Christian Warner hosts this episode focused on the human body’s capacity to navigate collective grief, moving toward not only healing,  but self-actualization. Warner is a Black interdisciplinary performer, choreographer, and director. He shares his own  experiences as well as excerpts from conversations with dance artists Dormeshia, Camille A. Brown, Ronald K. Brown, and their collaborators.

https://www.christianawarner.com/

In this episode of PillowVoices, we bring you an interview with choreographer Yin Mei. PillowScholar Suzanne Carbonneau sat down with Yin Mei to discuss her work titled Empty Traditions / City of Peonies in August, 1999. 

In a 1999 interview with Pillow Scholar Suzanne Carbonneau, Yin Mei talks about growing up in China during the Cultural Revolution, which stripped people of their history and traditions. She speaks of how her work combines her past with contemporary concerns, as she investigates and reclaims her heritage. 

Watch a clip of Empty Traditions / City of Peonies: https://danceinteractive.jacobspillow.org/yin-mei/empty-tradition-city-of-peonies/

Many choreographers draw inspiration from their ancestors, nature, and the spiritual world, and Teena Marie Custer explores some examples with help from Sandra Laronde, Christopher K. Morgan, Ananya Chatterjea, Michelle N. Gibson, and others.

In this second part of a 2-episode series, Dr. C. Kemal Nance examines the movements, meaning, and structure of the contemporary African dance technique known as Umfundalai.

https://www.umfundalai.net

Dr. C. Kemal Nance hosts this episode honoring Dr. Kariamu Welsh and celebrating the dance technique that she developed called Umfundalai.

https://www.umfundalai.net

Jennifer Edwards hosts this episode honoring the life and legacy of teacher and choreographic mentor, Bessie Schönberg. Included are excerpts of D.A. Pennebaker's documentary film entitled, "Bessie: A Portrait of Bessie Schönberg," with remembrances from Merce Cunningham, Jerome Robbins, Meredith Monk and from Schönberg herself.

Schönberg speaking about how to watch dance: https://www.youtube.com/watch?v=DaAI6uyUn0Y

With the help of his colleague Elise Bernhardt, Stephan Koplowitz traces his early years at Jacob's Pillow, where ideas were planted that led to a fruitful, life-long career and his book entitled “On Site: Methods for Site-Specific Performance Creation.” Featured are inside looks at Dancing In The Streets and Grand Central Dances, as well as Joanna Haigood's thoughts about her work process as a site choreographer. 

Book, "On Site: Methods for Site-Specific Performance Creation" https://www.stephankoplowitz.com/onsitebook

Video, "Fenestrations" (1987) https://www.youtube.com/watch?v=kxCkkMPypGc

Video, "Fenestrations2" (1999) https://www.youtube.com/watch?v=QcMW78qRuSo

Poet and dance writer Karen Hildebrand hosts this two-part podcast, focusing on dramaturgy and dance. In this second part, Hildebrand explores how dramaturgs have worked with choreographers at the Pillow, focusing on works by Bebe Miller, Jane Comfort, and Rennie Harris. Hildebrand is the former editorial director for Dance Magazine, and a past editor in chief of Dance Teacher magazine.

Poet and dance writer Karen Hildebrand hosts this two-part podcast focusing on dramaturgy and dance. In this first part, Hildebrand defines the role of a dramaturg, drawing extensively upon a 2014 PillowTalk with dramaturg Anne Davison and Scholar-in-Residence Maura Keefe.

Dr. Iquail Shaheed offers a personal reflection on the life, work, and profound impact of his teacher and mentor, Milton Myers. Shaheed frames this exploration with thinking from his recent doctoral dissertation on Myers, a mainstay of The School at Jacob’s Pillow since 1985.

Visual artist Yve Laris Cohen reflects on his exhibition at The Museum of Modern Art entitled 'Studio/Theater' with Jacob's Pillow Director of Preservation Norton Owen. The exhibition featured remnants of the Pillow's Doris Duke Theatre, which was destroyed by fire in November 2020. This is a sequel to Episode 44 with MoMA curator Martha Joseph and former Pillow Director Liz Thompson. 

