Explore every episode of the podcast Show Don't Tell: Micro-Budget Filmmaking

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	Title	Pub. Date	Duration
	PODCAST: How a $7K Film Beat 28 Festival Rejections and Landed the LA Times, Palm Springs, and a Nationwide Theatrical Run - With Joe Burke	18 Sep 2026	00:57:38
In this episode, I'm joined by filmmaker Joe Burke, back on the show to talk about his micro-budget feature Burt.Over the past year, Burt won Best Comedy Feature at Cinequest, Best Picture and Best Ensemble at Phoenix, was the opening night film at Anchorage, and landed a slot at Palm Springs International. It also got a full feature in the LA Times, was taken on a year-long theatrical tour, and is now being self distributed. Burt was shot in seven days for $7,000 with a three person crew, in black and white, no stars, built around a real street musician with Parkinson's. It was finished at the end of 2023 and then rejected by 28 festivals over roughly 14 months, including places where David Gordon Green, the film's executive producer, personally emailed on its behalf and got nothing back. Throughout the episode, Joe is candid about how close he came to leaving LA, and about the moment he stopped waiting on gatekeepers and went around them - ultimately finding success on his own terms. Topics covered include: Making a black and white feature in seven days for $7,000 with a three person crew 28 rejections in 14 months, and what that does to you Why an executive producer like David Gordon Green still guarantees nothing Renting a 400-seat theater instead of taking a festival slot How the LA Times story came together, and what it unlocked Cold emailing theaters for 50/50 rev share with zero upfront cost Custom trailers, posters, and flyers cut for each individual venue 50 waiver emails, 25 yeses, and why follow-up is the whole game What the run actually returned: audience and credibility, not reps Getting into the DGA, then leaving his agent and manager at 30 Owning the film forever instead of selling it Much More! Links from the show: Burt - Official Site Joe Burke on Instagram Joe Burke - Official Site Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Directing Charli XCX With A Crew Of 3 & Playing Sundance, SXSW And TIFF In One Year With Pete Ohs	11 Sep 2026	01:13:01
In this episode, I'm joined by filmmaker Pete Ohs for his third appearance, and there's a lot to catch up on. Since we last spoke, Pete made Erupcja, a feature starring Charli XCX that he shot in Warsaw with no script, a crew of three, and the same Canon 5D Mark III running a Magic Lantern raw hack he's used on every film in his process. The film premiered at TIFF, in a year where he also had The True Beauty of Being Bitten by a Tick at SXSW and Obex, which he co-wrote, shot, and edited with Albert Birney, at Sundance. Throughout the episode Pete tells the full story of meeting Charli at 3am in a Lower East Side bar with Jeremy O. Harris just before Brat came out, and how the project survived Brat summer to shoot three months later, right before her world tour. We get into why he pitches actors an experience rather than an idea, how his "don't care" philosophy kept the stakes low even with a global pop star on board, why he finally signed with a manager, and how he wrote his first script in years using the exact same process: two weeks in a friend's backyard, three scenes a day, all in the Notes app. Topics covered include: Meeting Charli XCX at 3am with Jeremy O. Harris, weeks before Brat Pitching actors an experience instead of a script Shooting every film on the same 5D Mark III with a Magic Lantern raw hack Why "don't care" is baked into his process, even with a pop star on set Having three films on the festival circuit at the same time Spotting the carrot on a string and not chasing false opportunities Why he signed with a manager now and not years ago Writing a feature in two weeks, three scenes a day, in the Notes app The simple math behind his 70 to 80 minute features Everyone should make movies, but not everyone needs to see them Being honest with yourself when your film isn't getting into festivals Working through the top ten festival deadlines and letting sales agents handle the rest Intuition as a director's most important skill, and how to train it daily His new Patreon as a virtual DVD special features hub Much More! Links from the show: Pete Ohs on Instagram Pete Ohs on Patreon Sign up for my newsletter for exclusive filmmaking insight each Sunday
	4x Grammy Nominee Grace Potter On Making DIY Music Videos & Performing With The Rolling Stones	27 Aug 2026	01:08:37
In this episode, I'm joined by four-time Grammy nominee Grace Potter to talk about her new record Trespasser, the microfilm series she built alongside it, and the long road back to the film career she walked away from at nineteen. Grace left film school to become a rock star, signed to Disney in 2005, and wrote the song that closes Tangled, but she never stopped writing screenplays or thinking like a filmmaker. Her way back in started with a music video she wrote and directed herself, and she's been shooting ever since. Throughout the interview we get into her guerrilla approach to production, why she's trespassed on more locations than she can count, and what Mick Jagger taught her about instinct you have to earn. Topics covered include: Leaving film school to become a rock star Signing with Disney and writing the song that ends Tangled How songwriting and screenwriting use the same muscle Why the first idea is usually the right one Directing her first music video, and the broken rib that followed Guerrilla shooting, trespassing on locations, and working fast Trusting the goosebumps as your creative compass The Viper Room pitch that launched her film career What Mick Jagger's silver jacket says about preparation and instinct Auditioning actors instead of musicians to build her band Why she chose microfilms over another music video Much More! Links from the show: Grace Potter - Website Grace Potter - Album & Micro Series Links Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Landing The GREEN DAY Movie "Nimrods", Rescuing "Coyote Vs. Acme" & Building A Fan Owned Studio With Legion M	12 Aug 2026	01:03:25
In this episode, I'm joined by Legion M co-founders Jeff Annison and Paul Scanlan to talk about the new Green Day comedy Nimrods, hitting theaters August 14, and how the world's first fan-owned entertainment company ended up behind it and Coyote vs. Acme after three years on the shelf. Jeff and Paul break down a model that doesn't exist anywhere else in Hollywood. Over 60,000 people now co-own Legion M, with an average investment of $500 and a minimum of $100, and they've raised roughly $30 to $35 million across the studio, individual films, and their new film fund. As Jeff puts it, their entire existence has cost less than the first ten minutes of a Marvel movie. Along the way they financed the William Shatner documentary in four days with two emails, produced My Dead Friend Zoe with Morgan Freeman and Ed Harris, and co-released Fackham Hall with Bleecker Street. We also get into the business realities most filmmakers never learn: why the group of people green-lighting projects narrows every year, and why your movie ultimately boils down to its trailer, title, and key art. Paul walks through the New Year's Rev to Nimrods title change, and tells the story of pitching Green Day on a Comic-Con panel only to be told that punk rock bands don't do panels, which is how Billie Joe Armstrong ended up performing from the roof of an ice cream truck while the band threw ice cream at the crowd. Topics covered include: How a fan-owned studio works, and why it has advantages Getting to 60,000 investors one at a time, and the goal of reaching one million The three ways to invest: the studio, individual films, and the film fund How Legion M polls its community to decide which projects to pursue The community response that pushed them toward Coyote vs. Acme Jeff's contrarian take on David Zaslav and the shelving decision Why they went after Nimrods and Obsession out of TIFF, and what happened The title change and the marketing balancing act around a Green Day audience The Comic-Con activation with Billie Joe Armstrong and the ice cream truck Why distribution should be the first thing a filmmaker thinks about, not the last Jeff and Paul's definitions of a great director Links from the show: Legion M - Website Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Writing A Shudder Horror Feature In 10 Days & Making A Micro Budget Paranoia Thriller With Michael Moreci	01 Aug 2026	01:17:05
