Record Review Podcast – Details, episodes & analysis

Nigel Simeone selects his favourite version of Richard Strauss's Don Quixote.

Edward Seckerson chooses his favourite recording of Shostakovich's Symphony no.5.

Jeremy Sams chooses his favourite recording of Ravel's Piano Concerto for the Left Hand.

Dedicated to 'dem lieben Gott' (the beloved God), Bruckner's monumental Ninth Symphony in D minor was intended to be the culmination of his life's work. Bruckner began working on the Ninth Symphony in the summer of 1887, immediately after finishing his Eighth, but he died in 1896 before finishing the fourth and final movement. Nonetheless, Bruckner's Ninth Symphony is often performed as a mighty, visionary large-scale three-movement work. Shimmering strings and low brass start the opening movement, Feierlich, misterioso, followed by the Scherzo and an achingly expansive Adagio.

Franz Schubert's last chamber piece, the String Quintet in C major (D. 956), is one of the most sublime pieces in the repertoire. It is scored for a standard string quartet plus an extra cello. The work remained unpublished at the time of Schubert's death in November 1828 and after it was belatedly premiered and published in the 1850s, it gradually gained recognition as a masterpiece. Knowing that Schubert died so soon after composing the work, makes many people hear a valedictory quality in the music.

The Serenade's status as a darkly dazzling 20th-century classic is founded on Britten's unerring ear for finding and setting English poetry, coupled with his instinctive sense of instrumental and vocal virtuosity. Its six texts, from Ben Johnson to Tennyson, deal with night and the corruption of innocence, themes which preoccupied Britten throughout his career. Both the solo writing and the interplay between voice and horn are based on the strengths of the two musicians for which it was written, Britten's long-time partner, Peter Pears and the horn player Dennis Brain. They made the first recording in 1944, a year after the premiere, and since then many subsequent recordings, most often featuring British tenors, have followed.

Bach's Concerto for two violins in D minor, BWV1043, affectionately known as the 'Double Concerto', is one of the most popular works of the Baroque repertoire. The two solo parts of this concerto have survived in Bach’s own handwriting, in an autograph that dates from around 1730, when Bach was living in Köthen.

The outer movements illustrate the influence of the Italian Baroque style on Bach in their brisk rhythms, fugal imitations and much of the intricate passage work, while the central movement is deeply expressive as the melodic lines weave between the two violins.

Born in Moscow 150 years ago this year, Alexander Scriabin's music for solo piano has been recorded by many of the great pianists over the last century. But where to start if you're not familiar with this late-Romantic, sometimes elusive repertoire? David Owen Norris is on hand to navigate through some key pieces and makes some recommendations.

Building a Library: Jeremy Sams recommends his favourite recording of Ravel's Daphnis and Chloe (complete ballet).

Maurice Ravel described his ballet, Daphnis and Chloe as a choreographic symphony. The story concerns the love between the goatherd Daphnis and the shepherdess Chloé. Ravel began work in 1909 after a commission from Sergei Diaghilev and it was premiered in Paris by his Ballets Russes in 1912. The orchestra was conducted by Pierre Monteux, the choreography was by Michel Fokine, and Vaslav Nijinsky and Tamara Karsavina danced the parts of Daphnis and Chloé. With rich harmonies and lush orchestrations it is one of Ravel's most popular works.

Simon Heighes recommends his favourite recording of Haydn's Symphony No 49 in F minor, 'La Passione'.

This sombre and darkly dramatic Haydn symphony is one of a series of visceral minor key symphonies reflecting Haydn's reaction to the German proto-Romantic literary movement, 'Sturm und Drang' – Storm and Stress – where passionate subjectivity and turbulent self-expression were the order of the day. The symphony was one of the most popular during Haydn's lifetime and its ominous, almost continuous F minor intensity and arresting dynamism still make an impact today.