Crystal U. Davis, dancer, movement analyst, scholar, and author of Dance and Belonging: Implicit Bias and Inclusion in Dance Education, unpacks implicit and explicit bias as it relates to the relationship between audiences, dance-makers, and styles of dance. 

In this episode, professor and choreographer Silvana Cardell contextualizes the work of the Mimulus Dance Company through the lens of adjacent histories and influences: Cardell from Argentina and Mimulus from Brazil.

Watch a clip of Por Um Fio:
https://danceinteractive.jacobspillow.org/mimulus-dance-company/por-um-fio/

Insights and influences, Silvana Cardell:
In Buenos Aires, Cardell learned under the mentorship of Chilean choreographer Ana Itelman and grew up attending  Oscar Araiz’s performances. From them, she understood what it took to become an artist. Their work was influenced by German expressionism's emotional depth and American dance's physicality. Iteman and Araiz were former students of German soloist dancer Dore Hoyer and American choreographer Miriam Winslow, who was strongly connected to Jacob Pillow, first as a Denishwan student in 1932 and later returning in the 1940s to perform her own work. These influences, along with a strong foundation in contemporary dance forms, ballet training, and traditional Argentinean dance forms, determined the quality of Cardell's early work, which connects to the Mimulus Dance Company’s style. Pursuing artistic growth, influenced by teacher Ana, who had been faculty at Bard College, Cardell moved between Buenos Aires and the U.S. throughout the late 1980s, first as a student at The University of the Arts,  finally settling in the U.S. in 2004 after graduating with an MFA at Temple University.  Her educational journey in Philadelphia led to work with key figures in the dance community, such as Manfred Fishbeck and Merian Soto, mentors and collaborators who fostered a creative dialogue that extends into her creative work, today.
 

 

The remains of the Pillow's Doris Duke Theatre were memorialized in an exhibition at The Museum of Modern Art by visual artist Yve Laris Cohen. In conversation are exhibition curator Martha Joseph and two participants in related performance events, former Pillow Director Liz Thompson and Preservation Director Norton Owen.

In this episode, we join Pillow Scholar Theresa Ruth Howard in conversation with Lourdes Lopez on the occasion of her tenth anniversary as artistic director of Miami City Ballet.

The entire talk can be experienced here: PillowTalk: Celebrating Lourdes Lopez 

*This episode was produced by Lisa Niedermeyer. 

Hosted by Brian Schaefer, this episode is an exploration of how gay history is intertwined with the Pillow’s very beginnings, often hiding in plain sight.

Related episodes of PillowVoices:
https://pillowvoices.org/episodes/barton-mumaw-a-cornerstone-of-the-pillow

https://pillowvoices.org/episodes/ted-shawn-jacobs-pillow-founder-in-his-own-words

*This episode was produced by Lisa Niedermeyer. 

A recording of a conversation that took place in 2002, moderated by Reginald Yates. We hear the voices of Donald McKayle, Cleo Parker Robinson, and Julie Belafonte in addition to insights and reflections from Katherine Dunham herself.

Dance scholar Cynthia Williams guides a deep dive into two different political works made by choreographer Jane Comfort in the 1990s, revealing the striking connections to American social injustices escalating today.

*This episode was directed by Lisa Niedermeyer.

Ellen Chenoweth hosts this exploration into the work of influential dance artist Liz Lerman, including the voices of Jawole Willa Jo Zollar, James Frazier, and Pamela Tatge, as well as numerous passages in Lerman's own words.

In this episode, hosted by dance and costume historian Caroline Hamilton, we learn about the summer of 1941 and the events that led to the incorporation of the Jacob's Pillow Dance Festival and the building of the Ted Shawn Theatre.  

As a founding presence at Jacob's Pillow from 1931 to 2001, Barton Mumaw embodied much of the institution's history, brought into the light by episode host Lisa Niedermeyer with Mumaw's own words.

