Ask Berlin's network of revered deep diggers who their favourite "DJ's DJ" is, and there's a strong chance you'll hear one name immediately pop up: KRN. Phil Kearney, AKA KRN, is one of those rare types who has built a reputation away from the limelight. Formerly a resident at The Ghost's Hoppetosse party as well as a Get Perlonized devotee (plus, full disclosure, reviewing events and working at RA in the mid-2010s), he's well-versed in both wiggle and waft. The hubbub around KRN can be put down to the fastidiousness of his approach: he unearths rare gems from the roots of the underground, before mixing it up with a deft hand. Kearney's RA Podcast, sweetly subtitled "Dadhouse," is an ode to his partner and newborn, as well as a window into his personal palette. He starts in serene IDM territory, before shifting into playful grooves and tactile house oddities. Good lucking ID'ing many of the tunes—we asked for a tracklist but, deep down, already knew the answer. We know this, too: one listen and you'll be hooked. @k_rn @theghost Read more at ra.co/podcast/951

DJ Flight has been a constant throughout the many peaks and troughs of drum & bass. She's one of the genre's key chroniclers, with a real-time history of drum & bass in her archives as a radio presenter, and a level of behind the scenes involvement that spans decades. While Flight's advocacy for equitable gender representation in drum & bass through her EQ50 collective is the most visible, it's by no means the sole initiative. Her work also extends to the Prison Radio Association—the only radio station made specifically for incarcerated people—as well as the Windrush Stories series, which focuses on the cultural history and contributions of Afro-Caribbean migrants to the UK. Flight is also, plainly, a wicked DJ, who doesn't prefer one scene or subgenre over another—which also makes her a font of knowledge. (Her history of 2000s drum & bass is among the best genre deep dives we've ever published.) This RA Podcast is two hours of majestic, freewheeling beats that touch on every corner of drum & bass: from the minimalistic and razor-edged to ragga looseness, with a killer downtempo outro to smooth out the final landing. RA.942 is a first class journey from one of the scene's most enduring heroes. Big up Flight. @djflight Read more at https://ra.co/podcast/942

The first thing you might realise during a MUSCLECARS set is the sheer musicality of the duo's selections. Vocals glimmer at the centre, unfolding into enchanting, soulful coos, while drums strike captivating rhythms and gilded synths reach towards the sky. It's a jazzy New York house sound mythologised by pioneers like Joe Claussell, Carlos Sanchez and Timmy Regisford (whose songs all make it to this RA Podcast). For years, New York natives Brandon Weems and Craig Handfield have run their Coloring Lessons party as a way to introduce a younger generation to this vital piece of dance music history. In a city that prides itself on fast walking, fast talking and, as of late, fast BPMs, their music is an invitation to ease into a more relaxing pace. This RA Podcast comes at a golden time for MUSCLECARS. In May, they released their RA-recommended debut album, Sugar Honey Iced Tea!, whose sultry (and undeniably catchy) lead single "Tonight" has gotten the stamp of approval, and a remix, from New York legend Louie Vega. And this Sunday, they hosted their annual Juneteenth block party outside the Lot Radio, where scores of Black dancers latched onto one another during sets from a multigenerational crew of Black DJs including Ron Trent, Lovie, Shawn Dub and MUSCLECARS themselves. This two-hour-plus mix takes us through the spiralling jazz of Herbie Hancock, the flashy disco of The Originals and lands us, finally, in "Water," the track that also closes out Sugar Honey Iced Tea!. @musclecarsnyc Read more at https://ra.co/podcast/941

Young partygoers might know Man Power, AKA Geoff Kirkwood, as the earnest geezer going back-to-back with DJs like Ewan McVicar, Paul Woolford, La La and Skream—peak-time specialists with a fine line in boofy bangers and ravey techno. Kirkwood is also a dab hand at the kind of elliptical house and deep cut detours favored by '00s labels like DFA and Optimo. In spite of a long track record as a producer and promoter, if you had to boil Kirkwood's work in recent years down to a single quality, it might be altruism. He hails from North Shields, a small town fringing the boundary of Newcastle in England's oft-neglected North East, and wears his heritage proudly. The Me Me Me label boss's involvement in a flurry of civic restoration, and no-filter paeans to the importance of working class involvement in culture, have become as central to his life as music-making itself. For an accomplished DJ who has played at nearly every good club you could name, that’s no small feat. So which side of Man Power were we in for? The answer on RA.940 is: both. '60s free verse poetry, Zebra Katz, Gesaffelstein and John Carpenter in the opening stretch? Makes sense. Octave One punching through Rozalla? You got it. An extended Joe Claussell workout atop Radiohead's "Everything In Its Right Place"? Why not. In Kirkwood's hands, it all goes down as smooth as a pint of Newcastle Brown. @manpower-1 Read more at https://ra.co/podcast/940