In this episode, I'm joined by writer, director, and bestselling comics author Michael Moreci, whose reentry into filmmaking came in the form of Revealer, a single-location horror film set in a 1980s Chicago peep show booth. He wrote the film in about ten days and it later premiered on Shudder. Since then he's co-written and co-directed the heist comedy Holiday Hold-Up, written on Syfy's Revival, and continued a long career in comics on series like Barbaric and Dick Tracy.Throughout the episode we get into the discipline that lets you write a feature in ten days, why he thinks directing is mostly pre-production and post, how the crew community at Flyover Studios in Illinois has become the lifeblood of everything he makes, and the hard lesson that the second film is harder to get made than the first. Topics covered include: Writing Revealer in ten days and more or less shooting the first draft Why a thorough outline is what actually lets you write fast Wearing the writer hat and the director hat, and why you can't wear both at once Splitting one narrative feature between four directors, one per character Clarity of vision as the thing that makes every on-set decision easy How an abandoned Air Force base became Flyover Studios Building a crew community that stays, grows, and moves laterally What writing for a cable series taught him about what he doesn't want Why comics training makes you fast, economical, and better at editing Somehow holding the Dick Tracy comic rights, and the value of just asking All of this and much more on today's show! Links from the show: Michael Moreci on Instagram Tessellation official site Revealer on Shudder Flyover Film Studios Barbaric from Vault Comics Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Behind The Scenes: Writing My First Musical Score	24 Jul 2026	00:12:06
In this solo episode I break down the process of writing a musical score for the first time on my upcoming short film Crow. Topics covered include: Why the advice to "specialize in one area" was never right for me Editing the entire rough cut with zero music in 10 to 20 second chunks Locking in sound design before any temp score so music never becomes a crutch Scoring all five cues out of order, starting with the final cue and working backwards Where the process stands now: rough guitar demos down, next up is re-recording Much more! Big thanks to Soundstripe for executive producing the film and sponsoring this episode. Check out their new Soundstripe LIVE tool at soundstripe.com/noam Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Shooting A $4,000 Feature With No Crew At 61, Mixing Emmy-Winning TV Sound & Why "Write The Film You Can Shoot" - With Mark Hensley	17 Jul 2026	01:26:15
In this episode, I'm joined by filmmaker and re-recording mixer Mark Hensley to talk about his micro-budget feature Clown and Out in Valley Village, which he shot guerrilla style over the course of a year with no crew, a cast of two, and a total budget of around $4,000 (half of which went to a single permit). Mark shares how he found the script through a Facebook writing group, cut a 200-page draft down to something shootable, and built a workflow around editing each scene the night it was shot so he and his actors could review the footage and reshoot anything that wasn't working. We also dive deep into his remarkable background in sound, from recording music at the Record Plant in Sausalito to mixing major network TV shows in LA, and the practical audio techniques every indie filmmaker should steal from his playbook. Topics covered include: Why shooting slowly over a year with no crew is a creative advantage Operating as a one man band with the S1H, an RS3 Pro gimbal, and lavs into camera Why no single plugin fixes bad dialogue, and rescuing scenes with tools like DX Revive Having actors re-run scenes as audio-only safety takes to patch dropouts in post When emotional production sound beats technically perfect ADR Shooting guerrilla style in LA, and why a boom mic is the one giveaway to avoid Knowing your coverage in advance instead of shooting every scene wide-medium-close Renting vs. buying gear, and why becoming a filmmaker means owning a camera Why anybody can become a filmmaker, even starting at 55 with zero experience Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Partnering With Joe Swanberg & Shooting A Puppet Horror Feature In 11 Days - With Aidan Leary & C.R. Thompson	05 Jul 2026	01:04:16
In this episode, I'm joined by Aidan Leary and C.R. Thompson, the writing team behind Monkey's Magic Merry Go Round. A micro-budget horror feature pitched as Mr. Rogers' Neighborhood meets Evil Dead 2, produced by mumblecore legend Joe Swanberg. Throught the episode Aidan and C.R. share the wild origin story of the film, from a screenplay written in just two weeks, to them living in the back of Joe Swanberg's video store just two months later after he bought it. We also get into the nuts and bolts of the 11-day shoot: directing without a first AD, running a crew of about a dozen people inside the Chicago Children's Theater, hiring set builders straight off PBS, and their lightning fast post-production process. Topics covered include: Turning a childhood nightmare about an evil monkey puppet into a feature Four-act structure vs. three-act structure, and the South Park method Using Joe Swanberg's own pitching technique to sell him the script Joe's best advice: the only wrong decision is no decision Intentional continuity breaks as a creative safety net Editing lessons: temp sound effects, test screenings, and killing your darlings Why editors often make the best directors Much more! Links from this episode: Film on Instagram Aidan Leary on Instagram C.R. Thompson on Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday
	From 80 Acting Credits To Producing Her First Feature, Plus How To Actually Crowdfund A Film On WeFunder - With Hannah Barefoot	26 Jun 2026	00:57:16
In this episode, I'm joined by actor and filmmaker Hannah Barefoot to talk about building a career as a working actor, her recurring role on NCIS: Origins, our new short film Crow, and the leap into producing and crowdfunding her own first feature, Wyoming Christmas Carol. Throughout the interview Hannah breaks down how she went from a string of day jobs to 80 film and TV credits, and how that's now led her into feature filmmaking. We also get deep into the producer side of indie filmmaking. Hannah shares exactly how she's financing Wyoming Christmas Carol through a WeFunder equity crowdfunding campaign, why fiscal sponsorship matters for filmmakers, and the practical steps for building pitch materials that actually convert. Topics covered include: Hannah's path from small-town Wyoming to 80+ film and TV credits Burning out, quitting acting, and finding her way back in her late twenties Landing a recurring role on NCIS: Origins Why the "small" no-budget projects are so often the ones that change everything Financing a feature through WeFunder equity crowdfunding Fiscal sponsorship, 501(c)(3)s, and why they matter for indie filmmakers Shooting in-character photo shoots to sell a project more effectively Much more! Links from the show: Wyoming Christmas Carol - WeFunder Wyoming Christmas Carol - Instagram Hannah Barefoot - Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday
	How to Make a Sub-$500K Feature In 14 Days With A Crew of 5 - An Interview With Filmmaker Cory Thibert	19 Jun 2026	00:53:59
In this episode, I'm joined by writer-director-actor Cory Thibert to talk about his debut feature Mild Life, a coming-of-age film that premiered at Woodstock Film Festival and went on to win Best Canadian Feature at the Victoria Film Festival. Mild Life follows Lawrence, a drummer whose world gets thrown off beat when his girlfriend wants to leave their hometown just as he's stepping into a caregiver role for his parents, who both live with cerebral palsy. The story is drawn directly from Cory's own life - both of his parents have cerebral palsy, and he cast actors with cerebral palsy to play the parents for authentic representation. Throughout the inteview we discuss the challenges of going this personal with your work, why "the more specific you are, the more universal you are" advice is true, and how to mine your own experience to create more meaningful stories. We also break down his 14 day shoot, 98 page script, 5 person skeleton crew, and the 2 camera / always-rolling coverage strategy that helped him reach the finish line. Topics covered include: Finding a personal way into your stories - and how to avoid self-indulgence Authentic disability representation on screen and casting actors with cerebral palsy Coming up as a filmmaker without family money or a financial safety net Making a feature between two kids' births while holding down a day job Running a five-person skeleton crew and shooting two cameras at all times Directing and starring at once - how to balance wearing multiple hats The Canada Council grant that funded post after the shoot wrapped Approaching distribution with a tiered strategy (Crave, Hoopla, Kanopy) Much more Links from the show: Mild Life - Website Mild Life - Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Making A Micro-Budget Feature In 15 Days, Directing Rachel Dratch & Building A 20-Year Creative Brand With Jason Laurits	12 Jun 2026	01:09:03
