Explore every episode of the podcast Platemark: prints and the printmaking ecosystem
| Title | Pub. Date | Duration | |
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| s3e120 the European print trade in the 16th century with Karen Bowen and Dirk Imhof | 03 Nov 2026 | 01:00:24 | |
Join host Ann Shafer for a fascinating deep dive into the history of the early print trade in Europe with distinguished authors and historians Karen Bowen and Dirk Imhof. Drawing on fifteen years of meticulous research in the archives of the Plantin-Moretus Museum in Antwerp, Karen and Dirk unpack the vast socio-economic networks that powered the sixteenth- and seventeenth-century print market. From tracking international shipping routes and historical price lists to revealing the crucial, often-overlooked roles of women in print workshops and financial transactions, this episode offers a treasure trove of insights for print historians, collectors, and enthusiasts alike. Tune in to uncover the hidden layers behind how historical prints were produced, distributed, and valued. Show me the images !!
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| s2e40 History of Prints Giovanni Battista Piranesi (part two) | 27 Oct 2026 | 00:52:23 | |
Step into the grand, shadowy, and endlessly inventive world of Giovanni Battista Piranesi. In this episode, Ann and Tru conclude their conversation focusing on Piranesi's best known series, The Imaginary Prisons (Carceri).
Show me images from part two! | |||
| s3e119 lithography counter etching deep dive with Curtis Bartone | 20 Oct 2026 | 00:55:47 | |
Join host Ann Shafer for an illuminating conversation with artist and SCAD educator Curtis Bartone. In this episode, Curtis pulls back the curtain on the alchemical medium of lithography and his secret sauce of counter etching, discussing his artistic evolution from the Midwest to Savannah, Georgia, and how he balances rigorous technical mastery with experimental mark-making. From overcoming early impostor syndrome in the printshop to breaking down the intricate processes behind standout lithographs like Overseer, Curtis shares invaluable insights into landscape transformation, the delicate challenge of knowing when a piece is finished, and what it means to "draw like an etcher." Tune in for a rich exploration of lithography, teaching, and the enduring magic of oil and water.
Show me the images !! | |||
| s2e39 History of Prints Giovanni Battista Piranesi (part one) | 13 Oct 2026 | 00:58:19 | |
Step into the grand, shadowy, and endlessly inventive world of Giovanni Battista Piranesi. In this episode, Ann and Tru explore the extraordinary life and legacy of the 18th-century master printmaker, architect, and polemicist whose sweeping etchings of Rome and terrifyingly surreal Carceri (Prisons) series continue to captivate the imagination. Join us as they examine Piranesi's Venetian roots, his fierce contributions to the Greco-Roman design debates, his enduring influence on figures like Goethe, and the vital artistic legacy of his daughter, Laura Piranesi, in this deep dive into the power of copper and ink.
Show me images from part one! | |||
| s3e118 55+ years of selling prints with dealer Daniel Lienau | 06 Oct 2026 | 01:13:08 | |
Join host Ann Shafer on this episode of Platemark for a captivating journey through more than 55 years in the print world with Daniel Lienau, owner of The Annex Galleries in Santa Rosa, California. From his serendipitous beginnings at the University of Wisconsin-Madison and Berkeley to studying under unorthodox educators like Janet Turner, Daniel shares a lifetime of wisdom on print dealing, collection management, and the evolution of the gallery business. Tune in as we discuss his early digital footprint connecting Santa Rosa to a global audience, the cultural significance of print history, and the various rabbit holes of research he's fallen down like prints by members of Atelier 17 and Taller de Gráfica Popular.
Show me the images !!
www.annexgalleries.com | |||
| s3e117 exquisite wood engraving and illustrated books with Barry Moser | 22 Sep 2026 | 01:15:15 | |
Join us on this episode of Platemark for a captivating and deeply personal conversation with the legendary artist, illustrator, and master printmaker Barry Moser. Reflecting on a career defined by extraordinary craftsmanship and intellectual curiosity, Barry shares stories from his beginnings in Chattanooga, his transition from preaching to an ever-questioning artistic life, and the philosophy behind his monumental Pennyroyal Press editions of classics like Alice in Wonderland and the Bible. Tune in as we explore his profound dedication to teaching, his resilience in adapting his process across decades in the studio, and the enduring wisdom of a true giant of the book arts.
Show me the images !!
Cover image: Jennifer Chang Crandall Pennyroyal Press: www.moser-pennyroyal.com | |||
| s3e116 framing deep dive with Thoren Vadala | 08 Sep 2026 | 01:11:06 | |
In this episode of Platemark, Ann Shafer sits down with master framer Thoren Vadala of Make-A-Frame Atlantic to explore the meticulous, often overlooked world of picture framing. From the technical realities of custom woodworking versus manufactured MDF to conservation standards like cotton rag mats and UV-filtering glass, Thoren breaks down what it truly takes to protect and elevate a work of art on paper. Tune in for an engaging discussion on framing philosophy, avoiding the trap of standard black-and-white presentation, and why early collaboration between artists and framers makes all the difference.
Show me the images !!
Frameatlantic.com IG @makeitframe
Other suppliers Gaylord: gaylord.com Spink and Gabor: no website Small Corporation: smallcorp.com Bark Frames: barkframeworks.com University Products: universityproducts.com | |||
| s3e115 creativity and freedom with cultural strategist Laura Raicovich | 01 Sep 2026 | 00:55:14 | |
Host Ann Shafer talks with Laura Raicovich about creativity, resistance, and alternative cultural spaces. They talk about Laura's pioneering museum leadership, her upcoming fine jewelry line Istria Napoli, and her fearless advocacy for artistic freedom outside traditional institutional boundaries. From exploring the legacy of the Queens Museum to reimagining sustainable cultural infrastructures like the Francis Kite Club, Laura shares an inspiring roadmap for anyone looking to build a versatile, impact-driven creative life. | |||
| s3e114 Live from the McNay Print Fair: James Stroud and the Art of Collaboration | 25 Aug 2026 | 01:04:51 | |
Celebrate a milestone with Platemark as we record our first-ever live episode at the 30th anniversary of the McNay Print Fair. Host Ann Shafer is joined by master printer James Stroud (Center Street Studio) to explore the fascinating, high-stakes world of the print shop. From Jim's formative years with Stanley William Hayter at Atelier 17 to modern-day collaborations with artists like Markus Linnenbrink, this episode goes deep into the technical "magic" and the unique creative chemistry that occurs when an artist's vision meets a printer's expertise. Discover why printmaking is more than just a process—it's a community.
Show me the images !!
IG: @centerstreetstudio
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| s3e113 Parasol Press deep dive with curator Rachel Vogel | 11 Aug 2026 | 00:54:22 | |
What happens when a visionary publisher collaborates with minimalist and conceptual giants like Chuck Close, Agnes Martin, and Dorothea Rockburne? In this episode, host Ann Shafer sits down with Rachel Vogel, Assistant Curator at the Addison Gallery of American Art, to explore the monumental legacy of Parasol Press. Rachel shares the behind-the-scenes stories of curating the exhibition Parasol Press: Breaking New Ground, diving into the innovative vision of founder Bob Feldman, the intricate technical synergy between artists and printers, and how this iconic press fundamentally revitalized the contemporary printmaking ecosystem. Show me the images !! | |||
| s3e112 the business and heart of Lower East Side Printshop with Executive Director Marie Tennyson | 28 Jul 2026 | 00:56:04 | |
In this episode of Platemark, host Ann Shafer sits down with Marie Tennyson, Executive Director of the Lower East Side Printshop who shares her inspiring journey from starting at Universal Limited Art Editions (ULAE) at age 22 to championing one of New York City's most vital artistic hubs. Discover the rich history of the Lower East Side Printshop—born during a 1968 teachers' strike—and learn how it continues to provide affordable studio space, foster emerging talent, and invite artists of all backgrounds to experience the collaborative magic of printmaking. Tune in for an engaging conversation about community, artistic innovation, and keeping the printmaking tradition alive and accessible.
Show me the images !!
IG @printshoporg | |||
| s3e111 history, art, and social change with Jenny Schmid | 14 Jul 2026 | 01:07:16 | |
In this episode of Platemark, we sit down with exceptional artist, printmaker, animator, and educator Jenny Schmid for a thought-provoking discussion on the intersections of history, art, and activism. We explore how historical figures like Käthe Kollwitz and José Posada influence Jenny's contemporary practice, delve into her fascinating project "Disembodied Reembodied," and celebrate the vital role of the Minnesota printmaking community in resisting oppressive systems. Jenny also shares a glimpse into her upcoming work examining midwifery, witch accusations, and women's labor history.
Show me the images !!
https://storymaps.arcgis.com/collections/cf19f0b0a7414dceb28f1fcd0dbd1ac7
https://vimeo.com/1087246787?fl=pl&fe=sh
Please note: This episode contains sensitive discussions regarding the history of violence and racism in America, the murder of George Floyd, ICE, and the current socio-political landscape; listener discretion is advised. | |||
| s3e110 engraving currency and stamps with Tom Hipschen | 30 Jun 2026 | 01:02:07 | |
Ever wonder about the incredible artistry hiding in your wallet? In this episode, Ann sits down with Tom Hipschen, a former master engraver at the Bureau of Engraving and Printing who spent nearly four decades crafting the very banknotes and postage stamps we handle every day. Tom takes us behind the scenes of his extraordinary career—from his grueling decade-long apprenticeship and serving as the lead picture engraver for the $20 bill, to engraving over 130 US postage stamps. We delve into the fascinating intersection of centuries-old hand engraving, cutting-edge anti-counterfeiting technology, and a poignant look at his legacy as he navigates life with essential tremor. Tune in for a conversation that will completely change how you look at the everyday prints right in your pocket.
Show me the images !! | |||
| s3e109 building a global print community with Reinaldo Gil Zambrano | 16 Jun 2026 | 01:16:36 | |
In this episode, host Ann Shafer sits down with Venezuelan-born artist and educator Reinaldo Gil Zambrano. Based in Spokane, Washington, Reinaldo is a relief printmaking specialist whose work explores themes of home, heritage, and the universal human experience. As an Assistant Professor at Gonzaga University and co-founder of the Spokane Print and Publishing Center, Reinaldo discusses his commitment to "democratic" art-making and his role as a bilingual bridge-builder in the global print community. From his early education at United World College to his recent solo museum debut, Reinaldo shares how storytelling and collaboration remain at the heart of everything he carves. Show me the images !! 🔗 Relevant Links
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| s3e108 casting metal type with Val Lucas | 02 Jun 2026 | 01:12:31 | |
In this episode, host Ann Shafer sits down with Val Lucas, the artist and master printer behind Bowerbox Press. From her early shift from painting to printmaking at MICA to her current work casting custom metal type and ornaments, Val shares her journey through the tactile, meticulous world of letterpress. We dive into the technical evolution of the craft—balancing traditional handset type with modern polymer plates—and discuss the vibrant, tight-knit community of women preserving this historic art form. Join us for a deep dive into the patience, machinery, and artistry required to keep the "magic of the press" alive in a digital age. IG: @bowerbox
Show me the images !!
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| s2e38 History of Prints The Venetians (part three) the Tiepolos | 26 May 2026 | 00:46:54 | |
In s2e38, Ann and Tru continue their History-of-Prints conversation about Venice in the 18th century. This is part three of three in which we talk about father and son, Giovanni Battista Tiepolo and Giovanni Domenico Tiepolo. Shift your gaze from the canals to the clouds as we explore the whimsical, light-filled world of Giovanni Battista Tiepolo. A master of the Rococo, Tiepolo brought a sense of effortless spontaneity to his etchings, moving his needle with the fluidity of a pen. We break down his transition into the world of "Scherzi di Fantasia," where mythical scenes and fantastical themes come to life with remarkable finesse. Unlike the rigid reproductions of the past, Tiepolo's prints offer a personal narrative and a direct line to his wildest fantasies, proving why he remains one of the most enchanting storytellers in the history of art. Show me the images !! | |||
| s3e107 building an alternative art school with Nato Thompson | 19 May 2026 | 01:03:42 | |
What happens when you trade a job at Kinko's for a career as one of the art world's most provocative curators? In this episode, Ann sits down with the legendary Nato Thompson to explore how he navigates the complex intersections of community, culture, and the "art ecosystem." They dive into his latest mission—The Alternative Art School—where he is dismantling the myth of the solitary genius and building a global, accessible sanctuary for creatives. From the rise and fall of NFT hype to the deeply collaborative parallels between his work and the printmaking community, Nato shares why lean-in community support is the ultimate fuel for any artistic journey. Join them for an energizing look at how to find your calling by embracing the "crazy" and connecting with the collective. IG: @NatoThompson, @thealternativeartschool | |||
| s2e37 History of Prints The Venetians (part two) Canaletto | 12 May 2026 | 00:39:53 | |
In s2e37, Ann and Tru continue their History-of-Prints conversation about Venice in the 18th century. This is part two of three in which we talk about Canaletto. While often remembered as a topographical painter of postcards, Canaletto was, in fact, a master of curated reality. In this segment, they examine how Canaletto transformed the ordinary streets and canals of Venice into grand, cinematic scenes. Whether using the camera obscura to manipulate perspective or painting en plein air, he captured the "Venetian Vibe" with a meticulous yet lively brush. We take a deep dive into his Capricci—imaginative visions and cityscapes that felt more like Venice than the city itself—and discuss how his work became the ultimate souvenir for travelers seeking to bottle the spirit of the floating city. Show me the images !! | |||
| s3e106 wheatpasting and engraving with David Barthold | 05 May 2026 | 01:06:48 | |
David Barthold's journey as a printmaker began at age 13, took him through the legendary studio of Atelier 17 in Paris, and eventually led to a hiatus that ended in a burst of lino-cut street art during the pandemic. In this episode, we explore the life and work of a native New Yorker who refuses to stay in one lane. We dig into his early start learning under Ruth Leaf as a teenager and honing his craft at Oberlin and in France; printmaking as protest and how the pandemic pushed David out of the studio and onto the streets of Park Slope, using wheat-pasted portraits of figures like RBG and George Floyd to engage his community; David's transition from painting back to the "grease and gears" of the print studio, and why he finds spontaneity in such a technical medium; and building the ecosystem understanding the vital role of community, shared spaces, and the mentors who keep the print world spinning. David's work is a masterclass in how a centuries-old medium can strike at the heart of contemporary culture. Follow David's street art and studio updates on Instagram: @DavidFBarthold Show me the images !! | |||
| s2e36 History of Prints The Venetians (part one) Preamble | 28 Apr 2026 | 00:49:22 | |
Step into the sun-drenched world of 18th-century Venice as we explore the "theatrical splendor" that defined an era. In this episode, Ann and resident expert Tru Ludwig dive into the vibrant Venetian art scene, where the city itself served as both a stage and a muse. We set the scene by discussing the transition from the heavy Baroque style to the airy, spontaneous Rococo and the rise of the "Grand Tour." Discover why 18th-century Venice wasn't just a destination, but a living, breathing entity where reality and imagination blurred through the medium of etching, catering to a new generation of connoisseurs seeking the direct, autographic hand of the artist. Show me the images !! | |||
| S3e105 rare books meet heavy machinery with Amelia Hugill-Fontanel | 21 Apr 2026 | 01:05:20 | |
What happens when a rare book library is also a working machine shop? This week, Ann sits down with the formidable Amelia Hugill-Fontanel, Associate Curator at the Cary Graphic Arts Collection at RIT. Amelia isn't just a keeper of history; she's a "press fixer" who maintains a fleet of functional 19th-century printing presses. We dive into the incredible legacy of Melbert B. Cary Jr., the intersection of historical type and 3D-printing innovation, and the inspiring rise of women in the traditionally "macho" world of iron hand presses. Whether you're a letterpress obsessive or a curious novice, Amelia's journey to curator and mechanic is a masterclass in keeping the history of the graphic arts alive and spinning. One print at a time. Show me the images !! https://www.rit.edu/carycollection/ | |||
| s3e104 carborundum collagraphy with Betty Winkler | 07 Apr 2026 | 01:02:30 | |
In this episode of Platemark, Ann sits down with Betty Winkler to explore her dual career as a master of carborundum collagraphy and a dedicated art therapist. They dive into her technical innovations—such as her preference for plexiglass plates—and discuss her book, which aims to demystify this tactile, non-toxic printmaking method. Betty shares how her background in the collaborative world of the print studio seamlessly informs her work in therapy, viewing both as powerful tools for communication and healing. From the grit of the carborundum to the deep emotional layers of trauma therapy, Betty's journey is a testament to the idea that creativity is a fundamental human trait. Whether you are a seasoned printmaker or curious about the intersection of art and psychology, this interview offers a fascinating look at a life dedicated to the plate and the person. Find out more about EMDR therapy here: https://parnellemdr.com
Show me the images!!
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| s3e103 release the Wolfbat with Dennis McNett | 24 Mar 2026 | 01:06:16 | |
Get ready to leave the white-cube gallery behind. In our latest episode, we're stepping into the wild, mythic world of Dennis McNett (AKA Wolfbat). For over 30 years, Dennis has been carving out a career that defies every "standard" artistic path. Dennis doesn't just make art—he builds universes. He is a modern-day storyteller who reminds us that when you combine woodcuts with community and a bit of "Wolfbat" energy, art has the power to transform entire towns. IG: @wolfbat Show me the images!! | |||
| s3e102 Seoul to West Texas with Sangmi Yoo | 10 Mar 2026 | 01:10:44 | |
In this episode, Ann sits down with Sangmi Yoo—artist, educator, and Professor of Printmaking at Texas Tech—to discuss how she navigates the "in-between." Her work isn't just about ink on paper; it's about how we build our identities out of architecture, memory, and the ghosts of colonial history. IG: @sangmiyooliving Show me the images!!
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| s3e101 the science and art of ink with Stephen Hoskins | 24 Feb 2026 | 01:21:43 | |
What is the "secret sauce" that gives a print its soul? In this episode, Ann sits down with Professor Stephen Hoskins to decode the complex chemistry and 500-year history of printmaking inks. From Old Master soot to the cutting edge of 3D-printed textures, we're diving deep into the science, sustainability, and tactile future of our craft's most foundational element. Stephen Hoskins's website: https://stephenhoskins.com/ University of the West of England: https://cfpr.uwe.ac.uk/ CFPR Editions: https://cfpreditions.uwe.ac.uk/ Top 10 Printing Museums in Europe: https://cfpr.uwe.ac.uk/cfpr-seminar-european-printing-museums-a-personal-top-ten-prof-stephen-hoskins-26-may-2020/
Show me the images!! | |||
| s3e100 celebrating 100 interviews | 10 Feb 2026 | 00:58:23 | |
Celebrating her 100th interview in the third series, Ann is in the hotseat and is being interviewed by her friend Stacy Kincaid. The discussion covers the podcast's origins, challenges, and key moments. Ann reflects on her diverse career and shares insights into the technical and creative aspects of podcasting, including her commitment to providing visual references for listeners. The conversation spans personal anecdotes, professional highlights, and future aspirations for the podcast and printmaking community. | |||
| s3e99 simultaneous color printing and Krishna Reddy's legacy with artist Mark Johnson | 27 Jan 2026 | 01:10:55 | |
"It's not just about the mechanics; it's about the way the colors breathe together on the metal." — Mark Elliott Johnson In this episode of Platemark, host Ann Shafer talks with artist Mark Johnson who shares his extensive experiences working with Krishna Reddy, a master in simultaneous color printing (viscosity printing). The conversation reveals insights into Reddy's creative process, his philosophical approach to art and teaching, and the technical intricacies of his printmaking methods. The episode also touches on Johnson's own journey, the influence of Reddy's teachings on his career, and the continuing relevance of Reddy's techniques in contemporary printmaking. Don't miss Mark's stellar video on simultaneous color printing made for PCNY's spring 2025 exhibition of the work of Krishna Reddy curated by Sarah Burney.