People tend to remember the first time they see BEIGE DJ—and a lot of the times after, too. One RA editor described them as "doing some crazy shit" after seeing a set. The Detroit DJ is all about playing to party rock, but also gently subverting expectations. It's a cliché now that good DJs can make whole new tracks out of blending existing songs together. Few embody this as easily or effortlessly as BEIGE, who loves to take sounds you already know and present them in a context you've never heard them in before. BEIGE started DJing after they moved to Detroit roughly a decade ago, and has since become a vital DJ in the Motor City's ecosystem, bridging gaps, scenes and genres. Their DJing style is adaptable and versatile, but you can count on a few things: a techno foundation, rollicking drums, throbbing basslines and vocals coming at you from all angles. Their RA Podcast flows beautifully, with just the right amount of bumps and left turns to keep you from getting comfortable. And the edits? There's plenty of head-turning moments here, like DJ Chap's downtempo drum & bass remix of seminal emo band American Football, a 150 BPM version of "Energy Flash," a cheeky Skrillex flip from Darian and excellent weirdo beats from the freakier ends of the US underground, including producers like Davis Galvin, Alien D and the late Jasen Loveland. @justbeige Read more at https://ra.co/podcast/939

Actress' highlight reel needs little exposition. Darren J. Cunningham has been a prominent yet inscrutable figure in electronic music since the late 2000s, typically flickering to life from the margins before receding into the shadows. Beloved albums like R.I.P., Karma & Desire and Splazsh may switch up the template, but the Actress hallmarks of haze, murk and showstopping beauty remain. As you'll see in the interview below, he's a man of few words—that's in character for him. What's characteristic, too, is a taste for surprises. Ahead of the release of tenth studio album Statik on esteemed Norwegian label Smalltown Supersound next month, here's the "Дарен Дж. Каннінгем RA Mix"—a tapestry of 100 percent original and exclusive Actress music you won't find anywhere else. Flowing between pensive, rugged and stargazing moods across an album's worth of unaired tracks, Actress' first time stepping up on the RA Podcast was clearly worth the wait. @actress1 Read more at https://ra.co/podcast/938

Julia Govor is one of those artists who can take the fundamentals of techno and make it sound hers. At this point in her career, the Georgia-born, New York City-based artist has established a style that feels half-Rome school, half Japanese hypnotic techno, but fully Julia Govor. Her label Jujuka has become a home for the stuff, featuring plenty of her own work along with like-minded folks like EMIT and Victoria Mussi, and she recently put out the biggest and best release of her career with the hefty Laika And Ulka Were Here on Semantica. Her production style carries over to her DJing. Govor's RA Podcast is made up over half her own tracks, and the cuts she picks from others match her style: twirling arpeggios, rushing cascades of synth, heavy but groovy kicks. Much has been made of her childhood in a military family, and how she fell in love with techno via her classical musical education, where she felt drawn to the darker, romantic shades of composition. You get some of that here, but to call Govor's style "dark" would be overly simplistic. Instead it's sleek, aerodynamic and fluid, the kind of techno that gets you lost in a wormhole. @juliagovor Read more at https://ra.co/podcast/937