In this episode, I'm joined by filmmaker and graphic artist Jason Laurits to talk about his debut feature Love's Company (starring Rachel Dratch), and the unique two-decade creative journey that led him to directing his first feature in his 40s. Jason breaks down how the film started with a single absurd thought ("what would happen if you actually kidnapped a celebrity?") and grew out of his love for Misery, Sunset Boulevard, and Ruthless People. He shares how he taught himself to edit in order to cut a proof-of-concept teaser that he used to raise money, attract a team, and ultimately land his cast.We also get into the realities of shooting a 95-page feature in just 15 days on a micro-budget in Louisiana, how his line producer helped him build a crew from scratch in New Orleans, landing Rachel Dratch through a single well-placed connection, and the constant on-set math of combining and cutting shots to never once go over schedule. Topics covered include: Using a teaser, poster & pitch deck to raise money for a feature film How to shoot a 95-page feature in just 15 days Combining and cutting shots on the fly to never go over schedule What 20+ years running his brand Paste taught him about filmmaking Why getting into directing in your 40s can be an advantage The "step-by-step vs. chasing the clouds" philosophy Trusting your voice and letting go of fleeting external goals Much More! Links from the show: Love's Company - Trailer Love's Company - Instagram Jason's Brand - Paste Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Getting a $5K Feature into TIFF & Going Viral With An 80 Second Short Film With Nick Toti	14 May 2026	01:15:02
In this episode I'm joined by filmmaker Nick Toti - one half of the DIY filmmaking duo behind the viral 80-second short Dead Grandma, the TIFF Midnight Madness sensation It Doesn't Get Any Better Than This, and the upcoming feature Homebody. Throughout the episode Nick breaks down the decade-long origin story of Dead Grandma, from an improvised game he invented while working as a nursery school teacher in Austin to a 35mm short film that blew up in Variety and landed him on this podcast. We also discuss how his $5,000 found footage feature It Doesn't Get Any Better Than This unexpectedly landed in TIFF's Midnight Madness, the unconventional theatrical-only release strategy he's used to screen it across multiple continents without a distributor, and why Nick is now trying to convince A24 or Blumhouse to fund a studio remake of Homebody. Topics covered include: The real-life origin of Dead Grandma and how it developed over a deade Co-directing with his wife and creative partner Rachel Kempf Shooting on 35mm film - and everything that went wrong before they even rolled How It Doesn't Get Any Better Than This got into TIFF Midnight Madness The aesthetic of Homebody: making a movie that feels like a lo-fi demo tape Actively pursuing failure as a creative strategy - and why it eventually worked Nick's 25-hour real-time experimental documentary project Die Die Books - the horror film criticism press Nick and Rachel run Much more! Links from the show: Dead Grandma Short Film Homebody Trailer Die Die Books Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Making A $2000 Feature, Landing Vanishing Angle & Getting Into the Blacklist Project Lab - With Nathan Xia	08 May 2026	01:12:51
In this episode, I'm joined by actor, filmmaker, and musician Nathan Xia to talk about his unconventional path into the industry - from making YouTube sketches with a flip camera to acting in studio projects, getting repped as both an actor and writer-director, and developing his deeply personal feature Adam's Song. Throughout the conversation Nathan shares how he fell into acting out of necessity while co-directing a scrappy COVID road trip feature with his roommates, and how that unexpected pivot eventually led to representation, festival success, and a role in Danny Madden's Downbeat. He also breaks down the relentless hustle behind landing his producer at Vanishing Angle, getting into the Blacklist Project Lab after 14 rejections, and signing with management company M88 - all before turning 26. Topics covered include: How Nathan discovered filmmaking through a flip camera and YouTube sketches Making a $2,000 road trip feature across six states during COVID Falling into acting out of necessity - and finding it on the festival circuit Cold-emailing his way to representation at Momentum Talent Agency How attending festivals (not just submitting) changed his career Landing veteran indie producer Benjamin Wiesner through responsiveness and rewrites Going 0-for-14 on labs and fellowships before getting into the Blacklist Project Lab Developing the feature version of Adam's Song and scouting in West Texas Why being a writer-director-actor gives him a unique advantage in attaching talent Much more! Follow Nathan on Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Building A 160K+ YouTube Channel & Making A 1980s Period Feature On A Micro-Budget	29 Apr 2026	00:58:03
In this episode, I’m joined by filmmaker and YouTuber Blake Calhoun to talk about his new feature film Casey Makes A Mixtape, his long-running channel iPhoneographers, and his highly entrepreneurial approach to building a sustainable filmmaking career. Throughout the interview Blake shares how he got his start selling work to Warner Bros. after finding an audience on YouTube, and why he believes every filmmaker should consider having a YouTube channel - even if they don’t want to become a “YouTuber.”We also dig into the making of Casey Makes A Mixtape, a 1981-set coming-of-age feature that Blake made on a micro-budget. He breaks down how he wrote the script around resources he already had access to, directed and DP’d the film himself, used a small crew, incorporated iPhone footage alongside RED Komodo, and even licensed well-known songs on a tight indie budget. Topics covered include: Why indie filmmakers are inherently entrepreneurs Blake’s early success in web series and selling a show to Warner Bros. How YouTube has changed since the early days of online video How Casey Makes A Mixtape evolved from an iPhone-shot short film Making a period piece on a low budget Directing and DP’ing your own feature Working with a small crew of roughly 10 people Licensing famous songs for an indie film Much More! Links from the show: Casey Makes A Mixtape - Film Casey Makes A Mixtape - Trailer iPhoneographers - YouTube Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Making A $4000 Feature In 12 Days And Releasing Through Tubi	12 Mar 2026	01:02:16
In this episode, I sit down with filmmaker Wade Patterson to discuss his micro-budget feature Death Cipher - a contained thriller shot in just 12 days for only $4,000. Throughout the interview, Wade shares how multiple failed feature attempts led him to radically simplify his process, why he embraced a single-location concept shot in his own apartment, and how limitations ultimately became the film’s greatest creative advantage. We also dive into the realities of making a feature with almost no money, wearing multiple hats as writer/director/cinematographer/editor, navigating festival rejection, finding distribution through Filmhub and Tubi, and much more: Why several failed feature attempts led to Death Cipher The mindset shift that led Wade to design a film around his resources Shooting the film over weekends and treating each room like a company move Creating props, puzzle elements, websites, and pre-shot video material How prioritizing actor comfort and a relaxed set environment improved the work What changed in post, including reshoots after early test screenings How Death Cipher landed on Tubi through Filmhub Links from the show: http://www.noamkroll.com/newsletter Death Cipher - Tubi Death Cipher - Instagram Wade Patterson - Instagram http://www.noamkroll.com/newsletter Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Getting a $75K Feature On HBO & Selling a Video Agency For $17MM With Stefan van de Graaff	28 Feb 2026	01:00:36
