he seemed like a very giving scene partner very easy person to work with yep i agree it's that total commitment when. [52:35] There are there are always going to be instances where a sketch is not landing the way that that everyone wanted it to. And you either resign yourself to it and just, you know, stay on the track or you, you lean in even further and just try to push something out of it. And he is that guy. And I think that's what makes him such a formidable scene partner is there's a level of trust that I will hold onto this no matter what happens. We're going big or going home. So So the improv background suits him well, musical theater suits him well. He's one of only two people who did Mad TV to SNL. Right. There's pedigree there. And so through training and also just obviously the type of character traits and personality he has, you can see why... [53:33] He really elevated a lot of sketches, but didn't take over, which to his detriment almost gave room for other people to become more memorable. [53:42] But, you know, here we are on this show talking about why he's fantastic. So we do, we recognize him. Absolutely. [53:50] So as far as his departure from SNL, officially on the books, was it a firing officially? It sounds like it probably was. Yeah, as far as I know, because I also did more research, he and Jay Pharoah were fired. Yes, their contract was not renewed at the same time. He on one podcast that i just listened to he alluded to the fact that you know snl really is a young person's game and and there was a period of time when you know you could dedicateeverything in your being to you know being there for it and he had become engaged and he had a child and they he was commuting back and forth from new york to la and it becameharder to give it all of the extracurricular time that is part of the community culture building that happens there, and he said he was not surprised he wasn't blindsided by the fact that hewas fired he I think he he thought it might be another year but he also said because the host said you know did Lauren call you and he's like no no and he said it could have been handledbetter those are my words not his but essentially it could have been handled better and it was a little messy so I I think there's some stuff to clean up, but he's got to be involved in the 50th. I think people would revolt if he wasn't. [55:16] Yeah. I would. Oh, no, I definitely agree. And people have to remember, too, that Adam Sandler was fired. Chris Farley was fired. Norm MacDonald was fired. So that doesn't mean anything. You're in good company still. Yeah, yeah. Although he hasn't been asked back to host, but. Yeah. Well, I don't know because he does a lot of guest spots on a lot of different shows. [55:39] He was in Single Parents. He did 45 episodes of Single Parents from 2018 to 2020. I watched a lot of that show. My wife and I would put that on because I would point. I'd be like the Leo meme pointing at the TV. Oh, there's Taron Killam and be excited that he was on screen. Did you ever catch Single Parents? No, I didn't watch it. He was good in it. It was just like a standard kind of goofy sitcom or whatever. But I like that Taron was given a starring role. Like, Taron was the star of this sitcom. But it's been four years. It was canceled in 2020. Kirsten, like, what kind of show or even movie do you think would play into his strengths? It could maybe push him back into that starring role. Maybe he could come back and host SNL if he was more of a starring role. Like, what do you think would be a good vehicle for him? This idea of a starring role is interesting because. [56:34] I don't know that he's necessarily a leading man, so to speak. He might be an ensemble person. I see him more as ensemble. [56:45] And showing up the way that Cecily and Vanessa do, where they have decent roles in movies as support cast, but they're very memorable because they give them a bit of an edgeand more than you'd expect from just, you know, so-and-so's co-worker. Like that co-worker has a backstory. Yeah you know all about it and they have you know they're a fully developed character so i think that's where someone like hey you know taryn and vanessa and all those folks reallyexcel yeah so he should be more yeah he could make the most of his screen time yeah it'd be super memorable into like a handful of scenes i think you're right i think that's that's hisdestiny he's definitely making a good post snl career he's he appears in a lot of things he's in hamilton now he's on broadway no he's he's a broadway actor he's doing really well forhimself i think it seems like i think he's pretty happy i i know i know he's no matter what he's in he's going to be fun to watch that that's a given i agree i agree so as far as snl and tarynkillam's legacy Like, what do you think his legacy on SNL is? I would say his legacy will continue to grow because people are rediscovering clips, compilations of Jebediah. [58:09] I think the comments, I echo so many of them that I saw that he was a little bit overlooked. And, you know, in hindsight, should... [58:21] Be more remembered and more celebrated. And that's not due to any lack of performance ability on his part. I don't know what kind of weird chemistry didn't result in this, like, you know, shooting off to Hollywood or being asked to host multiple times, but I think there's still time for some ofthat. [58:42] So I think great character work, great team player, all in commitment. Like, again, end, I just keep thinking of Vegas, push those chips all on the table. You are in. I also think that, you know, there's, there's one fun moment that other people remember, even if you weren't a fan of the show. And it was when he did the Robin video, 4.30 in the morning, we're clearly in one of the backstage kind of writing rooms and you get to see people just hanging out. Clearly Clearly everyone's exhausted and tired, but man, did I want to be back there with them. And it gave me a small window, a little peek into the BTS, the behind the scenes of being in the show and him just doing this dance and he's rolling around on the ground, perfectlymatching this Robin video. And it's very memorable for people. So I think there's a video like that that went quite viral, I think, has over a million views as of a while back, shows that it wasn't just the characterwork, that it was also just him. [59:56] It was also just him. He just seemed pretty awesome. And, you know, again, I want to see more of him. I think a lot of people do because he's on screen. And I say off screen. By that I mean the Robin thing is still technically on screen. Just really gave you a peek into what kind of human he probably is. And I hope he lives up to it if I ever meet him. Track 2: [1:00:36] So there's that. Thank you so much, Thomas. Thank you so much, Kirsten. A bang-up job, as always, building a case for Taryn Killam to be elected to the SNL Hall of Fame. Now, cast members typically have good luck in the voting. Will Taryn Killam be a first ballot Hall of Famer? Time will tell. hell did Kirsten and Thomas dig enough information out for you to help you make that decision again time will tell something else that might convince you is a bit of workfrom Mr. Killam and we're going to go to that sketch right now it comes from Weekend Update his character Jebediah Atkinson atkinson easy for me to say and michael che is the person that he'sgoing to uh, have a conversation with so let's go to that sketch right now. Track 5: [1:01:40] New seasons of the critically acclaimed series mad men and the game of thrones will begin soon and many are saying we are in a golden age of television here with his reviews ofsome of these hit shows is a man who has been been around longer than TV itself, 1860s newspaper critic Jebediah Atkinson. Thank you, Michael, for that enthusiastic introduction. So good to be back. So Jebediah. Have you been keeping up with all these big TV shows? Of course I have, Michael. Yeah. And as always, I think you'll find my reviews to be perfectly moderate and totally rational. You know, I was worried about that. All TV is excrement. Mad men, the most likable character in this show is cigarettes. Hey, AMC, if I wanted to know what life was like in the 1960s, I'd move to Indiana. [1:02:51] I've been around a long time. It's never been a great state. Game of thrones oh great a soft core porn with a hundred hours of backstory, at least in porn you know how it's gonna finish, oh and georgia r martin you better hurry up and write thosebooks because from the look of you winter is coming, and house of cards the only thing lazier than the writing is kevin spacey's attempt at a a southern accent. And when he makes those turns to camera, I haven't witnessed shots that jarring since the assassination of Archduke Franz Ferdinand. Wait, Jebediah, you were at the event that started World War I. Of course I was, Michael, but I prefer the sequel. Come on, Jebed. Oh, what, World War II wasn't a better war? That's pretty harsh, man. There must be some shows that you do like. I haven't liked any television ever! It's been 80 years of mind-poisoning refuse, and I've reviewed it all! Here are a few from the archives. [1:04:10] I'm listening. Thank you. Want your full attention, Michael. The West Wing. The best lines on that show were the ones that went up Sorkin's nose. Next. Good distance on that one. Cheers. Where everybody knows your name. From the AA meetings. Next. Oh, and Lost. Sure, it started out good, but I haven't seen a final season that bad since Joe Paterno's. Oh. Oh. [1:04:49] If you don't like that joke, just do as Joe did and turn a blind eye. Come on, you don't like anything on TV? What about, like, a classic comedy like Seinfeld? Ugh, Seinfeld. I'd rather watch Michael Richards do stand-up at the Apollo. That's right, I haven't forgiven him yet. Hey, Kramer, I can say an N-word, too. Next! Keep that for a souvenir. Saturday Night Live. The same tired characters repeating the same tired catchphrases. Next! The Honeymooners. A gritty depiction of a bus driver from the slums who abuses his wife, it's a comedy? And who's the genius who said, oh, this is great. Let's turn it into a cartoon, set it in the Stone Age when women had an even harder time. [1:05:59] And now we come to the worst television show of all time. I love Lucy. But I don't think I should do this joke after the audience rioted over the Paterno joke. You know what? I don't think you should. Well, I'm going to, Michael! It's my thing! I love Lucy. Hey, Lucy, you got some splainin' to do, like why you'd stay married to a man who rafted over from Cuba just to crush your dreams. They should've called this show I Love Lucy's Ability to Get Me a Green Car. Track 2: [1:06:44] Oh, man. What a great reoccurring character he had in Jebediah Atkinson. I think, for my money, oh, gosh. Top 10? Top 10 Weekend Update character? Is that fair to say? And as somebody who is potentially a top 10 or arguably a top 10 guest on Weekend Update, does he not belong in the SNL Hall of Fame? [1:07:14] That's a question for you to answer come May when voting opens, and it's going to be very exciting when voting opens. We've got a lot of voters at this point, and all you need to do is cast your votes for 15 of the nominees that are on the ballot. There'll be about 35, I would think, this year on the ballot. And once you cast your vote, we tabulate them. If you hit 66.7% of the vote, you are in the SNL Hall of Fame, joining a pretty prestigious list at this point, I would say. So there's that. Next week on the podcast, we're really excited to invite Kalina Stakey, and she'll be talking about host Anne Hathaway. So that should be another great episode. Ms. Hathaway was always somebody who delivered when she hosted SNL. And we'll see if Kalina can put together an argument that will get her inside the prestigious Hall of Fame. That's what I've got for you this week. Thank you so much for coming out. We really appreciate you downloading, sharing, rating, reviewing this podcast. You're wonderful, so there's that. [1:08:39] Now, if you would do me a favor, and on the way out, as you pass the weekend update exhibit, turn out the lights, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Laraine Newman | 26 Feb 2024 | 01:05:12 | |
This week on the SNL Hall of Fame podcast we're hosting two guests, Gary Seith and Brad Robinson to discuss the career of an original Not Ready for Prime Time Player, Laraine Newman. Please subscribe, share, rate, and review the show where ever you get your podcasts! Transcript: [0:42] Thank you so much, Doug Donance. It is great to be back here on the SNL Hall of Fame podcast with y'all. Hope you're doing well. I'm doing spectacular, but I'd be that much better if you would just wipe your feet before you come on inside. Come on. You've listened to this enough times to know what I'm talking about. out the SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of aformer cast member host musical guest or writer and add them to the ballot for your consideration once the nominees have been announced we turn to you the listener to vote for the mostdeserving and help determine who will be enshrined for perpetuity in the hall That's how we play the game. It's just that simple. So there's that. I hope that you're ready for a great episode today. We've got two special guests. We've got Gary Seeth and Brad Robinson from the Not Ready for Primetime podcast joining Thomas down in the bunker. And they're going to talk about Lorraine Newman, one of the original Not Ready for Primetime time players, and they're going to make a case for why she should be in the SNL Hall ofFame. But ultimately, it's up to you to cast the votes. Let's walk on down the hall and talk to our friend Matt Ardill in his minutiae corner. Let's do this. Matt! Track 3: [2:12] JD! We're here in your corner, and you know what that means. Time for trivia. That's right. What have you got for us on Lorraine Newman? Well, she's five foot five, born March 2nd, 1952. She was born in L.A. with a twin brother, Paul, attended Beverly Hills High School and the California Institute of the Arts. Uh, she is the self-proclaimed daughter and granddaughter ofJewish cowboys. Uh, the, the family comes from, uh, cattleman stock and her grandfather was the sheriff. Her father and grandfather both ran a cattle drive through Calabasas, which is very posh now, but back in the 1930s, um, it was a farming town. Wow. She began Improvit 15. [3:03] Edition for the Royal Academy of Dramatic Arts, London Academy of Music and Dramatic Arts, and the Bristol Old Vic, but she didn't make it past the second edition on any ofthose. So instead, she moved to Paris to study mime with Marcel Marceau. Wow. Yeah, yeah. She became a member of the Richmond Shepherd Mime Troupe, and at 19, then returned to LA uh as one of the founding members of the groundlings uh with her sister tracynewman who's a film uh writer and producer you know she has a very storied past before getting into comedy she worked as a rock band booking agent uh handling contracts and gigs andthe song never let her slip away by andrew gold is actually written about her because they were were dating and i'm guessing he regrets uh having blown that opportunity i bet you're rightyeah yeah i had a crush on her big time oh yeah definitely yeah now she landed her first role on the tv series manhattan transfer and followed that up by filming tunnel vision which wasfilmed before the first episode of snl but was released after that and it was alongside many of her her future castmates. She was actually hired by Lorne Michaels for a Lily Tomlin special in 1974. [4:29] She's gone on to acquire 244 acting credits. And she also wrote a memoir, May You Live in Interesting Times, a memoir, which is on Audible. [4:41] She later moved into voice acting and is in a bunch of cartoons, Danny Phantom, Avatar Avatar, The Last Airbender and Metalocalypse, amongst many. She's a contributing writer to One for the Table, Huffington Post, Los Angeles Times, The Believer and McSweeney's. Has been nominated for Primetime Emmys, Annie Award, Behind the Voice Actors Award and received a Television Academy Hall of Fame Award along with the original SNL cast. That's amazing. Yeah. Yeah. Yeah. And not only that, she has created a legacy. Her daughter, Hannah Einbinder, went on to become one of the leads of the show Hacks and is frickin hilarious and a great stand up in her own right. She was did not know that. Yeah, she was in Toronto at Comedy Bar about I think about six or seven months ago. Super frickin hilarious comedian. So funny runs in the family. But yeah, so I'm really looking forward to what Gary and Brad are going to share with us about Lorraine. Yeah, me too. They've got a fun person to talk about. It's going to be really interesting. Should we go to them now? Yeah, let's go for it. All right, let's do it. Track 2: [5:56] Take it away, Thomas. Track 4: [6:25] Alright, JD and Matt, thank you so much. Yes, we are here. Welcome to the SNL Hall of Fame. Another great episode for you all. And to join me to chat about one of the original cast members, somebody who we all hold in such high regard, Lorraine Newman. Joining me to talk about Lorraine Newman is a duo, a duo that I've had on before from an amazing podcast, a wonderful podcast. I'm a subscriber, listen every week, and before I evenknew them. You're so self-deprecating, Brad. [7:03] That's part of your charm. I was a listener before I even met you guys. So you guys do a great job. They're not ready for primetime podcast. I'm welcoming Gary Seeth and Brad Robinson. [7:17] How you two doing? Good. Thank you for having us, Thomas. Good to be back. back always a fun time happy back yeah you were here uh last season talking about uh michael o'donoghue like the the last gasp as it were possibly that went well well ithink there's the episode it was see brad it's about the uh the journey not the destination around here wait is that really because i thought their whole podcast was about the destination is itnot to get into the hall of fame i believe the finite goal is the destination with the hall hall of fame yeah well yeah maybe we're wrong that's why if you want to be technical we have astated purpose here on i guess in the title of the podcast snl hall of fame but you know i'm i'm like kind of a touchy-feely kind of guy i'm you know i have my zen attitude so it is about thedestination so i didn't really enjoy that michael o'donohue episode it was fun it was very fun it was a lot of fun even if we couldn't pull the votes yet yeah for michael o'donohue oh it's It'squite all right. So today you're joining me for Lorraine Newman, which I'm excited to get into. Before we do that, Brad, tell us what's been happening on the Not Ready for Primetime podcast. Gary, if Brad doesn't do a sufficient job, you can chime in too. Okay. Oh, thanks, Thomas. [8:39] Not Ready for Primetime podcast. We do a deep dive through the original era of SNL, the first five seasons. We are currently wrapping up season two, just about done. I feel like we're very close to your second appearance this season for our, um. [8:56] Eric Idle episode right around this time. It's got to be coming out. But yeah, we're finishing up season two, and then we're going to try to take a little bit of a break, and season three will be starting up in May. And we are going to do some fun specials in between seasons two and three as well, which will be a lot of fun. And Thomas will be there. Hopefully. Yeah. Yeah, yeah. I'm pretty sure I'm going to be there. I'm looking forward to that. I've been really honored to be able to take part in the podcast. I'm apparently now the British correspondent. That's right. As it were. I've been on for, who was that, Dudley Moore and Peter Cook, and two Eric Idle episodes. Yes. So it's been a lot of fun being the British correspondent, being the correspondent for funky white musicians as well. Okay, okay, easy. Introducing us to the Boz Buds, even though I believe Brad and I, neither one of us are They're actual Boz's buds, but. But you're closer than you were before that episode. [9:58] Sure. More of an appreciation. You just don't want to hurt my feelings. That's exactly right. But we love, Thomas, we have loved having you on. It's so much fun every time we have you on. The last time we had you on, my wife, I laughed so hard. She's like, what were you doing? She's never seen me laugh so hard. So we have a blast when you come on. Thank you so much for supporting the show and coming on like you do. We love it. You guys are awesome. and you guys let me like I get to let my hair down a little bit on your podcast I get to be just the guest is the wisecracking guest and I think I put the burden onGary to kind of edit the stuff that the dumb stuff out that I say. [10:32] Oh, it's not you that I'm editing out, Thomas. It's the other one. Here we go. Okay, here we go, guys. So check it out, the Not Ready for Primetime podcast. Please, yes, thank you. Yeah, yeah, it's a great podcast. So you guys are immersed in the first, right now, the first two seasons of SNL. So perfect guys to come in and talk about Lorraine Newman. So just a little background, Lorraine Newman, a groundling out in L.A. [11:01] She knew Lorne prior to SNL from working on a Lily Tomlin special in 1974. That was kind of her, one of her ends with Lorne. And she impressed him so much, she became an original cast member. So guys, I wanted to start off, a lot of the original cast knew each other prior to SNL. But Lorraine, again, came from the Groundlings in LA. So do you think her not having as much of a rapport with the other cast prior to SNL, do you think that made for somewhat of an uphill climb for her, possibly when the show started? What do you think of those dynamics of the cast when the show started? I think at the very beginning of the show, everyone was trying to feel each other out and who worked together well and who worked with what writer well, and everyone's trying to findtheir place. And I think Lorraine, in the early seasons, showed the breadth of what she could do. And she was also a lot younger. I think we talk a lot about how Dan Aykroyd was so young. She was only 23 when the show started. started so there's also that kind of like finding her place on this big national stage all of a sudden and being a lot younger than some of the othercast too right brad. [12:20] Yeah, I think it's more the age thing. She's being younger. And also, you know, she was a California girl, so she's so far away from home at a young age, thrust into this environment with the personalities you have. Your Chevy Chases, your John Belushis, your Dan Aykroyd, your Gilda Radner. So I think fighting amongst that and being so young, I think all those things is what is what led to her having to maybe what seems to be fighting a little bit more than some of the others. Yeah, I think she was she was a great cast member in that sense, because like SNL, especially the early years, I always look at it as a sports team. And with a good sports team, you wantto have a good season or whatever. Everybody needs to kind of slide into roles and see what holes need to be filled and everything. And they can't all be like Chevy Chase was the breakout star of season one. Not everybody's going to be Chevy. You have to have role players and utility players. And that sounds like a dig, but coming from comedy nerds, being called the utility player is actually a really big compliment to me. So if I think of Lorraine in that sense, that's a hugecompliment. Did you see her kind of fill in a lot of those utility roles from what you've seen, especially in the first couple seasons? [13:47] Oh, 100%. I think that's what we're going to talk about a lot tonight is, you know, and she purposely did not have a lot of recurring characters because she didn't want to do them. And so, you know, I think on a surface level, you look at Lorraine Newman and you're not going to see the characters Belushi had. You're not going to see the screen time Chevy had. But when you actually look at it, what you're going to see is that utility player, that person who was vital to making sketches work,making the show work. I almost, I was looking through kind of all the scenes that she was involved in. She's in tons of famous scenes and stuff, you remember. She's kind of like the cherry on top on a lot of those scenes. Like, she just adds that little extra something that really ties it all together and brings it together. And I think she set the standard for what that was, both men and women moving forward on how you contribute and are a vital part of the show, but you're not the star, if that makes anysense. But you can't diminish how important that role is, like you were just alluding to. Yeah, she she adds a lot to a lot of sketches. And even when she's not the focus, she brings things that you and maybe at first. [14:56] Viewing you don't realize it either and you you see it again later and it's like oh look she was brilliant in that and she was i think so underrated with her singing like a lot of thesinging that she did in the first few seasons totally goes unnoticed but she's great and she just she brought it and she could sing in different voices and different characters and withdifferent accents there's an episode in season one where the musical acts singing and her and gilda come come out and are doing hula hoops. And I remember when we covered that episode, we're like, is there nothing she can't do? Like, there's nothing Lorraine Newman, you ask of her, she cannot do. Sing, dance, hula hoop, impressions, characters, she can do everything. And if you remember, I think it was with Candice Bergen was the host, and they all came out and hula hooped. And Lorraine did not drop that hula hoop for the whole four minutes or whatever. It was amazing. And it was just like, it's those small little things that you don't really really notice unless you look for it. And she was excellent. Yeah. Well, I don't know if I'm stepping on an example, but like you, Brad, you talked about her putting like that cherry on top of a sketch, the Basso Matic. Yes. Wouldn't have been the Basso Matic sketch. Yeah. Without Lorraine Newman, it would have just been Dan rambling, which I, I mean, I'm a huge Dan fan. I don't mind if he's rambling on and on, but Lorraine coming in there with her classic line. [16:20] Wow that's terrific bass we've got fish here that just completely adds to it it was it was lorraine's delivery her charm that's why they brought her in the 40th lorraine was back doingthat exact same line in that sketch she's 40 she takes that sketch from an a to an a plus yeah like she literally like it it's an a it is an a sketch and she makes it an a plus. [16:45] Yeah yeah yeah absolutely and then to your point gary about her singing that's something i noticed too with a lot of the sketches i watched like an episode that you all covered inseason two she did a barbara streisand oh yes right amazing yes yeah it wasn't just like it was a funny song if you really listen to the lyrics it was a funny song it was almost like playingoff of streisand thinking very highly of herself but it worked in a lot of ways because lorraine could sing what big. [17:51] When I first watched that sketch, I had to rewind it because I was so caught up in her actual voice and how well she was singing that I had to stop and go back and listen to thelyrics to listen to how funny it was because it is a very funny song, but she sang it so beautifully as Barbra Streisand. It was excellent. And to a point on how good that sketch is and how good she is, that was your first sketch after the monologue and there was no intro. There's no Don Pardo saying here's barbara it's literally they come in from commercial and it's her and she just starts singing and she does a three to four minute tune on her own and she isamazing yeah also it's the same episode she did a howard hughes impression so just like as versatile and how good she is yes she did a barbara streisand flawless impression and then doeshoward hughes later in the same episode like old kind of wacko howard hughes old wacko beard like in a hospital hotel Hotel bed, yes, yeah, that's the same episode. Yeah, yeah. So you all, again, you two have covered the entirety of seasons one and two. Is there something that sticks out as far as Lorraine that people should go back and you could point out to them, look, it might be subtle or it may not, but this is what you should noticewhen you're re-watching those SNL sketches in terms of noticing Lorraine. [19:16] I think I'm going to go first, Brent. I think that if you go back and rewatch the Godfather therapy session with Elliot Gould hosting, she plays Sherry. Like Brad said, she doesn't have many recurring characters, but that's one. She plays... First time. The first time we saw Sherry. Yes, this is the first time we saw Sherry. Right. And if you go back and watch that scene, she owns the whole first half of that sketch where she just... She's the one carrying the story forward as Sherry talking to Belushi as theGodfather. and it's excellent. Ah, now we're getting someplace. What do you think about that? Drugs? I'm against them. We have to go in there. Vito, I'm not kidding. You're still blocking your real feelings. What about the rest of it? [20:08] Vito? Well, the restaurant London Supply was never a big money maker in the first place. Oh, you're hurting, Vito, and you're covering up. That performance in that sketch is one that when we watched it again, I think we really, we both appreciated her performance so much more than I think we had in the past. Is that fair to say, Brad? Yeah, I agree. You know, most people remember that sketch for John Belushi's Godfather and what a showstopper it was. And I was that way too. And then we watched it again. And Lorraine Newman has to stop at one point because the audience goes so nuts for her and her character that she had to stop and let it quiet down to keep going. So that's one. And the other one I would say, and again, and it's not a knock. It is hard to find a lot of like Lorraine Newman standouts, but it's not her role. And I don't mean as a knock. It's not her role. The other one I would say is another season one, The Exorcist 2, when Richard Pryor hosted. And she plays the Linda Blair character tied up in the bed with the girl voice. And it's just it's an amazing sketch. And she is so good in it. And that's another one that just it's early on and highlights her as just an amazing performer. [21:28] Oh, Father Chorus, I'm ever so hungry. Couldn't you give me some pea soup? It's right over there. The bag! There's more! More! More! Jeepers, I'm sorry. Oh, thank you, little girl. Thank you. You're such a nice little girl. I know that all the time. Oh, thank you. Here's your pea soup. Maybe now we can be friends, huh? That's right. What do you say? Thank you. Second! [22:01] Yeah i think if somebody like gilda had played that i love gilda we all love gilda but lorraine provided almost the perfect level of creepy like the the level of acting i think gildawouldn't have been as it would have taken me out of the scene a little bit more if it was somebody like gilda but lorraine really had me immersed in it and because she i think she sheimmersed herself in that? That's a standout, Brad. Yeah. Yeah, as an individual. But again, as we said, I think her role is more elevating the sketch from an A to an A+, putting that cherry on top. Another example, Coneheads. Coneheads is a fantastic reoccurring sketch. We've seen it so many times. It's so iconic. If Connie Conehead is not in those sketches, the Coneheads are nowhere we're near as good as they are because she has that youthful element to it as the daughter. And she brings so much to those scenes, especially when they do like the family feuds. [23:03] Okay. 12 people said sandwich. All right, Connie, something that people like to bite. [23:10] The big one. That was the big one, all right. Does our audience bite the big one? Well, we all want to know that one. But every single time, she just brings so much to that, that you can't under credit what she brings to the Coneheads in general. And she plays that role really well in a bunch of different scenes, as the teenage daughter or the younger person in the sketch. Sketch, there's a scene, a sketch in season two, where Dan and Gilda play a couple that own a restaurant. And they go in the back and fight and she has to come out and play the recorder for the customers. And she doesn't say anything for the first maybe three or four minutes of the sketch. And then when she does, she's pleading for help for these people because her parents are crazy. And the way that she does it, she just like embodies this young teenager that you feel feel really sorry for her in a funny way. Like, she still pulls it off comedically, but she also brings this, like, sense of emotion across in a lot of what she does that I think is underrated. And it really drives some of these scenes forward. She was a really good actor. [24:21] She made almost everything she did on the show believable. Like, everything that we're talking about, like, I believed it and I was immersed in it because as Lorraine was. And it's interesting that we talked about a couple of her recurring, Connie Coenhead and Sherry. What I really enjoyed about Sherry. [24:42] Was that she, being Sherry, was put in different situations. It was almost like they weren't calling attention to the fact that it was a recurring character. Because Sherry was in all these different situations. She didn't have this theme song. Don Pardo wasn't doing a voiceover and saying, now Sherry. [25:01] Sherry was in the plain opposite in Godfather therapy. Sherry was in a sketch called Trans-Eastern Airlines that we had covered. She was in one of one one that i love that was a great roast of all the writers from the early day i was not a sucker for saturday night towards this is the chris christopherson episode at theend of season one that one i forget what your review of that sketch was but it had to be hot positive i really enjoyed that one because it was early in the episode and we hadn't drank thatmuch oh was that the episode that was the episode okay okay um but no it was it was very good it is she's yeah she's she was fantastic in that character and and like you said that they theyincorporate it in so many different ways she does a sketch with uh jack burns in season two where like you don't even realize it's sherry for like the first 30 seconds because it's so underthe radar and they they don't like you said they don't oversell it and that's the beauty of the character of the character the sherry character but a lot of the characters that lorraine plays she'splaying a funny character, but she is not the joke of the sketch. She is there to drive the sketch for everyone else to kind of land their big role. [26:14] John with the Godfather therapy session, but to do it in a funny way. And I think that's a big reason why she flies under the radar for people. Would you say, and her being a groundling, the more we're talking about, I keep thinking of Phil Hartman, you know, the grounding character. And yes, maybe Phil was a bigger name or known bigger in Saturday Night Live, but I feel like she set the foundation for somebody like a Phil Bill Hartman to come in and do what hedid. Cause he's basically doing what the rain did. He was that grounding force. He was the person adding to everything and making sure everybody around him could do what they wanted to do. And it's funny cause you know, they both came from groundlings and they have the same upbringing. I feel like, you know, you can kind of see that lineage there between the two of them. Yeah. What do you think about that, Gary? That's, I think that's a pretty good point. Yeah, no, that's a very good point. I think I'm glad you, Thomas, you gave that note to Brad to say that was very kind of you. [27:10] No, I think it's an interesting through line for the Groundlings, too, because I think after Phil, like the Groundlings that come in are a little different and a little more, they're biggerpersonalities probably than you would say Phil or Lorraine were. But they do establish that type of cast member that can help be that grounding force for everyone. That's a good point, Brad. And Thomas mentioned she's in the Groundling. Let's not overlook, she's a founding member of the Groundlings. Like she if not for her they may not be a groundling so let's give some credit to her there too and again when she was a founding member she was 21 I think like yeah she was a kid whenshe was doing all of this. [27:53] Yeah, I did the Jane Curtin episode with Andrew Dick, and we kind of compared Jane to maybe a bass player. [28:05] A lot of times the music or the song won't work without them, but they're not front and center, and you don't immediately notice them, but it would just be weird without them, andthey kind of keep the thing moving and going. With Lorraine, she's almost that way, but i think there's a little maybe just sometimes a little bit more flair so she's like uh if she comes in and plays like a tambourine or just plays a greatlike instrument that you're not expecting, but but she just kind of like adds that perfect thing like it's what the song needed yes yes yeah she's like the rhythm guitarist who can like throwin a solo every now and then what do you mean i feel like i feel that understates how good how important she is like i know what you're saying but i don't know theremin what about atheremin brad you're gonna have to explain to brad what a theremin is first thomas pretty much anyway not the podcast for that guys. [29:04] No but i think it just kind of speaks to that she and jane uh in the early days had very unique unique roles compared to a lot of the other people on the cast and she played it so welland there's something like to me a little uh when she needed it lorraine could be a little sinister in some in a lot of the characters that she played or she can play in like the the the weirdrealm like in the third her third or third episode she she was squeaky from and a lot of people even still remember her as squeaky from right yeah and she but she just had those like highshe could could like pull the dead eyes out when she needed to like that's something that really stood out to me is she can just like change her persona like that in an instant and bebelievable our guest this week is squeaky infamous for her alleged attempt on the president's life and for her connection with the manson family squeaky welcome, Die, lackey pig. Onething I'm sure our viewers would be interested in knowing is just how you came to be called Squeaky. Is that a nickname Charlie gave you? He isn't Charlie. He's the Holy Redeemer. Bourgeois hog face. Meet your maker, Squeaky. [30:18] Well, to piggyback our last episode, which didn't work so well. [30:22] She was a great voice for Michael O'Donoghue. There were tons of instances where Michael O'Donoghue would write you know, single person sketches. [30:31] And more often than not, it'd be Lorraine Newman, because she was that good. You know, you know, Jane couldn't do it. Gilda, who is immensely talented, couldn't kind of have that dark side take that turn. And it says a lot to Lorraine Newman that you have to like Michael O'Donohue, you have to know who the hell he is, and what he's writing. But to that point, it shows her versatility, that while she can play a little schoolgirl along with gilda in a slumber party sketch she can also play a really uh like dark and scary uh corpse likecharacter coming up from a coffin for an infomercial written by michael o'donohue like she can just do so much do you think that was a deliberate thing by michael o'donohue think hekind of looked at lorraine and said you're great for my voice like for what i I want to convey with my sketches. Yeah. I mean, he had two. He had John on the male side, and he had Lorraine on the female side. And you really saw it with Lorraine early in the first season, really, with this flight attendant sketch where he calls, it's Michael O'Donoghue calls an airline, and you just hear his voice,and he's threatening her and harassing her with some really horrible Michael O'Donoghue type stuff. And Lorraine is excellent because she just stands there with a smile on her face and it's just like, okay, thanks for choosing the whatever airline. [31:55] And it's just the way that she can, again, not be the driving comedic force behind a sketch, but add an element to it that's just like, oh, this works because of her. And Michael O'Donohue then leaned into that really for the rest of their time working together. [32:14] Man, if you're an SNL cast member, if you have a bond like that with a writer, it can go a long way. So I'm glad O'Donoghue saw something in her that was obviously very apparent. There's a couple of comparisons that I was thinking of when I was kind of going back and watching sketches and thinking about Lorraine's career. And relatively, I wanted to make them recent because... Because people will know who we're talking about? Right. Good call. Just to kind of make like recent parallels, kind of put Lorraine in context a little bit. I'm sure most of our listeners weren't around I wasn't around back then but uh just kind of put it in context for some people so one guy one person who I thought of um was BobbyMoynihan I think Lorraine in a lot of ways was like a Bobby Moynihan Bobby was sometimes maybe more. [32:57] Front and center but he excelled in filling in a lot of the gaps and made the most of side characters like when Bobby would come on as a side character even if it was just like a panto Bobby to say this three second line to move the sketch forward I think he really excelled at doing something that specific and there's a reason like Bobby actually cites LorraineNewman as a comedic inspiration and one of his. [33:22] Favorite SNL cast members and I could kind of see that like what do you think of her in terms of like a Bobby Moynihan type for but for the original cast I think it's a hardcomparison only because when you think of Bobby Moynihan you're gonna think of of like some standout characters that you see all the time and it's because of what the show was whenhe was on yeah where when she was on you weren't trying to like make a name for yourself to do whatever um this is my grumpy old man speech but no i i hear what you're saying yeslike bobby moynihan is a good example like somebody who you it's utility like we said phil hartman you know bobby like put him in when you need somebody who you know can deliverdeliver what about i i agree with what brad just said i think bobby moynihan's a little flashier than lorraine was so when they panned him to deliver that line he's a little not as subtle aslorraine i think yeah i was thinking someone like chris parnell who could help carry a sketch but wasn't necessarily like front and center he was there to work with will farrell to drive asketch something like that yeah rachel yeah i could rachel direct that as as well that's a maybe a rachel dratch although rachel had did have like debbie downer oh yeah that's like that but ithink like the overall i mean these aren't gonna be like one-to-one. [34:40] Comparisons but i could see the rachel dratch thing as well one current cast member who i think in a different snl time i think lorraine could have been kind of like a heidi gardnertype in a different s oh that's a good call yeah if they had put more emphasis when lorraine was on the the show on weekend update because heidi really excels in my opinion on weekendupdate, And if they had put this kind of emphasis that they have probably for the last, gosh, 30 years now on Weekend Update, if they would have put this kind of emphasis when Lorrainewas on the show, I think she could have really carved out a space on Weekend Update. But that's not what it was for. It was for Emily Latilla, sometimes John, but there was less emphasis on update pieces. But I could have seen Lorraine really excel at that. Well, and Lorraine herself has admitted she didn't want to do that. She didn't want to do recurring characters. She didn't want to lean into that as much as the show may have wanted to. So some of it, as far as like her legacy or people remembering her, might have been a little bit self-inflicted because she was holding to her guns and not wanting to do those kind of things. Where like Gilda wanted to throw Emily Latilla out as much as she could. John couldn't get on camera enough. [35:56] And Lorraine's like, no, no, no, it's not what I want to do. too she was subtle i mean one of lorraine's recurring characters was lorraine newman the reporter right who we would youknow oh yeah and chevy would throw to and and even that character was not an over-the-top character she was just you know she would throw on this reporter voice and do these live hitsand you know it didn't always work but it was like a subtle character, And she really was the first update correspondent like that you'd go to time and time again. It was it was a cutaway, but they were figuring it out. Remember, again, there was no blueprint. So they're figuring it out. And she was the first correspondent for Weekend Update. [36:44] Yeah, that's true. She played it like a news lady, like a reporter. She had that affectation, exaggerated affectation. But yeah, I think there was a kernel there. I'm imagining Lorraine in a different time that would have been so fun to see. Before I switch gears a little bit, because I am going to switch gears just a little, do you guys have anything else, any point about Lorraine or anything on your mind in regards to Lorraine? I think if Lorraine was not in the first five seasons and next to Gilda for her entire SNL career, she would be held in a much higher regard than I think she is because she's just in theshadow of Gilda Radner. And I think she is, going back and re-watching all of these old episodes, you really see how wonderfully talented not only Jane Curtin is, because Jane is great, but so is Lorraine. And in a different time period, she would have excelled and could have been a star on her own. Yeah, I mean, I agree. And I mean, there's a list, again, of sketches and iconic bits that you remember from the show that she's involved in. We mentioned Basimatic. [38:08] We mentioned Coneheads. E. Buzz Miller art classics. Classic Dan Aykroyd sketch. Who's his sidekick? [38:15] Lorraine Newman as Christy Christina Olympia Diner everybody knows it cheeseburger cheeseburger cheeseburger ensemble piece she plays Sandy the Waitress in all of those. [38:25] Theodoric Barbara of York one of the best sketches of all time from season 3 she's in it as Jane's daughter Uncle Roy, Whatever you feel of it, it's an iconic sketch from back in theday. It's her and Gilda. She's involved in it. Season four, the St. Mickey Knights of Columbus sketches. She plays Sister Serena. Like, she's in that. One of my favorite all-time commercial parodies, Puppy Uppers, is her and Gilda. So she's always prevalent in things. And she did impressions, too. We mentioned Barbra Streisand, Howard Hughes. She did Shirley Temple. Amazing. Oh, that was excellent. She did Amy Carter. Carter, you know, and even just, you know, when Dan and John left after season four, she tried to pick up the mantle. She tried to continue Tom Schiller's bad series playing Lady Pinfgarnell, trying to, you know, take over the mantle when Dan left of Leonard Pinfgarnell. So, like, it's just like, there's just so many things to the point where she brought— She was possibly the first person that Landshark got. She was in Landshark. Yeah, she was in Landshark. Exactly. The first person that the Landshark got. Yeah, she was a great victim in there. She played it so perfectly oblivious and gullible. Plumber, ma'am. [39:38] I don't need a plumber. You're that clever shark, aren't you? Candy Graham. Candy Graham, my foot. You get out of here before I call the police. You're the shark and you know it. I'm only a dolphin, ma'am. A dolphin well okay, and she's been featured in every anniversary show they've done she came out for the 15th she was in the opening of the 25th with bill murray and uh dan akroyd andthen she did sherry she brought sherry back for the 40th so like she's obviously woven so tightly into this show And it's so important that every time they do anything where they lookback or talk about it, she has to be included. Yeah, she's beloved. She loves the show. She was Sherry in the Californians. Yeah. Yeah. Yeah. Perfect. Of course. Yeah. It lent itself to that. But it seems obvious that the show loves her. Lauren still has so much respect for her. She loves going back. She really, she talks. I love, she has a really nice presence on social media, on Twitter. She's so complimentary of the current cast and current SNL. And she's a really good follow. And she just has such a good spirit. And she's so positive about even the current comedy landscape and the current SNL folks. It's really neat to see. [41:06] I should say, full disclosure, she did recently autograph a picture for us saying, friend of the pod, Lorraine Newman, wearing a Blues Brothers, a picture of her wearing a BluesBrothers t-shirt. So, which does not affect my arguing for her at all, but we do have it. She's so cool. She's awesome. She is. She's great. What a cool lady. So, you two, of course, I'm going to take advantage of your presence here. And uh you two have become experts by immersion as far as like the original seasons go and we've seen certain cast members get into the hall of fame from those seasons akroyd murraygilda radner jane curtain they're in but it seems like some of the people responsible for the show's early success who have less star power and camera time still tend to go unrecognized sodo you think I think it's past time for some of those folks, especially people on the writing side, to get their just due. Not just Michael O'Donohue. There's a whole stable of them. So what do you think, as the people who are carrying the torch, the SNL podcasting torch for the older seasons, what do you think about that? [42:17] Yes, 100%. Yeah. And I think I kind of mentioned this when I was on the roundtable last season. And I think the Hall of Fame is getting to that very interesting and fun place where,you know, you have all of your sure shots are in. And now you really need to look at who is important, you know, and who is really like a foundation member of like really creating what this show is and why it has lasted so long. And that's people like, yeah, you're Lorraine Newman's, you're Michael O'Donohue's, you're Franken and Davis, Rosie Schuster, you know, Buck Henry as a host. You can't, I mean, John Snyder, I know has argued him many, many times was like, John, Buck, like how there is not a statue for Buck Henry somewhere in Saturday Night Live landabout this is what a host is. I mean, come on. Yeah. Gary, what do you make of Buck Henry not already being in the SNOW Hall of Fame? I want to say it's a tragedy because, to Brad's point, he really defined the role of host. And you can see in those first two seasons how reliant the cast was when they knew that Buck Henry was hosting. And it was kind of like, oh, he's going to help us, both the writers and the cast, right? Because he had great writing talents. And he would bring things to the show and elevate the show for when he was hosting. So I it's yeah go back and watch his episodes because they are he is he really sets the table for what this the host should do. [43:46] And watch the good nights and watch just how how much the cast seems to adore him yeah as well they always love like it was Buck Henry week and I'm sure the cast yeah, wasreally excited when it was Buck Henry week because they could be creative they didn't they maybe felt like they didn't have to carry the entire thing they had a host who was more thancapable so yeah so he's won a lot of writers like we've mentioned O'Donohue quite a few times I'm halfway surprised about Franken and Davis I'm shocked about Franken and Davisreally because they had a presence not just in the first few seasons but then they came back later so they They were around in the late 80s, early 90s, and then Franken was even on theshow for quite a while. So them not getting in is surprising because the writers, and especially like seasons, I guess the end of season two and then season three, really, they carry more weight in the show. Right,Brad? They really come in. Yeah, season three, they start to come up as O'Donoghue starts to go down. So three, four, five is really that Franken-Davis era. I mean, Al Franken almost took over the show when Lorne left. If it wasn't for limo for lame-o. Yeah, he sabotaged himself. He sabotaged himself. He would have been, he would have taken over. Who knows what would have happened. Yeah. Yeah, those two surprised me, especially given, yeah, Al Franken has the name recognition of the two. I'm going to tell you, the writer that surprises me the most as a fan, I can't believe Jack Handy's not in. [45:10] Like, it's not even the era we quote unquote cover. but I and I think it's just because people don't know the stuff Jack Candy actually wrote unless you're like us and you really divedeep as a casual fan you don't realize the the sketches he wrote and the impact he had but how Jack Handy is not in blows my mind yeah probably my favorite writer of all time JackHandy I mean he he has a whole segment with his name on it right so he has some recognition even though I've told people when I was younger I thought that was a fake name name. It does sound vaguely dirty, honestly. [45:43] So when I was a kid, I was like, oh, that's just a fake. I didn't even register that that was a real person. I thought that was, I actually thought that was Al Franken writing those under like a pen name or something. Yeah. I think I did too when I was a kid back in the day. Yeah. Yeah. That's funny. He was responsible for some iconic sketches in that period with like, you know, late eighties through much of the nineties. And then, yeah. I mean, Herb Sargent, I believe the man has a WGA award named after him. Right. That he does. Okay. I mean, the guys, I feel like you've got, you've got, you've got Lauren, you've got Jim Downey. And then I think like Higgins is probably up there as far as people impact impact on the show and herb sergeant i mean herb sergeant has to be in there of what he's. [46:31] Contributed to the show and the legacy he left of what he's done on that show yeah herb was like the adult in the room that they needed literally yeah he was very much the adult inthe room he had been in tv for decades decades before that yeah he was much older than everybody else but he he was that steady hand he he was the guy that they would go to for forknowing how to do TV things, for wisdom. He and Chevy created Weekend Update, right? Herb and Chevy. I mean, Weekend Update, gosh, of course, obviously it exists now. You have somebody like Herb Sargent who was kind of a co-creator of such an iconic institution in Weekend Update. [47:14] And to that institution, many people think Norm MacDonald is their, or not think, but believe, they like norm mcdonald is their favorite weekend update host who was doingweekend update with with uh norm mcdonald sir yeah yeah herb was there yeah he was there through like it's like you know what i mean he was there from chevy and he was therethrough norm mcdonald yep yeah absolutely he's yeah he's won we we've advocated for rosie schuster yeah dick ebersol dick ebersol to me is like and it's hard to because we havecategories here at the eskimo no hall of fame so it's like he doesn't he fits in the technically the producer category but i think i want to urge people to go back and listen to our dick ebersoleepisode was me and darryl dove and darryl made a really great case uh laying out ebersole's career and his impact on snl he co-created the show he and lauren yeah yeah and i think hegets the a bad rap for some of the the later some of the way things played out later with him and SNL. But really like the creation of the show, he was huge. He was fundamental in the beginning of the show. [48:25] Well, I remember on the roundtable again last season, I was like, I have my last vote I'm throwing in. And I was like, it's a bullshit thing, but I need the voice to be heard. And I was like, Dick Ebersole, I have to bring up Dick Ebersole. I have to talk about him. And then everybody else was like, no, no, no. Yes, we all agree. Dick Ebersole needs to get in. I thought no one else but me wanted to push him to be in. And everybody on that roundtable wanted him in. Oh no i'm a huge advocate for dick ebersole for sure and he he swooped in because jean dumanian she gets a lot of crap um she took over for lauren she just probably wasn't the right fitnow that just wasn't her that wasn't her strong suit was to actually lead the show like that so dick ebersole uh did a great job of kind of picking up some of the pieces i think they did twoepisodes at the end of season six and he's like all right we're gonna regroup retool ebersole with Lorne's blessing, by the way. He didn't just go, he talked to Lorne and got Lorne's blessing to go produce the show. He and Lorne, contrary to popular belief, even my belief, he and Lorne were friends and probably still are friends and they go way back, obviously. [49:30] But Dick Ebersole was so instrumental in not only creating SNL in the early days, but retooling SNL to give it the lifespan span that it has he's definitely someone that deserves tobe there and then you got people like candy bergen uh um a host from the early season uh who put in some classic episodes is she responsible not responsible but was she the host for idon't know if you have thought about the best episode you've covered so far but her her second episode maybe i think in season one one One of her Christmas episodes has to be up there. It's season two. Season two. Season two. Okay. Because her Christmas episode for season one, not very good. Not good. Okay. But her first episode for season one is the one that many people consider where SNL really got its foot. It's where Chevy did, I think, right forward for the first time. Or I'm Chevy Chase and you're not. [50:26] And it really started coalescing, so a lot of people give that one credit. But her Christmas episode for season two, I think, is probably, unless Buck pulls it off at the end, is our favorite episode of season two. It is an amazingly great episode. And she did some unique things, too, with the show. She did interviews with some not comedic people, some real-life people who are doing important things, and she brought them onto the show to talk to them, to advocate for things likeequal rights for women and acknowledgement of the elderly. I forget what that association is called. But she had the trust of Lorne to do these segments where she talked to real people to move things forward. And I think that was huge. And it was very different than any other host at the time. Go back and watch Candice Bergens. It's from season two, the Christmas episode. Frank Zappa was the musical guest. Yeah. Just classic. Great guest. sketch classic sketch after classic sketch to me it's still uh almost 50 years later one of the great episodes of all time yeah and that's the history yeah just i'm glad i have youguys on because i feel like there needs to be some advocating done um on behalf of of of some of the the older gay days so i'm really happy to have you guys on to to do some of thatwork. [51:48] Thomas i know you're a huge sports fan and gary is as well so let me like make this analogy and you guys can speak to it better than I can, but so like cast members, right? [51:58] How, and there are amazing cast members still nominated both this year as new members and on the ballot from before, Maya Rudolph, Kate McKinnon, Will Forte, Vanessa Bayer. How do those people get in the Hall of Fame and Lorraine Newman is not? Okay, you go to hosts, Justin Timberlake, Emma Stone, Melissa McCarthy, all great hosts. How do they get in the hall of fame and say a buck henry and a candace bergen are not yeah you go to writers paula pell who's an adam mckay newer writers that people know and love iget it they are very great i love them as well but how do you put them in without a michael o'donohue without a herb sergeant without a franken and davis you know what i mean i youknow how do you equate that to To a sports analogy, we're like, you need these founding people in before the younger folk get in. Yeah. No, you need, of course you needed like Mickey Mantle and Willie Mays and all those people. They set the foundation for, I mean, this year, like Adrian Beltre, Albert Pujols is going to get in at some point. But those guys set the foundation for all the sluggers that we see now. I mean, you're absolutely right. Right. I think, Gary, do you think it's just lack of name recognition or just like they've been lost throughout history? [53:24] I think, you know, I think the writers, it's definitely lack of name recognition. And I mean, we're talking about someone like Buck Henry who, you know, outside of SNL, how much do we know of Buck Henry? I mean, we know now what he did. Right. He wrote The Graduate, all these things. But again, it's that name recognition. I don't think people now think of Candice Bergen as a host, really, even though she was the first female five-timer. Yeah. I mean, she's very important in the history of the show. And Buck definitely is. But I think they just don't have that name recognition of today. Day and with the writers you have someone like i love conan o'brien i think he's excellent he's an excellent writer but he has talked about how you know jack handy is his favorite writerever and he says that he was his favorite snl writer of all time and these people that again herb sergeant like seth. [54:27] Set everything up so that someone like, you know, Jost and Michael Che have weekend update now because Herb Sargent set that up to be what it is. Yeah, well said. I just urge all of our listeners and voters to go give consideration. Go take a look at the resumes of O'Donoghue, Franken, and Davis, Rosie Schuster, Herb Sargent, Ebersole, Buck Henry, Lorraine Newman, all of the people that set the groundwork forthe show that we all love now. I urge all you guys to go re-evaluate their candidacy and their resumes. [55:04] Back in the late 90s when they opened up the Rock and Roll Hall of Fame and they had the big Rock and Roll Hall of Fame concert. Jon Bon Jovi played a tune and he was telling this story and he was like, my mother told me the story of like, you know, think about who your inspirations are, who you like and who youadmire, and then go back and look at who their inspirations are and who they admire. And I think that's exactly what this is like. All these people that you love from this era and 10, 15 years prior, find out who they liked, who they were into, what got them into it, whattriggered their love for it and got them excited. And then you're going to find these names we're talking about that started this show. Yeah. Yeah. When I was a kid, I was a big Nirvana fan. And because of that, I became a David Bowie fan because they did the man who sold the world unplug. Yeah. Uh, I found out who lead belly was, uh, meat puppets, kind of people like that. So it does like you find out the people who you love, who, who do they love? And that's such like, that's such a great point. Every once in a while, Thomas I have them when you let me when you let me have it you surprise me you surprise Brad. [56:14] Oh man um so I think we did a good job of talking about legacies of of some of the the old guard of SNL I want to point it back to specifically Lorraine Newman though whatshould her SNL legacy be uh gary i'll start with you oh i i honestly i think her legacy is that more than anyone else in that original cast she was the one who would set the table and be thefoundation for sketches and let other people get the big laughs and help set them up like she she set the template for what that type of cast member needs to be that's what i think herlegacy is i agree i think I think she set the standard, created the mold for what the utility player is, for what that person is, to let everybody else shine. And like I said before, and just add that extra something. [57:13] Take a great sketch to an iconic sketch to make a good sketch a really good sketch you know to help pull stuff out i know again sports you guys are sports i don't know how youwould figure this out i'm sure john and mike over at saturday night network could figure out some kind of algorithm but like her batting average has to be huge she's not hitting home runsshe's not knocking out of the park but she is consistently giving you doubles and triples and knocking in runs when you need them. Like, that's what she does. She's not striking out. She's not popping up. Like, she is just consistently delivering what you need. And at a time when you had a brand new show that had no feet under itself, you needed that. More than ever did you need something like that. [57:58] Especially when the format wasn't set. So they were trying all different types of things. There were dramatic pieces, there were comedic pieces, they had jugglers on. She, we totally... Do you remember the sketch where it was her and Gilda, and Gilda introduces Lorraine just doing random impressions? Yes. And it's like a baby crying and a dog barking. It's just like random shit. Because, yeah, they were just making it up as they went along. Yeah. That was the episode where Gilda was like, I don't have a lot of airtime tonight, so I'm going to introduce Lorraine. And she has Lorraine do all of these impressions. And it's a solid three or four minutes of just Lorraine doing amazing impressions of these awkward, weird things. And it's excellent. So, yeah, I mean, she's very underrated in my opinion. Track 2: [59:00] So there's that really great job there, Gary and Brad. And of course the ringmaster Thomas, uh, really pleased with that, uh, conversation. If you were listening and you are on the edge, I think they may have swayed you to casting a vote for Lorraine Newman. We shall see. We shall see. Jane Curtin was a first ballot Hall of Famer. Gilda Radner was a first ballot Hall of Famer. It seems only right that Lorraine Newman will also be a first ballot Hall of Famer. But if you need any more evidence, let's go now to 1975, season one, episode 24. Kris Kristofferson was your host, and Lorraine is playing her reoccurring character, Sherry. Let's go to that sketch right now. Track 5: [59:59] Thank you, Mr. Christopherson. Hello. My name is Sherry Norwalk, and I got special permission from the FCC, that's the Federal Communications Club, to come on television and tell my story. Okay, last October, I went up to the Saturday night offices because I think the show was really boss and I wanted tickets. Well, they were out of tickets, but as I was leaving, Dave Wilson, the director, said I had a bitchin' bod and would I like to come up and spend the weekend with him up in Parsipany, NewJersey, because his wife was dead. So I went up, and it was really great and everything, except his wife wasn't really dead. She'd just gone shopping. God, creative people can be so forgetful. Anyways, I got this phone call from the show the next day, and they said that David recommended me for a job as a secretary for $14,400 a year. And they didn't even mind that I couldn't type or file or do shorthand. So they told me I was going to do light secretarial work and maybe help the writers out if I could sometimes. And I did that. Like Alan Zweibel, he's this big Jewish writer. Well, he was really weird, man. He made me feel really guilty about the way his people suffered in Egypt. So he'd get undressed and have me sing Go Down Moses. [1:01:26] It got stranger, man. I'm not kidding. Like, did you know some comedy writers don't like to work in the office? They work at home and at night. And they don't write things down. They act them out first. Like Tom Schiller asked me to act out a scene with him at his apartment. Then he called two other writers, Tom Davis and Al Franken, because he said he was having trouble with his inspiration. So they came over and we all acted out the the scene, except it wasn't in the show, which I thought was really weird. And after a while, it got even more disgusting. Like Michael O'Donohue, he just couldn't finish writing the Star Trek skit unless I kept whispering to him the words, rocket ships are okay, but your missile is tremendous. It was really disgusting. And then there was Herb Sargent. He's this older writer with white hair, and he was really like a father figure, a really strict father. Like, you know, he used to take his belt and tie me up and spank me, and I didn't even do anything wrong. [1:02:33] Anyways, that's why I've written this book. It's called I Was Not a Sucker for Saturday Night, because I really think the public has a right to know. Saturday night. Yes, okay. I'll be right up. I have to help Chevy write update. Okay, let's see, pad. [1:02:58] Apparatus it's really disgusting. Track 2: [1:03:07] That's what we've got for you that was sherry uh well it was lorraine newman playing sherry uh and that's what we've got for you this week i hope you enjoyed yourself i hope youwere able to to listen to that concise argument and maybe put together a case in your own head for voting for Lorraine Newman when voting opens. In case you aren't registered to vote and I don't send you an email, you can always vote through the social links when I send those out. That will be middle of May this year, and then we will make the announcement on the last episode of the show. We'll, of course, be doing a roundtable where we gather some people to discuss their nominees and the way that they are going to vote. And then we turn it over to you. Next week, we're turning it over to our good friend Kirsten Radula, and she will put together a case for Taryn Killam. That should be a good one, folks. You're going to want to download that episode. [1:04:18] So without further ado, I have a favor to ask of you. If you could please, on your way out, as you walk past the Weekend Update exhibit, turn out the lights, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Julio Torres | 19 Feb 2024 | 01:11:08 | |
This week on the SNL Hall of Fame podcast we welcome back one of the SNN's Super-Fans, Sammy Kay! He's visiting the Hall to discuss writer Julio Torres with our very own Thomas Sena. Transcript: [0:42] All right. Thank you, Doug DeNance. It is great to be here in the SNL Hall of Fame. [0:50] Welcome to the SNL Hall of Fame podcast, A Weekly Affair. Each episode, we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote Vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. That's right. That's how we play the game. It's really quite simple. And we're thrilled to have you here with us. This has been a great season so far, and it's about to get that much better as we invite S&N correspondent, super fan, Sammy K, into the conversation room with Thomas Senna to todiscuss the career of writer Julio Torres. This should be a good one. I'm looking very forward to this. Will Julio be rewarded or will he be punished for being a writer? We shall see when voting commences. I'm getting way ahead of myself, though. Before you get into this building, you gotta wipe those feet. That's all there is to it. it. Let's walk down the hallway to my friend Matt Ardill in his Matt's Minutia Minute corner and get to know a little bit more about Julio. What do you say? Matt! Track 3: [2:13] Matt! Julio Torres! Yeah, JB! I can't wait. This is another one of my picks from the draft and I am looking forward to this one. I'm looking forward to all of them, but this one in particular. No, this is your pick. Yeah, I understand that. That's great. Yeah. So talk to me, because I know precious little about Julio Torres. Yeah, he's pretty private, to be honest. Julio Torres, I don't know his height. One of the few people I've not been able to track that down. So when I do the chart, he's going to be a big question mark. Oh, man. He makes me feel very old. He is born February 11th, 1987. Jeez, Louise. [2:57] He co-created Los Espookys with Fred Armisen and Anna Fabergia, as well as working on The Chris Gethard Show as a writer. [3:11] Oh, did not know that. Yeah, yeah. So he got his start on Gethard and then went on to SNL and then all sorts of stuff followed. Um he is born he was born in el salvador to a civil engineer uh who is his father and an architect slash fashion designer mother uh his mother has collaborated uh with him and his sisteruh on comedy projects um they he picked up some skills from his mom um and his mom and his sister actually make a lot of his clothes or have them made his quote i have of him is mymother and sister noah taylor in el salvador who can make anything i sketch with their assistance so when you see him doing shows it's often outfits that he his mom and his sister havemade together oh that's cool yeah so he took literary studies at the new york school or excuse me he took literary studies at the new school in new york okay um even as a student his goalout of the gate was to become a comedy writer which a lot of times you don't start that way you kind of fall into comedy writing yeah but uh yeah it was his goal um he has an hbo specialfrom 2019 called my favorite shapes and is credited with nine writing credits and 25 acting credits as well for producer credits. [4:39] He starts his Comedy Central stand-up special by introducing himself as Julio and Aquarius. His favorite color is clear and starts all of his emails well, well, well. [4:54] Um, his special is named I'm a vegan and I'm so sorry, uh, where he takes the stage with his best friend, crystal, a four foot tall talking crystal. Uh, so this sort of sets the tone of what to expect. Um, I think he and Sarah Sherman would get along very well, um, or fight to the death as they both seem to have very similar sentiments around comedy. Um he appeared on the tonight show eight times as a correspondent and has appeared three times on late night uh appeared on the former snl writing team chris kelly and sarah schneider'sshow the other two in the episode chase turns 14 and has also been in an episode of bob's burgers he deliberately avoids political comedy preferring to focus on his personal experiencesand viewpoints, which, you know, is probably good because those are so surreal and wild and awesome. [6:01] It's great to hear a unique voice like his. Yeah. Well, I'm excited to hear a couple other unique voices. Sammy Kaye back in the SNL Hall of Fame talking with our friend Thomas Senna. You ready to hear that conversation, Matt? I am ready. Can't wait. Let's go downstairs. Track 5: [6:50] Alright, Matt Ardill and JD, thank you so much for that introduction. Yes, today we are talking about a writer, digging into the writer category here on the SNL Hall of Fame. A very current writer that I'm really excited to talk about. He's turned in so many recent classics. It'll be fun digging into Julio Torres and his work as a writer on SNL. And to join me to break down a lot of Julio's work on SNL is a multi-time guest here on the SNL Hall of Fame, Mr. Sammy K. Welcome back to the podcast, Sammy. How are you doing? Thomas, I'm doing well. I'm happy to be back. I think this is my third appearance on the pod. So this is, I've done a writer before, a writer, sketch performer, and then just with Seth Myers. And then I did Vanessa Bayer, you know, a cast member, and now I'm doing a pure writer. So, you know, excited to kind of, you know, go through all these different kinds of contributorsto SNL on the pod with you. Yeah, I'm pumped to have you back. We're still waiting for Vanessa Bear to get the SNL Hall of Fame call. It's going to happen. I know you and I are like two huge Vanessa Bayer super fans, but I think, I don't know, I think give it a couple of years. I think it might happen. I think it's closer than anybody thinks, Sammy. You made a great case for Vanessa. [8:07] I'll always, on any podcast, SNL or otherwise, make a great case for the great Vanessa Bayer. So yeah, hopefully one of these days, you know, we finally call her number down and give her her praise for the Hall of Fame. Yeah absolutely y'all should go back and listen to our vanessa bear episode from last season and hear sammy and i kind of fanboy over vanessa bear that's a good way to describe it yeahcomplete fanboys i'm not ashamed to say that uh so yeah sammy thanks for coming back uh before we get the dig into julio torres's work uh can you tell all the listeners what you've beenup to uh over at the saturday night network absolutely yeah so you know we're digging into to season 49. And obviously we have a ton of different shows that we put out for the new episodes of SNL most recently. [8:56] I've kind of been all over the place. I've been on, I was on the I.O. Debris hot take show and was recently on By the Numbers with Mike Murray. And then I'm also the host of our Superfan Takeovers, which is, you know, basically the number one destination you want to go to if you're a diehard SNL fan of all the seasons. We go in and we talk about the whole history of the show uh we've recently recently did a a one-time host draft which was a lot of fun you know drafting hosts that only hosted the showone time seeing who we'd want to bring back and have them host your second time my top pick for that i believe was conan o'brien was my number one pick and you know that is one thati thought you know we kind of closed the book on but now that he made that appearance in the five-timer sketch for millennia a couple years back and we're looking ahead to snl 50 youknow you never know what could happen but so that that one's a lot of fun so you know you guys should definitely check that out yeah the that's always a great you know sammy uh billkenny is also on that pod of course uh you got the andrews haskell and hands tend to make appearances right we got both we got both andrews yep yep yeah so listen to uh Sammy and allof his work across the Saturday Night Network podcast universe. [10:17] So yes, Sammy. So today we're talking about a writer. I know you were with me for Seth Meyers. You helped get him into the SNL Hall of Fame. Now we're talking about Julio Torres. So an interesting one today, a very recent writer. And I'm curious, Sammy, from your perspective as an SNL superfan, for you, what qualities go into making a great SNL writer? [10:42] Yeah, I mean, that's an interesting question, because I think, unlike, you know, most comedy shows, or, you know, I mean, you know, SNL is a weekly variety show, a sketch showthat, you know, needs to churn out content, you know, on a, you know, weekly basis, or whenever there's a show, you know, be consistent. So you need a writer that's able to obviously handle that sort of workload. But I think ultimately, if you want to get your stuff on the show, you need to have a a unique voice, a unique point of view. That's something that I would definitely ascribe to Julio Torres as someone who used their experience and kind of interesting tones of comedy and was able to put that into sketches whereyou 100% would watch a sketch and be like, I for sure knew Julio Torres wrote this sketch. But then also could have something that you maybe didn't necessarily see his fingerprints totally on, but kind of just worked as, I don't want to say a cog in the machine, but was able to dothe SNL formula of a sketch as well. So having that balance of putting out stuff with your own voice, but also being able to put out stuff on the consistent basis that you need with a show like SNL, if that makes sense. [11:59] Oh, it makes total sense. I think you're absolutely right. I think you hit it right on the head as far as I really enjoy as a viewer were being able to spot a certain writer's voice andsketches that's why growing up i was a big jack handy fan because you would watch a jack handy sketch and know jack handy was behind that unfrozen caveman lawyer kind of weirdsketches like that you knew it was a jack handy uh yeah so so i think julio is kind of in the same vein and you're right about not just doing not just Just getting put in your own littlesandbox over there in the corner as a writer. I think Julio showed, too, that he can play within SNL's confines. And we'll see that here. I mean, he wrote from 2016 to 2019, obviously, a very heated political time in the country and in SNL. Julio did political sketches. Yes. [12:55] But he put his own little twist on them, too. So I think you're absolutely right about he was able to play within SNL's confines. But his personality and his background still came out. His background being an immigrant from El Salvador and also a gay man. He had those viewpoints, the things that make him him. And of course, he's just a very clever person, too. So he had a clever touch on a lot of his sketches. This will be an interesting one, man. like relatively recent only a writer for three seasons yeah so let's let's get going i'm curious what what sketch do you want to bring to the table as far asjulio torres yeah there there are definitely a lot and as you know you sent over a list just to kind of refresh my memory on some of these i'm like oh my god he has like a murderer's row oflike classic modern day sketches so i don't know if i want to start with like the heavy hitters first or whatnot but you know i think I think because you mentioned the political stuff, I think agreat one to bring up would be Through Donald's Eyes. [13:59] And this is one that I honestly didn't realize until doing the research for this episode that he wrote. But this is one that when I'm looking back at the Trump era of SNL, totally sticks out to me as a memorable sketch. [14:13] And, you know, watching this one live, I'm just like, oh, man, like, this is such an amazing concept. You know, this is the one that people don't remember where John Cena isplaying Donald Trump. And it's, I think, right around the time after the 2016 election. And you're kind of doing like a day in the life of Trump and seeing it all through his point of view. So for the most part, unless you're looking at a reflection or something, you're not seeing John Cena, but you're seeing everybody else. And honestly, it kind of reminded me of the, I think it was the Reagan sketches from like the early 80s that they would do, like from his point of view. Like, I don't, I, you know, I'm sure like they maybe thought that there was some parallel there when they're coming up with this concept. But it's so surrealist and being able to take that feeling after the 2016 election of like, this is, this is the president now. And like, what is kind of like, you know, what is it like to look at through the world through Donald Trump? It was such a great sketch, so memorable. And I just when I look back at that time frame and think about sketches that really, you know, broke through and, you know, last because a lot of those political sketches don't necessarilyhold up. That one certainly does. Yeah, I love how it explores the delusion of Donald Trump. [15:33] You're right, he looks in the mirror and he looks like John Cena. So that's how Trump sees himself. He's watching TV and it's an announcement that huge suits and long ties are in fashion. And I love the little detail of Trump processing things in small bits and fragmented sentences. Huge, huge success. Fantastic. Fantastic. Victory. Landslide. Fox News. In fashion. Big news. So he doesn't have like complex thoughts and even the way he processes the world is not complex. [16:13] So this was just like little touch after little touch by Julio Torres. And I should say too, along with his writing partner Jeremy Beiler has contributed to a lot of these sketches too. So Julio and Jeremy were definitely a really good team on SNL. But just the way Julio was so adept at political satire, Sammy, in such a smart way, like you and I mean, we a lot of us were remember vividly because it wasn't that long ago. At this point in SNL, a lot of it was just ripped from the headlines and verbatim of what somebody would say. But these were a breath of fresh air, in my opinion, Sammy. Like, what do you what do you say these compared to like a lot of other political sketches from around this time? Oh, yeah, for sure. Sure. Like, like a breath of fresh air is a great way to kind of describe it. Um, because, you know, you, you have, you are kind of bringing in all the characters that we've seen throughout those sketches where they're playing off of the Alec Baldwin, you know,Kate McKinnon as, you know, Kellyanne Conway, um, and, you know, Cecily Strong as Melania, you know, we've seen these characters before, but the way that he's kind of using thesepieces within the world that he's building, um, it just kind of elevates it. And it. [17:27] Obviously going for something that's different from, you know, something you'd show in a cold open. Like, I don't know, I don't remember exactly where this aired in the night, but, um, you know, it allowed, um, the show to get a little bit weirder and a little bit more surreal with, um,everything going on. Cause it was a kind of surreal time, like, especially right after the aftermath. So, you know, kind of matching it with this real sketch, um, was, was a great kind of pairing. [17:53] Yeah. From around this time, if it was, if it was genuinely like of really smart political satire there's a decent chance that that julio torres and jeremy byler were uh were behind it soit's like sticking with the uh the political sketches too i like the way that he made um he developed a character in melania trump he developed this character he's behind those melaniamoments that aired in season 42 which is kind of uh showing things from from from maybe her perspective, he got a chance to develop Cecily Strong as Melania. And it was a really like, and we will see a theme throughout Julio's sketches, it was very like a dramatic presentation, almost a soap opera-like quality to a lot of these. So he really developed Melania and her character, obviously, with the help of Cecily Strong. There's one in particular, Sammy, I don't know if you remember this, it was during Kumail Nanjiani's episode. It was customer service where Kumail played a customer service agent, andhe ended up bonding with Melania. She was obviously starving for a connection with somebody, so ended up being with this customer service agent. That was in season 43, That's a Julio piece. Last name, please. [19:09] Melania Trumps. Excuse me? Trump, like towers in the sky. She asked me a little bit of a question. [19:40] I want to talk to him about things that are not solid, you know, things that are abstract. Right. She ordered over four. Yeah, that one is definitely one that I remember around. Yeah, the Melania moments were such a good, like a cool way to, I don't know if cool is the right word, but just being able to build out the Melania character. Like, I think Cecily Strong played that so well. So it makes a ton of sense in hindsight to kind of learn that Coolio was the voice behind that and, you know, was able to make that suchkind of like a lived in character that wasn't one dimensional or anything like that. And almost like you can easily see that being a one dimensional character. But he kind of added additional layers to her, which, you know, I don't think a ton of other writers would maybe do. [20:27] No, no, I don't think so. So maybe from around that time, if they're tasked to do something political, I don't think a ton of other writers would have done it with as much precisionand wit as Julio did. I love the detail you'd mentioned that there were layers to Melania, this Melania character. And in the customer service sketch, I love when Julio doesn't let Melania off the hook and just paint her as the victim. Because she was introspective and everything, talking to this customer service agent. But she even pondered like she said if donald is bully and i am married to donald am i helping bully so that was like something that a lot of people talked about like she had this anti-bullying campaign and everybody's like well you're married to like the biggest bully in in the world essentially biggest bully in the country so isn't that kind of your something that you'reat odds with so julio addressed that in in this sketch what i thought was great so that's like the layers to this Melania character that could have been very one-note. So where do you want to go from here? I know he just has such wonderful recent sketches. I think another one to kind of... [21:40] I don't know if stay on this theme is the right word, but Diego calls his mom comes to mind going back to his experience as an immigrant and being able to blend kind of hisbackground into his sketches. Like this is with Lin-Manuel Miranda, for people who don't remember, where he is an immigrant who, you know, just got a job in America and is, you know, kind of calling his mom inthis pay phone that's like in the middle of this cornfield. Like everything that I, when I think of like a Julio Torres sketch. [22:14] The visuals of it, you know, I know that he's not necessarily directing these pieces, but he writes these sketches in a way where he kind of, it paints a very vivid picture. [22:25] And, you know, the SNL, you know, directors behind these pre-tapes was able to really bring it to life. So that small detail I really like. But I mean, this is like a very almost kind of heartwarming sketch. You're not expecting it to be like heartwarming, but he's just able to like imbue somany funny observations about America, like that are obviously heightened. But like from, you know, an outsider or immigrant experience is super funny. My favorite element of that is saying how we put carpet on everything, just like carpet everywhere is is a very funny detail. Tale um and you know we saw this earlier in the bad bunny episode of this season season 49 you know being able to have a sketch you know with a different language involved you knowand you know kind of using the language barrier within the element of the sketch to add to the humor so like in this sketch in particular he's only saying so many words in english but itadds to like the the whole, you know, the humor of it all. So yeah, this one definitely stands out. This was one of his first real things to pop on SNL for Julio. I love the bits of using Spanglish, especially at the beginning. [23:53] Landlocked. Los americanos comen algo que se llama marshmallow salad. Marshmallow salad. No vegetales, marshmallows. Los americanos son grande y toda su comida es grande. Le gusta comer macs with cheese, little debbies, twinkies de hostes, caceroles, stews, big mounds of yellow and orange food. [24:18] So he's describing the food. That was a really kind of funny thread in the sketch. Is Diego describing the food, the different sayings that Diego has heard in North Dakota, like these immigrants are coming to steal our jobs, and he says it like so matter-of-factly. There was his, he seemingly had a romance, Diego did, with Preston, the star quarterback. And Preston was obviously like, yeah, this closeted high school athlete who was really bonding with Diego. So there was that there was that uh implication in the sketch Preston had like a jealous girlfriend I think that was Vanessa Bear who played the the jealous girlfriend of Preston so therewas a lot that Julio packed in to this sketch and Sammy it was like touching and you said heartwarming it was so heartwarming but not but there was that perfect balance betweenheartwarming and the But the jokes were still there. It wasn't just sentimentality. [25:17] Yeah, no, definitely. I would say a running theme in a lot of his sketches is like I'm not saying like all of his sketches are heartwarming, but like a lot of them have heart or they havesort of an extra element to it that, you know, the characters are very sincere. But the situations or the concept they're going about are just absolutely ridiculous. So, you know, he was able to thread that needle really well in this sketch in particular. [25:49] Yeah, I want to stick with something that I think has heart, too, and is definitely from Julio's perspective and probably how he was as a little boy and how he felt growing up as aboy. And this is I know this is a fan favorite. And this is Julio and again, his writing partner, Jeremy Beiler. This was a sketch from season 42 with Emma Stone, Bobby Moynihan, Cecily Strong voiced it. It was the Wells for Boys. [26:17] Introducing Wells for Sensitive Little Boys from Fisher-Price. [26:21] Wells for sensitive boys to wish upon, confide in, and reflect by. Some boys live unexamined lives, but this one's heart is full of questions. Just hear how much... Yeah, this is such a great piece. I feel like, like a lot of his sketches, they almost have a cult following to them. I feel like if you meet somebody who says, like, oh, one of my favorite SNL sketches is Wells for Boys, you're like, all right, this is like a true kind of modern day, you know, diehard SNLfan. But this one's really great. Emma Stone's kind of like the perfect host to pair for this material. And he obviously collaborates with her again on the actress. But this sketch is so interesting because it's the whole idea that we're gonna get a kid like this toy well and it's something that like as you're watching the sketch you're like i don't really atfirst get like what they're going for but then like throughout as it continues and it's not a long piece i think it's only like a minute and a half or two minutes you like totally like it kind ofclicks you're like oh yeah there are those kind of kids that you see or you remember remember seeing growing up or maybe you were that kid or maybe you see on the maybe you see likenowadays where you're like that kid's just like kind of waiting to to grow up you know he's he's not like like other kids and uh i i thought that that is just so funny and i and i love i love itwhen snl and i feel like julio did this a lot like you know it's taking. [27:50] Like this concept and it's it's feeling like so real like it's feeling like an actual kind of fisher price commercial um so i like that element to it as well and kind of like the the button atthe end where emma stone is kind of yelling at the other i i assume it's her other son like it's not entirely clear um if it's like a friend but like a classmate or something yeah maybe aclassmate i almost think it's funnier if you think it's like her other son it's like yeah you know because you you have everything everything is for you and this is his one thing um you knowso thinking about it as like their siblings is you know makes it like a little funnier but regardless um yeah it's just like it's it's so unique like i feel like that's something i'm going to continueto say as we talk through sketches but it's um so unique just and just super funny but it does kind of have that sort of this one's not maybe not as heartwarming and just more like you'rekind of feeling for this kid you know you kind of feel bad for him um but uh just just super super funny. [28:49] Yeah kind of yeah you're right like feeling for this kid or you just want to like tell this kid it's gonna be okay and i think julio maybe has said this about this sketch like just the likeyou know it's gonna be okay for this kid not just not at that moment so he's just kind of like waiting for adulthood like this sketch julio wrote some like great taglines for this sketch Itstarts off with Cecily saying, some boys live unexamined lives, but this one's heart is full of questions. You know, this kid's like a deep thinker and very introspective. She also says some boys like to play, others just sort of wait around for adulthood, which perfectly encapsulates what this sketch is about. I think one of my favorite threads in this sketch, in this ad parody, is that Bobby, as the dad, is struggling to make a connection with his son. So what is he putting in there? A secret. [29:48] He'll grow up to have a wildly passionate and successful creative life, but not just yet. Hey, Spencer! Spencer! Spencer! Spencer! Spencer? Yes, sir. And then the befuddled look on Bobby's face, like how he just wants to connect with his sensitive little boy, but he just doesn't know how. He's confused by the secret that Spencer's putting into the well. There's just so many little details about what the boy does with the well, running his fingers along the side, pondering his reflection. There's just like you mentioned it's a relatively short sketch but it's just like but hits you one right after the other with like clever line clever they add there's escalation in it too like this isjust one of the better pieces over the last few years on SNL honestly. [30:47] Yeah and i think like a trend in a lot of his sketches is like he he knows how to end the sketch you know i feel like that could be a that could be a problem um you know with snl it'salways been a problem with snl because you know just the the fact that you're putting out so much material like you're not always going to have the perfect ending but i feel like you knowin this sketch and and honestly like most of the ones that i revisited if not all of them they they let they they land that final joke and they land that final beat and um you know i think yougot to commend them for that yeah yeah the i i tend not to hold snl sketches to the responsibility of ending right so to me it's bonus points like julio you're right he knows how to end asketch and that's bonus points if you ever watch old episodes of kids in the hall they never ended a sketch like like the sketch was over because they just ended it and then they went on tothe next one there was no like great button if you watch a lot of great sketch comedy shows like the sketch is over when they just kind of abruptly end it so ending a sketch is is really hardso julio gets bonus points for being able to like concisely and and appropriately wrap a sketch up in a nice little bow like this this sketch they also added i love the um the the little thing ofthem adding the the other toys. [32:10] So like a balcony when he's ready to make an announcement, a broken mirror to contemplate his reflection. [32:19] Just those two little elements too. So Wells for Boys, I just showed my wife like a half hour ago before we started recording. I'm like, do you remember this one? I know she was watching the episode with me, but she had to be reminded. And she's like, oh, that was brilliant. That was brilliant. Thanks for showing me. So everybody who sees this. [32:36] This is one of those where even if it's not an SNL fan, they might say, oh, I don't like SNL. But that Wells for Boys sketch was hilarious. It's a great way to put it. Should we throw in another sketch here? Absolutely. Yeah, I think the next one that I want to talk about is, let's go with The Sink. The Sink is another one kind of from early on in his first season. And I think I was reading an interview on this one where that may or may not have been like the actual sink in julio torres's apartment i i hope i'm not misquoting this interview or maybea friend's apartment or something like that where like you know there there was this real sink like snl like didn't have to like make make this like so i i think that kind of adds to, i don'tknow just i feel like he is just a writer that just like you know takes from his experiences and finds ways to like take things from his life or things he sees and turn them into a sketchbecause, you know, I'd love to see how he pitched this because the concept of it is, there's just like this kind of ridiculous sink, like this kind of very glass, kind of fancy looking, wide,huge sink. And it's kind of given like a personality Personality and like a voice and the. [33:58] Voice is Emily Blunt Am I too much? Oh my god simply too much I'm gigantic, Feel overdressed and like I'm in everyone's way, Why do I have to be such a statement Look at that toilet It's just a toilet, It's the perfect voicefor the sink who feels like, you know, they're just like worthless and they're taking up too much space. And, you know, they don't, they don't feel like they, like there's a utility to them that the toilet next to them has, but the toilet just looks like a normal toilet. And the sink looks like a ridiculous, huge thing. And it kind of makes me think like, oh yeah, there are just sometimes you just go to like like a bathroom and there's just like an insane kind of setup and you're like you know we don'tneed all this and yeah um it just uh yeah just uh another kind of example of him being able to combine his sort of bizarre sense of humor with like a bit of a sincere tone like because thethe sink like has like doubts like the sink like has like all these human emotions and the juxt The juxtaposition of it is just so funny and clever. [35:22] Yeah, this was a great one. This makes me think that Julio was definitely that little boy from Wells for Boys. The way he thinks, the very deep thoughts. This is a very Julio piece in its existentialism. [35:37] This sink is having these thoughts about its own existence and its own utility. And that's a very like that then some writing like this can only come from someone who has those thoughts on a daily basis and you could tell that julio thinks like that like on a daily basisprobably since he was a child so this is like a perfect julio piece i think julio too i've heard him cite this as possibly his favorite sketch that he wrote for snl so it seems like like it'ssomething personal for him too yeah well that would add on to the theory that this is his uh his actual sink you know very very personal sketch yeah yeah. [36:20] We'll definitely go with that i think it is now the sink season 42 episode 3 uh again another very short piece like it doesn't overstay its welcome it's what i love about a lot of thesepieces is you're into it it delivers joke after joke it's funny heartwarming and then it gets out so that's a lot of mark from Julio as well yeah no that definitely and that kind of throw it's a bitof a throwback to older SNL I feel like older SNL was more fast and loose with you know a sketch could be 30 seconds it could be like a very short commercial parody or something likethat and I feel like we've maybe gotten away from that a little bit so you know obviously this was only a couple years ago now but um you know I would love to see that kind of return toshorter pieces uh on the show he has so so many more like classic ones. I have three that stick out above the rest. [37:12] I'm going to ask you, Sammy, to pick a number one, two or three. And then that's what we'll talk about next. Okay, let's go with two. [37:19] All right. So season 43, episode one, Ryan Gosling, Julio was behind Papyrus, which I didn't know this was Julio for a few seasons for the longest time. And then once I I started digging into his work a couple years back. I'm like, are you kidding me? Julio Torres wrote Papyrus. This was such like a wonderful and another Julio theme, like an over the top dramatic look at something seemingly mundane. Like, what do you remember about Papyrus, Sammy? Oh, I mean, this, again, we keep saying it just a modern classic. [37:56] I think it says a lot about his thought process and sense of humor that, you know, this sketch, I mean, they call it out in the the sketch like, is this came out so many years afteravatar came out you know avatar came out in 2009 i think the sketches were maybe like 2017 or 2018 so i imagine that he is almost like you know the the ryan gosling character is almostlike a surrogate for him to where like he was probably thinking about this for years like the avatar font using the papyrus logo is like insane because it's like like the highest grossing filmof all time with the biggest movie ever. And, you know, it's almost like they could have picked Times New Roman or like any like basic font. And, you know, I could see why that could like drive you crazy. And it's such like a specific detail to pick up on. And he just totally milks this concept for everything you can out of it and totally takes it to the level you want it to go to make it sort of a classic sketch. Oh, Stephen, not this again. I forgot about it for years, but then I remembered that Avatar, the giant international blockbuster, used the papyrus font as its logo. [39:13] Avatar. Him talking to his therapist and everything, and I know we're talking about him as a writer, but Ryan Gosling, like, I wonder if you have another actor in this sketch, youknow, that doesn't live up to the material. Maybe it doesn't become the classic that it is, but he absolutely murders it in this sketch. And it is one that I definitely, when I'm thinking back at like modern day SNL, is just a classic sketch. Well, I think that's part of being a good SNL writer is picking your spots as far as who the host is and what you pitch. And I don't think it's a coincidence that he had a lot of really great sketches and material for like Ryan Gosling, who honestly, excellent SNL host. Ryan Gosling is an awesome SNL host. Emma Stone was in at least two classic sketches that Julio wrote. I don't think that's much of a coincidence. I think writers want to save a lot of their best material for the host they think who can really... [40:16] Do it justice and elevate it so the fact that gosling was in this i still kind of credit julio for that a little bit and third in this one too you you did such a great job of describing, a lot ofwhat i love about papyrus there's also escalation to like gosling describing other places where you might see the papyrus font okay where else do you even see this font hookah barsShakira merch. [40:44] Off-brand teas. [40:47] Just such specific places and I couldn't I can't be the only SNL fan who opened up Microsoft Word and typed avatar and put the papyrus font on it just to kind of like double checkand see I'm like oh my gosh that's hilarious so yeah I can't be the only nerd who did that Sammy me yeah and i i think another great detail again like talking about like the time frame ofwhen this sketch came out like it almost feels like if this came out right when avatar came out and it was like a more topical sketch you know they wouldn't have been able to make it thissort of manic thing like you know like if it was like a coming right off of the success of it it might maybe would have been lost in the shuffle but having those kind of years to kind of buildon this idea of this character and then while he's in his therapy session you know the therapist is like oh is this because like the sequels are coming out and he's like they're making more ofthem like please tell me they changed the font it's just and again like kind of like you said like amazing that julio torres was was the the guy behind it because you know he's uh but itmakes sense when you learn that he did that's just a theme that that you talked about when we opened in the podcasts. It's just like, when you see a list of the sketches that Julio did. [42:07] You're just like marveling, like, Oh my God, he did that. He was behind that. He wrote that. Like there, that happened to me a bunch. Like, like when I, when I started digging into what he wrote. So, uh, yeah, this is just another example. Uh, I know, I know, uh, you probably have more on your list, Sammy. Why don't you hit me with the next one? Uh, I think we got to talk about, um, the the actress. [42:51] Is that my content yeah fascinating you'll put on whatever you want from the woman ben you'll get your meal voucher after we wrap thank you you know we got we gotta get to ityou know um because i i i think this might be it's either papyrus or the actress i feel like are the two that i feel like um are like his his biggest sketches um another collaboration with emmaof stone clearly. And, you know, these are from separate episodes. Like this is when she came back to host a couple of years later, I believe after welfare boys. So, um, you know, I'd like to think that they like, she likes his sense of humor. I mean, obviously, you know, she's recently worked with Nathan Fielder. So she has like a very eclectic taste in comedy. [43:36] And, um, again, this This is taking such a silly idea and presenting it in like the most dramatic possible way. The idea that this person is trying to make it as an actress and is, you know, maybe thinking about her performance from like a method perspective and trying to be like, you know, theDaniel Day-Lewis of her generation. Generation but you find out quickly and beck bennett in this sketch like this is like the perfect casting choice for uh what you learn is the porn director of of this and you know she'splaying you know a wife but she's playing the wife of two uh gay or the wife of a like you know a gay man or seemingly gay um and is you know they're having an affair with uh i thinkthe godson right which is again such a silly funny detail and she's just trying to find this character and Emma Stone I think, Obviously, she just came back to host SNL this season. One ofthe best modern-day SNL hosts. Honestly, maybe my favorite actress in general. [44:47] Having her be the person in the sketch anchoring it totally makes it a slam-dunk home run. Her just trying to crack the character. While you keep being reminded that this is for a gay porno, it's just such a funny concept. And they totally continued to escalate it to the end where she has this epiphany on, you know, finally unlocking the character and Beck Bennett's like, yeah, we're just going to cut that out. Like, just, again, going back to him being able to end sketches, just like a perfect way to kind of wrap that up. Yeah, at the end when she's in her car. Deirdre, how do I get you out of me? I can't take you with me. I'm sorry. This is it. Goodbye. She's this method actress who just summoned this character for this very inconsequential, silly part. And again, like a dramatic rendition of something very silly. That's like a Julio Torres hallmark, is this pomp and circumstance and all this drama and passion. And it's like just this really silly thing. the sequence of her finding the backstory and the props being pigeonholed into Deirdre's backstory like she looks at the it was like the 2007. [46:13] New Year's Eve 2017 New Year's Eve sunglasses the Ugg boot the one random Ugg boot the pack of batteries and Emma Stone's characters like trying to find like, her charactersbackstory as far as like what do these props mean and it was just like so so much fun, so many little details packed in. Like, these are the types of sketches that I can't take my eyes off of. And Emma's delivery of when she flatly says, Jared, why is Godson sleeping over? I felt the bruises and stuff. I wrote that down as well. Yeah, yeah, she has her delivery and Julio's writing. So her delivery of Julio's writing. [46:58] Cracks me up she is such a good actress and she's good at playing this like very bland sort of mediocre actress and right uh you know julio julio's writing just being able to createthis character and you know finding like the right host to kind of pitch it to like um you know it makes sense why he was able to get so much on during his time in the show yeah he wasthree seasons seasons but he packed so much into those three seasons gosh there was uh another one i don't know if you have anything more about the actress i think well one last thing isbow and yang helped julio write this too so i gotta shout out bow and yang for this yeah no definitely shout out bow and yang and i think um he had a quote this year where they weresaying how because obviously emma stone came back the host how you know they weren't going to do a sequel to it and And I think, you know, as far as I can tell, for the most part, youknow, Julio did a lot of, I mean, most of his sketches were kind of one and done and they were so original. So the fact that, you know, they didn't want to do that and kind of bring that back kind of goes to show like they weren't going to, you know, put something out there that they didn't thinkwas going to, you know, live up to the original. [48:18] So I think you got to commend them for that. Yeah, it's a great call. I think those Melania moments were the only things that I really noted that were recurring things, but everything else was just... [48:29] Brilliant one and done there was there was a an example of something that i that i love about julio like just just very julio torres observations about like for instance like thegrandiose nature of sectional couches something so mundane but julio has just such specific observations about it so this was in the louis ck episode from season 42 it was the sectionalsofa emporium. [48:57] When I was a little boy, my grandmother bought me a new couch and I looked at it and I said, where's the rest of it? That is the first of many stories you're going to hear. This is going to be long. What if I told you that where most people's couches end, yours can bend and keep going? Sammy, I loved this one as it aired, and I was so thrilled to find out that this was a Julio Torres and Jeremy Byler piece. Yeah honestly this is one that during the research is one that i completely forgot existed and immediately kind of shot up my rankings on a rewatch of like oh wow this is super funny andthis is you know kind of different from a lot of the other sketches we've talked about because i don't think this this isn't a pre-tape right this is more of a live sketch or there's maybe maybepre-tape elements, pre-recorded elements. Yeah, it seems like it's a little mixed. Yeah, but regardless, this is an example of him being able to accomplish his tone and his humor in a live sketch, even if there is kind of a mix of live and pre-recorded elements. It's something that, for the most part, everyone has experience with, with sectional couches, or having them, sitting on them, whatever. And he's just making, just trying to find every single aspect of how to make it. [50:26] So ridiculous um and having this kind of salesman of it pitching it like it's kind of like a late night infomercial um it is really funny um i think uh you know cecily in the sketch isgreat uh the they keep you know cutting the shots to her and and ad bryant especially as well demanding you know bigger and bigger couches uh it's a sketch that when you like try todescribe Like unlike some of these other sketches, they feel like they're almost like mini movies. This is one that's like completely absurdist and leans way more on that sort of surrealist, absurd comedy that Julio would kind of embed in his sketches. It reminds me of like something Jack Handy would have written in the 90s. And that's such a huge compliment to Julio. I think Julio and his writing partners cite like Phil Hartman as a cast member that they really love. And I could tell like there's Jack Handy, Phil Hartman kind of bizarre elements to a lotof the way they think. And some of the some of the specific wording is just so like poetic and literary about something so mundane. Like when Louis C.K. is sitting in like the middle seat. This seat is called the Nexus. [51:45] It is the eye of the storm. The rest of the sectional is born from this point. And that is how they are made periods that's such like a funny literary way to put something that i just never really thought about like what is that seat in a sectional like apparently it's thenexus right right yeah and um just asking like why people don't have sectional couches and saying like you know these are all made on earth and like that's just like his whole point as towhy why you would have a sectional couch. [52:21] And then you do get a little bit of the kind of emotional sort of pathos you get from a Julio Torres sketch towards the end where the Louis C.K. Character breaks K-fab a little bit and like kind of goes on about how he used to have a family. But now he that's kind of like the backstories like he used to have a family, but he kind of gave it all up for this business to be like a sectional couch. Couch um salesman kind of like that that is uh yeah really really funny but then he wasn't a salesperson he just like he he just has a warehouse because he didn't know what to do with allof his sectional couches but he wanted to show them off so they specifically say like the couches aren't for sale that he just wanted to do an information to show off the couches yeah yeahexactly that Yeah, that makes it even sort of like more unexpected the way they kind of take that towards the end there. Yeah. And to your point, I mean, that's another example of Julio and Jeremy just like ending a sketch really well. And that's kind of like that's a running thread. And I totally I didn't totally think of that when I was watching all these until you put it that way, Sammy. But yeah, bonus points for Julio for being like a rare sketch comedy writer just in general who seems to know how to end sketches. [53:43] So yeah, and I like your way of putting that. I'm going to like as far as the bonus points go, like I'm going to take that away from this podcast as I continue my career as an SNL podcaster where it's like, you know what? Like it should be extra like an extra pat on the back if you're able to excel kind of like julio is uh in that regard yeah definitely i want to urge a lot of listeners of that like if if you justwatch old kids in the hall old mr show even like tim robinson everybody loves tim robinson sketch show as do i he doesn't end sketches he just sort of like fades to black and then on to thenext one And so, so I always have to remember that and remind people, like, don't hold SNL to ending sketches. Just give people like Julio Torres bonus points if they happen to, uh, to be able to do it. So is there anything that if we were running like, uh, um, and at Julio's by, by his bust at the SNL hall of fame, and we were running video of sketches there, is there anything else that,that maybe, um, should go into, into that highlight reel? [54:49] Ooh, okay. This one may be a bit of a deep cut, but as I was doing my research on it, you know, today for this pod, I was like, oh man, like if I have time, I will shout out. I won't, we don't have to go super in depth on it. But New Wife, which is from the Larry David episode. This was also written by, written with James Anderson. [55:11] I think, I mean, so this one is Larry Larry David is, I think, a lawyer, and he's bringing his new wife to some get-together with other lawyers. I think Kate McKinnon's in this, and Beck Bennett, and Chris Redd. And this new wife is played by Cecily Strong, and she, I think, if I'm remembering the details of the sketch correctly, works at this gay bar establishment called Bottoms. And it's just like this whole sketch um imbues so much sort of like gay culture and satirize that satirizes that in the sketch like you know she um you know sings a song and and brings outthese dancers and you have larry david in this like ridiculous suit with a big cigar and he absolutely breaks towards the end of the sketch and it is amazing to see and i think it is acompliment to Julio's writing and James Anderson that you have somebody who's such like a legend, you know, especially who's a performer and writer in Larry David, that you havewritten a piece that is so funny that he is unable to keep it together. That's how funny it is. Oh, look at the time. [56:29] We gotta go now if we want to, if we want to be at Power Buttons for her. You know, 3.30 a.m. performance. Okay, but we do have a meeting at 6 a.m. Yeah, we got that 6 a.m. meeting. [56:52] Oh, that's a great one. I like that. Julio likes to weave in gay lingo into some of his sketches. He came back in season 45 and along with Bo and Yang helped write that Sarah Lee sketch with Harry Styles in it. And so you see a lot of that, a lot of gay lingo in that. But with New Wife, I think my favorite quote from this sketch is, the gay world isn't just one thing. It's a complex tapestry of cultures. Like that's such a, definitely in Julio's voice, like that's so well-worded. You know, that's what Julio, when he was pitching this sketch, he's like, that's kind of what this sketch is about. So Larry David saying that just cracked me up. That's a really great shout out, Sammy. And yeah, Julio just did so many through like if we're doing a lightning round of other stuff that he did There was a really cool in season 42 was aUS customs welcome video and it addressed it actually addressed the Muslim band and. [57:49] So there was a questionnaire that just said, are you Muslim, yes or no? It said you'll be required to eat a hot dog in front of us. One of the customs guys said that. So that was a Julio piece. The Game of Life DACA edition that he did with Anna Dresden, that was really, at the time, probably very personal to Julio, I'm sure, as an immigrant. That was just wonderful political satire. drag brunch was is actually kind of was like a guilty kind of pleasure of mine in the john mulaney hosted episode do you remember that onesammy i don't know how well it was like that large but but i actually really enjoyed the concept do you remember this that that one uh i very vaguely i may need you to give me a a bitmore of the concept of this one so these group of this group of friends uh it was like alex moffitt ad bryant a couple of other people they went to this to go have lunch or a brunch at thisdrag brunch so John Mulaney was Justin dressed in drag and the concept is that the drag the people the waitresses dressed in drag say these sassy things to the customers so so JohnMulaney and drag saying these like playful sassy things but then he stares Alex Moffat right in the face and loses the character and and says like really mean personal things to AlexMoffat in his real voice. [59:12] Somebody best be calling the fire department about this one, because that smoky-eye situation has become a stop, drop, and roll one. Oh, she got me. Do you have it? Do you have it? You've never worked for anything in your life. You got everything handed to you. The one thing you haven't been able to purchase is a personality... And a soul. All right, bitches, I'm going to sashay away and grab you. [59:45] Funny little play on that there's like funny lines in that too when they said this must have taken you forever to at least two hours to get into this costume and he's like oh it took mefour hours and he says contouring takes a while if you're new to it like there's just these little like little lines like that that like like julio will put into his sketches that cracked me up so thatwas a john mulaney thing i think julio worked with james anderson on that too uh yeah no not Now that you've described it, I definitely remember that one, and I'll have to revisit it. Yeah, revisit that. There's one more that I'm surprised I just didn't totally highlight that I thought it was funny. It was an idea of, again, something that's really mundane but presented in a dramatic way. It's a sketch called Checks. So the concept is just like how fun is it? I know we all use check cards and this and that. But how fun is it to just write a check and rip it off the checkbook dramatically? [1:00:46] And so it describes like situations where somebody would write a check and just do it dramatically like that. So like making him leave your daughter, buying poison and all these stuff. And you can get them in different styles like baseball, Daffy Duck or Michigan State. So, so the way Julio like this is just a such a funny, funny sketch from season 44. So that's another one in Julio's voice that I remember. And it was one where I didn't know Julio did it at the time, but finding out I'm like, Oh, that makes complete sense. [1:01:18] Yeah, I feel like that that's another running theme is like, you know, going back to like the qualities that make an SNL writer being able to pick up on like their fingerprints andtheir voice, you know, so being able to revisit a lot of these and realizing that Julio Torres, you know, wrote these sketches, then it kind of all, you know, clicks into place. You're like, yes, like I definitely see his his touch on here. And you're not going to get that with every SNL writer. You are going to have the ones that, you know, are not as I mean, obviously he's surreal, but, you know, you know, having more ofa, you know, an SNL sketch type of writer and is able to put out SNL sketches. But Julio, you know, like we said earlier, was able to kind of walk that line in a really great way. [1:02:01] Yeah, exactly. And I think it bears repeating that he was on staff for three seasons and that's it. That's a relatively short period of time to be on an SNL rider and to put forth asmuch quality material as he did. So, Sammy, do you think it may impact Julio's candidacy that he was only a rider for such a short period of time? I think at face value, you could say that. And I feel like that is always when you're looking into what makes somebody worthy of the Hall of Fame. I'm sure longevity is something that people consider. I definitely consider it. But if you're looking at quality, you know, we've talked about so many sketches today that are really all time kind of modern classics. [1:02:49] And if we look back at like the beginning of the show, you know, like when SNL first started in 1975, you know, the original cast was only on for five years. And, you know, some of those writers were only a part of the show for five years. So the fact that Julio, you know, obviously he's not an OG by any means, but he was able to make an impact in that short amount of time. And I think, you know, that definitely helps his case for sure. Like he has some slam dunk sketches that deserve the praise. What do you think of Julio's character? Legacy is on SNL, especially given like his short period of time there. [1:03:25] Yeah, I mean, I think he, in a way, was able to bring bring his experience both from being an, you know, an immigrant and, you know, having that background, as well as, youknow. [1:03:39] Providing like a much needed gay sort of voice on the show to, you know, open those doors and And bring that kind of humor to SNL, which especially if you're looking at likethe early 2000s, you know, the way that those kind of minority groups were portrayed is a total different time. And, you know, a lot of the sketches don't hold up well. And he was able to really bring that humor and make it work in the SNL environment in such a great way. You know, made so many classic sketches, as absolutely we've discussed today. And I really think that SNL today in 2024 is still looking for somebody kind of like Julio Torres that can put out these pieces. You know, obviously, you know, if we're looking at pre-tapes, you know, this was such a great era for pre-tapes and Julio was such a huge part of that. And, you know, I think we're still kind of, you know, waiting for somebody like him to be a part of like the current iteration of SNL. And I think that just adds to his legacy for sure. Track 2: [1:05:04] So there's that. Thank you so much, Thomas Senna and Sammy Kay. A well-reasoned argument as to why Julio Torres belongs in the SNL Hall of Fame. But it all comes down to you when voting opens. It's all about the listener. When voting opens, you'll get your choice to cast 15 ballots and we'll tabulate them. I'll make matt and thomas take off their shoes and socks so we have some extra, toes to count with and if you hit 66.7 percent well like we say in the p business you're in so there's that let'snow go to a sketch that features uh the writing of julio torres this is a pre-tape and it's called well it's called papyrus and you may know it it's a modern-day classic. Let's go to that now. [1:08:58] Oh man that is so good get uh get on youtube and give it a watch as well because there is you know there are some visuals to these sketches and um that is a damn good onegosling is great in his role and man i just love that sketch i'm a i'm a bit of a font meister actually if you're a a fontmeister you should call it typeface meister because uh well that's justwhat they call it at any rate i want to thank sammy k once again for joining us you can follow his work at the snn, uh they often do super fan takeovers and there's lots of good stuff therenext week however i'm very excited as well as we're discussing an original cast member in lorraine newman, We've also got special guests from the Not Ready for Primetime podcast.Give that one a listen. It's a twofer as we welcome Gary Seeth and Brad Robinson to the podcast. So that should be a good one. Will Lorraine make it? Well, you'll have to tune in and listen to the argument and make that decision yourself. [1:10:13] Now, if you would do me a favor, and as you're leaving, walk on past the weekend update exhibit. There's a light switch on the wall. Turn it off. Because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| The R.E.M. Breakdown Trailer | 14 Feb 2024 | 00:00:46 | |
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| Martin Short | 12 Feb 2024 | 01:43:00 | |
Today on the SNL Hall of Fame podcast jD and Matt get their trivia on, meanwhile Thomas is joined by a friend of the show Bill Kenney to discuss the career of multi-time host, Martin Short. Transcript: [0:42] All right. Thank you so much, Doug Donatz. It is great to be back here with you all in the SNL Hall of Fame podcast studios deep within the SNL Hall of Fame. It's JD here, and I hope you're doing well. We are doing great here in the hall, but we would be remiss to remind you to please wipe those feet before coming inside, especially with the snowy weather now. It just Just makes things messy. [1:15] The SNL Hall of Fame podcast is a weekly affair. Each episode, we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity inside the SNL Hall of Fame. That's how we play the game. It's really quite simple. It's all about you. You get to listen, you get to vote, and you get to brag about the fact that you inducted the Hall of Famers. So there's that. that i'm going to tell you that i'm excited about this week's episode but i always tell you that so it's a little redundant i suppose but i am excited we are welcoming back ourfriend bill kenny and he will be in conversation with thomas about our first host of the season martin short martin short of course uh a legend in showbiz and quite the character in the snlworld the SNL cinematic universe, the butt of many jokes in terms of the Five Timers Club, and. [2:34] He seems to relish it. He plays that role so well. But I don't want to get into too much minutiae because I like to leave that for my friend Matt in his corner, Matt's minutiae minute corner. So let's walk down to that intersection of walls where he is most likely loitering, and uh get to the bottom of this. Track 3: [2:56] Hey matt how's it going my friend hey jd i am awesome i am awesome i am looking forward to talking about today's potential inductee yeah i think it's pretty safe to say he'll be aninductee but uh you never know this place is weird you never know you never know like a lot of times you're thinking this person's gonna make it right away but you know it might be likehow he had to go to addition to second city for like a dozen times before he got out into the cast. Well, we're bearing the lead here, even though the title of the episode is named after this person. So you already know who it is. But it is Martin Short that we're going to be talking about this week on the program. Yes. [3:35] A who is actually not that short he's five foot eight i mean he's not a tall guy but he's kind of average that's average height yeah it's average height i always thought he was shorterthan that but i'm maybe only very minorly taller than that so we're about the same height are you plotting all these. [3:54] Are you plotting all these heights somewhere on a graph so that i should i should to like a uh i that will be my project over the summer who's the tallest uh nominee you know yeahwell will ferrell probably it's oh that's true yeah yeah but but who comes next kind of thing or is there somebody taller we never know we'll we'll find out kevin maybe yeah he hasn't beennominated yet no no oh you'll see well i'll i'll do them i'll do the math i'll do one of those comparison graphs okay um but yeah martin was born march 26 1950 he graduated from westdalesecondary school in hamilton and later attended mcmaster university where he shout out to the hammer yeah we have a kitty cat from from hamilton duncan he's toothless and weird and ilove him very much sounds very hamiltonian to me yes he does he does um now um martin studied social work before changing after leaving pre-med and then subsequently leavingsociology so academia probably wasn't in his in his future he has 113 acting credits 19 writing credits 12 producer credits 27 soundtrack credits and one director credit including the latestaquaman film which which means I am going to have to watch that horrible movie now. Oh no. [5:20] Oh, I mean, geez, what I do for the love of Martin short. Right. Now his very first role was actually as a giant in a visa commercial back in the seventies. So which is, yeah, it's like interesting casting. Um, he's a class fricking act, uh, by literally all accounts. Um, you know, You can see how he rolled with the Today Show interview where Kathie Lee Gifford was asking about him about his wife two years after she had passed. [5:56] The man is a saint. He just... You know corrected her during the commercial break but was just very gracious about it and you can tell that he's this is a real genuine niceness because he's remained friends with all ofhis co-workers uh david lennerman conan o'brien tom hanks eugene lovey robin williams chevy chase william shatner diane keaton and of course his bestie steve martin all of them lovehim he um met the SCTV and Second City castmate, Dave Thomas, in college in 1970, where they began acting together, appearing in Macbeth, where they played Lennox and Banquo,respectively. This caused him to be a part of the infamous Godspell performance in Toronto, Yeah, where he met the SCTV and SNL geniuses that really created those two shows, including GildaRadner, Eugene Levy, Paul Schaefer, Andrea Martin, and his future wife, Nancy Dolman, whose brother married Andrea Martin, making SCTV a family affair. Hmm. Now, as an early member of a second city in Toronto, where many of his Godspell friends were performing. [7:17] He actually took about a dozen auditions to get into Second City, which means I don't feel so bad having been drummed out of my first con edition. So I will get in one day. If it takes Martin Short multiple passes, it'll take me multiple passes. Now, he left Second City and joined the cast of SCTV along with his fellow SCTV and SNL cast member, Robin Duke, in 1981. I have a friend whose parents actually just wandered in to the old fire hall to watch a performance, and it was their farewell show. [7:58] Oh, my God. Yeah, I was like, what I would have done to have been at Robin and Martin's farewell show. One of the few SNL cast members to make an appearance on MADtv, his first romantic love was Gilda Radner. But honestly, who didn't love Gilda? Yes. Yeah, everybody loved Gilda. He is a member of the Order of Canada, has a Tony for Little Me, an Emmy for SCTV's Network 90. That's the NBC version of SCTV. Two Outer Critic Awards for Outstanding Performance, a Primetime Emmy, Lifetime Achievement Award. The Independent Spirit Robert Altman Award, the Earl Grey Award, Lifetime Achievement Award for the Canadian Screen Awards, and three Canadian Screen Awards for BestPerformance. So he's pretty critically recognized for his talents as well. Well, he continues to tour doing his two man show with Steve Martin, uh, to this day where he is merciless. Uh, they, they keep working together. They also have the, the show that they co-star in only murderers in the building, which is one of people's choice award in 2021 and 2022, aprimetime Emmy in 2022, a satellite award and an AFI TV program of the year just this past year in 2023. So he's nominated for an Emmy award. [9:16] Or an evening you will forget for the rest of your life with Steve Martin. But they lost Mulaney, which, let's be honest, I'm sure Mulaney was really embarrassed by that. Like, he is probably just heartbroken that he beat them because Mulaney is nothing if not self-effacing. And those are two people that I am sure he idolizes. Yeah. Um, you know, he's been a success on and off of Broadway, dancing, singing, and remaining a beloved figure this, this day. He has a cottage in Muskoka, uh, where he cottages with friends and his neighbors include Tom Hanks and Rita Wilson, Kurt Russell and Goldie Hawn and Steven Spielberg and KateCapshaw. [10:00] Um, and he is my favorite amigo. So yeah, that is Steven. He also has a hell of a, that was Martin Short. short or that was martin short sorry he also has a hell of a hell of an autobiography uh does he does and he he reads it and yeah tremendous igot the book from my wife and i listened to the audiobook on again on audible not another plug for audible but it's on audible hey audible by the way if you're looking uh to sponsorsomething the snl hall of fame has a wing that we could uh use your vast amounts of money on so talk to us yeah i mean we could probably do an entire series all about just snl alumniright fees read on audible by the those cast members well i think we should take it downstairs now bill kenney is waiting he's chomping at the bit and uh he's down there with thomas sothomas take it away buddy All. Track 4: [11:18] Right. All right, J.D., Matt, thank you so much for that introduction, and welcome to another edition, another episode of the SNL Hall of Fame. Today, we are bringing you Comedy Royalty, and I'm talking about Bill Kenney, my guest, of course. Of course. Hi, Bill. Welcome to the SNL Hall of Fame. Welcome back. Thank you for having me back. Yeah, sure thing. Of course, we're talking about Marty Short, Comedy Royalty. Yes. He's a little bit higher than I am, but yeah. On the pecking order, you're just below Marty. [12:01] So no, we love having you, Bill. Thank you so much. You were a guest for Jason Sudeikis last season. And I like to think, Bill, that your natural charisma is what put Jason Sudeikis in the SNL Hall of Fame. Like, what say you? I mean, listen, I'm trying to be humble here, but all of the people I've come on this here your podcast and promote it are now in the SNL Hall of Fame, including my dear Jan Hooks. JanHooks. Yeah. Very excited when I heard you guys announced that. And yeah, it's such a great, great thing to see these people recognized for their great work. Jason probably got on for Ted Lasso and me, but yeah, we'll give me credit too. Jason, call me. Yes, yes. But Jan, though, I was super excited when we got the results in Jan Hooks. It was a well-deserved, overdue bill. I mean, Jan Hooks. Now the Eskimo Hall of Fame has maybe legitimacy in your eyes. I don't know. Absolutely, yes. I mean, it's like that favorite player that gets in on the seventh or eighth ballot. I know this was the third ballot. But yeah, it was great to see. The only thing, people, please vote for these writers. That would be my only pitch besides Marty tonight, of course. [13:22] Need more of these writers in. If you've seen a season of SNL that you didn't enjoy, it's because they had bad writers. Period. End of sentence. Put these people in. They're well-deserving. Exactly. Yep. I think, in my opinion, Jack Handy might be the next one on the list, hopefully, to get in. Jim Downey's in. So that was a little bit of a wrong that's been righted. We're making progress here, the voters at the Esna Hall of Fame. Chipping away. That's all you can do. Absolutely. So today's guest, I'm super excited to talk about Martin Short, Bill. So where... Did you first become acquainted with Marty? Because before SNL, he was already known in comedy circles. So where did you become acquainted with him? [14:09] Probably right around the time that he was on SNL. That was my formative years. I wasn't watching the show at that point. But as similar with Billy Crystal, I'd hear comedy clips on Dr. Demento's show, which I don't know if you're familiar with. but it was a Sunday night show that just did comedy clips. There'd be standup clips. There would be clips from SNL, from SCTV. And you'd start to hear stuff like Ed Grimley on there. And I'd wonder where this was coming from, you know, as a 10 year old or 11 year old boy. And it all kind of came together when he came to host for the first time. It was kind of all of my worlds colliding. So yeah, I didn't know a lot of him. him. A lot of his movies weren't child oriented at that point. So I hadn't seen him in the movies, but that was probably where I got my start with Marty. Okay. Yeah. So of course, Martin Short was a cast member on SNL. He was in the ringer season, as we like to call it, season 10. Steinbrenner season. Yes, the Steinbrenner season. [15:19] Dick Ebersole's last season as producer, he just went and brought in big game hunting, basically, and brought in Marty, Billy Crystal, Christopher Guest. He brought Harry Shearer back. Great season. So Marty on SNL, Bill, you and I, so there was a little discussion, a big discussion. Marty's placement on the Saturday Night Network's cast member countdown, and you and I had a little bit of disagreement there. Marty was 42 on the SNN fan list, And I think that was really high. I actually didn't have Marty ultimately in my top 50. But Bill, my stance has a lot to do with philosophy. [16:02] Try to convince me otherwise. This is one of the few things that you and I have disagreed on, and this is one of the few things that our friend John Schneider and I have disagreedon. I understand where quantity counts for something. If you're on the show for 10 years and you've done very solid work, you're going to be higher than somebody who was on for one year. But bang for your buck, Marty on there for one season was phenomenal. Uh, yes, Christopher Guest was a big deal as well. [16:36] He didn't have that great of an SNL career. There's not a lot you could point to his, his weekend update. SNL news was not that great. Uh, he wrote some good stuff, but it was basically the Billy and Marty show. And for better or worse, you know, a lot of good people didn't get a lot of airtime. Julie, Julie, Louis Dreyfuss, Mary Gross, uh, Jim Belushi. But for what was there these two carried the show made it relevant again i think really for the first time since eddie left full-time uh eddie murphy so uh and he was highly quotable he hadthese incredible characters that he had brought from setv which is something you wouldn't see today uh you probably know this uh many of the fans probably know this but snl now ownsthe the characters like if you if you bring a character this was around the 90s that they started this dana carvey's talked about this on his podcast where he brought the church lady so heowns the church lady um nbc snl owns the characters now so they wouldn't let somebody like marty come in today and not give up these characters but he came fully performed from hishis SCTV time with Ed Grimley, with, uh, what else did he do? Irving Cohen, which was one of my favorites, the bouncy C, uh, composer, Nathan Thurm, uh, Jackie Rogers Jr. He had brought all of those from his time as SCTV and, uh, it made SNL, uh, big again. [18:05] Yeah. He was, he was very well-equipped to do sketch comedy, to do the S to do SNL. He was so well-equipped. I remember I remember watching SCTV in reruns. Of course,when it aired, I was I was a small child. I wasn't watching SCTV, but I was lucky enough to catch up with it in reruns. And what a what a group we haven't on this podcast. I mean, it makes sense, but we haven't really talked a lot about SCTV. But Rick Moranis, John Candy, Eugene Levy, Catherine O'Hara, Bill, were you able to watch SCTV later after? I was too young as well, but I can recall, I believe it was after Late Night with Letterman and then Conan, where NBC started rerunning those SCTVs. And that was kind of mind-blowing. You know, this is pre-YouTube, pre-internet. So to see these things, all of these people had started to become big in their own ways. You know, Catherine O'Hara was big. Obviously, Marty and John Candy were doing their thing. [19:06] So, yeah, to go back and be able to watch kind of their origin stories on a show that was similar to SNL but not the same. And then, obviously, through the years, kind of seeing the fabric that's laid these people together. Marty's really the only one that carried over as a cast member, I believe. Right. Catherine O'Hara almost did. Almost. Famously. Michael O'Donoghue we can blame, I think, for her not being an audience member. Yes, yes. She walked out of the first meeting after he spray painted the wall, and we got Robin Duke instead, which was fine. But yeah, so it was kind of, I can't imagine being an adult at that time who was a hardcore comedy fan, having watched SCTV, and then seeing Marty come over, and kind of, you know,worlds colliding, so... [19:56] Very interesting. Very interesting. And here at the SNL Hall of Fame, we love other sketch comedy shows, especially being like rooted. You know, Jamie Du is from Toronto. So this SNL Hall of Fame is like rooted in Canada. Lorne Michaels is a Canadian. So, you know, the ties there to SCTV as far as cast members and comedic voice and everything can't be denied. And Marty specifically as a cast member on SNL, I'll give him this. I mean, for his one season, you couldn't look away when he's on screen. And that's throughout his entire career. One of the things that sticks out to me is you couldn't look away when Marty was on screen. Specifically, Bill, the first sketch or the first episode or one of the first sketches that we saw Marty in in that first episode, Synchronized Swimming. I want to talk about that real quick. I know this happened when Marty was a cast member, but still like an all time classic sketch that Marty was in. Officially, it's got like zero acceptance. I don't swim. So, I mean, no, of course not. Nobody is just going to walk up and hand us a gold medal, especially since men's synchro isn't even in the 88 Olympics yet. That's OK, because we could use the time. [21:17] I'm not that strong swimmer. but I mean that just means that when they would do which I miss when they would do these SNL best of sports this was one of the weird ones that theykind of shoved in there you know they'd have the baseball and the football and all the things that we but they had to get synchronized swimming on all these best ofs because it was just sowacky them pointing at each other I know you I know you and they were trying to get into the 1984 Olympics or 1988 1988 Olympics because they They had missed the cut for 1984. And they were trying to get this ridiculous swimming exercise into the Olympics. And Marty was just playing this very innocent, childish character with Christopher Guest. And yeah, it was so fantastic. Marty wasn't much of a swimmer in the sketch. [22:11] And I love that you had, you're right, it had the Christopher Guest mockumentary style, which is always welcome. Them is amazing it was around the time that this is spinal tap was out and just uh what an amazing movie that was so uh so synchronized swimming for as for as much as i you know saidabout marty and it's just like i said a philosophical thing as far as where he stands as an snl cast member of all time but he was in an amazing sketch from that era and again you're right hebrought over ed Ed Grimley, Jackie Rogers Jr. So he did make his mark as a cast member on SNL. So there's no denying that, Bill. [22:52] Yeah, I think if you could come on and do what Marty and Billy did, even if it's just for that one year, I think that counts. Are you going to put them ahead of people like Will Ferrell and Phil Hartman? No, obviously not. And they have the pedigree, and they went on to do great things afterward. So even though it's just this tiny part of their resume, I think Marty is deserving to be considered in the top 50 of all-time cast, for sure. And I do respect that, and I do love Marty, so I'm really excited for this episode. And he's not eligible for the SNL Hall of Fame as a cast member, given SNL Hall of Fame rules, but we are talking about him today as a host, four-time host, Martin Short. So, Bill, his first hosting stint, Season 12, Episode 6. Only six episodes into that new golden age of SNL. December 6, 1986. [23:50] This is a theme with Marty, hosting like a Christmassy episode here. He's hosting with his fellow amigos, Steve Martin and Chevy Chase, promoting Three Amigos. Before we get into the episode, please tell me, Three Amigos is one of my favoritecomedies. How do you feel about Three Amigos? I love it. So underrated. It got lambasted at the time as not being that great and I think it's one of those movies like Tommy Boy that gets crushed by critics you know had high expectations because of the wattageof comedy people in this movie and has aged like a fine wine I still like to go back and watch it every few years and it's great I mean to see these three unbelievable comedic giants in onemovie together was fantastic. [24:41] And it was equal amongst the three of them. I wouldn't say there was a star. All three of them, that's what's amazing about that movie, the fact that it was hilarious, but all three of them stood out equally, in my opinion. Yeah, and they're all kind of at the height of their power, right? I mean, Chevy has just done the Vacation movies, and Steve is Steve. He's been around for about 10 or 15 years on the stand-up circuit. And he's starting to make really great movies like Roxanne and things like that. And then Marty is doing his thing. So yeah, for these three, leave your egos at the door. Let's all do this together and make a great movie. It was a great thing. And only Lorne could pull three people like that together and do that. Yes, absolutely. And this first episode was interesting. We don't often see three people hosting together. There's sometimes two. We see two, a famous Alec Baldwin, Kim Basinger, hosting duo that we all remember. But three is really quite the juggling act. How do you think they did as far as juggling the three of them as hosts in this episode? It's a really interesting time capsule. It's one of the first things I wrote down when I went back and rewatched this episode. [25:59] This is one of the things that he kind of carried over from the Ebersole era, Lauren did, to have these multi-hosts who, now these three made sense together. They were obviously promoting the movie that was coming out, but Lauren had just done Angelica Houston and Billy Martin the previous May. These weird pairings and not having them all in the same sketches together. There's only a couple of instances where the three of them are on screen screen together other than the monologue and the cold open. So it's not something that we would see today. When we saw, as we'll get to in a little bit, when Steve and Marty came back last year, they were in most of the sketches together. I think there's only one sketch where they're not. [26:44] Paired up so they're kind of working their own section of the of the street uh so to speak uh so it's really kind of an interesting thing that i don't think we would see today no andthey did that at least two a couple of other times if i recall correctly that season joe montana montana and walter payton another famous one where they weren't in sketches together rightlike it's just so weird why have two hosts if they're not going to be working together yeah it's very what i'd be I'd be curious to see how the current cast and show would handle two hostsnow. But there's a reason why they haven't really gone to that well much lately. [27:21] Yeah. I mean, the last couple of really famous ones would be Tina and Amy, and then obviously Marty and Steve. And a lot of pairing together. So yeah, it would be interesting. Yeah. So here, start off cold open, the Gerald Ford Clinic. And Marty, Bill, does such a great pratfall out of the pratfalls that happen. I've noticed Chevy's the master at this. But Marty shocked me with his commitment to this pratfall. Oh, he went all in. Just went from the door to the American flag to the chair. Like, Steve's was really low-key. Obviously, Chevy comes in to finish it off, as he always did. But yeah, you're right. Marty is the star of this cold open with his Stumble Bums Anonymous. And imagine being Kevin Nealon, who is the only featured player on the show this year,being with these three icons. He's the only cast member in the cold open with them. [28:16] Yeah, I'd be taking mental notes if I'm on screen. Yeah, if I'm in a sketch with Steve and Chevy and Marty, I'm taking mental notes of what they're doing and what's going on. Pinching myself. Yeah, right. [28:28] So that was a fun cold open. The monologue, they play on the dynamic, and we'll see this throughout Marty's history on the show. It's the dynamic that they've continued for years, with Marty being less than compared to the other two, especially Steve. Steve, he says his name and Steve and Chevy kind of point atthemselves like, you already know who I am. So I thought that was a fun dynamic kind of right away. It is fun. And it is strange that they've continued to do that to this day where he is on equal plane with somebody like Steve Martin. At this point, even though he was known, he probably is a ticker or two lower than their wattage. I don't know that there's anything you would point to. too. You know, SCTV was kind of a deep cut, as we were talking about. There was the one season of SNL, but, you know, Steve and Chevy are bona fide comedic movie stars. So, yeah, it is funny that they cut. And then, of course, the back pills jokes, which would never fly today. No. Oh, my gosh. Yes. [29:31] Yes. 1986, everyone. Oh, gotta love it. Yes, I'd love it. And this was, the monologue was actually more of a Steve Martin showcase, which makes sense he was the the um probably well he and chevy you're right i think theywere on equal playing field but steve uh was given the uh the showcase here with the monologue but marty does his captain heppern impression to motivate steve which i love marty doingcaptain heppern and old hollywood voices and stuff that's that's right up my alley you are being ridiculous. [30:03] What would catherine hepburn say at a moment like this imagine what she would say no she'd say, listen to me mister i'm telling you that you've done this a thousand times beforedarling and you'll do it again why do you question it. [30:24] So i want you to look fear in the eye and to say to hell with you i think i'll survive thank you you very much love it love it yes and and then of course they're sitting at the stageplaying checkers while Steve does his thing this was more of a Steve I think people were more excited about Steve because he hadn't been on the show other than a cameo during theEbersole era in what seven years six years so it had been a long time he was right behind Buck Henry as far as appearances at that point. So to bring him back, it was really kind of a big deal. That was probably, if you put yourself in a time machine, that would be the person that everybody was most excited about seeing. Yeah, I definitely agree. Fun monologue, even though Marty has just a little bit in it. It was a really fun monologue. Are there any sketches that you first want to talk about that really stood out to you during this episode? Well, Eggshell Family was fantastic. And this is one of the few times we do get a crossover with two of the hosts together, interacting with each other, as opposed to the British customs,where they're just kind of doing the parade sketches that we're so used to now. [31:38] But yeah, this was a sketch with Steve and Kevin and Jan. And getting to see them work with Kevin and Jan was fantastic. And basically, it's just about they're so afraid to bring up the most innocuous thing. You know the phone is ringing should should i get the phone i don't know oh it's bob bob bob is looking for dad should i what should i tell him what do i do what do i do um well. [32:03] Stall stall hi ray uh so. [32:13] He asked if this was a bad time what should i tell him that it was it wasn't, and it just kind of escalates from there and yeah this is a great showcase for for marty and to see again tosee him work with uh these newer cast members who go on to be icons, Yeah, I like this one. Marty is so fun to watch on screen. It was so fun to see their different variations and the different versions that each person in the sketch had as far as their version of walking on eggshells. Right. So, yeah, I really enjoyed this one. And it was awesome to see Marty, you're right, work with Jan Hooks, work with Kevin Nealon. And that's what I noticed throughout this episode and throughout a lot of these episodes is I'm seeing Marty on screen with like, holy crap. Yeah, Jan Hooks, Steve Martin. It's right there. And we might get to it with like Eric Idle. Like there's just all this comedy royalty that Marty is being able to play with in his hosting SNL stint. I mean, we talk about this all the time that why do we want alumni to come back? You know, yes, seeing somebody like Kate McKinnon come back was wonderful in December, but it's been recent to see different eras of a show that's spanned now almost 50 years, tosee somebody who was on the show in 1984 come back, even in 1986. [33:39] That was still because the show had changed so much in those couple of years, to have them come back and interact with these newer cast members who eventually become yourfavorites too. So you get to see this playground. That's what we look for. When you're a super fan of SNL, that's what you want to see. Yeah, it's so rewarding. It reminds me of seeing Phil Hartman and Will Ferrell in a sketch together. How amazing is that to see those two? Eddie Murphy coming back and be able to play with the current cats. As SNL fans, those are the rewarding moments, Bill. That's all we want. Yeah, right? Just give us those little rewarding moments and we'll stick with you, Lauren. We're still hooked. [34:25] The sketch that I highlighted really was the devil in Ed Grimley. I've talked to some people who are kind of... On Ed Grimley, but I personally love watching Marty do Ed Grimley. Marty can do anything on screen, it seems like, and I'm just captivated. What's he going to do next? But this one in particular, again, Marty's playing with John Lovitz and one of John Lovitz's signature characters. I think there's a pretty cool premise and a funny payoff in this sketch. I like the Ed Grimley character? Because Marty sells it so hard and his movements and his voice, Bill. Where do you stand on Ed Grimley and this sketch in particular? I've had an interesting road with Ed Grimley. When you're younger, you appreciate this kind of physical humor. And then I kind of got tired of seeing him come back time after time. And it's kind of a one-note sketch if you look at it too closely. But again, as you're saying, as I've gotten older, as gone back and watched these things over and over again, yes, his physicality is amazing. [35:35] Probably why he hasn't done it the last couple of times he's hosted, because he's jumping on everything. He's having things fall on him. And yeah, I mean, it is great. And it is great to see him with Lovitz, as you say. And so I'm going to make you this offer A $50 gift certificate At the department store of your choice In return Yes? For a consideration Very small, payable At a later date Oh, what a fascinating proposition Do you mind if I just ponder for one fleeting second? As you wish Oh, give me a break! What to do? I've never had that kind of money, you know And the idea of spending all that money and gifts is just the best I could buy a new pencil case for cousin Lamar And possibly those sleepingblinders and uncle Basil is benign. Oh, it just be the best. Oh, what am I talking about? You know the payoff is that he wants to sell his soul for a $50 gift certificate because he can't buy Christmas presents, To be able to see these two worktogether was fantastic. [36:41] Yeah, and he ends up warding off the devil with a Pat Sajak photo, of course. He's a huge fan of Pat Sajak. Bill, some sketches lean on writing and clever premises and clever dialogue. [36:57] Some sketches lean on characters and performance. To me, this is the latter. Absolutely. Which I don't mind, but this is like a performance-based sketch, and if there's one person, maybe in comedy, who I just like seeing performing the hell out of something, it'sMartin Short. Yes, definitely. This is something that if he had been on the show in the 90s, they would have done every other week and beaten him to the ground. So that's where you— There would have been an Ed Grimley movie. Oh, yeah. And there was a cartoon. Yeah, that's right. Yeah. Yeah, so yeah, he is somebody who can pull this off, and you're right. This is the kind of thing that we don't get a lot these days. I think there was a lot of backlash from how much they would trot out characters like this in the 90s. But yeah, if you bring this out when he hosts every 10 years, I'm okay with that. Right. Yeah, likewise. And Marty not in a ton. He definitely made an impact when he was on screen, but not in a ton of sketches. I mean, they had to serve Steve Martin and Chevy. And Steve and Chevy and Marty each seem like each of them got their own showcase sketches. So like with Marty, it was the Ed Grimley sketch. [38:13] Um, Chevy had one, I know Steve. So, so they are all kind of in sketches by themselves, like one, it seemed like one sketch each by themselves. And then they were in sketches together. Uh, Marty was also in the British custom sketch. Do you have anything to say? And then Marty made kind of a brief appearance, but do you have anything to say about this one? It's a very brief appearance. Uh, I mean, it was great to see Eric Idol as well, as you, as you alluded to, uh, you know, and, and again, to see him work with Dana Carvey, who was just kind of bursting onto the sceneat this point and had become the first star of this next golden era. [38:47] So to see them work together, there wasn't a lot to this other than they kept opening up these innocuous things like checkerboards or chess sets and chocolate candy. What do wehave here? And yeah, Marty doesn't have a lot to do in this, but it is a lot of fun, And especially to bring now a fourth comedic giant into this particular episode was a great, great thing. Marty did well in this episode. Like I said, he had to share the spotlight with Steve Martin and Chevy Chase. But I think he was pretty memorable. The eggshell family at Grimley. He had memorable pratfall in the cold open. So I think Marty did well for himself. Pretty good first outing, especially considering he had to share the spotlight 10 years, almost to the day after his first appearance as a host season 22,episode eight, that was in December of 96th. [39:45] He, uh, he was one of the last, it was a streak of five former cast member hosts in a row. So Marty was the last one. Billy had Dana, Chris Rock, Robert Downey Jr., Phil Hartman, and Martin Short. As an SNL geek, isn't that the kind of thing we live for too? Oh, this, I, I remember this to this day. Like this was such an incredible streak of, of five episodes of these giants. Chris Rock, to have him come back after his questionable tenure on the show, Robert Downey Jr., who had an even more questionable tenure on the show, but to have these five amazingalumni come back for five weeks in a row, five episodes in a row, was amazing. And to button it up with Marty was such a great thing. Yeah, and Marty by himself is the host. And boy, oh boy, did this live up to every expectation that I think we all had, Bill. I'm so excited. This episode was, I knew that I remember loving this episode and I always held this episode in high regard, but re-watching it for this podcast just made me, filled me with so much joy. So this monologue, first of all, it ranks high up there in SNL history. [41:10] And I'm thinking, you see, about how SNL has now been on the air for 22 years. [41:20] And I mean, talk about a roller-toaster ride, please. You know, I mean, at first it was good and very hip, you know. And then... It got bad. But the show was so hip that even though it was bad, people would still talk about it as if it was good. And then it got good again. But it wasn't as hip. Then it kind of got bad again. Now it became very hip to talk about how bad and unhip it was. And then one night I'm home and I turn to my wife Nancy and say, hey honey, let's turn on Saturday Night Live and just kind of wallow in its unhip badness. And their hosting is Robin Williams, you know. Oh, New York, what a town. Town sounds like clown frown. Oh, don't frown at me, Mary. You'll upset Mr. Happy. You know. [42:10] He talks about the show having been on the air for 22 years, and it was good, then it got bad, then it was good but not hip, and then it just continues on and on, and they cut toLauren and Marty at dinner, and he's choking and Lauren's on the phone. Am I okay to perform the Heimlich? You know, and eventually this is how he gets Marty to host because he saves his life. And of course, it wasn't even food in his mouth. It was pantyhose. And yeah, and the joke of it being that the show was good and then bad. And this was only in this season. Yeah, right. Yeah, that's season one. Yeah. Marty really did take us through a perfect summation of the first few years of SNL. I was keeping track. I was following the beats. And I'm like, you know what? That's like really accurate. It really is. It really is. Yeah, it was supposed to be funny but it was also like very accurate and I love when, The show gets super self-referential at times and this this monologue sure didthat I love it and we've we also get a rare look at the upper deck, you know we've gone backstage a million times and, They have the risers set up for him as he starts to do the song anddance portion of the monologue, which it's now a third part of the monologue that we're seeing here. [43:31] And getting to see kind of a part of SNL that we don't get to see a lot, other than a cut to commercial. So that was a lot of fun, too. That was so much fun. By the way, great Robin Williams impression by Marty. He snuck that in. Yeah. That was awesome. He was always great with that. Yeah. Yeah. Overall, my opinion, 10 out of 10 monologue. 