"All in my life, I've gone back and forth between North and East London," Karen Nyame KG said in a recent mini-doc about her studio process. "These areas are multicultural [...] you just become a sponge for that type of energy." More than two decades into her career, these parts of the UK capital remain a defining influence on The Rhythm Goddess, whose music weaves together ideas from across London and the diaspora, blending R&B and soul with global dance music forms. A leading face of London's hybrid club sound, KG's sound is seductive and luxurious. Her excellent productions, which span UK funky, amapiano and East Coast club, have a velvety touch, as if cut from high-end fabric. Her ear for smoky, sultry grooves, showcased on her Rhythm In The City party-turned-label, is impeccable, and her tracks have become more song-oriented, ranging from sultry to braggadocious. Her classy DJ mixes are a study in bounce and groove, incorporating everything from highlife to Afrotech to dubby rollers. Since re-entering the club circuit in 2018 after a six-year hiatus, KG has become a role model for women talents in the electronic music world. Her stance on racial and gender disparities within the industry has helped orchestrate safer spaces in music, inspiring aspiring Black creatives in the process. KG's RA Podcast is nothing short of sexy, loaded with swung rhythms and lithe drums across gqom, Afrohouse and jazzy deep house. It radiates a level of confidence and intimacy that can only come from years of vision—and a constant passion for sensual, soulful music. @KARENNYAMEKG Read more at https://ra.co/podcast/936

This past February, Tesfa Williams released his debut album—over 20 years into his career. Raves Of Future Past distilled decades of experience on London dance floors into a potent and powerful blend of grime, house, rave and techno. Made with an Elektron Digitakt to imitate the rough textures of early '00s UK dance music, the LP is an anachronistic history lesson that throws everything in a blender, imagining what gqom might sound like as an Eski track and giving new life to the short-lived "sublow" sound Williams helped invent with classic tracks like "Invasion," released under his earlier alias DJ Dread D. Since the sublow days, however, Williams has become a torchbearer for UK house music and African diasporic sounds like Afro house and gqom in London. He's put out soulful hits like "Heartbeat"—recently reissued by Local Action—and released a steady stream of dance records for PMR and Strictly Rhythm. He's what you might call a jack of all trades, except for that he's actually a master of them all. His RA Podcast charts his musical journey in reverse chronological order, starting with smooth, African-influenced sounds and winding through grime and dubstep, eventually landing at jungle. He threads a needle through diverse genres (and eras), and posits that the traditional UK hardcore continuum is a bigger spectrum than you might think, with gqom's heave and amapiano's log drum equally important in the musical equation. It's nearly two hours of UK dance music past and present, from a DJ who has lived it all. @twilliamsmusic Read more at https://ra.co/podcast/935

Simon Aussel is known for a particularly wild DJing style and leftfield bassy bangers, and it's his curious and playful approach to clubland that's won him loyal fans over the years. Whether photographing drink tokens from gigs or creating an 8-bit version of his debut album on a Game Boy cartridge, he seems to approach every endeavour with childlike joy and wonder—rare qualities in an industry that can leave so many jaded. The Nantes-born, Paris-based artist's love of club culture, digging and world-building has set him on a blazing path in club music. He's released an exceptionally wide range of music, including a Memphis rap tape for Trilogy Tapes, dubstep-trap-jazz hybrids with Egyptian singer Abdullah Miniawy and deadly hard drum for Livity Sound. His mixes, meanwhile, are fast becoming DJ lore thanks to his knack for connecting seemingly opposed genres like new wave and fast techno. Look no further than his now-infamous Dekmantel Selectors set from 2021 or a marathon back-to-back with Skee Mask in 2022. As the French DJ gets more comfortable with story-telling, he's getting more personal and focusing on deeper, slower sounds. That's evident on this RA Podcast—six months in the works—which incorporates woozy downtempo, weighty dub and bleepy beats. Of course, in the chaotic middle section there's plenty of huge basslines, plus old-school electro, acidic techno and even a bouncy edit of the Montell Jordan classic "This Is How We Do It." Showcasing his quirks, influences and growth, this is Simo Cell in prime time. @simocell Read more at https://ra.co/podcast/934

By anyone's standards, KI/KI has had a meteoric rise. She started DJing at queer party SPIELRAUM in Amsterdam in 2018, and by now she's one of Europe's most-talked about DJs. She blends modern strands of techno with trance and acid in a way that feels all her own, veering away from the sugar highs of other DJs or the clobbering kick drums of so much fast dance music. Her style is aerodynamic and sleek, not bludgeoning. In addition to her DJ career, KI/KI runs the label slash, which has put out music from the likes of Alpha Tracks, Peachlyfe and Newa, artists who share her canny blend of trance and techno aesthetics and sneaky pop sensibilities. Acid is another big love, as shown by her 5HRS OF ACID concept. The decades-old sound has become a key part of her style and appeal, as you'll hear on her RA Podcast. It's a barreling 90 minutes through techno and trance with trap and dubstep accents, breathless but perfectly paced. @ki_slash_ki Read more at https://ra.co/podcast/933

A glorious ode to sound system culture. For her RA Podcast, Brooklyn-based DJ Ayanna Heaven celebrates vibrations echoing down the ages, connecting seven decades of trailblazers and trendsetters. It's a soundtrack we've timed with an eye to that golden late summer run of Notting Hill Carnival, Brooklyn's West Indian Day Parade and several crucial dates in the Jamaican calendar. Since 2020, the Brooklyn-based DJ, ethnomusicologist, dancehall advocate and promoter has held down two shows on the city's most popular stations: the monthly "Sounds of Heaven" on The Lot and biweekly "Across 110th Street" on WKCR. That's roughly 72 hours of radio every year. Light work for Heaven, though, whose sound traverses the limitlessly fertile ground of reggae, dancehall, funk, soul and beyond. From Sly & Robbie, Aswad and Vybz Kartel through contemporary heaters and reskins of platinum-plated standards like "No Games" and "Sun Is Shining," RA.950 is a story of a thriving culture, grounded in the past yet with intentions set firmly on the future. @ayanna-heaven Read more at https://ra.co/podcast/950

Earlier this year, we described Los Angeles act 1morning as one of the funkiest young producers in modern-day techno. And we stand by it. The fast-rising upstart is building a solid fan base around North America and beyond with a rugged, vintage style of swung techno and hardgroove. His all-vinyl DJ sets and pumping productions on the likes of Fixed Rhythms and Mála Ádh stand out for their distinctly old-school flavour—steamrolling hi-hats à la Robert Hood, swift choppage behind the decks and deep, deep grooves. Like many of his all-vinyl heroes, he's also a treat to watch behind the decks The up-and-comer had a hell of a year in 2023, from playing in Japan to going on his first European tour, and his momentum shows no signs of slowing. He debuted at New York's dweller festival this year and K9 Unit, his duo with Bloodhound, recently did a night with fellow hardgroove king Regal86. It's only a matter of time until 1morning gets to a festival or a club near you so until then, enjoy his RA Podcast for now. The mix unfortunately came with some less than stellar circumstances, as the records 1morning pulled were stolen from his car, and so instead this RA Podcast became a statement of resilience and creativity—and, in his words, "an outlet for my rage." @1morning Read more at https://ra.co/podcast/932

Sam Coates took to techno like a diligent pupil, falling in love with the genre through labels like CLR in the late '00s. It didn't take long for the student to surpass his proverbial teachers. Almost immediately, the Manchester native was putting out pitch-perfect, functional techno records with everything intricately balanced. The requisite move to Berlin only sealed his fate as a future techno luminary, and by now, based in Kyiv, he's one of techno's most reliable, yet exciting, workhorses. Setaoc Mass records (and those on his label, SK_eleven) are minimalist but colossal, deceptively simple but not easy to pull off. We've praised him in these pages for his "sense of economy—how to get the hardest impact out of just a few elements," and that's the idea behind his RA Podcast as well. Put together from records old and new, and intricately layered, Coates's mix is like a time-travelling wormhole connecting disparate eras from techno, and highlighting the genre's most timeless attributes: mechanistic rhythms, careful pacing, rudimentary melodies made out of the strangest sounds and, of course, the power of the bass drop. It's hard to imagine anything that sounds more capital-T techno than this mix, which is a high compliment. It's easy to hear why his records and DJ sets are only more in demand from techno heads across the geographical and generational spectrum. @setaoc_mass Read more at https://ra.co/podcast/931

Most underground movements in the arts can be boiled down to one key ingredient: friends doing dope shit together. Childhood BFFs Luca Medici and Delbert Perez have been doing just that with INVT (that's "innovate"), a multidisciplinary art project that spans club music and streetwear. Before exploding onto the international stage and playing to massive crowds in Ibiza and Tulum, the Miami natives built a solid community at home through electrifying DJ sets, releases and fashion. They might be globe-trotting artists now, going back-to-back with artists like Skream and playing Panorama Bar, but their raw DIY spirit stays strong. Their tunes and live hardware shows fuse jungle, techno, East Coast club and dubstep—and lately, tech house and tribal house—with bass-heavy Latin genres like cumbia and guaracha. A reflection of Miami's diverse demographics, their genre cross-pollinations bring together skaters, dancers, artists and various subcultures. Their clothing lines are equally cross-cultural: repurposed vintage items made from screen printing and acid washing, using photos and designs that represent their home city's vibrant street culture. True to their grassroots ethos, everything's done in-house, from mixing and mastering tracks to embroidery. The next-gen duo's ultra-rhythmic productions, characterised by deep, swinging drums and trippy textures, is delivered to the world at a rapid-fire pace, testament to Medici and Perez's seemingly insatiable hunger. Their explosive career has helped bring fresh shine to Miami talents who feature heavily in their sets, including this RA Podcast. Featuring DJ Babatr, Coffintexts and plenty of their own unreleased heaters, INVT's mix represents their friendships, community and Miami's thrilling melting pot of dance music that they're still a core part of even as they move across the globe. @invt305 Read more at https://ra.co/podcast/930

Last year, when we wrote that "the best UK garage is coming out of Los Angeles," we were talking about Introspekt. The US DJ, who has since moved to New York, really understands the genre—its appeal, swing and unique, bassy whomp. Listen to any of her tracks, like last year's "Forlorn," and you'll hear someone who produces like she's been making UKG all her life. This is probably partly because she comes from a dubstep background, but either way, if you're looking for new UK garage beats, Introspekt is one of the best going right now. Her DJing also hits a distinct sweet spot, zeroing in one of the proto-dubstep, dark UK garage days when producers like El-B were making the hottest shit around. Her sound is both retro and forward-looking, as you'll hear on her RA Podcast, which balances vintage Big Apple cuts from Skream & Benga with new-school tunes from Amaliah and Surusinghe. It's not so much a throwback as it is a rejuvenation of an old sound—a new way to look at it and a new way to make it. If hindsight is 20/20, then Introspekt has perfect vision, and mixes like this are the perfect way to educate listeners, make them move and innovate a little in the process. @sageintrospekt Read more at https://ra.co/podcast/929

Berlin label and collective Live From Earth crew does things its own way. And it works. Over the past ten years, the team has become a major force in the city, mixing a killer ear for techno and house with a sense of humour and pop sensibility that has proven irresistible to audiences and scenes around the world. That's why we chose Live From Earth for our latest cover story: its DIY attitude, humble origins and tenacious spirit are everything we love about underground dance music. Accompanying the cover story, this RA Podcast features a recording of a live back-to-back between two of the label's chief artists, DJ Gigola and MCR-T (the latter of whom has produced some of Live From Earth's biggest hits, including horsegiirL's "My Barn My Rules"). The hour-plus recording makes for a handy microcosm of the label's sound, rushing through contemporary and vintage techno with plenty of raunchy vocal samples and hip-hop a capellas. It's blazing but never too hard, catchy but never predictable. Above all, it's fun—the group's guiding principle. @mcr-t @djgigola @livefromearth Read more at https://ra.co/podcast/928

Of all the Berlin DJs who make a living spinning strange, I'm-not-sharing-the-tracklist kind of records, Sugar Free, originally hailing from Madrid, might be the most fun. She plays bold, colourful tracks with an air of sci-fi and sleaze, somewhere between Italo, hi-NRG, electro and house. (Her Dimensions Mix last year was one of our favourites of 2023.) She's the kind of DJ who messes with your perception of genres and tempos by how she blends tracks together, and also a DJ with a rare grasp of mixing melodies and moods—just check out the first transition of this RA Podcast for a spine-tingling example. Sugar Free doesn't speak much publicly, and you won't find a lot about her on the internet. She prefers to let her DJing speak for itself. And her RA Podcast says a lot: proggy basslines, heart-in-mouth descents into reverb-heavy breakdowns, eerie vocals and a general feel of psychedelia and '80s decadence. It's difficult to tell what era these records are from, which is part of the charm. For a bonus point, try and pick out two just-completed Sugar Free originals, some of her first productions ever after her debut track came out on Limousine Dream in 2022. @freesugarfree Read more at https://ra.co/podcast/927

