People & Music Industry – Details, episodes & analysis

Music Producer and DJ Danny Briottet gives a fascinating insight into his formative years, including the global musical influences that shaped his career, being part of Rhythm Riders and organising warehouse parties across West London.

Chapters
00:00 - Introduction
00:30 - Rhythm Riders
03:15 - London Sound Systems
06:02 - Getting Into Music and Visiting Berlin
12:33 - DJing in New York
17:05 - Renegade Soundwave
22:28 - Warehouse Parties
24:20 - The First Singles on Mute
26:59 - Equipment Used in Early Recordings
30:03 - Creating A Unique Sound
35:50 - Releasing 'In Dub'
39:35 - Favourite Equipment and Workflow

Kevin Briottet Biog
Musician, DJ and producer. Founder member of Renegade Soundwave, UK electronic music pioneers at the forefront of the original dance / electronica explosion of the late 80s/ 90s with seminal tracks such as The Phantom, Women Respond To Bass and Probably A Robbery. RSW name-checked as a primary influence on artists such as The Prodigy and the Chemical Brothers, whist the 1988 release Ozone Breakdown is often cited as the first Jungle tune. 

Danny’s production and remix credits include Depeche Mode, Cypress Hill, Grace Jones, Aswad, Radiohead, Moby and Orbital, together with a wealth of World Music artists such as Esma Redzepova (Macedonia), Amina Anabi (Tunisia) and Cheick Tidiane (Mali). 

Danny Briottet continues to DJ globally playing his unique mix of dub-influenced sounds from bass and breaks, through dubbed-out deep house and downtempo electronica, and hosts The ElectroScope Show on London’s Soho Radio, mashing up electronic music from the 70s to the present.

Danny’s new full-length artist album is due for release next year.

https://www.dannybriottet.com/

Kevin Paul Biog
Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.
 
After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.

In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.

He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.

http://www.kevin-paul.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Daniel Miller, founder and chairman of Mute Records, talks to Kevin Paul about his entry into the music industry, the origins of the label and of his enduring love of modular synthesis.

Chapters
00:00 - Introduction
00:58 - Early Musical Influences
03:57 - First Encounter With Synths
06:14 - The Korg 700s
08:50 - Setting Up The Label And The First Release
11:56 - How To Choose Artists To Sign
14:10 - The Music Business
17:38 - A More Relaxed Atmosphere
19:07 - What Makes A Good Producer
20:49 - Getting Started With Modular Synths
24:35 - Discovering Eurorack
29:21 - Modular Live Performances
32:11 - Working As A DJ

Daniel Miller Biog
Daniel Miller is the founder and chairman of Mute, a record label and publishing company with a long history of global Number One chart successes. Since its launch in 1978, Mute now has an artist roster that includes Goldfrapp, New Order, Can, KÁRYYN, Daniel Blumberg, Desire Marea, Louis Carnell, Josh T. Pearson, Erasure, Swans and Miss Grit, with offices in London and New York.

Miller's early interest were electronics and synthesizers and he studied for a Diploma in Film and TV at Guildford School of Art (1969-72). After college, he worked as an assistant editor and editor in TV and advertising, before travelling and DJing across Europe. In 1976 he returned home and with a Korg 700S keyboard and a TEAC four-track recorder, made The Normal’s first single. He set up Mute to release the single in 1978 and the initial plan was for a minimum pressing of 500, but Rough Trade offered to distribute the single nationally, persuading Miller to press 2,000 copies.  Called ‘TVOD’, it was backed with ‘Warm Leatherette’ and this electro-pop classic was later covered by Grace Jones on her epochal 1980 album of the same name.

Further Mute releases soon followed and in 1980 Miller met Depeche Mode. When their original songwriter Vince Clarke left to form the synth-pop duo Yazoo in 1981, Miller suddenly found himself with two highly successful pop acts. Throughout the 1980s, Mute expanded at a careful pace, bringing Nick Cave and Erasure to the roster and expanding its international reach. New labels The Grey Area and NovaMute were launched plus a deal with Blast First saw the ‘Theme from S’Express’ become their first Number One single in 1988. Moby’s 1999 album ‘Play’ grew slowly from a modest success into a 10 million selling phenomenon.

After several years working within the structure of the Labels Division of EMI, 2010 saw the label return to its independent roots. Mute continues to nurture fresh talent and Miller remains heavily focussed on Mute’s creative output and is also a well-respected and sought after techno DJ, playing regularly worldwide.
https://mute.com/artists

Kevin Paul Biog
Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.
 
After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.

In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.