10 out of 10 for sure. Yes. This is what we look for. Yeah. This was so good. And then the first sketch is the debut of a classic, classic, classic, classic celebrity Jeopardy bill. Amazing. And all the bones are there for what becomes an all-time SNL sketch that we see over Over and over again. The only difference between this one and future ones is Sean Connery's not as mean to Alex Trebek. Yeah. Daryl Hammond's Sean Connery. But other than that, we've got Norm as Burt Reynolds and Daryl as Sean Connery. And then Marty as Jerry Lewis, who does a fantastic Jerry Lewis. You don't have to pay that Jerry Lewis. Cannonball and maybe. It sounds like you might have the right answer. Did you say cannon? Cannon. Now, say ball. Ball. [44:52] Put them together. Cannon, ball, and maybe knife. [45:02] People may not even remember who Jerry Lewis is at this point, but he was so big at this point with his telethon and his movie career and his work with Dean Martin. So to have him come in and do this crazy, over-the-top ersatz, Jerry Lewis was so fantastic. And, you know, of course, Will Ferrell as well. [45:25] Just all the makings of what's going to become a classic recurring sketch. Martin, fun, goofy, cartoonish Jerry Lewis. Because Jerry Lewis, he had a rough edge to him in his personal life, in real life. He was kind of a surly guy. But he played this goofy character in movies. So that's what Marty was doing, was the goofy Jerry Lewis that you saw in those old movies. And he did it so perfectly. I think this was something that he used to do on SCTV as well, Bill. I believe so, yeah. And Jerry Lewis is one of those impressions, kind of like Lorne, that everybody has one. You and I have trotted out our Lornes. We won't do that again right now. But yeah, I think everybody kind of had a Jerry Lewis at that point. Earlier on in SNL, they had Eddie and Joe in a Jerry Lewis match-off. So everybody had this, but Marty's was perfection as far as the comedic side of Jerry Lewis. Us yeah and this is the sketch where we get the famous s words category pick that came from the very first celebrity jeopardy martin short man just part of snl history being in this firstsketch and and helping to carry this first sketch martin was the star of this like norm did great as burt daryl of course did great as sean connery but martin short like popped more than anyof them in this sketch. [46:49] Yes. Yeah. I mean, we'll, we'll see both, uh, Norm and Daryl come back obviously in a lot of other segments and Norm's, uh, Burt Reynolds has better moments than this. And Daryl's, uh, Sean Connery has better moments than this. Uh, but yes, you're right. This, this is Marty's showcase, uh, and, and getting to see him perform. It was fantastic. Yeah. Just a wonderful first sketch of the night. Uh, what else stood out to you in this Marty's his second hosting gig? Well, we get a lot of his recurring characters. We have him with Barbara Walters, done by the impeccable Sherry O'Terry. The incident that occurred when you were invited by Quincy Jones to participate in the recording session for We Are the World. That's painfully correct, Barbara. Yes. Well, Jackie, what happened? Long story short, performing a show in Laughlin, Nevada, if you will. I had just killed with two encores of a medley of songs that had not been nominated. Got on a plane, arrived at the studio five minutes late, and Q had locked the door. But you see, that is very Q. Quincy's that way. It's funny. [48:05] To him doing his Jackie Rogers Jr., which is another one that kind of grew on me over time. He's this albino singer whose father was very famous and uh he he got like he tells the story to barbara walters about getting locked out of we are the world so he went to denny's withsome other stragglers uh yeah and and then they cut to him uh doing a an embarrassing moment as barbara walters was always apt to do uh where he did a drunken holiday special in 1977and humped miss Miss Piggy. [48:41] Only Marty could pull this off. Absolutely. That moment with Jackie Rogers Jr. Violating Miss Piggy, I remember that. That's one of the very memorable moments of SNL around that time period for me, is that visual of Jackie Rogers Jr. Drunk in 1978 and hitting on Miss Piggy. That was perfect. This was especially interesting to me, Bill, we talked about marty being able to play with like the current cast and whatnot sherry o terry always reminded me a little bitof martin short yes just in her performance she could act goofy so it was awesome to see them together in this sketch and both doing such a great sherry was awesome in this she's alwaysdone a great barbara walters but this was just such a fun sketch because the two of them just played with each other so well yeah i mean this is again Again, what we were talking about,you want to see what they can do with the current cast. This is kind of a silver era of SNL. It's really the second season that they've all been working together. So they're still, I mean, they've found their footing, but they're getting better and better as they go along. And Will and Sherry have really kind of stepped up at this point. And so to see Marty and Sherry working together was fantastic. [50:05] Yes, they do have similar energies, and it was a lot of fun. For sure. Aside from the monologue, I think the Barbara Walters special with Jackie Rogers Jr. Was my favorite sketch of the night. I'd have to agree. Yeah. He also did an Ed Grimley, Ed Grimley in Heaven, which was cool. It was a nice use of a pre-tape. They mixed a pre-tape in with the live elements, some light visual effects, Chevy Chase cameo. Did this Ed Grimley win you over 10 years after the last one? So it's not like it was oversaturation. Well, why don't we do it the old-fashioned way? What do you say? Sure. Name? Ed Grimley. Ed Grimley. And education? Well, you see, I'm hoping to go to night school and get some sort of diploma. [51:00] Business administration, then? All right. all right moving on let's see marital status american. [51:13] No no goof boy have you ever been married uh no yeah i was okay with it i think this was kind of where uh i turned the corner as far as liking ed grimley again uh and seeing chevycome back was was fun at this this point. Kind of unexpected. You can hear it from the audience reaction. Yeah, no, I was fine with this. It was a different take on it. I mean, that's really what we want from these recurring characters, whether or not they're on the show every week or whether it's a host coming back and doing somebody. Give us a different take. And we also see that with the Roxbury guys, which he is part of. They're finding it hard at this point to do something different. And they They find a little bit of a different lane. Marty playing, I guess, a refugee from a European country. I don't know. Middle Eastern country. Middle Eastern country, yeah. But they bring him over and they make him into a Roxbury guy. So that was kind of a different take on that as well. Yeah, Marty was able to make a Roxbury sketch watchable for me. I think Marty's rendition and the Jim Carrey version are the two Roxbury sketches that I kind of liked. The other ones, I don't know, diminishing returns for me. But props to Marty for making a Roxbury sketch. Pretty much – pretty fun to me, I would say. So that's a feather in his cap for me, Bill. See, I was a big Roxbury guy. Okay. I –. [52:42] This was a fun thing to imitate, a la Michael Scott in The Office. This was a fun thing to do at a party, you know, pretend that you were one of the Roxbury guys and tilt your head. So I always like these. But, yeah, Marty elevated it just a little bit more. Like you said, this one and the Jim Carrey one stand out for sure. Yeah, it's fun to me to see somebody like Marty or a comedy legend come and, like, partake in the SNL of the time. And being with recurring characters and joining in on those sketches, whether it's like Jim Carrey being in a cheerleader sketch, Marty being in a Roxbury sketch, I always enjoy seeingthat. That might be the saddest part about not having as many recurring characters in modern SNL. It's not that we love these characters so much as it is, like you said, to see these hosts come in and play in that sandbox with the current cast and get to see their take on them. Yeah yeah and there was one other kind of interesting little nugget for me in this night the last sketch was the tinsel town tattler with pinky nigh and i didn't totally connect with it but icouldn't help but wonder if there was a seedling for jiminy glick in here thomas we're on the same wavelength really that's exactly what i wrote down what you know was this the protojiminy glick uh yeah yeah this is about two or three years before uh he gets his comedy Comedy Central show. [54:09] Yeah, there is some of that there. He's not doing as much of the voice. This is fun. It's a little kind of one note with Molly. Keep cutting back to the Heart to Heart references, which is such a deep cut, even in 1996, that you're referencing the show from the early 80s and Molly getting triggered by the meremention of Stephanie Hart was kind of fun. But yeah, I don't know. So there's not a lot here other than, yes, maybe the seedlings for what would come. [54:42] I felt so good after re-watching this. Totally in a good mood. Afterward, we had a classic monologue. Celebrity Jeopardy was classic. I loved the Barbara Walters special. Ed Grimley, which I did enjoy this concept and this sketch. Just a fun overall episode, Bill. That's why we watch SNL, to have fun. Marty delivered. [55:03] That's it. Now he's done two December episodes. The first one is an all-time Christmas classic, in my opinion, but not just because of Marty. There's a lot of other things going on. This one is a lot because of Marty. And it's so great to be able to see him kind of shine on his own. Yeah, yeah, I agree. The next one, you said all-time Christmas classic with the first one. In my opinion, this one is not just an all-time Christmas classic. For me, I consider this an all-time classic SNL episode. Episode that's so this one happened in december december of 2012 season 38 gosh just so so much here for me bill like this is honestly especially in that era this is one of the the betterepisodes from that era and one of my personal favorite episodes of all time just for me personally this was interesting timing uh talk about time capsule episodes uh we've got the sandyhooks shooting the day before, which is why we get this very sad opening with the New York Children's Choir. But then we just kind of leave the sadness there, and we move into the really funny Marty episode. [56:21] And like you said, there is a lot here. You talked about the 96 monologue being one of your favorites. This is one of my favorites. This is one of my favorite monologues of all time. Well, it's Christmas time, and there's love in the air. [56:42] An embrace for the glance, a coquettish advance, catches you unaware. [56:52] It's the most amorous time of the year. It's the most promiscuous time of the year all those hotties about, We get everything we want. We get all the backstage fun. We get the llama. We get Abraham Lincoln. We get the dancing girls. We get amazing cameos from all different eras. Bill, we get cameos from Paul Schaefer, Kristen Wiig, Jimmy Fallon, Tom Hanks, Samuel L. Jackson, Tina Fey, Lorne Michaels. We get cameos just out the wazoo. Out the wazoo. And how about the not knowing what these new girls, as he calls them, as he's walking backstage with three all-time classic cast members now in Cecily, Aidy, and Kate. [57:57] They had just been on the show for a couple of months. So it was great to see kind of what we didn't know what we were going to get from them right before he goes into all theseamazing cameos. Yeah, there was a funny moment at the beginning. And sometimes I can't tell with Marty if it's like something's rehearsed or if he's just really good about making it seem off the cuff. But when he was trying to figure out how to sit on the piano, I don't know if that was like something that was in the script or if that was just Marty kind of being goofy Marty, whatever. But that one, that got me. That little bit got me. That was great. Yes. And yeah, like you said, Paul Schaefer, seeing him come back to the show, I don't know how long it had been at this point that we hadn't seen him. So to have him come back, an OG, not ready for primetime, featured player and band member from the golden era, yeah, this was fantastic. Yeah, I hope people appreciated it in 2012 that Paul Schaefer made a cameo. I hope people realize what a big part of SNL history he is. So I hope people didn't appreciate it in that time. [59:01] I feel like at this point, he had been on Letterman for 25 years. So i think part of that had faded into the ether but yeah i i hope so too i i hope it wasn't just us right just as nerds yeah yes yeah the the one one of my other favorite moments in this waswhen he was talking to tina fey and lorne and marty held up the mistletoe and of course you think like oh he's gonna like try to kiss tina but then he goes in for a. [59:30] Deep passionate kiss with lauren yes and the look on lauren's face even though he probably knew it was coming sure uh it's his his face was priceless yeah this was a great momentand and do we mention samuel jackson like he's wandering around backstage too like yeah just unbelievable i'm a sucker for backstage sketches uh every so yeah every time i'm a suckerfor when we get to see like you'd mention lincoln the llama and the and the show girls uh the dancing girls so uh this was just another like i mentioned the uh the monologue from theprevious episode was a classic 10 out of 10 this one is too so he's turned in two consecutive classic 10 out of 10 no notes monologues what a start to this episode bill unreal yes yes so a lotof good stuff here a lot of great stuff is like i I said, this is like an all-time favorite episode of mine. What sticks out to you first from this episode? Well, I think we have to talk about the royal family doctor. [1:00:34] We've got Marty doing his great British accent, meeting with Bill Hader. No, he wasn't the doctor. I'm sorry. He was the representative for the royal family. And Bill Hader was playing the doctor. And he was explaining that this was going to be a little bit different because it involved the royal vagina and the proper names that it could be called. You can call it Thomas English Muffin. I knew it was coming out with Thomas, so I had to point that one out. Yeah, and watching Bill Hader not try to break this entire sketch was so great. I'm sorry, must we call it the royal ahem? Well, the only other acceptable terms that I know of is the governess, the kingmaker, her Downton Abbey. [1:01:34] The Channel, Dame Judi Dench, Piccadilly Cedrics, and Thomas' English Muffin. Now! [1:01:47] I'll stick with the Royal. I haven't. I thought you might. Moving on. And again, like, seeing a soon-to-be all-time classic SNL cast member in Bill Hader, number one on the Saturday Night Network all-time cast member list, playing with Martin Short. This was just such a great... I think it's great that he takes... I wish he came back more, but I think it's great that he takes this much time off because we get to see him play in so many different eras, right? I agree. So yeah, this was great. So many funny jokes. Something like this can get really tiresome, and he didn't let it get that way. No, no. He can clearly work in British humor, Because this was such, not just because there were British accents, but just the back and forth, the quick witty back and forth between himand Bill Hader, the cadence, all that stuff. Like this played like something from Monty Python. And it was just so good. Marty showing his chops. The way Marty had Bill Hader in the palm of his hand. Like part of me thinks Marty saw Bill about to break and he's like, I'm going to get this guy to break. Yes. Yeah. Yeah, we've seen this in recent times with Kate McKinnon and Billie Eilish, a couple of their sketches, where it was obvious if you just kept poking the bear, you were going tomake him crack. [1:03:09] That was what Marty was going for, for sure. Yeah, yeah. So yeah, the royal family doctor, in my opinion, one of the great lost sketches. I don't see people referencing this sketch as far as really outstanding sketches from this era. But after re-watching it, I have to put it up there. This is a really fun one from that era to me. Yes, definitely. Yeah, and we're off and running with this episode. Yeah, yeah. Yeah, this comes on the heels of Marty and Alec Baldwin. [1:03:42] Alec Baldwin appears in this episode. What an event this episode was. Yeah, Tony Bennett Christmas. So Marty plays Jerry Bennett. Of course, Alec playing Tony Bennett. Just, you know, not a ton here. But Marty and Alec do have good chemistry. So it was nice to see. I think they got off to a good start in this episode with that. But we see how great Alec is as Tony Bennett. And Marty, for the most part, was able to match with him. And just seeing Marty play with another all-time great SNL host was fun. My little brother's a heck of a hugger. We used to call him the Barnacle, because you couldn't lose him if you tried. I just love hugs. They're like kisses for your body. Jerry, you look great. Thank you. That suit is so sharp, it must have been made by Ginsu Knives. Thanks, Tony. Tony, I had a heap of Kohl's cash that I was about to expire. The trousers have a hole in one of the pockets, but it comes in handy for long bus rides. [1:04:42] Yeah, it is a very quick Tony Bennett sketch. But we do get Jay Pharoah as Kanye, pre-Crazy Kanye, maybe. He might have been in the throes of it by then. Yeah, he might have been on the way. But, yeah, it's fun because they're trying to make him push this suppository that they're trying tohawk, and he's not having any of it. Yeah, it's a lot of fun stuff here. Yeah, good start. Yeah, where do you want to go next with this episode? I mean, we have to talk about You're a Rat Bastard, Charlie Brown. This is one of those fantastic impression pre-tapes. We get a lot of great stuff here with Bill Hader as Al Pacino as Charlie Brown and Kate as Edie Falco as Lucy. But Marty as Larry David as Linus is the star of this to me. He doesn't have a lot of lines But he gets to really show off What a great Larry David impression he has. [1:05:44] It's Charlie Brown by Way of Brooklyn With Larry David as Lars I don't know, this whole Christmas thing It's a whole to-do, you know With the parties and the presents and thedecorating Eh, it's not for me What do you mean Christmas is not for you? Don't tell me it's not for you If I say it's for you, then it's for you Oh, so, so, so, so I'm just supposed to accept what you say? You know what? You don't know what the hell you're talking about. F*** you, Linus. F*** me? Yeah. Why don't you go f*** yourself, Charlie Brown? Ah. And even gets to put the button on the sketch by saying it's pretty, pretty good. Yeah. Yeah. It was probably fun for Marty because I think he and Larry are friends. Yeah. So it's probably fun for Marty to do his Larry David impression. That was good. I love the reactions of the kids in the audience, too. Showing like horrified kids what the hell are we does the they have to remind you that this this adult theme like me like new york kind of mob loosely mob kind of peanuts play is beingshown to children right which i loved like the like you said the cuts to the children and uh kate really really showing her chops when she pulls the football away. [1:06:59] It's soft grass. Don't be upset. Yeah. Yeah, there's a lot of fun stuff here. Gotta love an impression of an impression of an impression. So it's a lot of fun. Yeah, I think this is probably the sketch. Well, maybe, maybe not. But this might be the sketch that people do remember and hold maybe most fondly from this episode. I would think so, yeah. Yeah, this probably has been replayed quite a bit. [1:07:27] And if we're covering an episode, Bill, that has a what-up with that, I have to talk about it. I will not turn down a chance to talk about my just sheer love of What Up With That as a recurring sketch. It's like, to me, the most joyful thing that I've ever seen on SNL. Yes. Honestly, like What Up With That. So we have a rendition of What Up With That. Marty comes on as one of his major characters. He's Jackie Rogers Jr., yeah. And it's really one of the few times that we get somebody else talking a lot in a What Up With That sketch other than Keenan, right? The three people who are sitting to Keenan's right, the first person gets a line or two until Keenan breaks into song. But Marty comes on to do his Jackie Rogers Jr., and he gets the floor for a good 30 seconds, which is more than anybody ever gets. [1:08:47] Thank you, Roger. You know, it's so great to be here. Interesting story about my late father. I was... [1:08:57] What's up with that? What's up with that? So I think that's kind of a tip of the hat, the small hat, to Marty, Keenan kind of giving it up and letting him run wild with his JackieRogers Jr. Yeah, and then, of course, DeAndre Cole saying, saying all right all right enough of you here's right yeah that's enough let's go back here so so yeah nice a nice surprise appearance by byjackie rogers jr on what up with that so in my opinion like we were talking about fun and i watch snl because of fun like this episode this what up with that is is part of what made thisepisode so much darn fun yeah yeah this this was up there for me too yeah should we talk about the next sketch just go through the whole damn episode Because I liked the next sketch,too, with Marty and Fred Armisen. Yeah, I mean, this is old friends. And this is the kind of slice of life sketch that we are aching for a lot of times in modern SNL. And this is something that they really didn't even do a lot at this point in 2012. So it's just kind of an awkward conversation between Fred and Marty. I mean, they're the stars of this particular sketch. and they haven't seen each other in a long time and they just start riffing. Hey, how's your son? [1:10:12] I don't know. I don't have a son. I thought I saw you with a little kid. Oh, no, no. That's actually my adult brother. He was sort of standing behind me, so the perspective made it look smaller. So he's a grown-up. I'm sorry, how's your son? The waiter or the porn star? The waiter. Oh, he's doing porn now. Oh, wow. [1:10:35] And you have to wonder, with both of their improv backgrounds, how much of this was made up. I'm sure a lot of it was put on... You have to think that some of this kind of just was put in on the fly. Fred saying that he eats 25 bagels a day, and Marty's writing a book about World War II, but he doesn't know anything about it. He hadn't even heard about it. Yeah, it's a lot of fun. It's those awkward conversations that you sometimes have with people you haven't seen in 20 years. So I think there's something there, even though it's obviously elevated for comedy. There's something relatable in this kind of wackiness. Yeah, exactly. Marty's character is having a Christmas party, but due to his schedule, he has to do it in March. Right, yes, exactly. And he now lives in a big field, so you just go to the field and you can turn any direction and you'll find the party. [1:11:28] This is well done. I think this sketch, it was a really good sketch, but I think it probably gets lost amidst just the sheer amount of standout, more probably fun, more loud materialthat was in this episode. But this is one of those that I think was so well written and so well done, I don't want it to get lost in this episode. It still probably does for some people just because everything else was a lot bigger and a lot louder than this old friend sketch. I mean, this is one of the things about being on a Christmas episode, essentially, where the Christmas stuff is going to be replayed year after year after year. And something like this is going to get lost in the sands of time of a 50-year-old show. So, yeah, you're right. But it should get its moment in the sun. And we end. Well, this is the last, I guess, sketch. It was kind of half sketch, half lead into a song. A lot of people remember they still play this when they do the Christmas episodes. To this day, Bill, we get another. [1:12:29] Mega star on the show this evening right i mean we we haven't talked about like the musical guests in these shows which have nothing to do with marty's performance but uhrandy newman no doubt and now paul mccartney i mean that's that's pretty uh amazing especially to have the former beetle on the show and and to see him be able to be in this sketchwhere they're uh trying out for a pageant and Paul can't sing. He has to play his triangle. And I love, I mean, talk about meta within meta. He's playing a triangle, which Ed Grimley would play, right? So we, so, and then obviously the joke is that Marty can't actually sing. They try to dismiss them and Paul desperately wants to sing. Can I sing too? No, because you don't sing. Because you can't sing. If you could sing, then you'd sing. But you can't sing. I sing. Isn't that a complicated theory? I'm sorry. I have the million-dollar voice, okay? You don't. [1:13:37] Can I finally sing? And we cut to Wonderful Christmas Time. And it's one of the greatest Christmas songs ever done on SNL. Yeah, yeah. And I don't particularly love Wonderful Christmas Time, but I liked this performance of it. So that that speaks to to how well it was done that night yeah i mean we we get paul doing his thing we bring the the children's choir back in which is fantastic that they get to do afterdoing something so solemn at the beginning of the show to come out and have a lot of fun with. [1:14:08] Probably somebody they've never heard of but when they're 20 they're probably in their 20s now and going back and watching that they got to sing with paul mccartney like that'spretty that's pretty damn great yeah that's awesome what a highlight for them and this was a highlight, amongst a lot of highlights in this episode i can again consider i consider this an all-time classic for me bunch of memorable moments bill there was not a single dud no in this episode no i this is the kind of episode where i wish we were doing the saturday night networkpodcast uh at that time because this would be something that we would be talking about the entire season and how great this was from beginning to end. There's nothing bad about it. And Marty just really kind of shows how great he is again. Yeah, and I would hope, I would demand that Andrew Dick would be on that episode. Yes, yes. I dare you, Andrew, to say something bad about this episode. Yeah, we love Andrew, but that's... [1:15:10] So, yeah, what an episode. So he returns 12 years later, season 48, his most recent one in December of 2022, with his buddy Steve Martin hosting together off the success of OnlyMurders in the Building. Yeah, and this was something not to toot my own horn, but I don't get predictions right a lot, but I did predict this at the beginning of season 47 on the Saturday Night Network, that thesetwo would host together again at some point. It took a year and a half, but they made my prediction come true. Don't strain your shoulder that much, Bill, with patting yourself on the back. Listen, I get so much wrong. Your pitching arm. [1:15:55] Yes, when I get something right, right i have to you know toot my own horn for a second yeah no this this was everything we dream of like again to do another christmas episodeuh with these two right back where they started 36 years earlier sans chevy of course but yeah to see them come back in this manner after a resurgence in their careers obviously they toretogether as well which i've seen the show and And it's fantastic to go see them. Paul Schaefer actually plays piano in a lot of those shows as well. So these guys have an unbelievable chemistry together. And to see them working together after all this time was great. And it was a fun monologue too. So of course, they continue this jokey dynamic of Marty being less than. That's a funny inside joke during the monologue. But Steve and Marty eulogizing each other was so good. Bill, I don't know if this is something they do on their stage show. It seems like something that they do, but I love that they chose this to do for their monologue. People always ask me what Steve was really like, and I'd say, I don't know, you're his wife. [1:17:06] And he was such a great dad. And you could tell that from his children. They're so polite. You go to his house and say, they'd say, would you like anything, Mr. Short? Could I get you a drink, Mr. Short? Can you give this note to the police, Mr. Short? It is something that they do in the show. They do mix it up with their eulogy jokes. They don't do the same ones every time. So even if you had seen the show, you wouldn't necessarily have heard the jokes. And they're just so damn funny, it doesn't matter. Like, I can hear it a second time. That's okay. I do remember, since it's such a fresh episode, I did remember most of the beats of this episode. and I remember them doing this, but I still laughed at the eulogy jokes. Yeah, I mean, Marty's joke about Steve looking down on all of us because he always looked down on everyone was a great one from Marty. [1:18:00] Reminds me of that classic SNL sketch, Dick in a Box. There's just a lot of good singers in this. Yeah, what a great one. So another awesome monologue. And then when we talk about classic hosts and episodes, the monologue, in my opinion, should play a huge part in it. Because you have certain monologues we see lately, especially this season and last season. It's more of like a get-to-know-the-host monologue. Here's my background. I used to love SNL as a kid. And it's more just straightforward. But when you have these Hall of Fame caliber hosts, you're going to get these elevated monologues for the most part. Bill. Yes, you have to do more. You're absolutely right. Whether it's an alumni or somebody who's hosted three or four times, that's a funny joke too. And I think Marty made this joke on one of the reunion specials. It's almost as if he doesn't count his 1986 hosting. Have you noticed that? So he tells a joke where they're showing how many times Steve Martin has hosted and it's 16 times. And then they show Marty and it's only three. So what are they leaving out? That's kind of a question. And he also made a joke after he had hosted twice about he's a one-time host. And, you know, how is he not better than Robert Blake or O.J. Simpson? So, like, I don't know. Does he not count his first hosting gig? [1:19:27] Right? Yeah. I don't know. That's an interesting observation. Yeah. Yeah, only a SNL super fan like Bill Kenny can do that. Right, yeah. Nobody else noticed or cared. That's hilarious. So I think the first sketch that they did that night, I know I'm teasing, I'm going to tease something, but there is an instant classic sketch, in my opinion, from this episode. But the first one I think I find interesting because we were talking about these hosts coming back and being in recurring sketches. This was actually a recurring sketch that Steve and Marty were in the science room. I have a fun safety joke, Josh. Knock, knock. Come in. No, no, no. Josh, Josh, Josh, you say knock, knock. Who's there? Okay. Knock, knock. Who's there? Safety. [1:20:36] I think this was a good one for Marty and Steve, Bill. Yeah, it's an interesting one to have two people doing this. But I think with the caliber of Steve and Marty, I think you can pull this off if you If you don't remember, this is something they had done about three or four other times where it's ascience teacher who's teaching these two very stupid children in Mikey and Cecily. And it's one of the last times we get to see Cecily as a cast member. So that's a lot of fun as well. She's all over this episode, which in hindsight, as we find out a week later when she's leaving, this is the end of her tenure. It makes it a little more poignant that we're getting to see her all over this episode. And yeah, this has played for a lot of good laughs. One of them is Dr. Science and one of them is Mr. Science. [1:21:30] And the kids just don't understand anything. They're trying to prompt them into these really easy questions. You know, where does rain come from? Where does snow come from? Yeah, there's a lot of good stuff here. Of course, wisdom that Cecily's character, Lonnie, wisdom that her sister gives her all the time in these sketches. Yes. Yeah, just I love the beats. It's Marty and Steve as well, but Marty especially is really good at playing somebody who has rage or even contained rage that's so close to bursting at theseams. And so that's why I said, like, I think the science room was a good one for Marty, too, is because he's good at playing, like, the frustrated, I'm about to fly off the handle kind of character. Yeah, Steve gets to play the calm guy in this, even though he's getting very frustrated as well. Well, he has to kind of calm Marty down, which is a lot of fun to see. Yeah, yeah, definitely. So should we talk about this instant classic sketch? Or is there another one that you might want to go to before? [1:22:31] Boy, there is a lot on this episode. So I'm good going wherever you want to go. We can talk about Holiday Train. OK, let's do that. Which is a lot of fun. It's a play on the White Christmas movie with Bing Crosby. [1:22:46] And, uh, it's, you know, when they do movies from 80 years ago, it's, it's really funny. Like who are they pandering to at this point? Although these, but this is a classic movie where they're riding on a train and they sing this kind of famous song snow. And, uh, we get to see Marty and Cecily and Keenan and Steve, uh, as they're riding the train to Buffalo in the 1940s. And, um, you know, they've never seen snow. No. So Kenan's kind of shocked by this. We eventually find out after a song and dance number that they're actually bears. So they hibernate and they end up falling asleep every time before they get to Buffalo. And we even get a little JJ in there saying, don't wake up the bears. They're like, they'll kill you. They're going to eat us all. Yes, they're going to eat you. So this is a lot of fun. I'm a fan. I'm a sucker for these kind of song and dance numbers. Especially from older movies so uh this was a lot of fun for me yeah that was a fun one next one a visit with santa marty plays uh sprinkles the elf uh marty's a good grumpy elf so this isright kind of right up his alley in my opinion as well yeah is it sprinkles or pringles. [1:24:07] Yeah i mean he's such a great crabby uh elf and uh we we even get kind of uh before it was known how much Taylor Swift would blow up in 2023, one of the kids comes up andasks for Taylor Swift tickets and Marty yells, get a job. Yeah. This is a funny moment when Marty gets up and Steve goes, you have legs. Right, yes. [1:24:34] Yeah, so we get to see a lot of their fun playfulness again together. And again, Steve is kind of playing the more grounded character, while Marty is just kind of off the rails. Yeah, yeah. So this was a fun one, see Marty at Grumpy. The next one, Bill, A Christmas Carol. Talk about this one. This will be in the best of SNL Christmas special for the next 15 to 20 years, right? I mean, this is an all-time classic. We called it that week that this was an all-time classic. [1:25:09] Sometimes you just know, right? Exactly. And Marty's playing Scrooge, and Steve is the ghost of Marley. And yeah, he wakes up just as in the movie or in the book, all about Christmas, sees Tiny Tim outside, sees this orphan outside, throws a coin down, and of course, insanity ensues. My dear boy you know the prize goose in the window down the street the one as big as me ah that's the one go and buy it so that tiny tim and his family might have a christmas feast butwhat should i buy it with sir i'm so poor why would this have. [1:26:06] He knocks out Sarah Sherman's eyeballs with the coins. [1:26:11] He scares a horse and who decapitates Mikey Day. Tiny Tim falls into a well, into a sewer. So yeah, this is a lot of fun. This is the kind of escalation that we're always begging for. [1:26:26] Such a great. great and and marty plays such a great role as ebenezer scrooge yeah that's always one of my big complaints when like when there's something there with the sketchbut i'm asking myself like why doesn't this sketch work and a lot of the answer a lot of times is there was there could have been more escalation this one textbook on how you doescalation and bill i'm not one who's necessarily into gore, like comedic gore. I did like the Farewell Mr. Bunting sketch with Red Armisen. I loved this Christmas Carol, even though it was gory, but it was clever. And the gore was done in a smart, almost unexpected way. It wasn't gore for gore's sake necessarily. It was just so, the timing of the sketch was almost perfect. Exactly. And that's what I always say. You know, I'm okay with fart jokes or bodily function jokes or gore, but it has to be going somewhere. And this was going somewhere from the very beginning. Uh, this had a lot of fun stuff going on. Uh, it didn't seem repetitive, even though it was coins doing all of this damage, they found a way to make it escalate in a way that was very funny and got the point. [1:27:47] Yeah, of course, at the end, Marty closes the windows and the glass breaks. And we can only imagine what the glass does to everybody on the ground. You just hear the screaming and the blood spurts in the background. Yeah, one of the best sketches of season 48, in my opinion, of Christmas Carol. [1:28:08] Anything else from this episode that's noteworthy to you? No, I mean, he doesn't get to do his Ed Grimley, Although he kind of does his Ed Grimley dance in the kind of forgettable Minky Carmichael from 1992. [1:28:24] But even something that wasn't great like this sketch, Marty elevates it with his humor. So even though there wasn't a whole lot there, somebody like a comedic pro like Marty still finds something funny to make out of it. Yeah, that's just it. You know you're among the best of the best when even if the writing's not there even if a sketch doesn't work They're still you're still fun to watch on screen like withthis minke sketch like I didn't really I didn't think it was that great But I like I knew what they were making fun of I think, Marty was fun to watch, Not one of the highlights though, butMarty always gives a great performance, I think four really good episodes, probably one or two classic episodes. This most recent Christmas episode he did last season with Steve was great. Yeah, I think Barney needs to be brought up as far as like great hosts. And sometimes I think that doesn't happen because he shared a couple of hosts, his hosting stints with Chevy and Steve. But really, when you rewatch his stuff, I think the best hosting stints that he had were by himself. And that says a lot about Marty, in my opinion. It really does. And here's the thing. You know, we have a lot of five timers. [1:29:40] Marty hopefully will be in that club. But something with some of the five timers that we see, whether it's by choice or by, you know, culture moving on, is that they're kind ofconstrained to one cast. You know, Buck Henry, all-time classic host, only worked with the first cast. Justin Timberlake, Jon Hamm, great hosts, but we don't get to see them play outside of a certain era. To see Marty from 1986 all the way through 2022 play with all-time classic cast members like Sherry O'Terry, Will Ferrell, John Lovitz, Jan Hooks, all the way to Bill Hader and nowHeidi Gardner and people like that is a testament to his comedic genius, right? There's no arguing how great he is. And I'm sure you have a list in your mind, as I do, what I want from SNL 50. I think all of us fans do. [1:30:42] My hope is that, along with a couple of other former cast members, Kristen Wiig and Dana Carvey, I hope we get to see the three of them put into the five-timers club in SNL 50. I would love to see Marty come back, even though it'll only be a couple of years, and is not really his forte to come back that quickly. It'd be great to see that happen. Yeah, I completely agree. I wonder if that would change the dynamic of Marty in the five-timer sketches, because he plays the waiter in the club, and it's self-deprecating. So maybe they can put some sort of playoff of that while inducting Marty into the five-timers club. Exactly, yeah. That's something we haven't touched on. He had 10 cameos over the last 20 years as well. And one of the things that he does so great is the five-timer sketch where he's the waiter. [1:31:33] So yeah, that would be great to see if they can kind of flip that on its head and finally induct him. Yeah, and a great thing about Marty, too, is he's still relevant. He's in a relevant show, Only Murders in the Building. I watched season one. I'll be honest. I have some catching up to do. Do you watch Only Murders in the Building? I do, yeah. Yeah, we're actually finishing up season three right now. We only have a couple episodes left. Yeah. What do you think of Marty in that? He's a tour de force. He plays this failed Broadway director who happens upon Steve Martin and Selena Gomez in their building, and murders just kind of follow them around. It's kind of a strange concept, but it's very well done. It's very smart. And yeah, he plays a great role. And again, we see how well he plays off of Steve. Yeah, I just love that younger people are seeing the comedic genius of Martin Short. Yes, definitely. Yeah, there's definitely people who are harder to explain to the younger viewers. Like, this guy was really funny about 15, 20 years ago. But yeah, you're right. Marty is still there, has been there for 40 plus years. [1:32:47] And that's kind of endearing. to have somebody like that, and Steve Martin. Yeah, yeah, they could actually see it. So Bill, now's the time. It worked with Jason Sudeikis. It worked, I guess, you know, it took a while, but it worked with Jan Hooks as well. [1:33:06] So you tell the list. Worked with my best friend, Robert Smigel. And Robert Smigel, your best friend, friend of Bill, friend of the show. You tell the SNL voters why they should consider casting a vote for Martin Short for the SNL Hall of Fame. I think we've really driven home the point on how iconic Martin Short is. He spans 40 years on the show. He has had amazing chemistry with everybody on the cast from Jan Hooks and John Lovitz all the way through Heidi Gardner. And yeah, he's an all-time comedic legend and one of the few people from the Ebersole era, let's be honest, that Lauren acknowledges even being on the show. No, like we don't even get Billy Crystal anymore. So yeah, he's such a great comedic presence. You know what you're getting from any SNL episode where Martin Short's going to show up. And yeah, I mean, four times, all of them, I would argue, are some form of classic. So let's put them in. Track 2: [1:34:25] So there's that. That was Bill Kenny in conversation with Thomas Senna downstairs in the conversation room of the SNL Hall of Fame. Thanks so much, fellas. That was a riveting conversation. I think that Marty is, I think that in terms of a host, he's got to be in the SNL Hall of Fame. He's got to be. It's built for him. It's made for him. He epitomizes what a host should be and what should they they should do he can make you laugh with his face he can make you laugh with his body movements he can make you laughwith a great executed joke and he's the consummate sketch performer he was built for snl so there's that, i would like to play you a sketch now that thomas has selected and it comes frommarty's third third hosting stint in season 38. It was December 15th, 2012, in case you're taking notes. And it's called The Royal Family Doctor. So let's give this a listen now and see if you can hear Marty trying to make Bill Hader break. It's really interesting. This is a great sketch. So let's give it a listen now. Track 5: [1:35:47] Doctor, the representative from Buckingham Palace is here. Wonderful. Beautiful. Send him in, please. Hello. Good afternoon, Doctor. I'm Rupert Snipe Pennington. And may I begin by congratulating you on your selection as OBGYN to the Duchess of Cambridge. It's a great honor. My role today is to instruct on the protocol of dealing with a member of the royal family. I've met members of the royal family before, so I assure you I'm up to speed. Well, you may well know the protocol for having an audience with the Duchess, but there is an entirely different set of protocol. call when one has an audience with the royal... I'm sorry,are you referring to the vagina? I will mark that down that you said that word once. Say it again, you'll be deported to Australia. Understood. Moving on. When you meet a royal face-to-face, a small head bow is appropriate. When you meet the royal... the following is appropriate. [1:37:04] I'm not comfortable with that. Well, I suggest you get comfortable with it. Because after the know, it is proper to dress it as m'lady and then greet it with the phrase, fancy meeting you here. That seems all. Well, I assure you that on the day it will seem natural. Natural. Now, throughout the examination, it is imperative you say the following words to yourself in the exact order as this. This is great. This is so great. This is by far the best one of these I have ever seen. Man, oh boy, this is great. To myself? Yes, but loud enough for the Duchess to hear. That's the secret, isn't it, when you're speaking super enough? I see. Yeah. Now, on certain formal occasions, you will find that the royal will be wearing a hat. [1:38:02] How does that work? It's a small hat. I see. If it is wearing a hat, you must wait for it to tip its hat before you tip yours. What if I'm not wearing a hat? Well, if it's wearing a hat, I suggest you get a hat. This is the royal, ahem, after all. I'm sorry, must we call it the royal, ahem? Well, the only other acceptable terms that I know of is the governess, the kingmaker, her dutton abbey. [1:38:42] The Chunnel. Dame Judi Dench. Piccadilly Servants. And Thomas's English Muffin. I'll stick with the royal I have. I thought you might. In fact, moving on, there will be a member of the royal palace guard in the room at all times, but I assure you that you will not noticethem. I think I've noticed a member of the palace guard. Have you noticed that one has been here the whole time? Hello. Very complicated. Now, as royal anatomies goes, hers is pretty simple. Just be thankful you're not dealing with Camilla Parker Bowles. [1:39:32] Curse is reachable only by an old drawbridge and is guarded by a troll who asks you a riddle. [1:39:43] Yes, I've heard about that. Now, this is very important, and I want you to listen to me. Please pay attention to what I'm about to say. You will foresee any occasion whatsoever where you would have cause to examine the royal butthole. Absolutely none Yes, sir I'm certain Very good That'll save us a few hours Let's see Butthole, butthole, butthole, more butthole Just out of curiosity Are there other names for the royalbutthole? Church of Taint Andrew Oh, here we are, delivery day Now, when the child is delivered It's important that you do not reach for it Unless it offers a hand to you, If it does not offer its handthen just wait for it to slide out on its own. Very good. You'll play peek-a-boo with the child, and if it laughs, you will be knighted. And if it cries? And I believe that about wraps it up. I don't have much more. [1:40:47] Hey, Mr. King, you did me. I did not know you would be in the hospital this morning. Oh, I'm here to get me dirty dents washed. Not to play. live. Thank you. Chat. There we go. Track 2: [1:41:13] That was of course fred armisen coming in at the end as queen elizabeth and uh paying off the uh judy dench uh remarks so what did you think this is a little bit of of a longerepisode uh but we have a lot to say this is a a big one and i hope you get it right when it comes to voting because it just seems to me that cast members get bumped up and hosts musicalguests and writers are sort of left behind with hosts bubbling up more often than not musical guests and writers are left behind and that's just plain sad so there's that uh that's pretty muchwhat i've got for you this week uh i hope you stay well and uh on your way out please as you walk past the weekend. [1:42:12] Update exhibit there's a light switch on the wall turn it out because the snl hall of fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Pearl Jam | 05 Feb 2024 | 01:19:52 | |
This week on the SNL Hall of Fame podcast we're joined by Ryan McNeil to discuss musical guests Pearl Jam. Transcript: [0:43] All right. Thank you so much, Doug Nance. It's me, J.D., and I am back in the. [0:49] SNL Hall of Fame for the SNL Hall of Fame podcast. Thank you so much for joining us this week, as you do each and every week. Now, I've been told that I'm not formal enough with my ask at the beginning, so please, wipeth those feets. [1:09] It's muddy out. For heaven's sake, we keep a clean floor here at the SNL Hall of Fame. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballotfor your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. That's how we play the game it's just that easy this week we are going to delve into the career of a musical guest and that is the seattle band that goes by the name pearl jam we are joinedby a repeat offender on the show our musical guru ryan mcneil and we're very pleased to have him back. Now, I'm going to walk down the hall and I'm going to talk to our friend Matt Ardill. Track 3: [2:15] Matthew, who you think you're going to talk about this week? Pearl Jam! Oh, the world's worst Pearl Jam impressions. Yeah, yeah. I lived through that. I guess, like, the 90s are just a blur. [2:32] Talk to me about Pearl Jam. Ranging from 5'7 for Eddie Vedder to 6'2 for Jeff Ament. They were formed in 1990 in Seattle, Washington, and are still performing to this day. Yeah. So Vedder originally claimed that the name came from his grandmother, Pearl, who made made a drug-laced jam, but he later admitted in a Rolling Stone interview that it was thatwas just made up. It was actually. Yeah, he does have a grandmother named Pearl, but the jam was just inserted after they went to a Neil Young concert and watched him just do extended jams for 20, 30 minutes of musicalimprovisation at the end of each song. So they were just like, you know, we'll call it Pearl Jam. So that's where the name actually comes from. Yeah, They were originally named after the basketball player Mookie Blaylock, but changed it after signing to Epic. While they officially have 11 studio albums, 23 live albums, and three compilation albums with 42 singles between 2000 and 2001. [3:38] They released 72 official bootlegs. So up until that date, they had encouraged their fans to bootleg because they've always always been pro their fans, fighting for their fans' rights with Ticketmaster and all of that. But during that tour, the Binaural Tour, they released a recording of each concert, their November 6th, 2001 Seattle show, hitting the 98 on the charts for rock albums. Now, they had some big supporters in those early days. They opened for U2 at the height of U2's fame in 1992 touring Europe for the Zeropa tour, which I can't think of any tour of U2that's more. [4:19] More diametrically opposed to Pearl Jam style than Zeropa. I agree. They do have some synchronicities in style, but like that's literally U2 doing like a Depeche Mode concert. It was just like, it was so weird. Vedder had refused to release Black as a single in 1992, despite the push by Epic. So DJs just decided to play it regardless, thus pushing it onto the number three of the Billboard Mainstream Rock Charts, even though it wasn't a single, which doesn't happen very often. In 1995, though, things kind of came full circle for the band when Neil Young partnered with Pearl Jam to release Mirrorball. So they got to work pretty early with one of their heroes. An environmentalist, Eddie, has the logo of Earth First, a stone hammer crossed with a monkey wrench tattooed on his leg. And the band has been very open with their activism, supporting freedom of choice environmentalism anti-bush protests and support for disaster victims one of the causes supported bythe band members is crohn's disease mike mccready who suffers from the disease after being diagnosed at 21 works to bring awareness of the disease and performs an annual concert forthe northwest chapter of crohn's and colitis foundation of America. [5:38] And lastly, during the song Oceans, they used a very non-traditional element for percussion because they just were too far away from a rental shop. So they decided to line up the fire extinguishers in the recording studio. And that is what the percussion section is for Oceans. That is great. Nice tidbit. Well, we'll see what happens with Pearl Jam. Right now, Now Thomas is sitting with Ryan McNeil and they are going to talk more about Pearl Jam and why they should be a part of the Hall of Fame. So I'm interested to hear that. Thomas is calling, calling. That one's a bit better. Take it away, Thomas. Track 4: [6:50] All right, J.D., Matt, thank you so much. Welcome, everybody, to another installment of the SNL Hall of Fame. I'm your co-host, Thomas Senna. Before we get started today, I actually want to give some recognition to someone who has been really helpful as far as me researching the podcast and everything. They go by Blood Meridian, and their SNL reviews have been really helpful in going back and getting sketch information and everything like that. So thank you, Blood Meridian. You can check out their reviews at bloodsnlreviews.com, a really great resource, really fun reviews. They review current episodes and episodes dating all the way back a few years. So thank you, Blood Meridian, for helping me and for helping this podcast. So today is our first musical guest of season five of the SNL Hall of Fame and for that I'm turning to our go-to person for our musical guest like I don't want to typecast you Ryan becauseI know you did Bill Murray with me but you're kind of my go-to musical guy. Have I got anybody in yet? [7:59] Um no but you should and you're still still trying i think i i think bill is bill i think bill is actually and i think but no bands that's what i'm saying like i've argued for some of my veryfavorite artists but it's a iconic performance just nothing so there's someone who's gonna get into a band or an artist it's gonna i hope so yeah i think it's gonna be you so ryan mcneil uhyou were my guest for dave grohl uh david bowie uh what is it what is it gonna have to take for dave grohl to be in by the way dave grohl to me like should be a slam dunk and he'sinching toward their ryan what are we gonna have to do i i mean i think he might have he might have to. [8:41] Play in front of the beatles and the rolling stones at the same time you know he's played with a beetle and with the stones but he's never played with both together so i'm like youknow You know, that's Ringo's got to be sick or something. And that's that's what's got to happen. And then maybe and then maybe, you know, apparently, apparently. Gosh, I mean, he appeared again with Foo Fighters this past season. It was a great episode with Nate Bargatze and and Dave was in more sketches. And he's so far out in front. It's like it may be one of those records that like never gets caught. Yeah. Yeah, it's nuts. So I think we're going to get Dave Grohl in. I'm pushing for that. I think I think we're gonna get him in at some point nice But even though you haven't got any musical guests in I have I have you back, Yes, so so Ryan you're thehost of the matinee cast in which you discuss movies and whatnot and a recent episode Was about Sean Durkin's new movie the iron claw So be what a movie. Yeah, absolutely I saw that movie in the theater and then when I got into my car for the drive home home, I immediately put on your episode to get your thoughts. So I had it in queue. Thanks, man. And I knew I was going to go see it. Yeah, I knew I was going to go see the movie and I was like, okay, so when I'm done, I'm going to play the matinee cast and get yourthoughts. So you accompanied me on my drive home from seeing The Iron Claw, which I loved and you loved and your guests loved. [10:09] All of us really loved that movie. It was a good movie. I mean, what I was really thankful for on that one was that was a really good conversation. And I mean, you know i don't need to tell you because you're a podcaster as well but whether we enjoy it or whether we don't enjoy it just anytime i can get a good talk out of it i'm alwaysreally happy to put the podcast out into the world my you know and again kind of like your show i don't always know what i'm getting when i bring a guest on like i've kind of got a basicroster even though i bring in new people now and then but i don't know if somebody's not going to be bringing the the energy up or if they're going to be having an off day or if they'regoing to be just like. [10:48] Really just not in the mood to talk about a movie but anytime i get a good conversation, uh i'm always really like excited to put one out in there and my guest uh brian rowan forthat episode um he always brings the good so i was really excited yeah i'm always checking to see if you've covered a movie it's like a new movie that i watched i'll check to see if you'vecovered it you asked your guests really cool questions about their movie going history that's a nice nice wrinkle to the podcast so so yeah matinee cast uh you guys do you have anythingto promote anything coming up i know oscar season is yeah well i'm thank you for reminding me so the big show that we do for the oscars is i could not give a rat's ass who wins but theclass of nominees always fascinates me as a snapshot from year to year so that episode i've pretty much entirely had the same guest for the entire run of my show, minus one or two years. [11:42] Mariah E. Gates out of Chicago is going to be joining me and we're going to talk about the Oscar nominees pretty soon. And that's always such a fun conversation. She's so smart. And it's just like steeped in Oscar knowledge. It's amazing. It's always incredible. Yeah, it's an interesting batch this year. So when I catch up on my best picture nominees, that's what I do. I look at the list. I'm like, I haven't seen this one. So I catch up. I'll go check out the matinee cast to see if you guys covered covered it to like a sweet me my viewing So go check out Ryan McNeil's podcast the matinee cast great podcast today. We'rehere to talk about Pearl Jam. [12:18] As a nominee for the musical guest category of the SNL Hall of Fame. So quick CliffsNotes, Pearl Jam, Jeff Ament, Stone Gossard were in Mother Love Bone. Lead singer Andrew Wood unfortunately passed away in 1990. So that led to Jeff and Stone forming a new band with a new kid in town by way of San Diego, Eddie Vedder. So we had Eddie, Jeff, Stone. We also added Mike McCready to the mix, a rotating cast of drummers, finally settling in more with uh with dave abruzzese so we got mookie blaylock soonto be pearl jam out of that so ryan were you a pearl jam fan back then around 91 92 grunge scene all of that don't be you're gonna be a hipster and say you were a mookie blaylock fan nono no i was i will i will actually i will really own it i was about five minutes late to the party which is to to say that I was listening to, you could not get away from Pearl Jam when theyarrived. They arrived with the force of an atom bomb in 1991. [13:22] So the music was always just around, like you just turn on the radio or be walking by a bar or something like that. Or, you know, I was too young for bars at that time, but you'd be walking by places and you would just hear 10, especially in 1991 and 1992 you could not get away from it so i enjoyed iti enjoyed what i was hearing it was you know speaking to me as a young you know old generation x slash young millennial it wasn't like my music quite at the time i jumped insomewhere in between verses and vitality so i around their second appearance was where i joined the party um and then as actually oddly enough Like as they endured, I grew to lovethem more and more and more. [14:09] When they were in that moment in between Versus and Vitality, I do remember actually having conversations with my friends about, you know, we would have the lunchtimeconversations about like put together a super group of everybody who's, you know, around right now. Or who would you think should headline Lollapalooza next year or whatever? And one of the questions that we asked each other was, who's still going to be doing this in 20 years? Which of the bands that are out there right now are still going to be around? And... [14:41] I cannot remember most of the others, but I do remember that Pearl Jam was the one that we're like, we feel like that there's something about them. They're going to be, you know, kind of this, maybe if nothing else, this grateful dead type band that just keeps going and going and going until the wheels fell off. We were stupidly right. We were like wrong about everything else. But with that one, with who do you think is still going to be doing this in 20 years? And a lot of that, and I mean, really, truly like a lot of that scene, you know, you have have three quarters of the smashing pumpkins still knocking around even though they you knowthey've they've broken up and reformed a few times but they are the one band from that era that's. [15:21] Still most of the original lineup and still going at it and it's kind of wild yeah it is wild that grateful dead comparisons really apt the way uh there's like tape trading associated withuh with pearl jam like their fans trade like live shows pearl jam releases their live shows a lot so So that's like a good Grateful Dead comparison is they really embrace that sharing theirlive performance and sharing the live shows with their fans. And they are. They're still very relevant in the music. I did see Smashing Pumpkins last year. And that was a nice bit of nostalgia. But that was a good call. You probably saw them. And you were obviously a movie guy. You might have seen them if you saw singles back in the day. That was where a lot of people saw them. Tonight, we rock Cleveland. Citizen Dick, yes. [16:13] Touch me, I'm Dick. [16:16] Yeah, so that's where a lot of people... Do you like singles? I love singles. Yeah, right? It's an underrated Cameron Crowe movie. Yeah, I think it still holds up. Pearl Jam was... There were probably things still Mookie Blaylock when they were in singles, but they really stood out to me. It was very memorable. I don't know if they're the best actors. I don't know if Eddie's the best actor, but they're parched and stood out. They're not really asked to do very much. Yeah, very little. Yeah. So a lot of people saw them in singles. Of course, they first appeared on SNL around the time, like a little after 10 broke out. So so in 1992, I don't want to set the stage for like an SNL appearance. So in 1992, Ryan, like what would you say a good showing on SNL could do for a band around that time? Time it could still really cement a band at the time um you know there were there were more uh it's it's weird to say okay hang on i i'm it's one of these moments where i start having athought and then in my head i immediately think as a listener and just argue it down because i was going to say there were more ways to encounter music um in 1992 but that is notentirely correct What there was, was there were more ways to... [17:32] Come face to face with music. Now, music is very, very much a la carte. You know, you want to find out, like, you want to just stay in your silo and have all of the stuff by your bands and your artists and kind of similar like artists brought to you or, you know,published for you or on whatever. That is the reality. You can find out about everybody you want, the important words being there if you want. Want in 92 you would have that like you know you would have radio was playing whatever the hell radio wanted to play you would have shows that had certain types of programs so youwould have the shows that were playing the chart and then you would have the shows that were playing these guys are never going to be on the chart but they're really really cool andthese guys may be on the chart and they're on their way up you know like you had all these other avenues where you could trip over music as i said earlier like being in a coffee shop andhearing something over the speaker was much more prevalent because you didn't have headphones on quite as much um shows like snl shows like letterman um you know arsenio hall in adifferent lane of music you know these were these were how you experienced your music more than being in your silo and just playing what came to you pearl jam um you could not getaway from them in 91 92 they they just they are what's That is actually something that we'll see mirrored in that first appearance because they show up fully formed. [19:01] It's not like when we were talking about Dave Grohl and we said when Foo Fighters first appeared on SNL, they didn't look right. [19:09] It took like two or three appearances and they seem really timid. There was some nervous energy. Yeah. You know, their look is wrong. Dave is clean shaven. For a while, he has short hair. Nothing about them seems in a line with how long they would go and what they would grow to be. Pearl Jam, aside from the fact that they look like the most prototypical 90s grunge style ever, aside from their clothes, they arrive fully evolved. They show up and it is just no holds barred, batten down the hatches. We are going to show you why we're famous. This has to be especially wild for Stone and Jeff, for sure, because two years prior, they were in Mother Love Bone. They had just lost their lead singer. [19:59] They didn't know quite what they were doing. They jammed and played with people from the scene, like Chris Cornell, I think, played a lot with them and everything. They found this guy, Eddie Vedder. So to go from losing Andrew Wood in 1990 to two years later being on SNL, what a wild ride, especially for Stone and Jeff, right, Ryan? And theirkids. [20:20] Yeah, and their kids. That's the thing. Every time I'm on here and I watch some of those older episodes, I'm like, wow, you were so young. You know just i i keep forgetting that all these bands broke through in their early 20s and i know it's easy for me to say it but i look i'm like oh my god yeah right early 20s so it was uhseason 17 at the end of season 17 it was april 11th 1992 their first appearance on saturday night live sharon stone is your host and their first song i think it was a banger like right out of thegates This was one of the songs that was super popular. They could have chosen a lot from 10, but they performed alive. [21:35] They basically get to the end of the performance and they could have finished with any questions because like everything about Eddie's voice is magnificent. The guitaring is killer. The drums are killer. They're not really cutting loose and thrashing around the stage like they tend to, but that's kind of more emblematic of the tempo of the song. And one of them is. One of them is kind of pogoing around at the drop of a hat. But yeah they come out and they play a live and it's like here's why you can't get away from our album you know like just just listen yeah they perform so confidently eddie really stoodout to me and the camera the camera was focused on eddie much of the performance like ryan you talk about eddie vetter as a as just a lie a singer and a live performer it's he's got one ofthose singular voices I mean though the what one of the things that's really wild is his voice was so iconic that. [22:40] A lot of other acts were trying to copy it. You know, a lot of other acts were trying to not just sound like grunge. Look it up, kids. But also sound like his vocals, you know. Candlebox. Yeah. And I mean, some of those comparisons weren't really fair. Like, you know, if you go out there and you sing and you just happen to sound like the way somebody else sings, you know, it's not really fair to knock people around for that. But there were a lot of labels that were looking for other bands that could sing like that because it's like well you know this sells um but yeah no he's he's an incredible singer he remainsan incredible singer the one little weird development over now you know 30 years of career is that now he has to warm up you know like that's that's the back in the day they could havestarted the show with a live or started the show with the second song that they're going to do in the same performance now they sing two or three slow numbers off the top of the showwhich is a weird experience to start a big rock concert in an arena and they're on stools but eddie now is what 50 something. [23:52] And he actually had like a bit of a health scare with his voice a year or two ago so now he's gotta warm it up he can't go to the really louder numbers right away otherwise he's introuble But back then, you know, he's young, dumb and full of something. And he just he he's incredible. It's it's it's again, I've used this analogy in the past. It's watching a prizefighter fight in the in the prime of their life. Yeah, he immerses himself in each song. You could tell just by looking at him. He's just like fully immersed in it. He's not. We talked about some maybe some nerves, like you said, with Foo Fighters or Dave, whatever. This guy didn't come across nervous one bit. [24:36] Stage presence he owned the stage you did yeah they all owned the stage it was such a good this is honestly this performance of alive is one of my favorite snl musicalperformances from around that time it's something that really stood out to me just because of their energy uh it didn't sound like i mean there you mentioned there were a few bands likethat but snl didn't they had nirvana on but but this was something so like unique to the to studio 8h to the snl stage it was something that really stood out to me like they were still bringingin bands like traffic at the time or they would bring in don henley you know they they weren't they they they they went for a while without launching acts and don't get me wrong like theyweren't exactly launching pearl jab in 1992. [25:19] But they the they there was there was a you know the the music and the comedy weren't always hand in glove if you were playing some of the edgier comedy to a younger crowdyou weren't always always playing the music to the younger crowd. So this is one of those moments where it's like, yeah, come on and we're going to, we're going to, we're going to do a thing. Yeah, yeah, exactly. So alive. One of my, one of my favorite performances on SNL from that era, their second song, you talked about energy and just coming out, giving energy. This was a, I thought this was a really good song selection. They could have picked a lot from 10 to me. This was interesting, but it worked in this setting. They did porch. [26:27] We're going to come back to this much later. but this is if i'm making a case for this band porch is why and i would not have thought about that before i sat down and re-watchedeverything um porch is not a single we're gonna we're gonna say that a lot yeah uh porch is not a single ed has this great wince when he tried when he makes sure he doesn't say what thefuck um he always kind of had like he he would he wouldn't he did I'm sure he didn't actually have trouble not cursing on live television. He always made a show of it. You know, that's the thing I love. There was no changing the lyric to something else. It's like, you all know what I'm going to say, and I'm just going to come right up to the line and make sure you know it. Thank you. [27:21] Please stop the guitaring in this number is just it's like if you thought alive was incredible guitaring watch this you know um this is probably one of those numbers where you youknow maybe you skip over it on the cd or maybe you don't know all the words or maybe you can't make the jokes about it the same way you would uh even flow because that's the thing isif we're talking SNL and Pearl Jam. I always hear Adam Sandler doing Eddie Vedder in my head. And they turn it into something. Most importantly, Ed, at the time, and still, I'm sure, is very, very pro-choice. In the 90s, that was still a very hot debate. Of course, now, for some reason, it still is. um and porch is not explicitly about pro-life or pro-choice but in that moment ed and the rest of the band because none of them argued they'relike we're doing this so ed goes out there and he in he injects this lyric about the right to choose a woman's right to choose and just to drive the point home he's wearing a t-shirt with a coathanger on it like this is this is ballsy this This is a very, very ballsy move to do. [28:42] Non-single, make it about this, and really, really own it. Yeah, yeah. It was one of those things where he's not... It's not too overt where he's putting in people's faces, but it's one of those things where if you see what's on his shirt. It's pretty overt. Well, if you know, you know. It's one of those things if you know, you really know what he's talking about. Like he's not ripping up a picture of the Pope, but he's not that far off. Yeah. I mean, still that imagery might go over a lot of people's heads, especially around that time. But it's like if you know, you know kind of thing. Maybe. Yeah. [29:14] I want to believe people are smarter than they are. So maybe that's a me thing. Uh yeah so that that was a great i think that was a really neat thing that eddie did uh the build-up in that song that led to eddie yelling was awesome and pearl jam at their best ryan likegives me chills and the end of that song like the build-up of this song like that that's what this did it just gave me chills he can scream on key which is you know again a lot of those bandsthat were coming out at the time trying to sound like pearl jam could not do this Just like Kurt Cobain could do that really well, too. There's it's not easy to yell and scream on key. It seems like it's really simple, but it's actually really not. So, yeah, when he when he would let loose, it would it would sound, again, very singular. Yeah. One last thing about Porch as far as the song choice is a lot of people I think around we're in April of 92. The album's been out. People know alive. They know even flow. They know Jeremy. They know a lot of the big hits from from 10. But if you're just a casual fan if you just know pearl jams hits and then you see them perform something like porch that's got to draw you in even more i think that's why i think that was areally good choice by pearl jam to play well it'll either draw you in or it could disappoint you because the thing is at this stage of the game alternative and grunge was becoming pop rightso So you take your average now, your average... [30:43] 13, 14-year-old Taylor Swift fan. In 1991, 1992, they were listening to Pearl Jam. They were listening to Red Hot Chili Peppers. They were listening to, eventually, Green Day. [30:56] That's the thing, is that they were very, very poppy, not in terms of the music they were doing, but in terms of who was listening to them and why. So there could have been a lot of 13 and 14-year-old kids who were watching and hoping that they would sing Jeremy because they loved Jeremy so much, or hoping even that they wouldsing something like black um and it's like no we're gonna we're gonna reach a little deeper so sorry next time we come maybe we'll play it but i think something like porch might be likefor a certain fan like that may be a little abrasive or heavy or something i just think it's unexpected i think it's that it's it's not that it's i'm really dating myself on this episode it's not thesong that you would put on the mixtape honestly this performance felt like a bit of a triumphant thing for pearl jam this first performance it felt like them announcing themselves oh yeah iknow they had already i don't know they had a lot of radio and mtv play but just being on snl in 1992 to me felt like something where a band could still announce themselves people whohad never seen they didn't there was no youtube you can't look at no and and watch and see how a band is live so a lot for a lot of people this was their first live exposure to Pearl Jam.Totally. Yeah. And so how do you feel? So do you think Porch and Alive were the right choices for this? Is there anything else from 10 that you may have wanted to say? Do I have a say? Because like if I'm managing this band, Alive, like no notes. Alive, absolutely positively, no notes. [32:21] Like the second song that you're going to perform again if we're sitting down and we're talking like we're saying what's the second one going to be they really would have had toconvince me on on on porch i would have been like i know you don't like doing the hits anymore but like is it like black is right there if you don't you know if you don't and that one's theone that's it's not quite a single but it's the one a lot of people know so one of my all-time favorite songs black so i I wouldn't have minded at all. And again, it's not to knock Porch because Porch is a great song. It's just – it's a really unexpected choice. Yeah, unexpected. Which is going to be their – For somebody like me, I think that's cool. Which is going to be their jam going forward. So buckle up. Yeah, we'll see that. We'll see that going forward. So I think great first appearance for Pearl Jam in April of 92. Two years later, April 16th, 1994 is their second appearance. And if you know anything about history kids april of 94 this is less than two weeks after kurt cobain died so there's a little bit of that energy of course kurt cobain lead singer of nirvanathey're in the same scene they know the guys from pearl jam so there has to be a lot of emotion still running heavy with eddie and the rest of the guys from pearl jam ryan less than thantwo weeks after Kurt Cobain died. Um, yeah. Um, they, like, I mean, they were friends. They, it's, it's... [33:45] It's always wild to think that iconic people just hung out, right? Like, Truman Capote and James Baldwin were friends. [33:57] Jean-Michel Basquiat and Keith Haring were friends. Pete Townsend and Janis Joplin, they were friends. George Harrison and Eric Clapton were friends. They were friends, yeah. Yeah, good one. but so you know you're you're late 20s and you lose a friend with the eyes of the whole world on you you know like anybody who's ever gone through grief knows thatyou you have no idea what to expect especially when you're young because you feel so invincible they could not have been in a great place um when they did this you know it was it wasclose enough and i'm sure sure it affected them all but a show the show must go on so on they go once again they wail um they they've never turned in a bad performance on snl the onlycurious bit is now we start to stray into what pearl gem will eventually become in terms of we're not playing any singles we're playing two songs that you maybe know maybe don't andyou you're gonna get you're gonna take what what we give you and enjoy it. So at this point, Pearl Jam, one of the biggest bands in the world. So they weren't in the, probably not in the great head space because their friend had just died. [35:15] But career wise, still one of the biggest bands in the world. Versus had been released a few months prior in October of 93, but their first song, not off of Versus. It's actually off of Vitology, which wasn't released until later that year. Yeah. Not for you. I had to check the date of this episode several times. Well, I had to check to see when Vitology was released because I remember I was like, I'm pretty sure I got it for Christmas when Iwas 13. That part I remember really clear. This I was like, wait a second. I'm like, I'm getting older. Am I just mixing this up? Yeah. [36:22] It's like, this is so, a couple things. By this point, they are the biggest band in the world. world there's this beautiful lineage of who is at any one time capital letters the biggest band in the world i don't even know who it isright now like i don't know if there's a band that's the biggest band in the world a band that plays guitars right now yeah yeah biggest gosh i have no idea no idea i don't know still no noand i but and i say that as a fan no um but yeah so but But for a while, like, you know, Guns N' Roses were the biggest band in the world. And then Pearl Jam was the biggest band in the world. And then Radiohead would be the biggest band. Oasis would be the biggest band in the world. [37:04] Radiohead and U2 for a minute or two. You know, there was this thing. So, yeah, at this moment, Pearl Jam is the biggest band in the world. They sell out every show they play. that the the album that they're promoting on this episode sold almost what was almost a million copies in the first week like it was it was it sold sorrynot a million it sold like an incredible almost a billion copies in the first week which was unheard of at the time and yet they're like they're not in they're they're certainly not embracing it idon't know if they're enjoying it and that's where you're performing but they love oh yeah but you love you're talking about enjoying being like enjoying the success and enjoying the famethey're not enjoying that part of it um and you know like they're they're all very down-to-earth people they've they've never exactly lived what i'd call the lavish rock style life as rich asthey have all become um but that's the thing is like i i think the same way you know talking about this same week the same way that fame never really sat well with kurt cobain i don'tthink it's ever really sat well with with pearl jam and they they start to kind of lash out slash recoil and one of the ways they do it is by. [38:26] Not playing what you expect what you expect them to play so here they are they're gonna play a song that you're not gonna hear again for another year because it's not on thisrecord and then they're gonna play another song that is on this record but it's not one of the three or four singles that are being played everywhere. [38:43] Right. Yeah, exactly. So Not For You is the first one that we were talking about. Not For You was the one from Vitology that we wouldn't hear for another few months. And with that one, it's a rocker. It's one of those rockers from Vitology. [38:57] Vitology is probably best known for Better Man is off of Vitology. That's certainly at this stage, yeah. Yeah, but Not For You is one of those that just fits. So the instruments sounded so alive in this performance. If they had anything that they wanted to play from Vitology, their upcoming album, I think this was a pretty cool choice to come out with a rocker like that. Something that fans were like, hey, what is this song? I don't know if they were playing Not For You live around that time, so maybe fans knew about it. Maybe. I don't know, but interesting choice, to say the least. And I thought it sounded great. Oh, it does. Like Ed is guitaring on this one. He's not great. That's the thing. It's like they show up fully formed, but Ed's guitaring is still growing. It's, you know, it's once again, he avoids cussing on air and makes a show of it. And by the end of it, they're shredding. [40:06] It starts out just as this grind and by the time they get to the end they're all cutting loose and now they're all jumping around the stage and thrashing and letting loose yeah that's atheme with most of their performances here is they just end on like shredding high notes usually there's yeah there's a couple of examples that we'll get to where they don't but usually theydo the second Second song that you alluded to, Rearview Mirror, off of Verses, they ended it the same way. They closed it with some real energy. That song has a real urgency about it that I've always loved. [41:05] They show what they're gonna become like they show that that influence of jam bands they show they certainly show the influence of neil young who they're not hanging out withyet but they will very soon like that number even though it's not even one i really play all that off like i i'll play like, eight or nine songs off of versus before i think about playing rearviewmirror um but it's just like you know they just they wanted to just it felt right for them like that's the thing i don't ever think that they're doing these things to troll their audience or to trollthe people who bring them there i just think they're doing what they want to do which i mean speaking of what they want to do or more particularly what they don't want to do this is alsojust a precarious moment for them to show up because this is where things get really weird for for pearl jam because that. [42:01] Unease with success that i was talking about it starts to just become go from subtext to text at this point they stopped making videos which they had already started doing for forverses there were no videos for verses they stopped doing interviews they stopped really they stopped doing live performances on tv like this they start this now almost quaint and alsovery very apt argument with ticket master right this is about that time where the ticket master thing started happening and as far as snl goes they vanish for 12 years yeah and it's you knowthey're making music in that time they're releasing records they're touring they're selling they're they're star is a little lower in the sky than it is like you know when you go through like 972000 2003 there you know they've they've dropped a bit in the sky than they were in 92 to 95 but they're just they're not really embracing they're not really embracing the fame and snl is abig part of that because they're gone off the show for 12 years and not for lack of material just don't show up right seem like the show really liked them too because with this secondperformance they did a third song. [43:14] Which not a ton of artists would get. So they did Daughter for their third song on SNL that time. Does it say something about a musical guest that gets to do a third song on the show, or do I read too much into that stuff? No, I think it really says something. I don't think they... [43:32] It's not a kind of thing where it's like, well, we don't have a whole lot of material. So can you ask them to play another song? You know, like they usually have to cut skits cause they've got too many. So if there's, there's only, you could probably look at the list of bands that have been asked to perform a third number and it's not a long list and they're all champs. Yeah. Yeah. So yeah, I think this says something that they trusted them. They knew that they would knock it out of the park daughter, more of a low key number. [44:29] It did not end in a rocking sort of way. it just sort of ended in a yeah so that that's how the song ends uh what daughter wasn't one of my favorites but it's hard to complain because itwas like a bonus song really uh and i think they performed it well um daughter's one where it's like kind of low down on the list of songs that i'll go back to on verses personally that'saround the time i show up that that's that that was my five minutes late that's that was around the time okay okay so it was on stuff like daughter because like daughter was played on radioas well all the time so yeah yeah is there anything else off of verses that they may that you would have maybe liked to see them perform i think they would have done a good job umelderly woman behind a counter in a small town um i have i have a soft i know it's not a single but i have a soft spot for why go home this was in the age where you released an album andthe whole thing was a complete work you know like it's we're straying away from that a little bit now i think some bands are trying to get back to it but it would you know pearl jamespecially, There were songs that could have been singles that they just left as B-sides for years and years and years. And so yeah, this is an album. I could listen to it end to end and love everything about it. Yeah, I think Go could have come across really well on SNL with a lot of energy. A personal favorite of mine is WMA. [45:54] But maybe not a better choice that maybe would have been a more obscure choice for them to perform but I love WMA and it's great live I'm a big fan of Dissident too Dissident'sgreat. [46:11] Indifference is a little slow one but I know a lot of Pearl Jam friends who love Indifference just so many off of verses that they could have done I think good choices thoughRearview Mirror did really well on the show and a lot of people really enjoy Daughter. That was like a play of the hits, almost kind of choice. It's like, oh, okay, you've listened to all this weird stuff. We'll play the one you came to see. Exactly. And you're absolutely right because this is 1994 and then they just sort of, they were the biggest band in the world and then they just made a conscious choice to get out of thelimelight. Like after Vitology, it just seems like they made that conscious choice. They released four albums between like 94 and 2006 six uh to varying you know there's good moments in all of those albums to pick the some some are better than others um but theywere still touring extensively still releasing albums like selling it's not like they were they weren't playing like smaller venues they were playing arenas and amphitheaters like 16 to 20000 seat places festivals in europe um you know like they were they were raking it in as a live show they just as far as their place in pop culture and their place in the game was consideredthey were just more than happy to yield their space to other bands and other sounds and other genres yeah they found this sweet spot for them where they were still. [47:36] Like you said, playing these huge venues, they had a really loyal following, that 10 Club. Still do. Still going. It's been around for a while. They still play these same venues. They still play the same venues, but it's on their terms, which I think is awesome. They're still making a great living, still playing these incredible live shows, releasing live performances, but it's all on their terms, it seems like. It does. It does. And it's I mean, it's it's wild to it's wild to consider that a band would be that big and say, you know, like, first of all, to to yeah, to go and fight with a company likeTicketmaster. master. I feel like, can you please drop the video into the show notes of this episode when they're on Capitol Hill talking before Congress and pleading before United States senators, that $50 istoo much to ask their fans to pay. All the members of Pearl Jam remember what it's like to be young and not have a lot of money. [48:36] Many Pearl Jam fans are teenagers who do not have the money to pay $30 or more than it's often charged for tickets today. It is well known in our our industry that some portion of the service charges Ticketmaster collects on its sale of tickets is distributed back to the promoters in the venues. It is this incestuous relationship and the lack of any national competition for Ticketmaster that has created the situation we're dealing with today. As a result, our band, which is concerned about keeping the price of its tickets low, will almost always be in conflict with Ticketmaster, which has every incentive to try to find ways toincrease the price of the ticket it sells. It's so sweet in hindsight. I know it really is. Um, but that, that was, you know, they're, they're people of principles. I, you know, you, you, you've got a, you've got a band that's going to go on and sing a song about being pro-choice. They've always been very active, Eddie, especially, um, you know, he's, um, he's an environmentalist. Um, they're, they're very, very big on human rights and they just, they, they decided that they didn't want, they didn't need the fame. They didn't want the fame. They weren't comfortable with the fame. So they just kept playing their music, kept releasing their records eventually they'd start doing a few more interviews and even releasing videos but. [49:47] And begrudgingly, and it wasn't until around the time that they come back in, you know, 2006, that the larger embrace of media was happening too. Because that Avocado record, it's self-titled, but most fans call it the Avocado record. That was when, you know, it was like, all right, let's, we're amenable to doing this again. I was here for the prince show prince did that too when he did musicology he embraced, you know the the spotlight again and they slayed the the record is great um you know it's not oneof their first three records but nothing is but it's really great they sound great you go to that episode where they they come out and sing what is it that they sing on that one worldwidesuicide yes which i love it's such a good song thank you worldwide suicide and they slay. [51:13] They actually show that even though that they showed up fully formed fully evolved take no prisoners they're like you know what for 12 years all we've been doing is playing andwe're even better eddie sounds better his guitaring is better the whole band there's a new drummer in the band because for a while they went through drummers like right they're incrediblethey wander in the weeds for a decade and they come back and it's like they have not lost a step if anything they may even be better yeah at this stage i think especially aesthetically toobut then how they perform i think they're coming across as a super competent mature more mature band than they were 14 years before just didn't as far as how they looked how theycarried themselves there's less angst which makes sense yeah to me like it's a little less diy yeah exactly less diy they've really they've really matured still great live performers i mean iloved this performance of worldwide suicide but to me they're just like comfortable with who they are as great live performers we know who we are we're mature and it's fun to see thisversion of pearl jam on snl it is absolutely and you know it's it's it's wild because as singers age their voices change I would say Eddie is like growing into his voice he's still he still soundslike any better you know it's not like young Elton and old Elton but he like he still sounds like himself but it's just. [52:42] He's gained probably the same as his guitaring. He's gained a better understanding of his instrument and what he can do and how he can do it. And it's just incredible to see them still being able to slay now 15 years or so into their career. Yeah, absolutely. And then the second song that they performed, also off the Avocado album, Severed Hand, had that same urgency. Ryan, when I think about music that I really love and that really sticksout to me, the one thing that I can point to is a lot of it has urgency about it. And I think Severed Hands, like this performance, had that. It had that urgency that I love about Pearl Jam's live performance. I like this song choice because of that. [53:57] We haven't been talking enough about Stone and Mike. Yeah. And they are like they are either one of them could probably be just like, you know, a front man onto themselves. And along with the fact that they play so very well, they're also both showmen. You know, like when they play live, they don't just stand there and noodle with their heads down. You know, like they they they move. They'll do tricks like, you know, putting the guitar behind their back of the head and playing the big solo. And they'll wander into the crowd and play the big solo. You know, being in a band with a guy who's prone to climbing the scaffolding, you got to find a way to, to, to, to kind of keep upwith that. And just musically, they're both. [54:45] Just they're underrated, I'd say, as far as guitarists go. They don't actually get mentioned as the great guitarists when you when you go down the line. Like you really kind of go down the list when it comes to great guitarists to talk about Stone and Mike. But they're so good. And watching all of these episodes, like they always get a moment where it's like, shit, they're great. Yeah, they have like the soaring guitars. guitars those soaring guitars really make a lot of pearl jam songs just pop and give me those goosebumps and that's you're right that's like stoneand and mike right there like making those guitars sing and pop yeah that's very well put and i think with this episode too we're talking 2006 i think it was a good chance for them to re-announce themselves to more of a casual public audience hey guess what you remember pearl jam well they've still been making music but they're back like check them out they're stillawesome so i think this was a neat way to kind of pearl jam i think i like that they decided okay you know what like let's go back on snl let's do something like. [55:49] This yeah yeah totally and let's like let's let's bring some of our let's bring some of those old fans back into the fold you know they've had their kids their kids are old enough that. [55:57] They can they don't need to you know start to pay too much for a. [55:59] Sitter so um yeah to bring them back and it all leads up to their last performance in um where are we now now we're in 2009 march of march of 2010 2010 they come back so thiswas about six months uh after backspacer came out yeah yeah backspacer which now it's this is actually they're they're on a great little late career run of records um because from theavocado record on there again they're all really good as opposed to those those middle career ones which are like you said varying degrees of return so they come back and they play justbreathe which is one of my favorite pearl jam songs it's. [56:47] One of my favorite songs gorgeous song it's a yeah it's an absolutely incredible song. [57:30] It's an unexpected choice to certainly just like this felt to me like this would be the 1245 song this shouldn't be the 12 12 15 song right but they're like no we're this is the one we'regonna play um they had some loud rocking numbers off of backspacer fixer is a number that they could have played it would have you know shredded everybody's faces off before they gointo update date but they play just breathe and along with the fact that again we're seeing how much better of a guitarist eddie is now because he's playing this beautiful finger picking rolethat is the main guitar line of the song you know it's it's not that it's it's it could not be more counterpoint to alive if you tried you know and in the in the hands of a lot of bands it wouldalmost go saccharine but it stays just wistful enough um for a band that's been doing this now for at that point almost 20 years and he sounds great he's playing great they it's it's it againit's ballsy it's a ballsy move to make um you know it and and they own it and it's it's the kind of thing. [58:48] Where if you were in the room and you heard that you'd be like what what's happening now this is wonderful this is lovely you know and it would just stop you in your tracks andit's it's again it's a very gutsy move to play as the as the first song of the night absolutely the slowest jam that they've played on snl by far their times by far but just so so gorgeous stopstops you in your tracks uh just a wonderful choice the second song that they did it's up there as far as one of maybe maybe possibly my favorite performance of theirs on SNL. Really? [59:20] I thought, I thought they destroyed it on unthought known. Yeah. I thought it was awesome. I loved the soaring effect on Eddie's vocals and just how it crescendoed. Just like the, I don't know, just something about it. I'm like, this is so great. I remember seeing it. The only other time I saw it was when the episode aired. And then just going back to it to do research for this episode, I'm like, this really pops to me. And so this and Alive are the two performances. like and it's kind of interesting that those are the bookend performances on. [1:00:22] Snl but this one in particular right now yeah but this one in particular ryan like really popped me what do you think of this one um it's it's this one i was it's kind of funny because ii thought it was a little bit more of we're not going to play the singles kind of number um and i think for me it was kind of it was a harder letdown because i love just breathe so much so iheard my favorite number no matter what you're playing next it's like i'm i'm already like i'm already in that's fair yeah so march 13th 2010 they're they're most recent we don't want to saylast like so do you think it's been 14 years like do you think the ship sailed as far as them come being on snl or could they make like a somewhat surprising return after 14 plus years on snlwhere yeah where they're kind of where they are as a band you know yeah i mean that's that's the funny thing is we talk about how 12 years go by in between performances um you knowyeah we know we're 14 years removed from from the second one um four years since they've released an album i mean there was a pandemic in between so gigaton was released and therewas a pandemic so yeah. [1:01:33] Um so they were it's funny because little little side digression they were how i knew things were getting really bad because i had tickets to see them in march of 2020 and youknow people around work were starting to get a little nervous starting to talk about this thing that was happening out in the world and i was like it's fine it's going to be like h1n1 or it'sgoing to be like swine flu it's going to be one of those things that's in an isolated area is like and then my my buddy who i was supposed to go with is like yeah pearl jam just canceled theirconcert i'm like oh i guess this is real yeah this was still this was still like at least a few weeks before the whole world closed down. This is a good almost a month out. And it was like, oh, shit, this is trouble. [1:02:17] So, yeah, they've kind of been playing catch-up off this album from three or four years ago now. I don't think they're done on SNL quite yet, but... It may take something. Yeah, maybe like in the 50th. I know a lot of us SNL fans might have our expectations for the 50th season a little too high. They're going to bring out every host is going to be a legacy host and every musical guest is going to be legacy. But I don't know, maybe Pearl Jam's someone maybe at least for the 50th or for the 50th anniversary show. [1:02:52] Yeah, I'm sure. I'm sure they'll I'm sure they'll get invited whether or not they do it is. Yeah, as as is most things with Pearl Jam. It's entirely up to them. And so so one thing about pearl jam we even one of the main things about pearl jam is they're one of the better live bands that we've had and it's been that way for a long time and for mepersonally like even if there's a song i'm less into on record i know they can really flesh it out live and make it great and ryan i want to know like you have to tell me about any times thatstick out like that you've seen pearl jam how many times have you seen them what what stood out, like share, regale me with some live Pearl jam story. I have seen them twice and I've seen them once. So, so you're double mine. The first time that I saw them, what stuck out to me was this, the show was supposed to be them. And the opener was Ted Leo and the pharmacist. And around the time that the opening act got on, we got there early because Pearl jam is the kind of band that sells gig specific t-shirtsand posters. Investors and if you're not there good and early you're not getting anything um so we got there good and early and you know the the opening it was time for the opening act to come onand out strides eddie vetter and he says um hi he goes uh so i don't know how many of you know this but ted leo and the pharmacists were supposed to open for us uh the pharmacists arebackstage. [1:04:13] Ted leo did not make it across the border oh my god so if you'll indulge us we are going to open for ourselves and eddie sang two songs and mike sang a song and jeff sang a songwhich every everybody was like jeff can sing right um then the pharmacist came out and played a song without any vocals and then mike jeff eddie and stone joined the pharmacist to playan iggy pop cover to play a stooges cover and then they're like okay we'll see you in like 15 minutes so this is this is uh this is on the um the backspacer tour this is around the time thatthey're playing that they're playing the snl uh you know it's it's in the run-up to that to 2010 and it was it was fantastic it was just i had waited at that point you know. [1:05:05] Almost 20 years to finally go and see them. And it was everything I had hoped it would be. Yeah. Yeah. I had been a Pearl Jam fan for 15, 16 years before I saw them. So mine was in 2008. They headlined the Bonnaroo Music Festival in Tennessee. And so I went Metallica headline. My Morning Jacket had an amazing late night set. Yeah. Chris Rock did like stand up at Bonnaroo. but Pearl Jam was one of the other headliners that year. And it had just been so much buildup for me. I had been such a big fan. That was my first time seeing them. And I was telling one of my friends on the way, because I told you I have a soft spot for WMA, the song. So I was like, maybe they'll play WMA. And then we looked it up and it's like, well, they haven't played it in full in like 13 years, 14 years. They just don't play it. And so we're sitting on the field. They're about halfway through their set. They're just ripping through. It's awesome. I'm loving it. And then they start, I hear the, and I'm like, that's WMA. [1:06:26] I was like, are they just going to play the intro to this or something? They played the entire song for the first time in 14 years all the way through. And that's one of my favorites of theirs. and I was there for it. And that's just like Pearl Jam gave me this amazing memory of playing this song, this rare song that I love. [1:06:58] And their whole set was awesome. Eddie was drunk. He was drinking tequila, and he was getting more drunk and passionate. He was almost crying thanking us. He was so overwhelmed looking at the—because Bonnaroo's on a farm. It's on a big field, so he's looking out in the crowd and almost crying and thanking everybody. He gets very sentimental, I guess, when he's drinking, so that was great. And then, actually, their performance caused a Kanye West hissy fit. Of course it did. yeah absolutely because he was supposed to play well he played bonru but he said that pearl jam went on too long so so he threw a hissy fit and he said it's going to taketoo long to set up my stage he was supposed to go on after them so kanye didn't go on until like 6 a.m when the sun was coming up and it was the glow in the dark tour right kanye and hisset started when the sun was coming up i was in i was at our campsite and i was i heard this kanye song and i thought oh oh, somebody in the campsite's like playing Kanye. And then I realized that is Kanye. [1:08:02] So it was just so bizarre. But Pearl Jam caused a Kanye hissy fit at Bonru in 2008. I mean, that is one of the things I do love. Still, to this day, what I love about them is there's a lot of bands for all kinds of reasons. And there's nothing wrong with it. That when they tour, the set list is set And they'll maybe play with like two, three tops, four numbers. They're like, okay, these slots here, we're going to mess around a little bit. Like, you know, we've got a bunch of different lighting cues for whatever. The rest of it is locked and loaded. Pearl Jam, it's like, you know what? From night one to night two, you are going to see a very different show. Yes. And that's been their MO the whole time. Yeah. [1:08:47] You know i'm i'm kind of not surprised yeah yeah absolutely pearl jam is one of those bands, to where you know my wife and i were getting older we have more we have we havemore you know financial obligations more obligations in general but i told her they're on the short list of bands that we need to travel for to go see if we get the opportunity i will not talkyou out of that so if you're looking for uh the voice of reason you have come to the wrong place no i didn't think so they're on that short list with like you two is somebody we would dothat with pearl jam so so a very short list but that's how amazing they are live uh so in terms of snl and in terms of being a musical guest on snl ryan what do you think pearl jam's legacymight be where do they fit as. [1:09:31] Far as musical guests on snl i'm glad you asked because i wouldn't have thought this before going back through everything this week but their legacy is porch because their legacywith that song and that performance is they are almost daring the show not to ask them back um that is a really charged statement to make and i i agree with you and see your point thatunless you understand the symbolism of a coat hanger you're not gonna get what he's saying but the second. [1:10:04] One person and does the rest of the world will figure it out and that is a that is a ballsy ballsy move to go out there and make a statement like we are just one year two yearsremoved from somebody making a very drastic statement on that show um and to be clear a correct statement time would would prove um but nato connor's been yeah yeah um you knowit's that takes some that takes some guts that takes some real guts to be a young band and really risk not ever being invited back um you know i that's the thing is like i mentioned beforethat i don't think that they're comfortable and they don't need or want fame and success they want a job you know so to to go somewhere and to to basically court career suicide is. [1:11:04] Is that's ballsy. That's really, really ballsy. And that for me is their legacy. It may not seem that way in the fact that like they, they played bigger songs and they played more famous songs and they had songs where they may haveeven sounded better, but that moment where they make a statement on live television and, you know, SNL, they, they ran with it. You know, they, they didn't stop them. They didn't cut away. way they didn't like crop a shot or anything like that they didn't bleep them um props absolute props for that that's a hall of fame moment. Track 2: [1:11:51] So there's that. Thank you so much, Ryan and Thomas. That was a wonderful conversation. I was riveted by it, and I really think you did a fantastic job. Now, the real work goes to the voters. Will they feel compelled to induct Pearl Jam into the SNL Hall of Fame? That is the question. and my gut says Pearl Jam, well, I guess the tea leaves are Dave Grohl. If Dave Grohl gets in this year, then there's a path for Pearl Jam. If Grohl doesn't get in again, then I don't know that Pearl Jam does either. Right now, the hall only has one musical guest, and that is Paul Simon, who snuck in with 68.7% of the vote on his first ballot. But other than that, we have Paul McCartney, pardon my pun, waiting in the wings. And that's it. So I don't know. Ryan had mentioned that he hasn't nominated or stumped for anyone yet who has made it into the Hall of Fame. And Ryan, my friend, I'm afraid that this may be your legacy. This may be your porch. So there's that. that let's go to a live performance now from the band this comes from a sharon stone hosted episode you'll hear her call the band in and uh maybe this will convince you. [1:18:06] Wow, what an incredible performance. I think that I was, what, 17 or 18 when this came on, and it blew my mind. I thought it was just fantastic, and I still think it's fantastic to this day. So, Ryan, thank you a lot. If you're a fan of his, you can check out more of his work on thematinee.ca and listen to his takes on popular culture and film. [1:18:41] That's what I've got for you here this week. Next week, we'll be joined by SNN superfan Bill Kenney to discuss the career of Martin Short as a host. So please rate, review, subscribe, and share the program, and we'll see you next week. But in the meantime, as you're walking down the hall and you pass the weekend update exhibit, do me a favor and turn out the light switch because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Rachel Dratch | 29 Jan 2024 | 01:15:05 | |
jD, Matt, and Thomas are joined by Will Norman to discuss the potential Hall of Fame career of Rachel Dratch. Transcript: Track 2: [0:42] All right. Thank you so much, Doug DeNance. It is great to be back here at the SNL Hall of Fame podcast. Step inside the SNL Hall of Fame if you would, but please wipe your feet. The SNL Hall of Fame podcast is a weekly affair. Each episode, we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. That's how we play this game. It's all about you, ultimately. You get to listen, you get to vote, you get to enjoy the members as they regale us in the SNL Hall of Fame. So there's that i hope you're doing well this week we've got a spectacular episode for you we are talking about rachel dratch and we're going to be joined by a repeat guest will normanwho always brings the goods in conversation with thomas senna but before we do any of that it's time for me to walk down the hall to our friend matt's. Track 3: [1:56] Minutiae minute corner hey matt Matt, how's it going, buddy? Great, JD, and you? I am super star-rific. Talking about Rachel Dratch today, and I think she's funny as hell. Me too, me too. She is one of those people who I have always felt is underappreciated. Underappreciated, yeah. All of the heavy lifting that she does. So you want to hear some facts about Rachel? Sure do. Okay, Rachel Dresch, 4'11 and 1 1⁄2, born February 22, 1966. She grew up in Lexington, Massachusetts, attending the National Theater Institute at Eugene O'Neill Theater Center in Connecticut. Now, she is a Second City alum, and she attended Second City and Improv Olympics with Tina Fey and Amy Poehler. Many of their sketches are still available on YouTube. So if you want to see very young Tina, Amy and Rachel, just Google them. And it's it's actually it's still it still holds up a lot of old Second City sketches done by the theater groups back then did not hold up. But this one did. [3:11] It's because it's pure Rachel just being Rachel. Now, she studied under Del Close and that for improv nerds out there is like improv Jesus. He is. Like one of the creators of the form. And additionally, she also spent time in the Groundlings. [3:34] And so she's done the improv trifecta, as well as being a founding member of UCB. Jeez. Not to mention, she was also on the Harvard Lampoon. So she is basically a member of the comedy Illuminati at this point. So she graduated in 1988 from Dartmouth College and has played cello since high school. So she's a talented musician in her own right. [3:59] She has 127 acting roles and was the original Jenna Maroney on 30 Rock before being recast. Right, I forgot about that. Yeah, if you watch that original pilot, it's a very different energy. As much as I love Rachel, I can understand why they changed the casting to mix it up a bit. The good thing about that is we have her variety of bonkers secondary characters, from the cat wrangler to the weird blue hallucination when the gas is left on in the gas episode. Her first television role was on SNL, but she simultaneously made her film debut on Serious Business that same year. She is also a published author with Girl Walks Into a Bar, which is flipping awesome. And if you get it, I recommend getting the audiobook because she reads that, which is really, it's on Audible. Not a plug for Audible, but it's on there and it's awesome. She has produced a one-woman show called My Life as an SNL cast member, which she ran at UCB before her Broadway debut in Wicked. [5:10] Um as tina after which she wrote the off-broadway play tail spin uh this tail exclamation mark spin exclamation mark which is why i said it a bit weird there yeah she's won thejoseph jefferson award for an actress in a review for paradigm lost uh in 1998 and for promise keepers losers Losers Weepers, in 1999 at Second City Chicago. So from the get-go, she was recognized for her improv chops, has done voice work appearing in movies and television shows, including Spider-Man Across the Universe, or excuse me,Spider-Man Across the Spider-Verse, as Ms. Weber, the guidance counselor, which when you look at the picture, like a still of that character, of course it's her. It looks so much like her. Oh, wild. [6:34] Um, yeah. So for example, she did the escape from Scientology trivia obstacle course, the Julia Robsticle course, uh, Julia Roberts themed trivia obstacle course, and the escapeMargot Robbie's moment course. And they are all as bonkers as you can, can guess. They she and billy are actually quite close and she subsequently did a parody of jay-z's empire state of mind with billy eichner called forest hills state of mind and it is hilarious also onyoutube which i highly recommend, Cool. Well, I think we're locked and loaded here and ready to go downstairs with Thomas and his special guest, Will Norman. Excellent. Can't wait. All right, Thomas, take it away. Track 4: [7:50] All right, J.D., Matt, thank you so much for that. And we are in the midst of season five of the SNL Hall of Fame. This is our second nominee that we're talking about this season. The one, the only Rachel Dratch is our topic today. And to join me to talk about all things Rachel Dratch on SNL, a returning guest here on the SNL Hall of Fame, it's Will Norman. Mr. Will Norman, my guest for Beyonce and for Daryl Hammond. Welcome back to the SNL Hall of Fame, Will. It is great to be back, Thomas. Thanks for having me. I'm just trying to slowly climb towards a five-timers jacket, so thanks for letting me come back, at least today. But yeah, I'm excited to talk about Rachel with you today. Obviously, we'll get into the details, but, you know, one of my favorite cast members and excited to kind of talk about her career and all her contributions to the show. Yeah, I'm looking forward to it. It was a lot of fun going back and rewatching stuff, doing the prep for this. It's always fun. Rachel kind of pops off screen. [8:53] So it's always fun to revisit a lot of what Rachel did on SNL. And you are my guest, Will, for Daryl Hammond, who is a newly minted SNL Hall of Famer. Will, so pat yourself on the back. What do you think, Daryl Hammond, Hall of Famer? We did it. We did it, Thomas. I feel like we made a great case for him. And Daryl's definitely deserving of it. So happy that he was able and the fans recognized his contributions and got him in. So it's awesome. Yeah, absolutely. In my book, probably in your book, we've mentioned top 20 cast member, in my opinion. To me, that's an SNL Hall of Famer. If you're top 20, you're an SNL Hall of Famer in my book. So people agreed. That's awesome. Yeah, couldn't agree more. Yes, absolutely. So we'll see if Rachel Dratch can get there. I know on the SNN's cast member countdown, she was pretty high. I think she was in the top 30 on the Saturday Night Network's cast member countdown. So she appears to be beloved by a lot of viewers and a lot of fans, myself included, yourself included, Will. I wanted to ask you about Rachel. So what were your impressions of Rachel Dratch when you first saw her? It could be on SNL or wherever you first saw her. [10:04] Yeah, I mean, I think my introductions to Rachel, I think were, you know, obviously during her time during SNL, I think in my time watching the cast that she came into was one ofmy favorite casts and kind of seeing her grow a little bit. And, you know, I've always thought of her as just being a very, you know, a great character actor, like she is so good at finding these nuances and weird characters to bring to life. She's also really good at being a part of an ensemble you know she's willing to be in the mix just not necessarily be centered in the sketch but she always makes the sketch better being apart of it and a couple other things that like i might still got to know rachel was like, she's very good at self-deprecation which i think uh yes you know is is is something i really appreciateit's one of my favorite types of of humor since the humor so she always brings that to her her comedy styles and her sketches and then this is kind of an another i think separate But a lot oftimes we talk about all the male performers, how well they are at portraying women. And I feel like Rachel is very great as a performer portraying men. And you see that in some of the characters that she does so much. And I think that kind of goes under the radar a lot. But I've always heard her ability to play different characters and kind of be really weird with it. [11:14] Great line delivery, be in the mix, but also make everything better has always stood out to me. And so it's been it was fun to go back and rewatch her stuff and watching herprogression as a cast number two and get her flowers throughout her time on the cast. What about you? Yeah, no, you're right. That's such a good point. One of the things that I did know was how she portrayed like especially older men really well, older, kind of like kooky, squirrely kind of men really well. Well, she almost inhabited or, you know, harnessed like a Dana Carvey kind of spirit in an interesting way when she did those characters. That's something that stood out to me. And then that's an interesting point you brought up about the self-deprecation. And that came through the, I automatically think of like these weekend update corresponded things that she would do with Amy and Tina. Where she would be like, I'm on location out here reporting the blizzard or whatever. And then they make her stay out there. where Amy and Tina are drinking like hot tea at the desk and they're like, oh, this is so good. And then Rachel's out there shivering and freezing. And so she's able to, yeah, she's able to poke fun at herself. There's also another one where she and Tracy Morgan had like a little talk show and John Stewart was on. And she was almost kind of she was the straight laced one, like kind of nervous talking to John Stewart. And Tracy was kind of ribbing her a little bit. John, do you think you're going to remain on cable or might you consider expanding to a wider market? [12:41] Look at Dress pretending to be all interested in TV markets when she's just trying to get her freak on. What? You don't care about no daily show. You're just trying to be his daily ho. [12:53] Freaky, that is not true. Look at Dress starting all red. Oh, my God. I'm really sorry. um okay um so she makes fun of herself a lot of the uh the writing on the show made fun of her but it's in a loving way like everybody obviously lovedrachel and it's just sort of like in a in a it was almost like big hug when when they would do that with rachel she's so likable that's something that stands out to me and stood out to me atthe time will she's so likable yes yes she definitely is and that's where you know i think she's she's already likable in her presence on on the show and the sketches that she shows up in andthen her willingness to make fun of things to find the funny and to your point never felt like it was a mean spirit it always felt like it was something that she was like if this is funny i'mgonna do it and going to you know put my all into it and so i've always really liked how um like i said like you said how likable she she has been in the sketches that she did and how she'shas a warmth to her performance a lot of times but can be super weird as well where you're rooting for even she's playing weirdo yeah exactly and And and when when when she joinedthe cast. [13:57] I remember when she did, she almost reminded me of like a Sherry Oteri who was still on the cast. And they overlapped for one year. They were on the cast together. It's one of those strange SNL things where it's like, oh, I forgot Rachel Dratch and Sherry Oteri were on the cast together. That's certain pairings that happens sometimes. Like you forget. Like I was going through old sketches today. I'm like, I forgot that Vanessa Bear and Melissa Villasenor were on the cast at the same time. That's just kind of a weird one to me. but sherry and rachel uh well that was that was one of those weird ones but rachel reminded me of sherry so i think initially i was wondering like youknow they kind of have somebody like this but it turned out that was sherry's last season so i think rachel was a good successor to sherry but also added some different elements i think shewas able to even get a little bit. [14:43] Weirder uh in in some ways than even sherry did yes no i agree she definitely i do think she did did get weirder than than than sherry did for sure and i think uh to your point whenyou have those new cast members that come in and they're on it's a deep cast and there's a bench coming in it's one it's fun to go back and see someone they're a featured player you knowthey're going to be awesome later you're like oh that's that's fun like there's that crossover there and. [15:08] She did, you know, as you mentioned just now, like she definitely did bring a Sherry O'Terry energy and vibe to the show. And I think one thing we'll talk about over the time here is similar to Sherry, such a great scene partner that Rachel was with a lot of the cast that she was with, specifically Jimmy Fallonor Will Ferrell. She was a really great scene partner with him and able to, you know, find great characters to have lasting impressions on the show while inhabiting that same energy that Sherry brought. Yeah yeah exactly another one i just thought about molly shannon was on the cast with chris farley and adam sandler no i didn't realize that that's kind of weird you know she started at theend of season 20 so she overlapped by a few episodes but technically molly shannon was on the cast with chris farley and adam sandler so that that's another one that's kind of wild to me. [15:56] Yeah so you had mentioned and we talked about you know she joined sherry o'terry was there but also Also, I mean, she joined and established Will Ferrell, Molly Shannon, AnaGasteyer, Chris Catan, all those people were on the cast already for a few years. Rachel joined in season 25. So this was the fifth season that a lot of those people had been on the cast together. So what do you think might be like the expectations of a new cast member when you're joining a big group of veterans? Where does a new cast member from a viewer standpoint, where do you want them to fall in? Yeah, you know, that's a great question. And I think when, when you see, when you have a stack cast that you love and you, and you like all the people that are on the cast, you see a newperson show up, I think in some ways it's, it's helpful for the cast member because there's not pressure on them to immediately be great. You know, you had those years where all of a sudden there's a bunch of new people and it's like, okay, I got to love somebody here. Like someone's got to take the torch. [16:51] But when you have an established cast, you're kind of wondering one, okay, what role is this person going to fill? You know, we have an absolutely stacked team. We brought in this rookie. what skill set are they bringing to the table are they going to be you know of the archetypes of SNL they'regoing to be the impressionist are they going to be someone who's going to be great as a character actor are they going to be someone who's going to um just be a you know a feature playerjust kind of be in the mix of things they're straight person to sketches kind of figuring out what their actual style of comedy is going to be and then you're also looking at it morespecifically do they inhabit any of the same kinds of personality types that a current cast number does is this the next generation's version of you know a sherry or terry is this person goingto be like an adam sandler they're going to do songs and stuff on update or they're going to be doing features you're trying to figure out where they fit in the grand scheme of the show andso. [17:39] I think when I'm watching new cast members, my own personal criteria is I'm just kind of seeing how do you meld with the rest of the cast? Who are they pairing you up with? What parts are they giving you as they kind of help you go along? And then I've said this before, I'm sure in previous podcasts, but I'm always a big, fairly or unfairly, I really judge people's first weekend update appearances because it's one of the firsttimes you get to see that cast member somewhat as themselves, probably doing something they auditioned on the show with to see what their style is. So those are kinds of the things you have that wait and see approach with new cast members. I want to love every new cast member that comes in. I think most fans don't see them on the bumper and go, I hope this person's terrible. You want the show to be good, right? [18:19] So I'm rooting for them. I just want to see where they fit in. So that's kind of where I view it. But what about you? What are your criteria? What are you looking at? Yeah, I think a lot of it's similar. It's almost like a new present in a way that the show is giving us every year. It's just like the possibilities are endless like what skill set to this person have i don't i i tend to look for something that's like skill sets that aren't overlapping is is a big one because if it'sjust complete overlapping skill sets just like okay well show's probably not going to use that much because i already have somebody who does this so it's just like finding out how thatperson sticks out uh then a good example this year chloe trost joined an established cast and chloe trost we found out it's a really good singer first of all so they're using her a lot as far assinging goes maybe a lot of the stuff that cecily strong maybe we used to do chloe trost is starting to do so she's kind of finding her niche she's gonna get more other things to do that's anexample of like this person's finding their niche you bring up a good point about weekend update too that's really that's a lot the weekend update desk i always harp on this is the castmembers struggling. [19:26] They want to do well on the show. They want people to know who they are. Write a good weekend update, Vs. Get that on. If you're going to get on the show, be on a weekend update. It's going to be on every week. They don't put a weekend update. Yeah, exactly. And those tend to be memorable. And right away, like last season, Michael Longfellow endured himself because of weekend update in a lot of ways. So did Marcelo Hernandez. Those are two examples of people who just like shined on weekend update. And now we're hoping like when's Longfellow going to be on weekend update? Right. His last one. What weird character. what costume is he going to wear what is he going to be on his himself and do stand-up or what so I think that's a good point about the update desk soshe Rachel Dratch joined in season 25 episode three she made her mark right away like she played Calista Flockhart in her in her very first she did a really oddball version of CalistaFlockhart in her very first episode that was season 25 episode three so she was officially joined the cast like like three episodes into that first season so So right away, I think we saw thatshe was a bit of an oddball, Rachel Dratch, which is a good thing. That's like when I when I call somebody an oddball, that's like that's like a really high compliment coming from me. Yeah, I'm with you. Yeah. Yeah. So she she shined right away. She had other good characters and sketches right away in season 25. [20:42] But, you know, you're my guest. Let's I want to give the floor to you. Like what characters or or sketch would you like to lead off with in this discussion? and Will? Yeah. So, I mean, there's so many to choose from and I feel like there's going to be a couple of deep cuts I think we'll get to eventually. And I want to start with this one just because I think that it's probably one of the ones we're talking about a potential Hall of Fame resume. It's probably one of the ones that let's say the general population is most familiar with and that's Debbie Downer, right? So Debbie Downer, obviously for those not familiar, is a character where Rachel would play essentially a Debbie Downer in real life, someone who is always bringing up bad news ingroup settings and always bringing and finding the negative and the way they did the sketch, obviously a lot of fun sound effects and womp womps and sad trombone and, you know,animal noises, whatever there was, they were talking about and a lot of closeups on Rachel. And. [21:35] They did a sketch quite a few times over the course of the show. I think obviously many are familiar with the most famous one of them breaking a Disney world with Lindsay Lohan. I personally enjoyed that. That is a favorite of mine. I, you know, I just don't like when people don't break as much, but it's, it's obviously a classic for a reason. That's an example to me that breaking works, breaking like elevated a sketch in that case. Yes. Yes. And same thing with, um, you know, there's a lot similar thing with birthday party with Ben Affleck. There's a Thanksgiving dinner with Luke Wilson. There's a lot of iterations of the sketch. And whether you look in the Disney World example or not, we're talking about from a cast and performance standpoint, understanding kind of what Rachel brought to the table. [22:13] It is a fun premise, right? Someone that's, you know, we all know a Debbie Downer of sorts in our lives, but the use of her having to try to be the straight person in the sketch and,you know, or not necessarily a straight person, but trying to like say, deliver these lines and these very sad news about feline AIDS being the number one killer of domestic cats or talkingabout how bird flu is worse than SARS and these close-ups of her with a ridiculous sound effect and making a face to camera and then going back into the normal life of the world of thesketch. Those kinds of things are the ones obviously very fun to watch, but just as a cast member, having someone who's able to do those kinds of things and be really silly and play into theridiculousness of the sketch, sketch, trying to keep it together. I think it's just a really good example of what Rachel Drash brings to the table. So if you're looking at the highlight reel of like, all right, give me some Rachel Drash sketches. That's why I say Debbie Downer is obviously one I think most people go to or have shared with their friends to say, hey, this is kind of who Rachel Drash is, what she brings to the table. Yeah, her face was so expressive. I think that's a lot of what made the sketch and probably what contributed to them breaking in that first debbie downer sketch in the first place was justrachel's expressive face and especially when you do like a tight zoom. [23:36] Onto her expressive face and she she knows what face she's making everybody the whole rest of the cast see it so that's that was part of the charm and i think if somebody elsewould have played debbie downer let's say amy poehler was in that role i think it would have been solid but i don't think they would have had necessarily the same exact reaction as likerachel dratch because she was she she could contort her face and she's very expressive and that was one of her big qualities as a cast member 100 and i think to your point too with thatwith that um character i think it would be really easy for someone to maybe ham it up more and the negativity and be you know but i think the fact that rachel tried to play it so so straightand And so like really trying to just like, you know, bring that energy down in the room when she's doing it with other people who notoriously don't break a lot. [24:29] And they're like, they can't hold it together. And they're trying to keep it going. And she's still committed because, as you know, they know she has another close-up coming. She has another line coming. She has, you know, increasingly more dark and dark news to deliver. And she's still kind of just in the mix trying to keep the sketch going. And so, yeah, her expressions, the line delivery, the way she played it, it's just absolutely perfect and, like, a great use of her talents. And, you know, it is a formulaic recurring character. and you know that's a lot of ways a lot of our you know hall of fame candidates have a recurring character recurring impression and isay uh for her with this one definitely one that's gotten the most circulation i think for for non-snl fans that have seen this one and seen uh the iterations of debbie downer yeah to yourpoint about like them waiting because they because the cat her castmates know what she's about to say that the most famous part to me my favorite part part of the original Debbie Downerwas when she kind of pauses because they all know that she's going to say that line. By the way, by the way, it's official. Kidnapped children. [25:56] And that that line i could i could watch the debbie downer sketch 100 times and that line cracks me up like i laugh out loud big time every time she says that it gets me every timei'm with you just because it like you said it's it's it's just this increasingly darker news it's such a dark thing to say right like it's not funny that somebody can't have children you wouldn'tthink but just in that context that was the funniest thing imaginable yes yes and like i said she she delivers it i mean she they're breaking obviously but having so much fun with it beingable to do it in a fun way and like you know like i said that's one that the whole cast was enjoying the sketch and with rachel too like a lot of times we'll talk about she's such a good scenepartner with people and so seeing her centered in a sketch and still being able to do a really good job with it and making it fun and making it funny i'm just saying it speaks to her hertalents and things she was able to bring to the show yeah i'm wondering about debbie downer specifically but just in a general sense so on one hand for me i wish they would have keptthis to maybe one installment or maybe tried it again they did it seven times and then on the other hand i don't blame them for trying it more and more because the first one caught on sowell like where do you stand on that like the the balance between not running something into the ground trying to recapture that magic i I think we saw that fairly recently with Lisa fromTemecula. I go, I love that first sketch, but then I don't think they quite could capture the same magic. So where do you stand on just like that general idea? [27:25] Yeah, so I'm with you in that. I was going to say that the Lisa from Temecula sketch was, I think, a perfect recent example of them using that. And I think with a lot of sketches, I'm kind of of the opinion that if the reason it's going viral is mainly because of the breaking, even if the premise is really funny and the delivery isreally funny, I'm usually a fan of one and done. Because i do think that sometimes the pressure is on the cast to break again in subsequent you know uh iterations of it because that's kind of what made it the first time and i think ithonestly makes it more special like if we saw lisa and temecula one time and didn't see it again i think that it you know it makes that sketch even more special because it was like that wasdelivered so well in that live format that one time that like people couldn't bring it together and then you you don't see it again with Debbie Downer. I think that it did work as a format to repeat because that is kind of a universal trope of the Debbie Downer. Right. [28:25] But I do agree that like two to three times maybe, but I think seven is probably probably got to be too much. And that's really no fault of, of Rachel's because of, you know, she obviously was a capable performer. You're really great. [28:36] But I think that I'm personally on the side of if the breaking is the main reason why it's getting traction, I'm more a fan of us to do it one time. That was fun for what it was and then we just let it go yeah exactly that those jeffries sketches with jimmy fallon and will ferrell in the early 2000s another example for me is like that theythose kind of work because they couldn't keep it together can imagine that jimmy fallon couldn't keep it together during the sketch breaking news i don't blame him for the debbie downerwhen actually fred armisen did a really good job of not breaking he's the only one because he had had Horatio Sanz wiping his tears with the waffle Lindsay Lohan couldn't evenremember when she had to say her like Fred had to kind of look at her and be like okay it's your line to like Lindsay so it's just kind of funny watching all the different performers andAmy Poehler was in that just how they all reacted to that and Debbie Downer in general like I don't mind it as a premise at all as you as you said it's universal Rachel's a capable performerI think it could have worked as a premise if the breaking in the first installment didn't overshadow the premise necessarily so that's what debbie downer became it became a sketch wherethey broke instead of like a sketch where the premise is the star so maybe that was like it was just like the fans the fans decided here's what your sketch is about now yeah exactly bring itback yeah yeah exactly So that was in she debuted Debbie Downer season 29. [30:05] A little toward the end. She she was a cast member until season 31. So her last three seasons we saw Debbie Downer. I wanted to go back to her first season, actually her third episode. [30:18] Where she and Jimmy Fallon debuted their Boston teens. Oh my God, Sally, I scoped it out. Apparently your $35 gets you chips, pretzels, and English muffin pizzas. Four-star cuisine? I beg to differ. Luckily, Denise and I bring a party with us wherever we go. Oh yeah, these are my own creation. Zazu's famous shots in a blanket. [30:44] Simply soak an everyday hot dog bun in vodka and enjoy. To pass us by, you appear to be simply eating a bag of hot dog buns. Yes. This near-perfect food coats your stomach as it inebriates. My girl is a genius. She played Denise or Zazu. Zazu. Zazu. So, yeah, those Boston teens. Another Rachel one that people remember fondly, right, Will? Yes. No, 100%. And that's funny. That was next to my list. I thought so. Yeah. I want to talk about that to talk that we know who we know that we know about it. But yeah, Boston is one of my favorites. [31:22] Same thing, like a very obviously very formulating sketch. Sketch but like the energy that her and jimmy bring to it in terms of having you know tommy recording um them being able to um kind of talk as as boston teens and really lean into a lotof the you know the boston accent and you know just make it very boston specific um always ending with some kind of sexual innuendo and you know fialan saying hey tommy tell meyou got that um they were super you know they're obviously like they've done they did a lot of iterations of the sketch but all like probably one probably one of them my favorite uh we'llget to my favorite but this one my favorite uh dratch character especially with jimmy like they play so well off of each other as the boston teens um there's a lot of different iterations onethat my favorites is one obviously not with uh ben affleck um there's one that they did with a birthday dinner with justin timberlake but the um the the them leaning into like i said a lot ofthe uh i said i guess just boston stereotypes and being kind of troublemaking kids and that are just always trying to get in trouble and and you know making out constantly and you are idon't know how i probably yelled at someone you are over the course of my life and making out so uh but just that there's There's so many good, it's so quotable. Poor Nomar Garcia-Pera, by the way. Like Nomar, like that's what, that's kind of almost what he's known for in a way. Right, people just yelling Nomar at him, I'm sure, everywhere he goes. [32:52] And so, yeah, there's so many good quotes in that and so many good, like even that's the one we talked about. [32:59] Having a great idea great characters that don't necessarily rely on the breaking like that one brought back and you knew what was going to happen you knew what was coming butthe amount of joy and fun that rachel and jimmy had with that sketch was just made it and i was always i mean they've come back and done it when jimmy's come back to host and stuffand and whenever rachel pops up as that like always fun to see that is one of my favorites for sure but i wanted to get your thoughts too on i mean the first appearance and then also withother with their other boston teen sketches yeah for some reason the one i always remembered uh probably because of my age when i watched it was the britney spears one but yeah butyeah so that that's that's one that always uh that always thought was funny that kind of stood out to me i liked when they were because a lot of times they were at like a party likesomebody's house or something but when they were actually doing something in public in front of other people so with that one they were at this amish. [33:49] Uh cosplay kind of place and like britney spears was asked jimmy fallon to come up and like show had a churn butter and it got flirty and then and then uh rachel as zazu gotjealous a little bit and then it holds you as you mentioned the beats like it had all those classic beats of them calling each other names and then of course making out and and and theinnuendo at the end and all of that so i always i always liked that britney spears one uh they did they did it 12 times times they did this uh the boston teens so there was a lot of meat onthat bone and i don't think like for for them to have having done it 12 times it didn't get all that stale to me honestly it was always very fun to watch and like you said jimmy and rachel hadgood chemistry together what i like about that that too when you talk about sketches of characters and how timely they are and how well they they go over watched obviously i watchedsome when rachel's in the cast did one one with uh it was like they're at a um they're going out to a birthday dinner with uh just to relax playing uh jimmy cotton's little brother and hekeeps setting things on fire at uh at the dinner and they do another one where i think it was jimmy came back to host and um they are like now kind of adults essentially and kate mckinnonis their daughter and they're touring harvard and you know they're and they're and they're having these you know they kind of updated like instead of a reporter they're you know tommy isrecording on a on a camera phone on a countess camera phone and. [35:18] Uh, you know, their daughter's really smart going to Harvard and they're still kind of in that, that same kind of mindset they were as teens, but they're like parents now. And why is Tommy there with them on the tour? Who is Tommy? Why is he? Why is Uncle Tommy here? Yeah. And so it's like, it, to me, that speaks to like, it speaks to the fact that she had these characters and had these, um, moments on the show that still, um, hit and resonate with latergenerations and later fans of the show like you can start a show with a cold open with the boston teens and the fans of the show we're like oh my gosh yes we're gonna get a chance to seerachel and jimmy be the boston teens and to your point thomas it never felt like it got beaten to the ground like they could show up they could show up in you know they could show up onthe next episode of snl whenever that airs right like and people would say be excited to see those characters so um it's it's a really it's a tough balance i'm sure to have recurring charactersthat people really enjoy that doesn't that doesn't get run into the ground and people are excited to see return so you know that kind of speaks again to rachel's ability to be a really likablecast member have likable characters regardless of the iteration whether they're super super sad at a dinner table or i don't you know a crazy boston teen so yeah another uh another featherin rachel's cap there with uh the boston teens and debbie downer too two really memorable. [36:37] Characters and sketches from that era. Will, where do you want to go from here with Rachel Dratch? Yeah. So I think next I'd like to go to the professors, Clive and the lovers, better known as the lovers. I think first appearance was during, and for those not familiar with the sketch, two professors that are very big on PDA and talking about their lovemaking in front of people to make themuncomfortable their first appearance was um at the katie holmes hosted episode with uh and it's rachel as virginia clarvin and uh will ferrell her husband professor clarvin um and they areconstantly talking to um they're at the time they're talking jimmy fallon and katie holmes about their relationship and the importance their their love making traditions and as the charactersgo they're essentially you know just talking about that and uh whatever whatever smoked meats that they like smoked meats yes and so they uh they bring these characters back uh i'mgonna say maybe five times you can correct it i think i have seven times oh seven they're on my on my list yeah gotcha so seven times and um each time same kind of same kind of thingwhere there's a lot of pda a lot of groping a lot of kissing i think one of my favorite um versions of that one i'm sure many people have seen is the one with uh drew Drew Barrymore,where they are at the Wellesley Arms Hotel that they talk about. [38:03] It's with Rachel Dratchwell Farrell, Jimmy Fallon is there, and then Drew Barrymore shows up. [38:09] Does anyone care for spiced lamb shakes? What is that? Well, at this point during the soak, my lover and I usually crave spiced meat. [38:24] We all do. We always order them up special from the Welsh. And keep them here in this igloo cooler. The wealthy arms. They are talking about Jimmy Fallon, who's there alone. Who's breaking a lot. Yeah, who's breaking a lot. I know what you're saying. You got the tallies going for Jimmy. But there's a lot of, you know, the way that they say everything, their pronunciations, it's called the lavas, and there's Barbara Hernandez. [38:58] And, you know, they feed each other smoked meats and lamb shanks in this hot tub. And they're calling it the hot tub and like all these different little iterations they have and the way they talk about things the chemistry between obviously drash and feral is great they havea really fun time like interacting with each other but then also making jimmy uncomfortable i think you can tell that like feral's definitely like rubbing found on the leg oh yeah he's a lot ofdeep eye contact that's what i heard he's kind of playing footsie with fallon in that hot tub trying. [39:28] To get him to break it's yes and and it's the way that they like they do in that and in that that sketch like obviously the the the professors clarvin are centered and they are the maindrivers of the comedy and the ridiculousness and everyone there is a is reacting around them but similar to the boston teens like rachel brings that same kind of fun scene partner energy ina totally different way she's not uh you know a troublemaking teen from boston he is a college professor who just likes to talk a little bit too much about her you know public displays ofaffection and lovemaking and it's still a really fun sketch and a fun character and while there's some crossover there like with the you know with the characters it's totally different it's atotally different energy in a totally different way that she that she brings it to life and so um that's as i said another one that's really fun for me and there's a lot of breaking and stuff but ithink it just goes to how much fun everyone's having listening to them uh you know going back and forth and and making everyone uncomfortable yeah that drew barrymore one's theprobably my favorite one to the one that I remember most. [40:31] Rachel and Will Ferrell in these lover sketches, they inhabit a very specific type of person who I've encountered quite a bit. I don't know if you have, Will. I grew up about an hour from Santa Fe, New Mexico. [40:46] And there's so many people like this around Santa Fe, like the hippie, yuppie, I guess yippie kind of types of people. You could tell they have money, but they're still kind of earthy in a way. They're probably like very liberal minded people, maybe misguided at times in some ways. They probably donate to a lot of causes. Oftentimes college professors and artists and stuff so i think rachel and will ferrell inhabited the specific type of person really really well in my mind these characters live in santa fe newmexico because that's the exact yes i've i have countered or taos or somewhere in the mountains There's some trendy mountain village spot. Yes. Yes. [41:40] No, no. I definitely know the archetype type of person that you're referring to. And I think in my time in school in California, I think I ran into some professors like that as well. Well, where, you know, generally speaking, like whether it's professors or, you know, the very like, you know, seemingly high minded people, just that feeling people have had whereyou're with a couple that wants to let you know how much they enjoy each other's company when you're not there. I think that general feeling of just being uncomfortable and kind of being kind of stuck in a spot where you're like, I don't really want to, I can't only want to engage this conversationnecessarily. We're all just kind of watching the two of you be very affectionate with each other and then trying to make it okay for everyone to be that same way it was it's a very um i think relatable toyour point relatable uh level of uncomfortable uh that everyone has been at some point in time so the way they do that and make it so hilarious that everyone you know whether it's youknow katie helman or drew barrymore jimmy fallon like on you know unable to keep it together I think makes the sketch and is another fun feather in the cap for Rachel as well. Yeah, a good teammate with Will. She could partake in Will Ferrell's off-the-wall goofiness easily. She's a good companion with Will Ferrell in that type of humor. [43:00] I think she does such a good job. Another recurring character I want to talk about, Will, is another season 29 one. I want to talk about this because we had alluded to it earlier in the podcast. [43:13] She played an old Hollywood producer named Abe Scheinwald. [43:18] That's an example, probably the example for me about how good she was at playing a wacky older person. Pops, I thought Shine World Studio was, you know, moving towards more award-winning fare and a gay, you know, way from, you know, bumping ta-tas. Since when do you decide what interests us? This one wanted me to make a movie about a kid at school who had magical powers. I said I liked it better the first time when it was called Teen Wolf. It was Harry Potter. We passed on Harry Potter. [43:48] Now who do you see in the role of potty hoe number two well there's only two choices abe scheinwald one of my favorite rachel characters it is i don't know if it's one of theviewers have seen obviously just tell us like the first time to see i think that started as a weekend update feature uh i want to say yes um and uh with seth and then was later turned into asketch and essentially the idea is that it's this old uh old man who's a movie producer and he he makes he makes motion motion pictures and he's like and he set this his grandson who istrying to move their movie studio into like a much more intellectual you know way and direction whereas he is very much into uh you know very sexual themed or sexual in a windowthemed movies with like russ meyer films i don't know if you're familiar with old like 60s russ meyer films but no no but yeah so i think that's what they were going for russ meyer madelike these b movies we'll call them that had a lot of sexual stuff a lot of you know they weren't it was almost like if they at the time it would have been like straight to video so yeah so it'skind of like that yeah and he you know a lot of the titles i mean nit nipple institute of technology you know a lot those are kind of the the vein of titles that we're talking about and like umit's one of my favorite characters once again there's a lot of like recurring themes. [45:16] And sketches but the way that one let's focus on rachel the way that she plays. [45:20] This old man who is always eating potato salad out of a container it's a great. [45:26] Choice for a character you're right and like like really loud and really just kind of, and is the energy she plays off of Seth as well. [45:34] Where Seth is very like the straight person and is like clearly annoyed with his grandfather who is like very, you know, has an outdated way of thinking. And Rachel has just kind of been this, like, I'm the expert. Like we make pictures and, you know, we need to do all these things to like drive money and do all these things. And she's just so over the top and so silly, but it's so hilarious seeing her inhabit this and have this character. and. [45:59] One of the ongoing things, and this is just a little peek into my life, there's a lot of things that she says where they're constantly talking about a movie and they'll say, you know, Ihad a movie, you know, there was a movie that we wanted to do and it was about, let's make one up, like, oh, a guy who ran across the country, but we passed on it. And Seth is like, it wasForrest Gump. We passed on Forrest Gump, you know? And so it's like, it's that constant, like, you know, same thing. And I, and I, you know, it's like, I, you know, these movies, oh, I have a movie about this. I liked it better the first time when it was this, you know, and I will say when I go to movie theaters, I am sure my fiance is tired of hearing it. Every movie preview, I find myself saying, I liked it better the first time when it was and saying a movie title. For me, it's such a quotable sketch, and I love repeating a lot of the thingsthat Rachel says in it. She plays that old man, Abe Sheinwald, so well. I think your point, the first one, I think, maybe was with Alec Baldwin, where it's the three of them, the father, grandfather, and Seth. [47:03] You can tell that they're trying to keep it together with just the energy that Rachel is bringing to it as Abe Sheinwald. Yeah this is an example too of Rachel I try not to do this like I guess I don't know I can sometimes I compare cast members to other cast members but Rachel inhabits a lot of the thingsthat I love about certain cast members past and present so with this one it's like a lot of what I love about Martin short I think Rachel Dratch inhabits in a character like this yes there aresome Jimmy Glick. [47:38] Energy kind of jiminy glick you know i had like another like a hollywood producer kind of character uh too but just in how like she i don't know just how she presented herself andher mannerisms and her commitment her and that's a big thing like rachel we haven't said it this episode but i think just her commitment is admirable in a sketch honestly and that'ssomething that's like even cast members come through here and there over the years and i could tell like this person's like not fully in the sketch i wish they would commit more never hadthat problem with rachel oh 100 and i think one of the things we were talking about before too as she's committing when she's committing in sketches no matter what she's playing we wetalked about this a little bit earlier in her ability to play men you know there's a lot of things that she does and has fun with um as she's committing to playing an old man as a woman andthis basically like a sexist old man right and the line delivery she has and things she says and i mean even when she's uh. [48:39] Talking about i think one point they said i think in every sketch where you know she's talking about having you know women in in bikinis and like to make the movie make moremoney and you know pull out a dollar out of her pocket and is like double d's double d's and like pulling you know a dollar and it's like it's such a ridiculous thing to say and trying tomake seth say it as well but like Like she has this commitment. Like I'm going to be fully like inhabit this type of person who would one say this, who would believe this, um, be over the top with it and bring that kind of energy. Like it's one of my, that character is just one of my favorites of Rachel. And I don't know if it's. [49:14] Something that the average fan obviously has heard of or would see or like people would recognize it but you just popped up obviously like in another sketch but um to your point areally great a really uh great example of her ability to commit to a character play other people um and then also be able to just have great line delivery and be centered in the sketch in away that um you know she was always willing to be a partner but to be a to be front and center the energy i think was was great yeah exactly so she uh she played abe shinewald fourtimes We urge everybody to go seek those out and watch Rachel Dratch shine as a kooky old man. She did that so well. Any other gems, characters, sketches, Will, that pop to mind with Rachel Dratch? [49:59] You know, those are like from a character standpoint, those were some of the main characters that I kind of want to talk about for Rachel. But if you had any others, I was going to talk about a couple of sketches. But like if you have any other, I mean, there's a few more. Yeah give us a sketch that stands out if you got one okay so they're uh one of them i think that it's kind of on the same the same lines as we're talking about her playing a guy but there's asketch called um it's basically it's a harry potter themed sketch and it's about uh it's with lindsey lowen on the sketch in the sketch and she is um playing hermione and coming back from asummer vacation and lindsey low hands playing lindsey low hands yeah sorry lindsey Lindsay Lohan's playing Hermione, and Rachel is playing Harry Potter, and they're coming backfrom summer break, and Hermione, as Lindsay Lohan says, developed, we'll say, over the summer. And all of the guys that are in the sketch are very much distracted by Hermione. I got here hours ago. I've been in the library researching cloaking spells. [51:03] Hermione, um... Hello? Boring nothing. [51:19] Seems like a lot happened i don't know what you're talking about there's a lot of to your point before in that sketch um as they do a lot of visual gags and they have a lot of peoplecoming in out of the sketch there's rachel's very expressive and like a lot of it's like her facial expressions as she's playing harry potter and being very much like trying to not bring bringattention to um you know uh hermione and her kind of like low-cut shirt yeah um and trying to kind of be the mix and it's just like one of those funny ones once again we talk about rachelplaying all these different you know different types of characters she played harry potter another time during a weekend update sketch or feature as well which is also great um but like herability to kind of fully be in those characters and um it's a very silly sketch obviously just with the idea of that happening in the harry potter the harry potter universe right but um She justdoes a really good job of facial expressions, trying to be kind of a straight person in the sketch, but also not bring too much attention to it, which I feel like is another good example of justhow silly she was as a cast member. That's just one. Yeah, she knows how to deliver. [52:25] She knows the beats to play any given character. And with this Harry Potter, it was almost like that. Oh, I'm noticing this, but I can't say it. And I need to contain my obvious enjoyment enjoyment of these new developments with, with Hermione and all this. So like, yeah, yeah. So Rachel knew how to like, she knew the beats of, of, of how to play that scene perfectly. That's a really nice pull. Yeah, I got one. I'll throw one out there. And then I want to hear from you too. Like, this is the one is the Rachel it's it's it's the fun friends club. Yeah. And this is one. Yeah. [53:06] So like, kind of around the opposite of that. Rachel is basically playing a 12-year-old girl who is a part of a kid's show, but is much more developed than the other kids that are onthe show to the point that it's distracting for the main actor, the guy playing the dinosaur. I think it's Ray Liotta. Ray Liotta. Yeah, Ray Liotta is playing the kid's dinosaur character who's very upset with this process. And they're having her do a lot of things that are totally fine for a 12-year-old to do, but becauseshe is more developed, this is distracting, and they really aren't comfortable with her doing some of these things. And Rachel does such a good job in the sketch of playing this very innocent kid who doesn't understand what – she doesn't get the joke. And so many times, she's centered on the joke. She is the main delivery vehicle for the joke. But in this one, she does such a great job of being like, I don't understand what's going on. And the audience is losing it uh ray leota is getting visibly more angry like i'm uncomfortable with this i don't want this kid on the show anymore and jimmy fallon's being the producerkind of like trying to talk to him like i got i'll try to talk it through i'll try to figure it out trying to find workarounds and whatnot yeah um and to his credit by the way i don't think jimmyfallon breaks in this sketch so i want to call that out where it's due there we go. [54:21] Broken clock right uh but i'm saying he does a great job as the director coming in front of the the camera and kind of trying to direct the energy and, and also calming down RayLiotta, who's doing a good job at playing. He plays it perfectly in terms of like. [54:36] I'm angry with this. I don't want this kid on the show. Like I, it's not good. Like we can't have this, you know, 12 year old jumping around and doing all these things. Um, and get me does a great job of, like I said, keeping the energy on, on Rachel and kind of making it believable that she doesn't know what's going on. And, um, it's just a really fun way for, uh, another example of her talents in terms of, uh, being able to play, you know, like a kid, like just brings a kid energy to it, which I think in a reallyfunny way and a really innocent way, that's still really funny in the way that they do it from a visual standpoint yeah this one the fun friend club from season 28 uh that that's a nice pull aswell i think rachel that particular role that type of role is almost thankless in comedic circles but it's vital like the character who doesn't know that they're part of a humorous situation butthey still have to play it like to where that the the the humor is still conveyed something that chris parnell would do really well that we talked about in last season and i think rachel does itreally well here she's oblivious she's just innocent and she and she has to play it play it that way because it serves the comedy and rachel's has a good enough comedic mind to know toplay it that way because that's what's going to serve the comedy at any point she doesn't always have to be the wacky center of attention. [55:54] Type like i can just play innocent and oblivious and that's what's best for this uh this joke in this sketch yes she plays it perfectly and um i think it's a it's a fun way to show herrange yeah absolutely i i have a couple of uh um one-off sketches please with rachel that that really stand out to me i don't know if you remember if you've watched uh it's uh with jenniferaniston it's called christmas urchins it seems we've been discovered perhaps they'll I'll throw us a crust of bread. A crust of bread might cure me rickets! Right! [56:29] Hello, um, if you please. My brother and I were terribly hungry. Yeah, we escaped from me and Mr Grimmswargle in the foundling town, and we've come to the Jersey to seek our fortune! Could you find it in your heart to let us in so it's from season 25 so it was rachel dratch's fourth episode it was the christmas episode jennifer aniston hosted by the way jennifer anistonwas a really good that was a really good episode she's a really good host back in the day but basically the premise. [57:01] Is that rachel and jennifer aniston play these christmas urchins like these 19th century british 19th century british urchins who this family rents out just to have it on their lawn aslike a deck christmas decoration or whatever and so they're acting like urchins like like oh look at look at them they're like peeking through the window jennifer aniston and rachel dratchand watching the family have a good time and they're cold and hungry and then the family decides to let them in and so rachel and jennifer as these urchins sing songs that are. [57:36] So that are graphic they talk about the diseases that they have and all this stuff like it it turns into something it like evolves like there's such good escalation in this one jenniferannison's great in this and rachel her fourth episode and she like pops in this sketch it's almost like an underrated classic in that era um back in what was this 99 2000 like in that so thatlike christmas urchins from season 25 that's to me that's like a one that kind of slipped through the cracks a little bit but i went and re-watched and i'm like this is fantastic it soundsamazing i'm gonna have to check that one out because i mean especially like you said to your point four four episodes in like that is you know those are kind of like you're looking forsomeone that's new like what do you bring in and to pop like that that's that's incredible yeah yeah that was a great one and then there's another one from season 28 it's called game night isaid it's a guy five more seconds five seconds uh elia whitney time what what the hell. [58:45] Oh i'm sorry i just i'll clean it up i just um i just get really into games, i'll clean that up really into games, Uh, you know what, you guys, um, why don't we just watch a movie? I gotSpider-Man on DVD. Oh, I'd love to do that. I'd love that movie. Let's watch a movie. No, we agreed to play games tonight. That's what we're going to do. We're playing games. [59:10] Come on, let's go. Let's go. It's with, uh, with Eric McCormick. And you're like, yes, that's, yeah. So I think this is fondly remembered amongst fans. So basically it's a chance for Rachel to, to, to get wild and absolutely unhinged. Do you remember this one will yes i do um this is one that i had on my list for sure and i think for those that are that happen that may not may not have seen it you know the premiseessentially playing like a kind of like a if you ever play like so people call different things like a celebrity guessing game like family fishbowl where you kind of write names and put it in ahat and trying to guess with your partner and it's two it's three couples playing this this round and you can see as it goes around the first time like one couple is very supportive and havinga good time one couple was kind of like you know also really supportive each other having fun and then rachel is very competitive and eric mccormick is not good at this game and is thatperson who doesn't know celebrities doesn't want to do it and the escalation in this one is just so funny because as it goes on you can see rachel getting more and more competitive andbringing a different type of energy than she typically would yeah where she's playing things way more angry and like over over the top than she would. And the way that the sketch kind of ends with her basically losing it because Eric McCormick doesn't know what the celebrity is. And someone wrote, I guess, Felix Mendelsohn. What? [1:00:35] Who the balls put Felix Mendelsohn? The celebrity? [1:00:42] Mendelsohn? [1:00:53] And he smashes things and like runs through the wall and is just like so mad and it's such it is such a hilarious sketch and it's so funny seeing rachel take it to that level where shereally is centered in the sketch she's not just one of the guests that's kind of like wow like this is getting out of hand like she's the one driving that level of energy and i think how relatableit is for those who like to play games or have done game nights like you kind of have have all those types of people there someone who there's always someone who might be way morecompetitive than everyone else and wants to win and the way that she takes that to 11 you know out of 10 is is incredible and i i'm so glad you brought that one up because i want to talkabout how much fun it looks like he has in that sketch it's fun to see her center in it yeah that was so fun and she all she she's very good about playing oddball characters and weird but youYou rarely see, you rarely saw her play like unhinged to that extent. So you put it perfectly. She dialed it up to 11 and that's so much fun. That was season 28, episode four. That was the Eric McCormick episode, Eric McCormick from Will and Grace. So go check that out. So I think we have done a good job of like pointing out the highlights of her time at SNL. well i mean that was that she's done she did so much on the show it's fun torevisit. [1:02:16] Yeah, I would agree. I think that she, this is one of those where, you know, we talked about it, her being in the Saturday Night Network's top 50 cast members, obviously comingin like 30, right? And the great job that she did there. And it's fun to see her recognized by fans, like the contributions that she had to the show. Because I think that she is obviously one of the best cast members I've ever had. And rewatching a lot of these sketches, it was so much fun and such a good, you know, I encourageanyone who's obviously listening to this, you should be, you know, I'm hoping you're a fan. [1:02:48] And, you know, Rachel Dratch is a fun rewatch to go back. There's so much of her work that she's a part and just even if she's just in sketches where she's bringing something to it, whether it's like the Colonel Angus sketch or she's, you know,James Madison, the 2000 election, like she's doing all these random things that she's a part of great moments in the show's history and seeing the ones where she's centered was a reallyfun thing. Fun treat yeah definitely so 2006 was her last year as a cast member on snl after snl she actually was almost a co-star of 30 rock so she was gonna play originally she was gonna play thejenna character that ultimately went to jane krakowski but that was gonna be rachel playing that but i believe rachel and tina had a had a history together and you know um and and thatwas like the impetus for rachel possibly doing the jenna character but she didn't end up doing that but but that's okay. And Rachel is not mad about it. She said that like that, that was the best thing for the show. And she's totally happy with how it played out, but she did pop up quite a bit on 30 rock, which I always thought was fun. [1:03:49] Yes. Agreed. And it's, it's a really to your point with that, with that fact, that's such a fun. What if, yeah. Wondering what she would have brought to that character. Jane Krakowski, obviously killed it as a pilot with Rachel as, as, as Jenna different last name, but her name is Jenna. But I think there's some video out there that. [1:04:07] Yeah, we got to find it, but okay. Well, to your point, the way that she ended up being still involved in the show and obviously Tina wanting to utilize her skills. I love what I love that, you know, well, Tina Fey is another episode. That's another thing in her talents or as a writer. But I loved how well she used Rachel's skills as a character actor to have her be on 30 Rock. And she is essentially a different character all the time. Exactly. she's popping up as a cleaning lady she's a random blue hallucination she is tracy sees when he's not on his meds yeah yeah yeah it's like yeah elizabeth taylor i think randomly ithink she's like she she pops up like i think she has like six or seven different iterations of like character shows and it's so fun because every time you see here you're like that's racheldrash but she is playing someone totally different yeah Yeah. [1:05:01] And that's kind of, you know, you're not, you asked me earlier, like, you know, getting familiar with Rachel and like, obviously knew her on the show. And then I was a big 30 Rock fan and seeing her being able to still be a part of my life as a TV viewer in 30 Rock was really fun because, you know, she, she got to still do what she'sgreat at, which is just come in, do a great character, be really weird. [1:05:29] Have fun with it Make it your own And then You know, like it's a one-off like we're done and then you come back and you do something else and you're always i'm around thirdback i'm always always excited because it's like i know it's rachel dratch but oh what is she this time like you said oh she's the cat wrangler who's dealing with the live animals for thisepisode or you know whatever so i really um like her her post snl career has been fun too the time she's chosen to pop up um i've always enjoyed it's always fun to see rachel dratch yeahabsolutely if you go look at her wikipedia and imdb she's one of those character actors who just popped up in a lot of things made a quick impression my wife and i just finishedunbreakable kimmy schmidt and rachel had such a memorable appearance she was in one episode but she played kimmy schmidt's college professor and she also played her her owngirlfriend so her kimmy schmidt's college professor was a lesbian and so rachel dratch played her but rachel dratch also played her girlfriend or her wife in in the show so it was it was theway they the way they filmed that and the dynamics there was it was really really funny rachel is always so memorable she also has a really good book i like devour snl books by if you'rea former cast member. [1:06:42] If if i haven't read your your biography autobiography it's on my list i'm looking at my leslie jones book as i say that waiting to be read but so rachel has a book that she that publicwas published in 2012 called girl walks into a bar comedy calamities dating disasters and a midlife miracle that's a really good read found out a lot about rachel she opens up quite a bit it'sa really uh neat read about rachel dratch i urge everybody to check that out have to check that out yeah yeah it's really it's really fun so uh yeah will thanks thanks so much for joining me iwanted to know like just to put a little bow on this like how would you sum up Rachel Dratch's legacy on SNL for everybody at home. [1:07:28] Yeah, I mean, you know, Tom, once again, thanks for letting me join you today. This was absolutely so much fun to talk about Rachel Drash and go to memory lane with her time on the show and kind of anywhere we started, you know, when you look at Rachel Drashand the cast that she came into, you kind of don't know what you're going to get out of new cast members and what they're going to bring to the table. And I think when you look at Rachel's career overall, as a cast member, she was someone who was incredibly likable, who brought a very unique and likable energy to all the charactersshe played. She was an awesome scene partner with the people that some all-time greats on the show as well. We're talking about Will Ferrell. We're talking about Jimmy Fallon. [1:08:04] She obviously did some great stuff in character work with the great writing of Tina Fey. She was someone that the cast obviously wanted to utilize and has left us with characters. So we talked about Debbie Downer, Boston Teens, Amy Scheinwald, some awesome moments and sketches that are going to be part of Best Of compilations for years and years to come,long after, whenever the last episode of SNL is. I think she'll be remembered for her time on there. And so when you're looking at someone who got the most out of their talent, who gave their all to the show, who was committed tobeing as funny as possible, if they were in a scene for five seconds or for five minutes, Rachel Dratch is definitely one of the best. And like I said, I'm happy I had a chance to talk with you about her today. And I hope that the fans get a chance to rewatch and make sure that they give her her flowers when the ballots are due. Track 2: [1:09:05] So there's that thank you so much thomas and will and rachel you know for bringing the laughs all these years i think that she should be celebrated and that's what we do here inthe snl hall of fame is we celebrate some of our favorites and rachel as thomas mentioned off the top you know is a top 30 cast member according to the snn countdown of top 50 castmembers i believe she's in the top 30 so she's in good company and she should be she is a hyper talented And, well, you just heard Thomas and Will wax philosophical about her for thebetter part of an hour, and I concur. This is going to be an interesting one for me. i i don't know that she makes it on the first ballot but i think. [1:10:10] By the time she gets to the second or third ballot i think there's a path i think there's a path for her and uh it's a it's it's a path that uh is reasonable mind you you look at maya, andwho else? Molly Shannon. And they're both still in the quagmire. Let's go to the sketch right now. This is Abe Scheinwald on Weekend Update. Track 5: [1:10:37] With the year winding down, it's time to look back at the best movies of 2004. Here with the report is Hollywood producer Brad Scheinwald. Thank you, Amy. Thank you. Thank you very much. I appreciate it. It's great to be here. Well, I think it's safe to say that 2004 was an incredible year for American filmmaking. Ha! Told you right there! [1:11:03] Why are you letting this kid tell you about pictures? Grandpa, I thought I told you to wait in the car. What? Freeze my balls off? I don't think so. Okay, who's this? This is my grandfather and founder of Shinewold Studios, Abe Shinewold. I made all the 51 pictures, including cheerleader zombies of Sorority Row, Japanese bikini squad Kill Kill, The Chimp and the Pimp, one, two, three, and five! And NIT! NIT? Nipple Institute of Technology! The thing is, Pops, I'm trying to move Shine Wall Pictures in a more intelligent direction, a direction a lot of films took this year. Bah! One! Okay, an incredible film, Sideways, a story of two friends driving through wine country, and... You want to sit through a road movie about two guys drinking booze, rent the ape-shine-walled classic buddy pic, scooch and mondo take Daytona Beach. [1:12:12] Okay, what about the film Kinsey? Oh, I went to see that picture because I heard it was about a sex doctor who did experiments on people. What a letdown! if you want an erotic thriller try the Sheinwald hit The Curious Doctor. [1:12:36] Napoleon Dynamite? Dynamite with the explosion! Eternal Sunshine of the Spotless Mind! Eternal One of the Honey, where? All right, okay, so you're saying that there's nothing worth seeing this year. Please, Amy, don't let my grandfather change the way you feel about movies. Don't listen to this one. This one wanted me to make a movie about the misadventures of a blind guy. I said I liked it better the first time when it was called Mr. Magoo. It was Ray, the Ray Charles story. We passed on Ray. Brad and Eve Sheinwald, everybody. Track 2: [1:13:16] They passed on Ray, and they made Nipple Institute of Technology. Oh, my. That is some good stuff. stuff and on that note i want to remind you uh speaking of good stuff to check out will norman check out thomas senna check out matt ardell they are allwonderful podcasters and uh there's a lot going on here at duvra so check us out there's something for everybody that's pretty much what I've got for you this week. You can start carving out your ballots now. There's two names on it already. Adam Sandler, Rachel Dratch. Next week in the hall, we invite Ryan McNeil to join us where we'll talk about Pearl Jam and their legacy at Studio 8H. So there's that. [1:14:11] That's what I've got for you this week. So if you'd please, as you're walking out, when you get to the weekend update exhibit, there's a light switch on the wall. Turn it off, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Adam Sandler | 22 Jan 2024 | 01:20:56 | |
jD, Matt, and Thomas are back and joined by the returning Veronica Villanueva to discuss the career of Adam Sandler. Check it out! Transcript: Track 2: [0:42] All right. Thank you so much, Doug DeNance. It is great to be back here. Season five is underway, and there's no better way to ring it in than by asking you to wipe those feet before you come inside the SNL Hall of Fame, which is a podcast. It's a weekly affair. In each episode, we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity inside the hall. That's thegame. That's what we play here every week. We've been doing it for four years, four seasons, and we're going to continue doing it until we've exhausted the pool of potential nominees. So there's that. This week, we are talking about Adam Sandler, and I can think of no better person to kick off this conversation than our friend Matt Ardill. I'm walking down the hallway. I am tight to the wall where the outer wall, where the east wall meets the north wall, forms a corner, and that is, of course, the trivia corner, Matt's MinutiaMinute. Let's go. Track 3: [1:59] Oh, Matthew, how are you doing? Hey, JD, I'm good, and yourself? Track 2: [2:03] I am great, thanks for I'm really excited about this week's episode. It's the first episode of the fifth season, and that's pretty cool. Uh, we're starting off with a great one. Track 3: [2:17] Yeah, it is. It's got some great guests. Uh, and you can't start with a more interesting character than, than this, uh, Adam Sandler. That's right. Height five foot 10, born September 9th, 1966. Uh, he first took the stage at 17, uh, when his brother pushed him into doing standup and he did not turn back after that point. Jeez. Yeah. Yeah. I mean, I can't imagine at 17 what you would do, but yeah, he did it. He attended NYU's Tisch School of the Arts, graduating in 1991. And you'll note that's a year after he started at SNL. He was still going to school when he started at SNL as a writer. The thing is, he's incredibly prolific in a lot of ways. He's got 88 film credits, 63 producer credits, 29 writer credits and 37 soundtrack credits you can pretty much thank his wedding singer film right that one yeah um but yeah he has 21 filmsthat have been that he's been involved in that have grossed over a hundred million dollars and many of those are produced by his happy madison production company the the highestgrossing happy madison film is growing grown-ups with $272 million in box office with an $80 million budget. [3:44] So even factoring in another $40 million for marketing as the standard, that walked away with a pretty penny in his pocket for that film. I bet. Now, he was 35th on 2003's Power 100 list. He's the second highest earning actor in both 2011-2012, next to Leonardo DiCaprio, earning $37 million and is estimated to have a net worth of up to $500 million as of today. So he's done pretty good for himself. Not bad, huh? Not bad, yeah. Now, his first acting role, though, was as Theo Huxtable's friend, Smitty, on The Cosby Show. [4:28] And that was, yeah, so it was kind of an ignoble beginning, a little bit part. He followed that by roles on MTV's game show Remote Control before scoring his first film role in Going Overboard in 1989. One of his earliest roles was in an ABC After School special credited as Drug Dealer. Yeah, I just can't think of a less convincing drug dealer, but it was ABC After School special. When he does film, he tries to make sure any scenes that are being filmed on location are near a gym that has a basketball court. So he can go and play basketball between sessions of filming. He basically is just a dude who loves the people and things that he loves. [5:24] So he tries to fit in his friends and, and, and music and things that he loves into every film. So he's big Van Halen fan, a police fan and the sticks fan. And he, In his movies, he's made sure to include those, like Big Daddy had Babe by Sticks. Every little thing she does is magic in The Wedding Singer and That's My Boy. [5:52] His character asks the teacher he had a crush on in 1984 to go to a Van Halen concert at the local stadium with him. And the film features And the Cradle Will Rock and Dance the Night Away Twice and Ice Cream Man. Wow. Yeah, he really does try to incorporating the things he loves in there. He's also a big wrestling fan, frequently and frequently referencing it in his films like Billy Madison, Waterboy and Big Daddy. He he's widely considered to be just a pretty good dude. His friends with former colleagues continually supports them, finding them places for them in his movies. To the point, Chris Rock, when recording his Never Scared special in 2004. [6:41] Dedicated the performance to his father, Julius Rock, Monteria Ivey, a radio personality and comic, and Stan Sandler, Adam's dad. Dad oh weirdly though he was almost willie wonka uh one of the roles he was considered for was tim burton's uh willie wonka instead of johnny depp oh that would have been nice itwould have been a very different movie i can only imagine he purchased goldie hawn and kurt russell's home after attending a new year's eve party there as a as a guest he and he's just anall-around lover of comedy. He did a comedy album in 1993, They're All Gonna Laugh At You. Which is a great record. [7:27] Great record. We featured it on my podcast comedy album Book Club years ago. It's a work of sketch comedy tradition. It features many SNL cast members, but it also used all original Foley work, creating special effects using classic techniques used in radio and not stock sounds. So he loves his friends, he loves comedy, he loves music, and is just a pretty good dude. Yeah, I think so too. It's going to be interesting to hear what Thomas and Veronica have to say. Maybe we should hit that now. Yeah, that'd be great. All right, let's go downstairs and talk to Thomas Senna and Veronica Villanueva. Track 4: [8:31] Yes, that's right, J.D. and Matt. Thank you so much for the introduction. And this is the first episode, well, the first nominee we're covering in Season 5 of the SNL Hall of Fame. I'm so excited. We're kicking it off with the biggie, Adam Sandler, crowd-favorite Adam Sandler. And to do that, I'm joined, I had to ask her back. So, my friend, wonderful guest from last year, Veronica Villanueva, who was my guest for Lady Gaga in Season 4. So good, Veronica. I had to ask you back. You're my lead-off guest for Season 5. A scooby-doo-dooby. Thank you. Is that your Adam Sandler? Yeah, a scooby-doo-doo. Sabadoo. There we go. Yeah, we got to start off right. Thank you for joining me. You did such, and I would tell you if you sucked. Oh, thank you. I would hope so after all these years that you'd be like, you know what, Veronica? You suck. And that's all right. It's not you. It's me. Yes. It's all you. But you were awesome on the Lady Gaga episode. Thank you. We got good feedback. So I had to ask you back, and you were back for Adam Sandler. Woo-woo. I'm very excited to talk about Adam Sandler. Like, wow, this is a real honor, and thanks for asking me back. I'm very excited. [9:53] He's amazing. I can't wait to see what we discuss. Yes. All of us SNL fans have very fond memories of Adam Sandler. As comedy fans, you and I, we grew up in the 90s. We're children of the 90s. This is right in our wheelhouse, Adam Sandler. Yes. We got to see him in his prime. We got to see it from beginning to 90 to 95. Wow. That was us. We got to see him hatch out of the egg as a little Adam Sandler, and we got to see his career blossom. So that's what 90s kids remember, as they say. So do you know, do you remember having any recollection about how you first became acquainted with Adam Sandler? I do. I really do. I remember seeing Siren Live and seeing Adam Sandler. I don't think he did like a, he was probably very early on. He was in the background. And I said, I've seen this guy before. And because, again, like we talked about last time, I didn't grow up with cable. So I was very much like there was a limited set of TV shows that I've watched. So when I saw Adam Sandler, he was probably in the background of a skit. And I was like, is he on the Cosby show? [11:03] He was, I think that's Smitty from the Cosby show. He's Theo's friend. And I remember being like, I know this guy, you know? And so that was one of my first memories. But then, of course, the thing that really stood out to me was when he would sing on Weekend Update. Like that to me is like signature, like what stands out mostly in me first thinking about Adam Sandler in Saturday Night Live. That's a deep cut. uh adam sandler like a guest role that he had early in his career i love it yes it really i couldn't i remember him just hanging out and he would wear kind of similar clothesthat he wore on saturday night live with like the cap and of course like the little flannel you know and that's why he it was like he just i just remember seeing him be like oh there he isyeah i remember him i don't know you said you didn't have cable but did do you were you aware of a show called remote. [11:57] Control no no it was a game show it was colin quinn was on it too so colin quinn is a sidekick okay and then a guy named uh ken ober was the host and so it was just like thesethree people they were the contestants they would sit in like lounge chairs and answer questions about tv and there were all these things and adam sandler was one of the guys who wouldcome out and like sing a question or perform a question yeah or something like that so that's where i first remembered adam samler was on remote control you have to look up old videosthis is like a goofy late 80s show him doing the hustle yeah you know yeah exactly that's where he made his bones is on the cosby show in remote control yes that's interesting and he hasalready prior to this huge presence that you're like i know you you know yeah yeah huge presence people people warmed He was kind of like the guy next door. He's like a everyman kind of guy. Did you, one of the other things too, and this was out when he was already on SNL. [13:01] I don't know if you listened to any of his comedy albums. Oh, my goodness. That was the first comedy album I ever listened to. And my gosh, there's just so many songs. And I'll be honest, I'm particular, they're all going to laugh at you. Okay. My favorite song to this day, I quote it at least maybe once a month, maybe sooner, is Food Innuendo Guy. Because somebody says, celery stick, I'm going to slip my celery stick up the back of your drink. Like that comes up or you know your cream of mushroom i'm making some enchiladas and i'm like i need a cream of how i mean oh my goodness yes those and i was a kid you know wewere kids back there we were like coming of age and like that was hilarious like that was just raw 11 what were we listening to where were our parents i know right exactly there's somuch stuff that i'm like Like, all right. Yeah, we probably shouldn't have been listening to Adam Sandler's comedy albums, especially They're All Gonna Laugh At You. That came out in like 93. So the one, of course, I like the buffoon, the different sketches that had the buffoon. The most juvenile thing that still makes me laugh to this day is a sketch called The Longest Pee. Oh, yes, yes. That's the dumbest thing probably that makes me laugh to this day. But yes, but you know what? Even just that little pause. [14:26] Keeps going you know and it just gets you every time it gets you every time i i even though i'm a girl a female like i've never had that kind of crazy pee but i've heard a lot of dudestalk about that crazy pee and it's just hilarious where he's like oh my god yeah he's like scared for his health yes yes i like what the hell happened to me too i think that was that was myjam uh sean lynch and i used to listen to oh my gosh blast from the past yes yes all the time joining the cult the goat steve polychronopolis like all these were like burned into people ourage all this stuff's burned yes it is yes we're like the one where he's like you're not high you're smoking like pencil shavings he's like i am so high right yes these weird because like i gaveyou pencil shavings yeah yeah oh must have been this beer that i've drank and i'm so drunk yeah yes and those things for us yeah it was just like it was ingrained in our childhood whichi'm so thankful for every day i know that you know uh there's all these different decades or whatnot but the 90s were pretty freaking awesome especially saturday night live like they had itbooming that was like. [15:41] For me, the A-team All-Stars, through that whole entire time, there was just so many characters that were brought up, created, and we got to see that live in its infancy and thengrowth. Yeah, it was such a good time to be an SNL fan. So Adam Sandler on SNL, he joined the cast officially in the middle of season 16, already a stacked cast. Already Phil Hartman, Dana Carvey, Mike Myers. I don't know if Jan Hooks. I think Jan Hooks is maybe still there at the time. I don't know. I forget if they overlap. They kind of overlap. Yeah. Kevin Nealon. There was just such a good cast that Adam joined in. So I wanted to start off, Veronica, by asking you where we should start off as far as Adam Sandler's SNL career. What sketch, character should we start off with as far as Adam Sandler on SNL? One of my favorite ones is the Pepper Boy one with Dana Carvey. And the whole entire, you know, how he started off as this meek, sweet guy who's under, you know, his wing for Senor Marco. And it was just hilarious. [16:54] On my chocolate mousse? No, thank you. Say when. No. Hey, cut it out. Come on. Say when. No, come on. Say when. No, come on. Say when. Say when. Say when. [17:15] Yeah yeah that was uh that was in his last season that was season 20 which was a weird season this was like one of the standout sketches to me of season 20 like dana carvey cameback to host so uh chris farley made a memorable like minute appearance in that uh there's a funny story with this like what uh with as far as chris farley like i guess he was filming maybetommy boy or black sheep or one of those things he flew out he really didn't have to to do snl that week he was still on the cast and he didn't have much going on on the show so chrisfarley said if i'm going to be in this sketch i'm going to make it memorable so so he put on this like loud affectation in the beard and you could see in this sketch that he caught adamsandler off guard to say adam sandler he had to like turn his head yeah he had to turn his head away so he wouldn't laugh but that's because chris farley was like why thank you pepper likeit was just this over the top you can hear dana carvey being like don't break you know what i mean, and even dana carvey like he said that like all week long that chris farley was just likeoh thank you pepper boy and like they were not expecting. [18:26] At all. Oh, my gosh. Yeah, that was the show, the camaraderie between like Farley and Sandler. But you were but you hit on something as far as like Adam playing shy and timid really well. And I noted that when I watched the sketch again, like this is one of my favorite examples of Adam playing like a very timid character, but doing it so, so well. Like that was kind of an Adam Sandler trademark, Veronica. Oh, 100%. Like when you think of Adam Sandler, I'm talking about from SNL and to Billy Madison and beyond, like he hasthis ongoing thing. And like you're saying, like the boy next door, like he's the underdog. You want to root for him and all his characters really have that kind of common thread. Read and so it's just such a sweet enduring thing that when you see him right away you're like i've been there i felt that way like that's thank you for pointing out that i'm not alone yeaheven even something like obviously with pepper boy he's starting a new job and somebody's teaching him the job we've all been there maybe maybe not to that level or situation but yeahright no nobody's ever made me use a pepper grinder for that but um but uh we could all relate he was like very relatable in that sense like even in a goofy character like that like he waslearning this job he wanted to do so well he didn't quite have the tools to do it and it just played out so. [19:56] Hilariously like the way he was able to play with everybody in that sketch like janine garofalo oh meadows like yeah they were all in that sketch yeah and like i like how at the endlike again end going the whole underdog thing is that at the end they got electric pepper grinders and so they went and opened up their own pepper store and i think carlo adam sandler'scharacter ended up getting pepper lung it's like that is hilarious you know but they kept going you know so yeah but the shy and timid thing like the hurley boy oh let's talk about thehurley boys yes yes Yeah, Adam was just so good again in that, like, oh, like, just kind of like the very timid, relatable guy. Hello. Let me feed your dog. Please, if you go away on vacation, let me feed your dog. Your dog needs food. I could give him that food. Please, let me feed your dog. [21:02] Vaughn, let the boy feed your dog! [21:06] Playing opposite Chris Farley's bombastic nature. You know, Tim Hurley was his roommate at NYU. [21:14] And so it's kind of loosely based off, I'm sure, a character that they produced or created. But the great thing was that he's like, just, yeah, just let me walk your dog. Let me just, you know, just really nicely. and yeah and there's chris farley like like making those dad sounds you know like just let the boy walk your dog please let me live with you and ijust but the biggest the funniest one is like you know here is adam sandler saying like let me shave grandma's beard and then you know mr o'malley chris farley's like did you think aboutwaxing it takes you know stubble comes back it's pretty thick if you wax it'll be three to four months before you have to hit it it's just i loved it and you know and it was just hilarious thatwhole entire it makes you feel awkward and weird but it's hilarious yeah exactly adam was just so good at that and with his counterpart again chris farley like adam knew exactly how toplay it with somebody so so larger than life on screen like Like Chris Farley, you could tell Adam knew exactly what he needed to do in that sketch. That was so great. There was another one real quick showing off his kind of timid nature. And it was Canteen Boy. Tell me, Canteen Boy. [22:40] What was the craziest thing you did all last week? Uh, well, uh, uh, last Wednesday, uh, you know, the city's redoing the sidewalks over on River Road. Well, I leaned over the guardrails and I wrote in the wet cement, Cheryl Teague has big boobs. Wow. [22:58] Wow. Canteen boy. You're, you're just a regular psychopath. Oh, yes. So very, very timid, very shy character. Um, but again, playing right into like a lot of, a lot of what we found endearing and relatable about adam yes i loved it that you know with the different canteen boy sketches like there'ssome where you know like the one with jeff goldblum it's like he's there they did he's and one with uh john goodman like he's the butt of the joke right because you know he's this canteenboy and the thing that i always have to put myself into perspective is that a lot of times adam sandler although he was an adult he is playing a teenager you know he's playing a young kidand there's other characters that you know he he does this so you have to put yourself there so with canteen boy you know he was just the butt of the jokes and everything like that but ilove the fact that he like had his you know his little bird sound that would come on and the snakes would come and everything like that but of course uh i'll be honest with you like the skitwith alec baldwin i. [24:04] That is one of the most memorable most uncomfortable amazing skits that i can think of when you think think of Canteen Boy, Opera Man, but that one with Alec Baldwin washilarious. How do you do with cringe humor like that? Like uncomfortable, cringe, kind of borderline. SNL had to explain it away. I think in reruns, I think they had to put a disclaimer that, oh, Canteen Boy is such and such age, so this is less cinepro or whatever. But how do you do with sketches that toe the line like that, Veronica? I agree. I agree. And that's the The thing is that, like, if these skits came out now, like, and I'm sure we'll touch on the Denise show. Like, if these skits came out now, I don't know what they would fly, you know. But, again, here's where, this is where I see it is. This was pre-internet. It was just a different time. And that's what Saturday Night Live is about, right? Like, just pushing the envelope and just, yeah, but now... [25:03] It was cringy. Yeah, it was cringy, but I think the premise was comedically solid, honestly. Yes. If you just kind of look at it, it was a comedically solid premise. But you're right. When we talk about SNL from the 70s, 80s, 90s, even early to mid-2000s, it's almost with the understanding that some stuff might not age well. Right. But in some ways, I like that they took the chances still. And I do think it was a solid premise. But you're right. That was the most memorable canteen boy by far it was it really was and it was just like and again us being kiddos like i just i it was just hilarious and just i think for also on the other sidewith alec baldwin that was like one of the ones that i remember him from the most memorable ones because he'd been on so many times but that's when i first started to be like who is alecbaldwin because i never saw any of his movies at that point and so he became i was like oh there There he is again. He became one of my favorites. So that was a very memorable skit for sure. And you probably never saw anybody with chest hair like that on television. No. When he was all put on the low. Yeah. Like a carpet. Formative experience. Yeah. I was like, that was like Robin Williams level. He's up there. I had no idea. Yeah. We were like, oh. [26:23] Yeah. So like that group. So I think Adam played the boy next door, meek, timid, shy, whatever you want to call it, like Pepper Boy, the Hurley boy, Canteen Boy. I didn't snap that all of them ended in boy. That makes sense because he inhabited like children almost or adolescents in these characters, a lot of his comedy. Yes, yes, it's true. And like, that's the thing is, I know Brandon Frazier recently like interviewed him and it was one of those things where he likes playing that role because it shows that allhis characters, even again in his movies. [27:06] They may be the underdog but somehow they still prevail they never give up so and you'll see that in the skits you know like um again kind of going out to the denise show yes stillhaving hope let's talk about that just maybe because that's one of my favorites yes shandorty amazing love it like it was such a sweet thing because okay let me just say this i rememberbeing in high school having crushes and you start to imagine you calling them and again this was pre-internet like i talked about you know yeah talking to them imagining you know howhe imagined like right now i'm pretending that denise's boyfriend's getting rough with her and i and i have to calm him come you know put him in his place and i just it was like the brainof an adolescent lesson. Now's the point in the show where I call Denise and hang up. So what's funny is that one of the, Adam plays this so perfectly because he announces the joke. Like this is one of the few times where he says, here's going to, here's what's going to happen. I'm already telling you the joke on screen, but the way Adam executes it, it still makes me laugh. Yes. Like I'm going to dial six of the seven numbers and hang up. Yeah. And you're exactly right. He announces it and And we're all like, right, like that's the process of what people do, right? [28:35] Yeah, exactly. And now we're at the point where my dad calls me and like basically like yells at me. Hello, Brian, this is your father. What? What the hell? I can't help it. She was having things with me. She was so strong. I don't want to be here. You don't get it, man. She's different to butter. This is my life. You don't own me. I love phil hartman's like he's like you're embarrassing the family that was just yeah so that's the thing like with adam it's like he'll yeah he can he can announce the joke that's about tohappen but his delivery and timing and just him on screen still makes the execution perfect yeah denise show and one thing about it too it shows like this thing that he always did so wellwho was like this confident delusional character with some simmering rage about to boil. [29:38] Over so he was played meek really well but he also played characters that like had this rage about them yes where he you could hear it he always had that little smirk on his faceand you could hear hit the rage and he just toe in the line that he's not gonna snap but it's there but it's there and he might it's it's just right there on the surface so that was like i could ithink i can relate it It's like maybe Will Ferrell or somebody like that who plays like Simmering Rage just so well. Yeah. And he did that for so many characters where he was just like, shut up, you know, like that's and that's just part of it, you know, and kind of moving forward to like, you know, himbeing on SNL in 2019. You know one of my favorite ones there was the adam sandler family reunion or the sandler family reunion and all those characters because he just has this range of characters that we allknow we all know but when they come out like. [30:41] It's just original, and it's amazing, and it just gets you every time, you know? Yeah. Yeah, he's, like, abrasive, but has, like, this pathetic quality that's somehow endearing, and we still root for him. So that's the trick right there. Yeah. Is to be abrasive and to be kind of out there and yell, basically. But we still do root for him. And I guess we all know people like that. We excuse it, like, oh, that's just Adam being Adam. Yeah. You still got to love him, but that's just Adam being Adam. Sometimes he flies off the handle for like half a second. Yes, and it's fine. It's fine. Yeah, that Denise show was like such a perfect example of all this. It's one of the ones that I most remember Adam for. So I'm glad you brought that up. It is hilarious. And I love, yeah, how he's just and how he would bring on like Chris Farley and be like, so have you heard anything about Denise yet? No. [31:37] Okay, bye. or he had like i think david's face like he just broke up with a girlfriend and like real court you know short little like interviews and it was just but then finally you knowwhen nicole kidman came on and that's when he was like as soon as she kissed him he was like the denise show is fine it's done and i was like oh okay good for you good for you exactlywe were happy for him that that he moved on from denise and he he found this new love interest that's the part like we still root for this guy yes even though he could be a bit abrasive andstuff that's such a yes such a great quality yes what else um with adam stuck out to you on snl i think you know you cannot put, snl and adam sandler without the singing the guitar theweekend updates like this man And he loved to sing, and his songs were just... [32:38] Wow. Let's dive deep into that, Tom. Let's talk about Adam Sandler's musical performances. Those are one of a kind. Yeah. So memorable. So we should note that this took place on Weekend Update mostly. There's maybe one or two exceptions, but mostly this took place on Weekend Update. So I wanted to ask you before we get specific, as an SNL viewer, where does Weekend Update and And specifically these update pieces that cast members come on and do, like, wheredoes it all fit into your enjoyment of SNL? [33:13] Wow. For me, I know some, I'll be honest, first growing up, I didn't understand the Weekend Update and I used to be like, oh, you know, this was after like the singer, you know,after the, you know, after the musical performance and whatnot. [33:26] But as I got a little bit older and then I started to see these side characters, because My first memory of Weekend Update was with Dennis Miller and his comedy as a young girl. It was just it was different for me, you know, but Kevin Nealon, like he and himself, like just very awkward and funny. And I don't know, but I used to love seeing Weekend Update with Kevin Nealon. And then I knew when I would see Adam Sandler singing, like for me, I waited for it every week. Like if we got it, I was so happy, you know, and I was excited to hear it. And then, of course, like we were talking about the comedy albums and whatnot, like we started to see those songs coming up on there as well. So for me, it was a point of not only like these side skits, but it was it was really a way for me to learn about what was going on in the world and what was in news and what was what wasfunny about that, you know? Yeah, I think as an SNL viewer, a lot of times that's the case where we, as we get older, Weekend Update becomes more of a central part of the show, I think. So what you're describing, like when I was a kid, I kind of liked Dennis Miller. I more so liked when like Al Franken would come on Weekend Update or somebody like that rather than Dennis Miller himself. But you're right, Kevin Nealon added that more goofyquality. [34:52] And that's where Adam shined was when he would come on with Kevin Nealon. So like what song first sticks out to you in particular that Adam did on Weekend Update? I think, of course, the Turkey song, right? [35:20] I can't believe the meds traded that for strawberry. Turkey for you and a turkey for me. Can't believe Tyson gave the girl BD. When I heard this, I thought it was so clever and so hilarious. And the song kept getting better, you know, and like it goes with all his little sounds and his whatnot. And he was just so sweet about it. And the turkey song for me is like a Thanksgiving staple now, right? Right. Like it just you need to hear that everything's giving. But I like that he always gives it up to Kevin Nealon, though. He's like, come on, Kevin. And and he always is. He obliges, you know, but the turkey song is amazing. [36:07] Oh, my. There's just that's like a nursery rhyme. Like that's like a that's like a child song. Yes. Really? If you break it down. Yeah. But it's so good. Like even as an adult. Yes, like for me. This is earworm. It is. And my favorite lyric is, I love to eat turkey out of a big brown shoe. Like, it's like, what? It's so dumb. You know, and I'm listening to this in a mad, you know, you picture it in your brain, you know? Exactly. Yeah, that's the childlike quality again. Yes. And of course, we knew he had this other side because you mentioned the comedy album. So he had this R-rated abrasive side, but then he could get on Weekend Update and dothese wonderful songs, these earworms, something like the turkey song. I can imagine it was like a nursery rhyme in some ways. I loved Red Hooded Sweatshirt. Sweatshirt! [37:35] Today, I was like, should I wear a red hooded sweatshirt? Yeah, I almost did. You should have. My UNM Lobos red hooded sweatshirt, I almost did. Yeah, right. Exactly. Because just in meant for Valentine's Day, you know, and I like it how he's like, I challenge you to a game of one on one. He's like, I threw you in the corner. [37:59] And this is the thing that got me with red hood sweatshirt. Like it was such a sweet, like simple song about a hoodie. And I'll be honest again, who hasn't worn that sweatshirt or hoodie for like a full year at school? Like when you're going through the change of puberty where you're like, this is my safety shirt or hoodie. But then at the end, you realize that Paul McCartney has been in the audience the whole time. [38:25] He's all dip, dip, dip. And there's Linda McCartney in there like, what? What he's been performing this thing in front of paul mccartney and and and for that and then so is kevin neely be like dip dip you know doing their thing and so i'm a ding dong exactlyexactly and um and that just made that song that much more awesome because no holds back he just did him yeah such a memorable uh part with paul and linda and so i brought up likeso adam knew how to play opposite chris farley's like manic energy really well but he also did a good job in these songs especially red hooded sweatshirt of playing opposite kevin nillen'slike more subdued so he tried to get kevin nillen involved in the song and kevin was just like pretending to write notes like a serious newsman and then he would get kevin and then kevinwould uh raise his head and go shamalama ding dong and then he would go back to his notes so adam knew how to like play opposite That more subtle, dry energy that Kevin Nillenbrought. Like, that's a mark of, like, a really versatile performer who knows how to mind the comedy in something. [39:32] It's true. Like, you have to know that those two talk to each other and say, Kevin, you keep doing you. [39:39] And I'm just going to invoke that out of you, okay? And it works. Every single time it works. I don't know if you saw the one where he, the second part of Thanksgiving, where he is being Bruce Springsteen. He's like singing his song as bruce springsteen and then kevin nealon starts playing the saxophone at the end like it's just these are things that you don't expect but when. [40:42] You see it you're like uh okay yeah that makes sense now adam played such a good bruce springsteen like that was he looked like bruce springsteen that when courtney cox hostedadam came out and did like the dark dancing in the dark dance with with courtney that was so good that was one of the the impressions that i that somehow sticks in my mind like adam'sbruce springsteen you just 100 with the bandana and the pocket and everything like ito though it was amazing you know yeah like oh my and yeah like there's just certain little jewels littlegems that you've you know adam sandler can just throw out there that it just it's comedy gold like you just cannot not crack crack up about it and and talk about the next day it's a watercooler moment if we still have that in today's day. [41:33] Yeah yeah yeah exactly and also on update he did opera man like 10 times as well and re-watching some opera man it was like a little more clever than i remembered and i thinksomebody would assume it's like a fun way to comment on the news. [42:27] I think there was a little more to Opera Man than I even gave it credit for. 100%. Like, when you go back and look at this, these were real current events happening at that time. Yeah. And he was saying it like it is. [42:42] And, but just, you know, doing his, you know, with his, his handkerchief and whatnot. And he just, he put in such a sweet, savvy way that it was classic and it was hilarious. Hilarious and so innovative you know because at that time it was like broadway family opera you know all this stuff and he he played on that and i just it was just unique and innovativeand but again he was able to even bring and i was so thankful when he brought it back in 2019 it was hilarious you know he that that obviously was one of his favorite characters. [43:23] Given that he brought it back yeah that was a samler favorite a favorite of the audience for sure uh and and again this is like a fun way for him to say like mean a lot of mean thingstoo about celebrities but in this character so it didn't come across as mean even a lot of times even though they had like the the funny subtitles uh on the bottom of the a lot of times youdidn't even really know exactly what he was saying at first so he could say some mean stuff and toe the line of like the NBC censors getting on his case but as this kind of goofy characteropera man and he took you through different things like sad and happy and whatnot but I liked him again in the more recent one where he was talking about ugly man oh and with SethRogen being in a movie with Charlize Theron and then he was like talking about like how this goofy guy get gets to kiss all all the, you know, the hot girls. And he was all, who elsewould do that? You know, and it was, and he showed him with all. That was hilarious. [44:25] Pretty lady, goofy man. Opera man, no, understand. Silly face, but still he's for her. Where have I seen this before? Come on. Let's go, man. And the thing is with opera man is like, Like when you saw him, you knew you were in for a treat and he was going to say it how it is. And it was going to be hilarious. You know what I'm thinking about now that we're talking about, you know, obviously we had Opera Man. But how about all the innovative Halloween costume? Or use something from around the house. A teabag's great. [45:08] I'm crazy teabag mouth. And I do believe I want some candy. Look at my mouth. There's a damn teabag growing out of it. I don't know about you, but to me, that's crazy. So I'm about to give me some candy, or at least a glass of hot water to dip into. Such a silly, basic premise that Adam, just on sheer will, made work. And simple, right? Like, just simple. Like, who, that whole entire, like, don't think too hard. You know, like, let's just be funny, right? Like, that was just, it was the most simplistic kind of comedy that there is. And it works. It works. My favorite one, and tell me what's yours. My favorite one is, I'm crazy pickle mustache man. I'm crazy. now give me some candy do you have a favorite oh gosh the pickle mustache was great um i'm like blanking right now on all the halloween costume ideas was it like uh he hadsomething for eyes yes he had like for the protractor he's like yes hey crazy protractor eyes i can my vision may be impaired but give me some candy or like when he had the plant handand he was like Like, this is insane, you know, or newspaper unicorn. [46:30] This is the thing. It was the newspaper unicorn that I was thinking of. Thank you. Yes, you're welcome. Thank you so much. That was actually the one that was like aching to come out of my brain. Yeah. Now give me some candy. Now give me. And he was always all, I'm insane. Now give me some candy. Or he like, he had a shoe on his hand, you know, and he's all, how crazy is that? I have a shoe. Yeah, exactly. Exactly. And you know what? In like prepping for this, I'll be honest with you. I'm like, why do we not have a Halloween party of all of those suggestions? Crazy Spoonhead, man. Wouldn't that be amazing? I would either do the pickle mustache or the pickle arm and then he ate the pickle and he's like, I ate my own hand. Like, I remember that stuff being incredibly just like, wow, for the kiddo that doesn't have money and like who, you know. [47:23] Yes. You know, it was just so sweet and just, you know, just so simplistic. And I thought it was absolutely hilarious. And like, who would have thought of doing that? Because, yeah. It's just force of personality. That just shows how much people loved Adam on the show and how much goodwill he had to where he would come out and try something like that and try something so honestly simpleand kind of dumb. But it's Adam, so we're along for the ride. We buy into it. And to be honest, that's where he built his fan base, right? Yeah. Like we went through all of that with him and it moved on to his, you know, career outside of SNL. And I think that's just, you know, he was able to just be like one of us. And it was just, it was just hilarious, you know, and there's just so many moments of Adam Sandler. Like, I think a lot of people, I don't know, maybe again, I'm biased because I grew up with him. But when I think of Adam Sandler, I think first, boop, SNL, right? Right. Yeah. People our age. [48:33] That's where we go first, I think. And I think that going back to, you know, all of his characters, how many of our characters did he have on SNL that then bled into now outside oftheir Cajun man? Cajun man, only one more month till America votes for its president. Election. [48:54] What do you think about the candidate? No Harry Truman. Well, Cajun Man, do you think you could do better than these guys? Really? Well, what would be your game plan? [49:09] Interesting. Wow, Cajun Man, imagine if you were president. You'd get to live in the White House. Not a bad place, huh? I would only imagine, you know, for Waterboy, you know, like, that was a thread there. And that was hilarious also. I think the Denise show and Happy Gilmore were kind of close. I know Adam was playing maybe a little heightened version of himself, but he had similar traits in the Denise show as he showed in Happy Gilmore. Yes, you're right. Like with the penguin. I want to kiss you all over and over again. Yeah, exactly. Yes. or like and here's the thing is with the whole entire transition from when he first came on until he left and the cast you know he had. [50:04] His friends, he had the group of friends, you know, and, um, I really feel like we've, he's taking care of them. This man has recently, you know, got awarded the Mark Twain award for American humor. Homer and he has always taken care of his group of friends and we saw them at during snl and they all supported each other and there were so many skits that for instance like lunch ladylike wow that was memorable in itself though that's one that i cannot tell you the first time i saw chris farley come out there with the yellow gloves and the and adam sandler again likeLike we were talking about earlier with this bombastic. Like I have no idea. Like Jimmy Fallon's pretty bad at keeping it together, right? Like he always would break character and laugh. [50:58] Adam Sandler, you could tell he would just shake his head just a little bit when he was like, uh-uh. But he had to see that next to him. I love Lunch Lady. I love Lunch Lady. [51:39] I love that you know because you know chris like when he sang in adam's face or did certain things like just to probably get adam to break on purpose yeah yes yeah yeah i was soexcited veronica because lunch lady land was from one of his comedy albums so when we actually saw it performed on snl with like the people in costumes there was a young sarahsilverman in the background in a costume in that Kevin Nealon came out as a sloppy. [52:06] Joe and like Norm Macdonald was in this yeah sloppy joe yes and and that's so funny I sometimes at work out of nowhere I'll be honest with you because we're homies we've beenbest friends since we were five years old sometimes I'll be typing notes and I'll be like Hokies and grinders Hokies and grinders navy beans navy beans meatball sandwich and everybodyelse is all i think she's i think we're lose being is i you know these things again like you were saying they're engraved in our minds and it's amazing yeah when when my wife makes sloppyjoes and i look at her and i go sloppy joe sloppy sloppy joe and she looks me like what the hell are you talking about you're like don't worry i get it don't you're fine i marry yes yes yeahand that's the thing so yeah it was wonderful and and that's the thing is that like with adam sandler and his career like i really feel that like coming back to snl like it was just it was greatbecause he was fired you know that monologue that he had you know and he was he was fired chris farley was fired and he brought on chris rock and you know and obviously we'll nevernever know why and what and what happened. [53:28] But he put a stamp on SNL and it was something that, I mean, you think about Sarah Live and Adam Sandler, and you're like, yeah, those two go together. How can you have SNLwithout Adam Sandler? Yeah, but before we start wrapping it up, I wanted to ask you, what do you think of ad parodies on SNL, especially from around that time? Like which ones? [53:54] Like Schmitz Gay. Oh, okay. Oh, my. That that was one of my favorite ones of all time because you didn't see that coming do you know what i mean no right you know they're just these two dudes they're hanging out andwhatever it was hilarious this is the great house sitting deal that you found this place is a dump just wait till you see the pool no water and how he again he and farley were just hilarioustogether so sincere about it enjoying it being in the moment and um it just was hilarious and it was precious too if that makes sense yeah yeah it was so innocent and no because they weregenuinely enjoying themselves and it was so fun to see when it was a parody on like a beer commercial from around that time that had women scantily clad and yeah it was very sexy sothey said you know let's flip this on its head have these two dudes get excited when these like muscly guys come out of the pool you two look like you need to get wet, thank you. [55:12] We see them like partying with these guys yeah and how they had the camera and they were like doing it and they were like you know exactly they were doing the exact opposite ofduring that time again these whole masculine like beer commercials they did the same exact thing yeah but it was schmitz gay yeah exactly so schmitz gay was ahead of its time ohbeyond okay exactly because the whole entire budweiser whatever he's like okay ahead of its time 100 but i did want to go party with them yeah yeah that looks like fun yeah is thereanything from adam sandler's snl career sketches or characters that we may have missed that you wanted to make sure that we hit before Before we head on out? Il Cantore is one of the most funniest skits I can think of. Because here's the thing is that Christy Alley, she totally just let this happen. You know? It was bellissima and this and that. It was just hilarious how they overly exerted. And again, it might be a little bit cliche at this. Or I don't even know if cliche is the right word. But, you know, today it may not flow. Yeah. But this overly like. [56:29] Italian celebration of how they feel about women, you know, and it's just like, and again, there's Kevin Nealon being strict and, you know, just himself, but that skit was hilarious. I just thought it was just so sweet and beautiful. And there was just how all the men were just in it. She felt that that was a skit that nobody else would do. Yeah. Yeah. She was game. And I think sometimes that's overused, I think, for hosts is that like they're game for sketches but this is an example of hosts just being game for it and justsaying i'm i'm hosting the show i'm gonna throw myself into it you can do whatever to me you can lick my face you can hunt me or like you know and if you look at her she does notbreak character one bit dana carvey is licking her face and this and that and she does not break it all and I just find it so hilarious how you know here comes a young Adam Sandler out hisspeedo again coming out and just you know uh oh and when he looked down her shirt and he was all bellissima you know it's just again it toes that line but it's hilarious and it was just andthen they had the hotel yeah they brought it back they brought it back yeah they didn't end it there yeah the The next season, so they did La Cantoria the next season because it went overso well with the crowd. [57:57] Kirstie Alley loved doing it. Obviously, everybody had so much fun, so they decided to bring it back. And we saw Adam Sandler be goofy again with all his pals and just being his typical endearing self, Veronica. [58:11] Yeah, yeah. And that was the amazing thing is somehow –. [58:18] Even if it's, I don't know, he just brings you in and you enjoy your time, you know, and you laugh and it's stupid. [58:28] And that in itself, like stupid slapstick comedy, I'll take it any day. So Veronica, Adam Sandler came back to host SNL back in 2019. For my money, one of the better episodes that's hosted by an SNL alum. Like, what did you think of Adam Sandler's hosting gig a few years ago? Wow it was just it was amazing like it was so nice to see him come back and i know we'll talk about the legacy is that he was able to show off his legacy right and there were so manygood skits not new and could you imagine being fired from snl right yeah going off to do this amazing career career, movies, X, Y, and Z, I can only imagine being a cast of SNL, you'realways probably writing skits. Yeah. Or thinking of ideas. You're like, at least in your mind, you're probably always thinking of premises for sketches. Yeah. Yeah. Like, oh my gosh, this would have been an amazing skit on SNL, right? So it was so heartwarming to see him come back. And so we saw a little bit of new, and we saw some rehashing. And so, well, one thing that he did was he sang the Chris Farley song. [59:51] And if that didn't get you in the feels, I don't know what would. [1:00:36] I teared up when he performed that. I think that's one of the few times that I've teared up watching SNL. Right. Yes. Obviously, we grew up on SNL. We grew up on Farley. And we all went through that, right? We only heard about what happened to Chris Farley. But after that, nobody really talked about it. Of course, we have to respect the family and everything like that. That all of us had to mourn that in a different way over the years. So finally, when Adam Sandler sang the Chris Farley song, Tom, that was a way for us to really memorialize Chris Farley. Yeah. And he said it in such a poetic, beautiful, compassionate, and candid way that I was moved by it. And it was like this is what i needed to hear and obviously i don't know chris farley you know we're just fans right but it all the more hurt knowing that it came from one of his bestfriends. [1:01:44] Yeah that's the human side of adam sandler to the the relatable endearing side that we got to see him express like that true emotion and true passionately mourning one of his bestfriends And in a proper song, a great song with the slideshow and everything. And it's a song that he'd been performing on his comedy tour and different live performances that he'd been doing. Leading up. I knew about it, but seeing him perform it on SNL had a different meaning than him performing it like in Radio City or somewhere else. You know, is in front of the world. Yeah. And talking about his dad, talking about everything. Thing and his inspirations and everything like that like i was really surprised that he would allow the world to see that vulnerability and it was it was beautiful even to this day i watch it iget all lumpy you know get you in the good so how could you not absolutely so do i i mean that that was just like an amazing part of just an all around really good episode. [1:02:53] I think I'm so happy. Like that was when people who would be, who we'd been clamoring for to come back, like Eddie Murphy had come back. And then we see Adam Sandler come back and do a great episode. It was just so neat to see Adam Sandler come back in his element and, uh, turn in a really, really good episode of SNL. And the Chris Farley song was like the topper of it all to me. For me also because i was taken back by that but overall for me that i felt like that was like. [1:03:26] If Adam Sandler never hosts SNL again, that's fine. For me, that was his legacy. He put the cherry on top. He reminded all of his fans, here I am. And hey, if you don't know me, I'm Adam Sandler. And that in itself is, he's a Sandman. And a lot of times we see cast members who we love in the show, after their careers, they don't go on to like a ton of success. And we wonder, you know, what happened with Adam. It's the opposite. He's probably one of the most successful former cast members in SNL history. So where do you stand, Veronica, on Sandler's movies? I know they could be hit and miss for some people, including myself. There's a lot of misses there. There's also a lot of hits. Where do you stand as far as Sandler's movies go? Let me just tell you something. I know before we started, we were talking about the holiday season. Happy New Year, everybody. Watched eight crazy nights for the first time. I've heard good things. I've never seen that. Oh, you need to see it. It is hilarious. I loved it. It was amazing. And that in itself, like, for me, Adam Sandler's career, SNL and after SNL, it's a hit. This man stays true to himself. [1:04:47] And sure. sure and and that's the thing is that these crit and i love this about adam sandler is that if he listened to his critics he would have been done long ago yeah you're rightyou know but we all know him and we know what he represents i guess and what his message is and that's to laugh and when i watch an adam sandler movie i know i'm gonna laugh andwhen i watch adam sandler. [1:05:17] Dramatic movies wow you know i mean i cut jobs uncut jobs you know there's that i'm just kidding i'm sorry i had to do it that went on in my household for quite some time afterwe heard that but but point being is that um this man is just hilarious you know and and he brings a certain um, comedy that if you get it you get it and it's it's everything it's it's agenerational thing bro yeah you know it really is like again we're children of the 90s and he owned well he and jim carrey in my opinion owned like the latter half of the 90s so you hadlike that run from like billy madison happy gilmore the wedding singer the water boy even big daddy include like I still like that movie. Oh, Big Daddy's amazing. God bless Big Daddy. Yes. And this is me being like, hmm, that little boy. I love Steve Buscemi, right? Again, one of Adam Sandler. And that's what I love about Adam Sandler movies. You'll always see his homies in these movies in one form or another. They will always be there. [1:06:34] And and it's it's one of those things that he never lets us down do you know what I mean I can't think of a movie that I've been like you know maybe Little Nikki I'm not gonna liemaybe Little Nikki is that controversial I have to go I'm sorry oh no I'll talk to you later what do you mean Little Nikki watch it again bro it's a good movie maybe I'll watch it again, I wasin a bad mood when I saw it okay no like that movie you have to and that's again you have to take it for what it's worth like it was so sweet like little again little nicky was um very muchan underdog right he was a son of satan and he just couldn't cut it right true he tried to do his best and he couldn't cut it and his brothers were mean to him okay without me going down awormhole re-watch it, See how amazing that is. [1:07:35] You're so good at pitching movies. I want to watch it again. I'm so sorry. After we're done here, you're going to watch it. End of story. And I'll find out if we do it again. I'll tell my family that that's what I'm doing tonight. Thank you. Yes. It's just hilarious of how his execution and just, you know, I've met so many people, especially being out here in SoCal, that they love their horror movies and their Jasons and they'refreddy whatever's like watch it again in the eyes of just somebody who loves darkness you know it's hilarious i'll do that i definitely do that one thing i will say about sandler is he'suniversally mentioned as one of the nicest people in hollywood like one of the nicest and if you read like those clickbait articles or watch youtube videos and people People get asked, like,who's the meanest celebrity? Who's the nicest? Reddit threads. Everybody universally says that Sandler's like the nicest guy. [1:08:34] And just from like, it's not a personal story, but it's like a hand-me-down story. When I was out here practicing after I graduated from vet school, he was filming out in Rancho Cucamonga, like area of SoCal. And some of the vet technicians, they saw him at a barbecue place out there. And they said that he was so nice and he took time to take pictures with them and everything like that. And I agree with you. Like that's what everybody says is that the person that you see is the person that you get and he's so thankful and just takes time to be with his fans. Again, going back to his recent award for the Mark Twain. [1:09:21] Is that he thanked the fans, you know, because, and that's so nice because he has a huge fan base that has been with him and support him and love him, which is amazing. Yeah, yeah. That's a big reason why I'm so happy for his success. He founded his production company, Happy Madison, releases something almost every year. Right. They're all successful. Yeah. He has all these movies with Netflix, a big deal with them. So if there's anybody in Hollywood would who i'm like super happy for their success it's adam sandler just because he's like the nicest guy from everything that we know can i makeanother movie plug please have you seen you're so not invited to my bat mitzvah not yet that's on the list i'm busy guy i was prepping for this episode and so that's why i didn't watch it i'mjust letting you guys know all of you aside aside from Tom, is that he has his two daughters in there, Sadie and Sunny. [1:10:29] And, of course, his wife. It is amazing. He keeps going, right? He's the Energizer Bunny. He just does his thing, and he has so many projects and ideas. He goes from Hotel Transylvania, which the kids, they watch all the time, to Punch Drunk Love, to this, to that. This man, he He graduated from NYU, bro. He's an actor and a comedian. And it's just, yeah. I love how he'll flex his acting chops. People act surprised when Punch Drunk Love came out. Oh, yeah, Sandler was so good. And then Funny People, which was a dramatic. It was funny, but it was also pretty heavy in a lot of parts and dramatic. And Sandler was great in that. Uncut Gems. He was really good. Hustle. I'm a big basketball fan. I saw Hustle. I don't know if you saw Hustle. It was amazing Of course, Adam Sandler and basketball Right? By the way, I want to play a pickup basketball game With Adam Sandler, You should, but make sure you wear the right clothes. You know what I mean? Baggy, baggy shorts. Yeah, you know, because I know that, you know, go out to New York. I'm sure you'll be able to pick it up. But yes, wouldn't that be amazing? Because he's starting good, bro. I saw some videos recently. He's got some moves. He's a good passer. He has a good layup package. He has, I like Sandler's game. Mm-hmm. Yeah, it's legit. [1:11:55] I like that we're talking about his b-ball game. Absolutely, he would appreciate this. I think he should. Good, because it's underrated and it's not talked about enough. Not nearly enough, which I think is terrible. Exactly. As a fellow, you know, obviously I didn't play basketball, but I know you did or do, is, you know, let's bring it to light. Absolutely. So before we get out of here and on this note, I wanted to ask you, Veronica, what do you think Adam Sandler's ultimate legacy is when it comes to his time on SNL? Wow. That's a big question because we've had so many greats on SNL, right? But I think for Adam Sandler is that he came in as himself. [1:12:41] And this man was unapologetic. Even again, thinking about his characters, everything like that, is that he was himself, bare bones, you know, hardened his sleeve. And not everybody feels that comfortable to do that, that vulnerability. He built a a fan base because of how hilarious he is and then in the future you know he was able to make something for himself and his happy madison universe for the rest of us and thenice thing is about adam sandler is like we were talking about earlier is that he didn't listen to everybody's he followed his dream he was so strong with his family in particularly his fatherand um. [1:13:33] His dad meant a lot to him and i think you know me losing my dad i know that it meant a lot to him that he wanted to continue that legacy not only for his dad but for his familyand he's a good person and when you think of starry live and adam sandler you just think of pure comedy pure or hilarious laughter. And so for Adam Sandler, I would say his legacy is just making the world a better place, a funnier place. Track 2: [1:14:21] All right. Thank you so much, Veronica Villanueva. It's great to have you back in the hall. And Thomas, of course, we couldn't do any of this without you, our chief librarian. So there's that. You know, I think that when I think of Sandler, I like to think of the world being a funnier place with him in it and a better place. And I think that's a great message. The Very humble, very hungry when the time comes for him to hit the stage. He delivers the goods. I think of his effort hosting the show just a couple of years ago. That Chris Farley song was great. And speaking of songs, he's known for that. So why don't we go to one of his more famous songs right now from Weekend Update. This is the Hanukkah song. [1:18:36] That's fantastic really great and did you hear that applause break when they announced him off the top when norm announced him off the top hall of famer norm mcdonaldannounced him off the top oh my gosh that was tremendous and the outro as well just just uh really hitting the mark i i I wonder, you know, thought experiment. I wonder where Sandler would rate in terms of SNLers. Had he been on in a more prominent era? You know, he came on at the end of the second golden era. [1:19:14] And, you know, it was tough sledding for a few years there. You know, the late 90s, the mid to late 90s. It was tough. tough. And, you know, he was one of the preeminent stars of the show at that point. So I, you know, I wonder if he gets dragged down in the muck because of that. I don't know. [1:19:37] Here's your chance to rectify that, though. Cast your vote when the time comes. And we will, of course, tabulate those votes. And if Mr. Sandler achieves over 66.6% of the vote, he will be inducted into the Hall of fame to join many of his peers so there's that that's what i've got for you this week hope youenjoyed yourself stay cool and do me a favor on the way out as you're walking past the weekend update exhibit there's a light switch on the wall turn it off because the snl hall of fame isnow closed. 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| Season 5 Draft | 15 Jan 2024 | 00:59:14 | |
jD and the gang are back it! This week Thomas, Matt and our special guest Kirstin Rajala pick our nominees we'll be discussing this upcoming season. Transcript: [0:42] All right. Thank you so much, Doug Donat. It is great to be here with you all as we kick off season five inside the SNL Hall of Fame. How are you doing? My name is JD and I am joined every week by my friends Thomas and Matt. Matt handles the trivia corner. Thomas handles the conversations conversations, and me, well, I just blather. I just blather at the top and bottom of every episode. So you're stuck with me. The SNL Hall of Fame is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer, and we add them to the ballot foryour consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for for perpetuity inside the hall. That's right, it's an easy game. That's what we play here each and every week. [1:38] We kick things off every season with a draft, and we're going to do that again this season. The draft will be handled this year by Thomas, Matt, and our special guest, Kirsten Rajala. So buckle up and get ready, because this is going to be great. They are going to go through and choose who will be nominated in season five. And then you will listen to those episodes and then you will vote on who gets in the hall of fame, just like we did in season four, three, two, one, et cetera. Well, there's no et cetera because one is where we started. So there's that. Let's go right now to Thomas and have him kick this thing off. I'll talk to you at the back end. Track 3: [2:54] Alright, welcome to the SNL Hall of Fame podcast. We are in Season 5, officially the first episode of Season 5. We're so excited because we're going to let everybody in on essentially how the sausage is made here at the SNL Hall of Fame in terms of choosing the nominees and choosing the lineup. So this is a wonderful episode. We did a Season 4 draft that worked really well. Well, it was myself, Matt Ardill, John Schneider. This time around, we invited another guest, a five-timer, possibly a six-timer. I really lost track of how many times Kirsten's joined us. Kirsten, do you know? Have you kept track? I know this is super important to you. This has got to be the six because our last conversation, I was making a big stink and getting really excited about being a five-timer. So this is six. Awesome. So we have, as the draftees today, to draft our Season 5 lineup, we have myself, we have Kirsten Rayula, and we have Matt Ardill. So, Matthew, how are you? Good, good. In Chicago, I'm going to try to get you a Second City performance while I'm here. [4:07] Oh, wonderful, wonderful. You'll have to let me know how that goes. I'm going to be in Chicago soon, too. So you'll have to share notes with me. So so how it works today again we are drafting the nominees for season five we do have some draft rules to go over so there will be three of us drafting first pick we're giving it to ourguest kirsten we'll have the first pick in the draft matt ardill will have the second pick in the draft and i will have the third pick in the draft it's not snake so we're just going to to go one twothree then one two three no snake drafting here on this episode we each get five picks and there are parameters to this so each person must draft one musical guest or a writer, one nomineefrom season one of the SNL hall of fame so we can re-litigate somebody's candidacy and also you know the other three then can be like the cast member host musical guest or writer or Idon't know if it's just at your win at that point. So those are the draft rules. Matt, did you have like a strategy coming into this draft? Like what's your thought process heading into this? I just went with my heart. That's what I came down to. That's really sweet. Who do I really want to be in there? [5:27] Yes, yeah, definitely. Kirsten, how do you feel being like a first-time draftee? A lot of pressure on you to decide the fate of the SNL Hall of Fame podcast for an entire season. It is, but there's still such good people that no matter what, I think folks will be happy. And I love being able to make a case for why people should be included. So it's exciting. But I did a snake with... [5:53] Another crew and it got it got tense so i'm glad this is not a snake draft because i won't be as anxious about it yeah but it still might get heated i don't know mad ardeal kind of getsriled up with this stuff so you have to watch out for it passionate yes definitely so i guess we We will commence with the draft. So, Kirsten, you are first, and it's your turn to select the first nominee for season five. Where are we going? Would you like me to start with my either musical guest or writer or re-litigate or start new? I don't know. Matt, you tell her. What would you like Kirsten to start with? Why don't you start with your new nominee? [6:41] My nominee is Will Forte. I love it. I love it. Kirsten, what's your thought process? Why should we hear about Will Forte? I am a huge fan of his. I think he was made for Saturday Night Live. I think he got there at the perfect time alongside his often amazing, also amazing scene partner, Jason Sudeikis. He created some characters that people generally love, like MacGruber, we all love, but then did some very specific, very wacky scenes like Tim Calhoun, where it was all about these oddmannerisms and the quirky delivery. And if you got it, you got it. And I was drinking the Kool-Aid between that and then the idea that he could turn entire sketches into something based on very small, single things like the coach dancing to that onesong. [7:48] Or spelling bee, which is a master class in being able to do that. Imagine a microphone, you, silence, and being able to hold not just the in-room audience, but the millions of people who've watched this show and for over a minute recite letters of thealphabet and keep us on the edge of our seat. [8:12] Master performer. Takes so much talent to do that. Child in an adult's body but from you know greg stink to the falconer to jeff montgomery registered sex offender on halloween uh yeah i don't know how we haven't talked about him yetbut i'm thrilled to be talking about him now well i'm thrilled to will forte quite honestly i'm gonna gush about him in this episode uh because he's one of my all-time favorite cast membersHe carved out a specific lane for himself of the absurd that I just loved. Like, Matt, I'm guessing you were probably a Will Forte fan. Oh, yeah. Yeah, exact same feelings. It feels like there's very few people who embrace that sort of absurd layer of sketch on SNL. And he definitely went in all the way on it. So I think he's a great choice. [9:04] I'm excited. See, part of this exercise, Kirsten, is like Matt and I, we get to open little gifts. Like you know it's almost like christmas morning because matt does the minutiae minute so he has to find out who he gets to research and compile and i get to find out who i get to doresearch on and do a show about so this is like a christmas morning for us oh amazing we'll go back and watch potato chip again oh that's an all-timer that's that's definitely going to comeup in the episode i guarantee you potato chips yeah come up so wonderful so we have will forte off the board He's going to be one of our nominees for season five. Matt Ardill, it is your choice. [9:46] Okay, I am going to go with my new pick, Lorraine Newman. [9:51] She's one of the original cast, one of the trio of original women to really define the early days of Saturday Night Live. She came up through the groundlings and within a year and a half found her way onto the show. And she really, through thick and thin, went through some rough times, but she was dedicated to that show during those early days. Dedicated her life great characters um like sherry the the california valley girl uh character you got connie conehead you know and she went on the 40th anniversary she brought carrie orsherry excuse me back for the californian sketch and i was like oh this is a sketch that was may as well have been written for for her um so yeah i feel like she'd be a great member andalso So like she's just became a pop culture icon. Like she, she recounts a story in her memoir about how John and Yoko saw her on the street and ran up to her to introduce themselves to her within the first year of Saturday Night Live. It's like not often that, you know, John Lennon and Yoko Ono are excited to see you. No kidding. [11:09] So yeah. It's amazing. Yeah. I don't blame them. So yeah, Lorraine Newman, Newman one of the original cast members we've covered a few original cast members actually almostmost of them so Lorraine's actually maybe one of the final couple that we haven't covered on the SNL Hall of Fame that we needed to get to quite honestly so this is a wonderful pick I'mexcited to do an episode on Lorraine Newman Kirsten Lorraine Newman no gripes from you not at all and I feel like it was only a few months ago that I realized or made the connectionthat hannah einbinder is her daughter yeah yeah phenomenal actress writer herself from the show hacks and among others and that just got me even more excited that this is it's in theblood. [11:54] Yeah yeah hannah einbinder yeah she's she's great it's it's there so yes very excited um she's stellar she should absolutely be on that list yeah wonderful pick matt thank you so muchSo we have Will Forte, Lorraine Newman, both off the board, my selection now. And I'm going to go with a musical guest. [12:16] And it's one I like when SNL. Gets bands and acts at their peak or close to their peak i like seeing bands go when they're red hot when they're maybe when they're starting out and they're starting to catch fire and i liketo see them maybe span generation span a few years i'm gonna go with the musical guest that's been on four times their first appearance was season 17 most recent one was season 35 sothey have wide range so i'm gonna go with pearl jam as my musical guest i think snl caught them. [12:49] At the right time i think they've stood the test of time and selfishly it's one of my all-time favorite bands so uh so i'm gonna pick pearl jam as my musical guest and the third pickhere i don't know if either of you are pearl jam fans kirsten high school that's high school music for me for sure i appreciate that there's a legacy there uh that they were on as you say at thebeginning and they're still going strong um i have a lot of respect for that so i yeah i think that's a great choice and it's you can't really argue them there are some flash in the pans youknow sometimes they make a big bet on someone and we never hear from them again um but in this case yeah they they they chose well and this is a band that has surely stood the test ofthe time and i'm sure we'll continue to see them again on the show a few more times hopefully yeah absolutely matt well we won't be friends anymore if you if you say you don't like pearljam i mean i was a nirvana guy but i did appreciate pearl jam. [13:54] Because they you know that that's my high school music as well and uh you know it's just a special place in my heart and they're a great band and jeremy you know that was like ananthem in my like great 12 year kind of thing so you know I can't wait can't wait great choice all right yeah so Will Forte Lorraine Newman Pearl Jam welcome Eddie Vedder andcompany welcome to season five of the SNL Hall of Fame we're back to Kirsten Kirsten what do you got for us next my second choice is someone I'm really excited about she becamequite famous on the show you know a lot lot of people leave and they make movies and stuff, but not everyone does. She is someone who came out really quickly as one to watch, and that is the lovely and talented Kate McKinnon. Yes. Love it. Very memorable characters. One of my favorite qualities about her is if you go and watch a highlight reel of her SNL work, you'll see her dressed as. [14:56] A ton of men often all the politicians and i think she took a lot of joy in portraying them in a very unflattering manner because they didn't align with her political views and itprobably bothered them then she also did a lot of female politicians she did angela merkel she did uh liz warren hillary uh then she would play strange creatures like a blobfish and vanityaside right She was just in it in these ugly costumes. [15:26] Very memorable characters like Miss Rafferty of Close Encounters, the one that a lot of people know her for. She deserves a medal just for not breaking when she broke everyone else in the scene. Hats off to her. And then I also love her friendship with Aidy Bryant. What a special thing to see them in all of their scenes together. She's just, she's a force. and I can't wait for her to come back and host many more times in her career because I would like to think she's welcomed back. She has such an imprint on that show. Yeah, absolutely. This is wonderful. And this is going to be our most recent nominee. She's been at the game now. We've had time to sit back over a year plus to assess Kate McKinnon. She's near and dear to everybody. Matt, do you think her being a real recent person will impact vote or impact perception one way or the other? I mean, I think it might be like Mulaney, who a lot of people are like, yeah, he deserves to be in here, but is it a matter of now or later? But with Kate, you know, She deserves to be in there. She is an amazing impressionist. She has amazing characters. She goes all in. [16:45] Like Kristen said, she breaks everybody in the sketch, but she stays in character. And it's endearing. And I love it. And I love her and all of her work. So yeah, I mean, it might take a couple of passes before she makes it in just because she's so new. But it's a matter of time. it's not if but when yeah i don't know i think if she doesn't make it then that would be recency bias negatively because in my book i don't know i have her reallyhigh in my all-time cast member. [17:16] Ranking uh that i recently made like so uh i i'm curious to see what how the voters will will take this but that's such a wonderful i mean we all love kate she's so amazing that's awonderful choice kirsten all right matt we're back to you who's your second pick in our season Season five nominee draft. Okay. I am going to pick for host Martin Short, another cast member who left. [17:42] Came back to host four times, twice as a co-host. First time with Chevy and Martin Short, and the second time with Chevy and Steve Martin. Second time with Steve Martin, most recently for Only Murderers in the Building. You know he's just he's one of those like humans that is just a wonderful human and it just shows on the screen uh he's humble he's willing to be the butt of the joke um there's been morethan a few occasions when he's been a part of a five-timer sketch as a waiter or just a like just just the butt of all of the humor um but he just brings this amazing energy to to everythinghe's got some great characters some great great just silliness like the christmas carol sketch in his most recent appearance where it's just like it just kept escalating and i'm like how how dothey go from from but they found a way and it just kept getting more and more bonkers and And a big part of that is the energy he brings to the sketches as a host. [18:53] So, yeah, I think he's a good choice for the Hall of Fame. I agree. I agree. Kirsten, don't you love when Martin Short just pops up on your screen? [19:03] Yeah. And I had him on my list. So I second that 100%. He is a lovely human. He's a fellow Canadian. So of course I have to love him. Um, but it's very easy to, he is probably the, in the top five at kind of improv. [19:23] Whenever you see him interviewed on any show outside of SNL, he is so immediately funny and quick and that's what people like most about him like he can't i want to be roastedby him yes i want to be roasted by jiminy glick yes i want i want to be roasted by both of them yeah martin short as jiminy glick interviewing and roasting me i want that that's a goodpoint kirsten right sign me up um no i love that he should be in there that is a no-brainer and yes he we we didn't see him for a bunch of years there and he's back and it's so exciting to seehim on on the screen again yeah this is awesome matt this is a wonderful choice so excited about going into martin short's hosting career former cast member so it'd be interesting we havea former cast member turned host down the line uh to talk about so this will will be this will be a wonderful episode we're back to me this is gonna be the sixth pick we're doing 15 as areminder so we're at pick number six and I'm gonna also go with the host. [20:33] I'm going to go with a more, well, not a more recent because Martin Shorts, gosh, he's been a host really recently. But it's a three-time host, actually. One that I'm not quite sure is going to be back. He hosted back-to-back-to-back seasons and then kind of vanished. But his episodes were top-notch. Great host. Jon Hamm is going to be a nominee for the SNL Hall of Fame in Season 5. I mean, classic. I mean, he was willing to play with the cast. He's been in a bunch of classic sketches. I think, gosh, looking at all of his hosting gigs, all three of those episodes were bangers. And a lot of it had to do with Jon. Just such a good sense of humor. And I'm pumped to be talking Jon Hamm this season on the SNL Hall of Fame. Matt, Jon Hamm, thumbs up? Totally agree. Two thumbs up. I mean, he's a Second City guy. You know, he's a comedy guy. And people got to know him through this serious role. But I think this is when, like, he's so great on SNL because he's been given a chance to play. And he's, you know, he's just letting loose and having fun like he likes to do. And I think that's a great choice. It's going to be a terrific episode. I'm pumped. Kirsten, you have fond memories of Jon Hamm hosting? [21:55] 100%. I mean, he was in that Will Forte sketch with Jeff Montgomery, and so I watched it very recently. I agree. He, you know, people had a real impression of him. He's an attractive man, and he, you know, gained his fame through a show that had this iconic character, but. [22:16] This show you're right gave him such a platform to show us what he's really like and then he started popping up and bridesmaids and all sorts of movies because we realized he hadsuch a good funny bone um and it it really i think accelerated his career in that way so yes he's he's great for the show because he can also play he can play so many different ways maybehe'll play up that look that he has and that that reputation from television uh mad men um but then skewered a bit So, yes, love it. Love it. Yeah, he gained notoriety, of course, as Don Draper in Mad Men, but I'm excited to talk about Jon Hamm's comedy chops, which there's plenty of. He's so funny. So I think more people, I think a lot of comedy nerds know how funny Jon Hamm is, but I want the masses to know how funny Don Draper actually is in real life. So this will be fun. Jon Hamm, I'm so excited. excited uh we so right now we have three former cast members as nominees two hosts one musical guest none of us have used our season one re-litigationchoice yet and there's been no writers yet well we still have nine picks to go um so that's but that's been the breakdown so far uh kirsten you're up with your third choice what do you gotfor us well i think i will will re-litigate a season one choice right now. [23:41] So funny to me that this person needs to be re-litigated, but I could probably say that about a few. [23:46] This is a very formidable woman who is multi-talented. She can act, she can sing, and she has a long list of memorable characters, and that's Maya Rudolph. [24:02] Such a fan. And of course, as we move into this colder weather, we all know it's sweater weather. So she comes back to remind us of that amazing character. She is iconic. I mean, go back and watch Beyonce Hot Ones episode again. [24:20] How many people have tried to do Beyonce, but she really did? Or go watch Pamela Bell, Anthem Singer. Again. [24:27] Much like Will Forte, someone who can just them and a microphone and a captive audience keep us enthralled by just that singular performance uh and a third one that youabsolutely need to go watch is maya angelou pranks three of my favorite sketches ever um although she's got so many um i would probably say that i have top 20 sketches for my rudolphyeah so my rudolph so so talented again yeah i love when she's she's one too where she just pops up into anything and i love her we my wife and i watched the good place and i pointed atthe screen like oh my god maya rudolph's the judge like this yeah that that was so great uh maya rudolph did get 58 of the vote last cycle so so these season one choices we should tell theaudience come with the caveat that if the person actually because we're recording this before the season four voting voting is finished so if the person actually gets voted in in season fourwe're gonna she's they're not gonna be a season five nominee obviously so we have the right subject to change as far as like you picked maya but if she's already in the snl hall of famewe'll probably reach out to kirsten uh offline and off the air and say here pick another one because maya is now in the snl hall of fame so we'll see so it comes with that caveat but i thinkyou're right kirsten uh kind of a the no brainer sort of fan favorite one, Matt is like, as far as fan favorites. [25:56] Matt, like, where does she rank? [25:59] She's got to be up there. I mean, she's just one of those incredible talents that, you know, just kills in everything and bring has so much range. It is so dedicated. And like, just again, it's not the one of those people who embraces the funny, like just, you know, It really brings it to a sketch. Like I loved her, her Beyonce and Prince. Yeah. Prince show. Like that is still one of my favorite sketches. And even outside of that, like my wife and I would watch her variety show that she ran for a while with Martin short, or it was the two of them. Like, so she, she just, she just loves to sing, loves to dance and loves to make people laugh. And it's a well-deserved option. Indeed. This is going to be a fun one. So we have our season one re-litigation chosen in the form of Maya Rudolph. Matt, you have your next pick up. Yeah, I am going to go with my season one re-litigation as well. And that is Emma Stone. [26:59] She's another one of those great hosts, four-time host, three-time special guest. You know, she's a serious actor, but does silly roles. And like john ham she leans into the silly when she's on snl um like the uh that dorm room poster sketch where she's uh the sisters on pete davidson's dorm room wall uh les jeunes deparis high school theater high school theater show serious flashbacks to my own high school theater life there i was like oh god no wonder my parents hated coming to my performancesperformances. Um, so yeah, I think she is, uh, she's somebody, you know, who's a host is, is, is not always given her due. And I think she, uh. [27:44] She really should be a part of the Hall of Fame. Yeah, in Season 1, before Jamie asked me to come along and be a co-host on SNL Hall of Fame, I was a guest on three episodes inSeason 1. And I was a guest on the Emma Stone episode. So I actually made the case for Emma Stone in our Season 1 episode as Jamie's guest. So you don't have to talk me into Emma Stone, Matt. I am huge. I think she's an underrated host, honestly. Honestly, she did that sketch, the porn actress sketch was hilarious. The Wells for Boys. You just go down the laundry list. She had put in really great episodes, and a lot of it was because of her. There weren't just great episodes, and Emma Stone happened to be the host. She contributed to a lot of really good material. Are we three for three giving the thumbs up to Emma Stone, Kirsten? In another life, she was on the show, for sure. Yeah. [28:39] I can see that. Yeah, she did a Roseanne Rosanna Dana at the 40th. They brought her on to do like an homage on Weekend Update for that, which I thought was pretty cool. She's a fan of the show. That's a big deal. Yeah, this is a great one. So we have Emma Stone. Welcome again, once again, to the SNL Hall of Fame nominees list. We're going to relitigate your candidacy here on Season 5. And you know what? I'm going to stick with this trend. I'm going to go with my season one re-litigation as well. And I'm going to knock off a writer as well. So we don't have any writers. So we'll be talking about a writer which I think is criminally overlooked as far as SNL Hall of Fame voting. We have Robert Smigel, Conan O'Brien, Seth Meyers, and Tina Fey already in the SNL Hall of Fame. And you could argue, to me, Robert Smigel is the only one that's in. [29:33] Almost purely for his SNL writing credentials. And Seth Meyers, because he was on Weekend Update. Tina Fey, we all love her. She deserves it, but she did. She was in sketches, Sarah Palin and all that. But I still think writers have been criminally overlooked. I am going with Jim Downey to re-litigate his SNL Hall of Fame candidacy. Jim Downey, when I think of Saturday Night Live, I mean, the political satire, the political sketches immediately always come to mind. And there's no person in the history of SNL that's, I think, done more for political sketches than Jim Downey. So he received 49% of the vote in season three. And I should say to Emma Stone received 15.5% of the vote. So I'm pretty sure we're going to have an Emma Stone episode and we're not going to have to go redo that one. One uh but um but yeah jim downey just a writer that's had such an impact on snl matt you're like a snl historian jim downey huge huge and as far as snl's history oh yeah i mean he helpedreally define the political voice that snl has around its sketches and its treatment of political humor So I really feel like it is a well-deserved spot. I think he's instrumental in SNL's sort of more intelligent humor and drier side at times. So I think he's a great choice. [31:03] How are you with SNL and politics, Kirsten? I recognize what a role it plays and the legacy of the show. And him being, is he not the longest tenured writer? Like 30 years or something? Yeah, he might be. Matt might know better than me. But he spans eras of SNL. Yeah, there's a great episode on Conan's podcast that he just did that is fantastic. And he talks about some of his favorite sketches and such. It's a great episode. Jim Downey was so, so funny on that episode. I want everybody to go listen to Jim Downey's appearance on Conan O'Brien Needs a Friend. He was just, he was cracking me up. Maybe more than any guest Conan's ever had on that podcast, Jim Downey was cracking me up. I agree. And so I absolutely two thumbs up because I just am hot off that podcast. So yes, big fan. All right. Right. So I got the thumbs up, Jim Downey. We're going to re-litigate your candidacy on season five of the SNL Hall of Fame. [32:08] We are nine down, six picks to go. Kirsten, who do you have? I am going to nominate a writer if anyone listens to this show regularly and I hope you do you know that I have been advocating for a certain person since thebeginning. [32:34] And they haven't quite made it into the hall of fame yet but guess what they're also a writer later. So, hold on to your socks, because surprise, surprise, I'm nominating John Mulaney. John Mulaney is a writer this time. He's been a nominee as a host, but Kirsten's saying, screw all that, let's talk about him as a writer. He just needs to get in there. [32:57] He needs to get in there. So let's talk about, first of all, his writing style is very unique, and you know it. You know the way he delivers it, but you also know the way that he writes for other people. It's very identifiable which that's difficult so hats off to having a unique sensibility and voice, when you unearth some of the amazing sketches he has written you realize he wrote herbwelch which became a very memorable character uh for bill hader he wrote the vogel checks which is just strange but very playful and fun he wrote what's that name he wrote what'swrong with tanya yeah and most famously he wrote Stefan yes an iconic character the whole idea of that character outside of the great performance was really what he was going to sayand I think everyone loves knowing that kind of behind the scenes Mulaney was changing the script and so what Bill Hader was saying he was reading for the first time and it would breakhim and that became part of the shtick and so I am hereby nominating John Mulaney for writer. [34:14] Uh because he needs to be in the hall of fame yeah book closed yeah book closed matt you're nodding your head in agreement yeah i completely agree in fact i think nominatinghim as writer is a better fit for now than nominating him as host he said he's done as a writer he's gonna come back as a host again and again i mean that's a guarantee but like as a writerwe can look at his body of work and and judge that and yeah like the games he would he he wrote some really wild sketches but he he pushed the boundaries like with stefan but he neverwas malicious like stefan was a game and there was agreement and there was buy-in by both both parties and whereas you know like some other writers who i have maybe advocated forin the past was were not not so interested in working collaboratively but John was a team player and he he brought some of the funniest sketches to the show and so I think that's a greatgreat choice yeah that's wonderful Kirsten and he had a distinct he has a distinct voice but his voice a distinct voice you can see on those sketches you can I think you could tell that's aJohn Mulaney sketch or at least when you find it like oh yeah that's not a surprise that that was a John Melaney sketches, such a distinct voice. I think since we have the categories on the SNL hall of fame, fair game to say, you know what? We talked about this person as a host. [35:43] But he was a writer of 2008 to 2013. He was a writer. Let's talk about his writing credentials. So I think that's totally fair game. I'm excited to delve into John Mulaney as a writer. Awesome, Kirsten. Matt, we're back to you. This is your second to last choice. Yeah, I am going with a writer as well. [36:03] So he's come up previously. Julio Torres. Yes. Wells for Boys. is uh papyrus my favorite which is cut for time my little stepchildren um you know it's just it's dark he's funny he's subversive um and actually lorraine newman whenthat my little stepchildren was put out on the cut for time youtube wrote him on twitter and just said wrote oh julio clap emoji three times then roll on the floor laughing emoji so like ithe's recognized by by legacy cast he's recognized by current like his his peers fred armisen went on to co-create los spookies uh with him uh so he's i think he's one of that more moderngroup of writers who's really established himself as a voice coming out of snl yeah he was almost like He wasn't on SNL that long, but he was almost like a tornado that came throughthere with just such great material, such clever writing. [37:13] Julio was awesome. I love this choice. It's like a really inspired choice to me. I really dig it. I'm excited to dig into everything that Julio did. You're right. I had brought up Wells for Boys with Emma Stone. That was total on-brand Julio Torres kind of perspective with that sketch. Sketch that was that was wonderful kirsten any thoughts on julio i hadn't realized that he wrote papyrus and that's all i need to know there you go yeah case closed yeah that that was aclassic sketch just such classic sketches like like as far as efficiency and just batting average to me like julio torres is so high so this is awesome man so we have another rider in there it'sour Our second writer. We're talking our third, actually. Or no, our second. So we're talking John Mulaney and Julio Torres as new writers to be discussed. Jim Downey, of course, a relitigation from season one. So we are back to me. And this is my second to last. And I'm going to go with a cast member. And I think it's a cast member who might be our headliner. [38:26] Of season five of yes no hall of fame somebody that people have asked me like why haven't you ever why haven't you done an episode about this person and uh so we're gonna doan episode on adam sandler here in season five of the yes no hall of fame it's time to talk about the sandman and all he contributed to saturday night live kirsten adam sandler what do youthink yeah it's I had him on my longer list as well. He almost seems like an obvious one. You know, some of those that you think, what, we haven't talked about him yet? No, I mean, it launched him. And it launched an entire genre of comedy outside of Satellite with all the movies that he produced on the heels of it. So that's pretty impactful. So, yeah, makes sense. Makes sense. People imitate him to this day, his characters on the show. Yeah, absolutely. Matt, can you imitate him for us real quick on the spot? Oh, jeez. Oh, no, I can't. I don't know. You just got to make the cooing sound. Yeah. Opera man there for a second. Yeah. This is possibly a headliner for us at the SNL Hall of Fame. Yeah. Yeah. Yeah. I think it's an amazing choice. Yeah. [39:49] It's interesting. like his career you know going into snl you know just it it catapulted him i think he's possibly one of the most successful former cast members in history of the showuh like i i there's lots of people who are respected and stuff but from just an entertainment industry perspective he he is i i think he has the biggest hits he makes the most money not thatthat's synonymous with talent or whatever but he is a he's a an incredibly talented hard-working guy and uh i think it's a great conversation to have yeah i'm excited about it he really madehis bones on the update desk which really stands out to me um i'm probably gonna get into with whoever my guest is his comedy albums that that when i was a teenager i shouldn't havebeen listening to in the 90s but i was and i was cracking up so a lot to get into with adam sandler i'm totally looking forward to that In my old podcast, we actually did one of his comedyalbums. And it's interesting, too. He's dedicated to the craft of album making. He had a bunch of his fellow cast members on it. And it was traditional Foley. He had Foley effects artists doing sound effects. [41:05] The guy loves what he's doing. He loves what he's doing because he brings a level of craft that people probably don't credit with him. Absolutely. From everything that I've read, he's truly maybe one of the nicest guys in Hollywood. Honestly, everybody just raves about what a nice person Adam Sandler is. So it's hard to go wrong there. Having a nice person here, season five of the SNL Hall of Fame. All right, Kirsten, this is your last choice. You don't want to make it count. Here we go. This is our 13th pick, The Pressure. Okay, then this one is, tell me if you don't like this one, but it's someone I'm a real big fan of. And this person is, that I'd like to nominate is Taryn Killam. Yes, Taryn Killam, yes. Taron Killam is one of the funniest people, who week after week after week cracked me up is in so many sketches you almost can't look at a highlight reel you justneed to watch entire episodes because even the moments that he shows up in the background he's hilarious. [42:13] Jebediah one of my favorite characters ever and he started throwing the cards up in the air um i don't know how his career in snl ended i sense that something went down and that'smaybe why we don't talk about him so much anymore but i think it's a real shame because he did fantastic work on the show was in so many sketches i'd have to get the stats guys to tolook that up, but I feel like he'd be right at the top and should be included in the legacy for the versatility of work that he brought and the commitment to the characters. [42:55] Yeah. I think there was a season where Taron really stood out as far as number of sketches and how often he was in the show. Definitely talented. He's the type. So when I've been doing this, this is going to be the fourth season that I've led the conversations on SNL Hall of Fame. And I've talked about other amazing sketches from other hosts and cast members and Taron pops up in a lot of those for his own great work. So he's one of those and he was on my list of I want to do an episode on these people someday and Taron Killam is on that list. So this is like he fits in right away. I believe he was in the top 40. Our friends at the Saturday Night Network are doing they're in the middle. By the time you hear this, they have finished. finished. They're in the middle of their cast member countdown. I think Taron finished top 40 or 45. [43:43] So he's up there as far as people love him. Did great work on the show. I think underrated, Matt. Yeah, totally agree. Totally agree. I was really depressed when he left the show. I felt, yeah, I was like, what went down? Because there's like. [43:58] Unceremoniously he was like i think sixth season when he left left the show and he had like one more season on his contract um so yeah i mean like super fun time kawaii now likethe japanese. [44:14] Tv college tv show like it's just like i will admit i know people like that and uh uh i was like you yeah somebody writing this sketch knows some real weeby anime fans and the thatthey're just bringing it all and it's like just a pitch perfect parody of that kind of silliness um so yeah i i think he's a great choice i'm really looking forward to that yeah this is a good onewe did a jim carrey episode in season four and we were talking about the the Maryville trolley ride sketch and Taryn. I think Taryn and Bill did that so they could show off because Taryn and Bill Hader were both so good at contorting their faces and doing that animatronic kind of thing. That's one of Taryn's highlights to me too. There's so much more. I can't wait to get into it. Yeah. I've, I've rewatched the Maryville sketch just to see them do that. Yeah. I need closure. I don't know what happened and it feels like we're ripped off. Yeah. Let's go SNL. Get it together. Yeah. Bring him back. Yeah, tear and kill him. Welcome to Season 5 of the SNL Hall of Fame. Matt, this is your last choice. We're at the 14th pick in this draft. Here we go. Okay, it's hard. I've got a few people on my list that I'm going back and forth on, but I think... [45:36] You have to go with Rachel Dresch. Again, kind of like Taryn. She's one of those performers who's in all of these sketches. And yeah, she elevates every sketch she's in. She may not be the biggest character or the biggest name or the biggest lead, but she just gives that little bit of something to every sketch. Um you know i love her when she when she leans into her her her her boston accent with with jimmy um the lover's sketch with will you know it's just oh god i re-watched the lover'ssketch recently where it was uh jimmy fallon uh it was in and it was just you could see him creeping Just creeping out the entire time. Her and Will were just so gross. There's no other way to describe it. They were so in it. I would not have been able to hold it together. Yeah, completely dedicated to the bit in a way that, you know. I even went back and watched, there's some sketches of her and Tina Fey on Second City back when they were students. [46:50] I'll honestly say i think you know she was not given enough credit you know during that time she's just viewed as utility player but she's like the special sauce in a lot of sketchesthat just brought it to the next level yeah she she was a wonderful character actor but that might have even been selling her short too just an amazing all-around sketch performer rachelAnd I know very beloved, like fans love Rachel. She was part of that era that really, quite frankly, was a lot better toward women than SNL had been before that. We saw Anna Gasteyer, Molly Shannon, and Sherry Oteri, and Rachel Dratch come in maybe a season or two after that trio. And she fit in and delivered the goods, Kirsten. Yeah, I'm a huge fan. A huge fan. The Lovers is one of the all-time best sketches. [47:51] And I mean, like Debbie Downer is what she's known for, and it's a great character. I mean, it's meme-worthy to this day. The fact that most younger people would know that, that tells you something. That tells you something. thing. Um, yeah, I'm, I'm a, I'm a fan of hers and I, I agree. She's like, you know, the, it's funny, I was going to say she's one of the quieter ones. That's the weirdest thing to say, but overshadowed at times among, you know, Jimmy Fallon, who's so loud and extroverted and gregarious and she can be, but she just sometimes just isunderneath that shadow. But. [48:32] You're right. There are a few people over the years that have contributed just as much to that group dynamic and that work, but just didn't get that same spotlight shone on them. And she's definitely one of them, but it doesn't make her any less worthy of being on this list. No not at all she's very worthy so we have she's our sixth cast member that we're. [48:54] Talking about uh rachel so we have will forte kate mckinnon we have adam sandler taryn killam rachel dratch. [49:04] And yeah will forte lorraine. [49:07] Newman kate mckinnon adam sandler taryn killam rachel dratch we. [49:10] Have have six cast members new cast members on the snl hall of fame nominee list so this is the last pick we're down to it a lot of pressure here i'm looking i have a a longish listand i'm just trying to decide where we go i think i think we need to look at hosts so i do want to pick a host to round out uh the the list and there's there's a lot of good ones left on theboard so i picked initially john ham and that was like my first host off the board so i think this time around you know what i want to talk about anne hathaway she's she's been a three-timehost host again severely underrated she hosted in season 34 36 season 38 part of a lot of great sketches but she was one of those hosts and people sometimes they they use the term maybeoveruse it but i don't know she was game like that oh she's almost the definition she surprised me because she i i don't know what i expected when she first hosted but the fact that shewanted to come in and play she was in like the the dunise sketch and and did all that she was in like a fun like mary poppins sketch in her first episode uh she was in a very weird pre-tapeand we'll talk about this in taryn killam's uh episode the mokeki and the sloppy swish like anne hathaway was part of that weirdness. [50:39] For sure so i think anne is just a very underrated snl host she hosted um with a great cast like in another golden era of SNL she was an important host on the show so I'm lookingforward to discussing the merits of Anne Hathaway as a host so she's our final nominee for, season 5 of the SNL Hall of Fame either of you Kirsten thoughts on Anne Hathaway yes she'sa great performer and I like when they take advantage in the right way of someone who also has singing talent, and they you know Obviously, Blennerin is one of the, uh finger like sisterperformers like yeah find find a way to show off all those skills it's great um and sometimes they do it in a really obvious way but with her they like knew she could act as well so they findactual roles with singing um uh no she's a great performer i think she's she's a great one to look at her body of work for sure she's been on multiple times and um hollywood has a funnything with her where i don't think they in general people give her enough credit for For her skill set and her talent. But she does have it. Yeah. Is this a surprise Matt? Anne Hathaway being chosen? Oh no. I think she deserves to be on there. I think she's kind of like Jon Hamm. In that when she came to the show. People had a preconception. [52:04] But she's a lot funnier than people give her credit. And I think she wants to be funny. And wants to play. And Saturday Night Live let her cut loose. And show off those talents. But she didn't really get a lot of opportunities to do. until then. [52:19] Yeah. So I feel good about it then. I feel really good about Anne Hathaway and I feel great about our, uh, season five nominees. So I'm going to go over them. I'm going to list the 15 that we chose and Matt and Kirsten, um, we can give our, our thoughts, kind of our overall impressions, uh, on the season fivenominee nominee list. So we have Will Forte, Lorraine Neumann, Pearl Jam, Kate McKinnon, Martin Short as a host, Jon Hamm, Maya Rudolph, that's one of our season one re-litigation picks, Emma Stone,another season one re-litigation as a host. [53:03] Jim Downey, continuing the trend of season one re-litigations, John Mulaney as a writer this This time, Julio Torres, Adam Sandler, Taryn Killam, Rachel Dratch, and AnneHathaway. Those are your season five SNL Hall of Fame nominees and episodes. Matt, what's your overall just kind of viewing the list? What do you think? I think it's a good balance. You've got like new and old. You've got like not obscure, but maybe not as talked about as they should be. But then you've also got you know adam sandler is a huge name i think there's something for everyone there um and i think it's a it's a good sort of cross cross section of of snl talent, atkirsten you're looking forward to season five knowing what we know now with the nominees. [53:56] I do. And I think one of my favorite things about doing these shows is rewatching. And certainly in the first few seasons of the podcast, we're looking at people that are so beloved that you generally know your favorites. [54:14] But I think some real gems are going to be unearthed here. Because as you dig into the Anne Hathaways and Taryn's and you you remember and recall all of the magic they made on that show, it'll prompt some really fun and interesting discussion. You've got a good mix of male and female. Again, you've got some different generations span there, different eras of the show. So I think it's going to be a good one. Yeah, I think we could pat ourselves on the back here, everyone. We did a good job. Kirsten, I'm going to put you on the spot. Do you want to call dibs being my guest on any of these episodes? I would say taryn she says taryn all right so kirsten's gonna be my guest for for uh taryn kill him everybody you got the scoop here for sure yeah thank you so much everybody matt we'relooking forward to another season of matt's minutiae minute you do uh such a great job man oh thanks i'm looking forward to this is going to be a great bunch of people to talk about. [55:13] Yeah yeah we're looking forward to digging in again i mentioned at the top this is like a opening 15 different Christmas gifts for myself and Matt. This is wonderful stuff. So I want to thank everybody so much for listening. We've enjoyed and appreciated all of your support as we head into now season five of the SNL Hall of Fame. I want to thank Jamie Du so much. Always does a wonderful job. Thank you so much, Jamie. Definitely looking forward to talking about all these great nominees on the SNL Hall of Fame. So for Kirsten, Matt, I'm Thomas Senna. So long, everybody. Track 2: [55:50] Buddy thank you so much thomas matt and kirsten it was great to hear from you all and man i am am excited about what we have in store for season five. There are some killer selections that we are going to discuss this season, and some of them may even end up enshrined in the Hall of Fame. Now, there have been some changes since we recorded this draft, and I want to outline those changes for you so you're not confused when the season begins. The first thing is something to consider. Consider Emma Stone is now a five-timer. When we recorded this draft, she had not been announced as a host for this season, season 49 of Saturday Night Live. [56:55] But now she is a five-timer. Does that change your mind? Does that change your opinion? Does a host need to be a five-timer to be inside the Hall of Fame? Is that like the equivalent of 300 wins for a pitcher or 500 home runs for a batter in baseball? I don't know. So far, all the hosts that have got in have been five-timers. But it doesn't mean there's not a pathway for somebody who's hosted four times. Times nevertheless emma stone who has been nominated for season five is now a five-timer do with that information what you will the other thing to take note of is jim downey uh wasselected to the snl hall of fame at the class of season four and as such he no longer qualifies to be, covered in season five. So we have put our heads together and we have replaced James Downey with Tracy Morgan. So Tracy Morgan will be the 15th nominee this season. [58:06] So there's that. I can't wait to talk to you all next week when we kick this sucker off. We're going to have a great time this season and maybe we'll even get get some new Hall of Famers. That's what I've got for you this week, so if you would do me a favor and on your way out, please, as you pass the Weekend Update Exhibit, turn out the lights, because the SNL Hall ofFame is now closed. 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| Happy Holidays | 25 Dec 2023 | 00:02:56 | |
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| Beck Bennett | 19 Aug 2024 | 01:07:46 | |
This week on the SNL Hall of Fame podcast we welcome back to the show, Kirstin Rajala to discuss and build a case for Beck Bennett. Transcript: Track 2: [0:42] Thank you so much, Doug DeNance. It is a thrill to be back here in the SNL Hall of Fame, bringing to you the SNL Hall of Fame podcast. Once again, we're back for season six. We really hope you enjoyed the draft episode. Now, why don't you come inside? You might notice I'm looking at your feet. Wipe them. Know what I'm saying? So there's that. The SNL Hall of Fame podcast is a weekly affair fair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot for your consideration. Track 2: [1:20] Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. And that's how we play the game. It's just that simple. I am so pumped to be working with Matt and Thomas again for another season. We've got a banger of a year. We've got some fantastic, fantastic nominees and some really amazing special guests this season to nominate those nominees and build the case for them. We're also doing something a little different this year. We've got a new sister show that will be released on Thursdays or Fridays. I'm still flirting with that. If you have a preference, whether it's Thursdays or Fridays, send me an email, the SNL hall of fame at gmail.com. That's right. It's a new email address because it's a new year. It's a new season and we need a new email address. So there's that. Now, I will say that the SNL Water Cooler will be a visitation, a revisitation of the week's episode, and it'll also take a look at the episode of SNL, whether or not there are Hall-worthy performances or Hall-of-Shame-worthy performances that we might analyze down the road when we nominate so-and-so. Track 2: [2:47] So there's that. What do you say we wander down the hall and talk to our good friend Matt Ardill? I am going to pivot and make my way down the corridor here. Ah, there he is, leaning against the wall like a slug. Hey, if you got time to lean, you got time to clean, my boy. Track 3: [3:06] Matt, you've been around for four seasons, five seasons at this point. This is the beginning of your fifth season. How are you doing, man? Good, good. I'm happy to be here. And how about you, J.D.? I am pretty much good. I was camping, and I've been eaten alive. My ankles are all itchy, but other than that, I cannot complain. Yeah, but you got some fresh air, got out of the city, so that's always good. That's right. Track 3: [3:33] So what do you got for us this week? Today, I have Beck Bennett. Nice. Five foot eight, born on the best day of the year in Willamette, Illinois. Shares a birthday with luminaries such as Julie Andrews, Jimmy Carter, and myself. Hey. October 1st, 1984, which makes me feel all the more useless because he's 10 years my junior and has achieved so much more than I have. Oh, stop. Stop. Yeah, no, but he grew up a theater kid performing in children's theater at the Children's Theater of Winnetka. And in high school, played Jean Valjean at the New Tierra High School performance of Les Miserables. Yeah. So, now, he did go on to attend University of Southern California and the USC School of Dramatic Arts. Where he met and formed the sketch troupe Good Neighbor with Kyle Mooney, Nick Rutherford, and Dave McCary, all of whom went on to work at SNL. Track 3: [4:39] Now, after joining Good Neighbor, they created a series of sketch comedy shorts on YouTube which uh kind of make the parodies that they did later on in snl all the funnier um but this led to a series of ads where he's the at&t guy uh that uh had him interviewing children in a mock political talk show that's right yeah yeah uh and now that went on to become 84 acting credits seven writing credits eight producing credits four soundtrack credits including possibly the only person who can adequately capture the wonder that is launchpad mcquack on the ducktales reboot um now if anybody could do a live action ducktales that would be him i would love to see uh actually a darkwing duck reboot and bring back beck as launchpad but uh not you can only dream yeah yeah well you know disney plus is going to need to mine that content eventually um but yeah so he went on to marry jesse hodges another actor and they have a child together born march of 2022. Track 3: [6:03] Well, I definitely miss him on SNL. Yeah. He was somebody that became, like really grew into his role, I felt. And I really enjoyed him. And I also enjoy our friend Thomas Senna, who is in the conversation room with Kirsten Rajula right now, getting ready to teach us more about Beck Bennett. Matt, are you ready for that? I am looking forward to it. Well, let's get right to it. Track 4: [7:00] Alright, JD, Matt, thank you so much. Hey guys, welcome to another season of the SNL Hall of Fame podcast. I am joined today by, like, we had to kick off the season of discussions with just, like, an all-timer guest. So we're talking about all-timer nominees. Every week we talk about all-timer, you know, people from SNL history. Track 4: [7:25] I had to kick it off this week with an all-timer guest. So joining me for the first discussion of Season 6 for our first nominee is the one, the only, the lovely world traveler, Kristen Rahula. How's it going, Kirsten? It's great. What an intro. Thank you very much. And I didn't know this was the first. Oh my gosh. It's lovely to see your face and hear your voice. Yes, I've been traveling, and yes, I'm excited to be talking about SNL once again with some of my favorite people, the other super fans. And this episode is going to be great because we are talking about someone truly, truly deserving and who is so much fun to talk about because they are in everything. Yeah, right. Yeah, exactly. Like ubiquitous right there with, of course, Beck Bennett, who's our nominee to kick off season six of the SNL Hall of Fame. Kirsten, so I like to do the plugs at the top of the discussion, the way this is formatted. So do you have anything? What's going on in Kirsten's world lately? Well, for people in the Toronto area, my bestie and I do an event series, and it's intergenerational storytelling, female voices. So if you're in the Toronto area, it's generationwomen.ca. Please come and listen to women of all ages tell beautiful stories. It's a really fun event, and we would love the support. Track 4: [8:54] Yes, that sounds awesome. Yeah, go check that out. Also, listen to Kirsten. You're probably going to be a panelist, I assume, for Saturday Night Network's coverage on Season 50? Heck yeah. Yeah, check us out on the Saturday Night Network, where we also cover all things SNL with an even larger group of superfans. That is also a fun one, so check that out. They have shows multiple times throughout the week. Yeah, yeah. I love hearing Kirsten pop up, whether it's a hot take show or the roundtables. Yeah, I love hearing Kirsten pop up. So check her out on the Saturday Night Network. But today we were chatting about our first nominee for season six. That's the one, the only Mr. Beck Bennett. So a little bit of the CliffsNotes here before we kind of get a dig into Beck's SNL time. When he was a freshman in college, he met Kyle Mooney. They started doing sketch and improv together. It was at USC. They were part of Good Neighbor, along with Nick Rutherford and Dave McCary, Mr. Emma Stone himself, Dave McCary. Beck was in a run of AT&T commercials in which he interviewed children. Do you remember these, Kirsten? Track 4: [10:13] No, because I'm in Canada. I was wondering. That's why I asked. I don't know what kind of TV y'all get up there. They don't have AT&T, so yeah, I wouldn't have seen it. But I'm going to look them up. Okay, yeah, so it was a series of commercials. He sat there. It was like a circle of children. He would ask them different questions, I think pertaining to phone service or something like that. So that's where I knew Beck. So when he got on SNL, I was like, oh, there's that guy from the phone commercials. That's crazy. He does sketch comedy. Okay, let's see what this is about. out uh so yeah yeah you need to go youtube some of those at&t commercials and you'll see beck put on his his commanding voice like like like he liked to do on the show um so he was making a nice career for himself when he got the call so september of 2013 he began his snl tenure along with his good neighbor cohorts along with kyle mooney debuted uh right then too so kirsten like what were any initial impressions you may have had uh of beck bennett when he first kind of got on your radar. What'd you think of him? Track 4: [11:17] He's one of those people, it's a little hard to separate all of the characters he plays with who I imagine he is in real life. I picture him as the kind of failure-to-launch jock at your high school read. But I know he's probably not. He's wonderful, I'm sure, and a very smart, smart man, because clearly someone has got to be intelligent to pull off the kind of nuance and range that he does. But it's fun to think of him as that man-child that he always was, bit of a douche, often befuddled, making the wrong choices. Like you love him but you're like shaking your head so he at the beginning kind of very quickly started to establish himself as like fitting into those slots you saw him play a dumb kind of doofus dad typical middle-aged white guy and he did all of those things with enthusiasm so. Track 4: [12:12] While some people start off kind of awkward and they're trying to tentatively find their way at SNL I wonder if it's because he had Kyle with him yeah that they really jumped into it and their style of comedy pretty easily and quickly yeah they brought in a lot of good like their good neighbor stuff like those SoCal's like inside SoCal was a good neighbor thing uh you're right like he just played this doofus what I like to call in the comedy realm confidently dumb um yes i think that's like was beck's you know that was his forte in a lot of ways just such a confidently dumb guy like stick into his guns but it's like it's just the wrong way to go and yeah so good at that um delving into his highlights like is there a certain role over his eight seasons that you think he kind of did settle into oh gosh yes again the confidently dumb. Like, where his colleagues, like other folks on the show, would go between, you know, playing a bit of a dumb-dumb, but then also. Track 4: [13:22] You know, they could play like a rocket scientist. He was typically, which is funny because I just said he has range and I still think he does, but he typically was in the kind of befuddled, even like a Mitch McConnell, he was kind of blubbering. Right. And so he, yes, he always nailed that. I'm the last one who gets the joke, but I'm going to laugh as confidently as the person who told it. Yeah. He brought that spirit to so many things. It, even when it was him doing the SoCal stuff or, you know, kind of playing teenage or child roles with Kyle, always kind of a bit of a doofus. Yeah, yeah. So he was that he also was able to play like, sometimes kind of more of a straight dad kind of character. Track 4: [14:10] Usually when he played a dad, it was like from some sort of angle, like a downtrodden dad or a dumb dad or something like that. But he, man, he settled so nicely in his eight seasons. Indispensable, in my opinion, toward the end there, I think. Absolutely. Like a real cornerstone of the cast. And a combination of physical comedy, absurdity, but then also subtlety. Like there were really small choices that he made that... Track 4: [14:43] Or what brought those kind of doofus characters to like the way he'd hold his face or kind of you know the intonation certainly kyle was the you know crown wear of intonation and flat affect but he was right there with him so a lot of a lot of subtle things that they did so it's funny because at one point he's playing you know office boss baby and he's you know flinging his limbs around but then he can also just with one kind of slack jaw do something completely different right right Right. Yeah, that office boss, I want to kind of start getting into his actual work. And that baby boss, he debuted that in his first season. I think he might have auditioned with that, it seems like. But it was Mr. Patterson, baby boss. Like, was it the physicality of Beck? Does it totally shine through instantly, Kirsten? A hundred percent. Yeah, he ended up doing that four different times. Sometimes, the creepiest one was with Cameron Diaz because they were actually talking about relations and her giving him a bath in the kitchen sink and that they were going to try and make a baby or they were pregnant. It got a little awkward there. I think they were pregnant. Yeah, a little awkward. Well, I'm not worried. You're going to be a great mother. Come here, you. Track 4: [16:06] You. Could we maybe just do a little toast here? Congratulations. A toast. Oh, look at that. A lemon. Been meaning to try one of these. Cheers. Mm, it's good, it's tart. But I like that they kind of put him back into other situations, you know, in the office and, He nailed it. Anyone who has spent a time around a toddler, baby or toddler, instantly is taken back to the way that they fumble with objects, the way they are amazed by holding something up in front of their face, distracted. Track 4: [16:53] The way they move around, slide downstairs. There is like it's such a studied performance which sounds hilarious to say but if you know you know he nailed that baby he nailed that damn baby character so well and it was such an interesting yeah yeah he's trying to give high fives oh my god the keys to distract him trying the lemon like there are so many little moments and it's such a weird concept but it worked and you know it did I did feel at times if they had, you know, they had like a Josh Hutcherson and they had Cameron Diaz and people that they're not always building a sketch around. Track 4: [17:31] Picking on Josh a bit, but that he would, you know, be the character of and they kind of put those other folks in reaction to him was a great sketch for that to happen. And if you needed to support that type of host. Yeah he always he he had that great timing and he knew how to deliver and he almost played against himself uh as you alluded to where where he would uh as the boss he would speak very like boss like like try to be commanding and he would say things that were commanding but then he would do and say things one second later of course that were baby like so beck got that he was able to shift back and forth between like oh we're so we're so proud we're going to be uh we're expecting we're going be raising a family and then he sees a lemon and it's like oh i've always wanted to try one of these and then let's appreciate how tough it would be like to the duality of those two things. Track 4: [18:26] Acting like a baby, but sounding like a CEO. Yeah. That's just weird and wild. And I don't know that we all are appreciating how darn tough that would be. Yeah, yeah, definitely. I think this was probably the first character, certainly first recurring character that got attention for sure. You could go check out, that's early Beck in like season 39 and on. So that was like the baby boss. um what else uh with Beck kind of like shows what what what we started the show off of in terms of like his role and everything you know what I do notice is a lot of my favorite things about him, were pre-tapes which says nothing negative about any of his non-pre-tapes but I noticed that a lot of things I loved were pre-tapes and I mean this is the era of Vine like it's the era of people documenting things in video format. And I think him and Kyle having come up on kind of written, taped format, like SoCal and all these things, that really was where they were strong. One particular character that is also with Kyle were those sitcom parodies. We saw those in season 39, was a cut actually, with the Andrew Garfield one, Wings. And then we had season 40, We had Bad Boys with Chris Pratt. And then in season 43, we brought it back when it was Beers with Larry David. Track 4: [19:55] These sketches, they appeal to a certain type of person who can appreciate these. I'm one of them. Did you get Full House up in Canada? Yes. Okay, I was just checking. Full House, like a TV show? Yes, yes. You said you never saw it back in AT&T, so I had to check. Well, we just don't have AT&T. Fair. Yes. These sitcom parodies, everything about them, yes, much like those interstitials, like they've just cut to a castle, they'd cut to B-roll of Loch Ness Monster, like the most random silly things, the laugh track, the clap track, like all of these things, even how they would say, let's, let's, I need to talk to you privately. And they'd move one step up to the right. Everything had a moral or a lesson. It was very corny. They were pretty amazing. Track 4: [20:57] What is that sound, and who do I have to pay to make it stop? I'm practicing my clarinet for when my cousin CJ gets here. Oh, yeah. Think he'll be able to take care of our fish when we go on our bike ride tomorrow? I hope so. CJ loves fish. Great. In the meantime, do you mind taking that thing outside? Hey. Hey. Those, I feel like, are something that perhaps they brought to the show that they had tested and played with prior to as an idea. And we saw it a few times. I would take 10 more, by the way. Yeah, absolutely. Yeah, the Bears one with Larry David got oddly dark. So that was, yeah, that was really funny. I rewatched the Chris Pratt one, the Bad Boys one as well. All those like Full House, Family Matters kind of tropes, like just using, so it's one of those things where like, So you would watch Full House, right? And then they would do like, it was almost like a three-minute skit. And it would involve like Michelle or somebody sitting at the dining room table just eating a cupcake. And the cupcake was going to be like a parable for a lesson that they were going to serve you in like that three minutes. And it made no sense to the story before or after. Track 4: [22:15] They just nailed it so hard. Like you can tell, I think they probably did, you know, as a comedy team. Before they got to SNL, they'd been working together for six years. So you can tell that that was built up over six years. As somebody who spent a lot of time in Southern California, I'm from New Mexico, but I've spent a lot of time in SoCal. Those inside SoCals were like spot on. Like the intonations with Beck and Kyle and even Jonah Hill when he would come on. Like they just played those SoCal guys perfectly. Ever encountered a SoCal guy like that? I'm familiar with the archetype. Yes. And you're right. They're so studied. They're so studied. And that's probably why we love them as a pair and probably why they get along so well as a comedy duo and friends is that they are – there's so much discipline and rigor to what they do. Like, again, it comes off as really goofy and silly and fun, but they've clearly done their homework. Tonight we're coming to you live from Keith's dad's condo where he's having a nice little kickback. Track 4: [23:19] All right, so for our top story for tonight is Amanda Byrne's little sister Sarah is moving back home, and I heard she still looks good. I'd go with her for sure. Yeah, me too. Or if I get the chance to. Right. All right, so in other news, me, Andy, Pierce, and Scott, we want to start our own clothing line. All right, so now it's time for Meet the Boys. Let's go, yo! Meet the Boys, the boys, meet the boys. The wardrobe, the script. Track 4: [23:47] Their hair their wigs like everything and then you have someone like larry david and then jonah hill as you mentioned in like other you know great comedic talents who clearly appreciate what's happening and want to be a part of it yeah i know when they went to usc i'm. Track 4: [24:03] Sure they came across guys like that and they're like oh yeah this is fodder we got we're we're characters off these guys yep 100 yeah those inside socal again they they gave they kind of snl did the right thing with kyle and beck like they gave them their playground initially immediately from season one and dave directed a lot of those so those he saw the good neighbor influence uh immediately uh in season 39 um they were a package deal yeah yeah they were but i feel like too like it started off that way but i feel like beck really started carving out his niche like at a certain point i forgot that they were a package deal initially like i always knew them like beck and kyle like of course but at a certain point Beck kind of became his own man to me big time he had a broader appeal like Kyle was almost so good at awkward that it probably or possibly prevented him from playing the everyman because he was you know physically he looked at times a bit nerdier he really leaned into it he was letting his hair grow and he had glasses and stuff where Beck Beck physically could be more like your middle-aged dad in the minivan so that potentially made a bit of a difference yeah uh just the. Track 4: [25:19] Amount of roles that he could play i always. Track 4: [25:22] Thought of them as a pair but then realized how close they were after the fact. Track 4: [25:28] So i didn't know them from good neighbor that is all stuff that i discovered after um and even going back to watch videos like even when they sit together on the couch for interviews they're like 12 year old boy best friends. Track 4: [25:41] Like they're all like climbing on each other and pretzeled. And, you know, there's a closeness and a comfort that is really quite lovely. Yeah. And that's a good point about Beck being the one of the two to have more broad appeal. And then he started, I mean, it was fourth season. They started giving him a lot of really important political impressions, too. I mean, they gave him Vladimir Putin. Now, do I think your new president is perfect? Perhaps not, but don't worry. I'll get him there. Track 4: [26:13] Donald, let's talk his friends. You're not off to a great start, man. I thought you'd be better at this. However, I'm glad to see so many people showed up to your inauguration. Oh, wait. That's the women's march. Here is inauguration. Vladimir Putin's such a stone-faced person in real life. Beck had to find the goofiness. That was an out-and-out caricature, which I think was hilarious that Beck just found something, a kernel of a caricature with Putin. Takes his shirt off, wears the gold necklace, rides in on a horse. And he did that nine times. And to me, they were all great. I always loved seeing Beck pop up as Putin. He would kind of have that, like, swaying. Or how did he move as Putin? Just moving his shoulders? Like, try to, yeah, just something about. off people yeah and he would always talk about that like of course i poisoned him what do you mean like yeah yeah but just to physics you have to find something like some sort of kernel from such a stone-faced person like that so so i really appreciated that and that goes to show that that you don't have to look like the person or sound like the person or so to find an angle on an impression right yes i agree now sometimes looking like a mike lindell or mitch mcconnell. Track 4: [27:40] Also helps but he achieved both in those two because he not only was able to achieve somewhat a similar look but captured their ridiculousness you know mike lindell's manicness yeah and mitch Mitch McConnell's like blubbering, I can't even, how do you, he's just blubbering, no chin goof. Track 4: [28:04] And he captured them both in look, but also in impression very well. He did a lot of impressions. If you look on his page, there are a lot. Did he nail all of them? No, but he always felt like he was game. They felt, I think SNL felt that he's going to find that thread and pull it, as you say. So he didn't always need to look like the person because he was going to find something thing to bring it to life yeah it was like steady-handed commitment too like you gotta be committed to to just sit there for a cold open as putin behind a desk and with your shirt off showing your chest hair and showing beck would have some odd physicality where he almost like had bear-like qualities and you didn't always see that uh in him until until he had wore a tight shirt or something and I'm like this guy is kind of like filled out barrel-chested barrel-chested yeah yeah so you have to have commitment to to show on camera that your barrel-chested self I guess yep yep you know for millions of people yeah big deal he also was willing to look the fool. Track 4: [29:12] And there are several people that do that, but he took it to, like, a real potty level. Track 4: [29:21] One of my favorite sketches is undercover office potty. You need to go to the bathroom, but you have a lot of work to do, and it's all the way down the hall. Yep. We've all been there before. Why don't you check your lamp? Huh? Check your lamp. Whoa. Go ahead. head. Do your business. What do you mean? Use it as a toilet. Oh, now I get it. Introducing the undercover office potty. The only toilet that looks like a lamp. So you can go whenever you want and no one has to know. Just open it up and go to town. It'll be our little secret. Thanks undercover office potty. I did good. This is season 43. It was another pre-tape. It's so silly, but it checks the boxes on all of the things that we've just talked about. He's working, he's, you know, your average generic middle management position in an office surrounded by bland cubicles, and he's got to get the report done. And the premise of this is that he's so busy, wouldn't it be great if he didn't have to walk all the way down the hall to the washroom and could just make use of portable toilets disguised as office components, like your plant holder. Or it becomes even crazier and they are comically oversized. Track 4: [30:49] You know, staplers and such. And clearly the room starts to smell and people start to notice, but he's just so committed to it. And it's a great script, a great, great script. Track 4: [31:04] And just like almost with a straight face, like selling this beyond ridiculous premise. Yeah. That's some of my favorite. And it's lamps, by the way, it's lamps. I knew what you meant. Yeah, you knew what I meant. but yes all of a sudden he's surrounded with all sorts of lamps and the the line like well it wasn't me i used the bathroom all the way down the hall and he just his you know again commitment to you know dumb like as you say confidently dumb so stupid of course people are going to notice but he is owning it until the last possible minute when someone starts actually looking at them yeah absolutely season 43 uh episode 16 you can find undercover office his potty go check that out that was a yeah that's a classic beck one um we had talked about, him playing dads and i love like he would tap into different archetypes of the dad and one of them that i loved um that i think was underappreciated i think i think it just sort of some people didn't get it i noticed like with some online reviews i go to one snl a day which great people, they helped me a lot with just looking at their website and research. But the person who covered Boop It on one SNL day, no offense to them, they clearly didn't get the sketch. Track 4: [32:28] And to me, this is a perfect archetype, Kirsten, of like, oh, I'm going to do this. Downtrodden recently divorced dad that's like at at his rock bottom through the form of a child's an ad for a child's toy but don't get one wrong point it maybe next time jenna. Track 4: [32:53] See who can boop it best and be the boop it boss my turn jenna just went i was after her i think I think it's Tyler's turn, Dad. Tyler, your mom just called. She wants you to go home. She wants you at home. She does? Yeah, bye. See ya. Track 4: [33:07] There's the door, bud. Bye, Tyler. Now that I can actually concentrate, I can do it. Concentration's the name of the game. Listen, is anyone truly equipped to handle young children? No, there's no manual. You get them and you figure it out. I mean, I remember with my son and his friends making gingerbread houses and wanting to just scooch them out of the way and do it better myself. So I think we can all feel kind of close to the notion here, which is let me do it. I can't suffer watching you try to do it. And this is taken to comically new heights with this bop it send off, boop it, which if anyone's ever played it or not, it's a gadget with a variety of buttons on it and you have to hit them as quickly as they illuminate or trigger. I forgot that that was a real thing now that you mentioned it. Track 4: [34:23] With, you know, I think he's drinking in the sketch, too, isn't he? He's like really going off the rails. I love how he just kind of takes a little sip and then he starts playing the game again. Like he has this scotch or something. Yeah. He's rude to the kids. He's like sending them out. All of a sudden, all parenting is out the window. The desperation there. Yeah. Again, you know, as we said, he can play part douche, part, you know, fail or thrive, part man-child. Like all of these things. things there is the alchemy of it represented in you know a dad type yeah he's almost he's trying to impress his kids because he probably feels like his kids look at him as this loser so he found something he's like i could impress my kids by doing this and then he gets addicted because you're right like that's the only thing that he had one of my favorites is when his wife played by heidi gardner picks them up and then she's kind of like have they eaten and then he pauses And she's like, and then he stops and he's like, hold on, baby, let's try to let's let's try to work it out. And she's like, oh, like, hey, like, I almost feel sorry for him in a way like I'm sure he's this loser. And she's that has every right not to be with him. But Beck makes him almost like somewhat sympathetic in a way, but you still get that, like. There's a reason why he's divorced. That's, listen, there are people that stay in those relationships and that's why. Right? Yeah. Track 4: [35:47] Oh my gosh. I think a spiritual successor to that was from the following season with that December to Remember fake ad. Yeah, I loved it. And I think this one was actually well-received because we know those commercials. We know everything. thing so I think this one is actually like a well-received fan favorite like yeah Kirsten did you like this one when you saw it I love it and have we not all at some point looked at the screen during a commercial like this and thought that's not how real life happens yeah if my partner went out and bought an expensive car on their own and surprised me with it which is in every romance novel and oh every hallmark like this is a thing right go get an oversized car yes exactly. Track 4: [36:39] They finally someone has said that's not real life and not only is that the case they then really go into the sub-basement of it's not real life and they expose that he hasn't worked the mom is having affairs the neighbor lent him money the neighbor is probably one of the people having the affairs and so then it blows everything up and we get real, real life. Track 4: [37:25] Your father hasn't worked since last March. What? Yeah, COVID has hit a lot of people hard, and I'm no exception. Nathan, you got fired in March 2019. COVID had nothing to do with it. He probably has a weird attraction to his son's girlfriend. And, you know, it's still got the Christmas or holiday sparkle on it, like, you know, every car commercial we've seen at the holidays, where really are you going to buy a car and try and surprise your partner? That is just not fiscally responsible. responsible yeah it's not being a good partner it was very much it's got to have just been made up by car companies like i don't know anyone that really does that it doesn't happen no it doesn't happen unless you're like a jenner right or a celebrity and then you have multiple cars and who cares but that's not real life yeah yeah and yeah i just love how like just yeah confidently stupid and like he's like no it's okay because of the aper do you mean apr like yeah just like And then like he even looks at his son and I love it. Timothy Chalamet was his son. He looks at his son's like, looks like your old man's busted. And he kind of gave this look like, uh, like almost like a childish sort of. Oh, I love it. Cause he, yeah, he goes like, guess your old man got busted. Like, and he makes the credits to make a face like whatever. Track 4: [38:38] Brilliant. Brilliant. It's probably not the first time that he like surprised her with something dumb. Exactly. He thinks he's going to win. Yeah. That's that confidently dumb. He thinks this is going to save everything. I'm not working, whatever, but guess what? We're going to drive in style. She's going to be so happy. And he's, it's just, he's not making good choices once again. Yeah. To be fair in his defense, if I thought that that Lexus only costs $4,000, I would pounce on it too and surprise my wife. Uh, again, dumb, but yeah. Yeah. It's not that much, babe. That, yeah. Cause that's how much cars cost. Yeah. Oh boy. Oh boy. Again, this is going back to high school reunion. You know, you think you've, you've won and you've got the, the catch of the year and it's, he's a bit of a loser. Yeah. Bit of a loser. Yeah, absolutely. Poor Heidi's relationship. Look at her having to sleep with old Mikey Day neighbor. Track 4: [39:32] Yeah what a great sketch i'm gonna pick up on another kyle mooney partnership because why not and that would be the brothers here's some real physical comedy now they're playing tweens teens, uh seems like 11 would be the age yeah i don't know why i honed in on that yeah because they're They're still self-conscious enough to walk around without pants, probably. So they set up, and they've done a few of these. The setup is, you know, where we see a living room, we've got the host as the dad figure, Cecily as the mom, they're entertaining some guests, and they invite their two young sons downstairs to meet the guests. Beck and Kyle come on down wearing t-shirts and tighty-whities, and they're wrestling sling their way down the stairs, mass chaos, pictures are falling off the wall, and they are not listening. They're clearly in their tussle. And so the dad figure, it was both one time Liv Schreiber, if I'm saying that right, and James McAvoy, who plays a new dad, which they make some fun jokes about, and he sprays them inside with a water hose to calm them down. Track 4: [40:47] And they are being the most obnoxious, competitive... Brother rivalry duo possible how's god into y'all tonight it's his fault he's a loser oh i'm a loser well you're an accident dad tell him no. Track 4: [41:05] Wait what oh my god jared don't do this tell him dad no what's he what's he talking about Oh, God. Okay. Yes, Spence. Initially, we weren't planning on having a second. Why are you telling him this? Track 4: [41:30] The guests are appalled and want to leave. The parents are not phased at all. And it's hilarious because we see them get blasted in the face and body with this water sprayer. That's indoors. Track 4: [41:44] Indoors. which they i think um ad makes a comment about yeah and then in the second one they actually bring out the leaf blower and there's some hilarious physical comedy as their faces are being you know blown away by this leaf blower and you know the hey look at the dance look at the dance like this you know if you have a sibling or clearly you've are probably familiar with this anyways that kind of competitive spirit oh yeah where they're trying to one-up each other um is on full display here it's really funny yeah it's spot on if you've ever been around two brothers around the same age let's say nine and eleven or something like that like this is so spot on oddly competitive you're right like when the one with leah schreiber like yeah they were like made up one of them made up a dance like beck's character made up a dance and then kyle's like no that's my dance and then they start fighting like this is the dumbest thing who cares it's like a little but that's how little kids are is this the dance yeah exactly but i've seen little kids in my life around the same age fight like that and you're just sitting there like god the guy this does this does not matter like why are you guys like this yeah it's just little boys this is hyper little boys like it's it's it's perfect you know if we look at a theme here, they really are creating moments out of very everyday scenarios. Track 4: [43:09] You know, where you have someone like a Will Forte who does really absurd stuff, really absurd, or a Bill Hader and all his beautiful character work. Track 4: [43:21] These, you know, Beck and, you know, Kyle as well, but they really excel at the everyday life situation and scenario and dissecting that and finding the funny in it. Yeah, well, as you put it earlier, it feels studied. All these everyday characters feel so studied. It almost feels like Beck and Kyle, I know they met when they were 18, 19, but it almost feels like Beck and Kyle knew each other when they were both like 11 years old and they actually behaved like this. That's how lived in it feels. Absolutely. I don't know, because Weekend Update, I feel, was that when Beck actually went on Weekend Update as a character, which he wasn't like, I don't think he made his bones on Weekend Update, but I think there are some Weekend Update things that he did that I liked. Have you ever met somebody, Kirsten, who's like, sees the world differently? I just see things a little differently. Track 4: [44:22] Beck playing Jules was perfect to me, another perfect archetype that he nailed. Yeah, I think it's because he plays subtlety so well, it doesn't lend well to Weekend Update. So when he does find a character that is bigger and bolder than that, like our friend Jules, who I could see this character being played by like a Fred Armisen also, then he nails it. It was a little bit too like his theater student, right, where playing in this kind of word salad lingo land where they're saying a lot of nothing. You know, like Jules was asked about economics at some point. He doesn't have an answer to that. Come on. Track 4: [45:09] He's not a free-thinking economist. No, he was frustrating. He's one of those people where you wonder, how do you pay your rent? Yeah. He said that his – at one point he said that his dad invented OxyContin. Oh, God. So I think he kind of slipped that in there. Yeah, yeah, yeah. So he's free to explore the ideas that everybody else is afraid to. But we know somebody like that. I live an hour from Santa Fe, New Mexico and in Santa Fe. That's the archetype There's so many people who are just like I'm a free thinker and I'm a new age kind of you know And they have to tell you that and they have to tell you that just tell me are you gonna watch like the red carpet? Oh, I'll watch and scoff Colin fool. Yes. They all ask who are you wearing? What I want to know is who are you being? I Want to tell every actress I see take your clothes off I want to see what's underneath. Yeah, no, you can't do that, man. That's really bad. Really bad. Society wants to paint them like little dolls, but they should be like the dolls I had as a child, whittled from driftwood with very realistic genitalia. Track 4: [46:23] That feels regional, yes, because I can't say that I know too many people like that or that we have too many parts of Canada like that. But as you describe that vibe down in in those areas i can see them being there for sure it feels it also feels kind of california but it feels like those folks have a lot of etsy stores yeah yeah no you're 100 right selling their dream catchers yeah for sure for sure um yeah so so so i think uh you're right like maybe his style wasn't necessarily like totally i'm just gonna going to shine every week on weekend update like i think a heidi probably shines on update more ego does bobby moynihan probably did a little bit uh more shining on update but yeah something like jules i think if you give him the room to breathe a little bit i think i think uh yeah that was that was his highlight to me uh from weekend from weekend update for sure yeah uh is there anything else that popped out to you well well fun this was fun i gotta say like beck underappreciated and and sometimes i don't know if i overuse but it's just like somebody like him i really think because he was on the cast with kate kate sesley 80 he was on the cast with a lot of like big characters on the cat like but i think beck was always just that almost steady presence so it was It was fun to revisit him and be like, wow, he actually did a lot. Track 4: [47:52] He's in so much that I would have needed a lot more time to rewatch. I wouldn't have to just watch whole episodes to catch everything he's in, for sure. There is one more that I... Re-watch. And that's called First Impression. Another pre-tape, Jason Momoa, season 44. Track 4: [48:17] Melissa Villasenor is his girlfriend, and she's going to introduce Beck, her boyfriend, to her parents who are coming to their house for the first time. So we've got Jason Momoa and Heidi as the mom, and he's feeling very nervous. He's got a new shirt on. As she opens the door and turns around to make the intro, he's not there. And we don't understand why until we realize that he's hiding and he uses a really funny child's voice. That's weird. He was here just a second ago. Well, we can't wait to meet him. Michael! Honey! I bet you can't find me! What? Was that him? What did he say? Come find me! I'm hiding! Michael, stop it. Okay, come out here and meet my parents. Where am I? Honey, what's going on? I think he's just nervous. He really wants to impress you. Why would that impress us? Because he hides a lot. No, he's never done this before. Bet you can't find me. Oh, I bet I can. Track 4: [49:23] This ignites something in Jason Momoa's dad character who takes that as a real challenge, and he starts running throughout the house following the sound of Beck's voice in this really silly, hee hee hee, come find me, I'm hiding. I mean, Melissa's confused, Heidi's confused. Dad is right into this, to the point where he's punching through walls and ripping things apart. As it turns out, Beck has taken off his shirt, greased up his upper body, and has tried to jam himself behind the TV entertainment. Shelf and he is stuck so they have to help him yeah but it ends in a really fun way because, he says something very heartfelt about the lengths he's gone to to try to impress the parents which strikes a chord with momoa and they end up you know basically thinking this is all wonderful but it was so strange again taking a very simple moment meeting the parents, and taking it to a completely bizarre place. Track 4: [50:31] I love it. I can just hear his voice in my head. The hee hee, come find me. Like a little kid or a little elf-like. Like an elf, yes. Not even a kid, you're right. It's like a little elf-like being. Yes. Yeah, no, no, that was perfect. Like, yeah, from like dumb dad character to like kind of well-meaning dumb boyfriend who missed the mark kind of thing. Like, yeah, that was perfect. fit and i yeah i just loved how instead yeah of course like the comedy in it i just love just momoa's character instead of being put off by he's like all right i'll play i'll dance, i'm buying into this premise so let's go and then yeah that was just that was just perfect back right there it was great for momoa too and played against character i think he they even made him look like you know dad bod too he's wearing like a sweater or something, right? Yeah, he had a big cardigan. I think they'd given him like a fake kind of dad bod belly. And he was also fantastic in it. Yeah. I mean, he looked like a boring dad who used to be a professional wrestler or something. Yep, yep, yep, yep. Which is maybe this is part of it, right? Like as you say, he was kind of boring and this kind of reminded him of how crazy he was in his youth. And he was like, right into this game, I'm going to find you. And his competitive spirit was... Track 4: [51:49] Triggered yeah that was great season 44 uh first impression that's the momoa episode that was that was great uh one one other one uh that i want to explore and this ties into kind of a theme when i was thinking about beck is his very last episode um the anya taylor joy episode uh season 46 beck had a great night so he did the sketch the very his very last sketch was him. Track 4: [52:14] As Vin Diesel talking about like the movies and just describing all this stuff and the about the movie going experience the sticky floors the eight dollar bottle of water the nachos the hand dryer in the bathroom that's louder than a choo-choo train the second concession stand that's never been open the little boy at the urinal with his pants all the way down the bird that's trapped inside the lobby it's truly incredible that's right i'm talking about the movies but like almost the chef's kiss like the perfect ender to hit to beck's kind of dumb dad archetype was this one picture with dad so a few years ago there was this uh i don't know dumb kind of uh trend of dads posing for picture pictures with their like daughter's uh prom date holding a gun and the the joke the the joke was supposed to be in real life like he he if this guy does anything my daughter i'm going to shoot him so i love that they just played off that who else could they have gotten other than beck to do this kirsten that's just it this is This is the ultimate send-off because he is playing all of the things we've talked about. Track 4: [53:35] The dumb, confidently dumb dad, definitely a bit of a douche idiot, can't make the right decisions, man-child. Like, he ends up shooting himself in the doink. All right, now scooch together and smile. Okay, one, two. Whoa. Oh, my God. What? Track 4: [53:56] I saw it on the internet. It's funny. Chris, I told you that we weren't doing this. Oh, come on. It's funny. Dad, how is it funny? Well, you know, it's like, hey, mister, you better not try anything or I'll shoot you. And people are doing it. It's a thing, you know? It's like, bang! Dad! Stop. Oh, come on. Relax. It's really quite brilliant. It's a great one. And you're right. It kind of summarized all of these things that we've said about him and that, you know, all of the skills that he has and brings to the table. So it was fantastic I also do like that, Andrew and Heidi are basically keep telling him that they're going to have sex that night. Yeah. Yeah. Not to say, would you, will you promise me that you're not gonna have sex tonight? And Andrew's Andrew just like, um, we will, but sure. Yeah. Yeah. Track 4: [54:46] And 80 is playing the wife, right? And she's got the cooler box with just the pieces of him left. Track 4: [54:53] Anya's playing the OR doctor. Yep. Um, yeah, it was hilarious, man. He's great. Such a perfect, yeah, such a perfect send-off. And they didn't have an official send-off, quote-unquote, for Beck. But between this and that Vin Diesel one, like, what a great last episode. And that made me think, like, I think Beck left when he was at his peak. I think he left on a high note. Like, he was trending upward, almost proving himself to be arguably, he and Kate maybe at that time, the two most indispensable people on that cast. And Beck really did leave. I mean, he could have been on the cast even right now and still had a lot to give. So it was interesting to me that he got better, where sometimes you see cast members kind of like peter out toward the end of their tenure. But Kirsten, to me, I don't know if this is something that when I say it that causes a lightbulb moment, but I think he was peaking when he left. I mean, that's when you want to go out usually, isn't it? Yeah. Track 4: [55:55] I wonder what role he'll play in season 50. Yeah, I was curious about that. Do you think, like, is he the type of former cast member that you think will pop up in season 50 or over the years? Like, will people be clamoring for, like, a Beck Bennett, like, we need to see Beck in season 50 kind of guy? He's underrated. I think much like Taron Kalam, he's probably not going to be asked to host, which is a real shame. I don't agree with it. But those two were both very much glue players. Yeah. Track 4: [56:26] Within their respective casts and both underrated they have some serious fans and if you objectively they were fantastic cast members and have great characters great impressions all of the above so they might pop up in season 50 i don't know that they'd be asked to host and i think he would i would love to see it i'd be pleasantly surprised um but i maybe if he had a big movie come out you know like if something else changed in his post snl career that might make a difference it's kind of sad actually yeah i at least want to see him pop up in some capacity um if at the very least beck doing something on the actual celebration uh the actual 50th celebration oh yes in february yes yeah maybe not host i wasn't like maybe setting my sights that high. But he needs to be back and do something. And I think people will remember like, oh yeah, you know who was a great cast member? Beck Bennett. That's right. Yeah, I mean, too, like thinking about his career, it's been three years since Beck has been off the show. Where do you see his career heading? Is he like a leading comedic actor? Is he better as an ensemble? What do you think the entertainment world could have in store for Beck? I do think it's ensemble. Track 4: [57:53] I can see him in one of many ensemble comedies. I think he'll always get slotted into office-type situations. He's just that character at the office, the confidently dumb guy, or a neighbor. I don't know that he's any type of leading character that way. I think he's a little too funny-goofy. Again, this is not a complaint. No, no, not at all. my take on how I perceive that industry working. Track 4: [58:25] Kind of how Kristen, kind of when she first left, she started popping up in those co-worker type roles. So similar to that. There's also, you know, you look at, I think you should leave and potentially popping up on shows like that and some of the more creative shows that clearly have more control, and are doing some really interesting things. Because he does those characters so well, Well, I think he's just got to find that. Maybe him and Kyle are sitting on a pile of scripts right now. Who knows? They could be doing a whole bunch of stuff that we don't know about. And I do know he does a lot of voice work, I believe, right? That makes sense with that booming voice. Yeah, so he does a lot of voice work, which is a really nice way to earn your pay, right? I thought I heard him on a Buffalo Wild Wings commercial recently. Possibly, yeah. Playing this big buffalo. I watch a lot of sports. And so during March Madness, I swear I heard Beck's voice like constantly yeah yeah I think he does a lot of voice work which you know totally respectable way to pay those bills and and remain in that industry so, maybe I think has he been on a show like bad mouth I feel like those are his people oh yeah oh big mouth yeah did I oh you like all bad mouth yeah big mouth big mouth sorry with the Nick Kroll yep yeah it feels like if he hasn't that he should yes yeah no I could I I definitely agree with that, like more of an ensemble, which we always say, that's not a bad thing. Track 4: [59:53] Not everybody can be Will Ferrell, you know, and just be like this leading man. I think that's a really great thing, and I think Beck has a lot to give the comedy world. For one, I'm excited to see what he does moving forward. So, Kirsten, now's the time. We're now talking to SNL fans, SNL Hall of Fame listeners, the water cooler. Cooler why do you think they should hold beck bennett in high regard when they think about the history of snl all right. Track 4: [1:00:25] Reliability in that ensemble cast is huge. That's why he's in so many. You know, consistently being able to play a variety of roles with that type of range. We talked about the absurd and the subtlety and this really beautiful balance he achieved at all the characters that needed to portray those things. He also dipped his toe in political, which is a huge part of the show. He played pretty important political characters. I mean, come on, Putin, Mitch McConnell, even not important ones like Mike Lindell, who are we even calling him in the political realm? He pops up there. Yeah. The physical comedy, you know, it goes right back to season one, episode one and Chevy pratfalling, right? Like physical comedy is a huge part of what is part of SNL's DNA. And then the writing, you know, he had a great comedy writing partner in Kyle. And I'm sure there were others that I'm not aware of that are the actual writers on the show. But, you know, they were writing great content for themselves. They were dabbling in pre-tape. They were doing great sketch work. So I think that versatility cannot be downplayed. And whether he's underrated or not, objectively, he scores on the scorecard very high. Track 4: [1:01:53] And that has to be recognized and appreciated. Track 2: [1:02:08] So there's that. Thank you so much, Kirsten and Thomas. That was a wonderful conversation, and I was riveted by most of it. I really love the sketches that you intercut in there, Thomas. Some really great choices. I love the two boys that live in the house where they get hosed off by their parents. Those are great. Correct me if I'm wrong. Send me an email thesnlhof at gmail.com and tell me if i'm wrong but was beck's last sketch not the vin diesel parody uh impression impression rather um i feel like that was the 10 to 1 i feel like he he went out on a 10 to 1 the guy was really a tour de force and i enjoyed him a lot, Let's take a look now at a sketch that was alluded to in the episode. It's December to Remember with Heidi Gardner and that week's host, Timothy Chalamet. Enjoy. Track 5: [1:03:18] Hey, Matt, I think there might be one more gift for your mom right there. It hasn't been a normal year, so this Christmas, get her something extraordinary during the Lexus December to Remember sales event. Nathan, you didn't. With flexible financing and 0% APR, there's never been a better time to buy or lease a new Lexus. Merry Christmas, baby. Are you kidding me, Nathan? Did you seriously buy a car without asking me? Well, because for Christmas... This is a major purchase. Right, but it was a December to remember. It's a Lexus. We don't have the money for this, Nathan. We don't? No, we don't. Your father doesn't. Your father hasn't worked since last March. What? Yeah, COVID has hit a lot of people hard, and I'm no exception. Nathan, you got fired in March 2019. COVID had nothing to do with it. Hey, pal, I guess your old man's busted. It's beginning to look a lot like savings, so get to your local Lexus dealer today. How much did you spend on this ridiculous car, Nathan? It was only $39.99 to its signing. Four grand. It's not that much, babe. And how much is the monthly payment? Track 5: [1:04:32] The what? Did you think this entire car cost $4,000? Uh-huh. There's a monthly payment! Yeah, but with the 0% APER, I think it's all good. APER? Do you mean APR? I'm pretty sure it's APER. Wow. Just wow. Hey, come on! It's Christmas! This is good! I did a good thing for us! Let's enjoy it! Dad, it's 9 in the morning! So? It's not like I have work later. Come on! Hey! Track 5: [1:04:59] Hey, neighbor! You bought a Lexus? You come to me three weeks ago. Oh, Mike, help me. I need money. I can't buy Christmas gifts for my family. My wife doesn't respect me. I didn't say that. My wife's cheating on me with everyone. Mom, you are? I want to look cool in front of my son's girlfriend? Ew, Dad, is that why you pierced your ear? Uh, no, I've had this forever. I just need five grand to get back on my feet. And then you buy Alexis? Yeah, well, it was beginning to look a lot better. Like savings at my local lexus dealer i want my money back man tomorrow hey kathy, what does that look you know what we're taking this car back to the dealership now i better drive maybe we stop by jenna's on the way over show this cool car your dad got huh shut up give the gift of lexus and definitely talk it over first. Track 2: [1:05:55] That was great that is just so wonderful at being that confident man and then slowly devolving into like a blithering idiot it's it's fun to watch it's really fun to watch and snl of course is fun to watch and that's why we're here each and every week as a tribute to a show that has stood Stood the test of time. 50 years now. Coming up very soon. Are you excited about the SNL movie, Saturday Night? Track 2: [1:06:32] Are you excited about the 50th season? Are you excited about our new show, SNL Hall of Fame Water Cooler? Send me an email. Let me know. And while I'm asking you favors, would you do me one more? And on your way out, as you pass the Weekend Update Exhibit, turn out the lights, because the SNL Hall of Fame is now closed. Thank you. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| The Class of Season 4 | 18 Dec 2023 | 00:33:02 | |