Pillow Scholar Jennifer Edwards considers the imprint left by Martha Graham at Jacob's Pillow, with reflections from those she impacted, the work of Richard Move, and the words of Graham herself. 

Pillow Scholar Nancy Wozny explores the history of regional ballet in America through conversations and stories of three distinct ballet companies. Featured are artists with Pacific Northwest Ballet, Boston Ballet, and Houston Ballet - three companies who came together here in 2021 for a program called 'Ballet Coast to Coast.'

Additional Resources: 
Read - Point Spread: The Marvel of Regional Ballet, by Nancy Wozny

Watch - (clip) Pacific Northwest Ballet, Second to Last

Watch - (clip) Houston Ballet, Reflections 

Watch - (clip) Boston Ballet, Home Studies

Jennifer Edwards hosts this episode honoring the life and legacy of former New York City Ballet dancer, Jacques d'Amboise, in his own words. Recorded during his only Pillow appearance in 2008, d'Amboise reflects on his beginnings as a dancer and his efforts to welcome more young people into his beloved art form.

As an artist, technologist, and former dancer with Doug Elkins and Friends, Lisa Niedermeyer reflects on her time with the company and her embodied memories of performing in Fräulein Maria, the uproarious and joyful dance based on The Sound of Music. We also hear from Elkins himself, recorded during two different Pillow engagements.

https://danceinteractive.jacobspillow.org/doug-elkins-and-friends/fraulein-maria/

 

 

 

 

Hosted by Jacob's Pillow Associate Archivist Patsy Gay, this episode explores the intersection of dance and technology, diving into both history and current practice. Through the voices and perspectives of Marjani Forté-Saunders, Sydney Skybetter, Brian Brooks, Lily Baldwin, and Ilya Vidrin, we hear how technology can both hinder and enforce a dancer's embodied awareness.

Paloma McGregor remembers the life, work, and legacy of Blondell Cummings. McGregor frames this exploration through Cummings' dance work titled "Chicken Soup", designated as an American Masterpiece by the National Endowment for the Arts in 2006.

https://www.dancemagazine.com/remembering-blondell-cummings-1944-2015/

https://danceinteractive.jacobspillow.org/blondell-cummings/chicken-soup/

https://www.xartistsbooks.com/books/blondellcummings

PillowVoices composer and audio engineer Ellis Rovin ruminates on some of the ways that dance has been seen on film, drawing upon a PillowTalk by David Gere and considering examples from Fred Astaire to Merce Cunningham. 

Special thanks to New England Public Media, for their support of this episode of PillowVoices.

Adrian Madison Cario hosts this episode on the relationship between lighting design and dance, featuring some of the 20th century's most prominent designers—Tom Skelton, Beverly Emmons, Jennifer Tipton, and Mark Stanley. Now the CEO of San Francisco's Minnesota Street Project, Cario draws upon their beginnings in lighting design to illuminate different perspectives on design, collaboration, and building a world on stage.

Special thanks to New England Public Media, for their support of this episode of PillowVoices.

We join Pillow Scholar Maura Keefe in conversation with award-winning  Ana Maria Alvarez, the founder of CONTRA-TIEMPO, a multilingual Los-Angeles-based activist performing company dedicated to transforming the world through dance. This is a recast of a PillowTalk presented live on July 11, 2021. 

Special thanks to New England Public Media, for their support of this episode of PillowVoices.

In this episode we share a PillowTalk that took place at Jacob's Pillow on August 15, 2021. Pillow Scholar and Associate Curator Melanie George hosts this conversation with a foremost tradition-bearer of Black American social dance, LaTasha Barnes. Through her work, The Jazz Continuum, Barnes places jazz dance in the context of House, Hip-Hop, Waacking, and Lindy Hop. LaTasha Barnes is an internationally-recognized and award-winning dancer, choreographer, educator, performer, and ambassador of culture. She has been honored to be a frequent collaborator with Dorrance Dance, Ephrat Asherie Dance, Ladies of Hip-Hop, and Caleb Teicher & Company.

Special thanks to New England Public Media for their support of this episode of PillowVoices.

In this episode hosted by Jennifer Edwards, we celebrate the life, work, and impact of Anna Halprin (1920-2021). A visionary force in both dance and healing, Halprin played a crucial role in the evolution of post-modern dance and developing ethical social practice through art. We learn about Halprin's work from scholars Ninotchka Bennahum and Wendy Perron, from Halprin biographer Janice Ross, and from Anna Halprin herself.

Special thanks to New England Public Media for their support of this episode of PillowVoices.

*Audio note: in this episode, Ellis Rovin was our composer and editor; our engineer was Adam BW

Dance writer Wendy Perron, a former associate director of Jacob's Pillow, explores Grand Union, a maverick 1970s improvisation group based in downtown New York. Perron tells their story through the voices of four key members: Yvonne Rainer, Steve Paxton, Trisha Brown, and David Gordon.

Special thanks to New England Public Media, for their support of this episode of PillowVoices. 

Professor of dance at UCLA and Pillow Scholar, Lionel Popkin explores the complicated history and relationship between Indian dance, American modern dance, and Jacob's Pillow. Posing pointed questions about the 'use' of Indian dance movement and esthetics in the work of The Denishawn Company, the curatorial lens applied to Indian dance over time, and ultimately the influence and legacy of those choices on the dance landscape of today.

Introduction to Bharatanatyam

Lakshmi Vishwanathan: https://danceinteractive.jacobspillow.org/lakshmi-vishwanathan/varnam/

Ragamala: https://www.ragamaladance.org

Shantala Shivalingappa: http://shantalashivalingappa.com/en/

Nrityagram: https://nrityagram.org

Akram Khan: https://www.akramkhancompany.net

Aakash Odedra: https://aakashodedra.com

Pramila Vasudevan: http://www.aniccha.org

Hari Krishnan: https://www.indance.ca

Lionel Popkin: http://www.lionelpopkin.org

Lisa Niedermeyer hosts this episode exploring the connections between puppetry in contemporary dance and emerging technologies such as augmented reality, artificial intelligence and spatial computing. The episode focuses on a  piece titled "Underground River" which was conceived and directed by Jane Comfort and developed in residency at Jacob’s Pillow. We hear from puppet artist Basil Twist, the director and choreographer Jane Comfort, and one of the performers, Stephen Nunley.

Watch an excerpt of Underground River: https://danceinteractive.jacobspillow.org/jane-comfort-and-company/underground-river/

Into Sunlight trailer: https://vimeo.com/131009698

STILL: https://vimeo.com/476315913/3a7f9258bb

 

Explore Artists Mentioned in This Episode:
Christopher K Morgan and Artists
Daystar Rosalie Jones
Lemi Ponifasio
Neil Ieremia
Moss Patterson
Santee Smith
Red Sky Performance
Rosy Simas
Emily Johnson
Maura Garcia
Brooke Smiley
Dakota Camacho
Anthony Hudson 
Timothy White Eagle
AKU-MATU Alison Akootchook Warden
Deeper dive: 
Code Switch Episode, "The Hawaiin Language Nearly Died. A Radio Show Sparked its Revival."
PillowPlaylist: Indigenous Dance of the Americas 

As mentioned in this episode: https://www.youtube.com/watch?v=NckTgsBsrKE
Author Mindy Aloff shares stories from her  book Hippo in a Tutu: Dancing in Disney Animation along with screening brief film excerpts that illustrate the evolution of dance used in Disney animation from the 1930s to 1950s. Joined by Marge Champion, who is interviewed for Hippo in a Tutu and was the dancer and live model for both Snow White and the Hippopotamus Ballerina in Fantasia. Moderated by Jacob's Pillow Director of Preservation Norton Owen.

