From Conservatory to Rock Legend: DeWolff’s Pablo van de Poel Shares His Musical Journey! 

In this Podcast interview, DeWolff’s frontman and guitar virtuoso Pablo van de Poel talks about early struggles at the conservatory, to crafting iconic songs with DeWolff, Pablo opens up about his shift from complex music theory to trusting his gut and instinct.

#DeWolff #PablovandePoel #ClassicRock #GuitarLegend #MusicJourney #Songwriting #LiveMusic #RockInterview #StudioRecording #GuitarHero #MusicalEvolution #AuthenticityInMusic #BluesRock #RocknRoll #BehindTheMusic #MusicLovers #DeWolffFans

After a period of playing less guitar myself, I’ve recently dived back into it with renewed enthusiasm. It’s been fantastic to explore new styles and follow online lessons from guitar legends, trying to catch even a small part of their brilliance. While browsing through True Fire’s offerings, I came across a name that seemed distinctly Dutch: Theo van Niel Jr. Intrigued, I downloaded his course and quickly realized I was dealing with an exceptionally talented musician.

Not long after my ‘discovery,’ Theo released a new album where he masterfully blends rock, fusion, metal, and country in his unique style. I decided to visit Theo at his home, where he also runs his music school, for an in-depth conversation. We talked about his talent, his learning process, teaching, his childhood, and some of his musical heroes.

Get to find out more about this crafty player as we explore Theo’s journey through music, his creative process, and his insights into mastering the guitar.

Ariel Posen is a fascinating musician. He is an amazing guitarist, but he seems to masterfully measure his skills. With Ariel - who is also a fantastic songwriter and singer - the song always takes the lead. Every note has expressive power and just enough breathing room. In this episode, Niels talks with Ariel about the way he plays with tension building and giving space. It's an art that he himself is continuously exploring. "After all, you don't learn something to not play it, but to indeed play it," he says about that.

Furthermore, he talks about expressive power, his mindset when he is on stage, and about one of his influences, Robben Ford.

In this second episode of ‘Sixty Scales and the Truth’, Niels sits down with ‘acoustic guitar guy’ Mike Dawes. Mike is a very crafty player who shifted from the electric to the acoustic guitar when he was young. Besides that, he is a very funny individual. He developed an insane technique and precision. Mike talks about his mentor Tommy Emmanuel, what it means to be a solo artist, and what it takes to collaborate with others. Furthermore, Mike explains how the memory of Eddie van Halen helped him overcome a difficult time in his life. Also, Mike reflects on the way he makes his complex arrangements. Mike too has a question for the upcoming guest: Ariel Posen.

In this first episode of ‘Sixty Scales and the Truth’, Niels sits down with renowned guitarist Mark Lettieri. He is known for his groovy playing, his work with Snarky Puppy, The Fearless Flyers, and his solo albums and tours. Mark reflects on choices he made in his career, the way his family helped with these choices, and how his personality seeps through in his playing. Furthermore, they discuss Eddie Van Halen, his gig with the famous Metropole Orchestra, and Mark has a question for the next guest on the show: Mike Dawes.

Many consider Tommy Emmanuel to be the greatest of all time (GOAT), and while music isn’t a competition, I wholeheartedly agree. Tommy is not only a phenomenal musician but also a remarkable human being. I had the privilege of meeting him once before this interview, and what struck me was his presence. He truly connects with everyone around him, which, as he told me, is no coincidence. It’s a state of mind that Tommy deliberately chooses. We discussed how this mindset has helped him as a musician and performing artist. We also delved into his youth, his struggles, the lessons he has learned, and some other anecdotes that only Tommy Emmanuel could share. At the end of our conversation, I couldn’t resist asking if he would play a song. You can hear it in a separate video I’ve posted. Enjoy listening to this one-of-a-kind person.

The more music you’ve heard and the easier it is to access, the harder it is to be truly surprised and captivated by something that you find completely refreshing. Maybe that comes with getting older. Or perhaps it’s a deflation of your listening experience, given that you can hear almost any imaginable music with just a few clicks. This contrasts with the romanticized version etched in my memory from my youth: spending your hard-earned money only on music that truly moves you and then playing it a million times.

When I first heard Plini’s music, I suddenly felt that kick again: I had never heard anything like it. Inventive music, ranging from soothing to hard-hitting, with simply wonderful melodies, amazing rhythmic ideas, and skillful playing. Each new release from the laid-back Australian is a gift.

It's not surprising that Plini can evoke such an experience. When making music, he responds to his impulses like a child, he mentioned in the podcast. This approach avoids clichés and well-trodden paths, sometimes turning everything upside down.

Plini talks about the role of his parents, his architecture studies, and answers a question from Matteo Mancuso, who wanted to know why his productions sound so good.

Plini will be playing on August 17th, a month after the release of this episode at Complexity Fest! Check https://www.complexityfest.com/ for more info and tickets.

What if you are told that you are ‘the best in the world’? A nice compliment. But one that burdens you with a lot of responsibility. At least, that’s how the fantastic Italian guitarist Matteo Mancuso experienced it when the hype around his playing reached its peak. Matteo wanted to practice even more than he already did, he told me during this podcast interview, prior to the Bridge Guitar Festival in Eindhoven.

Anyone who has seen and heard Matteo play knows that you are dealing with an exceptionally talented musician. It’s no small feat to stand out head and shoulders in an era where one top guitarist after another showcases themselves on YouTube.