He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.

http://www.kevin-paul.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Xylo Aria talks to Caro C about her personal journey as a music artist and how it gave her the incentive to create Music Production for Women (MPW), providing online music industry training for female musicians across the globe and the opportunity to interact in forums and at events.

Chapters
00:00 - Introduction
02:20 - The Inspiration Behind MPW
06:47 - Getting Set Up
13:15 - The Courses On Offer
16:16 - Building The Team
21:56 - The Joys And The Challenges
30:48 - Future Plans
33:25 - How To Get Involved

Xylo Aria Biog
Xylo Aria is an artist, producer and the founder of online learning platform, Music Production for Women (MPW). Through MPW, she is determined to break down barriers women face when approaching music tech by creating a supportive and safe learning space. Since launch in 2019, MPW has taught in excess of 7,000 women from over 120 countries, partnered with global brands and earned Xylo a Top 50 East London Innovator of 2020 award, a finalist place in the 2022 Australian Business xCellence Awards and a place on the SheSaidSo Top 100 Alt Power list. In addition to her work with MPW, Xylo produces music which ties in her Indian Carnatic roots with contemporary downtempo moods.
https://www.xyloaria.com/
https://musicproductionforwomen.com/

Caro C Biog
Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.

URL: http://carocsound.com/

Twitter: @carocsound
Inst: @carocsound

FB: https://www.facebook.com/carocsound/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

In celebration of the 75th anniversary of the Audio Engineering Society, President Bruce Olson talks to Hugh Robjohns about their history, their role in developing standards across the industry and entrance requirements for new members.

Chapters
00:00 - Introduction
00:27 - A Brief History
01:33 - Who The Society Is For
02:46 - Entrance Requirements
04:16 - Bruce Olson Background
07:54 - Developing Standards
11:15 - Membership Benefits
15:16 - Attending Conferences
18:37 - Job And Training Opportunities
20:26 - A Fast-Moving Industry
21:48 - The Future Of Audio
24:13 - Encouraging Diversity
26:30 - AES Membership

Bruce Olson Biog
Bruce C. Olson is the founding member of Olson Sound Design LLC, a consulting firm specializing in acoustical and technical systems design for music and  theatre facilities.

As the President of the Audio Engineering Society, Chairman  of the AES Standards Committee, and having served as the Chairman of AES SC-05-05, Vice-Chairman of AES TC-EMC, AES Governor, President of his local ASA chapter, Chairman of his local AES chapter, Bruce is actively involved in the latest technology in audio and acoustics. As the Founder and President of AFMG Services North America LLC, his invaluable knowledge and over 20 years of involvement with AFMG make him the number-one expert for AFMG programs on the American continent.

Mr. Olson continues as an active musician and is a member of the Bend In The River Big Band. He is a member of AES, ASA, IEEE, SMPTE, Syn-Aud-Con, and has been an invited speaker for sessions, workshops, and seminars for the AES, AIA, ASA, InfoComm, NAMM, NSCA, Syn-Aud-Con, and USITT.

https://aes2.org/
http://olsonsound.com/

Hugh Robjohns Biog
Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Doug Rogers is President of EastWest, the Soundsonline website and owner of EastWest Studios. Here he chats to Sam Inglis about what it takes to develop their award winning sample library releases and how you can access everything via their subscription service, ComposerCloud+.

00:00 - Introduction
00:35 - The Beginnings Of ComposerCloud+
05:19 - The Scale Of Production
08:24 - Benefits Of Subscription Services
10:48 - Individual Sounds On Demand
13:24 - Developing OPUS
18:08 - The Orchestrator Tool
20:40 - The Development Of MIDI
23:59 - AI And The Musician
28:00 - Anyone Can Make Music
31:36 - Working With Top Engineers
36:46 - Outro

Doug Rogers Biog

Music producer and EastWest founder Doug Rogers is the recipient of many industry awards, including "Recording Engineer of the Year". The Art of Digital Music named him one of "56 Visionary Artists and Insiders".

In 1988 he founded EastWest, a sampled instruments library who have to date received over 120 international industry awards. The early releases were co-produced with Bob Clearmountain and in 1991, Rogers released the first collection to include MIDI driven drum loops. The first multi-velocity sampled piano collection, Ultimate Piano Collection, was released in 1995, followed by GigaSampler in 1997, a collaboration with Nemesys that pioneered the use of streaming from hard drives.

In 2003 he co-produced with Nick Phoenix the first surround sound virtual orchestra, Symphonic Orchestra, engineered by 11-time Grammy nominated classical recording engineer Keith Johnson, and recorded in a state of the art concert hall and followed that release with Symphonic Choirs. This and its predecessor, Voices of the Apocalypse, were the first music software products to enable users to type in words for the choirs to sing. This was followed in 2007 with EastWest/Quantum Leap Pianos, that was also produced in surround sound.