 

Watch the award-winning short film, Keep Dancing. (https://vimeo.com/153283760) 

"Singularly endearing!" - The New York Times
"Keep Dancing is a testament to the vitality of existence." - Slash Film
"Elegant gem of a film" - City Arts
"Enchantingly inspiring film!" - Backstage

After celebrated careers, legendary dancers Marge Champion and Donald Saddler became friends while performing together in the Broadway show Follies in 2001. When the show closed, they decided to rent a private studio together, and they have been choreographing and rehearsing original dances ever since. At age 90, they continue to pursue their passion for life through their love and mastery of dance. Keep Dancing seamlessly blends nine decades of archival film and photographs with present-day footage to tell a story through dance of the passing of time and the process of aging.

Official Selection at South by Southwest, Dance on Camera at Lincoln Center, Silverdocs, Sedona International Film Festival and over 25 other international film festivals. Nominated for the IDA Short Documentary of the Year Award.

In part 2 of this several-part series, we explore how dancers and choreographers have embodied and confronted social constraints and constructs. Highlighing conversations between Pillow Scholar Maura Keefe and Carmen de Lavallade, Tere O'Connor and Jawole Willa Jo Zollar, we discover personal, artistic, and political perspectives on age, culture and queerness.

In part 1 of this several-part series, we explore how some artists and thought leaders position the role and influence of governmental programs and political figures on the arts, as well as how artists excavate politics and socio-political content for creative inspiration. Drawing from the work of Liz Lerman and Mark Dendy, we explore how some artists make such work. We also experience a conversation between political commentator Rachel Maddow and Pillow Scholar Suzanne Carbonneau as they discuss the role of government, and government funding, in the arts.

PillowVoices composer and engineer Ellis Rovin takes inspiration from the Pillow's earliest composer-accompanist, Jess Meeker, with rare interviews shedding light on dance in the 1930s and the early days of Jacob's Pillow.

Dance writer Gregory King explores the work of Garth Fagan from his own perspective as a scholar and former cast member of Disney's Broadway hit, The Lion King, which Fagan choreographed. Topics range from what it means to be a Black dancer / choreographer for a (mostly) white audience, being Jamaican in a Eurocentric dance ecosystem, and the power of embodied recognition stemming from identical cultural origins.

Honoring one of his heroes, Director of Preservation Norton Owen focuses on pioneering Black dance historian Joe Nash, including the voices of Chuck Davis and Donald McKayle along with Nash himself.

In this episode hosted by Jennifer Edwards, the history, practice, and importance of Contact Improvisation is explored through a revelatory 1998 conversation with the movement's founder, Steve Paxton.

Associate Archivist Patsy Gay hosts this exploration of Pillow residencies and their value to choreographers and their creative processes. Existing side-by-side, hear the voices and experiences of two choreographers, Trisha Brown and Ephrat Asherie, even though their residencies at the Pillow were 32 years apart.

Jacob's Pillow Associate Archivist Patsy Gay hosts this episode featuring excerpts of a 1998 PillowTalk. In this conversation between choreographers Ralph Lemon and Susan Marshall, we hear insights about their own beginnings in dance along with their individual ways of creating work.

Dance Scholar Sydney Skybetter hosts this conversation with Norton Owen, Jacob's Pillow's Director of Preservation. Together they explore the intersections of choreographer Adam Weinert’s work with the history of both Jacob's Pillow and Ted Shawn.

This episode is an exploration of why we dance, why we watch dance, and the relationships between dancers, choreographers and audience members. Jacob's Pillow Scholar Jennifer Edwards, who is also the Director / Producer of PillowVoices, draws from a wide array of voices and perspectives including: The Wondertwins (hip-hop artists), Derick K. Grant (tap dancer), Dr. Thomas E. Backer (psychologist), Faye Driscoll (choreographer), Steve Paxton (dancer / contact improver), and Edward Villella (ballet dancer).

Pillow Research Fellow and dance writer J. Soto hosts this study of José Limón and his Mexican roots. Soto examines the classic solo Chaconne, and issues related to both artistry and immigration.

The legacy of ethnic dancer, choreographer, teacher, and scholar La Meri is explored in her own words, and in a contribution from Pillow founder Ted Shawn. She tells of her beginnings and her lifelong commitment to studying and teaching dances of other cultures, with commentary by Scholar-in-Residence Nancy Wozny.