In this episode I'm joined by filmmaker and entrepreneur Stefan van de Graaff, whose $75,000 micro-budget feature Simmer landed on HBO after going viral on Facebook. Stefan also co-founded a video agency that grew from a two-person team into a 100-employee business before selling for $17 million, which we discuss at length. Throughout the episode we talk about Stefan’s unconventional path - from Midwest filmmaker to running a digial advertising business. We also cover how his commercial production work became the foundation for financing and producing indie features, and what it took to scale from a scrappy first feature to a $1M international production. Topics covered include: How uploading Simmer to Facebook led to 1M views and sales agent interest How indie films without stars can land on major platforms like HBO Financing a micro-budget feature with personal funds, partners, and partial fundraising The jump from a $75K film to a $1M feature using tax incentives, grants, and talent deals Why having the right producer dramatically increases credibility with agents and financiers Lessons from building and selling an ad agency - and why strategy beats fulfillment How reducing friction (locations, permits, crew, logistics) makes indie filmmaking possible Why building an audience can be a more reliable path than the traditional Hollywood ladder Links from the show: Stefan - Instagram One of Us - Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday
	How an Oscar-Nominated Filmmaker Shot a $60K Boxing Feature With Production Value	19 Feb 2026	00:47:43
In this episode, I sit down with Academy Award nominee and ASC Award-winner Curren Sheldon to discuss his gritty new narrative feature Beatdown - a boxing drama made for just $60,000. Throughout the interview, Curren shares how his background in vérité documentary shaped the film’s style, why he cast real fighters and non-actors, and how they filmed key fight scenes inside a live event with 4,000 spectators. We also dive into the practical realities of transitioning from documentary to narrative, self-financing a feature for under $60K, navigating today’s distribution landscape, and tons more: Why The Wrestler was a key stylistic reference for Beatdown The doc-to-narrative transition: what gets easier, what gets harder Using non-actors (real boxing personalities) without losing story control Shooting inside a real “Toughman” event with 4,000 extras and a tiny window to film How he sold two prior films to Netflix, and what it took to break through A practical cinematography mindset shift that instantly elevates visuals Links from the show: Beatdown - Full Film on YouTube Sign up for my newsletter for exclusive filmmaking insight each Sunday
	TEACHER’S PET Feature Release - Q & A With Noam Kroll & Luke Barnett	07 Feb 2026	00:52:24
In this special episode, we celebrate today’s release of our new feature film Teacher’s Pet - Now available where you rent or buy movies! Two days ago, we hosted a special advanced screening for members of my filmmaking community, and they took part in a virtual Q & A afterward. This episode includes the full live session with myself and lead actor / producer Luke Barnett. Topics covered include: Achieving high production value on a budget Luke’s approach to bringing levity to a dark character The casting process & landing great actors Moving from a $0 production into a larger project Our hardest days on set and how we problem solved Directing & DP’ing the film simultaneously Much more Watch the film on Apple now: https://itunes.apple.com/us/movie/teachers-pet/id1868537677 Full list of platforms where you can watch: Amazon Prime Video (US, CA) Apple TV (US, CA) Google Play / YouTube (US, CA) Fandango at Home (US) Comcast / Xfinity (US) Cox (US) Spectrum (US) DirecTV (US) Dish (US) Altice (US) Verizon / Fios (US) Telus (CA) Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Getting Into Sundance With A $30K TV Pilot	23 Jan 2026	01:05:57
In this episode filmmaker Alec Goldberg joins the show to break down how his micro-budget comedy pilot Soft Boil went from a bootstrapped production to a blind submission acceptance at the 2026 Sundance Film Festival. We talk about Alec’s path from documentary and commercial work into scripted narrative, how a key creative partnership with lead actor / co-writer Camille Wormser shaped the project, and what it took to pull off a festival-ready pilot on $30,000 across a handful of shoot days. Topics covered include: Why Alec believes casting + voice was the “X factor” (and how to recognize it) The tactical micro-budget choices that mattered most (locations, rehearsals, scheduling) How to direct comedy with improv-friendly actors without losing the spine of the scene The producer “role-splitting” approach that let Alec focus on directing How Alec thinks about finding your “voice” as a filmmaker, and why it's so critical The films and filmmakers shaping his taste (Kaufman, PTA, Von Trier, Aronofsky, Kubrick) Links from the show: Alec D. Goldberg - Instagram Camille Wormser - Instagram Madison Shamoun - Instagram Vivian Kerr - Instagram Patrick Tabari - Instagram John Gemberling - Instagram Alec Goldberg - Website Sign up for my newsletter for exclusive filmmaking insight each Sunday
	West Eldredge On Making An $80,000 Debut Feature Film	14 Jan 2026	00:56:57
In this episode, I’m joined by filmmaker West Eldredge to break down how he made his debut feature Take From Me on a budget of $80,000 - and turned it into a real-world release on major platforms. We talk candidly about what actually moves the needle on an ultra-low budget feature: prioritizing casting, building a crew that can adapt under pressure, using festivals as a testing ground, and leveraging a strong trailer to start distribution conversations early.Topics covered include: Why West chose micro-budget filmmaking as a solution to finally making a feature How crowdfunding, personal investment, and favors helped build an $80K budget Why he prioritized casting above almost everything - and what 4,000+ submissions taught him Chemistry reads, ensemble casting, and avoiding the “name actor trap” on low budgets Skeleton crew realities and what happens when a key crew member is suddenly gone Festival strategy lessons and how audience feedback helped define the film’s genre Pitching distributors andwhy a great trailer matters more than you think Post-production burnout, bringing in new collaborators, and staying motivated Links from the show: West Eldredge - Instagram West Eldredge - Website Take From Me - Watch on Prime Video Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Building Netflix Thrillers While Retaining IP With Filmmaker Anna Elizabeth James	08 Jan 2026	01:00:21
In this episode I’m joined by filmmaker Anna Elizabeth James, whose psychological thrillers Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform. Throughout the interview we break down Anna’s unconventional approach to building a sustainable filmmaking career outside the traditional studio system. We dive deep into intellectual property ownership, licensing vs selling films outright, and how filmmakers can retain long-term leverage while still working with major distributors and streamers. We also explore how shifting industry economics are creating new opportunities for independent storytellers who understand how to position themselves strategically. Topics covered include: How Deadly Illusions and Held Hostage in My House reached Netflix Licensing vs selling films, and why IP ownership matters more than ever What filmmakers should know about distributors, streamers, and rights reversion Navigating the post-streaming-boom slowdown and emerging opportunities Why film festivals aren’t the only viable path anymore Thinking entrepreneurially without sacrificing creative integrity The future of branded storytelling and creator-led business models Links from the show: Anna Elizabeth James – IMDb Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Making A $4000 Feature Film Over 1 Year With Filmmaker Mark Hensley	21 Nov 2025	01:26:14
In this episode, I’m joined by filmmaker Mark Hensley, whose new feature Clown and Out in Valley Village was shot entirely guerrilla-style over the course of a year, for just $4,000. Mark shares how he wrote, shot, lit, and edited the film with no crew, no permits, and no safety net, all while working full-time as a re-recording mixer for major network shows.We dive deep into micro-budget filmmaking, practical sound strategies, on-the-fly rewrites, and why taking your time on a no-budget feature can actually elevate the final product far beyond what traditional indie shoots allow Topics covered include: Shooting a feature over a full year with no crew Rewriting and reshaping a 200-page script for micro-budget practicality Why slow, flexible production schedules often lead to better movies Reshooting scenes strategically - and why even big studio films build this in Making “bad” production audio usable with smart technique How pros mix dialogue on network shows (and why lavs can beat booms) Picking the right camera for the film - not the “best” camera Sign up for my newsletter for exclusive filmmaking insight each Sunday
	How the DP Behind MONSTER, BULLETPROOF & THE WATERBOY Became One of Hollywood’s Most Insightful Storytellers	15 Nov 2025	01:00:42
In this episode, I’m joined by Steven Bernstein, ASC - the legendary cinematographer behind films like Monster, Bulletproof, and The Waterboy - to explore his extraordinary journey from BBC-trained writer/director to one of Hollywood’s most insightful visual storytellers. We discuss Steven’s unconventional path into cinematography, how he developed his philosophy of the “20 languages of cinema,” and why he believes most screenwriting rules hold filmmakers back rather than push them forward. Topics covered include: How Steven transitioned from the BBC to shooting studio features The craft lessons he learned working on Monster and major studio comedies Why he rejects rigid screenwriting formulas in favor of cinematic “grammar” Understanding the 20 languages of cinema: composition, editing, sound, and more How filmmakers can avoid being pigeonholed creatively or professionally Building a sustainable career by mastering both story and image Links from the show: Steven Bernstein – Instagram Steven Bernstein – IMDb Filmmaker and Fan’s Podcast Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Touring With Your Indie Film, Self-Distribution & Building a Sustainable Filmmaking Career With Hudson Phillips	31 Oct 2025	00:53:17
On today’s episode, I’m joined by filmmaker Hudson Phillips, who returns to share the incredible story of how his first appearance on the podcast led to getting his feature film financed (via one of our listeners) Throughout the discussion we take a deep dive into the realities of making micro-budget features profitable - Touring films like bands, selling merch, building community city-by-city, and designing a sustainable filmmaking life outside the traditional Hollywood pipeline. Topics covered include: How a single podcast interview led directly to a private film investor Touring your film like a band, and why this model works How to screen in multiple cities without losing money The merch items that actually sell at indie screening events Lessons from distribution hell, and why Hudson went DIY Self-releasing via FilmHub, Bitmax & digital strategy in 2025+ Building a real community vs chasing festivals Why creative constraints make films better (even at the studio level) “Higher-concept, lower-budget” filmmaking strategy The future of micro-budget movies & audience building Links from the show: Mirror Box Films Hudson Phillips - Instagram Mirror Box Films - Substack Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Luke Barnett On Going Viral With A $50 Short & Carving Out Success In Hollywood	10 Oct 2025	01:02:15
In this episode I’m thrilled to be joined by Luke Barnett to discuss our viral short film OVATION, made for just $50 over a two-hour shoot. The film satirizes the never-ending standing ovations at major festivals that have dominated the trades in recent years. Within days of completion, the short caught fire online and even landed a feature in Variety - proof that the smallest, most spontaneous projects can yield outsized results. Throughout the discussion we unpack OVATION in detail, along with Luke’s wildly successful short The Crossing Over Express, another viral sensation viewed by millions that was transformative for his career. Topics covered include: The origin of Crossing Over Express and building a deeply personal short Shorts that connect vs. features that stall - and why connection beats runtime What “branding yourself” as an artist really means for your career Crafting OVATION: single take, no dialogue, real applause, two lights, tiny room Satire vs. parody: the importance of keeping it grounded and real Festivals or internet? How to decide where your short belongs “Asymmetric bets”: making fast, cheap work with huge upside Hustle, grit, and the necessary (healthy) delusion to survive this industry If you enjoy OVATION, please leave a comment, thumbs up, or share with a friend! Links from the show: OVATION - Watch On YouTube! The Crossing Over Express Luke Barnett - Instagram Luke Barnett - X Sign up for my newsletter for exclusive filmmaking insight each Sunday
	DP’ing Jay Duplass' New Feature THE BALTIMORONS With Filmmaker Jon Bregel	03 Oct 2025	00:57:47
In this episode I’m joined by filmmaker Jon Bregel, who recently DP'd the new Jay Duplass feature film The Baltimorons - which premiered at this year's SXSW film festival, and was released theatrically in September via IFC Films. Throughout the interview we trace Jon's journey from leveraging Vimeo as a tool to launch a successful commercial career in New York, to stepping away and redefining what it means to be a working filmmaker. We dig into creative alignment, sustainable career building, and how a documentary-minded approach has shaped some of his recent work. Topics covered include: From Vimeo Staff Pick to a call from Nike - early momentum in the Vimeo heyday Burnout, depression, and redefining success beyond money and prestige How to work like a professional, build routines, and treat freelancing like a real business Landing The Baltimorons: and how “manifesting” opportunities really works Lighting quickly with tiny crews, embracing imperfection, and protecting spontaneity What Jon learned from Jay Duplass about presence, and generous leadership Practical longevity: sustaining energy and morale across an indie feature schedule Links from the show: The Baltimorons - Movie Site Jon Bregel - Website & Coaching The Nourish Community Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Winning Kevin Smith’s Smodcastle with FOIBLES Writer / Director Ryan Oksenberg	13 Sep 2025	01:00:32
In this episode I am joined by longtime friend and fellow filmmaker Ryan Oksenberg, here to break down the making of his debut feature FOIBLES - a darkly comic, surreal satire about codependency and addiction. Throughout the episode we take a behind the scenes look at this feature - How Ryan greenlit the project himself, pulling off big set pieces on an indie budget, the 13-month post pipeline, music licensing reality checks, and taking home an award at Kevin Smith’s Smodcastle for best Actor. Topics covered include: Moving from shorts to a debut feature with a SAG Ultra Low Budget agreement Building a 40-person crew, and setting up basecamp at home Practical vs. digital: stunt days that don’t go to plan, and why it works in the edit Shot listing & storyboarding every beat vs. staying nimble on the day Casting on a budget: personal letters, partnering with casting directors Post for indies: cutting, feedback screenings, and when to let go Music supervision 101: masters + publishing, MFN, festival vs. all-media licenses The Kickstarter × Tubi path: hitting the goal to unlock a grant and AVOD distribution Links from the show: https://www.youtube.com/watch?v=jZoIdUmH1V8&utm_source=chatgpt.com FOIBLES — Official Trailer Support FOIBLES on Kickstarter Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Raising $400K, Casting Without Names, and Writing the Iron-Core Story with Mick Lexington	05 Sep 2025	00:45:36
In this episode filmmaker and novelist Mick Lexington joins me to unpack the development phase for his debut feature Mr. Jack - an existential New York drama adapted from his own novel. Through the interview we dig into the process of raising a ~$400K production budget, why he brought on a dedicated fundraising lead, and how his “agile filmmaking” approach allows him to start elements of production ahead of principle photography. We also dive deep on writing craft - outlining, “killing your darlings,” beating procrastination with consistent routines and much more. Topics include: Working with a fundraising specialist to raise a target budget of $400K “Agile filmmaking”: building momentum by shooting key exteriors ahead of produciton Casting strategy without star names and avoiding audience-misleading cameos Turning New York City into a story engine: LES & Williamsburg as living backdrop Writing cadence & anti-procrastination: consistent daily blocks vs. bursts Why the final rewrite is the edit - and planning for pickups and pivots Links from the show: Mr. Jack - Website Mick Lexington - Website Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	From Wu-Tang & Nicki Minaj Music Videos To A $40K Feature With Filmmaker Matthew Freiheit	29 Aug 2025	00:57:24
In this episode, I am joined by filmmaker Matthew Freiheit, whose career has spanned work with major artists like Wu-Tang Clan, Red Hot Chili Peppers, and Nicki Minaj - and who has now broken into feature filmmaking with his debut Iconic. Shot for just $40,000 in his Los Angeles apartment and across more than 25 locations, the feature film blends arthouse style with run-and-gun energy, and has already secured distribution. Throughout our discussion we cover: Transitioning from music and fashion projects to narrative filmmaking How Matthew maximized limited resources to create a big-scope on a micro-budget Writing around real locations and existing gear to stretch production value Directing while also DP’ing and editing - and how to balance those roles effectively Tips for pre-lighting and shooting 6–8 pages per day without sacrificing quality What it’s really like taking your debut feature to AFM The evolving role of AI tools in filmmaking and how Matthew is exploring them Much more Links from the show: Matthew Freiheit – Instagram Iconic – Instagram Iconic – Website Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Directing a Vertical Series For Candy Jar, Feature Films & More With Filmmaker Emily Elizabeth Thomas	22 Aug 2025	00:56:29
Filmmaker Emily Elizabeth Thomas joins me this week to break down the making of her debut feature film Keily: Homecoming Dweeb, a YA romance that bridges classic rom-com elements with bold visual experimentation. Emily shares how the project grew out of a Candy Jar–financed vertical web series, why she embraced an unconventional format to connect with Gen Z, and how she maintained her distinctive voice on both the series and the feature. We also dive deep into practical directing craft - from navigating budgets and production constraints to lens testing, working with young actors, rewriting on set, and keeping tone at the center of every decision. Topics include: Moving from commercials to narrative filmmaking by way of a vertical series Why embracing nontraditional formats can expand your audience reach Practical strategies for navigating low budgets without sacrificing vision The role of zoom lenses and lens testing in creating emotional storytelling Building authentic performances with young actors through collaborative rehearsals Managing tone as a director’s primary responsibility Much more. Links from the show: Watch Keily: Homecoming Dweeb on Candy Jar Keily: Homecoming Dweeb on IMDb Emily Elizabeth Thomas – Official Portfolio Sign up for exclusive filmmaking newsletters each Sunday.
	Shooting A No-Crew / No Permit Feature On Blackmagic With Filmmaker Dave Hill	01 Aug 2025	00:53:05
In this episode, I’m joined by director and photographer Dave Hill to discuss the making of his second feature film — a visually dynamic, deeply personal story shot with virtually no crew in the Arizona desert. All on the Blackmagic Pocket 4K. Throughout the interview we dive deep into Dave’s tactics and workflow, and explore how they empowered him to fully own the visual language of his film. Topics covered include: Why Dave ditched the traditional crew structure and shot entirely handheld How the Blackmagic Pocket 4K + Micro Four Thirds sensor unlocked his style The pros and cons of running sound without a sound person Leveraging camera choice and post-production to mimic the 16mm film aesthetic Recasting day players, last-minute locations, and other stories from set Why low-budget filmmaking is actually a gift when paired with the right creative vision Much more! Links from the show: Dave Hill – Instagram Dave Hill – Website Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Making A No Crew Feature Supported By David Lowery With Filmmaker Julian Sol Jordan	26 Jun 2025	00:59:12
In this episode, I’m joined by filmmaker Julian Sol Jordan to talk about his self-made debut feature Real Life — an 82-minute hybrid narrative-documentary that was shot, directed, edited, colored, and mixed entirely by himself. The film, which screened recently at the Texas Theatre in Dallas thanks to a generous grant from David Lowery, is a raw, poetic exploration of early adulthood, nostalgia, and the struggle to find meaning in your 20s. Throughout our conversation, Julian and I unpack the entire creative process, from rediscovering dusty VHS tapes in his attic to crafting a structure out of chaos with no script in hand. Topics covered include: How Julian shot 80% of the film alone using everything from a Blackmagic to an iPhone 4 The value of embracing lo-fi footage and imperfections to elevate emotional truth Why David Lowery funded the premiere and how their mentorship began The unexpected benefit of not writing a script — and when to start one next time How old home movies became the emotional anchor of the film Why guerrilla filmmaking might be Julian’s path forward Much more! Links from the show: Julian Sol Jordan – Instagram Julian Sol Jordan – YouTube Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	DP'ing For Tyler Perry Studios, Jared Leto, Tom Delonge & More With Cinematographer Justyn Moro	01 Jun 2025	00:58:25
In this episode, I am joined by DP Justyn Moro, whose cinematography career has included collaborations with artists like Jared Leto, Tom Delonge and countless others - and most recently has been shooting features and television at Tyler Perry Studios. Justyn shares the full scope of his creative journey—how he got started shooting music videos, learning cinematography on the road with Jared Leto, and making the leap into narrative storytelling on projects like Monsters of California and Beauty in Black. Topics covered include: Breaking into the film industry with zero connections Shooting documentary and music video content with Jared Leto across the globe Lessons from working on Monsters of California with Tom DeLonge Transitioning from music videos to narrative film & television Justyn’s approach to prep, lighting, and working fast on set Creative collaboration with directors and building a strong crew dynamic Why a clear vision and openness to collaboration make the best directors Links from the show: Justyn Moro – Website Sign up for my newsletter for exclusive filmmaking insight each Sunday
	From Viral YouTube Shorts To A Multi-Million Dollar Feature Debut With Felipe Vargas	09 May 2025	00:45:54
In this episode, I am joined by filmmaker Felipe Vargas - whose viral horror short films helped him land his feature film debut Rosario. Throughout our discussion, we explore Felipe’s journey from DIY shorts to large scale feature productions and lessons learned along the way. Topics covered include: How Felipe's childhood passion for horror and folklore shaped his filmmaking style The success of his short films, including Milk Teeth which garnered 15 million views on YouTube The realities of getting representation and what comes after How his feature film Rosario came together after developing relationships with producers Shooting across two countries (New York and Colombia) on a sub-$10 million budget The importance of being consistently productive and self-generative as a filmmaker Using test screenings effectively and the value of planning for pickup shots The unique character-first approach Felipe uses to break down scripts and scenes Links from the show: Felipe Vargas - Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	How To Make A $7K Feature Film With a Crew of 3: An Interview With Filmmaker Joe Burke	25 Apr 2025	00:55:29
In this episode, I am joined by filmmaker Joe Burke to discuss his incredible journey making the feature film Burt for just $7,000. Executive produced by David Gordon Green, the film follows a street musician with Parkinson's disease who discovers he has a son. Throughout our conversation, we explore Joe's innovative approach to micro-budget filmmaking, including how he infused real-life relationships into the narrative. Topics covered include: How Joe cast his non-actor subjects in their first ever film roles Shooting an entire feature in 7 days with just a 3-person crew The strategic use of black & white cinematography to elevate production value Creating compelling narrative films without traditional scripts Navigating 28 festival rejections before winning Best Picture awards Self-distributing via theatrical screenings while building community partnerships Links from the show: Burt The Movie - Website Joe Burke - Instagram (@joeburkfilm) Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Shooting An 8 Day Feature Film Using "Structured Improv" With Director Christopher Folkens	18 Apr 2025	00:54:27
In this episode, I am joined by filmmaker Christopher Folkens to discuss his debut feature film The Catalyst - a psychological thriller that was produced in just 8 shooting days. Throughout our discussion, we explore the unconventional production methods Christopher employed, including structured improvisation and a non-traditional shooting schedule. Topics covered include: Why Christopher chose to embrace structured improvisation with actors How they filmed nearly half the movie in a single night Completing a feature film in just 8 total shooting days The evolution from a 12-person proof of concept to a 7-person final cast Using obstacles as opportunities in low-budget production The benefits of having an editing background as a director Finding the balance between having a plan and remaining flexible on set Links from the show: Christopher Folkens - Instagram The Catalyst Movie - Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Making A Linklater-Style Feature Film Over 2 Years With Filmmaker Clinton Cornwell	11 Apr 2025	01:05:43
In this episode, I am joined by filmmaker Clinton Cornwell to discuss his feature film 12 Months, which he shot over the course of two years (and 60 shooting days) in a style inspired by Richard Linklater's Boyhood. Throughout our conversation, we dive deep into Clinton's unique production approach and creative process. Topics covered include: Creating an improvised relationship drama shot over real time Working with a minimal crew (often just 3 people) across 60 shooting days The benefits and challenges of spreading production over two years Finding actors comfortable with improvisation and maintaining their commitment Balancing structure and spontaneity in an improvised film Managing 200+ hours of footage during post-production The advantages of being a "jack of all trades" filmmaker Links from the show: https://linktree.com/12MonthsFilm 12 Months Film Clinton Cornwell - Instagram Clinton Cornwell - Letterboxd http://www.noamkroll.com/newsletter Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Making 4 Features & Building a Sustainable Indie Film Model With Nick Psinakis	04 Apr 2025	00:51:50
In this episode, I am joined by filmmaker Nick Psinakis to discuss his journey creating four feature films with creative partner Kevin Ignatius and how they've developed a sustainable model for indie filmmaking. Throughout our conversation, we explore their evolution from DIY beginnings to community-supported productions, with special emphasis on how they've maintained high production value on micro-budgets. Topics covered include: Their progression from a $65K genre film to their newest feature, "Valley View Motel" Building strong community support in small-town Pennsylvania as a production base Maximizing efficiency with minimal crew and strategic location planning Creative approaches to chronological shooting and managing weather variables Navigating the ever-changing sales and distribution landscape The delicate balance between artistic integrity and commercial viability Their post-production workflow and co-directing dynamic Links from the show: 418 Films - Instagram Cheat - Watch on Amazon Prime Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Using WeFunder To Finance A Debut Feature Film With Filmmaker Vivian Kerr	10 Mar 2025	01:04:35
In this episode, I am joined by filmmaker Vivian Kerr to discuss her journey from acting to directing and how she successfully brought her first two feature films to life without traditional industry connections. Vivian's debut feature, Scrap - a family dramedy starring herself alongside Anthony Rapp (Rent, Star Trek Discovery) - completed a two-year festival run spanning 43 festivals before its recent VOD release. She followed this quickly with her second feature, Seance, a psychological thriller that recently premiered at the Newport Beach Film Festival. Throughout our conversation, we explored: Vivian's background and transition from theater to filmmaking The genesis of Scrap and its exploration of hidden homelessness How she leveraged a short film version of Scrap to secure feature financing Using the equity crowdfunding platform WeFunder to raise the bulk of her financing Managing post-production on one film while doing a festival run with another The genesis of Seance and writing a contained feature during the pandemic Why believable performances are the foundation of good directing Links from the show: Scrap - Movie Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	How To Shoot A 7 Day Feature Film With Filmmaker Ethan Hegel	28 Feb 2025	00:50:19
In this episode, I am joined by filmmaker Ethan Hegel, who recently made his feature directorial debut with Purgatory Station after years of honing his craft behind the camera. Throughout the interview, Ethan shares his unique path to serving as director, DP, editor, and colorist on multiple feature films. Topics covered include: The importance of having a supportive network that encourages creative risk-taking How color grading expertise deepened Ethan's cinematography knowledge. Adapting and improving someone else's screenplay while maintaining the core story Shooting an ambitious feature in just 7 days with minimal pre-production time Practical techniques for achieving convincing day-for-night and night-for-day lighting Effective methods for directing actors that focus on emotional motivation The value of balancing self-sufficiency and collaboration in filmmaking Links from the show: Ethan Hegel - Instagram Moving On - Short Film Purgatory Station - Prime Video Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Building A New Production Model With Matt Cohen & Sean Thomas Flanagan	18 Feb 2025	00:51:01
In this episode, I am joined by actor/director Matt Cohen (Supernatural, General Hospital, Entertainment Tonight) and producer Sean Flanagan to discuss their innovative approach to making films in today's changing landscape. Throughout our conversation, we explore their upcoming feature Exes and animated series Public Domain, while unpacking their unique production model built on relationships, creative problem-solving, and maximizing resources. Topics covered include: Juggling 12+ projects in various stages of development The importance of focusing on "evergreen" concepts vs chasing trends Achieving high production value on ultra low budgets through strategic choices The value of maintaining morale and team spirit on low budget productions Finding creative solutions to budgetary limitations rather than compromising quality Building a sustainable model for independent filmmaking in today's market Much more! Links from the show: Matt Cohen - Instagram Sean Flanagan - Instagram Public Domain Series - Instagram Public Domain Series - Indiegogo Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Cutting The A24 Sundance Feature OPUS & Finding Career Success With Editor Ernie Gilbert	06 Feb 2025	01:09:06
In this episode, I am joined by filmmaker Ernie Gilbert to discuss his work on A24's upcoming horror-thriller-comedy OPUS, which recently premiered at Sundance. Throughout our discussion, we explore Ernie’s creative process, his work in commercials & music videos, career building, and more. Topics covered include: The benefits of bringing editors on early in pre-production Editing remotely while production is taking place How to maintain fresh eyes on long-form projects Balancing work across features, commercials, and music videos The transition from editing to directing and back Building relationships and collecting "merit badges" in the industry Best practices for managing conflicting creative notes Links from the show: Ernie Gilbert - Website Ernie Gilbert - Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Making A $10,000 Feature Film Documentary With Director Rob Smat	31 Jan 2025	00:50:19
In this episode, I am joined by filmmaker Rob Smat who shares his experience transitioning from the $100,000 feature film The Last Whistle to a $10,000 documentary Walkout, and the valuable lessons learned along the way. Throughout our discussion, we explore the realities of micro-budget filmmaking and distribution through the lens of both projects. Topics covered include: • How scaling down production increases creative control • Working with traditional distributors vs. self-distribution platforms • Marketing & AVOD strategies for micro-budget films • The importance of building a sustainable filmmaking career • The value of making multiple films vs. betting only on one project • Finding success through grassroots marketing and community outreach Links from the show: Film Collaborative's Distributor Report Card BitMAX Walkout - Film Walkout - Companion Podcast Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Stephania Dulowski on Editing BUNNYLOVR & Premiering At Sundance 2025	24 Jan 2025	00:53:18
In this episode, I am joined by film editor Stephania Dulowski to discuss her work on the Sundance dramatic competition feature film Bunny Lover. We dive deep into her editorial process and explore the tactics she used to pull off an amazing edit in record time. Topics covered include: Completing a first cut in just one month Navigating test screenings and filmmaker feedback The importance of technical skills and communication in editing Editorial workflow breakdown from dailies review to final cut Balancing creative vision with practical constraints Links from the show: Stephania Dulowski's Website Stephania Dulowski's Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Behind The Scenes With Samantha Scaffidi On The Terrifier Franchise, Her New Short Film & More!	15 Jan 2025	01:03:36
In this episode, I am thrilled to be joined by actor and filmmaker Samantha Scaffidi, known for her role in the massively successful Terrifier franchise, and her upcoming short film Open Your Eyes. Thought the episode, Samantha offers a unique perspective on independent filmmaking from both sides of the camera. We unpack how the Terrifier films evolved from a $30,000 micro-budget horror film to a $2M theatrical blockbuster, while maintaining its independent spirit - thanks to director Damien Leone's uncompromising vision. We also explore the realities of modern independent filmmaking, the importance of artistic integrity, and why sometimes less resources can lead to more creative freedom. Samantha shares insights from her experience both acting in micro-budget productions and directing high-end commercials, ultimately explaining why she chose to return to her independent filmmaking roots. Topics covered include: How Terrifier evolved from a $30K first film to a $2M third installment The crew behind the original Terrifier, and how director Damien Leone handled multiple roles Samantha’s transition from acting to directing, including doc work and commercial projects Her upcoming psychological horror short film Open Your Eyes The profound influence of John Cassavetes on Samantha’s artistic philosophy The realities of film festival programming and industry networking The challenges of balancing commercial work with personal creative projects Links from the show: Samantha Scaffidi – Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday
	Misha Calvert & Raye Spielberg On Making Their Powerful Short Film PINK FLAGS	28 Dec 2024	00:47:24
In this episode, I am joined by director Misha Calvert and actor Raye Spielberg to unpack their latest short film PINK FLAGS - a figure skating drama that stars both Raye and her husband Sawyer Spielberg. Throughout our discussion, we dive into the collaborative process at length, with special emphasis on the merits of working with close friends and family. Topics covered include: Misha's journey from directing comedy & TV to making a full scale short film Turning a $50K budget into $300K of production value Raye's three months of figure skating training & how it helped set this film apart The dynamics of actor-director workflows when working with friends Benefits of short films vs. long form projects Much more! Links from them show: Misha Calvert - Instagram Misha Calvert - Website Misha Calvert - ClassesRaye Spielberg - Instagram Raye Spielberg - Website Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	From Improv Comedy to Horror Movies: An Interview With Filmmaker Shannon E. Brown	10 Dec 2024	00:39:37
In this episode, I am joined by filmmaker Shannon E. Brown, here to discuss her latest short film Overnights - inspired by her real life experience in the veterinary industry, and the burnout that it caused. Shannon combined her background in the veterinary world, improv comedy, and horror sensibilities to create a deeply personal, uniquely stylized short film. Throughout the interview, we discuss: The parallels between comedy and horror genres in filmmaking Producing the film in two days in a borrowed dental office Working with Little Shop of Gore for practical effects Writing from real experiences in the veterinary industry Strategic approaches to film festival submissions Experiences at notable genre festivals like Panic Fest Working with comedy performers in dramatic roles Much more! Links from the show: Overnights - Short Film Shannon E. Brown - Instagram Shannon E. Brown - Website Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Making 2 Features At Age 50 With Filmmaker Kim Noonan	15 Nov 2024	00:46:14
In this episode, I am joined by filmmaker Kim Noonan, who made his feature directorial debut at age 50 with two horror films - proving you can take your career to the next level at any age. After years of making award-winning short films, Kim transitioned to features with the found-footage horror film Nyctophobia and followed it up with the supernatural thriller Are You There? which secured distribution through Dark Sky Films. Topics covered include: Kim's journey from acting to directing Making his feature filmmaking debut at age 50 How he made a micro-budget found footage film in 10 days Scaling up to a larger production while maintaining creative control The importance of casting and giving actors space to find their characters Maintaining momentum and avoiding creative burnout The distinction between festival success and commercial distribution Links from the show: Kim Noonan – Website Kim Noonan – Instagram Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Making A $65K Feature Film & Landing Theatrical Distribution With Filmmaker Sripal Sama	06 Nov 2024	00:43:19
In this episode, I am joined by filmmaker Sripal Sama, who turned his engineering background into an advantage when crafting his debut feature How's That for Monday? While holding down his day job as an IT security engineer, Sripal managed to write, direct, and produce a compelling thriller for just $65,000 - and secured theatrical distribution in both the US and India. Our discussion dives deep into his filmmaking approach and distribution journey. Topics covered include: How Sripal benefitted from his background outside the film industry Shooting a 68-page script in 16.5 days across 5 key locations Creative approaches to minimal coverage that still tell a compelling story Navigating theatrical releases in two countries without a major marketing budget Reaching 50% budget recoupment through strategic platform selection Drawing inspiration from both American indie cinema and Indian filmmaking techniques Links from the show: Sripal Sama - Twitter Sripal Sama - Instagram Sripal Sama - Email Sign up for my newsletter for exclusive filmmaking insight each Sunday.
	Directing & DP'ing A No-Budget, No-Crew Monochrome Feature Film With Jean-Baptiste Herment	04 Oct 2024	00:43:04
Today I am joined by film critic turned filmmaker Jean-Baptiste Herment, here to talk about his DIY feature film Épidermique. Throughout the episode we discuss: How Jean-Baptiste produced the feature film with no crew Benefits of spreading out the production schedule over a year Drawing inspiration from Italian cinema, Robert Rodriguez and beyond The benefits of shooting monochrome on a low budget Using 4 - 5 different cameras and matching them in post The merits of film festivals vs. online self-distribution Much more! Links from the show: Épidermique - Instagram Akaba Media - Vimeo Akaba Media - YouYube Sign up for my newsletter for exclusive filmmaking insight each Sunday.

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