https://www.markelliottjohnson.com
PCNY video link: https://www.youtube.com/watch?v=8cSgvqHjTO8
PCNY catalogue: https://issuu.com/ipcny/docs/web-krishna_reddy_publication
Show me the images!! | |||
| S3e98 the Society of American Graphic Artists with Diego Briceno, DeAnn Prosia, and Esther Schwalb | 13 Jan 2026 | 00:54:27 | |
Since 1915, the Society of American Graphic Artists (SAGA) has survived world wars, the Great Depression, and the digital revolution by doing one thing: keeping the press rolling. In this episode of Platemark, we're going behind the scenes of the cornerstone of American printmaking with three powerhouses who have steered the ship—Diego Briceno, DeAnn Prosia, and Esther Schwalb. We dive into SAGA's gritty 110-year evolution, from its origins as a Brooklyn etching club to its current status as a national titan championing inclusivity and technical mastery. Discover the secrets behind their longevity, the "radical community" that supports artists for a $75 annual membership, and why this legacy is more vibrant today than ever before. Plus, don't miss the SAGA 90th Annual Exhibition, Ink and Impressions, on view at the Housatonic Museum of Art now through February 16, 2026. Show me the images !! https://sagaprints.com/ SAGA members images through the years. | |||
| S3e97 the impulsivity and expressionism of artist Chuck Webster | 30 Dec 2025 | 01:09:34 | |
Welcome to Platemark, where we dive into the creative minds shaping the art world. This week, we connect with Chuck Webster, an exceptional artist whose deep and impulsive connection to drawing is both therapeutic and transformative. From publishing his own childhood sketches to constantly finding inspiration in sources ranging from Russian folk art to urban graffiti, Chuck's work is a fascinating dialogue between instinct and refinement. Join us as he opens up about his cathartic process, how content magically emerges from form, his love for experimenting with vintage materials, and how his passion for history and antiques informs his rich, multi-layered approach to drawing, painting, and printmaking. Get ready to be inspired to view art as Chuck does: an endlessly evolving and deeply personal adventure. https://www.chuck-webster.com/ IG @chuckwebster
Show me the images!! | |||
| s3e96 directing David Krut Projects with Amé Bell | 16 Dec 2025 | 01:05:24 | |
Ready to be globally inspired? On this episode of Platemark, Ann connects with the visionary Amé Bell, Director of David Krut Projects, who wears the hats of artist, historian, and curator. From the bustling print studios of Johannesburg, Amé brought South African voices to the world stage by curating the 2022 Venice Biennale Pavilion. They dive into the profound journey of collaborating with artists, how digital spaces are rewriting the rules of curating, and even get a peek at Amé's other passion: podcasting! Find out what it takes to make a moment in art history and the enriching impact of printmaking on artists' lives.
IG @_amebell_ https://davidkrutprojects.com/about @davidkrutprojects Chopped Liver podcast on Spotify
Show me the images!! | |||
| s3e95 collaging identity with Yashua Klos | 02 Dec 2025 | 01:02:55 | |
In this episode of Platemark, Ann converses with Yashua Klos, a passionate artist finding new connections through collaborative printmaking. They discuss his unique woodblock collage technique, his journey of self-discovery, and the impact of reuniting with family. We talk about the nuances of his artistic process, the emotional resonance of his work, and the importance of representation in the art world. Don't miss this insightful conversation that intertwines personal growth, artistic expression, and the vibrant community of printmaking. Cover image: Sean Pressley Artist's IG: @yashuared Artist's website: www.yashuaklos.net Sikkema Malloy Jenkins Gallery: https://www.smjny.com/yashua-klos Wingate Studio: https://wingatestudio.com/project/yashua-klos Neiman Center: https://www.neiman.arts.columbia.edu/klos-yashua-1
Show me the IMAGES!!
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| S3e94 art law with Yayoi Shionoiri | 18 Nov 2025 | 01:02:25 | |
In this episode of Platemark, Ann talks with Yayoi Shionoiri, an arts lawyer and Vice President of External Affairs & General Counsel at Powerhouse Arts. Yayoi, who has over two decades of experience in art law, discusses her unique career path, from her initial interest in art history to working in law supporting artists and cultural workers. They talk about working together on the Brooklyn Fine Art Print Fair, the significance of transparency in art production, the evolving field of art law, and the intersections of technology and art, particularly generative AI. The conversation also highlights the collaborative and inclusive nature of the printmaking community, the impact of digital tools, and the fair's success in bringing together artists, students, and print enthusiasts. Cover art by Phong Bui @yayoi_shionoiri | |||
| S3e93 printing Peter Milton etchings with Robert Townsend | 04 Nov 2025 | 01:09:10 | |
In this episode of Platemark, Ann delves into the intricate world of prints and printmaking with master printer Robert Townsend. With over 55 years of experience, Bob shares his journey, techniques, and notable collaborations with artists like Peter Milton, Jim Dine, and Michael Mazur. They take a deep dive into plate wiping, steel facing, and other essential intaglio processes. Tune in to learn about the nuances of printing detailed etchings, and gain insights into the collaborative efforts that bring them to life. https://www.facebook.com/retownsendstudio/ IG @retownsendstudio
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| s2e35 History of Prints James Gillray | 28 Oct 2025 | 01:56:45 | |
In this History of Prints episode, Tru and Ann look at the considerable output of British satirist James Gillray (1756–1815). Younger than William Hogarth by nearly sixty years, Gillray took Hogarth's social commentary, its energy, and caustic approach, and used his skills to skewer politicians and kings, laugh at Napoleon and his empire building, point out the absurdity of the fear of vaccines, and make clear the debauchery of public executions. In fact, he's now called the father of the political cartoon. With scary parallels to current events, Gillray's acerbic eye nails it every time.
