Origin Stories – Details, episodes & analysis

Origin Stories is a podcast by creatives –– and for anyone curious about the workings of the creative mind. Hosted by veteran journalist Matthew Shaer, every episode of the show takes you behind the scenes of your favorite book, magazine article, TV show, podcast, or movie –– from the initial spark of curiosity to the long sessions in front of a white board. Nothing is off the table: not the frustrations and the joys, not the setbacks and the successes. New episodes weekly starting September 10th! Get behind the scenes content and more go to ⁠joinoriginstories.com⁠

Dan Taberski is a writer, director, and former producer at The Daily Show. He joins Origin Stories to discuss the podcast “Hysterical,” which centers on a strange illness that afflicted a group of girls in the New York town of LeRoy. “Hysterical,” a 2025 Pulitzer finalist in the audio reporting category, went on to win a range of awards, including Show of the Year at the Ambies, the podcasting equivalent of the Oscars. In this episode, Dan discusses his reporting and outlining approach and the importance of treating subjects (and their stories) with care and respect. “People have real wisdom about their own experience,” he says. “I'm not looking for somebody to retell the story. I'm looking for people to sort of tell me what they got from it. Like what was that experience like as a person? And very often people have thought about that. It’s sort of a fool's errand to go into these situations thinking that you know what you want people to say because you don't. Also, it would be so boring if you did.” To connect with the team and gain access to behind the scenes content, join our community at joinoriginstories.com. You can also find us on Instagram, TikTok & Youtube.

Noah Hawley is a screenwriter, novelist, and Emmy-winning director. He joins Matthew to talk about his latest TV series, Alien: Earth, which grew out of a memo he was once asked to prepare for FX chief John Landgraf. Hawley discusses his creative process, his writing regimen, and the challenges and pleasures of adapting a beloved horror franchise for a modern audience. To Hawley, good ideas have to be carefully nurtured lest they dissipate before they can be executed upon. “It's kind of like trying to feed a squirrel,” he says. “You're like, ‘No, no, come here, come here. It'll be okay.’” To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

Connie Walker, a veteran Cree journalist, was the first podcaster to win both the Pulitzer Prize and a Peabody Award in the same year. She talks about the backstory of “Stolen: Surviving St. Michael's," a deeply-personal investigation of the Canadian Indian residential school system, which she reported while at Gimlet, then the biggest podcast company in the world. To Connie, all great audio documentaries should hinge on “a question that you're trying to answer. It doesn't have to be the question that you end up asking the whole way through,” she says. “But initially, you have to start with that.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

New Yorker staff writer Patrick Radden Keefe is the author of several books, including “Empire of Pain” and “The Snakehead.” He talks with Matthew about “Say Nothing,” an award-winning book that was later adapted into a TV series on FX. On the agenda: The importance of outlining, the joys of research, and learning how and when to trust your gut. To Keefe, great reporting in 2025 must be accessible:” Personally, I want people to read what I'm writing,” he says. There's a point beyond which I'm not gonna dumb it down. But I will take no satisfaction from having like preserved, like, my belletristic integrity and insisted on the two paragraph description of what the landscape looks like,” he adds.”I do think that if you don't consider your audience, it just feels sort of self-indulgent.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

Mimi Leder is a producer, director, and two-time Emmy winner. Among her credits are films like Deep Impact and On the Basis of Sex and television programs like The Morning Show, a critically-acclaimed drama now entering its fourth season on Apple TV. In this episode of Origin Stories, she talks to Matthew about the establishing the tone of The Morning Show, the importance of creative synergy with actors and staff, and learning to honor both her experience and her gut instinct. “It’s really a process,” she says, “because something that may work on set doesn't always work editorially. Or maybe a sequence becomes something completely different than what you imagined it to be. Or it becomes even better than you thought it would be. It's very interesting: You make a movie three times. You write it, you direct it, and then you edit it. And you're remaking it every single time.”

Palestinian filmmaker Yousef Srouji is the creator of the critically-acclaimed documentary "Three Promises," which uses his mother’s old home video footage to tell an intimate story of life during the Second Intifada. Srouji talks to Matthew about coming to documentary film as a newbie and learning the tools of the trade on the job. He also discusses the difficulty of finding distribution for “Three Promises,” despite the project being largely apolitical. As for his next project, Srouji, a successful entrepreneur, is content to wait for it to arrive: “I don't like to depend on the creative process for my income. Well, let's put it that way: when it becomes a need for me to create, it's not from the heart anymore.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

Actor, writer, and producer John Hoffman talks to Matthew about co-creating and showrunning the hit television show "Only Murders in the Building,” which is now in its fifth season on Hulu. Hoffman addresses writing lines for comedic greats like Martin Short and Steve Martin, his writing schedule (start early!) and how he deals with studio notes. He also describes the wonder of having a series snap together: “For me, it’s like an internal turn of the dial that says, ‘OK, I understand it all now. I understand how the whole thing holds together thematically and emotionally and how it can be funny and all of that. I can see it.’ And once it clicks in that way, then everything's fun. Getting there is the work.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

Stephanie Foo is a veteran radio producer and longtime staffer at shows like Snap Judgment and This American Life. She joins Matthew to talk about the creation of her NYT best-selling memoir, “What My Bones Know,” which explores her early childhood trauma and her more recent diagnosis of complex PTSD. Foo discusses fart jokes, mining old journals for content, her husband’s editing skills, and how she deals with feedback. “Everything we make––everything we do our whole lives, including the way we live––should be a collaborative process,” she says. “Everything from taking edits in a Google Doc to dealing with your husband when he’s telling you to stop leaving out food. How are you going to help other people have their needs met? How are you looking out for the audience? Maybe some artists think about this differently and they make art for themselves, and they think, ‘My audience will come along for the ride.’ But for me, I was thinking very intently about my audience in every single sentence of this book.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

Brian Goldstone is a journalist and anthropologist whose reporting focuses on inequality, housing, and the fragile architecture of the American dream. In this episode of Origin Stories, Goldstone talks to Matthew about There Is No Place for Us: Working and Homeless in America, his critically-acclaimed new nonfiction book. "In the last five or six months of writing, where I was just in that sort of fever dream phase, I had started waking up at 4 AM," Goldstone says. "Because with kids, that's the only way I was going to finish this. So I would be at my desk at four in the morning. And what allowed me to keep moving forward was having an outline in front of me that had already been so heavily edited and revised. I could be confident that even if I can't see the forest for the trees right now, I know that if I just keep putting one foot in front of the other, I'm going in the right direction." To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.