In 2005 Rogers established a software development division for EastWest and released the first 64-bit virtual instruments that became the new standard. More recent releases have featured top engineers and co-producers, including Shawn Murphy for the Hollywood Orchestra series, David Fridmann for The Dark Side and Fab Four with Beatle's engineer Ken Scott.

https://www.soundsonline.com/

Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Peter Wade talks to Paul White about his route into the industry, from starting out as an electronics engineer through to running his own valve amp repair company, Revalver.

Chapters
00:00 - Introduction
00:19 - Route Into The Industry
02:36 - Setting Up Revalver
03:36 - Problems With Valve Amps
04:36 - Preferred Technology
05:37 - Re-Biasing
07:00 - Classic Vox Amps
07:48 - Problematic Repairs And Schematics
08:48 - Valve vs Modern Tech
11:24 - Current Projects
12:41 - The Future Of Valve Amps

Peter Wade Biog
Peter Wade’s interest in/obsession with valve amplifiers and the valve sound formed in his teens, playing in a host of local bands.  His first proper job was repairing band equipment for a musical instrument importer and he then became a partner in “Everbimes,” importers of Randall amplification and the original and sole importer of Leo Fender’s G&L guitars.

Moving into the computer industry, he worked on “DEC” Mainframe Computers, large company Intranets and Operating Systems. He gained a Masters degree in Interactive Multimedia Production from Huddersfield University in 2000.

Peter then worked as AMS Neve’s London Engineer with clients including Abbey Road, Air, Pinewood and the BBC. He has now moved full circle, from cutting edge network and computer technology back to valve equipment.  He runs his own business in West Yorkshire, UK “Revalver,” specialising in repairs and modifications to valve guitar amplifiers.

When not in his workshop, Peter can usually be found in his home studio playing guitar, keyboards and drums - to his own satisfaction!

https://www.revalver.co.uk/

Paul White Biog
Paul White joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

Having established his own multitrack home studio in the 1970s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

http://www.cydoniacollective.co.uk/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Ricky Damian is a Grammy Award-winning Engineer/Producer who’s worked with artists such as Mark Ronson, Lady Gaga, Sam Smith, Adele, Dua Lipa, Yebba, Jorja Smith and Sampha. Ricky has been nominated for Breakthrough Producer Of The Year at the Music Producer Guild Awards 2023.

Now in their 15th year, the MPG Awards celebrate the best British talent working behind the scenes in the music industry. The winners are announced at the MPG Awards on 27th April 2023.
Music Producers Guild

Chapters
00:00 - Introduction
00:46 - Musical Background
03:43 - The Move To London
05:45 - Working At Tileyard
08:21 - Going Freelance
09:50 - A Wide Range Of Skills
13:11 - Breakthrough Producer Nomination

Ricky Damian Biog

Born in Treviso, Italy and already a musician from age 6, Ricky Damian’s career started at age 15, when he began assisting at the biggest studio in town, learning to use analog gear and tape machines while producing his own projects on the side.

At the age of 19, he moved to London to further pursue his career in music production and while attending SAE Institute he started working for legacy producer Mark Ronson as his in-house engineer, working very closely on hundreds of projects across over 8 years.

Professional of choice for artists like Sam Smith, Jorja Smith, Yebba, Sampha, Damon Albarn, Ezra Collective, Ibeyi and many others, Ricky’s multifaceted skillset allowed him to accumulate an incredibly diverse discography, multiple Grammy Nominations, a Grammy win and several Platinum certifications.

http://riccardodamian.com/

Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).

https://www.soundonsound.com

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Catherine Anne Davies, also known as The Anchoress, is a songwriter, multi-instrumentalist and producer. She in nominated in the category of Self Producing Artist at the Music Producers Guild Awards 2023.

Now in their 15th year, the MPG Awards celebrate the best British talent working behind the scenes in the music industry. The winners are announced at the MPG Awards on 27th April 2023.
Music Producers Guild

Chapters
00:00 - Introduction
00:29 - The Anchoress
02:02 - Self Producing Artist
02:51 - Keeping A Sense Of Discipline
04:27 - Self-Taught Engineer And Producer
05:14 - Learning Resources
06:39 - Continued Development
07:14 - Influenced By Older Recordings
08:14 - Time Restrictions And Deadlines
09:19 - Using Live Instruments
10:59 - Producing Other Artists
12:11 - Future Projects

Catherine Anne Davies Biog

Catherine Anne Davies (The Anchoress) is a songwriter, multi-instrumentalist and producer from Wales. From her early roots as a classically-trained flautist to her current obsession with vintage synthesizers, Davies has spent much of the last five years developing her writing and engineering skills, winning a PRS Writer/Producer award in 2019. She has previously collaborated with the London Philharmonic, Nitin Sawhney, Liam Howe (Jessie Ware, Marina), Paul Statham (Kylie, Dido) and has supported Manic Street Preachers, as well as duetting on their song ‘Dylan & Caitlin’.