You can listen to Platemark or watch a video version. Links to all the possibilities are on the episode page at www.platemarkpodcast.com. While you're there, sign up for our newsletter-emails, which alert you to new episodes and occasional other stuff. And, do me a favor and leave us a review. It really helps people find the pod.
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| s3e92 collagraph with artist Evan Summer | 21 Oct 2025 | 01:11:17 | |
In this episode of Platemark, Ann talks with Evan Summer, who shares his journey from studying chemistry to becoming a printmaker and educator. We talk about the technical aspects and challenges of collagraph, a lesser-known printmaking technique, discussing its potential and common pitfalls. Evan also offers some essential hot tips on the technique. Evan explains the intersection of science and art in printmaking, emphasizing safety and technical precision. We also explore his dark, apocalyptic-themed landscapes contrasted with his occasional, whimsical animal prints. We talk about his his influential teachers and his teaching career at Kutztown University, as well as his experiences with international artist residencies in places like Venice and China. The episode highlights the artistic and technical expertise required in printmaking, while Evan provides valuable insights and anecdotes from his extensive career.
USEFUL LINKS IG @evansummer https://www.facebook.com/evan.summer/
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| s3e91 watercolor monotypes with artist and printer Sue Oehme | 07 Oct 2025 | 01:06:50 | |
In this episode of Platemark, Ann talks with Sue Oehme, owner of Oehme Graphics in Steamboat Springs, Colorado. Sue shares her journey into printmaking, starting with her initial foray into lithography before discovering her love for etching. We talk about the unique process and intricate technique behind her renowned watercolor monotypes, including how different surfaces and types of paper influence the final artwork. We also talk about her collaborative approach and highlight her experience with artists at Oehme Graphics. Sue also touches on her previous significant work experience at Tyler Graphics, her own artistic practice, and the recent exhibition she curated at the Steamboat Art Museum. USEFUL LINKS https://www.facebook.com/oehmegraphics https://www.instagram.com/oehmegraphics/ https://spacegallery.org/artist/sue-oehme/ https://www.jimkempnerfineart.com/susan-oehme https://steamboatartmuseum.org/museum-moments-the-art-of-printmaking-process-and-passion/
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| s3e90 Printing Black America with William Villalongo and Shraddha Ramani | 23 Sep 2025 | 01:01:56 | |
In this episode of Platemark, Shraddha Ramani and William Villalongo discuss their monumental project Printing Black America: Du Bois's Data Portraits in the 21st Century, which is being published in fall 2025. This modern update of W.E.B. Du Bois's data visualizations from 1900, which was created in response to the George Floyd protests, focuses on the lives of Black Americans today, incorporating contemporary data and research. The project includes 30 prints produced by six major printshops across the U.S., aiming to reflect the geographic and demographic shifts of Black populations since Du Bois's time. We talk about the project's historical context, some of the challenges they've faced, their personal experiences, and the significance of printmaking in preserving cultural history. We also talk about its debut in an exhibition at the Print Center in New York and the broader implications of the project for future generations. IG @wvillalongo
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| s3e89 monoprints with artist Nicholas Ruth | 09 Sep 2025 | 01:08:38 | |
In this episode of Platemark, Ann talks with artist and educator Nick Ruth to discuss his multifaceted approach to art. Nick, who lives in Rochester and teaches at Hobart and William Smith Colleges, shares insights into his work across various media, including painting, drawing, and printmaking. They talk about his creative process, particularly his use of monoprints as a space for experimentation and growth. They talk about his inspirations, such as the bizarre charm of cell towers and the intriguing backs of road signs, and how these elements serve as metaphors for human communication. They also discuss the evolution of his work over time and explore broader themes of art education, the impact of technology on human connection, and the artist's role in society.
Get in touch with Nick here: https://www.nicholashruth.com/ IG @nicholashruth FB https://www.facebook.com/nick.ruth.58 Listen to Nick on Hello, Print Friend (June 22, 2022) https://helloprintfriend.com/episode-145-nick-ruth
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| s3e88 art consulting X ministry with Quahana Hendree | 26 Aug 2025 | 00:49:48 | |
In this episode of Platemark, Dr. Quahana Hendree, owner of Q Hendree Art Consulting in St. Louis, Missouri, shares her unique journey as an art consultant. Despite not being directly involved in the printmaking scene, Dr. Hendree brings a wealth of knowledge about art and its importance in various settings including corporate, commercial, and government spaces. She discusses the multifaceted role of an art consultant, detailing how she helps businesses curate collections that reflect their identity and values, manages existing collections, and advocates for the intrinsic value of art. The conversation also delves into her background as a theologian and how this intersects with her love for art. Dr. Hendree shares insights on the therapeutic and community-building power of art, the challenges of integrating art into corporate spaces, and the importance of preserving and appreciating art in both personal and professional contexts.
LINKS https://qhendreeartconsulting.com/ IG @q_hendree_art_consulting | |||
| HoP deep dive on ONE PRINT: Peter Milton's The Train from Munich | 19 Aug 2025 | 01:13:53 | |
In Platemark's history of prints series, Ann Shafer and Tru Ludwig present a second installment of their ONE PRINT series, this time on Peter Milton's The Train from Munich, 1991. In this episode, Ann and Tru take a single work considered to be a high point in the history of prints, and pull it apart to explore its subject matter, technique, style, and composition. It's a deep, deep dive into a single work--what a luxury. All images of Peter's art are © 2025 Peter Milton / Artists Rights Society (ARS), New York. Show me the images!! | |||
| s3e87 color printing in the 18th century with Meg Grasselli and Elizabeth Savage | 12 Aug 2025 | 01:03:28 | |
In this episode Ann talks with Margaret Morgan Grasselli and Elizabeth Savage about their new, massive book, Printing Colour 1700–1830: Histories, Techniques, Functions, and Receptions (Oxford: Oxford University Press and the British Academy, 2025). The book, coming in at nearly 450 pages with 350 illustrations, is a landmark study blowing open a new field of study in print history. It offers a deep dive into a rich period of invention, experimentation, and creativity surrounding color printing in Europe between two critically important developments: four-color separation printing around 1710, and chromolithography around 1830. In their conversation, they talk about various aspects of color printing as it applies to both fine art and utilitarian goods like security printing for paper notes, advertisements, fashion, and household goods. They talk about the historical significance and technical details of color printing, the role of women in the field, and the socio-political influences of that era. And they talk about managing such a huge project and the importance of this work as a foundational study that opens up new avenues for future research. | |||
| s3e86 opening a printshop in Chiang Mai with Miranda Metcalf and Tim Pauszek | 29 Jul 2025 | 01:14:03 | |
In this episode of Platemark, Ann speaks with Miranda Metcalf and Tim Pauszek about their new venture, Hello, Print Friend Studios in Chiang Mai, Thailand. Listeners will recall Miranda hosts our sister pod, Hello, Print Friend. In addition to the podcast, she also is producing documentaries about printmaking hotspots, beginning with Oaxaca and Puerto Rico (with more to come). Together, Miranda and master printer Tim have settled in Chiang Mai, Thailand, where they have founded a new printmaking studio. They talk about the challenges and joys of setting up a printmaking residency and studio in their adopted city while giving credit to their friend, artist Kitikong Tilokwattanotai and to the local community for supporting the new studio. They talk about the welcoming nature of the Thai people, the rich art and culture to be found in Chiang Mai (particularly among its 12 printmaking studios), and the unique opportunities for artists in their residency program. Miranda and Tim also expand on their future plans for the studio and invite artists and enthusiasts to join them in Chiang Mai. Follow Miranda and Tim here: helloprintfriend.com @helloprintfriend @mirandakielland @timpauszek_studio
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| s3e85 printing vintage semiconductors with artist Deb Puretz | 15 Jul 2025 | 01:04:26 | |
In this episode of Platemark, Deb Puretz, an IT professional and artist, discusses her journey into the art world and navigating it as an outlier. Deb, originally from California and now based in South Carolina, shares her experiences of making connections, leveraging business skills, and adapting to new technologies in art. She talks about her early career in Hong Kong, the pivotal moments in her art practice, and working with semiconductors to create unique prints. Deb emphasizes the importance of connections, perseverance, and aiding fellow artists. She also touches on the evolving landscape of computer technology's impact on art. Throughout the discussion, Deb highlights key moments and influential people in her career while offering advice on maintaining motivation and seeking opportunities.
Get in touch with Deb here: www.purepuretz.com. Also, Jennifer Roberts' talk about circuitry in prints is here: https://www.youtube.com/@yaleartgallery/videos.
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| s3e84 printing in plaster with artist Jonathan Beaumont Thomas | 01 Jul 2025 | 01:16:56 | |
In this episode of Platemark, Ann talks with artist and teacher Jonathan Thomas who shares insights from his time at the Maryland Institute College of Art (MICA), the printmaking program he chairs, and his personal studio in Baltimore. We take a deep dive into his exploration of printing in plaster, detailing the technical process, historical context, and the challenges it presents compared to traditional intaglio printmaking. We talk about his shift from multi-plate color works to black and white, emphasizing the joy and struggle of achieving precise visual results. We talk about his thematic focus on narrative imagery, spirit companions, and the emotional nuances of life and death. We also talk about his educational approach, the critical role of experiential learning, and the impact of collaborative projects like those facilitated by MICA's Dolphin Press. The conversation concludes with insights into the critique process in art education, emphasizing the balance between constructive feedback and understanding the student's sensitivity.