FAUZIA is an artist of many moods. The UK talent moves from IDM to soul on her NTS Radio residency, while her club DJ sets reveal her love for '90s-style breaks, electro and bass-heavy sounds. In the studio, she explores her softer side through self-released homespun dub and ambient jungle. In recent years, she's gravitated towards live performances. Her gossamer vocals, one of her strongest suits, cuts through live instrumentation like a hummingbird in agile flight. In 2020, the London-based talent told Mixmag that she was done being categorised as a "dance music" artist—and so far, she's succeeded. While she incorporates clubby touchstones into her work, there's a deep level of cross-genre knowledge and blending at play. FAUZIA's RA podcast makes that clear. Free of any four-to-the-floor music, it moves from experimental jazz to orchestral melodies to R&B ballads for a thoughtful and introspective journey full of her own unreleased music that points towards her newer interest in composition. This is music to be felt, so let your guard down and let it wash over you. @FAUZIA Read more at https://ra.co/podcast/926

Shubostar's RA Podcast begins and ends with video game music. (The beginning kind of sounds like Mary Poppins, actually.) Lots of DJs and producers play or make music that emulates the nostalgic sounds of old-school gaming, but the South Korean artist goes direct to the source. Before falling in love with dance music, she went to an animation-focused high school and learned how to make video games—so it's basically in her musical DNA. And while her DJing isn't as out-there as you might expect from that description, '90s and '00s Japanese video game (and anime) soundtracks offer a good idea of what her playing sounds like: lush, synthetic and a little naive, full of wonder and positive vibes. With releases on labels like Permanent Vacation, Internasjonal and her own uju Records, Shubostar is also a student of cosmic space disco, inspired by artists like Daniele Baldelli, Lindstrøm and Prins Thomas. Lately she's been rubbing elbows with Âme and Dixon. She picks tracks from across eras and genres on her RA Podcast, with cuts from Yellow Magic Orchestra, Baldelli and Kraftwerk alongside selections from DJ City and Private Agenda. It's a mix full of mood shits, dazzling keyboard runs and, of course, melodies that seem to reach out towards the heavens—or outer space. @shubostar Read more at https://ra.co/podcast/925

If Bitter Babe was a perfume, her scent would be animalic—heavy musk, bergamot, worn leather and burnt spices. The Bogotá-born, Miami-bred and now Berlin-based artist has a heady, ultra-rhythmic sound that feels made for sweltering summer nights and feral fantasies. Combining pan-Latin styles with hard drum and industrial touches, she's crafted a singular mood that defines her DJing and production: hazy, high-energy and sensual. Bitter Babe's ascent on the international circuit has been tied to her role in Miami's electronic renaissance. Whether it's proto-reggaeton, dense ambient or guaracha, her sets and productions are characterised by evocative low-end, darting synths and distorted frequencies that exude drama. With releases on TraTraTrax, Air Texture and SVBKVLT, she's cemented her position as an experimentalist, leaving the door open for more deconstruction and abstraction. As cofounder of multidisciplinary project LATITUDES, Bitter Babe seeks to unify Latin America's electronic music communities. Her mixes are a great source for discovering under-the-radar acts from Peru, Brazil and beyond, some of whom are featured on her RA podcast. Starting with subby downtempo before moving onto swampy baile funk, technoid mutations of dembow and cheeky UKG, it showcases her expertise for trippy yet deeply kinetic grooves. @bitterbabe Read more at https://ra.co/podcast/924

Raw techno from a rising star. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=675

An album's worth of material from an artist carving out his own lane. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=674

A cassette-style mix from Berghain's most eclectic DJ. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=673

Breezy tunes from a star of Sydney's club scene. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=672 @aditoohey

A mix of unorthodox rave music that highlights Latin American producers. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=671 @verraco

A stroll through tempos and genres. @yu_su Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=670

Exquisitely eccentric club sounds. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=669 @the-subliminal-kid

Icelandic rave. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=668 @exos

Tripped-out trance and electro from Canada. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=667 @d-tiffany

Detroit might be synonymous with techno, but it also has a rich house tradition. And Rick Wade—FKA Big Daddy Rick—is one of Detroit house's key players. Along with the likes of Keith Worthy, Theo Parrish and the late Mike Huckaby (who Wade had a lifelong friendship and friendly rivalry with), he created a hybrid sound that is both techno and house, effortlessly soulful, sculpted and glowing—and Midwest to the core. As Tajh Morris said in a retrospective review of one of his classic records, "growing up in Buchanan, Michigan, meant that Wade was much closer to Chicago than he was to Detroit." Many of Wade's best records were released on Harmonie Park, his era-defining label that also featured plenty of work from Huckaby. Those EPs still sound fresh and timeless today, qualities that extend to Wade's RA Podcast, which features 90 minutes of smooth-as-butter house old and new. Over the years he's kept the flame burning for the smouldering sounds of Detroit house, working in sounds from younger producers like Folamour along the way. Enjoy listening to a master at work. @rick-wade Read more at https://ra.co/podcast/923

An album's worth of new music on our 666th mix. @matrixxman Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=666

Vintage IDM and electro with a modern ear. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=665 @lauransparrow

An hour of funk-infused music for your next living-room dance party. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=664

Minimal wave meets mutant techno. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=663 @minimalwave

Rowdy club sounds from the cofounder of The Knife. @olofdreijer Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=662

Detroit night-drive music. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=661

Full-throttle tunes from a breakthrough artist. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=660 @nkisi

Fierce club sounds from Kazakhstan. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=659 @naziranazira

Eerie ambience from a master of the form. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=658 @huerco_s

One of 2018's standout DJs steps out of her comfort zone. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=657 @honeydijon

A roaring hour from one of the most vital talents in Naarm: First Nations producer Paul Gorrie, AKA DJ PGZ. The Gunai/Kurnai and Yorta Yorta artist is a fixture of forward-thinking dance music in Australia, with releases on labels like Butter Sessions, Pure Space and !K7, as well as numerous club and festival gigs on the circuit. An international breakout moment for the Naarm (Melbourne)-based talent feels inevitable. There's much to be said about the lack of visibility and support for Indigenous artists within the global electronic ecosystem, but at the root of all PGZ's disparate interests are community building and the advancement of marginalised peoples. To that end, DJ PGZ's RA Podcast is notably laced with multiple cuts from Nene H's Gaza fundraising compilation. It's distinctly fresh—the oldest track you'll find is from 2022—as he gallops through Kalahari-style wigged-out prog and techno, through to harder drum syncopations. Consider this a firm tip from us: PGZ is the truth. @dj-pgz Read more at ra.co/podcast/949

Mogwaa is a Seoul-based DJ, producer and multi-instrumentalist who can seemingly do no wrong. Since his debut EP in 2017, he's developed a stellar track record of releases and live performances that have made him an in-demand name across East Asia and beyond. And he's only just getting started. The South Korean artist's multi-genre palette and hardware expertise have earned him the description of boy wonder from peers and collaborators. His work is awash in bright textures and dreamy moods, whether it's electro-fused techno for Peggy Gou's Gudu Records, limber jungle for Klasse Wrecks or dubby dancehall for Sound Metaphors. At Wonderfruit festival in December, he played a thrilling live set of spacey techno and loopy acid, infusing rich sound design into elastic groove. His stamina and enjoyment of music is tangible—he could probably play all night long and still be raring to go. After learning classical piano, guitar and trumpet in his early years, he taught himself to compose and produce. He's now determined to work with South Korean producers through Walls And Pals, a label he runs alongside Jesse You. Mogwaa's RA Podcast offers a glimpse into his multi-faceted sound. It's full of club-ready heaters, from trippy house to breakbeats, that pack a serious punch. Read more at https://ra.co/podcast/922

Mystical rhythms. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=656 @nathanmicay

Slithering techno and trance. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=655 @mamasnake

Sleek, spacey, syncopated sounds. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=654

An exuberant tribute to classic New York club culture. Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=653

The first-ever DJ set from a key Detroit live act. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=652

Wild selections from one of Bristol's finest. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=651 @iambruce

The ever-evolving artist shows yet another side of his sound. Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=650 @keinobjekt