Catherine joined the line-up of Simple Minds in 2014, appearing on the Big Music (2015) and Walk Between Worlds (2018) albums before departing in 2019. She released her debut solo album 'Confessions of a Romance Novelist' in 2016, a collaborative album 'In Memory of My Feelings' with Bernard Butlerin 2020 and her second solo release, 'The Art Of Losing', in 2021. The latter features guest performances from James Dean Bradfield (Manic Street Preachers) and Sterling Campbell (David Bowie, Duran Duran) and reached the #1 spot on iTunes.

http://theanchoress.co.uk/

Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).

https://www.soundonsound.com

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Mikko Gordon is a Grammy nominated mixing engineer and record producer based in London. This year he's nominated by the Music Producers Guild for Recording Engineer Of The Year and Album Of The Year along with Nigel Godrich for The Smile: ‘A Light for Attracting Attention’.

Now in their 15th year, the MPG Awards celebrate the best British talent working behind the scenes in the music industry. The winners are announced at the MPG Awards on 27th April 2023.
Music Producers Guild

Chapters
00:00 - Introduction
00:26 - Musical Background
01:07 - Getting Mentors
01:48 - Learning From Nigel Godrich
02:19 - Creative Engineering Decisions
03:52 - Hackney Road Studios
04:24 - Nominated Projects
05:27 - Other Projects
05:53 - Front-Of-House And Studio Engineering
06:38 - Forthcoming Projects

Mikko Gordon Biog

Over the course of his career, Mikko Gordon had the opportunity to work with many inspirational and talented bands and artists such as Thom Yorke and Jonny Greenwood (Radiohead), Arcade Fire, Idles, Gaz Coombes(Supergrass), Colouring and Island and sees his role as creatively facilitating them to hone their ideas into finished recordings. He's also worked with and been mentored by Radiohead Producer Nigel Godrich.

Mikko works out of his own studio, Hackney Road Studios, in Hoxton and lectures in music production at Goldsmiths, University of London where he designed the Goldsmiths Music Studios. Run by the music department, the studio operates as both an educational and commercial facility.

https://www.mikkogordon.com/

Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).

https://www.soundonsound.com

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Manon Grandjean is a freelance Mix Engineer who has previously won three Music Producers Guild awards. In 2023 she's nominated for Mix Engineer Of The Year for her work with artists Flo, Fyfe & Iskra Strings and Milk & Bone.

Now in their 15th year, the MPG Awards celebrate the best British talent working behind the scenes in the music industry. The winners are announced at the MPG Awards on 27th April 2023.
Music Producers Guild

Chapters
00:00 - Introduction
00:37 - Specialising As A Mix Engineer
01:49 - Mixing External Projects
02:39 - Having A Distinctive Sound
03:42 - Combining Outboard With In-The-Box
05:36 - Improving An Existing Mix
06:10 - Mastering Your Own Mixes
07:55 - Nominated Projects
10:06 - Working In Different Genres
11:22 - Following Music Trends
12:20 - Developing As A Engineer

Manon Grandjean Biog

Manon Grandjean is a French award-winning engineer and mixer based in London.

Manon has been building up her career in the music industry for the past 13 years, working initially freelance in renowned studios across London, and then for multi award winning songwriter/producer Fraser T Smith. During their 5 year partnership, Manon has worked on Brit winning and chart topping albums such as Stormzy’s 'Gang Signs & Prayer' and Dave’s 'Psychodrama'.

In 2017, Manon received the award for  MPG Breakthrough Engineer Of The Year at the prestigious Music Producer Guild awards, and went on to receive the award for MPG Engineer Of The Year in 2018.

Since 2020, Manon is freelance mixing and mastering in her studio at The Qube in London, working with a wide range of artists across genres such as AJ Tracey, Nao, Flo, Cat Burns, Fredo.. and had the honour to receive the award for MPG Mix Engineer of The Year in 2022.

So far Manon has been involved in 6 UK number 1s and 17 top 10s.

https://www.manongrandjean.com/

Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).

https://www.soundonsound.com

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts