Slate Culture Feed – Details, episodes & analysis

On this week’s show, Dana is joined by Slate’s own Nadira Goffe and Richard Lawson, of the Critical Darlings podcast. Their first agenda item is Jury Duty Presents: Company Retreat, the second installment of the workplace comedy/reality show hybrid which places an unknowing everyman in a made-up scenario populated entirely by actors. Does the second season deliver a heart-warming moral test in the form of comedy or a manipulative prank? They discuss.

Next for more funhouse mirror television, they take up Bait, the Riz Ahmed-starring and created show about a Riz Ahmed-like actor vying for the role of James Bond. The show is stuffed with ideas and Ahmed’s charm, but they debate whether its conceptual martini sufficiently shaken or stirred.

Finally, it’s time to go out, wear something nice, and push as they take a listen to Sexistential, the new album by Swedish dance pop queen Robyn. Though the “Dancing On My Own” singer has a new partner on the dancefloor in her young son, motherhood and midlife make for some real club classics.

On a bonus episode for Plus subscribers, they take up the question, as posed in a recent New Yorker article, of whether “plagiarism is that bad?”

Endorsements

Richard:  The compulsively watchable time travel family drama The Way Home, a Hallmark Channel Original. (And subscribing to Critical Darlings)

Nadira: The ten minute disco cover of "Bridge Over Troubled Water" by Linda Clifford and the album WOR$T GIRL IN AMERICA by Slayyyter. 

Dana: The new book by Mason Currey Making Art and Making a Living as well as his newsletter Subtle Maneuvers.

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

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On today’s episode, host Kate Lindsay is joined by Defector co-owner Alex Sujong Laughlin, whose recent piece about “lip filler accent” identified a new way TikTok is changing how we speak. Even people who don’t have any plastic surgery at all appear to be picking up on the trend, because when it comes to status, sounding like someone who has had plastic surgery is really all that matters. 

This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from Kevin Bendis.

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Welcome to a very special Money On Film miniseries!

Over three episodes, Slate Money’s Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, Felix and Nadira discuss dating and money in Celine Song’s 2025 romantic comedy Materialists, which centers on a love triangle between a millionaire matchmaker (Dakota Johnson), a hunky financier (Pedro Pascal), and an old flame and out-of-work actor (Chris Evans). While not particularly romantic or comedic, the film raises questions about the role money plays in modern dating, how we select partners based on financial viability, and whether romance itself might be a bit overrated.

Next time on Money On Film: Spirited Away. See you then!

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On this week’s episode, Gabfest old friends Steve, Julia, and June Thomas convene on two showbiz works of midlife retrospection and regret: the new film Jay Kelly and Stephen Sondheim’s Merrily We Roll Along. The former, directed by Noah Baumbach, stars George Clooney as the titular movie star looking back on his life while on a European train picaresque. The latter was a legendary flop for Sondheim, had a triumphant Broadway revival starring Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez, and now has arrived at movie theaters.

In our third segment, the panel turns to another showbiz saga full of bitter regret: the fight to acquire Warner Brothers Discovery. Joined by writer and Hollywood watcher Mark Harris, they untangle the fight between Netflix and Paramount to outbid each other for the legacy film studio—and what it all has to do with Trump and the future of movie-going itself. 

In an exclusive bonus episode for Slate Plus subscribers, it’s back to join the Joined in our recap discussion of Pluribus episode 7 “The Gap.” 

Act now, there’s still time to leave us a voicemail with your burning cultural queries for our annual call-in show by calling us at 347-201-2397.

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The story of Fleetwood Mac is an oft-told rock n’ roll tale: British blues-rock band sells poorly until two Americans join, bringing California vibes and lots of drama. Everybody fights, cheats, drugs and boozes. Out pops Rumours and tons of hits.

It’s more complicated than that. Those two Americans—Stevie Nicks and Lindsey Buckingham—got all the media coverage and wrote many great songs. But the quiet lady behind the keyboards, Christine McVie, actually wrote more of the hits: “Don’t Stop.” “Say You Love Me.” “Hold Me.” “Little Lies.” “Everywhere.” They were all Christine compositions.

Join Chris Molanphy as he remembers Christine McVie, who died in late 2022 at age 79, and restores her rightful place as the glue that held Fleetwood Mac together.

Podcast production by Kevin Bendis.

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Daniel Kwan and Daniel Scheinert, known as Daniels, on their friendship, learning to play to their strengths, and making their hit film Everything Everywhere All At Once.

Did you know we have a weekly email newsletter for the Death, Sex & Money community? Every Wednesday we send out a note from Anna, fascinating listener letters from our inbox, and updates from the show. Sign up at deathsexmoney.org/newsletter, and follow the show on Twitter, Facebook, and Instagram.

Got a story to share? Email us at deathsexmoney@wnyc.org.

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On today’s episode, Rachelle Hampton is back in the host chair. She’s joined by Daisy Rosario as they open up the mailbag to answer listener questions about Greta Thunberg’s involvement in the arrest of Andrew Tate, the rise of the corecore aesthetic, and TikTok drama about hair oil.

This podcast is produced by Daniel Schroeder, Rachelle Hampton, and Daisy Rosario.

Subscribe to Slate Plus at http://slate.com/icymiplus

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This week, Dana, Julia, and Stephen begin by reviewing the very buzzy horror comedy M3GAN. Then the panel dives into Slate’s annual movie club. Finally, L.A. Times columnist Carolina A. Miranda joins to talk about her article on how TikTok is changing our culture.  

In Slate Plus, the panel answers a listener's question about whether it is more fun to love or hate a piece of art when working as a critic. 

Email us at culturefest@slate.com.

Endorsements: 

Dana: Eleonor Bindman is an incredible pianist, arranger, and transcriber. Her big thing is transcription of Bach for four-hand piano. I’ve seen her play a duet with another person and the four hands do things the two hands can’t. Her newest release is J.S. Bach: Orchestral Suites (transcribed for piano duet by Eleonor Bindman), which is performed by Bindman and Susan Sobolewski. Also, go follow her on social media and just learn about Bach from her. 

Julia: I think regular listeners know that I like to bake. I am endorsing a cookbook that was recommended to me by the L.A. Times newsletter. It’s A Good Day to Bake: Simple Baking Recipes for Every Mood by Benjamina Ebuehi, who was a contestant on The Great British Bake Off. For my husband’s birthday we made a olive oil flourless chocolate cake that you cover in a ganache frosting. Wow, it’s a great recipe. 

BONUS: Here's Julia's piece about her family's famous potato balls: https://www.latimes.com/food/story/2022-12-21/holiday-family-german-potato-balls

Stephen: Zadie Smith has written a definitive essay about the movie that most stayed with me from last year: Tár. It is a masterpiece. My admiration for Zadie Smith as a critic is hitting a zenith and I thought it couldn’t get any higher than it already was. Dear God, the woman is just deft and delightful and deep.

Podcast production by Cameron Drews. Production assistance by Yesica Balderrama.

Outro music: "Self Made Woman" by Katharine Appleton.

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Joel Anderson, Stefan Fatsis, and Josh Levin talk about Georgia’s win over TCU in the college football title game. They also discuss Damar Hamlin’s remarkable recovery and how the NFL has tried to move on. Finally, they assess the Berhalter-Reyna rift that’s tearing apart U.S. men’s soccer.

Georgia-TCU (2:26): What it’s like to be on the wrong side of one of the biggest blowouts in sports history.

Hamlin (25:10): Watching pro football a week after the Bills safety’s near-death on the field.

U.S. soccer (48:59): The pettiness and sadness of a family dispute that’s gone public.

Afterball (1:07:20): Josh on a college basketball replay controversy.

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Host Willa Paskin and producer Katie Shepherd discuss how this season of Decoder Ring came together.

Slate Plus members have access to this whole interview. Sign up for Slate Plus to access this exclusive episode and support the show.

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