Apart from the technical feats, he simply makes beautiful music. He is a guitarist who is constantly evolving and someone who lives for the guitar. The way he absorbs and makes styles his own is, in my opinion, unprecedented. Matteo does this with intent. During our conversation, I noticed that the Italian is someone who thinks carefully about what he does and—although the guitar is everything to him—does not get lost in the instrument. One of his goals is also: ‘Enjoy life,’ as he said at the end of the broadcast. Something you can certainly achieve by putting on this guitarist's music.

Music embeds itself in a special way in your brain. Many interesting studies have already been conducted on this topic. Thinking about this, I also recall videos of elderly people with dementia who can do very little. However, one thing they can still do is flawlessly sing or play songs they stored in their memory during their youth.

I experienced the powerful way all that music is etched into your memories when I listened again, for the first time in at least 20 years, to Michael Lee Firkins' debut album from 1990. The melodies he writes are quite complex, yet I could still sing along with all the nuances of "Laughing Stacks."

This is, of course, not only due to my brain but also largely to the talent of this friendly American. I had lost sight of him for a while, despite the great impression his debut album made on me when I became captivated by instrumental guitar music as a teenager. Along with 'Passion and Warfare' by Steve Vai and 'Surfing with the Alien' by Joe Satriani, 'Michael Lee Firkins' was my favorite guitar album. MLF had and still has a tone that you can recognize out of thousands.

After his debut album, he made a lot of music, but he never matched the success of that first album. Although, what is success really? Is it reaching a lot of people with your music? Or making the music you want to make, regardless of the number of listeners? Michael Lee Firkins leans more towards the latter vision. He writes more music than ever, he told me in the podcast interview. However, he doesn’t release much music anymore. The guitarist disagrees with the revenue model behind Spotify and similar platforms.

I consider myself lucky to have finally seen him play live after all these years and that he took the time to talk about his music, his career, and the choices he has made in his life.

Music is a game of tension arcs. Of fulfilling expectations. Or of going in the completely opposite direction. Reinier Baas is good at the latter. Very good. When I first heard the music of the Dutch jazz guitarist, I was constantly on the edge of my seat. One surprise followed another. It quickly became clear to me that I was dealing with a free spirit for whom composing is an adventurous journey.

Last year, I already spoke with Reinier in the run-up to the Bridge Guitar Festival. After that conversation, I realized that I had not yet finished asking my questions.

It intrigued me that such a free spirit like Reinier developed an application that helps him with composing. During the interview at the Amsterdam Conservatory - where Reinier teaches - he explained how restrictions can help him when he composes. When everything is possible, frameworks provide guidance. From that idea, his one-minute-radio compositions were also born.

We also talked about marketing. Being able to create a product is very different from being able to sell a product. Something I struggle with myself at times. Regarding his latest album ‘Relief Party,’ Reinier had some good advice: ‘If you like the album, buy it. If you don’t like the album, buy it for someone you don’t like.’

So, if you like this podcast series: listen to this episode. If you don’t like it, share it with someone you don’t like!

What is a mistake? Do mistakes even exist? I pondered this before speaking with jazz guitarist Julian Lage for the podcast series Sixty Scales and the Truth. Two days before the conversation, a remarkable moment occurred on stage at the beautiful venue De Roma in Antwerp: together with bandmates Jorge Roeder (double bass) and Dave King (drums), guitarist Lage had already been on a roll for about three-quarters of an hour.

Occasionally, Lage would take a mini-pause. He would briefly take his hands off his instrument and seem to sense which note should follow once he touched his Telecaster again. At this particular moment, Lage decided to make a large arm swing that was supposed to result in a loud, sharp, high note. But Lage missed. It doesn't happen to him often. The crackling sound of half-muted strings filled the hall. It didn't faze Lage. On the contrary: Roeder and King laughed, as did Lage himself, who seemed to embrace the miss and casually turn it to his advantage. Typically one of those moments where, precisely through imperfection, perfection is approached in the guitarist's playing.

Anyone who has ever seen Lage play knows how special he is. He has an incredible amount of theoretical knowledge but plays completely by feel. "It's about communicating, about the moment," Lage said in our conversation. In this, a missed note can say more than something that is played perfectly.

Speaking with Lage was a joy. The American spoke openly about how he overcame obstacles and thus allowed his true voice to emerge. Julian discusses the significance of authenticity in his guitar playing, highlighting his unique voice and the balance between being reserved offstage and taking risks onstage. He emphasizes the holistic nature of music and the importance of expressing one's true self. Julian shares insights on communication through music, the role of vulnerability, and the nuances of stage performance.

Pesos, passion, prestige, and pleasure: Reflecting on my conversation with Nili Brosh, these words come to mind. Many people will recognize this: in everything you do, one of these ‘p’s’ resonates more strongly. It's key to find something where all the ‘p’s’ align. Without being a pessimist: this is granted to only a few. Meanwhile, us mortals continue to struggle with finding a balance continuously.

Nili Brosh seems to have found a beautiful balance though: she plays guitar incredibly well, has a variety of clients (including the band of the renowned film composer Danny Elfman, Cirque du Soleil, and the death metal band Dethklok), and writes beautiful compositions and releases her own material, which she tours with. It’s sometimes quite a challenge to put your own passion project at the top of the list, Nili mentioned in the podcast. It’s a good problem to have, she said, but still: how is it that so many things pull at you, making it difficult to follow where your heart truly lies?

A question from the previous podcast guest Paul Masvidal also references this: how do you stay true to yourself when you do so many different things?

Nili turned out to be a super friendly, energetic, and warm personality. It felt like I had known her for much longer. And I'm sure this wasn't the last time our paths crrossed. If you don’t know her music yet: check it out!

