Explore every episode of the podcast MickeyJoTheatre
| Title | Pub. Date | Duration | |
|---|---|---|---|
| more musical theatre lyrics Mickey-Jo HATES | MickeyJoTheatre's list of some of the worst lyrics in popular musicals | 14 oct. 2026 | 00:31:18 | |
A video has recently resurfaced which Mickey-Jo originally shared in September 2020, detailing some of the musical theatre lyrics with which he took issue. Today, he is adding to that list with more lyrics from great and popular musicals that he thinks ought to be better. Don't forget to share some of your own examples in the comments below and feel free to fight Mickey-Jo about his! check out Mickey-Jo's free substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 02:35 | the lyrics I hate... 10:25 | classic examples 20:24 | recent shows 30:12 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| was Mickey-Jo wrong about INTO THE WOODS? | Mickey-Jo's new review of the musical revival's West End transfer | 12 oct. 2026 | 00:25:22 | |
This week, Mickey-Jo headed back Into the Woods, this time to see the Bridge Theatre revival's production in its new home, transferred to the Noel Coward Theatre in the West End. This production of the Stephen Sondheim and James Lapine written musical, directed by Jordan Fein, stars Kate Fleetwood, Gracie McGonigal, Laura Pitt-Pulford, John Dagleish, Simbi Akande, Keith Ramsay, and more in a dark take on the fairytale crossover musical with designs from Tom Scutt. Having originally shared Mickey-Jo's mixed feelings about the production when it opened last year, find out whether Mickey-Jo has changed my mind about it upon closer inspection, and what he thinks of the performances from the new members of the company... • sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 04:01 | have I changed my mind? 09:35 | the performances 19:59 | what else I loved 23:32 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| INTO THE WOODS cast on opening night | interviews with the stars of the West End Revival | 11 oct. 2026 | 00:20:55 | |
After INTO THE WOODS opened at the Noel Coward Theatre, Mickey-Jo had the chance to visit the show's opening night party and interview the revival's company. Find out what Kate Fleetwood, Laura Pitt-Pulford, John Dagleish, and more had to say about their time in the production so far. sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| RENT (Tom Stoppard Theatre, West End) - ★★★★★ REVIEW | 09 oct. 2026 | 00:34:20 | |
A new production of Jonathan Larson's Pulitzer Prize and Tony Award winning musical RENT has just opened at the Tom Stoppard Theatre in the West End. The musical stars Gaten Matarazzo alongside Travis Ross, Alexa Lopez, Jeevan Braich, Danielle Fiamanya, Billy Nevers, Lazy Violet, Joaquin Pedro Valdes, and more. 30 years on from the landmark original production in New York, find out why Mickey-Jo thinks this could be the revival we've been waiting for... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 01:55 | the musical 07:39 | this production 19:17 | performances 31:54 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| As You Like It starring Jonathan Groff (Royal Shakespeare Theatre, Stratford-Upon-Avon) - ★★★★ REVIEW | 09 oct. 2026 | 00:21:25 | |
Earlier this week, the hotly anticipated new production of William Shakespeare’s AS YOU LIKE IT opened at the Royal Shakespeare Company in Stratford upon Avon. The comedy stars Tony Award winning Broadway actor Jonathan Groff as Rosalind in an all-male production directed by Daniel Evans. Check out the full review to find out what Mickey-Jo thought of this production's concept, performances, and creative choices. sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 02:07 | overview / synopsis 08:29 | creative choices 15:09 | performances 19:57 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| is it gonna be a good year for Broadway? | early thoughts on the forthcoming season of new shows | 07 oct. 2026 | 00:45:32 | |
The 2026-2027 Broadway season has officially commenced and is set to bring numerous exciting productions of plays and musicals. The new and revived shows include the likes of Paddington the Musical, Evita, Inter Alia, Paranormal Activity, Dolly, Damn Yankees, Other Desert Cities, A Few Good Men, The Sound of Music, Much Ado about Nothing, and more. Before Mickey-Jo has seen any of this season's shows on Broadway, check out his initial thoughts on all of these upcoming productions and some premature speculation as to which might win the Tony Awards... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 02:01 | new musicals 11:19 | new plays 19:14 | musical revivals 28:14 | play revivals 44:24 | conclusion • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why actors can't always be perfect | Mickey-Jo's honest thoughts on the expectations of stage performances | 05 oct. 2026 | 00:26:12 | |
Inspired by some recent social media discourse, Mickey-Jo has been thinking about whether audience members have the right to expect perfection from stage performers. Recent performances have come under intense scrutiny due to the propagation of bootleg recordings, but the truth is that onstage mishaps and mistakes are nothing new. From Angela Lansbury in Sweeney Todd to Billy Porter in Cabaret, Mickey-Jo is taking a look at some documented imperfect performances in order to ascertain which we critique more heavily, and under what circumstances it's truly fair to do so... check out Mickey-Jo's brand new substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 02:50 | what is this about? 09:38 | who makes mistakes? 16:57 | what's the problem? 24:16 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Are London's latest plays worth seeing? REVIEWS of The Standard of Living and Hay Fever | 03 oct. 2026 | 00:22:02 | |
Among the plays Mickey-Jo saw this week were the latest from James Graham: "The Standard of Living" at Theatre Royal Haymarket and a new revival of Noel Coward's "Hay Fever" at the Wyndham's Theatre. Find out what Mickey-Jo thought of each of these productions, including their creative choices, material, and performances... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 01:27 | The Standard of Living 11:02 | Hay Fever 20:59 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Who's Afraid of Virginia Woolf? starring Gillian Anderson and Billy Crudup (@sohoplace, West End) - ★★★★★ REVIEW | 02 oct. 2026 | 00:25:12 | |
Last night, Mickey-Jo saw a new production of one of his favourite plays: Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF? This new London production at @SohoPlace stars Gillian Anderson and Billy Crudup aa feuding spouses Martha and George and has already sold out the duration of its limited run. Find out whether this production lived up to Mickey-Jo's expectations and what these central performances were like... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 03:11 | synopsis / overview 07:48 | creative choices 15:52 | the performances 23:50 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Mickey-Jo saw the first preview of RENT... | everything you need to know about the West End musical revival | 29 sept. 2026 | 00:29:25 | |
The hugely anticipated West End revival of the Pulitzer Prize winning musical RENT opened last weekend at the Tom Stoppard Theatre in London. The production stands to be the biggest major revival of the show since it was originally staged. The cast includes Gaten Matarazzo as Mark, Travis Ross as Roger, Alexa Lopez as Mimi, Billy Nevers as Collins, Lazy Violet as Maureen, Olivier Award nominee Danielle Fiamanya as Joanne, Jeevan Braich as Angel and Joaquin Pedro Valdes as Benny. Find out everything you might need to know about this production including how it differs creatively from its original Manchester staging, the extent to which audience members sat onstage are involved in the show, and whether any changes have been made to the material... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 03:17 | what is it like? 09:43 | onstage seating / merch 19:03 | other creative details 27:33 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Mickey-Jo met the original West End GLINDA! | a chat with Helen Dallimore for WICKED's London Anniversary INTERVIEW | 27 sept. 2026 | 00:11:43 | |
Ahead of WICKED's 20th anniversary celebrations this weekend in London, Mickey-Jo met the West End production's very first Glinda - Helen Dallimore. Having seen Helen and Idina lead the show, which was the first West End musical Mickey-Jo ever saw, it was hugely special to ask her about her memories of the audition process, rehearsals and opening night performance. Mickey-Jo also spoke with the Australian leading lady about commercial musical theatre on the other side of the world, her recent performance in Grey Gardens, and her role in the revival that changed my life... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| The Last Ship starring Sting (Theatre Royal Drury Lane, West End) - ★★★ REVIEW | 25 sept. 2026 | 00:23:36 | |
Having been heavily revised since it first premiered more than a decade ago, the musical THE LAST SHIP is back in an international tour that has just reached London. The show, which features a score from recording artist Sting, who also appears in the production, is currently playing a brief run at Theatre Royal Drury Lane in the West End after travelling to the Netherlands, New York and Australia. Check out Mickey-Jo's thoughts after experiencing the show for the very first time... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 02:22 | synopsis / overview 11:20 | this production 16:26 | performances 21:58 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| The Curious Incident of the Dog in the Night-Time (UK Tour) - ★★★ REVIEW | 24 sept. 2026 | 00:31:38 | |
This week Mickey-Jo headed to Woking Theatre to see the new production of The Curious Incident of the Dog in the Night-Time. This revival of the play, adapted by Simon Stephens from the acclaimed book by Mark Haddon, began at the Birmingham Rep ahead of a UK Tour. Find out what Mickey-Jo thought of the new production including the different design and the choice to gender-swap the central character... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 03:27 | production changes 15:59 | creative choices 26:20 | performances About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Jane Eyre (Southwark Playhouse Elephant, London) - ★★★★ REVIEW | 24 sept. 2026 | 00:21:23 | |
More than two decades after its short-lived original Broadway run, the musical adaptation of JANE EYRE has finally received its UK professional premiere. Starring Charlie Burn and Ashley Gilmour, the production is running for a limited time at Southwark Playhouse Elephant and is co-directed by John Caird and Megan McGinnis. Check out what Mickey-Jo's thoughts of the newly intimate staging, the performances, and the extent to which Charlotte Brontë's story works as a stage musical... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com 00:00 | introduction 01:46 | the material 09:22 | creative choices 16:38 | performances 20:03 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| the best (and worst) musicals by popstars | ranking original theatre scores from recording artists | 22 sept. 2026 | 00:40:56 | |
Over the past 25 years, more and more original scores for stage musicals have been written by recording artists turned first time composers. From Sir Elton John and Dolly Parton to Hadestown and Spring Awakening, find out which Mickey-Jo thinks are the best (and worst) popstar penned original scores... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 04:12 | yet to make an impact 11:21 | some of the worst? 19:43 | the better ones 28:40 | some of the best 37:44 | the very best score? About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Q&A with the cast of the JANE EYRE Musical | post performance chat at Southwark Playhouse Elephant | 20 sept. 2026 | 00:20:16 | |
The stage musical adaptation of Charlotte Brontë's Jane Eyre premiered on Broadway more than 25 years ago, and has finally received its UK professional premiere. The show is playing at Southwark Playhouse Elephant, under the co-direction of John Caird and Megan McGinnis, with Charlie Burn starring as Jane alongside Ashley Gilmour as Rochester. On Thursday 17th September, Mickey-Jo joined producer Adam Blanshay, leading lady Charlie Burn and members of the cast for a post show Q&A discussing their discovery of the show, what they would say to Charlotte Brontë, and which lyric they would have tattooed... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| who will star in NANNY MCPHEE? | thoughts on the upcoming West End musical adaptation of the film | 19 sept. 2026 | 00:25:26 | |
It has been announced that a musical based on the NANNY MCPHEE films is coming to the West End next year. A world-class creative team has been assembled to bring Nanny McPhee to the stage including book by Academy Award®, BAFTA, Golden Globe and Emmy Award-winning actor and writer Emma Thompson (who won an Academy Award® for Best Adapted Screenplay for Sense and Sensibility), music by singer-songwriter Gary Clark (frontman of the band Danny Wilson who wrote the music for Sing Street on stage and film), with original lyrics by Emma Thompson and Gary Clark. Today Mickey-Jo is speculating about who might be playing the titular role, sharing some insights about which high profile names have been attached to workshops of the show thus far, and letting you know whether he think it has the makings of a hit... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:48 | what we know 13:13 | possible casting 22:01 | will it be a hit? About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Thelma & Louise (Young Vic Theatre, London) - ★★★★ REVIEW | 18 sept. 2026 | 00:26:20 | |
One of London's latest theatrical openings is a new musical adaptation of the Award-winning 1991 film THELMA & LOUISE. Playing at the Young Vic, the world premiere production stars Amy Lennox and Rachel Tucker in the leading roles. In this full review, find out what Mickey-Jo enjoyed about the show, how a road movie is realised onstage, and whether you should check it out for yourself... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:07 | did I enjoy it? 07:03 | the writing 12:55 | the creative choices 20:32 | the performances 25:09 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why a great show is closing on Broadway | thoughts on Two Strangers (Carry a Cake Across New York) | 17 sept. 2026 | 00:26:29 | |
In what is beginning to feel like a Broadway bloodbath, another musical has announced that it will soon be closing - the Tony-nominated original Two Strangers (Carry a Cake Across New York). The show, previously seen in London at the Criterion Theatre, will have run for a year of performances at the Longacre Theatre in New York and is soon to be soon around the US on its first National Tour. With considerable praise for its success, here are Mickey-Jo's thoughts on why Two Strangers is closing and what its enduring legacy might be... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 03:29 | closing details 11:01 | closing factors 19:52 | the show's legacy 24:57 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Were these plays brilliant or boring? LONDON THEATRE REVIEW ROUNDUP (Bloodsport, Electra / Persona, Man To Man, For Colored Girls) | 17 sept. 2026 | 00:37:03 | |
Over the last week or so, Mickey-Jo has seen a handful of different plays at four different theatres across London. They were: • Electra / Persona at the National Theatre • for colored girls who have considered suicide / when the rainbow is enuf at the Yard Theatre • Bloodsport: After Helen of Troy at Stratford East • Man To Man at the Royal Court Today Mickey-Jo is sharing his reviews of each of them, from the boring to the brilliant, and letting you know what he thought of everything from the star casting and inflated running times to the design choices and topical writing. check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 01:27 | Electra / Persona 11:33 | for colored girls... 18:07 | Bloodsport: After Helen of Troy 28:25 | Man To Man 36:03 | conclusion photo credit (production images): Monika-Rittershaus (Electra / Persona), Camilla Greenwell (for colored girls who have considered suicide / when the rainbow is enuf), Tristram Kenton (Bloodsport: After Helen of Troy), Ruediger Glatz (Man To Man) About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Mickey-Jo met the stars of THELMA & LOUISE | a chat with musical's leading ladies Amy Lennox & Rachel Tucker - INTERVIEW | 15 sept. 2026 | 00:22:25 | |
Ahead of its opening night, Mickey-Jo had the chance to sit down with the two leading ladies of the new musical adaptation of the award winning film, THELMA AND LOUISE. Amy Lennox (Cabaret, Kinky Boots) and Rachel Tucker (Wicked, Come From Away) are both established stage stars who have brought powerful performances to the stage and are no strangers to developing material. Check out what they had to say about this world premiere production at the Young Vic Theatre, workshopping new shows, and working alongside strong female creatives... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why SUNDAY IN THE PARK got cancelled | the real reasons why the revival at the Barbican is postponed | 14 sept. 2026 | 00:26:40 | |
The much-talked about upcoming West End revival of SUNDAY IN THE PARK WITH GEORGE has officially been postponed and will not run next summer at the Barbican. The musical, written by Stephen Sondheim and James Lapine, was set to star Wicked movie alums Ariana Grande and Jonathan Bailey, who have both departed the production this Summer as ticket sales have been delayed. Find out why the show's Barbican run is cancelled, whether we can expect to see the production go ahead at all and why it feels like this musical is cursed in London... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 03:32 | what's happening 12:18 | the real reasons 20:03 | is the show cursed? About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why & JULIET is closing on Broadway | why the jukebox musical is ending and thoughts on its legacy | 11 sept. 2026 | 00:27:16 | |
Yet another Broadway show has announced it will close in the first week of 2027, and this time it's the long running jukebox musical, & JULIET. The show, which expands on Shakespeare's most famous romantic tragedy with the songbook of Max Martin, has been playing at the Stephen Sondheim Theatre in New York since late 2022. Here are Mickey-Jo's thoughts on why the show will end, as well as why this represents a success story, and why its New York run exceeded the time that it spent in London... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 03:24 | the road to Broadway 08:33 | closing details 13:00 | why is it closing? 18:19 | the show's legacy 24:20 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Kimberly Akimbo (Hampstead Theatre, London) - ★★★★★ REVIEW | 10 sept. 2026 | 00:34:03 | |
The musical KIMBERLY AKIMBO is making its UK Premiere at the Hampstead Theatre in London, starring Maria Friedman. The show, written by David Lindsay-Abaire and Jeanine Tesori, was previously seen on Broadway where it won awards including the Tony for Best New Musical. Find out what Mickey-Jo thought of the show which he saw thrice across the Atlantic, and how he felt about the creative choices of this non replica production... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:18 | material 14:24 | creative choices 23:48 | performances 32:47 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Burlesque (UK Tour) - ★★ REVIEW | 06 sept. 2026 | 00:22:58 | |
After missing out on the chance to see it during its since cancelled run in Woking, Mickey-Jo headed to Cardiff earlier this week to watch the new UK Touring production of Burlesque. The musical adaptation, seen previously under different creative teams in Manchester and London, is based on the film of the same name starring Christina Aguilera and Cher. Amidst alleged backstage chaos, here are Mickey-Jo's thoughts on the actual show onstage, and whether or not it's worth the drama surrounding it... • 00:00 | introduction 02:42 | this production 08:56 | creative issues 17:24 | performances 20:54 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why is BEETLEJUICE closing in London?! | thoughts on the West End musical's box office challenges | 06 sept. 2026 | 00:24:27 | |
The fan favourite musical BEETLEJUICE, which has haunted three Broadway houses finally made its way to the West End earlier this year, but will close earlier than planned. The musical adaptation of the classic film announced today that it will conclude its run at the Prince Edward Theatre in London in January 2027. Find out why the show is coming to an end and how this ties in to its international productions thus far... • 00:00 | introduction 02:59 | the closing details 08:37 | the reasons why 18:06 | the impact 23:27 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Oh, Mary! starring Jinkx Monsoon (Trafalgar Theatre, West End) - REVIEW | 03 sept. 2026 | 00:16:53 | |
Jinkx Monsoon is the latest star of the West End production of Oh, Mary! The hit comedy play written by Cole Escola continues to run at the Trafalgar Theatre. Jinkx makes her West End debut in the show, which opened last year starring Mason Alexander Park, and won an Olivier Award for Best Entertainment or Comedy Play. After last week's gala night performance, here are Mickey-Jo's thoughts about Jinkx's portrayal of Mary as well as the exciting trajectory of her stage career... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:36 | Jinkx's stage career 08:43 | Jinkx in Oh, Mary! 15:49 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why Jonathan Bailey has left SUNDAY IN THE PARK WITH GEORGE | thoughts on the revival's future | 01 sept. 2026 | 00:17:15 | |
Following the recent news that Ariana Grande will not appear in next year's London revival of SUNDAY IN THE PARK WITH GEORGE, it has been announced that Jonathan Bailey will also depart the production. Find out more about the potential reasons behind this decision, as well as its implications for the upcoming revival and whether it will still go ahead... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:28 | Jonathan Bailey's departure 09:29 | will the show go on? 15:39 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Angels in America (Edinburgh International Festival) - REVIEW | 31 août 2026 | 00:27:35 | |
In the midst of seeing 50+ shows in a week at the Edinburgh Festival Fringe, Mickey-Jo saw exactly one production from the Edinburgh International Festival - Angels in America. This condensed, single play version of the two part epic from Tony Kushner has been directed by Ivo Van Hove and is a remounting of an earlier run in Amsterdam. Find out what Mickey-Jo thought of this adaptation, these creative choices, and the experience of seeing the play through a contemporary lens... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 03:20 | adaptation 08:15 | creative choices 17:21 | performances 24:48 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Why is SIX closing on Broadway? Thoughts on the hit musical coming to an end in New York | 31 août 2026 | 00:23:53 | |
It was announced earlier today that the Broadway production of SIX, currently playing at the Lena Horne Theatre, would end its run at the beginning of 2027. The musical, which began performances in 2020, but was unable to celebrate its official opening night until New York's theatres reopened in late 2021, is in its sixth year and has become a global phenomenon alongside its Broadway and West End success. Given the ongoing popularity of the London production, Mickey-Jo's considering why the Broadway run is ending, whether it might still have a future in New York, and what's next for the Lena Horne Theatre... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 03:54 | why is it closing? 14:21 | other factors About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Mickey-Jo met the cast of THE COMEDY ABOUT SPIES - Mischief Theatre stars on spy skills and onstage laughs | 16 août 2026 | 00:21:03 | |
The Comedy About Spies, the hilarious show from Mischief Theatre is back in the West End for a limited run at the Adelphi Theatre. Mischief Theatre are the maniacal, award-winning minds behind The Play That Goes Wrong as well as The Comedy about a Bank Robbery, Peter Pan Goes Wrong, and many more. Find out which of their co-stars makes them laugh the most onstage, what we can expect from their zany spy characters, and which member of Mischief they think would make the best (and worst) real life spy... check out Mickey-Jo’s weekly substack newsletter: www.mickeyjotheatre.substack.com About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Mickey-Jo’s favourite HADESTOWN performances: thoughts on the West End, Broadway and international casts | 16 août 2026 | 00:27:27 | |
With the proshot recording of HADESTOWN having recently been released in cinemas to tremendous success, theatre fans are once again talking about the Tony Award winning musical. Today, Mickey-Jo is sharing his thoughts on the most impactful performances I've seen in the show, between the West End, Broadway and international productions. Hear what Mickey-Jo has to say about alumni including Jack Wolfe, Jordan Fisher, Melanie La Barrie, Edwin Jonker, Victoria Hamilton-Barritt, Kurt Elling, and more, and share your own thoughts about your favourite performances in the show! sign up to Mickey-Jo’s weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 03:19 | Hermes 10:35 | Orpheus & Eurydice 17:09 | Hades & Persephone 23:55 | The Fates / conclusion • Blending American songwriting traditions, from indie folk, to pop, blues, and New Orleans-inspired jazz, Hadestown has music, lyrics, and book by acclaimed Grammy®-winning singer-songwriter and BBC Radio 2 Folk Award-winner Anaïs Mitchell who originated Hadestown as an indie theatre project and acclaimed album, before transforming the show into a genre-defying new musical alongside artistic collaborator and Tony® Award-winning director Rachel Chavkin. About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Death Note: The Musical (Barbican Theatre, London) - ★★ REVIEW | 16 août 2026 | 00:29:42 | |
After a semi staged concert presentation in 2023, DEATH NOTE the musical is back in London with a fully staged production at the Barbican Centre. Based on the hugely popular manga and anime, the musical stars Xander Pang as Light Yagami, Colin Ryan as L, Stephanie Zaharis as Misa Amane, Telly Leung as Ryuk, and Grace Mouat as Rem. Find out what Mickey-Jo thought of the narrative, score, staging, and performances in this full review... sign up to Mickey-Jo’s weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:14 | the narrative 08:28 | the material 15:35 | the creative choices 24:02 | the performances 28:21 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| could WICKED close on Broadway? | thoughts on the musical's recent box office downturn and future | 12 août 2026 | 00:24:56 | |
When a Broadway show becomes a long-runner, its lifetime spanning multiple decades, it's hard to imagine that it could ever close. However, recent grosses for the musical Wicked seem to suggest that the show, which was recently adapted for screen, has been slowing down at the box office, with some of its lowest weekly earnings in years. Today, Mickey-Jo is posing the question "what would it take for Wicked to actually close on Broadway?" and what steps might we see the show taking over the next few years in response? check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 03:06 | what's going on? 08:07 | the reasons why 13:09 | the other factors 17:59 | the next steps 22:53 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Game of Thrones: The Mad King (Royal Shakespeare Theatre, Stratford-Upon-Avon) - ★★★★ REVIEW | 11 août 2026 | 00:33:58 | |
A brand new stage play based on the "A Song of Ice and Fire" stories by George RR Martin has opened at the Royal Shakespeare Company in Stratford upon Avon. The hotly anticipated play, titled Game of Thrones: The Mad King, is adapted by Duncan Macmillan and directed by Dominic Cooke, and is an immediate prequel to "A Game of Thrones". Find out what Mickey-Jo thought of the story, the performances of this company, and the creative choices with which this has been brought to the stage. sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:38 | synopsis / writing 11:14 | staging / design 21:26 | performances 31:33 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Cats (Regent's Park Open Air Theatre, London) - ★★★★ REVIEW | 08 août 2026 | 00:31:37 | |
A new production of Andrew Lloyd Webber's CATS opened last night at Regent's Park Open Air Theatre, in London. This new, outdoor production is directed and choreographed by the venue's artistic director Drew McOnie, and will embark subsequently on a UK Tour. Find out what this production of the show is like, how it compares creatively to recent revivals elsewhere and why the press night performance offered a surprise... • 00:00 | introduction 03:53 | this revival 09:42 | creative choices 20:45 | performances 29:40 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Review Roundup (9 to 5, The Car Man, Love's Labours Lost and Grease: The Immersive Movie Musical) | 07 août 2026 | 00:36:12 | |
Last week Mickey-Jo saw four completely different productions in the space of 72 hours: • 9 to 5: the Musical on tour • Love's Labours Lost at Shakespeare's Globe • Grease: the immersive Movie Musical • The Car Man at Sadler's Wells Check out what Mickey-Jo thought of each of these productions, their new interpretations, and their creative choices... check out Mickey's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 01:51 | 9 to 5: the Musical 11:34 | Love's Labours Lost 20:12 | Grease: the immersive movie musical 28:51 | The Car Man 35:14 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Mickey-Jo stood onstage for JESUS CHRIST SUPERSTAR | everything you need to know about the standing tickets | 05 août 2026 | 00:32:06 | |
Mickey-Jo recently headed back to JESUS CHRIST SUPERSTAR at the London Palladium, but this time he wasn't seated in the auditorium, but stood onstage. This production is offering dozens of audience members at each performance the chance to book onstage standing tickets and experience the show from an intimate, alternative vantage point. This experience came with many logistical requirements as well as a unique theatrical point of view, and today he’ll be sharing everything you may need to know about both... • 00:00 | introduction 02:58 | logistics 17:35 | experience 30:34 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why Ariana Grande has left Sunday in the Park with George | the reason for the star's musical exit | 03 août 2026 | 00:22:27 | |
In a bombshell announcement, it has been confirmed this evening that Ariana Grande will not appear in next year's London revival of SUNDAY IN THE PARK WITH GEORGE. The pop star, who was set to make her London musical theatre debut alongside Wicked co-star Jonathan Bailey, will no longer star in the show as she concludes a concert tour and faces increased public commentary. Find out more about the potential reasons behind this decision, as well as its implications for the upcoming revival... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:59 | the announcement 07:23 | why has Ariana left? 16:23 | the show's future 21:23 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| should controversial actors be fired? | thoughts on the backlash for Boy George and Geno Segers | 02 août 2026 | 00:29:52 | |
The theatre industry has recently seen casting controversy on either side of the Atlantic, with Boy George departing from his planned stint in the West End revival of Jesus Christ Superstar days before he was scheduled to perform, and Geno Segers announced as Broadway's newest Hades in the Tony Award winning musical Hadestown. While the reaction online to political statements from each actor has been decisive, there is a deeper conversation to be had about how he respond to these situations, what level of reprisal is proportionate, and what would be achieved by their dismissal? Share your thoughts as Mickey-Jo's attempt to share his and find some nuance in this challenging topic. sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 04:25 | Boy George / Jesus Christ Superstar 09:50 | Geno Segers / Hadestown 16:05 | the problems 23:39 | further thoughts 28:43 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Cleansed (Almeida Theatre, London) - ★★★★ REVIEW | 31 juil. 2026 | 00:25:41 | |
Mickey-Jo headed to the Almeida Theatre, with some nervous anticipation, to see their new production of Sarah Kane's CLEANSED. This play, first seen at the Royal Court Theatre in the late 1990s, is preceded by its reputation for extreme cruelty and graphic violence, prompting audience members to faint, walk out and publicly decry it. Check out what Mickey-Jo thought of his first experience of the play in this new production from Rebecca Frecknall. sign up Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:48 | the context 06:18 | this production 14:48 | the meaning 20:57 | final thoughts About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| the ODYSSEY vs the ORESTEIA | reviews of the 2026 film and play at the Bridge Theatre | 31 juil. 2026 | 00:38:47 | |
Last week Mickey-Jo saw two of this summer's buzziest cultural arrivals: the new film adaptation of THE ODYSSEY written and directed by Christopher Nolan and the stage adaptation of THE ORESTEIA at the Bridge Theatre written and directed by Simon Stone. Today, Mickey-Jo is sharing his thoughts about each of these creative projects alongside one another, talking through their adaptations, endings, aesthetics, material and performances. Find out how these two ancient stories from Homer and Aeschylus overlap and what Mickey-Jo thought of each of them... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:38 | narrative / adaptation 08:33 | material / design 18:38 | performances 29:09 | the endings 37:24 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| should Broadway stars do 8 shows a week? | thoughts on the expectations on theatre actors in 2026 | 27 juil. 2026 | 00:28:54 | |
A conversation has been taking place recently on social media about the stamina and fortitude of Broadway performers in 2026 vs their golden age counterparts. Today, Mickey-Jo is asking what's changed about Broadway and the world surrounding it in the last century that has prompted this shift. Additionally, Mickey-Jo is sharing his thoughts on why theatre actors perhaps shouldn't be performing 8 shows each week, and how this could even be better for Broadway's box office in the long run... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 03:02 | has Broadway changed? 09:21 | the calling out problem 16:03 | why do fewer shows? 26:51 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why did critics hate TRAINSPOTTING the musical? | review roundup for the West End musical | 27 juil. 2026 | 00:41:40 | |