The time has come! jD, Matt, and Thomas announce the newest inductees into the SNL Hall of Fame. Find out if any of YOUR favorite people in SNL history can now call themselves SNL Hall of Famers. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Season 4 Roundtable | 11 Dec 2023 | 01:47:22 | |
Thomas welcomes Bill Kenney, Mike Murray, and Brad Robinson to the Roundtable to reveal their ballots for the Season 4 Hall of Fame election. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Jason Sudeikis | 04 Dec 2023 | 01:15:42 | |
This week on the podcast Thomas is joined by SNL SuperFan, Bill Kenney! Meanwhile jD and Matt talk trivia. Transcript: [0:43] All right, thank you so much Doug DeNance. It is a wonderful to be back here in the hallowed halls of the SNL Hall of Fame. Welcome to the SNL Hall of Fame podcast. My name is JD and it is a thrill to be asking you inside. But before I get ahead of myself, please, for heaven's sake, please, wipe your feet. Now that you're in here, let me tell you what we're all about. The SNL Hall of Fame podcast is a weekly affair where each episode, we take a deep dive into the career of a former cast member, hosts, musical guests, or writer, and we add them to theballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined in the Hall of Fame for perpetuity. [1:34] So there's that. I am, uh, pretty apt. I gotta be honest with you. This is the last episode of the, uh, well, the last nominee, I should say, of the fourth season of the SNL Hall of Fame podcast, never dreamed that we'd get tofour seasons and here we are, uh, we've, um, we're, we're gearing up for the fifth season as we speak, it's going to be just a blast. But in the interim, we've got 15 new nominees, we've got the Don Pardo Award winner, Don Pardo, and we had the draft episode. So this is 17 great episodes of SNL content for your ear holes. Hope you've enjoyed yourself. Let's walk down the hallway and talk to our friend, Matt Ardill, about our last nominee. And that is none other than the great Jason Sudeikis. Matt! Track 3: [2:38] Okay, uh, I'm, you know, kind of probably giving away my vote here, but this is one of the people that I'm most excited to hear an episode about, James. Yeah, I mean, oh, JasonSudeikis. Frickin' talented powerhouse. Like he is my favorite kind of improv actor. Yeah, he is a utility player. He is there for everything like like I loved him, from being a dancing fool. And and what's up with that to being? A English teacher or Japanese teacher and in the fun time sketch, he's just he lifts everybody up. OK, enough of my my ranting, sorry. Trivia for Jason Sudeikis, height 6'1", born September 18, 1975. [3:32] Almost one full year younger than me, which really reminds me of how much I have wasted my life. He is the nephew of George Wendt, which is why you see George Wendt's picture in Ted Lasso. He was born in Fairfax, Virginia. He was also born with anosmia, which means he has no sense of smell. That's got to be a weird life. I wouldn't I couldn't imagine living without a sense of smell. Now, he continues considers his hometown to be Overland Park in Kansas, where he graduated from Shawnee Mission West High School before attending a local community college on abasketball scholarship. He is an avid sports fan. He's played he played soccer and basketball in high school before getting that basketball scholarship. He did drop out of, you know, of university or college. Excuse me. [4:28] Now, he's actually attended multiple Olympics to support the US team. He's that big of a fan. After leaving college, he began as an improv performer in comedy sports, Iowa, Chicago and Second City as a tour co-member as touring company for those not indoctrinated into the cultof Second City. I am a level E improviser. I have given much of my heart and soul to the mighty improv gods. All hail Del Close. But yeah, so Jason was actually tapped to help found the Second City Las Vegas branch in the Flamingo. I can't think of anything that goes together worse than Improv and Las Vegas. That's dark. That must have been. [5:35] Divorce! I pawned my mother's ashes. I mean, just things got must have been dark. Yeah. Anyways, he has 84 acting credits, five writer credits and two producer credits with his most high profile post-SNL roles. [5:52] Obviously being Ted Lasso, which he's the co-creator on. It was based on a series of commercials that he'd done for Sportsnet. But many consider his breakout film role to be his turn on Horrible Bosses, which is a great movie. I just love that movie. He later produced the vastly underrated Tim Robinson comedy series The Detroiters and even appeared in two episodes. He was possibly the most homespun voice of a brand, the voice of Applebee's for the chain starting in 2012, he has played in two NBA celebrity all-star games in 2011 and 2016. An improviser through and through, he would regularly attend NYC's Upright Citizens Brigade ASCAT 3000 shows during his time in the city. And I have to say, I do agree with this one. Ranked 73rd sexiest man in Glamour UK's 160 sexiest men of of 2017 and people's sexiest man in both 2015 and 2016. I just think there's something sexy about the guy, just like he's got that old school charm. [7:11] Now, he is a huge karaoke fan. He would regularly go out and do karaoke with Will Forte during their time together on the cast of SNL. And that's continued to this day. He he would meet up with Will in New York. They go and do karaoke and which is why when they appear together on TV on Will's show, The Last Man on Earth, they did karaoke. He is a man after my own heart during his time in Las Vegas, he rode a Vespa, the best of the kinds of scooters out there, the best motorcycle, it's classy, it's cool, it keeps the wind off yourlegs, you just look good on a Vespa. No, classic Vespas, new Vespas. Interestingly, also during his time in Vegas, he kind of felt burnt out in the world of comedy, so he applied and tried out for the Blue Man Group, multiple times, he was rejected each time,which is an interesting choice. Now, he he he credits a lot of his early inspiration, actually, from seeing Beverly Hills Cop in the theaters with his dad. He was a huge Eddie Murphy fan. All right. That's it. Thanks. Track 2: [8:28] No, thank you, Matt. That was tremendous. So let's send it downstairs to Thomas Sena, our roving librarian, our chief conversationalist. We should be relabeling him at this point, but nevertheless, he is with Bill Kenney, and they are raring, chomping at the bit, in fact, to talk about Jason Sudeikis. Track 4: [9:27] All right, Matthew Ardill and JD, thank you so much for giving us all that great information. about the very wonderful cast member Mr. Jason Sudeikis is our topic this week. And joining me to talk about Jason Sudeikis and break him down is my main man Mr. Bill Kenny, my guest for Robert Smigel and Jan Hooks. Bill, how are you doing tonight? Thomas, I'm great. How are you? I am doing great. This is a, uh, an interesting one. One of the headliners, I think of, of season four of the SNL hall of fame, one that a lot of people are looking forward to you. I was telling you off mic, um, no pressure bill because everybody's counting on you to deliver the goods for Jason Sudeikis. No pressure at all. I'll do my best here. [10:20] So you were, so you did a great job. So you were my guest for Robert Smigel and Jan hooks and your close friend Robert Smigel is in the S. Snow Hall of Fame. Bill, well deserved, I think. Yes, yes. I'm very happy to see that. He was happy to hear that as well. He's waiting for his award in the mail, so as soon as you get that out to him. Yeah, it's coming from Canada, so I don't know. We'll have to ask Jamie what goes on with the postage in Canada and stuff. It's a little different, so he'll get it at some point. Yeah. [10:54] And I think Jan Hooks should be in, and I think she'll get there eventually, Bill, but she got, so she got nearly 40% of the vote her first time on the ballot, and 56% her second time. What do we have to do to get Jan Hooks in the Hall of Fame, Bill? Oh, I like that we're getting closer. I feel like we're educating the younger folks who didn't have the honor of getting to watch her live and in person. So hopefully we'll continue to move in the right direction. Sometimes it takes three or four ballots. You know that from sports as well. People who are more than deserving to get into a Hall of Fame take a little time. So that's okay. Just let's make it right. Yeah, yeah. This is a wrong that should be right at SNL Hall of Fame voters. Put Jan Hooks in the SNL Hall of Fame. I think we need t-shirts. Yes, we're gonna make t-shirts and have a little campaign. And hashtag, once Bill and I figure out what a hashtag is, we'll do that and get Jan Hicks in the SNL Hall of Fame. [11:54] That's it. So going into this episode, Bill, I'm challenging myself a little bit. So I have Sudeikis pretty high on my all-time list. You and I have shared with each other our all-time list. The SNN is doing a cast member countdown as we record this. And I have Sudeikis pretty high. I have him 11th, damn near top 10 on my list. You have him a 14th. Right. On yours? Yeah. But I'm wondering, and so I'm challenging myself, I'm wondering if I'm giving him a bump because of a successful post-SNL career or if I'm misremembering his time on SNL. So I wanted to ask you, Bill, you don't have to get into specifics maybe about Jason just yet, but do you feel that like that's a tendency for people to romanticize certain cast members basedon things not pertaining to their actual work on SNL? I think that's a definite problem that you could run into. I think we've seen that with people like Adam Sandler, David Spade, who have stayed in the spotlight in one form or another. And you do have to be careful with that, because it's not really fair. If you're just looking at what they did on SNL, that should be the only thing that matters. Now, if you want to take into account whether they hosted, whether they came back in cameos, I think that's fine. [13:14] That's part of the whole breadth of being on SNL, right? Like, if you come back, do a successful hosting gig, or you do a funny cameo in a political sketch, You know, everybody loves that, everybody looks forward to that. [13:28] So that's fine. But yeah, it is tough because he is one of the biggest stars out there because of Ted Lasso. But I don't think that either one of us has him too high because of that. So before I went back and did some rewatches and stuff, that was kind of the challenge that I was giving to myself. So I think that's my conclusion too, is we have him properly placed. I'm looking forward to seeing what the SNL voters, SNL Hall of Fame voters, think. I have a feeling he'll get in. Maybe we can give him a little bit of bump as far as percentage of the vote and everything with this episode today. But he's just a wonderful cast member, Bill. He's just awesome. So do you remember any early impressions you may have had of Jason? He became a cast member at the end of season 30, but really started hitting his stride in 31. Well, it's really interesting, and he's told this story before, but he gets hired as a writer in 29 and wanted to be a cast member. He went in with Kenan and J.B. Smoove and Rob Riggle to audition, and he doesn't get it. But he's on a season that's very uneven, some would say terrible, but he does write some really good sketches. He gets a lot of stuff on early. He does a Jack Black sketch where Jack Black is an acoustic guitar player playing for his father for the first time. And his father is dating Shelly Long from Cheers for some reason. [14:55] And it's so gonzo and so crazy that this is his entry into SNL. So if we had known, like we do now, the writers, the credits, we would have been like, well, this Jason guy, he's going to go places if he's writing stuff like this already. And then he almost immediately gets to write a Weekend Update piece for his uncle, George Went, with my BFF, Smigel, a Superfans redo where he, George Went and Horatio are talkingabout the Cubs collapse in the playoffs that year. So it's really interesting to see how well he does that first season. But then he gets to write in his second season, he's thinking about quitting. He doesn't want to come back, he wants to perform. and he writes a sketch with a few other people from the show for Tom Brady. It's a behind-the-music, do you remember this? Behind-the-music for Super Bowl Shuffle. [15:54] Yeah, okay, there you go. So you must have been going crazy when he did this, but... And he... Puts himself in as an extra, but he gets to be on stage with Brady by himself playing cowbell and dancing like a crazy person, and he catches the eye of Lorne. Now, he's been on the show for two years, Lorne probably didn't even know his name, but this caught Lorne's eye and he was made a cast member the next week. So that's fascinating to me. Who the hell is that dancing? Yeah. Probably Lorne and I had the same reaction and everybody else probably, and I bet Lorne even said that, who is that dancing? Marcy, can you get me his name? Lauren, he's on the staff. Who's staff? [16:39] That's a great origin story. So Jason, he was a writer, but he wanted to be a performer, and thankfully he got his wish. Right. And then, so he does the last few episodes of that season, season 30, another infamous season, if we're being fair, but comes back the next fall. And Andy and Bill Hader and Kristen Wiig, and all of a sudden we've entered into a new era and Jason dominates right out of the gate. He has seven sketches in his second episode of that season, including Taco Town and he plays Bill Frist, he's a friend at the funeral. He's getting into, oh, he plays Napoleon Dynamite in the opening monologue. Oh, okay, does he do the dance? The Napoleon Dynamite dance? He mostly does the voice. Oh, he did the voice, okay. Yeah, because John Hader was hosting. Oh, okay, yeah, yeah, yeah. That's when everybody had Napoleon Dynamite fever. Exactly. You had to be there, everybody. Kids, you had to, yeah. So he's right out the gates. Like, he's doing crazy characters, he's playing husbands, he's playing doctors, and a cast that's stacked, he stands out immediately. He, right away, even in that Super Bowl shuffle sketch when he wasn't officially a cast member, gosh he he just totally stood out right away. [17:58] What are some of the or maybe the first kind of standout sketch or character that comes to your mind? When you think of Jason Sudeikis Well, I mean we have to start with the a-holes, right? I mean, that's Pretty early on in that first season season 31 first full season He hooks up with one of his really good cast mates and Kristen Wiig playing these two completely obliviouspeople, and they're in different situations. I think the first one, was the first one a Christmas episode? It was, it might've been the Christmas tree one with Jack Black. I think it was the Christmas tree one, right, yeah. They did another Christmas one with Annette Bening, which was even funnier. But yeah, I mean, if you don't remember these, it was a very funny sketch where. [18:48] You know, they come into the scene clueless as to what's going on. They're trying to get a gym membership, or they're trying to buy a tree. One of them had them in a Mad Men sketch, and the straight people in these sketches are trying to put them back on track and try to figure out what they're... And Kristen and he played off each other so well in these. She was the more oblivious one. He had more of a clue of what was going on, but not so much. Yeah, and in a weird way, you could tell he loved her, and he wanted to, he said yes to everything, that any question that she had for whoever was helping them or whatever, Jason justwanted her to get whatever she wanted. Like they made a good match, but they frustrated the hell out of these people who are mostly trying to help them in these sketches. We got trees up to 12 feet. All right, how big a tree you want, babe? [19:39] That's a bug. I want something like that. Okay, well that's not very big. It's bigger than that. Okay, so you want a two-foot Christmas tree? What street are we on? Yeah, where are we? Look, why don't you guys just look around, grab me when you find something you like, okay? I know what I want. Hey dude, we got... What do you want, babe? I changed my mind. I do want a big tree. Fine! How big? Seven, nine, eleven feet? What? Fifty. [20:03] You want a fifty-foot tree? Yeah, we'll take a fifty-foot tree. Dude, we don't sell fifty-foot trees. All right, they're out of them, babe, huh? When are you getting more, huh? Tuesday? No. Probably Thursday, right? No, never. We don't sell 50 foot trees. And most of the time it was the host and they tried to keep their patience until no longer could keep their patience. And this was just such a great showcase for two brand new cast members to play. And they did it eight times, so. They did a really neat trick, he and Kristen. So they made those characters funny and you didn't like them, but not to an annoying degree where you just didn't like when they popped up as a sketch. So they weren't characters that you loved and that you rooted for necessarily, but you still like to see them on the screen. So that's like a fine line to kind of straddle. They're still entertaining while still being awful people. And they did that so well. Jason with his delivery bill, babe, yeah. You know that babe, Scotch Pines, babe? When's 24 come back? Jack Bauer is a pimp. Yes. [21:12] Is this their delivery was perfect the one with annette benning they play it to this day on all the christmas specials When he starts talking to the donkey loved working with you guysstand up dudes. [21:26] And kristen's just staring at her phone the whole time so annette benning does the smart thing and puts the phone, Near the baby jesus, but where they need to be looking so right,right exactly Yeah, that's a classic couple christmas classics with with the two a-holes and I know So it's very fondly remembered. We brought that up, John Schneider and I, during our Kristen Wiig episode, we definitely brought that up, the two A-holes. [21:49] So yeah, that was one where I think SNL fans, SNL Hall of Fame voters, I'm sure, will remember fondly. And you're right, that was his first full season, season 31. And this was probably the main recurring sketch, the main character that caught on for Jason. Bill, I wanted to bring up another recurring character that he did that a lot of fans willprobably think of. First, that we've seen kind of recently, actually. So it's his Joe Biden. Yeah. Yeah. So what'd you think of Jason as Joe Biden from like the mid to late 2000s, Joe Biden? It's interesting with political impressions that have lasted decades to get who's the best. You know, you have the Hillary Clintons, you have the Joe Bidens, even Bill Clinton, who's onlybeen portrayed by a few people. But Joe Biden's been played by nine different people on the show. Nine, as of this recording. It may be ten by the time this comes out, because we just had another one. Do you remember who the first one was, in the 80s? It was Kevin Nealon. Oh, that's right, yep. Yeah, so... [22:56] Jason's was really the first full-blown Biden that we saw. Now, some people will say Afghanistan's getting better. Well, of course it is. It's the worst place on earth. It can only get better. Afghanistan's a lot like the contestant on the first episode of The Biggest Loser. You know, just because it loses five pounds doesn't mean it suddenly missed America. I mean, come on, she's still a fat girl. [23:23] Hey, look, I'm just giving it to you straight Biden style. That place is a mess. He's running for president against Hillary and Barack Obama, and then he becomes the vice president to Barack Obama. And my feeling has always been SNL was not completely comfortable with Fred's Obama, rightfully so in some ways. And Joe was getting more headlines because of crazy things he'd say, or he'd say something that was kind of out of whack. Yeah, to the younger people, Joe Biden was like that in the mid to late 2000s, too. So he wasn't just like a gaffe machine, you were kind of wondering what he's gonna say next. That's not a recent thing. Yeah, it's not his age. No. That was Joe. That's just kind of him, yeah. Where Barack was kind of the straight man to his crazy man. Like, that was really the way, and Jason encapsulated this perfectly. We even got to see it when he came back to host, and they had the two Bidens, J.A.J.'s Biden versus his, and to see the differences. [24:36] I think it's a more subtle impression today, kind of whispers more, where he was more yelly back in the mid-2000s. [24:45] And Jason just did it great. He had the fake teeth in, he'd be sitting at the presidential desk even though Barack told him not to go in there anymore. It was just such a, it was a subtle impression, but a very good impression. It's not the kind of impression that you would think of from a Dana Carvey or a J.A.J., but he played it just right. Yeah, I think it stacks up. He said he was playing a version of himself and his dad. He said a lot of it was in the teeth. That's what he drew his motivation and inspiration for the character from, like the teeth. They used fake teeth for that. [25:22] It was just perfect. It was interesting because The Onion, Bill, I don't know if you remember around that time or when Joe Biden was vice president, how The Onion would runarticles sometimes about depicting Joe Biden as like this maverick who had a Camaro and who watched it. So it's interesting to me that the Onion and like SNL and Sudeikis kind of had the same take on Joe Biden. And I think I think Jason played the Biden that the Onion depicted in satire. Jason played that on screen like so well. I just connected with it really well. I did, too. And he would tell his Scranton jokes. I'm from Scranton. And so that was always really funny. He did that in the debates. He also did that when he'd be sitting in a White House sketch and just talking about Scranton being a hellhole. And I always found that really funny. [26:15] He would touch on that. But yeah, this was who Joe Biden was at this point, and Jason just found a lane and stayed in it and did it very well. I believe he played it 13 times, if I'm not mistaken, something to that effect. Sounds right. Thereabouts, but it feels like he did it a lot more because it was so memorable. Right. Yeah. And he had a lot of good political impressions. He came back for his ninth season and basically to play Mitt Romney. Warren, much as he had done with Dana, with the Bush debates and things like that, can you just come back one more year? [26:53] Because he had a good take on that too. And I think with Biden, but even more so with Romney, it's a hard impression. He's just kind of, he doesn't have an intonation in his voice that you can automatically, but that's what makes impressionists so brilliant like Jason. He found a really good way to do Romney as well, And those debates in 2012 against J. Farrow's Obama are some of the best that we've seen over the last 15 years. Yeah, those were great. And his Mitt Romney, I think, in terms of just a pure impression as far as looking like the person, maybe mannerisms true to that person, I think that Mitt Romneywas probably closer than the Joe Biden. His Biden was more of a caricature. Mitt Romney, he played that really well, like almost true to form. And he found the subtle things to make fun of. Like there was one sketch that I love where after they lost the election, he's on the balcony. He's drowning in his sorrows, drinking milk. I still love you, America. I do. But you've hurt my feelings very, very much. Father! [28:02] Hello, Father. Uh, hello, Tag. I'm so very angry, Father. Mm-hmm. I wish I could... punch America in the face, I do, I tell you! Wow, now, now. It's... it's not a time for anger, Tag. So what's next for you, Father? Oh... I don't know, there's so much I wanna see and do. I'd like to learn how mayonnaise is made. [28:29] As I like mayonnaise very, very much. His wife, Anne, I think that's her name, she comes out and he hides the milk because he's not supposed to be like that, you know, drinkingand he offers his son milk and tear and kill him and he's like, I'm 30, I'm only 38, I can't be drinking this. [28:49] So I think Jason locked in on something and the writers who wrote this Mitt Romney character locked into something a little more subtle, a lot more subtle than the Joe Biden, but itreally worked for me for such a a bland human being as Mitt Romney is. They really found an angle, Bill. Absolutely, and I wanna bring up one more political impression, and he was the last of the Ws. It was an interesting trajectory with the show after Will Ferrell left. They could not figure out what to do with it. They handed it off to Parnell, they gave it to Daryl Hammond, and they all had different not great takes on it. And then Forte took it over at some point, had a completely different take on it, but then didn't want to do it anymore. He was just kind of tired of it. And so Jason ends up doing the last George W. Bush impression on the show. First, I'm pleased to report that this meeting has led to dramatic progress towards the resolution of a variety of contentious issues in such areas as trade, environmental protection, andnational security. Second, and this I truly regret to say, we're now at war with Vietnam. [30:07] I think he had a pretty good take on it for being the, what, seventh person doing it on the show, somewhere around there? Maybe not that many, but it was the most emotional turnover for a presidential impression on the show since Reagan. So to end on a kind of a high note as far as being able to do an impression, I think Jason handled that really well. Again, it was more subtle. He found a different way to take it where, where Fortes was kind of wacky and, and clueless. He was more of the Will Ferrell sort where he just kind of found a subtle lane to do it Yeah, I don't think I think it needed to be subtle and it needed to be less lovable because I think thatone of the Criticisms of Will Ferrell's George W which is iconic. I love it, but it almost made it made George W Bush seem too a little too likable, And fortes too, I think yeah, and maybe fortes too But I think we were around this time you got to lookwhere the country was when Sudeikis was playing George W. Bush. And I think it kind of matched the tone about how people were maybe feeling about George W. Bush at the time. So I don't think you could play it as like a big, lovable, loud, wacky character necessarily. [31:17] Right, you had to find a way to tone it down. Katrina was going on, and it was just kind of a burnout in the country overall with everything that had happened over six or sevenyears. So I think this was the right way to go, and Jason was the right person for that. I want to mention briefly something that he did in his early days, probably his second season, just real quick, showing, well, this won't be the first time we talk about his dance moves, butone that I came across, the first person in the history of the world to dance. [31:47] Oh my goodness, yeah. He had no lines. It was just all physical acting with Jason, and that was just so much fun to watch. You barely even knew it was Jason at the moment. That and What Up With That, right? Yes, he has no lines in that either. Yeah, but they retired that sketch even though Keenan's still been on the show another decade because Sudeikis wasn't there to do the running man to do the wordless dancing on the stage. Yeah Yeah, he's arguably one of, I've talked to some people who say that Sudeikis is their favorite part of What Up With That. [32:23] That's fair. That's absolutely fair. Yeah, and I could see that. It's incredible physical acting, Phil. Like his walk-offs, like how he walked off the stage, how he entered the frame. Yes. He would jump in, his slow motion dancing, oh my gosh. When he came back to host, I think that was the biggest surprise. Everybody was trying to guess What characters was he going to bring back? And we did get some of the characters that we had come to expect, Biden, the devil, things like that. But when they brought What Up With That back, that was incredible. That was just such an unlocked memory to see them do that again. And that just speaks to it, that he needed to be there to do that. You couldn't replace him like you replaced some of the other characters in that sketch. We're not going to be doing a Kenan Thompson episode anytime soon, because he's gonna, Kenan's gonna be on the show 15 years from now, long after this podcast even exists. So I doubt we'll do a Kenan episode. So this is my chance to express my love for What Up With That truly and deeply. For me, it's the most pure joy possibly that I've ever gotten from an SNL sketch, like in the 49 seasons of SNL, What Up With That might be the most joyful thing I've ever seen on SNLand Jason has a lot to do with that. I'm rewatching right now. [33:49] I forget which season it debuts in, but I just watched the first What Up With That just the other night again. And yeah, same. It's just such a variation from what the show typically does, to have cameos that have nothing to say, to have people who are stalwarts on the show, like Fred and Jason,have nothing to say. And somehow it still all works. Like, Keenan carries the load for sure, but all the moving parts are a major part of that. Yeah, that's gonna be, to me, when Keenan gets into the SNL Hall of Fame or when they start doing Keenan retrospectives, what up with that's gonna be maybe the first thing that peoplebring up DeAndre Cole. Absolutely. And yeah, and Jason. Lance, is that his name? I think he has an official name. I think it's Vance. Vance yeah, yes, you were close. Yeah, you're up one nothing in Jason Sudeikis trivia, right? [34:51] I'll try to get that back So we talked about his political sketch Sketches and impressions and stuff one character that he's really famous for that. I think Rewatching is very much borders on political and just in a different way It's definitely a character that has a lot of biting commentary as the devil on Weekend Update, and it wasstriking to me. I always remember I was entertained by Jason Sudeikis coming on as the devil, but I forgot just a lot of the biting commentary that came along with that character, Bill. He is one of those cast members who is able to do that in almost everything he does. Now, he does some wacky characters, which we're going to get into, and we've already mentioned the A-holes, But when he's playing that just kind of charming guy, and even in the devilcostume, it is striking that he's able to get those things in there. But because he's smiling, he's a good-looking guy just sitting there talking... [35:52] You're kind of drawn into it and then he hits you with the one-two punch with with the biting commentary. Absolutely Yeah, the devil is one of the best examples of that for sure. So what do you think the church should do? All right. Well protect its children's not its priests, Look Seth most priests in the in the church, you know are upstanding devout men I won't argue that but they need to do a better jobstopping the creepy ones I mean if someone anyone ever touched a hair on my son's head, I would go crazy Oh, who's your son? The TMZ guy. Oh. [36:27] Yeah, yeah, do people not know that? No, I don't think officially, but now that you say it, it totally makes sense. Yeah, yeah. I loved his comments. He would talk about what he was responsible for on Earth and to kind of celebrate. He'd be like, you know that, you know that ad that pops up and even when you scroll, it's still on your screen. That's me, I did that, I invented that. So I just, I love those little things, but then he's horrified by certain things that happened on earth. So that's where like the interesting commentary comes in. It's reminiscent of when Cecily, her last couple seasons went on update and did pieces about topics that were important to her. And when she did that in character, like when Jason went on, he did, uh, something about like the Penn State, uh, saga, Jerry Sandusky. He did something about the Catholic Church and their abuse of children like there was some heavy stuff in there And but he made it funny. It's like he straddled that line perfectly He made it light but also poignant no matter what side you are on an issue You don't want to be hit over the head with something. I mean, that's that's what's always important with comedy and When SNL can get preachy about things? I don't think that I think this is the perfect example of how not to be preachy. [37:47] Like you said, you're talking about very heavy topics, but finding the funny and being able to work your way through it and make people laugh, even if they may not agree withwhat you're saying. I think that's an important point. And Cecily is a great example of that as well. And it was so good, so memorable that he brought it back, Sudeikis did, when he came back and hosted. Yes, yes. We were all happy to see that. Yeah, absolutely. [38:13] Where do you want to go from here? You got a character sketch from Sudeikis that we should talk about I think one of the other characters talking about some of the crazycharacters that he was able to play and he only did this a couple Of times and it's towards the end of his tenure, but Marshall T. Boudreaux of main justice Okay, here we go now miss Tucker What's all this going on about this mess here with all this here miss now? Well, Judge, I loaned this man my house and I willfully included utilities, but then I come back and hoo-wee, he done run up the water bill like something I don't know what. [38:53] That's not true. Hey, hey, hey, hey, hey, hey, hey, you shut your mouth. Mr. Mob, boy, you in Maine now. My goodness. Now, my wife is from right outside of Bangor, Maine, so when this debuted and it was the call letters from the main TV stand. Like, we both stopped and had to laugh at that. And then for it to take this sharp right turn into, they're from New Orleans, but they're not, and they all have these like, deep southern accents from the bayou. Thank you. Thank you. And it's just, they're referencing things in New England while they're, but then it's eventually said that they were stuck in a time-space portal where they spent half their time in Maine andhalf their time in New Orleans. Or it could have been that they were part of some exchange program, a courtroom exchange program. [39:49] Or they were transplants from Hurricane Katrina. Yes. Right, it was like they tried to, I think they tried to explain that because I was watching a interview with Sudeikis and he said, I think it was, he told, it was with Seth Meyers, I think, andhe said that, Seth said that he and Lauren pushed back on main justice as having no logic. So they possibly added some possible explanations in at the end, we're talking about the Jamie Foxx, I think the first one, the Jamie Foxx main justice, where they kind of, like thecharacters are like, just kind of throwing out possibilities of why the hell they sound like they're from Louisiana when they're supposed to be main justice. But Lauren and Seth pushed back on the lack of logic there, Bill. But do you need, as an SNL viewer, do you need total logic in your sketches? No, not at all. This was the perfect wacky thing that we could expect from a really good, I don't remember if it was 10 to one, but this is the quintessential kind of 10 to one sketch that welook for. [40:54] I love the lines like you you're a long way from Canada you and Maine like that stuff like that Talking about voodoo and jambalaya and gators voodoo lobsters, Voodoo lobsters andthen the there's a gator that pops up at the end of the second one. I think where yeah He's even got his own little gavel Yes. Yeah, absolutely. And there there was a part there. So You got to go back because it's visual so you got to go back and watch it But Jason just first of all Jason was having the time of hislife doing the main justice sketch You could tell like he was in an element. He was loose, but when he says. [41:33] We're gonna have the time of the uncle all wheels airboat and drag his bear, Lilywhite blood across the swamp to pull out that ass. [41:47] And then Jamie Foxx starts cracking up and then Jason leans in and kisses him on the arm. I don't know if you noticed that Bill. That's right. Yes, I did. You kissed him on the forearm and he just had Jamie break it. So you could tell Jason was felt like he was just so under in control of the moment. He was having so much fun. These are some of my favorite sketches. They only did it twice but there are a couple of my favorite things from that whole era. And the fun part is, especially for super fans like us, to be able to see him work with Kate and Adie right at the beginning of their tenures, you wouldn't... you kind of forget that theyoverlap after time passes. That's true. And to be able to see them in this perfect comedic sketch and to see them working together was a lot, a lot of fun. So that's another thing, kind of just kind of pulls at the heartstrings. Yeah, yeah. While laughing our asses off. Yeah. [42:39] And so you said that this was he played this character twice, but I would argue he played it three times because back in season 35 he did a, Truly bizarre wonderful sketch with WillForte and Blake Lively the potato chip thief Yes Thought by many to be one of the best sketches of the last 15 to 20 years, right? Yeah, it's up there It's it's definitely up there. If you don't remember, please go watch it. It's he plays a rich businessman and And he's got the same accent as you said Thomas like he's playing this by you southern gentleman, who'swants to become an astronaut he just decided yesterday and. [43:29] Forte works for NASA having a great conversation back and forth with with each other and Forte has to leave the room and tells him not to eat any of the potato chips. And of course, you know, what's gonna happen? and he eats one of the potato chips, and Forte comes back in, counts the potato chips into the 30s, 34, 35. [43:52] Missing one, and calls Blake Lively, and what a performance by her as well, by the way. And they just go back and forth screaming at each other. Genelda, what would you say if I'd have told you that that man right there is nothing but a common potato chip thief? And Now get the hell out of here! I'm not going nowhere until I'm an astronaut! Well I got news for you! You are blacklisted! [44:33] Blacklisted?! Blacklisted! No! You will never be an astro! And this just goes on for five or six minutes. Like, it's fantastic. It's so gonzo. It's the kind of thing we would expect to see from Sarah Sherman today, right? Yeah. Yeah. It's so absurd. And then it eventually ends with... Jason spitting the remnants of the potato chip, would you even call it remnants at this point, into Forte's hand. It was basically like spit at that point. Yes. I don't even think there were any chips in it there at that point. And you could hear the audience just lose their mind and then Forte doubles down and drops the spit into the potato chip container. Yeah, yeah. I'm so happy you're back and... Well, I love that Jason, so he does some things here with his face and just kind of non-verbally that really make it. So the thing that you were talking about just now with the spitting of the potato chip, I just love how when he's about to do it, they create tension with the viewer because it doesn't do itright away. [45:34] Like Forte puts his hand out and Sudegis just kind of looks at him and then he's just giving him this look like he's telling Will Forte, the cast member, not the character that he'splaying, like I'm about to do this, here we go. Like you can kind of see the non-verbal communication with he and Will Forte so it creates that fun comedic tension right there and Jason and Will Forte pull that off so well and then Billlike before Jason's character even eats a potato chip just him looking around and looking at the chips like he's like forecasting like what he's about to do but just like you can see thethought process in his mind like should I? Nobody's here. Those chips look good. Okay, what the hell and he does all that non-verbally. It's great exactly, he's never gonna notice one chip being gone and They could have played this where Jason was just the innocent person who took a chip No, everybody in this sketch wascrazy. There was no straight man in this sketch in Blake I wasn't didn't play the straight man. She was no, no, she was crazy, too So it was just so great. There's no logic to it at all But yeah, this is one of the best moments and Forte is just one of those people He was able to work with so well as well, which I'm sure we're gonna talk aboutshortly as well Yeah, they had such good chemistry and almost when I think about Jason and rewatch a lot of his stuff He almost had a very steady presence almost like I'm not saying he'sin this. [47:00] Tier, but he had a steady presence like a Phil Hartman did He wasn't yeah complete command of the sketch just very steady hand. So, so seeing something like the potato chip thief, it was like seeing Phil Hartman in a bizarre sketch. Like when Phil Hartman would do unfrozen caveman lawyer, even that was more subtle than this. It was almost like seeing that steady hand go play in absurdity, which I love. That shows range. I think you can make a line, straight line from Phil Hartman to Will Ferrell to Jason Sudeikis. I don't think that's speaking out of, out of turn. I I think that's, there's so much there, something about the everyman, the glue, and Jason embodies that almost as much as Phil did. He really did. And the fact that he could play both sides of it, as you say, he could play the crazy character. I mean, think of all the newsmen he played, I mean, in the Herb Welch sketches, in the Kristen being obsessed with the woman sketches. He's playing the straight man in that. He has no funny lines. He's just there to keep balance between these two crazy worlds. But then he could do something like the potato chip thing. [48:10] You go, oh, wow, that's brilliant. That's a true comedic actor right there. Man, he's a pro's pro. I never felt like the sketch was gonna devolve into something or not work because of Jason. I always felt like Jason was gonna keep things together. I guess it's probably where the glue comes from in Glue Guy because you're confident that they're gonna keep things together, which Jason did just so, so well. So you teased that he had great chemistry with Will Forte, and I think I know where you wanna go, but I'll let you go there. I'm just gonna scroll to my note for it, but let's see if I'm right. Let's talk about ESPN Classic. Pete Twinkle and Greg Stink. [49:01] Probably my favorite running sketch of the last few decades, for sure. You're a big sports guy as well, so you get this. They're basically set in the 1980s. And if you don't know, ESPN didn't have the rights to major sports back then. They would run things like bull riding and darts and pool and things like that. And they kind of take that. You don't have to be a sports person to understand that that's what's happening here. But that adds to the fun of this, I think. They're set in a 1987 Virginia Slims pool contest, and they're just these two announcers. [49:42] And Jason is the more grounded one, although you could say he's not quite the straight man in this. And then Forte is Greg Stank, who has no clue what's going on, completely can't stay on topic, doesn't know what's going on with any of the sports that are happening. Yeah, you're wondering why they even hired him, But yeah, that's part of the fun and absurdity of it. [50:05] And they're always sponsored by a feminine product which is important to the joke for what jason gets to do in these, like the one line I can think of Uh, jason would be like, youknow, if you had to take a stab in the dark and and will for take a walk I'd probably kill someone, Yeah, and then he kind of brings it back because he could tell like no greg. That's that's not what i'm talking about here And he doesn't he doesn't get mad at greg stink He just kind of like goes with it, but then makes sure to bring it back to what they're actuallydoing, Exactly, and there's a lot of fun with wordplay and things like that They'll cut to it was I think it was always a women's sport as well. I think so. Yeah, okay and Kristen Wigg was almost always in these Kristen Wigg was always and the host But then they would do fun stuff with the feminine products and Jason would get thoseThose lines. When you've got something fungal down in your lady jungle, gynalotramine. When you've got a surprise between your thighs, Vagisil. I scream, you scream, we all scream for vagina cream! [51:28] And that was always the button on the sketch, too. So he would do this two or three times, escalate the sketch, and eventually that would be where it would end as well. And he would just have this sly smile on his face as he ended it as well. Yeah, he delivered those ad reads with like perfect gusto and timing. And I don't think he to me. He didn't wink at the audience When when I deliver these ad reads he just delivered it like a sports announcer That's it. And that that was it. That was great. And he was just like when I talked about being a steady hand This is something that I was talking about He was the steady hand to the dim-wittedcharacter, but he still had funny laugh lines. [52:11] Oh, yeah He had his own lines for sure Like I said Forte was the crazy one, but he Jason got his laughs for sure. Yeah Yeah, it was so good And it reminds me for our listeners who who maybe didn't watch these sketches in real time It does remind me of what we saw like their their interactions Itreminded me of what we saw with Eric and Don jr. In recent years. So like Pete Twinkle who was Jason Sudeikis his character was almost like the Don jr. Of it and And Craig Stink was like the Eric Trump. And it seems like their interactions are so similar. Like the steady Don Jr., if you could even call him a steady hand, but in these he was. He wouldn't get mad at Eric for being dumb or whatever. He would be understanding, but then he would rein him back in. And so that almost reminded me of it. And I love that dynamic between performers, Bill. Absolutely. Wow, that's such a great comparison. I've never really thought of that. But yeah, that's a great comparison there. [53:10] He would rein him back in never get mad as you said Greg as the ladies continue to warm up What's the best way for them to get in the zone? Well, uh, they probably want to find a private room. Maybe grab a handheld mirror drop down in a squatting No. [53:26] Buddy, that's my fault, you know, I wasn't talking about a zone where you could put a fine product like gynaloachman I meant more of a mental zone. Oh like a daydream Yeah, sure, buddy. All right. You know what? Let's go down. Just keep the funny going. Yeah, that's that's great Yeah, go back and watch these. They did seven of them, I think. You could start... it was season 35, episode 3 was when the first one came on, then just kind of go into a rabbit hole there. And they did one for the 40th, too. Oh, yes. Yeah, that was a lot of fun. There's a reason why they did. People loved them. That's right. And there's one other Forte match-up that we need to speak of, right? You know what I'm speaking of? Think... am I... do I know? Oh, you might stump me here. I'll give you a hint. Okay, your hate is like good medicine John Bovee. Oh my gosh. Yes. Yes. Yes, okay so, If you don't remember they started at a sketch, but then ended up on weekend update They did this I think four times and they were a Bon JoviOpposite band not a cover band because a cover band likes the band that they're doing, They would it's such a stupid concept, but it worked so well because of the performers. [54:39] They would sing the exact opposite words of Bon Jovi songs. We couldn't be further from Bon Jovi! But you dress like them and you call yourselves John Bovey. Yeah, yeah, well the similarities end there, Meyers. Check this. Two, three, four! No, no, no, it's three separate numbers. Three separate numbers, okay? Okay, got it. You got it? Okay, ready? [55:00] Alright, here we go. Two, three, four! Cause I'm an Indian! Indian! On a cat and horse I do not ride, and I'm unwanted. Unwanted! [55:29] They would take a song like, your love is like bad medicine, and say, your hate is like good medicine. And that was the whole concept. It's stupid, but I love it. It's simple, but yeah. And they even dress like them, like they were dressed like 80s rock stars. And Forte's the kind of crazy one in this too, kind of the clueless one. He doesn't know how to, you know, where a rocker would go, one, two, three, four. He's, 1,234. No, no, no. That's not what it's one, two, three, four. So Sudeikis would have to direct him the same way he would in the ESPN classics. Yeah. [56:06] It's so great. They actually, I think they brought this back for Seth Myers as well. So this was a pretty popular one. Only done four times, but still, I don't know how many times you could do it. Jason could own the update desk when he wanted to. That's a thing. And we've talked, we were on the Saturday Night Network's cast member countdown together talking about it was the Rachel Dratch, Adam Sandler and Jan hooks. And one of the things I brought up about Adam Sandler was how he owned the update desk and how he made that his playground. I love seeing my cast members play at the update desk and Jason I mean he was, relied upon to do so much sketch work, but when he wanted to, he was wonderful on the update desk. Yeah, and I think that's an important mix. I think last year with Heidi Gardner, we didn't see her at the desk as much. So even though she was in all these great sketches, we were missing her when she had made her bones at the desk. And I think Jason was kind of the same way, where if he went 10 or 12 episodes and we hadn't seen him, it's like, what's going on? and we really need him over there. He had some great, great work done there, yeah. I love, you had called out that one as being like just a dumb concept or a dumb premise, and sometimes I preface my favorite things on SNL with that statement. [57:34] That it's just a dumb, dumb concept. So I'm reminded of, Jason did this in his last season with Tim Robinson, the round ball rock sketch, which was totally dumb. [57:47] He played John Tesh and Tim Robinson played his brothers, like Dave Tesh or something. They wrote, it's the famous NBC, na, na, na, na, na, na, na, na, the NBA and NBC song. And, but they had lyrics to it and they were pitching it to NBC. You remember this, Bill? Now I'm remembering it. Yeah, I had forgotten about this one. Yeah, that's a great one. That's a deep cut. Yeah, he could play an absurdity though. And Tim Robinson, who's more absurd over the past decade or so, 15 years on SNL than Tim Robinson. We're seeing it right now on, I think you should leave it. And Sudeikis matched absurdity with Tim Robinson in that sketch. It was wonderful. [58:38] If they're lyrics, it's no deal. Oof. Wow. Wow. Wow, okay, alright, well, uh, you know what then? No deal! I cannot believe this! You are making a big mistake! You guys stink, and this network is a dump! And you know what? In fact, I say we make it look more like a dump! How about that? What do you think, Dave? I am one step ahead of you, brother! Oh, hammer time! Pass it! You don't have to do this! One of the ones where he played the straight man. I don't know if you remember this sketch with Charlie Day Oh, I have that I have that written down. Yes This is up there for me. It's crime scene Jason's playing a cop and Charlie Day is the host and he comes in as the detective and it looks just like the Seinfeld apartment. [59:30] Jason references it and Charlie has no idea what he's talking about. What Seinfeld never heard of it. Oh, what do you mean? You never heard of Seinfeld? It's on TV. I don't own a TV. Okay. Well, you can almost let it go if it was there. Then he doesn't know what baseball is. He doesn't know what World War II is. And it just kind of keeps devolving. Like, what do you mean? Is that on the Seinfeld show too? Yeah. He's doing a reenactment of how the crime could have happened and he walks into the apartment like Kramer. Yes, exactly. And then he's like, yeah, that's Kramer. What do you mean? And then he spots the soup on the counter and he says it's like some kind of soup Nazi now You just referenced both Seinfeld and World War 2. [1:00:13] Yeah, yeah, that was great there's a subtle thing a really funny thing I mentioned comedic tension in one of the previous sketches and Jason has this wonderful line delivery. So we all know as soon as they show the set we all as viewers Recognize it as the Seinfeld set, right? You're wondering, are the characters gonna recognize it as the Seinfeld set? Is this just gonna be a joke that we're in on? Or are somebody gonna point it out? So that's kind of the comedic tension a little bit at the beginning of that sketch. And then Jason has that wonderful line delivery where he says, Hey, doesn't this place look a lot like the Seinfeld apartment? [1:01:02] What the hell are you talking about? It releases that tension and then you're just able to dive in to all the jokes that happen after that. That's just something subtle about Jason and the writing that I loved from that sketch. Yeah, exactly. And you can hear the audience reaction. Like you said, when that tension is released, it's like, oh, okay, okay, they do know what's going on. Yeah, that's a great point. Yeah, that was a such a great call back to bring up Charlie Day. Charlie Day was in the first main justice He made an appearance on the Jamie Foxx main justice, too. So Charlie Day Really? I want him back. He was a great SNL host, by the way. Yes, he was and they went on to do horrible bosses together So yeah, actually they they found their comedic timing. Yeah, exactly Before we get out of here Is there anything else as far as Jason on SNL that you really took note of and highlighted? I think the only other one, again this is kind of a deep cut, I think, Jeff the boom mic guy. Oh yeah, yeah, he was like an antagonistic boom mic guy. So Bill Hader played the director and it would always be like they were taping a commercial, I think LeBron was in one. NBA, read to achieve, take four, and action! Take time to read to a child, read to achieve. What the hell is this? That's a book! [1:02:24] Okay, okay, why'd you throw out my book, Jeff? Hey, it's about literacy, Mike. I'm just trying to mix it up. I got good ideas too, Mike! No one's arguing that with you, Jeff. You've had good ideas for years, but we need this as written, okay? Hey, you're a straight shooter, Mike. Gotta respect that. Hey, if we're not gonna do this, I'm gonna get out of here, okay? Hey, sounds good to me. You know, we should get Dwayne Wade anyway. At least he's got a ring. [1:02:50] Jason's the boom mic guy who you don't know is in the scene until, you know, about two or three minutes in when he starts being very passive-aggressive. [1:02:58] He doesn't like his job. He's jealous of these celebrities. He starts hitting them with the mic and all these other things. So I think that's an example of Jason playing the other side of it, playing the antagonist. And that's a lot of fun to see him do a role like that. So after SNL, Bill, of course, everybody knows Jason for Ted Lasso, three seasons of Ted Lasso. Are you a Ted Lasso watcher? I am, yes. Yeah, it's nice and wholesome, which kind of halfway shocked me when I first started watching it when it came out in 2020. I'm not a soccer guy, so I wasn't sure, but I can get drawn in if there's somebody I really like, like Jason. So I decided to give it a shot and I'm so glad I did. So yeah, I'm so happy for Jason that it's become such a smash hit and it came out around COVID and stuff. And that's just kind of something that people needed. They needed to be uplifted. And it's interesting to me that Jason was the one to do that, given that he could be such a sarcastic, like his first great character was like one of the a-holes. So it's interesting that Jason could like play Ted Lasso and be an uplifting presence for people. Yeah, he's really shown his acting chops doing the show. There's a lot of drama to go with the comedy, and I think he plays it perfectly. Yeah, and he also came back to SNL in 2021. [1:04:21] He hosted a really good episode of SNL, which honestly, Bill, I find relatively rare for former cast members. I often do not enjoy when former cast members, I don't enjoy the episode oftentimes when former cast members come back. But Su Dake has had an episode that I thought was really great. Yeah, you know, the nostalgia sometimes gets you with a cast member coming back, and you will be disappointed more often than you won't be. But Jason's is one of those standouts for sure. I'd put it up there with the Phil Hartman returning. [1:04:54] Or Fred Armisen had a good one, too. Fred Armisen had a great episode, yeah. He had the perfect mix. I think when we look for these people to come back, we want the perfect mix of nostalgia from their time on the show and new characters. And Jason's was that. As we've already mentioned, he played Biden, he played the devil, played Vance, and went up with that. But then he also did one of the better sketches of the last few years with the substitute teacher. With Ago and Kyle. Yeah, with Ago and Kyle. And it was just, and Science Room, he did that as well with Mikey and Cecily. So it was a lot of fun. And the main part of this, anytime we see these people come back, we want to see them, at least I do, want to see them interact with these cast members they neverworked with. I mean, that's the beauty of SNL with almost 50 years, being able to see how they work with these cast members they never had a chance to. And I think Jason played it perfectly. Yeah, yeah. Wonderful episode. I actually want to go back and give that a full rewatch. I watched some clips here and there, but that was great. And Bill, after talking this through, and after doing a lot of these rewatches with Sudekis, I don't think that you and I have himrated too highly. [1:06:07] Top 10, 15, seems about the range for him. I think we have him in the ballpark of where he should be. What a great cast member. So I like to end these things with just giving you a chance to just give a summary and talk SNL Hall of Fame voters into it. So why should voters cast a vote for Jason Sudeikis for the SNL Hall of Fame? Well, as we've mentioned, I mean, I almost think he's underrated it in a way. [1:06:37] Even with the Ted Lasso stuff, because he comes into the show with all these great people. And he gets lost in the shuffle sometimes, I think. But as we've said, he is kind of the glue of this. They were trying to recover from a couple of bad seasons with season 29 and season 30. And he was such a major part of starting that third golden era of the show with Kristen and Andy and Bill Hader. He did nine seasons, and he did them all well. I don't think he's one of those cast members who you're like, I wish he would have left by now. I'm glad he stayed that extra season. I know he was on the fence. When Kristen and Andy left, and him coming back and playing Romney and bringing us stuff like Maine Justice was important to kind of putting a button on his legacy. Such a great career, and one of the all-timers for sure. Track 2: [1:07:48] So there's that! Thank you so much to Bill Kenney joining Thomas Senna in just a wonderful conversation about Mr. Jason Sudeikis and his bona fides for why he belongs in the SNL Hall of Fame. I think he's a slam-dunk. I think it's a done deal, crocodile done deal, and I think that I'm looking real forward to him um, potentially being the headliner of this class. I, I, I look at the ballot and I don't know that there's, uh, you know, much that stands in his way. So that's my opinion, but it doesn't come down to me. It comes down to you. And what do you think, uh, in terms of the SNL hall of fame and who belongs inside of it? You'll get your chance, December the fifth. That's tomorrow, tomorrow ballots open and they will be open until. The following Friday at midnight. So that will be Friday, December 15th at midnight. If it sounds like we're winging this, well, sometimes we are a little bit, Let's go to the sketch right now that seals the deal for Jason Sudeikis. Track 5: [1:09:17] You're watching ESPN Classic, a great way to win money off your stupid friends. If you're looking for fast-paced, hard-throwing lady dart action, you've hit the bullseye. It's the Summer's Eve Lady Stars of Darts Championship. And today's matchup is sure to be a barn burner, featuring Darcy Vancouver and the number one world-ranked world amateur Olga, the Wolf-Bearer Boganskaya. [1:09:42] Good evening, I'm Pete Twinkle, and seated next to me, providing great color commentary, and man, oh, man, is this guy a snappy dresser, Greg Stang. Thanks, Pete, I got this jacket at a thrift store, but I could not find the pants that went with it. Well, the sweatpants work just fine. Well, thank you for giving them to me. Wrote you a thank you note, just got to track down a stamp and pop it in the mail. Can't wait to read it. Well, now, why don't we meet tonight's players up first? We've got Darcy Vancouver. Now it looks like she's warming up that elbow. Such an important part of her process, huh? Look at that. Now, Greg, how important is it to keep the elbow loose and warm in a dart match? Oh, yeah. [1:10:25] Well, no, that wasn't a yes or no question. Okay. All right. Well, she's going to be squaring off against Olga Boganskaya. Now, Olga's a Russian lady type. First time competing in the States, they call her the Wolf Bear. Uh-huh. Now, Greg, tell me, how do you think she got that nickname? Oh, somebody who knew her probably called her that at some point, and another person heard it and said, hey, I like that, and it just kind of stuck. Well, now, Greg, and I know the process of acquiring a nickname, but I'm asking about how the wolf bear is specific to her. Oh, I don't know. She's, uh, probably, uh, I don't know. All right. Well, wherever she got it from, it fits. A quick shout-out to our sponsor this evening, Summer's Eve Feminine Hygiene Products. When something's gone wrong, and it's the smell of your thong. [1:11:21] Summer's Eve. Douche. Now, Greg, can you tell the viewers at home a little bit about the equipment they'll be using tonight? Well, it's just basically a bottle with a thin curved nozzle. I don't know if they're gonna be using it tonight. Is it something you use every day? No, no, no, Greg, no, no, I'm sorry about that. That's my fault. It's my fault, pal. I wasn't talking about the fine equipment that the good people at Summer's Eve make. I meant, what kind of darts are the ladies using tonight? Oh boy, I wouldn't put darts anywhere near a vagina. No, no, no, no, no. No, no, no, no. No, Greg, sorry about that. I was talking about... You know what? Why don't we just go down on the floor where it looks like Darcy Vancouver's up first. All right, here she goes. That's the first throw. Nice toss there. Oh, look at that precision. Look at that. Wraps it around. Her college softball days showing evidence. Oh, look at that no look. And look at that, three triple 20s, she gets 180 on her first turn. Frozen with excitement. Wow, wow, wow. How about that for a start, huh Greg? Oh, I missed it. Just got sucked into this word search. The theme is animal kingdom, so I'm guessing we're looking for names of kings. No, buddy, I think you're looking for animals there. Okay, I'll keep my eye out for both. Great idea. Great idea indeed. Hey, you know what another great idea is? Summer's Eve, when your man's in a coma from your panty aroma. [1:12:42] Summer's Eve. Douche. Back to the action. All right, the wolf bear, known for her unorthodox throwing style. Here she goes. Wow, what a cocky move. Oh, an amazing shot. Two in. How about that? Wow, pretty excited about that throw, huh Greg? Oh, oh, no, just found another animal in the woods, You know, I think you might want to just go with ostrich there, buddy. Ho ho ho,good call. Ha ha ha, alright. Speaking of good calls, summer's eve! When your situation down south makes him breathe through his mouth! Summer's eve! Dooch. Pete, I have a question for you. Oh yeah, what's that, Greg? Now, why can't you just walk up and put the darts wherever you want? Well, then that'd be called tax, buddy. That's what I thought. Oh, oh, I found another one. Oh yeah, what'd you get? Fish. Oh yeah, speaking of fish, summer's eve, we'll be right back. Track 2: [1:13:55] Oh man, Sudeikis rules, but Forte is pretty spectacular too. He is on the ballot, and it could be interesting to see if Mr. Forte gets in as well. But this is Sudeikis' episode, so I should stick with Sudeikis. I think we've said all that we can say about him, however, for this episode. So that's what I've got for you. Hope you have a great week. Once again, thank you to Thomas, Matt, and our very special guest, Bill Kenny. You can check out more of his work on the Saturday Night Network. And you can check out more of our work at www.snlhof.com. [1:14:38] One of these days I'm gonna update that website. Probably when we announce the fourth class. So there's that. If you would do me a favor, as you're walking down the hall to leave, by the weekend update exhibit, turn out the lights because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Jim Carrey | 27 Nov 2023 | 01:20:13 | |
The gang is back and this time they're joined by friend of the show, Jamie Burwood - of TV Graphs fame. This week we're putting multiple time host, Jim Carrey under the microscope to see if he makes the cut. Join us won't you? Transcript: [0:42] All right, thank you so much Doug DeNance. It is great to be here with you all inside of the SNL Hall of Fame. It's nice and warm in here, and it's cold outside, so come on in and warm your bones by the unfrozen caveman lawyer exhibit. But before you do, make sure to wipe those feet. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer, and we add them to theballot for your consideration. [1:24] Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity inside the hall. Oh my gosh, that's how we play the game here in the SNL Hall of Fame. So how are you doing? I hope you're well. We are winding up season four in a spectacular fashion. This week we are talking about host Jim Carrey. We're joined by friend of the show, Jamie Burwood. At this point, uh, I believe a five timer, um, I, I may be wrong. Uh, I don't know if Thomas will bring it up in the conversation, but, uh, that's what, uh, that's what I'm thinking five times, Jamie Burwood. So I'm excited. We got Jim Carrey this week, and then we're going to wrap things up next week with Jason Sudeikis. So that should be a lot of fun. Speaking of a lot of fun, as I walk down the corridor to the intersection of these two walls, where they form a corner, and we call that Matt's minutiae minutecorner. Matt, you seem excited and agitated today. What is going on, my friend? Track 3: [2:47] This is an interesting character that we're doing today. I am looking forward to discussing Jim Carey. Height, six foot two, born January 17th, 1962. Favorite of my little brother would regularly repeat Ace Ventura lines and mask lines as a kid. Drove me nuts. Jim was born in Newmarket, Ontario. Canadian boy. His mom was a homemaker, his father was a musician and accountant. He grew up in Scarborough and Burlington. [3:26] Yeah, he started doing impressions at a very young age. My, you know, again, influenced my little brother who started doing impressions at a very young age. He would make faces. Jim, not my brother, would make faces in the mirror at age eight and was a huge fan of both Monty Python and Carol Burnett. At the age of 10, he actually was in this kind of speaks to the guts that Jim had at 10, he wrote to Carol Burnett, letting her know that he was a master of impressions and that he should beon her show. He was more than content when he received a form letter in response, which is pretty cool. He has 65 acting credits, 10 writer credits and six producer credits. I mean, now he spends a lot of his time painting. He's an interesting duck. [4:27] Now, he got his start at a young age. He was only 15 when he performed for the first time at Yuck Yucks. This was early on in Yuck Yucks' history. It was actually in the basement of a community center on Church Street at the time. Mark Breslin actually remembers his performance, calling him a bad rich little, which is, you know, a bad rich little is still better than like 99% of good impersonators. So that's still kind of praise. He, like I said, he was 15. He dropped out of high school at 16 to pursue performance. And he continued to work as a security guard at a factory across the street from his family home. Up until that time, he'd actually been a straight-A student. So I mean, he's smart, but it didn't feel school was for him. Now, stay in school, kids. Not recommending you follow his path. But yeah, interesting. [5:40] He worked the circuit of Toronto clubs, developing a huge following before moving to Hollywood to star in the sitcom, a short lived sitcom, sadly, The Duck Factory. Appearing on The Tonight Show at 21, he got the OK sign from Johnny but was not waved over the couch. He did not make that leap. He sprung to public consciousness with his hiring on to In Living Color. He has an interesting Hollywood history, his first starring film role was the comedy Once Bitten, a vampire comedy, but he's being considered for a lot of things. It's interesting. I'd almost like to hear the history of why he didn't take or get these roles, but I mean, he was considered as for Dr. Evil in Austin Powers. He was almost the lead of Meet the Parents. He was up for the first choice for both of Johnny Depp's roles in Pirates of the Caribbean and Charlie and the Chocolate Factory, and he was almost Buzz Lightyear. [6:49] He has the most MTV awards of any one person, nine. He's been nominated for five Golden Globes, won two for The Truman Show and The Man on the moon and one of people's 50 most beautiful people in the world in 1997 which Iremember him in 1997 I don't like I will credit him for his impersonations I will credit him for his talent as a comedian even if it's not always for me but one of the world's 50 mostbeautiful people I have the Beholder, he appeared on the final episode of Late Show with David Letterman wearing a handmade shirt stating, "'Spank you kindly, David Letterman.'" He isthe fifth highest grossing star in the top 10 box office stars of 1990. [7:44] So yeah, that is the trivia that I have for good old Canadian boy Jim Carrey. Track 4: [8:20] Yes, Matt, JD, thank you so much for that intro educating all of us about Jim Carrey, who is our topic today. He's being nominated as a host. We'll see if he gets into the SNL Hall of Fame. I actually drafted Jim Carrey in our season four draft because, yeah, he just meant so much to me growing up. He has an iconic SNLepisode. [8:45] So a lot of reasons why I'm excited to talk about Jim Carrey. One of those reasons is my guest joining me to talk all things Jim Carrey and SNL, Jamie Burwood. How are you doing, Jamie? I am doing great. Yes, it's been a long day. So I'm super excited to be here to talk about Jim Carrey. I feel like it's the perfect way to end the evening. And yeah, super, super excited to be back. Yes, it's gonna be a good one. You are our guest for Christopher walk-in. [9:17] Will Ferrell and Molly Shannon, two SNL Hall of Famers and one in Molly Shannon that should be. I think you have a good track record with this stuff, Jamie. Yeah, I can't believe it's been three. Wow, that's wild. But yeah, still super passionate about all of those three. So yeah, I feel like there's a lot of cool connections and synergies with the person we're going to be talking about today. So it should be fun. Yeah, definitely. One of the connections is a similar era. You're kind of our one of our go-to people for like late 90s, kind of in that realm. So maybe next season we'll find something different for you or not. This seems to be right up your alley. I do love this era. So no complaints if this becomes the era that I am associated with, I will gladly take that association. I will note that for sure. And again, our nominee today, Jim Carrey, was in an interesting position heading into his first hosting stint at SNL. He was arguably the most popular cast member in another sketch comedy show in living color in the early 90s Of course, he was a huge movie star starting around the mid 90s. He was just Everywhere like Jim Carrey was the movie star just a laundry list of things that he did heading into SNL So Jamie, I wanted to ask when do you remember first watching JimCarrey? [10:38] Yeah, so this is a little bit of a I think I'm a little bit of an anomaly on this, right? So when Jim Carrey's movies were first big, I was not quite old enough to really be able to see them. So I feel like I was kind of in that borderline cutoff range. So I remember him being a huge part of pop culture, of course, like growing up, especially into like teenage, high school years. Honestly, more so from things like all of his interview appearances, things like SNL. Really didn't see that many of his classic movies until probably college slash early adulthood, which is wild because I feel like I talked to all my other friends in kind of my samegeneration and I think they maybe found a way to get into his movies a little bit. Yeah, you weren't like sneaking into the movie theater or anything? Yeah, sadly not. But over to honestly, I think the first Jim Carrey movie that I saw start to finish, I'm probably the only one that this is the case for was Eternal Sunshine of the Spotless Minds. So that was my probably first film introduction and such an interesting departure in some ways for him. But yeah, absolutely loved that one. Oh no, that's one of my all-time favorite movies. [11:54] It's not quite a comedy, not a little out of Jim Carrey's realm, but that's one of my all-time favorite movies. That's a great intro. He's absolutely brilliant in that one. So yeah, a little bit of a non-traditional introduction, but have kind of gone, back and caught up on some of the classics as an adult. Yeah, so in the mid-90s, he had quite the run, between 94 and 95, even heading into his first SNL appearance in May of 96. He had Ace Ventura, The Mask, Dumb and Dumber, Batman Forever. He played the Riddler. He was in Ace Ventura when nature of calls. He was promoting The Cable Guy when he was on SNL, but he just had this string of like hit after hit. He was the star, the comedy star in Hollywood. Before that, as I had mentioned, he was on a sketch show. He was arguably the star of a popular sketch show in Living Color. [12:47] Jamie, did you, have you had a chance since Living Color went off the air? I know you're huge, huge into TV. Have you had a chance to go back and watch any in Living Color? A little bit of the clip. So I feel like this is an area I want to spend more time with. I'm curious if you've seen if you have any recommendations or just overall perceptions because it's an area where I've heard such good things and really want to spend some more timegoing back. I've caught a few clips here and there. I've seen little bits and pieces of Jim Carrey, but I do feel like I need to spend a bit more time going back to it because everything I've heard has beenlike super, super positive. [13:26] It's good, just like any piece of art or whatever, any TV show from the early 90s. I can't promise you how it'll age with a lot of the stuff, but I remember I loved it. And Jim Carrey was actually the one who really stood out. I mean, there was a great cast like Damon Wayans, Jamie Foxx, Tommy Davidson. [13:47] I think most of the Wayans siblings, there must have been like three, at least three of them on the show at one time. They were so good. But Jim Carrey was really like a standout. He was almost made for sketch comedy. And that's probably something we'll see talking about this in this episode, Jamie. Yeah, I know. It's so true, right? Like, I feel like there are certain performers you watch and you're just like, you were born to do this. Like, we talked about it a little bit with I think Will Ferrell, like, there are just some people where you feel like that sketch comedy talent is in their DNA. And I feel like for Jim Carrey, it absolutely is. Oh, definitely. He just really pops off the screen. And in Living Color, if you look at any, go back and watch any of those videos, he's just like a tornado on screen. For sure, he was like that in the movies, in Living Color. So that's like, those are all huge reasons, him being a movie star, him having been on Living Color, why, honestly, Jamie, I can't remember more anticipation for a host than leading up toJim Carrey's first stint on SNL. And it was truly appointment television, even for non-SNL fans. [14:56] And I don't know if you were able to catch this in real-time or not, but I can't stress enough like the anticipation leading up to this episode. Yeah, and I sadly did not watch it live. I would love to take a time machine back and be able to. I think it was one of the ones I probably first caught like Comedy Central or whatnot, so a little bit after the fact. Yeah, I mean, I think just like, thinking back to the history of this episode, I think you're so right that like, that anticipation of like, okay, SNL can now get a big, maybe arguably thebiggest at the time, movie star. I mean, he was making headlines with like, salary and whatnot. I think he was like, one of the first, if not the first to like, cross over to like, make $20 million dollars for the cable guy coming up. So like making headlines for all of the really exciting reasons. And I just feel like that, that anticipation, like I, I absolutely believe it. I wish I could have been there for the like live, live moment of it happening, but the history is certainly there. [16:04] It was amazing. I, I, there was truly an electricity in the air that night. I remember I was 14 at the time. And I remember that night, my F my my parents had some of their friends over and their friends brought their kids who maybe were about my age ormaybe a little younger. And I remember we were so excited. We were like, we gotta watch SNL tonight. Jim Carrey's hosting. So I remember actually putting it on in the middle of this little get together that my parents were having with their friends. And we were just glued, me and the other kids were like glued, glued to the TV. And to me, Jamie, this is like, this is what separates SNL to me from other sketch shows is this live electricity. I mean, I love other sketch shows like Chappelle's, I used to love Chappelle's show, Key and Peele, but the live element and the electricity that was in the air at the time, Jamie, that's whatseparates SNL to me from other sketch shows that maybe unfairly SNL gets compared to in some ways. Yep, for sure. Yeah, I feel like there is something about that excitement, right? Of moments in TV. I love that aspect of history, right? Of those moments where everyone's talking about something before, the next morning everyone's like, did you watch this person on the show? Did you see this sketch? Did you see this moment? And you're wanting to be part of that collective history. I just think that's one of the coolest things about television. [17:30] Yeah, and that's what Lorne is going for. He's not just going for a good sketch show. He wants a live event. Lorne wants an event on late night television on Saturday night. He's not just going for something that you can flip on, I think you should leave or something like that. Love, great sketch shows, but this is just so different. And to me, there's no better example than this first Jim Carrey episode. I was trying to think, maybe you could help me. I was trying to think of somebody comparable now or maybe in recent past who's ended up hosting SNL? Can you think of somebody who's been just like really, really anticipated to host SNL? [18:17] I can't think of anyone from the past year. There's got to be examples. Like Betty White. I'm sure there's somebody from the past five. Yeah. It's close. Yeah, I'm trying to think of that like A-lister kind of analogy, right, though, of someone who you're like, this is like, one of the like, five biggest celebrities in Hollywood in thismoment. [18:39] Like Taylor Swift's already hosted and been on numerous times. Yep, I feel like if she hosted in this moment now, like without the past history, like that would be like, a moment with everything going on with her, but I feel like where she's had thathistory already, which is maybe why this is such a cool and just landmark kind of episode, right? Like I'm sure there are, I mean, I know there are lots of examples of A-list celebrities where it's like, okay, this is a big deal. But I think like the combination of like the water cooler talk that was starting to happen with the cast and then combining that with what was happening with Jim Carrey, I feel likeproduced such a special moment in the show's history. Right, right. It would have to be an A-list celebrity who also had success on a sketch comedy show. Right, right. It's all these factors. [19:26] Yeah, like the stars totally align with this one. So his first episode, I'll get into it, it was season 21. It was the season finale of season 21. It was May 18th, 1996. Jim Carrey was promoting The Cable Guy and we're going to do a little something different. A lot of times we'll kind of pick and choose sketches that we like from an episode and and kind of talk about it. I think this one deserves almost a full kind of rundown. To me, it's such an iconic episode, Jamie. I think it kind of deserves like a, each sketch maybe deserves a little bit of attention in this one. For sure, yeah. This is honestly one of the, and I feel like I'm pretty picky about this, but this is one of the few episodes where there's not a bad sketch. I know people love to say that it's a little bit of a cliche, but I just really think this is honestly one of the most solid episodes, start to finish, across the show's history. And maybe that's a bold statement, but there's just so, so many gems in here, which I'm. [20:28] Oh yeah for sure there's a ton of gems uh good monologues so we start like with the monologue Jim Carrey coming out in character it's like an alien version of Jim Carrey. Some of your ways I do not understand like the phrase over the top I do not understand this where I come from facial contortions are considered the ultimate in artistic achievement. And talking out of one's butt crack is a sign of personal confidence. [21:08] That was pretty fun. Polk's fun at the criticism of his over-the-top acting. He can kind of make fun of himself there, Jamie. Yeah, I like this as a monologue because it kind of got us right into the Jim Carrey of the Jim Carrey from the start, right? So that you don't feel like, okay, when is he gonna bring in his one-liners, bring in his true persona? It is giving that to us right from the start. It's putting the energy level at the top of the top. It mentions the movie he's there for, which makes sense in the context of just that moment in time. It just kind of hits on all the right notes for me, sets the right tone. So yeah, I thought it was really solid it's nothing that's like weird and wild and crazy in this one but it's just it's a solid great monologue that fits the episode. Yeah and you could already tell the crowd was like hyped up as soon as he soon as he came out just hyped up and by the way Jamie so he ended the monologue by doing a brief firemarshal bill I don't know if you know that who, that is that's one of jib's characters from in living color okay no i did not know that in that case let me show you something. [22:24] Sound garden is here tonight so he ended he did a little like i can't even do fire marshal bill but the character that he ended with in the monologue that was a famous character of hisfrom in living color okay see i love this i would not have picked up on that that's so cool yeah it was fun for viewers like oh my god you did fire marshal bill on snl like worlds arecolliding this is great that's amazing yes yeah a little easter egg yeah absolutely and then the first sketch of the night was also like a worlds collide kind of situation for sketch comedy fansand for snl fans so jim was it's it was so fun that night to see him in a recurring snl sketch So the first one he was in was the cheerleaders. So what'd you think of Jim's, in this installment of the cheerleaders with Jim in it? I love that they started out with this, right? Because this is just like, again, setting the tone for what we're gonna get for this whole episode of like, it's gonna be this fun mishmash of like. [23:24] Amazing characters that the cast had created and owned, and then putting Jim Carrey into the madness. And I feel like some hosts you put into the madness and you're like, okay, it's fine, the sketch works because it's still a fun character recurring sketch. But I feel like with Jim Carrey, and really across the whole episode, he just elevates it and fits so well into that zany tone. So there's a moment where he starts just breakdancing, and it becomes more funny and ridiculous the more Jim Carrey we get. Which is crazy to think that one of these sketches, one of those trailer sketches could actually even be taken up a notch and he somehow manages to do that so I thought this was theperfect like high energy, way to like kick kick the show right off. He matched energy with two sketch comedy legends. Maybe at the time they weren't. They were still trying to grow into it. But Sherry Oteri and Will Ferrell to see Jim Carrey and Will Ferrell play with each other throughout the night, which they did throughout the night. It was so special to see Jim Carrey and Will Ferrell on screen with each other, matching each other's energy and doing that. I loved it. I like the turn that it took as a parody of an after school special. Yeah, well, a little different for the cheerleaders. What we had was real, Lockville. But you threw it all away! What were you thinking, Dick? [24:52] I was fooling around with the bad crowd. When hanging in the video arcade. When they learned me that these pills will be the shortcut to the super spirit. I have let you down now. Well, Lockmeal, super spirit doesn't come from a pharmacy, it comes from within. The only prescription you need is the perfect chair. Yeah, no, this was super, super fun. Like honestly, probably one of my favorite Spartan Trailer sketches just in general. [25:31] It so well. The next sketch is probably my favorite installment of a recurring sketch and I remember this being the highlight of the night for many people. It was the Roxbury guys. Yeah, this was yeah with Chris Kattan and Will Ferrell's Roxbury guys and Jim Carrey added into the madness like this just fit to me. This fit the vibe of the night and Jim as a sketch performer. Agreed. I think this is really where it's like, okay, we are taking off for this to be such an awesome, iconic episode, right? To have those two sketches, back to back, again, classic characters, we have up-and-coming cast members who are starting to establish themselves. [26:12] And create this fun universe to play around in. And I feel like we kind of get this, like, he's one of the gang tone right away. And I think this is another sketch where you're just, he fits into it so perfectly like I thought it was yeah a really a really strong highlight of the night as well. That's such a good point because he he came in and he wasn't trying to be bigger than SNL, so that's you're right that's why it was important that he started with with two recurringsketches established SNL characters he didn't want to be bigger than SNL he could easily could have been yep but that yeah that was that's just such a good point honestly Jamie I didn'talways love these Roxbury sketches. To me, they were just kind of okay, but Jim just added real life to this one. Oh, man. And these beats are so memorable. Like the escalation is perfect. Going from the club, they always like get kicked out of the club, high school prom, the wedding with Nancy Walls and Jim Brewer, and then they end the night at the retirement home. That's like the chef's kiss cherry on top of this sketch with them at the retirement at home. Yes, oh my gosh, such a good kind of flow throughout. [27:29] And then we have one that's not recurring, which I got a kick out of, the Jacuzzi Lifeguard. Jamie, what do you think about that premise? This is probably my favorite of the episode. I absolutely love this one. Like, this is top tier for me. And I don't know if I'm alone in this or if other people really enjoy this one too, but... No, I think this was popular. Okay, I was gonna say, I just... I think this is really right up there for me. So first of all, the role I think works really perfect for Jim to be over the top. And you have Will in kind of a little bit of a different role than he usually is. It's a little more subdued, but he can still have his funny moments throughout. So I thought this was a nice way to let Jim take on this really crazy role. So he's this over-eager lifeguard of literally just a jacuzzi. So instantly for me the premise is just fun and clever right from the start and then just with all of the one-liners yelling like you're blocking the bubble jets and roping off half of the poolfor lap swimming. [28:40] Oh my gosh I this is one that just in the mouth to mouth like just when you think it can't get any crazier it does and I really appreciate sketches that start with a smart premise andthen just add in the perfect amount of one-liners, and jokes that really land and for me that was this one so this this one is probably actually top top of the night for me. I can't transform her! [29:20] Slide back to the wall! You are blocking the bubble jets! Repeat! You are blocking the bubble jets! Alright, fine. It's over here, good. [29:35] Watch that undertoaster! It'll pull you right out! Heads up! It's definitely up there for me, too. It's probably in the top two, for sure. I remember this being a really well-loved sketch. I remember watching it at home, like I said, with other people. And it was just the reactions that people had, especially when it escalated to Jim Carrey giving Will Ferrell mouth-to-mouth, like that got quite the reaction when we were watching. It was interesting to see Will Ferrell play the straight man in Carrey's lifeguard character too. Yeah, it was so fun, because I could totally see in another episode, Will in that Jim Carrey role and being the ridiculous kind of person. So I love the kind of role reversal, and it kept the audience a little bit on our toes of like, okay, what role is Jim gonna be in? Where are we gonna put the cast? And it just landed for me. Yeah, and it feels so lived in to this character. And that's Jim Carrey's sketch background. You don't always see hosts come in with character work like this. This is a special thing for a host to come in and do. Yeah, no, I think that's, when we're talking about Jim Carrey here in the context of Hall of Fame contention, that's something that I look for in the types of hosts that I would bring to thetable for consideration is being willing to take on a variety of different roles throughout the night, including some of these just wild. [31:02] This was awesome. The next one, I'll see you in hell. A little bit of a thin premise, but so the idea here is that Jim Carrey played a character in an office. He told Daryl Hammond's character, I'll see you in hell. And he was like applauded for it by the office. So throughout the sketch, he kept saying it to everybody in the sketch and it started losing all meaning. meeting. Hello? No, you must have the wrong number. That's okay. I'll see you in hell. Oh, here's that computer disk that you needed. Thanks a lot, Jill. See you in hell. [31:43] Joe, this is Mr. Henry. Hey. It's a pleasure to meet you, Mr. Henry. Hi. I'll see you in hell. I'm sorry. Nothing, nothing. I believe you have a payment for Mr. Henry. To me, this was an example of, like I said, a thin premise, but just Jim Carrey's presence on camera, to me, still made this work. Yep, I agree. Yeah, I feel like this was generally the point of the episode where I'm like, okay, not every sketch is gonna hit. This one to me was still very solid. In any other show, it might have been top of my list. For me, it's maybe middle of the pack this episode, but such a fun moment for Jim Carrey, overall, and just kind of the continual yelling of the line, and I mean Jim Carrey of all people isgreat at kind of those line delivery moments and just making something, as many times as you hear it, still sound fun and fresh. And so, yeah, I thought it was a fun kind of shift when he starts kind of using the phrase at all times, like writing it on the check there. So, yeah, this was another just solid. [32:50] Solid continuation for me of the night. Yeah. And if this is like the bottom of the barrel, you're right for an episode. That's like a classic episode. Right, right. Yeah. Because we're both obviously huge SNL fans. And we could admit like most SNL episodes have really bad sketches, a couple bad sketches. Yep, yep. It's just the nature of the beast. So if this is but if this is the worst, it's a heck of an episode. Exactly. Yeah. No, I think at this point, it's okay. We're We're seeing a really consistent episode here, like it sets that tone really well. The next one was actually one that got a big pop from viewers as well, the Joe Pesci show. Yep. That got a huge pop from people. Jim Carrey came on the Joe Pesci show. Joe Pesci was always played by Jim Brewer. Jim Carrey came on doing a Jimmy Stewart impression, which was really great. His curmudgeonly take on Jimmy Stewart is fantastic. Music. Now, Jimmy, you may be 88, but as they say, you're only as old as you feel, huh? Well, then I probably died six years ago. [34:11] Something that we see every now and then on SNL, Mark McKinney comes on as Jim Carrey, so doing an impression of the person in front of the person. When that happens, Jamie, what do you think of that as a viewer? I really enjoy it, right? Maybe I'm just easy to please, but I think it's a fun, like, melding of the world. Like, I'll take that pretty much any day. Like, I'm easy to please. You throw that into an episode. As long as it's not, like, overused and it's just, like, becomes a point where you're like, enough of this. But, no, I had no problem with it in this moment. I thought it was a fun addition to the show. Yeah, I agree. I prefer something like that over like a walk on that, you know, like Mark Wahlberg coming on when Andy Samberg is doing impression of him or Jennifer Aniston andVanessa Bear like, you know, like that could be okay. But I prefer something like this or Jim Carrey was roasting himself while playing Jimmy Stewart. And I found that turn really funny. How are you, Mr. Stewart? Still breathing, are ya? [35:24] Who is this clown? Say! Let me introduce myself. Hi there! Excuse me! I'm Jim Carrey! Pleased to meet ya! Smoke a lot of dope, do ya, son? That's a rhetorical question. Oh, really? This fella mugs so much, he should put a handle on the side of his head. Yeah, I think that was really the best part of the sketch for me. So like, Jim Carrey as Jimmy Stewart, as Jim Carrey, just like, multiple levels of meta on here. Yeah, I thought that was a great kind of high note. He has a sense of humor about himself. But I guess if I was making $20 million per movie, I'd probably have a sense of humor about myself too. Yeah, he's on the top of the world right now. He's living his best life. Exactly. And then we should, that bears repeating that he is the star in Hollywood right now. So he's on top of the world, exactly. [36:36] So to round out the episode, kind of light on sketches, but I think the batting average is wonderful, because the last sketch was Jimmy Tango's Fat Busters, which again, really justmanic energy at this. To me, it was amazing, Jamie, that Jim had this much energy and we're at the end of the show, at the end of the night. It's unreal. I feel like they were not afraid to just put him into big character role after big character role, and I think that ties in, you were talking earlier about the anticipation. Like, I love that this is an episode where, like, people talking, there's the significance of him coming on as the host, and then actually delivering on that by putting him into these epicroles, but also somehow making it so that he's not overshadowing. Like, I come from this episode and I'm also like, oh, Will Ferrell is great. It's not like just the Jim Carrey show, it's Jim Carrey doing amazing character work, but but also fitting in and giving us some of the great SNL, some classic sketches, some new sketches,just a nice mix that fit really well with I think the tone of that particular season. [37:48] And yeah, this Fatbusters sketch, it just became, I just had unhinged energy, which I think was like the perfect topper to a wonderful episode. Like we saw the cheerleaders, Roxbury guys, Jacuzzi lifeguard, I'll see you in hell, Joe Pesci show and Jimmy Tango's Fatbusters. That's like a that's a that's a Hall of Fame episode. Right there. Absolutely. Right. Like it was just kind of this chaotic insane energy in the best possible way like as the highest compliment possible. And I think one of the things I think worked really well about this episode overall is I feel like Jim Carrey style of comedy played really well into the style of comedy that we're starting tosee emerge on the show. I'll mention Will Ferrell as maybe the most prolific example, although I think there are many others that fit that similar mold. Sherry O'Terry reminds me a lot of Jim Carrey's energy goes. Yeah, totally. It's just this zaniness, sometimes over the top, but in a really fun, just make people laugh kind of way that I think is what really takes this particular episode to the next level. [39:03] Man, you're a TV historian. Like this was the topper to an important season in SNL. Like season 21, like this basically SNL was announcing that they weren't going anywhere, so to speak. You know, season 21 was really important to the show. Absolutely. And I love like that this was the finale too. Like I think it really is like quintessential like cherry on top of being like, hey, we have this mostly new cast. We have this new kind of vibe of the show, kind of a shift in the style of comedy, arguably, that we're starting to see this season. And then showing that the show could book the best of the best. [39:44] That could kind of combine and be that kind of water cooler moment yet again. It just, it was a great fusion, I think, of a cast and a host to make it clear that SNL was still the show. And Jim Carrey, he was almost an SNL cast member, I believe in the mid-late 80s or so. He auditioned. Jamie, can you imagine if Jim Carrey was an actual SNL cast member? Because to me, he slid right in right here. Absolutely. It could work. Yeah, I went back and watched a couple of the audition videos just because I was curious kind of having read about a few of the failed auditions. My name is Jim Carrey and this is my Saturday Night Live audition. [40:59] Ready to massage my back tonight! He's great. I mean, I think it just goes to show, I mean, there's so much talent that I'm sure folks are looking at kind of making these decisions. There could absolutely be a world where Jim Carrey is on SNL and is wildly successful through it. And I think through various turns in history, we got not that path, but a path where he's coming on as a fantastic host. And that's a great path too. but I think his talent certainly would have put him in a place where he would have not been out of place on a show like this. I agree, he could have been the star. I mean, he would have gone into an era with Dana Carvey and Phil Hartman. He would have excelled in a stacked era. That's how good he is to me. Yep, agreed, agreed. Yeah, it would have been really cool to watch, right? Like as much as I am happy with how history kind of played out and that we got to have an awesome episode with him hosting it. It would have been kind of cool to see an alternate history timeline kind of thing of at least a few episodes of what it would have been like Jim Carrey in that era. [42:07] Oh yeah, that would have been fun. We don't see Jim Carrey as a host for another 15 years. So quite the long time and he was doing stuff. Like he had, it wasn't just the cable guy and then he fell off the face of the earth. He was doing a lot. The Truman Show sticks out to me. You mentioned Eternal Sunshine of the Spotless Mind, Liar Liar, just a handful of stuff that he did. Jamie, 15 years though, it would have been nice to catch a Jim Carrey appearance before that, right? Yeah, no, I definitely wouldn't have been sad to see something in that time period. Yeah, I'm curious if it was ever in consideration or if it just, I mean, I'm sure he's a busy guy and the thing too is you're in all these movie roles and whatnot, it maybe just wasn't the righttime, but yeah, I'm really glad we got him back for... [42:58] That was January 8th, 2011, season 36. So Jamie, what is a sketch that stood out to you in this episode? Yeah, so I think from this episode, one that stood out to me, the black swan one. I appreciated this one because it's really a showcase, I felt like, for the physical comedy again. So if I'm looking across a Jim Carrey episode, I want to see physical comedy, so he's like, flashing his nipples, just like running around the stage in a tutu, just like playing off the rest ofthe cast. [43:35] So I liked that this one, I feel like was another example of starting an episode off with high energy and like reminding people, because at this point, like some of these people mayor may not have seen his original SNL episode. So reminding people, like, okay, this is what you're gonna get with a Jim Carrey episode. He is here to bring the energy. This was a great start. I never saw Black Swan, so was this supposed to be a take from the movie? Was this supposed to be a parody from the movie? You know what, I never saw it either. There were bits and pieces that I'm pretty sure were a direct parody. There was a visualization at the end, so I'm pretty sure that there was a connection there, but there may have been references that I would not have fully gotten either. He was just so fun to watch. I never saw the movie, and if there were a bunch of references, I may have missed it, but he was so fun to watch. And it reminded me, he did a character on In Living Color named Vera de Milo. And this is kind of what it reminded me of a little bit. Yes, that is one of the few sketches I have seen actually. Yes, that energy, I can totally see that parallel. [44:40] Yeah, yeah, so this was a really excellent start to a second hosting gig. Jamie, one that really, really stood out to me was that Maryville Trolley Ride sketch. Yeah, yep. I've always liked these, but Jim is just so good. He and Bill Hader and Taryn Killam are so good at these animatronic movements. It amazes me. Oh my gosh, yeah, this is just pure like, you can like this sketch or not like this sketch, but you have to be impressed by how accurately they capture that essence of an animatronic, right? Like, it is just... They need to use this video, I feel like, to teach people, I don't know, when you would ever learn the skill of animatronic. Like in a movement class or something. Yes! It's just... I literally, like, in rewatching this sketch, I was just wanting to pause and, like, study every moment. It was just super, super impressive. And I think that the sketch overall is really fun, they kind of nail that really creepy ride puppet repetitive song, it's a small world, whatever, is inspiredby that whole vibe. Yeah, that's a good pick. I always felt like these trolley ride sketches were a way for Bill Hader and Taron Killam to kind of show off. [45:56] Because they were both really good at this and Jim Carrey was the perfect host. So you know when he was announced for a host, I bet Taryn and Bill were like, oh, he would be so great in this trolley ride sketch. We gotta get him to do it. Oh gosh, with Jim's expressive face, the way he always moves his body on screen, even in his movies, this sketch is just perfect for him. Perfect. Yeah, no, this is a good one. Yeah, the other one from that episode, so I think the Maryville trolley ride was the other big one for me as well. I will also maybe give a little bit of a shout out to the psychic medium one. That to me was fun, just because A, you get Jim Carrey being able to just do this whole series of impressions, which I am never going to complain about that. The Alan Thicke impression, like, that is just top tier for me, like, I think that's one that maybe people weren't necessarily expecting, I mean, you got Kermit, Miss Piggy impressionsgoing around Jimmy Stewart like some some things that are maybe not so wild but yeah the Alan Thicke one is is a moment for sure, Michael Siever if I find out you've been cutting classyou can kiss that new Mustang goodbye. [47:21] That was so good well Jason Sudeikis his character in the sketch loved the Alan thick one too. Right, and with him. Yeah, that was great. No one does a thick. Exactly. Yes, I feel like he just took the words right out of my mouth about that. No kidding. I think the premise of this was solid too. So it was a basically a former celebrity impressionist turned psychic and, Jason Sudeikis and Nassim Padrad Came in as a couple whowho were trying to get one Nassim was trying to get answers from a psychic and Jason was just Kind of along for the ride. So the way they set it up is great Like he introduced himself as a celebrity impressionist. So you kind of knew they were gonna use impressions through throughout the sketch. And it was just like Jimmy Stewart, Billie Holiday, Alan Thicke, Kermit, Charles Bronson. Like it was just Sammy Davis Jr. Oh gosh, this was so good. Vanessa Bear asked him, she kind of plays along and she's like, yeah, can you get a hold of my ancestor Marlon Brando? And he's like, I don't do Marlon, I don't have a good Brando down. That was so perfect, yeah, love that. So, yeah, I think those kind of were tops on my list. For sure, that psychic medium one was really good. The monologue too, I think it was kind of fun to see him play with the audience. [48:40] I didn't recognize, I don't think they were writers, the audience members. I'm like, who are those? I always try to place when audience members get involved in the fun, I'm like, which writer is that? But I didn't recognize him. But it was just kind of fun to see him play with the audience a little bit. Yeah, agreed. Yeah, he's kind of like, kicking us off, it's a New Year, first episode since the New Year started for this one, and just like, setting the tone again, high energy, playing off the audience a bit,so. Yeah, I think a successful episode and even when sketches don't quite work, Jim's just fun to watch on screen. Yep. And I think that's that's what sets him apart for me, right? It's like, there's you can talk about pretty much any host across SNL. There's no one I can think of where it's like 100% sketch success rate across every episode they hosted. If you're talking about someone who's done these multi, multi episode gigs, but with I think in a Hall of Fame caliber host like Jim Carrey, he's coming in and he's elevating things, he isbringing high-energy. [49:46] Wacky characters in where you look to him and you're like, oh my gosh, I'm so glad Jim Carrey is here hosting this episode, bringing this persona into the mix. So that for me was my takeaway of this episode. Yeah, at the very least it's going to be fun. And I was I'm happy because we didn't have to wait as long for another Jim Carrey. We'd still be waiting because it's been less than 15 years since that one. So the next one he hosted was season 40. So only like four seasons later, the Halloween episode in October of 2014. To me, Jamie, I think this was actually a step up from the previous one. I think I like this a little better. It was a really, really consistent episode. So like what what immediately stood out to you? [50:37] Yeah. So I first of all, I love Halloween. So Halloween episode. I'm already in a good mood from the start. Right. And you have Jim kind of coming out the monologue in his Elvis or Elvis kind of devil take on Elvis kind of singing about pecan pie, just a little bit wild. but I'll take it. I like it. It was a fun start. [51:32] That song made me hungry. Yeah, I mean, for this episode, there's a few sketches, I think. Maybe I'll start with Carrie Family Reunion. Like we were talking a little bit earlier about impressions and things being meta. I know we've had a few different like family reunion style sketches on SNL. Well, you were my person for Christopher Walken, so we saw a Walken family reunion. Yes, we talked that one. Yeah, I think- You like these family reunion sketches? No, I do, I do. And maybe this talks to the earlier point of like, I am easy to please with this kind of stuff. Generally, it's, it's fun. It's maybe a little bit, how do I put it? Like giving the audience what they want. And so I like that this is at the start of the episode, right? I'm just like, okay, we have Jim Carrey as host. We're going to play into some things. We have like Vanessa doing like butt cheek talking, like any Jim Carrey line, like just giving us a Jim Carrey, Jim Carrey sketch, basically. So, yeah, I mean, we have impressions spanning the whole gamut. It was really fun. Yeah, when you have a host like this who just begs to be impersonated, I mean, it's a natural fit. Taron is probably the most, he's probably the best Jim Carrey. For sure, yeah. I would say Kyle's was surprising to me. Kyle Mooney did a surprisingly good one to me. I like it a lot. [52:56] Sound familiar? But seriously, I am super into skateboarding. I grind rails, I do ollies, I've been known to tear up a half pipe. Cause I'm not a lehu zahur. Alrighty then. [53:12] Alrighty then! Yeah, I feel like Terrence was pretty terrific. I feel like that was an impression where you're actually like, oh, like people might talk about this. Like, this is, this is legit. Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh. You remember when I came up with that? I thought I came up with that. Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha. Agree to disagree. Well, in case I don't see ya, good afternoon, good evening, and good night. And I mean, the impression quality kind of spans the gamut, so you have some that are clearly just for fun, as always, right, yep. But, I mean, actually, I really enjoyed the Jeff Daniels cameo on this one, I'm not gonna lie. Like, I thought that was a really fun way to wrap it up, and just the two of them, I will take them on my screen any day. Yeah, that was so fun and another in living color reference cuz Cecily came out as fire marshal bill Is it okay here? Absolutely. She just got out of jail for arson. [54:31] So if you go rewatch that that's who Cecily's playing so that fire marshal bill character was really popular that Jim did so Cecily Is paying homage to that? I love it, oh my gosh, I need to go back and watch that. The original source material. Yes, yes, do yourself a favor, do that. [54:53] And Jamie, something that I think SNL should do more of, I always love when they do runners, like three-part runners throughout the episode. Yes! So these Lincoln ads, when Jim Carrey was playing Matthew McConaughey, just tickled me so much. We saw the escalation throughout. Yep. I feel like these, like, if I was to show this episode to just like a random sampling of people, I feel like these would be top of the list of things people would want to talk about, right? Of things where people are like, that was really well done. That was hilarious. So, yeah, I thought these were a great parody of the Lincoln ads. I mean, you've seen, I've seen a few different, like, parodies or references to these. I feel like they were kind of a little bit larger than life in their ridiculousness at the time. I love the format where it just gets increasingly zany as things go on, so I think you're right that I think this is kind of an underutilized format of like, keep it short, keep it sweet, but thethree across the episode, and the situation just keeps escalating in this one. We have like his kids calling him out, like, Dad, you're going five miles an hour and asking like, whose kids are these? He's like, it just, it gets to the point where you get that, like, justsuper wacky payoff. [56:13] We're basically following Matthew McConaughey played by Jim Carrey through an existential crisis because yeah like the first one McConaughey is talking about why he's evendoing a Lincoln ad sometimes you gotta go back to actually move forward and I don't mean go back and reminisce, chase ghosts I mean take a big step back like go from winning anOscar to doing a car commercial. [56:42] My agent was like, I can understand if you did this right after the Lincoln lawyer. [56:49] That would have made sense. And then it's like, you're right. He's driving slowly in the second one. We can see him spiraling down like a more nihilistic mindset with what he's talking about. He doesn't recognize the kids that are supposed to be his kids in the backseat. That was great. And then in part three, Keenan plays Dennis Haysbert doing an all-state commercial and McConaughey runs him over while meditating and driving. Yeah, it's just like- So it's just a perfect, perfect escalation. Yeah, no, really good, really good series of spots. So we have Carrie Family Reunion, which is something that I highlighted that was a perfect thing to bring up. The three-part running Lincoln ads, definitely great. Is there anything else from this episode Jamie that you wanted to highlight? Yes. I mean, I think my favorite sketch slash moment of the night had to be the chandelier sketch So this is where we have kind of the dance-off, We have Kate McKinnon's costumebasically like playing the girl from see a chandelier music video And then you have Jim Carrey coming out dressed in the exact same costume as part of kind of this Halloween costumecontest. And this just gets super meta, right? So the two of them are dancing, going off into the audience at one point. [58:15] Running around lore and they're in sets from previous sketches. I love that, seeing the sets from previous sketches, I love that. Yes, this is just such good commitment. Like, the combination of these two, just brilliant. I could watch this one over and over. The crowd is going nuts on this one and just like that energy you can feel of people like this is an amazing, just physical, wild moment. It really takeson a life of its own. And that's what I mean, like Jim Carrey is the type that makes something an event. He could go on a different sketch show or something and be great, but Jim Carrey combined with SNL, that's an event, and he's up for it. He's up for making it something memorable and something that feels live and energetic. and this sketch with Kate is a perfect example. Like this is probably, I would say maybe the most memorable thing that happened that night that people probably still think about to this day. This is just like, this encapsulates just everything that Jim can bring to SNL. [59:31] Absolutely, yeah, I think not every host can kind of pull this type of sketch off with just the seamless interplay. I feel like you have to really trust the host to be somebody who can make all of these parts come together, and just, he absolutely is that type of host. [59:49] Yeah, you're basically like you have an extra cast member when Jim Carrey hosts. For sure, for sure. There was also one, it's called Secret Billionaire that I kind of highlighted too. So Jim played an old billionaire named Abbott and they were on a show called Secret Billionaire. Cecily had to guess who the billionaire was. And just the stories, like Jim and character telling these oddball stories, I'll always love it. In 1978, I rigged an election in Panama, as I had high stakes in a banana futures. Things got messy and the bastards made off with a souvenir, my left hand. But fortunately, I replaced it with one of my own creations. [1:00:38] This mechanotronic hand, strong enough to crush steel, but soft enough for manual pleasure. [1:00:49] Yeah, I feel like this one, he's just this bizarre old guy, possible member of the Illuminati. Just everything he says is increasingly zany. Yeah, this was one for me that like if you take Jim Carrey and Jim, if you take Jim Carrey out of this sketch, it doesn't work as well for me. Like I think you need Jim Carrey to make this sketch solid. And so having that, that character and particularly having his portrayal of that character to make it so funny was crucial. Yeah. You need somebody with real sketch comedy chops to be able to sell a bizarre story. Like I love when he told that story about the Dennis and Brian story. Okay, final question. Guys, I love the holidays. What do you do to feel jolly? I was alone and bored one Christmas, so I rented out an airplane hangar and filled it with 250 men named Dennis and one named Brian. I watched from two-way glass above just to see what they would do. Would the Dennises even know? Soon they started introducing themselves. I'm Dennis, I'm Dennis, I'm Dennis, I'm Dennis. And I watched Brian very carefully. [1:02:15] Would he be frightened and disoriented, fully immersed in a world out of his control the world of Dennis's? Or would he become a sort of unofficial leader? I just so bizarre. [1:02:34] Sketch and just like wild and like however bizarre the last story was, we're gonna make it more bizarre for this next story. Yeah, you had to go from rigging an election in Panama because he had like some futures in some, I forgot what it was, but so his character rigged an election in Panama and then youhave to go more bizarre with the Dennis and Brian story. It was just wonderful. This is like a really great encapsulation of Jim And as a Halloween person yourself, they ended the episode with something really demonic and strange, thatHalloween Emporium one where it's the Halloween store owner who was possessed by a demon, but he still wanted to run the store. [1:03:17] Yes, this one was fun too to me. Like, I thought it was a good ending one. Like, it keeps the Halloween energy going a little bit, allows Jim Carrey to play one last kind of wacky role. I loved like the listing of the different Halloween costumes out was great. I thought this was was a solid way to end the episode by like reminding us like, okay, Jim Carrey, he's not done doing great stuff yet. We're gonna throw him into one one last great role. Yeah, just a really, really fun episode. So to me, it wasn't just because that first episode was classic, but it wasn't just that first episode like this to me, holds up as a great episode in and ofitself. By rewatching it, I enjoyed it more than I even remembered. It was so good. Yep, agreed, agreed. Yeah, I feel like there's the mix of moments, like the chandelier bit that we were talking about earlier, but also just across the episode, right? Like there's just a really fun mix of sketches here. I feel like there's a little bit of something for everyone between the more on the nose stuff, the little bit wackier, like, billionaire reality show character, like, that kind of stuff. Like, just a whole, a whole mix. [1:04:35] Yeah, it was great. We haven't seen him host since. So this was 2014. It's been nine years now, over nine years since he's hosted. But he did come back, Jamie, and played a really important role during the last presidential election cycle. He played Joe Biden. So what did you make of Jim coming back and playing Joe Biden? So amazing. Like, just honestly, top, top tier Joe Biden impression, in my opinion. Like, it was just such a wacky time in terms of like the whole like debate storylines and SNL and some of those sketches. And he fit into that mix so well, like, with Alec Baldwin's Trump, and then Biden coming in by Jim Carrey, like, it was such a great interplay where you have, like, two amazingimpressions. Like some of the debate ones they did, just great. I thought it was a top-tier impression, like, again, people were talking about it. [1:05:45] He has the chops to pull it off. He's a great impressionist. Like he really is. Look, man, I'm a nice guy, but if you give me any more guff tonight, I'll rip your face off like a mad chimp. I'll knock that thing off your head and burn it, bury it in the pet cemetery where it came from. [1:06:07] Stop it, Joe, stop it. You can't lose your cool just because this Joker's raising little monkey dust. The country's counting on you to just stand here and look lucid. [1:06:25] Yeah, yeah, this was great. Like this Jimmy Stewart is top notch and yeah, and this Biden was good. Then they were kind of SNL was in limbo with who's going to play Joe Biden. Jensen Sudeikis was busy with Ted Lasso. I don't know if he had any even interest in coming back to do it regularly. Woody Harrelson, they had come and I think he did a pretty respectable job, but Jim Carrey just added that energy and the wacky old guy take on it. Yeah, so, so good, I feel like there's a moment from one of the sketches where he's playing Biden, trying to not get frustrated with himself during one of the debates and that balance oflike, Joe, but like trying to pull himself back in the, in the presence of Trump. It was just a great, great attention to detail as well. I feel like this, this is one where I remember a lot of people talking about this impression, right? Being like, this was a fantastic Joe Biden impression. And you knew when the when they were doing that show that night that Biden was announced as having beat Trump in the election, you knew that he had to come out with the AceVentura line. We need to go forward together. Unfortunately, there are situations in life, and this is one of them. Where there must be a winner and. [1:07:53] Hey, user. [1:08:05] The who? The her. Of course, you had to say that, right? Yeah, yeah. No, I think like it's interesting, right? Like we talk about different people as hosts and kind of separating potentially from some of the like cameos or other impressions or whatnot, but it ties into his story, right? So like we can separate it, but it's also sometimes hard to separate it because he just, it plays into the story of like Jim Carrey as having kind of tied himself into the show's history andcreated such a track record of like, he's a guy who can come on this show and we'll deliver the goods and we know that. So as much as I sometimes try to separate it, I feel like it's hard for a situation like this because it is a little bit part of his story. I think we've done a really good job of breaking down Jim's hosting stints and what he's done for SNL, but just like the cliff's nose version, why should people consider casting a vote forJim Carrey for the SNL Hall of Fame? [1:09:10] My pitch to you all is this. So I think when I think about Hall of Fame caliber hosts, I look at consistency across multiple eras. Jim Carrey absolutely has that. So spanning from 96 to 2014 in terms of official hosting gigs. I think the fact that he hosted arguably one of the show's most iconic episodes. I have seen this episode in discussion for like top of all time status that I know there are so many great episodes but the fact that this is even in that conversation, I think is a big push in hisfavor as well. I'd also argue it was really an important episode in terms of cementing the show's excellence in that era, really kind of proving that SNL was back on top. So I feel like he has that historical momentum aspect of his history on the show. So yeah, really I think for Hall of Fame, Candacy is someone with that consistent greatness, that ability from a humor standpoint to elevate things and to bring that zany sketch comedytalent. [1:10:21] And he really did that. He left his stamp on SNL across a wide span of time and just made it better by being on it. So, I really think he is a strong contender in terms of one of the greatest hosts across the show's history. Track 2: [1:10:56] So there's that! Thank you so much, Thomas and Jamie. That was fantastic. A detailed look inside of the SNL career of Jim Carrey. You couple that together with the information you get from Matt in the minutiae minute, and you've got a real strong sense of who this individual is and what he means to SNL. Is it enough to get your vote? We shall see. Voting, of course, opens on Tuesday the 5th of December, and it will run straight through to the 17th of December. Sunday the 17th at midnight will be your last chance to cast votes. I will be sending out ballots to everybody who has registered in the past. However, we'll also be sharing the link for voting as well, and you can get access to that from our socials. Please follow us on our socials. We've been negligent with keeping up to date with our socials, but maybe for season five, we'll work much harder at that. [1:12:15] Let's go to the sketch now. This is a sketch called Psychic Medium. It comes from season 36, January of 2011. It stars Carrie, Sudeikis, Nassim Petrod, and Vanessa Bayer. And Jim plays a celebrity impressionist turned psychic medium. It's just a funny Carrie-led sketch that gives him a chance to do multiple impressions. And I think that that's a great deal of fun. And when we talk about Jim Carrey, that's what we want to see. We want to see those impressions. We want to see him morph his face and become somebody that, uh, he is not necessarily and suspend our disbelief. So let's go to that now. This is the sketch. Track 5: [1:13:02] Can't believe we're actually doing this, paying money to some psychic. Honey, you said you'd keep an open mind. I'm trying to contact my uncle. How about you? My father, he passed away last spring and I I just wish I could speak to him one last time. That... can be re-rushed. Pardon me, my lateness. I was in the bathroom. I didn't hear a flush. Let's begin. [1:13:31] I... Alam Alasambra. You've all lost love once, but I commune with the dead, and channel their spirits. Wait a sec, do I know you from somewhere? Well, in the early 80s I was prominent celebrity impressionist Alan Munch. Oh yeah! Yeah, honey, you remember? This guy was on Comic Relief like three times. Four times. Four times! Yes, but those days are behind me. Well, it's good you're not a comedian anymore because we're really looking for answers today. Do not worry. I am a psychic medium. And I take these grief seances very seriously. Take my hand. I didn't hear a sink either. Take my hand. There is a spirit here. There is a spirit in this room. A man. I can see his face. Is it my father? No. It's... It's... Show yourself, spirit. It's none other than Mr. Jimmy Stewart. [1:14:52] That lady up on top of the Capitol Dome, doggone it, that lady stands for liberty. Oh wow, that sounded just like Jimmy Stewart. Thank you. He was the spirit that was here. Why would Jimmy Stewart want to contact us? I cannot answer that question. I'm just a humble medium. A vessel. Through which they speak. Well, can we try to contact my father? Yes. Take my hand. Oh, hold on. Ah! That really interests me. Take my hand. I see a spirit. Is it my father? No. Unless your father was... The great Billy Holiday... No way, no way. No way, no way. No way, no way. Nooooooooooooooo BADDY! Yes, I do. [1:16:03] I just really wanted to speak to my father. I see someone's father! What does he have to say? He wants to talk about growing pains. What? Because he's TV's favorite father, Alan Fick! [1:16:25] Michael Siever, if I find out you've been cutting class, you can kiss that new mustang goodbye. [1:16:35] Wait a minute. What? Too soon? No. I'm pretty sure Alan Thicke is still alive. Like, 60% sure. That was great! No one does a Thicke! Do more spirits! Miss Piggy's with us. No, she's not! The fictional puppet, Miss Piggy? Oh, Kermit! You are my favorite! I love you! Wait, wait, wait. Is Kermit here too? I'm afraid so. It's not easy being green. Stop doing your act! How dare you! I can't control the spirits! Just like you can't control Mr. Charles Bronson! Hey, scumbag. You make me wanna puke. Okay. Awesome. Awesome. I'm leaving. I'm leaving. What? Honey, we're gonna miss this closer. You were amazing. Are you? Can we try to contact my uncle? You might have heard of him. He was the actor Marlon Brando. Don't do Marlon. Don't have a good Brando down. Can you do a Sammy Davis Jr? Well, let's just see if he's here. [1:17:58] That's where I left that thing. Who can take an eyeball? Dip it in a dream? Track 2: [1:18:09] Oh, that was fantastic. What a great sketch. If that doesn't seal the deal for you, I don't know what will. Go back and watch the entirety of that episode. Maybe that will convince you. Again, voting opens December the 5th, runs through Sunday the 17th. You can get the link from all our socials. If you've already registered, I have your email address and I will send you a link to the ballot via email. [1:18:42] And then it's just up to you to make your picks. And we'll go from there. We'll do the heavy lifting. We'll do the tabulating. And we will make an announcement on December 18th. A very special episode, the last episode of the season, episode 19, we will reveal the class of season four. So that's pretty doggone exciting. And, uh, I hope you're here for it and you're ready to cast your ballot. [1:19:16] Now that's what I have for you. So if you would do me a favor and on your way out, as you pass the weekend update exhibit, turn out the lights because the SNL hall of fame is now closed. 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| Don Pardo | 20 Nov 2023 | 00:39:11 | |
Join Matt and Thomas as they make the announcement of the first-ever Don Pardo award; Don Pardo! Transcript: [0:43] All right, thank you so much, Doug DeNance. It is great to be here in the SNL Hall of Fame with you all. My name is JD, and welcome to the SNL Hall of Fame podcast. Before you come on inside, if you could do me a favor and please wipe your feet, that would be just tremendous. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and addthem to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. Well, that's normally the way we play the game, but this week we're doing things a little bit different. Allow me to introduce you to the Don Pardo Award episode. That's right. We've created an award for somebody that will receive it and be enshrined in the Hall of Fame outside of the voting process. [1:47] So this is pretty exciting. This won't be somebody you vote for. This will be something that we award every year going forward and when there is somebody that makes sense to give the award to. So it might not be every year but our goal will be to make it every year. And, uh, the first recipient of the Don Pardo award is none other than the namesake of the award, Don Pardo. And my friends, Matt Ardill and Thomas Senna have gathered together in the bunker. [2:27] We are going to not participate in Matt's minutiae minute this week. We are going to go right downstairs to Thomas and Matt where they are going to titillate us with information on Don Pardo and why he belongs in the SNL Hall of Fame. So buckle up, get ready, and enjoy this special episode of the SNL Hall of Fame podcast. Track 3: [3:23] All right, JD, thanks for the introduction. And that is correct. You cannot have Matt Ardill this episode for Matt's minutia minute. I'm stealing him for this discussion, Jamie, and that's all there is to it. It's a special one because we're not trying to make the case for someone to get inducted into the SNL Hall of Fame. That business has already been handled. world. We're here to celebrate the induction of Don Pardo. So Matt, our deal here with me to celebrate. Hello. Thanks for joining me. [3:56] Thanks for having me, Thomas. I'm glad to be here. Yeah, it's fun. I know Jamie always has you guys do your thing at the top of the show, but it's fun for me and you to have a little discussion here and and lead the conversation. So I'mreally happy to have you. You and I don't always we don't get to interact enough. So this is really great, Matt. Yeah, I am looking forward to it. I Don is such a part of the legacy of SNL. It's great to have. Yeah, such a huge legacy. And I think Don Pardo is a pretty fitting person to receive this special induction by the SNL Hall of Fame Veterans Committee. The first being Lorne Michaels. That was an obvious choice. We were like, should we name the Hall of Fame after Lorne Michaels? We decided that Lorne Michaels would be the perfect first inductee as far as Veterans committee goes, but it's hard to argue the impact that Don Pardo had on viewersthroughout his career prior to and throughout SNL, Matt. Yeah, well, I mean, he had a 70 year tenure with NBC starting like in radio before the television was even really much of a thing. And I think like he he was with thecompany. [5:08] Basically his entire adult life, like grew up the son of immigrants in Norwich, Connecticut. His first broadcasting job was with the NBC affiliate station WJR in 1938, becoming a full time announcer in 1944. [5:25] Doing radio dramas, science fiction like Dimension X before eventually becoming a war reporter for NBC. [5:33] So, I mean, you know, if people think, oh, you know, he's the guy from Jeopardy or or the price is right, which, yeah, he was. But before that, he had a verydistinguished career. Hard journalism. He was a hard journalist and real in the field in the field covered. That's wild to me that he covered World War Two. And we know him as a contemporary kind of SNL voice still. This man covered World War Two. Yeah. And in a way, that was like the real deal, too. It's not just like, oh, sitting there, not doing anything. Yeah. And I mean, when he came back, He he continued to to to work like in the game shows. That's where I think most people came to know him because it was such a popular format. He was so I think the mark of somebody being a part of a popular culture is a weird owl includes you in something. [6:25] And weird owls I lost on Jeopardy basically hinges around Don Pardo. video. [7:07] So it's like it's just hilarious. So, I mean, he's always had a good sense of humor about himself. He's always understood where he sort of fits in the zeitgeist. And I mean, he's done a variety of things. War reporting, Macy's Day Thanksgiving parade. He continued to do the nightly NBC nightly news on the radio well into his nearest retirement. His time at Studio 8H actually predates SNL. So he was longer at 8H longer than SNL. And he said that where he does like the booth that he did that he did the the introductions from that's where the conductor of the the famous orchestra that yeah studio eight. That's where the conductor basically would stand. And I think Don really enjoyed that fact. Yeah, he did. And he had this one interview I watched with him where he talks about like how things have changed and like how how Studio 8H used to be this big highceiling ballroom with this raised stage, that there was a staff band who were paid a salary to just basically hang out and then play music whenever people wanted music forthings. So he comes he kind of bridges the entire sort of spectrum of the history. [8:24] He retired from NBC in 2004, but as a favor to Lauren, kept kept going. And you can find a lot of these stories that he talks about online. A lot of interviews on YouTube. I where he talks about how the first time he had to step back, he's had laryngitis. He was like he's in his retirement years and he's like he they were still flying him out to New York from his retirement home where he was living and his sister-in-lawcalled him. It's like, oh, you sounded great last night. He's like, oh, really? Did you listen to that entire entire episode? the entire thing where I had a big back and forth with the with the host. And she's like, yeah, you sound like you're good. Older is like, how do I sound now? And I said, well, you sound kind of rough. Yeah, because that wasn't me. [9:12] It's like the first one that that Daryl Hammond did stepping in for him. And afterwards, Darryl was saying, you know, you're you're really hard to do. You're really just such a bombastic, right? Yeah. Darryl says that this is basically him as an announcer. Darryl as the SNL announcer is just an homage to Don Pardo. So he's essentially trying to do a Don Pardo. He's not Darryl using a Darryl voice being the announcer. He's still trying to harness the spirit of Don Pardo. I love that Darryl understands Don Pardo's obviously his importance to the show. Yeah. And I mean, it's it's just really speaks to that. No way. Like, you know, Lauren is kind of the mind, but I think Don is the heart because he's like a natural entertainer, you know, And he kind of goes back to what. [10:02] Lauren was trying to channel when he first started SNL was that sort of bridge between old comedy and new comedy. And Don sort of runs right up the middle of that because he literally connected the history of NBC and that studio to the modern studio. They talk a lot about how in the early days he would do the warm ups beforehand and in the first few seasons that kind of got shrunk and shrunk and shrunk. But yeah, I mean, he was there for everything right up until the end. He was a big part and witnessed the creation of the Blues Brothers as an opening, like one of the opening warm up acts kind of thing. And it talks about how, you know, he was there for that and how it was like such a great moment. Yeah, for sure. You talked about Don as an entertainer, and I think it was always a treat for SNL fans whenever he would show up, whether it was just his voice as part ofthe action in the sketch or like the times that he would actually, we would see Don Pardo's face. Even re-watching old SNL sketches, a lot of times for what I do, for what we do, we tend to go back and watch old sketches, old episodes. [11:16] Always a treat to see and hear Don Pardo being involved in the action. So I want to kind of just go over some of the highlights as far as Don Pardo being involved in SNL sketches. And I think one of the first ones, It was the very end of season one. It was a summer episode, Matt, waiting for Pardo. And this is a sinker of a sketch. And I really enjoy this sketch, though, Matt. Like, what did you think of waiting for Pardo? I think it's one of my favorite where he's in it just because it's such it's, it's one of those early SNL sketches where it's like really slow. It's really deep. But the punch is still there. Like, it's just so absurdist because you have you have like Chris Christopherson and Chevy Chase just sitting on a log waiting for Pardo, whichis like a such a like theater nerd pun, you know, like it's like it's most people won't know the play waiting for Godot. You know, it's not like a top of mind consciousness kind of thing. So it's already kind of like I'm thinking it's probably O'Donoghue who or somebody like that who wrote this. Yeah, it seems like it could have been an O'Donoghue. Yeah, yeah, it's a little bit like snooty, but that that just was fun. We can't wait much longer. We don't have much time. [12:39] Yes, you do, boys, because here's good news. Space and time are empirically real, but transcendentally ideal. Yours from Emanuel Kant, where time and space work hand in hand for you. But it just leaned into the Selena and you just would have him reading these philosophical mantras in that bombastic Don Pardo voice. And it just it made it ridiculous. It was like there's nothing he was saying that was inherently ridiculous, but just the way he delivered it made it ridiculous, which was so wonderful. He knew his part. Like you had said, he knew what tone to hit, even in a comedic sketch. Pardo knew his role in that sketch. So so he knew that just breaking in to promote a sponsor and like a philosophical kind of reference references in those sponsors. But he knew just by doing that, the righttone to hit to really uplift the gag. And it's just hilarious. Like they're talking about Pardo like he's an enigmatic figure. Yes, yes, he's just this voice like this, the disembodied voice, Don Pardo, like, who is he? Chris Christopherson and Chevy Chase just, yeah, that was just such a fun early, like you said, season one, what a what a fun early way to use Don Pardo. [14:02] And it was kind of neat, in a way, it kind of spoke to the moment to like the commercialization of the intellectual too, because you had like a manual can't watchesand spazzo spazzo is a luggage or I Ching cruise lines. So it's like it was just like so ridiculous. It is like, again, people know him as the game show host, the guy who's like on the Price is Right and you've won this brand newCadillac. Like it's that's that's the energy he was bringing to it. And it's like. So bonkers. It's just I loved it. I loved it. Yeah, that's a great one. Waiting for Pardo again, the Chris Kristofferson episode in the summer, one of the summer episodes in season one. He also did one of the first times I think that he actually appeared on camera was at the very end of the original run of SNL. The first five seasons, it was a Buck Henry episode in May of 1980. That was a time at where they knew that the original cast was leaving and season six they were going to have to start over so buck did this bit in the monologue where hewas introducing the cast for season six the quote-unquote cast and Don played a man named Ron Waldo who does a great imitation of Don Fardo. And last, last folks, but not least, here's Ron Waldo. [15:31] Now, Ron, they say you do a great imitation of Don Pardo. That's right, Buck. It's Saturday Night Live! That's terrific. [15:46] There you have it, ladies and gentlemen. And he looks so tickled being on screen. It was so funny to watch. And he looked like genuinely like Don, like genuinely tickled to be up there on screen. Well, I mean, like he maintains these relationships with all of these like a few like many years later when he's on 30 Rock playing himself as the announcer for the girlyshow again. Like and this is like when he's in his 90s. I think at this point he's just loving it. He's just and I think that's really what makes him so special. He's like he realizes that the joy of the moment being on SNL originally and then maintaining these relationships all the way into his autumn years Yeah, definitely. Weshould position his age in all of this. So he was born in 1918 Yes, so when SNL started he was 57 there abouts 56 50 He was already in his late 50s when SNL started, so he he turned 90, when he was into his90s when he was still doing this. Yeah, he was. He was kind of an old man on the block in 1975 when SNL started. He and Herb Sargent were kind of the two like old men there. [16:58] Yeah. And I mean, and the thing is, he was always game like he who worked with Frank Zappa on the episode that Zappa hosted. They performed a song, I'm the Slime, and Don Pardo did a part. I'm the best you can get. Have you guessed me yet? [17:20] I'm the slime oozing out from your... Take it away, Don Pardo! [17:54] Frank Zappa liked it so much, he included him on the album. And then when he was doing that, when Zappa was doing his New York Palladium four or five days or a week or something like that, he had Don Pardo dressed up in likeone of those old time big band sort of jazz, white jazz conductor leader suits, the giant cane and a big hat and, selling these giant like one story tall posters of Don Pardodone up like that as part of the show in New York. Like some people clicked with them. If Frank Zappa, who's legendarily a contrarian, is like, oh, no, this guy gets it. Then, you know, he really gets it and he's game for for anything. Yeah, he's he wasn't self-serious. [18:41] And that's what we can sense that as an audience, that this man wasn't self-serious, and there was a charm about that. And it was so wonderful. Like he did a parody of himself. and another time he appeared on screen, it was in season 6 actually, they did a Sabanetwork telethon. They're poking fun at how NBC was in trouble or whatever. We actually see Don Pardo sing a little bit. You know there's a word for the position NBC's in now. [19:26] He's just he's willing to do whatever he needs. Yeah, yeah, definitely. We actually saw him do some warming up of the crowd. You'd mentioned that he was their warm up guy for a bit. But there was a sketch and at the end of season nine, itwas a cold open and it was Sammy Davis Jr. And Frank Sinatra, Billy Crystal and Joe Piscopo. They find out that there's going to be a bunch of hosts for that episode of SNL. So Sammy and Frank kind of crashed the party. They break into Studio 8H. Frank hands Don some money and asks them to go get some towels for his room. But we see Don. Warming up the crowd and getting involved in the in the sketch and everything. So so that was it was just always so much fun to to see Don Pardo just pop up and he was game. And like you said, sometimes we overuse that, especially like for hosts. But with somebody like Don Pardo, like he definitely was game whenever they would call him out of the bullpen, which wasn't that often. He was always ready when they needed him. Yeah. I mean, I think that's the best part of it. Like whenever they did use him, it was special. You know, like there was it was they didn't overuse him. It didn't get boring or OK here. They're using Don again. I think like in the first season, there was maybe like three times they used him. Like there's that the waiting for Perdo. [20:45] And there's also like Don Pardo tattles or something like that, where it's like a school, like a turn of the century schoolroom kind of thing. Like and and he just starts like rat like the teacher comes in And it's like, What were you kids up to? And it's like that's Don Pardo just tattling just the voiceover of him. Well, Billy Smith was saying naughty words and just like it was like it's just is perfect because it's just silly and ridiculous. [21:15] But it's short and it's sweet. It's like they just use it and get in and get out because you don't want to like drag that on. Sometimes he would go four or five plus seasons in between appearances, like on-camera appearances. So he would go like that Sammy and Frank one that I mentioned, and then we didn't see him again for another five years, really, on camera. He was in a sketch with John Lovitz, it's called Get to Know Me, and Don did a testimonial for getting to know John Lovitz, and how that changed his life, essentially, wasto get to know John Lovitz and stuff. Hello, before I got to know John, I was nothing, nowhere, nobody. I was stuck in a room reading voiceovers I could barely understand. And then I got to know him and now I get to be on TV and today they call me Don Pardo. [22:14] So every few years he would kind of pop up on screen and you're like, oh my God, like That's kind of a special special moment to look back on. Yeah, he was in this game breakers Sketch was a game show sketch hosted by Phil Hartman, of course Who was the resident game show host in the early 90s? Susan Lucci was on playing her Erica Kane character and it's a game show, but they get caught up in a love affair and Don, that ends up officiating their wedding. Thatgame show in that sketch is based on a game show. He was the announcer for in real life. Right. So it's like and that's when you do these parodies, you have these connections to like the real life edities and it just makes it it's nice because it kind of makes it feel thatmuch more genuine, in a way to be like, yeah, he's really he's ready to jump in and and still like, you know, so he's like this touchstone for so many corners of people's liveslike at the time he you know was doing this like you know there's a generation you remember him as being guy who first announced Kennedy was assassinated indowntown Dallas President Kennedy was shot today just as his motorcade left downtown Dallas mrs. Kennedy jumped up and grabbed mr. Kennedy she cried oh no the motorcade sped on a photographer said he saw blood on the president's head. It was believed two shots were fired. [23:40] Keep tuned to your NBC station for the later news. He was the newscaster who literally broke the story first. So you have like him touching on like this counterculture thing and this this this major historical event and game shows. So it's like he covers the spectrum of culture in a way that I don't think anybody else ever has. No, no, he's like the he's like a Forrest Gump kind of figure as far asBroadcasters go. Yes. Yeah, it really sounds like it and if you think about it He's been there for for so many amazing things not just at SNL, but with NBC gosh Like the stories did he writea book and I don't know This is probably research I should have done before but but I would have I would love to read a Don Pardo Like that is a memoir. I'd love to listen to the audio book. No, you're right. Actually, yeah, like that would be. And that's the thing you don't like. I was I watched a bunch of interviews with him that were done by the Television Hall of Fame or something like that. But they're all on YouTube. Just look up Don Pardo. [24:47] And it's the guy I love telling stories. And that's the thing I don't think we get enough of because of as an announcer, he's like just little snippets and very briefmoments. and then the occasional sketch. But he loved it. He's like an old guy who loved telling stories about his life, you know? So if he didn't write a book, it's a shame. So it'd be an amazing book that I would love to read. If there is not an audio book of it, you need to get Daryl to do a reading of this book if it exists. Just like, please, give it to give us this in his voice. Exactly. Gosh, that yeah, that would be so great. And with this kind of a couple more for me, like on-camera moments. We saw Don Pardo, the physical comedian, he'd need Johnny Knoxville in the nuts in a monologue. Johnny Knoxville was hosting, he was doing a backstage kind of thing. Or no, it wasn't a backstage, it was a here's what happened over the week and it was basically the cast doing jackass like things to Johnny Knoxville and he meets DonPardo and he's like, oh my god I got to meet Don Pardo and Don Pardo just kind of like need him in the nuts and I think I'm pretty sure that was Don Pardo unless it wasreally great editing. [25:59] Yeah, I think it would be something he'd do. Yeah, yeah, exactly. That's that's within his his gameness, his personality. Yeah, to do something like that. But that that was a wonderful moment and a very touching moment is actually from what I can find the last time that Pardo appeared oncamera. And it was fitting because it was February 23rd, 2008. During the good nights, they brought out a birthday cake. Don Pardo has been with NBC since 1944, yesterday he turned 90, happy birthday Don! [26:37] He blew out the candles and that was really touching. I remember when it happened in the moment, but even going back and watching, that's like, that was so such atouching moment, Matt. And I mean, they don't celebrate, they've never celebrated Lorne in that way, or anybody else, you know, there's very few people. And I mean, I think it's like an egalitariansense, like they don't want to elevate people above the rest of the cast. But there's certain people where they really feel, I feel like they recognize that there's intrinsic part of the heart of the show. And Don is one of them where they'll, they acknowledge the gift that he's given them. And you know, all of those decades of dedication to not just NBC, but specifically to SNL. Like he left NBC, but came back for that show. Yeah. When I'm in my 80s. [27:29] I am not going back to my day job. Oh, it'll take a lot of convincing and money or or me not having any money to get back to that. Exactly. Yeah, I think I'd be good, too. And he wasn't like he wasn't just the heart to like. That's kind of the main thing is first. When I think about Don Pardo is the heart of in a more clinical sense. He was so crucial to the branding of the show. And it's really hard to overstate and hard to quantify. Just how important Don Pardo was to SNL's branding. Because when you think about it, part of the branding is their intros. They have the same similar intros every show. So people kind of get used to that. They get used to the voice. And so Don Pardo is part of the fabric of the brand of SNL. And I mean, Matt, that's so important. People don't just kind of, I can openly say how important he was in that regard. Yeah, and I mean, even when you look at parody SNL, the Don Pardo element is often a part of those parodies, like the the bombastic announcer. I kind of feel to me, Matt TV never really. And part of that was it kind of lacked something magical about it. I mean, it was fine. I didn't hate it. It had a few good sketches over the years. It really wasn't my jam. [28:54] I'm with you. But yeah, but there's just something missing. And I kind of feel like it's that energy that and it's not just Don as a person, but the energy that's that's manifested by knowing that Don is an important part of it throughoutthe entire show. Because like Lauren was like when he came back, one of the first things he did is he brought Don back on board. Don was laid off of the job during those years when Lauren was away. You know, like they're like, we're getting a new start. We're going to get a new announcer. and they realized, no, we need... And we need that. So it's like it's all part of that sort of spirit that I think goes into SNL that makes it so special. Right. Is it's all tied together in this magical brew. Yeah, that's a lot of what has separated SNL from a lot of sketch shows for me. I mean, there's a lot of sketch shows, a lot of sketch shows that I really like. [29:47] But I think Lorne and the people who have helped make us know what it is, they know how to put on a show. It's not just here's some here's our attempt at some sketches, and that's that like Lorne They wanted to make a whole show an Entertainment entity out of it and part of thatwas Don Pardo the energy of the band of G Smith or whoever was leading the band at the time. It was all that Secret sauce that made SNL not just a show that had some sketches and you're gonna get music or whatever However, it was an event and it sounded like anevent and somebody like Don Pardo can convey that this is an event that you're watching right now and that that's so huge and it's hard to do. People who have big booming voices can't even do what Don Pardo did. Because there is there was nuance to it in a lot of ways that you don't. It's not just being loud. It's it's being in the moment. It feels live. You know, like it's not like canned or phoned in, even when it was recorded separately in the later years. It didn't really feel that way, which is really special. [31:04] So before we get out of here, is there anything else about Don Pardo that that you could find that you wanted to make sure that we that we covered here? Yeah, I mean, like I just I think it's it's just really awesome how game he was to make fun of himself in all levels. Like you like you hear those stories about like his time on the show, like watching him talk about that. And he's half the time he's just being self deprecating. You know, like I lost on Jeopardy. He was nailing the lines as if he was doing his job on Jeopardy. I think what makes him special is that he was always he was dedicated 70 years with the company and a part of culture, but never was arrogant about it. But understood where he felt it fit in and was a guest in people's lives. He was a humble guy, but a compassionate one at the same time. Yeah. For those reasons, that's why Don Pardo is an SNL Hall of Famer. No vote necessary. The Veterans Committee got together and decided that Don Pardo is in the SNL Hall of Fame. [32:14] So before we go, you had touched on it before. So I've heard comedians throughout the years basically do impressions of Don Pardo. Scott Aukerman, if you listen to Comedy Bang Bang, Scott Aukerman likes to say Nassim Padrad in a Don Pardo voice. That's a funny bit that he does. Daryl Hammond, as we mentioned, essentially pays homage to Pardo every week by doing his voice on SNL. So Matt, I thought that in honor of Don Pardo, I think we should each do Pardo impressions of our own by taking turns naming three cast members from SNL history in ourDon Pardo voice, paying tribute in our own little way to Don Pardo. What do you think? That'd be fun. All right, I'll start it and then we'll just volley here. Three each. Okay. Nora Dunn. Bill Hartman. Melanie Hutzel. Michael. Mike Meyers. Finesse Mitchell. [33:21] Okay. Okay. Sorry. Billy Crystal. How did that happen? I was like, okay, I'm going to do, I didn't even, Billy Crystal wasn't even who I was going to do. I was going to do Dana Carvey. And it's just like, every name went out of my head in that moment. I think I was just overwhelmed by the sense of Don Pardo. Like, you know, it's just too much voice, too much voice. Exactly. So again, Don Pardo, we love you. Congratulations, Don Pardo. Welcome to the SNL Hall of Fame. Matt, thank you so much for joining me and celebrating Mr. Pardo. Track 2: [34:20] So there's that Thank you so much Thomas and Matt. That was wonderful and celebratory and I think very, Appropriate for somebody as synonymous with SNL as Don Pardo is, So that's really wonderful Normally at thispoint we play you a clip to seal the deal Uh, we're going to do the same this week, uh, although again, this isn't to influence your voting because you don't get to vote forthis, uh, award. This is somebody who is automagically inducted into the hall of fame, but let's listen to the maestro do some of his, uh, maestroing work. [35:08] Um, this is Don Pardo introducing the season 16 cast of SNL during the opening credits. [35:19] So give this a listen and, uh, we'll meet you on the other side. [36:44] Oh, that was fantastic. That was very nostalgic. A Trip Down Memory Lane. That's my cast. That's a little later than my cast, in terms of the featured players, but that's my group. That's really wonderful, and I'm glad that we got to hear that. I liked Daryl Hammond doing the opening, but there was something about Bardo, you know? And it's hamstrings Hammond in a way, because he, he doesn't want to just beDon Pardo. He's doing something different. And, uh, I appreciate that. But, um, what do you think? What do you think of this award? Who else should be a recipient of the Don Pardo award when you're thinking about season five? Is there anybody that comes to mind? Well, we've got a few people in mind. We'll share that with you as the time progresses, But that's pretty much what I've got for you this week. I wanna make you aware of the fact that voting will open December the 5th for the Hall of Fame, and the finale will be December 18th, I believe. [37:54] So there's that. So get ready, buckle up, and yeah, we're gonna elect a new group of Hall of Famers, or you are, I suppose. So, enjoy, and thanks to Thomas and Matt for doing Yeoman's work. And for you, there's a job. It's on your way out as you pass the Weekend Update exhibit. Do me a favor and turn out the lights, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Ana Gasteyer | 14 Nov 2023 | 01:11:06 | |
Today on the podcast jD, Matt, and Thomas are joined by Nicole Brady, Transcript: [0:42] All right, thank you so much, Doug Donats. It is great to be back with you all once again in the hallowed halls here at the SNL Hall of Fame. My name is JD and it's my pleasure to welcome you inside, but before doing so, reminding you to please wipe your feet. We keep this place spick and span. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer, and weadd them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. That's right. This is a forever game. We do this forever. We are joined by a first -time guest today. It's going to be pretty thrilling, uh, to listen to Thomas in conversation with Nicole Brady, who is a morning news anchor out of Denver, uh, for the ABC affiliate, uh, we'rethrilled to have her here. And, uh, we're also thrilled to be joined by our friend, Matt Ardill to talk about Ana Gasteyer. Track 3: [2:00] Hey, Jamie. Thanks. Uh, I am really excited. Love this performer. One of my favorite sketches is by her. Really? Probably can't guess which. Track 2: [2:10] I'm not even gonna try. Track 3: [2:12] That's right, sweaty balls. Track 2: [2:14] Oh, I should have guessed that. Track 3: [2:15] Who doesn't love a good sweaty ball? Track 2: [2:17] Right. Track 3: [2:17] They're salty and very, very glistening. Track 2: [2:22] Good God, man. Track 3: [2:24] Okay, I will stop with that. But yeah, so Anna Gasteier, Height 5 '5", born May 4th, 1967. She was a political brat. She was born in Washington, D .C. To her mom, an artist, and her dad was a political lobbyist who later went on to become the mayor of New Mexico City, the mayor of the New Mexico City of Corrales. She grew up on Capitol Hill, and one of her friends growing up was Jimmy Carter's daughter Amy. [3:03] For much of her childhood, she actually wore an eye patch, and she has said that she believes that influenced her to become a comedian, because, you know, all of ourgrowing up as a kid with the health thing, a lot of the times, that's how we react to it. I know I did. That's how I dealt with my epilepsy. Now, she later attended Northwestern University as a music major and graduated from Northwestern University of Communications with a Bachelor in Speech, Theatre,and Performance Studies. While at Northwestern, she was part of Paul Worshauer's improv comedy Meow before going on to join the Groundlings. Before getting into acting, she worked as a temp, switchboard operator, and a hostess, like many people having to toil away in those really crummy jobs before hitting theirbig break. She is a trained violinist and a singer who draws heavily from jazz influences. She even has recorded a Christmas album called Sugar and Booze, because let's honest, that is the core of Christmas. The joy of man and sugar and booze. [4:30] She's a trained violinist and a singer drawing heavily from jazz influences. In fact, she has even recorded a Christmas album called Sugar and Booze, because what says Christmas more than sugar and booze? And, you know, family strife. She has 86 acting roles, three producer roles, and two writing roles. She's a former groundling who performed in small roles in Seinfeld, Party of Five, Frasier, and many more roles as a working actor. Her first acting role was actually, you know, talk about starting at the top, she was a patron of a soup restaurant on the show Seinfeld. [5:23] After leaving SNL, she actually found success on Broadway way, and has had starring roles in Wicked and the Three Penny Opera, as well as a voice actor on showsincluding Bob's Burgers. She's also published a cookbook called Cooking with Anagasteyer, Recipes and Delicious Dishes Celebrating the Season. That really sounds like something that would come in a sweaty ball sack. Now, she's said her favorite spices are cinnamon and smoked paprika, and as a philanthropist, she has done work to support Broadway Cares, Equity Fights AIDS, andhelped support Planned Parenthood. Track 4: [6:33] Yes, J .D. Matt, that was awesome. Thank you so much. Today, we are talking about a wonderful cast member from the late 90s and early 2000s. And my guest today, I have the honor of welcoming my favorite news anchor in the United States, my friend, someone who's witnessed me do hours of karaoke in a wholelifetime ago. I want to welcome Nicole Brady to the podcast. Nicole, How are you? I'm great, Tom. Thank you. You are my favorite radio slash podcast broadcaster of all time from the days when we used to toss to you for traffic in Albuquerque. [7:17] Yes. And now moving up doing way more fun things, I guess, getting to talk about Saturday Night Live. I love talking to SNL. I love doing traffic too. Back in the day, in the mid 2000s, Nicole was a news anchor in Albuquerque, New Mexico, and I did traffic for a radio station, so I would do traffic for the TV station, andwe had a lot of fun times, as much fun as you could have at 6 a .m. Talking about the traffic on television, but it was a great time, I loved those days. Yes, it was. It's crazy to think how long it's been. Sometimes it seems like a different lifetime ago, like you said, and then we're both still involved in it, And I know you were always really into broadcasting and comedyand so was I and so I'm glad we're both still talking about this stuff. This is wonderful. It's all coming together. You have to remind me. What was your go -to song when we would go to karaoke? Oh, good. Great question. Did I have a go -to? God, my husband, as you remember, certainly would have had. He brought the house down. His go -to. [8:27] What do I like? I don't know. No, gosh, Tom, you put me on the spot. I was all prepared to talk about SNL and not my own karaoke history. Oh, I did Marvin Gaye. I think you had the privilege of watching me do Marvin Gaye and probably Careless Whisper, Total Eclipse of the Heart. Maybe I have a memory of that. Yes, yes. Those are good ones. Yes. No, my husband used to like to do I'm Just a Gigolo. I don't know if you remember that one. Yep, that's right. He always liked that. We did a good David Lee Roth. Yeah, yeah, the David Lee Roth version. Yes, I know we would do some duets. I think sometimes we used to like to do the Pogues Fairytale of New York. Yeah. Deep cut for karaoke. I think people appreciated that. [9:15] Yeah. So, uh, got to get. We have I have not been in a like publicly performed karaoke in a while now. We've done some at home, but, you know, we've got kids. Because they are getting into it, so. Yeah, I think I'm retired as well. Yeah, you're retired. I don't want to. My wife hasn't seen that side of me, so I don't want to, like, embarrass her too much out in public. Oh, I know. It's one of… Yes. It was before we were recording, like, every moment of our lives all the time, so sometimes that's a good thing. Exactly. [9:44] And so I know you're a big comedy fan. Yes. We've talked a lot of comedy in the past, and I want to know, like, what's your history with watching Saturday Night Live? I started watching Saturday Night Live in 1992 when I was about 12, and I know that because it was the election year. And so it was when Dana Carvey was doing George Bush and Ross Perot, and Phil Hartman was doing Bill Clinton, and they would have their debates on TV. And my parents were fans of SNL, and I guess that was the year they just felt I was old enough and would let me stay up to watch it. But I specifically remember it being that year because of the election. So sometime around that 92 season, I would have started watching it and just loved it. I mean, never missed it ever since. As a child, at least through the 90s, I would never miss it. From there on, I remember that season would have been, you know, like we said, Dana Carvey and Wayne's World and Mike Myers and. [10:51] You I think Adam Sandler and Chris Farley and David Spade and those guys were getting in there in those years. So those are kind of some of my favorite, favorite years. And then of course, I think at some point in the 90s, you could probably start watching all the old episodes on Comedy Central when that came out. So then I went back and watched the old ones from the 80s and 70s and have pretty much watched it ever since. But the 90s, I was so excited when you told me that I would get to talk about it on a gas dyer because that was like the time that, you know, such an impressionable time inlife. And those were always my favorites. Yeah, people around were about the same age and people around our general age range. Yeah, that was those were our cast, the Dana Carvey, Mike Myers, Phil Hartman, Comedy Central and VH1 used to show. Yeah, it was both of them. Yeah. So like, so we got a, we were lucky enough to go be able to go back and watch from the 70s and on on those two networks. Yeah, yeah, that was great. [11:56] Similar experiences, like I said as a lot of people in our general age rate age range do and I believe you've done a little sketch And improv, but I remember whatgoing to watch you and Albuquerque do a little bit Another thing that yeah, so I've retired from that. But yes, okay We did Brian my husband and I took improv classes in Albuquerque together and then performed a little bit Yeah, I it was not the best but I always admit. [12:26] Some of those guys, some of the people we worked with were awesome and hilarious and they still perform in Albuquerque at the Box Theater. So for your listeners there, they're amazing and awesome. And so we continue to go watch them a lot. But we have since sort of retired from that. But of course I always really appreciated the difficulty of improv or sketch comedy and how difficult it is to make it funny. So, I've always loved, you know, whenever we've gone to New York, Chicago, LA, we go to the improv clubs, we go to the Ground League, Second City, where most ofthe SNL casts have come from. I mean, we love all that stuff. Yeah. I mean, as someone who's dipped your toe in that, try to put it in perspective. Like what does it take to make sketches work at such a high level like Anna did and other SNL performers did? Like, what all goes into that from your perspective? [13:18] That's a great question. From my limited perspective on that, I always love it when I watch an SNL sketch that I can feel was something that someone just sort ofimprovised or came up with and then they just ran with it. And sometimes I feel like the best sketches are the ones that are kind of goofy. They don't really seem grounded in anything topical or like an idea that someone wrote down on paper, but rather more of just sort of someone just getting up there andacting. And maybe it started as a sketch they were trying, but it ran with something and went some other direction. [13:58] And I feel like I'm sure that has to happen all the time, I'm sure. So, you know, the writers are obviously extremely important to the show, but I also think that sometimes just those characters and those actors can probably just take someof those sketches in different directions. So both are really important. I think writing good comedy is way more difficult than I would even know because that timing, it's just so hard to nail. And I think we all know there are some really awful SNL sketches in the history of the show that just do not work. That's the fun of being an SNL fan, though I think a lotof times it's seeing the bad ones because there's plenty. It's hard, yeah. But then there are brilliant ones that stay with us forever. I don't know if you're like me, I always like the ones at the end of the show, like the 10 to 1 sketches, just the oddball, let's try this out and see if it sticks. Those are always a lot of my go -to SNL sketches for the weirdo ones. Sometimes those were the best in the whole episode because they were just like the end of the show, almost got cut probably. [15:02] Sometimes those are the gems. Yeah, definitely. So it's our topic today is on a gas tire. She was on the show from 1996 to 2002 that was an era that immediately followed a time when the show was actually in genuine trouble Season 20 the show was introuble, They always use the headline like Saturday Night Dead, but this is a time when that was almost gonna come true I think the humor Nicole was a little more crass. Maybe not as clever before Ana got there. Ana got there in season 22, so maybe a season before Ana got there, they were starting to whip themselves into shape a little bit. But it was honestly like very much a boys club at SNL around that time. And she's often grouped with Sherry Oteri and Molly Shannon for good reason. They were great. So I mean, how cool was it from your perspective to be able to see like such talented women help to get the show back on good footing? Thank you for watching. [15:59] Yeah, that's a great question and something I thought about a lot preparing for this. I don't know that I would have appreciated it as much as a teenager watching it. But you know, now looking back over even more time, I mean, wow. So by the time Anna Gasteyer was on the show, it had already been on for over 20 years. It's been even longer now since she was a cast member on that, or just as long. And so, when you look over all that history now, you can still really only point to, I mean, such a small group of women versus the group of men who would have gainedfame and be household names from that show. And there are a lot more women now. But she was really, like you said, Anna Gasteyer, Cheri O'Teary, Molly Shannon were kind of the first ones in the 90s. They had had, you know, really only a few before that, that I think I even looked through the history and there was one season where I think Julia Sweeney was the onlymain player and not a featured player, but one of the main cast members. She's the only woman. [17:02] And so, and there were always women in there, featured players, things like that. But just to kind of go from those, like you said, that boys club of maybe Adam Sandler, David Spade, Chris Farley, those guys who were kind of, you know, taking theshow in a different direction, like you said, to this newer era of really, really great actors and tight, you know, tight sketches and characters and more equal balance betweenthe actors, more of an ensemble, I guess you'd say. That was pretty cool. And it's definitely noticeable now if you were to go back and look through those years again, how remarkable that change was from kind of the guyswho wanted to be the funniest person, you know, Adam Sandler, Chris Farley, David Spade, they were stand -ups, they were hilarious. I mean, I loved those years, don't get me wrong. But then you get into the years where it's not the people, but it's the sketches that you remember. It's the delicious dish, the NPR sketch with Ana Gasteyer, or thecheerleaders, or Molly Shannon as... [18:12] Mary Catherine Gallagher, yes. So you have those years that come in, and it's more about these sketches. And Will Ferrell, as brilliant and amazing as he is, I think I've read other people say this, too. I mean, it was all about the sketch partner there, too, and he always made whoever he was with look amazing, too. And so it was never really about him being this standout star from that era, even though, in hindsight, he was. He was absolutely one of the most brilliant stars ever come from the show, but everyone looked good during those years. [18:47] And I think the women, you know, it was really the first time in a long time you'd seen fully female -led sketches, in some of those instances that I mentioned withthe NPR ladies there, or some of Anna Gastera's characters that we'll talk about more when she did The View, where she would play different characters on that, and SherryOtero was Barbara Walters. And so you really we started to see a lot more women -led sketches during that time. Yeah, that was such a pivotal point as far as that goes. We had Jan Hooks. She was probably the most memorable a few years before then, but even she, like that perspective, she wasn't always able to, or maybe allowed, I don't know, but she didn'talways give the perspective quite like Anna and Sherry and Molly did. Jan Hooks served different roles in a lot of sketches. A good example, I think, of that trio ago. And that dynamic to me was there was a sketch from October of 98. The three of them played hosts on MSNBC. They were discussing the Hillary and Bill Clinton's marriage. And it went from like a semi -serious news program to a slumber party. Do you think Hillary Clinton is pretty? She is definitely pretty. Oh, come on, that left -wing feminist propaganda. She's not that cute. She has a very pretty face. Sharon hmm well not to sound like the president or anything, but it really depends on how you define pretty I mean. [20:14] She's not like model pretty you know But like on a scale of one to ten if one was like the crypt keeper and ten was like Jennifer Love Hewitt I'd say she's like a youknow like a sixth or a seventh. Oh come on Yeah, I think Hillary's the kind of pretty where like if you didn't know her she wouldn't catch your eye But if she was your friend you'd be like oh, she's totallypretty You know? [20:36] Something like that you might see in the late 70s with Gilda and Jane and Lorraine Newman, but something like that we hadn't seen. To me, we hadn't seen something like that in a long time. Lucy Lawless was playing a legal expert who got in on the fun. So just to see that perspective of like, we're serious news people. Now it's a slumber party because that's, you know, that was commentary on how the Clinton scandal was being covered around that time. And that was just such a greatexample to me of that perspective and how the three of them played really well together. I loved seeing some, revisiting some of the commentary on Bill Clinton that they had during that time. That was fun. So we could get into some of those sketches and characters. What's like maybe the first, one of the first ones that comes to your mind when you're thinking of Anna Gasteyer? A couple. I mean, one of the first ones that comes to mind is the, I mean, I loved Delicious Dish NPR, they nailed that so well and I remember, because I would drive toschool at that time, so I do remember listening to NPR and they were so spot on with how those hosts talked. Now, Terry, the days are getting longer and the mercury is rising. It sure is, Margaret Jo, and that can only mean one thing, summer. summer. [22:02] Now, one of my favorite things about summer is that you can have your meals outside. That is neat. Yeah, it's fun Because it's warm it's warm outside. Yeah Summer's my favorite season same here because it's hotter than the rest of the year Yeah, it sure is. It's neat, isn't it? It's fun. It's neat. It's neat Good timing Compared to how most of us listen to the radio and the shock jocks and whoever that you listen to the radio You know back back then andstill today to some extent. I don't really was part of a morning zoo myself Kind of a little bit on ko BFM. I was yeah exactly part of something like that Exactly you have that stuff and then and then so NPR was just so different and they just nailed that and even you know Theywere so funny with their soft -spoken and their comments to each other and just it's hilarious. It's hilarious. They just were so spot -on and and then of course they had just the funniest topics and guests I mean the sweaty balls with Alec Baldwin is a Christmas classic. Tell us about your balls Pete. Well over at Seasons Eatings we have balls for every taste. Popcorn balls, cheese balls, rum balls, you name it. Wow. My mouth's watering just thinking about those balls. [23:28] It's been years since I've seen any balls. Would you like to see my balls now? Yeah. Whip them out. That just is one of those that's in pop culture now that's, you know, if you say that term, people know what you're talking about. Usually. And, um, and then they, you know, I watched, I rewatched an episode with John Goodman on there that, um, that cracked me up. Uh, so the guests that they would get on what they would get the hosts, hosts to do in there. So funny. Uh, so I, I loved that one. Something about the delicious dish. What really stood out to me was just how it takes a lot of confidence to do something so quiet to do material that quiet. Like, it was very quiet, understated, even before allthe innuendo would start. Like, with the sweaty balls, Alec Baldwin didn't get on screen for like two and a half minutes. [24:25] And sometimes that's an entire sketch. So, Anna and Molly Shannon had to carry the sketch with an understated, quiet kind of tone. And that takes a lot of skill. That takes a lot of confidence in the material and the performance to not shout something from the rooftops like that. Does that make sense? I 100 % agree. I mean, when you watch those again, you realize how just, yeah, it's not, it doesn't come out, and it is slow. They're longer sketches. And I don't know what the average time for sketches, if it has grown shorter or longer or whatever over time, but just to let something just kind of settle in like that and relyon the characters, I mean, And that must have been a lot of trust that the show, that the producers, that Lorne Michaels had in those actors because, I mean, they werebeloved. I mean, people loved SNL at that time for Molly Shannon and Sherry O 'Terry and Anna Gasteyer. I mean, the women were a huge part of the show's success at the time. And so I think they hit on something at that time where just being funny and kind of doing pop culture references and things like that really, really just worked at the time. [25:40] Yeah, and even though the material is quiet like what stood out to me too about watching Anna perform a little subtle thing I guess that she Made the sketch work.She doesn't play it as bored. Even though the material is quiet. You never think that she's bored Talking in the sketch like her facial expression is key. She knew the right tone to carry She always has like a smile like an excited smile on her face, even though her delivery is very dry I don't know if you know this, but thereare a lot of different kinds of ice. You're absolutely right. There's cubed ice. Crushed ice. Cracked ice. Shaved ice. Shaved ice. I didn't know ice could grow a beard. [26:28] That's funny. [26:32] Did you just think of that right now? No, I thought of it last night and wrote it down. If she broke in this in these sketches, they would die like they wouldn't work Like there's some sketches where it's fun to see them break something like this It would justtotally ruin all the comedy So that's something about honest performance that just struck me rewatching these was just she carried the perfect perfect tone I don't know thatshe ever broke that I remember seeing I mean and yeah, you know, I I don't know that that group really was known for that, but I mean, they took it seriously to the extentthat, I mean, it was hilarious. They were zany and wild and out there, but in the performance of it, it was all business there, and just great acting and comedic timing and really getting into thosecharacters. I mean, I you know, it's fun because I can't even I just can't even picture on a gas tower ever Breaking up or laughing during a sketch and oh not really Jimmy Fallon'sdepartment in Horatio that was kind that started a lot with Jimmy Fallon for sure, Yeah, yeah You know and but you know, no one was gonna be the one who's throwing itoff kind of in those cases and so yeah, you're right like that would have just to laugh or just throw something else in would have thrown off that sketch, but. [27:59] Sketches just classic good time. Yeah, good times good time So, so yeah delicious dish awesome. What's what's the other what's another one that you're gonna mention? So, you know, so much of Anna Gasteyer is like a duo, obviously, so pairing her with Will Ferrell for the cult. When life's little emergencies come at you, try a little CPR, cardiopulmonary refunctation. One, two, three, four. [28:45] I mean. [28:49] That was when I was in school still. And so you had the Bobby Culp and Marty, Bobby and Marty Culp coming on and doing school assemblies, playing theseridiculous songs, committing to it fully. Now that's kind of what I meant to say earlier is they just committed so fully that that's really what I meant when I say serious. They were just so committed to those characters. And it was hysterical. I loved those sketches when they would come on and I think some of it was being a high school student at the time and being able to relate to theseridiculous adults coming on stage to talk about. Drugs or things and singing these ridiculous songs. You know, I think Ana Gaster actually has a very nice voice in real life. She's a great singer, you know, she's a trained singer. I think she did Wicked and she's done like musicals like on stage. Yeah, okay. She's very, very good. And I think the sketches partly worked because she's such a good singer. [29:56] Probably, probably. People kind of added to it. You know, you can exactly. It's not horrible to listen to, by any means. It's just funny, because they're just so out there and wild. And I love that one, because with both Anna Gasteyer and Will Ferrell, I just feel like they work together so well. They might have played off each other so well. [30:22] You know, again, I imagine there was probably some improv in a lot of the rehearsals for those. Yeah, I think so. The two of them and Paula Pell helped them write this. So I think the three of them did a lot of improv there at the office and yeah, what a fun, fun sketch. I used to perk up, like when these would come on, I just always wondered what songs they would sing. Yes, exactly. During the medley, like, yeah, what are we going to get? A lot of the times it was like a, yeah, it was a hip hop song with subjective lyrics, Baby Got Back, something like that, which I think was one of our karaoke songs to behonest with you. So it kind of fits, but. Yeah, that sounds about right. Yeah, exactly, those great 90s songs. [31:02] So, you know, that was amazing. I loved her as Martha Stewart and Celine Dion, so we can talk about both of those. I mean, so obviously we talked about some pairings that she had as a solo kind of performer. Obviously, Anna Gasteyer could hold a whole sketch on her own. I recently, I was reading in getting ready for this that I just googled on a guest star, Martha Stewart, hoping to find a clip. And of course I did, but I was reading that she credited the topless Martha Stewart Thanksgiving clip with preserving her job there. She said in an interview that that was when she knew she wouldn't get fired from the show because it just was such a hit. And it was. That has come up in a lot of the holiday specials, of course, over the years. So it's one of the sketches that I'm a Martha Stewart impressions, and it cracks me up every time. Hi there, I'm Martha Stewart. It's my favorite time of year. [32:08] Sleigh rides, caroling, and waffle, these are just some of the things that remind us all of Christmas. She's so deadpan in a way, and dry, like you said, similar to some of her other characters, but just hilarious with, you know, just a black bar over her top there. [32:33] And yeah, the whole thing, it's just so brave. And she's just, you know, really out there bearing all on her own out there. But Martha Stewart was brilliant. Again, kind of like NPR, it just nailed the... Absurdity of of her in some ways of that that character of having this homemaker like that on tv kind of and so that was that i just always loved martha stewart around thattime martha stewart that was before she went to prison yes so she wasn't she was just thought it's just kind of cookie cutter no pun intended uh boring kind of lady on tv sothat's where a lot of the comedy and then afterward, she has a little more, she's best friends with Snoop Dogg now, and she's been in jail. But back then, in 1997 or 98, she had just this square, dry persona. So, it was even funnier. Back then, everybody saw Martha Stewart topless with a black bar covering her, and it was like such an opposite of how we viewed Martha Stewart. Oh, yeah. Scandalous, kind of. Yeah, exactly. And that shoulder shimmy at the end that she does. She's like the perfect like capper to that sketch. It was wonderful. She had two other really good ones that I liked. [33:50] If anybody hasn't seen these, go look them up. It's a St. Patrick's Day sketch with when she played Martha Stewart. It was like a little edgier persona. Again, in that St. Patrick's Day sketch, it's kind of played against type as far as what we know about Martha Stewart. Kind of reveal the sort of dark personality underneath all of that. There's a Halloween sketch that's really funny. she's giving tips on pranks. [34:41] Smell. Eggs are a great way to make a lasting impression. A robin's egg splatters in a prism of harvest colors. And apparently it has to do with, like she mentions her ex -husband and there's a lot of like funny bitterness, something unhinged underneath the surface that Anna does agood job I think of letting out in small bits. I think to me too, Nicole, when I see really good comedic actors, like Phil Hartman used to do this really well, is where he would play it straight and have a straightdelivery, but you can tell there was something really unhinged below the surface. Is that something that you've noticed with some sketch performers? Yes, I think you're right. They are not letting on how ridiculous this could get, I think, in some ways. I think you're right. That in the Martha Stewart example, exactly. She's still... she's committed to playing it so... Straight and of course when in Saturday Night Live as when they bring back characters as they do over the years we've seen so many recurring characters so you have topush it a little further each time and make it a little different each time and so I think in those later sketches, when it got darker or just sillier you still have to stay fullycommitted. [36:02] To just kind of the seriousness of the character and it just makes it funnier. So I certainly think that that's true, especially of those recurring characters on the show. Yeah. The character that she played really big though, and we were going to talk about, was Celine Dion. Yes. Which I loved her as Celine Dion because that was when Titanic came out. And that song, My Heart Will Go On, was everywhere. You could not escape it. And she was, and so, you know, people had a love -hate relationship with Celine Dion. And she was hilarious. I mean, you know, the accent wasn't exactly spot on, but it was just, it was just hilarious. You look beautiful, and I can't believe your album has sold 10 million copies. Actually, it was only three million. Oh, that's right! My album has sold 10 million copies! I'm sorry! I'm sorry! Would you do the honor of singing me one of your It songs? I would be happy to. Hey, what about me? Oh, I'm so sorry, Shaina! Would you do me the honor of listening to Mariah sing? [37:17] Total caricature in that case, and just probably one of the bigger, like you said, more zany roles that she did was Celine Dion, on and just, I am the best singer in thewhole world. I mean, she just made it bigger and better and I always loved it when she would do that one. Something I love about impressions, you may agree, is to me it's not enough to sound like the person exactly. That's fine, it's more of like a parlor trick or something to sound exactly like someone. There needs to be a viewpoint, a take about that person. And I think Ana Gasteyer had one here with Celine Dion, the bragging about herself, often in like a passive aggressive sort of way. [38:04] And liking the spotlight on her, pushing Mariah Carey, played by Shari O 'Kerry away from her. I think Ana really found a take on Celine Dion and not just a, here's an impression of Celine Dion. Yes. Yeah, absolutely. That's such a great point about impressions. Because it is impressive when someone can do a really spot -on voice. I could watch the greats, Dana Carvey, do impressions all day. Not that he doesn't also do a take. I mean, he does. But some of the funnier ones are the ones that are not, you know, they don't necessarily look like the person exactly. They're not dead on, but they just take it and run with it. And yeah, she definitely hit on that sort of love -hate relationship that we had with Celine Dion. Yeah, you had to be there in the 90s to get that fool like Celine DionEverywhere as you mentioned. Yes In our faces all the time. I don't know if you had a chance to Rewatch any of the Cinder Calhoun sketches. That was an interesting one the Lilith Faire stand -up. Yeah Yeah, so when did you discover that you were funny? Um, actually, uh, it's funny story I was backstage with Tracy Chapman at the random acts of kindness tour a couple years back And she was kind of down, sort of in anemotional K -hole of sorts, you know. [39:31] And I really wanted to lift her spirit, so we decided to, you know, just take a ride down to the juice tent. [39:38] And so we get in her car, and I just turned to her and said, You got a fast car. [39:48] We practically peed our pants, we were laughing so hard. That was not one that I knew her as well for, and so that was kind of fun. I watched that, the one she did with Sarah McLaughlin, and you know, but again, it was very 90s during that era of female musicians, Lilith Fair. [40:12] It takes you back to those years, definitely, with like, you know, Lisa Loeb and the style that of so many of those 90s singers that was really fun to reminisce about. Yeah, her pronunciation of like Latino and Latina, just like the real kind of try hard sort of thing that we saw in the 90s that Sarah McLachlan won. It's like a Thanksgiving song. It's like a, I don't know, semi Thanksgiving classic on SNL, based it in blood. Yes. It's just such a - [41:23] Yeah, such a good take on that type of person. Yeah, that political stance that was popular and yeah, exactly. It was very true to the time. Did you get a chance to watch the sketch that I sent you for a specific reason? It was the Miami News Morning Edition one? Yes, I did. Alright, so this was one where it was in season 27, Anna Gasteyer was in and she plays a news anchor along with Will Ferrell and some stuff goes wrong in the studio. So I'm curious like watching this sketch as a news anchor, how would you handle some of this stuff? So like one of the things is at first they start with no chairs. So they're just like super short behind the news desk. Like what would happen if you just showed up to work and there's like no chair behind the desk? I don't know. I don't know that we often show up with no chairs, but they're all over the place. But different people sit in them so they're down really low or they're up really high. We definitely have that problem where you can't adjust it and so we're there trying to bounce on the chair to get it to go down because it's been raised all the way up. Someone's doing a countdown for you, you have like five seconds and you're still trying to adjust the chair. Yeah, and I'm sitting there trying to get my chair down. [42:38] I mean honestly, this is not a story that would entertain I'm sure most of your listeners, but we have had the biggest battle over chairs in the newsroom I'm currentlyin that I won't even get into it. It became a thing where we were on the mornings, we kept seeing these emails back and forth between some of the talent in the daytime and the chairs, complaining aboutthe chairs and the guy who's in charge of the chairs working to get better chairs and we just laughed like what is the problem? Just get us some chairs that work. [43:10] It really is ridiculous. Is some of the things that are so true to a real newsroom, whenever SNL has made fun of news, and I love when they make fun of news, of course, they are dead on with somuch of it. I mean, so much is kind of a cliche that the anchors have egos. [43:36] And what's going on when you're not supposed to be on camera, when you think you're not on camera, but the camera pops up. And so in that, in that, when you sent me the nine news morning morning show, it's just like that. It's like, it's like people who are trying to be really friendly because it's a morning show as you and you, you, you were part of a morning show, you know how it is. Andyou're trying to just kind of. Keep things, you know, happy and then things are going wrong, like the tape goes wrong. And you have to think that's kind of the some of the origins of Ron Burgundy with Will Ferrell. Yeah, that's a good point. Wow, I didn't even think of that. That's probably like a really good point. I mean, I've heard he based it on an actual old anchor in, you know, somewhere where he lived growing up. And I'm sure there were many inspirations. But, You know, you start to see in those old 90s news sketches that hint of Will Ferrell, that arrogance and…, Jim Collins Therewas that wake up and smile where it basically turned into Lord of the Flies because the teleprompter went out. Lauren Ruffin Exactly. [44:41] The teleprompter, you know, the tape guy's not there. They keep playing the wrong tape. They show Will Ferrell like picking his nose in one spot. I mean, I've been caught on camera where you think it's supposed to go to the other guy and it comes to you and I think I've never been caught picking my nose. Eating a sandwich? I think so. Shana Gasteyer eats a sandwich when she's off camera. Have you ever eaten a sandwich, Nicole? Okay, so yes, I have been caught with food in my mouth. [45:10] So not too many times but I've been caught with having taken a bite of something and it comes back to you sooner than you thought and I honestly I think the lasttime it happened to me. So a few years ago, but I, it wasn't like gum or something where I could just kind of spit it out real quick. I just had to say, I just had to finish chewing it. [45:32] This is great. You're going to go viral one of these days. I know. I know. I guess I sometimes I wonder if they don't go, if no one's calling and complaining, does that mean no one's really watching? I'm sure no one really needed to see me finish chewing and but, but, but no, that all of that stuff really, really happens, you know, and in the real world, you roll with it, andyou don't necessarily comment on it. I love in that particular one, you sent me someone has written lines into on a gas tires copy that she's reading that are not that are just ridiculous. The world's oceans may hold the secret to curing breast cancer. Recent studies at Johns Hopkins University have shown that plankton holds a certain enzyme that makes boobie cancer go bye -bye. So, bye -bye boobie cancer. I'm sorry. I'm sorry. Some very unprofessional writing once again. It just snuck right by me. I would never say boobie cancer. We, we are, we are indeed having a rough time here. It's like a child wrote, wrote the copy. [46:42] And he says like, what, what? I wouldn't say, no, I didn't, I don't know who wrote this. I wouldn't say that. And so, so they, they hype, they play up the egos. I mean, obviously, I would like to think most of us real news anchors read our stuff beforehand and would catch anything like that. And some of those would never happen to us, but they love to play up that the anchors are just really people who are there reading a teleprompter and anything that comesup on it. So, no, I… There was also a stray dog in the studio. And the stray dog… What would you do if there was a stray dog that just walked into your shot? Well, there was! Steve Stucker in Albuquerque did have his dogs in the studio. You're right. Did one of them ever go loose? Did you have any problems with those dogs in studio? We had, so a few that I remember, one time one of the, he, those dogs, Steve was adog trainer as well and had his dogs really well trained. But one time, maybe it was a newer one, pooped in front of the news director's office. Right in front of her office, like he knew. And she banned dogs for like the rest of the summer. She said we were going to have the dog days of summer, or the no dog days of summer. And Steve's dogs, who are always there on Fridays, were banned. Of course, in the end he won and they came back. And people love the dogs. [48:07] They were good dogs, but they would sleep. They would just kind of lay down anywhere in the studio. So you'd be walking over to do another shot at another camera and you're stepping over one of them. I don't remember all their names. [48:22] They were well behaved, but Steve would get some other animals and groups to bring on animals sometimes. And I remember a bird that someone brought on once that would not stop squawking and it, it was doing it while we had gone on to the serious news. And this bird is still squawking. I think I might have that on tape somewhere, but it was a, I mean, that was an SNL moment. That was a true, like, there is a bird squawking through our newscast right now and you would have to see it to believe it and I just, yeah, so I'm going to, I'll have to go digup some old stuff and see if I can share some of that. I've gotten old enough now where we can start to share our old stuff and it's funny now and it's not. At the time I remember I was a young, I was still pretty young. I thought it was horrible. I just couldn't believe our serious newscast was being disrupted by this bird. But now I think I would just laugh at it. I love news hijinks and I think SNL captures it so well. Anna was really great in this sketch, how she handled all the disturbances in the studio. Again, season 27, that was episode 12. Everybody should go check that out. But were there any other performances or anything like that, that we kind of glossed over? And Nicole, as far as On a Gas Tire goes? [49:51] I actually had never seen this one live, but I watched her do Dr. Laura. And that was a really funny one that comes up in her Best Of series that you can watch on YouTube. Cedric, hello. Oh, hi, Dr. Laura. I just want to say that I'm honored to talk to you. [50:07] And well, I'm my kid's dad. Appreciate it. Don't have time for it. What's your question? Oh. Well, my new wife's parents. New wife. Hm. New wife. What happened to the old wife, huh? Did we just sort of trade her in for a new model, which started making a knocking sound? Well, actually she died. But my new in -laws are very. I guess we're only concerned with the new wife's parents. I guess when old wifey died, the rest of her family just went down with the ship.What's your question? Um, I was wondering if I should... No, no, no. Wonder is a brand of bread. Don't wonder. Ask. My mother -in -law was actually a big Dr. Laura fan, so I'm pretty familiar with Dr. Laura and her style of advice over the radio. And she was just hilarious, just so mean to the callers. And I thought, wow, that was great. I mean, just again, just taking a current figure in the media and in pop culture that some people would have been, you know, I wouldn'thave probably been aware of her back then, so that's probably why I kind of missed the sketch. But nowadays that just really, that had me cracking up. And then, so yeah, that's another thing. Some of these are funnier on rewatch because now you really process the people in the news at the time and the characters. Like I was saying, I really thought it was hilarious watching The View again and what they said about the Bill Clinton situation with Monica Lewinsky and those things. [51:30] So Anna Gasteyer, I saw she played Joy Behar on The View. She also would play a guest star at times. And so that was really funny. And again, just all female driven. It's just it's the women of the show just carrying the biggest kind of stories of the day that SNL, you know, would have had very high up in the in the show. And and they were just they just nailed it. Yeah, yeah, that was so good. If those events had happened, I think in maybe season 20, like towards the end of the Sandler and Farley years, I don't know that I would trustthem to handle it so well. And with such clever with such clever takes behind it, I think it would have been real heavy handed if they even touched on it at all. And to me, to me, I think we're so just so thankful that we have people like on a gas dire who were on the cast to take on some of this material and some of these people inthe news and in pop culture, like she did and like the rest of the cast did. I think it's for the better. I mean, that transition from the mid 90s to like Anna Gasteyer, Will Ferrell and them, I think it was a transition that was so much for the better. And like, basically, she was part of a cast that saved the show, essentially. Mm -hmm, yeah, absolutely. I mean, as you said, that was one of the years that they were really looking at ending it and feeling it had run its course. [52:54] And that really, like you said, it kind of got them back to tighter sketches. You had said it had become a boys' club, but it had become kind of, you know, a little raunchier maybe, whereas the Anna Gasteyer era of SNL got it back to what I wouldsay was, I mean, in some ways cleaner. There was still a lot of great, like, innuendo. And, I mean, we talked about Martha Stewart topless, like there was, uh, there were great moments like that, that pushed theenvelope. [53:25] In a way that I think was just smarter. It was more intelligent and higher level. And so if it was, if there was a new window, if there was some, some crassness to any of it, it was definitely done in a way more intelligent way. And, and I mean, I think that was a period of time where in those subsequent years you saw Tina Fey come in and new writers, you know, and a female writer. And I mean, Paula Pell had been there, like you said. And, and so you, You did have a lot of great females behind the camera as well that were starting to craft some of thisstuff. But maybe it was those women who really had an influence on how the show's direction started to change. And I think those actors that they had at that time, a lot of them were from the Groundlings. Yeah. I think Anna's a Groundling. Yeah. Yeah. Anna was a Groundling. And Terry O 'Terry, Will Ferrell, I think Chris Kattan. And some of them were from that style where I know it was very, characterswere really important. So they had great characters they could do. Sketch writing was really important, crafting these really good sketches. And so the show just kind of got tighter again to the point where you have these characters that are breaking out and people are dressing up as the cheerleaders forHalloween or doing. [54:50] SNL became sort of that cultural touchstone again, that it has been at times in its history, but not all times. And that was definitely a time. I mean, my late years of high school was a time when everyone I knew knew some of those sketches from SNL. They knew thecheerleaders. They knew the delicious dish. They knew the NPR characters. They knew Molly Shannon as Mary Catherine Gallagher. I mean, everyone knew what was going on on SNL. And you know, an interesting tidbit too that I found was that when Colin Quinn was leaving Weekend Update, Anna Gasteyer and Chris Parnell actually auditioned to bethe new co -anchors on Weekend Update. Tina and Jimmy ultimately got the jobs, but Anna and Chris Parnell actually auditioned. So we almost lived in a world in which Anna Gasteyer was a Weekend Update anchor. I think that would have been pretty natural fit. Could you see Anna doing that? Yes, I think her and Chris Parnell, both, I think together would have been a great team on that. You know, he's kind of similar in that he committed, you know, a lot of dry characters, a lot of straight faced in some ways, but kind of zany underneath and, and thenewscaster worked really well for that because they had to be serious. [56:11] Facing a little bit, but with just this ridiculousness to it all. I think they would have been, that would have been awesome. It's too bad we can't have an alternate world where we saw what that would have looked like, but. They should release the tapes. SNL, release the audition tapes. We need to see them. I would love to see that. Yes, yeah, that would have been awesome. [56:32] But Anna Gastar, I was, you know, it's unfortunate. that I've not seen her subsequent work as much. I know, of course, she was in like Mean Girls, the movie, and was funny in that. She did a lot of like, she really did a lot of just mom roles, the wife in scenes. I mean, SNL has always had the people they had to turn to to be the straight man or the mom, the dad, those characters. And so if you could stand out in those, I felt like that showed some real talent. And she always did. She always, you know, she has a unique look to some extent. I was looking at how old she was when she was on the show, and I think she wouldn't have even been 30 yet when she started, and so early 30s for those years. And I'm thinking, wow, I mean, she could play this range. I think she always seemed maybe a little older than she was, and just could play those roles so well. There are actually another sketch I really enjoyed re -watching that I remembered was this, it's called The Dysfunctional Family. Was it Sarah Michelle Gellar? Was that the name of it? It was Sarah Michelle Gellar. Okay, yeah. Uh -huh. [57:49] And Will Ferrell just gets, you know, just so angry. Will you stop interrupting me? You know? And they're eating really loud with their forks. Yeah, she's the perfect mom in that, too. She is. Did you pick up my dry cleaning? It's not ready until Thursday. I thought you said it would be ready today. No, it's going to be ready Thursday. [58:12] Well, you know I have that meeting tomorrow. Well, I'm sorry. I wish you weren't a liar. I didn't lie, Ted. I just wish you weren't a liar. I wish you wouldn't call me a liar. Don't raise your voice at me. I am not raising my voice. You do not talk to me like that. I hate you. I hate you. I said you don't talk to me like that. I work too hard to deal with these stuff. I work too hard. I am a division manager in charge of 29 people. Shut up, bitch. I drive a Dodge Stratus! [58:46] It's hilarious, it just, Will Ferrell alone though couldn't have carried it. It had, you know, it was her reaction and that made it such a perfect sketch because she again, didn't break character, held her own against Will Ferrell, a giant, and thenAnd then the two of them together, they're just so funny because she is kind of apologizing. And then finally it kind of all hell breaks loose. But I mean, it's just so funny. It was just such a perfect example of those sketches that I loved during that time that were really just kind of, you know, it's three people at a dinner table. Yeah, slice oflife. Those are some of my favorites. When you get the one character who's over the top, the others have to, and if they keep it together, I mean, that is just as funny in someways as when you get to see the few where they kind of crack up. But I love just thinking, like, how hard would it be to be in a room with Will Ferrell becoming, unhinged at the dinner table and not just start laughing? And that, yeah. But yeah, those are—that was a really fun one to watch. I just, um, I, I, so kind of backwards to what I was, I, where I was going with that was she, she, she's played some,I know she's been in some roles since. And I think even as show, I do remember that, um, about auto American auto. [1:00:15] Yeah. Yeah. I watched a few episodes. Um, it was pretty funny. I don't know. I just got so busy. I, I, but I would, would like to go back to it, but it had a lot of promise from what I saw. Okay. I'll have to check that out because I've every time that I've seen her in a interview since any any SNL reunions things like that she's awesome I think she is so funnyand and I noticed as I was rewatching Seinfeld recently as I told you I was watching the old 90s I'm really into the 90s nostalgia right now she was in the Snoop Naziepisode. [1:00:51] I had forgotten that too, I recently re -watched the Snoop Nazi episode for another project that I'm working on, but like, yeah, I had to, I was like the LeonardoDiCaprio meme from once upon a time in Hollywood pointing at the TV, like on a gas tire, there she is. That was a fun little treat. It is. It is. So just kind of probably the career beginnings, getting a little guest spot on that, getting and kicked out of the restaurant by the soup Nazi. Yeah. And so, yeah, so that, you know, I think she's had some success since the show and I'm glad for it and I would love to see her more. I would love to see her and Sherry O 'Terry and Molly Shannon reunited somehow. Right? Yeah. Yeah, that would be so much fun. We see Molly Shannon here and there. Sherry O 'Terry's been off the radar quite a bit over the years. Yeah. but that would be so much fun to see them back. Ana came back for the Betty White episode to do Delicious Dish. I thought that was great. Yes, yes, I do, I know. And I loved it when they brought back the old sketches like that in recent years. [1:02:05] That's fun, that's all, honestly, that's still one of my favorite things now, watching SNL is when they bring back someone older. I'm really glad people from all eras still come back on the show and that they'll reprise their old characters that we all remember when they do come back on. Yeah, yeah, I love that too. So now's the point in the show where we kind of, or you kind of summarize as the guest, just a little summary, convincing voters as to why they should consider voting forAnna Gasteyer for the SNL Hall of Fame. I think a lot of it has to do with what we talked about with being a groundbreaking female cast member, coming onto the show after a decade or more of... Male -dominated stars on the show and sketches that usually were centered around maybe the male lead character, where the women were often supporting players. [1:03:09] And so for that reason alone, I mean, just being part of just really, really, when you look at the main cast list from that era, it was those three that we've talkedabout, Onagas, Dyer, Sherry O'Terry, and Molly Shannon, who were the three female main players on the show before they started really increasing some of those numberslater on. But it's just wild to think, it was just three of them that were in that main cast. And so I feel like she was part of an era that redefined SNL again, that brought back character -driven comedy. [1:03:54] That relied on the actors on the show to really come up with these memorable characters that appeared time and time again, that you could reliably create a newDelicious Dish sketch or a Martha Stewart sketch. And you always, you know, in a season and multiple times a year, you could have a great, memorable sketch featuring one of Anna Gasteyer's characters. She did it all. I mean, she could play the straight woman to Will Ferrell's zany male character, but she always stood her own ground against that and never disappeared inany sketch that I remember. I mean, she just with her unique voice, her unique look and style, I feel like she always stood out in a sketch. I do think, you know, now as I look back on the history of women on SNL, not all of them would make the Hall of Fame. There are a lot of them and really, you know, because there haven't been, you know, as many women on the show as there have been men. [1:05:01] A lot of them would, I feel like I'd say, oh, all these women were great because there are fewer numbers of them. I tend to remember most of them pretty well, but not all of them would make the Hall of Fame. I think in recent years, you certainly saw the eras where Kate McKinnon and Aidy Bryant and Cecily Strong took over again as like the reasons to watch the show. And you've had Kristen Wiig and you've had Tina Fey and Amy Poehler. And so you had had those times in history where a, Female was one of the main reasons you were going to watch SNL and I really feel like on a gas dire was one of Thosereasons to watch in the 90s you had, on a gas dire Molly Cannon and Sherry O Terry I feel like they deserve their spot in SNL history and on a gas dire certainly deservesher spot in SNL's Hall of Fame for being a groundbreaking comedian, So, there's that. Track 2: [1:06:18] Thank you so much to our guest, Nicole Brady. And many thanks to Thomas for a wonderful conversation about the great Anna Gasteyer. I'm not sure where I lean on Gasteyer. I don't think she belongs on a first ballot. I don't think she does. I feel like she's got to earn her way in. A little more time is needed. But let's listen to her sketch. This is Anna playing one of her most familiar characters, Martha Stewart. And Joan Allen is playing Martha Stewart's mother in this Thanksgiving special. Let's go to it now. Track 5: [1:07:15] Tomorrow, on Martha Stewart Living. I'm Martha Stewart. Thanksgiving. It's not just a day for turkey and dressing. This traditional American holiday commemorates the autumn feast when our pilgrim forefathers and the nearby savages put anend to their vicious fighting. In keeping with that tradition, I'll be joined tomorrow on Living by my mother. Get your bangs out of your eyes. We'll reveal some of the Stewart family's time -honored Turkey Day secrets. The hell we will. Cool it. Mother will share her famous recipe for twice -baked sweet potatoes. Simple, fresh ingredients are the only secret to this classic side dish. Although balsamic vinegar would be a delightful modern addition. Don't be ridiculous, that's acidine. I just thought that maybe... I know what I'm doing. Well, why don't you... Mother, please don't... Please. [1:08:14] The table setting is a wonderful opportunity to marry family tradition with personal style. I've offset my grandmother's stoneware with miniature gourds and these luxurious Moroccan textiles. Your grandmother hated Moroccans. We'll also relate some of our favorite Thanksgiving memories. I'll never forget the year it snowed. It never snowed on Thanksgiving. Yes, it did. It's a childhood memory I really cherish. Well, it never happened. Are you calling me a liar? We will not do this here, Martha. Simmer down. Of course, no Thanksgiving would be complete without taking a moment to recall a few things for which we are grateful. I give thanks for forsythia, beefeaters gin, andcaller ID. Mother? I give thanks for Talbots, beefeaters gin, and my flawless memory. It did snow, Mother. Martha, it didn't. It was the same Thanksgiving you fired Maisie for feeding giblets to the dogs. Ah, yes, now I remember. You threw my gravy boat at me and broke my glasses. I loved her like a mother. Join us tomorrow on living. Thanksgiving comes but once a year. And that is a good thing. Track 2: [1:09:37] That was great. Definitely again, one of her more famous characters, Martha Stewart. And And you can see why, she just does a fantastic job with the role. And there's some great jokes in there too. So maybe that seals the deal for you, doesn't quite seal the deal for me. But that's just me. You might be thinking something completely different. Maybe you're in Nicole's camp and you think she belongs in right away. This is your prerogative. This is democracy at work. you get to cast your vote when voting opens. So do that. And please, on your way out as you pass the Weekend Update exhibit, turn out the lights on the wall because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Darrell Hammond | 06 Nov 2023 | 01:16:30 | |
jD, Matt, and Thomas are joined by Will Norman to discuss the career of Darrell Hammond and make his case for inclusion in the SNL Hall of Fame. Transcript: [0:43] Hey, it's Shady here and I'm back for another week here in the SNL Hall of Fame podcast studios. [0:53] Thank you so much, Doug. It is great to be here and we love doing this program for you. We are in the homestretch of season four, so why don't you find yourself a comfy spot along the wall and take a look around. But before you do, please wipe those feet. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musicalguest, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the Hall of Fame. We've got a heck of a class shaping up in this round. I don't know how it will turn out. We rarely can make those sorts of predictions, but we will be doing so. We will attempt to do so in our annual round table that is coming up very soon. We've got a few more episodes, and then, like I say, we're in the homestretch. It'll be the round table, and voting will be open. So let's get right into things, and talk about what we're going to talk about this week. We are going to be looking at the career of longtime cast member and now announcer, Daryl Hammond. [2:22] So Thomas will be joined by Will Norman. Friend of the show and they will get into a lovely conversation We'll listen to a sketch We'll get ourselves fully prepared for the vote by learning as much as we can about why DarrylHammond belongs in the SNL Hall of Fame and then we'll call it a day That's how we play the game. It's really quite simple But now, you can see I'm wandering away from the door and I'm heading to the fulcrum of the main entrance doorway and the closet doorway, where those twointersect is a corner that we often hang out in before we start our show. And that is Matt's minutiae minute corner. Uh, we're going to learn a little bit more about Mr. Hammond when we get our hands on our friend, Matt, which let's do that right now. Shall weMatt? Matt. Track 3: [3:27] Hey Jamie. What's up? Track 2: [3:28] Not much. How are you doing? My friend? Track 3: [3:30] I'm great. I am looking forward to dig Darryl Hammond, a terrific artist, terrific impressionist. One of my favorite cast members. Yeah. Five foot seven born October 8th, 1955. He was born in Melbourne, Florida, just outside of Orlando. He had a very troubled childhood, growing up in a family plagued by abuse and mental health issues. This has led to an outspoken advocacy around his own diagnosis with bipolar disease and schizophrenia. He wears black when not performing in memory of a friend who committed suicide in 1992. He studied baseball at Brevard Community College and was a teammate of future Padres and Giants manager, Bruce Bocci. You're gonna have to trust me, I don't know if that's the right way to say his last name. Not a sports fan. Hopefully I got that right. Was actually inspired to take this to the stage by Truman Capote, who spoke at his school. Seeing Truman get laughs, Darryl said, whatever this is, I want it. After getting a degree in advertising from the University of Florida, he moved to New York to pursue performance after the encouragement of his university theater professor. [4:49] Early days had him working as a waiter performing theater roles and doing stand-up before returning to Florida to work as a radio DJ. He himself is a regular of the Howard Stern show to this day. He holds 45 acting credits and four writer credits, having appeared on shows including Criminal Minds, The Kicker, and I can't recommend this show highly enough. It is one of the funniest things on television, At Home with Amy Sedaris. Trust me, watch it. He is great in it, but the show as a whole is stellar. A late starter, he began performing stand-up at 26 and didn't move to New York permanently until 32. [5:36] While working as a cruise comedian, he was cornered in the bathroom by a man who forced him to take a dollar bill. The bill had trace amounts of cocaine and he was arrested as part of an entrapment scenario popular with grifting tourists. So that just reminds you, always be careful and never take a dollar from a stranger. Consummate Impressionists having impersonated over 107 different celebrities, and honestly the best Bill Clinton there ever darn was, he gained fame actually for his Elmer Fudd andLooney Tunes impersonations, releasing a comedy single called Rappin', which was was regularly played by one of my heroes, Dr. Demento! It was so popular, it was included on the show's 20th anniversary compilation. Okay, little aside here, I actually used to listen to the Dr. Demento show back when it was on Chum FM, in the middle of the nights on Sundays. I remember listening to this. I loved it, and I did not know it was him until today. This is awesome. Track 2: [6:40] Awesome indeed. Let's take it downstairs to our friend Thomas Senna with Will Norman to discuss Daryl Hammond a little more. Take it away, Thomas. Track 4: [7:23] Matthew, JD, thank you so much for educating us as always. You guys do such a great job there with the Minutia Minute. And this is a really, really interesting one, an interesting topic today. I think of a cast member who I've always been fascinated by, definitely. And it was the longest tenured cast member before Kenan Thompson eventually broke his record. But I've just always been fascinated by this guy. It's Daryl Hammond is our topic today on the SNL Hall of Fame. And joining me to discuss Daryl Hammond's SNL journey is a wonderful guest, someone who I've been on the Saturday Night Network with. And he was on Beyonce. He broke down Alec Baldwin with me. So I wanna welcome Mr. Will Norman. Will, how you doing? Doing great, Thomas. It's great to be back with you again. Talking some more SNL. I think we have a very fascinating cast member to talk about today. So I'm excited to dive in and talk about all of Daryl's contributions to the show and see if we can make a good case for him to get into the hall. Yeah, yeah. And you've been on here to talk about, as I said, a host in Alec Baldwin, musical guest in Beyonce. [8:38] Now we get your perspective on a cast member. So I'm curious, Will, like I don't think I've asked you this before, like when you're your big SNL fan, SNL historian, you've been watching the show for a while, like what do you look for? And just kind of what are facets of a cast member that sticks out to you? [8:57] Yes, like, I'm looking to cast members. Number one, I mean, you want someone who's going to bring something that is, they have their peaks of what they do well are stand out, theyjump off the screen, I might have mentioned to before, but when it comes to these cast new cast members, I'm very, I always pay attention to their first obviously on screen appearances. But if they do weekend update appearances, I'm always very in tune to like, how do they come on the scene? Do they come on hot? Do they jump off the screen in terms of their energy,the way that they present themselves? Are they really great characters? Do they do great impressions? [9:33] Do they have, do they work in our good, you can tell they do good writing in the background to be able to present those things on screen. Like those are some of the things like, what do you bring to the show? What's your skillset? I'm looking at those kinds of things. And then I think also just how well do they play with other cast members? Who is it that they're interacting with? Are they ableto blend? I'm a big fan of the cast members who are very versatile, the ones that are able to carry a sketch, but can also have those funny one-liners in the background of the sketch and not need tobe necessarily centered. Are they someone who's gonna, like you said, bring those characters, or someone who's gonna do weekend update features? And then also, are they someone that is timeless? We're talking about the Hall of Fame today. There's a lot of times with either hosts, sometimes definitely can be of their time. [10:18] Musical guests, same thing, they could be someone that's just of their time, and they kind of struck where the iron was hot and got an SNL. With cast members, I'm looking for someone who I could see them popping up on the show now. I can see them popping up in the 70s, the 90s, and they have something that they can bring to the cast that is timeless, that they can fit in seamlessly. And I think it goes to, you know, we talk about SNL a lot as being like a team, right? And we talk about kind of in the sports lens sometimes, but someone's a good teammate, you know, kind of goes back to how are they able to integrate and how are they able to make theirimpact without needing the show to necessarily be about them while still being a star. Those are things I look into for a cast member. Yeah, I think those are all great. If we were to design a cast member from scratch, like weird science style or whatever, those would be definitely big facets. Today we're talking about a very well-known impressionistfrom his time at SNL. [11:12] Arguably, and we can maybe discussed this I don't know but one of the arguably the best impressionist in SNL history a lot of people would say so I'm curious to just specifically asfar as impressions what do you look for in a great impression and impressionist I would say for one I definitely agree with you you're looking at Darryl Hammond I was gonna positionthis question to you I want to stay focused on Darryl obviously but I would say that he is definitely I think for most fans would have to be on the SNL Mount Rushmore for impressionists,right? Like, whatever your four are, like, if he's not on there, you know, what are we watching? You know, what are we doing here? But in terms of impressions and impressionists, I think, once again, it goes to those few qualities. One, with the impressions, is the impression really accurate? I mean, I do think that there is something to be said about people who can do those very accurate impressions of whoever it is, from pop culture, politician, actor, actress, whatever it is. But then also, do they bring a unique take to that impression? It's always fun when you can hear someone do an impression and the crowd, the first time they do it, the crowd's kind of gasping, like, wow, that sounds just like such and such, right? Butthen also, what kinds of slant do they bring to that impression? [12:29] And what kind of take do they bring to the person? Are they focusing on why the person is famous? Are they focusing on their, the way that they speak, the way they act. And I think the other part of it is when I'm looking at impressions is like, what is it that they, how are they able to utilize that on the show? Is it like I said, so we can update feature, are they centering this person in real life events in sketches? How are they able to deploy that and be able to have that person interact with otherpeople around them? Those are kinds of things I'm looking for with Impressionists and then you know I think. [13:01] Whether they have like a Daryl, who has, I think, almost 100 impressions to do on the show, or they might have five, you know, what's the peak of that? Like, are you do you start to be I think, are really important and what I look for from an impact on the show. I think Daryl definitely hit all those heights in different ways with his different characters or different impressions I should say as well. I agree with you and you hit on something that I've heard a lot from SNL fans and I've always believed this myself is you have to have a point of view with your impression I think. Youhave to have an angle. It can be exciting initially if somebody really sounds like the person who they're doing the impression of but then what? But like, you know, where do you go from there? And I'll pick on somebody who who's never been on SNL. So we're going to go outside of the SNL sphere because I love all my SNL cast members. So I don't want to single anybody out. But somebody outside of SNL is somebody like Frank Caliendo who does really accurate impressions. I've always struggled in a lot of cases to find his point of view with his impressions. [14:22] If he's on, as John Gruden on one of the NFL kickoff shows or something like that, he sounds remarkably like them and can do their mannerisms, but I never really, they've alwaysleft me cold because I've never really found an angle that Frank Caliendo has taken with a lot of his impressions. Does that make sense? No, that makes total sense because I think a lot of times, too, and maybe it's the format that, let's say for Frank Caliendo, where it is kind of a jukebox. Can you put this in and give me a minute of you just being that person and just kind of making fun of them, but it's just kind of a rapid fire impressions and phrases and things at you. Whereas I think a lot of times with in the SNL sphere, even if someone is doing that, they are in service of, they're bouncing off of a weekend update anchor. They are in a real life situation. They are doing, I should say, a sketch obviously, but they are interacting with people as that person, which brings more of a chance to have an angle versusjust kind of give me an accurate jukebox version of this person for a minute, which I think is great. It's an awesome skill and an awesome talent. But like you said, the angle can sometimes be gone because you're just mimicking that person without bringing anything else to it. Man, maybe if Frank Allendo was on SNL, he probably could show more of his comedic chops. So that's always possible, but as it stands, a lot of times when he does an impression, I'mleft a little bit cold for that reason. [15:49] And it's only exciting for so long. [15:53] Like, being totally, totally accurate. Well, it's nice. It's only exciting For a few minutes and then like you got to give me more So yeah, so so we could get into his Daryl Hammond I should say we can get into DarylHammond's main impressions now and one of the big ones to me that really likes ticks all those boxes and all the criteria that you laid out as far as what you look for an impressionist isHis Bill Clinton good evening America I'd like to speak to you tonight because this week the Bill Clinton presidency suffered a crisis in leadership. [16:30] It's been a bad week. First this Cheshna thing is getting me down. People keep asking me questions like what am I gonna do? I don't know. I mean I don't have a position. And then I looked everywhere for that new Abercrombie and Fitch catalog you know the one with the naked ladies. [17:14] What stands out to you about Daryl Hammond's Bill Clinton? Once again, I think it was an accurate impression, but it was also a fun impression. He did hit a lot of the same beats, but he really made the impression of his own. And one of the things that sticks out to me, you go back to, I'm sure we'll touch on this with other impressions, in the legacy of SNL, you never really own an impression. You're kind ofrenting it while you're on the cast, and it might be passed on to the next person. Phil Hartman was doing Bill Clinton before Daryl came on the scene. Daryl was still able to take it and make it his own and give his own spin, while also dealing with a lot of the things that were in the news about Bill Clinton that became a part of the entirecomedy universe and his presidency. But he was able to really make it his own and you see the transition of being a smooth-talking Southern president and then being this laze and being this like, quote unquote, torturedhusband, right? [18:15] And all these different slants that he brought to it based on what was going on in the news, while still being able to go to those beats, the thumb, the wink, the just the innuendo, andkind of winking at his own troubles and kind of being able to brush it off and kind of being that the coolest person in the room and not faced by certain things. So bringing all those things that were going on in real life to the impression while keeping it fun and having fun with the fact that he was going to those same beats, I thought was a reallycool way for him to do it. And there's obviously a lot of sketches where you see those sides come through. But I think him being able to make that his own and having even Bill Clinton like the impression and being invited to speak and do Bill Clinton in front of Bill Clinton the same way thatyou saw Dana Carvey do Bush in front of Bush. When you have the person, especially someone like the president who kind of gives the nod is like, I like your impression of me. I think when you look at SNL in general, to have basedon how much we go, the show goes to the political sphere. [19:19] Having a political impression that the person who's doing it and says the president say I like that one I think it's probably one of the highest honors you can get as a cast membersince it's a well They have to go to regardless of how well someone can do the impression So those are my general thoughts on on Darryl's bill, but I'd love to hear yours too Thomas Likewhat comes to mind for you when you're thinking about his Bill Clinton and what he brought to the table? Yeah It's just so fully formed his Bill Clinton and I think it's because Darryl has said that he he studied hours upon hours of tape on Clinton. This is the one that he really just like worked on like crazy to get. First of all we talked about like it's great to sound and have the mannerisms like the person you hit on it like he definitely did he had the the thumb thing he had the vocal fry down to thesouthern draw and it's kind of cool he said that Clinton reminded him of John F Kennedy in a way Like he said Clinton was maybe trying to be like John F. Kennedy. He took inspiration. So what Darryl Hammond did And what made the impression click for Darryl? Was it Darryl did Kennedy's inaugural address from the early 60s in a southern accent like not on the show But he just when he was just trying kind of trying to form this impression So hesaid that's what clicked so it's really neat to see an impressionist like find that angle and that was Darryl's way in to Bill Clinton, Will. [20:44] Yeah, yeah, that's awesome. I didn't even know that, which is really cool. And I think it goes to something that can be taken for granted, but just Daryl's commitment to getting the impression right. Because it's not a character where you're just saying, this reminds me of my third grade teacher. I'm gonna impress my third grade teacher and no one knows who it is. I'll turn that person into a character or Target lady, There's church lady. There's so many different characters have been on the show that you can't say well that doesn't sound like a person I'm talking to whatever Jay Fair is doing simple Yes It's like when youhave that like his dedication to getting it right and finding that angle I think is what made him so great and like stories like that just really drive home how seriously he took it and how heWorked to get these impressions, right? Yeah, are there any Bill Clinton moments that stand out to you with Daryl? [21:40] Man, there are quite a few. I mean, I think the ones, I'll give a couple that kind of stood out to me. There's the cold open where he's reading the Paula Jones deposition. He's reading it aloud to the nation. And then the president escorted me down a narrow hallway from the Oval Office to a dining room and back. I was thirsty and he offered me a drink. Before we reached the dining room, president reached out and tried to kiss me, he lifted his hand and put it on my breast and then my hand to his penis. That is hot! Jackie Collins my ass. [22:24] He's talking through obviously the salacious details of what's going on with, you know, this month, the Monica Lewinsky scandal, but he's enjoying it and reading it like it's It's likea romance novel and he's kind of getting a kick out of it in a way that you would never expect someone to be approaching their own controversies and kind of hocking it and holding upthe book with the fake art cover of him dressed up like he's Fabio, as he says in the sketch. So it's like you have him doing that whole sketch and then you have Will Ferrell coming in at the end as Kenneth Starr, kind of like as the way out to kind of subpoena him as DarylHammond to get him out, for everyone that's even impersonating the president because it's obviously a big issue and there's obviously opinions with the trial. [23:08] But it's like him being able to, like you said, bring a very, obviously serious thing that's going on that everyone is talking about and bringing that angle to it of pride, excited aboutit. That's just not an angle you would expect anyone that's listening to take and for him to be able to do it and give, you know, deliver it with this like, the Southern charm and smiling anddoing the thumb and the bite, the lip bite and all these things. And it's just kind of a, you said in a serious situation, the very funny way to wink and be like, I'm, you know, Bill Clinton and that doesn't bother me. So that's one that stood out to me for sure. Yeah, that one actually really stood out to me too. I took note of that when I was rewatching. It was funny to see Daryl out of character too. We didn't always see him out of character as himself on SNL, so that was pretty cool. There was also a sketch where he was on, as Bill Clinton was on a three-way phone call. Saddam Hussein, who was played by Will Ferrell and Monica Lewinsky played by Molly Shannon. And they were on this three way phone call like they were just all three of them knew each other really well. Saddam apparently knew Monica Lewinsky in the sketch, not in real life inthe sketch. Saddam and Monica Lewinsky obviously knew each other. So they just had this three way phone call that was just hilarious. I think this gets played on like best ofs and retrospectives for good reason because I rewatched it. I'm like, Oh my God. Wait, are you watching Dawson's Creek right now? [24:38] No, I am typing it. [24:45] And do not tell me what happens to Paisley. All right, um, hey, let me say hi to Saddam. OK, hold on a second. Saddam, are you still there? Who is that, one of your Jewish friends? No. Well, yes, so. Hey, Saddam. Monica, you never call me anymore. [25:12] Daryl Hammond's just, he does subtle things with his reactions to what other people are saying and his mannerisms and his smirk. And this is one where I think it's great to wink at the audience. A lot of times, I like when performers don't wink at the audience when they make a joke. But in something like this, that's part of the game. That's part of the persona of this character is to he's really enjoying being president. He's really enjoying all of this, even though he's, he's getting run through the mud in a very public way. He's enjoying it too. And Daryl's playing this perfectly. I agree. And it's, and I think that you said the nature of the character, what there's so many opportunities for him to do the camera facing addresses as in cold opens and kind of talking directly toAmerica. Even more permissible as president to always kind of be smiling and just enjoying the spotlight, right? And you talk about him having these, you know, kind of being dragged through the mud, you know, based on what he was, you know, he's doing like, very publicly. One that stood out to me as well was there's a weekend update feature where it's Bill Clinton and he is reviewing the movie Independence Day. Well, getting back to the film, Mr. President, was there anything that you didn't like? Well, I felt the character of Will Smith's girlfriend, the beautiful stripper, could have been developedmore. [26:37] We never learned much about her. For example. Does she have friends? Are they also strippers? [26:49] Obviously, if it was not for the movie, you know, it's about aliens attacking and they come back and you know, we're having to fight these aliens. And that's his action movie. And he comes out and he's talking to Norman, his whole focus, and why he loves this movie is that in the movie, spoiler alert, sorry, that the president's wifedies at some point in the helicopter crash. And so the whole time, he's just like, I just love this movie. And he's really harping on how great it would be and how he's wondering about this situation, how he's so happy for the president with his wife dying. It's a very morbid take, but given what's going on in the news, the way he's still smiling and gaffawing and having a good time with it, you're kind of like, okay, that's just Bill being Billkind of thing. And then he's talking about, I think at one point in time, Vivica A. Fox, who plays a stripper in the movie, he's asking, I wanted to learn more about her. And he kind of dives into some of those not flattering aspects of Bill Clinton's persona. But to your point earlier, he's able to do these things and still kind of be smiling and being very, trying to be very charming throughout these things, in that way, these things are rolling offmy back. And obviously, there's been a lot of litigation looking back at how, as a country, everyone handled those things and looked at those things, the seriousness of it. But even looking back at it, you can still see him making fun of how lightly. [28:19] He was taking it, you know what I mean? And still being able to bring that lightheartedness to something that was very serious. But you realize as a viewer, oh, this is a serious situation, but he's just cool and not phased by these things. So I thought that was another one, another example of him being able to, whether it was the deposition, the three-way call, Independence Day, him bringing different angles to this fullyformed character in different ways that I think were really fun, because you would never see the president doing these things. But it's just fun to be able to him to be accurate and be able to get to those places, which is cool. [28:52] Yeah, I think he took an element of the real Bill Clinton too. Everything that I've heard about Bill Clinton is he's like the most charming person in the room. He makes everybody feel like they're the most important person in the world when he's talking to them, for better or for worse, quite honestly, because he could use that charm for not sogreat things as we saw here. And by the way, I think it's kind of neat to see over the years that Monica Lewinsky's has a more positive public image nowadays compared to what people are kind of retroactivelyapologizing to Monica Lewinsky for how they treated her back then. But that was kind of the Bill Clinton charm playing out and it was a real thing and I think Daryl tapped it into it well and I loved when he appeared on Weekend Update. I'm glad that you brought up one of his Weekend Update bits because I love that he took this Bill Clinton character and put him on the update desk because it's just such a such a great fit.one where he critiqued the presidential candidates. [29:47] That was that that one cracked me up. But it was just really neat. It's like a versatile character for him to be able to go sketches, update cold open. He really should be proud. And I know Darryl from reading his, his book. He's definitely really proud of this Bill Clinton. Yeah, he did a really good job. And it's interesting to like, I think we sometimes, I don't want to say it next, I'm missing it for myself, butsometimes you take for granted, the show gets a lot of grief because when they have to talk about politics and you have the president who, given what's going on during the presidency, isgoing to be the number one thing that people are talking about. You're thinking about the Trump presidency, and then you think about Clinton and what was going on there. You kind of can't ignore it. So to have someone that was doing such a great job as the president from an impression standpoint, to be able to roll that out in so many different ways andpeople to not be like, Oh gosh, here's Bill Clinton again. [30:45] It never seemed like it had that feel to it. It was always kind of like, Oh, here's Daryl doing Bill again. He's showing up, what's he going to do this time? And to deploy it in those ways, I think was a credit to him and the oppression he did and all the things he did with it during that timewhen the president's front and center. Yeah. This one was just a truly defining impression and character for Daryl Hammond. Where do we go from here? What else do you want to talk about as far as Daryl goes? Oh man, I think, so I guess we could keep it in the same vein of like his, you know, his political impressions. So I was kind of thinking going from there going into Al Gore. So Al Gore, obviously another great impression that Daryl did. And I think when you look at his Gore. I think that there's a lot of conversation after one of the sketches I want to talk with you about, about his effect on potentially the election. And similar to what we saw later with Tina Fey and Sarah Palin, the accuracy, the take he took on Al Gore during the first presidential debate, I thought was hilarious. A hilarious rewatch for those who haven't seen it. The sketch that came to mind was the first presidential debate between Gore and George W. Bush. [32:03] And essentially, he plays Gore as being very, in Daryl's own words, as kind of like an overbearing teacher, talking very slowly and deliberately and being the smartest person in theroom explaining things. And of course, you see Will Ferrell as Bush playing the grown up frat kid who's running for president out of his depth and doesn't really know what's going on. And there's just so many good lines in that sketch. And once again, the accuracy that he brings to it, the writing in the sketch is fantastic. So like it's deployed perfectly talking about getting a great impression where you can get someone to say things that they probably wouldn't say normally. Daryl was great at that, obviously. So, you know, he's obviously references making fun of the term lockbox and referencing lockbox numerous times throughout the sketch. in my plan. The lockbox would also be camouflaged. Now, to all outward appearances, it would be a leather-bound edition of the Count of Monte Cristo by Alexander Dumas. But it wouldn't be. It would be the lockbox. [33:19] There's a lot of gray lines in that, but there is a point in time where he is, as Al Gore brings out a picture of this elderly woman named, and he's talking about the importance ofhealth care. And he's like, yeah, someone's Edda Munson. And he starts describing, he's like, she's a dear friend. He starts describing all of her issues. And he's like, she has one kidney, she suffers from a rare form of polio, spinal meningitis, lung, liver, and pancreatic cancer, diabetes, and a rare formof cystic acne. It's like this 94-year-old And it's like, he really does a really accurate take of Gore. And it's such a contrast with Farrell's Bush. And then obviously ending in one of the great classic lines for Farrell, describe your campaign in one word, strategery. [34:07] And then Gore saying lockbox. If anyone hasn't seen it, it's definitely worth a re-watch. I'm sure you probably struck a chord with you as well. But just him bringing that accuracy to another political candidate, I just thought it was another feather in his cap. Yeah, man, I think that sketch, that first presidential debate, that was in 2000, I think in October of 2000, it became viral before we really even called video clips and stuff viral. Before things went viral, this thing kinda did. I remember going to school, I was a freshman in college, and people were talking about it in class the following Monday. My mom and dad were like, did you see this? Did you see that? That was so funny. My mom and I quote it to each other to this day. It's just, I think it's when too, SNL may have like reannounced itself as a political comedy leader. [35:05] This because in the early 90s we know you know Dana did George HW Bush and Ross Perot, Phil Hartman did Bill Clinton and they had some really memorable sketches and theygot a lot of notoriety with politics but I think this specific presidential debate sketch was SNL re-announcing itself and Daryl and Jim Downey, Jim Downey the great Jim Downey wasbehind this and he they both of them really made it pop with the performance and the writing, making the Al Gore character talk about the lockboxes if it was a real thing, because the realAl Gore used lockboxes as a metaphor, but then people latched onto it. So, so they took it one step further and he actually in the sketch, like I think, brought out an actual lockbox and was talking to it, describing where he was going to hide the key and all thisstuff. Like, so it hit more often from like, this is a metaphor to like, no, this is actually a real lockbox. And that was just like a great, great angle. Daryl said that he, it was tough to get, for him to get a read on Al Gore initially. He said there were like three different types of Al Gores. Like Al Gore didn't speak the same way in the videos that he watched. So he thought that Al Gore just, he was speaking the way he, like a vocal coach kind of told him to speak. So that's kind of what he based it on. Like just very robotic, very folksy, but stiff and awkward at the same time and his movements and intonation. [36:33] So he definitely had a point of view with this one too, Will. Yeah, no, I would agree. And he hit the nail on the head. Like he brought something new and a very, I mean, Al Gore's energy versus Clinton, right? Totally different. So you see the versatility where we've seen impressionists or cast members who can only have one speed, right? They got one pitch. It's a hundred miles an hour down the plate. he was able to find the nuance in someone who's much more understated than say Bill Clinton and be able to like I said find that that slant onhim and with the great writing obviously bring an angle that was resonated with people and you know is is obviously one of their most successful and you know funny and great like mostrewatchable sketches for sure from a political standpoint. Yeah, I wanted to ask you, so after this sketch aired and after the election results especially, I mean this didn't get resolved until January of 2001. A lot of us who were around we remember waiting months for the final decision, but this was one of the first times I remember SNL almost getting blamed in some circles for the outcomeof an election. So do you think Do you think these political sketches could have an impact on elections? [37:53] You know, it's a great, it's a great question. I think, I want to, you know, I would say in some ways, yes, because I think there's two, there's two parts to it. One, as time goes on, we kind of forget how much people were paying, how much more people were paying attention to network television in the early 2000s, in the 90s, like, when SNLwas obviously the main, like, it was a appointment television, right? And so I think that there's an aspect where more eyes are on it. It was, like I said, viral before the idea of being viral was a thing. [38:30] And when you look at presidential elections, there are those who are very much in tune with elections and politics year round. It doesn't matter if it's an election year, they're looking at it all the time. There's a lot of people who are tuning in and once it's It's time for maybe the primaries, maybe it's the general election, and they go, all right, who we got? [38:51] Who are the candidates this year? And so when you have a show like SNL that has that platform, that's able to say, hey, here's our angle on the candidates, there are a lot of peoplethat take that, especially when it's presented in that hilarious package, and say, this is kind of what I think about this person. Or with any impression, you hear it once and then it's like, I can't look at Bill Clinton without thinking about Darrell Hammond. I can't look at, I'll go without thinking lockbox. Those things I think do get cemented in people. And I think the slant that SNL takes can affect people. I don't think that it's to the point that it is, they're swinging elections. [39:29] I think if they could swing elections or if they had that power, I don't think that, I don't think Trump would have won. I guess maybe he hosted, so maybe they did, but no, I'm just kidding. Yeah, there's probably some truth to that. I don't know. But I do think there are definitely, from a pop culture standpoint, are the general takes on people. I do think that there is that aspect because there are people who are just tuning in and getting a lot of their information from just during the election cycle and what popular commentators,their take is and the angle is on certain people at that critical time. Yeah. Well, I'm reminded actually of a tidbit that I heard that Al Gore's campaign staff apparently thought that it could have an impact because they They made Al Gore watch this debatesketch so he could get an idea as to why he might come off negatively to some people. They used it as an example to Al Gore and say, look, this is how SNL's kind of making fun of you. Honestly, this is how you could be perceived as very robotic. [40:27] So they were trying to show this to Al Gore to let him know, maybe show some personality. Maybe don't lecture the country in that way. So I think Al Gore's campaign staff... Thought about how SNL, I don't know if they thought that maybe if they thought SNL specifically could affect the outcome of the can of the election, but they felt that the SNL had somepower to be able to portray their candidate in a certain way. So I thought that was interesting that they're the outdoors on campaign staff was like, Hey, man, you got to watch this and cut it out. And so that is that is very interesting, especially to that point when and at the time those clips are getting replayed over and over again, pre-YouTube, pre all the ways we connect viasocial media now, that's gotta be front and center and that's what people are thinking about you as a candidate based on what Daryl's doing. Right, right. So yeah, now I wanna go outside of the political sphere. Those were two great impressions, Al Gore and Bill Clinton, but stepping outside of the political sphere for a second and another impression that I think he might be most well known for,he probably loves his Bill Clinton the best, but I think he's even said that he gets comments on this every single day, it's his Sean Connery from the Celebrity Jeopardy sketches. So yeah, Will, these had to have stood out to you like they did with me. [41:57] Oh man, 100%. I mean, you can talk about this in one of two ways, right? And I think maybe we'll save, oh, and we'll talk about both of these, Like the Connery impression,obviously, is so much fun. And not just the impression, the way that it was utilized, looking at it from this first appearance on Celebrity Jeopardy to like the final appearance, like they kind of build and grow whatthat character looks like and its interactions with Alex Trebek. I heard, this is probably just your urban legend, but I heard there's been different, like the origins of where the sketch came from, but Norm MacDonald has taken some credit, like that hehad taken it from like an SETV, I think, a sketch. There was talk of, I'm blanking on the other source, but I also heard that there was a point where like, Will Ferrell and Gerald Hammond were just like, in their free time, just somehowstarted doing like a Trebek and Connery impression and kind of just going back and forth, like just in general, just going like bantering back and forth and kind of ended up utilizing thatin the Celebrity Joplin sketches. But when you think about how much fun he had with that sketch, like the accuracy, like he's talked about it as being like an SNL impression and like his first Connery show on screen wasvery accurate and then kind of turned a little more cartoonish as like they, you know, did the patent for my Celebrity Jeopardy. The Celebrity Jeopardy. [43:22] Sketch, right, in all its iterations, is, to me, and we hate to go back to the Mount Rushmore thing, but like, when you talk about repetitive sketches on the show, it is what it is one of,if not the best recurring sketch that is essential SNL, like in the history of the show. And when you think about that sketch, you cannot think of it being done without Will Ferrell as Alex Trebek and Darryl Hammond as Sean Connery. It wouldn't feel right if someone else was doing that, while still having the ability to zoom in and out all these different other celebrity impressions and make it a showcase for that, whilestill having those two be that kind of way that centers it and that energy between the two of them anchoring the show. And there's obviously so many iterations of Celebrity Jeopardy, But I would just say that it's not probably his best impression from the standpoint of the Bill Clinton one, being apresident, political, as we talked about. [44:24] But it is an amazing impression and the impact it had on the show and the way it was used, I would say could make the case for being the most impactful one he's done because it'sjust an incredible use of that impression. I could go on for a while. I'm going to take a pause here. No, definitely. That was great. I'm going to let you get in here before we get into some of this sketch specifics. But I just think that it's an amazing impression. Now I have fond memories of this too. And it still resonates to this day. I think people watch Jeopardy. There's references to those old celebrity Jeopardy even nowadays. I think I saw a video recently, Ken Jennings, who's now for all intents and purposes, the host of Jeopardy now. One of the categories was swords. And one of the contestants said, I'll take S words. And Ken Jennings did acknowledge, it's actually swords but it was good you knew that Ken Jennings obviously knew where that came from Sean Connery it's still your board uh I'll takeswords for 400 it's actually not swords sir swords these are words that begin with s. [45:36] But even to this day like a contestant on Jeopardy said s words and when the category was sword that's that's a direct thing that he pulled from Celebrity Jeopardy. We hear that all the time the the penis mightier and like no that's the pen is mightier like just all these people try to come up with their own Jeopardy categories to and. [45:56] We all I think we've all I don't know I'll speak for myself and say that I've tried to do like a Sean Connery impression when nobody was looking and see how accurate I was and mycousin and I would do the Sean Connery to each other and it was just so yeah very very I think Mount Rushmore it might be like that I'm thinking of like what's up with that for me issomething that's up there but this one is just amazing. And there were two installments at the beginning. So the first installment of Celebrity Jeopardy, Sean Connery was in there with Burt Reynolds, and I forget who else. But then the nexttwo, Daryl Hammond played somebody else. So Sean Connery didn't come back till the fourth one, but it was a different one. He was almost kind of taking the place of the traits of Burt Reynolds because Norm Macdonald had left the show. So that's when in the fourth In the fourth installment, we saw Sean Connery, like the really, like that's when his full-on innuendo and attacking Alex Trebek and Alex Trebek's mom and allof this stuff, that's when it really started taking into shape was that fourth installment. It's just a great example of finding an angle with an impression, Will. [47:07] Yes, no, 100%, and it's funny because, you know, you talk about, like, I think everyone, I don't think you're alone, Tyler, I think everyone has done a Connery impression, in the safespace, like, because it's just, it's a fun one, it's obviously a really fun one to do. And I think Slavery and Jeopardy is probably one of the most quoted sketches on the show from a recurring standpoint. Yeah, like you said, the cadence and the rhythm they found within the show to have Connery be that, like, Connery be antagonistic with Will Ferrell's Trebek. Sean Connery, why don't you pick? Well, the game is afoot. I'll take anal bum cover for 7,000. [48:01] Oh, that's an album cover, not anal bum cover. I can read, Traback. That says anal bum cover. I spent five years of my life trying to invent an anal bum cover, failing to do so is my greatest regret. You have led a horrifying life. But I did put my top three, more or less, of Connery quotes within Celebrity Jeopardy, or his responses, I guess I should say. And I think, obviously, a lot of mom stuff here. But he says, there's one point, the category, I think, is animal sounds. And Connery says, this is the sound a cow makes, and he says, moo. Trebek says, that's wrong. He says, that's the sound your mother made last night. That's the sound your mother made last night. That was great. [48:56] That was great. For everybody listening, I did not play audio from that. That was actually me doing that, if you can't tell. I was going to say, you thought Connery was here and joined the podcast, but you could not get Darryl Hanneman on here. But that was amazing. That was good. I had to gear up for that. Yeah. That was good. And then he does the, what's the difference between you and a mallard with a cold? One's a sick duck. I can't remember how it ends, but your mother's a whore. [49:31] Just come out of left field. And then of course his answer of just write a number and he writes the letter V and his wager is suck it your back with the rest of the V making it a K. It's just like... Despite your best efforts. That's correct. That is a Roman numeral. [49:49] And then the, the, the burns and then the, the Hardy laughed at the Hardy laughed after, right, like. He just had like, there's just, it's obviously so over the top. [50:01] And obviously, this would never happen on Jeopardy. And I think the fact that Alex Trebek, obviously, like rest in peace was such a loved person, the idea that someone would beon the show and be this rude to him while in him still being so gracious and trying to just keep the show going, you know, I think all those things and find out ankles with it really worked. But the energy, like you said, that he brought with Connery as they kind of had Norman Donald Exit the show and Burt Reynolds leaving and him being able to fill that void. I just thoughtthat it was like a really fun, very fun angle that he brought to it and on one of like said the best recurring sets in the history of the show. Daryl described his Connery as a swashbuckler which I thought was interesting like that's what he had in mind was this swashbuckling guy who would just poke Alex Trebek's buttons buthe used the term swashbuckler which I thought which I thought was really funny and it's very evocative like I'm I'm like, yeah, I think that's a good description of this. Yeah, that feels very, very accurate, 100%. Yeah, so that's three iconic impressions and characters. Gosh, Bill Clinton, Sean Connery, Al Gore. Does he have anything else? I know there's probably a couple, at least. I mean, he's done so much, but just things that might stick out. There are a few I would throw out there. For those who are maybe not as familiar with Darrell Hammond for whatever reason, maybe like they're a recent fan of the show. Like a couple, like I'll say honorable mentions and somesketches that stood out to me, like it's just fun rewatches. [51:30] One, I would say this is in no particular order. I did a really good Phil Donahue. And as a kid of the 90s, like watching like talk shows and like he does as a Phil Donahue, he does a tirade on Weekend Update. Meanwhile, we've got a Republican Congress and the generals in the Pentagon are building B-1 bombers and flag is flying everywhere. It's the 4th of July and mom and dad and Yankee Doodle, I'm a Yankee Doodle Dandy, and God's in his heaven, all is right with the world. And meanwhile, blacks can't register. The Cuban missiles are pointed at our shores and ketchup is a vegetable. Ah! [52:16] It's around the time that it's announced, Like, so I guess Rafael passed him, I think, in ratings. And he comes on and he's talking enormous, we can update, update anchor. And he just kind of goes on like a typical Donahue rant. So it's kind of of his time where if you'd ever watched Donahue and weren't used to his like kind of long monologues and like him getting passionate, it is so accurate and so funny, just asa kind of a, an accurate impression. It's just kind of a throwaway, but it's Donahue was really fun. And big shoes to fill with that Donahue because Phil Hartman. Yes. Has done a Donahue. And so people would obviously, SNL fans would definitely compare Daryl Hammond to Phil Hartman's Phil Donahue as they probably did with Bill Clinton aswell. So that speaks a lot to Daryl Hammond. He made something like Phil Donahue his own when a great cast member in Phil Hartman did a Phil Donahue. I find that that's an extra degree of difficulty, I think. Yes, yes. I think it's a great point, Thomas, because when you are taking over an impression from someone who is also, you know, Phil Hartman, I think on a lot of people's routeRushmore, again, I'm gonna go ahead and beat that horse to the ground. [53:26] But for all time cast members, it's a lot of pressure on that one, right, to take over two impressions he was doing. The other two I was going to mention really quick are Chris Matthews, who, to those who don't know, Chris Matthews is the host of the show Hardball on MSNBC back in the day, a livedebate show, they go around the horn. And there's an episode, it is from 2006, John McCain is the host. And Darrell Hammond plays Chris Matthews, and he's talking to Rachel Dratch as Rebecca DeWitt, talking about terrorism, John McCain as another politician he knows I'm blanking onright now, and then Tracy Morgan as Harry Belafonte, who's just saying the craziest stuff. And Daryl is centered in all of it as Matthews, going across the panel, reacting to them. Are we safer today than we were pre-9-11? Joining us today, Associate Director of the ACLU, Rebecca DeWitt. Hello, Chris. Boring. Also joining us, Attorney General of the United States, John Ashcroft. Thanks for having me, Chris. [54:32] I had to. I was afraid you'd arrest me and put me in a camp. And finally, he made headlines last week when he called Colin Powell a sellout, comparing him to a slave serving as Master Harry Belafonte. Harry, welcome. Welcome. Welcome. What are you, some kind of slave master? Oh, Belafonte. Crazy right off the bat. I love it. If you haven't seen that sketch before, great way to see kind of the things talked about the beginning, right, with Daryl doing an accurate impression, making space for other cast members,playing his role perfectly, but being able to give people air for their great lines to breathe, making room for his great line deliveries, and being able to be this vehicle for nonsense in anaccurate impression for someone in the political sphere or wherever. rewatch if. [55:28] You haven't seen that one. Yeah, I just love how he played Chris Matthews so grumpy, like Chris Matthews is kind of a grumpy dude, like that's kind of how he comes across on theair as it is, but just how Daryl just took that and turned it up to 11, just a little bit on the grumpiness. It's just great. I always, always love seeing his Chris Matthews pop up. That is a great one. I really love that sketch. That's always a fun, fun rewatch. And then, I know we talked about politics already, but this is just like one throwaway sketch. It's obviously Daryl was doing Donald Trump as well before he was doing Donald Trump before I think like Taron Killam did it for a while and then for Alec did it now obviously with aJ.A.J. [56:12] Doing it now. But there is a the time he was doing obviously Trump is most known for the Apprentice and then kind of got into the GOP debate. But there's a there's a sketch where where he is playing Donald Trump doing a Domino's Pizza ad. And action. Say cheese, burger, pizza, only from Domino's like the game. Cut. Yeah. OK, that was great, except that, uh, you know. That was great. Keep rolling, because I'm going to wing one now right off the cuff, Robin Williams style. And action. Cheese Louise, I'm hungry. Hey, wait. I'm a slice of cheeseburger pizza from Domino's I like the game. Eat me. [56:59] Trump comes on screen wearing a huge pizza and it's Seth Meyers in the background, like as the director, kind of giving him lines and feeding him lines. And basically Darryl as Donald Trump, just butchering it, you know, basically in calling dominoes, dominios and like not getting the theme song wrong or not getting the theme songright. At one point in time, I think he says, do do do do do do, do do do do do do do do do do do do do do do do do do do do do do Apprentice and he's having a lot of fun with it. It's a very silly sketch with some great lines in it. But like I said, those three you're talking about. Donahue, Chris Matthews, Donald Trump. I mean, we've talked about six of hundred, like almost a hundred impressions he's done, and all of them are very accurate and he has a lot of funwith them. And those are a couple of ones I just wanted to throw in as honorable mentions for him. One that really sticks out to me is his Regis Philbin. I really loved, and that's another one, like Dana Carvey did a really good Regis, one that I really loved from Dana Carvey. And so to see Daryl do it, I loved Daryl's Regis Philbin as well. And just like he had Daryl had that vocal cadence down. [58:28] Perfectly What'd you do last night well, I went to a big party last night It's happened on the green to celebrate the release of Diane Carroll's new record album Fancy it was veryfancy. I mean this party was star-studded I mean, everyone was there. The shouts at the end of sentences, you could feel his Regis getting more riled up and then it would just explode at the end. [58:54] Like, yeah, it's just a testament to Daryl that I didn't immediately just want to see Dana do Regis Philbin when it appeared. And Daryl was just so, so good at it. I think there was one, there was a sketch in particular where they were auditioning for new co-hosts for Regis Philbin, so they kind of paraded. It was almost a parade of impressions kind of sketch and Daryl just carry that thing so well and such a good sketch. I just love that his version of Regis and he did the who wants to be a millionaire sketches I think to has Regis so that was really great. Also Dick Cheney another another political one butwe have to mention Dick Cheney. He did that over 20 times. He played Cheney as just this really gruff no nonsense guy. It was almost a kind of the opposite. It was like a foil to Will Ferrell's dim-witted George W. Bush. He played it pretty much like Dick Cheney was the smart mastermind in the dynamic and he was the adult in the room. There was a memorable one where Cheney's doing an interview with Tom Brokaw while riding a missile. Mr. Vice President, I'm sorry, but wasn't the plan to wait until Congress debatedthe issue? That was one plan. I had another plan, Tom. You don't get a pacemaker sitting around watching Anna Nicole Smith waiting for the rest of the world to join up. Besides, it's nice to have a missile this size between my legs. [1:00:22] It looks like you're having a snack up there, Mr. Vice President. It's a lunchable mini pizza, Tom. [1:00:29] They don't serve a meal on this flight, baby. me. He's on top of a missile like like in Doctor Strangelove. Basically, he's writing this missile and that that was just that was such a fun sketch to go rewatch as Dick Cheney. He rarely changed tone unless it was like a sinister laugh or something and it worked. So that's I wanted to throw out the Regis Philbin and Dick Cheney as well. But as you mentioned, he did over probably like 100 impressions on the show. He was the impression guy. Yeah, No, 100% and to have someone on the cast that was that talented that could do that many impressions that well is, I mean, one of the reasons why I thinkwe, I think we both, I don't want to speak for you, Thomas, but I think we both think that he should be a surefire first ballot Hall of Famer. Honestly, I think so. And I, of course, I, doing this show, I often don't editorialize, but sometimes I do. But I really do think Daryl Hannon's a Hall of Famer. I honestly, and I do get a vote. I don't just lead the conversations. I get a vote too. So I am gonna vote for Daryl Hammond. [1:01:36] I've already started looking at my ballot. Our friends at the Saturday Night Network, Will, they're doing a cast member countdown and they actually, not John and them, but theyhad their listeners and social media followers and stuff, like submit names as to who they feel should be in the top 50 cast members. So they're doing this countdown and Daryl was ranked number 33 in the countdown. [1:02:00] So what do you think of that placement? I think, I honestly think he should be higher. Like I have him top 20. Yeah, I was gonna say I feel like he's a top 20 cast member. And I do think you know, I think it's, it's been really fun to listen to the countdown so far. And I'm excited for those to another going to shift days coming up, but like, as the season gets kicked up, but has a fun to see where the fans place those those those cast members. But I do think that Daryl is a top 20 cast member, because, you know, we talked about at the top of the show, right? Like, when you're thinking about a cast member, like all time great castmembers, and what they bring to the table. I can't think of any era of cast that if Daryl said, I'm available. And you know, Daryl Hammond in his prime is like, Hey, I can be here that they would say no, I think that we've obviously a lot of great people. But when you think about what he brings to the table, and not just like, you know, sometimes with just like a moment here, or some people have had great peaks, or they've had greatcharacters or they've had like things that, you know, maybe I, feel different generations in a different way, but Daryl's consistency across all the volume of impressions he's able to bring tothe table, I agree with you. I think he's definitely a top 20 cast member of all time. Um, and I, our friends at the S and N get your act together. Let's figure it out. What are you guys doing? We're going to start a little feud with the network. [1:03:29] You know, we love those guys. Yeah. go check out their Saturday Night Network's cast member countdown and to kind of maybe play devil's advocate and get in the brains offolks who might struggle with Daryl Hammond or remembering Daryl Hammond and how just how much he contributed. I think sometimes maybe it felt like he wasn't part of the cast in a weird way because he had his niche and he was almost like it seemed like he was like in a different play on a differentplane as other cast members because he was the impression guy basically but Lorne didn't really want him doing many sketches in which he wasn't doing an impression. Lorne wanted Daryl to always be ready to learn an impression that week of or last minute and Daryl was just great at that. But I think maybe in some people's minds, the fact that maybe he didn't do as many non impression sketches, he didn't have any characters outside of impressions. [1:04:26] I think that might hurt him a little bit. I know there too. There was also something unknowable sometimes about Daryl because he was always so immersed in the character. He knew he never he didn't really go on update as himself as we see a lot of cast members he was always in character. Sometimes he would appear, I think he co-hosted with Kelly Ripa on Regis and Kelly. He took over for Regis for a couple days or something. So every now and then we would see the real Daryl. But to me there was always too, something a little unknowable about him. And he did feel like almost a separate entity from the rest of the cast. So that's just kind of playing devil's advocate. I can kind of see how that might happen, Will. [1:05:08] Yeah, no, and that makes total sense. And I don't want to guess, you know, Daryl's motivations. Cause I mean, in some ways I look at it and I just say it's like devil's advocate, devil's advocate. Like sometimes, you know, actors will say, I don't want people to know that much aboutme because then it allows them to believe more. The characters are more believable. The impressions are more believable. And the focus is on the impression. But I do think that you're right in that. When you do that many characters, when you do the impressions, I think sometimes as new cast members come in, we kind of, as fans will say, Oh,this is the impressions guy, you know, and you can get pigeonholed into that. That's happening with James Lawson Johnson now, right? Like where he's like, he'll kind of, he'll even be self-referential about like, I'm the impressions guy, but there's obviouslycapability to do more. But I think when you look at, you know, for him, the volume, the accuracy, and I think his ability to still be from everything that I could see a team player on the show, right? And to use his impression to, in concert with the writing to also showcase other cast members, to be centered when he needed to be, but also to facilitate the celebrity jeopardy, like to beable to know I'm gonna get some laughs, but also I'm gonna make room for everyone else's and the things that they're bringing to these characters. I think all those things. [1:06:26] Are reasons why he shouldn't be overlooked. And there's just, you know, we talked about it before, when you look at how many people have come on the show and have beenknown for their impressions, I just think that he kind of stands above everyone in terms of what he's able to do. And because he did so many, it probably got overlooked, taken for granted. And obviously, the more we get away from people, the less, you know, they get appreciated sometimes. But I hope that people that are familiar with him or aren't, that they get a chance to like either re-watch and just re-appreciate a lot of things that he did in his contributions to the show. And I think one thing that I would say too is, I think we take lately, obviously with Keenan, right? Talking about Keenan Thompson, 20 years, like headed into year 21 from the show, likethat longevity is obviously something that gets talked about and really celebrated. [1:07:11] And I think once you get past, like when you're second on the list, like people can overlook it. But I think the fact that he was on the show for 14 years and had that record, and obviously was a part of two different eras and generations of the cast, I think just speaks to how much hemeant to the show and how they just kind of want him to be there to be able to bring what he does across those different areas when he from when he started 95 to leave me in 2007, like,did a really great job. And I hope that people, like I said, can appreciate all his contributions, even if they were, quote unquote, just impressions. I mean, before we get out of here I wanted to encourage everybody to go read Daryl Hammond's book if you haven't had the chance it was released in 2012 it was published in 2012 it'scalled God if you're up there and it's a cool peek into who Daryl is and it was really helpful for somebody like me who never really felt like I knew who he was really candid but he talksabout his struggles with alcohol and cocaine and and anxiety. [1:08:14] As a matter of fact, he said before the first presidential debate that he was so nervous backstage that he cut himself with a razor blade. Yeah, so he really, Darryl really opens up in this book and shares his struggles with substance abuse and anxiety and trauma and things like that. And it really was just so, so fascinating. And our friends at the Saturday Night Network, Sean Schneider interviewed Daryl Hammond not too long ago, so I encourage everybody to go check out that interview as well. So I justwanted to plug Daryl Hammond's book, God If You're Up There. It's really fascinating. As far as SNL alums go, that's a really, really good book. So I think we did a good job of summarizing Daryl's candidacy for the SNL Hall of Fame. Will, I really appreciate you joining me today. The day is ours! Sorry, that was my Connery. Sorry. I slipped it in there at the very end. But I'm happy to be here. It was awesome to talk with you about Daryl. I hope everyone gets a chance to revisit his old stuff. And as always, it's a pleasure to talk to you, Thomas, and talking about SNL and all these Hall of Fame candidates. Thanks for havingme. Track 2: [1:09:43] So there's that. Thanks so much Will, thanks so much Thomas, that was lovely, I learned a lot, [1:10:45] Let's dig into a sketch selection now from Mr. Hammond. This is Daryl portraying Bill Clinton as our friend Matt said off the top, you know, arguably one of his most famous characters on SNL and just a great Clinton. This is him on Weekend Update. Give it a listen. Track 5: [1:11:18] Good evening, America. Good evening, America. Well, the primaries are underway. Looks like it's boiling down to McCain, Bush, Gore, and Bradley. Four reputable men, any one of them would make an honest, scandal-free president. Your next leader will show up where he's supposed to show up, say what he's supposed to say, and conduct himself with decorum at all times, thus restoring dignity to the Oval Office.",You're going to miss me, aren't you, buddy? [1:12:04] You miss me already, I'm not even gone. I mean, did you watch the primaries? Four boring guys in suits spewing out soundbites. That's what you expected from these guys. That's how it used to be. But I changed all that. I made the presidency fun. I made the presidency exciting. And when I go away, it's back to boring old politics as usual. I mean, look at these guys. Bill Bradley, what's his big scandal? He drank too much cream soda. My fellow Americans do not view this man while operating heavy machinery. Then there's Al Gore, look, I love this guy, you know that, but come on, English is Al Gore's second language. His native tongue is binary code. George W. Bush, here's his scandal, he was spoiled by his parents and he partied a little thirty years ago. Big deal. Do you know what I did this morning? [1:13:27] I don't want to spoil it for you you know before it leaks out through the press but it involved a Polaris missile full of heroin and that girl from American Beauty Yes, it did. And John McCain, folks, John McCain's not scandalous and sexy, he's just crazy. Folks, that's an important distinction. Plus, what is his platform? Honesty and straight talk? People, this is no way to live. Which is why, my fellow Americans, for the remaining months of my presidency, I am rededicating myself to serving and entertaining the American people. I promise you it is going to be a wild ride. Oh, I'm going to start hanging out with Jay-Z. I will bring new meaning to the words, dear penthouse, I never thought it would happen to me but. Here, here, here, watch this. Okay, what is your name, sweetheart? Do you want to go to the Caribbean with the president? Well, alright then. Imagine what I can do with eight more months! It's an exciting time to be alive. Thank you. God bless you. President Clinton, everybody! I'm Colin Quinn, that's my story. Track 2: [1:14:52] That was fantastic. That's just a great example of what he was able to give to the writers. Just fully formed, you know, creations that they can then work with him and write really tremendous output. Yeah, I miss Hammond being on the show. And he was omnipresent in a way that Keenan is now. You know, you just expect him to see you there. It's Saturday night, I'm gonna go visit Daryl Hammond and Keenan. So it's really cool that he has continued to do the announcing. I think that's just a testament to who he is and what he means to Lauren and what he means to the show and all of us. [1:15:48] So does he make the Hall of Fame? I don't know. I don't know. I feel like he should be a first ballot Hall of Famer. I do feel that way. Time will tell though, we'll have to wait and see as the case may be. Once voting opens, it's all up to you. That's what I have for you this week. Hope you're well. Big thanks to Will Norman again. Obviously to Thomas and Matt. And that just leaves us with one more thing to do. And on your way out, if you wouldn't mind, by the weekend update exhibit, there's a light switch. Turn it out, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Lady Gaga | 30 Oct 2023 | 01:24:05 | |
jD, Matt, and Thomas welcome Veronica Villanueva to the program to discuss the career and bona fides of one Lady Gaga. Transcript: [0:43] All right, thank you so much, Doug DeNats. It is great to be here with you all in the SNL Hall of Fame. Welcome to the SNL Hall of Fame podcast. My name is JD. It is fantastic to be here with you today. We've got a great show. There's no doubt about it that this is gonna be a cooker. This is gonna be one that you're gonna talk about and water cooler about. It is an episode where Thomas is in conversation with Veronica Villanueva, a first-timer here in the SNL Hall of Fame, and they are gonna be talking about Lady Gaga, so there's that. Now, before you come inside, I would ask you to take note of the mat in front of you that says, wipe them, and wipe those feet. We gotta keep this place clean, because the SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musicalguest, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. And that's howwe play the game. It's just that simple. You listen to the podcast. You enjoy the podcast, hopefully. You subscribe to the podcast. You share the podcast. [2:12] All those good things, right? The podcast is here for you to enjoy and listen to the arguments that are made on behalf of the nominees. And then it's your turn to vote. We open up voting. We're gonna open up voting for about seven days this year. We've done some experimentation with longer periods of time and it just doesn't net the results ultimately. 85% of the votes come in in the first week, so we may as well go with that. Actually, last year was an anomaly though. Last year we got a bunch near the end and could have skewed the results, could have skewed the results because it was definitely a surprising induction last year. So there's that. This year, however, we aim to please. We've got...this is our 12th...no, this is our 11th nominee, because the first episode was The Draft. So this is our 11th nominee. It's in the musical guest category, which tends to be a category that is ignored. [3:21] And again, I'll, I'll say it, I'll get on my soapbox and I'll say, I think that the musical guest is a, is a key component of the show. And if you want evidence of that, look no, look no closer than this weekend's past episode, where we were, where we were given the Foo Fighters, the Foo Fighters are a major, major actand, and playing in a theater that small, a small, a soundstage that small. [3:50] For a band that big is just wonderful. There was part of me that was like, should I go down? Should this be the week that I go down and get standby tickets? Should this be the week? Because I saw Nate Bregazzi live last New Year's Eve, and he was wonderful. So I'm really thinking that it could could be a lot of fun. But alas, I will stay in Toronto in the fall weather. And so there's that. Now let's go to our friend, Matt Ardill, as he welcomes us to his corner. Track 3: [4:25] Hey, thanks for having me, Jamie. Track 2: [4:28] It's great that you're here. How are you doing? Track 3: [4:29] Things are going well. They're going great with me. How about you? Track 2: [4:31] Things are wonderful. What have we got today on the docket? Track 3: [4:35] Now I am, I wouldn't say I'm a little monster, but I am a big fan of the next person that we're gonna talk about. Can't wait to hear the show about Stephanie Joanne Angelina Germanotta. Stephanie Joanne Angelina Germanotta. Yes. AKA Lady Gaga. That's right. Height, five foot one, March 28th, 1986. So it's her birthday, which makes me feel very old. I am older than Lady Gaga by over a decade. That scares me. But she was born and raised in New York City and has released seven albums, three EPs, has 48 acting credits, including her most important performance as Lady Gaga in the Lady Gagaand the Muppets Holiday Spectacular. She's also composed 29 songs for films, has 299 soundtrack credits, 12 producer credits, six writer credits, five director credits, and 11 music department credits. She is a busy lady. [5:42] Nicknamed Gaga by producer Robert Fusari, after being told she reminded him of the Queen song, Radio Gaga. A big fan of Queen, she took that as a compliment, and when it came time to release her first album, she tweaked that into Lady Gaga, as the lady added a bit of class, and the Gagaimplied a bit of wackiness, and it stuck. An artist from a young age, she attended the John Hopkins Center for Talented Youth, the Lee Strasberg Theater and Film Institute, Circle in the Square Theatre School and the TischSchool of the Arts. She was a member of fame from the get-go. She started young, performing as a teenager at open mics and studying at Collaborative Arts Project 21 through NYU's Tisch School of the Arts, while also go-go dancing to Make EndsMeet. She was discovered by Akon. Gaga was performing a burlesque show called Lady Gaga and the Starlight Review. DJing and singing. You can actually still find some of those shows on YouTube. She learned to play piano at the age of four, wrote her first ballad at 13, and was one of 20 people to gain early admission to NYU's Tisch School of the Arts. [6:58] Due to her early soul work, she bleached her hair blonde after repeatedly being mistaken for Amy Winehouse. One of her early acting opportunities was being considered for the role of Catwoman, Selina Kyle in 2012's Dark Knight Rises, which did not move forward. But she is now joining the Batman universe in the Joker sequel, Dua Follet, as Dr. Harley Quinzel, aka Harley Quinn, which honestly, I, as a Bat fan, am totally Bat-tacularly insanely happy for it. I think she's going to be great. [7:38] She went sober after a hip injury, had her addicted to men's in 2013. Has a very close relationship with fellow piano pop star Elton John. That's not just for show, she is in fact being named the godmother to Elton John and David Furnish's son, Zachary and Elijah. A humanitarian, she founded the Born This Way Foundation to support humanitarian causes and donated the profits from her 2009 Fame Ball Tour to raise money for the Odyssey CharterSchool and elementary schools in Los Angeles hit by budget cuts. Her second album, Born This Way, was the seventh album to sell one million copies in one week, and she's the fifth woman to sell one million copies in one week after Whitney Houston,Britney Spears, Norah Jones, and Taylor Swift. A style provocateur with outrageous outfits and 14 tattoos, she constantly pushes boundaries with stellar success, having four Oscar noms, 17 AMAs, and hundreds of other nominationsfor Golden Globes, BAFTAs, and Grammys, just to name a few of her other nominations. [8:48] And most importantly, when attending the Oscars in 2009, she went with dreamboat Kermit the Frog, which I am sure made Piggy furious. Track 4: [9:29] All right, Matthew and JD, thank you so much. We are talking this week about another musical guest that I'm really excited about. During our draft over the summer to choose season four nominees, I selected someone who I thought just had such memorable performances on SNL. SNL caught this person at the right time in their careers. I thought it'd be a perfect topic. We are talking about of course Lady Gaga and for that joining me big time Lady Gaga fan, someone who I've known since we were five years old, but someone who maybe owes meanother apology for an incident from when we were kids. Yeah, yes, yes. I'm sorry, Tom, please forgive me. I often tell the story. I'm sorry, I chose you and I didn't mean to. [10:24] Yeah, we'll tell the world that Veronica, our guest today is my good friend Veronica Villanueva and Veronica decided to see what it would be like to kick a young man in his nutswhen we were kids and I was the target. Well, let me just put a little backstory to it. All the girls were talking about how to kick a boy in his, between the legs and see what happens. And I thought, who else then other than my good friend, Tommy. And I walked right up to you, I did it. You perceived to scream without making noise and fell to the ground and began screaming. I was like, I'm so sorry, please don't tell the duty. So just know that I chose you because I thought like this was something I could share with you because I don't know the outcome. And now I still have nightmares. So what did you learn? Don't do that again. Not cool. Don't hurt your friends. Figure it out. Find out more information. So yeah, I'm sorry. information. So yeah, I'm sorry. It's okay. I know it was out of love. And thank you so much, really. Who knew who anybody would ever use that in a sentence? Thank you. [11:27] Thank you. You taught me a lesson, actually. It was you. I'm sorry. Oh, my gosh. Good times growing up. Yeah. Thank you so much, Veronica, for being here. We are, we have known each other since we were five years old. Veronica, you're like a sister to me. So this is like a real honor to have you on this call. Definitely. Yep. 100%. Been through the ups and downs, hanging, you know, sneak out in high school, the beer pyramid, you know, everything. [11:55] Beer pyramid. Our listeners are gonna, they have one image of me and then they hear beer pyramid. It might fit. I don't know. So yeah, growing up, we both knew like, we kind of chatted, talked comedy a lot. And we've, we had, I remember talking comedy theory and stuff over coffee a few times here and there. So we both grew up just huge comedy fans and everything. [12:21] I wanted to know, because we haven't really talked specifically about SNL, so I want to know what your relationship to SNL is as a viewer. Yeah, I mean, as far as I can remember, growing up, I didn't grow up with cable TV, so I was kind of in the shadows with all that stuff, so pretty much PBS and the news and whatever,sitcoms, syndication, watching some of that. But then my older sister, she really liked Saturday Night Live, but in our family, it was like, like, hush, hush, you're not allowed to watch that. It's, you know, you're too young for it. So ofcourse, that made me want to see it even more. [12:56] So I would, you know, stay up late, wait for the parents to go to bed and start watching Saturday Night Live. And really, I want to say it has to be in the late 80s, 86, 87, with like Phil Hartman and Dana Carvey, John Lovitz, like just seeing all their sketches and their songs, everything like that, Iwas just so intrigued by it. And I think as I continue to grow up and I was able to, you know, it was a weekly thing for me. And then slowly my sisters, we all started watching it. So it really became like a weekly thing that we watched Saturday Night Live. And I mean, for me, Saturday Night Live has justalways represented what's current in the news, struggles in the world, struggles in our country. And then also like just the music hand down, it's like, well, if they're on Saturday Night Live, I need to listen to this band or I need to check out that album. Like, I felt like it was so influential to myself and just, you know, of coming of age and then as a young kid and then now as an adult, like just seeing the evolution of the show. So just seeing like this group of people, like a family, of course, like Lauren Michaels is the daddy and like he just takes care of everybody. And it's just like, it just feels like an American staple. So for me, it just really helped influence like a lot of my sense of humor and what was popular and everything like that. And so that'show it all began and it's going. Yeah, similar for me. I know it just got in my blood like in the late eighties, early nineties. [14:16] And musically, because today we're talking about a musical guest, and it influenced a lot of what I liked musically as well. You could probably relate, Veronica. Nirvana, Pearl Jam. We saw all these cool bands come through SNL and it kind of informed a lot of my music choices too. I agree 100%. I think like especially with our age, you know, growing up in the 90s and just seeing that whole entire going from like, I remember when it's like musical guests were likemore like Poppy and just like, you know, Paul Simon and like just kind of some old school or just more, you know, well known artists and then all of a sudden the 90s and SNL they werejust throwing out all this grunge music and yeah I remember Pearl Jam and like Don't Call Me Daughter and like that performance in itself always stood out to me so much and and RedHot Chili Peppers you know so yes and it was just a way for us to you know our high school years and it's awesome. There's a lot of performances that over the years on SNL that have really just made me stop like a lot of times with musical I'll go like let the dogs out or I'll go, you know, get a snack ordo something. [15:21] But every now and then there's a musical guest that just, I have to sit and watch because it's just visually captivating just something about it. Or I wasn't, maybe it wasn't even a fan to begin with. And they just sort of drew me in and our topic today, Lady Gaga, fits that for me. But I know you, you've been a Lady Gaga fan probably for quite a while. How'd that happen? And, you know, it was one of those things that, kind of going back to us growing up, you know, we were like. You know we graduated high school in 2000 and during that time the end of the 90s you know really we started to see this movement of like pop you know and Britney Spears, ChristinaAguilera, you know all these like in sync Backstreet Boys, you know all this kind of bubblegum pop music coming out and that was like stark contrast from what I was used to. To me, I felt like this was just more, like, you know, kind of gimmicky and, you know, I just, they were no, I was so used to these artists writing their own songs, playing instruments. It was based off the performance and the message, where now all of a sudden, here I am going into college and there's teeny boppers and all that stuff. And it just wasn't my, it wasn't my bag. It wasn't my jam. [16:34] And so now, and of course, don't get me wrong, some of those artists continue to put out, you know, Green Day, you know, all these things, putting out music throughout the years,but then come, you know, 2008, 2009, I remember that New Kids on the Block, talking about teeny boppers, you know, fifth grade, NKTLB, you know, was going on tour again. And it's like, oh my gosh, like baby Veronica was just like, this is amazing, you know? And of course, I don't think they came through New Mexico during that time, but everybody wastalking about that this Lady Gaga was going to open up for them. And I was like, hmm, like, I think maybe I had heard something, you know. Then I remember seeing the video for Just Dance, and I was just like, wow, you know, this woman, I like her style, like, she's like, like, she's not teeny bopper, it's pop music, but it's likemature and a really good sound to it. [17:30] And like a con was that video and I was like okay, you know like let's see where this goes, you know, And so from there, I kind of like had my radar on her, but I didn't know. And then finally, when the music video for paparazzi came out, I was just taken away. Like that to me was a really big turning point because like she was weird and she was genuine about it. And weird isn't a bad thing. It's just she was different. She was original and unique. And I could see her, you know, again, growing up, like her influences, you know, and I don't I don't think she's ever been one to hide who her influences are, which we'll get to soon. [18:10] But I just liked that this whole entire visualization and addressing topics that, cause here was again, going back to like Paris Hilton and Brittany and Lindsay Lohan and all this kindof star paparazzi kind of craziness. And here she comes out with this video cause all we would see on TV every night on Entertainment Tonight, which I used to like a lot, but it just became, what can we talk about thesecertain pop artists? And so when she came out that video and just seeing her in a wheelchair and like with the crutches and like the whole entire, you know, being thrown out off a balcony and then gettingpopular at the end, just, you know, being in the newspaper. So to me, I was just like, I'm gonna start, this is amazing, you know? And so, and then I began to learn more about, wow, she's a songwriter. She plays the piano. [18:58] She worked her way up. It's not like she started when she was like 16. It wasn't until she was like 22, 23, till she started, you know, really getting onto Interscope Records. And, um- Well, she, she was trying, so she was probably trying to be an actress beforethat. I mean, right? Like, she was in The Sopranos. I know, like, in an episode, she was one of Meadow's friends in an episode of The Sopranos. So maybe she was like trying to go that route before. Cause I think, yeah, I think that she was like at the, the Trish School of Arts in New York. And so she started off there. She didn't finish there, but yeah, she really wanted to come up with acting and, but she also had this music talent. And so I think that she kind of already kind of came to. The plate with like just being really multifaceted with her talents. And so and then listening to the fame, the album, it was like it had like a story. It had a starting and an end point. And then she just followed it up with the fame monster. And you're like,OK, I see what this woman is trying to to tell us. And also, I love that she's so beautiful, but not your conventional beauty that we were seeing for the last few decades or past almost past decade before her coming up. So it was just really, I related to her, I felt she was genuine, and it was like someone for a long time. And again, I was older than her at that point. Somebody that I'm like, yes, this is music history, this woman is gonna have longevity, and I get to be part from her from the beginning until whenever. [20:27] So I think that's kind of where my whole Gaga thing happened and then moving on through her career, I just am always just amazed how she's able to be so kind, so innovative, andalso give credit where credit's due, and just really try to be a good person. And that's not something that you genuinely see all that often. So I think she truly does want to be, she knows what, she has the fame, and she knows what she's capable of doing with that, and I think it's pretty awesome. Good badass. I think she's kind of a throwback to, we were talking about growing up in the late 80s in the early 90s, and we were kind of used to artists on MTV kind of pushingboundaries, like Madonna, Prince, people like that. [21:13] And I agree, something happened around late 90s, 2000, where it just felt a little more canned and manufactured. So it was like a breath of fresh air for a lot of people around our age who were used to a pop artist being more, like I said, like boundary pushing, having that style, Like not like a stylethat like some A&R rep in Orlando told you to have. Like your own. Yeah, like your own kind of style. So that was kind of refreshing as far as Lady Gaga goes. Like, well, we haven't seen this, gosh, since like. [21:47] Madonna, Prince, David Bowie is kind of like... David Bowie. Yeah, exactly. All these things. Peter Gabriel, where you're like these like an artist, like an overall like musician, you know, just like an artist. And then also trying to, and again, we'll get to this whole art pop, you know, this whole entire being able to stimulate people in different ways, artistically, not only musically. So I agree. And so we can get into Lady Gaga as far as SNL goes. And I think they caught her at the right time to they did catch her sort of at the beginning of her rise. So her first appearance wasseason 35, episode two, that was in October of 2009. The host was Ryan Reynolds that episode. We're about a month away Veronica from her releasing the fame monster, which was like was that is that technically a reissue of the fame? Or isit a second album? It's kind of like a reissue, it was like a second part almost, because the fame was kind of talking about the uprising of fame, whereas then you get the fame monster, it's like what has nowevolved from that. So I think it was just like a second version of that, I would say, or the partner to the fame. Okay, okay, got it. And so the first song she performs, Paparazzi. [23:07] I'm your biggest fan, I'll follow you until you love me Papa paparazzi Baby, there's no other superstar you know that I'll be Your papa paparazzi Promise I'll be kind But I won't stopuntil that boy is mine And I think this was great, very visually compelling, catchy as hell song, like what did you think of her first song that she ever performed? I mean, for me, it was just, I mean, her, of course, she came out with full outfit. She always has her, you know, the one common thing you always see with Gaga, she'll have glasses or aheadpiece of some sort. And, you know, she loves a big shoulder blade, you know, shoulder pads. What are pants? [24:06] And she always wear, you know, either boots or heels or whatever. So just aesthetically, like, she just looked amazing. And the one thing that you have to remember is, you know, shortly before this, she was on the VMAs where she sung paparazzi and shewas hung up and bleeding and she was showing that what could happen to these stars being hounded for their fame and whatnot. [24:28] So when she started doing this on Saturday Night Live, her choreography, everything like that, I mean, she really just knocked it out of the park. She sang it like the album and really it was just a a really good performance and I think that it showed her, you know, just overall, like her still just having two dancers. She tried to make it as simple as possible, I think, and she really, you could tell she was singing it live and you knew she was. And so I thought that was really cool. Yeah, I agree. And bonus points for, because we don't see enough keytar anymore. So she brought up the keytar. Yes, yes. Okay. That's the thing. It's like she, that keytar, she always, and that's another thing. She likes to have her keytar and I like that it was like with the crystals and everything like that. And she justcame out of nowhere and starts playing this keytar and you're like, all right now, okay. You know, it's just, just one of her many talents and yeah, true. The keytar does not get enough credit. You know what I mean? From Peru. Yeah, like, and this pet, you know, to the keytar. People are taking it back to the 80s. That's what I'm saying, like bonus points. Exactly. True. She saw the value in it and it has helped her quite a bit. She even had the keytar during the Super Bowl halftime show. It came back out, so, mm-hmm. Exactly. So this was a great first song, a little red motif that she had on. [25:45] Second song, not quite a song, it was like a medley of her hits that I really enjoyed, Love Game. ♪ Hold me and love me ♪. [26:07] I wanna take a ride on your disco stick. [26:11] Bad romance, poker face, I mean, pretty cool move on her part to do like a, give people a taste of the hits all in one performance. Yes, yeah. I mean, she, again, visually when she came out and like, you know, with Love Game, she was wearing the orbit, you know, the orbit dress, if you will. And so she had to like move her upper body and it was moving around it. I was so impressed that she was able to sit at the piano with those rings. With the rings just sitting there. I was like, how is she going to do this? She's not getting rid of the rings, but she did it. She did it somehow. So she started off with Love Game. And so just kind of, there were some little elements of Boyz Boyz Boyz, another song on the album, but then she broke out into, oh, and then also with Love Game, you know, DiscoStick. Like it was one of those things that like something that she had created. And but then she went into bad romance and Gaga has always been the type to she would say, you know If you have a song if it's a hit you should be able to sing it in any kind of genreand it should still be A hit, you know, so Gaga is always really, you know, the piano is her place That's I mean She's a musical genius when it comes to the piano and I think at this time alot of people thought that is She just the clothes. Is she just the potential what they thought was shocking or whatnot? But no, she began with like a piano solo and really just showed what an amazing talent she is. And it wasn't like she was playing something that she had wrote. [27:39] And so she, you know, sang Bad Romance and it was just beautiful the way she did it. [28:52] And I mean, Poker Face is one of those songs that, you know, when you listen to it, it's pretty darn funny if you think about it, you know, like, and, you know, she's trying to saythat, you know, sometimes you're with someone and maybe you're thinking about somebody else and just, you know, kind of having like some push and pull if you're like kind of facingbisexuality and like, you know, so she really was just kind of doing that. But the nice thing is in this case, she made it like an ode to New York, because at this point she had already toured and she came back to New York, and I'm pretty sure for her, and she hasmentioned this in interviews later on, you know, being on SNL, it's like that's every, of course, it's like everybody's dream growing up, but you know, especially I would say being fromNew York, you know, just like a huge achievement for her and her family. And so she really just kind of talked about how she misses going to the baseball game with her dad and drinking beer and whiskey with her friends. And so I feel like this was her first performance on SNL or, you know, I know her first time on SNL, I should say for her to really say like, I'm here, I'm not going anywhere. [30:02] And this is just a taste of what I have to offer, you know? And so I, I thought, I liked the fact that she kind of did a fame monster medley, uh, to really showcase herself to the world. And Veronica, I'm not gonna lie, I think I was one of those people who had to be won over by Lady Gaga. And I was one of, because any time a new pop artist would come along, especially one who probably, it seemed like they focused a lot on style and everything, my mind went to, is this allstyle and no substance? Right, I mean, maybe naturally, we were talking about the times back then before Lady Gaga came about. But this SNL performance, these two songs did win me over, big time. Like, it's like, yeah. So it was just so like compelling to watch. Yeah. But then when she sat at the piano, even paparazzi, like, oh, this is catchy. This is really fun. When she sat at the piano and sang, I'm like, she has talent. Like, so I was a person who was won over a little bit by Lady Gaga. So that like really speaks to it. I was an SNL viewer going like, oh, maybe I was wrong about her. And sometimes that happens recently with SZA. I was like, hey, I actually kind of like this. This is really, this is really good. Yeah, so that happened with me, Veronica, as far as Lady Gaga. Yeah. Good. And I think that thing, like, again, going back to SNL, it allows a platform. [31:21] To open up new listeners. And so, I mean, that first time her being on SNL, I was just like, she did it. This is it. Here she comes. So I think it was just a really good first time for her to be on there. Yeah, definitely. And I don't know about you too, as far as musical guests go, I like seeing them in sketches, like play outside of their performances. So in this first episode so that she was on, she was in Deep House Dish with Kenan was the lead in that sketch and Andy Samberg. So really kind of neat, symbolic probably thing that happened on Deep House Dish when she danced and fought with Madonna. That was pretty interesting to me. Hey, guess what, Madonna? I'm totally hotter than you. Hey, guess what? I'm totally taller than you. What kind of a name is Lady Gaga? Sounds like baby food. The kind that's number one on the Billboard chart. I said behave, bitches. [32:23] Beyonce, you better stop interrupting us. Yeah, we're pop icons. Respect. Respect. There was, you know, always at the time, like gossip, gossip, gossip, you know, like what scandals, who's fighting or whatever, you know, who has beef with each other. And so the fact that they came on together, for me, it was just kind of like, oh my gosh, like maybe it's not true, you know? And the other thing for me is like being a Madonna fan, I'm like, Oh my gosh, this is like, this is like a child, a product, a child of your, of your contribution to the music world, you know,like, this is the next generation. And to see them together and like how, for me, I felt like, oh, they're just showing like the world, like it's a petty thing that it's a rumor mill, you know, and, and so seeing them together, itwas just, it was just amazing. I can't believe it. And just, they were just so funny together. Madonna seemed a little bit, maybe like... You know, maybe off point a little bit with like at the beginning but I think that her and gaga just had a cute little riff with each other and um, Kenan was able to benefit from that whenthey kissed him. [33:26] So I'd be like, oh no, please not in the skin have madonna and gaga, you know coming up with that and Let me just make sure I just move and then they This is how it ends. Yes, exactly. Yeah Yeah. Yeah. And at first I thought that I had to look to a second take because when I re-watched the sketch I was like, who's playing Madonna? And then I'm like, ohcrap, that is Madonna. That is Madonna, yes. [33:50] And she looked amazing, you know, and like the two of them look like, you know, mother daughter more like sister, sister, you know, and like it was just like, I could hearMadonna's influence in her music, you know, and so it's just neat to see her with her and be like, okay, we're going to get a chance to see this again. Their kiddos are going, growing up, are going to get a chance to see history be made again. And so I thought that was really cool. Yeah, it was like a stamp of approval, game recognized game kind of situation. Yeah. And then the other one she was in, it was a backstage sketchand she and Andy Samberg wearing the same thing. Isn't that embarrassing when that happens? Yes, yes. I know, right? I mean, I know how that is. But it's so funny because you know, Here she is when the skit opens up, she's reading that Rolling Stone magazine where it says that Lady Gaga's here, andshe's the rise of Lady Gaga. And then she's sitting there and she's wearing the bubble dress there, the bubble outfit. And then here she is wearing it again, and she's like, I spent $20,000 on this. And he's like, I made mine from garbage. [34:58] Because it's just the way that you could interpret it, because I think all of it was just very confusing to people like who is this lady you know but she was just so sweet and nice in itand. [35:09] And it was just funny, you know, just the way that they were interacting and then just like, trying, you know, that bubble dress just affecting them being in a relationship. So I thought it was just another way for Gaga to kind of show a different side of her. Because I don't know, maybe I could see how if maybe people thought she was intimidating or what, but she just came off so genuine. And I can't keep going back to that, like, she's like the girl next door. But I obviously she's more than that. But like, I feel like that's where her fans, her little monster started to come up is like, this woman's so genuine and she's different than the morematerialistic things that we're seeing from other celebrities and musicians at that time. Yeah, she obviously made a great impression her first time on SNL. I think she knocked it out of the park here with two great performances. She got to play around with the cast and be in sketches. So yeah, just she's already starting to plant that seed as like an SNL mainstay and modern sort of musical legend on SNL and just so great to see. And of course, they have her back. So her second time appearing on the show, a couple years later, season 36, toward the end of that season in May, that's 2011, she was about to releaseher second, I guess, second official studio album, Born This Way. So she was, is that your shirt? Yeah, that's my shirt. Born, it's Ride Ride, Pony Ride Ride. It's a highway unicorn. [36:31] It's from the Born This Way album. Oh, okay. Okay. Veronica dressed for the occasion. She's wearing a Lady Gaga shirt. Yes, yes. That's awesome. So she, the Lady Gaga was about to release Born This Way, a host, SNL royalty, in and of itself, Justin Timberlake. Wow. Yep. Who knew, right? Who knew? I know. See, okay. Just a little side note. We did an episode on Justin Timberlake this season and one of the things I might've come across as bitter, because one of the things I said was that Justin Timberlake pissed me off aroundthat time because he was good looking, could dance, could sing, and he's funny. He's funny as hell. Yeah. Yeah. Why? Yes. Yeah. And he has a little curly hairs. He has curly hair. I have curly hair. Yeah. My dad has curly hair. Yes, your dad has had a mean curl. Yeah. He has a mean curl. I'm always stood out. Yeah, it was just unfair that that Justin Timberlake got to be good on SNL. [37:33] Oh, that's just been a beautiful evolution in itself as well. But I think this was one of the first times, you know, him coming out and kind of standing on his own, you know, when Gaga was on there with him. And so it's just cool to see like these two pop artists, you know, especially, you know, how Justin was able to kind of go into his solo career. They did interact a lot this episode, but first we'll get to her songs a little bit. So she first performs a couple of songs in her. [38:02] Performance, The Edge of Glory and Judas. So she's like in this Cleopatra kind of outfit here, Veronica. Yes, yes. Oh, absolutely. I just love that the whole leather and gold, and then she's wearing the two-tone hair. Now, a little side thing is you notice the mole on her face? So throughout her Born This Way performances throughout the whole entire album, that mole keeps getting bigger and bigger and bigger. There's one performance where that mole is almost like the size of her face. I was all, the mole, the mole's here, you know what I mean? And so. It's its own entity, its own character. It's its own entity, yes, exactly. And so, but you know, The Edge of Glory was really, just a very personal song for her. Her grandfather had passed away. [38:48] And she and her dad, you know, as her dad said, like just, or I think it was her grandmother, I'm so sorry, had passed away and sitting at the piano and they just, she just wrote thissong, you know? And it was just a way for her to just say what it's like to be that last day on Earth. What is your truth? And just what are you going to make of it? And I think that that was really important. She was able to, in the video, or on the album, Clarence Clemens from Bruce Springsteen's E Street Band, he was a saxophone player on this. And surprisingly enough, about a month, I think, after Gaga performed this on SNL, he passed away. So there was multiple, there was multiple layers to this song for Gaga. And just, um, I think she did just a great job, um, performing it and just her cool, her cool headpiece again with the eyeballs and, or with the eyes on it, you know, and the gold and justreally, again, at the piano where she's at her best, just letting us kind of experience that with her so genuine, you know, and so, so I thought that was really good. What I really love about a lot of her songs that really resonate with me was they tend to really soar. [40:03] Like there's moments where there's a crescendo and her songs just take off. And I think this happened with The Edge of Glory. I think it's a really good example of what really resonated with me and stood out to me. It's not just the visual aspect, which is fun to watch in and of itself, but it gives me goosebumps to hear a song soar like that. And that's what sold it for me. [41:02] Voice and just like how she has that grit in there, you know what I mean? She has that in there and yeah, she really just... She builds up on that song, I agree, yeah. And then she like jumped into Judas and it's like, oh my gosh, as a fan, you're like, she's in Judas. [41:19] And so yeah, I mean, with Judas, the one thing is, it was choreographed by Laurieann Gibson, who she did for like Janet, Michael, Alicia Keys, she's done choreography for a lot ofAnd she was with Gaga for quite some time, you know, but this was one that won like best choreography on VMAs. [41:38] And it's one of those songs that was very taboo in the sense that, you know, she was singing about, you know, Judas and in the video, like Mary Magdalene and whatnot. And so here she just took it, stripped it down to the choreography and she sang it really well. And I think she's just trying to put out that message that, you know, sometimes you're with somebody that you know you shouldn't be with, but somehow, and you can be betrayed bythem, you still kind of go. So I thought she did an awesome job of portraying the the chorus. For me, Judas is a good song, but the choreography is the one part of that song that just makes it that more complete, you know? It's just like there's something about Lady Gaga, the way she moves her body, the way it brings you in and it helps you listen to the music in a different way, I guess. And so it's anexperience. [42:55] Really wonderful first performance. For her second song, she took a page out of my book, Veronica. She started her performance in an alien pod, which is a classic Thomas move. [43:06] Just emerge from an alien pod. Yes, like I'm cocooning, cocooning, emerge. Yep. A classic cocooning. A chrysalis, really. I'm just kidding. Yeah, really, if you really want to get technical with that. So horned this way. Yeah, great, great performance. Visually stunning. What do you think okay, like there's so many layers for born this way It's like she came out in the egg, you know, or she was in the egg But she had recently been in the egg for theGrammys and she had incubated for three days 72 hours She said and just trying to get the creative process going and you know, then when she arrived to the to the Grammys You knowShe was in the egg and then she came out and performed in her silicone outfit and whatnot But then the other layer to this is like, she had all her dancers and her dancers, if you lookthrough all her videos, everything, all her concerts, these are the same dancers. So when you know Lady Gaga, you know, her dad's dancers in particular. Shout out to Hector is my favorite. But the point is that, you know, I love them. And so the thing is, is that this song meant so much to so many people, you know, and I remember when she wore the meat dress, right? She Cher gave her the award and she was like crying and saying, like, I'm going to, you know, my next song, you know, or my next album, and she's saying a lyric from Born This Way,and who knew what it was going to actually turn into, you know, it's an anthem, an anthem for so many. [44:33] And it means so much to so many different people from different, you know, races, sexual orientations, gender, you know, it just was a huge anthem song that the generation neededto here because we were so used to like cars, money, jewelry, you know, whatever. [44:52] And so I think a lot of people really were able to attach to that song. So. In her performance, you know, she's, she does her performance. And then all of a sudden she comes out pregnant. And, you know, she's gives birth on TV. That song, you know what I mean? And in that moment, unless you're like a hardcore Lady Gaga fan, this might be very, huh, you know, like, a little confusing, to be honest. Right? Like, you're like, Okay, interesting. Yeah. Yeah. And And see, the thing is that, the whole entire thing is with Lady Gaga is that she had her video. And in the beginning of the music video, and these are not, you know, it's I guess a short film or a video, but it's longer than that. But she has, the beginning of this is the manifesto of Mother Monster. [45:45] And in this manifesto, it's essentially as she's on GOAT, She's on goat, a government owned alien territory in space. [45:55] And a birth of magnificent and magical proportions took place, but the birth was not finite, it was infinite. As the wombs numbered and the mitosis of the future began, it was perceived that the infamous moment in life was not temporal, but eternal. And thus began a new race, a race within a race of humanity, a race which bears no justice, no judgment, but boundless freedom. So you see, so she gave birth on that video and she shows up as this entity that's giving birth to a whole bunch of prototypes of what would be a perfect human, someone who's caring,somebody who's kind, no judgment, just having, and even in there she says it would be, how can you not unwaverly go towards good and not evil? So I think that when she's giving birth And she has like her gold blood and glitter, you know, I think that, I think for us little monsters, we were like, yes, you know, yes, tell your story,girl. Like this is all about metamorphosis as a person, how you can, you don't have to be angry, you can love life. And so I think for me, it was a very artistic avant garde kind of a performance, but she She nailed it, from a little monster's perspective, and I think it may have... [47:17] People uncomfortable, and I think that's a good thing sometimes. And so I really I took I was like, I hope other people watching this are like, huh? [47:27] But even if they are good and good, yeah, this type of performance and the song Born This Way is a good example to me of something about Lady Gaga that I really like to. So with this type of performance art, it could come across as manufactured and not authentic, but something about how Lady Gaga does it. and especially with this song, there'sauthenticity there to me. And you can't fake that. And I could feel it as an I'm I was more of a casual listener and casual fan. But even I felt the authenticity. It wasn't something just out of the pop music factory somewhere in Florida. Like, yeah, this was like an authentic person just expressing herself in a super creative way. And that's always something that I've appreciated about her. This is a good example to me. I agree. I mean, for me, that performance just really stood out. And I think it was, again, another turning point to like. [48:24] Going into the next stratosphere, you know, like I think we needed it at that time and her performance just took us there. [49:03] This episode is also her playing with the cast, being in sketches. So she was in three, pretty actually all three of them were pretty memorable. So which sketch do you want to talk about, Veronica, first? Let's see. Well, anything with JT and the man in Brownsville, whatever, I think that was really funny. I really liked that one because we knew JT so much as, again, the guy next door, kind of like I was telling you, the girl next door. So for me, I think that was a really memorable skit. I think that together they feel, yeah, Liquorville, yes. [50:20] And her wearing a cork on her head, that's not far from something she might wear on stage too. It kind of made sense. It's true. Did she wear that, I think? Yeah. I don't know. And with the grapes for the bra and the panties, I'm like, yes, that's absolutely, you know? And so, yeah, I thought that was a really memorable skit. And just the whole Kristen Wiig and the teabagging, it just all came together very nicely. So it just, it worked well. So yeah. I liked What's That Name as well. She was having so much fun. She was having a blast in this sketch. So she was in What's That Name, of course, really one of my favorite recurring sketches. Bill Hader is just amazing. He is amazing. In his host role. Yeah, and it was Justin Timberlake and Lady Gaga. They're doing Celebrity What's That Name. And Justin Timberlake, of course, doesn't remember anybody's name. No. But Lady Gaga is like, she knows everybody. I saw your monster show and I hung out by the stage door. [51:44] Alphonse! Thank you. She writes songs about, like, New York is in her blood, I mean, it is, you know, and like, you know, so she's like, hey, I know a guy, like, I'll send him to you,send me the bill, you know, just again, just that New Yorker hospitality and just like, her as a person, you know, whereas like, when Justin couldn't even remember Chris's name, he was inSIG with you, it was not Joey Fatone or Lance Bass, what is my name? And he's all, you know, it was so funny. But then there's Gaga remembering a fan that she met, all the cast and crew, you know. And so I thought it was very sweet, you know, that. And Bill Hader's just like, oh, or Lance, I think it was his name, you know, ah, you know, Gaga, we love you. And like, JT, you know, you disgust me, you know. So I thought that wasreally good. But then we got to talk about, you know, the best, you know, I like the SNL digital reports, But this one with JT and Adam Sandberg, the three way, the golden rule. [53:04] I mean, the last of the trilogy, we've went through the whole entire, you know, dig in a box, mother lover. And now here we arrive here, these two, you know, I thought that performance, I mean, that skit was amazing. Yeah, she's I think she was three for three, honestly, and just a bonus, because we're talking about her, of course, as a musical guest. But I think we could all most SNL fans could agree like it's a nice bonus when your musical guest likes to play around and appear in sketches and does it really well and has so much fundoing it. Yes. Because sometimes, you know, with other musicians that have kind of made like little cameos and whatnot, you know, maybe they're just not, that's not in their wheelhouse. You know, they're a little uncomfortable. They may be reading from this, you know, from the cue cards or whatnot. And I, and they keep it, you know, very old school. Like they have their way. And like, I think that, um, she's just comfortable in what she does and she's, and it's not, You could tell she gives it her all. And just that whole entire, just her again, being part of that, I like how she comes out with her bowl of cereal and she's like, you guys are still here. [54:12] Just totally like, get the hell out of my house. And being in there, huh? You know? Yeah, the moment's passed. You're going to leave? Yeah, exactly. We're done now. And they're like, oh. And these two guys, they just, just the way that they were able to recreate that kind of mood and that soulful sound of the 90s or late 80s, early 90s, it's just amazing. They're basically doing Color Me Bad, right? They're doing the Color Me Bad impression. Yeah, exactly. As Basie and JoJo. I love it. Yes. And I like that Gaga was able to kind of bring in and hit those notes that we are so signature of that era. Yeah, yeah, it was perfect. So Gaga's two for two on her SNL appearances, I think, and the show obviously loves her. We all are just warming up to her as an SNL staple so much. And she's back for a third time. This is November 16th, 2013, season 39. [55:06] And this time, well, first of all, Artpop was released 10 days prior to this. So she's coming off of Artpop, it's out there. And we're having Lady Gaga do double duty. She's hosting and she's the musical guest. So as a huge Gaga fan, Veronica, What was it like to see your host SNL? [55:26] It was like, for me, like a pinnacle, like, this is somebody representing me out there, you know, because I believe in this woman and multiple things. And so like, and it was just amazing. It was amazing for everything that the little monsters had know about her. The world was going to see this now. She was going to be up there. She was going to show everybody what she could do. And she knocked it out of the park. Like this woman came in and like gave it everything that she had. And it was just, it was such a dream come true, you know, to see her doing that, you know, that's all I can say is because I'm like proud of her for what that's, you know, worth as a fan, butlike just straight up like proud of her, like this woman has been working really hard and she's, she's not wavered from who she is and now she's going to show the world what she can do. And they did it, they did it so wonderfully. Like she just, just the way they hit everything, all the sketches, it was just it was awesome. Before we get to the performances, the music, what's like a sketch that that somebody should go back and watch from this episode? Oh man, I would say like for me really like the old Gaga is like so precious to me. But are you sure you don't remember me? Perhaps you heard about the extravagant costumes I used to wear. [56:50] Does this look familiar? Looks like you tripped and fell at a deli. You know a space deli. What about this? You know one time I hatched out of an egg at the Grammy Awards. As a fan it kind of gave me the lump. Got a little like emotional. You know what I mean? I was like look at all that she's done. And like it was like a throwback to You know, even in there, you know, she had like her BambiAward and her five Grammys. And, you know, she had all her awards and she had the bubble dress in the corner, which to me was a nod to her first appearance on the show, you know, like we were talking about. And I was just like, you know, but she, of course, wasn't wearing pants, because she's Gaga still, even though, you know. And to me, I think it was a very sweet nod to her. And it goes back with like Tony Bennett, like how respectful she was to him and what an influence he was and how she, even after he passed, like she was like, you know, respect yourelders essentially. It's kind of one of those things like I think she's excited, you know, or, you know, looks forward to building that career, you know, and but also knowing like it could go away at any time. So I think that's one that really stands out to me. But. I think that was more like a sentimental one for me as far as that goes. But another is the Marissa Tomei at the apartment. I have a question. [58:16] Have you seen the film My Cousin Vinny? Yes. And did you by any chance know who Marissa Tomei's character was based on? No. Who is she based on? I don't know. I'm asking you. My goodness, like, I think Gaga had always mentioned that, you know, Marisa Tomei is like her favorite actress. And she could relate to her Italian, you know, and just how some of her acting coaches were like, you know, how she'd never be a leading lady, because she doesn't have the look orwhatnot. And then she said, if Marisa Tomei can do it, Liza Minnelli, like, I want to be that, them, you know what I mean? So the fact that she got to be acting like, you know, from My Cousin Vinny, like, she did amazing. I was like, double take. Yeah. Is that version of me? I mean, so it was this Lady Gaga was around in the early 90s. I think she could have played that part in My Cousin Vinny. I agree. Because it is like, she's just a total New Yorker, you know, and like, yeah, it was great. Yeah. Yeah, there's also one it was a talent show where she and John Milhiser played overly enthusiastic parents and they were coaching their daughter when she was dancing. I love that.It was just Gaga being goofy. [59:37] Being the perfect stage mom and dad and then just being crazy and like just you know but again we get to see her kind of like mom gaga you know and i thought that yeah that onewas hilarious yeah i love that as far as the music goes because she did double duty so she's musical guest as well the first song do what you want i'll leave it up to you if you want tomention who the guest was on this song i think you know um yes it was you know r kelly and r kelly it was r kelly and so So, yeah, and like I was talking about earlier, how she's able totake accountability, and I think that she addressed that. It was a mistake to perform it. She even took that song off of iTunes and other streaming things. So she admitted that it was a dark time in her life because she also was a victim of sexual assault. And so I think that it's part of history. It's in there. I think that, but she, you know, supported the women that came out and who were affected by him. So I think, you know, it's just sometimes things happen in history. And so I'm just glad that she addressed it and moved on from that. Yeah, definitely. I will say though, to point out that she was wearing a pretty nifty 80s jumpsuit. [1:00:57] Yes, that was like Michelle Pfeiffer kind of like. From Scarface. Yes. Like right, yeah. Yes, yeah, but it was like an 80s or like a 70s like yeah, like disco. I mean, yeah, she looked awesome. I liked her hair, too. It looked really good. Yeah. So that's what I love about about Gaga, too. She looks different every time, every time you see her. And we didn't we always we got spoiled with that, like in the 80s and maybeearly 1970s. Like there was a while, but then like it dried up. But this is an artist who comes back with that type of style. That's why gosh, the comparisons between her and Bowie, as far as that goes, are really striking to me. 100 percent i agree with you like yeah that's just a metamorphosis of an artist you know. But also still being relevant and everything like that and i agree and like even you know she did a tribute to to bowie after it passed and i mean there she was with a red hair and stuff youknow. And I don't know if you saw that performance, but it was amazing. Absolutely amazing. She did great. And so I think it just, again, she has those nods to those influences on her, which that's what we hope for, I would imagine. I wish I was a musician. I'm not. [1:02:09] But I love music quite a bit, and I think that we would hope that other influences can create more of that for them to move artistically. And I agree with you, Gaga was able to do that. Yeah, is there anything notable with her second performance, Gypsy? [1:02:27] Oh, love, love, love that performance. That's probably one of my favorite performances of her on Saturday Night Live as a whole. [1:03:08] It's such a sweet, beautiful song. It's just, you know, her talking about her travels, how lonely it can be, being close to her fans, and the way the way it's written, the way it'slyrically and in the music, you know, and just how she just looked like a, you know, with those shoulder, big shoulder blades and our shoulder pads that look like kind of like wings andshe looks so colorful and and she looked like a pinwheel kind of in my mind, just really colorful and floral. And then she had her two guys that she tours with. And again, when we see these performances in the back, like they're part of the house of Gaga, like they're part of their family. So, and I feel like it's just such a genuine song that she experienced with her life and traveling all over the place. So, and just come, and then her jumping onto the guitar and showing that part of her, It was just, it's such a, that song just makes you happy. You know, if you sit there and you listen to it, it's such a happy song. And she's just so joyous also when she's performing it. So it was, that was a treat, yeah. And then also in that year, you know, she did like a Muppet, you know, Holiday Spectacular. [1:04:21] And she sang that one with Kermit the Frog. So I mean, how can that be up there? You know, Kermie. Oh gosh, okay. Yeah. I mean, I think that also like as a, as a artist or a musician or actor, You get pretty high up there when it comes to the Muppets, you know. It's likea rite of passage to perform. Exactly, yes. [1:04:38] Yeah, but I love that performance. [1:04:41] It just made me happy, you know. Yeah, it was beautiful. It made me happy too. It was so fun to revisit that. And her most recent episode that she was musical guest on, 2016, it was one of the more memorable episodes of the entire era, honestly, with Tom Hanks hosted. Where we got like David Pumpkins and Black Jeopardy that night. Yes. Any questions? It's coming to season now. I love it. [1:05:09] I'm looking at my David S. Pumpkins Funko Pop right now as we're saying this. Yes. I needed that. Yes. I'm like telling my son, I'm like, should you be David S. Pumpkins for Halloween? Huh? Yeah. So everybody remembers David Pumpkins, Tom Hanks, but Lady Gaga contributed to this being a memorable episode. So, first song that she did, she performed with Mark Ronson. It was Ayo. Super fun performance to me, Veronica. [1:06:06] This is a time now, we're going to Joanne, the album, you know, we went from something was a little bit, you know, from art pop to Joanne and with Joanne, you know, she wasreally exploring like, you know, the passing of her dad's sister, aka her aunt, you know, her name's Stephanie Joanne Angelina Germanotta. So her namesake, like, she just really came out with an awesome album that was not like anything else. And it had some country feel to it and whatnot. And so I think she embraced that, you know, wearing the cowboy hat and the glitter and the, you know, the, the fringe and like, and herlittle boots, like, I mean, it's just like a sparkly disco ball dancing, you know, she looked beautiful. And the song was just so much fun, you know, and her and Mark Robinson went. [1:06:48] Through and also Hilary Lindsay, like they really, and the other, you know, people that contribute to the album just had a good time with this song. It's kind of like saying like a F U, like whatever, A O, like to the haters, you know, and so I think she just had a lot of fun doing this because I imagine that she was prepared for it to belike, oh, it's not like Gaga doing her avant-garde stuff. So I think that it was just a lot of fun. And then we get to see her again, playing the guitar and with Mark Ronson, it was just a really cool performance. [1:07:20] And it was proof to me that even a quote unquote, stripped down Gaga or performance by Gaga standards was still really visually interesting. So if this is like the most stripped down and probably the next song, like these two performances I think were like the most stripped down that we'll see, but it's still super engaging towatch. That's just who she is. Yes. Yeah. When she sings, when she performs, like there's just something about her that you're like, I'm listening. I'm hearing you and taking it all in. Yeah. It's very, yeah. A lot of sensory stuff. Yeah, exactly. And you'd mentioned Hilary, Lindsay, and of course the second song that she performed, Goosebumps. Like just straight up goosebumps. It was Million Reasons. Wow. Yeah. You're giving me a million reasons to let you go. About a million reasons. Killary Lindsey is just like a Nashville songwriter. And you know, she with Big Little Town. You're giving me a million reasons to quit the show. About a million reasons. Hillary Lindsay is just like a Nashville songwriter. And you know, she with Big Little Town, Girl Crush, she wrote, she helped write, you know, Carrie Underwood's Jesus Take the Wheel. [1:08:34] Which got a lot of memes out of that one. I'm just kidding. I'm just kidding. But no, but she, you know, such a talented woman. And, you know, if you want, if anybody gets a chance, I highly recommend watching Five Foot Two, Gaga's documentary. Wow. Weget to see the kind of that journey of Joanne and everything she goes through, but they perform together. And I like the fact that Gaga performed with Mark Ronson and then with her. But that song, if you've ever had heartbreak, if you've ever lost something, or what if, I mean, that song just got you right there, you know, and it does give you goosies and just, it's such abeautiful song. And she had gone through the relationship and engagement that was off with Taylor Kinney and like, she, her and Hilary Lindsey wrote that song together. And it's just powerful, very powerful. Something that you don't get to hear this kind of ballad that just like that resonates with you, you know? And so it was, and how, again, there's Gaga on her piano doing what she does best and it was just an amazing performance. Yeah, this was a perfect, I won't say final. [1:09:40] This is just her most recent. This is her, up to now, her last song. And it was just a perfect way to kind of end that like run of episodes and to me like cemented her status amongst viewers and obviously the show Lauren loves having her on the showquite honestly. So this was just a perfect way to go out for the time being. [1:10:05] So Gaga released chromatica. Yeah, we're already in the midst of COVID. Right? So like, yes, so she probably would have I mean, I'm guessing she would have gone on SNL to perform with this album. So I might put you on the spot a little bit here, but was there anything from Chromatica that you would have liked to see her perform on SNL? 9-1-1. That song. Did you, I don't know if you saw the video. It takes place in New Mexico, White Sands area. Sands, okay. Yes. And so they even have like New Mexico flag shot out, you know, but that song in itself was just, and especially during the whole COVID time, like I feel like everybody,you know, when you're work, work, work, work, sometimes you don't take a step about your mental health and whatnot. I think with 911, it was talking about the different kind of rescues that we may need when we have these issues. And so that song was just, and the video was extremely captivating and sounique. And I believe it was a Japanese, don't quote me, but like a Japanese director that he made these films. And so he worked with her to make this. This creation it was amazing so definitely that and another one i would imagine that she would have performed a sorry i was stupid love and that song is so awesome like. And i love the thing about chromatica is it's like you know it's almost like a color and just a lot of imagery and like she just really in that album. [1:11:33] Wanted you to dance and feel good. And I just wish, and then she went on tour, you know, I just wish she would have been able to perform it on SNL, because I think she wouldhave had a lot of fun with that. For sure. Another thing that COVID took from us was a Gaga SNL performance. Exactly. It's the fifth one. Come on. And she like was all in like her alien outfits and like, yeah, it's awesome. [1:11:52] Have you heard about any, does she have plans as far as another album? Like what's kind of the talk amongst Gaga fans or whatever about a possible another album. [1:12:04] Yes, I think right now, you know, she's back doing her residency in Las Vegas. If you have a chance to go see it, I highly recommend it, totally worth it. Even if you don't get the best of seats, you're gonna still have an amazing experience. So, you know, I was able to go see her out in 2021. And, you know, so I think she really embraced that. Like that was part of her core was the jazz music. And so, and again, everything with Tony Bennett and all, you know, cheek to cheek, and all the things that they did together. So I think she's still savoring in that, you know? I think she still likes that, and she's able to perform still some of her original songs, but in a jazz way. But I think there's more to come from Gaga. She's not done. There's something else, and I can't wait for it. I just can't wait for it. And I think, you know, now, next, you know, the upcoming Joker movie, you know, and going back to SNL, you know, after the Tom Hanks, the most recent one, that she met backstagewith Bradley Cooper. And again, a star is born. So I think she still wants to venture out with her acting, as well as I know a new album will come. Now, going back, it's kind of like that not to share. She would sing and be an awesome. So she just kind of, I kind of see her kind of following that path. [1:13:25] Yeah, that makes sense. Yeah, and SNL is coming up on their 50th, and I would imagine she'd be the type of artist that they would want at least the 50th anniversary special, butmaybe to appear on the show as a musical guest, even if she doesn't have anything to promote, if they're looking for something special. She's the type of artist that I could see SNL bringing back, even without a new album. I 100% agree. She has so many more songs and performances that she could bring on, and she would make it her own. And even going back, I know we didn't... The cheap applause monologue, I think we didn't touch base on that too much, but you see how she just went... And applause is such a techno kind of hard pop song, and so I think that she will come on, and even if it's an older song, and I would hope that maybe she takes advantage of thechromatica thing is that she'll make it her own and it'll be memorable just like the rest of her appearances on SNL. She's just, she's amazing. Tear. I know this, it would be so much fun. And this has been so much fun. Oh my gosh, like talking SNL and music with my, basically my sister, like, oh cool. [1:14:38] Yes. Thank you so much for having me. Like, this is great. Like, it's just, Lady Gaga is one of of those artists that I just cannot let people know more about, you know? I know a lot of people know who Lady Gaga is, but I'm like, do you really, do you really know her essence? You know what I mean? So I think that, I think that, you know, I appreciateyou highlighting her because, huge talent. Yeah, for sure. And we like to end this show, I like to give the guests the last word. We like to wrap the episode in a little bow, perhaps the type of bow that Lady Gaga might wear on herhead as part of her outfit or a big Lady Gaga style bow. All the SNL Hall of Fame voters and listeners, why should people consider casting a vote for Lady Gaga for the SNL Hall of Fame? Oh man, okay, listen up. This woman, she's just like a triple threat, quadruple threat. She's come on this show, and you can see her evolution of coming on the scene, her performances, and then her acting experience. [1:15:42] She's hilarious, she's on point, she's, again, she's, there's so many, like, and I can say mostly it's the sports guests, but, you know, she's such a good, genuine actor, and you couldtell that she was having a blast, and she really committed to her roles, and you could tell she learned her lines, and she practiced, and, you know, she knew what she was doing, and so Ithink overall this woman is beyond memorable for SNL. We really haven't seen too many leading ladies, musicians, be not only a musical guest, but also being a host. And so for that, please, Lady Gaga, SNL Hall of Fame, like she's up there. She deserves this. Track 2: [1:16:44] Alright, thank you so much to Veronica Villanueva and our chief librarian Thomas Senna for another amazing conversation, this time about Lady Gaga and all her exploits inStudio 8H. So there's that. I don't know, guys. I don't know. I think the curse of the musical guest will keep her out this round. I do think she ultimately belongs in the SNL Hall of Fame, but whether or not she gets in her first ballot, I think is asking a lot because we haven't seen a musical guest do that. And I don't know that she is the musical guest to do that. Like I would have thought Dave Grohl would have been a slam dunk, but he's hovering around the 50% range should get in thistime but we shall see. Once the voting opens show your passion show your love for Lady Gaga and cast a vote in her direction that would be wonderful. If you need another reason let me tell you I've got a million of them and we're going to play one of them right now and it's a song called Million Reasons, which is the second song that sheperformed on the Tom Hanks hosted episode in October of 2016, which my friend Armand was at. He was actually there for that and got to see it. And I believe, is that, we'll have to go to chief librarian Thomas Senna, but I feel like that's the birth of David S. Pumpkins on that particular episode. That would have been the Halloween episode. I think it was late in October, but we can look that up another time. For now, let's listen to Lady Gaga doing Million Reasons on the SNL Hall of Fame podcast. [1:22:14] Yeah that is pretty decent right that is a very good performance excuse me a moment while I grab a tissue that was just lovely and if you are wavering if you were on the fence thegoosebumps on your arms maybe should be telling you something that you should do with your vote when the time comes so there's that That's what I've got for you this week. Again, I want to thank our guest Veronica Villanueva. I want to thank our amazing crew, our Motley crew, Matthew Ardill and Thomas Senna. You make this a pleasure to do every week and it's great to join you and profess our love for SNL and all that surrounds it. [1:23:09] So there's one last bit of business and that's if you would do me a favor and on your way out as you walk past the Weekend Update exhibit, turn out the lights because the SNLHall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Paul McCartney | 23 Oct 2023 | 01:09:38 | |