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| s3e83 solarplate etching with Dan Welden | 17 Jun 2025 | 01:10:10 | |
In this episode of Platemark, Ann sits down with the legendary artist and printmaker Dan Welden. The artist is known for his pioneering work in solarplate etching, a revolutionary, chemical-free printmaking process. Welden recounts his experiences and collaborations with significant artists like Eric Fischl and Elaine and Willem de Kooning. He also delves into his personal creative struggles, preferences for classical music, and tales of his distinctive handmade house filled with artist tiles and unique craftsmanship. The episode is a compelling insight into Welden's artistic journey and contributions to the printmaking world.
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| s3e82 topology- and philosophy-imbued domestic scenes with Ellen Heck | 03 Jun 2025 | 01:01:04 | |
In this episode of Platemark, I talk with Ellen Heck about her artistic journey and work. We talk about the intricacies of printmaking techniques, Ellen's various portrait series, and the conceptual ideas behind her work. Ellen shares her journey from studying philosophy at Brown, to printmaking at the School of the Art Institute of Chicago, and finally working at the Kala Art Institute in Berkeley. They also explore topics like the influence of Mary Cassatt, the use of color wheels in organizing compositions, and Ellen's fascination with topology in her artwork. Our insightful conversation about the roles within the art ecosystem concludes with the philosophical underpinnings of Ellen's creative process. Starting with this episode, the images are moving to a blog post (it's a long story). Link to the images is below. | |||
| s3e81 building and fixing presses with Mike Stark | 20 May 2025 | 01:03:10 | |
In this episode of the Platemark, I interview Mike Stark, the co-founder and owner of Stark Press Company. The New Jersey-based company, run by Mike and his brother Tom, builds new presses, services old presses, and aids in moving them. They often collaborate with Perry Tymeson, a legendary press repairman. Mike shares insights into designing new presses, managing a small business, and balancing creative work. We talk about studying print media at SAIC in Chicago and establishing Stark Press. We talk about his experiences in moving heavy presses, sometimes in challenging conditions, and the special bonds within the printmaking ecosystem. www.starkpressco.com @iammikestark @pinklinepress @starkpressco
Images for Mike Stark's episode are in the blog post you will find here: | |||
| s3e80 melding printing and publishing with curatorial work with Mae Shore | 06 May 2025 | 01:02:37 | |
In this episode of Platemark, I talk with Mae Shore, a collaborative printer and owner of Shore Publishing in Tuxedo Park, New York. Mae shares her experiences working at Pace Editions with notable artists like Jim Dine and Chuck Close. She discusses the history and evolution of her gallery and print shop, which she established to merge her love for printmaking and curating exhibitions. Mae touches upon specific projects, such as her collaborations with artists like Amy Bennett, Kamrooz Aram, and Katia Santibañez and James Siena, detailing the unique processes and challenges in creating prints. The conversation also highlights the importance of print fairs, the nuances of printmaking, and Mae's backstory growing up in New York City's SOHO and Tribeca neighborhoods. Mae's reflections offer a compelling glimpse into the meticulous, collaborative, and often experimental world of printmaking. Episode image: Greg Dohler Images for Mae Shore's episode are in this blog post, as all images will be moving forward: | |||
| s3e79 contemporary Japanese prints with Michael Verne | 22 Apr 2025 | 01:08:53 | |
In this episode of Platemark, I talk with Michael Verne, the owner of the Verne Collection in Cleveland, Ohio. Mike's gallery specializes in contemporary Japanese art and works by American artists residing in Japan. We talk about the challenges and rewards of running a small gallery amid larger competitors, and the importance of finding and promoting new artists. Mike shares insights about his journey in the art world, from his childhood surrounded by art to becoming a successful gallerist without a formal art education. He recounts various personal anecdotes, including his experiences at art fairs and his unorthodox methods for discovering and showcasing artists. Mike also highlights the significance of personal relationships and passion in his business. Listeners are encouraged to visit the Verne Collection and explore the fascinating world of contemporary Japanese art.
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| s3e78 electronic arts in printmaking with Myles Calvert | 08 Apr 2025 | 01:12:04 | |
In this episode of Platemark, Myles Calvert, a printmaker and professor, shares his extensive journey from growing up in Ontario, Canada, to studying and working in the UK, and eventually returning to Alfred University in New York, to become director of the Institute of Electronic Arts. Myles discusses his experiences working at prestigious galleries in London, giving up a tenure-track position, and the pivotal moments that shaped his career. He delves into his role as the Director of IEA at Alfred, including the intricacies of managing residencies, the use of technology in printmaking, and the importance of community engagement. Myles also reflects on the challenges of academia, the value of traditional and new media in art, and his approach to student critiques. The conversation highlights Myles' passion for printmaking, his commitment to education, and his vision for the future of the IEA. https://blog.alfred.edu/iea/2024/07/01/new-director-appointed-myles-calvert/ https://www.instagram.com/alfred_iea/ https://www.instagram.com/squirrelpigeonfish/
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