A few days ago, TRAINSPOTTING the musical opened at Theatre Royal Haymarket in the West End. Among the reviews have been many of the most critical verdicts a new London opening has received in some time, prompting the question: why did the critics hate Trainspotting the Musical? sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:34 | my review 05:22 | The Guardian 08:33 | WhatsOnStage 12:42 | The Standard 16:34 | The Stage 20:50 | The Telegraph 24:33 | The Financial Times 28:01 | The Times 31:25 | The Sunday Times 35:02 | The Upcoming 39:39 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why has BURLESQUE been cancelled?! | the truth behind the show's postponement, cancellation & drama | 24 juil. 2026 | 00:28:50 | |
There is yet more drama in the world of BURLESQUE the Musical as it was announced earlier this week that its two concurrently readying UK productions would each face some postponement. The show's London return, at the Arts Theatre at Marble Arch, has been delayed to 2027 and will no longer play at the same venue, while the UK tour has cancelled its first stop in Woking and will now begin performances in Sunderland. With considerable history of offstage drama, Mickey-Jo is taking a look back at prior productions of the show in order to highlight exactly why this keeps happening... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:22 | the show's history 09:23 | the cancellation details 19:25 | the show's future 27:42 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Midnight at the Never Get starring Ben Platt (Menier Chocolate Factory, London) - ★★★★ REVIEW | 24 juil. 2026 | 00:23:49 | |
Earlier this week, MIDNIGHT AT THE NEVER GET opened at the Menier Chocolate Factory in London. The new musical, written by Mark Sonnenblick, stars Ben Platt and sees the off West End venue reconfigured as an intimate 1960s Cabaret space. Check out Mickey-Jo's spoiler-free and spoiler inclusive thoughts in tandem about this affecting new musical with a pastiche score... • 00:00 | introduction 02:49 | overview (spoiler free) 13:47 | development (spoilers!) 22:24 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| 15 musical revivals we need to see | Mickey-Jo's Broadway and West End theatre wishlist | 22 juil. 2026 | 00:32:48 | |
Mickey-Jo is answering one of his most frequently asked questions: which musical revival would you like to see next? Mickey-Jo is sharing 15 shows he would like to see revived either on Broadway or in the West End as well as his thoughts on how, where, and with whom they ought to be staged. Let Mcikey-Jo know which of these you would like to see as well as which revivals you are waiting for... check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| why Mickey-Jo won't see HEATHERS again... | thoughts on the fan favourite musical in 2026 | 21 juil. 2026 | 00:27:37 | |
Mickey-Jo recently returned to HEATHERS THE MUSICAL, which is back in London once more at its new home - The Arts at Marble Arch. Having seen the show several times since it first arrived in the UK, Mickey-Jo was surprised by his reaction to the largely identical production and the feeling that the show was no longer one which he could enjoy. For Mickey-Jo's thoughts about this latest iteration of Westerburg High School, plus reflections on Hesthers' history and legacy, check out his latest review. check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:10 | the history of the show 09:22 | the current run 19:56 | the legacy of Heathers 26:44 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| RIDE THE CYCLONE London cast Q&A | post show discussion at Southwark Playhouse Elephant, Summer 2026 | 20 juil. 2026 | 00:32:26 | |
Mickey-Jo recently hosted a post show Q&A with the company of RIDE THE CYCLONE after their performance at Southwark Playhouse Elephant. The cult hit musical received its UK premiere at the venue last year and has returned amidst huge popular demand for another engagement, with some additional cast members. Check out what they had to say about their discovery of the show, their favourite numbers to be a part of, and what it's been like performing in a heatwave. check out Mickey-Jo's free weekly substack newsletter: www.mickeyjotheatre.substack.com About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||
| Off-West End Review Roundup (Ride the Cyclone, Hit Machine, The Jonathan Larson Project & Hole!) | 19 juil. 2026 | 00:36:20 | |
This week Mickey-Jo saw 4 shows at Off West End Theatres: • The Jonathan Larson Project at Southwark Playhouse Borough • Ride the Cyclone at Southwark Playhouse Elephant • Hit Machine at Soho Theatre • Hole! at Soho Theatre Check out what Mickey-Jo thought of the material, creative choices, and performances in each production. sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 01:52 | The Jonathan Larson Project 11:46 | Ride the Cyclone 20:54 | Hit Machine 28:11 | Hole! 35:19 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information. | |||