jD, Thomas, and Matt are joined by Justin Renwick to discuss the career of Paul McCartney Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Michael O’ Donoghue | 17 Oct 2023 | 01:14:47 | |
Join jD, Matt, and Thomas as they welcome Gary and Brad from the Not Ready for Primetime Podcast to the show to discuss Michael O’ Donoghue! Transcript: [0:43] Alright, thank you so much Doug Donats. It is great to be here as always inside of the SNL Hall of Fame It's raining outside today, so I'm glad to be inside, but that means that there'sa little mud outside So you're gonna have to be extra careful and wipe those feet for me on the mat that says wipe them So there's that my name is JD and I am thrilled to be with you hereon the SNL Hall of Fame Fame podcast. It's a weekly affair and each episode, we take a deep dive into the career of a former cast member, host, musical guest, or writer, and we add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity inside the hall. That's right. It's just that simple. You listen, you vote, and we celebrate. [1:41] So, get those voting pencils ready because we are in the thick of things. This is episode 10, and by episode 20, or 19 is it? It's 19 or 20, we'll be announcing the new class of Hall of Fame members. So, there's that. This week we are joined by Brad and Gary of the Not Ready for Primetime podcast, and they are here to give Michael O'Donohue a second nomination. He was nominated back in the first season and he's remained on the ballot hovering at around, you know, 20 to 30%. Uh, it's not looking good. It's not looking good for Mr. O'Donoghue. I think he's only got a couple more years left on the ballot before he's dropped if he doesn't make it. And, um, that, that would be a travesty for somebody as seminal as, uh, Michael O'Donoghue, but Brian and Gary are going to give it their best shot today to win you over. But before they do that, we are going to talk to our friend, Matt Ardill, who actually was the one who drafted him in the season four draft. And I think Matt's going to have something to say about, uh, Mr. O'Donoghue. So Matt. Track 3: [2:57] Hey, Jamie. How you doing? Great. Track 2: [2:59] How about you? Track 3: [3:00] Great. I know I've gone to bat a few times for this guy. So yeah, hopefully I helped sway the vote this time around. If not. I will officially give up and move on. So today I looking forward to talking about Michael O'Donoghue. Track 2: [3:17] Well, we're looking forward to hearing what you have to say. So hit it. Track 3: [3:20] Hey, his height is unknown. What? You know, he was born January 5th, 1940, born in New York. He is a New York iconoclast through and through. As a small kid, he was bullied, but quickly found out that while he may not be the best at keeping himself from getting beat up. He was able to get vengeance. He stated, I found that I could make a remark that could keep them crying in their pillows for the next three days. So he was content with emotionally traumatizing them in a way that would probably haunt them until the day they died. Track 2: [3:55] Right. Track 3: [3:56] He has 26 screenwriting credits and eight acting credits, including Scrooged and Guild Alive, which started as a Broadway show, which he and other SNL writers co-wrote withGilda Radner. Famously quoted as saying, making people laugh is the lowest form of comedy. His first published story was an erotic satire called The Adventures of Phoebe Zeitgeist and it is about as disturbing as you would expect it to be. Track 2: [4:28] Jesus. Track 3: [4:31] He followed this as one of the founding writers of the National Lampoon Magazine and subsequently the National Lampoon Radio Hour after writing a successful comedy albumRadio Dinner with Tony Hendra. As well as writing comedy, he has a successful career as a country songwriter. Track 2: [4:51] What? Track 3: [4:53] Penning Dolly Parton's Single Women. Huh. During his time on The Lampoon, he was one of the most well-known and notorious, sorry, retake. During his time at The Lampoon, one of his most well-known and notorious pieces was the Vietnamese baby book, An Unflinching Attack on the War in Vietnam. He was so well, quote unquote, loved by Lampoon readers, one quote unquote fan mailed him a package full of live dynamite. Yeah, very polarizing figure. Track 2: [5:32] Yeah. Track 3: [5:33] Very. When his coworkers were being generous, they'd say he wasn't easy to work with. An absurdist to the core, he released Mr. Mike's Mondo video with many of his SNL collaborators in 1979, which was a loose collection of sketches. His second wife, Cheryl Hardwick, was the musical director of SNL as well as the musical director for Sesame Street and the film Man on the Moon. He passed away in 1994 at the age of 54 from a cerebral hemorrhage. Track 2: [6:12] Gee whiz. Well that's a downer to leave it on, Matt. But we're gonna leave it there. And we're gonna head downstairs to Thomas in conversation with Brad and Gary of the Not Ready for Primetime podcast. Take it away, fellas! Track 4: [6:49] Yes, Matt and Jamie, thank you so much, as always. And this is our second episode where we actually revisit and re-litigate somebody's candidacy. I love this idea, love the concept, and caught a very interesting nominee tonight. It is, of course, Michael O'Donohue, an early season writer. And my guests are perfect for this. They've been covering the early seasons of SNL on their wonderful podcast, the Not Ready for Primetime podcast. So Brad Robinson and Gary Seith, welcome to the SNL Hall of Fame. Thank you very much. So you're now covering season two of SNL. So Brad, just kind of tell the listeners, like how's the podcast going so far? You're delving into the SNL podcasting sphere. [7:42] How's that going for you guys? It's going good. we jumped in, both feet into the deep end. It's been a lot of fun. We've just finished up season one, covering all of season one last month. Season two just began a couple weeks ago. We've got you on our show again, a return guest, season one. And you're back, I believe it'll be tomorrow's episode of episode three from season two. But it's been great. It's been great seeing and revisiting this awesome era of Saturday Night Live and watching it all come together really from the ground up it's been so much fun. Yeah, and it's a totally different experience kind of going back and watching every episode. [8:20] In a row in order and and talking about every sketch every bit every performer It's been a lot of fun and it's been very educational. I think for for me definitely going back. Oh me too Oh, yeah I know I try to watch the episodes along with you guys so I have more of a perspective before I listen to Your episodes and it'sactually like revisiting season one and now into season two I think we see things in a different light, like specifically the Louise Lasser episode. I think Brad brought up some really good points about that that made me kind of rethink what I thought about that episode. So yeah, well done, fellas. Thanks. That's one I haven't seen probably in 10 years because, and I had watched it so long ago and kind of wrote it off as a train wreck, basically. And it was great to watch it again in the context of where it was in season one, what was happening before it would come again and just knowing more of the backstage stories and historyof what's going on. And it's a really fascinating, interesting episode that I don't think really gets the due that it should. It was fun to go through it again. So that again is the Not Ready for Primetime podcast. You guys are a welcome addition to this SNL podcasting community that we have. I know you've had our friend John Schneider as the Buck Henry point person. John's been on our podcast a few times. He did the Buck Henry episode. [9:47] So he's a great guy and just you guys are such a great addition to this little SNL potosphere that we've created over here. We're all buddies. Yeah, thank you. It's been a blast getting to know everybody and being welcomed by everybody. So yes, thank you so much. A lot of fun. Yeah, we'll keep it up. And today's an interesting one. So we're talking about a controversial figure in SNL history, one Michael O'Donohue. [10:12] So just a brief kind of background with O'Donoghue. So he helped found National Lampoon Magazine. He worked with some of the original SNL cast on the National Lampoon Radio Hour. So he had a relationship with the cast before SNL. He was head writer at SNL seasons one through three. He was co-head writer in season one, technically, along with Lorne, and then he took over the reins himself in two and three. Back for season 7 and 11 so Michael O'Donohue very much intertwined with the history of SNL and we're here today to re-litigate his case as an SNL Hall of Famer. He's been on the ballot since season 1 you guys. So this is his fourth try and before we get into it let me give you the voting numbers for O'Donohue. They're kind of eye-opening. So season 1 he got 26% of the Boat. [11:10] Season two he climbed a little bit 27% of the vote in season two season 3 11% of the vote for Michael O'Donohue so this is definitely like a last gasp for you hanging on for dearlife must be you're calling us in yeah he's I don't know Gary's gonna Gary's laughing you're gonna be possibly part of this this This might be a, I don't know, a bit of a funeral for hiscandidacy for the SNL Hall of Fame. The man did one a Viking funeral, so let's see what happens. Yeah, we're giving it to him right here. [11:48] So I'm going to start with you, Gary. I just want to open it up and curious because you're probably out of the two, you're probably not a huge O'Donohue fan generally. [12:01] So why do you think O'Donoghue isn't in the Hall of Fame at this point? You know, he is a really tough person, a really tough candidate for the Hall, in my opinion, Thomas, because I think he really swings for the fences every time he's writing something. And sometimes he knocks it out of the park, like with the Star Trek sketch, and other times he totally misses it. And he, especially when he's trying to be this dark, irreverent, dangerous comedian, sometimes those sketches do not land at all. He had one sketch in season one, it's a prank phone call to Lorraine, plays a woman working at an airline, and he has this totally masochistic prank phone call he does to her. Then I'd like to throw garbage at your face. Then I'd like to rent a truck, fill it full of. [13:14] Scrap metal, For me, just did not land. And I like dark humor, don't get me wrong, that's not it. It's just sometimes with his dark humor, I feel like he totally misses the mark. And And I know Brad doesn't totally agree with me. And you think that might just be really super off-putting to voters in a lot of ways. Some of his writing is very off-putting and some of it is so engaging. I think he's so difficult because of this. Because the sketches I feel, the sketches that he puts time and effort into, like the Star Trek sketch, the Godfather sketch, these are really well thought out pieces. And I feel like some of his pieces just feel... [13:56] Rushed and and like he had to write something for the sake of writing and something and so he was trying to push the limit with those and he doesn't always They don't seem towork out. Well in my opinion Brad, you think there's something to that? I think there's two reasons Really why Michael O'Donnell? He's not in yet one He's a writer Which you know historically in the hall There's not that many writers that are in right and if they are in they've also had a very a very predominant role infront of camera, right? Who's in so far? Is it Tina Fey as a writer and is it Seth? And Seth, Seth's in, yeah. And Robert Smigel is actually in too, yeah. Smigel, so he'd be the third. So two of them at least have very prominent on-camera roles that I think help get them voted in, as well as, and this plays into my second point, just muchmore recent. I think a lot of current SNL fans, one, don't know who Michael O'Donohue is, and two, don't really appreciate, which I think we will get into, what he really did in helping with thecreation of this show and actually having this show last more than one season and still exist today. So I think those are the things of why, the reasons why he's not in yet and not scoring higher in the voting than I think he really should be. [15:13] Yeah, I think you hit the nail on the head as far as writers go. There seems to be a big kind of blind spot for voters. And a lot of it is writers aren't on camera. Sometimes, especially with the older writers, we don't know, a lot of viewers don't know exactly what sketches that they were behind. [15:32] And for Michael O'Donoghue, what he is known for on camera is not necessarily great or what people like. Like Mr. Mike, a lot of people, Mr. Mike rubs the wrong way. So the one thing he's really known for as far as his face on camera, turns a lot of people off. Oh, Mr. Mike, Mr. Mike, Please tell me a least loved bedtime story. Well, sure thing, you little imp. Just hop up here on my knee, and I'll tell you the story of a little train that died. OK, now, one time there was a little train who had to pull a giant load of scrap metal up the mountain. He had never pulled such a heavy load in his life, and so when he left the valley, his little wheel said, I hope I can. [16:16] But before long, he picked up speed, And now the wheels said, I think I can. I think I can. I think I can. I think I can soon. The little train was whizzing right up the mountain. And now the wheels said, I know I can. I know I can. I know I can. I know I can. Heart attack, heart attack, heart attack, heart attack. Oh my God, the pain. Oh my God, the pain. Oh my God, the pain. I left my bills in the roundhouse. I left my bills in the roundhouse. And he died. And I don't think then you're open to a lot of the stuff, that he wasn't on screen for, that is brilliant. You guys obviously have like a great perspective on him and his work because you'recurrently immersed in the early seasons where he was head writer. So Brad, can you talk about Donahue's role in those seasons and maybe what his comedic voice was? [17:08] Well, as you mentioned, he was the head writer for the first three seasons, co-head writer for season one, although probably halfway through that season, Lorne as quote unquotehead writer really kind of pulls back a little bit and it really is O'Donoghue and it really is Michael O'Donoghue's voice you hear and feel for that very important first season of the show. You know, Marilyn Suzanne Miller, when she turned down the job as writer told Lorne Michaels, you have to hire Michael O'Donoghue, find Michael O'Donoghue. And Michael was one of the first writers brought in and not only was he brought in as a writer, he was key in bringing in key cast members. Michael O'Donohue, along with Anne Beetz, were the biggest proponents to get John Belushi on the show. Lorne Michaels didn't want John Belushi. And Michael O'Donohue, from his relationship with him on National Lampoon, fought to get John on the show. So that's a huge part, even before the show even started, of how important he was. And then once the show got up and running, you've talked about it a bit in other episodes with people like Seth and Tina, like when they're the head writer and what they do, not only theirwriting, but the nurturing and support of the other writers and setting the tone of what the show is. When Lorne Michaels started Saturday Night Live almost 50 years ago, they wanted a show that was different and edgy and hip and new and different. And that's what Michael O'Donohue brought to this show. And he led with that mentality. [18:31] And he's the biggest reason I feel like Saturday Night Live was so edgy and so hip and so different was his voice that was not only his, and he did a lot of the writing himself wasvery hands-on, but the other writers who hadn't had experience necessarily writing for TV or Sketch, your Alan Zweibel, your Frank N. Davis, he influenced that entire writing room. I think this is where... It gets tricky, because I think what Brad said is true. He had a huge, huge influence on the beginning of the show, and the first few years, definitely. But I don't know how much...I guess I lose my focus with that in some of the pieces that you see that were clearly...that, were written by someone else, like Alan Zweibel, that you can seeMichael O'Donohue's influence on. And I feel like some of those sketches just kind of veer off, like they had a good premise going into it, and then you can see the O'Donoghue influence and it kind of takes it to anotherplace that feels misplaced with that sketch, you know? Like he's trying to influence too much. [19:38] Yeah, there's a little bit of that. I will also say I think a little bit of grace or whatnot needs to be given to these first few years because the show's brand new. They had nothing to lean on, nothing to compare it to. They're going without a net. And so I think you're gonna have more misses than say you will now or in recent years because there's no template. They were setting up the template in real time. And so I feel like a lot of those misses I think might need to get a little bit of, just, you know, a little bit of... I think you said it, you said grace, right? Grace, yeah. You wanna give it more forgiveness. I mean, one thing I would say before getting into the nitty-gritty of what he wrote and what he had his hands on, a little bit of a, I'll try to do a Cliff Notes history lesson, Thomas, from theshow, I don't know how many people realize, but Saturday Night Live, or Saturday Night as it was called, was not a hit out of the gate. This was not day one, a hugely popular show. The show had to fight for its audience, it had to fight for its identity, it had to fight for what it was, and even through most of season one. [20:46] It was not a hit and there was no guarantee that there was going to be a season two until really near the end of season one in May when they won Emmy awards and that's whatreally finally pushed them over the top and I think there's really four people that are really instrumental in keeping SNL alive responsible for the success of this first season and you knowyou could argue that without them, there would be no second season and there would be no show and you wouldn't have a podcast and we wouldn't have a podcast. And I think there's, it's Lorne Michaels, obviously, Chevy Chase, Dave Wilson, the director who won an Emmy, and then Michael O'Donoghue when the show won for best writing andhe's the head writer. And it was for the episode that he had one of the best sketches of all time with Godfather Therapy. So, you know, he's instrumental in keeping this show alive and making it what it was and giving it the legs to then have a season two and a season three. And I don't think you can discount that. Can I counterpoint? [21:48] Brad, who— Gary, you're against legs. No, I got it first. Uh, my counterpoint to that is Brad in that first season. Two of the more influential shows were Lily Tomlin and Richard Pryor, and Michael O'Donoghue had very little to do with either one of those shows. And so, I just, I don't think that should be lost on you either, in that with those two shows, he clearly did not have a hand in a lot of those episodes. Can one of you, maybe Gary, remind the listeners why he wasn't too much involved in the Richard Pryor episode, specifically. I mean, he alienated, it seemed like, Richard Pryor and the writers that came in with him, yeah? Yeah, so, honestly, Brad should tell the story because he knows the story better than I do and he tells it very well. So, I will defer to Brad with this story. [22:46] Well, no, the short version is that, you know, Richard Pryor wasn't doing a lot of writing, he wasn't at the offices a lot during the week, so writers would go to his hotel room andpitch pitch him ideas. And I forget half the story now, but basically Michael O'Donohue went to Richard Pryor's hotel to pitch a story or pitch jokes, and he was pitching jokes about George Wallace and a racistcomment George Wallace would have said about identifying a black man in the dark. And obviously, not surprisingly, Richard Pryor did not find it funny and basically like almost threw a bottle of wine or something over Michael O'Donnell's head, like scared him off andMichael O'Donnell, he was not seen for the rest of the week. You know, he's trying to be edgy, trying to be funny. He went against somebody who really is edgy and funny and a badass and got caught. But I mean, that's part of what I don't, I mean, yes, he wasn't in those two episodes that much, but you can't knock him for the other 22 episodes he was involved in. [23:51] No, I'm not trying to knock it. I'm just saying that he was noticeably absent at certain times. And it wasn't only those two episodes. There were other hosts and other segments that he specifically said he would not write for. Like, he infamously hated The Muppets and would not write for The Muppets. You find that as a con against him? I mean, you hate The Muppets. No, you hate The Muppets. Don't deflect. But I do, because if you want the show to to be successful, and stay with me here, if you want the show to be successful, the show had to have the Muppets. That was just a condition of the show. And so if you want the show to be successful, you should work to make the show, entire show successful if you're the head writer. Now he goes on later years to say that he wants to burnthe place down from the inside, and we can talk about that later. But I think if you are a head writer of a show or co-head writer, whatever, you would want everything to work. And he sabotages it in many different ways, or tries to, and sabotages certain guests and musical acts and whatever from the inside. And those are the things that I'm like, what are you doing? Why, why? He said he wouldn't write for Felt. Him sabotaging Abba is great. It's hilarious. He wouldn't write for Felt, yes. He puts Abba on the Titanic. Abba on the Titanic is a great bit. It's hilarious. It's so bizarre and out there. It's great. [25:19] When they were lip syncing, they were lip syncing on the show. They should have been made fun of. But he didn't make fun of them for lip syncing anyway. And just the only thing I would counter for the Tomlin and Pryor examples is, he's not the boss. It is Loren's show, remember. Loren brought Lily Tomlin and basically said, you know, you can do all your characters. He brought Richard Pryor in and said, you can bring your writers, you can bring your cast members. So I think as a writer, even though he's the head writer, in those two examples that you bring up, his hands are still a little bit tied by what Lauren wants them to do. I mean, I think that's a good point. And I will say this, like maybe aside from Richard Pryor and maybe Jim Henson, everybody else involved with the show, it seemed like they likedMichael. Like the cast members specifically, I don't know, I can't speak for all of the writers, but it seemed like the cast still liked him. They worked, they did, they worked, most of them worked on his show that he had after he left SNL. So in an odd way, it seemed like all of them, most of the people associated with the show liked and respected Michael, even though he had this kind of edgy, edgelord, I like to call it,persona about him. He was still respected, it seemed like, in that building in an odd way. [26:32] I think everything to what Thomas just said, they needed a leader, the writers and the cast. And this was that guy. He was that voice. He was that leader for them, along with Lorne and Chevy. A lot of cast members and writers have said that, especially that first year, the three of them, Lorne, Chevy, and Michael O'Donohue were like the brain trust that were really deciding whatthat show was about and what was going to be on the air every week. I'd like to get into some sketches now, and I think I'd like to start with the positives first and then we'll kind of go on. So Gary, what's a good Michael O'Donohue sketch that really sticksout to you? You know, I think one of the surprising sketches to me that we watched in season one is the Norman Bates School of Motel Management that he wrote for Anthony Perkins. Are you motelmaterial? Let's find out with a simple quiz. Question one. A guest loses the key to her room. Would you A, give her a duplicate key, B, let her in with your past key, C, hack her to death? [27:46] Question two. Which of the following is the most important in running a successful motel? A cordial atmosphere, be courteous service, see hacker to death. [28:01] This is a sketch that I think was so well written from beginning to end and the set direction and the performance by Anthony Perkins, everything brought it all together. But the writing in this piece is so smart, and so funny, and just, it's that kind of off-kilter humor that he's good at, and when he hits it, he does really well. So that was one for me that I thought. [28:31] Really stood out as far as one that I that is not as well-known as some of the others that's an example to me of like a when he's focused when his Oddball when his more harsh darkstuff is actually Pointed in the correct direction. I think you get something like that Norman Bates School of Management sketch and That's where some somebody with his kind of unique perspective and a somewhat dark perspectivethat's when it could really play out in a positive way. And that's something that I definitely highlighted as well. Brad, what do you think about that one? You can give us another good Michael O'Donoghue if you'd like to. Yeah, there are many. The Norman Bates is great. I would say The Last Voyage of the Starship Enterprise, which came at the end of season one. We're on a five-year mission to explore space. We've only been out here for three years. Sorry, it's the Nielsen's. If it was up to me, my kids like it. Wait, what are those Nielsen's the alien keeps talking about, Mr. Spock? If I remember my history correctly, Captain, Nielsen's were a primitive system of estimating television viewers once used in the mid-20th century. [29:40] These men were meant to fly, eat, have better ratings. Is that what you're saying, Mr. Goodbody? I've had enough of this. George, Michelle, let's go. I'm going to tie one on. I'm with you, Kelly. I think I'll just go home. It's an example of, I think, O'Donohue, especially in those early years, he did one of two things. He kind of did these really weird, dark solo pieces, often involving himself, where he would do really long and drawn out and intricate sketches like this one, where it's the famous JohnBelushi impersonating Captain Kirk, and Elliot Gould is the host, and he plays an NBC executive who comes on board the show, the ship and the show, and basically informs everybodythe show's canceled. And John never breaks character, he's Captain Kirk throughout it all. And it's just a brilliant. You know, spoof of the show and a comment on television and just, and it's a really great example of the end of season one where they're really finding their voice and starting to stretchthemselves where it was a really great set and they had great costumes and props and it was a long piece, like six, seven minutes, but nothing was wasted and nothing was missing andeverything clicked and it just it was a perfect example of what a great spoof send-up sketch can be. And it was all, you know, O'Donoghue's writing. [31:01] It's a really good example of a piece that he had taken his time to write. And yeah, it's he took a while to write that. Yeah, it was a couple of months. Yeah, weeks. Yeah, yeah, definitely. I was so well crafted too. And it wasn't dark. Like, you know, we that that's the word that that tends to come up when we talk about O'Donohue is dark, demented, twisted, whatever. But this one was more of a straight, witty, building a world and everything like that. And there wasn't really like much dark, weird humor. It was more straight than you usually associate O'Donohue with and that showed me like the talent. Like he could, he's actually, he could do that when he wanted. He had a witty mind and he could do something like that without having to resort to just shock value. Because there was no shock value in that Star Trek sketch. It was all just witty, great lines, great performances, obviously, too, but the material was there for those performances to shine. That's what really struck me about that one, is there wasn't like a dark twist there. [32:06] Absolutely, yeah, it was different than what you would think a typical, right, quote-unquote typical Michael O'Donohue sketch would be. It's great. I think another one along those lines too that I highlighted that was referenced already in this podcast was the Godfather Therapy sketch. Now, when we left off at last week's session, Vito was telling us about his feelings toward the Tataglia family. Vito? Well, the Tataglia family is causing me great personal grief. Vito? Well, attacking a family is causing me great personal grief. Also, also, I'm looking... Things are not going so well at my other work company. Barry? Oh my god, Vito, I think you're blocking. [32:57] One of the better sketches probably of those early years, certainly in season one, and great performances from Belushi doing his his Vito Corleone from Lorraine was really great inthat sketch. I think that was Elliot Gould playing the therapist there and that one I mean there were a lot of obvious great references to the movie but that was another one that was just like you couldcould see the craft involved in O'Donohue's writing there. Yeah, I mean, that one's fantastic. It's on the episode, they win the Emmy for, you know, right before they went on the Christmas hiatus, they had kind of a little bit of a lackluster episode. [33:39] Lorne wasn't very happy. And when they were on break over that season one holiday hiatus, Lorne, Chevy, and Michael O'Donoghue stayed in New York and basically wrote forthree weeks. And all they did was write the Elliot Gould episode and the Buck Buck Henry episode that came after that. So yeah, this is a great sketch on a fantastic episode. And I mean, you know,yes, Belushi had the Brando impression. That was him. And Lorraine had Sherry, which is a character she had brought from Groundlings. But O'Donoghue wrote that sketch and intertwined it and put it all together. And like, you know, it's why it's not just like an impression piece. It's a fully formed great sketch. And that's O'Donoghue. Yeah, and I think that's a great point, Brad, is that he took these two characters and brought them together. And he really seemed to know how to write for Lorraine, and she knew how to take his pieces and bring life to them as well. And the way he did it with the Sherry character and the Vito Corleone, it's very, very smart. And with John, to that point, I mean, one of the things John Belushi's so well-known for is those weatherman rants on Weekend Update. That's O'Donoghue. O'Donoghue wrote all those Weekend Update rants that he did, the, you know, Ireland must be heaven because my mother's from there. [34:56] And the seasons come in like a line. Those are all Michael O'Donohue bits that he wrote because he knew John's voice and knew how to write that slow burn. So John performs it all, but those are O'Donohue pieces. On this podcast, we've talked a lot about impressions, just kind of SNL fans in general. We talk about impressions, what makes a good impression. And certainly, Belushi. Especially in this sketch does a good brando in this case. It's more of like a veto corleone impression But there's some brando and they're obviously blue She's a good impressionist but being able to mimic and sound like the person only takesyou so far in an impression You need the angle you need the writing there to really make it shine And so that's where you need somebody like o'donoghue to bring what's already a goodimpression to life, you know And I think you know, it's that him working with somebody and and to your point understanding their strengths. And I think he showcased that in something like Godfather therapy for sure, and in the Belushi update rants. That's one of the things I love from those early years, honestly, the Belushi update rants. And Belushi's a wild guy in and of itself, and he can go from zero to 100 in half a second. [36:10] But O'Donoghue saw that voice and he kind of made it shine, I think. I agree with that, I mean, I think he had the people that he knew how to write for, and he did a good job with it. And he had, like Brad said earlier, I think he had a relationship with John that went back a few years, so he knew what he was capable of and was able to write for him because of that. When you were talking about impressions, Thomas, I thought you were going to bring up. Oh, geez. Michael O'Donohue, master impressionist character. Okay. Yeah. Came out on the so I was going to. Yeah. So so this was the more positive portion of the of relitigating Michael O'Donohue and everything. That's fine. But no, totally. I was definitely going to bring that up at some point. I did want to get to maybe if we could do like one each of something that we liked and then, then, then we'll get into a lot of that nitty gritty cause it does need to be taught about. So like maybe something from one of the early seasons that you and Gary enjoyed from O'Donoghue as well. I really liked the quarry cereal commercial. Like I remember watching that years ago. [37:22] I just watched it recently in preparation for tonight and I just forgot how funny How funny I think it is. It's so good. They're just like crunching so loudly they can't talk over one another. I really think that's an excellent piece. Out here on a farm, breakfast is our most important meal. That's why we start each day the natural way with a big Brimmin' Bowl of Quarry. [37:50] Quarry contains no preservatives, no additives, no artificial flavoring. And it's made without the use of pesticides or inorganic fertilizer. Because pori isn't grown, it's mined. Here's a ready-made cereal that's pure 100% rocks and pebbles with a hearty, old-fashioned flavor the whole family will enjoy. [38:20] What's the song? what's the song do you either of you know what the song is that that's in commercial parody because it's so perfect. It sets the stage so well. I wanna say it's Gordon Lightfoot, but it's not. But it just, even that, like picking that proper song to set the tone for Quarry's serial ad is just great. Yeah, O'Donoghue writes such good clinical, it's like the clinical nature of his writing, which I think O'Donoghue at his heart is a nerd. He is, he's a big nerd and geek. And I could tell by with some of just his little things, some of his writing, and especially in this, it's very like what he has Jane say as the spokesperson isjust very like straight-laced and clinical and for such a good parody of those healthy cereal commercials and all of that. That's one thing, like when I was watching, when I watched these on VH1 as a kid or Comedy Central, this is one of the ones that stood out to me. This and like the Swill water one, there's certain commercial parodies that really stood out to me and I was actually kind of surprised that when I found out Michael O'Donoghue wasbehind this Quarry serial one. [39:34] Yeah, there's a lot of great sketches that you wouldn't think are O'Donoghue sketches and you find out they are. That's a perfect example. Now what's another one for you, Brad? I mean, I'll wait to get into Mr. Mike when you start getting into the negatives, but another really great sketch. And granted, this is season one and I will admit he is very, Michael O'Donoghue's presence is very season one heavy. Even though he was the head writer through two and three, I will admit his influence does start to wane a bit into season two and three, as even Lorne got a little tired of O'Donoghue andMr. Mike and leaned a little bit more on Franken and Davis in seasons two and three. But one of the things you have to remember, when the show first started and it didn't know what it was doing, it was a lot of one minute sketches, two minute sketches, to people. To one camera kind of thing. And early on somewhere, I forget, was episode five or six, he wrote a sketch called Citizen Kane 2, which one is a great satire on Hollywood and movies andsequels. And they did this with, you know, everyone knows Landshark. Landshark is actually part of a sketch called Jaws 2, where they were making fun of making a sequel to Jaws before theyever did, and then ever made five more. Anyway, Buck Henry's episode, Citizen Kane 2, was the The first time they really used multiple sets, they used almost the whole cast, they had wigs, they had mustaches. [40:54] It was just, they really upped the game from more than just two people with a one or two minute joke. It was a longer sketch, again, just production design, everything. And he really opened the door for them to realize how to do that and continue doing that. And again, I think he's gonna need a lot of credit for that. Well, Jen and I, here it is. My own newspaper, the New York Inquirer. [41:17] I'm going to turn this newspaper into something that this town will want to read. Why, just look at this dribble. Noted mitten manufacturer retires. Ah, it's been a slow day for news, Mr. Kane. Slow day for news, Bernstein. I'll show you a slow day for news. [41:38] Take a headline, Bernstein. Crazed sniper guns down six. Lay off the innocent women and children, Angle, and offer $10,000 for the madman's capture. Right away, Mr. Kane! Yeah, that's a fantastic sketch that I think, upon watching that the first time or two, I had no idea that that was a Michael O'Donohue piece. That's another good example of one that just... You'd never guess, yeah. Yeah, that was a really good balance of dark, clever, and palatable all at the same time. It was just so clever, and yeah, if you're just familiar with the movie and the tropes and everything like that, I think O'Donoghue was just so good about conveying that exact tone and thatexact sort of parody and satire that he was going for, that's such a wonderful one. There was one in a Robert Kline-hosted episode that was just bonkers. It was the attack of the atomic lobsters. John Belushi has been seized by an immense claw that's waving about. Oh, it's horrible! It's horrible! He had his whole life ahead of him! At least two or three more years, anyway. [42:50] I'll save yourself! No, I've got to stay here, Gilda. I'm staying until the end. This appears to be the destruction of civilization as we know it. And I want to leave some records for the survivors, if indeed there are any survivors. I'm going to leave a warning to those yet unborn not to make the same mistakes we did. It's like one of the more bonkers crazy things that's been on SNL. I think it's something that was so off the wall. [43:17] It actually worked because I know Brad and I share this as far as our SNL fandom goes. We'd love when SNL breaks the fourth wall, when they break format a little bit, when they try new things and this attack of atomic lobsters was just nuts. Like it involved everybody. The audience was involved in the sketch and bull in both sketches and the good nights. It was just nuts. You guys, I don't know if you guys have covered this one yet. I forget where is it in It's season two or three or something. It's maybe three. It's season three when he comes back. Yeah, we haven't got there yet. I mean, what are your thoughts? Are you excited to get to this one? I mean, this is a classic to me. Yeah, well, it's one of those rare instances, not as rare in the first few seasons, but where they kind of have a running gag, a running theme throughout the whole episode. And this one, like you said, it's the biggest one they've done. They had tried for, at least I think since season two, to try to get this off the air. Him and Tom Davis had worked on this for ages, and they kept trying and kept pushing it, and either the director would say no or the art department would say no or the lore would sayno. They kept trying and trying to get this epic, you know, episode-long runner on. And then when they finally did it, it just, it so paid off. It's so funny. It's so out there. I love how absurd this is. And I'm excited to like watch it in the context of the entire episode and as part of the season too. [44:37] Because it really is such a well, again, well thought out, long, big piece. Yeah, it was fantastic. And so all these were examples of things that O'Donohue did, some of which are a surprise to many of us SNL fans that we didn't even know he was behind. These are all great examples of the positive stuff that he contributed to comedy and to the show. But there's a reason why we're here re-litigating his Hall of Fame candidacy, why he's not already in the SNL Hall of Fame, why he's probably not gonna be in, quite frankly, based on thevoting numbers. So Gary, I'm gonna come in hot here with, I'm gonna ask you your thoughts here on Michael O'Donohue, master impressionist. Yeah. [45:20] We're treated to Michael O'Donohue, master impressionist a few times. Both Buck Henry episodes in the first season, actually. He comes on and his first impression is of Michael Douglas. I wondered what if someone took a very large steel needle, say 15, 18 inches long, large steel needles with real sharp coins and plunge them into Mike's eyes. What would his reaction be? Huh? I think it might go something like this. [46:00] And then later in the season, we get his impression of Tony Orlando and Dawn with two women as well with him. Again, what it would be like with needles stuck in their eyes, and it's just him screaming and flailing on the floor. [46:16] This is one that I'm like, on paper, I get it, I understand it, but then I have to watch it and listen to it, and I'm like, okay, this is not, this is a little too much over the top, and thesecond time he does it, like, he does the impression, they go to commercial, like, Buck Henry comes back for good nights, and he's still flailing on the ground, screaming. I just it no one seemed to think it was funny that time in the audience or really Buck Henry when he came back it's an example of something to me that really didn't hit and was done justto be edgy and I know O'Donohue says apparently that he was inspired By a real life like he dealt with migraines and stuff So apparently that's what inspired this is how it felt to havemigraines and everything But I mean, we don't know that we don't know the reason it certainly wasn't conveyed here there certainly didn't seem to be a coherent reason for this other thanto just kind of be edgy and it's almost sort of like the O'Donohue that I don't like is hey look at me look what I'm doing I'm an edge Lord and I'm doing this just to get a reaction like that'sthe O'Donohue I don't like I think this is a good example yeah I'll give you that I will say I'll argue against that that you have to take swings where you don't know if you're gonna hit ornot And so, I don't love these Impressionist bits myself, he does them twice here, he comes again in the second season and does it with the Morven Tapernacle Choir. This then leads toMr. [47:45] Mike's Least Loved Bedtime Stories, which runs for four, I think, four sketches, which again, some people really love, some people hate. But, you know... [47:54] The overarc of it it is funny it does lead to a few a few good bits in season three uh there's a sketch that they do mr mike's rickety rat club where he kind of he introduces a it's asatire in the mickey mouse club which i think is really funny and it's a great sketch with buck is in it and buck has a ball the whole cast is in it it's just so dark and depressing but buck isjust having a blast. Okay, Ratketeer roll call. Count off now. Miller. Beth. [48:30] Stanky. Sleezbar. Widmer. Scumball. Annette. And Bucky. Hi-ya, Ratketeers! Hi-ya, Bucky! Hi-ya, Ratketeers! Hi-ya, Bucky! Hi-ya, Ratketeers! Hi-ya, Bucky! Hi-ya, Ratketeers!Hi-ya, Bucky! Hi-ya, Ratketeers! Hi-ya, Mikey! It takes, like, the Mr. Mike vibe and his idea, but even if it wasn't introduced by Mr. Mike, and even if that sketch was just introed by itself on its own, it'd be really, really funny. And my favorite Mr. Mike thing he does at all, and it's in season three, is the Ray Charles episode, where at the end of the episode, right before the good night, it's Ray Charles at thepiano, the cast is all out there singing, Michael O'Donoghue comes out and he interrupts everything and they say oh hi Mr. Mike and he offers up that they have a painting that a Monet painting that they're donating for Blind Institute and all the you know raising money for charity is gonna go to help the blindand he as he reveals the painting by taking down the curtain all that's in the frame is Please don't tell him. [49:30] And he goes on to describe this Monet painting that is not there to Ray Charles and keeps going on and on and then, you know, he finishes and Ray says, Thank you so much, Mike. I'm so happy of all the awards I've ever won. This is this is probably the best and it means so much. And Michael, Michael, he says, Okay, I'll see at the party. And he walks off. And then Ray Charles looks towards Cameron. He goes, What Mr. Mike doesn't know is that the after party, there's going to be 10 or 12 of the biggest black dudes he's ever seen, and are gonna whip him upside the head. And I feel likeit's so smart because the joke is all on him. They take this Mr. Mike character and just turn it and they make him the butt of the joke. And I think it's one of the, it is my favorite Mr. Mike sketch bit of the three years. I think it's just so smart. And something like that doesn't feel too mean-spirited because you know that Ray Charles is in on the joke. [50:23] Like, you know, it's obvious that he's in on the joke and then it gets turned back around. And so that's I think what we mean when we've said in this episode, like if it's harnessed correctly, then it's like, it could be really good. And I guess that speaks to, I guess if you do take swings, you're gonna miss a lot of the time and it's just gonna fall flat and come off as very mean. And that's one of the main critiques about O'Donohue. And that's something that when we did round tables, especially after seasons like one and two and O'Donohue was brought up, one of the main critiques from some of our panelists wasthat he's just mean without a comedic purpose. And sometimes I can see that, but was it just him being inherently mean, or was it just him feeling that he needed to take swings and being okay with sometimes it wouldn't land? I think that's a really good question that. [51:16] Sometimes I feel like he felt that he had to be mean and or dangerous just to feel heard or seen and it's kind of like, look at me, look how crazy I can be and then you have the storythat Brad told about, you know, in the hotel room with Richard Pryor when he, you know, threatens to hit him upside the head with a wine bottle or whatever and Michael O'Donohuecowers and he's like, all right, never mind. It just feels like sometimes he's trying to be mean or dangerous for the sake of it and to seem like tougher than he might actually be. But I don't know, because I never met him. I think it's just, you have to kind of understand the time a little bit. Just, you know, what people's mentality of what comedy was back then, or what people would do for like, Again, in the whole lampoon idea, not everything was done for a laugh. I mean, O'Donoghue will admit that. Not everything that he wrote and put out there was to make people laugh. He actually, I think, was quoted once saying something like, laughter's the least, I forget, I'm gonna mess it up so I can try. But basically, yeah, it wasn't like he was trying for laughs and missing. He was trying to offend, he was trying to be edgy, he was trying to make you feel uncomfortable, and I think he succeeded in a lot of that. And I think, yes, was he a little bit maybe, now you can look back and say, oh, he was too mean or just doomed to be mean? [52:45] Yeah, sure. But if that wasn't there, would you get the more quote unquote acceptable meanness, level of meanness from the show, where they were jabbing at, whether it's GeraldFord or Hollywood or bathtubs of the stars or Claudine Lange, Stuff you thought was funny. [53:03] Funny enough, would you have had that without him? Or is it, or I guess vice versa, is it worth getting that to get some of the things that are a little bit too mean? Because you can't, like, where do you draw the line? Like, how do you knowwhere the line is of what's funny enough and where do you stop? Especially in the moment, it's easy 40 years after the fact to say, this is where the line is that's not funny. How do you know at the time? Ooh, I mean, if you read Dennis Perrin's biography on Mr. Mike or the backstage history of Saturday Night Live, there's a lot of O'Donohue stuff but that did not get on the air. Like, don't think like everything he wrote was on. Like, he definitely pushed boundaries where stuff did not get on. Sure. But I don't know that you can give him all the credit either of like taking the show to the edge, that's all. I'm not saying giving him the all, but I'm saying if he's not there, you removea vital piece. And I legitimately don't know if that show is still around if he's not there for those first three years. Yeah, I think the show built so much of their early reputation on trying to be counterculture and edgy and things like the Muppets or the Polaroid commercials would say otherwise, but itwas as counterculture as you could be while still being on network television and trying to make money and stay on the air and everything like that. So they were always straddling that line. [54:27] And if that's what they were going for, I guess at the time, unless they got, you know, Doug Kenny to go come along with Michael O'Donoghue, I mean, O'Donoghue was was theperson if they want if that's what they were going for to push the boundaries and everything like that. And I want to know what you guys think about this. Something always, you know, over the years, I've seen Michael O'Donoghue sketches, I've you've read about him, and... [54:56] There's something about him that I never took seriously in his mean-spirited nature, and he always struck me as just a big nerd who was trying so hard to be edgy, but in reality, hehad insecurities. In reality, he was pretty much a geek, but he tried so hard to play up this edgelord persona, and I always just looked at him as a nerd that was just playing a character almost and and i'venever obviously never met the guy but That's just always how I viewed him because I know people like that I know people whose true nature is like a lot of insecurity They feel put uponby society or whatever And they lash out or they express themselves As an in an edgelord sort of way and that's how I always looked at him and I just never took his meanness quoteunquote as seriously as a lot of others, especially evidently, as our voters have taken it. I don't necessarily disagree with what you said, but none of the reasons why I think Michael O'Donoghue should be in the Hall of Fame have to do with his meanness. It has to do with, you know, like, you know, how he guided the show. [56:09] All the sketches of his that I think are the best are not mean sketches. They're ones that people look at and they're like, oh my God, that's him? And I just, you know, and it's that overarching, like we've talked with other head writers on the show that have been nominated, either have gotten in or not, even Adam McKay recently,they set the tone for what the show is and so much of what this show was when it started. And again, remember, it set the foundation for the next 49 years, I think does fall a lot on his shoulders. [56:37] I think to that point, Brad, one of the biggest things, one of the biggest obstacles probably of Michael O'Donohue being in the hall is Michael O'Donohue on camera. I agree. You don't take out the Mr. Mike, if you take out the impressionist stuff, and you just hang it on the writing, and that's, and if people know, that's the other thing, is people knowing whichsketches he's responsible for. Right. Then I think your voting totals would be much higher, honestly. Yeah, like I don't think the average person would know that he wrote the Star Trek sketch or the Godfather therapy sketch. Like two of the most well-known sketches in those early years,no one would have ever guessed he wrote those. Yeah, I think just ultimately these writers from that era and probably up until the mid-90s or early 90s have an uphill climb as far as the SNL Hall of Fame. Hall of Fame, like Jack Handy to me is an SNL Hall of Famer, but you know, I just think people he gets he gets lost in the shuffle for some reason. Maybe we have some younger folks voting and it's just an uphill battle. Jim Downey's not in the SNL Hall of Fame and there I don't think there's been anybody in. Yeah, yeah, I don't think there's anybody in the show's history who's had more of an impact on the political side, which is like obviously huge for SNL than Jim downy so I think ridersfrom around that time are just at such a disadvantage. [58:05] And I worry to bring this up but I mean there is something to be said that you know Lauren leaves the show and Gene comes on and tries to take over in year six, gets fired, DickEbersole comes in at the end of season six. And he asked Lorne Michaels, what do I do? And Michaels tells him to hire Michael O'Donohue. [58:28] Now, granted, I'm hesitant to bring it up because it flamed horribly and it did not work. You know, there was one episode that finished that season, then I think he did, it was likeseven or eight episodes of the next season before he was fired. But, you know, they were trying to find that identity, like, what can we do? [58:44] And they go back to him. Again, doesn't work. And then, you know, Lorne brings him back when he comes back also doesn't work. So I think those two examples don't necessarilyhelp his legacy, but it just says something to the fact, like, when the show was on its dying legs and like, what do we do? They go back to him. They bring him back in to try to help keep the show going. I don't know how many other writers are going to get relitigated after being fired three times from the show and proclaiming he wants to burn it down from the on the inside when he getshired back for the first time. Yeah, that whole second, I mean- I know. Yeah, it pains me to say the reason we don't have Catherine O'Hara as an SNL cast member is Michael O'Donohue. Like, it just, yes, that hurts. But I can't say enough how invaluable he was those first three seasons. Like, there's legitimately a chance that there is no Serenade Live. Like, Anne Beetz herself has said it. Anne Beetz has gone on saying, without Michael O'Donohue, there would be no Serenade Live. And she's right. Like, I just feel like, not just him alone, but he's part of that very small group of people that they were instrumental in creating the show, keeping it alive, and laying thatfoundation of what it became for all these years. Brad, can you remind us again why Catherine O'Hara, why she wasn't a cast member at SNL? [1:00:05] No, I can't. So what happened, Thomas? I may have misspoke, Thomas. I think that was Smigel. I remember reading about this, but I think our listeners would love to, yeah, Gary. So, Catherine O'Hara was hired by Dick Ebersole to come to leave SCTV and join Saturday Night Live. [1:00:28] And the day of their first meeting, Michael O'Donohue walks into the room with a can of spray paint, and spray paints danger on the wall, and says, this is what the show ismissing, and just kind of goes off on a little rant. And Catherine O'Hara... Probably a bit more passionate than you did just now, but yes. Yeah, because I'm not a crazy person Uh and katherine o'hara says never mind i'm going back to canada where people are nice and normal Yeah, maybe we have a lot of schitt's creek fansthat are voting on the esten hall of fame and they know this And it's a strike against him see so stuff like that So spray painting danger on the wall in his in one of his first meetings thatstrikes me as so try hard to be edgy, that I can't take it seriously. To me, when I hear a story like that on my way- Well, especially in 1980, 81, like I think the moment had passed, unfortunately. Yeah. Exactly, like I can't hear a story like that and say, oh, what a jerk, or what, he's this and that. I just think like, what a dork. Like, it just makes me laugh. I don't know, it's hard to take seriously. And it shouldn't be lost on SNL historians that just a little footnote, And I don't know if this plays into voting or not, maybe a few people, but Michael O'Donohue was the first person thatyou saw on camera in SNL's history. [1:01:55] With the sketch that he wrote. I mean that's that's something and it's it's a dark sketch like there's dark humor to it the Wolverine sketch with him and Belushi. Let's begin. Repeat after me. I would like to feed your fingertips to the wolverines. [1:02:23] Next, I am afraid we are out of badgers. Would you accept a wolverine in its place? He has a heart attack and then Belushi has a heart attack and Chevy comes on. That's something in his favor, I guess. He's the first person on camera to say a line and also writes the first sketch of the show. [1:02:47] And there's like other little things that, you know, I feel go with the whole, the head writer responsibilities of, uh, you know, Gary, the Lily Tomlin episode she hosted, what wasone of your favorite bits from that? The first, uh, the hard hats. Okay. but another one when she does the, sorry, we'll go backwards. So Gary, one of your favorite bits from the Lily Tomlin episode when she hosted, early in season one, is she does the St. James infirmary, right? Where she sings with the band. Sure, yeah. Michael O'Donoghue, his, and the band's all dressed as nurses. Oh, the nurse, the all nurse band. It's how it turned out. Michael O'Donoghue, it was his idea to have them dress up as nurses. And thus then they go on to do, you know, the bees. They dress up as the bees, the killer bees. that he brought a Frankenstein, so it's like he adds those little things, like he brought in Jerry Rubin for that Jerry Rubin wallpaper in season one,like he has these kind of little. [1:03:40] You can see his influence. The Dead String Quartet, Cold Open, they wrote a couple times, like Chevy wrote it, but it's a total Michael O'Donnell influence. It's just, you know, you can see its fingerprint in so many things. Sure, yeah. All right, guys, so I like to end these things with kind of a little summary, I guess, of a possible case to be made for this person's Essinel Hall of Fame candidate. So Gary, I'llstart with you. Just a little summary for everybody. Is there a reason why voters might want to consider Michael O'Donohue for the Essinel Hall of Fame? You can pass to Brad if you'd like, but I wanted to give the floor to you. No, I'll go first so that I say, I'll go first so that I say everything first and then Brad can say, oh yeah. [1:04:26] Yeah, good point. And then Jamie will play the music. I think the strongest piece of evidence for his candidacy are the long form sketches that he wrote and took time and care to write that are brilliant, the Godfather, the Star Trek. And to Brad's point earlier, he kind of set the tone for the show moving forward with those sketches. Good night, everybody. Brad, same question. Why might voters consider Michael O'Donoghue for the SNL Hall of Fame? I mean, I would look at it in a historical context. I think he was the first head writer of the show. He was so responsible for the vibe, feel, and creative output that was coming from the show for those first three years, especially that first year where if it did not succeed, that show wasso expensive, it was not a success, there was no reason NBC wouldn't have canceled it. So I really do believe without Michael O'Donohue running that ship with Lorne those first three years, there's a very good likelihood that there's not a Saturday Night Live today. And I think he's owed that. Do I think he's a first ballot Hall of Famer? No, I didn't vote for him the first time. I don't think I voted for him the second time. But he's one of those athletes who like after a few years and he's been on the ballot, you're like, yeah,you have to reward him for what he did. He's not Babe Ruth, he's not Hank Aaron, but he's somebody who deserves a place in the hall. Track 2: [1:05:55] ♪♪♪, So there's that. He deserves a place in the hall is where we leave things. What do you think? Does he deserve a place in the hall? So far, it's been a resounding no. Did their argument turn it around? I love the term re-litigate, as Thomas mentioned at the top. Very cool. Let's go to one of those sketches they mentioned near the end of their conversation right now, and that is the Godfather sketch. Godfather therapy, I believe is what it's called and we're going to head to that right now. Track 5: [1:06:57] Sorry I'm late people. Sorry I'm late. Now before we begin, I'd like to say that because of a personal complaint, Group will start at eight. That's eight o'clock and not seven o'clock next Tuesday, if that's allright. Okay. Okay, wonderful. Now, when we left off at last week's session, Vito was telling us about his feelings toward the Tattaglia family. Vito? Well, the Tattaglia family is causing me great personal grief. [1:07:44] Also, things are not going so well at my olive oil company. Terry? Oh God, Vito, I think you're blocking. Vito? Blocking what? Your true feelings about The Tataglia family, guy! Vito, do you want to respond? Alright. The Tataglia family is moving into my territory. They're moving in on the numbers, prostitution, a restaurant linen supply. Now they want to bring in drugs. Also, they shot my son Santino 56 times. Ah, ah, now we're getting someplace. What do you think about that? Drugs? I'm against them. We have to. We have to go in there. Vito, I'm not kidding. You're still blocking your real feelings. What about the rest of it? Vito? [1:08:42] Well, a restaurant running supply was never a big money maker in the first place. Oh, you're hurting, Vito, and you're covering up. Alright. Alright, you're right. It's hurting me. Numbers alone, I'm losing 15, 20 grand a week. Vito, Vito, Vito, Vito, you're still blocking. Now, how do you feel about them shooting your son 56 times? [1:09:08] Do you know? Terrible. We had to go to the mattresses. Clemenza sleeps with the fishes. Johnny is finished in Hollywood. They blew up Michael's wife in Lovely Con. The Taglias, the Businis, the Boyotis, they all have contracts out on me. They had a FEDSA watching me. Keefofa is investigating me. The ASPCA is after me about this horse thing. I'm going to hold some of the people's feet back. Settle down, people. Settle down. Vito will tell us how he feels when he's ready. Vito? Vito, are you ready? I could have been a senator calling home, The governor called me, and the woman got fired. Vito, this is not getting us anyplace. Now, I want you to act out your feelings about the Tattaglia family non-verbally. [1:10:19] Not talking? Do I have to? Yes. Listen, man, like we're with you. We're really on your side. I mean, like we know where you're coming from. Trust her. Please, reach out, man. Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha. [1:11:29] Sherry, how do you feel about what Vito just went through? Well I thought it was really beautiful and like I can really relate to what kind of changes Vito was going throughbecause I went through the same thing when I was deciding to be a stewardess. It was so weird. My friends, I'm not kidding man, you know, like my friends kept asking me, gosh Sherry, Why do you want to be a stewardess, you know? And like, I had to get super reflective and ask myself, well, guys, Sherry, why do you want to be a stewardess, you know? And like, I realized that it's because I love people. I really do. I love to serve them and help them try to fall asleep sitting up and everything. Well, also, I really had to get out of Encino, man. I am not kidding. It was really getting hairy, you know? Like, my boyfriend Brad and me were supposed to get married and everything, you know? So I was making a peach cobbler forhis mother. And I overheard her say, look, this chick's is making us a Presbyterian pie. [1:12:25] Gross me out, royal man. I've got some people, you know? And so I knew I had a bitchin' bod and a good personality. So, you know, I just left town and I became a stewardess, you know? And then I grew so much emotionally, I couldn't believe it. Because, like, I went back to Encino, and everybody seemed so immature. It was unreal, you know? You know, doctor, I think you're, that Norman Mailer is right. You can't go home. Okay, now before I forget, group will begin at nine o'clock and not seven o'clock next Tuesday, if that's okay. Track 2: [1:13:17] Okay. live by his mantra, which is laughter is the lowest form of comedy or the lowest output. I forget exactly how Matt put that, but it's interesting, very interesting. [1:13:35] So I want to thank Brad and Gary. I want to thank obviously Thomas and Matt. And I want to thank you, the listeners for being patient with us as we've experienced a couple of delays recently. And we're getting there. We're turning the corner. Maybe I need to go to Godfather therapy. Maybe that's it. But do me a favor and on your way out as you walk past the Weekend Update Exhibit, turn out the lights Because the SNL Hall of Fame is now closed. 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| Season Six Draft | 12 Aug 2024 | 00:58:56 | |
We're back and it's season 6! As is typical we've assembled a group to draft the nominees we will discuss this coming season. Join jD, Matt, and Thomas as they get together to build season 6! Transcript: [0:00] Thank you, Doug Donance. It's JD here, and I am thrilled to be back in the SNL Hall of Fame. Let me see if my key works, but before I do that, I'll wipe my feet. The SNL Hall of Fame is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot for your consideration. Consideration once the nominees have been announced we turn to you the listener to vote for the most deserving and help determined who will be enshrined for perpetuity in the hall and that's how we play the game it's just that simple but you know what behind the scenes folks it's not that simple because we have to curate a list of who we are going to discuss every season and we found the most fun way to achieve that is with a draft and we're going to do that again this year before we explain the rules i want to introduce the other two drafteteers they are your friends and mine matt ardill and thomas santa how are you doing fellas hello jd good Good to see you. Hey, J.D., great thanks. [1:28] That's a little inside baseball there, Thomas. [1:33] So, Thomas, do you want to go through the intricate rules of the draft? You are the master of the draft, after all. All right, sure thing. So, this is the third season, I think, that we've done a draft and had a draft episode. So, there's parameters. So the three of us, we each get five picks. So 15 total, we each get five picks. We each have to pick two cast members. We each have to pick one host. [2:05] We each have to pick a musical guest or a writer, and then we have the wild card. We can do whatever the heck we want with this, as long as it's a cast member, host, musical guest, or writer. But we have the wild card there. So that adds up to five picks each, 15 total, and I have in my hand a coaster that I'm going to flip. I'm going to give either JD or Matt the first pick. Uh so i want matt to call heads or tails matt uh tails tails it is so matt ardeal gets the first pick uh jd you get the second pick and i'll i'll round things out and get the last pick that's how the draft is working today folks um okay well i think for my first draft pick i am going to go with Garrett Morris aside from being an original cast member he's a Juilliard trained performer he can sing, dance, act the entire Nine Yards he just has incredible chops. [3:16] Amazing sketches or bits like the White Guild Relief Fund impressions of Chubby Checker that he did with Carrie Fisher first appearance of a Marvel character as ant-man um that's right and uh you know i i watched this one interview where he was talking about death row follies and it's like it was really interesting he was talking about how he was with harry belafonte's band and they were just chatting and he's like so the entire process was lauren just had an idea for a sketch and sent them off to write he didn't give him any direction It's like you're on death row, you're performing. And he's he went back to this memory. He's talking about how the core of improv is drawing from your experiences. He went back to this memory of talking to Harry Belafonte, band member who had watched an old like 1950s TV show. And if you remember the sketch, his bit is I'm going to get me a shotgun and kill all the whitest I see. And he's like well that actually originated from this old 1950s this is your life type of show where this woman had written over 300 songs and they brought her up from the audience and sat her down to interview her and. [4:32] Kind of of how the song went but she was a white woman from the south and uh so you can imagine how that was so he took it and flipped it and used that for comedy and it's just like you know it just brings so brought so much to the table and i feel like out of the original cast he's one of those people who just is is not given as much respect or acknowledgement as he's due and And I think it's his time to shine. JD, so this is Garrett's one of the last remaining original cast members that we have yet to discuss. This is exciting. What do you think, Jamie? [5:13] Yeah, I'm excited that we're kicking it off with an old school, an original seven. Is it seven? Right, it was seven. Do we count George Coe and Michael O'Donohue? Oh, no, I'm not. The core. I'm talking about the core. It's almost the same as the NHL where they have the original six, but there was errors before that had eight teams, you know, but whatever I digress, I think it's a great pick. I think it's an exciting pick for a show like ours. I know that he will be a tent pool, a tent pole rather in terms of episodes, you've probably noticed in the past that we, we stack, front stack and back stack with more high-profile performers or nominees, and Garrett Morris will certainly be one of those. That being said... I don't see him as a first ballot Hall of Famer. Lorraine Newman didn't make it in on the first ballot. And I can't imagine him doing better than Lorraine Newman. [6:18] Because I think, based on a time and place, he was critically misused. Yes. You know? He was the epitome of, you know, the South Park gag, the token, right? It almost smacks you in the face because you don't see him ever. And then when you do see him, it's like there's flashes of brilliance, like you were mentioning that. So I anticipate him going in, but not as a first ballot Hall of Famer. Yeah, there's not as much meat on the bone as far as his resume as a lot of cast members, but not necessarily his fault. Which i'll be interested to see if what if the voters may take that into account or anything but definitely you know a beloved original cast member i think this is uh this is an interesting um choice that makes sense for for an episode for us yeah i i think so i'm going to start with somebody who just really epitomizes my experience with snl in the last 12 years i would say I started watching this performer and I didn't like him that much unless he was with this other guy. [7:40] And then I started to like them as a duo. [7:44] And then I really saw that this next nominee was outshining not only his comedic partner, but several other male cast members. And I'm talking about Beck Bennett, who just recently became eligible for the Hall of Fame. So that may hurt his chances of getting in right away. But i think he's versatile i think he's the kind of guy and i know we overuse this statement but you ask him to do anything and he'll do it you know like he doesn't know an impression you know what he'll put it together in a week it's like that old school mentality yeah i don't know how to do a putin impression oh i know what i'll do i'll take off my shirt you know and and sound vaguely russian you know but it was one of my favorite reoccurring characters and i think one of the last sketches he did i might be wrong but it's a solo sketch with him as vin diesel yep that was his and that was the last sketch of of the of the night right yep yeah the onya taylor joy episode yeah that's right i just got such a kick out i got such a kick out of it so it was like Like, I sound so old when I say that, but I am. So there you go. By the time you're hearing this, I'm 50. I'm 50. [9:11] So that's my pick. Matt, what do you think? I agree. I think that's an awesome pick. I've always felt he's one of those performers that really grew on me. The longer he was on screen, the more I saw him. And yeah, I think I think that's a terrific choice. Also, he's he's in DuckTales. So, you know, I can't fault him there, you know, like. [9:37] Talented man of many many talents so if you ever want to hear a fantastic episode of it's a great podcast it's a stand-up comedian that hosts it there i'm narrowing it down substantially aren't i uh and it's got um he used to be in the hbo show called crashing oh pete homes pete homes yes Yes, he has a podcast, and he interviews Beck Bennett on an episode. Sorry, folks, for that previous ramble. That was very riveting podcasting, I know. But at any rate, he is featured on this episode of the podcast, and it's a long-form interview. It's like a three-hour interview, but they get into it. And he was a multimillionaire when he signed to go work at Saturday Night Live on the basis of those insurance company commercials he was doing with the kids. Oh, wow. I don't know if you ever saw that campaign, but it was a national campaign in the US and he booked it. And it became a reoccurring thing. And by the time it reoccurred for the fifth time, they signed him for six figures to do it. Oh, jeez. [10:49] And pete holmes pulls that out of him like afterwards he's so mortified because pete holmes like is like he's like would you get like 50k he's like no he's like 200k he's like oh i don't really want to talk about it like 750k it's like okay it was a million dollars. [11:10] I digress on the insurance commercials yeah yeah it was it was uh their telephone phone commercials telephone commercials yeah he had a group of kids and he was almost like the moderator and ask kids questions or whatever and so when he got hired to snl i was like oh that's the guy from the commercials so i had already known his face and i'm like i didn't know he did comedy and he's on snl now that's gonna be interesting he turned into like a steady hand he turned into like like basically almost the rock of the show like he and keenan we're almost like the steady hand rocks of of the of that era of snl i'm excited about talking about back, Yeah, it's going to be a great episode, I suspect. Who do you have for us? Yeah. Try. So I am going to go, I want to go a different route. I'm going to use my musical guest early. And probably in a lot of ways because I think I already have a guest booked for this. One of my favorite guests to bring on the SNL Hall of Fame to talk music. So I'm going to pick you two as a nominee. And with the understanding that musical guests haven't had such great luck here on the SNL Hall of Fame, I think Paul Simon is in, and that's about it. I think I'm going to keep banging this drum all season. Dave Grohl should be in, and I will be talking about that as much as I can. [12:40] This is Dave Grohl's final season on the ballot. But I digress. You two, amazing band. Some memorable appearances at SNL four times on the show. And I think I have an awesome guest lined up to talk about U2. So I'm going to take U2 off the board early as my musical guest. They would have been one of my picks tonight, I suspect. They were on my musical shortlist if I didn't pick a writer. So they could have ended up a wild card for me. That being said, when did their appearances start? Were they always like a superstar band on the show? Well, that's the thing. Yeah, no, I don't think they appeared until the 90s. [13:23] Until like Octane Baby. Yeah, that's one of the things about them. From my recollection, I think they did pop. But they didn't appear when the Joshua Tree came out. They kind of missed like that. So I think their first appearances were in the 90s. So that'll be discussed, I'm sure. On our show as far as like timing of their appearances to me it reminds me maybe a little bit of prince in some ways uh as far as timing of their appearances for me they appeared after i'd already burnt out on them like i was that joshua tree era fan and really wasn't that zuropa. [14:03] You know kind of era didn't really click for me but i do know a lot of people of my age who were completely over the moon when they were on snl uh so yeah i mean they're a great band no arguments there but uh i don't know it's just for me they don't they aren't as as it isn't as memorable but i i can understand why because they are still such an amazing band and they did really put it all on the table whenever they did perform i just think for me the fact that the first time they showed up on SNL, if they were touring Octoon Baby, then it was either the Zoo TV tour, which was a stadium tour, or it was the one that had the cars hanging from the arena. I forget what that part of the tour was called before they went into Zoo TV and stadiums. So you have this band that's playing stadiums around the world coming into 8H. [15:00] This little wee stage. Right. That's what I mean. That's frickin' Hall of Fame. Yeah, I agree. That's one of the fascinating things about SNL and musical guests is sometimes we take for granted, like Lady Gaga or Taylor Swift or somebody like that. We're seeing these acts in a more intimate setting instead of these stadiums. U2 definitely qualifies. I think that's a really good point. Yeah, so that's my pick. We have Garrett Morris, Beck Bennett and you, too. It's back to Matt. [15:32] I'm going to go with my host card next. I am going to nominate Adam Driver. Again, one of those really strong players. He really brings his heart to every performance and he'll do things that like I'm pretty sure other people of his caliber of stardom would really push back on. I mean, you look at that cold open sketch that where he was Epstein and John Lovitz was Alan Dershowitz during the impeachment trial, the dark gallows humor that he was willing to go to in that for that sketch. [16:11] But then you also see like really over the top, silly things like when he was playing Dr. Rock hard, the porn doctor. And it's just, he's willing to like, you know, he's another one of those performers like Jon Hamm, like the star, his stardom doesn't get in the way of him doing silly stuff that takes down his own myth, like even like the undercover boss is Kylo Ren is so I'm going with Adam driver. Great pick. I think Adam driver, he wasn't on my short list, but I think it's a fantastic pick because he's. He doesn't have a dud. He doesn't have a dud episode. And that's key to being a Hall of Fame host, in my opinion. I tend to lean toward the five-timer being, you know, sort of a cutoff for me, and he just misses that. [17:06] But man, I can't wait to see those other performances working with this group that is starting to really find itself yeah this adam driver is one to me he's one of the better hosts of this whole era of snl and matt you did me a favor because adam driver was on like a short list and i was going to be debating between the shipping driver these other people so you just made that decision easier for me uh by taking adam driver because he was definitely on my like short very short list of hosts uh that i was considering he's just a guy He did some comedic stuff in Girls. He had some comedic moments, but I wouldn't describe him as a comedian or a comedic actor, but he showed those chops on SNL. I think a lot of times that's what happens. A lot of those good actors tend to do really well as SNL hosts because they can just slide in and do really quality sketch work. He was definitely up for anything. I love this. I'm super pumped to talk about Adam Driver. Yeah, it's going to be a great conversation. Anyone in mind off the top of your head? Not at all. [18:15] I'll put the fillers out there. I'll get somebody good, I'm sure of it. Yeah, that's great. All right. I'm up next. And I'm going to go with an old favorite. [18:27] To me, the first season of SNL that my little peepers got to see was Lauren's first year back. I saw the back half of that season. and was blown away. I had seen some Eddie Murphy episodes prior to that, but not much, and I don't have memories of them. But that season, I have memories. I have memories of one particular actor, and it's not Dennis Miller, who I thought was the coolest dude of all time, but the guy that made me laugh the most consistently because he was hammy, but not in a hammy way. And it's John Lovitz who I'm talking about. I think he's got a terrific resume. He was one of the very few. Nora Dunn, Dennis Miller, and he were the only survivors of the massacre that ensued following that season that Lauren came back. And they carried over into what became the second golden era of Saturday Night Live. In many ways, they formed, you know, the foundation of the next. [19:47] 20 years of that show you had the you know with the weekend update you had the solo performer doing weekend update you had this character actor that would do fantastic characters all the time and again i'm talking love it's just really terrific stuff uh i'm i'm really excited to see who you line up to talk about john lovitz i'm sure there'll be quite a a few people who want to do that but i'm curious what you guys think yeah people are going to be chomping at the bit to talk to talk about this and i i know off the top of my head at least uh, a couple snl podcasters out there uh would love maybe have already talked to me about hey if you guys do john lovitz let me know that would be one that i'd be interested so i know i have no shortage of options for john lovitz this is such a good one too it's funny jamie i'm keeping track of this i'm typing as as we go along and as soon as you started saying this person stood out to me at the end of lauren's first season i wrote john lovitz i'm like and i'm really excited because and you did me a favor too just like matt did me a favor with adam driver john lovitz was on like my very short list like i i was saying to myself am i really gonna go another draft without picking john lovitz we have to have john lovitz on on the season so i'm so excited about this jamie. [21:09] Great minds. He was on my list as well, honestly. I mean, like Tommy Flanagan, the devil in the people's court, you know, like just these consistently hilarious. [21:19] I mean, at the time when I was a kid, I didn't get him as much. But going back and rewatching him, I was like, I get it now. I get why everybody loves him. And I just think my tastes were not refined enough to appreciate him at the time. But yeah, having gone back and rewatched his era, I watched it on TV at the time, too. He's just a freaking genius. He knows when to go big. He knows when to be small. [21:54] And he'll do completely bonkers characters. And right now, he's adopted this, you know, well, I say right now, but over the last 25 years, he's adopted this butt of all jokes, you know, SNL based. [22:11] And I think that's hilarious. Like when they did the Immemorium, and he was on there. There's been other instances as well. So a lot of fun. Yeah absolutely yeah john love it's awesome so we're back to me uh i'm gonna um pick a cast member i'm gonna utilize one of my cast member choices and we've talked about molly shannon congratulations molly on being an so hall of famer we've talked on a gas dyer so i'm gonna go with a very talented woman who who was. [22:42] Their cohort who often upstaged them and who maybe popped dropped even more so than the other two which is saying a lot uh we haven't heard a ton from her since snl but i still think sherry o terry should get some love and get an episode of her own wow so i want to choose sherry o terry uh as my choice we're gonna have a sherry o terry episode and i think it's well deserved i think she was a big uh really big part of the resurgence of snl back in the late 90s oh totally agree like she was just like an amazing workout horse great great impersonations and impressions and just terrific a terrific energy like like i mean it was she was in a cast with some really amazing people but she always you know she could hold her own you know with with the rest of rest of the cast and her barbara walters is like when i imagined barbara I actually imagine her impression more than I imagine actually Barbara Walters. And it's like that just speaks to how much of a stamp she put on her performances. Yeah, I think in particular, her work with Will Ferrell was spectacular. [23:54] They found each other in scenes together quite often. And she could keep up with him physically and emotionally. You know, turn a phrase in a character type way. Really terrific stuff. Yeah, I can't wait. We've talked about a lot of the people from that era, and they're always really fun conversations because a lot of listeners, some of my guests, that's like their prime SNL years. It was like the Will Ferrell, Molly Shannon on a gas tire. We've taught Chris Parnell, we've taught Daryl Hammond. So I think it's about time Sherry O'Terry gets her episode. So i'm glad you guys are excited about this one well i guess it's my turn again uh i am going to go to the writer's pool uh for this one i'm going to plumb my gen x credentials and choose one of my favorite sketch you know sketch performers writers um later dramatic actors is Bob Odenkirk. He's, you know, probably in a lot of ways coming out of the writer's room. He don't like a lot of the writers do very successfully afterwards, but they're not necessarily as high profile. Whereas in a lot of ways, he's probably one of the most high profile former writer of the show as an actor, like with Breaking Bad, Better Call Saul. [25:22] But, you know, You know, he, you know, his writing with Robert Smigel and Conan O'Brien, but, you know, came out of the Chicago Second City community and created us, created characters like, you know, the the. Chris Farley's inspirational speaker, Matt Foley. And he went on to become like a very big voice in Gen X comedy with Mr. Show and working with Ben Stiller and Chris Elliott and writing for Dennis Miller when he had his own show. So, yeah, I'm just a big fan of Bob Odenkirk and I'd love to see him inducted. Yeah I wonder uh our buddies at the um Saturday Night Network um are definitely great as far as helping us out with credits and stuff so I'm curious there's probably gonna be some Odenkirk stuff that I didn't know that he was behind that I'll find out through this that tends to happen when I start researching the writers and doing all of that so I'm excited to find out a lot of what I don't know about Bob's SNL tenure obviously I think he might get a little bit of a bump too because of Better Call Saul and Breaking Bad and he's still relevant now. So I think we might see what I'll call the Conan O'Brien bump. Maybe not to that level, but I think there's going to be a little bit of a surge for him. But I'm excited to see just what I don't know about Odenkirk. [26:46] Yeah, and it's very little. that uh like i didn't uh i forgot completely about the motivational speaker matt foley being a brainchild of his but i've watched the second city version of it and it's it's you know it's really great i think you are going to find somebody that's going to make a fantastic case for bob odenkirk i would have difficulty being the person to do that because i am not good at research and it's a it's a blind spot for me so i think that that is something that i'm trying to wrap my head around a little bit when i think about him as a as a hall of famer i look at the other writers who are in the hall you get seth myers you get conan o'brien yeah conan o'brien is this outlier. I can't wait to listen to the episode. So, you know, I want to be swayed. Yeah, hopefully it's a good one for you all. I'm sure it will be. I'm looking forward to see who takes on the assignment of being my guest for the Odin Kirk episode. I'm going to go with hosts next. [28:02] And it's someone who breaks my rule that I already outlined, you know, 300 strikeouts or 500 home runs to get into the Hall of Fame. And that's five stints as a host. This gentleman only has four. That's good, Jamie. I was going to talk you out of that anyway. So you shouldn't be so beholden to that. Okay, that's fine. That's fine. [28:28] So i think um i remember a party years ago i was still at an age it was season 19. [28:36] And i was of an age where i had to watch saturday night live live like every like every week like did not miss it and there was this big house party and i put it on and sat down on the couch to watch And I remember it vividly because it was Nirvana hosting. Nirvana was the musical guest, and it was my next nominee's first time hosting the show. And that was all the way back in 1993, I believe. And this is Charles Barkley. yeah and he he's very relevant nowadays because he's he says he claims he's retiring from tv. [29:18] We're recording this uh a little ahead of time uh until it comes out he says he's retiring from tv because tnt uh isn't gonna have basketball right i don't know what's gonna go on with inside the nba i don't know if i quite believe him honestly one of the most entertaining people uh in sports television always entertaining when he hosts snl she's a really charismatic dude just really funny guy uh so i i like this i i have to say i i think that's a great choice because i mean he's one of those few i'm not a big fan of sports personalities right on the show and he's one of the few i felt because i mean i still remember like i were we're months apart in age so uh i was watching that same night and uh that that you know that was a. [30:06] I had my shaggy shoulder length, greasy hair and grubby beard and my flannels. So I was right into Nirvana at that time. And yeah, it was like it was a surprising performance for me to do as well and be as strong as he was. But it was a great, great showing. I think one of the other, you know, sort of not rules, but little guidelines I like to look at for a host is how many eras did they work in? And he also qualifies there for me. His first appearance was again in season 19, and it was 1993. Then we didn't get him again until 2010 in season 35. Then he showed up relatively quickly with Kelly Clarkson in 2012 on season 37. [31:02] But then he wasn't back till season 43 in 2018. So that would have been almost an entire turnover at that point. I think to me that somebody that can host that many good episodes, I think season over season, era over era is somebody that should be at least considered for the Hall of Fame. Do I think he's a first ballot? No, but I think to use the parlance of his former sport, he's a slam dunk at some point. Oh, very nice, J.D. It's like a mic drop on your Charles Barkley. I like it. [31:41] So Charles Barkley is a host. I'm going to pick a host as well. You guys, I have a musical guest. I picked a cast member. [31:50] I'm going to go with the host. Somebody who's been very important to SNL. A former cast member but i don't think she quite has the resume to talk about as a cast member but i think she has some underrated episodes definitely when i went back and looked at her work as a host it surprised me as far as uh how strong she was as a host and maybe it shouldn't because she was a cast member she's hilarious i'm talking about julia louis drive is ah which does break your your rule jamie about she's only a three-timer uh but she she's she's worked with uh at least two different eras she hosted in 2006 2007 and she hosted in 2016 so she's worked with at least two different eras um but she always just really she was a steady hand as a host she did a great job to me the two this is a chance to celebrate julia um just all around as well and i think that's what this show SNL Hall of Fame is about is the chance to celebrate these folks and so I'm excited to celebrate just a super talented woman who has had an impact on SNL maybe I think more so maybe as a host than as a cast member but it'll be fun just to talk about her maybe touch on her entire body of work just a great comedic actor I love Julia Louis-Dreyfus So I want to talk about her for me. It feels when she came back to host, it was very much like a returning champion. [33:15] You know, like she came back and she'd conquered and she was able to, to relish in that glory. [33:21] And, and you know, I was like, I remember watching her in her era on the show and coming back and seeing her. And she's just so much more confident in every scene and so much more like she was great originally, but you see this growth in her. And it was great to see her at the peak of her ability coming back to the show. What I think is fascinating is I don't know off the top of my head if there is another host Hall of Famer that was a former cast member. And I don't think there is. I don't think so. I think this might be the first. Yeah. I think that that's a fascinating aspect of this candidacy. You know, that here she is, somebody that has three years on the show under her belt, and she gets called in. She knows what she's doing, not only comedically and as a comedic actress, but as a former cast member. [34:22] She sort of knows the ropes, and that is terrific fodder for conversation, I think. Yeah, absolutely. I think there's two people, there's two cast members in the SNL Hall of Fame that I think have cases to be in the SNL Hall of Fame as hosts. And I think Will Ferrell and Kristen Wiig probably have cases for both things, which is pretty impressive. Um if we're talking former cast members as hosts you know the two of two of the preeminent ones are already in the hall i think julia is a good uh next level uh as far as that goes yeah well how do you follow julia louis-dreyfus um so i think i'm gonna go with another cast member uh and i was speaking about dr rockhard earlier and i'm gonna go back to his his waiting room. [35:16] And showing Aidy Bryant who is just another one of those incredible talents um solid delivery 10-year veteran on the show just you know her her musical bits you know and on top of that possibly the best Ted Cruz impersonation that I have ever seen um yeah and I mean she got her start like as a producer for comedy bang bang and she just brought that willingness and energy that you get in that LA alt comedy scene to SNL and I thought it was a great addition I did not know that's where she came from that's, amazing the former TV show or the, podcast the TV show oh so cool wow yeah I think this is a another great pick. [36:10] Matt um ad bryant is a spectacular cast member and again she was alongside kate mckinnon you know and kate mckinnon was was gilda radner was jan hooks was kristin wigg you know begat kate mckinnon and yet ad stood beside her and could shine brighter and that to me not all the the time but you know from time to time for sure and that to me is um a great place to start your argument for why she belongs in the hall yeah so beloved i'm curious to see what the voting percentage will be like from her if we're reading the tea leaves with kate mckinnon um it probably won't go in 80s favor the first time um but she's definitely to me she's hall worthy i'll say that and and she's definitely episode worthy this is something when when 80 stepped away from the show this was something that i was excited like i know in a couple years in a few seasons or whatever we're gonna be able to do an 80 brian episode so this is something i've been looking forward to ever since she left the show matt so this this is this is awesome the research is gonna be fun i'm gonna know i'm gonna have a great guest there's people gonna be lining up to talk about 80 bryant she's just such a beloved figure on snl and and i think we're seeing kind of hard to replace. [37:37] Honestly yeah all right so i'm up to bat i'm gonna close my eyes and point no. [37:46] I'm not gonna do that i'm gonna go in order i'm gonna stay in order i did two cast members i did a um host now Now I'm going to do a musical guest slash writer. [37:57] But I'm going to choose a musical guest who was a fantastic songwriter, quite frankly. One of the best songwriters and most well-known songwriters in his generation, which was predominantly the 70s, although adult contemporary played him throughout the 80s. And he made his presence known on SNL, I believe, in 80, 83, and then 86. He was on the Ebersole era he was on the original Lorne era and then Lorne brought him back for that first season I'm talking about if you don't know Randy Newman, who is not my bag necessarily, but I recognize the brilliance in his songwriting and his ability to inflect his sense of humor. He's got a wicked sense of humor, and he uses that in his music in a really fun kind of way. The only contemporary artist I can think of that reminds me of something similar is like Ben Folds. But Ben Folds certainly wasn't ever as big as Randy Newman was or is, although I do love Ben Folds. [39:16] Anyway, I think that's my – well, I don't think. That's my pick, Randy Newman, and I'm sticking to it. Yeah, six-timer Randy Newman. Six-timer, yeah, absolutely. So he had quite an impact on the show. I already have maybe somebody in mind as a guest for Randy Newman. [39:34] So I think not totally like 100% my cup of tea. There's a lot of stuff that he did that I did like, but maybe an era before me. But you can't argue his impact as a songwriter. Just what a reliable guest that he was on SNL. [39:52] So I think this is a really great choice. We're celebrating an older era of SNL that deserves to be celebrated with one of the predominant musical guests from that era. I like it, Jamie. Same here. I mean, like he's one of those performers that, you know, especially in that early era, SNL tapped into the zeitgeist musically in a way that was seldom seen on television. Like, you know, you wouldn't see him on a lot of TV shows other than these shows like SNL pushing the edges of musical talent and bringing in voices that were not necessarily always paid attention to. But I mean, he's gone on to. Yeah, I mean, he's been gone on to become like this cultural touchstone, like the Toy Story theme songs, like all the he's like all sorts of movies and television shows that he's touched. And I think that a lot of that comes back to these six episodes that he did that that helped elevate him so this will be a great conversation good job Jamie I love it so and another musical guest and uh we can see how musical guests of different eras kind of do I'm always fascinated yeah I don't have high hopes yeah but I do I do think uh sorry I said it's the journey that that that's that's what I think that's what's important here it's the journey not like if he makes it or what's that. [41:17] You got it. Yeah. Yeah. You know, I mean, it's important, but, you know, I've learned my lesson with Dave Grohl and I just had to appreciate doing the Dave Grohl episode and whether he gets into the hall, you know, that's, that's, um, I almost have to take that as like a bonus. So I'm up next and I'm, I have another cast member, uh, that I need to, I, so I picked Sherry O'Terry as my first cast member and I'm going to go a little more current than Sherry O'Terry and And talk about Bobby Moynihan. I think Bobby's had such a huge impact on SNL. And he was often, he never was somebody who was looked at as the leader of any of his casts. But he was so, so important. And I think he was always such an underrated cast member. Until he left the show and then people started reevaluating his time at SNL. Completely. Yeah, right? Yeah. Yeah, people were like, wasn't Bobby Moynihan so good? And then we start thinking of all these characters, all his sketch work. He still loves SNL. He still appears on it. He's an SNL podcast listener. [42:24] I'm about 5% convinced that he might listen to the SNL Hall of Fame. That's how much he loves SNL. So Bobby Moynihan, if you're out there, we love you, and we're going to do an episode on you. For me, he was like, when he popped for me, he just like there's the one sketch and i liked him but you know it's sort of on the fence but my wife's like ah i just i don't he's not but then he did the peppa up in here character and we're just like we're in love we're in love with bobby he's just so brilliant and. [43:03] Yeah, I can't wait to hear this episode. I think you really hit it on the head when you were talking about his departure and reflecting back and, you know, seeing that Bobby Moynihan-shaped hole. [43:19] I think that his versatility is something that isn't discussed enough. He was great in sketches. [43:28] He was great at being a character. and he did weekend update bits of the yin yang that were almost all home runs if that's not hall of fame worthy i don't know what is what i am going to be interested to see is the two current big boys so far are beck bennett and bobby moynihan those are you know sort of current era level hall of fame nominees i'm curious which one will get more ballots this year i don't think either goes in this year but do. [44:05] A little side bet but i'm curious who gets the most ballots yeah yeah maybe we can get a sponsorship from exactly yeah um yeah so i'm glad you guys like this pick bobby monahan super excited to start delving into his all his work uh i mean i know a lot of it a lot of it's imprinted in my mind but it's just so fun to go back and watch him cook like the weekend update desk is something that he he was just he just lived in and made his own riblet and drunk uncle like there's just like things that are so classic oh yeah we still go back to a drunk uncle like just everyone's always like yeah this is a drunk uncle moment yeah definitely yeah so bobby moynihan uh matt circling back around so we're down to the home stretch it's our the final pick for for all three of us so yeah. [45:02] I am going to go back to the beginning. Alan Zweibel, you know, one of the original band of writers, penned for that first season of SNL. He went on to get a really close relationship with Gilda Radner, writing a memoir about the relationship, Bunny Bunny, Gilda Radner, a sort of love story, which was adopted into a play for Gary Shandling, her enthusiasm. Enthusiasm but also he created i i say two of the most iconic sketches of that original era which are belushi samurai sketch and and rosanne rosanna dana i feel like those are two wow yeah those early characters that really you you think back to them it's like they just pop and they're both they're both from his pen so uh yeah that is my final pick yeah i think that's a great pick uh Alan's White Bell, they talk about him being under the Weekend Update desk, handing off jokes. He was a joke writer. That's what he was. He was a joke writer, and he was among the last people to be hired, I think. [46:11] But they knew what they needed, and they knew that he could deliver, and deliver he did. Bonding early on with Gilda Radner, using that bond to create. An iconic character, co-create an iconic character, like you say, that may have overstayed her welcome. But she was on quite a bit those first couple seasons. But nevertheless, she was great. And he's great. And I think that the people that listen to this show are. [46:47] Need to start understanding that this is a show that has performers that do great work and are coming from a school of improvisation. But virtually everything you see every week on Saturday Night Live is written, and it's written by really talented people, and they need to be reflected in the hall as well. Well said here here and uh yeah as why bell when i go back and watch old uh snl episodes he makes me do the leonardo dicaprio pointing at the tv because he will he will appear like you'll see a sketch and then you'll be like oh it's why there's alan's why bell in the background or they used a picture of alan's why bell on weekend update for something or he'll just kind of pop up he's like uh where's waldo uh in that era's why bell will pop up when you least expect him and he had a really funny cameo and a curbing enthusiasm as well he had a funny interaction with larry david uh when he ran into him in new york city at a bar that one of my favorite scenes in the show's history is why belt was a part of so we love oh oh this is gonna be a fun one to listen to yeah i've got a lot to learn and that is where i start with my wild card pick i've got Got a lot to learn. I don't know a lot about this next fella. [48:07] I know not a lot about him because of the era he came into, but I know that he was part of the bread and butter. There was Eddie Murphy carrying the load, but the glue guy was Joe Piscopo. I felt you were going there. And Joe Piscopo is somebody that I think, while he's got some interesting things to say these days, I think that reflecting back on his actual career, which is what we want to do and we want to look at, I think that he was pivotal. He was pivotal. There are a handful of people that are responsible for SNL staying afloat. I'm not going to say keeping it alive in this case, because I don't think he was that valuable a cog. [49:02] Uh over overall but he kept it afloat for sure like he was somebody who kept it afloat he was he was a steady rower and it was a time that things were not steady other than steady eddie of course so joe pescabo he's got my back he's probably the most buff uh former cast member in the show's history if i i would i mean i haven't done the proper research for this uh but But my guess is he's the most ripped cast member in history. What do you guys think? I have to agree. Beck Bennett is surprisingly close, but I think Joe in his heyday has that title. I think he's the only one who's appeared on a men's health magazine, that's for sure. Probably. Never saw Kyle Mooney in men's health. [49:53] Now I've got that sketch in my head where he got like wearing the bodysuit like. Like, that's what Joe Piscopo actually looked like at one point. Let's write a sketch about Joe Piscopo. Jamie, this is great. I think people always talk about Eddie Murphy, rightfully so. Like, Eddie Murphy was amazing in that era. But Joe, Joe Piscopo was right there with him in a lot of these classic sketches. Sketches and i think i know a lot of snl super fans who really go to bat for for talking about how how important joe piscopo was and what an actual like good cast member he was uh so this will be uh really neat to go back and watch frankly a lot of sketches that sort of get lost in time from that era if eddie murphy wasn't a part of them um it's almost like they just kind of get lost in snl history so this will be a fun one for me and when you find them out there they're They're usually hacked to bits, right? Like there's like three sketches and then meet one musical performance or something like that. You know, exactly. What have you got for us, Thomas? Oh, sorry, man. Sorry. I was just going to say, I can't wait as well. Like I, I mean, he's such a, he, I love his mobster characters when he, when he goes into that sort of like rat rat pack, channeling like uh frank sinatra that he would often do yeah and they use that like that like later on in his career he appeared on star trek the next generation as like a rat pack era. [51:21] Comedian and yeah like he mentored data on how to be a stand-up comedian and it's just like he just He exudes the feel of that era, but that's because he just is so good at committing to a bit. So, yeah, I can't wait. Thomas, you're bringing this home. Yes, sir. I'm rounding this out. I have a wild card pick as well, and I'm going to add another host into the mix and end it with a host. It's a five timer. So I'm adhering to that to that loose rule, I guess, of having a five timer. It's somebody who actually hosted six times between 1982 and 1999. Bobby Moynihan apparently actually impersonated this person on the show one time. So I'm talking about Danny DeVito. Danny DeVito. I was going to guess that. Yeah. So it's Danny DeVito. He was always like a very reliable host. He hosted one time with his wife, Rhea Perlman. That's right. Yeah. Yeah. I remember him having memorable sketches of really funny. Everybody talks about the delicious dish with Alec Baldwin, but Danny DeVito was in a really clever delicious dish sketch in his own right that I'll definitely talk about. I always loved Danny. He's such an interesting, quirky personality. [52:41] And it's just going to be so fun to chat about his hosting gigs at SNL. Like I said, 82 to 99. So not quite like he never hosted with a lot of the new cast. But he's got to see a lot of SNL so Danny DeVito is my choice, I like it. It's a bold choice. It's sort of sitting in the bushes, you know, but it's very obvious once you play those cards. And the fact that the run is from 82 to 99, and you got a lot of quality appearances you know again another stat quality appearances. [53:31] They together with ria perlman i thought um was a fun episode and for a time it almost seemed like he was going to challenge alec baldwin he even had the episode with his spouse You know, they were rolling out around the same episodes, and then Baldwin just took off in a bolt. I think that Danny DeVito is somebody that will, you know, probably hit around the 35% mark in his first year, which to me is somebody that's likely to get in. But it'll take a couple years of us pestering people and telling people, no, no, watch the episodes. This guy was really good. And Danny DeVito is one of those interesting. I remember watching Taxi as a kid and he was just like so abrasive. But it was again, it comes back to his. [54:32] His capability of understanding the moment and what he needed to bring to any scene. And then, you know, you go on to watch twins and all of this stuff growing up. I actually don't remember his SNL days. So I'm going to have to go back and rewatch those episodes. Not quirky sketches. sketches it's very some a lot of them are very danny devito which is a good thing good thing yeah yeah yeah yeah it's gonna be fun yeah definitely i think it's always sunny in philadelphia is gonna help him too because a lot of younger he's very relevant yeah a lot of younger people like it's always sunny i like it my my uh 16 year old niece loves it so that's you know he he a lot of people from different generations know danny devito and i think it's always sunny he's going to help him a lot here. I wonder if he'll come back. I wonder if he'll do a stint again. Yeah, I was looking at hosts. If that show ends or something. I think he'd be game. He's really game for anything. [55:31] He's not a person to turn down an opportunity to perform. So I would say he'd go for it. Maybe we can hire him for the SNL Hall of Fame Christmas party this year. Oh, I'll put some fillers out. I'm efforting as we say in the business. Well, Thomas, do you want to run down our picks one more time? Absolutely. So in order of whether they're drafted, we have... Garrett Morris, Beck Bennett, U2, Adam Driver, John Lovitz, Sherry Oteri, Bob Odenkirk, Charles Barkley, Julia Louis-Dreyfus, A.D. Bryant, Randy Newman, Bobby Moynihan, Alan Zweibel, Joe Piscopo, and Danny DeVito. I spared you guys my Don Pardo impression. I drew that, by the way, so you're welcome. [56:27] Listen i think that that's a formidable class of nominees rather not inductees but nominees i think that uh we've got an interesting season at our at our hands on top of those 15 episodes of course we're going to do another don pardo award there will be of course our famous round roundtable episode and then we'll wrap it all up with the class of season six. I wonder who on the ballot will make it. It'll be interesting to see. Thomas, Matt, thanks so much. This was a blast. That was great. Well, that's what we've got for you. So if you do me a favor and on the way out, as you pass the weekend update exhibit, turn out the lights because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Pop Culture Five Trailer | 12 Oct 2023 | 00:01:35 | |
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| David Bowie | 10 Oct 2023 | 01:16:07 | |
We're back in the Hall and this week we're talking about David Bowie, Join jD, Matt, and Thomas as they welcome Ryan McNeil to the pod. Transcript: [0:42] All right, thank you so much, Doug DeNance. It is great to be here inside the SNL Hall of Fame. You may have arrived yesterday only to find that the doors were locked. Well, it's Thanksgiving here in Canada, and that explains that, because this is, of course, where the hall is located in my recording studio in Toronto, Ontario, Canada. How are you doing, everybody? I hope you're well. Uh, whoa, hold on. That doesn't mean come inside. You got to wipe those feet first. Now, now that you're here, the SNL Hall of Fame podcast is a weekly affair. Each episode, we take a deep dive into the career of a former cast member, host, musical guests, or writer, and add them to the ballot for your consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity inside the hall. [1:43] It's really quite simple how this game works. We invite a guest on to tackle one of our nominees. They build the case for them. You listen and you ultimately get to cast the vote to determine whether or not they make it inside the hall. This year we'll be doing things a little bit differently. You will be getting an email if you have registered in the past to remind you to vote, but there is no actual registering to vote this year. You can just vote with your email address and you'll be good to go. So there's that. This week on the program, we have a good one for you. We have a, we always have a good one for you. I need to strike that. Can you strike that from the record, please? Very few people understand the operation here at the Hall of Fame, but we do have a stenographer that sits beside me as I recite thisintroduction, and she's wonderful. She's just wonderful. Her fingertips are like lightning. [2:49] She does a great spine massage as well. Anyway, before we go too much further into this and I incriminate myself, uh, let's head over to Matt's minutia minute, because I understandMatt is chomping at the bit this week to talk about David Bowie, who we will be joined by Ryan McNeil in the recording cellar with Thomas to talk about David Bowie and hisnomination. But before that, as always, we are going to track down our friend Matt, and he is going to talk to us in the... Oh, Jamie. Yes, Matt! Track 3: [3:25] Oh, Jamie! Track 2: [3:25] Yes, I know you! Track 3: [3:26] I am very excited about this one! I know, I know! You're gonna have a hard time stopping me talking, my friend. Track 2: [3:31] Okay, let's just do it. Track 3: [3:32] Can't wait. Davy Jones, aka David Bowie, was born January 8, 1947. He was 5'10". [3:45] Along with Tim Curry in the Rocky Horror Picture Show, David is the source of a lot of my youthful sexual awakenings. A little bit of TMI off the top, but just thought I'd get that out of the way. Born in London's working-class borough of Brixton, David Robert Jones changed his name so he was not confused with Davy Jones of the Monkees. Another heartthrob, but for very different reasons. [4:13] He had a rather unremarkable musical career early on, with his choir teacher calling his voice adequate, but he found inspiration in artists including The Teenagers, The Platters, FatsDomino, Elvis Presley, and Little Richard of whom he said upon hearing Tutti Frutti he declared that he had heard the voice of God. That early rock and roll really shook and shook people to their bones and you know if somebody's gonna be the voice of God, I wanted to be Little Richard. Now, he had some pretty incredible childhood friends, one of whom was Peter Frampton, who he met when he went to Bromley Technical High School, where Frampton's dad wasteaching David Bowie art and possibly creating the future of music secondhand. Just shows the importance of teachers. He was also at this time friends with David Jones's friends with a certain Reginald Kenneth Dwight, aka Elton John. Sadly, they drifted apart as their fame began to grow and did not have a chance to reconcile prior to David's death. [5:28] David formed his first band at the age of 15 called the Conrads, a skiffle band aping the Sound of the Beatles and other British skiffle bands of the time, which drew from US guitarmusic and blues. He drifted from band to band, including The King Bees and The Lower Third, before striking out on his own as David Jones. That didn't last long, shortly after he changed his name. His first release was the single Can't Help Thinking About Me, flopped, like all of his prior efforts with his bands to date. During his hippie era, David began working with producer extraordinaire Tony Visconti, who continues to talk about working with David to this day, and their relationship continued upuntil David's passing. He studied dramatic arts under Lindsey Kemp, including avant-garde theater, mime, comedy del arte, and all of this really does carry through to a lot of Bowie's performances, whichembrace movement, extreme performance, and, honestly, a lot of the time, comedy of the absurd. [6:37] His career exploded out of the gate with Space Oddity, which was released at a very timely moment, right before the moon landing. The BBC decided to use the song over top of their coverage of the moon landing, and that catapulted him from an obscure hippie to one of the most influential musicians that catapultedhim from an obscure hippie to one of the most influential musicians of the 20th century. [7:15] Over his career, he embraced a host of characters, including the most famous being Siggy Stardust, the Thin White Duke, and Aladdin Sane, but he also included characters likeMajor Tom and art detective Nathan Alder. His first song in character was the 1967 bassoon-driven single, The Laughing Gnome, which is as weird as the name makes it sound. Seriously, listen to it. Your life will be changed. There's a tiny talking gnome. I thought I dropped acid. I haven't dropped acid since high school. It was triggering. [7:58] He has 99 composer credits, 38 film acting credits including the alien refugee Tom Jerome Newton in The Man Who Fell to Earth and source of much sexual consternation, Jareth inLabyrinth, not to mention a delightful cameo as himself in Zoolander and appearance on Broadway and in London's West End as the Elephant Man. His first recording, I Never Dreamed, was recorded in 1963 when he was 16 and a member of the Conrads. His fellow bandmate and drummer, David Hadfield, was moving house in 1990 and found it in a bread box wrapped in wax paper. You can actually go back and hear that. Young David Bowie. Big difference from later David Bowie. [8:50] Now a myth about David is that he has heterochromia, but he does not. What happened was he was punched in the eye by a band member and developed a condition called anoscleruria, a permanently dilated pupil, which is the cause of why some people thinkthat eye is a slightly different color. Many songs were inspired by his brother, who suffered from complex mental health issues, jump, they say, and these issues led to him being institutionalized and then sadly his eventualsuicide. [9:30] Bowie is a cultural icon, so much so that there are multiple Barbies that have been released celebrating his unique looks, and I am sad that none of them appeared in the Barbiemovie. An innovator, he launched his own ISP in 1996 called Bowie.net, which is one of the earliest social media platforms where he basically invented the AMA. Not long after, he also pioneered artists monetizing their products and creations by selling shares in David Bowie. You could own a share of Bowie. I don't know what part I'd want to own, but I wish I had had the money at the time. His last album, Blackstar, was released on his birthday, January 8th, in 2016. A deep, penetrating meditation on death, loss, regret, pain, and hope, ultimately. Two days later, he died at the age of 69. His life ended as it was lived, a piece of art. Track 4: [10:59] Yes, indeed, Jamie and Matt, thank you so much. I am down here in the recording cellar and I will not leave until the business at hand is done. Today we are talking about David Bowie and here to discuss all things Bowie and SNL with me is a great guest that we've had on, this is his fifth time on the podcast. Oh man, do I get ajacket? Well, I see, you know, I think, uh, our previous five timers have just been okay, Ryan, with, with like, uh, your bragging rights and there, you know, you could, we could send you businesscards if you want something like that. You know, I see, I make that joke and yet I have, I'd say at least a dozen people who have been on my own show five times. I have nothing for them. I don't have stickers. I don't have buttons, nada. I've got people who've been on like seven, eight, nine times. I don't even, like not even a gift basket. So I'm just happy to, happy for the acknowledgement. Yeah, well, rest assured we have nothing for you as well. So, you don't feel the need to pay it forward with this. So you, yeah, so Ryan's been on, Ryan McNeil has been on for the Prince episode. He's been on to talk about Justin Timberlake, Bill Murray. [12:19] Dave Grohl was a wonderful episode. We've gotten a lot of great feedback still on the Dave Grohl episode. And Ryan McNeil, host of the Matinee Cast as well, a podcast, over 300 episodes now. Ryan, geez, tell me this is it. One of these days, I hope to get paid. [12:39] But yeah, when we recorded 300 this year, it was wild to think that I'd been doing it as long as I have. You know, there's times... My cat, every once in a while, will make an appearance. So I do apologize to your listeners. Okay. If they hear Lord Baelish crying, he's crying for nothing, really. 300 episodes. Yeah, you know, there's times where I think nobody's listening,just like any other show. But it's been great. I've met some really fantastic people doing it. I've seen some fantastic films that I might not have otherwise have seen. And it's part of the reason why I got the job I have. I'm not podcasting for a living, but I was able to put myself out there and kind of create a portfolio beyond just my own work of, if you're interested in learning about me, go listen to thisbecause this is, you know, something I create and can give you an idea of who you're talking to. Yeah, it's a good one. And this is coming out in mid October. Is there anything specifically that you might have in mind for mid October, we'll be getting into a new season, I usually take September off because it's kind of a wasteland for movies andcoming out of the Toronto International Film Festival, I can usually use a bit of a breath. So we'll be starting a whole new season of of shows mid-October. [14:00] I think the new Scorsese will be showing up by then. So we'll probably have an episode dedicated to that for sure. Yeah, that's a good one. I just read the book, by the way. So so I'm really looking forward to the movie. If it's anything like the book, it's gonna be outstanding, I think. So definitely. Yeah,that's the matinee cast course with Ryan McNeil. Go check that out. And today here on the SNL Hall of Fame, we are talking about another musical guest again, David Bowie And Ryan, this is your third musical guest that you've beenon for, of course, Prince and Dave Grohl. And I find it fascinating how viewers of SNL and voters of the SNL Hall of Fame look at musical guests. And I'm curious, why do you think people have been so hesitant to vote musical guests into the SNL Hall of Fame at this point? Paul Simon's the only one that's in now. I'll pat us on theback and say, I think we did a great job advocating for Dave Grohl. But why do you Do you think voters might be hesitant to put musical guests into the hall? I do think that the musical component of SNL is something that the most avid viewers. [15:07] You know, they go get a beer during that part of the show, especially if it's a band they don't know. I, I've actually found, discovered a lot of bands because they were on SNL. And I kind of felt a little foolish for not having known about them before, because SNL, as much as they can promote music and, and, you know, create an interesting showcase for a widearray of artists. And I got to give them credit for that too. They, they really have all kinds of different musicians on. It's not what everybody tunes in for. So if it's not your thing, if you're rather, if you're waiting for update or if you're waiting for, you know, the next round of the Target Lady or the nextround of the Wild and Crazy Guys, the Four Strunk Brothers or whatever you happen to be waiting for, that part of the show doesn't latch for you. This is just one of those things for me where where the Venn diagrams overlap, where the comedy nerd and the musical nerd are both delighted at the same moment. So I know that's not everybody, and that's cool. Get from things what you want to get from things. But for me, it's one of the highlights of SNL is the way they can work with a musical act and the way they can highlight and promoteand foster musical careers. [16:26] Yeah, I'm sometimes that way too. I'll admit, I oftentimes, especially if it's a musical guest I've never heard of, I'll use that time to go use the restroom or let my dogs out for for onelast pee before they go to sleep for the evening. So that's that is like a convenient break in between. I know I'm not going to miss update. I know I want to see what sketches come up. So unfortunately, like something sometimes in an hour and a half has to kind of fall through the cracks for some people and this does but depending on the artist and I think the one we'retalking about today if I was you know I was watching SNL for probably two or three of his appearances but in his prime there's no way I would have gotten out of my seat to go dowhatever get a snack or whatever I would have been glued to the TV of course to watch David Bowie so there's those certain artists that you just have to, I think, just stay there for. And I think we're talking about one of them today, Ryan, in David Bowie. And I wanted to ask you to start off, like, if you just can put into context for anybody who might not totally be familiar, anybody who wants to reminisce, like where David Bowie was likeon the rock star hierarchy, like throughout the 70s. His first appearance was 79, so throughout the 70s, where was Bowie in that hierarchy? [17:47] What's interesting about him showing up for the first time in 79 is, it's not like our Dave Grohl episode, where the first time Dave Grohl shows up, he's still got that new car smell. He looks like he's going to freak out if he misses a beat. David Bowie, by the time he shows up in 79, he's been going full tilt for 11 years. He is fully formed. He is deeply in the rock. Parthenon at that point, he's influencing other artists behind him. He will influence other artists who come after him. And watching that first appearance, I mean, if somebody is going to go back and watch his appearances in order, the only downside is the first one is the best, and they're all kind ofshuffling in between after that. But that first episode that he appears in 79, he is firing on all cylinders. He's actually a little bit subdued in terms of how weird he will be and how weird he'll get later. He's a little, you know, he's a little glossy in this era. He's kind of in between personae. But when he shows up, that's the great thing, is he is showing up at his prime. [18:59] It's like watching Muhammad Ali fight, you know, as a 26 year old and beating Sonny Liston. It's an incredible thing to witness. Yeah, I agree. I think this might be this Bowie appearance. It was season five, early in season five, it was season five, episode seven. So that wasDecember of 79. I think it was arguably in those early years, maybe the biggest get that SNL had. I mean, as far as we can run through, I'm sure I'm missing someone, but there are a few musicians around that time who were as big as Bowie. So I'm venturing to guess like they never had, they didn't have McCartney until the next year, I'm venturing to guess that Bowie was maybe the biggest get in those early years for SNL. Mm-hmm. I'd say that's pretty much on the nose. And what I like is it's embracing the new, right? [19:53] At that time, they were still trying to get the Beatles to come back, like Lauren was offering checks. They were very much interested in some of those New York bands, but they weren't exactly what I'd call leading edge with a lot of the music. So having somebody like Bowie who comes out and does something a little artier, a little kookier, it's them embracing the way that rock is changing and the way that rock is changingfrom, you know, four white boys copying blues into something a little bit more experimental, a little bit more arty, a little bit more New York. Bowie, of course, is an English artist, but those records, they feel, along with being very, very Berlin, obviously, they feel very at home with the New York vibe at the time of bands liketelevision and talking heads and those kinds of bands. Think it maybe lent some credibility in some ways to being a musical guest on SNL. And because before that, we would see a lot of, I mean, Randy Newman, of course, Paul Simon, he's buddies with Lorne Michaels. He appeared in those early years. But a lot of it wasblues musicians who are great, but they didn't have like the cultural cache. They didn't pop culturally necessarily like David Bowie did. So this was this was a great get for SNL. Again, his first appearance season 5 episode 7. This was in December of 79. [21:21] This was a few months after he released Lodger. Lodger? I've never actually heard anybody say this album name out loud. I've always called it Lodger, so we'll go with that. So he released Lodger a few months prior to this. The host was Martin Sheen, so we could delve in, unless you have anything else to say about Bowie in the 70s, could delve into this first appearance. No, let's go for it. I mean, I could, you know, we could be doing a whole other show. Sure. If we were doing that. But yeah, Lodger, it's a great place for him to be showing up. It ends off his Berlin trilogy, as I said, it's him very, very much in his prime. [22:03] He's gonna kind of take a weird and interesting wander after this, but it's a great place for him to show up. And the first song that he did, uh, was not from that album. It was, it was, it was the man who sold the world from the album, the man who sold the world. What did you think of this performance of the man who sold the world? So the one thing I adore about this first performance is that he is very much playing the, uh, the, the New York art gallery nerd. He is, he's putting on these performances that will influence David Byrne and influence Lady Gaga, all of these in the best ways. I'm a big believer in lineage when it comes to rock and roll. I don't look at somebody and turn up my nose and be like, David Bowie did that first. [22:56] I love seeing the influences. Yeah, he does this very cool installation art performance. Kanye will cop to this later on, where he's in this huge suit and he's basically like, almost wheeled out, although he's carried by these two aliens who are completely – Yeah, those spooky-looking guys who also served as the backup singers, yeah. Yeah, who are completely blasé about all things, but they carry Bowie out to the microphone, like they're wheeling out Hannibal Lecter. And yeah, he starts out – that's kind of a flex, is like, I'm going to start with something I did a while ago. I'm promoting a new record, but I'm not going to start with that. I'm going to goback and remind you why I'm here. and he slays as he always does. [24:00] I might prefer this just the performance and the sound of it. I might prefer this to the album version. Quite honestly, I think it was it was maybe a little more textured. It had so many layers. And I think just I listening to it, I was like, God, this is so good. Like, I like the album version. Quite honestly, I like Nirvana's version on Unplugged. Right. Better than better than Bowie's album version. But this was like this really popped to me. I thought it was really interesting. I think the two scary looking dudes, the backup singers, I added to it quite a a bit. So I really enjoyed this performance and visually, it was something that SNL didn't always do back then.It's half like, as you said, the performance art aspect. No, because you need the, like that part I feel is driven from the artist. I feel like every time they book somebody, they're like, okay, so you know what the set is and you know what you're working with, you know, good luck. And I think it's, it can be on the artist to come back to them and say, well, I want to turn it into a bedroom the way that Lizzo did, or I want to turn it into just a blank white wall the waythat Kanye did. [25:07] It's on them to change what's in front of you that much. And the set is still static. It's not like David Bowie is doing anything really drastic with the train stations behind him. But he was the one who's like, all right, boys, you're going to put me in this big clunky suit and you're going to wheel me out forward so that I'm going to sing. Standing stark still, mind you, like he's not, not so much as a sway. He's very much locked in place. And yet you can't take your eyes off him because it's the song is that good and he's so charismatic doing it. Yeah. That's the thing about Bowie is he's someone who you can't take your eyes off. To me, he's one of the most interesting looking people, I think, who has ever lived. And every time you see him, he has a different look. Like from Gaga today, every time you see Lady Gaga, she looks different. That was Bowie back then. He just, and he pulled off anything. He was just so visually, just an interesting person to look at. The thing that's wild too is, that's a handsome dude. [26:08] That guy rolls out of bed and just like puts on jeans and a black t-shirt, and that's a good looking cat. Does not need to do anything. He does not need to put on makeup. He does not need to change his hair. He does not need to put on a crazy outfit. He just shows up as a gorgeous human being. And yet, throughout his career, he's like, I am going to dye my hair bright orange. I am going to dress like an alien. I'm only going to wear the white suit. And it's like, okay, cool, becauseyou just go along with it. [26:38] It's like he's eschewing his natural beauty because he doesn't feel like that's interesting enough. Yeah, everything he did made sense with his style. Even if – like I couldn't pull any of that stuff off. Most of us couldn't. But anything that he tried, he pulled off. Whether it was like – and we saw his style kind of change with the times as we will see it here on SNL, but even as he got older, he had what I call like the cool dad kind of haircut. Hegrew into it. I don't know how he aged that way, especially considering later on in life, he was very sick, but he just, he aged so incredibly. He's a, like a one of one in terms of just the style. Like few people, Prince could probably pull off a lot of things, but maybe not as many types of different types of things as Bowie. And then, I mean, like, so, you know, the big suit was that he could have just kept trotting back out the big suit we all would would have got a laugh but then he comes back out and doesTVC 1-5. [28:07] Again, not off the new record, so it's like, I have something out, but I'm not going to sing about that right now. It's like the opposite of a concert where they start with six new songs before they get to the stuff you love. And TVC15, I mean, again, he's not going back out in the suit here. He's going out in like a blazer and a dress. He's doing his little sexually fluid androgynous thing that will spark a whole other movement. Influencing a lot of artists to come, influencing the culture to a better place, I think. So he's out there. He's kind of dressed like a glam schoolmarm. And now the aliens are bored. Now the aliens are reading the newspaper. And what's the other alien doing? Oh, the other alien is walking his dog. You know, they're still seeing – there's a little poodle with a TV. Yeah, with a TV in its mouth. [29:02] So yeah, so it's like, okay, we gave them the suit and that worked, but we can't give them the suit again because they won't buy that. What else can we do? All right. Let's dress me, let's dress me somewhat in drag, not fully in drag. And you guys just act bored. Just act aloof, sing when we need you to, trade the newspaper and the dog, and that will work. Yeah, and everything that happens makes sense. Everything that he wears makes sense. It's just given who he is, it all of this weird, weird stuff on stage makes sense. Yeah, you got it. Yougot to tip your cap to that. I love it. That was TVC one five from station to station. So we're not even getting anything yet from his, from his new album. But the third song, which by the way, pretty cool. They lethim perform three songs that didn't all. Yeah, they don't do that. Yeah, they don't. Yeah, I know. That's usually a sign that they're really happy that you're there when they give you a third. I can only count on a very few instances where they give you a third. They still do. Every once in a while, they'll give you a third song, but it's really, really rare. Sometimes I think it's because they're light on material. [30:07] Boys Keep Swinging, I mean, just when you think he's fired the gun empty, Boys Keep Swinging is- This is wild. It starts out so normal. It actually starts out like the Nazi boy singing in Cabaret, where it's just from the neck up. And you're like, oh, this is pretty. And then this shot reveals and you're like, oh, it's a little Nazi boy singing. That's not what David Bowie did here. That's in Cabaret. Watch that movie. It's an incredible movie. And when that moment comes, it's horrifying. No, in here, David Bowie is singing from the neck up and you're thinking everything is normal. [31:08] And then the shot pans down and he's basically composited with a marionette that's being shot offstage and he's like following the marionette. He's not just sticking in place. He actually can see what the puppeteer is doing with the doll and how it's making it dance and his head is following it. People can't see obviously because it's an audio medium, but his head is like bobbing back and forth or his head is, you know, bouncing along with the puppet and it's just such a delight towatch. [31:40] Yeah, it was jarring. And so you're saying, so I was trying to figure out how they were doing this. And so the marionette was on a different, so Bowie was on the stage and themarionette was on a different stage. I, it's, it's kind of hard to figure out exactly how they're doing it. I was trying to figure it out. Yeah. Bowie can clearly see what the puppet is doing in real time. So I don't know if one camera is pointing at him in front of a green screen and another camera is pointing at the puppet and they're nearby, but they don't happen to be on the stage with theband. That may very well be what it is, but they're definitely aware of each other. They're definitely in proximity to the band. That's one where I would love a shot. I'd love a behind the scenes shot where I can see how they did it. Cause it's also, I mean, it's really low budge. It's not, you know, it's, it's not any kind of like avatar trickery here, you know, this was 1979. Yeah. Yeah. So it's something you couldprobably do with your phone. [32:40] But it just, it's, it's, it's delightful. It's so kooky. It's all hanging on a song. That's like, not exactly one of his bangers. You know, you gotta go like 20 songs deep or so, or 30 songs deep before people start talking about Boyz Keep Swinging, but the song slaps, the performance is amazing, he finishes offhis little. [33:00] Gallery residency and, you know, shows SNL how it's done. I would have loved to see, like you said, I would have loved to know what this looked like to the studio audience to be there. But Bowie was just so perfect at coordinating his movements with that marionette, turning it into a cohesive thing. That's impressive. In 1979, I bet people were watching, going like, what the hell? This is like, this is awesome. I was watching it today going like, this is so fun to watch. It's wonderful. You know, do you think that these performances on SNL, like captured Bowie's late seventies essence. Like, do you think fans got what they wanted with these performances? [33:37] Yeah, yeah, absolutely. Like, you know, this is, this is back in the day where seeing a band only ever, you know, if you, you either went to a concert, if they came near your town oryou saw them on TV, you know, like there, there was, you know, there was no YouTube, there were no videos, like you, you, and not only that, but there were very seldom like reruns,right? Or, or you had to, it was appointment television. had to be on the living room floor, you had to be on the couch at midnight on Saturday night, Sunday morning to see these things. So, you know, yeah, I think he may have even thought of that, you know, that at the time when people are seeing bands on television, that they are making a point to see them. Because this is long, long before TV was just company in the room, or, you know, God forbid, a second screen. If something was on, you were generally watching it with intent. So he probably thought if somebody's watching me with intent, I want to give them a show. [34:36] I was really impressed with with all three of these, and visually and the songs to everything kind of gelled. And so that was like, right under the wire as far as like, him getting on SNL in the 70s. It was the second to last episode of the entire decade. So he went the entire 80s without appearing on SNL. Which is weird because his music, like, we talked about this with Prince. Like, Prince took a really long wander in between appearances, but Prince also took a really long wander with his career. [35:08] Bowie in the 80s, I mean, Bowie in the 80s was very, very poppy, very much more FM radio, you know? Like, his songs were a lot slicker. He wasn't doing the arty, weird, alien, I'm going to dress in a giant suit while the aliens are bored behind me thing anymore. He was doing something much more commercial with songs like Let's Dance and Modern Love and those kinds of things. Love them, but they feel much more like they they could havebeen done by just about anybody. Um, so, but the thing is, they suit what SNL was doing in the 80s very much. So it's kind of interesting that he never showed up for any of that. Yeah, I'm surprised what Let's Dance, the album came out in what, 83? Thereabouts. Thereabouts. So, so I think he would have been a great fit on there. And there's well known, I mean, Modern Love, Let's Dance, China Girl, Cat People, like there was some really beloved songs. Yeah. And he was, he was touring. He was big. Like hewas, it wasn't like he was being that guy in the cabin off in the woods, that would come later. But he was he was around, he was doing stuff, he was touring, he was, you know, doing duets with Mick Jagger. [36:17] For whatever reason, he just never showed up. I think especially with that album, too. I think he adapted to like the 80s sound. He made it Bowie, but he still fit in to what the overall vibe of was of that time. Yeah, it's always cool. I don't know. Maybe Ebersol didn't didn't love him. be. I mean it's always cool to talk about Bowie's fans because everybody has like their era of Bowie that they love. Stones fans, it's kind of the same sort of thing. People love 60s Stones. People love 70s Stones. [36:48] There's a lot of people who swear by 70s, 80s, 70s Bowie and then everything after 1979 is trash or there's people who came in much later and find those 90s records really, reallyinteresting and really, really wonderful and anything before or after that is weird. So it's Bowie's kind of – that's one of the things that I love about him is that because he's got all of these movements like an artist, like you can see he's very, very much inspired by thegreat artists who had their movements. [37:19] He lends himself to people coming in and out of his work at various points. Yeah. Where do you find yourself on that spectrum of preferences? Does it vary just by what mood you're in? It does, actually. [37:32] I mean, I really clung to him in late 90s. So I have a soft spot for some of those late 90s records that we're going to talk about in a second. As time went on, I grew to appreciate more and more of, you know, I then like jumped straight back to the 70s stuff first and the 80s stuff kind of took a minute with me. I have a a bittersweet fondness for those last two records just because I found, I found them so, so intricate and unexpected. Like he had, as I mentioned, he'd been gone for quite some time and I'd actually kind of squared myself to the fact that he may be gone permanently because it had been so long with himnot doing anything until of course he was completely gone. Um, but I, I, I very much, I love, I love a lot of it, but I do have a soft spot for those, those 90 records because that's that's where I joined the circus. [38:22] His second appearance on SNL, it's said went through the entire 80s without appearing on SNL. His second appearance was in November of 91, season 17. A pretty memorable episode, honestly. Macaulay Culkin hosted this episode. And I have visceral, kind of vivid memories as a child of Macaulay Culkin saying. Ladies and gentlemen, Tin Machine. Yeah. And at the time when I was a little kid, I didn't know, I didn't really know who David Bowie, like I think I knew the name. You probably knewhim as that guy from Labyrinth. Yeah, yeah, honestly, yeah. Like Labyrinth, I knew him from there, but I didn't put it together that Tin Machine was David Bowie's band. I thought it was just some band that I had never heard of. but Ryan, are you a big tin machine guy? [39:05] Not so much. Tim Machine is, it's a strange little moment in his career because it comes as an answer to the poppy, glossy, mainstream commercial 80s music that he was doing. He found himself restless and dissatisfied, understandably, even though, you know, I would say that a lot of that 80s music has its merit. He just didn't like where he was at and the kind of people he was drawing into the to the theater. So he decided to take a break and do something different and go work with other people and create this little band 10 machine. Here's the really strange thing is that it's not, it doesn't feel like that hard of a swing away from what he's doing of everything he he ever did. It's it feels just fine. It doesn't feel like a drastic shift back to the art stuff, it's not what I'd call like especially harder. It kind of feels like it's in between the eras of music, you know? Like yeah, in a time where Metallica and Guns N' Roses and Motley Crue were the biggest things in rock, this feels very different. But considering that at the same time Pearl Jam and Red Hot Chili Peppers and Nirvana are about to take over, this feels like a step behind all of them. [40:27] So I mean, they're good. It's a good performance. It's not the aliens and there's no suit. It's very 90s. Yeah. The first song they did is called Baby Universal. And I actually surprised I was surprised I actually like these performances more than than I expected. I expected it to be a huge, huge drop off because it wasn't like bowie, it was a side project. But I think I came to the conclusion that I would still like this if it wasn't bowie. Like I think it fits in fine, like it was a fine, good, enjoyable performance In my opinion. [41:26] I mean, I'm, I'm curious for sure. I'm not, I'm not thinking that, I know, I feel sad that I missed it in this moment. There's a lot of stuff that I, I was really late to the party and I'mlike, why wasn't I listening to this then? Um, this is not one of those moments. I'm like, Oh cool. I've got something new that I can find out about. Um, he's very styled in this, you know, he's not doing the, the arty weirdo. He's, he's very, very much, you know, a handsome dude in like leather jackets and, and sharp collars and that kind of thing. What is it? Mid to late forties around this time? 1991? Yeah.Yeah. Late forties there about the mid forties. Um, you know, cool guy who's in his mid forties in the early nineties. Yeah. And he works it well. Yeah. It's what I, what I thought was cool about this too, is it's, it's really awesome to have this band documented in the landscape of SNL. Like that's one of the things I like about this show is that it's around for a lot of moments that are interesting experiments that people may forget about. Like, correct me if I'm wrong, but there is an episode where the musical guest is Chris Gaines, right? Yeah. Well, Garth Brooks hosted and then the musical guest was Chris Gaines. Yeah. [42:36] If you tried to explain that to somebody now who was not around at the time, it would seem bananas. And yet it's like, no, it's right there in the archive. Go watch it. And it's a perfect snapshot of that time too. And we're thankful that it's there. Yeah, yeah, yeah, for sure. And I would have to say tin machine. I mean, they're good musicians, too Oh, yeah, David Bowie got Tony Fox sales hunt sales and then Reeves Gabriels He's in the Rock and Roll Hallof Fame as a member of the cure and Reeves is gonna play with him for a while Yeah, so it's it's kind of it's kind of neat because you're seeing the beginning of a relationship. Yeah. Yeah, it's really neat They're their second song to me. I think the vocals especially sounded more classic Bowie Yeah, the way he was singing his inflection. Yeah, the song is called if there is something. [43:51] To me, that sounded like that's how I know Bowie. Yeah, that one was better of the two. Yeah, yeah, I think I preferred that one as well because like, you know, it's that warm blanket of Bowie that we're probably used to. Totally. So that was Tin Machine. That was his second episode on SNL, season 17. And then we go about six years before the next one, 1997, that was season 22 in February of 97. He's promoting Earthling, which was released about five days prior. Yeah. Tell us about Earthling. You said you liked, you started liking around this era of Bowie. This is very much where I show up. So I had found myself very interested in the record that came before Outside, and that was my gateway drug to Bowie. I started listening to old Bowie around that time, became very, very interested in him as an artist, his looks and whatnot, and listened to the older stuff. So this was the first one that it dropped, and I latched right away. I was lucky in that this is where I got to see him perform a show. Oh, wow. Yeah. And he was performing this record mixed in with his older work. So I have a soft spot for this, for this record. It is very late nineties. Yes. It is very, very, you know, grunge is over. [45:20] Electronic is taking over. You know, we're- To me, it sounded like the Prodigy, like the song, Little Wonder, that the first song that performed, I got the vibes of The Prodigy, whichis a total late 90s. [46:08] It begins with this beautiful drum lick, which unfortunately is a drum machine. The drummer's just sitting there waiting for his turn. And when the drums come in, they're fantastic. But it's amazing that this really quick and steady drum line is a machine. Bowie is kind of reminding you again of his Aladdin sane time, like he's got the bright orange hair again. Again, he's very, very, his look here is very like. Sharp and demon-like. He's got this big collar. He's got this very 90s goatee on his chin. But again, this could just be me talking fondly about the era where I walked into. It's incredible. It's wonderful. It's powerful. It's strong. It's loud. [46:53] And it's very, very interesting, again. He's not trying to style up the performance that I found a little bit weird because this era he was doing, he was wearing this really great UnionJack coat at the time. If people find the cover of Earthling, he had this really great coat around the same time that the Spice Girls were wearing it as a dress. It was a very, very big time for England. But he didn't wear that on SNL, even though he was wearing that for some of his concerts. And it's fantastic. Yeah, what I love, this is an example to me of something that I love about Bowie is that he doesn't thumb his nose at the trends of the day. No, he's interested. He's interested in it and he really embraces it. Like we see, like we're hearing electronic elements in this, in this first song, in this album, Earthling. [47:40] He works with Trent Reznor, obviously maybe a couple of years after this, around this time. So I love that he embraces. This is around the time he was co-head, he was touring. Hewas touring with Trent. Yeah. The tour before this. Yeah. Yeah. So he's embracing that stuff and I love it. He's not one of the old school guys who's just sticking to what he knows and everything in my day was great and everything now sucks. Like, I love that he embraces new, new things in music. I mean, he was friends with John Lennon and John had that too, right? Like John was always interested in doing new and interesting and different things. So it's, it's, it's, you know, itmakes sense that the two of them would be cut from the same kind of cloth. Yeah, definitely. And the second performance here, it's a throwback. He gives older Bowie fans something that they love. he performs Scary Monsters. [49:01] I love this song and I think it was such a great performance. I love seeing something scary monsters came out in 1980 So it was like a early late 70s early 80s kind of still Bowie vibe Yeah, it's the hinge from one area into the other what I love aboutthis and you know with like if we put the tin machine Performance aside for a second all of his other three performances. He does something new and then shows you how it fits with something old You know or in the case of the first one does the old stuff and then shows you how it fits with the new stuff. [49:32] So doing Scary Monsters, Super Creeps and kind of making it just that little bit harder than it was on the record and showing you how well it fits with something like Little Wonder,you know, to anybody who's like, Oh, I liked him better when he was doing Scary Monsters. It's like, well, this is very much like Scary Monsters. Just, you know, we're doing it a little harder. Reeves is just shredding on this on this performance, just absolutely wailing. Bowie is going for it. There's so much bravado in this performance. It's it's just so cool to see. Yeah, I love that. He he's given the people what they want. Yeah, essentially. I mean, he's doing a great performance of a new song, but he's like, I'm going to go back to 1980. And and when you when you discount, like when you if you if you don't include the tin machine performances, these are five songs and five different albums. So he performed from lodger station to station, the man who sold the world, we're getting something from earthling and scary monsters and super creeps. This is like, this is so cool. I love when the when artists say, we'll play you a new one, but then we're going to play you something that's a little bit different. [50:42] We know that you love, like we're going to take you back. So I love, I love that, that the, again, like the lack of pretension that's in there. I wish more artists would do it. Like, I know it's important to promote your new work. You know, especially when you're, when you may not get another chance. Like, I mean, not everybody is David Bowie. A lot of these bands are going to come on one time and they may never come again. So, you know, along with the fact that they may not haveolder work to draw on, on. They really want to make the most of why they're there. [51:11] But the ones who do get another chance or the ones who have been around for a minute, you know, play something older, rearrange it or something and just let us see how it fits. Yeah. So I think, you know, third episode that he's appeared on as musical guest. I think we're, we have a high batting average here. Even the tin machine stuff, honestly, I enjoyed. Yeah. Like it was super enjoyable to surprise me how much I enjoyed his tin machine stuff. So I think we're, we have a high batting average here with David Bowie on SNL, uh, his fourth appearance, season 25, the, the first episode of the season, Jerry Seinfeld hosting thisepisode in 1999. And again, Bowie promoting his new album, Hours, but he's given us something old and something new. something new Ryan Thursday's child from ours. [52:26] So Thursday's Child, I actually kind of love. It's nothing complicated. It's not something that I would say is like, you know, top 20 Bowie or anything like that, but it's just so sweet. It's so comforting and just really lyrical. It's kind of like a sundown kind of record. His performance is actually very subdued. [52:51] He's dressed like he just walked out of Banana Republic. Um, this is the cool dad look that I was talking about. His hair is a little longer, but it's kind of parted in the middle. It'syeah, but it's shaggy, but it's like intentional. [53:04] It's like, and he w you're right. He looks like he walked out of banana Republic. This is what I see. Like, I have an uncle who reminds me that he, like he, he, he, who wears his hair like that so perfectly. And he, and he just looks like a, like a cool dad kind of vibe. And, and this is another different look that Bowie's just pulling off. I wish I could, and I don't know, 15 to 20 years. I wish I could pull something. Exactly. I will not. Like, that's the thing is that he's still, you know, even with the fact that he looks his out, I kind of wish that he was a little bit more styled,but the fact is he still looks like David Bowie. You know, this looks like David Bowie on laundry day. Yeah. Did we mention he's married to a supermodel? Yeah. Supermodel. Yeah. There's, you know, it's, it's, it's a little odd. Uh, Imean, maybe that's the thing he settled down now. So he doesn't have to try so hard. Um, the song is beautiful. The album is somewhat forgettable hours is not what even even somebody who comes to him in the late 90s. It's not one of the records that a lot of people mention. It kind of it was kind of Thursday's Child and done, but it's a beautiful song. It's a lovely song. Really sweet, really romantic. You know, there's no angle on this one. It's just here's a guy who can sing and he's going to sing for you. Yeah, I just I love that it's a it's highlighting his voice, his singing, and that was the main thing that stood out to me. It's just like, this is Bowie's voice. We're highlighting that. And I'm fine with it being more of a subdued performance. [54:26] I think it shows a different side of him as a performer that I think is necessary. I think it was a really good addition to the night. And that's, you know, I think it especially works because we're getting like a really rockin' song to close the night. Throwback, again a song that I've always loved, Rebel Rebel from Diamond Dogs. One One of his big songs that I think a lot of people love. [55:21] This is usually one of the showstoppers. Again, you know, he reminds you how the new stuff fits with the old stuff. It's all swagger. This performance is all, I know how much you all love this song. I know how much you're all gonna lose it, and I will not disappoint. I'm not gonna act above it. I'm not gonna act like I'm tired of singing it. I am here because I know you enjoy it, and it's wonderful. He even kind of like, cozies up to his bass player for the lines, like, not sure if you're a boy or a girl. Hey baby, your hair's all right. She's a bald woman of color. So of course there would be kind of that fluidity to her appearance and, you know, any time a woman's hair is bald, it's, you know, I love your hair. No, who cares if your hair is bald? You know, it's great to see him reinterpreting those lyrics in that kind of way. [56:15] And I think what I love about it the most is it shows that, yeah, we started with the dog and the TV in his mouth, and we started with the puppets, and we started with the aliens. We started with Arty Schtick, but the reality is that even if he didn't use the Arty Schtick, if he just went out and sang Rebel Rebel, or if he just went out and sang Man Who Sold theWorld, it wouldn't have mattered because the thing is, the work is genius. So you can dress it up and you can have fun with it and you can give your audience something more because you want to and you want to create and you want to find and build these littlelasting moments. But if you strip it away and the work is still genius, it doesn't matter. It still holds. [57:04] Right, and if he did the arty shtick in 1999 like he was in the 70s... Probably wouldn't have come across as authentic because that's not where he was as a creative person in his life probably in the time. That's just not what he was interested in. So if he just forced himself to do the arty shtick, it probably would have fallen flat, I think, if he wasn't as invested in it. I want to see him be authentic to himself. Yeah. I mean, he will still keep calling back to those earlier records on The Records to Come, Like stuff that he wouldn't even play on SNL, likerecords like, um, when he will later get to Heathen, Heathen has a lot of callbacks to, I mean, other singers, like he does covers on Heathen, but he calls back to a lot of his Berlin, uh,albums, certainly later on when he will do The Next Day, um, The Next Day is a callback to kind of his whole career. So he's going to keep- cover on the next day is a callback to Heroes. Because it's just a box that says the next day over the Heroes album cover. Yeah. Yeah. So he's going to do that. And he will continue to find the way that the new work can be informed by the old work. Not copying the old work, exactly, like he's not, you know,as much as I love the Stones, he's not doing the Stones. [58:27] Just, he's finding new ways to, to take, to add chapters to, to those earlier stories without necessarily needing to dress in the white suit or dress like the alien or get in the dress. You know, it's, it's, it's an interesting, it's, it's kind of, it's a very mature approach to, to rock and roll and to, you know, art pop. Yeah, I agree. And, and we see it here, his relationship to, to older material in here in in 1999 with Rebel Rebel. This was a song, I don't know if you saw this tour. But this was a song that he hadn't played for like a decade and he decided to start playing it again on the tour. And you mentioned like it's one that really gets the crowd excited and going. He decided to reintroduce it to his set list. I guess he took out the Quaaludes reference in the song. Maybe that's why he had a tough time performing it. But I guess from what I read, he took out the reference to Quaaludes in Rebel Rebel once he started performing it again. But that's just something that, you know, he took a song, he maybe saw an aspect that he didn't love about it, but then he made it work again. He's like, hey, I want to perform this again. Yeah. And later on, he would play with the intro, like the intro would actually be stripped down and sound really lovely before the blaringguitar came in at the top of the first chorus. [59:45] It's yeah, he was always interested in doing that and kind of leaving some songs behind bringing them back in. And, you know, he was never the guy who was like, I don't want toplay that anymore, ever. You know, he got, he got tired of things and he needed to find them again. But, um, he always found his way eventually, even, even down to stuff like, um, even down to some of that stuff, like the 80s stuff that he was trying to get away from with Tin Machine. By the time I saw him again in 2003, uh, or 2004, I think the concert was, he was starting the shows with songs like China Girl and Modern Love and those kinds of songs where it's like, Ikind of thought you were ready to put all this stuff in a box. Man, I wish I could have seen him. [1:00:26] I'm like jealous. You're telling me that you've been able to see him, uh, what, two or three times, two times, two times. And one of the first one, I got really, really, really lucky.The first of the two times was in a club of about 1500 people. [1:00:41] And it was completely because I met the right person at the right time and they had a ticket. I got in good and close and, uh, had a transformative experience watching DavidBowie in that kind of room. Um, I'm, I'm really, really lucky and I always count myself really, really lucky that I had that experience. Gosh. Yeah. I used to go to the Coachella festival like every, I think I've been six or seven times to those sensibilities maybe a little bit more, but that was always the one artist who whoeverybody would request and want to headline every single year is maybe this is the year that we're gonna get Bowie. This is the year. You think Bowie's gonna headline? It never happened. I always thought that maybe that would be the chance I had to see him, but how was he as performer? He was incredible. He was, so this was, he was touring, he was touring Earthling. He was mixing the set really, really nicely. Like he started the set with Quicksand it was just him and Reeves and Reeves was playing an acoustic guitar to start the set. [1:01:56] And then, you know, things would come and go. He was, he was playing very electronic at the time. So some of these songs sounded like they were a little bit rearranged. But it was, it was, it was fantastic. And, and he's, you know, I, I like the, the set list is kind of blurring in my brain right now, but it was just, um, you know, trial by fire for me and justkind of very overwhelming. Um, I got like one of my favorite concert photos I've ever taken is from that show. So I'll send that to you after we're done. Maybe you want to include it in the show notes. Cause it's apretty good shot. Um, I mean, the, this thing is that's interesting as well about Bowie that, you know, where maybe we should leave off is after this moment. So from 99, He's got about another four years of an active career, and then he's going to go away for another. [1:02:47] 10 years. He's going to go away for a very long time and nobody would ever actually really know why. You know, he would show up, he was around. It wasn't that he was reclusive or it wasn't that he was, you know, we know he was sick, but he wasn't so sick that he couldn't go out. He would show up at things like Fashion Week or gallery openings in New York. He did a little, you know, he did a little, he would do little movie cameos and stuff like Zoolander and the Prestige, of course. But he wouldn't, he didn't record. He went from 2003 to, when was the next, I think the next day was- 1913. Yeah, that's- It was 10 years. Yeah, and I was very much under the impression of, Bowie is gone, you know? Certainly after you get to six or seven years of that, I'm like, he's just done. He wants to do other things. He didn't make a formal announcement. He didn't say I'm retired or anything like that. He just, it was kind of part of the mystique of where did David go? So it was, it was a very strange thing to see, you know, we all just kind of shrugged and be like, well, he's off living his life. And then, you know, he would come back for this very brief little curtain call right at the end of his life. You know, the last three years of his life, in the case of his final album, literally the last week of his life. And then off he went into the stars. [1:04:12] It was a really, really surreal thing to live through as a fan. [1:04:18] And it's interesting that SNL ends its relationship with Bowie right before that little sabbatical. Yeah. And I guess from how you're describing and how I'm remembering the arc of his career, it does make sense that 99 was his last appearance on SNL. And I remember when the next day came out, it was a shock like amongst me and my music nerd friends. It's like, Oh my gosh, what do you mean new song? Yeah, what's going on? And I thought I thought the next day was okay. Like I wasn't floored by it or anything. And I thought it was just nice to hear Bowie back. And I enjoyed it. But Blackstar is the one that like floored me and I genuinely loved in the timing was eerie. And it, what Blackstar came out, it was a four day gap between when Blackstar was released and Bowie passed away. And it almost sounded like, it almost sounded like Bowie was intentionally giving us this thing because he knew that he wouldn't be here much longer. I'm reasonably sure. Yeah. I'm reasonably sure he knew there are, there are Easter eggs all over that thing. Like I mean right down to the fact that a black star is a is a. Another term for a cancerous tumor. He knew. He must have known. And that's the only reason why he decided to do it when he did. [1:05:42] But yeah, I mean, there would be a little bit more music that would have been neat to have him show off. It would have been great if he had shown off something from reality. And certainly from Heathen, that record that we both struggled to remember what it was called. They're good records. They're actually, I think they're better than Ours, which he promoted with singing Thursday's Child. Again, it could have just been the timing or it could have been even just the musical landscape. The early O's was a very, very weird time for music. And David Bowie didn't really fit into what was happening there. So it could have just been, you know, it's like, well, we could get David Bowie or hey, let's get the Strokes. [1:06:20] You know, it's that kind of thing if you're booking. Yeah, I think it was a fine SNL send off in 99. And it was just a perfect, yeah, I mean, send off as far as just his final album and how it coincided with the end of his life and everything. And that was just I remember talking to some friends about it. And it was almost the feeling like, you know, this is like, perfect classic Bowie to give this to the world give this black star album to the world before he leaves us. There are worse things in life than being your last SNL performance at Be Rebel Rebel. Yeah, Ben, that's perfect. well put too is Rebel Rebel. The perfect way to go out on SNL, for sure. So, Ryan, we're at the point of the show where we kind of sum this up in a tidy little way, and I want you to address our SNL Hall of Fame voters now and tell them why they should atleast consider David Bowie for the SNL Hall of Fame. I believe that you need to consider him on that first performance alone. [1:07:26] On three songs in a night, three songs in a night. It's one of those magic numbers, you know, it's, it's right up there with like five timers. Uh, it's right up there with Dave Grohl and, and his, however many, what is he on there? 16 times, what'd he say? Something like that. By the time this goes to air, maybe he might have more because they have a new record out. [1:07:44] So he's a, he's a three song, three song performer. And that first performance just is so delightfully arty and cool and funny and Kuki and really sums up exactly where this personwas in his career and what he meant to where music would go in, you know, the decades ahead and how he would influence Talking Heads and Lady Gaga and Janelle Monáe and all ofthese other artists who saw themselves in the the arty weirdo or the non-conforming gender identity and wanted to marry the music stage with the art gallery in the best ways. Track 2: [1:08:57] It always throws me, man, that bass breakdown. It always throws me. But there it is. That's Ryan McNeil, friend of the show, five-timer and eloquent speaker. Between him and Matt, I feel like we have a very good sense of Bowie, both his career and his impact that he had on SNL. And I think there's a good case. If we look at the musical guests that have been nominated in the past, he's got to be in that fringe of people that are bound for the Hall of Fame, ultimately. I just think he transcends the show and yet he's able to be on the show at the same time. It's a big thing and yeah, I'd like to see if he can make his way into the Hall of Fame. But that's up to you. That's how it works. It's not up to me. It's up to you. And I hope you take into account everything that you've heard thus far. But if you need any more of a nudge toward Bowie and his validity, then look no further because I've got a great track for you for you right now that I'm going to share. This is David Bowie, the man who sold the world on the SNL Hall of Fame podcast. [1:13:27] That was great. That was really great. I encourage you to go out and watch the YouTube video of that performance. It's great. from the Christmas episode, December 15th, 1979 with Martin Sheen hosting, and it's performance art. Not only is it a tremendous song, and it's tough for me to remember a world before Live at New York when Kurt Cobain and Nirvana covered the song, but this is Bowie's song. Song this is very clearly Bowie's song and he does wonders with it and it's it's really quite lovely and yeah I think that should seal the deal I don't know I'm not saying he's a first ballotHall of Famer I'm not saying that but I'm feeling pretty good about his chances that's it's just a hunch that you get sometimes when you hang around the hall as much as I do you get thesehunches, you know, and that's what you got to do. [1:14:42] So the hunches is also the reason I am getting those spine massages, I should say, if you've been listening the whole time, you might understand that. At any rate, that's what I've got for you this week. I want to thank Matt and Thomas as always, Ryan McNeil as our guest, but now if you do me a favor and on your way out, as you walkpast the Weekend Update exhibit. Turn out the lights, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Rosie Shuster | 02 Oct 2023 | 01:00:41 | |
Hey there and welcome back to the SNL Hall of Fame podcast. On this week's program jD, Matt, and Thomas welcome back Matti Price to discuss Rosie Shuster being nominated in the writing category. Join us won't you? Transcript: [0:42] Thank you so much, Doug Donats. It is great. No, it is fantastic to be here with you all this week inside the SNL Hall of Fame. Before you come on inside, I've got the door wide open for you here. Just take a look down at your feet. There's a mat there. Wipe them. The SNL Hall of Fame podcast is a weekly affair. Each episode, we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballot foryour consideration. That's how we play the game. It's really quite simple. You tune in, you listen to who we're nominating, and then you decide whether or not they belong inside the Hall of Fame by voting when voting opens. And voting will open in this case around the 11th of December when we get into the round table discussions and whatnot, but for now, I won't waste your time with that information. I think we should get right into Matt's Minutiae Minute because I'm excited about this week's episode. In fact, when I first launched this podcast, this was one of the pilot episodes Irecorded. It was with Maddie Price and it was covering Rosie Shuster. [2:02] And that's what we're going to do again this week. We are going to have Thomas this time, though, sit in conversation with our friend, Maddie Price, and have a great conversationabout Rosie Shuster and whether or not she belongs inside the SNL Hall of Fame. Like I said before, though, let me not give you any more information at this point, an information dump. Let's go right into Matt's information dump in his minutiae minute corner. Hey Matt, are you excited about this one? Let's go. Track 3: [2:38] Hey Jamie, oh, this is gonna be a fun one. I am so excited. I grew up watching her dad on TV and listening to his old radio programs. Track 2: [2:47] Yeah. Track 3: [2:49] Rosie Schuster is a comedy icon from a family of comedy icons, responsible for a lot of things I love. Track 2: [2:58] Okay, tell me about them. Track 3: [3:00] Hey, Rosie Schuster bit of a mystery height unknown born June 19th 1950 no height Rosie was born and raised in my town of Toronto She is the child of Canadian comedy royaltyFrank Schuster for whom there is a Toronto Street named after and Is one of my earliest comedy memories? That said, she's not just a child of comedy royalty. She's also the cousin of Joe Shuster. You know, the Joe Shuster, like the Superman Joe Shuster. Remember that Canadian Heritage Minute where Lois says, oh, find out what your cousin Frank thinks. Well, that was Frank Schuster of Wayne and Schuster, father of Rosie. Rosie was followed home by a strange little fellow during her junior high years named Lauren. In order to meet her dad. And I mean, really, for American listeners, these dudes were serious comedy royalty. I mean, you had a teenager following another teenager home just in the hopes to meet her father. That's a little weird. Track 2: [4:21] Yeah, I would agree. Track 3: [4:22] Her aunt, Geraldine. This is my personal connection to the Schuster family, which I only found out about from my uncle last night. Her aunt, Geraldine Schuster, went to Juilliard and as part of her exams, played my grandfather's Sonatina for piano as part of her exams. I did not know that so technically I am within six degrees of separation not just from Rosie. But Frank and Joe Shuster. Track 2: [4:53] Holy shit. Track 3: [4:54] I am having a nerd fantasy come true right now. Track 2: [4:57] And Lorne, you're close to Lorne, too. Track 3: [4:59] Before moving south to start a little project close to our hearts, she and Lorne started on the CBC with a show called Heart and Lorne, where they first worked with Dan and Gilda. They followed this by a stint in L.A. writing for the Lily Tomlin show. Track 2: [5:16] Right. I remember that. OK. Track 3: [5:18] After leaving SNL, she wrote for Broadway, including a project for Gilda called Gilda Live that was at the Winter Garden Theatre. She co-wrote that along with Michael O'Donohue, Marilyn Miller, Alan Zwiebel, and Annie Beetz. The production was directed by one of the founding members of Second City, improv innovator and Oscar-winning director Mike Nichols. Track 2: [5:42] Wow. Track 3: [5:44] She produced a three-volume series for the CBC called Wayne and Rosie Schuster's Legacy Series, along with writing several scripts for MGM, Warner Brothers, and Orion. She has written for Bob and Margaret, a very weird little animated Canadian TV series about British expats, one of whom is a podiatrist. She also wrote for The Larry Sanders Show, Carol & Company, and the Superman 50th Anniversary Special. She has a small part in the Blues Brothers as the waitress, and is an adductee into another prestigious museum, the Museum of Broadcasting. Track 2: [6:21] Thank you so much, Matt. That was great work, as always. What do you say we take it downstairs now and go and listen to our friends, Maddie Price, in conversation with our very own Thomas Senna. Track 4: [6:55] Wonderful Jamie and Matt we appreciate you as always and today we are talking about we're actually gonna go a little blast from the past we're gonna go to the original seasons kindof where it all started the genesis of Saturday Night Live somebody who was there basically she I'm sure this person I'm sure she saw firsthand the beginning the deliberations how theshow was created. Of course we're talking about Rosie Schuster today on the SNL Hall of Fame podcast and with me to discuss Rosie Schuster is somebody who's been here before. I believe this is Maddie Price's fourth time on the SNL Hall of Fame and so Maddie's been a guest for with us for Paul Simon, Candice Bergen, and Gilda Radner. So this era of SNL definitely in his wheelhouse. So I'm really happy that Maddie's able to join us, Maddie. How you doing? I'm good. Thank you. That was a super nice way of saying that I'm very old, which I really appreciate. [8:00] The early seasons are well in his wheelhouse. As he's the point person for the, uh, for the Genesis, for the old stuff, for the. Yeah. Yeah, sure. Yeah. Look, I, we could, I, you know what, I'm going to take somebody new next time. You send me I'll talk about day. I'll talk. All right, so we'll go early 80s then. Well, I'll send you something from the early 80s I'll do I'll do a punky Johnson episode. Let's do it All right. No, he's so Maddie wants everybody to know that he's not just his his wheelhouse isn't just But he's very informed and big fan of older SNL's this is yeah, we didn't dothis on purpose I swear it's just You know what? [8:43] That's okay. Look, these are all great seasons and I especially do, I do love looking at where this show kind of started. And uh, Rossi Schuster is, uh, uh, sort of, uh, like, we'll see kind of how this episode comes out, but I do think it's like sort of an important link in the chain of like what make well formany reasons. So yeah, we can, I'm happy to. Yeah, and if you if you want to hear Maddie talk about current day SNL He what he has been a guest a panelist on our roundtable episodes where he gets to give his opinions on like morecurrent Cast members and hosts and everything like that. So he's versatile, but we really appreciate him again being our old person to come here and Reminisce about the late 70s with us. Thank you Maddie so much So you joined us actually to talk about this is interesting to me And so you talked about a musical guest, a host, a cast member, and now a writer. So weactually get to get your take on like the different aspects. Yeah. So I'm here for the cycle here. Yeah, the cycle. Exactly. I think you might be the first one. I don't know that Kirsten Turnbull, though she is a five-timer, I don't know that she's hit for the cycle. So congratulations. I'll take it. On that. Well, your certificate will be in the mail. [9:57] And talking about writers is probably a little trickier because we're not as involved in and seen the process of a sketch. We just see the results, so it's hard to get like a perfect read on their exact contributions. But Rosie, Rosie Schuster, was definitely an important figure in SNL history and in comedy. And in fact, she comes from an entertainment family, right, Maddie? Yeah, so she is from Toronto, which is where Lauren Lipowitz, nay, Michaels, was also from. And in fact, they were married through pretty much the entire original run of the show. Their relationship ended, or they at least got, you know, their marriage ended kind of right around the time the original run of the show ended. But they had known each other much longer. She is, like I said, she's a Torontonian and does come from a fairly well-known, at least in Canada, fairly well-known entertainment family, the Schusters, people in the U.S. would knowher father, Frank Schuster. If they were watching the Ed Sullivan Show. So Frank Schuster and Johnny Wayne were a comedy duo and they were a sketch, they were specifically a sketch duo. They did not do, they were not a comedy team like Bob and Ray. They wrote sketches and performed them. They had actually like a bit of a little repertory company with them. [11:24] Sylvia Lennick and a few other really great performers. And they in fact set a record, they were guests on the Ed Sullivan Show more times than any other, than any other act. Andtheir sketches were great. And they were very much of their time, kind of the late 50s, early 60s. They were very literary kind of sketches. So they wrote, like their most famous sketches are like they wrote a sketch about the death of Julius Caesar. That's like a simultaneous sort of takeoff on Shakespearean kind of stuff, but also really poking fun at, like a lot of intricate jokes about Latin and stuff like that. Kind of the most famous joke that they wrote was they did Julius Caesar as like a murder mystery, like almost like a Columbo murder mystery where he's investigating who killed JuliusCaesar. And so it's like a hard boiled detective slant on Julius Caesar and he comes into a bar and he says, give me a Martinez. And the guy, the bartender says, don't you mean a martini? And he says, well, if I wanted to, I'd have ordered two. And it's like a very, that's the kinds of jokes that they wrote. These very nerdy, you had to have been to school and taken Latin for that joke to kind of hit you the right way, right? They wrote a Shakespearean baseball sketch. [12:40] They did a lot of this kind of crossover stuff where there was like a higher education element to it that kind of powered through the comedy and made it work. We saw a lot of that type of humor, like, you know, in British, kind of like British humor. And we saw that seep into Canada and SCTV had elements of that, but it almost strikes me asvery British. What they don't have is that Monty Python kind of anarchy, irreverence to it. It's, yeah, it's much more, I think Goon Show is probably a good example, but even still, I think what the Brits had was they're a little meaner, and these guys are a little more Canadian,which is why Ed Sullivan loved them. I think they're just pretty harmless, fun. And they went on to kind of repackage those sketches as sort of television specials in Canada. So. You know, Wayne and Schuster are like about as famously Canadian comedians as you could get. [13:36] And Rozzy, which is how her friends would pronounce it, grew up in Forest Hill, went to Forest Hill High School, which is where my mother went to high school a couple yearsbefore her. And where Lorne Michaels, who was Lorne Lipowitz at the time, also went to high school a couple of years sort of concurrently with my with my mom. He's a couple of years older thanher. He was born in 44, my mother was born in 46, and Rosie was born in 50. So the way the story goes is that because Frank Schuster was this like huge comedy figure, and because Lauren knew that his daughter went to the school and was much younger, like shewould have been sort of like a grade 9, 10 person when he was kind of in his final year of high school, but he followed her home because he wanted to meet her dad. He just was, I think he was a bit of a comic. I think the one thing about SNL that is that Lauren and most of those guys are they're kind of comedy nerds, right? And before that was really a thing. And then so I think my guess is that the relationship started because he just wanted to meet her father and just was hanging out with her. And she was like much younger than him, right? So I don't think it would have started as necessarily like a romantic thing. Um, but it's just trying to network. Like you saw Lauren's networking skills, even even at that age, he was trying to network with Rosie and meet some celebrities, meet a comedy, somecomedy heroes of his. I mean, that is essentially the same story as Judd Apatow in terms of like being a kid who just loves comedy and wants to go meet all these heroes. [15:06] So and you know, and so they and I guess like at some point that blossomed into a romantic relationship. They wound up they were married in 1971. And they were not just married, they worked together almost right from the start. Again, probably no surprise to people listening to this show, but the kind of predecessor to SNL is a Canadian sketch comedy show called The Hart and Lorne Terrific Hour, which Lornewas the co-creator of with a Canadian writer, Hart Pomerantz. [15:38] And And to further complicate all of these relationships, my father was actually a semi-regular on that show. My father's best friend was one of the writers on the show, Alan Gordon. Along with Rozzy was a writer on the show, so was Hart Pomerantz, so was his younger brother, Earl Pomerantz, who really was like really good friends with both my parents. They wentto university together. Earl went on to write probably some of the most famous sitcom episodes ever. He created a show called Best of the West, which is like a real cult sitcom classic. He also wrote, like he wrote the Goldfish episode of the Cosby Show. He wrote really famous sitcom, he wrote Cheers episodes. He wrote, like if it was like a big show in the 80s and 90s, he was the executive producer major dad, he created that show. [16:27] Lots of people who were kind of around at the time then went on to like more stuff. Lauren and Rosie took that to the States and started, you know, and became sort of the nucleus of SNL, I guess. Yeah, and they both of them were involved a little bit in in Laugh-In as well. I know Rosie was kind of guest writer. I don't know if she was officially credited. Oh, was she? Okay. I know that they did work with Lily Tomlin too, right? In there where they were doing, producing some of her specials? Exactly. Yeah. So and I tried to get a sense, you know, my dad was just a performer. So he he didn't really have a sense of the writer's room. But one thing I have seen a few episodes of Heart and Lung Terrific Hour and there are a number of sketches that are like a couplejust talking about something in bed. And I feel like that's a that's a real trademark kind of sketch that then they did quite a lot of those on SNL too. And then on top of that, you know, my mom remembered her from high school. And I said, Well, what was she like? And she said, Oh, well, first of all, she was super pretty. She was not sort of cliquey or stuck up about it. [17:29] She was like a super popular girl just cause she was nice, which I thought was like very indicative of like why they could get people to work with them. Right. Yeah. They weren't fake. I don't think, I think Lauren Michaels is a lot of things, but I don't think he's, you know, in, in, in disingenuous or whatever. Like, I think he's not a slick producer guy. He's like, he actually means it. Exactly. He never seemed, I don't know. And I never got the impression, especially in the 70s, that he was too much of a hard ass, especially at the beginning and almost like he was reallygood about making friends and getting people to trust him, especially like they trusted him when Johnny Carson said, you can't air my reruns anymore. NBC trusted Lorne and Dick Ebersole, but they trusted Lorne to be part of that process, you know? And he was just a young punk, young Canadian. [18:21] He was charming enough and savvy enough to have people trust him. I think that's always been a gift of his, and it sounds like Rosie was cut from similar cloth. Yeah, and I think we can't know these people. We only know their work, and even then, like you said, with writers, it's very hard to know. In an active writer's room where there's a dozen or more people and they're all pitching, helping each other, it's never clear exactly who's responsible for what. But I do think it's not a crazy leap to say she was probably a nice person who was easy, nice to work with, and not a terrible, kind of difficult person to be with. She seems to have partnered up with a lot of different people, including primarily Anne Beetz, I think, in the beginning. It's like they seem to be like partners. And nobody has a bad word to say about Anne Beetz, jeez. Like, how's it been, okay, right? [19:12] So that was kind of my, that was my little voyage of discovery about her, just on a personal side, and then I started looking at the sketches, obviously. Leading up to this episode, we had a chance to revisit a lot of Rosie Schuster's sketches, whether she was principal writer or she you said she teamed up a lot with various folks and beats. Marilyn Suzanne Miller, she teamed up with a bit here and there. So just kind of revisiting stuff like how would you describe Rosie's comedic voice and point of view like and maybe how did that fit in with SNL and what they were trying to do aroundthat time? I was trying to look for that because I think it's always interesting to try to and you know again You don't know what little bits and bobs people threw into sketches But if you look at theones that she is sort of credited for the major ones really are At least from the original run are the nerds. That's kind of the biggest sketch that seems like she has the most Ownership of it. What a big coming house code mrs. Nookner. Oh flattery will get you everywhere Todd You kid must bestarving. Let me get you some miniature marshmallow. Thank you, Mrs. Rupert. Now, which one of you is the new president of the chess club? Oh, Bob, they don't pick till Friday. [20:27] And then the Uncle Roy, Buck Henry sketches. They're kind of the major ones from that era. From that era and then there's some other ones that you asked me to look at which Ialso think are really interesting, The thing about those sketches, especially the nerds, is they have a kind of sweetness to them and they, the sketches are about regular people. They're not really high concept sketch ideas. I don't see her name being attached to a lot of fake ads or like there's not a lot of her stuff doesn't seem to want to need to be satire. It's character stuff. I don't know if that makes sense. Yeah. That feels like what she's contributing is, you know, So SNL is a lot of different things. It has a lot of different strengths. Her strengths are not on the weekend update, lampoon the day's events side of it. And they're not necessarily on the take something and make it ridiculousand stretched out and stupid and goofy. [21:23] They really feel more like, hey, people are funny and when we can make them interact, they can be funny together. So I think that there's like a kind of a humanism to her stuff, uh, that may, that I think, you know, and she's not the only one that I think can do that, but I think she does it, seems to do itextremely well. Yeah. Yeah, I agree. That was definitely evident with, with the nerds. Uh, you mentioned uncle Roy, which, you know, two almost diametrically opposed kind of sides of the same coin, but yeah, no, it's slice of life in different sorts of ways. Uh, definitely, definitely likes putting children in peril. She really tackles at the idea of especially little girls, being sexually in danger. She thinks that's really funny to play around with. And, like, it's stuff, you watch those Uncle Roy sketches, you cannot imagine somebody doing those sketches today. [22:15] Impossible, right? And, like, they're really funny, and they're really, like, really deaf in terms of, like, what real victims of that kind of stuff might be going through. But, like, the idea that she's able to sort of be, you know, she's outrageous, but within the sort of confines confines of character outrageousness as opposed to like conceptual. [22:36] Outrageousness. Yeah, and with those with that Uncle Roy sketch like of course I don't know a lot of people listening don't need a reminder of what what the Uncle Roy sketcheswere But Buck Henry played a character named Uncle Roy who who had who was baby. So it's not their uncle nieces It's not yeah, Uncle Roy in quotes cuz he's just he's just some family friend. Yeah, who's who's babysitting? The the two little girls played by Lorraine and Gilda and He has quite frankly terrible thoughts about like you can and motives and intentions and you can see that play out, but I've seenRosie I've heard Rosie explain her point of view as far as writing these sketches and What she said was she explained the sketches as being okay, because they don't have a victim She saidthey don't have a victim everything bad happening is just an uncle Roy's mind Rosy said this, but the children love Uncle Roy so much. It's very clear that he would never actually harm those children, but he's not going to actually put them in any harm. And in fact, everything he's doing, they think is really fun. [23:47] From their point of view, it's all hilarious and a great time for little girls. They're all playing pretend. They they did at the end. I think it was maybe the final uncle Roy that they that they did Jane plays the mom and thanks Roy for watching them and He she says something to the effect ofit's a shame every family can't have an uncle Roy You're one in a million and in her mind It's like she meant there's not many people like you out there who are so willing to help turns tothe camera It says oh, there's more of me than you might suspect. I I think those sketches are great, but I also I also agree with you that they they, they thread a very fine line in terms of why they're great. Yeah. And I can understand if people don't love them either, because in those situations, sure. In this specific sketch, there's no victim. [24:37] It's only things only happening in Roy's mind. I can see why people wouldn't like it though, because in those situations there often is a victim. So they got to be like, you know, cognizant of that. But that wasn't Rosie's. If you hear Rosie explain it, she had a more, I guess, innocent viewpoint of those sketches. There's also always this thing of like, because the fact is that the Uncle Roy's the sort of family friends who come over, that they are, like statistically by far, the more dangerousindividuals in society, as opposed to that horrendous Jim Caviezel movie that came out this summer where it's supposed to be like, you know, some international ring of criminals that arekidnapping children. That actually doesn't happen. Like, human trafficking and abuse doesn't happen with people, strangers that you don't know. It happens actually with people you know and trust implicitly. [25:27] So you could argue that by depicting it that way, using comedy to actually raise awareness of the fact that you can't just trust people on good faith and sometimes people will seemnice, but in fact are not nice. And it's the question is, by depicting it, are you making it funny? Are you making it okay? Are you providing excuses for it? Are you softening it, whatever? I don't know the answer to that. My feeling is those sketches don't make me think that that's good or okay. It makes me think they're bad, but it also makes me laugh at the sort of, the same way you laugh at something that you're not supposed to do, like laughing at a funeral or something,You're laughing because you know you're not supposed to. You know that it's bad. Yeah, something else, another famous sketch that was actually, it might not seem like slice of life at first blush, but it was slice of life as far as Rosie is concernedwas the Fred Garvin male prostitute sketch. You see ma'am, when a VIP like yourself comes to Moline to do business, it's customary for the company to send a gal up to the room. Compliments of Great Lakes Feed and Grain. And well, since you're a gal, The company sent me, Fred Yarvin, male prostitute. [26:52] There's a story behind this. This was the one in season four, which I always thought it was a wonderful sketch. I always thought it was a recurring character. They only did this once. Yeah, it's like a one-off. One of the more famous and beloved one-off sketches, I think, in the original years. But this was actually based on a bit that she and Dan would do, like Danwould do in their bedroom. He would jump on the bed and pose all like funny and sexy and use that voice. He would put on that Fred Garvin affectation and talk to Rosie that way. And that would make her laugh so hard. Oh, for sure. And by the way, we didn't even mention that Rosie after she and Lauren split up that she dated Dan Aykroyd. So that was like, that's like a, yeah, that's like a footnote to this. [27:37] I don't want to necessarily like one of the things about especially that original group is that they all wound up dating each other. Sure You know people work together in very close quarters and things happen and like and again, I think it's because she was a genuinely Beautiful and appealing person not because shewas a conniving Whatever like she's the relate those relationships are probably You know born out of something like legitimate. Yeah. Yeah, definitely So that's why I think that's just a footnote, but she was with Dan Akroyd at a certain point And this is something that he would do you can imagine that right? Oh, yeah,for sure for sure because it's hilarious, right? And like his little poses on the bed and stuff are They're great and coming up with a way to like put that into a sketch and have it be funny is terrific And again, that's a great example of asketch that seems on the surface of it is totally like silly and outrageous but it's totally coming from a bunch of, you know, pretty solid character orientations, like the character that MargotKidder plays and the character that, and that Fred Garvin character, they have dimensionality and depth to them and like way more than they need to have for a sketch like that. They could just be cutouts. But like, I kind of feel like there's a whole backstory on Margot Kidder working for this farm implements company as an executive and the only femaleexecutive and having to travel and be alone and away from her husband. [29:03] And this sort of matter of fact thing of like, well, when executives travel, they get broads. Yeah. And broad. So we sent me and these well intentioned managerial types just like, well, we have a female executive trying to find a male prostitute. [29:21] But you know, also like his relationship to the pimp and him trying to be a good prostitute. [29:26] And like really taking and really having, you know, having no aptitude for that work is just so great. He's like, it's such a, the reason you think you've seen a bunch of them is it's such a fully formed character that feels so three-dimensional that you're like, I must've seen him a bunch oftimes. That's such a good point. And I love the self-awareness. Fred Garvin does have self-awareness because it's almost, he's like, he's trying to reassure Margot Kidder's character that he is capable and he can please her and all this stuff. So I just love the, um, the lengths that he's going to to reassure her that he's a professional and that he he knows what he's doing satisfaction guaranteed all of that so yeah you're right likethis is such a fully formed fleshed out character that's that is why that's why i feel exactly why i feel like it is a recurring character even though No, it's not. [30:19] He's got a great tagline right off the hop. It's very yeah, it's kind of got everything you want out of an SNL sketch, right? Yeah, yeah, it's fantastic. And we should be lost getting middle and end which you know, they don't always it's hard to end a sketch man It's only its bonus points if they know how to enda sketch But I don't detract points if they don't if they don't know how it's just so hard to end a sketch But this one actually like you're right beginning middle and end and just a classicfrom the early days. And Rosie was like a big part in that. I mean, she took her real life experience and fleshed out just a wonderful sketch. This is something that Rosie should be proud of. [30:57] And we shouldn't gloss over the fact too, we had mentioned that she was behind the nerd sketches, but they were beloved. There was at least 12 of them, that I can't, at least a dozen nerd sketches between seasons three and five, those with Bill and Gilda. And they were super beloved. It tapped into something that people. And Jane Curtin, who is the unsung hero of those sketches. Jane Curtin's mom in those is so great. Yeah, it's really interesting to watch those develop. I had never seen the original, original one where they're supposedly a band with Robert Klein. [31:31] And like, so the characters came up first as just generic nerds. And then they, I guess they realized that they could, you know, that they wanted to know more about those characters. But what's really cool to me is you say they were beloved, beloved,but it's actually probably not until the fourth or fifth one. But yeah, it's a very, it's a very organic belovedness. They clearly are writing those sketches cause they have affection for those people, all of them. And like the performers too, but like they really like that scenario and like the way they'veconstructed those characters. And so they keep writing the sketches and it sort of takes a while, But eventually, they get to the point where the minute they come out, the audience cheers the way they would cheer forother runners like Hans and Franz or Church Leader or whatever. They have to earn it by just being good every time. And they established goodwill with the audience and you could tell by the end, there's a Nerds Nativity sketch and there's not a joke per second. That sketch just kind of fleshes out. There's a lot of set up. [32:42] It's really is a kind of a long sketch, but it's almost by that point it was like the second to last nerd sketch. By that point, it seems like they had so much goodwill with the audiencethat it was fine. Like they can just do a scene with the nerds and it doesn't have to be joke, joke, joke, joke, joke, and the audience is fine with it. They also I don't know if this is the only sketch to ever do this, but there's basically true continuity through all of the sketches. Yeah, there's like a narrative. They have. There is an overarching narrative. If you watch them all, as I did today, characters recur, they come back and they and they don't shy away from like acknowledging that, you know, when they bring back the Michael Palin,uh, music teacher, like everything that happened in the previous Michael Palin music teacher sketch is still part of the continuity. It feels like they just would look at the last one and go, okay, where do we want to take them from here? [33:29] But they didn't forget about it. Like, I think a lot of other recurring sketches, they just, they're up as they're totally episodic. I don't, I can't think of any, maybe the cone heads, like I can't think of too many that were runners were like, yeah, the cone heads that have had an overarching theme of like, getting backhome, right? But I think you could watch each cone heads individually and not necessarily notice a narrative on their own. But I think it's clearly in a line like they clearly, if you have been watching them all, you get more out of it. And I don't know Maddie if you if you notice this and this is coming from Rosie She said that she thought it was funny that the interaction between Todd and Lisa Was predicated on howBill and Gilda were getting along in real life at the time Because I think they oh, that's cool. Possibly we're dating and you had mentioned that back then and a lot of them dated each other. It also seems to be predicated on Bill trying to crack, trying to make Gilda break. Either making Gilda break or sometimes there was frostiness between them if things weren't like great in real life. I don't know if you caught on to any of that, but Rosie says that shecould notice that in those sketches. In like how they would do it? Yeah, just how they interacted with each other. She could tell how, like if Bill and Gilda weren't getting along that week, she could tell in the nerd sketch that they weren't. It was kind of,yeah, it was kind of fascinating. [34:51] But she's so good at world building, Rosie. I mean, just judging by some of these examples, she's very good at building characters and building a world and establishing narratives. [35:01] And I think that's a real talent as a writer. Yeah, like I said, I think she's one of the few that really works from characters out as opposed to the other way around, and she doesn't. And she also, I mean, I guess we're gonna talk about it, but she's sort of the one that developed the church lady Edith Strick into a concept for like, how do you take that? That was a character that Dana Carvey did in standup. And so he had just had jokes that he would do, but he didn't have a frame to like, hang the character on to make a sketch out of it. And she, I guess her role was to say, well, why don't you make it like a talk show? And then you can have people on, and then you can sort of criticize them for not being, you know, that you're so much more sanctimonious than they are, and be your shtick. So you get to have a rotating group of people come on every week. [35:48] Kind of like be themselves. You can have real people and impressions, but you basically get to just like sit in judgment over every single person that comes on the show, which is a really good frame to hang thataround. And so there's an example of taking a character that isn't coming from inside of her, but still like understanding how do I maximize this character and make it into something. I think itdoes always seem to come from. You know, that sort of more human approach to stuff. Yeah, I think Rosie is so synonymous with the first five seasons of SNL that a lot of people don't realize that she worked with Danaon these church lady sketches in season 12. And you're right, this was a Dana character before SNL. She helped flesh it out. And she has the perfect summation. [36:34] Rosie does. I had found something where she talked about like her vision of the church lady. And, and this is just the the perfect summation of what the church she said the church lady would project her filthy erotomaniac imagination all over the poor hapless guest, whoever theywere, she would basically verbally slime them with her own repressed garbage. And then she'd go to town shaming them. She had a black belt in shaming. And then she'd coyly suggest their behavior was the work of Satan. That's what Rosie said. That's exactly that's how you describe the church lady sketches. That's the that's the nugget that makes those work is that's really it's all it's all progression. It's all projection. Yep. It's all projection. I never really thought about that way. But she's right. Yeah, that's really smart. First, we check in under a false name, probably Steve. [37:22] All right, then we slip a lute into Jesse's wine. Just to get her in the mood. Then we peel off Jesse's spandex pants and tube top. [37:34] Then Jimmy has to to explain how this has never happened to him before. How long does that take, Tammy? Excuse me. Oh, um, I would say about five minutes. Five minutes. Okay, so we have some more time here. So then Jimmy, a few more minutes. Yes, Jimmy preps the bed, and I guess Jessie preps Jimmy. She helped develop this character. She was only involved really in season 12 of this character, but that was, I mean, that was where the important stuff happened. That's where thecharacter building, a lot of the character building happened. Of course, Dana fleshed it out. So well. I don't know, you know, after she left, it doesn't seem like she left Lauren on really bad terms. Like I said, I think they broke up, but I don't think they, they hate each other. No, it didn't sound like it. Again, I'm just guessing. But my guess is that he had this character and none of the writers who were already on the show had a take that they liked. And maybe Lauren talked to her about it and said, and she said, Oh, well, maybe, maybe I have a take on it. Like, it doesn't seem so formal. You know what I mean? It's more like, I can help you. I can probably write something. She worked on other people's material too. She worked on the It's Gary Shanley show also, which is another kind of fun thing that comes out of character, but also has like pretty outrageous stretches away from reality and stuff. And I think. And Larry Sanders too. So she, she knew Gary Shanley from there and she worked a little bit on Larry Sanders, which was... Classic, wonderful show. One of my all-time favorite shows, honestly. [38:58] So yeah, Rosie had a little hand in that. And I think we talked about a lot of her slice of life, kind of points of view and sketches, and I have a few examples of she liked to kind of poke a little bit at like male ego and patriarchyand kind of things of of that nature, she did have some satirical sensibility as far as that goes. Like when Lily Tomlin hosted an episode early in season one, and it was basically just taking the piss out of the male ego in a commentary on chauvinism. It was the, uh, what they call hard hats when actually it was Lily Tomlin teaching the female cast members how to catcall men who were scantily clad. Now, when a cutie pie walks by, I want you to stretch your stuff, honey. When a cutie pie walks by, here's how you break the ice. Hey, hey, hey, beefcakes. Hey, beefcakes. Yeah, you, come up here, baby. Do some squat jumps on this girder. [40:07] Okay, I think I got him warmed up. You take over. Oh, hey, hey, wait a second. Permit me, sweetheart. Hey, hey, dreamboat, what's the matter of smile? Isn't going to cost you anything. No, no, no, no. Now you should have had that memorized. Jane, you should have had that memorized. Yes. They're all female construction workers and construction worker school. And so she's like, well now it's time to learn how to make men feel bad about themselves. Uh, and yes, I agree. And I think the same thing with, there's a, there's a, uh, mommy beer commercial that she did later on, which is the same idea of basically just taking masculinity andshowing it up for how ridiculous it is. You know, there's some other sketches. There's one that's called Herstory, and one of the ones that she wrote is about Freud being unnaturally aroused by his daughter, Anna. I think she does have this thing where she's trying to point out that this fetish that men have for little girls and sort of very infantile behavior among women. There's another one called Gidget Gets Shock Therapy that's talking about how obnoxious that idea of grown women acting like little girls is. I think it's all kind of part of the same thing, which is her saying, this is ridiculous. Beat Dolly! P.S. Dolly! [41:32] Don't hurt Dolly, don't hurt Dolly, she's so cute. Bad Dolly wee-wee all over pretty drips. Oh, Bootsy have to make Tinky-Too in Peeping Potty. [41:45] Hello, Luffy, hello, Bootsy. Binky needs to go to the little girl's room ever so badly. That gidget goes to shock therapy was very much like a heavy-handed, and that's not a bad thing, I'm not criticizing it, but it's very much heavy-handed in that regard. With Gilda Lorraine and Sissy Spacek was in at it was basically like Jane comes on and identifies the three of them as grown women. So they're talking. So you see, you think they're little girls talking to each other, but Jane comes on and says, these are grown women even though they presented children as children andthey labeled them, uh, as terminally cute. And she said, but there's a cure and it's shock therapy or there's a, it's called Gidget's disease. [42:26] So they're taking donations to help find like this cure, raise money for Gidget's disease and that's totally a commentary on like this the type of woman I guess who who's terminallycute who speaks in a cutesy voice and then maybe the type of men who are attracted to that. There was also a whole thing in the 70s in sort of men's magazines around women dressing as little girls like dressing in little girl outfits and stuff and whether that was okay or not andthere was a lot of talk about how damaging that was to kind of the women's movement and you know schoolgirl stuff and all of that kind of stuff. And I think, I think all of that was kind of in the air in the culture. And I think the Jane Curtin part in that Gidget shock therapy thing is pretty much her directly speaking her own point of view, which is, this is ridiculous and obnoxious. Really enough to make you want to puke your guts out. [43:19] And I don't think that that's somehow her just going, well, this is what the character would say. Like, I think that's, that seems like a direct statement from her. Yeah, kind of a direct statement from Rosie. We know who wrote that sketch. It's almost like Rosie's saying that's how she views this. And if Rosie was trying to poke at the male ego a little bit with these sketches, there's a good example. I think it probably worked because in that hard hat sketch that we were talking about, Belushi didn't want to do it because he said he felt objectified and he didn't want to parade around inshort shorts and everything. So Dan Aykroyd actually took his place. was originally going to be Belushi, but he didn't want to do it because he felt objectified. And I bet there was part of Rosie that pumped her fist and was like, all right, see, you see? Yeah, exactly. Oh, do you feel objectified? Is that so? Good. Yeah. Yeah. I have news for you. Yeah. It's also just an objectively hilarious sketch because Amlin is so into it. And she's so funny in it. They're all great. I think like that's a really good like it does. I mean, we've now come to the point where I think there's been lots of commentary on cat callingitself. [44:26] That feels like it was a bit ahead of its head of the curve and 1975. Yeah, but quite nicely sort of sums up just how dehumanizing and shitty that behavior really is. And I liked the fact that that sketch ends on a real down note where Dan Ackroyd is just crying and like he's just destroyed. There's no redemption for him. It's not happy. He's just crying and the final line of the sketch is, Oh, come on man. It's only school. Yeah. Yeah. It's a really weird way to end the sketch, which is just to say like, yeah, this sucks it's terrible stop doing this yeah but you don't feel sorry for him especially ifyou're a woman who's been catcalled. No exactly. I'm sure you don't feel sorry. That's what I mean it's not it's not about him you know getting to feel better about himself it's like literally about how this behavior is destructiveand makes people feel shitty so maybe we should do it. Yeah that is an interesting point of view especially in the mid 70s for women to write comedy like that you know she and and Beats were heavily involved in that sketch. Lily Tomlin, acomedy legend, heavily involved. So I thought that was like a nice, wonderful gem from those early seasons. There's a sketch in season four that's a one of a kind of a rare Lorraine Newman-led sketch. It's this child psychiatrist that I thought was interesting. Lorraine Newman plays a five-year-old, six-year-old girl who's also a psychiatrist. Yes, she is a literal child psychologist, as in she's a... [45:49] Yeah, and I thought that was an interesting point of view and she actually does a good job of getting to the root of the problems that this child's having with their parents. I thought that was just, I thought that was super clever to cast Lorraine as an actual child to help this family through their problems. And she behaves childishly as well, but she also has like some sense about her. It's almost like Rosie's saying that children do have intuition in some ways to which I thought was fascinating. Yeah. Plus, I think Lorraine is the one that they had the longest relationship with of the cast members because I think they picked Lorraine up first from the groundlings like when they were inLos Angeles working doing the stuff. I know and Lauren and ever saw were in LA formulating crafting the show. So that does make sense. Lorraine would have been one of the first. Yeah. And I feel like They write for her as well as anybody, because she didn't always get the best stuff to do, and they seem to understand how to use her really well. Yeah, and the Gidget one, too, that we had referenced, Lorraine is heavily involved in that one, too, so. Yeah, and even in, she's in the almost, I guess, not quite the last, but one of the very last Nerds sketches, which is the one where Todd's running for student council, and she has a reallygood character in that. It's a really fully formed character. She's only in that one sketch, but she's like one of the other classmates at school. [47:11] And I thought her performance in that Nerds, in that particular one, was really good. Yeah, I thought she was good in that, and it would've been nice if there were more folks like Anne Beetz and Rosie Schuster who wanted to give Lorraine, I think Lorraine could've doneso much more in those early seasons if people focused on her like a lot of times Rosie seemed to as well. So another check mark for Rosie is she actually wrote stuff to try to highlight a talented cast member didn't always get get lead roles. A lot of her sketches have all the women on the showin them. Yeah. Definitely interesting. [47:45] Again, I think the writing that she does not just for the two nerds, but the writing she does for the mom, for the Jane Curtin character, is incredibly good. It's incredibly smart. Is there anything else that you wanted to talk about as far as Rosie's candidacy? Any sketches? No, like I said, I think what we won't ever know is what kind of stuff did she lob into other people's sketches that made them better? [48:13] I'm sure she did, right? But we can't, it's hard to ascribe. So it's hard to know the full measure of a person in that way, other than to say, you know, there's only a core group of maybe like eight or nine people that really created that show from awriter's perspective. And she is one of them. And I think that's important. And I think like we, you know, we can talk about her, the sketches that she is attributed to, but just the fact that she was there withthat group, one of the only, really only two women writers in that group surrounded by a sea of men, and yet, to a great degree, the first five seasons of SNL are pretty balanced with maleand female kind of points of view and performances and performers, and I think she's a part of that, right? So, you know, I think there's some heavy lifting going on there. So you don't think voters should just dismiss Rosie Shuster when it comes time to cast their ballots, Right? [49:08] Like, give her a chance. Yeah, she's absolutely worth consideration. I think, you know, the great thing about that show is it's so big and it's so expansive and it's got room for a lot of people to have really contributed and I think that this is as strong acontribution as anyone has. So yeah, I would have no reservations about her getting into the hall. I think she's well deserving. Track 2: [49:44] So there's that, that was Maddie Price in conversation with Thomas Senna, discussing the nomination of Rosie Schuster to the SNL hall of fame. Will Rosie pass muster? I don't know. I don't know. It seems to me thus far results for writers are fairly skewed based on the the fact that we just, you know, don't quite know what their day-to-day looks like. And every week we get to see cast members on stage and musical guests on stage, but the writers, we, we don't see them unless they make a cameo appearance. And, and then there's excitement. Usually there's excitement, you know, when a cast member make, uh, when a writer makes a cameo appearance, we're excited by that, uh, it's, it'ssomething that's neat. Uh, Rosie is before that time though, and, you know, uh, she's got a couple. Interesting things that might prevent her from entering the hall of fame. And that is, uh, the, the length of time to which we've, uh, waited to nominate her and, uh, the fact that a, uh, she's a writer, like I mentioned before. before. [51:06] And yeah, it's going to be a tough sled, I think, to get her in. But if you're a fan, lobby. Fight hard. Go to social media and stick your head out the window and say, I'm mad as hell and I'm not going to take it anymore unless Rosie Shuster is in the SNL Hall of Fame. So there's that. Let's listen in to her Hall of Fame sketch. At this point now, this is a sketch that I think a lot of people thought was reoccurring. I know I did. I believe though the character has only shown up twice and only once in a sketch that featured him and that is Fred Garvin, male prostitute. Let's go to it now. This is Rosie Schuster on the SNL Hall of Fame podcast. Track 5: [52:02] I'm coming. I'm coming. Hello? Mrs. Potter? Yes, that's me. The same Mrs. Potter who's vice president in charge of loans for the Franklin National Bank of Chicago? Yeah, that's me. Hey, this is for you. Oh, thank you. Thank you very much. Uh, may I come in? What for? Uh, well, you see ma'am, when a VIP like yourself comes to Moline to do business, it's customary for the company to send a gal up to the room. Compliments of Great Lakes feed and grain. And, well, since you're a gal, the company sent me, Fred Jarvin, male prostitute. [52:57] I don't think you understand, Fred. I'm not that kind of girl. Let me reassure you, ma'am. I can assure you professional hygiene, discretion, and animal gratification. I have never had to pay for that in my whole life. Well, don't worry about it. Great Lakes Feed and Grain is picking up the tab. You've got me for the whole night. Hey, uh... Hey, as for horses, young lady, no ifs, ands, and buts about it. You're spending the night with Fred Yarvin, male prostitute. [53:36] Well, now I have a work order here which specifies that I am to Roger U. Roundley till 6.15 tomorrow morning. Hey, wait a minute. Wait a minute. Now, uh, don't I get a say in this? I mean, uh, maybe I want some sleep. Maybe I don't want to be Roger Roundley. Ma'am, you're dealing here with a fully qualified male strumpet. I service the entire Quad Cities area, Moline, Rock Island, Allenport, and Bettendorf. Why not give me a word? What have you got to lose? What do I, have to do for Spelman to say we're going to know, and I'm not going to see Paul, for another couple of weeks? Sure, he's not the most attractive guy in the world, but if he can make a living at You must be doing something right. [54:42] Okay, Mr. Garvey. I'll try it. Congratulations, Mrs. Potter. I knew you'd come to your senses. senses. Now ma'am, if you're amenable, I'd like to begin the session by striking a few seductive poses. [55:17] I call this one the snake. Fine then, if everything's going okay, you should be hotter than Billy by D.B. Dam by now. Well, I'm, uh, I don't know about this. Mrs. Fonda, please cooperate. Come on now, come on. You'll thank yourself later now. Come on. Let's get out of this bed here, young lady. Come on, come on. Now, come on. Let's get out of this bed here, young lady. Come on, come on. Hey, just jump right in here. Okay. Now, if you don't mind, I do work with the glasses and jacket. Oh. Feeling anything yet? Any symptoms of arousal? I don't think so. Well, these things take time. Perhaps a bit of humor will break the ice. What's red and green and goes like this? I don't know. A frog in a blender. There you go. And now look at this. What's that? My backseat driver's license. Enough foreplay. Let's get cracking. [56:41] Hey, wait a minute. What? What is all that stuff you got down there? Oh, that's my rather elaborate network of trusses. I will need your help with a couple of these. I got a, uh, I got the old pernia truss here. I got a spleen truss. It undoes with a couple of snaps at the back here. Go ahead. No, I don't think I... You know, uh, I think this is too much for me. No, no, it's just a couple of snaps at the back. You know, you just gotta make sure you don't touch the rupture, that's all. Like that? Yeah, atthe back. Oh, I'm sorry. Who's that? Who's that? Who's that? It's Slick. Slick? Slick. Your friend? Ah, this takes a little explanation, you see. Slick is a gentleman of leisure. He looks out for me and the girls. Be there in a jiffy, Slick. By the way, one good word from you would really put me in good with the boss. Okay, friend, okay. Hey, Slick. Thank you. [58:00] I was down the hallway. I thought you might need some help with your trusses, baby. Oh, no, we don't need any help with his trusses. In fact, I think maybe you both better get out of here. What's the matter, lady? Hasn't Fred attended to your needs? Oh, no, he's really attended to my needs. He was wonderful. The earth moved. In fact, it moved so much, I don't think I could take any more. That's my Fred. Yeah, he's my bread and butter man, you see. In my stable, I got eight girls and Fred. Come on, Fred, let's go, man. They got some hungry women down in Bettendorf waiting for the Garvin Lizard. Fred, Fred, Fred, I just want to thank you for tonight. I'm never gonna forget it. Well, thank you, ma'am. I do what I can. Because I'm Fred Durbin, male prostitute. Track 2: [59:03] All right, good stuff. That is a sketch, maybe a tad long, maybe a tad long, but I enjoyed it nevertheless. Rosie Shuster, everybody, give it up and make sure to cast a vote for her when you get the chance. In the SNL Hall of Fame balloting system. [59:23] That's what I've got for you this week. I hope you're well. I wanna thank Maddie Price on behalf of my colleagues, Matt Ardill and Thomas Senna. It's been a pleasure to be here with you this week as it always is. Now, if you would do me a favor and on your way out as you pass the weekend update exhibit, there's a light switch on the wall. Turn it off, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Chris Parnell | 25 Sep 2023 | 01:08:18 | |
jD, Thomas, and Matt welcome Dave Buckman back into the Hall this time he is here to discuss Chris Parnell. Please rate, review, share and subscribe to the podcast wherever you get your podcasts. Transcript: [0:42] All right, thank you so much, Doug DeNath. It is great to be here with you all inside the SNL Hall of Fame. The door is wide open. It's inviting you inside. There's just one caveat. Look down at the mat that I've purchased. Read it. It says, wipe them up. Do it up. Wipe those feet. So there's that. I am really excited about this week's episode, episode seven. We're on episode seven already. So I hope you're taking a tally at home because, uh, you've got 20 votes and we've already given you six nominees. This is going to be the seventh. The seventh. Can you believe it? Season four, episode seven. We're in the big time. We're almost in syndication. [1:36] No, we're nowhere near syndication. Uh, but that's, uh, that's pretty much. What I want to tell you is that this year voting is going to be similar but different. You don't have to register, but I will be sending out emails to everybody who has registered. You will need your email to vote and it's going to be great fun. Now this week on the episode, we've invited our friend Dave Bachman to join us to have a conversation with Thomas Senna about Chris Parnell. And I'm excited about that. But before we get into that conversation, why don't we wander on over to that 90-degree corner where our friend Matt Ardill likes to loiter and spew outminutiae in Matt's minutiae minute on Chris Parnell. Matt, my friend, how you doing? Track 3: [2:28] Hey Jamie, thanks for having me. One of my favorite folks from the SNL cast. I have always loved Chris. He's what I call a utility player in the improv world. He just, he's up for anything and is a great scene partner. So I can't wait to get started. Track 2: [2:48] Well, then let's, uh, get right at it. Track 3: [2:51] Chris Parnell, five foot eight, born February 5th, 1967. Track 2: [2:59] 1967. What a year that was. Canada was a 100 years old and, uh, I digress. Continue. Track 3: [3:06] Born and raised in Memphis, Tennessee, his dad, Jack Parnell, is an established voiceover artist and the image voice for multiple Memphis businesses and TV stations, so we knowwhere Chris gets his soothing dulcet tones that make him the perfect voice in animated shows. In high school, he announced football games and played one of the brothers in their production of Joseph and the Amazing Technicolor Dreamcoat. A theater nerd, his dream is to play Edmund in a production of King Lear, which I would pay money to see. A trained stage fighter with a BFA in Fine Arts from the University of North Carolina, he is consistently getting in stage fights. Once a nerd, always a nerd. We do like our swords. [4:08] After graduation and before joining the Groundlings, he briefly fell out of love with acting after a failed apprentice actor program at the Alley Theatre in Texas, so he returned hometo work as a high school teacher before getting bit by the acting bug again. At that point he moved to LA where he worked at FAO Schwartz, starting as a sales clerk and ending as an operations manager, all the while studying as a Groundlings member. His favorite film is Chariots of Fire, his favorite TV show is Twin Peaks, and his favorite book is the Selected Poetry of Rainer Maria Rilke. So yes, he is basically Cyril Figgis. [4:55] Before his peak guest role as Dr. Spekelman or Dr. Spaceman in 30 Rock, he had guest spots on shows that included Seinfeld and Murphy Brown with over 192 acting credits. He's appeared in three shows besides Archer with his Archer co-star Judy Greer. He was in Mad Love, Misguided and Glen Martin DDS. A profoundly private person, he avoids the spotlight as much as possible, despite taking some of the most outrageous roles of his colleagues and peers. Track 2: [5:36] Well done, Matt, as always. Thank you so much. We appreciate your hard work and look forward to it. As always, talk to you next week. But for now, let's head downstairs to ourfriend Dave Bachman and Thomas Senna. Track 4: [6:12] All right, Matt and Jamie, thank you so much. And yes, we are doing another episode here at the SNL Hall of Fame, an episode I've been looking forward to. The nominee today, one of my favorite cast members back in his era and I think an underappreciated cast member, Chris Parnell. So excited to be talking about Chris Parnell and the first person when Chris Chris Parnell was drafted in our nominee draft that I thought of to have here as my guest on the SNL Hall ofFame to talk about Chris Parnell, to share an appreciation of Chris Parnell. The very first person I thought of to bring in is Dave Buckman. So Dave, how you doing today? Ready to talk to Chris? I am so excited to talk, Chris. I've been waiting for somebody to ask me publicly how I feel about Chris Parnell, and today is the day. Yes, so yeah, so I've heard you on different podcasts, you've been on with us before, and I know you've snuck in your appreciation for Chris Parnell every now and then. My goal is to meet this guy. Yeah, my antenna went up when you, when I've heard you talk about Chris Parnell on other podcasts and stuff, you know, I kind of filed that away because Ifigured we'd be talking about him at some point, so you were the absolute perfect person to talk about him. My plan worked. [7:32] Yes, yes it did. So getting into it with Chris, I mean, what compels you? I've heard you use a lot of superlatives for Chris. I mean, what draws you to Chris Parnell? You're a sketch comedian yourself, so I'm interested to get that perspective too as far as whatdraws you to Chris Parnell. Yeah, I'm a sketch comedian, a performer, but also very much a director. I worked at Second City, I worked at Boom Chicago directing sketches. I've been at Coaltown Theater for the last 17 years doing improv and sketch shows. So I've seen thousands of improv auditions, I've seen thousands of sketches, I've been in hundreds ofrehearsals. I just, know what it takes to drive a comedy scene, whether that's improvised, whether that's live, whether that's on video, whether that's sketch. And I am in awe of the talents of Chris Parnell. Since Harold Ramis died, Chris Parnell has become my comedy North Star of what I think is the consummate person that you need in a troupe. Chris doesn't have a lot of like flashy big time sketches, but a lot of amazing sketches wouldn't have happened and wouldn't have been nearly as special without Chris Parnell in them. [8:47] He holds an emotional tone, not just throughout the sketch, but from beat to beat within the sketch. And a lot of what we call straight men in the comedy biz, I don't really love that term anymore, I'm trying to create the reasoneer. Yeah, the reasoneer, okay. The reasoneer, I'm gonna try to use the reasoneer when I talk about Chris, because the reason you're in a sketch is holding the audience perspective the entiretime. And a lot of what we consider to be great reasoners in the history of Saturday Night Live, you got your David Spades, your Dan Aykroyd, your Tinas, your Hartmans, Beck, Hader, they'reall really, really good. But there's always a little something off that doesn't make them perfect, I think. Kevin Nealon, David Spade, they have a smirk when they're doing it a little bit. Tim Meadows or... Hayter can come along as a little wooden when they're doing it, when they're not the star of the sketch. Aykroyd, Tina can undersell moments a little too much. Hartman, Phil Hartman and Beck oversell those moments a little too much sometimes. No one does it like Chris Parnell. Maybe Jan Hooks comes closest. Even Jan Hooks can oversell a moment a little too much. Chris Parnell plays that emotional beat exactly where it needs to be. [10:06] He's emotionally honest about transitioning for what the next joke needs. Because that's where the other ones get caught in is a sketch comedy, comedic, absurd character needs to act crazy. And what Chris does is he can emotionally be grounded for the next setup. And he's gotta do a lot of emotional gymnastics to get from one beat to the next for the next person. And that's why, proficiently, I love watching Chris Parnell be the wingman in a sketch. I think that's why, that whole explanation, I think that's why he's so perfect in absurd sketches. [10:44] Because he can sell that absurdity, but not oversell it. I think you hit on something perfectly, because when I think of his time, especially early on at SNL, it's these really absurd sketches, especially with stuff he's done with Will Ferrell orChristopher Walken, where he just conveys the right tone, I think he trusts the audience enough not to rely on his smirk or his wink to the audience. Exactly, exactly. To get the joke. It's never there, it's never there. Chris Parnell's characters believe what is happening to them. And whether he's running in with a trident and a chain ready to kill his boss, Mr. Tarkanian, or he is getting the bad news that the bad doctor lost his daughter, or he's getting humped by Mango and The Rock at the same time, he is emotionally honest and reacting thesame way a human being would, but performatively. [11:42] Demonstratively, without selling out the person inside that character. Yeah. Yeah, that's a very good way to put it. Then the first sketch that you just brought up, that when you were giving me that description, that I thought of was the Dr. Beeman sketch withWill Ferrell and Molly Shannon. Son of a Von Druke. Yeah, son of a Von Druke. Talk us through Chris's role in that sketch. Oh, there's a moment in that sketch that gets me every time. It's when he's very angry at Will Ferrell, but he is a straight shooter. I gotta tell you, you have angered me with your irresponsibility. [12:21] And yet, at the same time, you are a straight shooter. And I can't fault you for that. We'll let it slide. But just this once. Right, that one moment where Chris Parnell's character has his baby lost, doctor won't talk to him, he's been called a von Druk, you know, his wife's been insulted. He's gonna give this doctor just one more chance because his judgment call, way off base, his judgment call is this guy's a straight shooter. And that to me is the epitome of the low status character's job in a sketch or an improv scene is to reluctantly agree to the bad thing in the scene continuing to happen. They're not allowed to win that fight. That's where a lot of improv students ruin a scene by insisting their character doesn't want the thing to happen, so they they try to win that argument.And a good comedic Improviser. [13:21] Let this bad thing continue to happen one baby step at a time incrementally Not big steps that little step just the next logical step and Parnell is perfect at that moment in any scenein Letting the bad thing continue to happen, which is that scene is a master class in that it's perfect And yeah, in that in that sketch in particular so many bad things happen look I couldn'tthink of anything good. [13:54] We misplaced your baby You Von Druk is that an actual curse word? I think so He's just throwing so much absurdity at him, but Chris Parnell isn't overselling that absurdity. I think you're right. It's the exact right beat that needs to happen. He's in that scene with Molly Shannon too, and even Molly doesn't sell it. Especially when Tim Meadows comes in as Dr. Poop, Chris maintains what you're talking about. Tim Meadows is a little, he's funny in that scene, very funny, but he is underselling that moment. Molly is breaking. Will is even breaking. Yeah, Will's rubbing his eyes because he's trying to hold his laughter. He does that thing where he rubs the corners of his eyes near his nose andhe's trying not to, that's Will's tail when he's trying not to break. But Parnell, as they call him, the Iceman, does not break. I think he almost, he looks down, he smiles, but it's not out of character in that moment. People say that's where he broke, but I don't believe it. If he broke, it was so subtle as to not even be recognizable. And you would not even. [15:16] If you didn't know chris parnell watching every single thing he does you would never notice it Yeah, exactly, especially in that sketch when when uh, will says we misplaced yourbaby will Cracks up in his voice and all he starts giggling. Yeah, but chris is just like ice man right in the moment He's in the moment. He's in the he's in the zone And it's not this is not funny to his character I'm sure it's very funny to chris, but it's not funny to his character and that's the difference in and i'm terrible Well, Iam very easy to break on stage. If I'm with a good reasoneer, I've had the fortune of working with some amazing reasoneers in my life at ImprovOlympic with Rob Smith and at Koltown with Bob McNichol. And those guys could break me very easily. I'm very, you know, because they're so serious about what is happening and delivering terrible, absurd news with a straight face. And boy, oh boy, they got me every time. Yeah, would you say like a good reasoner like Chris is? So would you say that's like a thankless role in sketches? [16:19] And here's how you can tell. He got fired because they didn't see the value. Lorne had to cut him for budget reasons, right? And he was so good and so missed that Will Ferrell, who can carry anyone and anything by himself, says, I need this guy to be as funny. I need this guy in house to be as funny as I can be. Get him back. And then him and Catan and the writers go to Lorne and they say, you know, but if Will Ferrell goes to bat for you like that and they listen to him, that man belongs in the Hall of Fame. It's huge. Like it just shocks me that after three seasons, so to set this up, Chris Parnell started at SNL in September of 98, season 24. He did three seasons, which I thought were fantastic. He was like a budding kind of Phil Hartman type, I guess, and he gets fired for, they say, for budget reasons after season 26. But I don't know, and you're right, like a legend like Will Ferrell going to bat for Chris saying, you know, he's like a perfect scene partner for somebody like Will Ferrell. That's why theydid so much together. [17:28] But not only did he do so much with Will, which is evident because, you know, Some of his greatest things are with Will, like Cowbell. But he's also a wingman to anybody in that cast. He does the Bloater Brothers with Jimmy Fallon. He does the DeMarco Brothers with Catan, right? Mm-hmm. It's constantly the Put-Upon Doctor and the Mango Sketches. There's areason why he is the wingman in all of these scenes. It's because he can match energy with anybody. That's all he's doing in the DeMarco Brothers and the Bloater Brothers. He is doing Jimmy Fallon. He is doing Chris Catan. He's just, he's so good at. [18:04] Being your wingman and he's so good at being the contrasting opposite of whatever you need. He can do either. He's a utility player that can lead a sketch, he can rap, he can sing, he can dance, he can follow your lead, or he can contrast your character. And that is so valuable. You hear about all these people that are like, my dream cast, my dream cast. Man, if I don't have Chris Parnell in that dream cast, then it's, I don't think it's nearlyas good of a cast. We've done episodes here on the SNL Hall of Fame on Christopher Walken and Will Ferrell and of course we spent a lot of time reminiscing fondly and talking about the Cowbell sketch,right? But I think that that sketch isn't as fondly remembered. I think it unravels without Chris Parnell's presence to keep it glued together. And you know, from your sketch comedy experience, just like can you tell our audience and maybe specifically using that Calvo sketch as an example? Like, how important is it to have a grounding presence in a sketch like that? That's, we would, no one would remember that scene if Chris Parnell wasn't in that scene because he played that part so well, never broke, again, emotionally honest, exactly what thatlead singer would be feeling and saying, but here's where he nails it. It's the moment when he sighs, big sigh, and says, Gene, wait. [19:30] Why don't you lay down that cowbell right now with us together. He shifts. That's the emotional moment in that scene when everything comes together and nobody can sell that moment like Chris Parnell. You have to be a phenomenal actor to sell that moment honestly because it's such a change in point of view. It's obviously gonna be the end of the sketch because the main conflict just got resolved. But how do you resolve such a silly, silly moment with emotional weight being lifted so that we can just jam again? I mean, that moment is, it's a celebration at the end of the scene, right?It doesn't, they don't break up. Gene is remembered fondly for the cowbell. And it's because Chris Parnell's character shifted. [20:19] And felt something. And we all felt that moment and it lifted that moment. And that's, I'd say, half of why that sketch is remembered today. Yeah. And even though it's written on the page for Horatio, Horatio certainly doesn't sell it. He's saying it with a little giggle. He's saying, I think his line was like, yeah, Gene, we love you or whatever. Like, he speaks for all of us. He speaks for all of us, man. Yeah, but even though it was a funny, it was a good line, but Horatio didn't quite like bring it together like Chris, like you'd mentioned Chris did in that scene. Yeah, yeah, yeah. But there's a lot of things like that. Like, you know, the Wade Blazing Game, the lawyer that sues dogs for assault and property damage, which is hysterical. [21:07] And Chris Parnell does not say one word in the sketch and steals it, because he's running around in blue pair of underwear, pumping people, pooping on lawns, and then they givehim this back shot behind Will's character where he's got like weird, he's got a weird face, facial expression, where maybe he's been attacked by a dog at some point, I don't know, he justlooks like he's been through the ringer, but he's the main character's brother. And he's amazing in that scene, but it's all physical. It's all physical. And you can't even play that as an example of his brilliance on this podcast, because you wouldn't see how brilliant he is in that. You got Centaur with Christopher Walken. Christopher Walken, yeah. A brilliant sketch. That's some of Parnell's best work. One on one. I think, yeah. One on one. Mercury Mistress where he humps the car. Yeah, that's one of the main ones that stood out to me too. Yeah. God, it's just, I think Mercury Mistress and the Wade Blazing Game sketches, both an example of like Chris not being afraid to do humiliating physical comedy, but he does it in likean earnest sort of way, you know? Clown penis dot fart. I don't know if you remember that one. That's a great. Yes. It's a website the dylan edwards investments and There was only one web address left in the entire world because they were getting scooped up left and right in the late90s And that web address was www.clownpenis.fart. [22:35] In that sketch chris was like the spokesman, right? He was like this spokesperson and something that stood out to chris for me me was that just his, his whole gravitas, like that's aword that I kept coming back to with Chris Parnell was gravitas. Like, do you get that like as much as I do, when you watched him perform and take the lead in a lot of that stuff. Phil Hartman also had that gravitas, but Phil Hartman was making fun of that gravitas. That's why he was so, he was so good at that and making fun of that gravitas. Even when he's playing Lionel Hutz on the Simpsons, he's making fun of that There's something in his voice that lets you know that Phil Hartman is in on the joke. There's no concept. For me, there's like zero Chris Parnell's personality in anything he delivers. It's all the character's personality. And that's a great example of that, where he can sell that real, authoritative, manly, presidential, you can trust me because I'm a white man voice. Yeah, basically. Right? Yeah. This is brilliance and his mark in comedy is that he represents to me the fall of the patriarchy. [23:50] He plays the dumb, the beta, the secretly dumb, the secretly crazy, the not worthy of respect white guy so well. He does that in Rick and Morty. He does that in Archer. He does that in 30 Rock, right? Of his greatest, I mean, his list of what he's done since Saturday Night Live is bonkers. It's every comedy show you've ever heard of, and any movie that a Saturday Night Live player has played. Anyway, but he came exactly at the right time for the fall of the white man to be, where that comedy shifted. He's kind of perfected that character in comedy, throughout comedy, Children's Hospital, Murphy Brown, The Simpsons, Samurai Jack, Brooklyn Nine-Nine, Drunk History, Glee,Goldbergs, Grown-ish, Black-ish, American Dad, Vosburgh, it's... [24:41] He's one of the consummate guest stars, like, you're gonna bring him onto your show and he's gonna elevate it. Everybody. That much. Seinfeld, curvy enthusiasm. Yeah, yeah, yeah, he's, he's, like, had such a huge part and, or even his small parts seem huge because he's so memorable. And when he pops up, I get so excited. Yeah, absolutely. And I think he had, and not that Phil Hartman and the other people of his ilk didn't, but I think Chris Parnell has such a respect for his audience? That he doesn't have to wink, wink at it. And it's just my – some of my favorite comedy is in that like you trust me enough to understand the joke that's inherent here and you don't need to be a ham about it. And – Exactly. Happy Smile Patrol. I don't know if you remember that one. It was a sketch in his first season. It was toward the end of Chris's first season. And it's about this children's show called Happy Smile Patrol. It's Sherry Oteri, Will Ferrell, John Goodman was hosting that show. He's in it. Chris Kattan. And they play this children's show called Happy Smile Patrol. So they're airing the show and then they break into the news and Chris Parnell plays a news anchor. [26:02] A final tragic note in the terrifying deadly saga of the Happy Smile Patrol. William Soros, Brenda Panhauser and Alan Guyton, after shooting down an army helicopter, have now taken their own lives. A SWAT team found them just moments ago, victims of self-immolation and shotgun blast to the face. Once again, Teddy Tickles, Glinda Giggles and Harry Hugs have now taken their own lives after a killing spree that claimed, among others, Cuddly Kevvy. [26:32] A tragic, tragic day. We now return to the Happy Smile Patrol. So there's all this really dark content about Happy Smile Patrol, and then they go back to the show, then they break into the news again. And I think Chris, as the newscaster, his gravitas and his delivery play so perfectly next to the absurdity of what was happening in the sketch. Even after he left the second time, they would bring him back to play news anchors in the cold open for the presidential debates. That's how important he is, and that's how good he is in that role. Who's playing Tom Brokaw or Jim Lehrer or anyone in the Bush administration that's appearing on Hardball. Hardball. That's what it was. Yeah, so anyone in the Bush administration appearing on Hardball, you know, he brings that authoritative voice that is full of shit. Yeah. That's a perfect way to put it. There's one sketch, I mean, besides Lazy Sunday, which everybody knows about how important Lazy Sunday was. There's one sketch that I love that he's in that doesn't get a lot, nobodyknows about it. and I just want the world to know about it as long as you're a Chris Parnell fan. I imagine you've made it this far into the podcast. Let me hip you to this one from a Cameron Diaz episode called the Holland Tunnel Hotel. [27:46] Where it is a staff meeting for a one-star hotel that is next to the Holland Tunnel. And Chris Parnell is in a suit and he's trying to get the staff together to kind of up their game a little bit so that they can maybe become a two-star hotel. [28:04] Benjamin, may I trouble you for a moment of your time? Ah, what do you want now? Well, as the new manager of this hotel, I want to remind you that part of your job includes asking the guests whether they've enjoyed their stay at the hotel. Well, that guy, he sells guns to drug dealers. Well, with that attitude, we're always going to be a one-star hotel. [28:27] I'm calling a staff meeting. Staff meeting, staff meeting, staff meeting. And, you know, everybody's on drugs or a sex worker, or just like, you know, just people who don't care about getting to be a two-star hotel. And Chris is so earnest in that moment. I love the way he plays that moment. I've always loved that scene. I just watched it. It's a little problematic now, as is most of the show from the early 2000s. But it is some of his best work, I think. And it just brings me such joy, the way he, what he brings into that character. [29:04] His earnestness just allows me as a viewer to jump on board with whatever he's trying to sell me or whatever his goals are as a character in that sketch. He's so earnest. Yeah, he's so earnest that I just kind of, I'm on board with whatever he wants to do. Let's get this one-star hotel to become a two-star hotel. And damn it, I'm like invested in this because Chris's delivery is making me invested in that premise. Yes. That's so awesome. Yeah, the centaur one with Christopher Walken, I wanted to kind of go back to real quick because I think this is some of Chris's best work. [29:40] And we highlight it for on Christopher Walken's end but what Chris Parnell does in this I mean not only is the written premise ridiculous but Parnell is dressed as a centaur so he'strying to he's made he's delivering this while physically looking absurd it's not just the words and premise that are absurd Parnell looks absurd in this makeup and costume and the wayhe's talking about being a centaur and walken is asking him personal questions about being a centaur yes but it's not like parnell as the centaur is getting upset or overly offended he'sentertaining these questions and i love it because he gets them all the time now could you make the back half of you into glue and then could the person part of you use that glue to repair abird feeder Yes. [30:35] Do you dump wherever you're standing? Or do you use toilets? Or do you use some magical centaur toilet? toilet. We use regular bathrooms. Do you use special scent or toilet paper? Nope, we use normal toilet paper. Every single human he talks to has these kinds of questions. He's over it a little bit, but he wants the job. So he's being accommodating, he's being accommodating and allowing Christopher Walken incrementally a little bit more permission toinvade his life with every answer. And we can tell that's what he's doing emotionally. That's where the comedy is coming from, is Chris Parnell emotionally getting upset, but not letting the bad thing stop. He's not. You feel for him. Yeah, they're letting it, he's letting it unravel at a natural, satisfying pace throughout the sketch. He's not unraveling it within the first 30 seconds, and then where do you go from there, right? He's keeping time. He's keeping the beat of the scene going. He's allowing, Christopher Walken is going to pronounce or read his cue cards in whatever way Christopher Walken's gonna do that in, but you can count on Chris Parnell to keep the beatin that scene. And I'm gonna posit to you this way. [31:57] If there was a drummer in rock and roll who somehow, somehow played for the Temptations and then went on to also drum for The Who and Dolly Parton and James Taylor andTaylor Swift, and they all, every single one of those folks Trusted that guy to keep the beat during the recording or the live shows for this set if that person existed Wouldn't that person bein the Hall of Fame? Yeah, the Rock and Roll Hall of Fame That's why Chris Brown else deserves to be in the Hall of Fame No, that that's a great case and I'd love comparing in the Jane Curtin episode I kindof compared her to like a good bass player like you don't know you can't really she she she keeps things going and and she's vital to the band, but she doesn't get a lot of the credit. She is also somebody who can do that. She did that a lot. She did a lot for Belushi. She did a lot for Bill Murray. She did, while Gilda's playing the nerd girl, Jane Curtin is playing the emotional reality of that mom. And not crazy, the way Bill Murray and, but I believe Jane Curtin in that scene more than anybody else. I believe Jane Curtin in most scenes that she's in, because she's playing the audience's perspective in, I'm going to say, 80% of her scenes. They didn't really know how to do characters until her fifth season. And then she went, you know, she went crazy with him, thank God, finally. [33:20] But yeah, Jan Hooks, Jane Curtin, Chris Parnell, they are the same ilk. I think they are a better reasoner than the ones that get the credit, like Hartman and Hayter and Meadows and Aykroyd and Beck. Parnell, Curtin, and Hooks are better because they don't sell out their moments with a smirk or being wooden or underselling or overselling. Then I always compared them to like a drummer or a bass player because everybody when they listen to I guess most casual music listeners or whatever they'll hear the lead singer, they'llhear the voice, they'll hear like the crunchy guitar that's up front but then it takes a while to start appreciating that bass, start appreciating the drummer who's keeping the time and keepingeverybody in line and in check and so I think the more as you view Chris Parnell's era of SNL and view some of those classic sketches, I think on multiple viewings, you really start toappreciate Chris Parnell. And I think he is a performer. He's not in your face immediately, but on rewatches, and especially if you're a comedy nerd, he as a performer is so rewarding in the same sense that a goodbass player or drummer is rewarding to a music fan. [34:35] He may not get the votes that we're hoping for, but man, does he deserve it. We might be surprised. Man, does he deserve it. Yeah, we'll see. I wouldn't I need someone like Chris Parnell if you're building your all-star team Yeah, otherwise you have a bunch of show ponies that don't know how to support each other Yeah,exactly you every single person that you put in that all-star cast would want to Chris Parnell in that cast Yeah, they would demand it like Will Ferrell demanded that Chris Parnell get backon the cast and Parnell is kind of interesting to me because I'm of the first thing that he really did on SNL that they went back to when he sort of made a name for himself was doing thatTom Brokaw impression he did he started doing that in his third episode and he's not like known for impressions but this was honestly Dave like super solid like a super solid Brokaw andI compared them side-by-side. [35:25] Good evening one of the president's oldest political friends was defiant and emotional tonight Webster Hubble indicted by Ken Starr today on tax evasion charges said he will notcooperate with Starr against the president. This evening on NBC Nightly News we'll take a look at how the national deficit will impact upon the wealthiest 1% and on the fleecing of America a new study that links dyslexia to malepattern baldness. And it was like pretty darn good the way he portrayed Brokaw especially in this Brokaw voicemail. [36:00] He did it a little later on but I don't if you remember that Brokaw voicemail sketch that he did I forget who the host was but just he was good. He like that was a good solid impression by Parnell, He auditioned with that. That was one of his audition characters. So he said, I read an interview where he said they wanted threeimpressions of three characters, but he gave him two impressions of four characters and it worked because he didn't have a third, but Tom Brokaw was one of them. I mean, he wasn't thebiggest impressionist. Like yeah, like I said, he did the Tom Brokaw. I don't even know really. He did George W. Bush five times when they were kind of like in no man's land or like a purgatory as far as trying trying to find George W. Bush, Will Forte. They went to him first, right? Yeah, I believe so. He did it in season 28. When Will Ferrell leaves, who are you gonna turn to to try to take a swing at that? Parnell. Yeah, right. That's right, let's try Parnell first. Yeah, they just had trouble finding one to follow Will Ferrell, but that's understandable. I wouldn't expect Parnell to be able to. That was an iconic impression. That's like trying to get somebody to do George H. W. Bush after Dana Cargill. Yeah, yeah, exactly. [37:13] Gosh, I just had some classic Parnell, like for people who don't remember some of these sketches, like there was the Wayne, when he played Wayne Porter, so it was he and WillFerrell kind of like playing off each other. They weren't together in this, it was a runner, it was a two-parter. So Chris Parnell played Wayne Porter, so he's running to be the leader of an island that people crashed on. In the eight years since we crashed here, I like to think I've made a difference here on the island. As head of the treehouse party, I led the treehouse building initiative, I've sharpened sticks to use as weapons, and I helped kill the fat guy. [37:49] Remember the fat guy? How annoying he was? How much food he ate? I got rid of him. And then Will Ferrell comes on later in the episode as Kim Plunkett and had a response to Wayne Porter. Hi, I'm Kim Plunkett, founder of the Island Reform Party. Four years ago, I started drinking seawater. It's given me x-ray vision and a lot of great ideas for the future. First, I'll catch and eat that giant hot dog that's been running around the island. That's a no-brainer, folks. Second, I'll return to the airplane to full working order using nothing more than sand, good old-fashioned elbow grease, and this paperback copy of Coma by Robin Cook. And then Chris Parnell was perfect. Even though they weren't together in in the scene, you remembered Chris Parnell's real earnest nature of, you know, he's really wanting to be theleader of this island that they crashed on. But then Will Ferrell's just, of course, like the absurd, crazy guy. And that runner's held together in large part by Parnell's earnestness and seriousness. For sure, for sure. He is the consummate wingman. Whatever you need to support your idea, Parnell is gonna deliver emotion, context, character. [39:02] Fit in exactly where you need him to be. Even when people are feeding other people food out of their own mouths? Yes. Like the Burch family. Parnell's there. He's there. Keeping things grounded in the absurdity of it all. He's so good at that. He's so good at being grounded in absurdity. And I really appreciate that. I mean, I spent two years in Amsterdam at Boom Chicago. And, you know, Saturday night in Amsterdam is a little like hell's purgatory, hell's waiting room. So it's chaotic, to say the least. And in July, the sun goes down at 10.30, you finish your show and it's like a crazy party and it's a quarter of the country, it's that last night in Amsterdam. [39:45] So I love that kind of chaos. And when I'm here in Austin, sometimes I go downtown on the holidays to experience that kind of chaos because I can't get it anywhere else the way Igot it in Amsterdam. But I love being the calm person amongst the chaos. I love that. I don't know what that does for my soul, but maybe it's trauma-related, who knows? But I love it, and I love being that in an improv scene, and I love watching it in comedy, and Chris Parnell does that better than anybody. And I really admire, respect that, not only his talent, but that specific skill set is something I aspire to. In my 30 years of improv and sketch, I still aspire to that every Thursday night when I play with my improv troupe, to be, just to touch that kind of part of comedy. It touches me. [40:35] How generous it is. How generous of a gift it is to give that to another performer. Yeah, you're absolutely right. That's like the opposite of like a glory hog. In that sense, you know, like, does it need the spotlight? [40:51] And he knows that he gets satisfaction out of it. And he knows, I mean, I know part of him knows that true people who he respects will see that in him. They'll understand what he's doing. So he'll get gratification and respect on thatlevel. I think he knows that. We're probably projecting a lot out to Chris Parnell. I don't know, maybe, but this is part of the fun of doing a show like this is we can it might be like project motives and thoughts and everything. I know myself, I'm not a professional comedian or anything, but even like cracking jokes with my friends, I was always the one who would say something with a straight voice and Iwould rely, I would rely on my friends to understand that I was joking. I didn't spoon feed them that I was joking. I would rely on them. I would have faith in my friends that they knew that I was joking. It would be funnier that I said it in a deadpan delivery than if I just said it wacky, you know? And I think part of that was, I think that's why I respected Chris Parnell, because that was my own amateur comedic style in that way, you know? He makes it funnier. If you, as I tell my students all the time, if you are trying to, in a scene, trying to figure out what would be funny right now, you are in between the audience and thecomedy, and they can see you, and they're not gonna laugh while they see you trying to figure out what's funny to them. [42:13] You just have to let the comedy be, support the comedy, support the joke, but don't get in the way of the funny trying to fix it. You know what I mean? It's there, just support it. Support the comedy, don't try to fix the comedy, because the audience will hate you for it. And that's what he does. He's, yeah. Trust the writing, trust your castmates. [42:34] You know, like I think you're right. It's all about trust and respect. And find your emotional center, that's your job. What is your character motivated by right now? And what does your character want? And how can you express that with your face and your voice? That's your job. Yeah. And I think people often apply it, they seem in their heads to think that those rules only apply to dramatic acting, but you're saying that's not the case. No, comedy is harder than drama. Because drama you just be, comedy is being with rhythm. And it's so much harder, and that's what he's doing. He's acting with rhythm and pace. He's an artist. Chris Brennan's an artist, I can give you that. So well said. So when we talk about, when people think about SNL cast members and, you know, their place in the show, recurring characters is kind of a big part of a cast member's legacy. And he had one in particular, we talked about Brokaw, which he did six times, but he had a recurring character. And I want to get your thoughts on this recurring character toward the endof his tenure, Merv the Perv. So was that like stuff we've been talking about, could you see that in Merv the Perv? [43:46] Hmm, Merv the Perv is definitely of its time. Yes. Yeah, we should say that. That should be a preface before every show is a lot of the stuff we talk about is of its time. Back when Harvey Weinstein and Bill Cosby and Woody Allen were running amok and nobody wanted to say anything, Merv the Perv was overtly perverted rather than secretly pervertedand it was an expression, I think, of the comedic times. A lot of comedy is reflected by the times that they're living in. A lot of stuff from the 70s doesn't even make sense anymore. The comedic timing is weird and off. You watch shows, some very few 70s and 80s shows hold up comedically. [44:30] Welcome to the Cotter's just all over the place. It was brilliant when I was a kid, but I can't watch it now, it's hard. Laverne and Shirley holds up. Laverne and Shirley's very funny. Happy Days, not so much. Anyway, my point is that comedy reflects what's happening in the country and what's not being talked about. And it talks about openly about things. And I think Merv the Perv is a perfect example of the shit that we were not talking about or addressing socially as a country that was under thesurface, but certainly needed to be called out. So I think that's where that comedy comes from, is wouldn't it be funny. [45:09] If I really thought this, and I think it poisoned a lot of comedy, that kind of attitude poisoned a lot of comedy in the last 20 years of, I'm gonna say some offensive stuff and it's funnybecause you're laughing, but it's not really funny because they're laughing. They're laughing because they're shocked and they're laughing because they are, it's weird to hear that out loud and that laughter is a nervous reaction, not something that's funny. So, I think that's where that comedy came from. You know, not a fan of his raps where he was talking about, you know, getting all up inside the guest host. I've just watched a bunch of those, it's like, ugh, this is not old at all either. But, musically, fantastic. Very much of its time, the Dr. Dre lyrics at the time, that's what he was doing for. Nelly and all those kind of songs about let's knock you up. [46:00] You're so hot, I'm gonna knock you up lyrics. Yeah, well, I think characters like Merv the Perv And that type of content could age well if the perspective and the commentary isright. So I think what's said could be fine, but we have to be laughing at the character and not with them when they're saying things like that. It has to be on commentary about how that stuff isnot okay. You know what I'm saying? Yeah, but then it's getting preachy. I mean, you really have to have a really strong take. But it could be subtle, too. Like, yeah, you know? is here's the laugh I get from a subtle joke. [46:40] That's funny, but not a ha, ha, ha, subtle is a baby laugh. Yeah, so you think maybe like preachy, it's really hard to do something like that. I don't know how you write a murder of the perp sketch and either have it not be preachy or just comeacross creepy. It's a fine line and maybe Chris is probably not the best person for that telling of that story. Maybe if you cast Amy Poehler in that character, you might get a little more. Some legs out of that comedic situation. So I think she probably has a better take on why that's not okay. I don't know who wrote More of the Perf. I'm gonna assume it was Chris, but I don't know. Maybe it was Tina and Chris, who knows? But, you know, those are the moments I was like, oh, Chris, you're better than this. Yeah, yeah. So, yeah, so that speaks to, like, I think Chris is in a unique situation when we're talking about Hall of Fame cast members, because a lot of his stuff is one-off stuff and notnecessarily recurring characters. His genius was like in those absurd, excellent one-off sketches rather than, hey, Chris Parnell has this character. He didn't have like a Gilly or somebody like that that people just wanted tosee every week. But he played Gilly, he would have played Gilly's teacher. [47:54] Whoever, you know, the insatiable forte, but whatever characters that you remember from that era, Chris Parnell is probably right alongside of them setting them up. And that wholecast recognizes his genius. You had brought up earlier in the show, Lazy Sunday. And I wanna bring that up because of course we know Lazy Sunday basically helped popularize YouTube. It kind of made people start saying the word viral and it started ushering in viral videos, essentially. [48:29] And Andy Samberg and Lonely Island get all the credit for that amongst a lot of people. But, we gotta point out Chris Parnell was half of this video and this song. He and Andy Samberg. It wasn't Lonely Island, just Andy and the Lonely Island guys, Chris Parnell played a huge, huge role in this iconic sketch. ♪ Lazy Sunday, wake up in the late afternoon ♪ ♪ Call Parnell just to see how he's doing ♪ ♪ Hello, what up, Pond? No, Samberg, what's crackin'? ♪ ♪ You thinking what I'm thinking? Party up, man, it's hectic ♪ They would watch the Weekend Update raps while they're in high school or college and be enchanted by them. And so when they had a chance to do a rap video, they knew Parnell was going to be in it. And started writing it, and they sent it to him, and he was down to do it. And it was a huge lift up for them, that Parnell gave them. Huge, like, hey, let's make this, do this. And not only does that video lift Saturday Night Live to a new stratosphere and a new era, single-handedly, it lifts YouTube to its new level and its new era. [49:55] And there are a few people, I've said this before on other podcasts, There are a few people that have left Saturday Night Live and then changed comedy, like Chris Rock. Or Will Ferrell. Those guys changed comedy, Eddie Murphy, after they changed, after they left San Antone. But it is extremely rare, I don't think anybody since Belushi's done this, that changed comedy while on Saturday Night Live. And Lazy Sunday did that, and Lonely Island did that. And again, could not have done that without the assist of Chris Parnell. And I wish Chris Parnell like I'm advocating on his behalf that he needs to get more credit for being in For being in lazy Sunday. He's so good in it He's so good in it and he lends a credibility and a nerdiness that they needed and that the whole thing is just like nerdcore To a T and you know, there's no a nerdy hereon that show at that point then Chris Parnell Yeah, it's the juxtaposition of like his nerd persona and the hardcore rapping and what they're rapping about It was just like the perfect specialsauce that Chris provided there. [51:04] Yeah, it was great. It was great So before we move on to kind of what he did one thing in particular I want to talk about his post SNL Is there anything else from SNL that that youwant to highlight like a specific specific sketches that you think people should know? Yeah, okay. The Angry Boss sketch, I only casually mentioned it. It's, again, another problematic scene that barely holds up today. But it was one of my favorites. When I was living in Amsterdam, I was living with Joe Kelly from one of the Ted Lasser writers and Jordan Peele and Sky Randall Haar, and we were allliving in a flat. And Joe Kelly's mom used to send us a VHS tape every week that had the Simpsons, that week's Simpsons, a Malcolm in the Middle, and Saturday Night Live from that weekend. And wegot like that for a full season, it was great. And we would relish this tape that would come once a week of a month-old Saturday Night Live. And the Piers Brosnan episode, when Piers Brosnan is interviewing for a job at the Forth Fest in-flight magazine, and Will Ferrell's playing this boss that is abusing his employees, left andright, in just the most misogynist and racist ways. At the end of it, Chris Parnell runs in with a trident in a chain and threatens to kill his boss. And then Will Ferrell takes the trident from him and stabs Parnell, I believe we counted 37times, with his own trident. [52:29] I cannot tell you. How many times the four of us watch that sketch over and over and over, mainly because of Chris Parnell. So the way he runs in... Mr. Tarkadian, I am ready for you! I have been lifting weights and doing cocaine all day, and I want a big piece of you there! Oh, Scott Jorgensen! I love it! [52:54] But to me, that is the most fun Chris Parnell moment, because he is completely supporting this crazy person in the sketch at an emotional level that is he's been doing cocaine allday and he's about to kill his boss. Where do you get, where do you, how, when you're off stage, how do you get there so that it is A, believable, and B, does not overshadow Will Ferrell, and C, is completely believable,and D, perfectly sets up you getting killed with your own trident in a minute. Yeah, a lot of it seems so natural. I don't know. It seems so natural, He makes it look so easy and I know I could not do that moment come close to that moment I don't know very many people that could I don't know Mary Very manycomedians that could I don't know very many serene live member cast members that could and that moment to me is everything I love about Chris Parnell and I watch that moment overand over and over again and be happy Yeah, what a great sketch the evil boss sketch from the Pierce Brosnan episode So, can we take a minute to just fawn over and appreciate Dr. LeoSpidgemin? I'm a huge 30 Rock fan and he might actually be my favorite character in the entirety of the series, quite honestly. Maybe of sitcoms, generally. Yeah, and Chris has said that this is his favorite character that he's played. I've heard him on an interview say this. So I'm validated by saying how much I love Dr. Spidgemin. What do you think? [54:17] Yeah, I mean, I mean, I would get excited anytime Chris Parnell appears on screen, pops up, but when that character specifically, you know, I'm also a big fan of Dr. Nick from TheSimpsons, and that kind of like character, a doctor that doesn't know anything about what they're doing is fantastic. It's so funny. But so many classic, brilliant lines come out of Dr. Spishamin that are just so perfectly written jokes that, again, the doctor does not hear them as jokes. Parnell doesn't sell them as jokes. He sells them in a way that Dr. Nick always oversold the joke, but Dr. [54:55] Spishemin never gives away that moment that Dr. Spishemin knows that he's in a comedy series in a way that a lot of characters in 30 Rock did. Well, it must be psychosomatic. Now, don't worry, that's just a fancy doctor word for your brain is broken. Unfortunately, there's no field of medicine that deals with the brain. But I can give you a pamphlet for a cult. Couldn't you just, you know, inject something right into his heart? I'd love to, but we have no way of knowing where the heart is. See, every human is different. different. Dr. Spichemin didn't know he was in a comedy series. [55:30] And that's what made it so brilliant. Kind of like he didn't talk like he was a comedian. He didn't talk like that. I've done it. I've done it. I've done it. I've done it. I've done it. He just said the line the way that doctor would. [55:43] But with the rhythm, I mean it was all there. I mean it's going to make you laugh because of how clean the joke is and the way he is emphasizing how much he believes what he is saying that like integrity, that just, that's what's sofunny about it. It's the things that he's saying are so out of integrity and he's saying it with a tone of so much integrity Yeah, and that dichotomy is what's making us laugh that that dichotomy thatdynamic is making us laugh How much he believes it and how false it is Yeah, absolutely And I'd like to think that Tina Tina Fey knew that Chris was the perfect person to play that thatof course Of course, I'm recognize this game. Absolutely. Gosh, Tina Fey brilliant brilliant reason here. I saw I When I got to Chicago, she was on the main stage, her and Dratch were on the main stage of Second City, and I once watched them perform a hundred times live every night as anusher at Second City, just starting to work as a house manager there. And Tina Fey is one of the all-time great reasoneers of comedy, but even she can recognize how brilliant Chris Parnell is at that skill set. All right, Dave, so we've come to the point the episode where it's your responsibility now to give the audience a pitch as to why the Iceman, Chris Parnell, should be considered for theSNL Hall of Fame. [57:08] Well, I'll tell ya, I think I've done more than enough convincing throughout this podcast. [57:15] He raps, he sings, he holds the scene together. The best wingman you would ever want in a sketch. He's the most emotionally honest person in any sketch he's in. He can turn emotions on a dime and set up whatever the next joke is without losing any integrity for the sketch or himself or his character. So many people from Saturday Night Live and from comedy want to work with him because they know his value to their project, to their scene, to this character, And that evidence isthroughout his tenure in Saturday Night Live, throughout his career post Saturday Night Live. And in everything he does, he is pitch perfect, which is all you ever want in a comedy sketch, is for everybody to be pitch perfect and get out of the way of the joke and service the joke ofthe scene. And Chris does that better than anybody it's ever been in sale. Track 2: [58:34] Oh, that bass is so fat. Lay it down, baby. Yeah. That's not the singer I wanted to put in there, but you know what? It's there now and it's going to live on in perpetuity. So there's that. How did you find that conversation? I thought there was a lot of meat on that bone and Dave devoured it in a fantastic fashion. And I'm not sure whether Parnell is a lock for the Hall of Fame. I do think he rides the pine for a bit and ultimately ends up in there. But I certainly don't find him a first-belt Hall of Famer, and it's simply due to the fact that I think all the metrics that he excels at, he's number two. I think when you look at Utility Man, you'd put Phil Hartman ahead of him. And when you look at servicing the joke, well, of course, you'd put Jimmy Fallon there. No, I'm kidding, of course. You know, Jimmy Fallon often blew the joke with his breakups and whatnot. But yeah, I don't have any more, you know, specificity about that. [59:56] But that's just sort of my gut. My gut is that you can slot in, in all the key metrics, you can slot in somebody just ahead of Parnell. Now cumulatively, his numbers then add up quite nicely to, you know, a number 1A or a number 2, and he should ultimately end up in the HOF, I think. What do you think? It's going to ultimately be up to you. So get at her. Let's head to the Hall of Fame sketch now. This one you're going to recognize because last year on the Christopher Walken episode we used this sketch as well. And that is Centaur job interview. We chose it because Parnell just kills in this sketch. So let's go to it now. This is Centaur job interview with Chris Parnell on the SNL Hall of Famepodcast. Track 5: [1:00:51] I'm sorry, Dr. Wallace, but I'm afraid we're looking for someone with a little more experience to fill our chief resident position. I understand. So did I get the job? No, you didn't. Thank you. You won't regret this. I'll see you Monday morning. You didn't get the job. Debbie, please send in the next applicant. Dr. Winter, hello. [1:01:27] You must be Dr. Leavitt. It's a pleasure to finally meet you. You've come highly recommended. Well, a couple of those recommendations came from Yale, man, so I hope you won't hold that against me. Now, as you know, we're becoming a teaching hospital. Sit please. I wish I could. Our new chief resident will help lead that transition. Well, at Johns Hopkins, I actually chaired the faculty committee that oversaw coordination between the school and the hospital. As I said, your qualifications are most impressive. Thankyou. Now, would you mind if I ask you a few questions about being a centaur? Please, go ahead. Believe me, I heard them all. Can I ride you? Only if I can ride you. Fair enough. Moving on. Moving on, could you enter yourself in the Kentucky Derby? I don't know. If you did, would you have to have a little horse riding on you, like, instead of a jockey? I see what you're saying, but again, I really don't know. Because it seems like you already have a jockey with the person part of you. Right. Um, are we going to discuss my medical qualifications? Rest of the interview will be centaur questions. [1:02:49] Do you have sex with horses or with human women? Neither. I'm really only attracted to other centaurs. Okay. What if it was a horse with a mask of a woman on it? No. I mean, would you have sex with a monkey if it had a mask on? This interview is not about me. What if you saw a horse, but it was standing so that its head was in a barn or something? Would you maybe be attracted to that horse's rear end? Uh, I don't... Where is the head, exactly? It's in the barn. Or behind a door, or a vase, or something. So you can't see it? Uh, I might be attracted to it, briefly. Okay. So, let's say, hypothetically, you could have sex with the back end. And it's guaranteed to be the greatest sex you've ever had, but you'd never know if it was a horse or a centaur. Hmm, you know, that's pretty intriguing. Uh, if I'd really never know, I guess I would. It was a horse. Oh, come on. It was a horse. Deal with it. [1:04:09] Now, could you make the back half of you into glue? And then could the person part of you use that glue to repair a bird feeder? Yes. Do you dump wherever you're standing? Or do you use toilets? Or do you use some magical centaur toilet? We use regular bathrooms. Do you use special centaur toilet paper? Nope. We use normal toilet paper. How do you reach back there to wipe yourself? There is a device we use. It's called an Ogbesian. It's a stainless steel telescoping rod with ripper claws and a sort of toggle line that allows you to move the paper back and forth. There's a company that manufactures centaur ass wipers Yes There's a store that's sort of like a crate and barrel for centaurs called Beeson's and such there's one on 57th Street I've seenthat establishment you you eat steak. Is that some kind of cannibalism? I'm sorry. Can we return to a line of questioning related to my medical qualifications? Absolutely. Let me just find the right paperwork. [1:05:25] Here we go. Is there centaur pornography? That is not a medical question. Do you want this job? Yes, there is centaur porn. If I were to watch centaur porn, but with the bottom of the screen blocked out with a piece of cardboard, would I find the human halves of the female actressesappealing? Is appealing. Well, maybe, but you got to remember that at some point there's going to be a horse penis in there. Fair enough. I think that's all the centaur questions I have. I want to thank you for coming in. We'll be in touch. I appreciate it. Um, can I just ask you, did I get the job? No, I'm sorry. We don't hiredirty centaurs. Track 2: [1:06:12] That is, uh, that's a masterclass. Joaquin is just killing it in the host role and of course his delivery is Joaquin-esque and amazing. But it's the matter-of-fact responses from Parnell and the acting chops that he has that he really sells everything that he is doing in this ridiculous centaur costume. When he says at the end when he says, but ultimately there might be a horse penis. You know, it's like he's thinking of it off the top of his head. He's not reading it off cue cards. And that's a real skill. [1:06:57] So good luck, Chris Parnell. Thank you very much, Dave Buckman. And of course, on behalf of my colleagues, Matt Ardill and Thomas Senna, I wish you a fond farewell. Now, on your way out, if you would do me a favor, as you pass the weekend update exhibit, there's a light switch on the wall. Turn it off. Because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Justin Timberlake | 18 Sep 2023 | 01:11:56 | |
This week on the SNL Hall of Fame podcast, jD, Matt, and Thomas are joined by SNN's grand poobah and friend of the Hall, Jon Schneider to discuss the career of super-host Justin Timberlake. Transcript: [0:42] All right, thank you so much sub to Nats. It is a thrill to be here with you once again on the SNL Hall of Fame Podcast my name is JD and it's good to be joining you today We havea heck of a show for you We are joined by our friend from the SNN John Schneider the grand poobah over there if you will and he has solid himself to come over to the dark side here andjoin us in the hall and. [1:15] You know yeah let him be a role model to you he will not appear. And he he he found the best parking spot he could find away from all the puddles is better it's been a rainy it's been a rainy beginning of fall here. In the hall and even then he still that son of a gun wiped his feet until the cows came home and and you know the hall is better for it let's just say that so the hall is better for it the SNLHall of Fame podcast is a weekly affair each episode we take a deep dive into the career of a former cast member host musical guest or writer and add them to the ballot for yourconsideration Once the nominees have been announced we turn to you the listener to vote for the most deserving and help determine who will be Enshrined for perpetuity in the hall thisweek. We have an interesting candidate We have a candidate that has been on the ballot since season one and this is quite shocking to me Because if we had started the SNL Hall of Fame in2016 he would have been a first ballot Hall of Famer and that is Justin Timberlake John Schneider is here with Thomas Senna downstairs raring to go but before we go any further let'stake a visit to our friend Matt's minutia minute corner and get the skinny on Mr. [2:43] Timberlake somebody who is a bit of Johnny everything he can do it all he can sing he can dance he can do comedy he can do slapstick he can tell a punchline? I mean, I guess I said that when I said do comedy, but I'm being more specific now, you see. Uh, Matt! What's up? Track 3: [3:06] Hey, Jamie, how you doing? Track 2: [3:07] I'm great. How about you? Track 3: [3:08] I'm great. Thanks. Yeah. Can't wait to talk about today's eligible inductee. Track 2: [3:15] Yeah, he is quite eligible, isn't he? Track 3: [3:18] Justin Timberlake. That's right. Height 5'11", born January 31st, 1981. I am older than Justin. That is not a piece of trivia. It is a sad fact that makes me feel old. You are old. started bringing sexy back or even before he started serving with the Mouseketeers alongside his fellow Mouseketeers, Britney Spears, Ryan Gosling and Keri Russell, Justinwas the son of a choir master and a young gospel singer making the circuit appearing at the Grand Old Opry at the age of 10. Track 2: [3:51] Wow. Track 3: [3:53] He followed that up with a star search appearance at 11 He was a runner up, and that's when the mouse came for him, recruiting him to the Mouseketeers at age 12. His first movie was Disney's Model Behavior in 2000. A dedicated performer, he's appeared in 95 acting roles, is listed as a composer for 23 films and has been on 185 soundtracks. He's released five solo studio albums and four albums as a member of NSYNC. He's nominated for 69 different awards. He's won seven AMAs, nine Billboard Music Awards, three Brit Awards, 29 ASCAP Awards, 11 MTV Music Video Awards, and 10 Grammys. He even has an Oscar nom for his contribution to the Trolls soundtrack. Track 2: [4:49] Great soundtrack. Track 3: [4:52] Not the Oscar I'd want to be nominated for, but still, he's been nominated for more Oscars than I have, so good for him. Like every normal human, when he can't sleep, Justin likes a nice lullaby. Unlike other normal humans, though, he has the voice of Justin Timberlake. So he is known to sing himself lullabies to help himself sleep. Track 2: [5:18] Oh, for Christ's sake. Track 3: [5:19] An entrepreneur, he owns a soul food restaurant in Manhattan called Southern Hospitality, a clothing line called William Rast and a tequila brand called Sousa 901. And apparently it's not crap. I don't drink tequila. When I do, I black out and wake up without my pants. So I can't tell you that, but if it's good or not, but I'll just take the Internet's word for it. Yeah, probably a good idea. One of Time's 100 most influential people in 2013, he was also Golf Magazine's top 100 in music, tied with Chicago's Jason Cheff and Hootie and theBlowfish's Darius Rucker at a six handicap, not only a fan of bands like Coldplay and performers like Bjork, Justin is also beloved by other musicians, with Elton John deciding to castJustin as himself, Elton, in the video for The Train Don't Stop There No More, playing a young Elton. He was the first victim of Ashton Kutcher's tomfoolery on the show Punk. Track 2: [6:29] I remember that episode. Track 3: [6:31] And he also has one of the most viewed music videos of all time, with Can't Stop the Feeling being the most popular, with over a million views. Track 2: [6:41] Wow. Well, that is great. Thank you so much for sharing today, Matt. I think we should move right down and get into the conversation between John and Thomas. What do you say? Take it away. Track 4: [7:19] Matt and Jamie, thank you so much for that. Yes, I am joined by the Lorne Michaels, I would say, of the Saturday Night Network doing big things over at the SNN, getting a lot ofbig guests and glad he's still not big time in us. But I don't know, the day might come you get that one big fish and then all of a sudden he's shaking his head. No, I know. Good guy, John Schneider from the Saturday Night Network isjoining us. John, thanks for making time for us. Of course, absolutely. Never, never will happen to my friends here over at the SNL Hall of Fame. My feet will always be clean and ready to go for you. Yeah, well, we appreciate that. And I am impressed, though. Jeez, like the lineup of people you've been able to talk to over the lastyear, last few months has been really, really enjoyable interviews. [8:09] It's not just the names. I've really enjoyed what you bring out of them. [8:14] Especially the Mikey Day one was super enjoyable. The way Mikey seemed to let his guard down a little bit, I think you made him comfortable and he was kind of, I love how he was fascinated with like the number aspect of the SaturdayNight Live community. So that was super fun. Yeah, for sure. Gotta shout out Mike Murray for that because he obviously does an amazing job over with us with all the analytics. But yeah, it's been really fun. I mean, I've been looking for ways to engage the and build a bridge between SNL and its fans and I think we found that both with the analytics and then withour commentary and uh getting to talk to Mikey Day and Heidi Gardner and some other people who worked at the show they seem to like really appreciate that there is a place for youknow them to talk about their experiences with people who really understand it like that's what I hear all the time it's like you know they go out for dinner with their friends they just likewant to talk about the sketches that they worked on the last week but they their friends don't care but like we're the people that care like we're the ones that want to go out for dinner withthem yeah we'll be your friends come Come on, guys. Exactly. So yeah, so it's been really fun and an awesome experience. [9:16] And very thankful for all of our contributors, including yourself, Thomas, you've been on a bunch of shows with us, and everybody who's supported, and all the fans. So to me, thisis one really happy community. And if you're just jumping in on season four of the SNL Hall of Fame, welcome to our community at large, because we're so excited to talk about Saturday Night Live with you. We're glad you love the show, and whichever way you decide to take part in it, whether it's through Thomas and Jamie's show or mine, we're always happy to get to talk to new fans of theshow. [9:45] Absolutely, I echo those sentiments. And I know as we're recording this, the SNL season is still in limbo as far as when it's gonna start. [9:54] Doesn't look like September's the normal kind of start date, the end of September. Probably doesn't look like that's gonna happen. Things might be resolved, I don't know, by the time you release this, but it's hard to say, but it's not looking good. So just specifically, like, What have you been up to at the SNN over thepast few months that listeners can catch up on and possibly even look forward to. Yeah, absolutely. I mean, it's really anyone's guess right now in, you know, we're recording towards the end of August, exactly when the strikes will end, very supportive of everybodytrying to get fair wages and everything else they're fighting for. But yeah, the strike could end in, you know, right before the season starts and start up at normal, or it could be November or January, we really don't know at this point. Whenever the season does start up, though, we'll have nonstop comprehensive coverage of the new season, including weekly wrap up roundtables on on Mondays, uh, if you want towatch the show and jump on over right after we have a hot take show, that's really, really fun and interactive with our chats. We also have analytics shows where you can jump in and dive deep into the numbers. So those are really like great for some weekly coverage with us. And then if the show has not started up for season 49, right now, uh, we're going to, you know, think of some fun things to do for the fall to hopefully keep the SNL community engaged. I know when the, it starts to get a little bit colder out around our hemisphere, uh, the SNL bug starts to kick in everybody's, uh, um, you know, I'm hoping to do something that will be funand creative to engage everybody while we're waiting for the show to come back. So make sure to check out the Saturday Night Network to figure out everything we got going on for the fall. [11:22] Yeah, everything you guys do is wonderful. I'm a subscriber, especially those hot take shows. Like I can't wait for the SNL season to come back to listen to your hot take shows. And sometimes I jump in as they're happening. That's the fun part of my wife is asleep on the couch after the show ends of all a lot of times I'll just kind of walk downstairs and come intothe office and open up YouTube and I'll join you guys live. But you could all you can watch it live. You can watch it wherever you listen to it, wherever you get your podcast, watch it on YouTube after the fact. So so yeah, you guys just do a wonderful job over there. And thank you. I mean, I've always said that Thomas that SNL is a show at any will talk about this, you know, through the Hall of Fame discussions like Saturday Live is a show that's not meant to bewatched alone. Like it's really it's something that you know, it feels like a party when you're watching it and you want to digest it like, you know, you're with your friends hanging out, watching thesketches, just like you may have watched it in your, you know, high school experience. And that's the fun that I think we can bring to the show is like, no matter where you are in the world, you can come hang out with us and talk about it after. So that's why I enjoy doing it.Exactly. And I got my wife into it too. And we'll do like sketch recaps on a Sunday morning when we're having our tea and scones or whatever. So, so yeah, you're right. [12:30] It's a, it's a really great community thing. And if you're a regular listener, you know that John's wheelhouse and maybe first SNL love seems to be that mid to late 2000s era. Is that fair to say, John? That's oh, for sure. Yeah. I mean, I definitely had like checked out the show before that and knew what it was and I was always like intrigued by it. But when Iwas, you know, in high school and, you know, they were starting to build towards this new cast. There was like nothing more exciting. I mean, a lot of people I've talked to, they're like, oh, wow, I can't believe you were so lucky that you had this. Like, I just like didn't know any better. I didn't know that this wasn't what everybody was doing, but I was getting up on a Monday morning and going to school and everyone was talkingabout like the most recent digital short or like Kristen Wiggs, like latest character. It was just so normal. So for me, it was just like, so cool to get to watch that no matter where you were on a Saturday night with friends, what you're doing, it was like, we had to turn onthe TV for a few minutes, just at least watch SNL. Yeah, that's such a fun era to jump into. For sure I jumped into the early 90s era myself, and I think both of us jumped into a couple of different golden eras as well. Our nominee today, Justin Timberlake, I think fits right into that era. He's like synonymous with a lot of that era. So yes, today we are talking about Justin Timberlake. We're doing a bit of re-litigation as far as Justin Timberlake's SNL Hall of Famecandidacy goes. [13:52] His fourth time on the ballot. So he was a season one nominee who is not in yet. So before SNL, Timberlake, he hosted first back in 2003. So before that, he had four albums within sync, one solo album, Justify, that was released in 2002. [14:11] He only appeared in one movie at that point. It was a made-for-TV movie that I never saw. And then, John, we saw him crying on Punk'd. So that was kind of our Justin Timberlake experience. But before I say- Well, let me tell you my Justin Timberlake experience if you don't mind. Yeah, I'm curious. So I grew up in like the era that was like, I always loved music, my parents loved music. When I grew up, like I was so overly influenced by boy bands, like Backstreet Boys, NSYNC. I thought those people were so cool. And like, I know there's a lot of people listening that might be rolling their eyes because you know, just like different strokes. But John, just like the Orlando, Florida music scene, just, I guess so much. Yeah. Something about that Mickey Mouse club. Um, but yeah, I mean, uh, I was always a big, like Backstreet Boys guy and I was like, Oh, I would love to do that. Like, that's what I wanted to do. Like I wanted to be a Backstreet Boy and like, I don't have the singing talent, but hosting was something that like eventually came, you know, on apersonal level from my interest in being out there. Like I used to go to bar mitzvahs as a kid. Um, and we was like, Oh, okay, I could do that. Like I can't do the Backstreet Boys thing, but I could like host a wedding or a bar mitzvah. And that's what I ended up doing professionally for like a very long time and eventually likeparlay that into podcasting. But for me growing up, like Backstreet Boys and Sync always had that interest. I was probably more of a Backstreet Boys guy. And then Justin Timberlake and Sync broke up, which was like the biggest deal ever. And everybody around the music scene was saying like Justin Timberlake is going to be the next bigthing. He had been like dating Britney Spears. [15:40] Christina Aguilera was like in that friend group and like it was just like a huge thing. And and I remember watching American Idol as a kid. [15:50] Yeah. So if you go back, like you watch that, like, um, during that season, like Simon Cowell is like talking a lot about like looking for like the next Justin Timberlake. Like it was just like he was like the it person then. So when I think when he was about to host SNL in like 2003, the SNL fans in general, like probably skewed a little bit older. Maybe we're not that excited about it, but I think he mayhave surprised a lot of people with what he could do on the show. Yeah. And I'm a little bit older than you too. So my Justin Timberlake journey was a little different. When NSYNC started coming on the scene, I was in high school by that point. It was around late high school and I was listening toa lot of hip-hop. Back then, I was a big Nas and Jay-Z. I was listening to Metallica. [16:31] I started getting into Radiohead and things like that. So, the boy band stuff was something for me to roll my eyes at. But I was in denial though because I didn't see the talent, especially with somebody like like Justin Timberlake for what it was. I was trying to keep up this persona of someone who likes this, what I considered more elevated music than like an NSYNC or Backstreet Boys. So that's where I was when Justin Timberlake. But you couldn't escape it though, like at the time, right? Cause like, I remember like as a kid, like, you know, we would like get together with like family friends for New Year's and like you turn on like New Year's like ball drops or whateverwas happening. And like, it was like the battle between, you know, Backstreet Boys and NSYNC or like, you know, Britney Spears or Christina Aguilera. It was just like these people were the biggeststars in the entire world. And then again, I totally understand people who had that view of this is not real music, but for me it was. No, but it is real music. And I used to watch Total Request Live, TRL, and seethem come on. And by the way, I listened to Limp Bizkit then too, so my music taste wasn't totally elevated either. [17:40] Sure, sure, sure. But I was in denial because somebody like Justin Timberlake, and this is a compliment to him, pisses me off. He really does because he can sing, he can dance. We started seeing that he could act and he's funny. I mean, I could be Justin Timberlake if I can do things. And that's something about Justin Timberlake that I admire, that I grew to admire is just how multifaceted he was And we definitely saw that a lot on SNL. Like, why do you think he seemed to resonate with a lot of viewers, just kind of setting the table? Like, why did he resonate with people and especially SNL viewers? Well, I think if you think of like the pantheon of SNL hosts, they all bring like a certain star power. I guess I would say like, if you think of the upper echelon of like great hosts, like you're probably talking about like Steve Martin, Alec Baldwin, Tom Hanks, Buck Henry, John Goodman. Like, those are like the really like, like the upper tier just based on, um, statistics and, and yeah. And good. [18:48] Quality. So, like, those are, like, them. And then, like, you know, I'd say, like, save for Buck who may have not had, like, the strongest career outside the show. Like, great director and all that other stuff. But really just the other ones, like, really bring, like, this level of, like, charisma to the show that, that, like, they didn't need the show to besuccessful. But the show was, like, tailor-made for them to be successful. It was, like, if you built, like, a really good offense in the NFL and you're just missing that, like, last piece to, like, come in and, like, you know, take over, like, oh, we need, need like areally good running back to like fit this scheme perfectly like those hosts were so great for that. And I think like SNL didn't know what they were getting when they booked Justin Timberlake. I think he had been on. He'd been on with NSYNC prior he cameoed I think with Britney Spears prior to 2003. But then when he had come on, the expectation was like, oh, we're gonna get this like really big pop star, but he like, was so game for the show, that he was willing to adjust the structureof the show to build the episode so that it wasn't a regular SNL episode, it was a Justin Timberlake SNL episode. So we're gonna go from a monologue into a musical performance right away. We're gonna build sketches around the fact that he can sing and dance and act at the same time. And that created less of a weekly show with, oh, like who is this host? And it became an experience. [20:12] It was an event that you had to watch live. And that's how I really feel it started to develop the SNL fans eyes and started to turn the page on what made Justin a great host. Yeah,you said that SNL probably didn't know what they were getting with him as a host. They probably didn't know that they were getting a big fan of the show. They probably didn't know just how much of a fan Justin is. I could tell that Justin was a fan of the show. He got the show. He let his guard down in many ways when he was on the show. So that's what kind of sticks out to me about him is he, as you said, he gets it And I think he's a fan and he was just living out a fan's dream of being on SNL. And that really comesthrough the screen to me. I totally agree with you. He is he's a huge fan. And I think, like, you see that, like, when you start to when you get to like like that first hosting appearance with the Barry Gip talk show.HACKIN' IT UP! [21:23] They take like nights on Broadway and they take that song and they like redo it for the Barry Gibb talk show. Like I think I've heard him talked about how he used to watch like Tom Hanks's like Mr. Short Term Memory when they would like make like their own theme songs for sketches and they were like, oh, okay, yeah, like we can create our own theme song for this show aboutBarry Gibb and like, you know, incorporate music and he just like found like an amazing scene partner with Jimmy Fallon and like their friendship obviously took off and I guess we'll getinto the Andy Samberg stuff but like, it was just, like I said, it just fit so well, and he was such a fan of the show that I think he made everyone around him excited to be there that week. Yeah, so so we're sitting here, you know, fawning over him basically and talking about what a great host he was. But you know, the reason why we're here talking about him right now, even though he was a season one nominee, is because he is not in the SNL Hall of Fame. So season one, he hadabout 35% of the vote. In 2002, it climbed to 53%, but then it maintained at 51%. He didn't see any growth that maybe some of the other candidates did, uh, John. So why do you have any theories? Like, why do you think Justin Timberlake is not currently in the SNLHall of Fame? Um, I don't know. I think, I think he'd look, I think it's a bad decision. I mean, that's obviously why I'm here, right? But I think part of it has to be that he is a little bit polarizing. [22:43] Is he... I'd say for the most part he has a pretty squeaky clean reputation, save for his admission of cheating on Britney, and I know there's a lot of Britney fans out there. But yeah, I mean, I guess it's just more like, is he your vibe? Because you have to really like and enjoy what he brings to the show, and if you don't, you're not gonna vote for him, I don't think. But I would hope that the voters would be objective enough to take out their personal feelings about JT and start to look back at like, you know, what he did, because I mean, every, like Isaid, every single time he hosted the show, it was a very good, if not amazing episode of Saturday Night Live. And, you know, he developed a format for his shows in a way that a lot of hosts did not, like he brought something to the show, like I said, that only the greatest hosts in the history of theshow have brought. And I would guess that the other reason Thomas is because he is just so attached to a specific era of the show. And if he had hosted, you know, let's say in the late 90s, and then more recently, as well, I think it's a no brainer that he would be in right now. I think that's all very well said. And you had mentioned you talk about the the Barry Gibb talk show, which is something that he and Jimmy Fallon did. And I think, you know, rewatching these episodes, I think there's something for everyone. I think some of sometimes his episodes get a little misremembered as just having the same. [24:08] Format every time and I know Justin made fun of it himself in in a fun weekend update bit that he did But I think it maybe they do a little bit get misremembered that it's just all thesame sketches every time Justin hosts but I think there was a decent balance honestly of recurring like those famous recurring sketches and Some of the one-off sketches. So I think I think I kind of want to break his specific work on SNL into two categories. [24:35] You have the recurring ones and then you have some of the fun one-off sketches. So, when you talked about the Barry Gibb talk show and that seemed to resonate with a lot of people, what were your feelings on the Barry Gibb talk show? Yeah, I feel like that is more of a Jimmy Fallon sketch than it is a Justin Timberlake sketch if I'm being completely honest. Like, JT does a good job of, you know, paying a second fiddleto Jimmy there. But, you know, that's what makes the sketch. I mean, it's It's never been my favorite thing, like if I had to rank all the recurring stuff, but I do think it's an important, uh, a sketch to insertinto a Justin Timberlake episode because it has a different vibe from the other stuff he's doing. He's not like out front and center doing, you know, crazy, you know, dance moves and stuff like that beyond basically the opening intro, which has like one of the catchiest songs in thehistory of the show. I think these get, do get misremembered as like a Justin and Jimmy both carrying the a sketch and doing it, but it was a total opportunity for Jimmy Fallon to do his thing. I almost forgot before I went back and watched all of these just how much Jimmy Fallon is in these, but Justin wanted to do them four times in five of his hosting gigs they did this. So it obviously was something that he loved, obviously resonated with people. Something that he was obviously more involved into was those. [25:58] We'll call them veal. The first one was omelette veal, but there was different variations of that. And this is one of those where I think might've been a little polarizing, but they're mostly just dumb fun, I think. ♪ Who cooks the egg good? ♪ ♪ Who, who, who, who cooks the egg good? ♪ ♪ Yum, yum, yum, crank it on in the Omelette Veil. [26:24] ♪ I love this. This is one of my favorite things for sure that he's ever done on the show, because this gives him an ability to have a platform to like do what he does best. And I don't know if you were a big music person as far as like listening to like mashups or remixes of songs. But when I first started to DJ, I was like, oh, how do I find like variations of really cool music that I could play out there? So like I remember there was like a guy like DJ Earworm, I think it was who like produces like an end of year, like like mashup of all the songs. And like I used to love that when I was in high school. And then to watch like Justin Timberlake, and this is the connection is like I used to watch Justin Timberlake do these sketches andhe would like mash up a bunch of songs and like create like themes with them and stuff like that. And to me, like this was just like as amazing junk food as you could find. Like it was pure fun. Everybody was having a good time. I think in particular, the one that he does with Will Forte is like very fun when they're playing off of each other. So for me, I love these sketches. It's fun to see him do these with different people. seem like to like Chris Parnell, who was in the first one, you'd mentioned Will Forte. So yeah, Paul. It'salso in the in the Christmas one, too. Like, oh, yeah, yeah, yeah, yeah, he is. And Paul Appel was was behind these. And she did such a great job of bringing out Justin's just natural charisma. [27:41] And we've talked about you. You mentioned charisma with Justin here that came up in our Dwayne Johnson episode as well. And that's something you can't teach. That's super important. That's what that's the thing. That's the thing that makes you want to watch someone on screen. Absolutely. And, you know, I would say that this is like in a live sketch format involving music is one of the greatest things that's out in your life has ever done, right? Like you think back to the original days of the show with the Blues Brothers and then with Nick, the lounge singer, all the way to like more modern times prior to JT with the Culp's. It's always been some of, you know, SNL's, you know, most favorite sketches for people is these musical performances and unfortunately, a lot of them like don't end up online because ofmusic rights. But when you're watching the show and you're getting to experience it live, it's very exciting. And other musical performances that Justin was involved with, and these, John, are probably my favorite of the trifecta, I would say, of the recurring bits was the Dick in a Box guys. There's a lot of penguins out there for ladies to impress. It's easy to do, just follow these steps. [28:59] Dick in a box is my all time, like at least like top three all time favorite sketches. You know, for me, when that came out, was one of the funniest things I've ever seen in my life. Now everyone who's listening to this podcast has seen that 100 times, but like to see that Iwish I could like go back and watch that for the first time, because it was just so like hilarious. [29:20] And you know, Maya and Kristen like do such a good job with that. It was just like so stupid and so cool. Even though it was like, it was just the idea of it as like off-putting, but the way that they do it makes it cool. Like I don't even know if I'm making sense, but so cool. Yeah, no, they'remaking fun of the type of guy that would think that that was a legit good idea. But then they made it a good idea. But then they made it like kind of an idea where you go, hmm, you have to be really comfortable in your relationship to give that as a present, right? Yeah, it's like, should I be doing that? And then and then like, I think everybody for Halloween like that year, like the following year decided that was going to be their costume. Sure. So Ijust think like that Dickenabox amazing. Some people would even argue that mother lover is as good, if not better. So it's a slight step down, but it's it's in the range. I think I think Dickenabox overshadows mother lover as being as People don't appreciate mother lover for like such a great follow-up. [30:46] I tend to look at how important something was to the show by if non-SNL fans climbed onto it. And a lot of non-SNL people in my life, this came out, Dick in a Box was December of 2006. And I started watching the show again around that time. And so I was well aware of Dick in a Box. But I had people at my job, family members who I knew didn't watch SNL, or even some of them didn't think SNL had been funny since DanaCarvey or whatever, but they said, but this was hilarious. I don't like SNL. I don't watch SNL, but this is hilarious. I love this. So I think that's like a good mark of how important something was to the show. If non SNL folks were like, yeah, I like this. I think that happened with Dick in a box. Yeah. But like, I don't know if I should be saying this, but like, you know, when Mother Lover came out, so I was like 16 years old when MotherAnd like, you know, like I'm like a single, like high school, 16 year old. And like, Justin Trudeau, like at the time, like was such a big influence on me. Like if he told me to go run through traffic, like I'm playing hopper, you know, like I'm considering it. Sowhen he's like, Oh, mother lover, like, you know, like that came out, like my friends and I were like, huh. [31:59] John shoot his shot. No, but no, no, no. But like, I never did think about your mom that way. But now that I'm hearing this, You tell one of your friends, now that I'm watching this, your mom is kind of, you know, she's, she's kind of attractive. She's pretty toasty. Right. You know, and it's all, it's all good. It's like, and then like, you know, the golden rule three way and like that, that experience never happened with me, but I'm just saying it's like, you know, it just makes you think. Yeah,exactly. [32:26] Yeah, we had fun cameos in Mother Lover from Patricia Clarkson and Susan Sarandon, who did not say one word. They just were kind of in the video, like in like good looking older women. But but just what a wonderful short that Mother Lover was. What a great follow up to Dick in a Box. And just those guys, those characters, I guess I guess they're called the Dick in a Boxguys. Almost. Yes, really? Yeah, I don't know that they actually have names. That's an interesting question. I believe they're the Dickenabox guys or yeah, I think they're just known as like the Dickenabox singers. But yeah, I mean, and also, by the way, Justin never like had a very short appearance in Jizz in my Pants as well, which, you know, was in between those two, two sketches. So it was like, Oh, here's a here's a quick cameo. So to me, like, yeah, this was like my peak I've talked on here before about my love for the Lonely Island. And like, this was also in my peak of like wanting to like make my own music videos. And like YouTube, I just like started up and was getting really popular. And I was like, like, Oh, like, that's what I want to do. So like many like video projects I did in high school were like variations of Lonely Island digital shorts. And the original one again, 2006. And that was after Lazy Sunday had come out, there's like a year later, but it was still early enough to where not a lot of things, you weren't havingsomething going viral every five hours. You know, like every few months, something would hit big like that. This might have been even before Will Ferrell and Adam McKay's The Landlord. [33:55] I think that this was maybe a few months before The Landlord. But every now and then, it's not like today, every now and then back then you would have some video go viral or hit big. And Lazy Sunday was arguably one of the first, Dick in a Box soon after that. So this was still early on and just the importance of this, especially in that whole digital short Lonely Island viral video sensation kind of thing like it can't be overstated the impact thatThe dick in a box guys played as far as that goes. Right. Well, the thing was, is that technology was advancing to the point where these videos were so easily shareable because, uh, you know, Facebook had become really popular, myspace and that stuff. So like those, those were easily shared and passed around, but it wasn't to the point yet where everybody could create professional videos in the way that they can now. So the quality looked like a real music video and they were able to be passed around similar to TikToks being passed around now. So there was just such a, you know, it was so well done at a certain time and place that they could like take over the world with the stuff they were creating. In college, I was in an AV class or whatever. So we would shoot our own videos and we'd have to check out cameras at the AV department in school or whatever. And the equipment that we had access to, this was back in 2003, 2004. [35:16] I have better equipment as far as the phone in my pocket than what we had to check out and the expensive cameras that we had to use 20 years ago. So yeah, you're absolutely right. This like motivated a whole generation of people to wanna start filming their own things. And just before we jump off the topic of those singers, the piece de resistance, if the Americans use that term, was for me, the 2013 sketch, the fifth time you host, where those guys comeback in a sketch with the wild and crazy guys. And it is such like a love fest to the history of SNL that you're able to have the wild and crazy guys, Dan Aykroyd and Steve Martin, with Justin Timberlake and Andy Samberg in a livesketch together. Like, how cool is that? Hey girl. Hey girl. You sound like a real tenderoni. Tenderoni. So come take a ride with us. Freakin' in the back of a peachy Cruzel. Rant on. Can we? Now let's meet our final contestant. Oh, that's weird. It's also a duo. They're brothers originally from Czechoslovakia. Please welcome bachelors number three! [36:41] I am Jorge Fastronk and now you will meet my brother Jorta. You nailed it. Your swinging dream dates have finally arrived for you. So get ready to take a hike because we are Two Wild and Crazy Guys. [37:04] Bobby Moynihan playing a perfect straight man to all the nonsense. Vanessa Bear playing the woman here there on the dating show. That was yeah, that was absolutely perfect just to see. I don't know. It was just so wonderful to see Ackroyd and Steve Martin with Justin Timberlake. Just them on the same stage together. Just an SNL nerds just paradise right there seeing all those people on the same stage for sure. And like I know we're jumping all over the place, but I mean, that wouldn't have happened if it wasn't for the fact that we had this five timers monologue from JT, which was like reallylike the first time since Tom Hanks that we're going to get like this, you know, reappearance of this mystical club. And you know, this is my thesis statement for SNL. If you, if you've heard me podcast before, I talk about SNL is a great show because it's a show within a show, you know, like there's,there's so much history to it. There's nothing like it on television. [37:54] And JT is such a fan of the show that, you know, when he, it's his turn for the five timers club, it's like, okay, This is the guy that we're going to invest in putting in this amazingsketch where we're going to bring back SNL greats and go into the fictional five-timers club and to me like It was just like if you weren't watching it live like you you felt like you missedout and like that's so rare for Saturday I live right now like everyone's like oh, I could just watch it on YouTube But like where were you at the time when JT's five-timers club sketch ranlike that was a piece of SNL history Justin Timberlake Welcome to the club, old boy. I always thought if an NSYNC member would make the five-timers club, it would be Joey Fatone. No, no, no. Believe. [38:40] Me. This is a great addition to the club. He's a multi-talented guy. He can do everything. So you play banjo? Oh, no, no, not really. Oh, so not everything. It was amazing. Like in terms of five-timer sketches, and I was going to bring this up, John, so this is perfect. So where does this one stand for you? I mean, just to look to refresh everybody's memory. [39:10] You had appearances from Paul Simon, Steve Martin, Dan Aykroyd, Chevy Chase, Martin Short, Alec Baldwin, Tom Hanks, and Candace Bergen. That's like holy SNL royalty. That's just ridiculous. Like where does this one kind of stand for you? I think it has to be near the top. I mean, it's really hard to parse through these like to rank them in a way. I mean, I think Tom Hanks is uh five timers club uh sketch is probably has to benumber one just for like its level of importance. [39:38] I think it was like so so so iconic probably in terms of like quality and jokes. This might be the best one the Justin Timberlake one. I think the Jonah Hill one which was more of a like celebrating the women in the five-timers club also equally important. So it's very good I would say quality wise you know a a little bit, a little bit less, maybe, but, but then the john Mulaney one also, which you know, we were so blessed to get to likecovered right after that happened, I think is also so important, given the fact that it was like coming off of COVID, like the show was trying to get back in a certain place. John Mulaney was like representing the end of like a certain era of the show. And then you got like the return of like Elliot Gould for the first time since 1990. Like there was so, you know, there's a lot of like a Conan as well. Like there's just like a lot of really cool things that have happened in all these. So to me, this is like picking between your children. Yeah, yeah, definitely. I think in terms of quality, when I think of a five timers club sketch I think my mind goes to the Justin Timberlake one. Same. Just because of all the people that were there. I'll always remember Bobby and Taryn fighting for their for their amusement, essentially. [40:50] And and Bobby's just super sad. And he's he's crying. He's like, I killed my friend. And then I think it was Tom Hanks is saying, I love drunk uncle. And he's like, thank you. And he kind of walks off. Like, I always remember just the little beats of that sketch were perfect. So to me, this is the quintessential one. But you're right, it is like picking your favorite child. But maybe this child is above the rest of my children, if that that makes sense. Yeah, well, in a way, it's like, you know, Justin Timberlake, when he starts off his SNL career, like it feels like you said, like, I kind of hate the guy because like, he's just so talented. And he's like, everything he like has all these things. [41:24] And I feel as an SNL fan, tell me if this is crazy, but I feel like when he starts off his SNL career, most people view his skills and his talent as like, so unattainable that there has tobe like a little bit of a resentment of like, oh damn like you're so good at everything and then eventually like he becomes one of us because he shows how much of a fan of the show he isthat in a way it's like he he becomes your buddy when you're like watching him through the entire time because like he's you know in this in this sketch he's holding like the ghillie glassand like he's just like there's like so many fun things that he does to like be meta and laugh about the show you brought up the time on weekend update that he's like recapping what ajustin timberlake episode would look like um the snl 40 monologue to me is like my favorite thing probably in the history of the show. It's not like canonical, but it's it is like like it made me like basically that that monologue made me create the podcast like that was like that had such like a legacy for me to be able to likego and watch that and then like want to go watch the beginnings of the show. [42:24] So again, like he he is like a representative to me of like all things that are great with the show. Yeah, I think he was very good at disarming a lot of us For sure, as not just looking at him as this like good looking guy who could sing and dance and I can't relate to him. He's he dated Britney Spears and was a child star. And I just can't I can't relate to that. But when I think knowing, knowing, knowing that he was an SNL fan was really endearing to me, it almost feels like I can could sit down and grab abeer with him. And he and I could geek out over sketches that we loved when we were kids and, and everything like that. So it just he had He had a very disarming thing that ended up happening with him and his time on the show that I think I'd never really put it into words like that, but you kind of rehashingit that way, it was just very, just somebody who seemed sort of unattainable in a lot of ways just did become one of us. [43:17] I think that's huge. And he had that weekend update, which I guess as far as canonically for his hosting gigs, listeners can decide if they want to include this. I think it's adjacent to his hosting gigs because of the content, so I do want to bring it up. And to me, it was November 15th, 2008. It was when Paul Rudd hosted. And Justin says that he was supposed to host the Thanksgiving episode, but he couldn't do it. So he's on Weekend Update and he's walking us through what his hosting gig would have looked like. And John, this is maybe, this is one of my favorite things that Justin's ever done on the show. Hey, Thanksgiving is Thursday, blah, blah, blue, I'm bringing Turkey back. Jokes!Whatever's left, I'll eat it for a snack. Andy and Bill is backup dancers because they're not in anything else. Ha, ha, ha. Stick around, we got a great show. We'll be right back. Add parody that I'm not in, then bring it on down to Turkeyville. Commercial. And good evening and welcome back to the Vincent Price Thanksgiving special with me and three other dead people. Of course, I'll play James Dean. And straight into a digital short. Step one, you cut a hole in the turkey. Bad idea. Should not have done that. Yes, instead of Justin Timberlake hosting on November 22nd, 2008, we got Tim McGraw with Ludacris and T-Pain. [44:43] But yes, I love this because it's just like I said, it is so cool. It really does take me back to like if you ever get a chance to watch the first five years of SNL, and there's just so many moments where it's like very inside meta talking about theircharacters. You know, I think about like moments through SNL history, like the last episode of season six, where Chevy Chase like finds the Mr. Bill Dahl and like, you know, and and other things where they go reference old era, seeing old costumes or like walking around the studio, you know, it just all comes together in this, youknow, representation of of what it means to host the show when JT gets up there and says, like, I'm not gonna be able to host next week. But here's what my episode would have looked like, which is a conversation that all of us have had pretty much every day we talk about the show. It's like, oh, uh, okay. Well, if this person hosts, we're probably going to get this sketch like that is that this is us. So, um, I loved it. That's the disarming thing that I was talking about. Like he's, it seems like he's in, he knew about those conversations, right? [45:46] He knew that, that people would say, oh, well, Justin's hosting and this is, this is what a Justin Timberlake show is. And it almost seems like he was in on the joke, uh, with us. And he almost disarmed those people who were critical of those, or maybe he gave them fuel, I don't know, but. It was just like he was a fan, just like us. And it was a fan of his own shows that he hosted. And yeah, I just thought that was perfect. Spoke to a little certain level of comfort with the Justin Timberlake episode as well. Like even though we're gonna get to some of his like better one-offs, but I mean, you knew the beats of it. And whether it's, to me, whether if it's an entire show or I even like sketches and recurring characters where I kinda know the beats of what's gonna happen, but I wanna see how they fillin those beats. And it just does speak to a comfort, like a comfort of a Justin Timberlake episode. Absolutely. We may have known what we were getting when the name popped up that he was gonna host. We were like, okay, yeah, we're probably gonna get a rehash of Dick in the Box,and maybe we're gonna get, you know, another Ville sketch. [46:50] But it was still exciting nonetheless. It was just like knowing that, like, you're gonna go to a restaurant and order your favorite meal. So he did have these beats that we knew. We did have these characters and sketches that we knew were going to happen. But looking back and rewatching, man, there are a lot of really good one off things that he did out of things that we haven't talked about yet. Is there anything that sticks out to you that we should know? Absolutely. Yeah. So my favorite, I think, one off sketch that they did with JT was the immigrant tale sketch from 2009. I don't know if you were thinking the same thing, but yeah, that's probably my favorite one. That's so good. It's absolutely great. going back to coming on, you know, their ancestors are coming across the the ocean on the boat from Europe and it's Cornelius Timberlake talkingabout what his future is going to look like in America and, you know, talking about all the things that he's going to do and it's so like inside and meta to the point where Andy Sambergshows up as Moishe Samberg talking about how like their great great grandkids are going to be producing music videos down the road and it is It's so funny to me. It's a must watch. I can't hear a thing! He'll dance. He'll act. He'll even make surprise appearances on a Saturday night comedy show. There will be great excitement. And then he'll appear again and again, many times a year. [48:18] Won't that lessen the excitement, though? No, no. Right? It'll be good, right? They ask Moisha Sandberg and he's gonna have a good voice too and he's like, I don't know. [48:37] Yeah, this is an example to me. I mean, the writing was spot on and Justin seems to have a sense of humor about himself. And to me, this sketch is almost a perfect example of that. He was making fun of himself a lot throughout that sketch. And I love it when people don't take themselves too seriously. Theycould poke fun at themselves. And this sketch, aside from just the great jokes and Samberg popping up, and I think to me, though, this was just such a good example of that. It made him more relatable. Pisses me off, John. This guy is like good looking, can sing, dance, and then now he's just funny and relatable. Like, that's not fair. [49:18] Yeah, it's really not. It's too bad. But that episode, that episode is so good. I mean, number three for him when he hosted, uh, does the cold open. I think if I know, I know my way around where he's walking around the studio or the monologue, excuse me. Um, in a target sketch, the immigrant tail, we talked to a mother lover, the surgery center, Barry Gibb. Uh, there's also a really funny pirate sketch at the end of that episode, which is a good one off one. It's a cute one where like they, uh, the pirates are looking for their guns and they actually like swap them with people who worked at, I think it was like Disney world or something likethat. Um, so that's a good one. But yeah, I mean, I would say I feel like the other, you know, really, really good one-off sketch that he did was, uh, actually I'll give you a couple. So one I really liked coming up in his fourth time hosting was he did What's That Name? which is a recurring sketch, but it's the only time I really get to see JT in it. We had an inside jokeabout how my feet were cold. What's my name? [50:14] Hot lady like you gotta have a hot name. [50:21] So, Cheyenne. Audience, what's that name? Katie! Maybe you would have remembered me if I was a rapping cat. [50:34] Good take there. Bill Hader is like the star of the sketches, the host, absolutely fantastic Bill Hader character that he does here. But the whole thing about him being with Lady Gaga and Lady Gaga, like knowing all of the different names of like the people like her doorman and JT does not know who ChrisKirkpatrick is, who was in and sync with him was so great. Yeah, that was perfect. In my mind, that was perfect. And this doesn't happen in the sketch, but in my mind for some reason, it's the real Chris Kirkpatrick that comes out, which would have been great. It's Taron Killam actually playing Chris Kirkpatrick, but in my mind, it's the real Chris Kirkpatrick that comes out. But yeah, that joke was just so perfect. You could see the distressed look on Justin's face when Chris Kirkpatrick comes out, and I was in sync with you. And he's like, hey, hey, hey. Hey, yeah, so, yeah, Bill Hader was just great. Justin Timberlake was trying to flex his acting chops that I guess he had built up over the prior decade. He was playing distressed really well. And of course, What's That Name's just a classic recurring sketch in general, but this was such a great edition of it, celebrity edition. I think that that's a perfect one to bring up. If you haven't, if any of the listeners haven't seen that in a while, that's from season 36. [51:55] May of 2011. Go back and check that out. And you had another one? Yeah, this one I definitely have to talk about, which is actually from his last canonical appearance on the show, December 21st, 2013, where Jimmy Fallon is hosting the show and he's themusical guest. And they do a family feud sketch where Justin Timberlake is playing Jimmy Fallon in the sketch. Let's move over to the NBC Leading the team is the next host of The Tonight Show,Jimmy Fallon. So great, so great, so great, celebrities playing games, nothing better, so fun! Am I right, old man? And they cannot keep it together. And that to me was so much fun. It really is a full circle moment, like 10 years later, where, you know, JT comes on the show in 2003, clearly has this amazing chemistry with Jimmy, his first real great scene partner onSNL, and then he gets to play him in the Family Feud sketch in front of him while Jimmy's playing, I think, Jim Parsons. It is so great because Jimmy can't keep it together naturally. [53:01] And and it was like it was just cool. I mean, I knew that like I was actually in New York during this episode. So excited to get to watch it. And like knowing that JT was in the building, Jimmy was in the building. We didn't know exactly what was going to be happening. And then we knew he was going to be in some sketches. And this was a really great addition. A couple of the one offs that I really love were actually in Justin Timberlake's first hosting stint back in 2003. And the first one was the punked barely legal sketch. He actually a bit of revenge. Because if you guys remember, we saw Justin Timberlake a few months prior crying on the first episode of punked. It made Thomas very happy. Yeah. At thetime, I was like, Yeah, screw this guy. He deserves it. He good for him so so yeah so he was crying on Punk'd Ashton Kutcher and Dax Shepard had their show and they pretended to be the government seizing Justin Timberlake's possessionsand messing up his guitar and taking his dog and everything and and a few months later Justin's hosting SNL and he does an Ashton Kutcher impression which I think probably a bit ofrevenge from from that Punk'd episode because he made Ashton Kutcher seem like really full of himself and kind of dumb. Deal. I'm Ashton Kutcher. I'm awesome. [54:19] We're showing you all the pranks we weren't allowed to put on MTV, but now we can because my lawyer found a loophole. Ain't that right, man? Well, it's not really a loophole. What you're doing is actually very illegal, Ashton. Call me Kooch. [54:32] Check out when we punk Fred Durst. That was a really good sketch. I really like that one. I would say second to another one in that episode, one of the one offs, which I think you're going to bring up now. So I'll let you bring that one up and then I'll tell you why I really love that other one. So the second one's the Rainbow Connection with he and Will Forte and it starts off really sweet he'ssinging the song with Kermit and then he accidentally, Justin accidentally steps on the puppeteer played by Will Forte and things just go go awry. What? [55:22] I like that, don't you? Hey, guys, guys, stop fighting! This song is about togetherness. What do you love about this? I mean, everything. I mean, I love Will Forte. I love Justin Timberlake. It's just like, it's so great. Like, this was, uh, this sketch was made for me and it was, it was so much fun and, uh, you know, just Will's ability to be able to, like,play, like, exasperated and Justin's, like, you know, be able to be playful and have fun with this and, yeah, I don't know. just like it was so great. Obviously, SNL has like a long history with the Muppets. So that's also like an added element to this. So yeah, I could just see like, there's just like a lot of really like high quality sketchesin these episodes. So I think the batting average is so high for his episodes, which is like why he is such a fantastic host. Yeah, right. And then he's in some beloved recurring ones that he was joining in once he was in in a Herb Welch sketch that I really had fun with. He was in a Main Justice sketch, which may not have been as good as the Jamie Foxx Main Justice sketch, but it was, I just, I love that recurring sketch and I'm so happy to see Justin in it. And then he was with Cecily and Vanessa Bear in the ex-Porn Stars sketch. And that was, as far as his hosting gigs go, that was the final sketch that Justin was in as a host of SNL, was the Moet and Shandon, Monica and Chandler. [56:47] So, yeah, he was just in so many things I think other than like the recurring ones that we knew about. There was just so much gold, I think, in those five episodes that get overlookedto me. For sure. I mean, also, we have to think about him being in the Beyonce single ladies shoot from the Paul Rudd episode. Bobby Moynihan was on our podcast last season and told us that that wouldn't have happened without Justin Timberlake convincing Beyonce to do it. [57:15] So that was a huge sketch in 2008. And then I think the other factor is like, you know, I know that the voters are looking at him as a host, but he also does double duty a lot. But I think he's one of the best double duty hosts that there is. His ability to go from like, you know, seriously performing music to then going back to, you know, doing sketches is really great. I've seen JT in concert a few times. It is really like the best thing to just like grab a drink and relax and enjoy because he puts on a show. And I do think like his performances of Cry Me a River from his first hosting appearance, what goes around comes around from 2006. That was his second performance in a second episode. I think I know this is hyperbole, but like one of my favorite performances in the history of the show, like he is, he is so much energy,uh, really, really great. Like he's going all in on it. [58:04] So to me, uh, like he just checks all the boxes of what I'm looking for in a host. And I will just reiterate one last time that SNL 40 monologue, in case you've never gone back and watched it to wrap up, like the last time we have seen Justin Timberlake on Studio 8H,to me, is so incredible and everything I love about the show. [58:54] To me it's a testament as to just how much the show really loves him and how important he is in SNL history is them asking him to go with Jimmy Fallon and do the opening toSNL 40. It's like such a big event they could have handpicked anybody to do the open but they decided on Jimmy and Justin Timberlake and that just shows me that if the actual show if Lorne andthe show view him in such high regard that why shouldn't we you know that was just a huge thing for me that, snl 40 yeah 100 i think i called it the monologue just because like it starts onhome base where i don't know whether to call it the cold open or monologue but it's yeah it's kind of a combo of both yeah they did do like the monologue with all like those really greathosts um afterwards but if but you know just saying the cold open i just think it's it's really great it involves some really cool characters the the again the music is is awesome and it's supercatchy i actually like i used to to listen to it to like pump myself up like right around that time. [59:52] And yeah, it's still on YouTube. So it's so great. And my favorite part of the whole thing is like that they then like flip around, turn to camera and like for the first time in SNL'shistory, we actually get a live from New York from the audience and them like with that shot. Like it's just like one of the coolest shots that leads into like the most amazing montage. So the fact that they were able to produce that for the 40th, I can't wait to see if they're able to dosomething for the Yeah, if you want a quick rush of SNL nostalgia in like five or six minutes, go on YouTube. This is on YouTube. Go check out the opening to SNL 40. And it's just such nostalgia just packed into like a five or six minute song. It's pretty wonderful. I'm wondering, John, do you think that Timberlake is kind of just of a specific era as far as SNL goes? Or do you think we could maybe see him make a surprisereturn to host the show again? Like, what are your thoughts on him? Maybe coming back? Yeah, it's an interesting question. I mean, I always have to feel that there were opportunities over the last 10 years. He has released music. So I'm, I would be surprised if there weren't, he wasn't at least asked to host. But you know, he was so of a time and place that if Andy's not there, and Kristen, he worked with a lot and like, that whole cast, you know, is no longer around. Did he want to go there and not be, you know, be with all these new people that he didn't know? So that was an interesting question for me. And then the The other thing is like we stilldon't know what SNL's plans are for the 50th season. [1:01:18] If they're planning on going back and bringing back some of the greatest hosts in SNL history, I feel like that's the spot to do it to bring him in for like, you know, one last time tocome in and and have some fun during the 50th season. I could totally see that because I think that would probably like definitely solidify in people's minds that he is deserving of being in that like pantheon of amazing SNL hosts. Man, for SNL's 50th season, I really hope, like my expectations aren't this, but I do really hope that they bring back some classic hosts for this. Someone like Justin Timberlake or maybe bring back Steve Martin or some people like that. I'm not expecting it. [1:01:57] It would be nice. And you're right, that would be a perfect spot for Justin Timberlake to possibly come back. So we're going to put a little bow on this, John. And just to just to recap or reiterate your argument, why should voters consider Justin Timberlake for the Esno Hall of Fame in his fourthtime on the ballot? [1:02:17] Yeah, I mean, like I said, if you like Saturday Night Live, you probably fell in love with the show, because like I said, it's a show within a show. And nobody's more emblematic of that than Justin Timberlake. He brings that out in the show every time he's there, I think he elevates the performers around him. He's like an MVP when he's there. I think he makes all the cast members better in certain sketches. He brings out their best talents. I think he's super easy to write for. And I think that thesketches he does are really fun. Like it's always a great energy. [1:02:44] He's never had a bad episode when he's been there. He has appeared many times, not just as the host on the show and really elevated different episodes. And then if you start to look at the analytics of like amazing host in the history of the show. If we're talking about like segment appearances by hosts or so people who are hosts but never cast members, Alec Baldwin, Steve Martin, John Goodman, Tom Hanks and Buck Henry arethe top five, followed by Justin Timberlake, like he's he's right there, like he's just right knocking on the door of being in that like top room of the Hall of Fame. As far as I'm concerned, I'm definitely objective enough to say like he I wouldn't necessarily say he's the greatest host in SNL history, because I think there's a lot of them who have donesome some really amazing stuff. But I think if we're going to really use the Hall of Fame to encapsulate the very best of the best in SNL history, you have to put Justin Timberlake in that conversation. You. Track 2: [1:03:53] Bring it down. Oh, yeah. All right. Thank you so much to our great friend Thomas Senna. What a wonderful conversation he just had with John Schneider of the SNN. A great time, a great reminder that Justin Timberlake might actually belong in the SNL Hall of Fame. And I believe that he does. I believe that he does belong. But I think that he is, I think they brought it up in the episode. He is a victim of, you know, an era. [1:04:33] He basically worked with one group and, you know, he didn't get to, he didn't get to have that relationship that a John Goodman, you know, got doing it over 11 years and workingwith, you know, many different iterations of the not ready for primetime players. So there's that. But what do you say we get into the sketch that was selected by John and Thomas? And this is one that they talked about in the episode. This is the sketch with the old timers, the settlers coming over on a boat into America, boat into America and discussing their futureand what their future holds. And hilarity, of course, ensues. So let's go to that now. This is Justin Timberlake in his SNL HOF sketch. Highlight. Track 5: [1:05:38] The new world is upon us! I can smell it in me nose. Just think of it. A chance to start a new life for our children. And our children's children. Why, someday I hope me great-great-grandson might own his own land. And I hope my great-great-grandson will be a learned doctor. Oh, what about you, Cornelius Timberlake? What do you hope your great-great-grandson will be like? Well, I know he'll be very handsome. Oh! [1:06:07] And he'll be a millionaire a millionaire from fur trapping from coal. No from popular songs What sort of songs could make a man millions, I don't know maybe something like cry me a river So he'll be a girl no So, that's a perfectly normal way for a manto sing. Oh, okay. And he'll be world famous by the age of 16. All by 16? How? At a young age, he'll go to work with a band of boys. Like in a sweatshop? Sort of. Sort of like a sweatshop. Then I imagine he'll branch out on his own, growing more and more handsome every day. He'll strut up out in tiny vests, thin ties and outdated hats. Oh, that will look dreadful! No, on him it will work. Okay. That will probably frustrate other men. Aye, it will. [1:07:14] I actually dream of a day when my great-great-grandson will bring sexy back. Bring, bring sexy back? What, what does that mean? It'll be gone and he'll bring it back. [1:07:35] LAUGHTER APPLAUSE LAUGHTER LAUGHTER Where did it go? Just trust me, people, it'll be on board. OK? Well, it sounds like he'll have his pick of the ladies. Aye,indeed. I'd like to think that, at first, he'll date a popular female singer. Publicly, they'll claim to be virgins, but privately... He hid it. [1:08:13] Then he'll make love with women so beautiful and so often that it won't be enough for him and he'll, I don't know, maybe try some stuff with guys. Whoa, whoa, whoa, whoa. I mean, he'd be straight, but, uh, well, never mind. Forget that part. Everything else will become true, but forget that part. Okay, fine, fine. His life is going to be a nonstop orgy of fame and money. He'll sing. He'll dance. He'll act. He'll even make surprise appearances on a Saturday night comedy show. There will be great excitement, and then he'll appear again and again, many times a year. Won't that lessen the excitement though each time? No! No! Right? It'll be good, right? Oh! It will be good. [1:09:10] -♪♪ Who are you? My name is Moishe Samberg. Your prediction has inspired me. Maybe someday my great-great-grandson will also make songs. Or do you think he'll have a beautiful voice? Eh. He'll have a voice, you know, a fine, workable voice. It'll be more about charisma with it. Aye. And maybe, in this new land of opportunity, our grandsons will collaborate. You know what, Jew? There it is! You're all right. Track 2: [1:09:51] To the new world! To the SNL Hall of Fame! Hooray! That's what we've got for you this week. That's Matt's minutiae minute, it. Thomas steering the conversations and I of course steering this whole ship round the bend. I'm your captain JD. Hope you had a great week. We did making this for you and we continue to do so. So continue dialing us up. Get ready to vote. There will be no be no registering this year. We've got quite a number of people registered at this point. We're gonna make it easier to vote, but you will have to use your email this year to unlock the voting. [1:10:43] So you can't just go in and vote willy nilly. You have to use an email address. But other than that, that's what we've got for you. So on your way out, as you pass the Weekend Update exhibit, you'll notice the light night switch on the wall. If you could do me a favor and turn that off, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||