For this podcast series I have roughly three conditions:

1. I must love the guest’s music.

2. The guest must excel at guitar.

3. I must be able to speak with the guest face-to-face.

How important the last condition is, I realized during my interview with Paul Masvidal, the guitarist, singer, and composer of Cynic. With this band, Paul created the groundbreaking album Focus, where he masterfully blurred the lines between jazz, metal, and psychedelic rock as if they had never existed.

While preparing for the interview with Paul, I searched for an old digital file. Years ago – 18 years to be precise – I had spoken to him once before, over the phone. What has always stuck with me from that conversation is that we talked about his work as a music therapist. Paul supported people in the last phase of their lives while doing that work.

Amazingly, I managed to find the audio file of that interview. As a nice bonus, I also found old interviews I had done with, for example, Steve Vai, Joe Satriani, Dweezil Zappa, and Tommy Emmanuel. I felt a bit ashamed when I listened to the file. The Niels from 18 years ago didn’t really listen well, I noticed. I asked a lot of questions, very quickly, one after the other. This may have had to do with a lack of experience. But what undoubtedly also played a role was that I wasn’t in the same room as Paul during that interview. I couldn’t read his body language, couldn’t sense why he needed certain silences—in short, I couldn’t feel his energy.

I think listening to that rather awkward interview made me a bit tense at the beginning of the new conversation with Paul. It got off to a slightly rocky start, partly due to a tour manager who casually walked in after fifteen minutes of recording to say there was no more time for a longer conversation. Turned out to be a mistake. The tourmanager probably still had his watch set to the wrong time zone. Anyway, after that intermezzo, the ice melted. Paul spoke very openly about how playing guitar was not just a fun activity for him, but a bitter necessity: an escape from a violent environment, a positive anchor, an “act of survival,” as he called it.

Death was also frequently discussed. Paul said he became a music therapist out of fear of death. At that time, he had lost many friends from the gay community to AIDS, so death was always looming. “I had to get close to death to cope with that fear.”

We also talked about the deaths of two of Paul’s old bandmates, both in 2020. Paul had a unresolved conflict with one of them, which he found very difficult to handle. “Instead of resolving this conflict together, I had to do it alone,” Paul said.

I am very grateful to Paul for sharing so openly and beautifully in this episode. We parted with a firm hug. Another good reason to choose a face-to-face conversation instead of a telephone or online interview. While editing this episode, I read that Paul lost his father last week. Once again, death makes an appearance around this episode. Unfortunately, I can’t give him a real hug this time, so it remains a virtual one...Be strong Paul!

How do you find focus while life keeps rushing by in all its chaos? How do you keep learning fun and, moreover, interesting? And how valuable is it to make music with real friends? These are just a few topics that came up in the conversation I recently had with Richard Henshall, the guitarist of the fantastic British prog rock band Haken. Richard also releases albums as a solo artist—music I personally treasure as beautiful, interesting, surprising, and simply very well produced.Every time I bring a guitarist in front of the microphone for this podcast series, I realize how grateful I am that they take the time for a conversation. Each time I learn something new. And each time I meet interesting, talented, and very kind people. I hope you enjoy this episode as much as I enjoyed the conversation.

Subwoofer Alert! You might want to turn down your subwoofers because when Jack Gardiner speaks, he brings all the bass you need! But if you choose to keep them on, watch out—they might just explode! 🎸 In this latest episode of "Sixty Scales and the Truth," I had the pleasure of sitting down with the incredibly talented Jack Gardiner during the Guitar Summit in Mannheim. We shared some great laughs and dug deep into his journey as a musician. One of the things I truly value while making this podcast series is how openly my guests talk about their life experiences. Jack, despite coming from a musical family, had to make some tough decisions to carve out his path as a professional guitarist—a choice that wasn't always encouraged. Throughout the interview, Jack offers an honest perspective on the struggles of being an artist, the influence of his working-class roots, and how the mentorship from guitarists like Tom Quayle shaped his playing and musical approach. We explore his take on improvisation, the role of muscle memory, and finding that elusive "zen" moment on stage. Plus, Jack gives us a sneak peek into his upcoming album and his exciting collaborations with various talented musicians.

Every now and then, I still discover guitarists the old-fashioned way—not through Instagram, Facebook, or Spotify's algorithm, but simply because they take the stage like a jack-in-the-box, completely unexpected. The phenomenal German guitarist Joscho Stephan is one such artist. I had never heard of him until he joined Tommy Emmanuel for a few songs during a concert in Eindhoven. I don’t often listen to gypsy jazz, but Joscho’s playing completely won me over. He builds a bridge to gypsy jazz for hardcore rock fans—a group I’m part of myself. Like many masters of the genre, Joscho is an incredibly virtuosic musician. He has a fresh perspective, an open mind, and isn’t constrained by the dogmas of gypsy jazz. Even John Petrucci is a fan! I read a few months after that show that Petrucci contributed to Joscho’s new album. Keep an eye on this German phenomenon!

Every guest on this podcast is a legend in their own way, and Al Di Meola is undeniably a living legend. Mention "Friday Night in San Francisco" to any guitarist, and you'll likely spark memories, anecdotes, and a deep sense of admiration. For my conversation with Al, I had planned to gently ask about the heart attack he suffered on stage in Romania last year. However, after simply asking, "Al, how are you?" he shared the entire story in vivid detail. Throughout this candid interview, Al surprised me multiple times. He revealed that rejection was a significant motivator early in his career. He was once kicked out of a band, only to see the group reassembled a week later. He channeled that pain into laser focus and determination. I'm always fascinated by how exceptional guitarists like Al achieve such hyperfocus and push their boundaries. As a bonus at the end of the episode, you'll hear a few questions from Harry Valentino, the guitarist of High Fade. Harry previously shared that Al Di Meola is his favorite guitarist. Thank you, Harry, and thank you, Al, for this inspiring conversation!

Where I used to discover new artists through friends and often by reading the credits in CD booklets, these days I mostly rely on algorithms. It might not sound as romantic, but it does lead to some fantastic discoveries. That’s how, sometime last year, Oz Noy came onto my radar. His name sounds like a character straight out of L. Frank Baum’s famous book. His playing is just as imaginative and adventurous as the journeys through the Land of Oz. At times, it squeaks and grates, but there are always surprises waiting. He was already performing on stage at a relatively young age and took the leap to move to New York in his early twenties. In our conversation, we delve deeply into his connection with that city and explore his collaborations with top-tier musicians. As rich and colorful as his playing is, Oz has a dry way of summarizing life in words: “I remember when I stopped going to school, I was a little freaked out. My parents were freaked out. But I started practicing all the time. Once you practice, you get into a routine, then everybody kind of chilled out.”

Some bands make you smile, give you energy, and make you feel alive. For me, that band is High Fade. 🎶 Playing as a power trio (drums, bass, guitar), they bring raw energy and chemistry to every performance. Guitarist Harry Valentino doesn’t just play; he’s part of the rhythm section with his dynamic, groove-driven style while also shredding incredible solos. 🎸High Fade often takes to the streets for busking gigs, driven by their passion for music and love of connecting with new audiences. Watching their videos, you can feel the joy they radiate—it’s infectious! Their debut album, Life’s Too Fast, is out now, and it’s the ultimate feel-good soundtrack.When I sat down with Harry, he shared some incredible stories about the band and his personal journey. These conversations made me realize that while High Fade is all about fun, but there's so much more to this band. These guys are on a mission, and I can’t wait to see where the journey takes them!

"This is actually my favorite guitarist," I remember Plini saying these words during a show in Nijmegen (yes, the town where Eddie Van Halen grew up) and thought, “Hm, I should check this guy out.” I’m glad I did!

"I'm trying to be less melancholic." These were the words Jakub spoke just before our interview during a workshop at the Guitar Summit in Mannheim, and they resonated in my mind. Why? I asked myself. The music of this fantastic – and I repeat, FANTASTIC – guitarist can indeed be somewhat melancholic at times. But in a beautiful way. It's music you can simply lose yourself in. Jakub composes like a painter creating a canvas: it's rich, colorful music that sounds unlike anything else I know. I'm very grateful to Jakub for how open he was during this conversation, despite mentioning that he's not really a social person. I'm really looking forward to seeing him live again.

News alert!

Scoring scoops isn’t exactly my goal during the conversations for this podcast. When Nick Johnston announced two new projects during the recording, my initial reaction was simply excitement. It wasn’t until the editing phase that I realized: “Hey, this is news!”

Nick revealed that he has started a band with superstar drummer Gavin Harrison (Porcupine Tree, King Crimson). He’s also coming out with a trilogy of solo albums accompanied by a full-fledged novel. I can’t wait for this music to see the light of day.

However, it was another sentence that stuck with me after the conversation with Nick: “I have two brothers, and they’ve never heard my music. They’ve never came to a concert of mine. And they’ve never asked me anything about my music.”

Nick speaks very openly about how this was once painful for him, but he’s managed to put that pain aside. Most of the super guitarists I speak with for this series have families that support them through thick and thin. Nick, however, comes from a background where his passion wasn’t exactly understood. I find it incredibly impressive that he’s broken free from this, found his own path, and walked it, no matter how big the obstacles were along the way.

For those who don’t know Nick: his music can be summed up in five words: un-be-lie-va-ble. The unique way he plays always resonates with me immediately. He also has a gifted sense of harmony and melody. Is he the very best? Of course, that’s a matter of taste. But if you asked me with a gun to my head, there’s a good chance his name would slip out.

It kind of makes sense to release an episode with Tom Quayle right after one with Jack Gardiner in this podcast series. After all, the latter guitarist calls Tom his "second father."

After every conversation in this series, I always need a moment to come back down to earth. With headphones on, it feels like we're diving into our own little microcosm together. I find myself in a sort of hyperfocus, and it amazes me every single time, in a positive way, how openly the guests are willing to share their life experiences.

Toward the end of the conversation with Tom, he mentioned the term "imposter syndrome." It’s something even a ridiculously skilled guitarist like Tom has had to deal with. Choosing to live as a musician is a bold decision. A choice that, alongside the excitement, comes with doubt, introspection, and other uncertainties. Tom openly talks about it.

He also shares stories about his guitar-obsessed family roots and how he mastered the legato technique that brought him global recognition. Tom reflects on his musical influences, the challenges of balancing performance with teaching, and how his love for improvisation shaped his approach to guitar playing.

Tom also provides insights into the influence of jazz theory and the subtleties of his personal sound. In this conversation, he reveals key moments from his career, including his discovery of Dream Theater, his time at jazz college, and the struggles he faced when writing albums. He also gives us a peek into his current obsession—analog synthesizers—and how this unexpected passion has influenced his creative journey.

Thanks again, Tom! It was an absolute pleasure to have this conversation with you. Enjoy the full interview, and don’t forget to subscribe! 😀

Recently, I picked up my 4-year-old son from school and struck up a conversation with the father of one of his classmates. Before long, we found ourselves talking about this podcast series. The father mentioned that he was also a guitarist and, moreover, the son of a professional musician. "In my opinion, there’s one guitarist who stands head and shoulders above everyone else," he said. "And that’s Chris Buck."
"Ha!" I replied. "I actually spoke to him just yesterday."

Chris truly is a ‘one of a kind’ guitarist. Every note he plays sounds so beautiful, so precise, so charming, and expressive. His phrasing is incredibly delicate, he crafts his solos masterfully, and he never shows everything he’s got—though you know there’s more left in the tank. That always grabs my attention. And it moves me. Just like that father at the schoolyard.

Speaking of fathers: in this candid conversation, we also talk about family and the influences we carry from the environment in which we were raised. Once again, I’m incredibly grateful for this encounter, the conversation, and the lessons I’ve learned by speaking with someone who masters his craft in such an extraordinary way.

In this episode of Sixty Scales and the Truth, I welcome the incredibly talented guitarist Alex Misko. From his roots in Krasnodar, Russia, to finding a new home in Germany, Alex opens up about his personal and professional journey. They discuss his transition from classical guitar to fingerstyle, his unique approach to composing music, and the struggles of being a musician in difficult times. Alex also shares his thoughts on why he prefers creating original music over performing covers, the philosophy behind his workshops, and how he found his voice in the guitar community. Thanks for listening! Don’t forget to subscribe and give this episode a like if you enjoyed it.

‘Standards is the gradual process of me tryingto accept who I am.’ Yes, we dove deep in this episode featuring Marcos Mena of ‘fruit rock’ band Standards. Marcos was kind enough to invite me to his home in Long Beach California. There we had an extended chat about many things: his youth, family, discovering your voice, doing what you really like and need to do in life and finally just trying to accept who you are. I considered cutting this episode in two parts, since it’s longer than most others. But then I figured:I consider these conversations in a way as an improvised musical conversation. Well prepared, but anything can happen. No sense of cutting an improvisation intwo, right? Again: I consider myself blessed for all the conversations I had thus far in this podcast series. All chats have been special to me, and this one is definitely no exception. Hope you enjoy this as much as I did.

One of my favorite things to do is visiting guitarists in their own space. Allen Hinds was kind enough to welcome me into his home in Laurel Canyon, Los Angeles. Not only did he treat me to the strongest coffee I’ve ever had, but also to a deeply honest conversation where he shared his life’s journey in a raw and vulnerable way.
Allen has been through some of life’s darkest moments—and he came out on the other side. His latest album, The Good Fight, is a beautiful testament to that. If you ask me, Allen has one of the most elegant guitar tones you’ll ever hear. I got to see him live at The Baked Potato, and—wow—his improvisations are just as delicate as they are adventurous.
More than anything, Alan turned out to be an incredibly kind and generous person. Oh, and if you’re a Jeff Buckley fan, make sure to listen to Allen’s stories—he’s got some amazing anecdotes!

A deep dive with guitarist Rabea Massaad, whose musical journey has taken him from teenage obsession to becoming one of the most respected heavy-sounding six-stringers in modern guitar.

In this conversation, Rabea shares insights on how his early exposure to bands like Extreme shaped his playing, the importance of "feeling" in tone, and how his father's tough love approach helped shape his growth as a musician. He discusses balancing content creation with artistic expression, the challenges of maintaining passion while turning guitar into a career, and his excitement about recording Vower's upcoming album in his own studio.

Rabea also opens up about rediscovering his passion for playing guitar after periods of feeling like it had become "work," and his plans to possibly release a solo instrumental album and tour alongside artists like Plini. Whether discussing his signature Music Man guitar, his work with Neural DSP, or the current hostel lifestyle of touring with Vauer, Rabea's humility and genuine love for the instrument shine through.

Join us for this candid conversation about guitar, creativity, and the ongoing evolution of a musician's life.

Guitar legend Scott Henderson joins the latest episode of Sixty Scales and the Truth! 🎸✨Recorded at his new California home, Scott opened up about his musical journey, from his early years to becoming one of the most respected guitarists in the industry. We discussed the importance of discipline, hard work, and maintaining a youthful spirit no matter your age.Every conversation in this podcast series reminds me how fortunate I am to sit down with these incredible musicians who each bring their unique perspective to the art of guitar.Listen now to hear Scott's wisdom, stories, and of course, plenty of guitar talk. Thanks Scott for the amazing conversation!Don't forget to subscribe if you like what you hear.

What does it take to carve out a unique voice in the world of progressive metal and jazz? In this episode of Sixty Scales and the Truth, I sat down with Joseph Anidjar, a guitarist whose journey from jazz school rejection to headlining major shows is quite inspiring. Born in Paris and raised in Montreal, Joseph has built a reputation for his intricate polyrhythms, unexpected grooves, and expressive melodies.We dove into his early influences, his transition from metalcore to jazz, and his deep musical connection with Joshua de la Victoria. Joseph shares what it takes to stay creative, push technical boundaries, and find artistic authenticity in a genre that demands both precision and emotion. Don’t forget to like, subscribe, and let me know your favorite part in the comments!

Jesse van Ruller: Jazz Guitar Virtuoso

Considered "jazz guitar royalty" in the Netherlands, Jesse van Ruller rose to international recognition after winning the prestigious Thelonious Monk Award in 1995, with a jury that included Pat Metheny, Jim Hall, and John Scofield. While Metheny personally called his mother urging him to move to New York, Jesse chose to build his remarkable career from the Netherlands.

In this intimate conversation, Jesse discusses his musical journey from his early obsession with the guitar to his evolving approach to sound and composition. He shares insights about influential teachers like Wim Overgouw, his admiration for players like John Scofield, and his philosophy on balancing technical prowess with emotional expression.

Beyond his acclaimed trio recordings, Jesse explores his recent collaborations and studio experiments that push beyond traditional jazz formats. With thoughtful reflections on teaching, family life, and artistic growth, this conversation offers rare insights into the mind of one of Europe's most distinctive jazz voices.

In this episode of Sixty Scales and the Truth, I’m joined by one of the most respected guitarists on the planet: Pete Thorn. From playing with Chris Cornell, Don Henley, and now Joe Satriani and Steve Vai, Pete’s journey is a masterclass in musicianship and dedication.

We talk about that unforgettable call from Joe Satriani, Pete’s early obsession with tone and gear, and what he learned from his heroes. Pete also shares personal stories about his friendship with Eddie Van Halen, whom he calls his spiritual guitar godfather.

You’ll also hear about the making of his albums Guitar Nerd and Pete Thorn II, and why now feels like the perfect time for album number three. Whether you’re a guitarist, a music fan, or just love a good story about following your passion, this one’s for you.

Enjoy the conversation!

🎧 New Episode – Mendel bij de Leij

Guitarist, composer, producer—Mendel bij de Leij is a true multi-hyphenate. In this episode, we dive into his journey from touring with Aborted to building a solo career rooted in melancholy, metal, and musical freedom. Expect insights on downpicking, horror soundtracks, and why Rachmaninoff is part of his daily routine.

An honest and inspiring chat about creativity, burnout, and finding your voice—on and off the fretboard.

🖤 Available now on Sixty Scales and the Truth

#MendelBijDeLeij #GuitarPodcast #MetalGuitarist #MusicProduction #FilmScoring #DeathMetal #SoloArtist #CreativeProcess #GuitarTechnique #SixtyScalesAndTheTruth

🎸 Alex Skolnick — guitarist for thrash legends Testament and leader of his own jazz trio — joins Sixty Scales and the Truth for a deep, honest conversation about identity, improvisation, and breaking musical boundaries.

We talk about:

• Life on the road with Testament vs intimate jazz tours

• Discovering jazz in his 30s and studying in New York

• Almost joining Ozzy Osbourne’s band

• Why improvisation requires full presence

• The meaning behind his new album Prove You’re Not a Robot

• Bridging the gap between metal and jazz audiences

• Parental acceptance and finding his own path

• Writing his memoir Geek to Guitar Hero

Whether you’re into heavy riffs or complex harmonies, this episode dives into what it means to follow your true musical voice — no matter the genre.

🎧 Stream now and don’t forget to follow Sixty Scales and the Truth for more guitarist deep-dives.

#AlexSkolnick #Testament #JazzGuitar #ThrashMetal #GuitarPodcast #ProveYoureNotARobot #SixtyScalesAndTheTruth

The first bassist to grace this guitarist-focused series, Henrik Linder of Dirty Loops proves that bass can be just as captivating as any shredding guitar. Known for elevating pop music to new technical heights, Henrik shares the story behind Dirty Loops' unique sound and his journey as a musician.

This conversation explores Henrik's collaborative relationship with his bandmates, the valuable lessons learned from playing with guitar legend Tim Miller, and his philosophy on continuous improvement. With characteristic honesty, he discusses his competitive nature, the importance of constructive criticism, and how Dirty Loops became what he calls "the geekiest way of doing a rebellion ever."

An episode about growth, collaboration, and the art of turning pop music into something extraordinary.

From the flat lands of Almere to the stages of major Dutch festivals, guitarist Eelco van Zanten has crafted one of the most diverse musical careers in the Netherlands. Eelco's journey reads like a masterclass in creative resilience and musical exploration.

This conversation reveals the man behind albums like "Passion and Software" - a part-time librarian who's managed to work with hip-hop legends, create viral covers of guitar classics, and maintain an incredibly prolific output across genres from fusion to electronic to stoner rock.

We dive deep into pivotal moments: the hand injury that forced him to rethink his entire approach to music, his formative years studying with renowned guitarist Richard Hallebeek, and his unexpected entry into Amsterdam's hip-hop scene working with acts like De Jeugd van Tegenwoordig.

Perhaps most fascinating is Eelco's philosophy that "there are no boundaries" in music - a belief that's led him to create chiptune versions of Joe Satriani songs (which got Satriani's own approval), produce meditation music, score films, and now record a fusion album with some of the Netherlands' top jazz musicians.

This is a story about finding your voice through adversity, the importance of creative community, and why sometimes the most interesting musical journeys happen when you're not trying to make it as a full-time musician.

One of the greatest gifts of discovering Frank Zappa’s music is the network of brilliant artists it leads you to. Mike Keneally is one of those rare musicians—virtuosic, funny, adventurous, and completely in his own lane.

In this episode, I speak with Mike the day after he premiered The Moth with Devin Townsend in Groningen. He shares his musical journey, how Frank Zappa shaped his path, and what it means to stay true to your own artistic voice.

A heartfelt and inspiring conversation filled with stories, insights, and a few goosebump moments. Enjoy listening.

One of Europe's finest guitarists opens up about his musical journey - from singing Renaissance music with his family in Austria to becoming a jazz master in America. Wolfgang shares the moment his teacher Mick Goodrick told him "You sound exactly like Pat Metheny," how he learned to embrace discomfort in music, and why he believes playing fewer notes changed everything.

Featuring stories about Gary Burton, Lionel Loueke, and insights on bridging classical and jazz guitar. Plus, Wolfgang discusses his new album "Etudes & Quietudes" - where technical exercises become concert pieces.

Wolfgang gives authentic perspectives on mastery, collaboration, and finding your own voice.

Episode Highlights:

• The "Unitar" method for learning scales
• Why good comping is the highest art in jazz
• Breaking free from musical heroes
• The power of space and silence
• From Austria to Boston: a musical journey

If I were ever banished to a deserted island and could only bring one artist's complete discography, it would be Adrian Belew's. Why? Because then I'd have music from Frank Zappa, David Bowie, Talking Heads, King Crimson, Nine Inch Nails, Paul Simon, and of course, his own incredible solo albums.

For me, Belew is the complete musician: he sings beautifully, plays otherworldly guitar, and writes stunningly beautiful and fascinating songs. He's someone who dares to color outside the lines. Or better yet: someone for whom there are no lines at all.

"You better make sure there's electricity on that island," Belew said right at the start of this candid conversation. It set the perfect tone for a wonderful discussion that I truly treasure, and I hope you'll get as much out of it as I did.

Andy McKee, the fingerstyle guitar legend who went viral before the term even existed, shares his incredible life story in this in-depth podcast. From metalhead to acoustic master, from high school dropout to world star who played with Prince - but refused his iconic 50-foot cape!In this conversation, Andy reveals:-The moment Prince asked him to perform (and why he said NO to the cape)- His journey from Iron Maiden fan to fingerstyle innovator- Why he quit university after just one day- Tour stories with Tommy Emmanuel- The YouTube video that changed his life- His biggest influences: Michael Hedges, Preston Reed, Eric JohnsonAndy's percussive fingerstyle technique and melodic compositions have inspired millions worldwide. His tune "Drifting" was one of the first truly viral guitar videos on YouTube, leading to world tours, collaborations with music legends, and a lasting impact on the modern acoustic guitar world.

Learning jazz can feel like climbing Mount Everest without oxygen. In this episode, I sit down with Danish-born, Netherlands-based guitarist Jens Larsen, who started learning jazz at 22—when many thought he was "too old."

From discovering Charlie Parker in a Danish library to busking on Copenhagen streets, from getting rejected by conservatories to building one of YouTube's most successful jazz guitar channels with over 500,000 subscribers, Jens shares his unconventional path to mastering bebop guitar.

We discuss:

• Starting "too late" and practicing 8 hours a day
• The reality of studying at conservatories
• Teaching yourself vs. finding the right mentor
• Breaking down complex jazz into digestible chunks
• Building a sustainable career as a modern musician

"I wish I had myself as a teacher," Jens reflects, explaining how he transforms overwhelming jazz concepts into approachable lessons. Whether you're a guitarist feeling stuck in your progress or simply curious about the dedication required to master jazz, this conversation offers valuable insights into persistence, learning, and finding your own path in music.

Jens Larsen's YouTube channel has helped thousands of guitarists worldwide understand jazz guitar fundamentals and beyond.

Please note: this interview was recorded just a few days before Brent Hinds sadly passed away. I waited a while to publish because of that. 🎸 "If you're writing for the fans, you've already sold out." Bill Kelliher from Mastodon opens up about the band's biggest transformation in 25 years, the painful decision to part ways with their founding guitarist, and how sobriety saved both his life and his creativity.In this raw conversation, Bill reveals:- The REAL reason Mastodon made their lineup change- Why Nick Johnston was the only choice to join the band- How a $100 guitar changed everything at age 15- The hospital visit that forced him to quit drinking- Why punk rock (not metal) taught him how to play guitar- Writing music sober vs. drunk - the brutal truth- What happened at Ozzy's final show before he passed away- The moment his wife said: "What are you going to do with your life?"From basement studios to Grammy wins, from alcoholism to redemption, from underground Atlanta sludge to touring with Metallica - this is the unfiltered story of one of metal's most respected rhythm guitarists.

In this episode, I sit down with Richard Hallebeek - 8-time winner of Best Fusion Jazz Guitarist in the Netherlands and a guitarist who's played alongside legends like Allan Holdsworth, Shawn Lane, Scott Henderson, and Frank Gambale.Richard shares his journey from discovering guitar at age 10 watching Talking Heads on TV, to becoming the youngest student ever admitted to the Amsterdam Conservatory at 17, to studying at GIT in Los Angeles during the golden era of fusion guitar.We dive into:- His morning guitar ritual and the never-ending tone quest- Transcribing 300 Wes Montgomery solos to find his voice- The reality check he got when moving from Holland to LA- Unforgettable stories about Shawn Lane (including the legendary recording session where Shawn fell asleep, then nailed it in one take)- His long friendship with Allan Holdsworth and what he learned from his stubbornness- The philosophy of "feel over flash" and why he prioritizes story over speed- How guitar practice is meditation and the importance of surrendering to the momentWhether you're a guitarist looking to develop your voice, a musician struggling with the balance between technique and feel, or just a fan of fusion guitar history - this conversation is packed with wisdom and incredible stories.

Brody Uttley helped transform Rivers of Nihil from underground death metal into something far more expansive. In this episode: creative flow states, the power of home recording, getting sober on tour, and why Coldplay belongs in every metalhead's collection. No boundaries, just honest conversation about the creative process.

For this episode of Sixty Scales and the Truth I sat down with guitarist, composer, and educator Pete Roth. Once Bill Bruford’s drum tech, now his bandleader.Pete shares his journey from growing up in a musical family in Germany, discovering Hendrix, and studying under Guthrie Govan, to leading his trio with the legendary Bill Bruford on drums.This is a conversation about passion, precision, risk-taking, and finding joy in music again, without compromise.

Only about a minute or so after Joey and I met, we were sharing photos of our kids. Hey, that's what us proud dads do. No airs and graces for this talented Canadian. Joey said a lot of things during this episode that hit close to home. He shared openly about his role as a father besides being a musician. Conversations like this make this series worthwhile for me. Just as Joey would be making music regardless, I'm making this series regardless. In fact, damn, I'm only losing money making it. But I'm winning too. True connections, albeit brief—about 42 minutes in this case. Thanks so much, Joey, for sharing your story. And folks out there: thanks a lot for watching and listening. It means a lot!

I’ve known Ruud Jolie since the short time I spent at the conservatory in Tilburg. I still clearly remember his graduation show, where he closed his exam by absolutely nailing Steve Vai’s Tender Surrender.

Years later we reconnected, and since then Ruud has released his book In Spotlight and Shadow, in which he openly shares his journey in the music industry as guitarist for @wtofficial. He also speaks candidly about living with a functional tremor — a constant challenge for any guitarist — and the mindset that helps him keep moving forward.

In this conversation, we catch up and dive into music, resilience, and turning obstacles into fuel.

What happens when a guitar obsessed teenager practicing 10 hours a day suddenly can't play for over four years?In this honest conversation, Swedish guitar virtuoso Per Nilsson talks about the injuries that nearly ended his career, the dark period of depression that followed, and the unexpected discovery that transformed his playing forever.From filling in for Fredrik Thordendal in Meshuggah to building Scar Symmetry from his home studio, Per shares the untold story behind his unconventional path and why, at 51, he's never been happier.Whether you're battling your own playing injuries, questioning your musical identity, or simply curious about what drives one of metal's most underrated shredders, this episode will change how you think about practice, patience, and purpose.🎸 Recorded live at Guitar Summit 2025

What does it really take to build a modern instrumental band—without labels, without shortcuts, and without burning out?In this episode of Sixty ......Intervals and the Truth, Intervals guitarist Aaron Marshall opens up about independence, touring economics, creative burnout, health scares, and why balance—not speed—is the real long game.#AaronMarshall #Intervals #GuitarPodcast #IndependentArtist #MusicBusiness #TourLife #ProgressiveMetal #InstrumentalMusic #GuitaristLife #CreativeBalance

He calls himself a cave troll and Swedish Viking metal god — and after one conversation, you understand why. In this episode, Mattias Eklund sits down for a wide-ranging talk: guitarist, composer, free thinker, and builder of his own universe.

We dive into the world of Indian classical rhythms and how they completely transformed his approach to progressive metal and eight-string guitar playing. Mattias explains why time signatures like 81/16 and 65/16 aren't as crazy as they sound — and why most prog bands are still just scratching the surface. His collaboration with percussionist BC Manjunath from Bangalore opens a window into a rhythmic language that goes far beyond Western notation.

But this conversation is about much more than music. Mattias speaks openly about his parents — a father who listened to train sounds and did LSD at Harvard, and a mother who took him to see Kiss and Iron Maiden at age ten. About how Frank Zappa put him in his place during a concert in Gothenburg when he was just eleven. About the choice to never borrow money, to build everything himself, and to live financially free as a musician in a niche genre.

He shares his perspective on fatherhood — how the birth of his son Gabriel didn't distract him, but actually sharpened his focus. About his home in the Swedish woods, where life costs 200 euros a month. About his Ulf guitar, built with Swedish wood, Swedish steel and pickups by Johan Lundgren — named after both the Old Norse word for wolf and a dear friend who passed away.

And running through it all is one thread: gratitude. For the simple things. A cookie and a cup of coffee, as his mother would have put it. An evening walk with the dogs through the forest. The studio floor under your bare feet. The creative freedom of Freak Guitar Camp, where people of all ages and backgrounds come together through music.

"Music protects me from all the nonsense," Mattias says. "Jet lag, missed flights, bills — none of it matters. As long as I have music, I smile until my head is about to crack."

A conversation about letting go, creating, and embracing life — the Eklund way.

Kiko Loureiro spent almost nine years as the lead guitarist of Megadeth, co-wrote the Grammy-winning album Dystopia, and composed over 15 songs with Dave Mustaine. In this conversation, recorded backstage during his European solo tour, Kiko shares the full story of why he decided to step away — and what came next.

We talk about the reality of touring five months a year with newborn twins at home, the moment he knew it was time to leave, and why freedom over his schedule became more important than the biggest stage in metal. Kiko walks through his entire creative process as a composer: how he collects ideas, when he puts on "the judge hat," and why he tells his students that creating your own music is more fulfilling than playing fast.

He also shares the story of being rejected from school because he wrote a metal festival essay, his first guitar — a Brazilian-made Giannini SG — and what it was like having dinner with Allan Holdsworth. We explore how Brazilian music quietly influenced everything from his Angra compositions to his solo work, and what Dave Mustaine's focused approach to songwriting taught him about the difference between creative freedom and creative discipline.

Whether you play guitar or simply care about the choices that shape a creative life, this conversation delivers.

Topics: Kiko Loureiro interview, why Kiko left Megadeth, Dave Mustaine songwriting, Megadeth Dystopia, Angra guitarist, creative process, guitar composition, Allan Holdsworth, Brazilian guitar music, instrumental guitar, guitar podcast, Kiko Loureiro solo career, prog metal, Kiko Loureiro tour 2026, guitar academy, music and family