| Adam McKay | 11 Sep 2023 | 01:32:23 | |
jD, Matt, and Thomas are back again and this week they're joined by Deremy Dove to discuss the bonna fides of Adam McKay. Transcript: Track 2: [0:45] All right, thank you so much, Doug DeNance. It is great to be back here at home. [0:50] In the SNL Hall of Fame for the SNL Hall of Fame podcast. Here we are, rounding out episode five already. We're a quarter of the way through season four, if you can believe it. We've got a great one this week, but before you, you with the dirty feet over there, there. Wipe them. You know what I'm saying? Just wipe them. Don't make me yell. The SNL Hall of Fame podcast is a weekly affair where each episode we take a deep dive into the career of a former cast member, host, musical guest, or writer and add them to the ballotfor your consideration. [1:27] Once the nominees have been announced, we turn to you the listener to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. That's how we play the game here, folks. It's really quite easy. We nominate them, you come on and talk about them, and then you get to vote for them, and we will pick the fourth class of the SNL Hall of Fame. This week, we are joined by a returning Deremy Dove, who joined us last year for the first time, and we really enjoyed the conversation we had with Deremy, So we invited him back andhe will be talking about writer Adam McKay. So that's real exciting. And I'm looking forward to hearing Deremy's take on Adam McKay in a conversation with Thomas. But before we get to that, like we do every week, we've got to walk down the hall here and, uh, you see where those two walls meet perpendicular, that's a corner. and. [2:31] My friend standing over there that's matt and for about 60 seconds he's going to give us some minutiae in that corner because ladies and gentlemen that is matt's minutiae minutecorner so let's get to him matt hello how's it going great i'm doing great you're doing great yourself you know it i'm here you know when i'm here in the hall i'm at my best always a greattime Yeah. Track 3: [3:00] Talk to us about Adam McKay. Adam is another tall guy like Will. He is six foot five born April 17th 1968. He was born in Philadelphia. He has a lot of credits 95 producer credits 42 writer credits 27 director credits and 15 acting credits. [3:24] Yeah, so a lot. He is a Second City alumnus. He performed with Scott Adas, who you probably know from 30 Rock, but he also wrote on a lot of crazy stuff like Mary Shelley's Franken hole and moral oral, both wild cartoons. So he's had so of so Adam has had some amazing collaborators. They were in the sketch Gump, which is included in the all time best sketches of Sac and City that comes with the Second City book, which I have. [4:02] Adam also studied under Del Close at the ImprovOlympics and was a founding member of the UCB. He is- I did not know that. Yeah, yeah, so he is one of that early group that helped rotten the improv options for us. Now he is married to Shira Piven, an equally talented theater and film director, producer, actress, who is the sister to Jeremy Piven. Oh yeah, yeah. So there they have a daughter named Pearl. Who is the landlord in the landlord sketch that that helped a funnier die blow up. And she's also the baby and good cop baby cop, which, if you haven't seen them, are two of the funniest sketches ever on Funny or Die like, yeah, yeah, they came out of the gate straw.They sure did. [5:05] He co founded Gary Sanchez productions with Will Ferrell. When developing The Other Guys, he originally thought to call the movie The B-Team, a riff on The A-Team, which is being filmed at the time. The producers of The A-Team didn't threaten to sue, but did gently say, you know, if you call it The B-Team, we can't promise we're not going to sue you. So that was a nice way of doing it. Right. Now, when doing for the press for the film, he explained the TLC references from Michael Keaton were all improvised. Those were moments that Burton just brought to the film or that story that Keaton. Let me redo that. Yeah. When doing press for the film, he explained the TLC references were improvised by Michael Keaton, which were in the moment, which are some of the bestmoments of the film, which is why he is my true Batman and will always be. Bye. [6:09] During the flash. Yes, and I enjoyed it. I love Keaton in that. I it wasn't it wasn't great. But Keaton made it. I mean, like I if it wasn't Keaton. I probably wouldn't have enjoyed it as much to be honest. [6:25] Yeah. Now, during the filming of Talladega Nights, they basically took over the entire town of Charlotte and Adam converted a closed down, closed down on businesses andchurches into sets. Now, he and Will worked very closely together for a very long time. Unfortunately, their working relationship broke up after some hurt feelings during the casting of an LA Lakers documentary directed by Adam, who to this day regrets that choice and hasapologized for changing the casting and dropping Will from the movie. He holds a star on the Hollywood Walk of Fame in front of the Hollywood Wax Museum and most recently doing some very serious stuff, including Vice, the big short, And I, not being asuccession watcher, did not realize this, Succession is an Adam McKay production. And that is as far a diversion from stepbrothers as you could possibly get. But it is about family dynamics, so there is a threat. Track 2: [7:55] I think we should head downstairs and take a listen to what Matt and Deremy have to say. Don't you think? Track 4: [8:22] Yes, Jamie and Matt, thank you so much. I'm so excited for this episode of the SNL Hall of Fame and today's nominee is someone who is probably a lot more famous for his non-SNL stuff. You know, he did great work on SNL, but a lot of people currently know him for being a high-profile director in Hollywood. He made the transition from from SNL writer to director. So I'm so excited today to be talking about one Adam McKay. Adam McKay is gonna be our topic today here on the SNL Hall of Fame and we have a great person joining me to talk about Adam McKay. [9:06] And Jeremy, you always you pick the interesting nominees man. Like Dick Ebersole last season and now Adam McKay? Yeah, you know, Thomas, always a pleasure. I love visiting the hall with you, getting down to some SNL history, but I like to get into those people because I feel like true SNL fandomrecognizes the great cast members. Of course, they're the ones we see every week, every Saturday night, but there's so many important people behind the scenes that help make Saturday Night Live this great institution, andI love showing them some love. You know, You know, I'm an offensive lineman kind of guy. So I love like those guys who are important but don't get that big credit. I wanna give them love. So I love finding those different kind of nominees for us to discuss. Yes, so we got into the trenches, so to speak, last season with Dick Ebersole and today with Adam McKay. And of course, the official introduction, Deremy Dove, co-host of the Bigger Than The Game podcast with his cohort, Jose Ruiz. I was lucky enough to appear on two episodes of Bigger Than The Game back in June. We talked some NBA draft. We went nuts with NBA draft talk, Jeremy. So that was a lot of fun. Most recently, Jeremy and Jose have covered, they did a two-parter on Bo Jackson, which I found really interesting. Of course, first part being baseball, second part being football. [10:28] Jose and Jeremy have a lot to say on sports and just everything in general, man. You guys do such a great job. No, thank you, Thomas. And it was so much fun. Pleasure was all ours, having you on our show and breaking down the NBA draft in different years. And man, we can't wait to have you back on. So it was just, I feel like I owe you a great appearance on here now because you did such a great job on our podcast. Yeah, we'll just keep doing these home and homes because it seems to be working out really well. So thank you so much, Jeremy. So today we are discussing, again, Adam McKay. And as I mentioned, a lot of people know Adam McKay now as a director, but his roots, Deremy, a lot of people don't know, are actually in sketch comedy. Right, right, so Adam McKay was going to Temple University, my alma mater, and then he had one semester left, which I give people credit when you're that close and you say, I'm goingfor my dream, like, hey, that's gutsy. And he winds up moving to Chicago, and he was one of the founders of UCB. [11:37] And that's such a huge name and huge group when it comes to improv and sketch comedy. And Amy Poehler was a part of that, Matt Walsh, Horatio Sanz. So many people who we know now in the comedy world came out of UCB, which Adam was a co-creator of, and also going on to Second City and being a a part of that cast. So he definitely had that sketch and improv training before he wound up going to 30 Rock. Yeah, it seemed like he was hyper-focused, as you mentioned, one semester away at Temple,and he's like, I'm pursuing my dream. That was around 93 that he, along with Amy Poehler and those others, co-founded UCB, the Upright Citizens Brigade. Flash forward, after UCB also did some performing at the Improv Olympic in Chicago, So he really had strong roots there in the sketch and improv community. But SNL, so we go back to 1995. [12:36] SNL's transitioning from season 20, a notorious season 20, as a lot of us SNL fans know. So they needed a few breaths of fresh air. They needed some new blood. So Jeremy, does McKay's impact on SNL possibly resonate even more? Because he became a writer in such an important year? Oh, absolutely. For me, it kind of reminds me a little bit of your Paula Pell episode that you did last season, where if people who either if you remember, if you were around, or if you'reyounger and don't know, or whatever the case may be. [13:16] You know, this was a crucial time in SNL's history. And a lot of people, and including Lorne Michaels himself, says this was the most difficult time he had as executive producer,where he's getting outside pressure from the Saturday Night Is Dead, you know, all those critiques that they've heard throughout the history. But even in-house, a lot of NBC executives were really coming down Lorne's throat and making him having this battle of wills and talking about forcing out certain writers, certain castmembers like a Farley, Sandler, different people had to go. So Lauren has even said recently that that was the most difficult time. So bringing in like a Paula Pell, but an Adam McKay and that, a lot of those cast members was really crucial in saving Saturday Night Live. Yeah, we had talked about in our Dick Ebersole episode, how there are a few people and a few moments in SNL history where like the show needed saving. [14:14] And I think this transition from season 20 to season 21, the show was genuinely in trouble. I mean, it was genuinely close. I think it's getting canceled. And as much as I love Farley and Sandler and those guys, there was just a lot of uncontrolled bro kind of energy in that last season. It was very sloppy. [14:37] Uh, man, it was very like just a weird vibe in that season 20. [14:41] It's one of those weird things because as like someone, and I'm sure you're the same way who's fans of like artists and the creatives, you don't want like the quote unquote suitsgetting involved and stepping in. But if I'm honest, looking back, I understand why some lost, I think they took it too far, but I understand why they were saying, Hey, we have some issues here. Going on with Saturday Night Live because, like you said, love Farley, love Salem, had great moments, but at that point I felt like it was bro comedy, but kind of on autopilot as well, andI felt like a shift was needed and a change was needed to kind of... For me, when I look at Saturday Night Live and we're at those moments where it's like, what's going on Saturday Night Live or Saturday Night Dead and all those jokes, I feel like SNL, itcan evolve, but ultimately it has to get back to its roots of what makes this show great. And I feel like it gets lost, and when it comes back, it's really Lorne and the writers and the cast kind of being like, this is what comedy, like sketch comedy is, and we're going to stick tothat. Yeah, exactly. And they pretty much totally cleaned house. I mean, they retained Molly Shannon, who was a late addition in season 20. They retained Tim Meadows, Norm MacDonald, but they really brought in just a lot of new faces. Will Ferrell on a gas tire, Sherry Oteri, Tracy Morgan at a certain point. [16:10] So just a lot of fresh blood was needed, and that included our topic today, Adam McKay. So we could get, unless you have anything else to add about him getting to SNL, whatever, we can get to some of his notable sketches, Deremy, if you'd like. Well, sure. I guess the only thing I would add is Adam comes in, he's like 27 that first year. And so Thomas and I are talking about the pressure that that Lorne and the show was under, but after that first year as a 28-year-old, Adam talks about Steve Higgins calling him into hisoffice and saying, Lorne wants to make you head writer. And I think that's just amazing twofold that at the age of 28, you're the head writer for SNL, but also it's only your second year at the show, which I think shows what Lorne saw in him,but also big credit to what we talked about, that UCB Second City background that he kind of was going on having bring into the show, I think Lorne really kind of took a lot of faith andbelieved in him. Yeah, so he started, of course, in season 21. [17:21] Yeah, by season 22, he was head writer, co-head writer that first season, and then he was head writer by himself in seasons 23 and 24. So that is a lot of trust put on Adam McKay. Just from a viewer's perspective, as an SNL fan, What kind of importance do you place on the head writer? Like, how do you view the head writer's role the grand scheme of how the show functions. [17:46] I feel the head writer has a very important role for me as a viewer, as that bridge of Lorne, but also kind of making sure the writers and cast members are on the same page. So to me, for people who know TV, you hear the term showrunner. [18:04] Lorne's the executive producer, but I wouldn't call him the showrunner. He helps make decisions, but I feel like that head writer is the showrunner, where a lot of the show's sensibility is coming from that head writer's voice. And Lauren obviously has final say in what goes on air, and he consults with his producers and the head writer. But I feel like the head writer is kind of the one really helping to bring what the show, where we're going with the show, and also who we're highlighting on screen with the show and thetype of humor that we're seeing every week. Right, right. And where would you say, as a viewer, the sensibility and voice was, like, in those seasons 20, 21, basically in the late 90s after the disastrous season 20? Where do you think the voice was that Adam McKay helped? Like, where were we in about 98 or so, that period? I feel like with what, and we'll kind of get into it with the sketches too, but I feel, A, he saw what we kind of all have been seeing on the big screen for all these years, you know, thepartnership kind of ended, but he saw the connection and the greatness in Will Ferrell. And to me, very quickly, Will Ferrell becomes that lead alpha dog for the show. [19:21] And he has a great cast around him too, all the names you mentioned, and that continues throughout his stay. But I feel the sensibility, it kind of got back to a little bit of, I would say, what I loved about that era, it was a good blend of subversive kind of humor, but also what I loved about,especially with Will Ferrell and McKay too, writing, is they take the norm and they kind put a twist on it. So Will Ferrell and different, they kind of have that normal like middle America feel to a sketch. And then all of a sudden, there's this, this like twist, and you're kind of going, wait, what the hell? And like, it was like a good mix of relating to everyone. This is what everyone was kind of watching or seeing, whether it's a pop culture reference, or just we could be like, hey, we know that guy, or I know that lady. And then they'll put this random twist in there that you're not expecting and it just cracks you up and I feel like Adam McKay helped to bring in like that mix of both. Yeah I completelyagree. Automatically I think of like Will Ferrell yelling at his kids to get off the shed when he's just kind of barbecuing. You know Johnny, did you thank Brandon and Michael's parents for giving you the Lion King video? Oh, you're welcome, son. I just hope you enjoy watching it as much as Brandon and Michael do. Get off the set! [20:42] His first sketch really. Yeah, that was like he auditioned with that too. Yeah, then that was just of course the middle America barbecue And then he just kind of snaps or like like the the dad the I drive a Dodge Stratus like it's just a family having dinner andthen it just derails from there. You're totally right about that It's just they nail it so perfectly and I feel like, like you said, they kind of got a little too bro culture beforehand. [21:07] And it kind of went back to, I'm going to be wrong, I love subversive humor, but I think it's really cool when people can kind of come up with comedy that everyone can relate to,and everyone can connect with. Connect with and like, oh, we've seen that pop culture reference or we've seen a commercial or a parody, like, kind of like, oh, we all know it and they put a twist on it. I think that's justbeautiful. Yeah, I think McKay and a lot of the other writers and cast members that came in around season 21 or so, and even some of the holdovers, I think a huge difference between that era andlike season 20 was that you still had plenty of oddball humor, plenty of absurdist material but I think in the late 90s after season 20 I think they did a better job of making it smarter andmore focused and actually like having a point to it rather just put it yeah just not having just somebody's just not on screen yelling or they're just not made they're not making and there'splenty of this to you like they would make. [22:07] It was just the comedy, sometimes the humor at the time. They would make gay jokes that weren't funny and everything like that. So some of that can be excused as maybe a product of the times. But a lot of the more absurdist material, especially stuff that had to do with everyday life, was done, I think, in a more smart, kind of calculated way. And I think you can tell that Adam McKay's fingerprints were on a lot of that. Right. And I think that's what SNL, whether you look at it from the original first five years in the 70s to then, even when it got back on footing in the 80s with Dana, Carvey, and Hartmanand all those, like you said, it has a focused look, but it's like, hey, we had the subversive stuff for later on at 12.45, closer to 1 a.m., but hey, what we're going to hook you in at 11.30. [22:56] Is what's going on in the time and what we all can be like, oh, they're making a parody about this politician or about this show or about this certain person in pop culture, and they'reputting their own spin and their own take on it that's making you laugh, but honestly making you think a little bit too. Yeah, and I think an early example of some of the absurdist material that's kind of rooted in like an everyday situation is one of Adam McKay's favorite sketches that he cites, that hewrote, was the wake up and smile sketch from season 21. That was with Will Ferrell, Nancy Walls, and David Alan Greer, who was the host of that episode. Man, just like, I think it's just such unhinged genius. That sketch for those who don't remember it was a morning talk show that uh the teleprompter went out and the hosts panic and it becomes a lord of the flies situation ultimately the orderof the hand will rule oh the animals of the zoo guy danny usher will sustain us but what if the The bog still refuses to give us word. You challenge my authority? I smell from your scent that you are weak. I challenge you! [24:23] She's dead! Come on! The weatherman is dead! I hate the weatherman! So yeah, Jeremy, is that like, I think it's a pretty good example of like the absurdist nature of that time. It's like, it's absurdist. And I think he's done a great job kind of when we see like later on, like the films he's done, it's like absurdist, but it's in that Steve Martin school where what made Steve Martin like reallycool, like, especially in the 70s doing standup was he wore the suit, he looked like, oh, like this nice conservative guy. And then he's like, he's like flipping it, you know, his comedy is flipping everything like upside down and he's, you know, wild and crazy and all that stuff. And I think Adam McKay takes that to another level, where it's like... [25:14] This is the establishment and it's kind of like, he's making fun of these news programs like, hey, we're taking them serious just because they're on TV and they're wearing a suit or,you know, like that. But then it's really like, why are we taking them serious? And it's like, what makes them the authority? So he kind of has a little bit of like flipping, you know, the status quo on its head and being a little like anti-authority, I would say, in whathe's like trying to do and still trying to do to this day. Yeah, like what he's saying, what do they really have to say if it's not on the teleprompter? Right. You know? Right. And I know I have friends who are in the news industry who just like love that sketch too, because they can laugh at themselves. But I think, yeah, I think McKay, that's kind of, that's like a decent point or a point that you can tell that he's trying to make amidst all that chaos and absurdity. And it's just on its face, justlike one of my favorite sketches from that era. And sadly, it's showing it's that sketch worked great then, but it's even worse now where it's like, oh, because they have a camera on them or a microphone on them, we're listening. And it's like to them, and it's like, why are we listening to these people? Like what's really in their head? And it's like a lot of times, sadly, it's yeah, it's empty. [26:29] Yeah, you know? Right, exactly. Jeremy, did you get a chance to watch the I sent you like maybe a list of some some stuff that I was interested in. Did you watch the whole Kogan talk show by chance? Yes, which is one of the ones that Adam said, he said maybe like eight times in the years that he was there, he saw Lorne like laugh out loud at like sketches. And he said that was one of the ones that like, he was proud that that was his sketch that he wrote and he saw Lorne laugh out loud, which was very cool to know because I think thatsketch is just, it's brilliant. And I think just on its head, like, it's the truth of like what, what honestly. [27:10] These talk shows were and have become, which is like, they're not, they're just like, they're supposed to be serious, but it's like, what's the difference between this and pro wrestlingat this point? They're just trying to be entertainment. And the way Will Ferrell plays that, I think, is just why Will Ferrell's like one of the, he's a goat as far as like SNL history, because he's taking it so seriously. But then, oh, we have the off the top, the Brandy Savage off the top rope Segment going on right now and the guy's trying to like talk to him and like have a conversation about somethingserious And he keeps having these like wrestling breaks that are just like this classic comedy now you were taken hostage for two years Yes An extremist group kidnapped me and held mecaptive in a garage They took away my sense of identity and they constantly subjected me to prolonged psychological torture. [28:05] And then they're very sorry to interrupt but in keeping with the format of the show it's time for the Hulkamania wrestling moment of the week I'm really sorry Steve. [28:18] Sting was having none of Paul Orndorff's roughneck games at the Spectrum in Philadelphia. Yeah like just the way it starts too because it's kind of that Will Ferrell Adam McKay voice of like a misdirect. Are we gonna take something we're gonna defy your expectations. So I just love the way it starts. It's maybe one of my favorite beginnings to a sketch. So it's just like this fast paced music and it's just somebody singing. ♪ It's the Hulk Hogan talk show ♪ ♪ It's the Hulk Hogan talk show ♪ ♪ He's a world champion, he's a movie star ♪ ♪ He's. [28:52] A world champion, drives a sports car ♪ And you're just kind of getting like riled up and getting energized, like professional wrestling vibe. And then they cut to the show And it turns out that Hulk Hogan's off that week, so your guest host isn't, it's just some like standard middle of the road name. [29:22] Hulk Hogan is on vacation, I'm your guest host Phil Tobin. It's a very buttoned up guy who's like wanting to talk about real issues and he's here the guy he's talking to was a hostage or something? Yes yeah yeah he was like a hostage yeah. Yeah so he was interviewing this guy who was a hostage and asking him about this like terrible thing that happened to him but then as part of the format of the show he had to break intolike the slam of the week or whatever segment that the Hulk Hogan talk show has. So it's just, I think it's just, they like to play with those expectations. They like to play with like juxtaposition of something super serious amidst something absurd and how those two interact with each other. I think this is a great example. Yeah, and I think for those who don't think about the McKay-Ferrell partnership for SNL, they just think about the movies and FunnyOrDie.com, which are all great staples of 2000scomedy. [30:23] But I think really to see the roots of why those two worked so well together for so long, you go to SNL and you look at the history and you can see that those two had it. And like you said, and they're great at doing that. They're great at hooking you in with like, oh, wow, what is this? Or even like a heartfelt kind of moment in the colonial insurance where it's like, oh, wow. And then they just kind of like do a flip and twist and it winds up just breaking you every time.You're just cracking up. Yeah, they're just masters at that. What other McKay sketches kind of stood out to you from that era? And I know some listeners who are familiar with McKay know that he did shorts. [31:04] So we'll get to those. Like they think we're kind of separating his sketch work from like the shorts that he did on SNL. So what sketches? I think my favorites are Ty, like the Hulk Hogan show was great, but the storyteller's Neil Diamond is just masterful because just watching those shows and then having Will Ferrell withJohn Goodman and Tim Meadows and just, you know, Will Ferrell does, and he does the impression of like Neil Diamond. I wouldn't say, and maybe you disagree, Tom, it's not dead on, but it's close enough. It's like decent where I'm like, yeah, he kind of, when he's talking, sounds like Neil and has that like, I don't know, that eternal optimism when he's talking. But then he starts getting real dark with it and John Goodman's like, don't tell that story, Neil, don't tell that story. Leave me out of this. Yeah, leave me out of this, Neil. I will leave you in. Yeah, I will leave you in, Gary. And it's just like, it's just, that one is just hilarious and it just keeps getting darker and darker. Hurry! [32:17] It gets crazy on the road, and awful lonely. That's why I love pornography. This next song is all about my love of hardcore, barely legal porno. With all these songs that are like, even to this day, they're so like upbeat and positive, but the stories, you know, I'm going to crack up on it, but I think that might be my favorite for theAdam McKay sketches is the Neil Diamond storytellers. Yeah, it's just another one that just defies expectations like a lot of times maybe in Previous SNL that we would see a Neil Diamond impression and it would be like kind of light tamerjokes but McKay and Farrell I think as a duo weren't afraid to boost it with just absurdity and maybe a little Vulgarity, I think yes sketch aired at the end. I think it was maybe like a 10 to 1 honestly that they threw at the end of the episode. It was a John Goodman episode so he was in this sketch and but they just weren't afraid to just take it over that line and I don't think they were being mean to Neil Diamond. It almostseemed in a weird way like it was still done out of some love. [33:28] No I don't I don't think it's a bashing for Neil Diamond at all. I think it the joke is like it's so like different and so outrageous that's what makes it hilarious and they picked like the right artist I feel who is like he's a known dude but he's not like I feellike a lot of people know him but he's not like I wouldn't call him iconic but he's like a superstar but everyone knows these like positive upbeat anthems from him and so it's like that'swhat you're thinking like oh VH1 storytellers what you're gonna get from like Neil Diamond but then they just get darker I like how like this is dark and in the next story is darker and likethe darkest for like the end like it's just brilliant yeah Yeah, it's one of my favorite sketches from around that time. That was in season 23. So go look at the John Goodman episode from season 23. This sketch may be a little hard to find, but it exists on the internet if you know where to look. So McKay also had a hand in one of the more famous early commercial parodies of the time, that old Glory Insurance. [34:30] I'm Sam Waterston of the popular TV series Law & Order. As a senior citizen, you're probably aware the threat robots pose. Robots are everywhere and they eat old people's medicine for fuel. Well now there's a company that offers coverage against the unfortunate event of a robot attack. Old Glory Insurance. I think it was important for this era actually like this specific thing like in terms of establishing tone and credibility for the show like I know a lot of people who whoweren't necessarily huge SNL fans I just loved sharing this sketch with. It's such a great sketch and it's broken because I feel like You can still see a little bit now But I mean now we're in streaming, but I feel like in cable all of us who grew up with cable,especially I mean we're in summer and like if you were a kid home during the summer of midday And you would get those commercial breaks for like insurance and they always wouldkind of be like that Like some elderly people sitting around and it's like can you believe? [35:31] Janet fell last week, she fell, oh well I'm just glad I have my insurance that oh blah blah blah and then some spokesman comes out it's important for your loved ones to have so-and-so insurance so I feel like maybe younger people don't see that but I feel like our age group Thomas those were commercials we always saw so for him to kind of spoof that but then flip iton like robots you know it was just like it's just brilliant. Robots are stealing old people's medicine and using them as fuel and yeah, you're right. [36:03] It was a great parody of when I would be home sick, quote unquote sick from school and be watching the Price is Right and those commercials would come on and yeah, that wasgreat. And looking at McKay's work now as a director, like seeing some of the statements that he tries to make about society and whatnot, looking back at this sketch, it seems like he probablyhad a point of view about like insurance companies and how they try to prey on elderly people and things like that. There was a point of view there. Yeah, you start to see it. I think you can see a little bit in the sketch work, but I think especially being head writer, you're juggling so much, but in those sketches he's showing like a littlebit of like he's getting angry with the world and I feel like when we get to like the short film era that he was doing, then you really see him like, like the blueprint out there for what we seelater on in his filmmaking career. Yeah, you start seeing, I mean, it's interesting to just go look back and seeing the little seedlings of his voice that, you know, but now in 2023, we know what Adam McKay's voice is nowin terms of like his point of view and everything, but seeing these little seedlings there early on in his sketches is pretty fun. He's also behind, he wrote the first installment of Celebrity Jeopardy. Sean Connery, it's still your board. [37:30] I'll take Swords for 400. It's actually not swords, sir. Swords. These are words that begin with S. The answer is, Popeye is this sort of man. Burt Reynolds. What is Popeye? No. Sean Connery. And remember, these are words that begin with the letter S, not swords. [38:02] Saber! No! It began with a bloody S! I mean, how important were those Celebrity Jeopardy sketches to that era of SNL? And, and, and to like current day, you know, really, honestly, like, um, they've gone through a generation. I, I think, uh, those Celebrity Jeopardy sketches were so huge in that era really kind of bringing back the SNL that like people were missing I feel and bringing back like what I hate to sayit because I feel like I guess I don't like agreeing with the suits but like that's what they were missing you know those sketches that people were like on Sunday morning or Mondaymorning we're talking about and the celebrity jeopardy then and now if you talk to someone the day after on a Sunday or on Monday, you know, you're talking, you're back at work, you'rereferencing Celebrity Jeopardy. [39:01] And I think that is just a huge, like, big ups to Adam McKay and Will Ferrell on that, you know, from when Norm was on there and different people like who could really bring thathome. And it showcased a lot of the cast talent, but also like, hey, got a lot of them in a sketch. And then we all were talking about it like that next week. And we still do that to to this day with those sketches? In a way, they were doing viral content before we had a term for that. Right. Those Celebrity Jeopardy sketches did go viral in a late 90s, early 2000s kind of way, meaning that we would talk about it at school or work the next day, maybe even downloadthem from Kazaa or Napster or whatever. Right, right. Yeah, I would spend an hour downloading just like one Celebrity Jeopardy sketch. And I feel like when those were on, those were what... [39:54] Even if it wasn't for you personally, like that week, like the funniest sketch, but the first sketch when you talked with another SNL fan, you were talking about the CelebrityJeopardy sketches. And it appealed to, I mean, the fact that it appealed to non-SNL fans alike was just so huge. It's kind of like the Cowbell sketch. Like something like that just transcends whether you're a fan of SNL, and even gets those haters to say, oh man, well, SNL usually sucks, but this one was great. Yeah, that's the gold standard to me. I'm glad you said that, to find like the iconic sketches is when the people who don't really watch, they're not the SNL fans like you and I who arewatching it weekly. Has been good since Blue, she, oh. Yeah, yeah, has been good since Eddie Murphy, has been good since Dana Carp, we always hear that, or Farley. Exactly. But they know those sketches and they can, I like that one, that was okay, but everything else stinks though. It's like, all right, well, let's get something. But then they end up naming like15 to 20 sketches that they love. Yeah, yeah. but it sucked anyway. It's a terrible show though. [40:57] Yeah, those were super iconic. Before, I have one last point about McKay's sketches, but I didn't want, if you had anything else that the listeners should know as far as his sketchwork goes, I wanted to give the floor to you. Well, I think the big one to me that I always knew he was a part of was the Bill Bransky. Sketches and I think those are like brilliant where it's classic from you know classic improv type of sketch where you can reference a person or something that's like not on stage it's notthere but you can everyone who's on a part of the scene can get a lot of work out of it and I think those commercials or those like sketches always were great where I don't know you kindof always Like I said, like Earl, you've said, we all know like that classic scene, that image of like that salesman, you know, that Glen Gary, Glen Ross is a tough job and blah, blah, blah. But it's like, oh, well, you know, Bill, Bill Bransky, blah, blah, blah. And then it's like, we're all like toasting this guy and all those things. You know, Bransky goes about nine foot eight, seven hundred and ninety pounds. Oh, you know, he sheds his skin once a year. I once saw him scissor kick Angela Lansbury. [42:16] And I feel like that's just another thing of him finding what we know, what's the image in our heads of this hard middle of America traveling salesman. And these guys, hey, it's a tough job. And they're drinking, they're getting drunker and drunker, and they're toasting this one guy. It just is a brilliant type of sketch that they do. And Pharaoh and John Goodman, they always would nail it. Yeah, yeah, absolutely. David Koechner. We'll give a little David Koechner shout out here on this podcast. [42:46] Yeah, he was great. And I think that format of a sketch and that premise just really lends itself to be able to just provide like really evocative writing to get really weird with it. Like if you so you're establishing a Paul Bunyan kind of character in Bill Braske. That means the writing could get creative. You can say anything about Bill Braske, anything absurd about Bill Braske, and we as the viewer have to believe it because it's Bill Braske. We've already established you Bill Braske, so you get super creative with it. And it's classic McKay, like Farrell kind of there, and I'll say why to the viewers in a little bit why I keep putting them together, but it's classic where they keep getting weirder and weirderand it keeps building up to like it's a stranger, stranger, and then at first you're kind of like, oh that's funny, and then even like, you know, John all of them in the in the sketch are like, huh,huh, but they keep just building up to like how absurd it is And I think that is I think if you're watching those sketches if you're watching what McKay and Farrow do And I've heard thisbefore that a sign of how someone is like brilliant is they make it look easy to everybody Everyone thinks they can do it. So if you watch it, you think oh, yeah, that's not that hard Like yes, it is to make everyone kind of say. Oh, I get it I know that person or I know that scenario or I know that scene or I've seen that and everyone can like there you got them hooked where we all relate but then you You flip it. [44:15] You know, we know we know it's a comedy show We know it's going to be flipped But we don't know how or when or how big you're gonna flip it and to have that timing down justright It takes a lot of it's it's hard to do and these guys nail it. Yeah. Yeah, they nailed it every time It's one of those where I can imagine them sitting in the writers room. Just volleying like yes Just what can we say about Bill Braske? Let's come up with some ideas and I thought that would just be such a fun Writers room to be a part of and I don't know Jeremy Do you remember in the mid-2000s all the Chuck Norriswhen the Chuck Norris stuff became? Yes, popular viral like he was like a Paul Bunyan like Oh Chuck Norris Whatever the lookup Chuck Norris jokes, right as SNL fans. We had Chuck Norris jokes before that. It was BillBraske Absolutely. [45:00] That's a good point. That's a good point bill. Bill Braske was those Chuck Norris stories way before it and another kind of sketch That has lasted for generations, you know, likethey've been able to use that especially when Will Ferrell comes back on Yeah, like they've been able to use that Bill Braske type. I brought Paul Rudd back. [45:19] Yes Do it they've incorporated Alec Baldwin as a Braske guy Like they it's one of those where if a host is down to do it and they have the chops to do it You can just put a host inwith you know, it was one of those that they could replicate You know Will Ferrell was like at the core of it But they could replicate it with different John, whether it's John Goodman,Paul Rudd, or Alec Baldwin. And that right there is like a testament to I know we're gonna get to like the Hall of Fame like making the case But right there when you have not only like in my opinion iconic sketches,but they don't just last in your time They're being able to last Years and years after you've gone from the show and being used like that like that's that's an iconic legacy to have Yeah,absolutely and another thing another kind of iconic legacy that formed when you're talking late 90s and early 2000s SNL was the political sketches, right? So especially the George W Bush and Al Gore debates and Adam McKay Along with Jim Downey, of course Jim Downey gets great downy But yeah, the great Jim Downey and AdamMcKay wrote a lot of these political cold opens and whatnot with George W. Bush and Al Gore. Well that brings us to the close of tonight's debate. Each candidate will now give a brief closing statement. Jim, could I make two closing statements? [46:45] I'm afraid not. In fact, we are almost out of time, so I will instead ask each candidate to sum up in a single word the best argument for his candidacy. Governor Bush? Thanks for watching! [47:06] Strategery. Vice President Gore. Lockbox. I think those helped get SNL into another golden era. [47:17] Yeah, I think the mid to late 90s, it's rising up like these guys, the writers and the cast are really gelling and they have great work. That 2000 election was just golden. I mean it was golden in so many ways that it was just perfect for them. And to have the perfect kind of candidates in George W. Bush and Al Gore, but then to have the perfect people with Daryl Hammond being Al Gore, and I don't think there was anyone who was just made for Will Ferrell to be more than GeorgeW. Bush, and they just nailed it. And Adam McKay said that, and some of those, I think the, I'm trying to remember the Palm Beach, I believe, sketch. Yes, yes. That George W. Bush, his staff, he caught his staff watching and laughing at the sketch that Will Ferrell was doing, and that George W. Bush got pissed at his staff for watching it, but I think it's just, it was something that you have those two guys to nail it, and then you have a recount, So then you get even more, you know,the election isn't over after election night. So then it's just you can milk it more and more and more. I think you're right. It led to where those are the golden days of SNL. Like it's always talked about, but you have like Saturday Night Dead or what's wrong with it. It's like everyone can't wait and everyone is hyped. [48:43] For 11 30 to talk about it and it's front page on the newspapers That's the stuff that we like crave for as snl fans in the 2000 election was definitely that everybody was sayinglockbox and strategery Right right after that like the that just became part of when somebody wanted to make a joke They might use the word strategy or something in there. And that I mean that came from these snl sketches and And yeah, that Palm Beach one that you referenced, I'm not shocked that the real George W. Bush got pissed because especially in that sketch, it really painted George W. Bush as like an infantile moron, even more so than the debate sketches. [49:25] Like that Palm Beach one really kind of went after him. And it was Val Kilmer playing his brother Jeb, Anna Gasteyer was Catherine Harris from the state of Florida. Daryl Hammond made an appearance as Al Gore, Chris Parnell did a great Tom Brokaw, but it was just like during that recount, Deremy, and I could see maybe why George W gotannoyed by his staffers laughing at that. I'm kinda like, man, I would love to see with the staffers, why would you have that on in his presence? But then maybe before he was okay with it, but I'm like, that's the one I would not wanna, that was a bad one where it's like, Yeah, you might get fired if he catches you laughing at that. But I mean, I think it's funny, but I'm not George W. Bush, but it was, yeah. [50:15] I think it was during a point where most people, and probably McKay included, they were just getting frustrated. It was during the recount. So it was the Florida recount as a soap opera, which it was, so I mean, it was maybe the obvious play is to say, let's actually do a soap opera sketch Evolvingaround this stuff, but I think you can tell you can sense the frustration in the writing Yeah, and I think that's what's best about a political sketch, when you have a lot of You can look at itand you can say like bolt whatever political belief you have you feel like they're getting the other side really good And when I look at like this sketch I feel like I see what you mean withthe frustration and I feel like they're frustrated with the candidates But they're frustrated with the system and their process and it's just nonsense. So now we're just really going for it here Yeah, and I feel like that's where that doubt the Downey but also like the McKay like he's angry at the system and he's pretty much yelling to uslike don't you see the crap that's going on in front of you like this is like you should be outraged. [51:23] Which we see in his most recent you were gonna say yeah it becomes a trend with him. Yeah absolutely and it is in his movies his podcast his tv shows like he's really doing that now and like you see it here you see it in his SNL days clear as day. Yeah, absolutely. So to recap, so just based on his sketch work as a writer, Adam McKay, so he was, he played a part in the formation of the Celebrity Jeopardy sketches, iconic, the iconicBill Braskey stuff. He was a big part in the political cold opens and sketches that just almost defined a whole era, a whole golden era of SNL had great one offs like Wake Up and Smile, old Glory Insurance,Neil Diamond Storytellers, Hulk Hogan talk show, so his resume... [52:13] Already, I mean awesome like just as a sketch writer a head the head writer. We should say for three seasons man So then we get to a time that you know, Adam McKay Toward about season 20 heading into season 25 He felt like it was time to move on fromwriting on SNL to directing So he says that he just decided to take a shot he thought he was gonna get rejected, but he decided just to ask Lorne, can I do short films for SNL? And Lorne said, yes, absolutely. To McKay's surprise, he was actually given a budget and Lorne said, go ahead and make these short films. So like in the, you know, harken back to the days of like a Tom Schiller, Gary Weiss, maybe even Albert Brooks doing short films on the show. So Adam McKay, he says this is how he learned to direct, Deremy, so very interesting short films, I might add, eight in total. So yeah, what did you think of some of Adam McKay's short film work here on SNL? [53:18] And he was a director, but also what he fought for, what Lorne gave it to him, was to name his title as he was coordinator of Falconry. Yeah, that's right, that was also part of it that Adam McKay got to name his title, So yeah, he was a writer slash coordinator of falconry. Yeah. Coordinator of falconry. I love it. Classic, classic McKay. [53:43] The HSO, like the heat is on is it's a great one. I love that. The Neil Armstrong, the Ohio years. And I think it kind of. For some of these, it shows like both, like, which I think is really hard to do, which is some of them are just Really out there with some of these shorts, but thensome of them have what he did in the sketches Which is like real like relatable because like the Neil Armstrong I like that one a lot because I feel like it kind of it's something that we allhave we've all seen which is Someone who they're lucky enough to get of a certain age. It's like oh like He or she used to be this so they used to be able to do that So can you set that one up because I did highlight that one too, and I did find it relatable But so can you set upkind of what the beat of the short? Pretty much it breaks down like Neil Armstrong went, you know to the moon on whatever day in 1969 and then it's like in present day He's like in Ohio and he's just sitting on his couchand his wife's like Neil I need you and you know Pretty much like every other like guy like his wife saying I need you to do this and he's just I went to the moon I went to the moon. He's saying that and then he has to go like to the store. Howdy. How's it hangin'? Fine. I landed on the moon. Is that it? Yeah, that'll do it. Do it. [55:12] It's like nine bucks. There you go. [55:23] All right. There's your bag. Thank you kindly. Is it in all the monologues just constantly reminding himself that he'd landed, he actually went to the moon? And I think it's just, it's great, I mean, to kind of always see that because it hits on both. It's like the relatability, like no matter what greatness, we all have our time and then hey, sadly, life will go on. And then we think it happens to us, but no matter how big you are, how famous you are, you're that guy who's like, I used to do this. I used to do all of this. Well, now you're this elderly guy who's just kind of like forgotten, which is like a shame, but I think that's what hits on it, and just him saying, I went to the moon, Ithink that makes me laugh because it's just like, I did something important, damn it, and no one cares, no one's giving me this respect. I have to go to the convenience store and get milk like the average guy, but yeah, we all can relate to that. Exactly. He has the classic line like, Oh man, I really did it. I landed on the freaking moon. [56:39] When do I kick ass? Like, he's just that self-talking. I guess that would be something that I would have thought about almost every minute of the rest of my life. If I went to the moon, like, how could you not? Like, I think that's what McKay probably thought about. He's like, this is a guy who went to the freaking moon. How is it not on his mind every second of the rest of his life, right? Oh, yeah, and it's like... You know, and I'm not sure how old Neil Armstrong was when he did it, but it's almost like, man, you peak too soon. [57:09] Because I mean, I probably for us, like, I can't tell you how many Neil Armstrong middle schools I saw, or like Neil Armstrong, you know, drive or way or something. So it was like, he's this guy, but I can honestly say for me, I go, where is Neil Armstrong? And he's just there, but like, he wasn't like a guy I saw all the time, either. But it was like, he did this thing that everyone could reference but you would think like well he is he you're running for office or he should have this or that and it was just like no NeilArmstrong went on the moon. In high school I had an English teacher who actually went to Purdue with Neil Armstrong so I heard about you know Armstrong all the time because she was actually friends like theyweren't just classmates like they would hang out together and they were friends oh we got to hear about Neil Armstrong's Purdue days the Purdue years not Neil Armstrong the Ohioyears. Not the Ohio years. Portraying him but and his wife in the sketch has a great line that she just says, can't you just get over it? Yeah. It's almost like, you know, yeah, it's cool that you went but this is impacting our lives like just please like. Yeah. Get over it. [58:18] Which I think is classic McKay which could we saw that I believe with like from some like veterans from different people different groups at that time where it's like they did thisgreat thing that's nice and then it's like all right we're moving on but I guess like you get saluted but move and we still see that Sally to this day it's like hey this person did all this oh that'snice anyway back to my phone back to what's happening now because yeah exactly you don't even get 15 minutes of fame it's like six minutes of fame no No, and like you said, he went tothe freakin' moon. Yeah, I love it. Yeah, one of my other favorite Adam McKay shorts was the five-finger discount, which is the last one that he did. It was in season 26, and that was with Molly Shannon, who was not a cast member at the time. I think she just came back to do this. She plays a woman who shoplifts dogs from petstores. And Adam McKay plays another shoplifter. [59:20] But this is just classic. And Deremi, I don't know if I'm biased, but I got to say up front, one of the things that really drew me to this sketch too was Molly quoting Boogie DownProductions. Criminal minded? You've been blinded. If you're looking for a style like mine, you can't find it. I don't know if you caught that. Yes, I did. You quoted criminal minded. That was a wonderful touch. That was such a br- and Molly, we gotta give Molly shade. I know you said her earlier, she was a big part of this resurgence in SNL, but Adam McKay really showing, and I know he had directed in some theater's work when he was in Chicagobefore SNL. So he had had some like a little bit of like it's different than films But he had a little bit of background in directing But he really kind of showed like a different sensibility at this time and Ikind of give credit to him looking back at it to being like Head writer, but I'm gonna take a step back I'm getting burned out and I'm gonna really have fun and really try to explore and dosomething different here and also to his props You know in that second year when he was a head writer He brought in someone. I think we all know and love miss Tina Fey. Yes, he brought her in So I think also he probably said I got someone here with a lot of talent a lot of ideas who can kick ass at this position soI don't have a problem stepping away from the head writer because uh... [1:00:48] Tina Fey can do a great job and she did but uh, I just think it's awesome and the sensibility in that that that short Which is a good way to go out too is just a classic classic mckayshort Yeah And even though the material in these shorts kind of fit the absurdist nature of a lot of what we saw in snl In that time period I think these did strike a different almost visualtone And it was maybe still a little jarring for people. So you would go into these these sketches that we're used to, and then all of a sudden it's this just like kind of disorienting short film that we hadn't seen probably since, gosh, I'm trying toremember if they did a lot of short films. Tom Schiller every now and then, maybe in the late 80s did stuff, but we hadn't really seen a lot of short films since the early days. And maybe Lorne was a little, I'm surprised he gave Adam McKay the green light right away because I don't think he had a great experience with Albert Brooks. Definitely did not. Definitely did not. But maybe help that McKay was already on staff, but we hadn't seen something like this on SNL in a while. Well, let me ask you, Thomas, and maybe this is a far, do you see a connection in Adam McKay's short films and then what The Lonely Island were to do like some years later withmaking that going viral? [1:02:04] Do you see like there being a connection and like McKay helping to influence what The Lonely Island did? Yeah, I think it was a definite influence. I don't know if you asked the Lonely Island guys if they would put the one-to-one influence comparison, but I think it helped usher in, it helpedopen the door for sure for the Lonely Island to do their thing. [1:02:22] But these were, these are more rough. The Lonely Island did similar things in a more glossy, well-produced, more polished sort of way. But these, yeah, these definitely set the foundation for I think Lorne trusting that something like this would have a place in SNL's format. Which I think is a big plus for Adam's Hall of Fame candidacy, that influence, that connection. Like a trendsetter, especially for now SNL Hall of Famers, The Lonely Island. [1:03:00] Adam McKay helped set the foundation for that. And with some of these shorts, I just, even though we might not go into detail about all of them, I want to read the synopsisbecause just to give you and the listeners an idea of just what these were about so Jeremy had referenced the very first one the H is O so that was a strange one with Ben Stiller playingsomeone who says he could get anybody into bed in just a few lines and his friends challenged him to do that with Glenn Frey from the Eagles who happened to be at the same bar thatthey were at and Ben Stiller's like okay I'm gonna do it I'm gonna get Glenn Frey into bed with It's just like three lines. And yeah, so Will Ferrell actually came up with that, or they did, it was like a bit between them, because Will Ferrell, he started pretending to be Glenn Frey after seeing Glenn Frey at aLakers game and thinking to himself, like, man, Glenn Frey must rule Los Angeles. And he just, the way he was carrying himself. So that started off as a bit between Adam McKay and Will Ferrell that turned into the H is O, which The Heat Is On, which was the very firstshort. And then there was one called Stephen Hagen's Pawn Shop. That was Steve Buscemi. That might have been my favorite too. You had no weed. Like yeah, let's talk about that. Yeah, Steve Buscemi plays a pawn shop manager. Only the pawn shop specializes in buying and trading of food. Yeah, yeah. So this is your favorite one. It's up there for me for sure, Jeremy. [1:04:27] I'm Billy. My friends call me Goat. And I run Stephen Hagan's Pawn Shop here in Brooklyn. This is Franklin, he helps me out with stuff. Peace. So, we're the only pawn shop in all five boroughs that specializes in the buying, trading of food. I need to know how much can I get for these sweet ass waffles. All right, look, beat it before I call the cops, all right? I think what you nailed about it, where it looks different, it's not as polished what we would see with the Lonely Island but it still has like a cool kind of like gritty independent filmmakerlook and it's like stuff that we were kind of like especially in that time seeing like more independent movies in like the 90s into the 2000s and I think the way it's shot Steve Bruce Shimmyjust in it he He just nails it. [1:05:21] Where he has that kind of like, you know, that serious kind of like that annoyed, you know, shop owner who is like, it's kind of like, why are you in business, bro? Like, if you hate it so much, are you so annoyed? Like, why are you even doing this? Like, it seems like it's a hassle for you. But just the absurdity with like the food and I think like Will Ferrell coming in and saying, I took a dump in your store and he's I don't care. Because he was trying to sell gum. And then the sign clearly said gum is not a food. Yeah, gum is not a food, you know, and was that Horatio who was with them in that? Yeah, Horatio, who appeared in a lot of those. Yeah, and then talking about like, you know, I once threw out, you know, this whole bucket of clams, and I thought they were rocks. Steve Buscemi turns to him, well, why'd you do that, man? [1:06:08] Like, the way like the whole like beat of it was like, so unique, where it was almost, I think that's what made I love that one so much. It's almost like he just did a short That wasn't supposed to be funny. It's like a like a like a mini documentary about this store But like the beats in there But if you watch that you're just like I could see if people got Confused and we're like well, where isthis really a store in New York? Like the way he shot it just had a cool feel to it And I think that's where sometimes I give people credit in this SNL world to have the right Mind or the eye to pick the right people SteveBuscemi just nails that so well Yeah, it reminded me of an early Gary Weiss short because sometimes he would, Gary Weiss would do that. He would make shorts, but talk to real people. There's one time where he talked to a lady. She was in a, she worked at a novelty store. Yes. She owned a novelty store and she was explaining like what was in the store and how you could use it. But she was, what made that funny was she was speaking earnestly about something ridiculous. But these are actors in this Adam McKay short, but the tone was pretty similar. Mm-hmm and if it's not like Steve Buscemi is pretty known and distinct and we know her ratio. [1:07:23] If you're someone who's not really a movie fan or an SNL fan, you're thinking that that's real. You know what I'm saying? If I just put that on for you, you're kind of like, what thehell is this? That's my favorite of all the Adam McKay shorts. Yeah, that was in season 25, episode 17, so go check that out. Shout out to another one. Will Farrell plays a guy who's sitting in his apartment and somebody comes in and unleashes a Doberman on Will Ferrell and there's just chaos ensues. Will Ferrell just goes nuts like only Will Ferrell can and then the twist is that Will Ferrell paid for this to happen because it's a service that a company provides. It's door-to-door Dobermanattacks which was so offbeat and weird and you're like where is this going? [1:08:10] When I was first watching it's like where is this going? And I think that I kind of like the payoff. It wasn't one of my favorites but I think just the premise just that kind of showslike just the weird unique mind of Adam McKay and Will Ferrell. No, and I think this kind of shows why SNL has been so important for, you know, we're going on close to almost 50 years on TV, which is, we know that, especially as the show is goingon, it has to kind of hit middle America, it's, you know, got this big thing, it has to hit the big topical, what everyone in the nation is talking about. But if you're an absurd alternative comedy fan, you still can get that too from this show and Adam McKay kind of has shown the best of both worlds in his time at SNL of being able to hitmiddle America as the head writer but for those like alternative comedy fans these shorts really like nail it too. Yeah absolutely and Adam has said that doing these shorts said that that's how he learned how to direct so so they're obviously very influential for him so Jeremy you were probablyaround middle school high school aged when Adam McKay's movies started to get really popular. So what did Anchorman, Talladega Nights, Step Brothers, like what did those movies kind of mean to you at that sort of formative age there? [1:09:33] They were between, I look at it from 2000 on, the guys you were looking at, there was two guys who were establishing comedy for all of us, and that's Judd Apatow, and that'sAdam McKay, who were behind the scenes. And I think they were just kind of going neck for neck, step, stride, and stride of creating these comedies that define a generation in a way. And honestly, maybe the last true, for comedy movies, the last true era of that were what Apatow and McKay did. And Adam McKay, Anchorman really just, I think that was something that really rocked everyone when it came out. And that was a movie, like you said earlier, viral before viral. Was talking about Anchorman when that came out and the lines I mean 20 years later people can still nail those lines. I love desk. Brick are you just looking at things in the office and saying that you love them. I love lamp. [1:10:34] Do you really love The Lamp or are you just saying it because you saw it? I love Lamp. I love Lamp. I just think when you have those movies like Anchorman and Talladega Nights, and in it, he's what people I think maybe realize now, he's doing what Thomasand I have been saying the whole time. Or, you know, Anchorman, he's poking at, you know, hey, this hairpiece is on our local television news and you know we listened to him just because he had a telestrator and he's youknow really he's threatened he's misogynistic and they're all these guys are threatened by this woman coming on to the the news team and making a way for herself and you look at likeTalladega Nights with Ricky Bobby he's really in a way coming at you know the George W Bush that southern culture like like rich culture in a way that he felt put George W Bush inoffice again, and he's really attacking it, you know, bigger, better, louder, NASCAR is this, and all those things. So he's kind of coming at it, but in a comedic way, and those movies and funnierdie.com. [1:11:42] Really define an era for a lot of people, myself included. Yeah, funnierdie, again, like some of the original viral videos, that landlord sketch that Will Ferrell and Matt McKay's daughter Pearl, wherein that landlord sketch just blew up. Adam McKay said it had like 50 million views or something, like really quickly, like after a month. Mm-hmm. I was in college and that was being passed around. Yeah, I remember that. And so, and he took, McKay, as far as his directing, took a little pivot after like Anchorman 2. So his last three have been The Big Short, Vice, and Don't Look Up, which are a little, it's slightly more serious in tone still a lot of comedic elements but it seems like Adam McKay'svoice went away from pure I think pure comedy and he leaned in more into having something to say the big shorts probably my favorite of those three but had what do you think of thatpivot from those more slapstick comedies to like the last three big short vice and don't look up I think it's huge in in two ways, I think. I always like, for me, the comics who are... [1:12:52] Comedic minds, not just comics, who are constantly evolving, and constantly evolving their humor, their type of humor, and really showcasing what's going on in the world, butalso what's going on inside themselves. And I feel like that's what Adam has taken to the next level. He's showing us what's going on in our society and how we're being code-winked more you know more and more right in front of our eyes and like hey are you guys not seeing this butstill doing it in a brilliantly funny way but it's real and also he's showing us the evolution of him, and how he is changing. [1:13:27] Had always, I think, kind of had a little bit of, like, political and activism in him. But as the years have gone on, especially, you know, after SNL, he's been more and more engaged in, you know, social issues, from the environment to what's, you know, things like that. So I think it's showing the difference in him. And I always respect, I mean, I say comedic, but any kind of artist who are doing that, I always have appreciation for. Yeah, I respect, I like that that he's taking those chances. I like that he's doing that and doing something different and it might not totally hit the mark always for a lot of people. I know don't look up was a little divisive in some circles on the left and the right actually. That's something that like a lot of people I enjoyed it for what it was but I like that he at least attempted something like that. The big short really resonated with me quite a bit. I felt and this might be an Adam McKay trick, but I felt a little smarter after watching the big short and trying to explain it to my wifeafter I watched it. [1:14:28] No, I mean, hey, he won an Oscar for it, I believe, and I think he broke down something that was a huge turning point in our society, like that crash in 08, that we're still reallyfeeling the effects of to this day, honestly, but he broke that down in a way where it's Like we knew like... [1:14:49] People got screwed but it kind of like simplified it for oh that's how we got screwed like you know layman's terms so i like that and and i think you know as as you told thelisteners and being a sports history guy when you have a a partnership people are always like well who uh who gets more credit who's the guy they that we should praise more and weknow how great Will Ferrell is, whether on SNL and after that, I think what I also give Adam McKay credit for is I think his run of what he's been able to do in all these mediums, film,TV, podcasting, has shown that it was both of them. Hey, he did great work with Will Ferrell, but he's doing great work outside of Will Ferrell, and that, hey, they both were important to each other these past, you know, 25 years. Yeah, and Adam McKay is doing great work as a producer. He's been executive producer on Drunk History, Eastbound and Down, Succession, which might surprise some people, but heactually, like, it wasn't a name only, like, he was hands-on as far as casting. Absolutely. Developing the tone of the show. He directed the first, the pilot episode, the first episode. [1:16:03] Like, he had his hands on how Succession came to be, which is a show that I absolutely love one of my probably turned into one of my all-time favorite shows by the end of it andalso winning time you're a big sports fan dare me i don't know if you've been keeping up with winning time yes season two just dropped so uh it is very interesting and there's a lot ofadam mckay isms if you watch season one but then also season two uh a lot of like comedic liberties that that I think certain historical sport figures did not like. [1:16:38] You know, but there's creative liberties because it makes it more entertaining if Jerry West Jerry West is one of the most hilarious tv characters out right now And if he wasn't likethat in real life, I don't care because it's fun to watch in the show And part of me is also like hey, you're getting a resurgence here Jerry like, you know, like so write it and like and thepeople who know you know, you're not like that So like relax a little bit but uh exactly and unfortunately winning time did cause a fallout between he and will ferrell which is, we talkedabout what a great partnership they had over the years and the story goes that Will Ferrell thought that he had the part of Dr. Jerry Buss in winning time and I guess maybe McKay had all but said that. Maybe he did say that to Will Ferrell. [1:17:25] John C. Reilly ended up getting the part of Dr. Buss and Will Ferrell didn't take kindly to that. I'm sure there was other stuff brewing but I think that was like the straw, the proverbial straw in this situation and Will Ferrell essentially told Adam McKay like good luck like have a nicelife essentially and I don't know man I think that's unfortunate just as a comedy fan and seeing their partnership I think that sucks. [1:17:52] It's sad to me because from what I gather yeah like he wanted McKay has said like he always wanted John C Reilly but like wasn't sure he can get him so He told Will Ferrell thatbut then John C. Reilly was like, I'm open but John C Reilly said well, I don't want to upset Will Ferrell and I think Business-wise it was the right John C. Reilly is perfect for that part so Adam McKay was right, but there is a way to do things properly and The way it's seen I think Adam McKay has acknowledged it like he wishes he wouldhave done it better in letting Will Ferrell No, he kind of just did it and that's how Will Ferrell found out and it's a shame because like you said It's a partnership that has brought for over 25years some of the best comedies on TV and movies that Generation will always have and for it to end like that where it seemed like I'm not gonna say they were best of friends But itseemed like it wasn't just a good working relationship. They were very tight as friends, too So it's always sad to see that happen. Yeah, hopefully they can patch things up just on a personal level for them. I'm sure they're missing. I'm sure Will Ferrell misses his friend in some way. I mean, I've had fallings out with friends in the past and it's, you know, part of you still misses their company and camaraderie. [1:19:15] Oh, absolutely, same here. And sometimes it comes down to that. Like it comes down to just how we communicate and we overthink it, but it's like, Man, if you just would've, it's not what you did, but it's how you did it. If you just would've did it theright way, maybe it still would have been okay, but. Yeah, I don't know. Um, yeah, definitely All right, Jeremy. So we've hit the moment of truth. You know how I like to end these episodes Give you my guest the last words. So mr. Jeremy dove Why do you think SNL hall of fame voters should consider casting a vote for adam mckay? All right. Well, thank you thomas. This was fun as always man And I look at it like this we talked about you know, if you listen to this episode, the impactful sketches, the impactful rolethat Adam McKay was a part of, and it wasn't just him, but he was a big part in really helping to bring Saturday Night Live out of maybe its most tumultuous time, in a way, that for me tohear Lorne Michaels say that speaks volumes of that was a toughest time he had as executive producer of the show, and for him to put trust in Adam McKay and to create these iconicsketches that we still look at generations from now, they're still being used on the show, that right there to me is huge. But I also have to look at, in the show's history you've had these great. [1:20:41] Writer cast member combos that form well from I look at Alan's Y Bell and Gilda Radner You know I look at from with Eddie Murphy and he had you know David Sheffield andBarry Blowstein and they went on to do great work on SNL and after you know I can look at Norm Macdonald and Jim Downey But to me also Adam McKay and Will Ferrell for whatthey did on SNL is right up there and I believe Adam McKay and maybe not just him alone but the way we talk about Will Ferrell as that great utility guy and that great guy we can fit ineverywhere of all the writers Adam McKay to me highlighted that about Will Ferrell. Will Ferrell was great with the cheerleader sketch and you know lover all those like outrageous kind of stuff but the way that he was able to be the everyman kind of guy, I feel like nowriter hit that better than Adam McKay. [1:21:39] And to me, he highlighted a big skill in possibly a top three, top four all-time SNL cast member. So you combo that as well, I think it's a slam dunk that Adam McKay should be in the SNL Hall of Fame, just, you know, based on we have to give writers more props when it comes tothe Hall of Fame and I think Adam McKay is one of those guys where we can pinpoint and see his importance to the show in the show's history so people if you're listening please vote forAdam McKay yeah hey Lonely Island got in and Thomas and I just talked about you know would there be a Lonely Island without Adam McKay maybe maybe not Lil Lorne was able tosee what Adam McKay did with these and maybe put trust into oh there's this YouTube thing I'll give Lonely Island to try to spread their wings and how big was that for a lot of people. So, please get out there and vote for Adam McKay. Track 2: [1:23:02] Oh right, that ended suddenly, didn't it? But it was different. It was different music than I normally play. So there's that. Hey, Dermidov, great guy, right? Lots to say about Adam McKay. So I hope you had a paper and pencil with you and you wrote it all down because there's a lot to catch up on. Adam McKay, does he belong in the SNL Hall of Fame? Hmm, I don't know. I think ultimately he ends up there. I don't think he's the first Ballot Hall of Famer by dint of the fact that he's a writer and we seem to punish the writers. I don't know why that is. But if you're a cast member, you're almost a lock. But Adam McKay, you know? I think it's like Thomas said, maybe more famous for his work outside of SNL at this point. It's been a long time. But let's check out a sketch that solidifies him among the greats. This is one of my favorite sketches of all time and I don't know how Thomas got the whole version of it because whenever I find it, it's got cut-ins from Lorne Michaels and things likethat. So this is great. This is Neil Diamond from VH1 Storytellers and it's Farrell playing Diamond and John Goodman is the guest host. He plays a bassist in Diamond's band. And this is an exercise in let's push as far to the line as we can go and see what happens. But let's give it a listen. This is VH1 Storytellers, written by Adam McKay. [1:29:15] Alright, that was Storytellers and again, one of my favorite sketches of all time. I just think it's so surprising. It's a little mean and I don't know that it carries over into today's era as it might have because of the mean spirit. But it's not punching down, you know? It's not really punching down. Surprising and shocking. And there's something, you know, wonderful about that with comedy sometimes. And, uh, and Farrell just plays the hell out of it. And I love John Goodman's voice. Ah, come on, Gary. Come on, Neo. That's just great. He plays Gary. I should have known that because my name is Gary, even though I go by JD. It makes no sense. Well, that's what we've got for you this week here in the SNL Hall of Fame. Hope you enjoyed yourself. Next week we will be back and we will have another nominee for you and it's going to be a blast. [1:30:21] I'm sure of it. I'm sure you're gonna have just a bang up time, a wonderful time, as we prepare you to celebrate the wonder and the awe, the virtue that is Justin Timberlake. And he will be nominated by our friend, John Schneider. So tune in next week to hear John Schneider talk about Justin Timberlake with Thomas Senna. Matt's Minutia Minute will be here. Dermi Dove, unfortunately, will not be here. He's not here every week. That's a shame. We could use him, I'm sure. [1:31:01] We could think of a segment, maybe my segment. Maybe, maybe he would be good at vamping. I don't know. Uh, but we shall see. That's what I got for you. Hope you enjoyed yourself. Be safe. And, uh, do me a favor as you're walking out of the building today. When you walk past the weekend update exhibit, there's a light switch on the all. Turn it off because the SNL Hall of Fame is now closed. 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| Vanessa Bayer | 04 Sep 2023 | 01:16:52 | |
jD, Matt, and Thomas are joined by SNN Superfan Sammy Kay this week! First stop is Matt's Minutia Minute and then we get to listen in on the conversation between Thomas and Sammy. Join us won't you? Transcript: Track 2: [0:42] All right, thank you so much, Doug DeNance. It is a thrill to be here with you, as it is every week. My name is Jay Dee, and I am the host and curator of the SNL Hall of Fame. I'm also the only person, it seems, that gives a good goddamn if anyone walks in here with clean feet, so if you'd do me a favor and wipe them off before you come in, that'd be large. The SNL Hall of Fame podcast is a weekly affair, and each week we take a deep dive into the career of a former cast member, host, musical guest, or writer, and add them to the ballot foryour consideration. Once the nominees have been announced, we turn to you, the listener, to vote for the most deserving and help determine who will be enshrined for perpetuity in the hall. We've done thisthree times already. This is season four, and we're about to do it all again. This is our fourth episode of season four. We have already nominated Dwayne The Rock Johnson and Fred Armisen. This week we are dipping down into the cast member column once again and calling on our friend from the SNN, the Saturday Night Network, Superfan Brigade. [1:53] Sammy K will be joining us to discuss Vanessa Bear. So this should be a great episode. I'm looking real forward to hearing what Thomas and Sammy get up to in their conversation. But for now, I should head on over to Matt's Minutia Corner and I think I'll do just that. Track 3: [2:13] Okay, I'm walking down the hall here, it's bustling. There's lots of people checking out all the exhibits. There's somebody looking at the Conehead exhibit right now. That's reallycool. And just down here past the way is a corner that we like to call Matt's Minutia Minute Corner. And there he is himself in the flesh. Matt, what's going on my brother? Not much, not much. And how about you, Jamie? You know, just walking around the hall, checking it out. Yeah, I really like the new Coneheads exhibit. It's terrific. Yeah, it's right. It's righteous, right? Yeah. Great, well, today I've got atreat. More recent cast member, Vanessa Bear. [2:57] Oh, this is going to be great. Yeah, yeah. So Vanessa's 5'6". She was born November 14, 1981 in Cleveland. Her brother music journal is a music journalist and punk guitarist Jonah Bear. She found her love of comedy while battling lymphoma, lip fob. She found her love of comedy at age 15 battling lymphoblastic leukemia, saying, yeah, so it helped her get through it. She she is said of has said of the experience. I don't know if it made me funnier, but it was so amazing how it made everything OK, which she then mined for her recent television show. I love you for that. She then mined that for her new television show. I love that for you playing a home shopping network host who also overcame childhood leukemia, on the verge of getting fired, pretendedit came back to keep her job. So it's like, that's a dark twist. That is a very dark twist. It just is, you know, that she has a bright, shiny smile. And behind that, there's the mind of a very dark comedian. And I love it. [4:20] Now, she was a make a wish kit and got a trip to Hawaii with her family As a form of gratitude, in 2015, she hosted the Evening of Wishes, it's a dinner raising money for thefoundation. And then in 2019, she wrote a book, How Do You Care for a Very Sick Bear? It's a children's book talking about how to help a friend with a long-term illness. To give kids the tools they need to help their friends. That's wonderful. It's such a great way to sort of pay it forward being a survivor of early illness. Now, she attended the Annenberg School for Communication at the University of Pennsylvania. During that time, she interned on Sesame Street and late night with Conan O'Brien appearing on several, several bits. So she's one of the many SNL alumni. She's an SNL alumni who graduated from the intern pool and she was actually on several sketches for Conan on Conan. My favorite being the one where she plays Andy's sister with a crush on Conan. I haven't constantly weirded out and very intense. [5:45] Now, she she at that time was also a member of the all woman musical sketch troupe Mers. She has 50 IMDB credits and three as an actor, three as a writer. My favorite SNL post SNL role being her as the emotional vampire Evie on what we do in the shadows. [6:07] Literally perfect casting her and Colin Robinson playing off of each other. I don't wait when preparing for the show. I love you for that. Or excuse me, when preparing for the show, I love that for you. She bought the executives at Showtime blankets from the Catherine Zeta Jones, Katha Casa Zeta Jones line of home goods sold on the channel. So she watched a lot of Home Shopping Network, a big fan of the Salt Lake City Real Housewives and hosts a podcast, How Did We Get Weird? with her brother Jonah. [6:47] That's very cool. Have you listened to that podcast? I haven't. I just found out recently, so I'm going to check it out. It looks like a really cool concept. Like her and Seth both have podcasts with their siblings. Yeah. So does Heidi Gardner. Oh, geez. Well, I'm gonna have to check. Yeah, Heidi Gardner, or she did anyway, yeah. Yeah, I have to check all three of them out then. Well, you've got some work to do. I do, I do. I'll leave you to it. Thank you. Getting downloading that now. Track 4: [7:39] All right, Matt and Jamie. Yes, thank you so much. And we are talking about a, uh, well, this is an episode, actually, I'll say this, that's going to be very near and dear to me. So when, uh, when Jamie and I talked about season four back in the spring, and we decided to have a draft to determine the nominees, I told Jamie that Vanessa Bear would 100% be thetopic of an episode because she's one of my all-time favorite cast members and she deserves it. And I told Jamie, I said, you know, if we do this draft, you know, Vanessa Bear's probably gonna be my first pick. So she was my first pick. Here we are. I'm so excited about this episode and I wanted to introduce our guest to join me in celebrating Vanessa. He's back for his second SNL Hall of Fame appearance. He was our guest in season three for the Rihanna episode. He did such a good job that we just had to bring him back. Sammy K from the Saturday Night Network. Sammy, thank you so much for coming back on the show. [8:46] Thomas, it's really great to be here. Actually, I hate to correct you for my third appearance because I was also on the Seth Meyers episode. So I was able to talk about a writer, my first appearance on the musical guest, And now I get to talk about just a really special cast member, and I'm just excited to dive into Vanessa Bayerand her career and all her contributions to SNL over the years. Before we get into our AdoreFest, Sammy with Vanessa. And by the way, yeah, thank you so much. Third timer, Sammy K here. Before we start fawning over Vanessa Bayer, Sammy, we're going to do plugs at the top. We're a little different on this podcast. We let the guest sometimes do plugs at the top. So tell us about anything you've recently done on the Saturday Night Network, if there's anything wecan look forward to, Anything you're especially proud of in the archives. [9:35] Absolutely well you know during the summer season we typically on the super fan takeover which is kind of the show that i get the host on the network. Are we you know me and a couple of their you know pretty prominent snl fans in the community get together to talk about some of our favorite sketches from the history of the show iwould done a lot of drafts in the past so you know during the summer, We do drafts, we've drafted, you know, our ideal episode where we pick like a monologue and a sketch and, andthings like that we've drafted hosts before. So those are probably the episodes that I love the most. They're the most time consuming, they can end up being two or three hours, but those are ones that you haven't had the chance tocheck out, I would definitely recommend. It's fun to see the superfans preferences and how they value things and everything like that and you guys do a great job Over there and in our network of SNL fans that we tend to interactwith Online and on our podcasts. [10:30] I might consider myself the biggest Vanessa bear fan But I think you're close Sammy because I've heard you praise her multiple times on different podcasts So I had to have you onfor this episode I think the world needs a dedicated podcast episode to celebrate Vanessa Barrett's time on SNL. What do you think? Well, you know I was definitely honored to be asked to be on this because yeah Like you said, you know, it's good good to hear that you're also a huge fan I mean, you know, it's nosurprise because she's just so great But she's somebody who when she joined the show there was this kind of early on in my SNL watching career I always say that when I startedwatching the show in 2007, 2008, the first cast member that I really got to see come into the show and progress and then eventually leave and I had to say goodbye to was BobbyMoynihan in 2008. But very similarly, we have in 2010, we have Vanessa Bayer come in with such a strong class, Taron Killam, Jay Pharoah, and Paul Britton, who I think is also super underrated. [11:33] And seeing her enter this established cast that I was watching at the time. I was like, who's this new face? And I feel like I instantly just clicked with her humor, kind of fell in love with her persona on SNL and all the amazing characters she brought to the stage. Yeah, Vanessa is in that interesting position as an SNL cast member of being widely respected. I think you almost see nothing negative said about her work on the show. But she also wentabout her time at SNL a bit under the radar. So she joined the cast, you'd mentioned like her contemporaries, but when she joined the cast, she had established people in the cast like Kristen Wiig, Sudeikis, Bill Haidt, or AndySamberg, Fred Armisen, Kenan Thompson still here at SNL today. He was already an established member of the cast when Vanessa joined. [12:20] So just a who's who of cast members that Vanessa had to fit in with. So I'm kind of curious to kick things off, what are qualities about Vanessa that made her get positive attention even though she was in the cast with a bunch of heavy hitters. Well, I think that is, you know, the question itself about how she was in this cast of heavy heathers. I mean, she, I think, and, you know, granted this was, we're talking about shows and sketches I watched 13 years ago at this point back in 2010, but it really felt like just from the jump,she kind of just fit right in like, and kind of echoing, you know, Bobby Moynihan, as I said before, like these two people had such a challenge of entering this group of, like you said,heavy heathers, this established kind of connection they all had. And I think she was able to just fit right in, find her niche, and was able to blend in with the rest of the cast. And not only is that a quality that I think is something I see to be very positive that I look at, but also she just brings such a level of sincerity to all of her characters. I find that a a lot of her characters have this sort of childlike innocence to them. [13:30] But then she's able to really juxtapose it with like, you know, whether it's like a raunchy joke or setting that I think that is like the recipe that you have for like a great Vanessa Bayercharacter. And I'm sure that the ones we bring up today are going to kind of fit that mold. But they never felt like, oh, I've seen this exact flavor from Vanessa Bayer before. She She kind of had that theme running through a lot of her sketches and characters, but was able to find a new angle, which is why I think she truly is one of the greats. Yeah, exactly. She had like a, what I noticed, always noticed about her was that she had this positive, a lot of times positive, upbeat delivery, but that would make some of the more, Iguess, like raunchy or dark or whatever. When she had that kind of turn in character, that would make it that much more effective. As Vanessa, you kind of picture her smiling and just a little more upbeat, but it made the other aspects that she was great at a lot more effective. So that was very well put, Sammy. So what's a sketch or character that immediately comes to mind when you think of Vanessa's work on SNL? Well, I know we're not going to necessarily do this conversation in chronological order, but I do think a great place to start would be the Miley Cyrus show. So, Katie Holmes, you played Batman's girlfriend in the first ever Batman movie in 2005. [14:54] Which is pretty cool, because I just auditioned to play his girlfriend in the next Batman movie. So, like, do you want to see my screen test? Sure, okay. Okay, let's roll that clip. We need to get out of here. This whole place is going to blow. Oh, my God. This is so scary and suspenseful and stuff like that, and I'm in, like, all this danger and stuff like that, And you're like Batman, so you're kind of like a bat, and you're kind of like a hot guy. So it's like really sexy, and it's really scary, and it's really suspenseful and I might die. [15:28] Pretty sure it was the Brian Cranston episode from her first season. It might have been. I don't think it was her first episode, but it was either the second or third episode that she was on the cast. Her second episode, she kind of is the star of her own sketch. And, you know, obviously in modern day SNL, like when that happens, we kind of be, you know, you, you automatically kind of be like, Oh, who's that? Like, this is huge, especially when you have a cast that's 12, 13, 14 people to be able to get that showcase. And clearly she came to the, you know, the, the writer's night that week with justsuch a great concept. And, you know, the impression itself, I think on a past superfan takeover, we had like an impression, favorite celebrity impression based episode. And I think she was one of my picks because I was a Disney channel kid and I grew up in this era with the Miley Cyrus is, and, you know, the Dylan Cole Sprouses and Selena Gomez. So kind of being able to, as a teenager, see that kind of transition from something that I watched as a kid to something I'm not watching as kind of like a teenager on SNL. Seeing those worlds collide was always super fun to me when I first started getting into the show and the impression is just, it's just so good. Like, she was able to take somebody who obviously was a huge star, but she was able to Find the things that made her. [16:49] You know my service like you know the the nasally voice everything about it but like we're saying earlier that the child like energy it was just great and not only was able to bringsuch a strong impression to the show and her second episode but she create like a whole world around it wasn't just like her, being on Celebrity Jeopardy or Celebrity Family Feud, whereshe has like one or two lines here and there. And it's like, okay, that's a good impression. She kind of built this whole character and was able to be the star of her own sketch. And I think that's super impressive. Yeah. I think as SNL fans, we see impressions all the time. So we're used to, we kind of become numb to impressions. And I think a lot of us look for impressions that not only look and sound kind kind of like the person, but it has to have an anglebehind it. And I think Vanessa found an angle behind it. She did have that inflection, the froggy kind of voice or nasally voice. [17:47] And, but she found the angle, the, uh, almost aw shucks, the world kind of revolves around me, uh, oblivious to certain things though, dad wore, you know, Billy Ray Cyrusworships her first play by Brian Cranston. Yeah. That was like the first sketch. Bryan Kranz didn't play Billy Ray Cyrus in that, but Vanessa definitely tapped into an angle for that impression. That's why I'm sure she did it so many times, is they saw that this wasn't just a throwaway Miley Cyrus, like you mentioned, that you could put it on Celebrity Jeopardy or something likethat, and then we'll never see it again. She came into the show with this thing in her back pocket, and you could tell. And on the Saturday Night Network, they just did a impression countdown, and I was lucky enough to be on the final three. But I was pleasantly surprised that this Miley Cyrus impression finished number five on that impression countdown. It was the highest ranked, yeah, it was the highest ranked non-political impression on the countdown. That speaks so much to- That's huge. It's huge. [18:53] It's just beloved. It was even more beloved, Sammy, than I thought. Yeah. When I brought that to the Superfan Takeover episode I did, I was not sure if people were going to be feeling the same way. But I do truly think it is one of the great celebrity impressions on SNL. And I think Vanessa Bayer was just able to kind of capture the right moment to do this character or to impersonate this celebrity. [19:16] The only thing I wish we would have been able to see, I mean, obviously, we got to see when Miley was host, do the classic SNL trope of, you know, now we bring the real personon, except, you know, this time there's a little bit of a twist. She's playing Justin Bieber, which was very fun, but it would have been nice to see her bring this back when, you know, Miley kind of took that era around like 2013, you know, thebangers era where, you know, she had, you know, this whole new look and everything. That would have been a cool thing to see, but it feels like they maybe decided, you know, we did this a couple of times and, you know, let's not, you know, run into the ground, which, youknow, I guess you can respect as well. Yeah. it would have been fun to see maybe when Miley was kind of getting a little more wild over the years It would have been funny to see where Vanessa could have taken that but Ithink this is a good example of Something that that I've always thought about Vanessa and I said it at the top of the show It's like I think when people talk about all-time great castmembers, they don't automatically I think people just don't think about Vanessa, but then when they start actually Crunching their brains or they're reminded of stuff that she's done. They're like, oh, yeah. I love that. Oh, I love that, too I love that too. So she's one of those ones that slips through the cracks and then people start really thinking about it It's like, okay. Wow, she does have like this resume. [20:29] That's pretty awesome I think another example of that is something that she did in her first season as well It debuted in a sketch, but people know it better for weekend update WasJacob the bar mitzvah boy. So Sammy How did you feel about Jacob? I know I love Jacob. [20:47] Well, I love Jacob because, you know, if people at home can't tell from my podcast appearances, I'm Jewish. You know, I had a bar mitzvah. Actually, I've maybe mentioned this onother podcasts, but my bar mitzvah theme Night Live. So, you know, I was, you know, a big SNL fan, even back then. [21:03] And, you know, I was also a counselor at Jewish summer camp. So I have met so many Jacob the bar mitzvah boys over the years. And she was able to, again, capture this kind of childlike innocence in her portrayal here as Jacob, I love the interactions she would have at the Weekend Update desk with Seth Meyers. This is something that we kind of talked about on our Seth Meyers episode, where half the fun of these appearances during Seth's era on the show is the dynamic and the interactionbetween the character and Seth. Seth wants to see Jacob, the bar mitzvah boy, be able to succeed. And he is just a nervous little kid, and she She portrays that so well and it's so funny, the derg is great and you know, this is just, this is a classic. Shabbat is the traditional day of rest, lasting from sundown Friday to sundown Saturday. [21:57] I mean, I've heard of recess, but this is ridiculous. What? The cadence of the way Jacob speaks is great. Just like a kid on autopilot reading a rehearsed speech. I don't know if you've seen in your day that type of kid who's just like has this thing that they rehearsed and damn it, they're gonna do it. And if you try to interrupt them, they're just gonna kind of like ignore you and keep doing what they're doing. And that's like the timid. She played timid so well with Jacob. Like you're absolutely right. The way that she played off of Seth and Cecily and Michael Che, like we got to see Jacob play off of multiple people too and it was the same way. Like they would try to interrupt Jacob Jake would just kind of look and then go back into his rehearse speech. And that was just like all Vanessa, man. [22:49] And then the dumb jokes about his brother, homework, the Yankees. [22:54] On the third through sixth days, God created many more things, such as the sun, the moon, the fish and the birds, land animals, and finally humans, which may or may not includemy brother Ethan The use of her spatial expression to just to get a laugh but like when she makes a dumb joke as Jacob and then like has that look just like this was such a Just a fullyformed like perfect and one thing I'd like to add to this which I think might be a bit of an underrated moment because I know she brought this character and a couple of times Multiple, wecan update eras because I think, you know, Che and Jost were around for a couple of these as well. [23:41] But when Cecily Strong was briefly an anchor at the update desk, it must have been one of her first shows or maybe her first show, Jacob makes an appearance and Cecily kind ofchimes in and the Jacob character is just like very nervous, making all these faces, like doesn't interact with Cecily at all. And it's just like such a great like moment, like they're able to kind of find new ways the build onto this, you know, awkward, nervous, you know, nebbish kind of character. And you know, this is just really great. Yeah, because what do you think is the thing that will that would make a boy like Jacob the most talking to Cecily Strong is a pretty girl talking to him? Exactly. So so that was like, perfectly well played. Of course, Jacob's not going to say anything to Cecily Strong. [24:28] That Yeah, that that was just so wonderful. The Yankees yarmulkes like iconic to me with on top of the curly hair that's just just like. Just such a perfect look to this character too. Like when I think of update characters, this is how they should be. Like Jacob was formulaic, but that's fine. Like that's, I think that's how most update characters are, but it's just fun to see how they're going to fill in those beats and how they're going toplay off of the update anchor. [24:56] And Vanessa is just so good at that. Like she understands the timing. She understands the beats. She understands what's funny about this character just so so perfectly and I think people when you remind them of Jacob it's another one of those where they go oh yeah Jacob I love that. And another thing to add to this is you know she's taking something from her background you know obviously she wasn't a Bar Mitzvah boy but she was a Bar Mitzvah girl so she's ableto kind of you know incorporate that element of her history into a character that plays for an audience that is a majority not from that culture and it still plays. So that is just kind of a testament to her ability as a performer and as a writer to make it specific to her, but still be able to find something that appeals and makes people can relate to. Everyone can relate to you either were an awkward boy, or you knew an awkward boy, or you're an awkward girl or whatever. So it's very special for me, personally, like I said, as someone who's Jewish, that she was able to make this such a big, Popular character. Yeah, and as someone who's not Jewish, I completely related to Jacob all the same So that's like, you know, that's like you tapped into something really special there. [26:07] So Sammy, where should we go from here? As far as Vanessa's work on SNL, what else should should well, I think we've waited long enough to bring up this trilogy of classiccommercial parodies the Totino's pizza roll sketches re-watching these today in preparation for this podcast. [26:29] It was amazing how they were able to take this concept, you know, the first time it's kind of, it's not even really centered around her character. She's kind of like a vessel for, I think it, was like a Superbowl fun pack to where, you know, they're advertising when, you know, the actual Vanessa character or something that they don't,they kind of, you know, more so develop in the sequel sketches and they just. Yeah. Well, with this activity pack one though, I just noticed with her, her, uh, first of all, wonderful delivery as far as the stereotypical wife in those commercials. Who's ready for some more Totino's pizza rolls? Oh, thanks, honey. You're the best. Anything for my hungry guys. [27:26] She has that cadence and that delivery down, but her excitement and you had mentioned like a childlike innocence in a lot of what she does and her excitement as that characterwhile doing those children's activities was like perfectly Vanessa. Like it's not like it's not a hassle necessarily. It's even, you know, at the beginning of the commercial anyway, it's not a hassle for her. She's excited to be doing those activities and keeping herself busy while her hungry guys are watching the Super Bowl. By the end, she's like a little frustrated, but trying to keep her smile and keep it together. and that's just so Vanessa to me too, like. [28:03] You can tell there's frustration and almost pent up rage there, but she's trying to, like, play it off and smile and say, OK, so I think there is a lot to this activity pack one and a goodbaseline. You mentioned, obviously, this is a trilogy, but this one was a good baseline for what we're going to see. No, absolutely. And this is the also just to think about, you know, the hosts that are in all of these sketches are so great as well. Like, you know, JK Simmons, you know, I can see that this is something that was pitched for JK Simmons. Like it totally makes sense. But then in the later sketches, you bring in, youknow, Larry David and Kristen Stewart, and you know, the whole world of this sketch changes. I think a conversation in the SNL community a lot is when you bring back a recurring sketch, how do you iterate on it? How do you take a character and either put them in a new circumstance or build upon it instead of just rehashing it. I feel like this is something from last season on SNL with the Lisa from Temecula stuff that I think a lot of people in the community were kind of frustrated with. But this is like theblueprint for how you do a recurring sketch, in my opinion. And it doesn't always have to be something where it takes a crazy dark turn, but it definitely helps that in the second sketch, the dark turn that it takes is amazing. Like the kind of horror-esque tropes that they're able to incorporate into the sketch are amazing. [29:26] Vanessa is kind of doing the same spiel that she does in the first sketch about, the Totino's pizza rolls, but she keeps getting interrupted by, you know, the people watching the gamebeing like, go, go, go, oh, touchdown. Why not treat your hungry guide to the delicious taste of Totino? [29:46] And she gives these like little vocal inflections to where she's still that like very positive mom character but like you know you're starting to see the cracks kind of form and theescalation and that how it just, it really turns into like a horror movie is. It's just so fun. Yeah, this was great emotional acting by Vanessa, like we're seeing, we're seeing her range. She's a really good actor, honestly. Like I've noticed just rewatching a lot of her sketches, I think she could act and we see like some good range on her. The way she pivots out of character, just so beautifully when she sees that there's nothing on the TV, that they're not, the guys aren't watching anything and they're still chanting like, go,go, go, touchdown. Okay. Ha ha. Very funny, Steven. Steven, now cut it out. Go, go, go, go, go, touchdown! Why are you doing this? Brittany, get in the car. [30:46] No, no, no, no, no, aw, humble. What's happening to my hungry guys? That was a nice pivot or turn from what was established with that character. So I think, you know, the second installment of this Totino's trilogy, two for two, in my opinion here. And Sammy, I think, in my opinion, this third one that we're about to talk about is the masterpiece of this series. I totally agree with you. And we talk a lot about sketches that I feel like kind of permeate the culture in some way. Like I'm not saying that this is like the biggest cultural moment that SNL's ever had, but this is something that when this came out, and to this day, I think people still talk about like thissketch. And I think this was something that kind of entered the mainstream. The idea to bring Kristen Stewart in, who at this time was starting to do a lot more, you know, kind of artsy, independent movies. She'd probably done, you know, movies with like a French director and things like that to kind of incorporate sort of the French kind of romance love story angle to it was just like sogenius. Being able to have somebody with like kind of the sex appeal of Kristen Stewart and juxtapose it with the mom character that Vanessa Bayer plays in these Totino sketches is just nextlevel from a writing perspective, such a great decision to do. [32:10] And I just love how you have these kind of two scenes going back and forth, similar to the other Totino sketches where you have the guys watching the game and you have whatVanessa Bayer is doing, but they're in totally different worlds. She is in like some sort of French romantic film. [32:28] The things that they kind of come up with, they're bringing the Totinos in, she's drawing Kristen Stewart, and she has like a Totinos in their mouth. She brings the cigarette in. And I think, Thomas, I don't know if you can think of a better line in these sketches than when Kristen Stewart asks, you know, so what's your name? AndVanessa Bayer is just like. I've never had one. Absolutely genius. [32:55] Stuff. Absolutely perfect in the way they start building Vanessa's character here and the way Vanessa starts building her character in these first two sketches before this makes this turn of likewe're so happy for her character that she's being seen in this installment like she feels seen and loved and there's finally somebody who's like passionate about her and asking her what shewants and what her name is and And gosh, another great line was when Beck says, Babe, what's taking so long with those Totinos? You girls making out back there? You're crazy. And then they immediately cut to them making out in the kitchen passionately. And it's just like, it's probably one of my all-time favorite sketches. And I think it's rightfully talked about in that way amongst a lot of other SNL fans. I saw write-ups about this. I've heard podcast episodes dedicated to this Totino's Trilogy and for goodreason. It's just, it's just beautiful. [33:57] They start speaking French, which was just like a wonderful touch. Like this is just perfect. Yeah. And, and, and, you know, when we have a cast member like this who has never hosted to me, I've always, I'm always thinking of what's the character she'sgoing to bring back, you know, and that this feels like something to where the trilogy is perfect. But if anybody can kind of continue to iterate on this, like this is something, if she were to ever host, which please, SNL, like I know there's a writer's strike going on and an actor's strikegoing on, but please consider Vanessa Bayer to host. I would love to see them attempt to one-up this one because they basically one-upped it every time and I have no doubt that they would be able to cook something up just as This is great. Yeah, they could get the old band back together. Maybe I think it maybe was Sarah Schneider and Chris Kelly who worked with Vanessa on this. I'm pretty sure it was them. So maybe they could get the old band back together and if and when Vanessa hosts and do this is one of the characters that I would definitely look forward toseeing again. And maybe she'll bring Cecily along to do the ex porn stars sketches. [35:04] And we had talked about the Saturday Night Network had just had the The impression count impression countdown last year, they had the character countdown is voted on by theSNL listeners and these ex porn stars finished in the top 20 characters of all time. And this is something that a lot of people really remember Vanessa for in her work with Cecily. And this is what this is one of my favorites to Vanessa playing the smart one, I guess Sammy brekky. I think I guess I don't know if I'd categorize either of them as a smart one. Offense to their characters, but yeah, these are really great as well. I mean, to me, if I had a personal favorite rendition of this sketch was, is the one with Jamie Foxx. I just felt, uh, his kind of, and I don't remember which was the first one. His might've been the first one. I'm not entirely sure, but the way that they were able to interact, but obviously, you know, the, the key dynamic here is the dynamic with, uh, CecilyStrong's character. And I just think it's just such a funny concept where you're taking kind of something we see on SNL a lot, you know, the kind of infomercial sort of sketch. [36:14] But instead of making you know the product that they're selling something kind of insane or that's where the humor is. [37:06] Coming from your having the humor stem from the presenters, Two or three in the morning when you know you you are like half asleep and you know maybe back in the day you. Fall asleep and you wake up in a tv still on and there's just like crazy infomercial on but. But yeah, everything about the sketch, the dynamic between Vanessa and Cecily, they're just solived in to these characters. And this is an example to where I wouldn't even necessarily categorize this as a quintessential Vanessa sort of innocent character, but this is kind of being able to tap into that more justlike very vulgar raunchy side that she clearly also has. My brain doesn't function. It got banged off its axis, but I can still notice the sparkle of Sebasi crystals. [37:55] And she is able to kind of pepper that into some of her more childlike sketches, but this This one is kind of like you're turning the hose on at full volume and it's just incredible. Yeah and the way she conveys comedy in different types of ways like her versatility she's she doesn't just have one setting she can subtly convey the comedy in many different ways and inthis way it's a couple different things I think it's like her eyes and facial expression she has like those dead eyes during these sketches and it's just the right level for this character uh so likejust just the way she looks and she doesn't I don't remember her breaking in these sketches and they did it nine times and I don't remember Vanessa breaking in these sketches but it wouldhave been so easy for her and it would have lost its impact because the part of these characters is that they've been through these harrowing experiences they made her may or may nothave experiments with drugs that have caused them to be sedated a lot of times probably I'm sure the way they're talking but Vanessa has these dead eyes that are just perfect and also theway Vanessa strings together nonsense I lost my foot in my butt. It used to be on my leg until I tried to kick a squirrel and missed really bad. Now when someone's like, sit on it, I'm like, you mean stand on it? And either way, they're like, get out of here. [39:14] It's just so beautiful. And we'll see that again toward the end of her tenure with a character that I'm sure both of us really want to talk about. But just Vanessa stringing together nonsense is just great. Like she's like a wordsmith in that way. Both she and Cecily did it. So, so like props to them for coming up with like a quintessential 10 to one. I'm agree with you, Sammy. Like this is the exact vibe that I want from a 10 to one. I want something oddball and weird and something that might make me a little uncomfortable too.That's what 10 to one's for. They did it perfectly. Yeah, and it's unfortunate that, you know, somebody like Will Forte wasn't on the cast when Vanessa was on. I don't think they overlapped at all. I think he had just left and she joined. But you can totally see somebody like Will Forte, who is in so many great 10 to 1s kind of be somebody in this world, whether he's like a camera guy or a boom mic guy. But, you know, that's just a little thought I had. But no, I think that these are just some great 10 to 1 characters. Yeah, I'm sure our listeners will will echo that sentiment. So we've talked about Miley Cyrus classic Jacob, the Marvin Savoy and other classic Totino's trilogy, which is just all time great level stuff. And the ex porn stars very beloved. They finished again in the top 20 characters of all time as voted by Saturday Night Network listeners. [40:39] So already we're seeing just is some classic, wonderful material by Vanessa Bear Sammy. What's next up? Where do you wanna go from here? Well, I think we should talk about Dawn Lazarus next because I think what's really impressive about Dawn Lazarus is how kind of instantly memorable and iconic this sketch was or thischaracter on Update was and the fact that she debuted it during her last month as a cast member on the show. There are always these examples throughout SNL history, especially when you go back and you watch old episodes and you're like, oh my God, this iconic sketch is from the end of theirrun. And this is an example of that, where you have this character, she's playing a weather girl who is just talking in complete gibberish, except you kind of understand what she's saying. Like that is like, I think the thing I kind of take away from this sketch the most is that. None of it makes sense. Dawn, is it looking nice for Memorial Day weekend? The better believe that. Well, it's time to pack up that sunscreen and protect those skins because yeah, it's hot and hot. So if it's at that beach and park, stay dehydrated and water thatmouth. [41:51] It's all gibberish. This is something that could easily fall flat, but I think her kind of charisma totally carries this. [41:59] And she's able to kind of convey some sort of language to the audience that this is something that's funny, but you just have no idea what's going on. And yeah, it's just a total commitment to the bit. For Rick and Morty fans out there, this reminded me of like interdimensional cable, you know, of like a very improv-y sort of vibe to it,but totally in control. [42:22] And I think she brought this back to SNL two times afterwards. So I think it was on her last episode. And then I think sometime the next season she brought it back, which was just like, I don't know. I think that is something that is worth noting because I think a lot of people talk about this as one of her great characters, but she only did it three times and she did it during her last threeepisodes of the show, which I think is super impressive. Kind of reminds me of when Aidy Bryant left SNL and she had just debuted the Trensethers characters on Update with Bowen Yang, and she ended up doing that for her last episode. It is truly something to where you have to take note of like, oh yeah, they were cooking until their very last episode. There was never a time when Vanessa Bayer was just like coasting on SNL. She was always coming up with something great like this. I had referenced when we were talking about the ex-porn stars that she was so good at nonsense, at wordsmithing nonsense. And I think this is an example to a greater extent maybe. And even if these lines are on cue cards. [43:30] Those are landmines that you could trip over. Like if Vanessa screwed up or tripped over these these lines on even if it's on cue cards, it could come off flat. So this is something where you have to be confident as a performer. You have to be confident in the material and you just have to have to have that gift of gab that Vanessa evidently does just like amazing wordsmithing by Vanessa. Just what you described and it's completely true. It's just utter gibberish, but just so many funny moments, like her answer to Chae, saying that she was good in her audition and now she'sstruggling. And then she gives this gibberish answer, pointing to the fact that she's nervous, essentially. [44:15] In her second one, Chae asked her why she's back so soon. And then there's a wink, wink reference to it being Vanessa's last show. Dawn, you're back already? You were just here and it really didn't work out. Hey, it's that last show and I'm gonna sneak that in. Gosh, this is so perfect. Like Vanessa playing nervous, but kind of in control, oddly at the same time. It's just coming out not how she wants. It's just beautiful. And I agree with you. Like it's just unfortunate in some ways that Don Lazarus debuted so late in Vanessa's time at SNL. I don't know if she came up with this just that late. Like if it was just, she happened to have a really good idea right before she left, or I don't know what the specifics are on that, but I'mglad we at least got to see it two more times after that debut, Sammy. Yeah, no, I totally agree with you on that. And again, I think it's just a testament to her as a performer that she was able to kind of bring this heat in so late into her career. Yeah, yeah, right. And I want to highlight some moreVanessa Bear awkwardness, if we may. And we will go back to season 39, which was her fourth season on SNL. And this was a sketch called Awkward Flirting with Kyle Mooney. This might sound weird. Uh, would you ever wanna maybe like, I don't know, get, you know. [45:39] More groceries for you, because you should go maybe get some more in case you run out. Yeah, of course. You know what they say, more food, more attitude. Yeah, I think I read that on a bumper sticker or something. Okay. I should go. Yeah, of course. See you, Sarah. Yeah, yeah. Yeah. This is just right up Vanessa's wheelhouse. And part of, to me, what makes her so charming is that awkwardness. Then we see toward the end of the sketch, her saying something vulgar, and that plays so perfectly off of the awkwardness that we saw throughout this sketch. You remember this sketch,Sammy? Oh, I definitely remember this sketch. And I think what's most impressive about this is that it's a sketch that's funny throughout. You have this kind of awkward dynamic between Kyle Mooney and Vanessa Bayer kind of playing a quintessential rom-com protagonist. I think Kyle Mooney is more so playing his kind of sort of Kyle Mooney, awkward nerdy guy character. But I think this whole sketch is kind of just a setup to that one punchline at the end. Everything is just a buildup to the fact that, oh yeah, like I'm gonna have sex with this guy. And she's saying a different word and it's bleeped out and it's super funny. [47:06] And it just makes me want to see this as like a 90 minute movie. Like the fact that if we were in a different era, if Vanessa was like a cast member in like the 80s or the 90s, like we would have totally seen a couple, you know, Vanessa Bayer, you know,lead rom-coms. They wouldn't have been like as raunchy or whatever is this, but it's just kind of, this is the sort of awkward character that she's able to play. And I think kind of pairing her up with Kyle Mooney here was very genius. I think this was during Kyle's first season too, right? [47:38] Yeah, it was very early in his tenure had to be I'm sure I think it was in his first season It's toward the end of his first season Uh, it had to be something too I think I think i've heardvanessa talk about this on her podcast And I think it came from just how she and kyle I think it was maybe a bit that they would do At the office and it just sort of like well, let's write thisdown. Let's turn this into a sketch This is this is good stuff. So and yeah just at the end like you're right It was leading to that that whole punchline. It was just really sweet and awkward and at the end, you know Beck Bennett plays a character who lives in their building who like asked her if she wants to go have sex and she just saysyes, like just Add the blue and then Vanessa still keeps her tone like her tone doesn't change when she just casually says Okay, well, um, I'm just gonna go f*** this guy and then we'll goon our date. [48:37] Yeah. Good. See ya. Very soon. Like, the tone doesn't change, like, it's just, it's just so perfect and Kyle's okay with it too. Kyle's character's like, alright, awesome, and then he celebrates that he got, that he got a date with his neighbor that he's had a crush on. So this is just Vanessa to me, like just her awkwardness shining, but then she displays herself with confidence at the end too. It's like she can switch gears and it just makes so much sense. Like this is one of the maybe forgotten gems. I don't know in SNL circles how much people remember this one, but it seems forgotten to me and it shouldn't be. Yeah, I think like when people talk about maybe like Valentine's Day sketches or romantic sketches, you know, at least from kind of the recent era, That's where I feel like the sketch kindof, you know, is brought up. But, you know, when you're talking about like classic pre-tapes, I think this is like, this is like a short film. It's not just a sketch in a way, but it has like kind of a beginning, middle andend. And I think on its own, just works as such like a cohesive piece. So I do wish people talked about it more. If you're listening, if you haven't seen this one in a while, it's season 39, episode 17, the awkward flirting, go check it out. Sammy, I know I have at least a couple of more examples of Vanessa's SNL genius on my mind, but I want to make sure to give you the floor to see what else you have. [49:58] Yeah, I mean, there's some like, very minor things. I don't know how much there is to really like go into it. But something that I think is maybe a guilty pleasure for me, I don't know how much like the SNL community or people whowatch the show at the time, like this sketch, but J-pop America fun time now. [50:18] Welcome to J-pop America fun time now, celebrating Japanese culture, fashion and music. I Am Jonathan Kavanaugh son, and I am Rebecca Stern Markowitz son Before we begin it may be shocking to your ears to hear that Jonathan son and myself are not actually JapaneseNo, no, no one thinks you're Japanese Her character's name was Rebecca Stern Markowitz. It's her and Taryn Killam who as a pair You know, obviously they came into the show together I always loved when they were kind of paired up in different sketches and they're hostinglike a Japanese sort of anime You know theme talk show at their, you know college campus and Jason Sudeikis is playing Advisor whatever so there's a fun dynamic there And I'm alsopretty sure that it's like a throwaway line that this takes place at Michigan State, which I went to Michigan State So there's like there's like an added layer there for me as to why I like itbut they're just totally committed to like their love of Japanese culture and in some senses, you know, appropriating Japanese culture, but in like a, in somewhat of a loving way, it is, it is,it does make me think or kind of question, like, is this something that today would maybe not like fly as well? Like, I don't know. Cause I do think it's, you think it would? Because I think they're, yeah, I think it would because I think they're commenting on the appropriation piece. Rise. [51:41] So I think it works in that sense. Yeah. No, and I agree. And I was kind of coming around to that, like, you know, in, in my head there, but yeah, no, it is totally, you know, coming from that place, as you were saying, but, you know, I, I justlove the sort of dynamic, the relationship between, you know, her and, and Taryn Killam and these sketches, um, you know, always really worked for me. And then again, just kind of the authoritative figure that Jason Sudeikis played, as their teacher, kind of, you know, trying to wrangle them and their, like, talk show was always super fun. Yeah, and it's an example, like, I know she and Taryn are really good friends, even to this day. They're very close, and the examples that we've given so far of her great work on SNL, it'swith a lot of different people. [52:29] So, it seemed like Vanessa was a really good teammate. So she could play well with Cecily or Seth or Che and Jost or Taryn and it just works. She plays off of the hosts really well and it seems like she's just an incredible teammate and there's something that I love about that. You could throw her in a sketch with anybody and she'll make it work with that person. She'll seems like she'll find that dynamic that makes it great. [52:59] Yeah and i think it's just like bringing it back to the earlier part of our conversation about what makes her special as a cast member she had the difficult task of kind of coming inbetween two very big dominating errors on the show. That mid two thousand cast of the andy sandberg and bill hader and christian wick and then the kate mckinnon cecily strong era and you know. I think a lot of times on other shows we've kind of talked about how there's like a missing generation of SNL cast members Kind of right there where you know, we could have seen TaronKillam really be the star But he kind of never had that opportunity and I think while Taron was on the show You know back Bennett comes in and they kind of play, you know similarroles there, too So the fact that Vanessa was able to kind of navigate these two eras is another example of how she's able to navigate dynamics with many different cast members, finding away to complement them. And I think that is what really makes for a great ensemble player. And you know, obviously, SNL is an ensemble cast, so she's able to use that to her advantage to be a great utility player, but also find her niche with certain cast members. [54:10] It seemed to be a lack of ego, I think, in a lot of ways on Vanessa's part for sure and I have an example and it's something that people might not I mean I think it's a belovedrecurring sketch but it might be still something that people might not totally associate Vanessa with but I think it's an example of a lot of the stuff we've been talking about like she's notthe star of this sketch but she's a great teammate she acts as sort of the voice of reason and glue and kind of ties the sketch together and it's these high school theater showcase sketches andthese are great and I want to specifically talk about the one with Emma Stone when Emma Stone was was the host because there were so many good lines in there and some subtle thingsthat that Vanessa does about with with her delivery she's like such a great reactor to all the nonsense and I know people Sammy like in our SNL verse our Our SNL community sometimesscoff at... [55:07] Mikey Day explains or Keenan reacts or those trope SNL tropes But you kind of need that or else the nonsense that happened that's happening doesn't it needs to be to play off ofsomething That's grounded if that makes sense that's why they do the Mikey explains bits and all of that because you need a Juxtapose the nonsense with something more grounded andVanessa played the reactor and the person who was grounded so well specifically in this Emma Stone sketch like you know these high school theater showcases where these these I guesswell-intentioned but misguided high schoolers put on these showcases and about Black Lives Matter and about like whatever whatever social issues are going on at the time the programsays tonight's proceeds go to Standing Rock let's get those Native Americans the pipeline they want? Yeah, I don't think they know what's happening there. [56:02] And it's just super misguided and Vanessa and Keenan are there to just kind of like react and Vanessa's intonation is just so great. Like, I don't know. I don't know if it's just me who really focused on a lot of what Vanessa was doing in these sketches, Sammy. Well, I found it to be super interesting when you sent me the notes that this is something that you brought to the table here and I'm glad you did because it had me revisit this sketch. And I think another thing, I feel like some of the kind of high school, maybe not high school, but sometimes some of the theater-y sketches people don't love. I personally really love these high school theater showcase sketches because anything where you're kind of like poking fun at like kids or teenagers to me, like kind of always, you know,works. The line in this sketch where, you know, they're kind of walking back and forth and saying, saying, can I get a selfie? Can I get a selfie? Like that line is like super memorable to me. But yeah, I mean, I even wrote this down in my notes how this is a setup that SNL uses, kind of the back and forth between a stage show andthe audience. And sometimes those don't work, for watching. Have a great day. In this scenario, having Keenan and Vanessa kind of be able to anchor it and comment on what's going on definitely makes everything that's happening on stage a lot funnier. The line that I wrote down that she said, and she kind of throws it off in like the most kind of casual ways, like, I paid $1,000 for that improv class. [57:31] It's just so nonchalant, like she could have easily kind of hammed it up a little more, but she really just kind of gives off that vibe of like, oh man, like, uh, you know, I'm the parentof these kids and, you know, this is like when I'm spending all my money on it, it's really funny. And I'm glad you kind of brought this one to the table because, you know, there's a lot of examples of sketches where Vanessa doesn't really have, you know, the starring part. She is, uh,can be a really good utility player. The sketch that kind of not necessarily one-to-one reminds me of this, but her kind of role in the, the Jemma sketches with Cecily Strong, you know, she's kind of off to the side, youknow, kind of commenting on things, being the butt of the joke on certain things. [58:12] And I think she does a really good job at that. And it's another example of her trying to be a supporting cast member, supporting her cast and kind of giving other people in the sketch, you know, the wind and kind of anchoring it. Exactly. Yeah. And go back to this, the high school theater showcase, there's this one line delivery that I wanted to highlight because I think it illustrates a lot of what we've been talkingabout. So in one of the scenes within that sketch, the kids are speaking Chinese or they think they are. They're probably speaking gibberish Chinese and Spanish a little bit in this. So they speak a different language. And then Emma Stone asks Vanessa Bear's character, excuse me, ma'am. Could you understand that? No. Is it because we were speaking Mandarin? Um, yes. [59:03] And you only know English? [59:11] Yes. Sad. Just the way that Vanessa Bear says yes, like that delivery of that one word to me conveys the tone of the sketch perfectly and it undercuts the theater troupe in the bestway. So she can say one word as an answer to some absurd questions and to me it's like kind of sets the foundation of why this sketch is funny in the first place. And yeah, it's just those little subtle things that I just watch a sketch performer and I appreciate. That's why I hold Vanessa in such high regard. In a lot of ways, it's those subtle things. Yeah, no, I totally agree. And I'm glad you pointed that out as well. It's just kind of just a very simple thing, like a very simple delivery that kind of contributes to the overall stew of this sketch. And I think it can sometimes be looked at as like a thankless part, like, or, you know, a part that, you know, you're not getting all the laughs, but she kind of was able to take those andreally, you know, make lemons out of the lemonade and, or lemonade out of the lemons. I got my thoughts backwards, but if that makes sense. Sound like Don Lazarus there, if you're doing best Don Lazarus there, Sammy, that's fine. Yeah, yeah, yeah, I got too much Vanessa Bayer on the brand I'm starting to turn into forcharacters. [1:00:26] And I'm gonna talk about one more, Sammy. It's a Christmas classic to me. It's one of my all-time favorite Christmas sketches. It's the Santa Baby with Ryan Gosling, which is basically a Quentin Tarantino kind of vibes with this sketch. And Vanessa and Ryan Gosling play this couple, and they're meeting their new neighbors at a Christmas party. And Beck Bennett plays the dad who mentions to his son that Santa's coming. And Ryan Gosling and Vanessa Bayer get super excited because they want to meet Santa. Yeah, well, anyway, Cindy and I drove up to Yosemite last month. Oh, gosh, that must have been gorgeous. Wait, I'm sorry. I'm sorry. Is Santa here? Yes or no? [1:01:10] And just like tension and awkwardness ensues. And they they basically intimidate Beck into letting them meet Santa. And it's just so it's like the vibes are just creepy and off. And I think Vanessa plays like subtly unhinged, like really well here. Yeah, this is a classic. And, you know, I think during the holiday season, this is one that I obviously need to revisit because I do think it is kind of a Christmas classic SNL sketch. This is another example of her kind of mixing the innocence of like, you know, they really believe in Santa. But then you're kind of bringing in the raunchy flavor of like, do they want to like have a threesome with Santa? Like it's very unclear, you know what their objective is, but I think thatambiguity makes it even funnier. [1:01:58] And I think this is something that I don't think we've really gotten the chance to talk about a ton that this sketch highlights is I wouldn't say that Vanessa Bayer is known to be likean amazing or well-known physical comedian, but the physical comedy and like the decisions and the choices she makes in the sketch are very underrated and add a ton her, you know,like sucking on the candy cane, like seductively on the couch is like, it's just, it's so funny. And her like, you know, jump, jumping onto Santa's lap, you know, Beck Bennett, you know, ends up in the sketch dressed up as Santa. [1:02:33] I think he's crying at one point as he's going down the stairs. Yeah, I think he is crying. Yeah, he's crying. Just like the whole situation gets amped up to 11 and she just, you know, jumps on him. And it's just, it really kind of showcases that ability that she had that, again, just another tool in her kind of comedy back pocket that it's not something that we necessarily saw a ton, butyou would see it kind of creep into a lot of her sketches to where she was fully lived in with a lot of the things that she was doing. And another thing to note in this sketch is just the dynamic that she has with Ryan Gosling is so funny. [1:03:55] I'm scared. I'm scared too. I would love to know how this sketch kind of came about and everything like that, but you know, it's just a true classic and I'm glad that you broughtthis up. This was, you brought up such a good point about her physical acting and it's like the way she's sitting on the couch, the way she and Ryan Gosling are dancing to that creepy 60s musicwhen they're trying to like, hey, let's play some music, everybody lighten up and just like, her movements are so great. I think there's an example, she did a sketch with Paul Rudd in season 39, it was this couple that was getting divorced and somebody, I think it was a Fleetwood Mac song that would comeon and they just couldn't help themselves and they would dance and stuff and the way Vanessa was dancing in this sketch was just perfect. So go look up the Paul Rudd hosted episode in season 39 and I think Peacock may have taken it down, but I mean, it exists. Just look it up, it exists. But so go look that up and just, that's another good example of Vanessa just putting her whole body into it and her mannerisms and just like really immersingherself into something. Sammy, that's a really good point about her physical acting. See another, like this is what a great sketch comedian does. [1:05:11] They have different tools in their toolbox. They can convey comedy in so many different ways. That's what Vanessa does. I think when you really put her work on the show under a microscope, there's just, you kind of peel back all these layers that I think because she was on theshow during, you know, this kind of lost generation, this lost era of SNL, that I think we don't talk about enough. So I'm glad that, you know, she is up for, you know, the nomination to be, you know, in the SNL Hall of Fame. [1:05:41] And, you know, that we're getting this opportunity to really like, you know, talk about her and then highlight some of her great moments. There's so many that we didn't get the chance to touch on, you know, in her seven year career on the show. One that comes to mind is her amazing Jennifer Aniston impression that she was able to do with Jennifer Aniston. Like, I don't know if you'd necessarily say, I mean, I guess we talked a lot about Miley Cyrus and her impression of her, that Vanessa Bayer is like a top level impressionist, but that onetoo is like one that is just so iconic. And now why do you think people are so nostalgic for the 90s? Oh yeah, you know, the 90s are great. You know, you go to work, you go on dates And you go to cafes with your friends and you all sit facing camera. Yeah! Hey, you know, Joey had a really, really bad audition, and we're all going to talk about it tonight at the boy apartment. You should come! She got the vocal intonation down so well. I know Jennifer Aniston loved it. And I think probably part of it because it was really an impression of. Rachel from friends and not necessarily of Jennifer Aniston. So maybe that was easier for Jennifer Aniston to take and be willing to to make that that cameo on Weekend Update with Vanessa. But that's just such a that's another great example. Like there's so many things that sometimes as a Vanessa Bear super fan that I tend to forget that she did on the show. So, yeah, thanksfor bringing that up. And so she left SNL in 2017. [1:07:03] And after SNL, she's had roles in Trainwreck. She was in Barb and star go to Vista del Mar. She starred on a Showtime show called I'd love that for you with Molly Shannon. Eight episodes. Sadly, it was canceled. That was honestly the only reason why I subscribe to Showtime. [1:07:20] Yeah, the show made me subscribe to Showtime. And then once they announced that it wasn't coming back, I canceled my subscription. Yeah, yeah, I'll show them. They'll show them. Yeah, they're going to the two of us canceling our subscription. Sammy's gonna show him, but that's like my, that's our solidarity with Vanessa Ver. But I love that for you, was a wonderful show she did with Molly Shannon. She has a podcast with her brother Jonah called How Did We Get Weird? And I listen, I'm subscribed, I listen. I'm the target demo for this, Sammy. I'm six days older than Vanessa. We're six days apart. You really are, you really are. Yeah, so like everything they talk about is stuff that I experienced. And no offense to like. The SNN super fans or any other podcast, but I think my podcasting dream is to be on How Did We Get Weird with Vanessa and Jonah. So I'm going to put that into the ether. I always think of stuff I could talk about. Anything that they bring up was my experience too. So they have a wonderful podcast, How Did We Get Weird. It's Vanessa and Jonah Bear. So go check that out. As far as former SNL cast members, Sammy, who have never hosted the show, where does Vanessa rank on the list of like who you might want to see host? [1:08:36] Oh man, this is this is tough because I mean, I think for me, she's right up there with like Bobby Moynihan. I think those are the two for me that I really need to see host. And you know, sometimes I kind of worry, again, talking about this lost generation that we're not going to get any hosts from that era. Like I can see Kate McKinnon coming back to host,I can see Cecily strong coming back to host, you know, Pete Davidson almost hosted. But there's something about that Bobby Moynihan, that Taryn Killam, that Vanessa Bayer era, that Nassim Pajarad, you know, I would love to see all those people host because I've really,you know, loved what they did on the show. But yeah, she's certainly up there. I mean, and I was really hoping for her Showtime show that that would be the perfect opportunity for that to happen. But, you know, maybe, maybe next season. I don't know. I kind of think she'll do it at some point. I have a feeling I think she and Bobby will come back to host at some point. [1:09:29] Nassim and Taryn, maybe not so much. I agree with you. I'd love to see it. But I think Vanessa and Bobby, to me, there's like there's paths to them. Come back to host. But of course, we would love to see it. [1:09:41] All right, Sammy. So now's the time we're in an elevator right now, but we're going up like 80 floors. So you have some time to chat us up. So give us your elevator pitch for why Vanessa Bayer should be considered for the SNL Hall of Fame. I think Vanessa Bayer, you kind of, you know, take a look at her career on the show and she was able to really do everything that you can really ask for somebody, you know, on SNL, youknow, she did impressions, she had very memorable weekend update characters, recurring sketches, you know, whether it was, you know, the first sketch of the night or attend the one likethe ex porn star sketches, she had such a great dynamic with so many different cast members from multiple eras and being able to come into the show in the midst of two big waves, theKristen Wiig era where a lot of women on the show at that time were having trouble kind of breaking through and she was able to kind of find her niche, breaking through because KristenWiig was kind of swallowing up a lot of that real estate on the show, but she was able to come in, make memorable characters and really represent her essence and kind of a through linethroughout all of her characters where you have somebody who feels like she just is, you know, a child actor, you know, in the high school play, but then sprinkles in just amazing, youknow, juxtaposed, raunchy humor. [1:11:08] And that is just something that she excelled at so I think she certainly deserves a spot in the SNL Hall of Fame. Track 2: [1:11:41] Thank you so much, Thomas and Sammy. That was wonderful. I learned quite a bit. It's interesting to really think about what you said near the end in terms of, you know, outlawing her way in when she started in the Kirsten Wiig era and, you know, blossoming into whatshe became. Really quite fascinating. Thank you so much for that, Sammy. Thank you so much for stopping by. And Thomas, as always, dynamite. Let's listen to a sketch now. This is Vanessa Bear doing a Weekend Update bit. This is the first Don Lazarus appearance on Weekend Update, which debuted in Vanessa's third to last episode as a cast member. So it's kind of fitting that something that she did just on the way out the door is what we're using as her trademark sketch. I think it's pretty interesting to note that. Why don't we just give it a listen? Let's do that now. Track 5: [1:12:56] So making her live television debut is our own Dawn Lazarus. Dawn. So what's the weather looking like? Let's pop a look in at that weekend. Big sunny skies for you. Let's pop it all the way next weekend, yeah? That's a wow. Pressure's gonna push it, and it'll come down 10 times. -$&%! Yeah, what? I'm sorry. What was that? Well, I'll tell ya. Rain is on that way. But, hey, can it hold it on for a few more days, can ya? You bet it. The sunny skies will push it away, then clouds. Excuse me. That sunny skies will push it away, then, clouds, starting for Thursday. Yeah, I don't get it, man. You were really good in your audition, but this is, uh, very different. First time it's on that camera, and it's a big, nervous, and gay. Oh, okay. Yeah, okay. I see. So I think you were saying something about rain on the way. Is that okay, Dawn? Is that right? Is that true? Hap! Can you say more about the rain? Hap! For devastations, For demonstrations, gonna have it, and if I'm you, cancel it, that picnic, andget it, l'umbrella. Whoo! And the map, we got it wet from here all the way in here. And that's that sky. -♪♪ All right, well, we gave that a shot. Dawn Lazarus, everybody. [1:14:20] -♪♪ Lawmakers in Oklahoma want to make it legal for gun owners to... [1:14:30] -"Breaking News." God, boy, and it's a major, big, big-A tropical hurricane. We're talking yanks and wind. -"Done." You're back? Why are you back? -"Let's have at that top 3-D, 3-D. Look at wind speeds, got to woosh, and it's in danger.", -"Is it even hurricane season right now?" -"Ha." -"Did you make up ahurricane because you're nervous?" to betcha, and that's a bet at your neck in the woods. We're going to update meteorologist Dawn Lazarus, everybody. Track 2: [1:15:01] That's dynamite. You know, it reminds me of the Pedro Pascal sketch from this past season. Just when you play with language, you know, in such an advanced way, you can have a lot of fun. And Vanessa just owned this sketch. [1:15:19] We had the cadence of a typical network, not network, but cable outlet, weather person, with that bouncing sort of delivery. But the language, just another world. [1:15:37] At any rate, that's what we have for you this week. It's been a pleasure, as always, joining you. On behalf of Thomas and Matt, from myself, we bid you adieu. But do us a favor, and on the way out, as you walk past the Weekend Update exhibit, Turn out the lights, because the SNL Hall of Fame is now closed. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy | |||